Giuseppe Ielasi // Even When They Speak of Space CD
Giuseppe Ielasi // Even When They Speak of Space CD
¥2,035
- Item no:
- Availability:
Artist : Giuseppe Ielasi
Label : Senufo Editions
"Music for whistling, microphone and digital degradation. recorded in november 2016 and august 2017. to be played at low volume"
Artist : Giuseppe Ielasi
Label : Senufo Editions
"Music for whistling, microphone and digital degradation. recorded in november 2016 and august 2017. to be played at low volume"
Related Products
クイックビュー
{"id":9038222655738,"title":"JJJJJerome Ellis \/\/ Vesper Sparrow CD","handle":"jjjjjerome-ellis-vesper-sparrow-cd","description":"\u003cp\u003eグレネダ/ジャマイカ/アメリカのマルチ奏者JJJJJerome Ellisが、\u003cspan\u003e2025年11月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"JJJJJerome Ellisは、沈黙と可能性の狭間に心地よく居場所を見出す。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eグレナダ・ジャマイカ・アメリカ系の黒人障害者アーティストは、サックス、オルガン、ハンマードダルシマー、電子音、そして自らの声で雰囲気のある音響風景を創り出す。即興は彼らの芸術性の核心であり、しばしば録音の大塊を削り取り、大理石の彫刻家のように作品を顕現させる。この広範で学際的な実践により、JJJJJeromeは録音音楽、ライブ演劇・パフォーマンスアート、作曲、スポークンワードやストーリーテリング、音を取り入れたマルチメディア/ビジュアル作品など、あらゆる媒体や形式に適応できる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e吃音のある人間として生きる中で、口を使って自己表現することは成長過程で困難を伴った。パフォーマンス名「JJJJJerome」を綴る習慣は、最も頻繁に吃音する言葉が自身の名前であるという気づきに由来する。子供の頃に短期間言語療法を受けたものの、中学1年でサックスを手にした瞬間、全てがはまった。「今でもサックスを吹く時は吃るけど、それは違う種類の吃りなんだ」アーティストとしての創造的理念は、音楽を通じた吃りの探求と、それぞれが時間を形作る能力についての考察に集約される。彼らは芸術によって吃りを尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 近々リリースされるセカンドアルバム『Vesper Sparrow』(Shelter Press)は、黒人宗教の伝統と継承との結びつきから生まれた作品である。これは、時間というレンズを通して、音楽と音、吃音、そして黒人性の交差点をアーティストが継続的に探求する姿勢の延長線上にある。アルバムは二つの完結した思想で構成され、録音された吃音を軸としている。JJJJJeromeは4部構成の楽曲「Evensong」を、第2部で吃音をフェードアウトさせることで分割し、その間に第3部と第4部(「Vesper Sparrow」と「Black-Throated Sparrow」)を挟み込む。開かれた時間を埋める機会について、彼らは「吃音が構造化の一瞬となる」と説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして「中断」はJJJJJeromeの音楽言語に不可欠となる。吃音もグラニュラー合成も時間を中断させ、「その瞬間を複数の方法で体験し、横断し、他者と繋がる道を開く」。アーティストはさらにポップ・プロダクションの要素——インディーロックに影響を受けた電子音の質感や歪み、カリブ音楽やアフリカ系アメリカン音楽に由来するスポークンワード、サンプリング、音響操作——も取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=225623914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve + OBI. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Evensong, part 1 (for and after June Kramer) 03:23\u003cbr\u003e2. Evensong, part 2 (for and after James Harrison Monaco) 03:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Vesper Sparrow (feat. Haruna Lee, James Harrison Monaco, Ronald Peet, and S T A RR (busby)) 08:43\u003cbr\u003e\u003c\/span\u003e4. Savannah Sparrow (for and after Kenita Miller) 16:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Evensong, part 3 (for and after Jessica Valoris) 02:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Evensong, part 4 (for and after okcandice) 02:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, including recorded music, live theatrical and performance art, scoring, spoken word and storytelling, and multimedia\/visual works that incorporate sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving as a person who stutters, using their mouth to express themselves proved difficult growing up. The practice of spelling their performance moniker “JJJJJerome” stems from the realization that the word they stutter most frequently is their own name. Despite a brief placement in speech therapy as a child – Everything clicked when they picked up the saxophone in seventh grade. “I still stutter on the saxophone, but it’s different.” As an artist, their creative ethos now revolves around the exploration of stuttering through music, expounding upon the ability of each to shape time. They\u003cspan class=\"bcTruncateMore\"\u003e honor the stutter through art.\u003cbr\u003e\u003cbr\u003eTheir career began when they started to improvise along with John Coltrane and Billie Holiday CDs on the horn. But as someone drawn to navigating limitations, JJJJJerome has since blossomed into an adept multi-instrumentalist, each instrument being a watershed in paving new avenues of potential sound worlds. Their voice is additionally guided by a reverence for the earth and ancestors – both human and otherwise. With maternal familial ties to the church, and memorable stories of their grandmother performing as a pianist and organist, JJJJJerome’s recent affinity for keyboards holds a meaningful weight.\u003cbr\u003e\u003cbr\u003eForthcoming sophomore record Vesper Sparrow (Shelter Press) is born out of this connection to Black religious tradition and inheritance. It is a continuation of the artist’s ongoing study of the intersections between music and sound, stuttering, and Blackness, through the lens of time. The album is comprised of two complete thoughts, and hinges on a recorded stutter. JJJJJerome splits the four-part composition “Evensong” by fading out the stutter in part two, and sandwiches tracks three and four (“Vesper Sparrow” and “Black-Throated Sparrow”) in-between. “The stutter becomes a structuring moment,” they explain, regarding the opportunity to fill the time opened up.\u003cbr\u003e\u003cbr\u003eSuspension, then, becomes integral to JJJJJerome’s musical language. Both stuttering and granular synthesis can suspend moments in time, and “invite multiple ways of inhabiting, traversing, and connecting with others in those moments.” The artist also pulls in elements of pop production – electronic textures and distortions inspired in part by indie-rock; and spoken word, sampling, and audio manipulation drawn from Caribbean and Black American musics. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JJJJJerome Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP165cd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T16:19:06+09:00","created_at":"2025-12-23T11:05:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","folk \/ left-field pop","new","recommended","shelter press"],"price":244900,"price_min":244900,"price_max":244900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148948877562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JJJJJerome Ellis \/\/ Vesper Sparrow CD","public_title":null,"options":["Default Title"],"price":244900,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362412043","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","options":["Title"],"media":[{"alt":null,"id":37877502148858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je1_602e0ffb-3069-4619-859b-54442ccead9f.jpg?v=1766455647","width":700},{"alt":null,"id":37877502181626,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/je2_40145b30-6232-4b70-bde0-ff888628a147.jpg?v=1766455647","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eグレネダ/ジャマイカ/アメリカのマルチ奏者JJJJJerome Ellisが、\u003cspan\u003e2025年11月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"JJJJJerome Ellisは、沈黙と可能性の狭間に心地よく居場所を見出す。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eグレナダ・ジャマイカ・アメリカ系の黒人障害者アーティストは、サックス、オルガン、ハンマードダルシマー、電子音、そして自らの声で雰囲気のある音響風景を創り出す。即興は彼らの芸術性の核心であり、しばしば録音の大塊を削り取り、大理石の彫刻家のように作品を顕現させる。この広範で学際的な実践により、JJJJJeromeは録音音楽、ライブ演劇・パフォーマンスアート、作曲、スポークンワードやストーリーテリング、音を取り入れたマルチメディア/ビジュアル作品など、あらゆる媒体や形式に適応できる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e吃音のある人間として生きる中で、口を使って自己表現することは成長過程で困難を伴った。パフォーマンス名「JJJJJerome」を綴る習慣は、最も頻繁に吃音する言葉が自身の名前であるという気づきに由来する。子供の頃に短期間言語療法を受けたものの、中学1年でサックスを手にした瞬間、全てがはまった。「今でもサックスを吹く時は吃るけど、それは違う種類の吃りなんだ」アーティストとしての創造的理念は、音楽を通じた吃りの探求と、それぞれが時間を形作る能力についての考察に集約される。彼らは芸術によって吃りを尊ぶ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 近々リリースされるセカンドアルバム『Vesper Sparrow』(Shelter Press)は、黒人宗教の伝統と継承との結びつきから生まれた作品である。これは、時間というレンズを通して、音楽と音、吃音、そして黒人性の交差点をアーティストが継続的に探求する姿勢の延長線上にある。アルバムは二つの完結した思想で構成され、録音された吃音を軸としている。JJJJJeromeは4部構成の楽曲「Evensong」を、第2部で吃音をフェードアウトさせることで分割し、その間に第3部と第4部(「Vesper Sparrow」と「Black-Throated Sparrow」)を挟み込む。開かれた時間を埋める機会について、彼らは「吃音が構造化の一瞬となる」と説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして「中断」はJJJJJeromeの音楽言語に不可欠となる。吃音もグラニュラー合成も時間を中断させ、「その瞬間を複数の方法で体験し、横断し、他者と繋がる道を開く」。アーティストはさらにポップ・プロダクションの要素——インディーロックに影響を受けた電子音の質感や歪み、カリブ音楽やアフリカ系アメリカン音楽に由来するスポークンワード、サンプリング、音響操作——も取り入れている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=225623914\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve + OBI. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Evensong, part 1 (for and after June Kramer) 03:23\u003cbr\u003e2. Evensong, part 2 (for and after James Harrison Monaco) 03:11\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Vesper Sparrow (feat. Haruna Lee, James Harrison Monaco, Ronald Peet, and S T A RR (busby)) 08:43\u003cbr\u003e\u003c\/span\u003e4. Savannah Sparrow (for and after Kenita Miller) 16:43\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Evensong, part 3 (for and after Jessica Valoris) 02:25\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Evensong, part 4 (for and after okcandice) 02:38\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Shelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe work of JJJJJerome Ellis lives comfortably in the gaps between silence and possibility.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe Black disabled Grenadian-Jamaican-American artist creates atmospheric soundscapes with saxophone, organ, hammered dulcimer, electronics, and their voice. Improvisation is at the core of their artistry – often chipping away at large slabs of recordings to reveal the piece like a marble sculptor. It’s an expansive and interdisciplinary practice that allows JJJJJerome to adapt to any medium or form, including recorded music, live theatrical and performance art, scoring, spoken word and storytelling, and multimedia\/visual works that incorporate sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving as a person who stutters, using their mouth to express themselves proved difficult growing up. The practice of spelling their performance moniker “JJJJJerome” stems from the realization that the word they stutter most frequently is their own name. Despite a brief placement in speech therapy as a child – Everything clicked when they picked up the saxophone in seventh grade. “I still stutter on the saxophone, but it’s different.” As an artist, their creative ethos now revolves around the exploration of stuttering through music, expounding upon the ability of each to shape time. They\u003cspan class=\"bcTruncateMore\"\u003e honor the stutter through art.\u003cbr\u003e\u003cbr\u003eTheir career began when they started to improvise along with John Coltrane and Billie Holiday CDs on the horn. But as someone drawn to navigating limitations, JJJJJerome has since blossomed into an adept multi-instrumentalist, each instrument being a watershed in paving new avenues of potential sound worlds. Their voice is additionally guided by a reverence for the earth and ancestors – both human and otherwise. With maternal familial ties to the church, and memorable stories of their grandmother performing as a pianist and organist, JJJJJerome’s recent affinity for keyboards holds a meaningful weight.\u003cbr\u003e\u003cbr\u003eForthcoming sophomore record Vesper Sparrow (Shelter Press) is born out of this connection to Black religious tradition and inheritance. It is a continuation of the artist’s ongoing study of the intersections between music and sound, stuttering, and Blackness, through the lens of time. The album is comprised of two complete thoughts, and hinges on a recorded stutter. JJJJJerome splits the four-part composition “Evensong” by fading out the stutter in part two, and sandwiches tracks three and four (“Vesper Sparrow” and “Black-Throated Sparrow”) in-between. “The stutter becomes a structuring moment,” they explain, regarding the opportunity to fill the time opened up.\u003cbr\u003e\u003cbr\u003eSuspension, then, becomes integral to JJJJJerome’s musical language. Both stuttering and granular synthesis can suspend moments in time, and “invite multiple ways of inhabiting, traversing, and connecting with others in those moments.” The artist also pulls in elements of pop production – electronic textures and distortions inspired in part by indie-rock; and spoken word, sampling, and audio manipulation drawn from Caribbean and Black American musics. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JJJJJerome Ellis\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP165cd\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th November 2025\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
グレネダ/ジャマイカ/アメリカのマルチ奏者JJJJJerome Ellisが、2025年11月にフランスの実験レーベルShelter PressからリリースしたCDです。 アンビエント・ジャズ6曲を収録。 以下、レーベルによる解説です。 "JJJJJerome Ellisは、沈黙と可能性の狭間に心地よく居場所を見出す。グレナダ・ジャマイカ・アメリカ系の黒人障害者アーティストは、サックス、オルガン、ハンマードダルシマー、電子音、そして自らの声で雰囲気のある音響風景を創り出す。即興は彼らの芸術性の核心であり、しばしば録音の大塊を削り取り、大理石の彫刻家のように作品を顕現させる。この広範で学際的な実践により、JJJJJeromeは録音音楽、ライブ演劇・パフォーマンスアート、作曲、スポークンワードやストーリーテリング、音を取り入れたマルチメディア/ビジュアル作品など、あらゆる媒体や形式に適応できる。 吃音のある人間として生きる中で、口を使って自己表現することは成長過程で困難を伴った。パフォーマンス名「JJJJJerome」を綴る習慣は、最も頻繁に吃音する言葉が自身の名前であるという気づきに由来する。子供の頃に短期間言語療法を受けたものの、中学1年でサックスを手にした瞬間、全てがはまった。「今でもサックスを吹く時は吃るけど、それは違う種類の吃りなんだ」アーティストとしての創造的理念は、音楽を通じた吃りの探求と、それぞれが時間を形作る能力についての考察に集約される。彼らは芸術によって吃りを尊ぶ。 近々リリースされるセカンドアルバム『Vesper Sparrow』(Shelter Press)は、黒人宗教の伝統と継承との結びつきから生まれた作品である。これは、時間というレンズを通して、音楽と音、吃音、そして黒人性の交差点をアーティストが継続的に探求する姿勢の延長線上にある。アルバムは二つの完結した思想で構成され、録音された吃音を軸としている。JJJJJeromeは4部構成の楽曲「Evensong」を、第2部で吃音をフェードアウトさせることで分割し、その間に第3部と第4部(「Vesper Sparrow」と「Black-Throated Sparrow」)を挟み込む。開かれた時間を埋める機会について、彼らは「吃音が構造化の一瞬となる」と説明する。 こうして「中断」はJJJJJeromeの音楽言語に不可欠となる。吃音もグラニュラー合成も時間を中断させ、「その瞬間を複数の方法で体験し、横断し、他者と繋がる道を開く」。アーティストはさらにポップ・プロダクションの要素——インディーロックに影響を受けた電子音の質感や歪み、カリブ音楽やアフリカ系アメリカン音楽に由来するスポークンワード、サンプリング、音響操作——も取り入れている。"...
¥2,449
クイックビュー
{"id":9038128775418,"title":"Jim O'Rourke \/\/ Shutting Down Here CD","handle":"jim-orourke-shutting-down-here-cd","description":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeが、\u003cspan\u003e2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004532621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve. \u003cbr\u003e2025 repress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Shutting Down Here 34:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM x Editions Mego\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM001cd\u003c\/p\u003e","published_at":"2025-12-23T08:36:58+09:00","created_at":"2025-12-23T08:36:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","new","shelter press"],"price":249800,"price_min":249800,"price_max":249800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148728840442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jim O'Rourke \/\/ Shutting Down Here CD","public_title":null,"options":["Default Title"],"price":249800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411787","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","options":["Title"],"media":[{"alt":null,"id":36133529059578,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_815dfee7-6663-4e2b-81aa-b282546209c6.jpg?v=1749090984","width":700},{"alt":null,"id":36133529092346,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do3.jpg?v=1749090984","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身日本在住の実験音楽家Jim O'Rourkeが、\u003cspan\u003e2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4004532621\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digisleeve. \u003cbr\u003e2025 repress - originally released in 2019. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Shutting Down Here 34:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePortraits GRM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eShutting Down Here is a special work. Symbolically, it covers a period of thirty years, between two visits by Jim O'Rourke to the GRM, the first, as a young man fascinated by the institution and his repertoire, the second, as an accomplished musician, influential and imbued with an aura of mystery. Shutting Down Here is a piece shaped like an universe, a heterogeneous world in which collides the multiple musical facets of Jim O'Rourke: instrumental writing, field recordings, electronic textures and cybernetic becomings, dynamic spaces, harmonic spaces, silent spans . This variety of approach, strangely, does not in any way weaken the coherence of the whole and this is the talent of Jim O'Rourke, a talent, properly speaking, of composition, where all the sound elements compete and participate to stakes that exceed them and of a common destiny, that is to say of an apparition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jim O'Rourke\u003c\/p\u003e\n\u003cp\u003eLabel : Portraits GRM x Editions Mego\u003c\/p\u003e\n\u003cp\u003ecat no : SPGRM001cd\u003c\/p\u003e"}
You may also like:
アメリカ出身日本在住の実験音楽家Jim O'Rourkeが、2025年6月にフランスの実験レーベルPortraits GRMからリリースした再発CDです。(オリジナルは2020年リリース) ロングフォームなコラージュ・アンビエント〜ドローン作品です。6面デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
¥2,498
クイックビュー
{"id":9038128021754,"title":"John Also Bennett \/\/ Στον Ελαιώνα \/ Ston Elaióna CD","handle":"john-also-bennett-στον-ελαιώνα-ston-elaiona-cd","description":"\u003cp\u003eアメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、\u003cspan\u003e2025年8月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズドローン9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252390652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ston Elaióna 04:31\u003cbr\u003e2. Gecko Pads\u003cbr\u003e3. Hailstorm\u003cbr\u003e4. A Handful of Olives\u003cbr\u003e5. Sacred House\u003cbr\u003e6. Seikilos Epitaph\u003cbr\u003e7. First Lament\u003cbr\u003e8. Oracle\u003cbr\u003e9. Easter Daydream 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year. Drawing upon a carefully honed attentiveness to the environments and\u003cspan class=\"bcTruncateMore\"\u003e experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T08:35:01+09:00","created_at":"2025-12-23T08:34:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","drone","jazz","new","shelter press"],"price":229400,"price_min":229400,"price_max":229400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148725793018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Also Bennett \/\/ Στον Ελαιώνα \/ Ston Elaióna CD","public_title":null,"options":["Default Title"],"price":229400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411916","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","options":["Title"],"media":[{"alt":null,"id":36408565661946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_f88e464c-786a-4daa-846e-f5f140902c9b.jpg?v=1753062471","width":700},{"alt":null,"id":36408565629178,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john.jpg?v=1753062471","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、\u003cspan\u003e2025年8月にフランスの実験レーベルShelter PressからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズドローン9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252390652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ston Elaióna 04:31\u003cbr\u003e2. Gecko Pads\u003cbr\u003e3. Hailstorm\u003cbr\u003e4. A Handful of Olives\u003cbr\u003e5. Sacred House\u003cbr\u003e6. Seikilos Epitaph\u003cbr\u003e7. First Lament\u003cbr\u003e8. Oracle\u003cbr\u003e9. Easter Daydream 03:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year. Drawing upon a carefully honed attentiveness to the environments and\u003cspan class=\"bcTruncateMore\"\u003e experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、2025年8月にフランスの実験レーベルShelter PressからリリースしたCDです。 アンビエント・ジャズドローン9曲を収録。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic...
¥2,294
クイックビュー
{"id":9038125367546,"title":"BJ Nilsen \/\/ True than Nature CD","handle":"bj-nilsen-true-than-nature-cd","description":"\u003cp\u003eスウェーデンの実験音楽家BJ Nilsenが、\u003cspan\u003e2025年8月にフランスの実験レーベルShelter PressからリリースしたCD\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e物音ドローン6曲を収録。12ページのブックレット付属。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=683781592\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digipack.\u003cbr\u003eIncludes 12-page booklet.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where are we at night\u003cbr\u003e2. Solids\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Essence and accidents\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Insofar\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Permanent shadows 09:03\u003cbr\u003e\u003c\/span\u003e6. Unseen pull\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"True than Nature encourages active listening. There is sound that exists seemingly for its own sake – a continuing drone that slowly evolves, sound of nature – and there are sounds that refer to a momentary action, and sudden intrusions of sound. BJ Nilsen triggers shifts in the perception for the listener that alter how you perceive and experience the world through sound, and how you think about sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to True than Nature is full of moments of instability. The shifts between sound spaces refocus your listening, or throw you out of a world you were imagining. You recognize sounds, wind, rain, metal bending, a hammer on stone, the background noise of a city, but often there is an unfamiliarity about these sounds. You think you recognize them, but often you are not sure, because you are not there, and different worlds clash or coexist at the same time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrue than Nature makes you wonder about how sounds exist, how they are brought forward, how they are made by objects, how they are perceived and how they are changed by the attention given to it. And all the time, you might ask yourself: What is that world that I am listening to? How does it exist?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e:::::\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title True than Nature comes from Jean-Paul Sartre\u003cspan class=\"bcTruncateMore\"\u003e. BJ Nilsen’s previous release Irreal was also accompanied by a reference to Sartre: his idea that in order to imagine, a consciousness must be able to posit an object as irreal. Sartre is not mentioned often in sound studies, but his early book L’Imaginaire: Psychologie phénoménologique de l’imagination is a meticulous analysis of what happens when we imagine something. In the chapter on hypnagogic images – the images that appear in our mind just before we fall asleep – Sartre writes ‘Thus the image is given as “truer than nature”, in the sense in which one could say of a particularly suggestive portrait that it is truer than its model’.‘Plus vraie que nature’ – here’s the source for the title of the current release.\u003cbr\u003e\u003cbr\u003eWhile listening to the tracks with the knowledge of how BJ Nilsen creates them, the quote by Sartre elicited thoughts on the ontological status of sound, field recordings, and the work of art. What exactly am I listening to? What is it that I am imagining while listening? What is the role of listening in understanding the world? In what sense are these sound images – if that is what they are – ‘more true than nature’?\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BJNilsen\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSOMA070cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-23T08:26:16+09:00","created_at":"2025-12-23T08:25:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","noise","shelter press"],"price":249800,"price_min":249800,"price_max":249800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148716421370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"BJ Nilsen \/\/ True than Nature CD","public_title":null,"options":["Default Title"],"price":249800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"647581408681","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nat.jpg?v=1755396885","\/\/tobirarecords.com\/cdn\/shop\/files\/nat2_2f637925-615b-495a-a084-a4d718957271.jpg?v=1755396887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat.jpg?v=1755396885","options":["Title"],"media":[{"alt":null,"id":36567314727162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat.jpg?v=1755396885"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat.jpg?v=1755396885","width":700},{"alt":null,"id":36567314759930,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat2_2f637925-615b-495a-a084-a4d718957271.jpg?v=1755396887"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nat2_2f637925-615b-495a-a084-a4d718957271.jpg?v=1755396887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンの実験音楽家BJ Nilsenが、\u003cspan\u003e2025年8月にフランスの実験レーベルShelter PressからリリースしたCD\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e物音ドローン6曲を収録。12ページのブックレット付属。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=683781592\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel digipack.\u003cbr\u003eIncludes 12-page booklet.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Where are we at night\u003cbr\u003e2. Solids\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Essence and accidents\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Insofar\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Permanent shadows 09:03\u003cbr\u003e\u003c\/span\u003e6. Unseen pull\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"True than Nature encourages active listening. There is sound that exists seemingly for its own sake – a continuing drone that slowly evolves, sound of nature – and there are sounds that refer to a momentary action, and sudden intrusions of sound. BJ Nilsen triggers shifts in the perception for the listener that alter how you perceive and experience the world through sound, and how you think about sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eListening to True than Nature is full of moments of instability. The shifts between sound spaces refocus your listening, or throw you out of a world you were imagining. You recognize sounds, wind, rain, metal bending, a hammer on stone, the background noise of a city, but often there is an unfamiliarity about these sounds. You think you recognize them, but often you are not sure, because you are not there, and different worlds clash or coexist at the same time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrue than Nature makes you wonder about how sounds exist, how they are brought forward, how they are made by objects, how they are perceived and how they are changed by the attention given to it. And all the time, you might ask yourself: What is that world that I am listening to? How does it exist?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e:::::\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title True than Nature comes from Jean-Paul Sartre\u003cspan class=\"bcTruncateMore\"\u003e. BJ Nilsen’s previous release Irreal was also accompanied by a reference to Sartre: his idea that in order to imagine, a consciousness must be able to posit an object as irreal. Sartre is not mentioned often in sound studies, but his early book L’Imaginaire: Psychologie phénoménologique de l’imagination is a meticulous analysis of what happens when we imagine something. In the chapter on hypnagogic images – the images that appear in our mind just before we fall asleep – Sartre writes ‘Thus the image is given as “truer than nature”, in the sense in which one could say of a particularly suggestive portrait that it is truer than its model’.‘Plus vraie que nature’ – here’s the source for the title of the current release.\u003cbr\u003e\u003cbr\u003eWhile listening to the tracks with the knowledge of how BJ Nilsen creates them, the quote by Sartre elicited thoughts on the ontological status of sound, field recordings, and the work of art. What exactly am I listening to? What is it that I am imagining while listening? What is the role of listening in understanding the world? In what sense are these sound images – if that is what they are – ‘more true than nature’?\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : BJNilsen\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSOMA070cd\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
スウェーデンの実験音楽家BJ Nilsenが、2025年8月にフランスの実験レーベルShelter PressからリリースしたCDです。 物音ドローン6曲を収録。12ページのブックレット付属。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM / Ideologic Organ...
¥2,498