gkfoes vjgoaf // The Joy of Awakening LP
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gkfoes vjgoaf // The Joy of Awakening LP
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ポストニューエイジ代表レーベルのひとつInner Islands主宰Sean Conradのgkfoes vjgoaf名義でのLP。DLコード付き。
レーベルその他作品はこちら /// Click here to see more Inner Islands releases available at Tobira.
---------------------------
The joy of awakening to new energies. Establishing my link to the Earth and its magick.
- Sean Conrad (gkfoes vjgoaf)
Artist : gkfoes vjgoaf
Label : Inner Islands
ポストニューエイジ代表レーベルのひとつInner Islands主宰Sean Conradのgkfoes vjgoaf名義でのLP。DLコード付き。
レーベルその他作品はこちら /// Click here to see more Inner Islands releases available at Tobira.
---------------------------
The joy of awakening to new energies. Establishing my link to the Earth and its magick.
- Sean Conrad (gkfoes vjgoaf)
Artist : gkfoes vjgoaf
Label : Inner Islands
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{"id":9038222655738,"title":"JJJJJerome Ellis \/\/ Vesper Sparrow CD","handle":"jjjjjerome-ellis-vesper-sparrow-cd","description":"\u003cp\u003eグレネダ／ジャマイカ／アメリカのマルチ奏者JJJJJerome Ellisが、\u003cspan\u003e2025年11月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"JJJJJerome Ellisは、沈黙と可能性の狭間に心地よく居場所を見出す。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eグレナダ・ジャマイカ・アメリカ系の黒人障害者アーティストは、サックス、オルガン、ハンマードダルシマー、電子音、そして自らの声で雰囲気のある音響風景を創り出す。即興は彼らの芸術性の核心であり、しばしば録音の大塊を削り取り、大理石の彫刻家のように作品を顕現させる。この広範で学際的な実践により、JJJJJeromeは録音音楽、ライブ演劇・パフォーマンスアート、作曲、スポークンワードやストーリーテリング、音を取り入れたマルチメディア／ビジュアル作品など、あらゆる媒体や形式に適応できる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e吃音のある人間として生きる中で、口を使って自己表現することは成長過程で困難を伴った。パフォーマンス名「JJJJJerome」を綴る習慣は、最も頻繁に吃音する言葉が自身の名前であるという気づきに由来する。子供の頃に短期間言語療法を受けたものの、中学1年でサックスを手にした瞬間、全てがはまった。「今でもサックスを吹く時は吃るけど、それは違う種類の吃りなんだ」アーティストとしての創造的理念は、音楽を通じた吃りの探求と、それぞれが時間を形作る能力についての考察に集約される。彼らは芸術によって吃りを尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 近々リリースされるセカンドアルバム『Vesper Sparrow』（Shelter Press）は、黒人宗教の伝統と継承との結びつきから生まれた作品である。これは、時間というレンズを通して、音楽と音、吃音、そして黒人性の交差点をアーティストが継続的に探求する姿勢の延長線上にある。アルバムは二つの完結した思想で構成され、録音された吃音を軸としている。JJJJJeromeは4部構成の楽曲「Evensong」を、第2部で吃音をフェードアウトさせることで分割し、その間に第3部と第4部（「Vesper Sparrow」と「Black-Throated Sparrow」）を挟み込む。開かれた時間を埋める機会について、彼らは「吃音が構造化の一瞬となる」と説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして「中断」はJJJJJeromeの音楽言語に不可欠となる。吃音もグラニュラー合成も時間を中断させ、「その瞬間を複数の方法で体験し、横断し、他者と繋がる道を開く」。アーティストはさらにポップ・プロダクションの要素——インディーロックに影響を受けた電子音の質感や歪み、カリブ音楽やアフリカ系アメリカン音楽に由来するスポークンワード、サンプリング、音響操作——も取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=225623914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve + OBI. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Evensong, part 1 (for and after June Kramer) 03:23\u003cbr\u003e2. Evensong, part 2 (for and after James Harrison Monaco) 03:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Vesper Sparrow (feat. Haruna Lee, James Harrison Monaco, Ronald Peet, and S T A RR (busby)) 08:43\u003cbr\u003e\u003c\/span\u003e4. Savannah Sparrow (for and after Kenita Miller) 16:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Evensong, part 3 (for and after Jessica Valoris) 02:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Evensong, part 4 (for and after okcandice) 02:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, including recorded music, live theatrical and performance art, scoring, spoken word and storytelling, and multimedia\/visual works that incorporate sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving as a person who stutters, using their mouth to express themselves proved difficult growing up. The practice of spelling their performance moniker “JJJJJerome” stems from the realization that the word they stutter most frequently is their own name. Despite a brief placement in speech therapy as a child – Everything clicked when they picked up the saxophone in seventh grade. “I still stutter on the saxophone, but it’s different.” As an artist, their creative ethos now revolves around the exploration of stuttering through music, expounding upon the ability of each to shape time. They\u003cspan class=\"bcTruncateMore\"\u003e honor the stutter through art.\u003cbr\u003e\u003cbr\u003eTheir career began when they started to improvise along with John Coltrane and Billie Holiday CDs on the horn. But as someone drawn to navigating limitations, JJJJJerome has since blossomed into an adept multi-instrumentalist, each instrument being a watershed in paving new avenues of potential sound worlds. Their voice is additionally guided by a reverence for the earth and ancestors – both human and otherwise. With maternal familial ties to the church, and memorable stories of their grandmother performing as a pianist and organist, JJJJJerome’s recent affinity for keyboards holds a meaningful weight.\u003cbr\u003e\u003cbr\u003eForthcoming sophomore record Vesper Sparrow (Shelter Press) is born out of this connection to Black religious tradition and inheritance. It is a continuation of the artist’s ongoing study of the intersections between music and sound, stuttering, and Blackness, through the lens of time. The album is comprised of two complete thoughts, and hinges on a recorded stutter. JJJJJerome splits the four-part composition “Evensong” by fading out the stutter in part two, and sandwiches tracks three and four (“Vesper Sparrow” and “Black-Throated Sparrow”) in-between. “The stutter becomes a structuring moment,” they explain, regarding the opportunity to fill the time opened up.\u003cbr\u003e\u003cbr\u003eSuspension, then, becomes integral to JJJJJerome’s musical language. Both stuttering and granular synthesis can suspend moments in time, and “invite multiple ways of inhabiting, traversing, and connecting with others in those moments.” The artist also pulls in elements of pop production – electronic textures and distortions inspired in part by indie-rock; and spoken word, sampling, and audio manipulation drawn from Caribbean and Black American musics. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JJJJJerome Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP165cd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T16:19:06+09:00","created_at":"2025-12-23T11:05:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","folk \/ left-field pop","new","recommended","shelter press"],"price":244900,"price_min":244900,"price_max":244900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148948877562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JJJJJerome Ellis \/\/ Vesper Sparrow CD","public_title":null,"options":["Default Title"],"price":244900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362412043","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","options":["Title"],"media":[{"alt":null,"id":37877502148858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","width":700},{"alt":null,"id":37877502181626,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eグレネダ／ジャマイカ／アメリカのマルチ奏者JJJJJerome Ellisが、\u003cspan\u003e2025年11月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"JJJJJerome Ellisは、沈黙と可能性の狭間に心地よく居場所を見出す。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eグレナダ・ジャマイカ・アメリカ系の黒人障害者アーティストは、サックス、オルガン、ハンマードダルシマー、電子音、そして自らの声で雰囲気のある音響風景を創り出す。即興は彼らの芸術性の核心であり、しばしば録音の大塊を削り取り、大理石の彫刻家のように作品を顕現させる。この広範で学際的な実践により、JJJJJeromeは録音音楽、ライブ演劇・パフォーマンスアート、作曲、スポークンワードやストーリーテリング、音を取り入れたマルチメディア／ビジュアル作品など、あらゆる媒体や形式に適応できる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e吃音のある人間として生きる中で、口を使って自己表現することは成長過程で困難を伴った。パフォーマンス名「JJJJJerome」を綴る習慣は、最も頻繁に吃音する言葉が自身の名前であるという気づきに由来する。子供の頃に短期間言語療法を受けたものの、中学1年でサックスを手にした瞬間、全てがはまった。「今でもサックスを吹く時は吃るけど、それは違う種類の吃りなんだ」アーティストとしての創造的理念は、音楽を通じた吃りの探求と、それぞれが時間を形作る能力についての考察に集約される。彼らは芸術によって吃りを尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 近々リリースされるセカンドアルバム『Vesper Sparrow』（Shelter Press）は、黒人宗教の伝統と継承との結びつきから生まれた作品である。これは、時間というレンズを通して、音楽と音、吃音、そして黒人性の交差点をアーティストが継続的に探求する姿勢の延長線上にある。アルバムは二つの完結した思想で構成され、録音された吃音を軸としている。JJJJJeromeは4部構成の楽曲「Evensong」を、第2部で吃音をフェードアウトさせることで分割し、その間に第3部と第4部（「Vesper Sparrow」と「Black-Throated Sparrow」）を挟み込む。開かれた時間を埋める機会について、彼らは「吃音が構造化の一瞬となる」と説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして「中断」はJJJJJeromeの音楽言語に不可欠となる。吃音もグラニュラー合成も時間を中断させ、「その瞬間を複数の方法で体験し、横断し、他者と繋がる道を開く」。アーティストはさらにポップ・プロダクションの要素——インディーロックに影響を受けた電子音の質感や歪み、カリブ音楽やアフリカ系アメリカン音楽に由来するスポークンワード、サンプリング、音響操作——も取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=225623914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve + OBI. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Evensong, part 1 (for and after June Kramer) 03:23\u003cbr\u003e2. Evensong, part 2 (for and after James Harrison Monaco) 03:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Vesper Sparrow (feat. Haruna Lee, James Harrison Monaco, Ronald Peet, and S T A RR (busby)) 08:43\u003cbr\u003e\u003c\/span\u003e4. Savannah Sparrow (for and after Kenita Miller) 16:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Evensong, part 3 (for and after Jessica Valoris) 02:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Evensong, part 4 (for and after okcandice) 02:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, including recorded music, live theatrical and performance art, scoring, spoken word and storytelling, and multimedia\/visual works that incorporate sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving as a person who stutters, using their mouth to express themselves proved difficult growing up. The practice of spelling their performance moniker “JJJJJerome” stems from the realization that the word they stutter most frequently is their own name. Despite a brief placement in speech therapy as a child – Everything clicked when they picked up the saxophone in seventh grade. “I still stutter on the saxophone, but it’s different.” As an artist, their creative ethos now revolves around the exploration of stuttering through music, expounding upon the ability of each to shape time. They\u003cspan class=\"bcTruncateMore\"\u003e honor the stutter through art.\u003cbr\u003e\u003cbr\u003eTheir career began when they started to improvise along with John Coltrane and Billie Holiday CDs on the horn. But as someone drawn to navigating limitations, JJJJJerome has since blossomed into an adept multi-instrumentalist, each instrument being a watershed in paving new avenues of potential sound worlds. Their voice is additionally guided by a reverence for the earth and ancestors – both human and otherwise. With maternal familial ties to the church, and memorable stories of their grandmother performing as a pianist and organist, JJJJJerome’s recent affinity for keyboards holds a meaningful weight.\u003cbr\u003e\u003cbr\u003eForthcoming sophomore record Vesper Sparrow (Shelter Press) is born out of this connection to Black religious tradition and inheritance. It is a continuation of the artist’s ongoing study of the intersections between music and sound, stuttering, and Blackness, through the lens of time. The album is comprised of two complete thoughts, and hinges on a recorded stutter. JJJJJerome splits the four-part composition “Evensong” by fading out the stutter in part two, and sandwiches tracks three and four (“Vesper Sparrow” and “Black-Throated Sparrow”) in-between. “The stutter becomes a structuring moment,” they explain, regarding the opportunity to fill the time opened up.\u003cbr\u003e\u003cbr\u003eSuspension, then, becomes integral to JJJJJerome’s musical language. Both stuttering and granular synthesis can suspend moments in time, and “invite multiple ways of inhabiting, traversing, and connecting with others in those moments.” The artist also pulls in elements of pop production – electronic textures and distortions inspired in part by indie-rock; and spoken word, sampling, and audio manipulation drawn from Caribbean and Black American musics. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JJJJJerome Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP165cd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
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¥2,449
クイックビュー
{"id":9038129463546,"title":"Shabason, Krgovich, Tenniscoats \/\/ Wao LP","handle":"shabason-krgovich-tenniscoats-wao-lp","description":"\u003cp\u003e\u003cspan\u003eShabason, Krgovich, Tenniscoatsが、2025年8月にアメリカの老舗レーベルWestern Vinylからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜インディーフォーク8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2122371159\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-our-detour\" title='\"Shabason, Krgovich, Tenniscoats\" - Our Detour' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003e\"Shabason, Krgovich, Tenniscoats\" - Our Detour\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2138306568\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-lose-my-breath\" title='Shabason, Krgovich, Tenniscoats - \"Lose My Breath\"' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eShabason, Krgovich, Tenniscoats - \"Lose My Breath\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes double sided insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 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Only when the recordings arrived in the mail a few weeks later did that dreamy state sharpen into a memory and a moment that you can now revisit, over and over again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich, Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV284lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T08:41:27+09:00","created_at":"2025-12-23T08:40:58+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","western vinyl"],"price":397400,"price_min":397400,"price_max":397400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148731560186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shabason, Krgovich, Tenniscoats \/\/ Wao LP","public_title":null,"options":["Default Title"],"price":397400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563170069","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","options":["Title"],"media":[{"alt":null,"id":36480400326906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao1.jpg?v=1754386303","width":700},{"alt":null,"id":36480400359674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wao2.jpg?v=1754386303","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eShabason, Krgovich, Tenniscoatsが、2025年8月にアメリカの老舗レーベルWestern Vinylからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・フォーク〜インディーフォーク8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2122371159\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-our-detour\" title='\"Shabason, Krgovich, Tenniscoats\" - Our Detour' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003e\"Shabason, Krgovich, Tenniscoats\" - Our Detour\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/2138306568\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\" title=\"Western Vinyl\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eWestern Vinyl\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/western_vinyl\/shabason-krgovich-tenniscoats-lose-my-breath\" title='Shabason, Krgovich, Tenniscoats - \"Lose My Breath\"' style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eShabason, Krgovich, Tenniscoats - \"Lose My Breath\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes double sided insert. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Departed Bird\u003cbr\u003e2. A Fish Called Wanda\u003cbr\u003e3. Shioya Collection\u003cbr\u003e4. Our Detour 04:54\u003cbr\u003e5. At Guggenheim\u003cbr\u003e6. Ode to Jos'\u003cbr\u003e7. Look Look Look\u003cbr\u003e8. Lose My Breath 04:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"In April 2024, Joseph Shabason and Nicholas Krgovich set off on a two-week tour of Japan, their first time performing in the country as Shabason \u0026amp; Krgovich. In an act of well-coordinated serendipity, Koji Saito of 7e.p. records enlisted Saya and Ueno of Tenniscoats, the revered Japanese duo, to tour with and perform backing band duties throughout their stops in Matsumoto, Nagoya, Kobe, Kyoto, and Tokyo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe four could only rehearse twice, but it was all they needed. Their connection was immediate and felt in the music; their shows fluid, elastic, and just the right amount of unpredictable. Saito had anticipated this simpatico and arranged for recording engineers to meet them in Kobe, where they had a two-day stay at the famed Guggenheim House, a 117-year-old colonial-style residence that had been converted into an artist residency.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no songs prepared, they began to play with melodies, improvising and pulling pieces from that spontaneity into wholes. Saya and Krgovich soon realized the closeness in their approach to lyric writing. From sharing Japanese nicknames for clouds while looking at the sky above a rest stop (fishscale cloud, dragon cloud, sardine cloud, sleep cloud, sheep cloud), searching\u003cspan class=\"bcTruncateMore\"\u003e for matching socks in a bin at a clothing store, to an ode to Tan Tan, a beloved panda who had recently died of old age at the Kobe Oji Zoo — they both seek out and sing to the magic in the everyday.\u003cbr\u003e\u003cbr\u003eThat’s what this experience came to feel like: magic, every day. As the group worked, they watched the Pacific Ocean advance and recede from the windows of the Guggenheim House. Over those two days, they’d compose and record eight songs, listed in order of creation, on the album that came to be called Wao.\u003cbr\u003e\u003cbr\u003e\"What is also cool about the album is that the house is very much not a recording studio so it sounds super live and because it's also right on the train tracks you can often hear the train in the recordings as it drives by. To me it adds so much charm and personality,\" Joseph describes. \"The whole thing felt like a dream and was over so quickly so I kinda forgot about it until a few weeks after I got home. When I opened up the sessions is was really clear that we had done something special.\"\u003cbr\u003e\u003cbr\u003eIt all happened so quickly, an enchanting whirl. Dreamlike, they had fallen into and out of it. Only when the recordings arrived in the mail a few weeks later did that dreamy state sharpen into a memory and a moment that you can now revisit, over and over again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shabason, Krgovich, Tenniscoats\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV284lp\u003c\/span\u003e\u003c\/p\u003e"}
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Shabason, Krgovich, Tenniscoatsが、2025年8月にアメリカの老舗レーベルWestern Vinylからリリースした共作レコードです。 アンビエント・フォーク〜インディーフォーク8曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Western Vinyl · "Shabason, Krgovich, Tenniscoats" - Our...
¥3,974
クイックビュー
{"id":9038123204858,"title":"total wife \/\/ come back down TAPE","handle":"total-wife-come-back-down-tape","description":"\u003cp\u003eアメリカ・テネシーのレフトフィールド・ポップデュオtotal wifeが、2025年9月にペンシルベニアのインディーレーベルJulia's Warからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ〜レフトフィールド・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1864883118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003ehere\u003c\/a\u003e to see more Julia's War releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. in my head\u003cbr\u003e2. peaches\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. internetsupermagazine\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. naoisa\u003cbr\u003e\u003c\/span\u003e5. second spring \u003cbr\u003e6. still asleep\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. chloe\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. (dead b)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. ofersi3\u003cbr\u003e\u003c\/span\u003e10. make it last \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eJulia's War:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCome Back Down, the new album by Nashville experimental-pop duo Total Wife, was born from the edge of sleep. When composer and producer Luna Kupper would begin to fall asleep during late-night mixing sessions, the songs would follow her into the halfway place between dream and lucidity. Like Dale Cooper in Twin Peaks, she’d wake with a new perspective on the puzzle she was piecing together. “I’m a psychological mixer — I’m trying to think of how someone’s experiencing the sound, versus getting stuck in trying to make all these different tones and using all this gear to make something sound a certain way,” Kupper says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd like a spiral from waking life into dream, the songs on Come Back Down are endlessly self-referential, building whole universes from a single point. Kupper sold all of her synths to make rent before she started working on the album, and so every inorganic sound is instead built from samples of the band’s own work. A guitar on one song may be reprocessed and used as a synth on the next, while everywhere on the album vocal samples are taken from a single unreleased cover of Elliott Smith’s “Between the Bars.” In tribute to this process, the album was almost named The Julia Set after the mathematical equation which feeds into itself again and again\u003cspan class=\"bcTruncateMore\"\u003e, creating beautiful fractal images. The intention was to create something complex but accessible; experimental, yet precise and without abstraction.\u003cbr\u003e\u003cbr\u003eIn her lyrics, too, main vocalist and co-composer Ash Richter is as straightforward as she’s ever been. She drew on her experience of pandemic isolation to write about connection and disconnection, using her lyrics as a tool for the communication that was missing in everyday life. On the soaring, shoegazey track “peaches”, a storm that forced the cancellation of a recording session became a metaphor for emotional distance. “still asleep” chronicles Richter’s euphoria after Total Wife’s first tour, and watches it begin to curdle into paranoia. “Thank the full moon, my heart is overflowing,” she sings, before: “Is there such a thing as too happy?” The experience of isolation was prompting Richter to think back to her childhood, a time marked for her by solitude and natural play — climbing trees, making mud pies, getting lost in the woods. On tracks like “in my head” and “second spring”, she uses the imagery of nature to recall that time and forge a connection with her lonely inner child. “I feel connected with transcendentalist writing and magical realism — trying to convey things in a concrete way, but with that element of psychology and mystery,” she says.\u003cbr\u003e\u003cbr\u003eRichter and Kupper, friends from high school, formed Total Wife in 2016, relocating from Boston to Nashville in 2020. Both are visual artists as well as musicians, which they incorporate into their work with Total Wife via layered and purposeful visuals. A DIY streak underpins everything that they do — from handling their own artwork and music videos to recording their own music, releasing tapes through their label Ivy Eat Home, and hosting house shows in the basement they’ve christened Ryman 2. In Nashville they’ve settled into a weirdo scene living under the record industry’s floorboards, a hive of collaborative and creative energy that has made them excited to call the city home. They also assembled a live band for the first time shortly after moving to Nashville, consisting of Ryan Bigelow, Sean Booz and Billy Campbell — injecting their creative process with a jolt of spontaneity and aliveness that has fed back into Come Back Down.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : total wife\u003c\/p\u003e\n\u003cp\u003eLabel : Julia's War\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJWR091cass\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T08:18:36+09:00","created_at":"2025-12-23T08:18:08+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","julia's war","new","tape"],"price":218600,"price_min":218600,"price_max":218600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148709441786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"total wife \/\/ come back down TAPE","public_title":null,"options":["Default Title"],"price":218600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"716892698002","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/come.jpg?v=1756434258","\/\/tobirarecords.com\/cdn\/shop\/files\/come2_d160982a-0b72-4da7-8075-3c642832e6ef.jpg?v=1756434258"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/come.jpg?v=1756434258","options":["Title"],"media":[{"alt":null,"id":36676837376250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/come.jpg?v=1756434258"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/come.jpg?v=1756434258","width":700},{"alt":null,"id":36676837441786,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/come2_d160982a-0b72-4da7-8075-3c642832e6ef.jpg?v=1756434258"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/come2_d160982a-0b72-4da7-8075-3c642832e6ef.jpg?v=1756434258","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テネシーのレフトフィールド・ポップデュオtotal wifeが、2025年9月にペンシルベニアのインディーレーベルJulia's Warからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ〜レフトフィールド・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1864883118\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/julwa\"\u003ehere\u003c\/a\u003e to see more Julia's War releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. in my head\u003cbr\u003e2. peaches\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. internetsupermagazine\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. naoisa\u003cbr\u003e\u003c\/span\u003e5. second spring \u003cbr\u003e6. still asleep\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. chloe\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. (dead b)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. ofersi3\u003cbr\u003e\u003c\/span\u003e10. make it last \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eJulia's War:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCome Back Down, the new album by Nashville experimental-pop duo Total Wife, was born from the edge of sleep. When composer and producer Luna Kupper would begin to fall asleep during late-night mixing sessions, the songs would follow her into the halfway place between dream and lucidity. Like Dale Cooper in Twin Peaks, she’d wake with a new perspective on the puzzle she was piecing together. “I’m a psychological mixer — I’m trying to think of how someone’s experiencing the sound, versus getting stuck in trying to make all these different tones and using all this gear to make something sound a certain way,” Kupper says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd like a spiral from waking life into dream, the songs on Come Back Down are endlessly self-referential, building whole universes from a single point. Kupper sold all of her synths to make rent before she started working on the album, and so every inorganic sound is instead built from samples of the band’s own work. A guitar on one song may be reprocessed and used as a synth on the next, while everywhere on the album vocal samples are taken from a single unreleased cover of Elliott Smith’s “Between the Bars.” In tribute to this process, the album was almost named The Julia Set after the mathematical equation which feeds into itself again and again\u003cspan class=\"bcTruncateMore\"\u003e, creating beautiful fractal images. The intention was to create something complex but accessible; experimental, yet precise and without abstraction.\u003cbr\u003e\u003cbr\u003eIn her lyrics, too, main vocalist and co-composer Ash Richter is as straightforward as she’s ever been. She drew on her experience of pandemic isolation to write about connection and disconnection, using her lyrics as a tool for the communication that was missing in everyday life. On the soaring, shoegazey track “peaches”, a storm that forced the cancellation of a recording session became a metaphor for emotional distance. “still asleep” chronicles Richter’s euphoria after Total Wife’s first tour, and watches it begin to curdle into paranoia. “Thank the full moon, my heart is overflowing,” she sings, before: “Is there such a thing as too happy?” The experience of isolation was prompting Richter to think back to her childhood, a time marked for her by solitude and natural play — climbing trees, making mud pies, getting lost in the woods. On tracks like “in my head” and “second spring”, she uses the imagery of nature to recall that time and forge a connection with her lonely inner child. “I feel connected with transcendentalist writing and magical realism — trying to convey things in a concrete way, but with that element of psychology and mystery,” she says.\u003cbr\u003e\u003cbr\u003eRichter and Kupper, friends from high school, formed Total Wife in 2016, relocating from Boston to Nashville in 2020. Both are visual artists as well as musicians, which they incorporate into their work with Total Wife via layered and purposeful visuals. A DIY streak underpins everything that they do — from handling their own artwork and music videos to recording their own music, releasing tapes through their label Ivy Eat Home, and hosting house shows in the basement they’ve christened Ryman 2. In Nashville they’ve settled into a weirdo scene living under the record industry’s floorboards, a hive of collaborative and creative energy that has made them excited to call the city home. They also assembled a live band for the first time shortly after moving to Nashville, consisting of Ryan Bigelow, Sean Booz and Billy Campbell — injecting their creative process with a jolt of spontaneity and aliveness that has fed back into Come Back Down.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : total wife\u003c\/p\u003e\n\u003cp\u003eLabel : Julia's War\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJWR091cass\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・テネシーのレフトフィールド・ポップデュオtotal wifeが、2025年9月にペンシルベニアのインディーレーベルJulia's Warからリリースしたカセットです。 シューゲイズ〜レフトフィールド・ポップ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Julia's War releases...
¥2,186
![Halima // SWEET TOOTH LP [COLOR]](http://tobirarecords.com/cdn/shop/files/too1_b7148e56-c12d-4713-b87e-307242295e7f_medium.jpg?v=1756433224)
クイックビュー
{"id":9038122811642,"title":"Halima \/\/ SWEET TOOTH LP [COLOR]","handle":"halima-sweet-tooth-lp-color","description":"\u003cp\u003eイギリス／ナイジェリア出身アメリカ在住のR\u0026amp;B作家Halimaが、2025年9月にNYのヒップホップレーベルdrink sum wtrからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリーR\u0026amp;B〜アフロ・ポップ11曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853191643\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2653705353\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853191643\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dksmwtr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dksmwtr\"\u003ehere\u003c\/a\u003e to see more drunk sum wtr releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e12\" candy red color vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. omoge\u003cbr\u003e2. eleven eleven\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. eau de vie\u003cbr\u003e\u003c\/span\u003e4. oops\u003cbr\u003e5. sweet tooth\u003cbr\u003e6. wasting my body\u003cbr\u003e7. cocoa body\u003cbr\u003e8. feel about it\u003cbr\u003e9. laundromat\u003cbr\u003e10. november like u\u003cbr\u003e11. callum\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by drink sum wtr:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Halima’s debut album SWEET TOOTH is a bold declaration of power from an undeniable talent. Seductive, restless, and deeply assured, the record unspools like a night in motion. In the afterglow of her 2024 EP on drink sum wtr, praised by Clash Magazine, The Fader, BBC Radio, and others, the Brooklyn-based, UK\/Nigerian musician solidifies her sound and expands it tenfold. If EXU was a spark, SWEET TOOTH is the full burn. Not so much genre-less as \"genre-full\"; the album spans a bright, lush world where club bangers meet deep ballads in a striking, fully-formed hybrid of honeyed Afro-pop and scorched R\u0026amp;B\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross its eleven tracks, Halima maps the push-pull of desire, transformation, and emotional reckoning. \"Sweetness on my terms,” she offers a mantra for reclaiming softness without surrendering strength. “The album is about the journey to reclaim one's self amidst the chaos of life and ultimately acts as a love letter to the pleasures and pain of these human pursuits.\" While SWEET TOOTH declares Halima's artistic arrival, she calls it an epilogue, a reflection on past behaviors and lessons learned. \"Am I the person that I wanted to grow into becoming? I think so. I've given myself permission to be free of those things. To be bold. To take up\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e space.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat began as a series of sketches — written in the margins of EXU's more structured sessions — slowly revealed a larger, more thrilling story. \"I wasn't trying to construct a narrative,\" Halima explains. \"I was just writing whatever felt good.\" But the connective tissue was always there: late nights, heartbreaks, full-time jobs, stolen moments — the in-between of becoming. \"These songs carry three to four years of my life,\" she says. “And hearing them together as a whole, kind of feels like blowing the lid off.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHalima co-produced SWEET TOOTH with a sharp range of producers, including Mikey Freedom Hart (A$AP Rocky, Dev Hynes\/Blood Orange, Empress Of), whose openness created room for her to explore. \"He told me, this is your playground - do whatever you want,” she recalls. “So I picked up the guitar and started humming.\" That melody would become the album's emotional axis, ‘wasting my body’, introducing notions of physicality and yearning amidst the bittersweet reality of love dissolved. From there, things crystallized. The title track followed, along with the record’s central metaphor: sweetness as both offering and armor. “Studies show people with a sweet tooth are more agreeable,” Halima says. “That really hit. For me, people-pleasing is rooted in guilt, shame, and an irrational fear of rejection - it's my superego, which protected me once but is not my true self. SWEET TOOTH is my way through that reckoning.”...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Halima\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : drink sum wtr\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eDSW020lp-C1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T08:15:54+09:00","created_at":"2025-12-23T08:15:18+09:00","vendor":"Tobira Records","type":"","tags":["drink sum wtr","folk \/ left-field pop","hiphop \/ funk","lp","new"],"price":369800,"price_min":369800,"price_max":369800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148707672314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Halima \/\/ SWEET TOOTH LP [COLOR]","public_title":null,"options":["Default Title"],"price":369800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"617308101607","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/too1_b7148e56-c12d-4713-b87e-307242295e7f.jpg?v=1756433224","\/\/tobirarecords.com\/cdn\/shop\/files\/too2_b93a362c-d758-405f-871a-9fde14943606.jpg?v=1756433225"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/too1_b7148e56-c12d-4713-b87e-307242295e7f.jpg?v=1756433224","options":["Title"],"media":[{"alt":null,"id":36676629594362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/too1_b7148e56-c12d-4713-b87e-307242295e7f.jpg?v=1756433224"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/too1_b7148e56-c12d-4713-b87e-307242295e7f.jpg?v=1756433224","width":700},{"alt":null,"id":36676629627130,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/too2_b93a362c-d758-405f-871a-9fde14943606.jpg?v=1756433225"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/too2_b93a362c-d758-405f-871a-9fde14943606.jpg?v=1756433225","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス／ナイジェリア出身アメリカ在住のR\u0026amp;B作家Halimaが、2025年9月にNYのヒップホップレーベルdrink sum wtrからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリーR\u0026amp;B〜アフロ・ポップ11曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853191643\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2653705353\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3853191643\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dksmwtr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dksmwtr\"\u003ehere\u003c\/a\u003e to see more drunk sum wtr releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e12\" candy red color vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. omoge\u003cbr\u003e2. eleven eleven\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. eau de vie\u003cbr\u003e\u003c\/span\u003e4. oops\u003cbr\u003e5. sweet tooth\u003cbr\u003e6. wasting my body\u003cbr\u003e7. cocoa body\u003cbr\u003e8. feel about it\u003cbr\u003e9. laundromat\u003cbr\u003e10. november like u\u003cbr\u003e11. callum\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eText excerpt by drink sum wtr:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Halima’s debut album SWEET TOOTH is a bold declaration of power from an undeniable talent. Seductive, restless, and deeply assured, the record unspools like a night in motion. In the afterglow of her 2024 EP on drink sum wtr, praised by Clash Magazine, The Fader, BBC Radio, and others, the Brooklyn-based, UK\/Nigerian musician solidifies her sound and expands it tenfold. If EXU was a spark, SWEET TOOTH is the full burn. Not so much genre-less as \"genre-full\"; the album spans a bright, lush world where club bangers meet deep ballads in a striking, fully-formed hybrid of honeyed Afro-pop and scorched R\u0026amp;B\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross its eleven tracks, Halima maps the push-pull of desire, transformation, and emotional reckoning. \"Sweetness on my terms,” she offers a mantra for reclaiming softness without surrendering strength. “The album is about the journey to reclaim one's self amidst the chaos of life and ultimately acts as a love letter to the pleasures and pain of these human pursuits.\" While SWEET TOOTH declares Halima's artistic arrival, she calls it an epilogue, a reflection on past behaviors and lessons learned. \"Am I the person that I wanted to grow into becoming? I think so. I've given myself permission to be free of those things. To be bold. To take up\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e space.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat began as a series of sketches — written in the margins of EXU's more structured sessions — slowly revealed a larger, more thrilling story. \"I wasn't trying to construct a narrative,\" Halima explains. \"I was just writing whatever felt good.\" But the connective tissue was always there: late nights, heartbreaks, full-time jobs, stolen moments — the in-between of becoming. \"These songs carry three to four years of my life,\" she says. “And hearing them together as a whole, kind of feels like blowing the lid off.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHalima co-produced SWEET TOOTH with a sharp range of producers, including Mikey Freedom Hart (A$AP Rocky, Dev Hynes\/Blood Orange, Empress Of), whose openness created room for her to explore. \"He told me, this is your playground - do whatever you want,” she recalls. “So I picked up the guitar and started humming.\" That melody would become the album's emotional axis, ‘wasting my body’, introducing notions of physicality and yearning amidst the bittersweet reality of love dissolved. From there, things crystallized. The title track followed, along with the record’s central metaphor: sweetness as both offering and armor. “Studies show people with a sweet tooth are more agreeable,” Halima says. “That really hit. For me, people-pleasing is rooted in guilt, shame, and an irrational fear of rejection - it's my superego, which protected me once but is not my true self. SWEET TOOTH is my way through that reckoning.”...\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eArtist : Halima\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003eLabel : drink sum wtr\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eDSW020lp-C1\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス／ナイジェリア出身アメリカ在住のR&B作家Halimaが、2025年9月にNYのヒップホップレーベルdrink sum wtrからリリースしたレコードです。 コンテンポラリーR&B〜アフロ・ポップ11曲を収録。赤盤です。 レーベルその他作品はこちら /// Click here to see more drunk sum wtr...
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