World of Echo
クイックビュー
{"id":9295948546298,"title":"Cindy \/\/ Another Country LP","handle":"cindy-another-country-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのインディーバンドCindyが、2026年5月にTough Loveからリリースしたレコードです。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜インディーポップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3829087479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Another Country 04:11 \u003cbr\u003e2. Daytime 02:30 \u003cbr\u003e3. Soft Inheritance 02:04 \u003cbr\u003e4. Killer Kid in the Camaro 02:32 \u003cbr\u003e5. Procession 03:46 \u003cbr\u003e6. The Violins 02:20 \u003cbr\u003e7. The Thousand First 02:59 \u003cbr\u003e8. Talking To Mary 01:22 \u003cbr\u003e9. Another Country II 03:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother Country is the fifth full-length album by Cindy, the San Francisco-based group built around the songwriting of Karina Gill. Recorded, like all of its predecessors, in their hometown and for the first time with a consistent line-up held over from their previous record (the Swan Lake EP from 2024), and is replete with the poetry of private vistas, eavesdropped dramas and confusing winds. These are classic Cindy concerns, and yet, as always, contain plenty new mystery and charm to somehow feel like quiet revelations each time. Another Country is both opaque in its intentions and specific in its presentation, and as such presents the kind of truth that keeps the listener on the search for answers just out of reach.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'The title of this record, Another Country, refers to the James Baldwin novel of that name. The book has a kind of drama that makes sense to me. When I look around, the obvious explanations are not enough. The miasma of feelings and ideas that are supposed to account for it, doesn't. Baldwin washes past all that to longings that begin to explain. Cindy songs come out of the x-rays my particular brain makes out of what I see and experience. What you hear on this record is the result of collaboration with the members of Cindy that transforms that shadowy thing into full color, fully fleshed\u003cspan class=\"bcTruncateMore\"\u003e. Each of them, in music, is sure-footed and unblinking and making this record together felt like, 'yes, yes, you see what I mean''.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cindy\u003c\/p\u003e\n\u003cp\u003eLabel : Tough Love (distributed by World of Echo)\u003c\/p\u003e\n\u003cp\u003ecat no : TLV184\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st May 2026\u003c\/p\u003e","published_at":"2026-07-06T15:44:11+09:00","created_at":"2026-07-05T14:26:16+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","world of echo"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49529358319866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cindy \/\/ Another Country LP","public_title":null,"options":["Default Title"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ano1_8c15ba85-6bba-45e3-9438-234108991d3e.jpg?v=1783229059","\/\/tobirarecords.com\/cdn\/shop\/files\/ano2_de800fd2-2aed-4dc2-ad67-f58f7d1ba04d.jpg?v=1783229059"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano1_8c15ba85-6bba-45e3-9438-234108991d3e.jpg?v=1783229059","options":["Title"],"media":[{"alt":null,"id":40003442114810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano1_8c15ba85-6bba-45e3-9438-234108991d3e.jpg?v=1783229059"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano1_8c15ba85-6bba-45e3-9438-234108991d3e.jpg?v=1783229059","width":350},{"alt":null,"id":40003442147578,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano2_de800fd2-2aed-4dc2-ad67-f58f7d1ba04d.jpg?v=1783229059"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ano2_de800fd2-2aed-4dc2-ad67-f58f7d1ba04d.jpg?v=1783229059","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのインディーバンドCindyが、2026年5月にTough Loveからリリースしたレコードです。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eドリームポップ〜インディーポップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3829087479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Another Country 04:11 \u003cbr\u003e2. Daytime 02:30 \u003cbr\u003e3. Soft Inheritance 02:04 \u003cbr\u003e4. Killer Kid in the Camaro 02:32 \u003cbr\u003e5. Procession 03:46 \u003cbr\u003e6. The Violins 02:20 \u003cbr\u003e7. The Thousand First 02:59 \u003cbr\u003e8. Talking To Mary 01:22 \u003cbr\u003e9. Another Country II 03:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnother Country is the fifth full-length album by Cindy, the San Francisco-based group built around the songwriting of Karina Gill. Recorded, like all of its predecessors, in their hometown and for the first time with a consistent line-up held over from their previous record (the Swan Lake EP from 2024), and is replete with the poetry of private vistas, eavesdropped dramas and confusing winds. These are classic Cindy concerns, and yet, as always, contain plenty new mystery and charm to somehow feel like quiet revelations each time. Another Country is both opaque in its intentions and specific in its presentation, and as such presents the kind of truth that keeps the listener on the search for answers just out of reach.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'The title of this record, Another Country, refers to the James Baldwin novel of that name. The book has a kind of drama that makes sense to me. When I look around, the obvious explanations are not enough. The miasma of feelings and ideas that are supposed to account for it, doesn't. Baldwin washes past all that to longings that begin to explain. Cindy songs come out of the x-rays my particular brain makes out of what I see and experience. What you hear on this record is the result of collaboration with the members of Cindy that transforms that shadowy thing into full color, fully fleshed\u003cspan class=\"bcTruncateMore\"\u003e. Each of them, in music, is sure-footed and unblinking and making this record together felt like, 'yes, yes, you see what I mean''.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cindy\u003c\/p\u003e\n\u003cp\u003eLabel : Tough Love (distributed by World of Echo)\u003c\/p\u003e\n\u003cp\u003ecat no : TLV184\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st May 2026\u003c\/p\u003e"}
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アメリカ・LAのインディーバンドCindyが、2026年5月にTough Loveからリリースしたレコードです。 ドリームポップ〜インディーポップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more World of Echo releases available at Tobira. ...
¥4,980
クイックビュー
{"id":9295943074042,"title":"Anton Pearson \/\/ Driving Through Belgium LP","handle":"anton-pearson-driving-through-belgium-lp","description":"\u003cp\u003eイギリスのバンドSquidのギタリストとしても活動しているAnton Pearsonが、\u003cspan\u003e2026年7月に同国World of Echoからリリースしたレコードです。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエントドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4159059264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Driving Past the Muscular Cows in Belgium 20:03 \u003cbr\u003e2. Builder In A Bottle 03:30 \u003cbr\u003e3. Tintinnabulation I 06:38 \u003cbr\u003e4. Teeth to Cut the Grass 05:09 \u003cbr\u003e5. Tintinnabulation II 07:15 \u003cbr\u003e6. Tern Daylight 04:12\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"There is a particular kind of strangeness that arrives on long drives across Europe. Flat light, service stations and fields stretching endlessly past the window. It might look mundane at first glance, but becomes faintly surreal when the tiredness of touring blurs the edges of everything.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat feeling became the quiet engine behind Driving Through Belgium, the debut solo album from Anton Pearson, best known as one of the guitarists in respected post-punk outfit Squid. The title grew from a track that felt like the record’s centrepiece, which itself came from the recurring image of extensive periods on the road across the continent. It is a record shaped in the margins of touring, and finessed in the in-between hours.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross six pieces, Pearson leans into atmosphere, texture and space. It is ambient in spirit, adjacent to contemporary classical in feeling, but composed less with notes in mind than with sound itself. The compositions rarely began with harmony or melody, with Pearson instead responding to his environment and sounds in real time, placing trust in his instinct.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough initial inspiration came from the road, the album was recorded in a studio he shares in Brighton, and marks\u003cspan class=\"bcTruncateMore\"\u003e his first fully solo project made in that setting. It gave him access to not only new tools and techniques, but a hitherto un-experienced freedom. Much of the process began experimentally, feeding instruments into unfamiliar chains, pitching loops into unexpected registers and playing with previously unused synthesizers simply to see what they might reveal. Many of the sounds were created out of pure curiosity, wanting to understand a piece of equipment or technology, and then following wherever it led.\u003cbr\u003e\u003cbr\u003eThe album was built with this experimentation at its core, as Pearson would layer then extract, processing stacks of sound until things blur and confuse. Guitars dissolve into drones, a Pianet Clavinet dances against muddier textures whilst a Korg PS-1000 occasionally cuts through with its glittering top end. On ‘Driving Past the Muscular Cows in Belgium’, a flat, still drone is pushed through valve amps until it growls and tightens with tension, before receding again. Even the trumpet, which Pearson freely admits he is not technically proficient at, is embraced in its naivety, its squeaks left intact rather than corrected. The twin ‘Tintinnabulation’ pieces frame the record with looping, pitched bell like tones, accidental discoveries that became structural anchors. Meanwhile, ‘Teeth to Cut the Grass’ deliberately introduces abrasion, some of the harshest textures on the record, a refusal to become passive background music.\u003cbr\u003e\u003cbr\u003eThat embrace of imperfection is central. In contrast to the hyper-analytical precision of his band, Pearson was keen to honour first takes. If something felt good, it would stay. The end result is an album that favours looseness, instinct and the energy of creation itself. If Squid thrives on propulsion and tension, Anton Pearson finds his energy in suspension on Driving Through Belgium. It is curious rather than declarative, creating a space where experimentation feels playful again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anton Pearson\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE030\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd July 2026\u003c\/p\u003e","published_at":"2026-07-06T15:37:15+09:00","created_at":"2026-07-05T14:19:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","world of echo"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49529345900794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Anton Pearson \/\/ Driving Through Belgium LP","public_title":null,"options":["Default Title"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_69d39034-eba0-439d-bf67-9d6a80b17e53.jpg?v=1783228720","\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_a8b744ec-aadf-4c00-a5d3-3047aa16506b.jpg?v=1783228720"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_69d39034-eba0-439d-bf67-9d6a80b17e53.jpg?v=1783228720","options":["Title"],"media":[{"alt":null,"id":40003354558714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_69d39034-eba0-439d-bf67-9d6a80b17e53.jpg?v=1783228720"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel1_69d39034-eba0-439d-bf67-9d6a80b17e53.jpg?v=1783228720","width":350},{"alt":null,"id":40003354591482,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_a8b744ec-aadf-4c00-a5d3-3047aa16506b.jpg?v=1783228720"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bel2_a8b744ec-aadf-4c00-a5d3-3047aa16506b.jpg?v=1783228720","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのバンドSquidのギタリストとしても活動しているAnton Pearsonが、\u003cspan\u003e2026年7月に同国World of Echoからリリースしたレコードです。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント〜アンビエントドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4159059264\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Driving Past the Muscular Cows in Belgium 20:03 \u003cbr\u003e2. Builder In A Bottle 03:30 \u003cbr\u003e3. Tintinnabulation I 06:38 \u003cbr\u003e4. Teeth to Cut the Grass 05:09 \u003cbr\u003e5. Tintinnabulation II 07:15 \u003cbr\u003e6. Tern Daylight 04:12\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"There is a particular kind of strangeness that arrives on long drives across Europe. Flat light, service stations and fields stretching endlessly past the window. It might look mundane at first glance, but becomes faintly surreal when the tiredness of touring blurs the edges of everything.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat feeling became the quiet engine behind Driving Through Belgium, the debut solo album from Anton Pearson, best known as one of the guitarists in respected post-punk outfit Squid. The title grew from a track that felt like the record’s centrepiece, which itself came from the recurring image of extensive periods on the road across the continent. It is a record shaped in the margins of touring, and finessed in the in-between hours.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAcross six pieces, Pearson leans into atmosphere, texture and space. It is ambient in spirit, adjacent to contemporary classical in feeling, but composed less with notes in mind than with sound itself. The compositions rarely began with harmony or melody, with Pearson instead responding to his environment and sounds in real time, placing trust in his instinct.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlthough initial inspiration came from the road, the album was recorded in a studio he shares in Brighton, and marks\u003cspan class=\"bcTruncateMore\"\u003e his first fully solo project made in that setting. It gave him access to not only new tools and techniques, but a hitherto un-experienced freedom. Much of the process began experimentally, feeding instruments into unfamiliar chains, pitching loops into unexpected registers and playing with previously unused synthesizers simply to see what they might reveal. Many of the sounds were created out of pure curiosity, wanting to understand a piece of equipment or technology, and then following wherever it led.\u003cbr\u003e\u003cbr\u003eThe album was built with this experimentation at its core, as Pearson would layer then extract, processing stacks of sound until things blur and confuse. Guitars dissolve into drones, a Pianet Clavinet dances against muddier textures whilst a Korg PS-1000 occasionally cuts through with its glittering top end. On ‘Driving Past the Muscular Cows in Belgium’, a flat, still drone is pushed through valve amps until it growls and tightens with tension, before receding again. Even the trumpet, which Pearson freely admits he is not technically proficient at, is embraced in its naivety, its squeaks left intact rather than corrected. The twin ‘Tintinnabulation’ pieces frame the record with looping, pitched bell like tones, accidental discoveries that became structural anchors. Meanwhile, ‘Teeth to Cut the Grass’ deliberately introduces abrasion, some of the harshest textures on the record, a refusal to become passive background music.\u003cbr\u003e\u003cbr\u003eThat embrace of imperfection is central. In contrast to the hyper-analytical precision of his band, Pearson was keen to honour first takes. If something felt good, it would stay. The end result is an album that favours looseness, instinct and the energy of creation itself. If Squid thrives on propulsion and tension, Anton Pearson finds his energy in suspension on Driving Through Belgium. It is curious rather than declarative, creating a space where experimentation feels playful again.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anton Pearson\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE030\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd July 2026\u003c\/p\u003e"}
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イギリスのバンドSquidのギタリストとしても活動しているAnton Pearsonが、2026年7月に同国World of Echoからリリースしたレコードです。 アンビエント〜アンビエントドローン6曲を収録。 レーベルその他作品はこちら /// Click here to see more World of Echo releases available...
¥4,980
クイックビュー
{"id":9295919317242,"title":"Tara Clerkin Trio \/\/ Somewhere Good CD","handle":"tara-clerkin-trio-somewhere-good-cd","description":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのシンガーソングライターTara Clerkin率いるTara Clerkin Trioが、2026年6月に同国World of EchoからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレフトフィールド・ポップ8曲を収録。4面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=736808220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Lake Walk 02:23 \u003cbr\u003e2. Lazy Daisy 04:54 \u003cbr\u003e3. Ups \u0026amp; Downs 05:54 \u003cbr\u003e4. Silently 06:40 \u003cbr\u003e5. There Was A Nice Sunset 05:25 \u003cbr\u003e6. Somewhere Good 05:59 \u003cbr\u003e7. Slow Island 04:58 \u003cbr\u003e8. Movin' On 04:51\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRyan Davis (Chicago, February 2026), via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"...The hazy, unmappable skyline-mirage of droning harmonium, upright bass, peculiarly accentuated wind instruments, acoustic guitar, hushed yet literally mighty keys combine to hypnotizing effect. The band may make underlying nods to jazz, sure, but it’s not appropriation, it’s that they have the actual chops to build it out. Beneath the janky samples and oddball percussive embellishment lies actually great drumming. Beyond the manipulated vocal witchery and woefully reflective plain-spoke moments are Tara’s subtly inspired melodies, sung with what might honestly be the glue to the whole crazy equation. A calming consistency throughout the otherwise unpredictably dynamic, boldly intuitive, uniquely British exploration of this (their own) universe in song.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tara Clerkin Trio\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE027\u003c\/p\u003e\n\u003cp\u003eRelease date : 5th June 2026\u003c\/p\u003e","published_at":"2026-07-05T16:14:50+09:00","created_at":"2026-07-05T13:06:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","new","world of echo"],"price":267300,"price_min":267300,"price_max":267300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49529253593338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tara Clerkin Trio \/\/ Somewhere Good CD","public_title":null,"options":["Default Title"],"price":267300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_7cc646bf-6c52-45d1-9345-e7a8711585c3.jpg?v=1783224417","\/\/tobirarecords.com\/cdn\/shop\/files\/goo3_5434e7cf-f7f0-4316-9b2d-954baae16c22.jpg?v=1783224417"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_7cc646bf-6c52-45d1-9345-e7a8711585c3.jpg?v=1783224417","options":["Title"],"media":[{"alt":null,"id":40002417492218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_7cc646bf-6c52-45d1-9345-e7a8711585c3.jpg?v=1783224417"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_7cc646bf-6c52-45d1-9345-e7a8711585c3.jpg?v=1783224417","width":350},{"alt":null,"id":40002417557754,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3_5434e7cf-f7f0-4316-9b2d-954baae16c22.jpg?v=1783224417"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo3_5434e7cf-f7f0-4316-9b2d-954baae16c22.jpg?v=1783224417","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのシンガーソングライターTara Clerkin率いるTara Clerkin Trioが、2026年6月に同国World of EchoからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレフトフィールド・ポップ8曲を収録。4面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=736808220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in 4-panel digipack.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Lake Walk 02:23 \u003cbr\u003e2. Lazy Daisy 04:54 \u003cbr\u003e3. Ups \u0026amp; Downs 05:54 \u003cbr\u003e4. Silently 06:40 \u003cbr\u003e5. There Was A Nice Sunset 05:25 \u003cbr\u003e6. Somewhere Good 05:59 \u003cbr\u003e7. Slow Island 04:58 \u003cbr\u003e8. Movin' On 04:51\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRyan Davis (Chicago, February 2026), via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"...The hazy, unmappable skyline-mirage of droning harmonium, upright bass, peculiarly accentuated wind instruments, acoustic guitar, hushed yet literally mighty keys combine to hypnotizing effect. The band may make underlying nods to jazz, sure, but it’s not appropriation, it’s that they have the actual chops to build it out. Beneath the janky samples and oddball percussive embellishment lies actually great drumming. Beyond the manipulated vocal witchery and woefully reflective plain-spoke moments are Tara’s subtly inspired melodies, sung with what might honestly be the glue to the whole crazy equation. A calming consistency throughout the otherwise unpredictably dynamic, boldly intuitive, uniquely British exploration of this (their own) universe in song.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tara Clerkin Trio\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE027\u003c\/p\u003e\n\u003cp\u003eRelease date : 5th June 2026\u003c\/p\u003e"}
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イギリス・ブリストルのシンガーソングライターTara Clerkin率いるTara Clerkin Trioが、2026年6月に同国World of EchoからリリースしたCDです。 レフトフィールド・ポップ8曲を収録。4面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more World of Echo...
¥2,673
クイックビュー
{"id":9295919284474,"title":"Tara Clerkin Trio \/\/ Somewhere Good LP","handle":"tara-clerkin-trio-somewhere-good-lp","description":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのシンガーソングライターTara Clerkin率いるTara Clerkin Trioが、2026年6月に同国World of Echoからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレフトフィールド・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=736808220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=736808220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=691888629\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Lake Walk 02:23 \u003cbr\u003e2. Lazy Daisy 04:54 \u003cbr\u003e3. Ups \u0026amp; Downs 05:54 \u003cbr\u003e4. Silently 06:40 \u003cbr\u003e5. There Was A Nice Sunset 05:25 \u003cbr\u003e6. Somewhere Good 05:59 \u003cbr\u003e7. Slow Island 04:58 \u003cbr\u003e8. Movin' On 04:51\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRyan Davis (Chicago, February 2026), via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"...The hazy, unmappable skyline-mirage of droning harmonium, upright bass, peculiarly accentuated wind instruments, acoustic guitar, hushed yet literally mighty keys combine to hypnotizing effect. The band may make underlying nods to jazz, sure, but it’s not appropriation, it’s that they have the actual chops to build it out. Beneath the janky samples and oddball percussive embellishment lies actually great drumming. Beyond the manipulated vocal witchery and woefully reflective plain-spoke moments are Tara’s subtly inspired melodies, sung with what might honestly be the glue to the whole crazy equation. A calming consistency throughout the otherwise unpredictably dynamic, boldly intuitive, uniquely British exploration of this (their own) universe in song.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tara Clerkin Trio\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE027\u003c\/p\u003e\n\u003cp\u003eRelease date : 5th June 2026\u003c\/p\u003e","published_at":"2026-07-05T15:32:42+09:00","created_at":"2026-07-05T13:06:05+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","world of echo"],"price":494000,"price_min":494000,"price_max":494000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49529253560570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tara Clerkin Trio \/\/ Somewhere Good LP","public_title":null,"options":["Default Title"],"price":494000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_edd19d50-2715-458a-9c52-8de22f196067.jpg?v=1783224242","\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_4a81be05-b2dc-4479-8d72-2bb1996d67a8.jpg?v=1783224242"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_edd19d50-2715-458a-9c52-8de22f196067.jpg?v=1783224242","options":["Title"],"media":[{"alt":null,"id":40002378989818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_edd19d50-2715-458a-9c52-8de22f196067.jpg?v=1783224242"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_edd19d50-2715-458a-9c52-8de22f196067.jpg?v=1783224242","width":350},{"alt":null,"id":40002379022586,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_4a81be05-b2dc-4479-8d72-2bb1996d67a8.jpg?v=1783224242"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo2_4a81be05-b2dc-4479-8d72-2bb1996d67a8.jpg?v=1783224242","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのシンガーソングライターTara Clerkin率いるTara Clerkin Trioが、2026年6月に同国World of Echoからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレフトフィールド・ポップ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=736808220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=736808220\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=691888629\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Lake Walk 02:23 \u003cbr\u003e2. Lazy Daisy 04:54 \u003cbr\u003e3. Ups \u0026amp; Downs 05:54 \u003cbr\u003e4. Silently 06:40 \u003cbr\u003e5. There Was A Nice Sunset 05:25 \u003cbr\u003e6. Somewhere Good 05:59 \u003cbr\u003e7. Slow Island 04:58 \u003cbr\u003e8. Movin' On 04:51\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRyan Davis (Chicago, February 2026), via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"...The hazy, unmappable skyline-mirage of droning harmonium, upright bass, peculiarly accentuated wind instruments, acoustic guitar, hushed yet literally mighty keys combine to hypnotizing effect. The band may make underlying nods to jazz, sure, but it’s not appropriation, it’s that they have the actual chops to build it out. Beneath the janky samples and oddball percussive embellishment lies actually great drumming. Beyond the manipulated vocal witchery and woefully reflective plain-spoke moments are Tara’s subtly inspired melodies, sung with what might honestly be the glue to the whole crazy equation. A calming consistency throughout the otherwise unpredictably dynamic, boldly intuitive, uniquely British exploration of this (their own) universe in song.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tara Clerkin Trio\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE027\u003c\/p\u003e\n\u003cp\u003eRelease date : 5th June 2026\u003c\/p\u003e"}
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イギリス・ブリストルのシンガーソングライターTara Clerkin率いるTara Clerkin Trioが、2026年6月に同国World of Echoからリリースしたレコードです。 レフトフィールド・ポップ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more World of...
¥4,940
クイックビュー
{"id":9295918858490,"title":"Able Noise \/\/ High Tide LP","handle":"able-noise-high-tide-lp","description":"\u003cp\u003eオランダ／ギリシャの実験ロックデュオAble Noiseが、\u003cspan\u003e2024年にイギリスのWorld of Echoからリリースしたレコードです。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eバリトンギターとドラムによる反復ミニマル・スローコア〜実験ロック10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3254515706\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2760238720\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3254515706\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e3rd edition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. To Appease 05:32 \u003cbr\u003e2. Crickets 04:13 \u003cbr\u003e3. Providence 08:19 \u003cbr\u003e4. Boycott 01:33 \u003cbr\u003e5. Tumbling 05:01 \u003cbr\u003e6. Inertia 02:32 \u003cbr\u003e7. Ceaseless Sun 03:19 \u003cbr\u003e8. Garden 02:10 \u003cbr\u003e9. To Two 02:46 \u003cbr\u003e10. Violence 05:26\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAble Noise are a cross-continent duo based between The Hague (NL) and Athens (GR), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock anti-formalism, emerged in low-key fashion in 2020 as a cassette through Glasgow’s famed GLARC label. Numerous European wide tours and left-of-centre festival appearances led the pair back to the studio for the recording of debut LP, High Tide, to be released via World of Echo on 1st November.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe shift to a studio environment was a significant one, since Able Noise was primarily conceived as a live band, thinking of and writing for the live concert experience specifically. Consider their practice an Active Performance of sorts, one that seeks to challenge understandings of the medium of the live arena, how its properties and limitations can be addressed creatively, and the dialogical relationship between performer and the audience. Those who have caught them live will have witnessed very physical\u003cspan class=\"bcTruncateMore\"\u003e yet malleable performances, shaped each time by the context at hand, be that the time of day, the acoustic properties of the space, and the shared energy of the assembled patrons.\u003cbr\u003e\u003cbr\u003eTrue to this approach, the pair have embarked upon the recording of their debut album with a similar exploratory impetus. In a studio without a physical audience to confront, the questions are suddenly quite different: how does one create a definitive recorded music initially rooted in improvisation, how is that recording then listened to and understood, and, without the spectacle of performance, how is it possible to work with the sense of hearing alone. Unsurprisingly, the music of High Tide is significantly different to that of an Able Noise live set. Minimalism has been traded for a detail-oriented approach, the limitations of two sets of hands suddenly lifted by the possibilities of multi-tracked thinking, post-production and various processing techniques. Real-time gives way to fragmentation, distortion and dilation, and the shift is notable - High Tide is a woozy and often disorientating listen that plays quick and easy with conventional notions of structure, at once both centreless and impressionistic, yet somehow guided by an imagined formless space.\u003cbr\u003e\u003cbr\u003eReliant much less on their own capabilities - and limitations! - as musicians, Knegtel and Andropoulos heartily invited the contributions of friends from both their local Athenian music community and those made while playing the UK, with the important disclaimer given that anything played during the recording session will not sound the same once on record. The result is duos, trios, quartets and sextets playing in different experiences of time, and on dynamic scales vastly different from one another, brought to equal footing.\u003cbr\u003e\u003cbr\u003eCritically, the wholesomeness of their creative communion belies the darker theme of inertia that the pair acknowledge runs throughout the album, a sense of bodies of very different weights and momentums existing alongside each other, either adapting to or clashing with one another. In short, the outside world can’t help but seep in, even as you create within your own hermetic universe - the feeling of hopelessness amidst endless political and social strife, obsolescence in the face of technological development, time’s inexorable march. These are things we’ve all felt, and while High Tide, like much before it, doesn’t provide any definitive resolution for these challenges, it does present its own set of unique possibilities written in the shared language of its creators.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Able Noise\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE016\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st November 2024\u003c\/p\u003e","published_at":"2026-07-06T15:30:08+09:00","created_at":"2026-07-05T13:02:44+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","world of echo"],"price":494000,"price_min":494000,"price_max":494000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49529249530106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Able Noise \/\/ High Tide LP","public_title":null,"options":["Default Title"],"price":494000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/high1_29486986-a312-4643-9c2c-c50264fbc75b.jpg?v=1783224073","\/\/tobirarecords.com\/cdn\/shop\/files\/high2_cc9d6469-94d2-45b7-94b7-b6637a29ff9e.jpg?v=1783224073"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/high1_29486986-a312-4643-9c2c-c50264fbc75b.jpg?v=1783224073","options":["Title"],"media":[{"alt":null,"id":40002345369850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/high1_29486986-a312-4643-9c2c-c50264fbc75b.jpg?v=1783224073"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/high1_29486986-a312-4643-9c2c-c50264fbc75b.jpg?v=1783224073","width":350},{"alt":null,"id":40002345402618,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/high2_cc9d6469-94d2-45b7-94b7-b6637a29ff9e.jpg?v=1783224073"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/high2_cc9d6469-94d2-45b7-94b7-b6637a29ff9e.jpg?v=1783224073","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダ／ギリシャの実験ロックデュオAble Noiseが、\u003cspan\u003e2024年にイギリスのWorld of Echoからリリースしたレコードです。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eバリトンギターとドラムによる反復ミニマル・スローコア〜実験ロック10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3254515706\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2760238720\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3254515706\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e3rd edition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. To Appease 05:32 \u003cbr\u003e2. Crickets 04:13 \u003cbr\u003e3. Providence 08:19 \u003cbr\u003e4. Boycott 01:33 \u003cbr\u003e5. Tumbling 05:01 \u003cbr\u003e6. Inertia 02:32 \u003cbr\u003e7. Ceaseless Sun 03:19 \u003cbr\u003e8. Garden 02:10 \u003cbr\u003e9. To Two 02:46 \u003cbr\u003e10. Violence 05:26\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAble Noise are a cross-continent duo based between The Hague (NL) and Athens (GR), built around the experimental baritone guitar and drum playing of George Knegtel and Alex Andropoulos. After a few formative attempts at collaboration, they officially came together as the Able Noise we see now in 2017, uniting over shared thoughts on art and performance encountered while studying at The Royal Academy of Arts in The Hague. Their first recorded work, a seamless 30 minutes of glistening post-rock anti-formalism, emerged in low-key fashion in 2020 as a cassette through Glasgow’s famed GLARC label. Numerous European wide tours and left-of-centre festival appearances led the pair back to the studio for the recording of debut LP, High Tide, to be released via World of Echo on 1st November.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe shift to a studio environment was a significant one, since Able Noise was primarily conceived as a live band, thinking of and writing for the live concert experience specifically. Consider their practice an Active Performance of sorts, one that seeks to challenge understandings of the medium of the live arena, how its properties and limitations can be addressed creatively, and the dialogical relationship between performer and the audience. Those who have caught them live will have witnessed very physical\u003cspan class=\"bcTruncateMore\"\u003e yet malleable performances, shaped each time by the context at hand, be that the time of day, the acoustic properties of the space, and the shared energy of the assembled patrons.\u003cbr\u003e\u003cbr\u003eTrue to this approach, the pair have embarked upon the recording of their debut album with a similar exploratory impetus. In a studio without a physical audience to confront, the questions are suddenly quite different: how does one create a definitive recorded music initially rooted in improvisation, how is that recording then listened to and understood, and, without the spectacle of performance, how is it possible to work with the sense of hearing alone. Unsurprisingly, the music of High Tide is significantly different to that of an Able Noise live set. Minimalism has been traded for a detail-oriented approach, the limitations of two sets of hands suddenly lifted by the possibilities of multi-tracked thinking, post-production and various processing techniques. Real-time gives way to fragmentation, distortion and dilation, and the shift is notable - High Tide is a woozy and often disorientating listen that plays quick and easy with conventional notions of structure, at once both centreless and impressionistic, yet somehow guided by an imagined formless space.\u003cbr\u003e\u003cbr\u003eReliant much less on their own capabilities - and limitations! - as musicians, Knegtel and Andropoulos heartily invited the contributions of friends from both their local Athenian music community and those made while playing the UK, with the important disclaimer given that anything played during the recording session will not sound the same once on record. The result is duos, trios, quartets and sextets playing in different experiences of time, and on dynamic scales vastly different from one another, brought to equal footing.\u003cbr\u003e\u003cbr\u003eCritically, the wholesomeness of their creative communion belies the darker theme of inertia that the pair acknowledge runs throughout the album, a sense of bodies of very different weights and momentums existing alongside each other, either adapting to or clashing with one another. In short, the outside world can’t help but seep in, even as you create within your own hermetic universe - the feeling of hopelessness amidst endless political and social strife, obsolescence in the face of technological development, time’s inexorable march. These are things we’ve all felt, and while High Tide, like much before it, doesn’t provide any definitive resolution for these challenges, it does present its own set of unique possibilities written in the shared language of its creators.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Able Noise\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE016\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st November 2024\u003c\/p\u003e"}
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オランダ／ギリシャの実験ロックデュオAble Noiseが、2024年にイギリスのWorld of Echoからリリースしたレコードです。 バリトンギターとドラムによる反復ミニマル・スローコア〜実験ロック10曲を収録。 レーベルその他作品はこちら /// Click here to see more World of Echo releases available...
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{"id":9295918334202,"title":"Naoki Zushi \/\/ Paradise LP","handle":"naoki-zushi-paradise-lp","description":"\u003cp\u003e日本のロック作家Naoki Zushiが、\u003cspan\u003e2025年9月にイギリスのWorld of Echoからリリースした再発レコードです。（オリジナルは1988年リリース）\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケロック12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1814110253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies.\u003cbr\u003e2025 vinyl reissue of 2 Naoki Zushi albums: 'Paradise', (\u003cmeta charset=\"utf-8\"\u003e1988) and 'III' (\u003cmeta charset=\"utf-8\"\u003e2005). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. こびと 05:56 \u003cbr\u003e2. ハレルヤ：左側 06:13 \u003cbr\u003e3. 孤独のハープ弾き 01:49 \u003cbr\u003e4. パラダイス：真昼 03:31 \u003cbr\u003e5. Black Hole 03:11 \u003cbr\u003e6. 紫の夕べ 03:16 \u003cbr\u003e7. 目の前の天使達 03:14 \u003cbr\u003e8. Another Lonely Harpist 02:02 \u003cbr\u003e9. They've Gone, They Will Come 04:19 \u003cbr\u003e10. パラダイス 05:36 11. 童話 05:46 \u003cbr\u003e12. Spirit In My Hair 02:37\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText written by Jon Dale, via the label:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"World Of Echo announces the reissue of two remastered albums by Japanese guitarist and songwriter Naoki Zushi, 1988’s Paradise, and 2005’s III. Two classics of Japanese psychedelia, both Paradise and III were originally released on Org Records, the imprint of Shinji Shibayama of acid-folk group Nagisa Ni Te, with whom Zushi has guested on second guitar for decades. Both intimate and expansive, rich with revelatory songwriting and blasted, sky-scouring guitar, these reissues return these albums to print for the first time since the 2000s. It’s the first time III has been officially released on vinyl, with an extra, previously unreleased track, “Under The June Moonlight.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded in Kyoto’s Townhouse Studios in mid 1987 and released in limited-to-500 vinyl pressing in 1988, Paradise emerged from a scene in Kansai, Japan that was embracing the idiosyncracies of 1970s singer-songwriters, the soaring solos of early seventies psychedelia, and the DIY impulse of 1980s post-punk. While Zushi’s musical history stretched back to the early eighties – he was a founding member of Jojo Hiroshige’s noise outfit Hijokaidan – he found his feet with groups like Hallelujahs, whose dream-pop collection Niku O Kuraite Chikai Wo Tateyo was recently reissued by Black Editions, and Idiot\u003cspan class=\"bcTruncateMore\"\u003e O’Clock.\u003cbr\u003e\u003cbr\u003eParadise appeared two years after that Hallelujahs album and share much the same membership – Zushi’s backing band on several of the songs includes Shibayama on drums and Ken-Ichi Takayama (aka Idiot) on electric guitar, though just as often, Zushi plays all the instruments himself. The coordinates here are wide-reaching – you can hear the volume and intensity of Neil Young \u0026amp; Crazy Horse (on “Hallelujah: Left Side” and “Paradise: Midday”), the slow-motion magic of Galaxie 500, the idiosyncratic spirit of The Only Ones, all mixed up with tender guitar miniatures and stumbling garage-psych-pop moves.\u003cbr\u003e\u003cbr\u003eSeven years later, after the transitional album Phenomenal Luciferin, Zushi released III. Perhaps his masterpiece, it’s already been bootlegged on vinyl, but this reissue is the real deal. The album was recorded at Studio Nemu over seven years, and sees Zushi backed by Shibayama (bass) and Masako Takeda (drums), his erstwhile bandmates in Nagisa Ni Te. By this stage, Zushi had started to really stretch out, and many of the songs on III swoon languorously, taking their sweet time to say what they need to say. It’s rich with lovely, melancholy songs, in a similar realm to bandmates Nagisa Ni Te, of course, but you can also hear traces of everything from Syd Barrett’s The Madcap Laughs, through seventies private press loner folk, to the slow-burn meanderings of the likes of early Low or Damon \u0026amp; Naomi.\u003cbr\u003e\u003cbr\u003eWhen interviewed by Shibayama in the mid-nineties, Zushi said of Paradise, “it was a sort of collection of songs that had meant something to me up to that point… it was my paradise. I wanted to create paradise.” That’s something Zushi achieves on both of these albums – visionary Japanese psychedelia, en route to paradise.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Naoki Zushi\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE020\u003c\/p\u003e\n\u003cp\u003eRelease date : 5th September 2025\u003c\/p\u003e","published_at":"2026-07-06T15:32:47+09:00","created_at":"2026-07-05T12:59:24+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","world of echo"],"price":519000,"price_min":519000,"price_max":519000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49529245401338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Naoki Zushi \/\/ Paradise LP","public_title":null,"options":["Default Title"],"price":519000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nao1_776dacd6-8fec-45a8-8345-b7f287351021.jpg?v=1783223824","\/\/tobirarecords.com\/cdn\/shop\/files\/nao2_855805a7-3b35-4927-8795-b3064023253f.jpg?v=1783223824"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nao1_776dacd6-8fec-45a8-8345-b7f287351021.jpg?v=1783223824","options":["Title"],"media":[{"alt":null,"id":40002293432570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nao1_776dacd6-8fec-45a8-8345-b7f287351021.jpg?v=1783223824"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nao1_776dacd6-8fec-45a8-8345-b7f287351021.jpg?v=1783223824","width":350},{"alt":null,"id":40002293465338,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nao2_855805a7-3b35-4927-8795-b3064023253f.jpg?v=1783223824"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nao2_855805a7-3b35-4927-8795-b3064023253f.jpg?v=1783223824","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のロック作家Naoki Zushiが、\u003cspan\u003e2025年9月にイギリスのWorld of Echoからリリースした再発レコードです。（オリジナルは1988年リリース）\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eサイケロック12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1814110253\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies.\u003cbr\u003e2025 vinyl reissue of 2 Naoki Zushi albums: 'Paradise', (\u003cmeta charset=\"utf-8\"\u003e1988) and 'III' (\u003cmeta charset=\"utf-8\"\u003e2005). \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. こびと 05:56 \u003cbr\u003e2. ハレルヤ：左側 06:13 \u003cbr\u003e3. 孤独のハープ弾き 01:49 \u003cbr\u003e4. パラダイス：真昼 03:31 \u003cbr\u003e5. Black Hole 03:11 \u003cbr\u003e6. 紫の夕べ 03:16 \u003cbr\u003e7. 目の前の天使達 03:14 \u003cbr\u003e8. Another Lonely Harpist 02:02 \u003cbr\u003e9. They've Gone, They Will Come 04:19 \u003cbr\u003e10. パラダイス 05:36 11. 童話 05:46 \u003cbr\u003e12. Spirit In My Hair 02:37\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText written by Jon Dale, via the label:\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"World Of Echo announces the reissue of two remastered albums by Japanese guitarist and songwriter Naoki Zushi, 1988’s Paradise, and 2005’s III. Two classics of Japanese psychedelia, both Paradise and III were originally released on Org Records, the imprint of Shinji Shibayama of acid-folk group Nagisa Ni Te, with whom Zushi has guested on second guitar for decades. Both intimate and expansive, rich with revelatory songwriting and blasted, sky-scouring guitar, these reissues return these albums to print for the first time since the 2000s. It’s the first time III has been officially released on vinyl, with an extra, previously unreleased track, “Under The June Moonlight.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded in Kyoto’s Townhouse Studios in mid 1987 and released in limited-to-500 vinyl pressing in 1988, Paradise emerged from a scene in Kansai, Japan that was embracing the idiosyncracies of 1970s singer-songwriters, the soaring solos of early seventies psychedelia, and the DIY impulse of 1980s post-punk. While Zushi’s musical history stretched back to the early eighties – he was a founding member of Jojo Hiroshige’s noise outfit Hijokaidan – he found his feet with groups like Hallelujahs, whose dream-pop collection Niku O Kuraite Chikai Wo Tateyo was recently reissued by Black Editions, and Idiot\u003cspan class=\"bcTruncateMore\"\u003e O’Clock.\u003cbr\u003e\u003cbr\u003eParadise appeared two years after that Hallelujahs album and share much the same membership – Zushi’s backing band on several of the songs includes Shibayama on drums and Ken-Ichi Takayama (aka Idiot) on electric guitar, though just as often, Zushi plays all the instruments himself. The coordinates here are wide-reaching – you can hear the volume and intensity of Neil Young \u0026amp; Crazy Horse (on “Hallelujah: Left Side” and “Paradise: Midday”), the slow-motion magic of Galaxie 500, the idiosyncratic spirit of The Only Ones, all mixed up with tender guitar miniatures and stumbling garage-psych-pop moves.\u003cbr\u003e\u003cbr\u003eSeven years later, after the transitional album Phenomenal Luciferin, Zushi released III. Perhaps his masterpiece, it’s already been bootlegged on vinyl, but this reissue is the real deal. The album was recorded at Studio Nemu over seven years, and sees Zushi backed by Shibayama (bass) and Masako Takeda (drums), his erstwhile bandmates in Nagisa Ni Te. By this stage, Zushi had started to really stretch out, and many of the songs on III swoon languorously, taking their sweet time to say what they need to say. It’s rich with lovely, melancholy songs, in a similar realm to bandmates Nagisa Ni Te, of course, but you can also hear traces of everything from Syd Barrett’s The Madcap Laughs, through seventies private press loner folk, to the slow-burn meanderings of the likes of early Low or Damon \u0026amp; Naomi.\u003cbr\u003e\u003cbr\u003eWhen interviewed by Shibayama in the mid-nineties, Zushi said of Paradise, “it was a sort of collection of songs that had meant something to me up to that point… it was my paradise. I wanted to create paradise.” That’s something Zushi achieves on both of these albums – visionary Japanese psychedelia, en route to paradise.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Naoki Zushi\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE020\u003c\/p\u003e\n\u003cp\u003eRelease date : 5th September 2025\u003c\/p\u003e"}
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日本のロック作家Naoki Zushiが、2025年9月にイギリスのWorld of Echoからリリースした再発レコードです。（オリジナルは1988年リリース） サイケロック12曲を収録。 レーベルその他作品はこちら /// Click here to see more World of Echo releases available...
¥5,190
クイックビュー
{"id":7680636289274,"title":"Stefan Christensen \/\/ Cheap Things LP","handle":"stefan-christensen-cheap-things-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にGarden Portalなどから発表しているアメリカ・コネチカットのギタリストStefan Christensenが、2021年8月にイギリスの実験／ポップレーベル\u003cmeta charset=\"utf-8\"\u003eWorld of Echoからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験アンビエントフォーク6曲を収録。DLコード付属\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2537473544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2845812306\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2537473544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eWorld of Echo:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCheap Things is the latest record by New Haven guitarist and C\/Site label-owner, Stefan Christensen. It's a challenge to list exactly where Cheap Things numbers in Christensen's extensive catalogue, which at over a decade long has seen him issue countless records under his own name and across both his own imprint and a host of international labels, as well as performing in underground noise trio Center and in the heavenly psych act, Headroom. Crucially and somewhat impressively, his work has remained as singular as it has been productive, cultivating a distinct style of playing that is unmistakably his own even when in collaboration with others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn many regards, Cheap Things represents an apex of the universe Christensen has fostered over the last decade, both collaborative and highly personal. Indeed, many of the key names from the C\/Site and adjacent world contribute to the record in some capacity - David Shapiro (Alexander\/Center\/Headroom), Kyrssi Battalene (Mountain Movers\/Headroom), who takes a lead and has repurposed the final track for Headroom, Ian McColm (Heart Of The Ghost) and Rick Omonte (Mountain Movers\/Headroom) sit in on drums and bass, respectively, while John Miller (formally of Mountain Movers) recorded a couple of the songs at his home studio. Cheap Things is a\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e record labeled with Christensen's name, but it's certainly also one born of community and like-minded creative enquiry, longtime characteristics in his increasingly dense catalogue.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough the work that comprises this catalogue has always remained engaging, there comes a sense of event with Cheap Things not necessarily present in some of the more off-the-cuff experimental cassette releases issued in both this and past years. This may be in part attributable to the time invested in recording these five songs: starting in mid 2018 and finishing throughout the various periods of lockdown in 2020, this is the longest amount of time Christensen has spent working on a record. Recording itself is an integral aspect of the way in which Christensen creates his sound, relying on the freedom of home studios, the analog limitations of four and eight tracks, and the unique results gained from tape loop manipulations. Such processes add an element of both warmth and spontaneity to the work, though one crucial difference is that much of Christensen's other work is written with, what he calls 'little pre-planning', whereas Cheap Things is defined by a much more precise and pre-formulated vision. The result does feel strangely and more obviously definitive.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere's a life to these songs beyond their recording, the roots in fact stemming all the way back to Christensen's first solo release in 2015, the record on which the title track first appeared, albeit in rudimentary form. Written in response to the death of a friend from an overdose, Christensen was motivated to re-record the song when hearing that at the start of lockdown another friend from the same circle had died in similar circumstances. Over the years the song has grown in length and intensity, and reaches its ultimate form here, an acoustic drone that pulses with a near-spiritual reverie. It's fitting testament to the people it commemorates, and sets the tone for the remainder of Cheap Things, which through its unique melding of folk, noise, experimental and avant blues traditions appears to provide a cathartic release from the various experiences of grief, illness and stress. Much like the music of Tomokawa Kazuki, Mikami Kan and Neil Young, who have informed the album in various ways, the intent here seems to be to communicate big ideas with modest means. Cheap Things, then, is unusually titled, if not expressing the infinite and the eternal, at least suggesting that in striving for the bigger ideas we might find truth, or perhaps just some piece there of.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stefan Christensen\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e","published_at":"2022-07-21T15:13:45+09:00","created_at":"2022-07-19T12:20:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","world of echo"],"price":339000,"price_min":339000,"price_max":339000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43009465516282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Stefan Christensen \/\/ Cheap Things LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_bb3ad21a-59ee-42dc-822f-4adbd5e7c552.jpg?v=1658200842","\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_8ec2a2c7-9fd3-4974-8e8e-3a480f134958.jpg?v=1658200842"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_bb3ad21a-59ee-42dc-822f-4adbd5e7c552.jpg?v=1658200842","options":["Title"],"media":[{"alt":null,"id":30145030258938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_bb3ad21a-59ee-42dc-822f-4adbd5e7c552.jpg?v=1658200842"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_bb3ad21a-59ee-42dc-822f-4adbd5e7c552.jpg?v=1658200842","width":700},{"alt":null,"id":30145030291706,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_8ec2a2c7-9fd3-4974-8e8e-3a480f134958.jpg?v=1658200842"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_8ec2a2c7-9fd3-4974-8e8e-3a480f134958.jpg?v=1658200842","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にGarden Portalなどから発表しているアメリカ・コネチカットのギタリストStefan Christensenが、2021年8月にイギリスの実験／ポップレーベル\u003cmeta charset=\"utf-8\"\u003eWorld of Echoからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e実験アンビエントフォーク6曲を収録。DLコード付属\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2537473544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2845812306\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2537473544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eWorld of Echo:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCheap Things is the latest record by New Haven guitarist and C\/Site label-owner, Stefan Christensen. It's a challenge to list exactly where Cheap Things numbers in Christensen's extensive catalogue, which at over a decade long has seen him issue countless records under his own name and across both his own imprint and a host of international labels, as well as performing in underground noise trio Center and in the heavenly psych act, Headroom. Crucially and somewhat impressively, his work has remained as singular as it has been productive, cultivating a distinct style of playing that is unmistakably his own even when in collaboration with others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn many regards, Cheap Things represents an apex of the universe Christensen has fostered over the last decade, both collaborative and highly personal. Indeed, many of the key names from the C\/Site and adjacent world contribute to the record in some capacity - David Shapiro (Alexander\/Center\/Headroom), Kyrssi Battalene (Mountain Movers\/Headroom), who takes a lead and has repurposed the final track for Headroom, Ian McColm (Heart Of The Ghost) and Rick Omonte (Mountain Movers\/Headroom) sit in on drums and bass, respectively, while John Miller (formally of Mountain Movers) recorded a couple of the songs at his home studio. Cheap Things is a\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e record labeled with Christensen's name, but it's certainly also one born of community and like-minded creative enquiry, longtime characteristics in his increasingly dense catalogue.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThough the work that comprises this catalogue has always remained engaging, there comes a sense of event with Cheap Things not necessarily present in some of the more off-the-cuff experimental cassette releases issued in both this and past years. This may be in part attributable to the time invested in recording these five songs: starting in mid 2018 and finishing throughout the various periods of lockdown in 2020, this is the longest amount of time Christensen has spent working on a record. Recording itself is an integral aspect of the way in which Christensen creates his sound, relying on the freedom of home studios, the analog limitations of four and eight tracks, and the unique results gained from tape loop manipulations. Such processes add an element of both warmth and spontaneity to the work, though one crucial difference is that much of Christensen's other work is written with, what he calls 'little pre-planning', whereas Cheap Things is defined by a much more precise and pre-formulated vision. The result does feel strangely and more obviously definitive.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere's a life to these songs beyond their recording, the roots in fact stemming all the way back to Christensen's first solo release in 2015, the record on which the title track first appeared, albeit in rudimentary form. Written in response to the death of a friend from an overdose, Christensen was motivated to re-record the song when hearing that at the start of lockdown another friend from the same circle had died in similar circumstances. Over the years the song has grown in length and intensity, and reaches its ultimate form here, an acoustic drone that pulses with a near-spiritual reverie. It's fitting testament to the people it commemorates, and sets the tone for the remainder of Cheap Things, which through its unique melding of folk, noise, experimental and avant blues traditions appears to provide a cathartic release from the various experiences of grief, illness and stress. Much like the music of Tomokawa Kazuki, Mikami Kan and Neil Young, who have informed the album in various ways, the intent here seems to be to communicate big ideas with modest means. Cheap Things, then, is unusually titled, if not expressing the infinite and the eternal, at least suggesting that in striving for the bigger ideas we might find truth, or perhaps just some piece there of.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Stefan Christensen\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e"}
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過去にGarden Portalなどから発表しているアメリカ・コネチカットのギタリストStefan Christensenが、2021年8月にイギリスの実験／ポップレーベルWorld of Echoからリリースしたレコードです。 実験アンビエントフォーク6曲を収録。DLコード付属 レーベルその他作品はこちら /// Click here to see more World of Echo releases...
¥3,390
クイックビュー
{"id":9295945892090,"title":"Guests \/\/ Common Domestic Bird LP","handle":"guests-common-domestic-bird-lp","description":"\u003cp\u003e\u003cspan\u003eスコットランド・グラスゴーのベッドルーム・ポップデュオGuestsが、2026年4月にイギリスのWorld of Echoからリリースしたレコードです。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLo-Fi実験ポップ〜アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e「Guests」は、ジェシカ・ヒギンズとマシュー・ウォーカーダインによるホームレコーディング・プロジェクトだ。この名前は、もしライブをキャンセルすることになった場合にポスターとの整合性が取れなくなるのを避けるため（正直なところ、実際に曲が書かれる約1年半前に一度だけあったことだが）、また「逆もてなし」という感覚を表現するために、あえて曖昧に名付けられたものだ。つまり、手ぶらで行くわけにはいかないから、美味しいワインのボトル（空手で現れるわけにはいかない）や、一握りの塩気のあるおやつや甘いお菓子（時間帯による）を持ってあなたの家のドアを叩くこと。アフターパーティーで余計なことをベラベラと話し（そしてあなたのソファで寝落ちしてしまうこと）。あなたが子供の昼食を作ったり、物を元の場所に戻したりしている間、その子に本を読み聞かせること（結局また散らかされてしまうのだが）。つまり、それぞれのプライベートな世界が互いに交わり、そのための空間を作り出したり、すでに作り出されていたりする時に起こる何かについてだ。しかし時には、それは別の種類の親密さ――一時的あるいは物質的なもの――でもある。例えば、以前訪れたことがあり、また行きたいと心から思う街のホテルで、パリッとした新しいシーツや、体の部位ごとに用意されたふんだんで柔らかなタオルに触れた時の感覚のようなものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼らのデビュー作『I wish I was special』は、次のように多様に評された。「コンクレート音楽の実験とアウターゾーン・ポップの仕草をコラージュした作品。まるで夢の奥底から紡ぎ出されたかのような音楽」；「音楽を愛しつつも同時に憎む人々のための音楽」；「幽霊を追いかけるような、あるいは野生動物と親しくなるような体験」； 「無造作な軽やかさと必要なユーモアをもって、神経質な感覚を解きほぐすもの」や、「拒絶のメロディー、すべてを賭けること（…）不満を表現するために、まさにぴったりの『間違った』音を見つけること」とも評された。Common Domestic Birdは、この路線を引き継ぎ、シンセサイザー、キーボード、サンプルを、素朴なドラムリズムやフィールドレコーディングの上に重ね、そこに歌や語り声を加えることで、9曲の新曲を創り上げている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年秋から2025年夏にかけてバークシャー州レディングで作曲・録音されたこの音楽は、前回の作品に比べてある意味で成熟しており、コラージュ的な要素を減らし、構造化された作曲とメロディの深みへと傾いている。とはいえ、永遠のアマチュアらしい不確定性と風変わりなリズムは健在だ。『Common Domestic Bird』に収録された楽曲は、一連の独立した小品を通じて、ある種の「テーマ性」をほのめかしている。それらは、建築や年末のリスト、噂話、あるいは考えすぎた主観、失踪や印象、背骨という支持構造、手紙や別れの言葉、本当に必要のないものやそれらがどこへ行くべきか、そこにない何かを見出せることを願う気持ち、見せかけや演技といったものに少し似ている。時にはどこか滑稽に感じられ、また時には少し悲しかったり、少し怒りや苛立ちを感じたりする。まるで、まさにあなた自身のようだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2976921860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 350 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Common Domestic Bird 05:35 \u003cbr\u003e2. All Best 03:21 \u003cbr\u003e3. The Word Eclipse 05:28 \u003cbr\u003e4. Untitled 03:10 \u003cbr\u003e5. Idea For A Song 03:05 \u003cbr\u003e6. Make Something Happen 06:30 \u003cbr\u003e7. More Life 04:59 \u003cbr\u003e8. Electric Speech 04:11 \u003cbr\u003e9. Yellow to Purple 05:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGuests is the home recording project of Jessica Higgins and Matthew Walkerdine. Vaguely named as such to avoid any problems with the poster if they pull out of a gig (which has only happened once, about a year and half before any songs were actually written to be fair) but also to capture a sense of reverse hospitality. That is, arriving at your door with a bottle of good wine (can’t turn up empty handed) or a fist full of savoury or sweet snacks (time of day dependant); oversharing at the afters (and then passing out on your couch); reading to your toddler while you make their lunch or put everything back where it was meant to go (only to get torn apart again). So, something about what happens when private worlds meet each other, making or having been made a space for. But at times, it’s a different kind of intimacy, a temporal or material one, like the feeling of crisp fresh sheets and abundant and soft, body-part appropriate towels in a hotel in a city you’ve been to before and love to go back to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir debut record, “I wish I was special” was variously described as “a collage of concrète experiments and outerzone pop gestures, music that sounds as if it’s been written from the depths of a dream”; “music for people who love music but also hate it too”; “something like chasing ghosts or befriending a wild animal”\u003cspan class=\"bcTruncateMore\"\u003e; “pulling apart nervous sensations with haphazard ease and requisite humour” and “a melody of refusal, of being all-in (…) finding the exact right WRONG sound to express the discontent”. Common Domestic Bird continues in this vein, layering synthesiser, keyboards and samples over rudimentary drum rhythms and field recordings, which are in turn sung or spoken with to create nine new songs.\u003cbr\u003e\u003cbr\u003eWritten and recorded between autumn 2024 and summer 2025 in Reading, Berkshire, the music has matured since its last outing, in a way, leaning less into collage and more toward structured composition and melodic depth, yet retains a healthy dose of indeterminacy and off-kilter rhythms for the forever amateur. The songs on Common Domestic Bird hint at some “about”ness through a series of discrete vignettes which sound a bit like architecture or end of year lists, gossip or over-thinking subjectivity, like disappearances and impressions, the support structure of the spine, letters and signs offs, things you could really do without and where they should go, hoping you’ll see something that isn’t there, pretences and performance. At times they feel kind of funny, others kind of sad or a bit angry and annoyed, a bit like you really.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Guests\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE026\u003c\/p\u003e\n\u003cp\u003eRelease date : 10th April 2026\u003c\/p\u003e","published_at":"2026-07-06T15:41:50+09:00","created_at":"2026-07-05T14:22:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","world of echo"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49529350619386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Guests \/\/ Common Domestic Bird LP","public_title":null,"options":["Default Title"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/comm1_b073ced6-1a94-42c2-8cb0-a5c1b52dc704.jpg?v=1783228875","\/\/tobirarecords.com\/cdn\/shop\/files\/comm2_9a8f0c98-6185-4fdd-81ca-8b4cb22e701f.jpg?v=1783228875"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1_b073ced6-1a94-42c2-8cb0-a5c1b52dc704.jpg?v=1783228875","options":["Title"],"media":[{"alt":null,"id":40003391422714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1_b073ced6-1a94-42c2-8cb0-a5c1b52dc704.jpg?v=1783228875"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1_b073ced6-1a94-42c2-8cb0-a5c1b52dc704.jpg?v=1783228875","width":350},{"alt":null,"id":40003391455482,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm2_9a8f0c98-6185-4fdd-81ca-8b4cb22e701f.jpg?v=1783228875"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm2_9a8f0c98-6185-4fdd-81ca-8b4cb22e701f.jpg?v=1783228875","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eスコットランド・グラスゴーのベッドルーム・ポップデュオGuestsが、2026年4月にイギリスのWorld of Echoからリリースしたレコードです。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLo-Fi実験ポップ〜アンビエント9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e「Guests」は、ジェシカ・ヒギンズとマシュー・ウォーカーダインによるホームレコーディング・プロジェクトだ。この名前は、もしライブをキャンセルすることになった場合にポスターとの整合性が取れなくなるのを避けるため（正直なところ、実際に曲が書かれる約1年半前に一度だけあったことだが）、また「逆もてなし」という感覚を表現するために、あえて曖昧に名付けられたものだ。つまり、手ぶらで行くわけにはいかないから、美味しいワインのボトル（空手で現れるわけにはいかない）や、一握りの塩気のあるおやつや甘いお菓子（時間帯による）を持ってあなたの家のドアを叩くこと。アフターパーティーで余計なことをベラベラと話し（そしてあなたのソファで寝落ちしてしまうこと）。あなたが子供の昼食を作ったり、物を元の場所に戻したりしている間、その子に本を読み聞かせること（結局また散らかされてしまうのだが）。つまり、それぞれのプライベートな世界が互いに交わり、そのための空間を作り出したり、すでに作り出されていたりする時に起こる何かについてだ。しかし時には、それは別の種類の親密さ――一時的あるいは物質的なもの――でもある。例えば、以前訪れたことがあり、また行きたいと心から思う街のホテルで、パリッとした新しいシーツや、体の部位ごとに用意されたふんだんで柔らかなタオルに触れた時の感覚のようなものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼らのデビュー作『I wish I was special』は、次のように多様に評された。「コンクレート音楽の実験とアウターゾーン・ポップの仕草をコラージュした作品。まるで夢の奥底から紡ぎ出されたかのような音楽」；「音楽を愛しつつも同時に憎む人々のための音楽」；「幽霊を追いかけるような、あるいは野生動物と親しくなるような体験」； 「無造作な軽やかさと必要なユーモアをもって、神経質な感覚を解きほぐすもの」や、「拒絶のメロディー、すべてを賭けること（…）不満を表現するために、まさにぴったりの『間違った』音を見つけること」とも評された。Common Domestic Birdは、この路線を引き継ぎ、シンセサイザー、キーボード、サンプルを、素朴なドラムリズムやフィールドレコーディングの上に重ね、そこに歌や語り声を加えることで、9曲の新曲を創り上げている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年秋から2025年夏にかけてバークシャー州レディングで作曲・録音されたこの音楽は、前回の作品に比べてある意味で成熟しており、コラージュ的な要素を減らし、構造化された作曲とメロディの深みへと傾いている。とはいえ、永遠のアマチュアらしい不確定性と風変わりなリズムは健在だ。『Common Domestic Bird』に収録された楽曲は、一連の独立した小品を通じて、ある種の「テーマ性」をほのめかしている。それらは、建築や年末のリスト、噂話、あるいは考えすぎた主観、失踪や印象、背骨という支持構造、手紙や別れの言葉、本当に必要のないものやそれらがどこへ行くべきか、そこにない何かを見出せることを願う気持ち、見せかけや演技といったものに少し似ている。時にはどこか滑稽に感じられ、また時には少し悲しかったり、少し怒りや苛立ちを感じたりする。まるで、まさにあなた自身のようだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2976921860\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 350 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Common Domestic Bird 05:35 \u003cbr\u003e2. All Best 03:21 \u003cbr\u003e3. The Word Eclipse 05:28 \u003cbr\u003e4. Untitled 03:10 \u003cbr\u003e5. Idea For A Song 03:05 \u003cbr\u003e6. Make Something Happen 06:30 \u003cbr\u003e7. More Life 04:59 \u003cbr\u003e8. Electric Speech 04:11 \u003cbr\u003e9. Yellow to Purple 05:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGuests is the home recording project of Jessica Higgins and Matthew Walkerdine. Vaguely named as such to avoid any problems with the poster if they pull out of a gig (which has only happened once, about a year and half before any songs were actually written to be fair) but also to capture a sense of reverse hospitality. That is, arriving at your door with a bottle of good wine (can’t turn up empty handed) or a fist full of savoury or sweet snacks (time of day dependant); oversharing at the afters (and then passing out on your couch); reading to your toddler while you make their lunch or put everything back where it was meant to go (only to get torn apart again). So, something about what happens when private worlds meet each other, making or having been made a space for. But at times, it’s a different kind of intimacy, a temporal or material one, like the feeling of crisp fresh sheets and abundant and soft, body-part appropriate towels in a hotel in a city you’ve been to before and love to go back to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir debut record, “I wish I was special” was variously described as “a collage of concrète experiments and outerzone pop gestures, music that sounds as if it’s been written from the depths of a dream”; “music for people who love music but also hate it too”; “something like chasing ghosts or befriending a wild animal”\u003cspan class=\"bcTruncateMore\"\u003e; “pulling apart nervous sensations with haphazard ease and requisite humour” and “a melody of refusal, of being all-in (…) finding the exact right WRONG sound to express the discontent”. Common Domestic Bird continues in this vein, layering synthesiser, keyboards and samples over rudimentary drum rhythms and field recordings, which are in turn sung or spoken with to create nine new songs.\u003cbr\u003e\u003cbr\u003eWritten and recorded between autumn 2024 and summer 2025 in Reading, Berkshire, the music has matured since its last outing, in a way, leaning less into collage and more toward structured composition and melodic depth, yet retains a healthy dose of indeterminacy and off-kilter rhythms for the forever amateur. The songs on Common Domestic Bird hint at some “about”ness through a series of discrete vignettes which sound a bit like architecture or end of year lists, gossip or over-thinking subjectivity, like disappearances and impressions, the support structure of the spine, letters and signs offs, things you could really do without and where they should go, hoping you’ll see something that isn’t there, pretences and performance. At times they feel kind of funny, others kind of sad or a bit angry and annoyed, a bit like you really.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Guests\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e\n\u003cp\u003ecat no : WOE026\u003c\/p\u003e\n\u003cp\u003eRelease date : 10th April 2026\u003c\/p\u003e"}
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スコットランド・グラスゴーのベッドルーム・ポップデュオGuestsが、2026年4月にイギリスのWorld of Echoからリリースしたレコードです。 Lo-Fi実験ポップ〜アンビエント9曲を収録。 以下、レーベルによる解説です。 "「Guests」は、ジェシカ・ヒギンズとマシュー・ウォーカーダインによるホームレコーディング・プロジェクトだ。この名前は、もしライブをキャンセルすることになった場合にポスターとの整合性が取れなくなるのを避けるため（正直なところ、実際に曲が書かれる約1年半前に一度だけあったことだが）、また「逆もてなし」という感覚を表現するために、あえて曖昧に名付けられたものだ。つまり、手ぶらで行くわけにはいかないから、美味しいワインのボトル（空手で現れるわけにはいかない）や、一握りの塩気のあるおやつや甘いお菓子（時間帯による）を持ってあなたの家のドアを叩くこと。アフターパーティーで余計なことをベラベラと話し（そしてあなたのソファで寝落ちしてしまうこと）。あなたが子供の昼食を作ったり、物を元の場所に戻したりしている間、その子に本を読み聞かせること（結局また散らかされてしまうのだが）。つまり、それぞれのプライベートな世界が互いに交わり、そのための空間を作り出したり、すでに作り出されていたりする時に起こる何かについてだ。しかし時には、それは別の種類の親密さ――一時的あるいは物質的なもの――でもある。例えば、以前訪れたことがあり、また行きたいと心から思う街のホテルで、パリッとした新しいシーツや、体の部位ごとに用意されたふんだんで柔らかなタオルに触れた時の感覚のようなものだ。 彼らのデビュー作『I wish I was special』は、次のように多様に評された。「コンクレート音楽の実験とアウターゾーン・ポップの仕草をコラージュした作品。まるで夢の奥底から紡ぎ出されたかのような音楽」；「音楽を愛しつつも同時に憎む人々のための音楽」；「幽霊を追いかけるような、あるいは野生動物と親しくなるような体験」； 「無造作な軽やかさと必要なユーモアをもって、神経質な感覚を解きほぐすもの」や、「拒絶のメロディー、すべてを賭けること（…）不満を表現するために、まさにぴったりの『間違った』音を見つけること」とも評された。Common Domestic Birdは、この路線を引き継ぎ、シンセサイザー、キーボード、サンプルを、素朴なドラムリズムやフィールドレコーディングの上に重ね、そこに歌や語り声を加えることで、9曲の新曲を創り上げている。...
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{"id":7870624465146,"title":"Various Artist \/\/ Thorn Valley 2xLP","handle":"various-artist-thorn-valley-2xlp","description":"\u003cp\u003eイギリスのレコード店／レーベル\u003cspan data-mce-fragment=\"1\"\u003eWorld of Echoが、2022年11月にリリースしたコンピレーション2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKomareやValentina Magaletti、Roxane Mètayer、Tara Clerkin、Able Noiseなど当店でもおなじみの作家含む20組が参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2207474247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 450. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eWorld of Echo:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eLet me fly you home. We can talk on the way'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThorn Valley is a 20 song assemblage of various transmissions from the ever diffuse and widening DIY underground, released to mark the four year anniversary of World of Echo.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAvailable as a gatefold double LP pressed in an edition of 500, 50 of which come with four risograph bookmarks printed on seeded paper. Artwork by Matthew Walkerdine.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e","published_at":"2022-12-18T09:05:25+09:00","created_at":"2022-12-17T14:31:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","strange beats","world of echo"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43783382565114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artist \/\/ Thorn Valley 2xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/va1_3654d589-3d88-462e-8468-2394e8ebfda8.jpg?v=1671255084","\/\/tobirarecords.com\/cdn\/shop\/products\/va2_b956dd74-267f-49e4-9795-05cabdd099d7.jpg?v=1671255084"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_3654d589-3d88-462e-8468-2394e8ebfda8.jpg?v=1671255084","options":["Title"],"media":[{"alt":null,"id":31212262326522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_3654d589-3d88-462e-8468-2394e8ebfda8.jpg?v=1671255084"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va1_3654d589-3d88-462e-8468-2394e8ebfda8.jpg?v=1671255084","width":700},{"alt":null,"id":31212262392058,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va2_b956dd74-267f-49e4-9795-05cabdd099d7.jpg?v=1671255084"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/va2_b956dd74-267f-49e4-9795-05cabdd099d7.jpg?v=1671255084","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのレコード店／レーベル\u003cspan data-mce-fragment=\"1\"\u003eWorld of Echoが、2022年11月にリリースしたコンピレーション2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKomareやValentina Magaletti、Roxane Mètayer、Tara Clerkin、Able Noiseなど当店でもおなじみの作家含む20組が参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2207474247\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 450. 12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eWorld of Echo:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cem\u003eLet me fly you home. We can talk on the way'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThorn Valley is a 20 song assemblage of various transmissions from the ever diffuse and widening DIY underground, released to mark the four year anniversary of World of Echo.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAvailable as a gatefold double LP pressed in an edition of 500, 50 of which come with four risograph bookmarks printed on seeded paper. Artwork by Matthew Walkerdine.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Various\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e"}
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イギリスのレコード店／レーベルWorld of Echoが、2022年11月にリリースしたコンピレーション2枚組レコードです。 KomareやValentina Magaletti、Roxane Mètayer、Tara Clerkin、Able Noiseなど当店でもおなじみの作家含む20組が参加しています。 レーベルその他作品はこちら /// Click here to see more World of...
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{"id":7680637829370,"title":"Tara Clerkin Trio \/\/ In Spring 12\"","handle":"tara-clerkin-trio-in-spring-lp","description":"\u003cp\u003eイギリス・ブリストルのアヴァンポップ作家Tara Clerkin率いるTara Clerkin Trioが、2021年に同国World of Echoからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e廃盤のため最終入荷です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1432177569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eWorld of Echo:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Spring is the second record by Tara Clerkin Trio, a Bristol-based group who appeared to emerge from below the radar of near-all in early 2020 and in the presence of one of the most captivating records of that year. This latest 23 minute, four song collection, recorded in various stages and locations over the last twelve months, does nothing to detract from those first impressions, refining the woozy and shimmering oddness of their debut into an avant-pop sensibility that is increasingly their own.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf the group did arrive fully formed, what that form was did feel supple and hard to grasp. They were, in a sense, essentially new sounding, or at least ghosts between the established lines, and with this new record have doubled-down on their inherently Delphian instinct. At its heart, In Spring is a record of subtle contrasts, experimental yet familiar in its intimacy, obviously modern though tied to certain lineages, and driven by a pop logic which is also free-form and seemingly improvised. Their approach to sound is perhaps the guiding principle here, less concerned with genre as it is\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e texture and feeling, drawing from jazz, folk, modern composition, trip hop and downtempo electronica, yet evading all of those categorisations. Tara Clerkin Trio are too generous of heart to be ripping up any rulebook, they simply seem oblivious to its need.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir geography does provide some context. Bristol's progressive sonic heritage inescapably bleeds into these four tracks, the enclave of open-minded artists around Planet Records in the mid 90s perhaps the closest point of comparison. There's that same magpie spirit which is both futuregazing and aware of its past, though is mostly set on finding its own path. This is in essence what defines Tara Clerkin Trio, feeling their way through freedom of instinct and curiosity, forging their own desire lines. Not so much taking the road less trodden, just walked at their own winding pace.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tara Clerkin Trio\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e","published_at":"2022-07-21T15:00:40+09:00","created_at":"2022-07-19T12:22:44+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","world of echo"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43009479278842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tara Clerkin Trio \/\/ In Spring 12\"","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_b83b0b88-9300-4f9e-be8d-51486182800d.jpg?v=1658200966","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_4a76737c-bc36-4b1d-bbea-35ea8c29f7bb.jpg?v=1658200966"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_b83b0b88-9300-4f9e-be8d-51486182800d.jpg?v=1658200966","options":["Title"],"media":[{"alt":null,"id":30145036943610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_b83b0b88-9300-4f9e-be8d-51486182800d.jpg?v=1658200966"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_b83b0b88-9300-4f9e-be8d-51486182800d.jpg?v=1658200966","width":700},{"alt":null,"id":30145036976378,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_4a76737c-bc36-4b1d-bbea-35ea8c29f7bb.jpg?v=1658200966"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_4a76737c-bc36-4b1d-bbea-35ea8c29f7bb.jpg?v=1658200966","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ブリストルのアヴァンポップ作家Tara Clerkin率いるTara Clerkin Trioが、2021年に同国World of Echoからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003e廃盤のため最終入荷です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1432177569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eWorld of Echo:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn Spring is the second record by Tara Clerkin Trio, a Bristol-based group who appeared to emerge from below the radar of near-all in early 2020 and in the presence of one of the most captivating records of that year. This latest 23 minute, four song collection, recorded in various stages and locations over the last twelve months, does nothing to detract from those first impressions, refining the woozy and shimmering oddness of their debut into an avant-pop sensibility that is increasingly their own.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIf the group did arrive fully formed, what that form was did feel supple and hard to grasp. They were, in a sense, essentially new sounding, or at least ghosts between the established lines, and with this new record have doubled-down on their inherently Delphian instinct. At its heart, In Spring is a record of subtle contrasts, experimental yet familiar in its intimacy, obviously modern though tied to certain lineages, and driven by a pop logic which is also free-form and seemingly improvised. Their approach to sound is perhaps the guiding principle here, less concerned with genre as it is\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e texture and feeling, drawing from jazz, folk, modern composition, trip hop and downtempo electronica, yet evading all of those categorisations. Tara Clerkin Trio are too generous of heart to be ripping up any rulebook, they simply seem oblivious to its need.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir geography does provide some context. Bristol's progressive sonic heritage inescapably bleeds into these four tracks, the enclave of open-minded artists around Planet Records in the mid 90s perhaps the closest point of comparison. There's that same magpie spirit which is both futuregazing and aware of its past, though is mostly set on finding its own path. This is in essence what defines Tara Clerkin Trio, feeling their way through freedom of instinct and curiosity, forging their own desire lines. Not so much taking the road less trodden, just walked at their own winding pace.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tara Clerkin Trio\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e"}
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イギリス・ブリストルのアヴァンポップ作家Tara Clerkin率いるTara Clerkin Trioが、2021年に同国World of Echoからリリースした12"です。 廃盤のため最終入荷です。 レーベルその他作品はこちら /// Click here to see more World of Echo...
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{"id":7680635601146,"title":"The Cat's Miaow \/\/ Songs '94-'98 LP","handle":"the-cats-miaow-songs-94-98-lp","description":"\u003cp\u003e1990年代に活動していたオーストラリア・メルボルンのインディーポップバンドThe Cat's Miaowが、1994-1998年に発表した7\"やEPなどからコンパイルした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e今聴いても色褪せないLo-Fiインディーポップ18曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1922895366\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJon Dal:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSongs ’94-’98 is a smart selection of material from The Cat’s Miaow, an Australian indie-pop group that gifted their decade with some of its finest songs. Released on World Of Echo, the album draws from the group’s string of excellent seven-inch singles, a small clutch of compilation contributions, and features one previously unreleased song, “I Take It That We’re Through”, recorded in 1998. Part of the burgeoning international pop underground of the nineties, The Cat’s Miaow’s legend has only built over subsequent decades, as more people discover this most quixotic and curious of groups: a recent appearance on A Colourful Storm’s compilation of Australian indie-pop, I Won’t Have To Think About You, is testament to their enduring influence. In part emulating the selection of tracks on the 1997 CD-only compilation, Songs For Girls To Sing, Songs ’94-’98 is also the group’s first ever full-length 12” vinyl collection – and if you score a copy of the initial edition, there’s an extra 7” featuring all the songs from their “Third Floor Fire Escape View” recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Cat’s Miaow started out in 1992 as a home-recording duo, Bart Cummings (guitar, bass, vocals) and Andrew Withycombe (bass, guitar) taking time out from duties with Girl Of The World and The Ampersands (respectively), knocking out songs on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Withycombe’s four-track. Soon joined by Kerrie Bolton (vocals) and Cam Smith (drums), the quartet spent the next five years quietly, slowly working away in the suburbs of Melbourne, recording gem after gem of independent pop. Like many of their Australian precursors or peers – The Particles, Even As We Speak, The Cannanes – The Cat’s Miaow were more successful overseas, a sadly typical phenomenon within the Australian musical landscape.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Cat’s Miaow were always worldly and stylish, anyway, each seven-inch single a refined artifact, each song a peaceable jewel. You could hear some relationships with other music – someone (if not everyone) in The Cat’s Miaow was a Galaxie 500 fan; there’s a minimalism to the playing and melodies that recalls Young Marble Giants, Marine Girls, Beat Happening – but the spirit in these twenty-four songs is endearingly individualised, the result of a hermetic vision, an ideal of what a simple, unadorned pop song could be. They had a winning way with simplicity, songs like “Autumn”, “Crying” and “I Can’t Sleep Thinking You Hate Me” passing by in the blink of a moistened eye, and when they stretched out, as on “Firefly”, you can hear hints of the drifting ambience they’d perfect in their other band, Hydroplane.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s not much of a surprise that The Cat’s Miaow found a receptive audience, and no small amount of support, from the networked communities of indie-pop labels and fanatics that developed in the nineties – they released records on imprints like Drive-In, Darla, Bus Stop and Quiddity, shared a flexi-disc with Stereolab, and appeared on countless compilations over the years. But they also understood the importance of the local: their first few cassettes reached the world’s mail routes via Wayne Davidson’s legendary Melbourne tape label, Toytown; they turned up on a split single with Davidson’s group, Stinky Fire Engine; they appeared on a tribute cassette for one of Australia’s finest, The Sugargliders, and indeed that’s Josh Meadows of said group playing wah guitar on “Stay”. The Cat’s Miaow also rarely played live – one launch gig, for the Munch video compilation, and a few parties – which is a great way to maintain mystique.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCosmopolitan yet homely, dedicated to their craft, The Cat’s Miaow always felt a little like a group moving in slow motion, using that pace and focus fully to embrace the art of the perfectly stated pop song – every element in place, no flash and no fuss, no excess, just the core of the thing. Few managed to tease such fierce poetry from such understated, elegant means. From Australia or anywhere.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Cat's Miaow\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e","published_at":"2022-07-21T14:52:45+09:00","created_at":"2022-07-19T12:18:39+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","world of echo"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43009457160442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Cat's Miaow \/\/ Songs '94-'98 LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_a4366833-fe6b-4efc-b053-e1da3580bc66.jpg?v=1658200721","\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_51a606b2-202a-4f0d-8060-046c16afe262.jpg?v=1658200721"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_a4366833-fe6b-4efc-b053-e1da3580bc66.jpg?v=1658200721","options":["Title"],"media":[{"alt":null,"id":30145023148282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_a4366833-fe6b-4efc-b053-e1da3580bc66.jpg?v=1658200721"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_a4366833-fe6b-4efc-b053-e1da3580bc66.jpg?v=1658200721","width":700},{"alt":null,"id":30145023181050,"position":2,"preview_image":{"aspect_ratio":1.413,"height":849,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_51a606b2-202a-4f0d-8060-046c16afe262.jpg?v=1658200721"},"aspect_ratio":1.413,"height":849,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi2_51a606b2-202a-4f0d-8060-046c16afe262.jpg?v=1658200721","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1990年代に活動していたオーストラリア・メルボルンのインディーポップバンドThe Cat's Miaowが、1994-1998年に発表した7\"やEPなどからコンパイルした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e今聴いても色褪せないLo-Fiインディーポップ18曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1922895366\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/worldofecho\"\u003ehere\u003c\/a\u003e to see more World of Echo releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJon Dal:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSongs ’94-’98 is a smart selection of material from The Cat’s Miaow, an Australian indie-pop group that gifted their decade with some of its finest songs. Released on World Of Echo, the album draws from the group’s string of excellent seven-inch singles, a small clutch of compilation contributions, and features one previously unreleased song, “I Take It That We’re Through”, recorded in 1998. Part of the burgeoning international pop underground of the nineties, The Cat’s Miaow’s legend has only built over subsequent decades, as more people discover this most quixotic and curious of groups: a recent appearance on A Colourful Storm’s compilation of Australian indie-pop, I Won’t Have To Think About You, is testament to their enduring influence. In part emulating the selection of tracks on the 1997 CD-only compilation, Songs For Girls To Sing, Songs ’94-’98 is also the group’s first ever full-length 12” vinyl collection – and if you score a copy of the initial edition, there’s an extra 7” featuring all the songs from their “Third Floor Fire Escape View” recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Cat’s Miaow started out in 1992 as a home-recording duo, Bart Cummings (guitar, bass, vocals) and Andrew Withycombe (bass, guitar) taking time out from duties with Girl Of The World and The Ampersands (respectively), knocking out songs on\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Withycombe’s four-track. Soon joined by Kerrie Bolton (vocals) and Cam Smith (drums), the quartet spent the next five years quietly, slowly working away in the suburbs of Melbourne, recording gem after gem of independent pop. Like many of their Australian precursors or peers – The Particles, Even As We Speak, The Cannanes – The Cat’s Miaow were more successful overseas, a sadly typical phenomenon within the Australian musical landscape.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Cat’s Miaow were always worldly and stylish, anyway, each seven-inch single a refined artifact, each song a peaceable jewel. You could hear some relationships with other music – someone (if not everyone) in The Cat’s Miaow was a Galaxie 500 fan; there’s a minimalism to the playing and melodies that recalls Young Marble Giants, Marine Girls, Beat Happening – but the spirit in these twenty-four songs is endearingly individualised, the result of a hermetic vision, an ideal of what a simple, unadorned pop song could be. They had a winning way with simplicity, songs like “Autumn”, “Crying” and “I Can’t Sleep Thinking You Hate Me” passing by in the blink of a moistened eye, and when they stretched out, as on “Firefly”, you can hear hints of the drifting ambience they’d perfect in their other band, Hydroplane.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s not much of a surprise that The Cat’s Miaow found a receptive audience, and no small amount of support, from the networked communities of indie-pop labels and fanatics that developed in the nineties – they released records on imprints like Drive-In, Darla, Bus Stop and Quiddity, shared a flexi-disc with Stereolab, and appeared on countless compilations over the years. But they also understood the importance of the local: their first few cassettes reached the world’s mail routes via Wayne Davidson’s legendary Melbourne tape label, Toytown; they turned up on a split single with Davidson’s group, Stinky Fire Engine; they appeared on a tribute cassette for one of Australia’s finest, The Sugargliders, and indeed that’s Josh Meadows of said group playing wah guitar on “Stay”. The Cat’s Miaow also rarely played live – one launch gig, for the Munch video compilation, and a few parties – which is a great way to maintain mystique.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCosmopolitan yet homely, dedicated to their craft, The Cat’s Miaow always felt a little like a group moving in slow motion, using that pace and focus fully to embrace the art of the perfectly stated pop song – every element in place, no flash and no fuss, no excess, just the core of the thing. Few managed to tease such fierce poetry from such understated, elegant means. From Australia or anywhere.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Cat's Miaow\u003c\/p\u003e\n\u003cp\u003eLabel : World of Echo\u003c\/p\u003e"}
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1990年代に活動していたオーストラリア・メルボルンのインディーポップバンドThe Cat's Miaowが、1994-1998年に発表した7"やEPなどからコンパイルした再発レコードです。 今聴いても色褪せないLo-Fiインディーポップ18曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more World of Echo releases available at...
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