Love All Day
クイックビュー
{"id":9007750447354,"title":"Zander Raymond \/\/ no one notices the fly LP","handle":"zander-raymond-no-one-notices-the-fly-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eアメリカのアンビエント作家Zander Raymondが、2025年11月に同国Love All Dayからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e素朴であたたかいアンビエント〜アンビエントドローン14曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/zander-raymond-courage-left-in-a-tree-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『no one notices the fly』はシカゴを拠点とするマルチディシプリナリー・アーティスト、ザンダー・レイモンドの最新作である。過去5年間に10枚前後（多少の誤差あり）のアルバムを制作・参加してきたレイモンドは、本作でも注意深く能動的なリスニングと音楽制作へのアプローチを深化させている。本作では、過去の共同制作者であり深いリスニングの同志であるリア・コールとマット・セージが時折参加している。冒頭を飾る「just keep going」は、届ききらない哀愁を帯びた音程外れのヴァイオリンの短い録音で、その素人っぽい演奏にもかかわらず、ある種の深い感情を伝えている。これはおそらく一種のミッションステートメントでもある。ここでは、最も質素な手段から意味を見出せることを示されるのだ。このレコードの曲はどれもひび割れ気味で、一見すると廃物にまつわるものばかりだ。どの楽曲も、他の手にかかれば単なる廃棄音としか見なされぬものを、丹念に積み重ねて層を成している。これらの楽曲は、日本の彫刻家上松祐司が日々収集する「魅力的な街の残骸」を音で表現したものとさえ言えるだろう。彼は古いタバコの空箱のセロファン袋の中に、精巧なミニチュア作品としてそれらを構築する。それぞれの作品は新しく唯一無二の、眩いばかりの風景であり、それ自体がひとつの世界を形成している。Raymondの即興的アプローチ——ライブサンプリングと想像力豊かなフィルタリングを駆使する手法——によって、最も平凡な音さえも新たな現実へと屈折する。一瞬の輝きではあるが。ミクロがマクロになり、日常が崇高へと昇華される。これらの楽曲には、扉が開く音、そよ風が通り抜ける音、湯気が立ち上る音、落ち着きのない足が地面に根を下ろす音が潜んでいる。楽曲は安定しているように聞こえるが、それは束の間だ。パターンが定まると、小さな挿入や侵入がそれを中断し、新たなパターンが生まれるかもしれない。あるいは生まれないかもしれない。このアルバムの小さな奇跡の一つは、音を通じてエントロピーの作用を可視化しているように見える点だ。全14曲にわたり、私たちの生活が持つ偶然性に気づくよう、控えめながらも思慮深い呼びかけが込められている。いわば「ハエに気づく」ことさえも。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=941240940\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=941240940\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2412074075\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes hand numbered insert. \u003cbr\u003e\u003cspan\u003eArt and design by sonnenzimmer and zander raymond.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. just keep going\u003cbr\u003e2. for all we know\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. french door\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. it’s troubling\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. barn\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. bodega\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. in terms of (feat. m. sage) \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. ravenswood manor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. forward, etc.\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. window unit left\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. i’m sure\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. it’s impossible not to wonder why (feat. lia kohl)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. backseat problem\u003cbr\u003e\u003c\/span\u003e14. the furthest road\u003c\/p\u003e\n\u003cp\u003eLove All Day:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'no one notices the fly' is the latest release from Chicago based multi-disciplinary artist, Zander Raymond. Raymond, who has authored or appeared on around a dozen albums (give or take a couple) in the last half-decade, here continues to refine his approach to careful and active listening and music making. On this collection he’s occasionally joined by past collaborators and deep listening comrades Lia Kohl and Matt Sage. Opening with “just keep going”, a brief recording of a reaching and plaintive, out-of-tune violin whose amateurish playing nevertheless delivers a certain depth of feeling. It also possibly acts as a bit of a mission statement; that here we will be shown that we can find meaning from the barest of means. Every song on this record is slightly cracked and seemingly concerned with detritus, each piece a careful and layered accumulation of what in other hands might be solely considered cast-off sounds. The songs could almost be the aural equivalent of the Japanese sculptor Yuji Agematsu’s daily collection of “desirable street debris”, which he constructs in exquisite, miniature arrangements inside the empty cellophane sleeves of old cigarette packages; each piece a new and unique, dazzling landscape, a whole world unto itself. Through Raymond’s improvisational approach, which employs live sampling and\u003cspan class=\"bcTruncateMore\"\u003e imaginative filtering, the most mundane sounds are refracted into a new, if fleeting, reality. The micro becomes macro, the quotidian rendered into the sublime. In these songs we might find certain doors opening, wind breezing through, steam rising, or restless feet becoming grounded. A piece will sound stable, until it’s not. Patterns are set until small insertions and intrusions interrupt, and maybe a new pattern will form. Or maybe not. One of the minor miracles of this album is that it appears, via sound, to render entropy in action. Across its fourteen tracks, we find a thoughtful, modest reminder to take notice of the aleatory nature of our lives, to maybe even “notice the fly”, as it were.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zander Raymond\u003c\/p\u003e\n\u003cp\u003eLabel : Love All Day\u003c\/p\u003e\n\u003cp\u003ecat no : LAD 034\u003c\/p\u003e","published_at":"2025-11-20T15:17:16+09:00","created_at":"2025-11-20T09:33:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","love all day","lp","new","recommended"],"price":469500,"price_min":469500,"price_max":469500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47989195702522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Zander Raymond \/\/ no one notices the fly LP","public_title":null,"options":["Default Title"],"price":469500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_cd2098f6-09e9-47f3-87f2-7f3d57145ce5.jpg?v=1763598690","\/\/tobirarecords.com\/cdn\/shop\/files\/no2_950b7a95-c665-45fd-88c6-a6983a086d28.jpg?v=1763598690"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_cd2098f6-09e9-47f3-87f2-7f3d57145ce5.jpg?v=1763598690","options":["Title"],"media":[{"alt":null,"id":37560621793530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_cd2098f6-09e9-47f3-87f2-7f3d57145ce5.jpg?v=1763598690"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_cd2098f6-09e9-47f3-87f2-7f3d57145ce5.jpg?v=1763598690","width":700},{"alt":null,"id":37560621826298,"position":2,"preview_image":{"aspect_ratio":1.78,"height":674,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_950b7a95-c665-45fd-88c6-a6983a086d28.jpg?v=1763598690"},"aspect_ratio":1.78,"height":674,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_950b7a95-c665-45fd-88c6-a6983a086d28.jpg?v=1763598690","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※12月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e※当店限定販売です\u003c\/p\u003e\n\u003cp\u003eアメリカのアンビエント作家Zander Raymondが、2025年11月に同国Love All Dayからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e素朴であたたかいアンビエント〜アンビエントドローン14曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/zander-raymond-courage-left-in-a-tree-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『no one notices the fly』はシカゴを拠点とするマルチディシプリナリー・アーティスト、ザンダー・レイモンドの最新作である。過去5年間に10枚前後（多少の誤差あり）のアルバムを制作・参加してきたレイモンドは、本作でも注意深く能動的なリスニングと音楽制作へのアプローチを深化させている。本作では、過去の共同制作者であり深いリスニングの同志であるリア・コールとマット・セージが時折参加している。冒頭を飾る「just keep going」は、届ききらない哀愁を帯びた音程外れのヴァイオリンの短い録音で、その素人っぽい演奏にもかかわらず、ある種の深い感情を伝えている。これはおそらく一種のミッションステートメントでもある。ここでは、最も質素な手段から意味を見出せることを示されるのだ。このレコードの曲はどれもひび割れ気味で、一見すると廃物にまつわるものばかりだ。どの楽曲も、他の手にかかれば単なる廃棄音としか見なされぬものを、丹念に積み重ねて層を成している。これらの楽曲は、日本の彫刻家上松祐司が日々収集する「魅力的な街の残骸」を音で表現したものとさえ言えるだろう。彼は古いタバコの空箱のセロファン袋の中に、精巧なミニチュア作品としてそれらを構築する。それぞれの作品は新しく唯一無二の、眩いばかりの風景であり、それ自体がひとつの世界を形成している。Raymondの即興的アプローチ——ライブサンプリングと想像力豊かなフィルタリングを駆使する手法——によって、最も平凡な音さえも新たな現実へと屈折する。一瞬の輝きではあるが。ミクロがマクロになり、日常が崇高へと昇華される。これらの楽曲には、扉が開く音、そよ風が通り抜ける音、湯気が立ち上る音、落ち着きのない足が地面に根を下ろす音が潜んでいる。楽曲は安定しているように聞こえるが、それは束の間だ。パターンが定まると、小さな挿入や侵入がそれを中断し、新たなパターンが生まれるかもしれない。あるいは生まれないかもしれない。このアルバムの小さな奇跡の一つは、音を通じてエントロピーの作用を可視化しているように見える点だ。全14曲にわたり、私たちの生活が持つ偶然性に気づくよう、控えめながらも思慮深い呼びかけが込められている。いわば「ハエに気づく」ことさえも。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=941240940\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=941240940\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2412074075\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes hand numbered insert. \u003cbr\u003e\u003cspan\u003eArt and design by sonnenzimmer and zander raymond.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. just keep going\u003cbr\u003e2. for all we know\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. french door\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. it’s troubling\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. barn\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. bodega\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. in terms of (feat. m. sage) \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. ravenswood manor\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. forward, etc.\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. window unit left\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. i’m sure\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. it’s impossible not to wonder why (feat. lia kohl)\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. backseat problem\u003cbr\u003e\u003c\/span\u003e14. the furthest road\u003c\/p\u003e\n\u003cp\u003eLove All Day:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'no one notices the fly' is the latest release from Chicago based multi-disciplinary artist, Zander Raymond. Raymond, who has authored or appeared on around a dozen albums (give or take a couple) in the last half-decade, here continues to refine his approach to careful and active listening and music making. On this collection he’s occasionally joined by past collaborators and deep listening comrades Lia Kohl and Matt Sage. Opening with “just keep going”, a brief recording of a reaching and plaintive, out-of-tune violin whose amateurish playing nevertheless delivers a certain depth of feeling. It also possibly acts as a bit of a mission statement; that here we will be shown that we can find meaning from the barest of means. Every song on this record is slightly cracked and seemingly concerned with detritus, each piece a careful and layered accumulation of what in other hands might be solely considered cast-off sounds. The songs could almost be the aural equivalent of the Japanese sculptor Yuji Agematsu’s daily collection of “desirable street debris”, which he constructs in exquisite, miniature arrangements inside the empty cellophane sleeves of old cigarette packages; each piece a new and unique, dazzling landscape, a whole world unto itself. Through Raymond’s improvisational approach, which employs live sampling and\u003cspan class=\"bcTruncateMore\"\u003e imaginative filtering, the most mundane sounds are refracted into a new, if fleeting, reality. The micro becomes macro, the quotidian rendered into the sublime. In these songs we might find certain doors opening, wind breezing through, steam rising, or restless feet becoming grounded. A piece will sound stable, until it’s not. Patterns are set until small insertions and intrusions interrupt, and maybe a new pattern will form. Or maybe not. One of the minor miracles of this album is that it appears, via sound, to render entropy in action. Across its fourteen tracks, we find a thoughtful, modest reminder to take notice of the aleatory nature of our lives, to maybe even “notice the fly”, as it were.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Zander Raymond\u003c\/p\u003e\n\u003cp\u003eLabel : Love All Day\u003c\/p\u003e\n\u003cp\u003ecat no : LAD 034\u003c\/p\u003e"}
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※12月下旬再入荷後発送します ※当店限定販売です アメリカのアンビエント作家Zander Raymondが、2025年11月に同国Love All Dayからリリースしたレコードです。 素朴であたたかいアンビエント〜アンビエントドローン14曲を収録。DLコード付属。 前作もオススメです。 以下、レーベルによる解説です。 "『no one notices the fly』はシカゴを拠点とするマルチディシプリナリー・アーティスト、ザンダー・レイモンドの最新作である。過去5年間に10枚前後（多少の誤差あり）のアルバムを制作・参加してきたレイモンドは、本作でも注意深く能動的なリスニングと音楽制作へのアプローチを深化させている。本作では、過去の共同制作者であり深いリスニングの同志であるリア・コールとマット・セージが時折参加している。冒頭を飾る「just...
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{"id":8873054929146,"title":"Secular Music Group \/\/ Volume 2 LP","handle":"secular-music-group-volume-2-lp","description":"\u003cp\u003eアメリカのジャズバンドSecular Music Groupが、2025年9月に同国Love All Dayからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜アンビエント・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4118446068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Angle of the Bowstring\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Seven Cane 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Zuyua\u003cbr\u003e\u003c\/span\u003e4. Auilix's Place 07:26\u003cbr\u003e5. Mirror Side\u003cbr\u003e6. Middle of the Plain\u003cbr\u003e7. Laughing Falcon\u003cbr\u003e8. Bearer, Begetter 04:47\u003cbr\u003e9. Lake-Sea\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLove All Day:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSecular Music Group returns to Love All Day with Volume Two, a long-playing and exceedingly strong follow-up which both condenses and expands the vision they began to lay out on last years acclaimed Volume One (recently reissued by Spanish label, 2 Headed Deer). Presenting a slightly rearranged cast of musicians, as guitarist Ted Morcaldi was unable to attend the sessions (but thankfully contributed a composition to the album), they were joined by multi-instrumentalist Will Berman (MGMT) stepping in as the fourth member of the ensemble, alongside Greg LaPine, Yannis Panos, and Chris Ruggiero. Recorded live to 4-track analog tape with exclusively 1970s-era technology over just three days in the studio, with a final track, “Lake-Sea”, laid down live at the beach near the home of member and lead audio-engineer, Ruggiero. You can hear the waves lapping at the shore in the background, the tidal motion of the water acting as the ‘conductor’ of the piece. The songs in general this time around are much more tightly structured, having somewhat abandoned the free-form minimalism of Volume One for a heavier emphasis on rhythm and melody. Piano is more foregrounded throughout, with a subtle and introspective sounding spiritual jazz element characterizing the horn arrangements. Still drawing\u003cspan class=\"bcTruncateMore\"\u003e influence from 1970s French and Italian library music, there’s also now a lilting and haunting folkloric quality that’s been introduced to the Secular Music Group sound world —the through line from the previous work being a highly intentional and thoughtfully interior approach to improvisation where the meticulous set-up of the studio and audio capture almost becomes a fifth member of the ensemble. As great as we find Volume One (and we find it very great indeed), by any measure Volume Two is a great leap, more immediate than its predecessor, more lived-in, the ideas more fully developed and flawlessly executed at every turn, where despite any 1970s touchstones and influences the end result feels both startlingly contemporary and timeless.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Secular Music Group\u003c\/p\u003e\n\u003cp\u003eLabel : Love All Day\u003c\/p\u003e\n\u003cp\u003ecat no : LAD 032\u003c\/p\u003e","published_at":"2025-10-11T10:48:32+09:00","created_at":"2025-07-30T11:06:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","love all day","lp","new"],"price":495000,"price_min":495000,"price_max":495000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47563317870842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Secular Music Group \/\/ Volume 2 LP","public_title":null,"options":["Default Title"],"price":495000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/vol1_c1c61ad6-b9f7-4793-9264-9b9c8473b550.jpg?v=1753841081","\/\/tobirarecords.com\/cdn\/shop\/files\/vol2_d87a8ac1-de98-4dbb-b547-27356b11673e.jpg?v=1753841082"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/vol1_c1c61ad6-b9f7-4793-9264-9b9c8473b550.jpg?v=1753841081","options":["Title"],"media":[{"alt":null,"id":36454302843130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vol1_c1c61ad6-b9f7-4793-9264-9b9c8473b550.jpg?v=1753841081"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vol1_c1c61ad6-b9f7-4793-9264-9b9c8473b550.jpg?v=1753841081","width":700},{"alt":null,"id":36454302875898,"position":2,"preview_image":{"aspect_ratio":1.168,"height":1027,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vol2_d87a8ac1-de98-4dbb-b547-27356b11673e.jpg?v=1753841082"},"aspect_ratio":1.168,"height":1027,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vol2_d87a8ac1-de98-4dbb-b547-27356b11673e.jpg?v=1753841082","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズバンドSecular Music Groupが、2025年9月に同国Love All Dayからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜アンビエント・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4118446068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Angle of the Bowstring\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Seven Cane 04:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Zuyua\u003cbr\u003e\u003c\/span\u003e4. Auilix's Place 07:26\u003cbr\u003e5. Mirror Side\u003cbr\u003e6. Middle of the Plain\u003cbr\u003e7. Laughing Falcon\u003cbr\u003e8. Bearer, Begetter 04:47\u003cbr\u003e9. Lake-Sea\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLove All Day:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSecular Music Group returns to Love All Day with Volume Two, a long-playing and exceedingly strong follow-up which both condenses and expands the vision they began to lay out on last years acclaimed Volume One (recently reissued by Spanish label, 2 Headed Deer). Presenting a slightly rearranged cast of musicians, as guitarist Ted Morcaldi was unable to attend the sessions (but thankfully contributed a composition to the album), they were joined by multi-instrumentalist Will Berman (MGMT) stepping in as the fourth member of the ensemble, alongside Greg LaPine, Yannis Panos, and Chris Ruggiero. Recorded live to 4-track analog tape with exclusively 1970s-era technology over just three days in the studio, with a final track, “Lake-Sea”, laid down live at the beach near the home of member and lead audio-engineer, Ruggiero. You can hear the waves lapping at the shore in the background, the tidal motion of the water acting as the ‘conductor’ of the piece. The songs in general this time around are much more tightly structured, having somewhat abandoned the free-form minimalism of Volume One for a heavier emphasis on rhythm and melody. Piano is more foregrounded throughout, with a subtle and introspective sounding spiritual jazz element characterizing the horn arrangements. Still drawing\u003cspan class=\"bcTruncateMore\"\u003e influence from 1970s French and Italian library music, there’s also now a lilting and haunting folkloric quality that’s been introduced to the Secular Music Group sound world —the through line from the previous work being a highly intentional and thoughtfully interior approach to improvisation where the meticulous set-up of the studio and audio capture almost becomes a fifth member of the ensemble. As great as we find Volume One (and we find it very great indeed), by any measure Volume Two is a great leap, more immediate than its predecessor, more lived-in, the ideas more fully developed and flawlessly executed at every turn, where despite any 1970s touchstones and influences the end result feels both startlingly contemporary and timeless.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Secular Music Group\u003c\/p\u003e\n\u003cp\u003eLabel : Love All Day\u003c\/p\u003e\n\u003cp\u003ecat no : LAD 032\u003c\/p\u003e"}
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アメリカのジャズバンドSecular Music Groupが、2025年9月に同国Love All Dayからリリースしたレコードです。 スピリチュアル・ジャズ〜アンビエント・ジャズ9曲を収録。 ------------------------------------------------- 12" black vinyl. Tracklist: 1. Angle of...
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