Ciro Vitiello // Alexa stay with me TAPE
Ciro Vitiello // Alexa stay with me TAPE
¥1,350
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イタリアの新人ポストインダストリアル作家Ciro Vitielloが２作目を英国Strange Rulesから50本限定リリース。かすかに聞こえるノイズとメロディーラインが絶妙にミックスされたダークアンビエント7曲を収録。
Strange Rulesその他作品はこちら /// Click here to see more Strange Rules releases available at Tobira.
---------------------
Edition of 50.
Artist : Ciro Vitiello
Label : Strange Rules
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{"id":9202241863930,"title":"Ben Vida \/\/ Oblivion Seekers LP","handle":"ben-vida-oblivion-seekers-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/1リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカの実験音楽家Ben Vidaが、\u003cspan\u003e2026年5月にフランスの実験レーベルShelter Pressからリリースしたレコード\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント〜サウンドポエトリー4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"今この瞬間の世界に耳を傾けるということは、言葉に満ち溢れることである。人間のいる場所ならどこでも、それが望まれているか否か、ありふれたものであれ深遠なものであれ、言葉は響き渡っている。言葉は紙の上にも耳の中にもあり、際限なく増殖し続ける。この過剰さは、作曲家でありミュージシャンでもあるBen Vidaにとって長らく魅惑の対象であったが、ここ数年、それは私たちの音響的・文化的環境における言語の優位性を称賛しつつも問い直す、新たな音楽制作手法へとつながった。Ben Vidaは、優しく、遊び心を持って、言語の意味と音の階層構造を解体し、それらが平等な調和の中で共存する状態へと導く。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Oblivion Seekers』は、2023年に現代音楽アンサンブルYarn\/Wireとのコラボレーション作『The Beat My Head Hit』に続く、この作曲様式によるBen Vidaの最新アルバムである。前作同様、音楽の焦点は中立的なトーンで語られる言葉の協調的なデュエットにあり、動き続ける言葉の可変的なリズムが、複雑な内部のリズム構造を生み出している。ニーナ・ダンテ、クリスティーナ・ヴァンツォウ、ジョン・アルソ・ベネット、フェリシア・アトキンソンの声と融合し、彼らのものでも彼のものでもない、ジェンダー表現、アクセント、発音において流動的な独自のトーンを生み出している。アルバムの下地を成す器楽の構成は、対話のような気取らない流れを持ち、会話的でありながら控えめで、変化の主体となることはめったにない。ここでもBen Vidaは、自身を彩るために実力派の演奏家たちを招集している。ハープのニーナ・ダンテ、バスフルートのジョン・アルソ・ベネット、サックスのマット・バウダーとウィル・エプスタイン、ベースのヘンリー・フレイザー、ヴァイオリンのクリーク・シュレイ、そしてパーカッションのブッカー・スタードラムだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの要素が格子状の構造を形成し、テキストはその中を飛び回り、しばしば強拍に寄り添いながらも、各々の軽やかなフレーズの中で自由に動き回る。静謐で集中した気質が持続し、控えめな声の抑揚によってさらに強調される。まるで音楽が、その起源の地点には決して戻ることのない、一つの長いマントラであるかのような感覚を醸し出す。その効果は魅惑的で、眠気を誘うと同時に心を掴むものであり、二度と全く同じ動きを繰り返すことなく、反復を暗示している。アルバムに収録された4曲それぞれの楽器編成は異なる。「Be Yr Own Abyss」はサックスの波のような対位法によって特徴づけられ、「Oblivion Seekers」の上にはヴィブラフォンの曖昧な響きが漂い、フレイザーの膨らむようなベースがアルバム唯一の劇的な登場を飾る。テキストが絶えず楽曲の形式と動きを再定義し、文脈を再構築するにつれ、音楽は耳の中で変化していくが、その異世界的な輝きは一貫して保たれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eテキストは、Ben Vidaが作曲活動を行う中で人生を通じて出会った言葉の断片から引用されていることが多い。スーパーのレジ待ちで耳にした呟き、読んでいる小説の印象的なフレーズ、ターンテーブルから離れなかった音楽の印象などだ。さもなくば取るに足らないような些細な詳細が積み重なるのは、物語を形成するためではなく、日々の生活の中で起こる複雑な意味形成のプロセスを印象づけるためである。登場人物や情景がフレーム内を行き来し、解き明かされたいと訴えるようなフレーズは、そのまま滑るように通り過ぎていく。「Be Yr Own Abyss」では、大げさな演出もなく、ある種の命題が提示される。「彼女の舌は彼女を殺そうとしていた／この精神空間に万歳／曖昧さを構築し／果てしない流れを」。2つの異なる場面で、波がこちらに向かってくることが告げられる……\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065698302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=790003490\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065698302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 1st May 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Be Yr Own Abyss 11:20\u003cbr\u003e2. New Distortion Properties 06:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Oblivion Seekers\u003cbr\u003e\u003c\/span\u003e4. Unmake A World\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo be an attentive listener to the world as it stands is to be saturated with language. Speech resounds through nearly every space that features human beings, whether unwanted or desired, mundane or profound. Words sit on the page and in the ear, proliferating endlessly. This superabundance has long been a point of fascination for composer and musician Ben Vida, but over the past several years it has led to a new method of music making that simultaneously exalts and interrogates the primacy of language in our sonic and cultural environments. Gently, playfully, Vida breaks down language’s hierarchy of meaning and sound until they exist in egalitarian harmony.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOblivion Seekers is Vida’s newest album in this mode of composition, following 2023’s collaboration with new music ensemble Yarn\/Wire The Beat My Head Hit. Like its predecessor, the music’s focus is on coordinated duets of spoken word in a neutral tone, the variable cadences of the words in motion creating complex internal rhythmic structures. He is joined by the voices of Nina Dante, Christina Vantzou, John Also Bennett, and Félicia Atkinson, creating a singular tone that is neither theirs nor his, fluid in its gender presentation, accent, and diction. The instrumental\u003cspan class=\"bcTruncateMore\"\u003e compositions that form the album’s understory have the casual flow of dialogue, conversational but subdued, rarely the agent of change. Here, Vida likewise called upon an accomplished community of players to accompany him: Dante on harp, Bennett on bass flute, Matt Bauder and Will Epstein on saxophones, Henry Fraser on bass, Cleek Schrey on violin, and Booker Stardrum on percussion.\u003cbr\u003e\u003cbr\u003eThese elements form lattice-like structures that the text darts in and around, often adhering to downbeats but otherwise moving freely within each lilting phrase. A tranquil, focused temperament persists, enhanced by the reserved cadence of the voices that makes it feel as if the music is one long mantra that never quite reaches back to its genesis point. The effect is entrancing, equally soporific and gripping, implying repetition without ever moving exactly the same way twice. The instrumentation on each of the album’s four pieces varies; “Be Yr Own Abyss” is defined by the wave-like counterpoint of saxophones, while the ambiguous chime of vibraphone floats over “Oblivion Seekers” and Fraser’s swelling bass provides the album’s sole dramatic entrance. The music shifts in the ear as the text constantly redefines and recontextualizes the composition’s form and movement, even as it remains consistent in its otherworldly glow.\u003cbr\u003e\u003cbr\u003eThe text is often drawn from snippets of language that Vida encountered throughout his life as he was composing: overheard mumblings from the supermarket line, impactful phrases from a novel he was reading, impressions of the music that wouldn’t leave his turntable. Small details, otherwise insignificant, accumulate not to form a narrative, but an impression of the complex meaning-making process that happens as one lives day to day. Characters and scenes flicker in and out of the frame, and phrases that beg to be unpacked are allowed to glide by. In “Be Yr Own Abyss” something like a thesis appears without fanfare: “Her tongue was out to kill her \/ all hail this mental space \/ constructing ambiguity \/ and the endless stream.” On two separate occasions the listener is told that waves are heading our way...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP167lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T14:34:33+09:00","created_at":"2026-04-22T12:30:16+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","shelter press"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48732651782394,"title":"Default Title","option1":"Default 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style=\"color: rgb(255, 42, 0);\"\u003e※5\/1リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカの実験音楽家Ben Vidaが、\u003cspan\u003e2026年5月にフランスの実験レーベルShelter Pressからリリースしたレコード\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント〜サウンドポエトリー4曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"今この瞬間の世界に耳を傾けるということは、言葉に満ち溢れることである。人間のいる場所ならどこでも、それが望まれているか否か、ありふれたものであれ深遠なものであれ、言葉は響き渡っている。言葉は紙の上にも耳の中にもあり、際限なく増殖し続ける。この過剰さは、作曲家でありミュージシャンでもあるBen Vidaにとって長らく魅惑の対象であったが、ここ数年、それは私たちの音響的・文化的環境における言語の優位性を称賛しつつも問い直す、新たな音楽制作手法へとつながった。Ben Vidaは、優しく、遊び心を持って、言語の意味と音の階層構造を解体し、それらが平等な調和の中で共存する状態へと導く。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Oblivion Seekers』は、2023年に現代音楽アンサンブルYarn\/Wireとのコラボレーション作『The Beat My Head Hit』に続く、この作曲様式によるBen Vidaの最新アルバムである。前作同様、音楽の焦点は中立的なトーンで語られる言葉の協調的なデュエットにあり、動き続ける言葉の可変的なリズムが、複雑な内部のリズム構造を生み出している。ニーナ・ダンテ、クリスティーナ・ヴァンツォウ、ジョン・アルソ・ベネット、フェリシア・アトキンソンの声と融合し、彼らのものでも彼のものでもない、ジェンダー表現、アクセント、発音において流動的な独自のトーンを生み出している。アルバムの下地を成す器楽の構成は、対話のような気取らない流れを持ち、会話的でありながら控えめで、変化の主体となることはめったにない。ここでもBen Vidaは、自身を彩るために実力派の演奏家たちを招集している。ハープのニーナ・ダンテ、バスフルートのジョン・アルソ・ベネット、サックスのマット・バウダーとウィル・エプスタイン、ベースのヘンリー・フレイザー、ヴァイオリンのクリーク・シュレイ、そしてパーカッションのブッカー・スタードラムだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの要素が格子状の構造を形成し、テキストはその中を飛び回り、しばしば強拍に寄り添いながらも、各々の軽やかなフレーズの中で自由に動き回る。静謐で集中した気質が持続し、控えめな声の抑揚によってさらに強調される。まるで音楽が、その起源の地点には決して戻ることのない、一つの長いマントラであるかのような感覚を醸し出す。その効果は魅惑的で、眠気を誘うと同時に心を掴むものであり、二度と全く同じ動きを繰り返すことなく、反復を暗示している。アルバムに収録された4曲それぞれの楽器編成は異なる。「Be Yr Own Abyss」はサックスの波のような対位法によって特徴づけられ、「Oblivion Seekers」の上にはヴィブラフォンの曖昧な響きが漂い、フレイザーの膨らむようなベースがアルバム唯一の劇的な登場を飾る。テキストが絶えず楽曲の形式と動きを再定義し、文脈を再構築するにつれ、音楽は耳の中で変化していくが、その異世界的な輝きは一貫して保たれている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eテキストは、Ben Vidaが作曲活動を行う中で人生を通じて出会った言葉の断片から引用されていることが多い。スーパーのレジ待ちで耳にした呟き、読んでいる小説の印象的なフレーズ、ターンテーブルから離れなかった音楽の印象などだ。さもなくば取るに足らないような些細な詳細が積み重なるのは、物語を形成するためではなく、日々の生活の中で起こる複雑な意味形成のプロセスを印象づけるためである。登場人物や情景がフレーム内を行き来し、解き明かされたいと訴えるようなフレーズは、そのまま滑るように通り過ぎていく。「Be Yr Own Abyss」では、大げさな演出もなく、ある種の命題が提示される。「彼女の舌は彼女を殺そうとしていた／この精神空間に万歳／曖昧さを構築し／果てしない流れを」。2つの異なる場面で、波がこちらに向かってくることが告げられる……\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065698302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=790003490\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065698302\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 1st May 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Be Yr Own Abyss 11:20\u003cbr\u003e2. New Distortion Properties 06:50\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Oblivion Seekers\u003cbr\u003e\u003c\/span\u003e4. Unmake A World\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo be an attentive listener to the world as it stands is to be saturated with language. Speech resounds through nearly every space that features human beings, whether unwanted or desired, mundane or profound. Words sit on the page and in the ear, proliferating endlessly. This superabundance has long been a point of fascination for composer and musician Ben Vida, but over the past several years it has led to a new method of music making that simultaneously exalts and interrogates the primacy of language in our sonic and cultural environments. Gently, playfully, Vida breaks down language’s hierarchy of meaning and sound until they exist in egalitarian harmony.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOblivion Seekers is Vida’s newest album in this mode of composition, following 2023’s collaboration with new music ensemble Yarn\/Wire The Beat My Head Hit. Like its predecessor, the music’s focus is on coordinated duets of spoken word in a neutral tone, the variable cadences of the words in motion creating complex internal rhythmic structures. He is joined by the voices of Nina Dante, Christina Vantzou, John Also Bennett, and Félicia Atkinson, creating a singular tone that is neither theirs nor his, fluid in its gender presentation, accent, and diction. The instrumental\u003cspan class=\"bcTruncateMore\"\u003e compositions that form the album’s understory have the casual flow of dialogue, conversational but subdued, rarely the agent of change. Here, Vida likewise called upon an accomplished community of players to accompany him: Dante on harp, Bennett on bass flute, Matt Bauder and Will Epstein on saxophones, Henry Fraser on bass, Cleek Schrey on violin, and Booker Stardrum on percussion.\u003cbr\u003e\u003cbr\u003eThese elements form lattice-like structures that the text darts in and around, often adhering to downbeats but otherwise moving freely within each lilting phrase. A tranquil, focused temperament persists, enhanced by the reserved cadence of the voices that makes it feel as if the music is one long mantra that never quite reaches back to its genesis point. The effect is entrancing, equally soporific and gripping, implying repetition without ever moving exactly the same way twice. The instrumentation on each of the album’s four pieces varies; “Be Yr Own Abyss” is defined by the wave-like counterpoint of saxophones, while the ambiguous chime of vibraphone floats over “Oblivion Seekers” and Fraser’s swelling bass provides the album’s sole dramatic entrance. The music shifts in the ear as the text constantly redefines and recontextualizes the composition’s form and movement, even as it remains consistent in its otherworldly glow.\u003cbr\u003e\u003cbr\u003eThe text is often drawn from snippets of language that Vida encountered throughout his life as he was composing: overheard mumblings from the supermarket line, impactful phrases from a novel he was reading, impressions of the music that wouldn’t leave his turntable. Small details, otherwise insignificant, accumulate not to form a narrative, but an impression of the complex meaning-making process that happens as one lives day to day. Characters and scenes flicker in and out of the frame, and phrases that beg to be unpacked are allowed to glide by. In “Be Yr Own Abyss” something like a thesis appears without fanfare: “Her tongue was out to kill her \/ all hail this mental space \/ constructing ambiguity \/ and the endless stream.” On two separate occasions the listener is told that waves are heading our way...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP167lp\u003c\/span\u003e\u003c\/p\u003e"}
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※5/1リリースです アメリカの実験音楽家Ben Vidaが、2026年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 アンビエント〜サウンドポエトリー4曲を収録。 以下、レーベルによる解説です。 "今この瞬間の世界に耳を傾けるということは、言葉に満ち溢れることである。人間のいる場所ならどこでも、それが望まれているか否か、ありふれたものであれ深遠なものであれ、言葉は響き渡っている。言葉は紙の上にも耳の中にもあり、際限なく増殖し続ける。この過剰さは、作曲家でありミュージシャンでもあるBen Vidaにとって長らく魅惑の対象であったが、ここ数年、それは私たちの音響的・文化的環境における言語の優位性を称賛しつつも問い直す、新たな音楽制作手法へとつながった。Ben Vidaは、優しく、遊び心を持って、言語の意味と音の階層構造を解体し、それらが平等な調和の中で共存する状態へと導く。 『Oblivion Seekers』は、2023年に現代音楽アンサンブルYarn/Wireとのコラボレーション作『The Beat My Head...
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{"id":9196116607226,"title":"zakè \u0026 rhubiqs \/\/ Hild 2xCD","handle":"zake-rhubiqs-hild-2xcd","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのzakèとイギリスのrhubiqsアンビエント作家2名が、\u003c\/span\u003e2026年2月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエントドローン4曲を収録。デジパック仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2825045907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present \/ Healing Sound Propagandist \/ Zakè Drone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x CD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ealdor 08:59\u003cbr\u003e2. Cearu 08:35\u003cbr\u003e3. Hild 10:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Nieve 15:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHild is the first full-length collaboration between zakè (Zach Frizzell) and UK-based rhubiqs (Tom Squires), whose transcontinental dialogue yields an avalanche of deep drone, spacious piano, and immersive texture, alternately colossal and weightless. Both artists have released solo works with Germany’s Affin label (headed by Joachim Spieth and Markus Guentner), where their kinship found its footing in naturally-inspired environments full of rich harmony and understated elegance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of Hild’s four movements arose from sketches crafted by Squires and passed to Frizzell; across several weeks, ideas were modified and recombined through a prolific exchange, during which the artists found a rare wavelength. “I am drawn to sounds that already contain history and identity,” Frizzell notes, “those that feel like they have been waiting patiently for their moment.” Squires follows, “Once we got things running, it all came together quite fluidly; we were both dialed in, focusing exclusively on this record during a very intense phase of composition.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè \u0026amp; rhubiqs\u003c\/p\u003e\n\u003cp\u003eLabel : Zakè Drone Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZD-043\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-21T07:27:09+09:00","created_at":"2026-04-20T10:12:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","Past Inside The Present"],"price":363000,"price_min":363000,"price_max":363000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48698427965690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"zakè \u0026 rhubiqs \/\/ Hild 2xCD","public_title":null,"options":["Default Title"],"price":363000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hild1.jpg?v=1776647432"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hild1.jpg?v=1776647432","options":["Title"],"media":[{"alt":null,"id":39087832236282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hild1.jpg?v=1776647432"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hild1.jpg?v=1776647432","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのzakèとイギリスのrhubiqsアンビエント作家2名が、\u003c\/span\u003e2026年2月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエントドローン4曲を収録。デジパック仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2825045907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present \/ Healing Sound Propagandist \/ Zakè Drone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x CD.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ealdor 08:59\u003cbr\u003e2. Cearu 08:35\u003cbr\u003e3. Hild 10:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Nieve 15:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHild is the first full-length collaboration between zakè (Zach Frizzell) and UK-based rhubiqs (Tom Squires), whose transcontinental dialogue yields an avalanche of deep drone, spacious piano, and immersive texture, alternately colossal and weightless. Both artists have released solo works with Germany’s Affin label (headed by Joachim Spieth and Markus Guentner), where their kinship found its footing in naturally-inspired environments full of rich harmony and understated elegance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of Hild’s four movements arose from sketches crafted by Squires and passed to Frizzell; across several weeks, ideas were modified and recombined through a prolific exchange, during which the artists found a rare wavelength. “I am drawn to sounds that already contain history and identity,” Frizzell notes, “those that feel like they have been waiting patiently for their moment.” Squires follows, “Once we got things running, it all came together quite fluidly; we were both dialed in, focusing exclusively on this record during a very intense phase of composition.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè \u0026amp; rhubiqs\u003c\/p\u003e\n\u003cp\u003eLabel : Zakè Drone Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZD-043\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※5月上旬再入荷後発送します アメリカのzakèとイギリスのrhubiqsアンビエント作家2名が、2026年2月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作CDです。 アンビエントドローン4曲を収録。デジパック仕様です。 レーベルその他作品はこちら /// Click here to see more Past...
¥3,630
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{"id":9196116246778,"title":"zakè, Ossa, ASC \/\/ Microliths and Momentary Drifts CD","handle":"zake-ossa-asc-microliths-and-momentary-drifts-cd","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家zakè, Ossa, ASCが、\u003c\/span\u003e2026年4月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエント15曲を収録。4面デジパック仕様です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present \/ Healing Sound Propagandist \/ Zakè Drone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Microlith 1 01:32\u003cbr\u003e2. Momentary Drift 1 06:32\u003cbr\u003e3. Microlith 2 02:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Momentary Drift 2 04:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Microlith 3 01:49\u003cbr\u003e\u003c\/span\u003e6. Momentary Drift 3 04:39\u003cbr\u003e7. Microlith 4 01:42\u003cbr\u003e8. Momentary Drift 4 03:56\u003cbr\u003e9. Microlith 5 01:11\u003cbr\u003e10. Momentary Drift 5 06:12\u003cbr\u003e11. Microlith 6 02:59\u003cbr\u003e12. Momentary Drift 6 08:02\u003cbr\u003e13. Microlith 7 02:53\u003cbr\u003e14. Momentary Drift 7 04:37\u003cbr\u003e15. Microlith 8 02:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMicroliths and Momentary Drifts is the first full-length collaboration from the trio of zakè (Zach Frizzell), Ossa (Kaiton Slusher), and ASC (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. The resulting structure bears a filmic pace that rewards the experience of focused listening in a single sitting, in the tradition of avowed touchstones like Selected Ambient Works Volume II or Global Communication’s 76:14. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe shimmering keys of opening track, “Microlith 1”, pour across the stereo field like warm rainfall, setting a vivid scene and demonstrating how much the trio can convey in the span of only a few breaths. “Momentary Drift 1” follows with overlapping, kinetic melodies and a backdrop of dense reverb that eases in like a fog across an airfield, while Clements’ bass tones provide subwoofer-friendly ballast deep below the surface.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross the first half of the album, there is a divide between place and placelessness: forlorn, alien signals arrive from a million light years away (“Microlith 2”), vaporous harmonies echo through liminal spaces (“Momentary Drift 3”), and dappled dayglow emerges through tape-saturated mist (“Momentary Drift 5”). Core to many of these pieces is a tonality akin to the fabled “secret weapon” synths found on Boards of Canada’s most iconic beatless recordings, imbuing a similarly eerie nostalgia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Every collaboration takes me outside myself in a different way,” Slusher notes, “and this one tells a complete story that developed naturally as we bounced ideas between one another; I really feel as though we shared a genuine connection in what we were aiming to achieve.” Frizzell elaborates, “Only the three of us, working in this balance and contributing our own authentic pieces of the puzzle, could have brought this record into being.” Throughout the set, we hear the distinct hallmarks of each artist – Ossa’s warbling melodicism, zakè’s tape treatments and classically-informed arrangements, and ASC’s phosphorescent radiance – yet the result is uniquely more than the sum of those parts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe exemplary “Momentary Drift 6” is centered on a solemn choral grace that summons a vision of the afterlife in half-light and obscured faces; as the longest piece here, it allows its loops to breathe and wash over, all edges disappearing into charcoal dust. “Momentary Drift 7” adds the distinctive guitar treatments of legendary Twine co-founder Chad Mossholder, whose gritty bursts of processed static create an essential atmospheric contrast as the album nears its conclusion. The brief sunlight of closing piece, “Microlith 8”, fades into a muted crackle, leaving a suitably ambiguous impression of the future in line with that of our forebears, defined by dreams of better worlds but forever tethered to terrestrial reality.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè, Ossa, ASC\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eZakè Drone Recordings\u003c\/p\u003e\n\u003cp\u003ecat no :\u003cspan\u003e ZD-045\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-21T07:18:41+09:00","created_at":"2026-04-20T10:07:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","new","Past Inside The Present"],"price":269400,"price_min":269400,"price_max":269400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48698423869690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"zakè, Ossa, ASC \/\/ Microliths and Momentary Drifts CD","public_title":null,"options":["Default Title"],"price":269400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_abdef946-1a6b-4def-b6a9-a56ffd706350.jpg?v=1776647116","\/\/tobirarecords.com\/cdn\/shop\/files\/mom3_6025befc-7e22-4ccf-93db-591ab85a8ae5.jpg?v=1776647116"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_abdef946-1a6b-4def-b6a9-a56ffd706350.jpg?v=1776647116","options":["Title"],"media":[{"alt":null,"id":39087823618298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_abdef946-1a6b-4def-b6a9-a56ffd706350.jpg?v=1776647116"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_abdef946-1a6b-4def-b6a9-a56ffd706350.jpg?v=1776647116","width":350},{"alt":null,"id":39087823651066,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom3_6025befc-7e22-4ccf-93db-591ab85a8ae5.jpg?v=1776647116"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom3_6025befc-7e22-4ccf-93db-591ab85a8ae5.jpg?v=1776647116","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家zakè, Ossa, ASCが、\u003c\/span\u003e2026年4月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエント15曲を収録。4面デジパック仕様です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present \/ Healing Sound Propagandist \/ Zakè Drone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Microlith 1 01:32\u003cbr\u003e2. Momentary Drift 1 06:32\u003cbr\u003e3. Microlith 2 02:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Momentary Drift 2 04:42\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Microlith 3 01:49\u003cbr\u003e\u003c\/span\u003e6. Momentary Drift 3 04:39\u003cbr\u003e7. Microlith 4 01:42\u003cbr\u003e8. Momentary Drift 4 03:56\u003cbr\u003e9. Microlith 5 01:11\u003cbr\u003e10. Momentary Drift 5 06:12\u003cbr\u003e11. Microlith 6 02:59\u003cbr\u003e12. Momentary Drift 6 08:02\u003cbr\u003e13. Microlith 7 02:53\u003cbr\u003e14. Momentary Drift 7 04:37\u003cbr\u003e15. Microlith 8 02:00\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eText from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMicroliths and Momentary Drifts is the first full-length collaboration from the trio of zakè (Zach Frizzell), Ossa (Kaiton Slusher), and ASC (James Clements), where rolling analog synth lines, chest-rattling bass, and otherworldly atmospherics evoke and build on the timeless qualities of peak-era 90s ambient. Each artist has released solo and collaborative works for Zakè Drone Recordings and Past Inside The Present over the last half-decade, but in this combination, Slusher’s stratospheric fugues take center stage, guided by Frizzell’s compositional hand and the soft power of Clements’ low-end rumble.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. The resulting structure bears a filmic pace that rewards the experience of focused listening in a single sitting, in the tradition of avowed touchstones like Selected Ambient Works Volume II or Global Communication’s 76:14. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe shimmering keys of opening track, “Microlith 1”, pour across the stereo field like warm rainfall, setting a vivid scene and demonstrating how much the trio can convey in the span of only a few breaths. “Momentary Drift 1” follows with overlapping, kinetic melodies and a backdrop of dense reverb that eases in like a fog across an airfield, while Clements’ bass tones provide subwoofer-friendly ballast deep below the surface.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross the first half of the album, there is a divide between place and placelessness: forlorn, alien signals arrive from a million light years away (“Microlith 2”), vaporous harmonies echo through liminal spaces (“Momentary Drift 3”), and dappled dayglow emerges through tape-saturated mist (“Momentary Drift 5”). Core to many of these pieces is a tonality akin to the fabled “secret weapon” synths found on Boards of Canada’s most iconic beatless recordings, imbuing a similarly eerie nostalgia.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Every collaboration takes me outside myself in a different way,” Slusher notes, “and this one tells a complete story that developed naturally as we bounced ideas between one another; I really feel as though we shared a genuine connection in what we were aiming to achieve.” Frizzell elaborates, “Only the three of us, working in this balance and contributing our own authentic pieces of the puzzle, could have brought this record into being.” Throughout the set, we hear the distinct hallmarks of each artist – Ossa’s warbling melodicism, zakè’s tape treatments and classically-informed arrangements, and ASC’s phosphorescent radiance – yet the result is uniquely more than the sum of those parts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe exemplary “Momentary Drift 6” is centered on a solemn choral grace that summons a vision of the afterlife in half-light and obscured faces; as the longest piece here, it allows its loops to breathe and wash over, all edges disappearing into charcoal dust. “Momentary Drift 7” adds the distinctive guitar treatments of legendary Twine co-founder Chad Mossholder, whose gritty bursts of processed static create an essential atmospheric contrast as the album nears its conclusion. The brief sunlight of closing piece, “Microlith 8”, fades into a muted crackle, leaving a suitably ambiguous impression of the future in line with that of our forebears, defined by dreams of better worlds but forever tethered to terrestrial reality.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè, Ossa, ASC\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eZakè Drone Recordings\u003c\/p\u003e\n\u003cp\u003ecat no :\u003cspan\u003e ZD-045\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※5月上旬再入荷後発送します アメリカのアンビエント作家zakè, Ossa, ASCが、2026年4月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作CDです。 ドリーミーなアンビエント15曲を収録。4面デジパック仕様です。廃盤です。 レーベルその他作品はこちら /// Click here to see...
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{"id":9196115788026,"title":"zakè, Ossa, ASC \/\/ Microlith sampler 7inch","handle":"zake-ossa-asc-microlith-sampler-7inch","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家zakè, Ossa, ASCが、\u003c\/span\u003e2026年4月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作7\"です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエント6曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=489410669\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=864930223\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=2633375169\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3233903161\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=804891144\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=4261102964\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present \/ Healing Sound Propagandist \/ Zakè Drone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e7\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFeaturing tracks 1,3,4,5,6, and 8 from \u003cmeta charset=\"utf-8\"\u003eMicrolith. \u003cbr\u003e\u003c\/span\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 Microlith 1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:20\u003cbr\u003eA2 Microlith 3 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:14\u003cbr\u003eA3 Microlith 4 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:42\u003cbr\u003eB1 Microlith 5 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:02\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2 Microlith 6 \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2:00\u003cbr\u003e\u003c\/span\u003eB3 Microlith 8\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:15\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEach of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. The resulting structure bears a filmic pace that rewards the experience of focused listening in a single sitting, in the tradition of avowed touchstones like Selected Ambient Works Volume II or Global Communication’s 76:14. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe shimmering keys of opening track, “Microlith 1”, pour across the stereo field like warm rainfall, setting a vivid scene and demonstrating how much the trio can convey in the span of only a few breaths. “Momentary Drift 1” follows with overlapping, kinetic melodies and a backdrop of dense reverb that eases in like a fog across an airfield, while Clements’ bass tones provide subwoofer-friendly ballast deep below the surface.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross the first half of the album, there is a divide between place and placelessness: forlorn, alien signals arrive from a million light years away (“Microlith 2”), vaporous harmonies echo through liminal spaces (“Momentary Drift 3”), and dappled dayglow emerges through tape-saturated mist (“Momentary Drift 5”). Core to many of these pieces is a tonality akin to the fabled “secret weapon” synths found on Boards of Canada’s most iconic beatless recordings, imbuing a similarly eerie nostalgia...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè, Ossa, ASC\u003c\/p\u003e\n\u003cp\u003eLabel : Zakè Drone Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZD-045\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-21T07:20:35+09:00","created_at":"2026-04-20T10:03:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","Past Inside The Present"],"price":259400,"price_min":259400,"price_max":259400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48698419282170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"zakè, Ossa, ASC \/\/ Microlith sampler 7inch","public_title":null,"options":["Default Title"],"price":259400,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_28fbacea-b024-43d2-8901-18deb489772b.jpg?v=1776646551","\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_627e74b4-c2bf-41fb-ae6f-02e216b34e52.jpg?v=1776646551"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_28fbacea-b024-43d2-8901-18deb489772b.jpg?v=1776646551","options":["Title"],"media":[{"alt":null,"id":39087799664890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_28fbacea-b024-43d2-8901-18deb489772b.jpg?v=1776646551"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_28fbacea-b024-43d2-8901-18deb489772b.jpg?v=1776646551","width":350},{"alt":null,"id":39087799697658,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_627e74b4-c2bf-41fb-ae6f-02e216b34e52.jpg?v=1776646551"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_627e74b4-c2bf-41fb-ae6f-02e216b34e52.jpg?v=1776646551","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月上旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家zakè, Ossa, ASCが、\u003c\/span\u003e2026年4月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作7\"です。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエント6曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=489410669\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=864930223\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=2633375169\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=3233903161\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=804891144\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3443755647\/size=small\/bgcol=ffffff\/linkcol=0687f5\/artwork=none\/track=4261102964\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present \/ Healing Sound Propagandist \/ Zakè Drone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e7\" black vinyl.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFeaturing tracks 1,3,4,5,6, and 8 from \u003cmeta charset=\"utf-8\"\u003eMicrolith. \u003cbr\u003e\u003c\/span\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 Microlith 1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:20\u003cbr\u003eA2 Microlith 3 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:14\u003cbr\u003eA3 Microlith 4 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:42\u003cbr\u003eB1 Microlith 5 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:02\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2 Microlith 6 \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2:00\u003cbr\u003e\u003c\/span\u003eB3 Microlith 8\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:15\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEach of the eight “Microlith” tracks is a miniature melodic theme or textured vignette, alternating in sequence with the seven longer and more journeylike “Momentary Drift” pieces. The resulting structure bears a filmic pace that rewards the experience of focused listening in a single sitting, in the tradition of avowed touchstones like Selected Ambient Works Volume II or Global Communication’s 76:14. These spectral sounds exist between the murky shadows of the past and the telescopic gaze of the future, where melancholy, guarded optimism is transmitted by imperfect machines.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe shimmering keys of opening track, “Microlith 1”, pour across the stereo field like warm rainfall, setting a vivid scene and demonstrating how much the trio can convey in the span of only a few breaths. “Momentary Drift 1” follows with overlapping, kinetic melodies and a backdrop of dense reverb that eases in like a fog across an airfield, while Clements’ bass tones provide subwoofer-friendly ballast deep below the surface.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross the first half of the album, there is a divide between place and placelessness: forlorn, alien signals arrive from a million light years away (“Microlith 2”), vaporous harmonies echo through liminal spaces (“Momentary Drift 3”), and dappled dayglow emerges through tape-saturated mist (“Momentary Drift 5”). Core to many of these pieces is a tonality akin to the fabled “secret weapon” synths found on Boards of Canada’s most iconic beatless recordings, imbuing a similarly eerie nostalgia...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè, Ossa, ASC\u003c\/p\u003e\n\u003cp\u003eLabel : Zakè Drone Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZD-045\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 17th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※5月上旬再入荷後発送します アメリカのアンビエント作家zakè, Ossa, ASCが、2026年4月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作7"です。 ドリーミーなアンビエント6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to...
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