Bill Thompson and Richard Sanderson // Summiting TAPE

Bill Thompson and Richard Sanderson // Summiting TAPE

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テキサスのギタリストBill Thompsonとアコーディオン奏者Richard Sandersonの共作が英国実験レーベル Linear Obsessionalより2021年3月リリース。約30分のインプロドローン2曲を収録。DLコードと3Dメガネが付属。

LinOb's latest release is a cassette of two long, immersive improvisations by the Texan guitarist/composer Bill Thompson and amplified melodeon player Richard Sanderson.
Exploring a slo-mo environment of sustained tones and mysterious incident, the tracks are enveloping and compelling.
The download includes a third bonus track "First Ascent" a recording of the first meeting of Sanderson and Thompson at 100 Years Gallery, London..
The found cover image is a three dimensional anaglyph, the cassettes come with a free pair of 3D glasses, and a download coupon.

artist : Bill Thompson and Richard Sanderson

label : Linear Obsessional

テキサスのギタリストBill Thompsonとアコーディオン奏者Richard Sandersonの共作が英国実験レーベル Linear Obsessionalより2021年3月リリース。約30分のインプロドローン2曲を収録。DLコードと3Dメガネが付属。 LinOb's latest release is a cassette of two long, immersive improvisations by the Texan guitarist/composer Bill Thompson and amplified melodeon player Richard Sanderson.
Exploring a slo-mo environment of sustained tones and mysterious incident, the tracks are enveloping and compelling.
The download includes a third bonus track "First Ascent" a recording of the first meeting of Sanderson and Thompson at 100 Years Gallery, London..
The found cover image is a three dimensional anaglyph, the cassettes come with a free pair of 3D glasses, and a download coupon. artist : Bill Thompson and Richard Sanderson label : Linear Obsessional

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Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. 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width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 700.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phase I\u003cbr\u003e2. Phase II\u003cbr\u003e3. Phase III\u003cbr\u003e4. Phase IV\u003cbr\u003e5. Phase V\u003cbr\u003e6. Phase VI\u003cbr\u003e7. Phase VII\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eIdeologic Organ:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe first release to document the solo cello work of musician and composer Lucy Railton, the 40-minute composition Blue Veil recorded at Église du Saint-Esprit in Paris invites listeners into the realm of precision-tuned states of resonance: states made manifest through Railton’s careful traversal of her cello's most subtle acoustic characteristics as they harmonically interlock with mind’s embodied modalities of attention and imagination.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBlue Veil arises out of, is sustained in and finally dissolves back into Railton’s momentary presence with her intimate connection to the cello, a way of hearing that allows for a deeper engagement with harmonic resonance, one that opens a space for immediate encounters of mind and sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRailton’s exploratory practice of harmonic perception emerges from a focus on the physical qualities of intervallic and chordal sounds, their textural qualities, degrees of friction, and inner pulsations. 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ドイツ・ベルリンのチェロ奏者Lucy Railtonが、2025年4月にフランスの実験レーベルIdeologic Organ からリリースしたレコードです。チェロ独奏によるアコースティック・ドローン〜インプロ7曲を収録。以下、レーベルによる解説です。 "音楽家であり作曲家でもあるLucy Railtonのソロチェロ作品を記録した初のリリースとなる40分の作品『Blue Veil』は、パリのサン・テスプリ教会で録音され、リスナーを精密なチューニングによる共鳴の領域へと誘う。『Blue Veil』は、Railtonのチェロとの親密なつながりから生まれ、その中で維持され、最後にはRailtonの一瞬の存在へと溶け込んでいく。この聴こえ方は、ハーモニーの共鳴により深く関わることを可能にし、心と音との即時的な出会いのための空間を開くものである。 Railtonの和声知覚の探求的な実践は、金属間音や和音音の物理的な性質、質感、摩擦の度合い、内的な脈動に焦点を当てることから生まれる。Railtonは、チェロの体内、彼女自身、そしてそれらが共有する振動空間の共鳴に導かれながら、その場で作曲し、音が求めるものを与えることによって、『Blue Veil』を通して前進する。Railtonの独創的で高度に洗練されたジャスト・イントネーション・ハーモニーの使用は、完全に存在する音を味わうだけでなく、暗示された音や完全に存在しない音のイメージを積極的に供給するリスニングモードを示唆する方法で、音の内的な動きを変形させる。Railtonは遊び心たっぷりに「シング・アロング・ミュージック」と半仮喩的に呼んでいるが、この「一緒に聴く」という能動的なモードは、豊かな和声的想像力の飽和領域を徐々に通過していく音楽の動きに、聴き手が反射的に参加することを可能にする。そして、『Blue Veil』の精密に調律された音色が、多面的で均一なものと融合することで個性を失うように、リスニングの参照と認識の構造は、強度の名もなき波へと溶解し、リスナーの上に絶えず展開し、リスナーと融合する。『Blue...

¥4,120

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Beginner's Mind 06:40\u003cbr\u003e2. No Trace 07:32\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Mistakes in Practice 06:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Mind Weeds 10:22\u003cbr\u003e\u003c\/span\u003e5. To Polish a Tile 07:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eRecordings and paintings made during summer 2024. Tapes, contact mics, loop pedals, objects, Yamaha PSS-50 keyboard, percussion and field recordings\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe 'Haiku paintings' were made by exploring the parameters of minimalism, with just a red circle and single black stroke allowed for each one. The Gouache paint gives a distinctive and delicate texture to each untitled piece.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese tracks were put together during summer 2024 and were informed by the paintings. The sounds and textures flow together in a spirit of meditative minimalism, with each element given space the breathe and unfold, much like the strokes in the pictures.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Atkins\u003c\/p\u003e\n\u003cp\u003eLabel : Chocolate Monk\u003c\/p\u003e","published_at":"2025-04-04T15:22:50+09:00","created_at":"2025-04-04T10:01:20+09:00","vendor":"Tobira Records","type":"","tags":["cd","chocolate monk","drone","monooto","new"],"price":262100,"price_min":262100,"price_max":262100,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47236347461882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matt Atkins \/\/ Beginner's Mind CDr+BOOKLET","public_title":null,"options":["Default Title"],"price":262100,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/beg1_25ec0607-f8c3-49d9-ae57-124af2a57d9a.jpg?v=1743728346","\/\/tobirarecords.com\/cdn\/shop\/files\/beg2_219057f6-ec56-4625-a5fa-d75a24572634.jpg?v=1743728346"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg1_25ec0607-f8c3-49d9-ae57-124af2a57d9a.jpg?v=1743728346","options":["Title"],"media":[{"alt":null,"id":35832990826746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg1_25ec0607-f8c3-49d9-ae57-124af2a57d9a.jpg?v=1743728346"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg1_25ec0607-f8c3-49d9-ae57-124af2a57d9a.jpg?v=1743728346","width":700},{"alt":null,"id":35832990859514,"position":2,"preview_image":{"aspect_ratio":1.056,"height":1136,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg2_219057f6-ec56-4625-a5fa-d75a24572634.jpg?v=1743728346"},"aspect_ratio":1.056,"height":1136,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/beg2_219057f6-ec56-4625-a5fa-d75a24572634.jpg?v=1743728346","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Matt Atkinsが、2025年1月に同国老舗実験レーベルChocolate MonkからリリースしたCDr+BOOKLETです。\u003c\/p\u003e\n\u003cp\u003e物音コラージュ・ドローン5曲を収録。Mattのペイント作品を掲載した24ページのフルカラーブックレット付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1515339848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCDr in plastic sleeve with color artwork + 24-page A5 full-color booklet.\u003cbr\u003ePresented in stamped envelope.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Beginner's Mind 06:40\u003cbr\u003e2. No Trace 07:32\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Mistakes in Practice 06:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Mind Weeds 10:22\u003cbr\u003e\u003c\/span\u003e5. To Polish a Tile 07:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eRecordings and paintings made during summer 2024. Tapes, contact mics, loop pedals, objects, Yamaha PSS-50 keyboard, percussion and field recordings\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe 'Haiku paintings' were made by exploring the parameters of minimalism, with just a red circle and single black stroke allowed for each one. The Gouache paint gives a distinctive and delicate texture to each untitled piece.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese tracks were put together during summer 2024 and were informed by the paintings. The sounds and textures flow together in a spirit of meditative minimalism, with each element given space the breathe and unfold, much like the strokes in the pictures.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Atkins\u003c\/p\u003e\n\u003cp\u003eLabel : Chocolate Monk\u003c\/p\u003e"}

イギリスの実験音楽家Matt Atkinsが、2025年1月に同国老舗実験レーベルChocolate MonkからリリースしたCDr+BOOKLETです。物音コラージュ・ドローン5曲を収録。Mattのペイント作品を掲載した24ページのフルカラーブックレット付属。廃盤です。 ------------------------------------------------------ CDr in plastic sleeve with color artwork + 24-page...

¥2,621

クイックビュー {"id":8756606042362,"title":"Jérôme Noetinger \/\/ Intensior Corda Sonus CD","handle":"jerome-noetinger-intensior-corda-sonus-cd","description":"\u003cp\u003eフランスの実験音楽家Jérôme Noetingerが、2025年3月にイギリスの老舗実験レーベルChocolate MonkからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2523387899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 1. L'Èmergence De La Cible\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:19\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 2. Audiofréquences\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:04\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 3. Le Maître Des Destinées\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:42\u003cbr\u003e4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 4. L'Incinérateur Des Objets\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:48\u003cbr\u003e5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eErase My Head (2019)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e30:00\u003cbr\u003e6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003cbr\u003e7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:00\u003cbr\u003e8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003e9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003e10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn 2019, I was invited by Dylan Nyoukis and Karen Constance to play at the Colour out of Space festival in Brighton. A unique moment of incongruous music in a friendly international gathering of freaks of all kinds. Unforgettable. I played a solo on Revox B77 and then Dylan asked me to do a CD for his Chocolate Monk label. After some thought, I decided to offer three compositions rather than try to reproduce the past moment of an improvised concert. I'm talking here about the composition of fixed sounds (to quote Michel Chion) or musique concrète to use Pierre Schaeffer's original terminology. I think I've spent more time in my life improvising than composing, and no one has ever reproached me for it.\u003cbr\u003eThe Latin title refers to the equivalence between the tension of a string and the elevation of the sound, but also to the link between the intensity of the lived and of the musical. Will the intensity of the former influence that of the latter? But it's also the tension on the trigger and the intensity of the reaction to it. The tension-release form is one of the most classic in musique concrète, and even more so since the advent of computer-assisted music. In Les objets inaudibles [2018], I decided to politicise this form, to create a struggle between these elements. In Erase my head [2019], it is the accumulation, erasure and diversion of random fragments that is at stake. Then in Eloge des ruines [2020], it's a return to the founding gesture of musique concrète, that of sampling existing material, in this case records from my personal record library.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jérôme Noetinger\u003c\/p\u003e\n\u003cp\u003eLabel : Chocolate Monk\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003echoc.655\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-04T15:26:55+09:00","created_at":"2025-04-04T09:58:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","chocolate monk","drone","monooto","new","noise"],"price":259400,"price_min":259400,"price_max":259400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47236346151162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jérôme Noetinger \/\/ Intensior Corda Sonus CD","public_title":null,"options":["Default Title"],"price":259400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/noe1.jpg?v=1743728134"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/noe1.jpg?v=1743728134","options":["Title"],"media":[{"alt":null,"id":35832980570362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":480,"width":480,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noe1.jpg?v=1743728134"},"aspect_ratio":1.0,"height":480,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/noe1.jpg?v=1743728134","width":480}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験音楽家Jérôme Noetingerが、2025年3月にイギリスの老舗実験レーベルChocolate MonkからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eエレクトロアコースティック10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2523387899\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack. \u003cbr\u003eEdition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 1. L'Èmergence De La Cible\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:19\u003cbr\u003e2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 2. Audiofréquences\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:04\u003cbr\u003e3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 3. Le Maître Des Destinées\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:42\u003cbr\u003e4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eLes Objets Inaudibles (2018) - 4. L'Incinérateur Des Objets\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:48\u003cbr\u003e5\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eErase My Head (2019)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e30:00\u003cbr\u003e6\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003cbr\u003e7\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:00\u003cbr\u003e8\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003e9\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:01\u003cbr\u003e10\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEloge Des Ruines (2020) - 5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn 2019, I was invited by Dylan Nyoukis and Karen Constance to play at the Colour out of Space festival in Brighton. A unique moment of incongruous music in a friendly international gathering of freaks of all kinds. Unforgettable. I played a solo on Revox B77 and then Dylan asked me to do a CD for his Chocolate Monk label. After some thought, I decided to offer three compositions rather than try to reproduce the past moment of an improvised concert. I'm talking here about the composition of fixed sounds (to quote Michel Chion) or musique concrète to use Pierre Schaeffer's original terminology. I think I've spent more time in my life improvising than composing, and no one has ever reproached me for it.\u003cbr\u003eThe Latin title refers to the equivalence between the tension of a string and the elevation of the sound, but also to the link between the intensity of the lived and of the musical. Will the intensity of the former influence that of the latter? But it's also the tension on the trigger and the intensity of the reaction to it. The tension-release form is one of the most classic in musique concrète, and even more so since the advent of computer-assisted music. In Les objets inaudibles [2018], I decided to politicise this form, to create a struggle between these elements. In Erase my head [2019], it is the accumulation, erasure and diversion of random fragments that is at stake. Then in Eloge des ruines [2020], it's a return to the founding gesture of musique concrète, that of sampling existing material, in this case records from my personal record library.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jérôme Noetinger\u003c\/p\u003e\n\u003cp\u003eLabel : Chocolate Monk\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003echoc.655\u003c\/span\u003e\u003c\/p\u003e"}