T5UMUT5UMU // Sea of Trees 12"
T5UMUT5UMU // Sea of Trees 12"
¥2,540
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日本のgqom作家T5UMUT5UMUが、2022年11月にHakuna Kulalaからリリースした12"です。gqom4曲を収録。
レーベルその他作品はこちら /// Click here to see more Hakuna Kulala / Nyege Nyege Tapes releases available at Tobira.
----------------------------
Black 12" vinyl.
Artist : T5UMUT5UMU
Label : Hakuna Kulala
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{"id":8686954447098,"title":"Jako Maron \/\/ Mahavélouz LP","handle":"jako-maron-mahavelouz-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※2月上旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年2月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e伝統音楽マロヤを再構築した7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6\/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ（バスドラム）とサティ（ハイハット）のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「この4曲は、エレクトロニック・マロヤに関する私の研究の集大成です」とMaronは説明する。「この音楽に言葉は必要ない。ボブレは声であり、それは先祖伝来の声だ。マロヤのカバレをエレクトロニックな形で再構築したものです」。これはMaronが最近のライブパフォーマンスの原動力にしている音楽で、マロヤのダンスフロアでの可能性を優先している。伝統的なルーレとサティのサウンドをTR-606、TR-909、TR-707のヒットサウンドに置き換え、オープニングトラックの「Paré po saviré（立ち上がれ）」では催眠術のようなロールを生み出し、アメモウトウラオプのアシッドなボブレ・ツワングをゴムのようなバックで奏でている。Maronはこの曲を「精霊と人々をひとつにする呼びかけ」と表現し、突き刺すようなフィードバックの鳴き声を使ってボブレと調和させ、アルバム全体を支える声を紹介している。Bék dann dir (try harder)」では、ガラスのようなKorg PolysixのチャイムとMachinedrumの音でボブレを増強し、「Zésprimaron」（マロンの魂）では、儀式へと私たちをいざない、リズムを儀式的な鼓動にシャッフルし、スクエルシーなシンセサウンドでトランス状態へと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマロンは、「1 piton 3 filaos」（1つの丘と3本の木）でライブでのボブレ実験を終えているが、これは彼の最も野心的なフュージョンであり、アメモウトウラオプの熱狂的な演奏の合間に、幻覚的なフルートとテクノイドのスタブが無重量に立ち上っている。しかし、彼の調査はこれで終わりではない。Maronは「Mahavélouz」に、ボブレをシンセティックに再現した音色の研究を加えている。「Mdé prototrash」では、彼のモジュラーシステムによって特徴的なピング音が再現され、Maronの波打つようなパーカッションと一緒にブンブン、プチプチと、オリジナルの楽器とほとんど見分けがつかない。「dann kér Mahaveli」（素晴らしい土地の中心で）では、サウンドはより不気味だが、合成された鳥の鳴き声や魅惑的なワーブルに結びつけられ、それに劣らず影響を与えている。「Mahavélouz」は、前作よりもさらに特異で、Maronにとって大胆な前進であり、古代の土台の上に驚異的な新種のダンス・ミュージックを構築している。\" \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1232149772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins in February 2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Paré po saviré 03:00\u003cbr\u003e2. Dann kér Mahaveli\u003cbr\u003e3. Bék dann dir\u003cbr\u003e4. DEUS ex Maloya\u003cbr\u003e5. Mdé prototrash\u003cbr\u003e6. Zésprimaron\u003cbr\u003e7. Un Piton 3 Filaos\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Jako Maron reimagined Réunion island's politically-charged maloya sound on 'The electro Maloya experiments of Jako Maron', he focused on the genre's distinctive, revolutionary rhythms. Electro-plating the call-and-response thuds, he used the language of techno to upset the expected template, disrupting maloya's 6\/8 pulse with modular bleeps and Roland kicks. He takes a different approach on 'Mahavélouz', focusing on the bobre, traditional maloya's only melodic instrument, a long bow amplified by a calabash that's known as the berimbau in Brazil. Maron was fascinated by the bobre's unique sonic signature, and noted that when it's usually played, it's drowned out by the louder percussive instruments. So he enlisted Zan Amemoutoulaop to play a series of solos, using them to guide the album's four lead tracks and distorting and compressing the serrated hits until they stood confidently in front of his undulating roulér (bass drum) and sati (hi-hat) patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"These four pieces are the culmination of my research into electronic maloya,\" explains Maron. \"There's no need for words on this music; the bobre is the voice, and it is an ancestral voice. It's a reimagining of maloya kabaré in an electro form.\" This is the music that Maron has used to drive his recent live performances, so it\u003cspan class=\"bcTruncateMore\"\u003e prioritizes maloya's dancefloor potential. Swapping the traditional roulér and sati sounds for TR-606, TR-909 and TR-707 hits, he generates a hypnotic roll on opening track 'Paré po saviré' (rise up), forming a rubbery backdrop for Amemoutoulaop's acidic bobre twangs. Maron describes the track as a \"call to bring spirits and people together\", and using piercing feedback squeals to harmonize with the bobre, he introduces us to the voice that anchors the entire album. On 'Bék dann dir (try harder), he augments the bobre with glassy Korg Polysix chimes and Machinedrum sounds, and 'Zésprimaron'(the Maron spirit), ushers us towards a ceremony, shuffling his rhythm into a ritualistic throb, and using squelchy synth sounds to flutter into a trance.\u003cbr\u003e\u003cbr\u003eMaron concludes his live bobre experiments with '1 piton 3 filaos' (one hill and three trees), and it's his most ambitious fusion, with hallucinatory flutes and technoid stabs rising weightlessly in-between Amemoutoulaop's frenetic performance. But this isn't the end of his investigation: Maron fleshes out 'Mahavélouz' with tonal studies that replicate the bobre synthetically. On 'Mdé prototrash', the characteristic ping is re-created by his modular system, and it's almost indistinguishable from the original instrument, buzzing and popping alongside Maron's surging percussion. The sound is more uncanny on 'dann kér Mahaveli' (in the heart of marvelous land) but no less affecting, knotted around synthetic bird calls and entrancing warbles. Even more idiosyncratic than its predecessors, 'Mahavélouz' is a bold step forward for Maron that builds on ancient foundations to construct a staggeringly new kind of dance music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e","published_at":"2024-12-23T07:37:14+09:00","created_at":"2024-12-22T15:03:42+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats","techno \/ house"],"price":435800,"price_min":435800,"price_max":435800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46974218469626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jako Maron \/\/ Mahavélouz LP","public_title":null,"options":["Default Title"],"price":435800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","options":["Title"],"media":[{"alt":null,"id":35335615840506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako1.jpg?v=1734847254","width":700},{"alt":null,"id":35335615873274,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jako2.jpg?v=1734847254","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※2月上旬発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eマダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年2月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e伝統音楽マロヤを再構築した7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6\/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ（バスドラム）とサティ（ハイハット）のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「この4曲は、エレクトロニック・マロヤに関する私の研究の集大成です」とMaronは説明する。「この音楽に言葉は必要ない。ボブレは声であり、それは先祖伝来の声だ。マロヤのカバレをエレクトロニックな形で再構築したものです」。これはMaronが最近のライブパフォーマンスの原動力にしている音楽で、マロヤのダンスフロアでの可能性を優先している。伝統的なルーレとサティのサウンドをTR-606、TR-909、TR-707のヒットサウンドに置き換え、オープニングトラックの「Paré po saviré（立ち上がれ）」では催眠術のようなロールを生み出し、アメモウトウラオプのアシッドなボブレ・ツワングをゴムのようなバックで奏でている。Maronはこの曲を「精霊と人々をひとつにする呼びかけ」と表現し、突き刺すようなフィードバックの鳴き声を使ってボブレと調和させ、アルバム全体を支える声を紹介している。Bék dann dir (try harder)」では、ガラスのようなKorg PolysixのチャイムとMachinedrumの音でボブレを増強し、「Zésprimaron」（マロンの魂）では、儀式へと私たちをいざない、リズムを儀式的な鼓動にシャッフルし、スクエルシーなシンセサウンドでトランス状態へと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマロンは、「1 piton 3 filaos」（1つの丘と3本の木）でライブでのボブレ実験を終えているが、これは彼の最も野心的なフュージョンであり、アメモウトウラオプの熱狂的な演奏の合間に、幻覚的なフルートとテクノイドのスタブが無重量に立ち上っている。しかし、彼の調査はこれで終わりではない。Maronは「Mahavélouz」に、ボブレをシンセティックに再現した音色の研究を加えている。「Mdé prototrash」では、彼のモジュラーシステムによって特徴的なピング音が再現され、Maronの波打つようなパーカッションと一緒にブンブン、プチプチと、オリジナルの楽器とほとんど見分けがつかない。「dann kér Mahaveli」（素晴らしい土地の中心で）では、サウンドはより不気味だが、合成された鳥の鳴き声や魅惑的なワーブルに結びつけられ、それに劣らず影響を与えている。「Mahavélouz」は、前作よりもさらに特異で、Maronにとって大胆な前進であり、古代の土台の上に驚異的な新種のダンス・ミュージックを構築している。\" \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1232149772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping begins in February 2025.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 180. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Paré po saviré 03:00\u003cbr\u003e2. Dann kér Mahaveli\u003cbr\u003e3. Bék dann dir\u003cbr\u003e4. DEUS ex Maloya\u003cbr\u003e5. Mdé prototrash\u003cbr\u003e6. Zésprimaron\u003cbr\u003e7. Un Piton 3 Filaos\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e Nyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Jako Maron reimagined Réunion island's politically-charged maloya sound on 'The electro Maloya experiments of Jako Maron', he focused on the genre's distinctive, revolutionary rhythms. Electro-plating the call-and-response thuds, he used the language of techno to upset the expected template, disrupting maloya's 6\/8 pulse with modular bleeps and Roland kicks. He takes a different approach on 'Mahavélouz', focusing on the bobre, traditional maloya's only melodic instrument, a long bow amplified by a calabash that's known as the berimbau in Brazil. Maron was fascinated by the bobre's unique sonic signature, and noted that when it's usually played, it's drowned out by the louder percussive instruments. So he enlisted Zan Amemoutoulaop to play a series of solos, using them to guide the album's four lead tracks and distorting and compressing the serrated hits until they stood confidently in front of his undulating roulér (bass drum) and sati (hi-hat) patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"These four pieces are the culmination of my research into electronic maloya,\" explains Maron. \"There's no need for words on this music; the bobre is the voice, and it is an ancestral voice. It's a reimagining of maloya kabaré in an electro form.\" This is the music that Maron has used to drive his recent live performances, so it\u003cspan class=\"bcTruncateMore\"\u003e prioritizes maloya's dancefloor potential. Swapping the traditional roulér and sati sounds for TR-606, TR-909 and TR-707 hits, he generates a hypnotic roll on opening track 'Paré po saviré' (rise up), forming a rubbery backdrop for Amemoutoulaop's acidic bobre twangs. Maron describes the track as a \"call to bring spirits and people together\", and using piercing feedback squeals to harmonize with the bobre, he introduces us to the voice that anchors the entire album. On 'Bék dann dir (try harder), he augments the bobre with glassy Korg Polysix chimes and Machinedrum sounds, and 'Zésprimaron'(the Maron spirit), ushers us towards a ceremony, shuffling his rhythm into a ritualistic throb, and using squelchy synth sounds to flutter into a trance.\u003cbr\u003e\u003cbr\u003eMaron concludes his live bobre experiments with '1 piton 3 filaos' (one hill and three trees), and it's his most ambitious fusion, with hallucinatory flutes and technoid stabs rising weightlessly in-between Amemoutoulaop's frenetic performance. But this isn't the end of his investigation: Maron fleshes out 'Mahavélouz' with tonal studies that replicate the bobre synthetically. On 'Mdé prototrash', the characteristic ping is re-created by his modular system, and it's almost indistinguishable from the original instrument, buzzing and popping alongside Maron's surging percussion. The sound is more uncanny on 'dann kér Mahaveli' (in the heart of marvelous land) but no less affecting, knotted around synthetic bird calls and entrancing warbles. Even more idiosyncratic than its predecessors, 'Mahavélouz' is a bold step forward for Maron that builds on ancient foundations to construct a staggeringly new kind of dance music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jako Maron\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e"}
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※2月上旬発送開始します マダガスカル島東方のインド洋上に位置するレユニオン島の実験ダンス作家Jako Maronが、2025年2月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeから180部限定でリリースするレコードです。 伝統音楽マロヤを再構築した7曲を収録。 以下、レーベルによる解説です。 "Jako Maronが前作「The electro Maloya experiments of Jako Maron」でレユニオン島の政治色の強いマロヤ・サウンドを再構築したとき、彼はこのジャンルの特徴的で革命的なリズムに注目した。コール・アンド・レスポンスにエレクトロ・メッキを施し、テクノの言語を使って予想されたテンプレートをひっくり返し、モジュラービープ音とローランドキックでマロヤの6/8パルスを破壊した。Mahavélouzでは、伝統的なマロヤの唯一のメロディ楽器であるボブレに焦点を当て、ブラジルではベリンバウとして知られるカラバシで増幅される長い弓を使った異なるアプローチをとっている。Maronはボブレのユニークな音の特徴に魅了され、通常演奏されるときは、より大きなパーカッシブな楽器にかき消されてしまうことに注目した。そこで彼は、ザン・アメモウトウラオプに一連のソロ演奏を依頼し、それをアルバムの4つのリードトラックのガイドに使い、うねるようなルレ（バスドラム）とサティ（ハイハット）のパターンの前に堂々と立つまで、鋸歯状のヒットを歪ませたり圧縮したりした。...
¥4,358
クイックビュー
{"id":8666370736378,"title":"CRAVE \/\/ Inner War Delirium LP","handle":"crave-inner-war-delirium-lp","description":"\u003cp\u003eフランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2254692747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phyllis 04:56\u003cbr\u003e2. Backdraft 03:32\u003cbr\u003e3. Short Cut 04:04\u003cbr\u003e4. Drift 04:33\u003cbr\u003e5. Donna Deadeye 04:41\u003cbr\u003e6. Inner War Delirium 03:53\u003cbr\u003e7. AI Breeding System 04:21\u003cbr\u003e8. Ropes and Wax 04:18\u003cbr\u003e9. Skirt the Grove 05:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and \"Inner War Delirium\" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe relationship between dark and light, death and rebirth, is at the heart of \"Inner War Delirium\", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw\u003cspan class=\"bcTruncateMore\"\u003e noise.\u003cbr\u003e\u003cbr\u003eKatsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CRAVE\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:43:54+09:00","created_at":"2024-11-16T15:50:14+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","hiphop \/ funk","lp","new","techno \/ house"],"price":387600,"price_min":387600,"price_max":387600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864910811386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"CRAVE \/\/ Inner War Delirium LP","public_title":null,"options":["Default Title"],"price":387600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","options":["Title"],"media":[{"alt":null,"id":35195336818938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_8de02fe0-e573-42ad-a081-0ea3c85fa350.jpg?v=1731739716","width":700},{"alt":null,"id":35195336851706,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_78273147-1b04-457c-8b26-b71d8e2b9e7a.jpg?v=1731739716","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2254692747\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Phyllis 04:56\u003cbr\u003e2. Backdraft 03:32\u003cbr\u003e3. Short Cut 04:04\u003cbr\u003e4. Drift 04:33\u003cbr\u003e5. Donna Deadeye 04:41\u003cbr\u003e6. Inner War Delirium 03:53\u003cbr\u003e7. AI Breeding System 04:21\u003cbr\u003e8. Ropes and Wax 04:18\u003cbr\u003e9. Skirt the Grove 05:33\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFor over two decades Jonathan Katsav has used his Crave project to fray rap at its fringes, using Memphis and Houston's low-and-slow legacy to inform sounds that have as much in common with Merzbow as they do Tommy Wright III.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWorking under a variety of different monikers such as Lieu Noir, Sniper Bait and Soul Collector, the French producer is most prolific as Crave, and \"Inner War Delirium\" is a substantial and broadly cinematic addition to his canon. Katsav approaches each track as if it's a scene from a movie, using real life experiences to explore separate characters and contrasting emotions. Using different narrators and disparate vocal styles, he navigates grim, blown-out landscapes, driving neon drenched trap synths and horror choirs against overdriven kicks and waterlogged industrial atmospheres.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMangled field recordings, squealing static and gurgling synthesized bass opens 'PHYLLIS', goading the cautious with serrated, carnival synths and cacophonous vocals that sway lugubriously between rap and grindcore.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe relationship between dark and light, death and rebirth, is at the heart of \"Inner War Delirium\", rippling through every track's oozing amalgamation of inebriated hip-hop and buzzsaw\u003cspan class=\"bcTruncateMore\"\u003e noise.\u003cbr\u003e\u003cbr\u003eKatsav's sounds are an attempt to subject us to the physicality of his own life's puzzle, and he cuts them into vignettes like a director. On the album's final track, listeners are swiped from in front of the speakers and bundled into the trunk of a car, rain rattling on the metal and the album playing on in the distance. It's a way for the producer to turn the camera back on the audience and ask them to consider their own complicated reality - it's Crave's story, but everyone's a part of it.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : CRAVE\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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フランス・パリのポストインダストリアル作家CRAVEが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたレコードです。 ポストインダストリアル・テクノ〜ポストインダストリアル・ヒップホップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
¥3,876
クイックビュー
{"id":8666369458426,"title":"popon \/\/ bubu TAPE","handle":"popon-bubu-tape","description":"\u003cp\u003e日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2878689868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Knock 05:08\u003cbr\u003e2. Banana 08:50\u003cbr\u003e3. Casajizochan 03:35\u003cbr\u003e4. Bubu 03:06\u003cbr\u003e5. Sokkyooo 08:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese sound artist and improviser popon began her musical journey as the singer in a punk band before swerving into more experimental territory. Now she uses an arsenal of electronic devices and small instruments to create blurry industrial noise jams that are as informed by Bristol's progressive bass landscape as they are '80s Japanese DIY sounds and children's music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"bubu\" is ponpon's debut release, a fever dream of over driven textures, haunted melodies and frenetic, electrified beats. There's little indication of where the record might go from the oppressive atmosphere of terrifying opener 'Knock'. The track foregrounds blustery over driven ambience and sheet metal industrial grit, but dissolves sharply as 'Banana' takes shape, and ponpon's unique fusion of sounds eventually coalesces. Emerging from tweaky, pinprick percussion, a frenetic warehouse-strength belter appears, assembled from anodized hi-bpm rhythms that scrape against looping synth melodies distorted within an inch of their life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003epopon's production process is instinctive and mostly improvised. She takes field recordings from her environment and uses these textures - sheet metal lacerations or whooshing gusts of wind, for example - to provide a rough backdrop to sounds from her MicroKorg\u003cspan class=\"bcTruncateMore\"\u003e, Native Instruments Maschine, piano and small instruments. Occasionally, she adds her own voice or her niece's, and uses phone and tablet apps to fill in the gaps. Listening to the title track, it's hard to figure out exactly how she wrangles these elements into such tight, cybernetic grooves. Slithering slowly from a resonant bass hit and wrecking ball kicks, it's a cyclic rhythmic roller that wouldn't sound out of place on Batu's Timedance imprint.\u003cbr\u003e\u003cbr\u003eLengthy psychedelic closer 'Sokkyooo' flips the script completely, bowling through children's voices with stuttered fractal noise and hypnotic dub techno throbs. This is where ponpon's spiderweb of influences begins to make perfect sense: her foundation might be abrasive basement noise, but she uses this as the fertilizer for music that bridges the gap between Merzbow and Peverelist.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : popon\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-17T07:27:52+09:00","created_at":"2024-11-16T15:45:30+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","new","tape","techno \/ house"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864906715386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"popon \/\/ bubu TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","options":["Title"],"media":[{"alt":null,"id":35195325907194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu2.jpg?v=1731739451","width":700},{"alt":null,"id":35195325939962,"position":2,"preview_image":{"aspect_ratio":1.288,"height":932,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451"},"aspect_ratio":1.288,"height":932,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bubu3.jpg?v=1731739451","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2878689868\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Knock 05:08\u003cbr\u003e2. Banana 08:50\u003cbr\u003e3. Casajizochan 03:35\u003cbr\u003e4. Bubu 03:06\u003cbr\u003e5. Sokkyooo 08:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese sound artist and improviser popon began her musical journey as the singer in a punk band before swerving into more experimental territory. Now she uses an arsenal of electronic devices and small instruments to create blurry industrial noise jams that are as informed by Bristol's progressive bass landscape as they are '80s Japanese DIY sounds and children's music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"bubu\" is ponpon's debut release, a fever dream of over driven textures, haunted melodies and frenetic, electrified beats. There's little indication of where the record might go from the oppressive atmosphere of terrifying opener 'Knock'. The track foregrounds blustery over driven ambience and sheet metal industrial grit, but dissolves sharply as 'Banana' takes shape, and ponpon's unique fusion of sounds eventually coalesces. Emerging from tweaky, pinprick percussion, a frenetic warehouse-strength belter appears, assembled from anodized hi-bpm rhythms that scrape against looping synth melodies distorted within an inch of their life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003epopon's production process is instinctive and mostly improvised. She takes field recordings from her environment and uses these textures - sheet metal lacerations or whooshing gusts of wind, for example - to provide a rough backdrop to sounds from her MicroKorg\u003cspan class=\"bcTruncateMore\"\u003e, Native Instruments Maschine, piano and small instruments. Occasionally, she adds her own voice or her niece's, and uses phone and tablet apps to fill in the gaps. Listening to the title track, it's hard to figure out exactly how she wrangles these elements into such tight, cybernetic grooves. Slithering slowly from a resonant bass hit and wrecking ball kicks, it's a cyclic rhythmic roller that wouldn't sound out of place on Batu's Timedance imprint.\u003cbr\u003e\u003cbr\u003eLengthy psychedelic closer 'Sokkyooo' flips the script completely, bowling through children's voices with stuttered fractal noise and hypnotic dub techno throbs. This is where ponpon's spiderweb of influences begins to make perfect sense: her foundation might be abrasive basement noise, but she uses this as the fertilizer for music that bridges the gap between Merzbow and Peverelist.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e \"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : popon\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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日本のポストインダストリアル作家poponが、2023年2月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたデビューカセットです。 ポストインダストリアル・テクノ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases available at...
¥2,137
クイックビュー
{"id":8666368868602,"title":"Mariam Rezaei \/\/ BOWN TAPE","handle":"mariam-rezaei-bown-tape","description":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3087144594\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:47:25+09:00","created_at":"2024-11-16T15:43:06+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","jazz","monooto","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864904454394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mariam Rezaei \/\/ BOWN TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","options":["Title"],"media":[{"alt":null,"id":35195321712890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","width":700},{"alt":null,"id":35195321745658,"position":2,"preview_image":{"aspect_ratio":0.865,"height":1200,"width":1038,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"},"aspect_ratio":0.865,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282","width":1038}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3087144594\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}
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イギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。 巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。 レーベルその他作品はこちら /// Click here to see more Heat Crimes releases...
¥2,137