Cool Maritime // Big Earth Energy LP
![Ava Luna s/t LP [COLOR]](//tobirarecords.com/cdn/shop/files/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642_medium.jpg?v=1766455842)
Cool Maritime // Big Earth Energy LP
¥3,350
- Item no:
- Availability:
アメリカのポストニューエイジ・アンビエント作家／映像作家Cool Maritimeが、2022年5月に同国Western Vinylからリリースしたレコードです。
躍動感のあるポストニューエイジ・アンビエント7曲を収録。
レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira.
----------------------------
Artist : Cool Maritime
Label : Western Vinyl
Related Products
クイックビュー
{"id":9166458585338,"title":"Metropolis Ensemble, Erik Hall, Sandbox Percussion \/\/ Canto Ostinato LP","handle":"metropolis-ensemble-erik-hall-sandbox-percussion-canto-ostinato-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカのマルチ奏者Erik Hall、Metropolis Ensemble、Sandbox Percussionが、2026年4月に同国老舗レーベルWestern Vinylからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSimeon ten Holt作曲『Canto Ostinato』を再解釈した9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eシメオン・テン・ホルトのミニマリズムの金字塔『カント・オスティナート』には、周知の魅力を備えている。この作品の魅惑的な和声と曲折に富んだ構成は、その道を歩み始める志を同じくする演奏家たちにとって冒険的な挑戦であり、Metropolis Ensembleのアンドルー・サイア、音楽家兼作曲家のエリック・ホール、そしてサンドボックス・パーカッションのメンバーたちは、まさにその入り口で出会った。彼らによるその後の取り組みは、世界クラスのコラボレーションとなり、テン・ホルトの象徴的な作品を、広がりがあり、美しく細部までこだわった新たな形で提示している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年、ニューヨーク・タイムズ紙は、アメリカの現代クラシック音楽ファンにはほとんど知られていなかった、故オランダ人作曲家シメオン・テン・ホルトにスポットライトを当てた。記事では、ミシガン州のスタジオにいるエリック・ホールが取り上げられており、彼が『カント・オスティナート』に魅了されたことがきっかけで、レーベル「ウェスタン・ヴァイナル」から高い評価を得たソロ・アルバムをリリースしていた。この動きに注目したのが、メトロポリス・アンサンブルの芸術監督兼指揮者アンドルー・サイアだった。彼は直ちにそのアルバムをサンドボックス・パーカッションに紹介した――両アンサンブルはグラミー賞にノミネートされた経歴を持ち、10年以上にわたる協働関係にある――そして、ブルックリン植物園での夏至の野外公演に向けて、この作品を再編曲するべくホールを招待した。この曲の魅力に共に惹かれたチームは、6ヶ月をかけて壮大な新編曲を手掛け、ニュー・スクールの「サンドボックス・パーカッション・サマー・セミナー」をはじめ、作曲家のデヴィッド・レオン、ベン・ウォレス、レダ・フィンク、そしてベルガモット・カルテットをそのプロジェクトに招き入れた。その結果、マレット・パーカッション、木管楽器、弦楽器、ピアノを網羅した輝かしい編曲が完成し、NPRの『モーニング・エディション』から推薦を受けるとともに、魅了された聴衆を前に日の出と日没の公演という形でその集大成を迎えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのプロジェクトの勢いはそのままスタジオへとつながり、チームがこの楽曲に対して抱く熱意を永続的に記録する新たなレコーディングが不可欠となった。Metropolis Ensembleが主導し、サイアとホールがプロデュース、ホール、レオン、ウォレス、そしてSandbox Percussionのジョニー・アレンが編曲を手掛けたこの解釈は、原曲のあらゆる旋律、モチーフ、アルペジオを抽出し再構築し、テン・ホルトのピアノ原稿をプリズムのような室内楽の響きへと拡張している。グラミー賞受賞のオーディオエンジニア、マイク・ティアニーによって録音されたこの演奏は、2025年にニューヨークで収録された。サンドボックス・パーカッションの多彩なマレット楽器群は、楽曲の全編にわたって統一感があり、優雅かつ力強い表現を維持し、デヴィッド・レオンの木管八重奏団が万華鏡のようなタペストリーを織りなす。受賞歴のあるヴァイオリニスト、クリスティン・リー率いる18人の弦楽奏者たちが、映画のような、この世のものとは思えない深みをもたらす。そして、エリック・ホールのコンサートグランドピアノが全体を貫き、この作品の鍵盤楽器に由来する原点を、情熱と敬意を込めて守り抜いている。全体として、シメオン・テン・ホルトのすでに記念碑的な傑作に息をのむような新たな形を与え、各要素が全体のために奉仕しつつ、恍惚とするような結末へと突き進んでいく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e母国オランダでは長年愛されてきた『カント・オスティナート』だが、米国ではまだ燃え始めたばかりの炎であり、発見され始めたばかりの世界である。しかし、その重みは疑いようがない。メトロポリス・アンサンブル、エリック・ホール、そしてサンドボックス・パーカッションの私たちは、この火を灯し続け、世界中の聴衆をシメオン・テン・ホルトのミニマリズムの傑作へと導く一助となれることを光栄に思う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2149289827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 3rd April 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sections 1-16\u003cbr\u003e2. Sections 17-30\u003cbr\u003e3. Sections 31-40\u003cbr\u003e4. Sections 41-55\u003cbr\u003e5. Sections 56-73\u003cbr\u003e6. Sections 74-87\u003cbr\u003e7. Sections 88-90\u003cbr\u003e8. Sections 91-94\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Sections 95-106\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSimeon ten Holt's landmark minimalist opus Canto Ostinato has a known magnetism. The piece's captivating harmony and winding structure prove an adventurous enterprise for any like-minded players embarking down its path, and it was at this very threshold that Metropolis Ensemble's Andrew Cyr, musician\/composer Erik Hall, and the members of Sandbox Percussion all found each other. Their ensuing undertaking marks a world-class collaboration that yields an expansive and beautifully detailed new presentation of ten Holt's iconic work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2023 the New York Times shined a light on Simeon ten Holt, the late Dutch composer mostly unknown to the American contemporary classical audience. Featured in the story was Erik Hall in his Michigan studio, whose enthrallment with Canto Ostinato had resulted in his acclaimed solo recording on the label Western Vinyl. Taking notice was Metropolis Ensemble artistic director\/conductor Andrew Cyr. He promptly relayed the album to Sandbox Percussion—each of them GRAMMY-nominated ensembles sharing over a decade of work together—and invited Hall to join them in re-orchestrating the piece for an outdoor summer solstice performance at the Brooklyn Botanic Garden. Now jointly feeling the piece's pull\u003cspan class=\"bcTruncateMore\"\u003e, the team crafted a sweeping new large-ensemble arrangement over six months, bringing into its orbit The New School's Sandbox Percussion Summer Seminar, as well as composers David Leon, Ben Wallace, and Ledah Finck and the Bergamot Quartet. The result was a luminous adaptation of the score, complete with mallet percussion, woodwinds, strings, and piano, garnering a recommendation from NPR's Morning Edition and culminating in sunrise and sunset performances for an enchanted audience.\u003cbr\u003e\u003cbr\u003eThe project's momentum carried straight into the studio, as a new recording became imperative—a permanent document of the team's collective ardor for the composition. Spearheaded by Metropolis Ensemble, produced by Cyr and Hall, and arranged by Hall, Leon, Wallace, and Sandbox Percussion’s Jonny Allen, the interpretation extracts and reframes every line, motif, and arpeggio from the original score, expanding ten Holt’s piano manuscript into a prismatic chamber array. Recorded by GRAMMY-winning audio engineer Mike Tierney, the performance was captured in New York, 2025. Sandbox Percussion's array of mallet instruments maintains a unified and gracefully athletic expression of the piece's duration, while David Leon's octet of woodwinds overlay a kaleidoscopic tapestry. Eighteen strings—led by award-winning violinist Kristin Lee—provide cinematic, otherworldly depth. And Erik Hall's concert grand piano threads through it all, a passionately reverent preservation of the piece's keyboard origins. Altogether, a breathtaking new form for Simeon ten Holt's already-monumental opus, each element serving the whole while driving towards a rapturous resolution.\u003cbr\u003e\u003cbr\u003eCanto Ostinato, long beloved in its native Netherlands, is still a flame just beginning to burn in the US; a world just beginning to be discovered. But its gravity is certain. And the cohort of Metropolis Ensemble, Erik Hall, and Sandbox Percussion is honored to bear the torch and help continue to draw listeners everywhere to Simeon ten Holt's masterpiece of minimalism.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Metropolis Ensemble, Erik Hall, Sandbox Percussion\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : WV294lp\u003c\/p\u003e","published_at":"2026-04-03T07:41:57+09:00","created_at":"2026-03-27T20:25:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","western vinyl"],"price":356000,"price_min":356000,"price_max":356000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48561998790906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Metropolis Ensemble, Erik Hall, Sandbox Percussion \/\/ Canto Ostinato LP","public_title":null,"options":["Default Title"],"price":356000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"840526501694","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/can1_f975baf3-ad5a-43b4-afc8-834cb1cadad1.jpg?v=1774610606","\/\/tobirarecords.com\/cdn\/shop\/files\/can2_c92d0a73-7cee-4258-8310-e1bb1f7cadd0.jpg?v=1774610606"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_f975baf3-ad5a-43b4-afc8-834cb1cadad1.jpg?v=1774610606","options":["Title"],"media":[{"alt":null,"id":38885385568506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_f975baf3-ad5a-43b4-afc8-834cb1cadad1.jpg?v=1774610606"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can1_f975baf3-ad5a-43b4-afc8-834cb1cadad1.jpg?v=1774610606","width":350},{"alt":null,"id":38885385601274,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can2_c92d0a73-7cee-4258-8310-e1bb1f7cadd0.jpg?v=1774610606"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/can2_c92d0a73-7cee-4258-8310-e1bb1f7cadd0.jpg?v=1774610606","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカのマルチ奏者Erik Hall、Metropolis Ensemble、Sandbox Percussionが、2026年4月に同国老舗レーベルWestern Vinylからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSimeon ten Holt作曲『Canto Ostinato』を再解釈した9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eシメオン・テン・ホルトのミニマリズムの金字塔『カント・オスティナート』には、周知の魅力を備えている。この作品の魅惑的な和声と曲折に富んだ構成は、その道を歩み始める志を同じくする演奏家たちにとって冒険的な挑戦であり、Metropolis Ensembleのアンドルー・サイア、音楽家兼作曲家のエリック・ホール、そしてサンドボックス・パーカッションのメンバーたちは、まさにその入り口で出会った。彼らによるその後の取り組みは、世界クラスのコラボレーションとなり、テン・ホルトの象徴的な作品を、広がりがあり、美しく細部までこだわった新たな形で提示している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年、ニューヨーク・タイムズ紙は、アメリカの現代クラシック音楽ファンにはほとんど知られていなかった、故オランダ人作曲家シメオン・テン・ホルトにスポットライトを当てた。記事では、ミシガン州のスタジオにいるエリック・ホールが取り上げられており、彼が『カント・オスティナート』に魅了されたことがきっかけで、レーベル「ウェスタン・ヴァイナル」から高い評価を得たソロ・アルバムをリリースしていた。この動きに注目したのが、メトロポリス・アンサンブルの芸術監督兼指揮者アンドルー・サイアだった。彼は直ちにそのアルバムをサンドボックス・パーカッションに紹介した――両アンサンブルはグラミー賞にノミネートされた経歴を持ち、10年以上にわたる協働関係にある――そして、ブルックリン植物園での夏至の野外公演に向けて、この作品を再編曲するべくホールを招待した。この曲の魅力に共に惹かれたチームは、6ヶ月をかけて壮大な新編曲を手掛け、ニュー・スクールの「サンドボックス・パーカッション・サマー・セミナー」をはじめ、作曲家のデヴィッド・レオン、ベン・ウォレス、レダ・フィンク、そしてベルガモット・カルテットをそのプロジェクトに招き入れた。その結果、マレット・パーカッション、木管楽器、弦楽器、ピアノを網羅した輝かしい編曲が完成し、NPRの『モーニング・エディション』から推薦を受けるとともに、魅了された聴衆を前に日の出と日没の公演という形でその集大成を迎えた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのプロジェクトの勢いはそのままスタジオへとつながり、チームがこの楽曲に対して抱く熱意を永続的に記録する新たなレコーディングが不可欠となった。Metropolis Ensembleが主導し、サイアとホールがプロデュース、ホール、レオン、ウォレス、そしてSandbox Percussionのジョニー・アレンが編曲を手掛けたこの解釈は、原曲のあらゆる旋律、モチーフ、アルペジオを抽出し再構築し、テン・ホルトのピアノ原稿をプリズムのような室内楽の響きへと拡張している。グラミー賞受賞のオーディオエンジニア、マイク・ティアニーによって録音されたこの演奏は、2025年にニューヨークで収録された。サンドボックス・パーカッションの多彩なマレット楽器群は、楽曲の全編にわたって統一感があり、優雅かつ力強い表現を維持し、デヴィッド・レオンの木管八重奏団が万華鏡のようなタペストリーを織りなす。受賞歴のあるヴァイオリニスト、クリスティン・リー率いる18人の弦楽奏者たちが、映画のような、この世のものとは思えない深みをもたらす。そして、エリック・ホールのコンサートグランドピアノが全体を貫き、この作品の鍵盤楽器に由来する原点を、情熱と敬意を込めて守り抜いている。全体として、シメオン・テン・ホルトのすでに記念碑的な傑作に息をのむような新たな形を与え、各要素が全体のために奉仕しつつ、恍惚とするような結末へと突き進んでいく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e母国オランダでは長年愛されてきた『カント・オスティナート』だが、米国ではまだ燃え始めたばかりの炎であり、発見され始めたばかりの世界である。しかし、その重みは疑いようがない。メトロポリス・アンサンブル、エリック・ホール、そしてサンドボックス・パーカッションの私たちは、この火を灯し続け、世界中の聴衆をシメオン・テン・ホルトのミニマリズムの傑作へと導く一助となれることを光栄に思う。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2149289827\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 3rd April 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sections 1-16\u003cbr\u003e2. Sections 17-30\u003cbr\u003e3. Sections 31-40\u003cbr\u003e4. Sections 41-55\u003cbr\u003e5. Sections 56-73\u003cbr\u003e6. Sections 74-87\u003cbr\u003e7. Sections 88-90\u003cbr\u003e8. Sections 91-94\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Sections 95-106\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSimeon ten Holt's landmark minimalist opus Canto Ostinato has a known magnetism. The piece's captivating harmony and winding structure prove an adventurous enterprise for any like-minded players embarking down its path, and it was at this very threshold that Metropolis Ensemble's Andrew Cyr, musician\/composer Erik Hall, and the members of Sandbox Percussion all found each other. Their ensuing undertaking marks a world-class collaboration that yields an expansive and beautifully detailed new presentation of ten Holt's iconic work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn 2023 the New York Times shined a light on Simeon ten Holt, the late Dutch composer mostly unknown to the American contemporary classical audience. Featured in the story was Erik Hall in his Michigan studio, whose enthrallment with Canto Ostinato had resulted in his acclaimed solo recording on the label Western Vinyl. Taking notice was Metropolis Ensemble artistic director\/conductor Andrew Cyr. He promptly relayed the album to Sandbox Percussion—each of them GRAMMY-nominated ensembles sharing over a decade of work together—and invited Hall to join them in re-orchestrating the piece for an outdoor summer solstice performance at the Brooklyn Botanic Garden. Now jointly feeling the piece's pull\u003cspan class=\"bcTruncateMore\"\u003e, the team crafted a sweeping new large-ensemble arrangement over six months, bringing into its orbit The New School's Sandbox Percussion Summer Seminar, as well as composers David Leon, Ben Wallace, and Ledah Finck and the Bergamot Quartet. The result was a luminous adaptation of the score, complete with mallet percussion, woodwinds, strings, and piano, garnering a recommendation from NPR's Morning Edition and culminating in sunrise and sunset performances for an enchanted audience.\u003cbr\u003e\u003cbr\u003eThe project's momentum carried straight into the studio, as a new recording became imperative—a permanent document of the team's collective ardor for the composition. Spearheaded by Metropolis Ensemble, produced by Cyr and Hall, and arranged by Hall, Leon, Wallace, and Sandbox Percussion’s Jonny Allen, the interpretation extracts and reframes every line, motif, and arpeggio from the original score, expanding ten Holt’s piano manuscript into a prismatic chamber array. Recorded by GRAMMY-winning audio engineer Mike Tierney, the performance was captured in New York, 2025. Sandbox Percussion's array of mallet instruments maintains a unified and gracefully athletic expression of the piece's duration, while David Leon's octet of woodwinds overlay a kaleidoscopic tapestry. Eighteen strings—led by award-winning violinist Kristin Lee—provide cinematic, otherworldly depth. And Erik Hall's concert grand piano threads through it all, a passionately reverent preservation of the piece's keyboard origins. Altogether, a breathtaking new form for Simeon ten Holt's already-monumental opus, each element serving the whole while driving towards a rapturous resolution.\u003cbr\u003e\u003cbr\u003eCanto Ostinato, long beloved in its native Netherlands, is still a flame just beginning to burn in the US; a world just beginning to be discovered. But its gravity is certain. And the cohort of Metropolis Ensemble, Erik Hall, and Sandbox Percussion is honored to bear the torch and help continue to draw listeners everywhere to Simeon ten Holt's masterpiece of minimalism.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Metropolis Ensemble, Erik Hall, Sandbox Percussion\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : WV294lp\u003c\/p\u003e"}
You may also like:
アメリカのマルチ奏者Erik Hall、Metropolis Ensemble、Sandbox Percussionが、2026年4月に同国老舗レーベルWestern Vinylからリリースした共作レコードです。 Simeon ten Holt作曲『Canto Ostinato』を再解釈した9曲を収録。 以下、レーベルによる解説です。 "シメオン・テン・ホルトのミニマリズムの金字塔『カント・オスティナート』には、周知の魅力を備えている。この作品の魅惑的な和声と曲折に富んだ構成は、その道を歩み始める志を同じくする演奏家たちにとって冒険的な挑戦であり、Metropolis Ensembleのアンドルー・サイア、音楽家兼作曲家のエリック・ホール、そしてサンドボックス・パーカッションのメンバーたちは、まさにその入り口で出会った。彼らによるその後の取り組みは、世界クラスのコラボレーションとなり、テン・ホルトの象徴的な作品を、広がりがあり、美しく細部までこだわった新たな形で提示している。 2023年、ニューヨーク・タイムズ紙は、アメリカの現代クラシック音楽ファンにはほとんど知られていなかった、故オランダ人作曲家シメオン・テン・ホルトにスポットライトを当てた。記事では、ミシガン州のスタジオにいるエリック・ホールが取り上げられており、彼が『カント・オスティナート』に魅了されたことがきっかけで、レーベル「ウェスタン・ヴァイナル」から高い評価を得たソロ・アルバムをリリースしていた。この動きに注目したのが、メトロポリス・アンサンブルの芸術監督兼指揮者アンドルー・サイアだった。彼は直ちにそのアルバムをサンドボックス・パーカッションに紹介した――両アンサンブルはグラミー賞にノミネートされた経歴を持ち、10年以上にわたる協働関係にある――そして、ブルックリン植物園での夏至の野外公演に向けて、この作品を再編曲するべくホールを招待した。この曲の魅力に共に惹かれたチームは、6ヶ月をかけて壮大な新編曲を手掛け、ニュー・スクールの「サンドボックス・パーカッション・サマー・セミナー」をはじめ、作曲家のデヴィッド・レオン、ベン・ウォレス、レダ・フィンク、そしてベルガモット・カルテットをそのプロジェクトに招き入れた。その結果、マレット・パーカッション、木管楽器、弦楽器、ピアノを網羅した輝かしい編曲が完成し、NPRの『モーニング・エディション』から推薦を受けるとともに、魅了された聴衆を前に日の出と日没の公演という形でその集大成を迎えた。 このプロジェクトの勢いはそのままスタジオへとつながり、チームがこの楽曲に対して抱く熱意を永続的に記録する新たなレコーディングが不可欠となった。Metropolis...
¥3,560
クイックビュー
{"id":9075182960890,"title":"Erik Hall \/\/ Solo Three LP","handle":"erik-hall-solo-three-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカのマルチ奏者Erik Hallが、2026年1月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGlenn BrancaとCharlemagne Palestine、Laurie Spiegel、Steve Reichの楽曲のリアリゼーション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601202760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3030806145\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601202760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Temple of Venus Pt. 1 (Glenn Branca) 04:11\u003cbr\u003e2. Strumming Music (Charlemagne Palestine) 14:19\u003cbr\u003e3. A Folk Study (Laurie Spiegel) 03:13\u003cbr\u003e4. Music for a Large Ensemble (Steve Reich) 15:32\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eZach Schonfeld, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"There is a certain solace to be found in minimal music—a contemplative joy that emerges through sustained repetition and subtle variation. Solo Three, the slyly absorbing new album from Michigan-based composer and multi-instrumentalist Erik Hall, embodies that hypnotic charge while boldly reimagining a distinct selection of contemporary classical works. \u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e[...] \u003cem\u003eWith Solo Three, Hall brings this trilogy to a sweeping close. Instead of focusing on a single composition, he weaves together multiple works by several visionary composers: Glenn Branca, Charlemagne Palestine, Laurie Spiegel, and a return to Steve Reich. The result is a rich, varied homage to American minimalism—at once reverent and exploratory. Branca’s “The Temple of Venus Pt. 1” unfolds in oscillating organ and prepared piano; Palestine’s “Strumming Music” becomes a meditative blur of felted piano and guitar; Spiegel’s “A Folk Study” is recast with acoustic warmth in lieu of electronics; and Reich’s “Music for a Large Ensemble” closes the album with a 16-minute, kaleidoscopic rush of overlapping melodies and jubilant rhythmic patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrue to his method, Hall performs and records every part himself, layering instruments one by one like sonic bricks. The approach is deeply human and quietly defiant in an age of faceless automation. “It’s just so much more compelling to actually play every note,” Hall says. “Those micro-differences between takes create a sort of living, breathing magic.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat living, breathing magic fills every corner of Solo Three. It’s both a reverent ode to the composers who shaped Hall’s musical identity and a vivid reminder that minimalism’s hypnotic beauty—its patience, precision, and quiet emotional power—still speaks urgently to the present moment.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Hall\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV291lp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 23rd January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-13T07:41:18+09:00","created_at":"2026-02-07T14:39:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","western vinyl"],"price":357000,"price_min":357000,"price_max":357000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48297691087098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Erik Hall \/\/ Solo Three LP","public_title":null,"options":["Default Title"],"price":357000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563189979","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_f8815b85-7981-4967-a637-726e10eaf597.jpg?v=1770442628","\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_b105313d-e6cd-468e-ad71-b57a05e0b0c7.jpg?v=1770442628"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_f8815b85-7981-4967-a637-726e10eaf597.jpg?v=1770442628","options":["Title"],"media":[{"alt":null,"id":38270100373754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_f8815b85-7981-4967-a637-726e10eaf597.jpg?v=1770442628"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo1_f8815b85-7981-4967-a637-726e10eaf597.jpg?v=1770442628","width":700},{"alt":null,"id":38270100406522,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_b105313d-e6cd-468e-ad71-b57a05e0b0c7.jpg?v=1770442628"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/solo2_b105313d-e6cd-468e-ad71-b57a05e0b0c7.jpg?v=1770442628","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカのマルチ奏者Erik Hallが、2026年1月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eGlenn BrancaとCharlemagne Palestine、Laurie Spiegel、Steve Reichの楽曲のリアリゼーション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601202760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3030806145\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2601202760\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Temple of Venus Pt. 1 (Glenn Branca) 04:11\u003cbr\u003e2. Strumming Music (Charlemagne Palestine) 14:19\u003cbr\u003e3. A Folk Study (Laurie Spiegel) 03:13\u003cbr\u003e4. Music for a Large Ensemble (Steve Reich) 15:32\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eZach Schonfeld, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"There is a certain solace to be found in minimal music—a contemplative joy that emerges through sustained repetition and subtle variation. Solo Three, the slyly absorbing new album from Michigan-based composer and multi-instrumentalist Erik Hall, embodies that hypnotic charge while boldly reimagining a distinct selection of contemporary classical works. \u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e[...] \u003cem\u003eWith Solo Three, Hall brings this trilogy to a sweeping close. Instead of focusing on a single composition, he weaves together multiple works by several visionary composers: Glenn Branca, Charlemagne Palestine, Laurie Spiegel, and a return to Steve Reich. The result is a rich, varied homage to American minimalism—at once reverent and exploratory. Branca’s “The Temple of Venus Pt. 1” unfolds in oscillating organ and prepared piano; Palestine’s “Strumming Music” becomes a meditative blur of felted piano and guitar; Spiegel’s “A Folk Study” is recast with acoustic warmth in lieu of electronics; and Reich’s “Music for a Large Ensemble” closes the album with a 16-minute, kaleidoscopic rush of overlapping melodies and jubilant rhythmic patterns.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTrue to his method, Hall performs and records every part himself, layering instruments one by one like sonic bricks. The approach is deeply human and quietly defiant in an age of faceless automation. “It’s just so much more compelling to actually play every note,” Hall says. “Those micro-differences between takes create a sort of living, breathing magic.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat living, breathing magic fills every corner of Solo Three. It’s both a reverent ode to the composers who shaped Hall’s musical identity and a vivid reminder that minimalism’s hypnotic beauty—its patience, precision, and quiet emotional power—still speaks urgently to the present moment.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Hall\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV291lp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 23rd January 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカのマルチ奏者Erik Hallが、2026年1月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 Glenn BrancaとCharlemagne Palestine、Laurie Spiegel、Steve Reichの楽曲のリアリゼーション4曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl...
¥3,570
![Ava Luna s/t LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642_medium.jpg?v=1766455842)
クイックビュー
{"id":9038225080570,"title":"Ava Luna s\/t LP [COLOR]","handle":"ava-luna-s-t-lp-color","description":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのポストパンクバンドAva Lunaが、2025年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポストパンク〜コンテンポラリーR\u0026amp;B11曲を収録。クリアグレープ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546441070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1730232522\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546441070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent grape vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Math Money Job 01:32\u003cbr\u003e2. Frame of Us 03:04\u003cbr\u003e3. Lasting Impression 02:42\u003cbr\u003e4. Fancy 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Social Diving 01:57\u003cbr\u003e\u003c\/span\u003e6. Your Man 03:28\u003cbr\u003e7. Roof 03:28\u003cbr\u003e8. Archive 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Tacos El Bronco 02:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. My Walk 03:43\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Game Level 03:26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAva Luna's self-titled album is an introspective and grounded collection that marks a significant evolution for the quartet. The acclaimed group — now consisting of Carlos Hernandez, Julian Fader, Ethan Bassford, and Felicia Douglass — has stripped back their sound to its core. Following the departure of Kye (fka Becca Kauffman) in 2019, Ava Luna re-emerges with a focus on the fundamental elements of drums, bass, and the dual vocals of Carlos and Felicia.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe new album is decidedly Earth-bound, drawing heavily on the members' shared experiences and their deep roots in New York City. This back-to-basics approach was a conscious decision to move away from the expansive, \"cosmic\" feel of their previous album, Moon 2. Instead, the album delves into the nuances of everyday life, exploring themes of frustration and exhaustion that come with the mundane realities of work and survival, but also the joy and power in moving through life in community and chosen family, and finding precarious rootedness. For instance, \"Lasting Impression\" captures the feeling of being fed up at a job, while \"Math Money Job\" offers a playful, body-conscious take on a friendly reunion, in the form of a\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eschoolyard chant.\u003cbr\u003e\u003cbr\u003eAt the heart of the album is the rhythmic interplay between Julian Fader's drums and Ethan Bassford's bass, forming a \"close to the earth, melting into the sidewalk\" foundation. This deliberate focus on the rhythm section was a key part of their creative process, ensuring the songs could stand strong in their most stripped-down format before any additional layers were introduced. Julian specifically cites Soul Coughing as an influence, particularly their use of crude sampling, which can be heard scattered throughout the record, including on \"Frame of Us,\" where their powerful rhythm section.\u003cbr\u003e\u003cbr\u003eMoving beyond traditional lead and backup roles, Carlos and Felicia's voices dance, weave, and harmonize, often blending into a singular, almost supernatural entity. This meticulous and thoughtful approach to vocal arrangement allows for a wider variety of melodic outcomes and requires a high degree of collaborative thought. On \"Archive,\" their voices are fragmented, weaving in and out of synchronicity, mirroring the meticulous organization of an archival system.\u003cbr\u003e\u003cbr\u003eWhile the album's core is mindfully minimalist, the production is far from sparse. Legendary percussionist Larry McDonald (Gil Scott-Heron, King Tubby) joins the band on congas and percussion, while subtle orchestrations, faint drifts of piano, a touch of Carlos’s famous guitar noise, and samples from his parents' obscure records, punctuate the landscape, creating a rich yet uncluttered sound.\u003cbr\u003e\u003cbr\u003eTheir evolution in approach allows for careful refinement while capturing singular moments and happy accidents. The album also touches on universal experiences, like the pandemic-era disorientation in \"Social Diving,\" which Julian describes as his best Digable Planets impression. \"My Walk\" is an homage to Brooklyn’s rich tapestry of immigrant communities — a journey from Carlos's apartment in Flatbush to Felicia's in Sunset Park. in which snippets of at least a half dozen different languages drift into earshot.\u003cbr\u003e\u003cbr\u003eUltimately, Ava Luna's self-titled album is a testament to almost twenty years of shared musical sensibility, now distilled into its barest elements. The album paints an intimate yet exaggerated portrait of NYC, a cacophony of jagged post-punk, funk, and dance beats giving way to lush strings and spacious minimalism. Songs like \"Your Man\" showcase a raw urge to call out toxic behavior, while \"Fancy\" champions holding onto dignity in the face of adversity. It's a sound that is both resilient and reflective, offering a wisdom that only years of experience could bring, proving that even as the city and the band evolve, Ava Luna continues to take listeners somewhere urgent and new.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ava Luna\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : WV276lp-C1\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd October 2025\u003c\/p\u003e","published_at":"2025-12-24T07:00:42+09:00","created_at":"2025-12-23T11:14:37+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","western vinyl"],"price":433300,"price_min":433300,"price_max":433300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148961329402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ava Luna s\/t LP [COLOR]","public_title":null,"options":["Default Title"],"price":433300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642.jpg?v=1766455842","\/\/tobirarecords.com\/cdn\/shop\/files\/ava2_1c19e457-e81c-48c6-ab11-54e49ed134b6.jpg?v=1766455842"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642.jpg?v=1766455842","options":["Title"],"media":[{"alt":null,"id":37877513978106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642.jpg?v=1766455842"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava1_1ee11251-1c93-413f-8dc3-5aa47e621642.jpg?v=1766455842","width":700},{"alt":null,"id":37877514010874,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava2_1c19e457-e81c-48c6-ab11-54e49ed134b6.jpg?v=1766455842"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ava2_1c19e457-e81c-48c6-ab11-54e49ed134b6.jpg?v=1766455842","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・NYのポストパンクバンドAva Lunaが、2025年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポストパンク〜コンテンポラリーR\u0026amp;B11曲を収録。クリアグレープ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546441070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1730232522\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=546441070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" translucent grape vinyl.\u003cbr\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Math Money Job 01:32\u003cbr\u003e2. Frame of Us 03:04\u003cbr\u003e3. Lasting Impression 02:42\u003cbr\u003e4. Fancy 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Social Diving 01:57\u003cbr\u003e\u003c\/span\u003e6. Your Man 03:28\u003cbr\u003e7. Roof 03:28\u003cbr\u003e8. Archive 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Tacos El Bronco 02:55\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. My Walk 03:43\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Game Level 03:26\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by Western Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAva Luna's self-titled album is an introspective and grounded collection that marks a significant evolution for the quartet. The acclaimed group — now consisting of Carlos Hernandez, Julian Fader, Ethan Bassford, and Felicia Douglass — has stripped back their sound to its core. Following the departure of Kye (fka Becca Kauffman) in 2019, Ava Luna re-emerges with a focus on the fundamental elements of drums, bass, and the dual vocals of Carlos and Felicia.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe new album is decidedly Earth-bound, drawing heavily on the members' shared experiences and their deep roots in New York City. This back-to-basics approach was a conscious decision to move away from the expansive, \"cosmic\" feel of their previous album, Moon 2. Instead, the album delves into the nuances of everyday life, exploring themes of frustration and exhaustion that come with the mundane realities of work and survival, but also the joy and power in moving through life in community and chosen family, and finding precarious rootedness. For instance, \"Lasting Impression\" captures the feeling of being fed up at a job, while \"Math Money Job\" offers a playful, body-conscious take on a friendly reunion, in the form of a\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eschoolyard chant.\u003cbr\u003e\u003cbr\u003eAt the heart of the album is the rhythmic interplay between Julian Fader's drums and Ethan Bassford's bass, forming a \"close to the earth, melting into the sidewalk\" foundation. This deliberate focus on the rhythm section was a key part of their creative process, ensuring the songs could stand strong in their most stripped-down format before any additional layers were introduced. Julian specifically cites Soul Coughing as an influence, particularly their use of crude sampling, which can be heard scattered throughout the record, including on \"Frame of Us,\" where their powerful rhythm section.\u003cbr\u003e\u003cbr\u003eMoving beyond traditional lead and backup roles, Carlos and Felicia's voices dance, weave, and harmonize, often blending into a singular, almost supernatural entity. This meticulous and thoughtful approach to vocal arrangement allows for a wider variety of melodic outcomes and requires a high degree of collaborative thought. On \"Archive,\" their voices are fragmented, weaving in and out of synchronicity, mirroring the meticulous organization of an archival system.\u003cbr\u003e\u003cbr\u003eWhile the album's core is mindfully minimalist, the production is far from sparse. Legendary percussionist Larry McDonald (Gil Scott-Heron, King Tubby) joins the band on congas and percussion, while subtle orchestrations, faint drifts of piano, a touch of Carlos’s famous guitar noise, and samples from his parents' obscure records, punctuate the landscape, creating a rich yet uncluttered sound.\u003cbr\u003e\u003cbr\u003eTheir evolution in approach allows for careful refinement while capturing singular moments and happy accidents. The album also touches on universal experiences, like the pandemic-era disorientation in \"Social Diving,\" which Julian describes as his best Digable Planets impression. \"My Walk\" is an homage to Brooklyn’s rich tapestry of immigrant communities — a journey from Carlos's apartment in Flatbush to Felicia's in Sunset Park. in which snippets of at least a half dozen different languages drift into earshot.\u003cbr\u003e\u003cbr\u003eUltimately, Ava Luna's self-titled album is a testament to almost twenty years of shared musical sensibility, now distilled into its barest elements. The album paints an intimate yet exaggerated portrait of NYC, a cacophony of jagged post-punk, funk, and dance beats giving way to lush strings and spacious minimalism. Songs like \"Your Man\" showcase a raw urge to call out toxic behavior, while \"Fancy\" champions holding onto dignity in the face of adversity. It's a sound that is both resilient and reflective, offering a wisdom that only years of experience could bring, proving that even as the city and the band evolve, Ava Luna continues to take listeners somewhere urgent and new.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ava Luna\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : WV276lp-C1\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd October 2025\u003c\/p\u003e"}
You may also like:
アメリカ・NYのポストパンクバンドAva Lunaが、2025年10月に同国老舗レーベルWestern Vinylからリリースしたレコードです。 ポストパンク〜コンテンポラリーR&B11曲を収録。クリアグレープ盤です。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥4,333
クイックビュー
{"id":8951649403130,"title":"Joseph Shabason \/\/ Anne CD","handle":"joseph-shabason-anne-cd","description":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜\u003cspan\u003eアンビエント\u003c\/span\u003e・ポップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2942634866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought That I Could Get Away with It 04:45\u003cbr\u003e2. Deep Dark Divide 07:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Dangerous Chemicals 06:31\u003cbr\u003e\u003c\/span\u003e4. Donna Lee 04:50\u003cbr\u003e5. Forest Run 04:28\u003cbr\u003e6. Fred and Lil 06:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Toh Koh 03:08\u003cbr\u003e\u003c\/span\u003e8. November (feat. Gigi Masin) 05:09\u003cbr\u003e9. Treat It Like a Wine Bar 06:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic\u003cspan class=\"bcTruncateMore\"\u003e exercise.\u003cbr\u003e\u003cbr\u003eStill, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible. The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.\u003cbr\u003e\u003cbr\u003eThe serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV182cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-12T06:14:23+09:00","created_at":"2025-10-10T09:06:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","new","western vinyl"],"price":219400,"price_min":219400,"price_max":219400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47808148373754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joseph Shabason \/\/ Anne CD","public_title":null,"options":["Default Title"],"price":219400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"843563106280","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","options":["Title"],"media":[{"alt":null,"id":37049514787066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann_6108a022-530a-4728-b898-caef00101ff8.jpg?v=1760054943","width":700},{"alt":null,"id":37049514819834,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ann1_c33876ea-fd6b-4ffc-b54e-5e5e8a55940a.jpg?v=1760054943","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜\u003cspan\u003eアンビエント\u003c\/span\u003e・ポップ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2942634866\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Thought That I Could Get Away with It 04:45\u003cbr\u003e2. Deep Dark Divide 07:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Dangerous Chemicals 06:31\u003cbr\u003e\u003c\/span\u003e4. Donna Lee 04:50\u003cbr\u003e5. Forest Run 04:28\u003cbr\u003e6. Fred and Lil 06:52\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Toh Koh 03:08\u003cbr\u003e\u003c\/span\u003e8. November (feat. Gigi Masin) 05:09\u003cbr\u003e9. Treat It Like a Wine Bar 06:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAnne, the second album By Toronto saxophonist and composer Joseph Shabason, is a tonal essay on degenerative illness. Delicately and compassionately woven with interviews of Shabason’s mother from whom the album takes its name, Anne finds its creator navigating a labyrinth of subtle and tragic emotions arising from his mother's struggle with Parkinson’s disease. Across the nine vivid postcards of jazz-laden ambience that comprise the album, Shabason unwraps these difficult themes with great care and focus revealing the unseen aspects of degenerative diseases that force us to re-examine common notions of self, identity, and mortality.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShabason’s uncanny ability to manoeuvre through such microscopic feelings is mirrored by his capacity to execute a similar tightrope-walk through musical genres. His music occupies a specific space that is as palpable as it is difficult to pin labels to. On Anne’s second track “Deep Dark Divide” rays of effected saxophone shine behind clouds of digital synthesizer that echoes the sound of jazz in the late 80s, but with a Jon Hassell-esque depth of sensibility that consciously subverts the stylistic inoffensiveness of that era. There is detail and idiosyncrasy beneath Shabason’s dawn-of-the-CD-era sheen that elevates the album far beyond a mere aesthetic\u003cspan class=\"bcTruncateMore\"\u003e exercise.\u003cbr\u003e\u003cbr\u003eStill, the sounds on Anne are not so experimentally opaque as to stand in the way of the album’s through-line of sincerity and emotionality. When dissonance is employed it is punctual and meaningful, like on album-middler “Fred and Lil” where a six-minute cascade of breathy textures builds suddenly to an agitated growl, only to abruptly give way to Anne Shabason speaking intimately about her relationship to her own parents. Snippets of such conversations see her taking on something like a narrator role across Anne while the sound of her voice itself is sometimes effected to become a musical texture entwined into the fabric of the songs without always being present or audible. The subsequent piece “Toh Koh” then drifts into playful disorientation as a lone female voice echoes the two syllables of the title, recalling the vocal techniques of composer Joan La Barbara, or even the light-hearted mantras of Lucky Dragons. From here the album veers back onto its aesthetic thoroughfare with “November” where Shabason lays muted brass textures atop a wavepool of electric chords provided by none other than the ambient cult-hero Gigi Masin, one of Anne’s many integral collaborators.\u003cbr\u003e\u003cbr\u003eThe serene tragedy of the album distils itself gracefully into the ironically titled album closer “Treat it Like a Wine Bar” wherein flutters of piano and mournfully whispered woodwinds seem to evaporate particle by delicate particle, leaving the listener with a faint emotional afterglow like a dream upon waking. There is a corollary to be drawn here with what it must be like to feel one’s own mind and body drift away slowly until nothing remains, while the collection of memories and abilities that we use to denote the “self” softens into eternity. On Anne, it is precisely this fragile exchange of tranquillity and anguish that Joseph Shabason has proven his singular ability to articulate.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Joseph Shabason\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWV182cd\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
カナダ・トロントのサックス奏者Joseph Shabasonが、2018年にアメリカの老舗レーベルWestern Vinylからリリースしたアルバムです。 アンビエント・ジャズ〜アンビエント・ポップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Western Vinyl releases available at Tobira. ...
¥2,194