Orindal Records
クイックビュー
{"id":9279621988602,"title":"Nicholas Krgovich \/\/ ON CAHUENGA LP","handle":"nicholas-krgovich-on-cahuenga-lp","description":"\u003cp\u003eカナダ・バンクーバーのポップ作家Nicholas Krgovichが、2015年にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eしっとりと歌い上げるアダルトなポップ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2557011056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Backlot 03:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Along the PCH on Oscar Night 04:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Cosmic Vision 03:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Let's Take the Car Out 04:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. City of Night 03:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Rock's Dream 03:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. You're Through 04:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. The Mansion 03:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. At Pershing Sq. 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Moon's Soft Glow 04:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Cahuenga is a companion album to another Nicholas Krgovich album, On Sunset (out now on Tin Angel Records\/NK World Service). The two albums have nearly identical track listings, but the performances \u0026amp; arrangements on each album are completely unique.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn On Cahuenga, Vancouver, BC singer\/songwriter\/visionary\/recluse Nicholas Krgovich (No Kids, P:ano, Gigi) performs solo electric piano \u0026amp; vocal renditions of lovelorn, Hollywood-obsessed torch songs from his solo debut, On Sunset. Eschewing big budget orchestration \u0026amp; programmed electro rhythms for a more direct, bare-bones aesthetic, On Cahuenga plays like a series of strange screen tests for the widescreen panorama of On Sunset. Recorded live to tape by Phil Elverum (The Microphones, Mount Eerie) in a single April afternoon, Krgovich's exceptional musicianship \u0026amp; subtle songcraft are in crisp focus throughout these ten tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nicholas Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th January 2015\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-26T13:57:07+09:00","created_at":"2026-06-26T13:56:44+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","orindal"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49076691730682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nicholas Krgovich \/\/ ON CAHUENGA LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cah1_d06b24cb-0a69-452a-b864-7da53ba51dea.jpg?v=1764379575","\/\/tobirarecords.com\/cdn\/shop\/files\/cah2.jpg?v=1764379575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah1_d06b24cb-0a69-452a-b864-7da53ba51dea.jpg?v=1764379575","options":["Title"],"media":[{"alt":null,"id":37647585902842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah1_d06b24cb-0a69-452a-b864-7da53ba51dea.jpg?v=1764379575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah1_d06b24cb-0a69-452a-b864-7da53ba51dea.jpg?v=1764379575","width":700},{"alt":null,"id":37647585935610,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah2.jpg?v=1764379575"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cah2.jpg?v=1764379575","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・バンクーバーのポップ作家Nicholas Krgovichが、2015年にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eしっとりと歌い上げるアダルトなポップ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2557011056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Backlot 03:15\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Along the PCH on Oscar Night 04:03\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Cosmic Vision 03:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Let's Take the Car Out 04:09\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. City of Night 03:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Rock's Dream 03:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. You're Through 04:22\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. The Mansion 03:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. At Pershing Sq. 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Moon's Soft Glow 04:50\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Cahuenga is a companion album to another Nicholas Krgovich album, On Sunset (out now on Tin Angel Records\/NK World Service). The two albums have nearly identical track listings, but the performances \u0026amp; arrangements on each album are completely unique.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn On Cahuenga, Vancouver, BC singer\/songwriter\/visionary\/recluse Nicholas Krgovich (No Kids, P:ano, Gigi) performs solo electric piano \u0026amp; vocal renditions of lovelorn, Hollywood-obsessed torch songs from his solo debut, On Sunset. Eschewing big budget orchestration \u0026amp; programmed electro rhythms for a more direct, bare-bones aesthetic, On Cahuenga plays like a series of strange screen tests for the widescreen panorama of On Sunset. Recorded live to tape by Phil Elverum (The Microphones, Mount Eerie) in a single April afternoon, Krgovich's exceptional musicianship \u0026amp; subtle songcraft are in crisp focus throughout these ten tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nicholas Krgovich\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORD09\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th January 2015\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・バンクーバーのポップ作家Nicholas Krgovichが、2015年にアメリカ・シカゴのポップレーベルOrindalからリリースしたレコードです。 しっとりと歌い上げるアダルトなポップ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
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クイックビュー
{"id":9195339972858,"title":"Lisa\/Liza \/\/ Momentary Glance CD","handle":"lisa-liza-momentary-glance-cd","description":"\u003cp\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2018年に同国シカゴのインディーレーベルOrindal RecordsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・フォーク6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=724027190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 300 copies. Full color digipaks with original art by Kyle FIeld (of Little Wings). Package design by Jessica Jones. CD edition includes four bonus tracks from The Morning Light of When tape. \u003cbr\u003e10 tracks, 64 minutes.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLisa\/Liza is the recording project of Liza (pronounced Lisa) Victoria, a singer, songwriter \u0026amp; guitarist from Portland, Maine’s D.I.Y. folk scene. Momentary Glance is her second album for Orindal Records, following 2016’s home-recorded solo acoustic collection, Deserts of Youth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMomentary Glance is Lisa\/Liza’s first album of electric guitar recordings, half of which feature the recording debut of her live band (comprised of fellow Mainers Jonathan Downs, Devin Ivy \u0026amp;\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePete Swegart). Momentary Glance was recorded \u0026amp; mixed by Efrim Manuel Menuck (of Godspeed! You Black Emperor \u0026amp; Thee Silver Mt. Zion Memorial Orchestra) at his hotel2tango studio in Montreal, with the exception of the song “Tea Kettle,” which was recorded \u0026amp; mixed by Colby Nathan at New Fruit Collective in Portland, Maine.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe six songs that make up Momentary Glance are expansive \u0026amp; trance-like, slowly unfurling over the course of forty-two minutes. The deep, natural reverb of hotel2tango \u0026amp; added atmospherics of Liza’s band mates create immersive environs for her patient guitar\u003cspan class=\"bcTruncateMore\"\u003e work \u0026amp; uniquely vulnerable vocals. Liza’s dreamlike lyrics often return to themes of winter, animals, nature as a source of reflection and the unwritten letter.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e“\u003cem\u003eMomentary Glance was recorded in the very coldest part of winter. We were told by friends in Montreal that even with the heat all the way up the wind still got through enough cracks in the walls, that jackets were needed inside their homes. We would walk to the coffee shop with full face gear to keep the wind from freezing our faces. Jonathan wore ski-goggles, and we traded mismatched gloves around (“you can wear them for now, I'll wear them later”). I remember being concerned for my vocal chords getting too cold and keeping a scarf wrapped around my neck \u0026amp; warm beverages near. The album was recorded in just three days, much to the thanks of Efrim, who persevered in the sound room, kept our spirits light despite the chill. I was fully grieving while I recorded this album. My friends and band mates stayed by my side, they took the trash out of the Airb\u0026amp;b, they let me wake up at all hours of the night to cry, or to feel despair, and never suggested once that it was too much, always believing that we could create, that I could create, despite my state. And that’s what made this record. I am still in disbelief that it is here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“This album was made in the most difficult time of my life to date, if the album represents anything for me, it is finding strength in showing up for your fears, because many days that’s all we can do. During the Fall of 2017, I experienced the loss of a friend due to suicide. I worked on this record in the hours that I had strength to be around people (all songs were previously written before this loss). When I first heard the final mixes, my first thought was that I wished this person could hear it, more than any other person. There is nothing I can say or make to express this heartbreak, but I knew I had to record this record then, just to keep myself playing music and moving forward, and I’m more than grateful for those who care to listen.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2026-04-19T06:26:44+09:00","created_at":"2026-04-19T06:24:33+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","new","orindal"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48695997268218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lisa\/Liza \/\/ Momentary Glance CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_f0482509-81e9-4c43-92b0-815976dee971.jpg?v=1655610199","\/\/tobirarecords.com\/cdn\/shop\/products\/mo3_af62509d-a4ad-4b03-9668-5af61d0dec33.jpg?v=1655610199"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_f0482509-81e9-4c43-92b0-815976dee971.jpg?v=1655610199","options":["Title"],"media":[{"alt":null,"id":29930198958330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_f0482509-81e9-4c43-92b0-815976dee971.jpg?v=1655610199"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_f0482509-81e9-4c43-92b0-815976dee971.jpg?v=1655610199","width":700},{"alt":null,"id":29930199023866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo3_af62509d-a4ad-4b03-9668-5af61d0dec33.jpg?v=1655610199"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo3_af62509d-a4ad-4b03-9668-5af61d0dec33.jpg?v=1655610199","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2018年に同国シカゴのインディーレーベルOrindal RecordsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eベッドルーム・フォーク6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=724027190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eEdition of 300 copies. Full color digipaks with original art by Kyle FIeld (of Little Wings). Package design by Jessica Jones. CD edition includes four bonus tracks from The Morning Light of When tape. \u003cbr\u003e10 tracks, 64 minutes.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLisa\/Liza is the recording project of Liza (pronounced Lisa) Victoria, a singer, songwriter \u0026amp; guitarist from Portland, Maine’s D.I.Y. folk scene. Momentary Glance is her second album for Orindal Records, following 2016’s home-recorded solo acoustic collection, Deserts of Youth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMomentary Glance is Lisa\/Liza’s first album of electric guitar recordings, half of which feature the recording debut of her live band (comprised of fellow Mainers Jonathan Downs, Devin Ivy \u0026amp;\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePete Swegart). Momentary Glance was recorded \u0026amp; mixed by Efrim Manuel Menuck (of Godspeed! You Black Emperor \u0026amp; Thee Silver Mt. Zion Memorial Orchestra) at his hotel2tango studio in Montreal, with the exception of the song “Tea Kettle,” which was recorded \u0026amp; mixed by Colby Nathan at New Fruit Collective in Portland, Maine.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe six songs that make up Momentary Glance are expansive \u0026amp; trance-like, slowly unfurling over the course of forty-two minutes. The deep, natural reverb of hotel2tango \u0026amp; added atmospherics of Liza’s band mates create immersive environs for her patient guitar\u003cspan class=\"bcTruncateMore\"\u003e work \u0026amp; uniquely vulnerable vocals. Liza’s dreamlike lyrics often return to themes of winter, animals, nature as a source of reflection and the unwritten letter.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e“\u003cem\u003eMomentary Glance was recorded in the very coldest part of winter. We were told by friends in Montreal that even with the heat all the way up the wind still got through enough cracks in the walls, that jackets were needed inside their homes. We would walk to the coffee shop with full face gear to keep the wind from freezing our faces. Jonathan wore ski-goggles, and we traded mismatched gloves around (“you can wear them for now, I'll wear them later”). I remember being concerned for my vocal chords getting too cold and keeping a scarf wrapped around my neck \u0026amp; warm beverages near. The album was recorded in just three days, much to the thanks of Efrim, who persevered in the sound room, kept our spirits light despite the chill. I was fully grieving while I recorded this album. My friends and band mates stayed by my side, they took the trash out of the Airb\u0026amp;b, they let me wake up at all hours of the night to cry, or to feel despair, and never suggested once that it was too much, always believing that we could create, that I could create, despite my state. And that’s what made this record. I am still in disbelief that it is here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“This album was made in the most difficult time of my life to date, if the album represents anything for me, it is finding strength in showing up for your fears, because many days that’s all we can do. During the Fall of 2017, I experienced the loss of a friend due to suicide. I worked on this record in the hours that I had strength to be around people (all songs were previously written before this loss). When I first heard the final mixes, my first thought was that I wished this person could hear it, more than any other person. There is nothing I can say or make to express this heartbreak, but I knew I had to record this record then, just to keep myself playing music and moving forward, and I’m more than grateful for those who care to listen.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・メインのフォーク作家Lisa/Lizaが、2018年に同国シカゴのインディーレーベルOrindal RecordsからリリースしたCDです。 ベッドルーム・フォーク6曲を収録。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
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{"id":9052451864826,"title":"Lisa\/Liza \/\/ Ocean Path TAPE","handle":"lisa-liza-ocean-path-tape","description":"\u003cp\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2025年6月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼女が10代から20代前半に制作したベッドルーム・フォーク5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ocean Path は、私が10代から20代前半にかけて初めて作った曲を振り返ったもので、「Gamble 」のような初めてのレコーディングも含まれている。私にとっては、若き日の自分からの手紙でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのカセットは、記憶の道をたどり、私たちが常に自分らしく、そしてこれからあるべき姿になり、成長していることを思い出させてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今、これらの曲をカセットという形で保管し、居場所を与えることには、安らぎと誇りがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私はミュージシャンになりたかったし、自分の内なる世界を他の人たちと分かち合いたかった。そして今、それが私をどこへ導いてくれたのかがわかり、目の前に示された道に感謝の気持ちを感じている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536222709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Includes DL code. \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eSummer's Dust 06:29\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLooking Glass 05:59\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGamble 02:51\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShark's Teeth 06:10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThen You Shall See 05:49 \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLiza Victoria:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ocean Path is a look back at the first songs I made in my teens and early twenties, including some of my very first recordings, such as “Gamble.” For me, it is a letter from my younger self.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis cassette leads down paths of memory, reminding me we are always becoming and growing into who we are and what will be.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThere is a peace and sense of pride in holding these songs now in the form of a curated cassette, giving them a place to be.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI wanted to be a musician, I wanted to share my inner world with others. And now I see where that lead me and feel gratitude for the path set out before me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEach song holds time between it, at least a year between each, love and memory, and different worlds of view, threads between them.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs much as I hope this cassette shares a small piece of me with others, it is also a little sign on the road that says “keep going.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKnowing all there is that encourages the path to roll forward, friends, different lives, and loves met along the way, encouraging me to hit record and to sing a little louder. It feels hopeful and is a feeling of being held.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCat No : ORD85\u003c\/p\u003e","published_at":"2026-01-09T05:58:48+09:00","created_at":"2026-01-09T05:58:22+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","orindal","tape"],"price":227400,"price_min":227400,"price_max":227400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48203153965306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lisa\/Liza \/\/ Ocean Path TAPE","public_title":null,"options":["Default Title"],"price":227400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1587219387_16_58c805f1-fbcb-4ae9-a205-3aaf2b7a265c.jpg?v=1754047213","\/\/tobirarecords.com\/cdn\/shop\/files\/0039891187_10.jpg?v=1754047213"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1587219387_16_58c805f1-fbcb-4ae9-a205-3aaf2b7a265c.jpg?v=1754047213","options":["Title"],"media":[{"alt":null,"id":36464889004282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1587219387_16_58c805f1-fbcb-4ae9-a205-3aaf2b7a265c.jpg?v=1754047213"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1587219387_16_58c805f1-fbcb-4ae9-a205-3aaf2b7a265c.jpg?v=1754047213","width":700},{"alt":null,"id":36464886939898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039891187_10.jpg?v=1754047213"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0039891187_10.jpg?v=1754047213","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・メインのフォーク作家Lisa\/Lizaが、2025年6月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼女が10代から20代前半に制作したベッドルーム・フォーク5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ocean Path は、私が10代から20代前半にかけて初めて作った曲を振り返ったもので、「Gamble 」のような初めてのレコーディングも含まれている。私にとっては、若き日の自分からの手紙でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのカセットは、記憶の道をたどり、私たちが常に自分らしく、そしてこれからあるべき姿になり、成長していることを思い出させてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今、これらの曲をカセットという形で保管し、居場所を与えることには、安らぎと誇りがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私はミュージシャンになりたかったし、自分の内なる世界を他の人たちと分かち合いたかった。そして今、それが私をどこへ導いてくれたのかがわかり、目の前に示された道に感謝の気持ちを感じている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1536222709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Includes DL code. \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e\u003cspan\u003eSummer's Dust 06:29\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eLooking Glass 05:59\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eGamble 02:51\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan\u003eShark's Teeth 06:10\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan\u003eThen You Shall See 05:49 \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLiza Victoria:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ocean Path is a look back at the first songs I made in my teens and early twenties, including some of my very first recordings, such as “Gamble.” For me, it is a letter from my younger self.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis cassette leads down paths of memory, reminding me we are always becoming and growing into who we are and what will be.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThere is a peace and sense of pride in holding these songs now in the form of a curated cassette, giving them a place to be.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI wanted to be a musician, I wanted to share my inner world with others. And now I see where that lead me and feel gratitude for the path set out before me.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEach song holds time between it, at least a year between each, love and memory, and different worlds of view, threads between them.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs much as I hope this cassette shares a small piece of me with others, it is also a little sign on the road that says “keep going.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKnowing all there is that encourages the path to roll forward, friends, different lives, and loves met along the way, encouraging me to hit record and to sing a little louder. It feels hopeful and is a feeling of being held.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003eArtist : Lisa\/Liza\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e\n\u003cp\u003eCat No : ORD85\u003c\/p\u003e"}
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アメリカ・メインのフォーク作家Lisa/Lizaが、2025年6月に同国シカゴのインディーレーベルOrindal Recordsからリリースしたカセットです。 彼女が10代から20代前半に制作したベッドルーム・フォーク5曲を収録。DLコード付属。 以下、作家本人による解説です。 "Ocean Path は、私が10代から20代前半にかけて初めて作った曲を振り返ったもので、「Gamble 」のような初めてのレコーディングも含まれている。私にとっては、若き日の自分からの手紙でもある。 このカセットは、記憶の道をたどり、私たちが常に自分らしく、そしてこれからあるべき姿になり、成長していることを思い出させてくれる。 今、これらの曲をカセットという形で保管し、居場所を与えることには、安らぎと誇りがある。 私はミュージシャンになりたかったし、自分の内なる世界を他の人たちと分かち合いたかった。そして今、それが私をどこへ導いてくれたのかがわかり、目の前に示された道に感謝の気持ちを感じている。" レーベルその他作品はこちら /// Click here to see...
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{"id":8875066491130,"title":"Duffy x Uhlmann \/\/ Doubles LP","handle":"duffy-x-uhlmann-doubles-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-08-01T10:07:41+09:00","created_at":"2025-08-01T10:07:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","orindal"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47571109150970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Duffy x Uhlmann \/\/ Doubles LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","\/\/tobirarecords.com\/cdn\/shop\/files\/do2_a0eda9cc-f0cb-4124-8fd5-23469ad24406.jpg?v=1716678665"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","options":["Title"],"media":[{"alt":null,"id":34147319546106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","width":700},{"alt":null,"id":34147319578874,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_a0eda9cc-f0cb-4124-8fd5-23469ad24406.jpg?v=1716678665"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do2_a0eda9cc-f0cb-4124-8fd5-23469ad24406.jpg?v=1716678665","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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Perfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。 ギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。DLコード付属。 以下、Rosie Stocktonによる解説です。 "Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。Duffy x Uhlmannは、Perfume...
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{"id":8850800115962,"title":"Duffy x Uhlmann \/\/ Doubles TAPE","handle":"duffy-x-uhlmann-doubles-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2025-07-04T06:46:15+09:00","created_at":"2025-07-04T06:45:40+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","new","orindal","tape"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47477287059706,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Duffy x Uhlmann \/\/ Doubles TAPE","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","\/\/tobirarecords.com\/cdn\/shop\/files\/0032952959_10.jpg?v=1737242141"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","options":["Title"],"media":[{"alt":null,"id":34147319546106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/do1_340323f4-c961-495c-8d51-8745ccfa15a5.jpg?v=1716678665","width":700},{"alt":null,"id":35445329232122,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032952959_10.jpg?v=1737242141"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032952959_10.jpg?v=1737242141","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePerfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、Rosie Stocktonによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuffy x Uhlmannは、Perfume GeniusとHand Habitsで活動した後、初の共作『Doubles』に着手した。彼らはギターを手にし、2人の音楽的な親密さが言葉なしに表現されている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e彼らは直感を受け入れ、信頼を頼りに、音の瞑想を織り成す。DoublesのA面は、2本のギターの会話で構成されている。感情をループさせ、音を編み込み、キスをし、互いの文章を完成させる。最終トラックではダビングや編集は一切行わず、作曲の即時性により、まるで私たちが彼らと一緒に部屋にいるような感覚になる。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面は、きらびやかな親密さを確立しているが、B面は、過去1年間のツアーで一緒に演奏したサウンドを取り入れた、音をかき集めたようなトーンになっている。自己を素材とするこのアルバムの後半は、記憶の触感を取り入れるために、サイドAの存在感を解体する。旅先や世界からのサンプルを使ったこれらの楽曲は、糊付けされた記憶のスクラップブックである。聴いていると、時間に媒介されながら世界に存在することの歯ごたえと静けさが感じられる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eどのような瞬間においても、真のプレゼンス（存在感）を育み、維持することは最も難しいことのひとつである。それが提供されたとき、私はそれを貴重な贈り物のように大切にする。本作を聴きながら、私はDuffy x Uhlmannの寛大さに身をゆだねる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこれらの曲の中にある親密さは、影のように踊っている。私はこの音楽をポケットに入れ、使い古された石のように手のひらに乗せたい。彼らは甘い生々しさを与えてくれる。それは曲が終わっても余韻を残し、言葉が消え去った瞬間に体を打つ。\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2911860649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalf Smile\u003c\/li\u003e\n\u003cli\u003eEuphoric Recall\u003c\/li\u003e\n\u003cli\u003eEtch\u003c\/li\u003e\n\u003cli\u003eBraid\u003c\/li\u003e\n\u003cli\u003eGlacial Fanfare\u003c\/li\u003e\n\u003cli\u003eGold Tooth\u003c\/li\u003e\n\u003cli\u003eSaunter\u003c\/li\u003e\n\u003cli\u003eWhich One is You\u003c\/li\u003e\n\u003cli\u003eSumac\u003c\/li\u003e\n\u003cli\u003eTumbler\u003c\/li\u003e\n\u003cli\u003eIn the Spirit of Fair Play\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e Rosie Stockton\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Blurring the limits between speed and slowness, Meg Duffy \u003c\/em\u003e\u003cem\u003e(guitar) and Greg Uhlmann (guitar) communicate in velocities, \u003c\/em\u003e\u003cem\u003eunderwriting each other’s peaks and flurries as they ache \u003c\/em\u003e\u003cem\u003etoward a mutual horizon. These one-take improvisations, \u003c\/em\u003e\u003cem\u003erecorded in Uhlmann’s brothers’ house on a borrowed tape \u003c\/em\u003e\u003cem\u003erecorder, unfold like a game of truth or dare. Their constant \u003c\/em\u003e\u003cem\u003emotif is an unceasing return, a steady heartbeat they mutually \u003c\/em\u003e\u003cem\u003ecommit to, knowing when one wanders off, the other will either \u003c\/em\u003e\u003cem\u003efollow or call them home. Here, flushness overrides order, each \u003c\/em\u003e\u003cem\u003enote saunters by like initials etched into tree bark: a devotion \u003c\/em\u003e\u003cem\u003eboth passing and eternal.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter playing in Perfume Genius and Hand Habits, Duffy and \u003c\/em\u003e\u003cem\u003eUhlmann embarked on their first record together, Doubles. A \u003c\/em\u003e\u003cem\u003etestament to the wordlessness of their musical intimacy, Duffy \u003c\/em\u003e\u003cem\u003eand Uhlmann take up the guitar in order to make an imprint of \u003c\/em\u003e\u003cem\u003ethe slowness and presence of their improvisational practice. \u003c\/em\u003e\u003cem\u003eThey weave together a sonic meditation, embracing intuition \u003c\/em\u003e\u003cem\u003eand relying on trust. Side A of Doubles consists of two guitars \u003c\/em\u003e\u003cem\u003ein conversation: looping feelings, braiding sound, blowing \u003c\/em\u003e\u003cem\u003ekisses, and finishing each other’s sentences. Less\u003cspan class=\"bcTruncateMore\"\u003e of an echo and more of nod, the songs unfold in radical, mutual witnessing. Refraining from any over dubs or edits on the final tracks, the immediacy of the compositions makes it feel like we are in the room with them.\u003cbr\u003e\u003cbr\u003eWhere Side A establishes a glistening intimacy, Side B takes on the tone of sonic scavenging, incorporating sounds from their past year of touring together. Taking the self as source material, the second half of the album dismantles the presence of Side A in order to incorporate the tactility of memory. Using samples from the road and from the world, these compositions are a scrap book of glued and chopped up sound. When I listen, I feel the crunchiness and static of being-in-the-world as it is mediated by time. Without us knowing, our devices capture sounds we may have missed the first time around. And they land like a sucker punch, snapping us back to the present, tuning our attention to what surrounds us.\u003cbr\u003e\u003cbr\u003eTrue presence in any given moment is one of the most difficult things to cultivate and sustain. When it is offered, I treasure it like a rare gift. Listening to Doubles, I sink into the generosity of Duffy and Uhlmann’s offerings. In songs like “Glacial Fanfare,” I whisper to myself: it hurts now and it’s gonna hurt more, but then it’s gonna stop hurting. In “Euphoric Recall,” I understand how even the worst storms can offer gentleness. In “Braid,” I know trust is about bodies in contact, feet hitting the ground day after day. I return to the urgent question posed in the title of the track: “Which One Is You?” The answer is a low steady bass marked by chaotic and bright fluctuations of sound. The sonic response leaves me knowing: Both. All.\u003cbr\u003e\u003cbr\u003eThe intimacy in these songs dances like shadows - providing relief even as they slip away. I want to put this music in my pocket and hold it in my palm like a worn down stone. Duffy and Uhlmann give us a sweet rawness that reverberates even once the song is over, hitting the body the very moment words fall away.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Duffy x Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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Perfume GeniusやHand Habitsのバックバンドメンバーとして共演してきたアメリカのギタリストDuffy x Uhlmannが、2023年9月に同国シカゴのインディーレーベルOrindal Recordからリリースした共作アルバムです。 ギター2本による即興アンビエント・フォーク〜アンビエント・ジャズ11曲を収録。 以下、Rosie Stocktonによる解説です。 "Duffy x Uhlmannは、スピードと遅さの境界を曖昧にし、互いの地平線を目指しながら、互いのピークとフラリーを引き受け、速度でコミュニケーションする。これらのワンテイク即興演奏は、Uhlmannの兄弟の家で借りたテープレコーダーで録音された。彼らの絶え間ないモチーフは、絶え間なく戻ってくることであり、片方が迷い込んでも、もう片方が追いかけてくるか、あるいは家に呼び戻されることを知っている、お互いがコミットする安定した鼓動である。ここでは、秩序よりも流動性が優先され、それぞれの音は木の皮に刻まれたイニシャルのように通り過ぎていく。Duffy x Uhlmannは、Perfume...
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{"id":8013666124026,"title":"Ruth Garbus \/\/ Alive People CD","handle":"ruth-garbus-alive-people-cd","description":"\u003cp\u003eアメリカ・バーモントのフォーク作家Ruth Garbusが、2023年8月に同国シカゴのインディーレーベルOrindal RecordからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eギターと声によるベッドルーム・フォーク13曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=806074819\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJulia 00:06\u003c\/li\u003e\n\u003cli\u003eMono No Aware 05:56\u003c\/li\u003e\n\u003cli\u003eHealthy Gamer 06:21\u003c\/li\u003e\n\u003cli\u003eSomerset Rind 00:33\u003c\/li\u003e\n\u003cli\u003eRubber Tree 04:04\u003c\/li\u003e\n\u003cli\u003eA Philosophicall Key 00:54\u003c\/li\u003e\n\u003cli\u003eWhisper in Steel 05:01\u003c\/li\u003e\n\u003cli\u003eWaiting on the Sun 03:34\u003c\/li\u003e\n\u003cli\u003ePowder of Sympathy 00:37\u003c\/li\u003e\n\u003cli\u003ePastel Umbrella 03:19\u003c\/li\u003e\n\u003cli\u003eSports 04:21\u003c\/li\u003e\n\u003cli\u003eReenchantment of the World 03:57\u003c\/li\u003e\n\u003cli\u003eJessie Farms Nothing 01:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSongs are awake when you sing them. Electricity flows between the performer and the performee: Alive People. It feels and vibrates in front of a velvet curtain, and all the way to the back of the club. Electricity flows through the board and the amps and the mics. The whole room is a body of different kinds of waves and they become one thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTo capture that, and then be able to take those clean tapes – direct – and get them mixed by Justin Pizzoferrato like they were printed in a soundproof recording cave...that creates the potential for magic. A glittering, frontal, activated, sumptuous play emerging from the wave of a misty sparkler.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRuth Garbus’s Alive People is a studio album full of underground anthems for sensitive people of all ages that happened to be recorded in a club with an audience of a hundred.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn between the compositions are interstitial improvisations that happened on stage during the performance. These are not presented in sequence. It’s not a lesser copy of a moving experience. It’s an echoing recreation, traveling- out photons bent thru and into a pastel rainbow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRuth was joined on stage at different points by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collaborators: elie mcafee-hahn on synth and bass, Julie Bodian on atypical guitars, Julia Tadlock on voice and presence. Nick Bisceglia engineered, with Ruth’s two vocal mics taped together, the room split to its mid and sides, the pop filter a matte circle in front of the shimmering curtain.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaising the wand and looking up you see on one side an evergreen, on the other a childhood bedroom, and in between Alive People.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Ruth Garbus\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Orindal Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-09-06T12:25:58+09:00","created_at":"2023-09-03T19:32:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","orindal"],"price":218000,"price_min":218000,"price_max":218000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44532982317306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ruth Garbus \/\/ Alive People CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_8293fd2b-4983-4ca0-8a58-f2fb82907cb3.jpg?v=1693737161","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_2b957a8c-e7ba-4c1d-95be-e8f2ca9f6daf.jpg?v=1693737161"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_8293fd2b-4983-4ca0-8a58-f2fb82907cb3.jpg?v=1693737161","options":["Title"],"media":[{"alt":null,"id":32400468771066,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_8293fd2b-4983-4ca0-8a58-f2fb82907cb3.jpg?v=1693737161"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_8293fd2b-4983-4ca0-8a58-f2fb82907cb3.jpg?v=1693737161","width":700},{"alt":null,"id":32400468803834,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_2b957a8c-e7ba-4c1d-95be-e8f2ca9f6daf.jpg?v=1693737161"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_2b957a8c-e7ba-4c1d-95be-e8f2ca9f6daf.jpg?v=1693737161","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・バーモントのフォーク作家Ruth Garbusが、2023年8月に同国シカゴのインディーレーベルOrindal RecordからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eギターと声によるベッドルーム・フォーク13曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=806074819\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 500.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eJulia 00:06\u003c\/li\u003e\n\u003cli\u003eMono No Aware 05:56\u003c\/li\u003e\n\u003cli\u003eHealthy Gamer 06:21\u003c\/li\u003e\n\u003cli\u003eSomerset Rind 00:33\u003c\/li\u003e\n\u003cli\u003eRubber Tree 04:04\u003c\/li\u003e\n\u003cli\u003eA Philosophicall Key 00:54\u003c\/li\u003e\n\u003cli\u003eWhisper in Steel 05:01\u003c\/li\u003e\n\u003cli\u003eWaiting on the Sun 03:34\u003c\/li\u003e\n\u003cli\u003ePowder of Sympathy 00:37\u003c\/li\u003e\n\u003cli\u003ePastel Umbrella 03:19\u003c\/li\u003e\n\u003cli\u003eSports 04:21\u003c\/li\u003e\n\u003cli\u003eReenchantment of the World 03:57\u003c\/li\u003e\n\u003cli\u003eJessie Farms Nothing 01:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSongs are awake when you sing them. Electricity flows between the performer and the performee: Alive People. It feels and vibrates in front of a velvet curtain, and all the way to the back of the club. Electricity flows through the board and the amps and the mics. The whole room is a body of different kinds of waves and they become one thing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTo capture that, and then be able to take those clean tapes – direct – and get them mixed by Justin Pizzoferrato like they were printed in a soundproof recording cave...that creates the potential for magic. A glittering, frontal, activated, sumptuous play emerging from the wave of a misty sparkler.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRuth Garbus’s Alive People is a studio album full of underground anthems for sensitive people of all ages that happened to be recorded in a club with an audience of a hundred.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn between the compositions are interstitial improvisations that happened on stage during the performance. These are not presented in sequence. It’s not a lesser copy of a moving experience. It’s an echoing recreation, traveling- out photons bent thru and into a pastel rainbow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRuth was joined on stage at different points by\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collaborators: elie mcafee-hahn on synth and bass, Julie Bodian on atypical guitars, Julia Tadlock on voice and presence. Nick Bisceglia engineered, with Ruth’s two vocal mics taped together, the room split to its mid and sides, the pop filter a matte circle in front of the shimmering curtain.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRaising the wand and looking up you see on one side an evergreen, on the other a childhood bedroom, and in between Alive People.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Ruth Garbus\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Orindal Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・バーモントのフォーク作家Ruth Garbusが、2023年8月に同国シカゴのインディーレーベルOrindal RecordからリリースしたCDです。 ギターと声によるベッドルーム・フォーク13曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":7990442295546,"title":"Wednesday \/\/ Mowing the Leaves Instead of Piling 'em Up LP","handle":"wednesday-mowing-the-leaves-instead-of-piling-em-up-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年3月にリリースしたカバーアルバムです。\u003c\/p\u003e\n\u003cp\u003eGary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコードとインサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2188391421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2986422593\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eKarly Hartzman\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI mean… c'mon!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-06-30T07:57:39+09:00","created_at":"2023-06-30T07:57:39+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44306310430970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wednesday \/\/ Mowing the Leaves Instead of Piling 'em Up LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4046635587_16_63e651a4-3a7a-44aa-820a-d5d024d626a4.jpg?v=1688079464","\/\/tobirarecords.com\/cdn\/shop\/files\/0031345494_10.jpg?v=1688079484","\/\/tobirarecords.com\/cdn\/shop\/files\/0031345492_10.jpg?v=1688079486"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4046635587_16_63e651a4-3a7a-44aa-820a-d5d024d626a4.jpg?v=1688079464","options":["Title"],"media":[{"alt":null,"id":32169868493050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4046635587_16_63e651a4-3a7a-44aa-820a-d5d024d626a4.jpg?v=1688079464"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4046635587_16_63e651a4-3a7a-44aa-820a-d5d024d626a4.jpg?v=1688079464","width":700},{"alt":null,"id":32169868853498,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031345494_10.jpg?v=1688079484"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031345494_10.jpg?v=1688079484","width":1200},{"alt":null,"id":32169868886266,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031345492_10.jpg?v=1688079486"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031345492_10.jpg?v=1688079486","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年3月にリリースしたカバーアルバムです。\u003c\/p\u003e\n\u003cp\u003eGary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコードとインサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2188391421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2986422593\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eKarly Hartzman\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI mean… c'mon!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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{"id":7940199612666,"title":"Moon Racer \/\/ Is It Really a Secret? TAPE","handle":"moon-racer-is-it-really-a-secret-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのベッドルームポップ作家Moon Racerが、2018年にリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eカシオトーンによるLo-Fiドリームポップ8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=330174502\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eEdition of 100. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes a 4-panel, 2-color, 2-sided Risograph-printed j-card with lyrics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAll songs by Moon Racer, except “Meaningless,” by Stephin Merritt.\u003cbr\u003e“Pull the string, I come untied” is lovingly recited from Superchunk’s “Untied.”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moon Racer\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-03-19T14:19:39+09:00","created_at":"2023-03-19T14:18:43+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","orindal","tape"],"price":186000,"price_min":186000,"price_max":186000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44104341029114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Moon Racer \/\/ Is It Really a Secret? 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{"id":7910159286522,"title":"Wednesday \/\/ Mowing the Leaves Instead of Piling 'em Up TAPE","handle":"wednesday-mowing-the-leaves-instead-of-piling-em-up-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年2月にリリースするカバーアルバムです。\u003c\/p\u003e\n\u003cp\u003eGary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2188391421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eKarly Hartzman\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI mean… c'mon!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-02-01T16:39:03+09:00","created_at":"2023-02-01T16:39:04+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","orindal","tape"],"price":188000,"price_min":188000,"price_max":188000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43955243286778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wednesday \/\/ Mowing the Leaves Instead of Piling 'em Up TAPE","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a4046635587_16.jpg?v=1675237166","\/\/tobirarecords.com\/cdn\/shop\/products\/0028488379_10.jpg?v=1675237166"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4046635587_16.jpg?v=1675237166","options":["Title"],"media":[{"alt":null,"id":31463001784570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4046635587_16.jpg?v=1675237166"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4046635587_16.jpg?v=1675237166","width":700},{"alt":null,"id":31463001817338,"position":2,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028488379_10.jpg?v=1675237166"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028488379_10.jpg?v=1675237166","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年2月にリリースするカバーアルバムです。\u003c\/p\u003e\n\u003cp\u003eGary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2188391421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eKarly Hartzman\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI mean… c'mon!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年2月にリリースするカバーアルバムです。 Gary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records...
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{"id":7903829623034,"title":"Advance Base \/\/ A Shut-In's Prayer LP","handle":"advance-base-a-shut-ins-prayer-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーレーベルOrindal主宰Advance Baseが、2022年12月にリリースした再発レコードです。（オリジナルは2012年リリース）\u003c\/p\u003e\n\u003cp\u003eベッドルームポップ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2995090752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" silver metallic vinyl.\u003cbr\u003eEdition of 300 black \/ 300 silver metallic. \u003c\/p\u003e\n\u003cp\u003eOriginally released on \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCaldo Verde label in 2012. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReview by Pitchfork [\u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/16656-a-shut-ins-prayer\/\"\u003elink\u003c\/a\u003e]:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA Shut-In's Prayer' is the proper debut from his new project, Advance Base, and it's easily the most wistful work he's committed to tape. Couched in the most immediate and affecting melodies of his career, many of the stories told on A Shut-In's Prayer look back at the past mainly to remember its contents. Ashworth's flair for narrative detail is in top form, achieving a level so microscopic that, at one point, he zooms in while ruminating on familial ennui to describe a scene in a horror movie that several characters are watching together. Sometimes, as on the album highlight \"Riot Grrrls\", these trips down memory lane end with resolution-- or, at least, as much resolution that you could get from two college-age outcasts \"Wondering if we ran\/ Who'd miss us.\" Elsewhere, memories take on the form of child runaways and faded filial relationships, as Ashworth is left with disconnected threads between the past and present and not much more.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-01-29T07:53:01+09:00","created_at":"2023-01-23T11:20:47+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":298000,"price_min":298000,"price_max":328000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43929119523066,"title":"Black 12\" vinyl","option1":"Black 12\" vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38817944862970,"product_id":7903829623034,"position":3,"created_at":"2023-01-23T11:20:48+09:00","updated_at":"2023-01-23T11:20:50+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh3_94809592-a9ed-493d-9916-f8e9f4675191.jpg?v=1674440450","variant_ids":[43929119523066]},"available":false,"name":"Advance Base \/\/ A Shut-In's Prayer LP - Black 12\" vinyl","public_title":"Black 12\" vinyl","options":["Black 12\" vinyl"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":31420756951290,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh3_94809592-a9ed-493d-9916-f8e9f4675191.jpg?v=1674440450"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":43929119555834,"title":"Silver metallic 12\" vinyl","option1":"Silver metallic 12\" vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38817944830202,"product_id":7903829623034,"position":2,"created_at":"2023-01-23T11:20:48+09:00","updated_at":"2023-01-23T11:20:49+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_f6d0029a-bf03-4d0f-a8c9-c644e9d8677e.jpg?v=1674440449","variant_ids":[43929119555834]},"available":false,"name":"Advance Base \/\/ A Shut-In's Prayer LP - Silver metallic 12\" vinyl","public_title":"Silver metallic 12\" vinyl","options":["Silver metallic 12\" vinyl"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":31420756918522,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_f6d0029a-bf03-4d0f-a8c9-c644e9d8677e.jpg?v=1674440449"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_86373274-3a55-417b-9821-173c5773b7e6.jpg?v=1674440450","\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_f6d0029a-bf03-4d0f-a8c9-c644e9d8677e.jpg?v=1674440449","\/\/tobirarecords.com\/cdn\/shop\/products\/sh3_94809592-a9ed-493d-9916-f8e9f4675191.jpg?v=1674440450"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_86373274-3a55-417b-9821-173c5773b7e6.jpg?v=1674440450","options":["Color"],"media":[{"alt":null,"id":31420756885754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_86373274-3a55-417b-9821-173c5773b7e6.jpg?v=1674440450"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_86373274-3a55-417b-9821-173c5773b7e6.jpg?v=1674440450","width":700},{"alt":null,"id":31420756918522,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_f6d0029a-bf03-4d0f-a8c9-c644e9d8677e.jpg?v=1674440449"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_f6d0029a-bf03-4d0f-a8c9-c644e9d8677e.jpg?v=1674440449","width":1200},{"alt":null,"id":31420756951290,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh3_94809592-a9ed-493d-9916-f8e9f4675191.jpg?v=1674440450"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh3_94809592-a9ed-493d-9916-f8e9f4675191.jpg?v=1674440450","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーレーベルOrindal主宰Advance Baseが、2022年12月にリリースした再発レコードです。（オリジナルは2012年リリース）\u003c\/p\u003e\n\u003cp\u003eベッドルームポップ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2995090752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Available on 12\" black vinyl or 12\" silver metallic vinyl.\u003cbr\u003eEdition of 300 black \/ 300 silver metallic. \u003c\/p\u003e\n\u003cp\u003eOriginally released on \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCaldo Verde label in 2012. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eReview by Pitchfork [\u003ca href=\"https:\/\/pitchfork.com\/reviews\/albums\/16656-a-shut-ins-prayer\/\"\u003elink\u003c\/a\u003e]:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA Shut-In's Prayer' is the proper debut from his new project, Advance Base, and it's easily the most wistful work he's committed to tape. Couched in the most immediate and affecting melodies of his career, many of the stories told on A Shut-In's Prayer look back at the past mainly to remember its contents. Ashworth's flair for narrative detail is in top form, achieving a level so microscopic that, at one point, he zooms in while ruminating on familial ennui to describe a scene in a horror movie that several characters are watching together. Sometimes, as on the album highlight \"Riot Grrrls\", these trips down memory lane end with resolution-- or, at least, as much resolution that you could get from two college-age outcasts \"Wondering if we ran\/ Who'd miss us.\" Elsewhere, memories take on the form of child runaways and faded filial relationships, as Ashworth is left with disconnected threads between the past and present and not much more.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーレーベルOrindal主宰Advance Baseが、2022年12月にリリースした再発レコードです。（オリジナルは2012年リリース） ベッドルームポップ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
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![Advance Base // Nephew in the Wild LP [COLOR]](http://tobirarecords.com/cdn/shop/products/ad1_fc327457-1089-497a-91a0-8168a6fddb53_medium.jpg?v=1674440258)
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{"id":7903827132666,"title":"Advance Base \/\/ Nephew in the Wild LP [COLOR]","handle":"advance-base-nephew-in-the-wild-lp-color","description":"\u003cp\u003eアメリカ・シカゴのインディーレーベルOrindal主宰Advance Baseが、2022年12月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルームポップ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2527954402\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code + lyrics insert. Available in black 12\" vinyl or golden metallic 12\" vinyl. Edition of 300 gold metallic \/ 300 black. \u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe second album from Owen Ashworth's post-Casiotone for the Painfully Alone bedroom pop project. Ten depressing songs about Michigan, Satan, Christmas, missing persons, arson \u0026amp; parenthood.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-01-29T07:52:03+09:00","created_at":"2023-01-23T11:17:36+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":298000,"price_min":298000,"price_max":328000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43929112183034,"title":"Black 12\" vinyl","option1":"Black 12\" vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38817932902650,"product_id":7903827132666,"position":3,"created_at":"2023-01-23T11:17:36+09:00","updated_at":"2023-01-23T11:17:38+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad3_59dc1082-76aa-4610-935c-df13d7a32541.jpg?v=1674440258","variant_ids":[43929112183034]},"available":false,"name":"Advance Base \/\/ Nephew in the Wild LP [COLOR] - Black 12\" vinyl","public_title":"Black 12\" vinyl","options":["Black 12\" vinyl"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":31420744925434,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad3_59dc1082-76aa-4610-935c-df13d7a32541.jpg?v=1674440258"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":43929112215802,"title":"Gold metallic 12\" vinyl","option1":"Gold metallic 12\" vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":38817932935418,"product_id":7903827132666,"position":2,"created_at":"2023-01-23T11:17:36+09:00","updated_at":"2023-01-23T11:17:38+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad2_8d4d5e8f-571a-41ed-a1c5-c8dca0ef741f.jpg?v=1674440258","variant_ids":[43929112215802]},"available":false,"name":"Advance Base \/\/ Nephew in the Wild LP [COLOR] - Gold metallic 12\" vinyl","public_title":"Gold metallic 12\" vinyl","options":["Gold metallic 12\" vinyl"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":31420744859898,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad2_8d4d5e8f-571a-41ed-a1c5-c8dca0ef741f.jpg?v=1674440258"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_fc327457-1089-497a-91a0-8168a6fddb53.jpg?v=1674440258","\/\/tobirarecords.com\/cdn\/shop\/products\/ad2_8d4d5e8f-571a-41ed-a1c5-c8dca0ef741f.jpg?v=1674440258","\/\/tobirarecords.com\/cdn\/shop\/products\/ad3_59dc1082-76aa-4610-935c-df13d7a32541.jpg?v=1674440258"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_fc327457-1089-497a-91a0-8168a6fddb53.jpg?v=1674440258","options":["Color"],"media":[{"alt":null,"id":31420744827130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_fc327457-1089-497a-91a0-8168a6fddb53.jpg?v=1674440258"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_fc327457-1089-497a-91a0-8168a6fddb53.jpg?v=1674440258","width":700},{"alt":null,"id":31420744859898,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad2_8d4d5e8f-571a-41ed-a1c5-c8dca0ef741f.jpg?v=1674440258"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad2_8d4d5e8f-571a-41ed-a1c5-c8dca0ef741f.jpg?v=1674440258","width":1200},{"alt":null,"id":31420744925434,"position":3,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad3_59dc1082-76aa-4610-935c-df13d7a32541.jpg?v=1674440258"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad3_59dc1082-76aa-4610-935c-df13d7a32541.jpg?v=1674440258","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーレーベルOrindal主宰Advance Baseが、2022年12月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eベッドルームポップ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2527954402\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code + lyrics insert. Available in black 12\" vinyl or golden metallic 12\" vinyl. Edition of 300 gold metallic \/ 300 black. \u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe second album from Owen Ashworth's post-Casiotone for the Painfully Alone bedroom pop project. Ten depressing songs about Michigan, Satan, Christmas, missing persons, arson \u0026amp; parenthood.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Advance Base\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーレーベルOrindal主宰Advance Baseが、2022年12月にリリースした再発レコードです。 ベッドルームポップ10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ----------------------------...
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{"id":7684302340346,"title":"Cass McCombs \/\/ Heartmind TAPE","handle":"cass-mccombs-heartmind-tape","description":"\u003cp\u003eアメリカ・カリフォルニアのシンガーソングライターCass McCombsが、2022年8月にリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e牧歌的なカントリーフォーク8曲を収録。キャンプのお供にもぜひ。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lRzr6xQP47s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=18082058\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"On Heartmind, Cass McCombs enters the double-digit-album phase of his career, a quantitatively rarified place for any songwriter; rarer still, though, is the fact that he does not yet seem to have settled into a qualitative sound or pattern, of singing the same thought twice (or perhaps even once).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHeartmind cassettes feature a metallic silver imprint \u0026amp; a 7-panel, full color foldout j-card featuring complete album lyrics \u0026amp; credits\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cass McCombs\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-08-19T11:12:48+09:00","created_at":"2022-07-22T14:46:44+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","orindal","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43031147970810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cass McCombs \/\/ Heartmind TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/he1_156d07e0-fc1e-4fab-801b-32deda7c60aa.jpg?v=1658468805","\/\/tobirarecords.com\/cdn\/shop\/products\/he2_3739281f-016c-4be3-b777-ad83e12cf989.jpg?v=1658468805"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_156d07e0-fc1e-4fab-801b-32deda7c60aa.jpg?v=1658468805","options":["Title"],"media":[{"alt":null,"id":30163940868346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_156d07e0-fc1e-4fab-801b-32deda7c60aa.jpg?v=1658468805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he1_156d07e0-fc1e-4fab-801b-32deda7c60aa.jpg?v=1658468805","width":700},{"alt":null,"id":30163940901114,"position":2,"preview_image":{"aspect_ratio":1.0,"height":2048,"width":2048,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2_3739281f-016c-4be3-b777-ad83e12cf989.jpg?v=1658468805"},"aspect_ratio":1.0,"height":2048,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/he2_3739281f-016c-4be3-b777-ad83e12cf989.jpg?v=1658468805","width":2048}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・カリフォルニアのシンガーソングライターCass McCombsが、2022年8月にリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003e牧歌的なカントリーフォーク8曲を収録。キャンプのお供にもぜひ。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lRzr6xQP47s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=18082058\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"On Heartmind, Cass McCombs enters the double-digit-album phase of his career, a quantitatively rarified place for any songwriter; rarer still, though, is the fact that he does not yet seem to have settled into a qualitative sound or pattern, of singing the same thought twice (or perhaps even once).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHeartmind cassettes feature a metallic silver imprint \u0026amp; a 7-panel, full color foldout j-card featuring complete album lyrics \u0026amp; credits\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cass McCombs\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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{"id":7647777554682,"title":"TJO \/\/ Dispatches from the Drift TAPE","handle":"tjo-dispatches-from-the-drift-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、カリフォルニアのシンガーソングライターTara Jane O'Neilが、2021年にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼女のこれまでの作品とは異なり、100%アンビエント作品です。スケッチのように録音したギターアンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255809089\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 tracks, 63 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTypically I use voice memos or computer programs to catch ideas and work out the really sticky ones. These pieces were recorded on iPhone or the computer program I use to monitor when I had the presence to press record. They were promptly forgotten. These are not sketches of ideas that may be revisited, these sounds were not looking for a form or seeking to be known. These are complete, traveling pieces that resolve or simply end. At the end of the dismal and seismic year called 2020, I found these improvisations on my phone or my hard drive while looking for those typical fragments of inspiration I could use to make into something else through the ordinary alchemical process of making songs.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat a trick I played on myself! Thinking I hadn’t made much music during the lockdown. Tricked in to thinking that I had to be inspired or productive during the pandemic. Thinking that any previous metric or vocation would be valid during such a time. These recordings are things that got caught in the drift. These are some of what I did in the drift, without thinking.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot playing shows or making a record for the first time since I was 19 has been truly confusing but again the trick is on me during the moments of fret about this. Music is eternal. Music\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e doesn’t need a venue or a contract. What a gift to be able to play with music and what a gift to have it in the year 2020. And what a gift to find these keyboard recordings of sonic meander and repetition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat a gift that music exists and on these recorded occasions I was simply playing with it, for play. Without lyricism or intention these are recordings of sonic meander and repetition rendered by keyboard. The exception is A Sunday 2020, and its preamble. It meets certain criteria for inclusion here as the keyboard and wordless vocals were improvised just like the others. However on this one I did use my old familiar hammer, the guitar for melodic shape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese found ambient pieces were not edited to feel narrative, and weren’t made with sharing in mind. Use them however you like.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TJO\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-26T09:29:34+09:00","created_at":"2022-06-20T14:43:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","orindal","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897150148858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"TJO \/\/ Dispatches from the Drift TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/di1_22b21d68-3675-436c-ab1a-6230b0f21737.jpg?v=1655703786","\/\/tobirarecords.com\/cdn\/shop\/products\/di2_48e4fb60-087d-4794-a626-85c5c453a6b6.jpg?v=1655703786"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_22b21d68-3675-436c-ab1a-6230b0f21737.jpg?v=1655703786","options":["Title"],"media":[{"alt":null,"id":29933852754170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_22b21d68-3675-436c-ab1a-6230b0f21737.jpg?v=1655703786"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_22b21d68-3675-436c-ab1a-6230b0f21737.jpg?v=1655703786","width":700},{"alt":null,"id":29933852819706,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_48e4fb60-087d-4794-a626-85c5c453a6b6.jpg?v=1655703786"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_48e4fb60-087d-4794-a626-85c5c453a6b6.jpg?v=1655703786","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、カリフォルニアのシンガーソングライターTara Jane O'Neilが、2021年にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼女のこれまでの作品とは異なり、100%アンビエント作品です。スケッチのように録音したギターアンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255809089\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 tracks, 63 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTypically I use voice memos or computer programs to catch ideas and work out the really sticky ones. These pieces were recorded on iPhone or the computer program I use to monitor when I had the presence to press record. They were promptly forgotten. These are not sketches of ideas that may be revisited, these sounds were not looking for a form or seeking to be known. These are complete, traveling pieces that resolve or simply end. At the end of the dismal and seismic year called 2020, I found these improvisations on my phone or my hard drive while looking for those typical fragments of inspiration I could use to make into something else through the ordinary alchemical process of making songs.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat a trick I played on myself! Thinking I hadn’t made much music during the lockdown. Tricked in to thinking that I had to be inspired or productive during the pandemic. Thinking that any previous metric or vocation would be valid during such a time. These recordings are things that got caught in the drift. These are some of what I did in the drift, without thinking.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot playing shows or making a record for the first time since I was 19 has been truly confusing but again the trick is on me during the moments of fret about this. Music is eternal. Music\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e doesn’t need a venue or a contract. What a gift to be able to play with music and what a gift to have it in the year 2020. And what a gift to find these keyboard recordings of sonic meander and repetition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat a gift that music exists and on these recorded occasions I was simply playing with it, for play. Without lyricism or intention these are recordings of sonic meander and repetition rendered by keyboard. The exception is A Sunday 2020, and its preamble. It meets certain criteria for inclusion here as the keyboard and wordless vocals were improvised just like the others. However on this one I did use my old familiar hammer, the guitar for melodic shape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese found ambient pieces were not edited to feel narrative, and weren’t made with sharing in mind. Use them however you like.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TJO\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。 本作は、カリフォルニアのシンガーソングライターTara Jane O'Neilが、2021年にリリースしたカセットです。 彼女のこれまでの作品とは異なり、100%アンビエント作品です。スケッチのように録音したギターアンビエント11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available...
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{"id":7647773917434,"title":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE","handle":"wednesday-twin-plagues-lp-cd-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=643357752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3rd tape edition of 100.\u003cbr\u003eCD edition of 500.\u003cbr\u003eCanary yellow LP edition of 500.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 tracks, 34 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHanif Abdurraqib:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I’m not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don’t remember how, or why. They simply arrived, as if we’d been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I’d needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is the trick of nostalgia that I spend a lot of time\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn’t paired with something that approaches a type of rigorous honesty. Which is hard to do, sometimes. My memories flare and fire with only the finest aesthetics of a past that I was certainly in, but I often deem myself as only a secondary character, if even that. Which, of course, lets me off the hook in the name of fluorescence and flourish, in the name of sound and sight.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI love Twin Plagues first for its songs, plainly. If you, listening to Wednesday for the first time around or even the second time around, stumble onto this album, I promise you the songs will be what grab you first, beyond any of my foolish high-level emotional theorizing or projections. Every band that loves the pursuit of their craft the way this band does is one to follow, because getting to sit on the sidelines and watch them level up is a real generosity. Twin Plagues is overflowing with hooks, but what most delighted me about the band from the start has taken a leap: they have managed, somehow, to get even better at structuring their noise from one movement of a song to the next. The idea of the “song” itself is flexible in their hands, so much so that each song holds two, or three songs within. This, again, generosity. “Cody’s Only” is a ballad until it begins to threaten a storm of volume, and then, in its final act, it becomes something else altogether. “One More Last One” is a shoegaze-y trip that swells and swells until it overflows, but it doesn’t stop. It keeps offering and offering and offering. I say “noise,” and never in a dismissive sense. Everything has a place, and so much of its place is to serve the true heart of this album, and the true heart of Wednesday’s music, which is allowing cracks through which tenderness can enter and exit as needed. Tenderness that, it seems to me, is always wrestling underneath whatever else might be happening on a song’s surface.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of “The Burned Down Dairy Queen” when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors – both metaphorical and real – this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. I was desperate for making myself less blurry in my own memories and reckoning with my full, multitudinous self. The self that was once unkind, or less gentle, or less curious than I am now. I needed this album to remind me to embrace the fullness of my unfinished nature, the years I have lived and – with any luck – the years I have to go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when “Birthday Song” gets good and loud and sing-along-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let “Ghost Of A Dog” churn and rattle you to some nighttime realization that you couldn’t have had in silence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T16:33:09+09:00","created_at":"2022-06-20T14:35:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","lp","orindal","tape"],"price":168000,"price_min":168000,"price_max":315000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897135599866,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358553334010,"product_id":7647773917434,"position":2,"created_at":"2022-06-20T14:35:16+09:00","updated_at":"2022-06-20T14:35:18+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","variant_ids":[42897135599866]},"available":false,"name":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE - LP","public_title":"LP","options":["LP"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933834240250,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897135632634,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358553366778,"product_id":7647773917434,"position":3,"created_at":"2022-06-20T14:35:16+09:00","updated_at":"2022-06-20T14:35:19+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319","variant_ids":[42897135632634]},"available":false,"name":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE - CD","public_title":"CD","options":["CD"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933834273018,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897135665402,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358553268474,"product_id":7647773917434,"position":4,"created_at":"2022-06-20T14:35:16+09:00","updated_at":"2022-06-20T14:35:18+09:00","alt":null,"width":1200,"height":838,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318","variant_ids":[42897135665402]},"available":false,"name":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933834305786,"position":4,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319","\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","options":["format"],"media":[{"alt":null,"id":29933834207482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","width":700},{"alt":null,"id":29933834240250,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","width":1200},{"alt":null,"id":29933834273018,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319","width":1200},{"alt":null,"id":29933834305786,"position":4,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"},"aspect_ratio":1.432,"height":838,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=643357752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3rd tape edition of 100.\u003cbr\u003eCD edition of 500.\u003cbr\u003eCanary yellow LP edition of 500.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 tracks, 34 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHanif Abdurraqib:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I’m not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don’t remember how, or why. They simply arrived, as if we’d been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I’d needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is the trick of nostalgia that I spend a lot of time\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn’t paired with something that approaches a type of rigorous honesty. Which is hard to do, sometimes. My memories flare and fire with only the finest aesthetics of a past that I was certainly in, but I often deem myself as only a secondary character, if even that. Which, of course, lets me off the hook in the name of fluorescence and flourish, in the name of sound and sight.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI love Twin Plagues first for its songs, plainly. If you, listening to Wednesday for the first time around or even the second time around, stumble onto this album, I promise you the songs will be what grab you first, beyond any of my foolish high-level emotional theorizing or projections. Every band that loves the pursuit of their craft the way this band does is one to follow, because getting to sit on the sidelines and watch them level up is a real generosity. Twin Plagues is overflowing with hooks, but what most delighted me about the band from the start has taken a leap: they have managed, somehow, to get even better at structuring their noise from one movement of a song to the next. The idea of the “song” itself is flexible in their hands, so much so that each song holds two, or three songs within. This, again, generosity. “Cody’s Only” is a ballad until it begins to threaten a storm of volume, and then, in its final act, it becomes something else altogether. “One More Last One” is a shoegaze-y trip that swells and swells until it overflows, but it doesn’t stop. It keeps offering and offering and offering. I say “noise,” and never in a dismissive sense. Everything has a place, and so much of its place is to serve the true heart of this album, and the true heart of Wednesday’s music, which is allowing cracks through which tenderness can enter and exit as needed. Tenderness that, it seems to me, is always wrestling underneath whatever else might be happening on a song’s surface.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of “The Burned Down Dairy Queen” when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors – both metaphorical and real – this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. I was desperate for making myself less blurry in my own memories and reckoning with my full, multitudinous self. The self that was once unkind, or less gentle, or less curious than I am now. I needed this album to remind me to embrace the fullness of my unfinished nature, the years I have lived and – with any luck – the years I have to go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when “Birthday Song” gets good and loud and sing-along-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let “Ghost Of A Dog” churn and rattle you to some nighttime realization that you couldn’t have had in silence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。 カントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":7647758975226,"title":"Annie Hart \/\/ Everything Pale Blue TAPE","handle":"annie-hart-everything-pale-blue-lp-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国NYのアンビエント作家Annie Hartが、2021年5月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eあたたかいシンセアンビエント4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3822556957\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTape edition of 150.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 tracks, 37 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEverything Pale Blue is the first collection of ambient music by New York City-based composer and Au Revoir Simone keyboardist Annie Hart. Performed on analog synthesizers and processed through daisy chains of delay, reverb and loop effects, Everything Pale Blue’s warm, sonorous tones and trance-like, minimalist arrangements recall the work of pioneering electronic music composers Wendy Carlos, Éliane Radigue and Brian Eno, as well as German Kosmische Musik groups of the 70’s like Kraftwerk, Cluster and Tangerine Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThroughout Everything Pale Blue, Hart’s gentle arpeggios and playful melodic figures echo the harmonies and rhythms of our natural world, from the cycles of flora, fauna and weather patterns to the orbits of celestial bodies. Everything Pale Blue’s four gorgeously expansive instrumental tracks reward patient listeners seeking calm, melody and meditation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnnie Hart explains:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'I began composing Everything Pale Blue in November 2020 at an artist’s residency near Oneonta, New York called Aunt Karen’s Farm, which was funded through a grant from the Sustainable Arts Foundation, whose mission is to support arts created by people with children. Normally, it’s a hub of activity, but due to COVID, it\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e was just me, and for part of the time, my family, sharing an open, empty farm space; a true retreat. At first I was a bit bored by the same scenery every day in such a gloomy, wet, gray season, but after a while I started seeing the minute daily changes in the nature around me. Every day I went on walks through fallow fields spiked with mown straw, sometimes wet with mud, sometimes caked with snow, and on some magical days, encased in crystalline ice. I started seeing the trees around the farm as individuals, with their own personalities. I saw the leaves change on the ground from yellow and brown, to dry brown blowing ones, to wet, dark brown precursors to soil that would then nurture the same trees they came from. Obviously, in New York City, we see trees every day, but it is incredibly rare to witness their symbioses with each other and the soil and animals. I started noticing the differences in the bird songs of each species and their various moods.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'At the start of my residency, I visited Green Toad Bookstore in Oneonta where I was drawn to the 33 1\/3 book on Another Green World by Geeta Dayal. She’s a great writer and laid Eno’s processes and philosophies out in an incredibly tangible way. I savored that book and bought AGW on iTunes and would listen on repeat while I ate my suppers. I had intended to use my time at the farm to finish recording a pop record, but I soon started sliding out of the typical song structure mentality and sliding into a playing\/listening mentality. And I mean “play” in the childish sense. I brought my Oblique Strategies cards that I got for my birthday and I started just going to the recording studio I’d set up in the farmhouse’s living room and doing wild experiments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'I’d brought along a few of my analog synthesizers (a Minimoog Model D, a Sequential Prophet-6, a Yamaha CP-20) plus some delay, reverb and loop effects. I started to think about just how meditative, playful and creative I could be within small parameters. I composed “Somebody Moves, Nobody Talks” like that, with the idea of how to make my own version of Eno’s studio with tape going around the room, looped on pencils.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'It was incredible to see the shift in my mentality over the time at the farm. To go from gripping and holding to just playing; allowing myself the freedom to create without guilt or responsibility, to see the shifts in my abilities as a composer and musician. It was absolutely magical and I consider that month an incredibly formative one that I am so lucky to have been able to attend and appreciate.'\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annie Hart\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:42:37+09:00","created_at":"2022-06-20T14:26:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","orindal","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897079402746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Annie Hart \/\/ Everything Pale Blue TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_96b182af-6ff1-40f3-8cad-0421b00e0fee.jpg?v=1655702772"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","options":["Title"],"media":[{"alt":null,"id":29933800194298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","width":700},{"alt":null,"id":29933800259834,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_96b182af-6ff1-40f3-8cad-0421b00e0fee.jpg?v=1655702772"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_96b182af-6ff1-40f3-8cad-0421b00e0fee.jpg?v=1655702772","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国NYのアンビエント作家Annie Hartが、2021年5月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eあたたかいシンセアンビエント4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3822556957\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTape edition of 150.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 tracks, 37 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEverything Pale Blue is the first collection of ambient music by New York City-based composer and Au Revoir Simone keyboardist Annie Hart. Performed on analog synthesizers and processed through daisy chains of delay, reverb and loop effects, Everything Pale Blue’s warm, sonorous tones and trance-like, minimalist arrangements recall the work of pioneering electronic music composers Wendy Carlos, Éliane Radigue and Brian Eno, as well as German Kosmische Musik groups of the 70’s like Kraftwerk, Cluster and Tangerine Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThroughout Everything Pale Blue, Hart’s gentle arpeggios and playful melodic figures echo the harmonies and rhythms of our natural world, from the cycles of flora, fauna and weather patterns to the orbits of celestial bodies. Everything Pale Blue’s four gorgeously expansive instrumental tracks reward patient listeners seeking calm, melody and meditation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnnie Hart explains:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'I began composing Everything Pale Blue in November 2020 at an artist’s residency near Oneonta, New York called Aunt Karen’s Farm, which was funded through a grant from the Sustainable Arts Foundation, whose mission is to support arts created by people with children. Normally, it’s a hub of activity, but due to COVID, it\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e was just me, and for part of the time, my family, sharing an open, empty farm space; a true retreat. At first I was a bit bored by the same scenery every day in such a gloomy, wet, gray season, but after a while I started seeing the minute daily changes in the nature around me. Every day I went on walks through fallow fields spiked with mown straw, sometimes wet with mud, sometimes caked with snow, and on some magical days, encased in crystalline ice. I started seeing the trees around the farm as individuals, with their own personalities. I saw the leaves change on the ground from yellow and brown, to dry brown blowing ones, to wet, dark brown precursors to soil that would then nurture the same trees they came from. Obviously, in New York City, we see trees every day, but it is incredibly rare to witness their symbioses with each other and the soil and animals. I started noticing the differences in the bird songs of each species and their various moods.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'At the start of my residency, I visited Green Toad Bookstore in Oneonta where I was drawn to the 33 1\/3 book on Another Green World by Geeta Dayal. She’s a great writer and laid Eno’s processes and philosophies out in an incredibly tangible way. I savored that book and bought AGW on iTunes and would listen on repeat while I ate my suppers. I had intended to use my time at the farm to finish recording a pop record, but I soon started sliding out of the typical song structure mentality and sliding into a playing\/listening mentality. And I mean “play” in the childish sense. I brought my Oblique Strategies cards that I got for my birthday and I started just going to the recording studio I’d set up in the farmhouse’s living room and doing wild experiments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'I’d brought along a few of my analog synthesizers (a Minimoog Model D, a Sequential Prophet-6, a Yamaha CP-20) plus some delay, reverb and loop effects. I started to think about just how meditative, playful and creative I could be within small parameters. I composed “Somebody Moves, Nobody Talks” like that, with the idea of how to make my own version of Eno’s studio with tape going around the room, looped on pencils.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'It was incredible to see the shift in my mentality over the time at the farm. To go from gripping and holding to just playing; allowing myself the freedom to create without guilt or responsibility, to see the shifts in my abilities as a composer and musician. It was absolutely magical and I consider that month an incredibly formative one that I am so lucky to have been able to attend and appreciate.'\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annie Hart\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国NYのアンビエント作家Annie Hartが、2021年5月にリリースしたアルバムです。 あたたかいシンセアンビエント4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":7647752126714,"title":"Karima Walker \/\/ Waking the Dreaming Body LP \/ TAPE","handle":"karima-walker-waking-the-dreaming-body-lp-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライターKarima Walkerが、2021年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやアコースティックギターによるシンプルな構成のベッドルームフォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1075340456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 tracks, 40 minutes.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTucson, Arizona interdisciplinary artist Karima Walker walks a line between two worlds. Aside from her long resume of collaborative work with artists in the diverse fields of dance, sculpture, film, photography and creative non-fiction, Walker has long nurtured a duality within her work as a musician, developing her own sonic language as a sound designer in tandem with her craft as a singer\/songwriter. The polarity within Walker’s music has never been so articulately explored, or graced with as much intention, as on her new album, Waking the Dreaming Body.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaking the Dreaming Body was written, performed and engineered entirely by Walker, with the exception of some subtle upright bass from C.J. Boyd on the song “Window I.” Producing the album on her own wasn’t Walker’s original intention, though; after flying to New York in November 2019 to develop some home-recorded tracks with The Blow’s Melissa Dyne, a sudden illness forced Walker to cancel the sessions and return home to Tucson to recover, and soon after, the COVID-19 pandemic ruled out the possibility of a return trip to New York. Instead, Walker decided to finish the album herself in her makeshift home studio. She spent the following months recording, processing and arranging her self-described “messy\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Ableton sessions” into densely harmonic arrangements of synthesizer, guitar, piano, percussion, field recordings, tape loops and her own dulcet singing voice, allowing trial, error and intuition to guide her way. The final result is a 40-minute dream-narrative of her conscious and subconscious minds that oscillates between the rich textures of her ambient compositions (as in the instrumentals “Horizon, Harbor Resonance” and “For Heddi”) and the melody and poetry of her melancholic, Americana-tinged songwriting (as in the lyrics-focused tracks “Reconstellated” and “Waking the Dreaming Body”), their ebb and flow recalling liminal states of half-sleep where images and emotions are recalled and forecasted from the previous night's dreams. Night falls in regular intervals throughout the album, forming a natural dialogue between waking and dreaming.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalker explains:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'I wanted these songs to stand alone as complete worlds, and this required a shift in my usual way of writing. I found myself trying to escape from an excess of interiority by exploring outward, by thinking about the mirroring that happens when you seek connection to others and to the natural world—when you try to bring the outside in. I sought to make arrangements that swell at certain moments and barely hold together at others, moving with my breath and other rhythms connecting my body to the natural world. Ultimately, I was seeking to draw myself out, to reconstruct my personal narrative.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'I see myself as an in between person I guess,” Walker continues. “Though I haven't very explicitly brought my own personal history into my music, I think it's there, and it continues to show up in its own ways and time. I am Arab, half North African\/Tunisian on my mother's side, but was raised in a very white context, with a lot of white passing privilege, especially as I've gotten older. My mom came to California as an immigrant to this country after marrying my dad in the rural village where she grew up. She came to Los Angeles and was working at McDonald’s and different Mediterranean restaurants around the city, and was kind of discovered at one of these jobs. The singer didn't show up one night, so her coworkers told her to sing a couple songs she knew. She only knew three by heart and she sang them over and over again that night. That was the beginning of her career, and she has worked as a singer in Europe and North Africa for over twenty years now. She's like a jukebox for the Arab diaspora and beyond. I didn't grow up with her, though, knew almost nothing about her, except that she was Tunisian and was a singer and that she left when I was little. I think that planted a seed in me, even though what I do is very different from her idea of being a singer. She has this rich full big voice, she listens to my records and then sits me down and says, \"You know Whitney Houston, right? Why don't you sing like her?\" The difference in what we do is laughably different! But my journey into making music was so different. I kept falling in love with musicians and artists for a while before I realized that maybe I wanted to be so close to these people because they were doing something that resonated deeply in me. So there's a way in which making music has been a way for me to overcome divides that I couldn't quite articulate in other ways. Maternal lineage, intimacy and connection, but also, with this record, attempting to overcome my own internal divides.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWaking the Dreaming Body holds a deep connection to the environs in which it was created, and the mountains, rivers and starry skies of Walker’s desert home are referenced in nearly every song she sings on the album, simultaneously grounding the action and imbuing it with a sense of otherworldliness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSonoran sky plays a movie\u003cbr data-mce-fragment=\"1\"\u003eDraw a line to the stars inside of me\u003cbr data-mce-fragment=\"1\"\u003eWrite it down, tell your friends\u003cbr data-mce-fragment=\"1\"\u003eI know where I am but I can’t tell where I started\u003cbr data-mce-fragment=\"1\"\u003e— “Reconstellated”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Tucson is where I grew up, I moved here from California as a kid,” Walker recalls. “And after leaving for school and traveling, I moved back about seven years ago. It's such a distinct and notable place to folks not from the desert, but this is my home. My formative understanding of the natural world, aside from the ocean, comes from here, so it always seems to make its way into my work. I think that porousness would be there regardless of where I was, but I do think that the pandemic forced me back into the desert seasons in a way that I hadn't experienced since I was a kid. We had one of our hottest and driest summers on record, and I usually try to tour when it’s super hot at home. But this year I was kinda stuck, the mountain where everyone runs away from the heat, about an hour away, caught fire and burned for weeks so there really was no escaping it. I started thinking about our rivers- they're called dead rivers or washes, because they don't run usually, and our watershed, all the plants that survive here and the seasons that were still happening even under all the stress of this summer.”\u003cbr data-mce-fragment=\"1\"\u003eThroughout Waking the Dreaming Body, Walker’s uncanny sound design evokes the delicacy, grandeur and terrifying enormity of the American Southwest. Close your eyes while listening to “Horizon, Harbor Resonance,” the thirteen-minute instrumental at the album’s center, and watch the shifting desert landscape in your mind’s eye; from the babble of flash flood runoff to the slow parade of cumulus cloud shadows across the red earth, cactus and creosote, and then, moving backwards in time, the thunderous eruptions of ancient volcanoes that pushed the Tucson Mountains skyward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalker continues:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Waking the Dreaming Body was influenced by my preoccupation with natural sublime phenomena: tsunami videos and the dreams of ocean waves I was having last year, large mountain ranges that can only be seen by a plane or over the course of a day of driving. These images allowed me to think about immense horror and beauty—something that overwhelms but simultaneously is so hard to look away from, something that holds violence but also reflects a better understanding of ourselves in the context of that immensity and scale. Looking out and looking within, and knowing that the divide is false, but feeling the pain of that division nonetheless.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Waking the Dreaming Body became an attempt to break out of my insularity, wrestling with my separation from the natural world. I write about mountains and rivers but all through more of a longing and detachment. Maybe there’s hope in there? I made this whole record almost entirely alone so I’m actually not sure if I make it to the other side.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karima Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:44:53+09:00","created_at":"2022-06-20T14:15:03+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal","tape"],"price":156000,"price_min":156000,"price_max":289000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897037590778,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358495432954,"product_id":7647752126714,"position":2,"created_at":"2022-06-20T14:15:03+09:00","updated_at":"2022-06-20T14:15:05+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105","variant_ids":[42897037590778]},"available":false,"name":"Karima Walker \/\/ Waking the Dreaming Body LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933775782138,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897037623546,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358495400186,"product_id":7647752126714,"position":3,"created_at":"2022-06-20T14:15:03+09:00","updated_at":"2022-06-20T14:15:05+09:00","alt":null,"width":1200,"height":895,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105","variant_ids":[42897037623546]},"available":false,"name":"Karima Walker \/\/ Waking the Dreaming Body LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933775814906,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6a49fbc0-4299-40f0-8ccd-669c2e1c6453.jpg?v=1655702105","\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105","\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6a49fbc0-4299-40f0-8ccd-669c2e1c6453.jpg?v=1655702105","options":["format"],"media":[{"alt":null,"id":29933775749370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6a49fbc0-4299-40f0-8ccd-669c2e1c6453.jpg?v=1655702105"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6a49fbc0-4299-40f0-8ccd-669c2e1c6453.jpg?v=1655702105","width":700},{"alt":null,"id":29933775782138,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105","width":1200},{"alt":null,"id":29933775814906,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライターKarima Walkerが、2021年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやアコースティックギターによるシンプルな構成のベッドルームフォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1075340456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 tracks, 40 minutes.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTucson, Arizona interdisciplinary artist Karima Walker walks a line between two worlds. Aside from her long resume of collaborative work with artists in the diverse fields of dance, sculpture, film, photography and creative non-fiction, Walker has long nurtured a duality within her work as a musician, developing her own sonic language as a sound designer in tandem with her craft as a singer\/songwriter. The polarity within Walker’s music has never been so articulately explored, or graced with as much intention, as on her new album, Waking the Dreaming Body.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaking the Dreaming Body was written, performed and engineered entirely by Walker, with the exception of some subtle upright bass from C.J. Boyd on the song “Window I.” Producing the album on her own wasn’t Walker’s original intention, though; after flying to New York in November 2019 to develop some home-recorded tracks with The Blow’s Melissa Dyne, a sudden illness forced Walker to cancel the sessions and return home to Tucson to recover, and soon after, the COVID-19 pandemic ruled out the possibility of a return trip to New York. Instead, Walker decided to finish the album herself in her makeshift home studio. She spent the following months recording, processing and arranging her self-described “messy\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Ableton sessions” into densely harmonic arrangements of synthesizer, guitar, piano, percussion, field recordings, tape loops and her own dulcet singing voice, allowing trial, error and intuition to guide her way. The final result is a 40-minute dream-narrative of her conscious and subconscious minds that oscillates between the rich textures of her ambient compositions (as in the instrumentals “Horizon, Harbor Resonance” and “For Heddi”) and the melody and poetry of her melancholic, Americana-tinged songwriting (as in the lyrics-focused tracks “Reconstellated” and “Waking the Dreaming Body”), their ebb and flow recalling liminal states of half-sleep where images and emotions are recalled and forecasted from the previous night's dreams. Night falls in regular intervals throughout the album, forming a natural dialogue between waking and dreaming.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalker explains:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'I wanted these songs to stand alone as complete worlds, and this required a shift in my usual way of writing. I found myself trying to escape from an excess of interiority by exploring outward, by thinking about the mirroring that happens when you seek connection to others and to the natural world—when you try to bring the outside in. I sought to make arrangements that swell at certain moments and barely hold together at others, moving with my breath and other rhythms connecting my body to the natural world. Ultimately, I was seeking to draw myself out, to reconstruct my personal narrative.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'I see myself as an in between person I guess,” Walker continues. “Though I haven't very explicitly brought my own personal history into my music, I think it's there, and it continues to show up in its own ways and time. I am Arab, half North African\/Tunisian on my mother's side, but was raised in a very white context, with a lot of white passing privilege, especially as I've gotten older. My mom came to California as an immigrant to this country after marrying my dad in the rural village where she grew up. She came to Los Angeles and was working at McDonald’s and different Mediterranean restaurants around the city, and was kind of discovered at one of these jobs. The singer didn't show up one night, so her coworkers told her to sing a couple songs she knew. She only knew three by heart and she sang them over and over again that night. That was the beginning of her career, and she has worked as a singer in Europe and North Africa for over twenty years now. She's like a jukebox for the Arab diaspora and beyond. I didn't grow up with her, though, knew almost nothing about her, except that she was Tunisian and was a singer and that she left when I was little. I think that planted a seed in me, even though what I do is very different from her idea of being a singer. She has this rich full big voice, she listens to my records and then sits me down and says, \"You know Whitney Houston, right? Why don't you sing like her?\" The difference in what we do is laughably different! But my journey into making music was so different. I kept falling in love with musicians and artists for a while before I realized that maybe I wanted to be so close to these people because they were doing something that resonated deeply in me. So there's a way in which making music has been a way for me to overcome divides that I couldn't quite articulate in other ways. Maternal lineage, intimacy and connection, but also, with this record, attempting to overcome my own internal divides.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWaking the Dreaming Body holds a deep connection to the environs in which it was created, and the mountains, rivers and starry skies of Walker’s desert home are referenced in nearly every song she sings on the album, simultaneously grounding the action and imbuing it with a sense of otherworldliness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSonoran sky plays a movie\u003cbr data-mce-fragment=\"1\"\u003eDraw a line to the stars inside of me\u003cbr data-mce-fragment=\"1\"\u003eWrite it down, tell your friends\u003cbr data-mce-fragment=\"1\"\u003eI know where I am but I can’t tell where I started\u003cbr data-mce-fragment=\"1\"\u003e— “Reconstellated”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Tucson is where I grew up, I moved here from California as a kid,” Walker recalls. “And after leaving for school and traveling, I moved back about seven years ago. It's such a distinct and notable place to folks not from the desert, but this is my home. My formative understanding of the natural world, aside from the ocean, comes from here, so it always seems to make its way into my work. I think that porousness would be there regardless of where I was, but I do think that the pandemic forced me back into the desert seasons in a way that I hadn't experienced since I was a kid. We had one of our hottest and driest summers on record, and I usually try to tour when it’s super hot at home. But this year I was kinda stuck, the mountain where everyone runs away from the heat, about an hour away, caught fire and burned for weeks so there really was no escaping it. I started thinking about our rivers- they're called dead rivers or washes, because they don't run usually, and our watershed, all the plants that survive here and the seasons that were still happening even under all the stress of this summer.”\u003cbr data-mce-fragment=\"1\"\u003eThroughout Waking the Dreaming Body, Walker’s uncanny sound design evokes the delicacy, grandeur and terrifying enormity of the American Southwest. Close your eyes while listening to “Horizon, Harbor Resonance,” the thirteen-minute instrumental at the album’s center, and watch the shifting desert landscape in your mind’s eye; from the babble of flash flood runoff to the slow parade of cumulus cloud shadows across the red earth, cactus and creosote, and then, moving backwards in time, the thunderous eruptions of ancient volcanoes that pushed the Tucson Mountains skyward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalker continues:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Waking the Dreaming Body was influenced by my preoccupation with natural sublime phenomena: tsunami videos and the dreams of ocean waves I was having last year, large mountain ranges that can only be seen by a plane or over the course of a day of driving. These images allowed me to think about immense horror and beauty—something that overwhelms but simultaneously is so hard to look away from, something that holds violence but also reflects a better understanding of ourselves in the context of that immensity and scale. Looking out and looking within, and knowing that the divide is false, but feeling the pain of that division nonetheless.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Waking the Dreaming Body became an attempt to break out of my insularity, wrestling with my separation from the natural world. I write about mountains and rivers but all through more of a longing and detachment. Maybe there’s hope in there? I made this whole record almost entirely alone so I’m actually not sure if I make it to the other side.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karima Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国アリゾナのシンガーソングライターKarima Walkerが、2021年2月にリリースしたアルバムです。 ピアノやアコースティックギターによるシンプルな構成のベッドルームフォーク8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":7647747899642,"title":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE","handle":"wednesday-i-was-trying-to-describe-you-to-someone-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1533100232\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=694158056\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMetallic silver vinyl ediiton of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, full color photo jackets with Risograph-printed lyric sheet inserts. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e3rd edition of 100 tapes. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally dubbed Super Ferric tapes in light pink shells imprinted with burgundy ink. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eI Was Trying to Describe You to Someone is Wednesday’s second full-length album \u0026amp; first as a full band. The Asheville, NC quintet (guitarist\/vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz \u0026amp; drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman’s bell-clear vocals \u0026amp; wisps of half-recalled memories \u0026amp; literary references that make up her lyrics. I Was Trying to Describe You to Someone’s eight songs meld elements of shoegaze, grunge, indie pop \u0026amp; southern American culture into a uniquely personal style of modern rock music that resonates with power \u0026amp; tenderness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWednesday began as a recording collaboration between Hartzman \u0026amp; Daniel during the winter of 2017, while both students at the University of North Carolina Asheville. While living on campus, the duo recorded a whimsical synth-pop LP entitled Yep, Definitely, influenced heavily by the album Reading, Writing and Arithmetic by English alternative rock group The Sundays (the inspiration for Wednesday’s own band name). The duo recruited Chelmis \u0026amp; Miller (along with original bassist Julien Melissas) to play a party at Karly’s sister’s house, \u0026amp; the full band had an instant chemistry that won over the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e small crowd. With the immediate support of Asheville’s underground music scene, Wednesday quickly became a local staple, appearing often at the band’s favorite Asheville venue, The Mothlight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSchultz replaced Melissas on bass in time for Wednesday’s first tour, \u0026amp; the new line-up recorded a collaborative EP with fellow Ashevillian MJ Lenderman, 2018’s How Do You Let Love into the Heart That Isn't Split Wide Open. The EP began Wednesday’s progression into darker instrumentation \u0026amp; lyrics, which continued on 2019’s Wednesday EP. After graduating from UNCA, Hartzman began writing the songs that would become Wednesday’s second full-length release, I Was Trying to Describe You to Someone. With the band contributing arrangements, the new songs placed more emphasis on the noise \u0026amp; dissonance of Chelmis’s lap steel \u0026amp; Gorham’s lead guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ever-darkening \u0026amp; deepening of Wednesdays’ sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, \u0026amp; their continued collaboration with MJ Lenderman (who lends backing vocals to the songs “Billboard” \u0026amp; “November”). I Was Trying to Describe You to Someone was recorded at Hartzman’s home with engineering assistance from her roommate Colin Miller. The depth \u0026amp; clarity of the recordings balance the distorted volume of Wednesday’s live performances with the intimacy of Hartzman’s voice. Her words hold the center of the chaos, unobscured by the power of the band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHartzman describes her lyrics as “attempts to access old personal memories \u0026amp; do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O’Connor, David Berman \u0026amp; Tom Robbins, \u0026amp; movies like Steel Magnolias.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T14:17:39+09:00","created_at":"2022-06-20T14:05:54+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal","tape"],"price":149000,"price_min":149000,"price_max":298000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897027989754,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358483439866,"product_id":7647747899642,"position":2,"created_at":"2022-06-20T14:05:54+09:00","updated_at":"2022-06-20T14:05:56+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","variant_ids":[42897027989754]},"available":false,"name":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933763592442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897028022522,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358483374330,"product_id":7647747899642,"position":3,"created_at":"2022-06-20T14:05:54+09:00","updated_at":"2022-06-20T14:05:56+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556","variant_ids":[42897028022522]},"available":false,"name":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":149000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933763625210,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","options":["format"],"media":[{"alt":null,"id":29933763559674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","width":700},{"alt":null,"id":29933763592442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","width":1200},{"alt":null,"id":29933763625210,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1533100232\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=694158056\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMetallic silver vinyl ediiton of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, full color photo jackets with Risograph-printed lyric sheet inserts. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e3rd edition of 100 tapes. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally dubbed Super Ferric tapes in light pink shells imprinted with burgundy ink. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eI Was Trying to Describe You to Someone is Wednesday’s second full-length album \u0026amp; first as a full band. The Asheville, NC quintet (guitarist\/vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz \u0026amp; drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman’s bell-clear vocals \u0026amp; wisps of half-recalled memories \u0026amp; literary references that make up her lyrics. I Was Trying to Describe You to Someone’s eight songs meld elements of shoegaze, grunge, indie pop \u0026amp; southern American culture into a uniquely personal style of modern rock music that resonates with power \u0026amp; tenderness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWednesday began as a recording collaboration between Hartzman \u0026amp; Daniel during the winter of 2017, while both students at the University of North Carolina Asheville. While living on campus, the duo recorded a whimsical synth-pop LP entitled Yep, Definitely, influenced heavily by the album Reading, Writing and Arithmetic by English alternative rock group The Sundays (the inspiration for Wednesday’s own band name). The duo recruited Chelmis \u0026amp; Miller (along with original bassist Julien Melissas) to play a party at Karly’s sister’s house, \u0026amp; the full band had an instant chemistry that won over the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e small crowd. With the immediate support of Asheville’s underground music scene, Wednesday quickly became a local staple, appearing often at the band’s favorite Asheville venue, The Mothlight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSchultz replaced Melissas on bass in time for Wednesday’s first tour, \u0026amp; the new line-up recorded a collaborative EP with fellow Ashevillian MJ Lenderman, 2018’s How Do You Let Love into the Heart That Isn't Split Wide Open. The EP began Wednesday’s progression into darker instrumentation \u0026amp; lyrics, which continued on 2019’s Wednesday EP. After graduating from UNCA, Hartzman began writing the songs that would become Wednesday’s second full-length release, I Was Trying to Describe You to Someone. With the band contributing arrangements, the new songs placed more emphasis on the noise \u0026amp; dissonance of Chelmis’s lap steel \u0026amp; Gorham’s lead guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ever-darkening \u0026amp; deepening of Wednesdays’ sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, \u0026amp; their continued collaboration with MJ Lenderman (who lends backing vocals to the songs “Billboard” \u0026amp; “November”). I Was Trying to Describe You to Someone was recorded at Hartzman’s home with engineering assistance from her roommate Colin Miller. The depth \u0026amp; clarity of the recordings balance the distorted volume of Wednesday’s live performances with the intimacy of Hartzman’s voice. Her words hold the center of the chaos, unobscured by the power of the band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHartzman describes her lyrics as “attempts to access old personal memories \u0026amp; do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O’Connor, David Berman \u0026amp; Tom Robbins, \u0026amp; movies like Steel Magnolias.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。 シューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":7647743705338,"title":"Friendship \/\/ Dreamin' LP","handle":"friendship-dreamin-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ペンシルベニアのフォークバンドFriendshipが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリーフォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2435805834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200 black vinyls. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes souvenir postcard \u0026amp; complete album lyrics. 10 songs, 41 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOnstage, bassist Jon Samuels is the only Friendship member who stands up. He is usually swaying back and forth as the songs bear down, pulling together and apart. Friendship’s new record, Dreamin’ (out Nov 8th on Orindal Records) is an exorable wave of motion, endlessly rocking between intimacy and loneliness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe contemplative alt-country songs on Dreamin’ were recorded to tape in July last year with the help of The Low Anthem’s Jeff Prystowsky. The band moved away from the inclusion of digitally programmed drums and rhodes piano for Dreamin’, opting instead for a warmer, more organic aesthetic and a starker performance. Most of the songs on Dreamin’ took shape while Dan Wriggins (vocals and guitar) and Mike Cormier (drums) worked and lived as groundskeepers at a private estate in Swarthmore, Pennsylvania, frequently driving into Philadelphia for shows and friends. The record is set both in the country and the city – community, peacefulness, and isolation can all be heard and felt throughout the superb new record.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFriendship have retained a loyal cult following since their first offering in 2015, You’re Going to Have to Trust Me, which was released on Burst and Bloom Records that year. An EP on Sleeper Records and another record on their current label Orindal Records\u003cspan class=\"bcTruncateMore\"\u003e followed in 2017 – the acclaimed Shock Out of Season, bringing us forward to late 2019; when they will release their wonderful new album Dreamin’ on 8th November again via Orindal Records.\u003cbr\u003e\u003cbr\u003eThe songs of Dreamin’ are immediate yet gentle. They explore human signs and meaning and are as equally driven by moments of love and connection as they are by our total unknowing, even to those closest to us. In Not an Exit, the driver-narrator asks their passenger: “Can you see those cloudy symbols? \/ One for fine, two for miserable \/ three might stand for not insurmountable.” The language is unclear. The message is variable. The characters of Dreamin’ reflect our abiding search for love and understanding.\u003cbr\u003e\u003cbr\u003eElsewhere, lead single Clairvoyant is a thank you note to a friend who offered support during a tough period; “You asked if I’d been crying lately \/ I said “how can you tell?” \/ You said “I’m clairvoyant, baby”\u003cbr\u003e\u003cbr\u003eTalking about the track, Wriggins said: “I wrote “Clairvoyant” a couple days after seeing Willie Nelson perform in Camden, New Jersey at the BB\u0026amp;T Pavilion. My friend Mark had won tickets from a radio station, but had to bail the day before, so he gave me the tickets and I went alone. This is only tangentially represented in the action of the song. But I think it’s pertinent given Willie’s (and one or two others’) creepy ability to read minds.”\u003cbr\u003e\u003cbr\u003eThe lilting Dusky is a moving and shrewd account of the push and pull that occurs between two people figuring out how to be together, framed by the opening lines: “Blessed is the front porch \/ and your six Pabsts.” “My apartment in Philadelphia has a nice porch on a busy street. I love sitting there with a beer and my dog, Roy, and talking with friends, and watching people. There was a guy named Phil who would sit on his porch across the street and sing at the top of his lungs all day long. When people bothered him he would yell “I’m just out here trying to save my life.” Phil’s gone now, I don’t know where he went, I hope he didn’t die. I am generally clueless about what’s going on. The song is about the difficulty and wonder I’ve found in relationships with people with superhuman observational skills.” said Wriggins, reflecting on the song.\u003cbr\u003e\u003cbr\u003eThe lauded songwriter’s lyrics touch on both the smallest and the most significant moments that occur within human interaction. He reflects on those moments with a sharp wit, keenly observing and eloquently putting into words the unimportant twists and turns that over time become important – that become our experiences, our relationships, our lives. Dreamin’ offers hope with one hand and takes it away with the other. Immersed within swathes of lush Americana guitars, keys, soft, expressive drums and the haunting wail of a pedal steel, on Dreamin’, Friendship sounds more like Friendship than ever before.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Friendship\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:54:50+09:00","created_at":"2022-06-20T13:55:17+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":279000,"price_min":279000,"price_max":279000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897015472378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Friendship \/\/ Dreamin' LP","public_title":null,"options":["Default Title"],"price":279000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_bd961129-94f1-4b42-95d8-880e24c1a813.jpg?v=1655700919","\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_6f8348c3-1383-4a85-ac0c-ab6f0660f807.jpg?v=1655700919"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_bd961129-94f1-4b42-95d8-880e24c1a813.jpg?v=1655700919","options":["Title"],"media":[{"alt":null,"id":29933750780154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_bd961129-94f1-4b42-95d8-880e24c1a813.jpg?v=1655700919"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_bd961129-94f1-4b42-95d8-880e24c1a813.jpg?v=1655700919","width":700},{"alt":null,"id":29933750812922,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_6f8348c3-1383-4a85-ac0c-ab6f0660f807.jpg?v=1655700919"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_6f8348c3-1383-4a85-ac0c-ab6f0660f807.jpg?v=1655700919","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ペンシルベニアのフォークバンドFriendshipが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリーフォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2435805834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200 black vinyls. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes souvenir postcard \u0026amp; complete album lyrics. 10 songs, 41 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOnstage, bassist Jon Samuels is the only Friendship member who stands up. He is usually swaying back and forth as the songs bear down, pulling together and apart. Friendship’s new record, Dreamin’ (out Nov 8th on Orindal Records) is an exorable wave of motion, endlessly rocking between intimacy and loneliness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe contemplative alt-country songs on Dreamin’ were recorded to tape in July last year with the help of The Low Anthem’s Jeff Prystowsky. The band moved away from the inclusion of digitally programmed drums and rhodes piano for Dreamin’, opting instead for a warmer, more organic aesthetic and a starker performance. Most of the songs on Dreamin’ took shape while Dan Wriggins (vocals and guitar) and Mike Cormier (drums) worked and lived as groundskeepers at a private estate in Swarthmore, Pennsylvania, frequently driving into Philadelphia for shows and friends. The record is set both in the country and the city – community, peacefulness, and isolation can all be heard and felt throughout the superb new record.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFriendship have retained a loyal cult following since their first offering in 2015, You’re Going to Have to Trust Me, which was released on Burst and Bloom Records that year. An EP on Sleeper Records and another record on their current label Orindal Records\u003cspan class=\"bcTruncateMore\"\u003e followed in 2017 – the acclaimed Shock Out of Season, bringing us forward to late 2019; when they will release their wonderful new album Dreamin’ on 8th November again via Orindal Records.\u003cbr\u003e\u003cbr\u003eThe songs of Dreamin’ are immediate yet gentle. They explore human signs and meaning and are as equally driven by moments of love and connection as they are by our total unknowing, even to those closest to us. In Not an Exit, the driver-narrator asks their passenger: “Can you see those cloudy symbols? \/ One for fine, two for miserable \/ three might stand for not insurmountable.” The language is unclear. The message is variable. The characters of Dreamin’ reflect our abiding search for love and understanding.\u003cbr\u003e\u003cbr\u003eElsewhere, lead single Clairvoyant is a thank you note to a friend who offered support during a tough period; “You asked if I’d been crying lately \/ I said “how can you tell?” \/ You said “I’m clairvoyant, baby”\u003cbr\u003e\u003cbr\u003eTalking about the track, Wriggins said: “I wrote “Clairvoyant” a couple days after seeing Willie Nelson perform in Camden, New Jersey at the BB\u0026amp;T Pavilion. My friend Mark had won tickets from a radio station, but had to bail the day before, so he gave me the tickets and I went alone. This is only tangentially represented in the action of the song. But I think it’s pertinent given Willie’s (and one or two others’) creepy ability to read minds.”\u003cbr\u003e\u003cbr\u003eThe lilting Dusky is a moving and shrewd account of the push and pull that occurs between two people figuring out how to be together, framed by the opening lines: “Blessed is the front porch \/ and your six Pabsts.” “My apartment in Philadelphia has a nice porch on a busy street. I love sitting there with a beer and my dog, Roy, and talking with friends, and watching people. There was a guy named Phil who would sit on his porch across the street and sing at the top of his lungs all day long. When people bothered him he would yell “I’m just out here trying to save my life.” Phil’s gone now, I don’t know where he went, I hope he didn’t die. I am generally clueless about what’s going on. The song is about the difficulty and wonder I’ve found in relationships with people with superhuman observational skills.” said Wriggins, reflecting on the song.\u003cbr\u003e\u003cbr\u003eThe lauded songwriter’s lyrics touch on both the smallest and the most significant moments that occur within human interaction. He reflects on those moments with a sharp wit, keenly observing and eloquently putting into words the unimportant twists and turns that over time become important – that become our experiences, our relationships, our lives. Dreamin’ offers hope with one hand and takes it away with the other. Immersed within swathes of lush Americana guitars, keys, soft, expressive drums and the haunting wail of a pedal steel, on Dreamin’, Friendship sounds more like Friendship than ever before.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Friendship\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ペンシルベニアのフォークバンドFriendshipが、2019年にリリースしたアルバムです。 カントリーフォーク10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":7647741149434,"title":"Matt Bachmann \/\/ Walking Preference TAPE","handle":"matt-bachmann-walking-preference-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYのベッドルームポップ作家Matt Bachmannが、2019年に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eポストニューエイジ・アンビエントフォーク6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e当店おなじみの実験レーベルReading Group主宰Derek Baronも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3419382278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e2nd edition of 50\u003cspan\u003e \u003cbr\u003e6 tracks, 37 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMatt Bachmann (b. 1988, Chicago) is a musician\/composer\/songwriter based in New York. He’s collaborated as a bass plucker with Mega Bog, Hand Habits, Happy You, iji and Ed Askew and has crafted tunes under the monikers Big Eater, Pachanga and his own name. Bachmann’s debut Orindal Release, Unconditional Love, came out in 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalking Preference is Bachmann’s most recent collection of passionate instrumentals, expanding on the sound vs song work previously explored on earlier records. Recorded almost entirely on a Roland JX-3P, a Yamaha digital piano and a D.I. Guitar, Walking Preference inhabits an animated universe inspired by Miyazaki films and Nintendo fantasies — a world both natural and unreal. Air and space have been carefully manufactured. The playful drones and compositions within are full of bubbles and sharp turns while still adhering to the core tenants of Bachmann’s sound— that of beauty and space. Bachmann’s music is more sky than earth. Walking Preference zooms out.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalking Preference is the second tape in Orindal's ongoing series of instrumental Unguided Meditation tapes following Robert Stillman's Portals.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T14:05:54+09:00","created_at":"2022-06-20T13:49:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","orindal","post newage","tape"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897007214842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Matt Bachmann \/\/ Walking Preference TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_b2d800c8-127c-43f6-8476-145211c1ab54.jpg?v=1655700589","\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_514e10fd-e851-47b4-a90b-9c2e174e1594.jpg?v=1655700589"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_b2d800c8-127c-43f6-8476-145211c1ab54.jpg?v=1655700589","options":["Title"],"media":[{"alt":null,"id":29933746061562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_b2d800c8-127c-43f6-8476-145211c1ab54.jpg?v=1655700589"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_b2d800c8-127c-43f6-8476-145211c1ab54.jpg?v=1655700589","width":700},{"alt":null,"id":29933746094330,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_514e10fd-e851-47b4-a90b-9c2e174e1594.jpg?v=1655700589"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_514e10fd-e851-47b4-a90b-9c2e174e1594.jpg?v=1655700589","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYのベッドルームポップ作家Matt Bachmannが、2019年に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eポストニューエイジ・アンビエントフォーク6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e当店おなじみの実験レーベルReading Group主宰Derek Baronも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3419382278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e2nd edition of 50\u003cspan\u003e \u003cbr\u003e6 tracks, 37 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMatt Bachmann (b. 1988, Chicago) is a musician\/composer\/songwriter based in New York. He’s collaborated as a bass plucker with Mega Bog, Hand Habits, Happy You, iji and Ed Askew and has crafted tunes under the monikers Big Eater, Pachanga and his own name. Bachmann’s debut Orindal Release, Unconditional Love, came out in 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalking Preference is Bachmann’s most recent collection of passionate instrumentals, expanding on the sound vs song work previously explored on earlier records. Recorded almost entirely on a Roland JX-3P, a Yamaha digital piano and a D.I. Guitar, Walking Preference inhabits an animated universe inspired by Miyazaki films and Nintendo fantasies — a world both natural and unreal. Air and space have been carefully manufactured. The playful drones and compositions within are full of bubbles and sharp turns while still adhering to the core tenants of Bachmann’s sound— that of beauty and space. Bachmann’s music is more sky than earth. Walking Preference zooms out.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalking Preference is the second tape in Orindal's ongoing series of instrumental Unguided Meditation tapes following Robert Stillman's Portals.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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{"id":7647740952826,"title":"Ruth Garbus \/\/ Kleinmeister LP \/ CD","handle":"ruth-garbus-kleinmeister-lp-cd","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国バーモントのRuth Garbusが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e独特のコード進行が特徴的なベッドルームフォーク9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1890022230\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD edition of 500:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally replicated discs in black \u0026amp; white, \"eco-wallet\" gatefold sleeves, featuring original artwork by Ruth Garbus. 9 tracks, 36 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 250:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, black \u0026amp; white jackets with original artwork by Ruth Garbus \u0026amp; 11x11 Risograph-printed lyric sheet inserts. 9 tracks, 36 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e******\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"'\u003cem\u003eI go back to Ruth’s music over and over again. She has the best, weirdest chord changes, the catchiest and most exotic melodies and lyrics, distilled over what I imagine to be many months and years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"To me her songs reaffirm the power of music itself and its basic elements - big and small intervals placed just so in time, the play of sound and meaning in words, parts put together without force or artifice. Ruth is one of my favorite singer-songwriters ever.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e- Chris Cohen\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKleinmeister, the new album by Ruth Garbus, is a rarity, the holy wastewater of folk-rock decanted into the Lake of Avalon by a provincial plebe, turned into wine. It is sublime, and absurd, and infused with the green hills, grey cemeteries, and plastic detritus of her Brattleboro, Vermont home.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese compositions come from an odd but familiar world, chiaroscuro silver litter in the beam of a flashlight. In Garbus’s voice, too, the dark and light are combined - even the highest pitches contain pools of undertones, a depth. (She became fully expressed as a mezzo soprano, in both her range and her soul, with the aid of opera singer Jim Anderson, whom she studied with in 2017\/18.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first track of Kleinmeister is “Strash,” a sensual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ode inspired by the book Garbage Land by Elizabeth Royte, with unison singing by Julia Tadlock. This is followed by “Pain,” which builds in size and scope toward a kind of operatic emo-political drama, and achieves levitation with piano played by Travis Laplante (Battle Trance, Subtle Degrees), who also acted as producer, and additional production by Ryan Power, who mixed the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom there, Kleinmeister moves into barer bones, highlighting Garbus's resonant voice, rhythmic guitar, and the impeccable recording quality - it was recorded to two-inch tape at Guilford Sound in Guilford, VT by Dave Snyder. Sparse, skewed harmonies, sometimes sung by Tadlock, lilt throughout. The final track, “Fetty Wah,” features Laplante again, this time on tenor saxophone, with improvised melody lines that uplift but still contain a bit of the sorrow of the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGarbus’s prior solo recordings - 2010's Rendezvous with Rama LP and the EP’s Ruthie's Requests, Joule EP, and Hello Everybody - have been released on Burger Records, Autumn Records, Feeding Tube Records, and OSR Tapes. Currently, in addition to her solo performances, she improvises vocally with an experimental quintet featuring Wendy Eisenberg, Donny Shaw, Neil Young, and Andy Allen. She was previously in the bands Happy Birthday and Feathers\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ruth Garbus\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:56:55+09:00","created_at":"2022-06-20T13:47:31+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","lp","orindal"],"price":188000,"price_min":188000,"price_max":289000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897021206778,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358465057018,"product_id":7647740952826,"position":2,"created_at":"2022-06-20T13:47:31+09:00","updated_at":"2022-06-20T13:47:32+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452","variant_ids":[42897021206778]},"available":false,"name":"Ruth Garbus \/\/ Kleinmeister LP \/ CD - CD","public_title":"CD","options":["CD"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933744816378,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897021239546,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358465089786,"product_id":7647740952826,"position":3,"created_at":"2022-06-20T13:47:31+09:00","updated_at":"2022-06-20T13:47:32+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452","variant_ids":[42897021239546]},"available":false,"name":"Ruth Garbus \/\/ Kleinmeister LP \/ CD - LP","public_title":"LP","options":["LP"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":29933744849146,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/kl1_30873719-0ab2-47ff-8256-aec23812520d.jpg?v=1655700452","\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452","\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl1_30873719-0ab2-47ff-8256-aec23812520d.jpg?v=1655700452","options":["format"],"media":[{"alt":null,"id":29933744783610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl1_30873719-0ab2-47ff-8256-aec23812520d.jpg?v=1655700452"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl1_30873719-0ab2-47ff-8256-aec23812520d.jpg?v=1655700452","width":700},{"alt":null,"id":29933744816378,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452","width":1200},{"alt":null,"id":29933744849146,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国バーモントのRuth Garbusが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e独特のコード進行が特徴的なベッドルームフォーク9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1890022230\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD edition of 500:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally replicated discs in black \u0026amp; white, \"eco-wallet\" gatefold sleeves, featuring original artwork by Ruth Garbus. 9 tracks, 36 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 250:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, black \u0026amp; white jackets with original artwork by Ruth Garbus \u0026amp; 11x11 Risograph-printed lyric sheet inserts. 9 tracks, 36 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e******\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"'\u003cem\u003eI go back to Ruth’s music over and over again. She has the best, weirdest chord changes, the catchiest and most exotic melodies and lyrics, distilled over what I imagine to be many months and years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"To me her songs reaffirm the power of music itself and its basic elements - big and small intervals placed just so in time, the play of sound and meaning in words, parts put together without force or artifice. Ruth is one of my favorite singer-songwriters ever.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e- Chris Cohen\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKleinmeister, the new album by Ruth Garbus, is a rarity, the holy wastewater of folk-rock decanted into the Lake of Avalon by a provincial plebe, turned into wine. It is sublime, and absurd, and infused with the green hills, grey cemeteries, and plastic detritus of her Brattleboro, Vermont home.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese compositions come from an odd but familiar world, chiaroscuro silver litter in the beam of a flashlight. In Garbus’s voice, too, the dark and light are combined - even the highest pitches contain pools of undertones, a depth. (She became fully expressed as a mezzo soprano, in both her range and her soul, with the aid of opera singer Jim Anderson, whom she studied with in 2017\/18.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first track of Kleinmeister is “Strash,” a sensual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ode inspired by the book Garbage Land by Elizabeth Royte, with unison singing by Julia Tadlock. This is followed by “Pain,” which builds in size and scope toward a kind of operatic emo-political drama, and achieves levitation with piano played by Travis Laplante (Battle Trance, Subtle Degrees), who also acted as producer, and additional production by Ryan Power, who mixed the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom there, Kleinmeister moves into barer bones, highlighting Garbus's resonant voice, rhythmic guitar, and the impeccable recording quality - it was recorded to two-inch tape at Guilford Sound in Guilford, VT by Dave Snyder. Sparse, skewed harmonies, sometimes sung by Tadlock, lilt throughout. The final track, “Fetty Wah,” features Laplante again, this time on tenor saxophone, with improvised melody lines that uplift but still contain a bit of the sorrow of the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGarbus’s prior solo recordings - 2010's Rendezvous with Rama LP and the EP’s Ruthie's Requests, Joule EP, and Hello Everybody - have been released on Burger Records, Autumn Records, Feeding Tube Records, and OSR Tapes. Currently, in addition to her solo performances, she improvises vocally with an experimental quintet featuring Wendy Eisenberg, Donny Shaw, Neil Young, and Andy Allen. She was previously in the bands Happy Birthday and Feathers\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ruth Garbus\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国バーモントのRuth Garbusが、2019年にリリースしたアルバムです。 独特のコード進行が特徴的なベッドルームフォーク9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":7647249170682,"title":"Dear Nora \/\/ Skulls Example LP","handle":"dear-nora-skulls-example-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代から活動している\u003c\/span\u003eカリフォルニアのシンガーソングライターDear Noraが、2018年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e爽やかなインディーポップ14曲を収録。歌詞カードとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3163536435\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Songwriter Katy Davidson (preferred pronoun: they\/them) revived the band Dear Nora in January 2017 when Orindal Records reissued the thirteen-year-old album Mountain Rock on vinyl. The reissue received great acclaim and the band toured the west and east coasts last year. Spurred by the momentum, Davidson decided to create the first album of new Dear Nora material in a decade, Skulls Example.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist statement:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I wrote the songs on Skulls Example between 2009 and 2017, and recorded most of them during the latter half of 2017. \"Skulls Example\" is a name I once chose for myself during a party by closing my eyes and picking two words at random from a book of magic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI tracked most of the basic instruments for each song with my bandmates Zach Burba (bass\/synth), Greg Campanile (drums), and Jessica Jones (guitar) at a studio in Portland, Oregon. We used nice microphones, ran audio into a Mackie mixer, then ran stereo audio out of the mixer to a Tascam 4-track cassette recorder. Then I bounced the individual instrument tracks from cassette to Ableton Live on my laptop. Zach overdubbed a lot of the bass and synth tracks remotely from his house in Seattle. I tracked all the vocals and recorded some guitar overdubs in a reverberant empty bedroom in\u003cspan class=\"bcTruncateMore\"\u003e my house in Portland. Engineer Tim Shrout expertly mixed the album on ProTools while I micromanaged.\u003cbr\u003e\u003cbr\u003eIt has been a decade since I have released new material under the name Dear Nora. The last time I released an album of new material was in 2011 – that was called California Lite and it was under the band name Key Losers. Thematically, California Lite makes sense as an early warm-up to Skulls Example. It’s about freeways, the internet, human connections (and broken connections), and wilderness.\u003cbr\u003e\u003cbr\u003eSkulls Example is about how our weird, techno-futuristic present (VR, self-driving cars, drones, Tinder dates, reality TV show government, Starbucks ubiquity, iPhone as extension of human body, Blade Runner -esque income inequality, cryptocurrency “utopias\", etc.) juxtaposes so absurdly against the never-ending backdrop of inexorable, ancient elements (fire, ice, wind, storms, mountains, rocks, human instinct, etc) . It’s like we live in multiple realities at once: Now Reality layered upon Ancient Reality, Virtual Reality layered upon Now Reality. The palimpsest creates the illusion of collapsed time.\u003cbr\u003e\u003cbr\u003eThe album is specifically about humanity. Our capacities and feats are so incredible – we’re godlike – and yet we're scrounging for happiness and basic survival, we're heavily addicted, we just want love, we want family. We’re simultaneously so brilliant and so basic. To me, this feels like the worst and best time to be alive. I experience some level of horror and bliss on a daily basis.\u003cbr\u003e\u003cbr\u003eOne of the reasons I “retired” Dear Nora ten years ago was because I couldn’t figure out how to navigate financial stability as a full-time songwriter and touring musician. And for the last three years, I’ve worked as a commercial music producer. I enjoy my work, but I constantly think about how I’m contributing to the Massive Capitalistic Garbage Dump of Life. When Trump got elected, I knew it was time to make a new album.\u003cbr\u003e\u003cbr\u003eI derived a ton of lyrical inspiration from several recent visits to Oaxaca and Mexico City. I’m fairly obsessed with Mexico’s culture, music, and attitude towards death. I also derived inspiration from the Mojave desert and Oregon’s high desert, places where there are creosote or juniper trees, and fields of ancient lava rock. To me there’s nothing like letting go of my thoughts and being in the dusty, sensual wilderness. Living on Earth feels like pure magic to me and I tried to bring that feeling to this album.\u003cbr\u003e\u003cbr\u003eStylistically, I tried to channel all my favorite songs by Billy Bragg, Leonard Cohen, Gang of Four, Prince, Frank Ocean, Young Marble Giants, Lou Reid, Vangelis, Joni Mitchell, and Enya.\u003cbr\u003e\u003cbr\u003eThis album would not exist without the extraordinary contributions of my immensely talented collaborators. Thank you\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dear Nora\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T08:52:50+09:00","created_at":"2022-06-19T12:25:12+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":268000,"price_min":268000,"price_max":268000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42894923792634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dear Nora \/\/ Skulls Example LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sk1_4d90cb81-9145-4994-a6c2-4cbcbd632180.jpg?v=1655609115","\/\/tobirarecords.com\/cdn\/shop\/products\/sk2_da2ace1c-5829-46f3-aad2-c53072519364.jpg?v=1655609114"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk1_4d90cb81-9145-4994-a6c2-4cbcbd632180.jpg?v=1655609115","options":["Title"],"media":[{"alt":null,"id":29930163273978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk1_4d90cb81-9145-4994-a6c2-4cbcbd632180.jpg?v=1655609115"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk1_4d90cb81-9145-4994-a6c2-4cbcbd632180.jpg?v=1655609115","width":700},{"alt":null,"id":29930163306746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk2_da2ace1c-5829-46f3-aad2-c53072519364.jpg?v=1655609114"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk2_da2ace1c-5829-46f3-aad2-c53072519364.jpg?v=1655609114","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代から活動している\u003c\/span\u003eカリフォルニアのシンガーソングライターDear Noraが、2018年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e爽やかなインディーポップ14曲を収録。歌詞カードとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3163536435\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Songwriter Katy Davidson (preferred pronoun: they\/them) revived the band Dear Nora in January 2017 when Orindal Records reissued the thirteen-year-old album Mountain Rock on vinyl. The reissue received great acclaim and the band toured the west and east coasts last year. Spurred by the momentum, Davidson decided to create the first album of new Dear Nora material in a decade, Skulls Example.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist statement:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I wrote the songs on Skulls Example between 2009 and 2017, and recorded most of them during the latter half of 2017. \"Skulls Example\" is a name I once chose for myself during a party by closing my eyes and picking two words at random from a book of magic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI tracked most of the basic instruments for each song with my bandmates Zach Burba (bass\/synth), Greg Campanile (drums), and Jessica Jones (guitar) at a studio in Portland, Oregon. We used nice microphones, ran audio into a Mackie mixer, then ran stereo audio out of the mixer to a Tascam 4-track cassette recorder. Then I bounced the individual instrument tracks from cassette to Ableton Live on my laptop. Zach overdubbed a lot of the bass and synth tracks remotely from his house in Seattle. I tracked all the vocals and recorded some guitar overdubs in a reverberant empty bedroom in\u003cspan class=\"bcTruncateMore\"\u003e my house in Portland. Engineer Tim Shrout expertly mixed the album on ProTools while I micromanaged.\u003cbr\u003e\u003cbr\u003eIt has been a decade since I have released new material under the name Dear Nora. The last time I released an album of new material was in 2011 – that was called California Lite and it was under the band name Key Losers. Thematically, California Lite makes sense as an early warm-up to Skulls Example. It’s about freeways, the internet, human connections (and broken connections), and wilderness.\u003cbr\u003e\u003cbr\u003eSkulls Example is about how our weird, techno-futuristic present (VR, self-driving cars, drones, Tinder dates, reality TV show government, Starbucks ubiquity, iPhone as extension of human body, Blade Runner -esque income inequality, cryptocurrency “utopias\", etc.) juxtaposes so absurdly against the never-ending backdrop of inexorable, ancient elements (fire, ice, wind, storms, mountains, rocks, human instinct, etc) . It’s like we live in multiple realities at once: Now Reality layered upon Ancient Reality, Virtual Reality layered upon Now Reality. The palimpsest creates the illusion of collapsed time.\u003cbr\u003e\u003cbr\u003eThe album is specifically about humanity. Our capacities and feats are so incredible – we’re godlike – and yet we're scrounging for happiness and basic survival, we're heavily addicted, we just want love, we want family. We’re simultaneously so brilliant and so basic. To me, this feels like the worst and best time to be alive. I experience some level of horror and bliss on a daily basis.\u003cbr\u003e\u003cbr\u003eOne of the reasons I “retired” Dear Nora ten years ago was because I couldn’t figure out how to navigate financial stability as a full-time songwriter and touring musician. And for the last three years, I’ve worked as a commercial music producer. I enjoy my work, but I constantly think about how I’m contributing to the Massive Capitalistic Garbage Dump of Life. When Trump got elected, I knew it was time to make a new album.\u003cbr\u003e\u003cbr\u003eI derived a ton of lyrical inspiration from several recent visits to Oaxaca and Mexico City. I’m fairly obsessed with Mexico’s culture, music, and attitude towards death. I also derived inspiration from the Mojave desert and Oregon’s high desert, places where there are creosote or juniper trees, and fields of ancient lava rock. To me there’s nothing like letting go of my thoughts and being in the dusty, sensual wilderness. Living on Earth feels like pure magic to me and I tried to bring that feeling to this album.\u003cbr\u003e\u003cbr\u003eStylistically, I tried to channel all my favorite songs by Billy Bragg, Leonard Cohen, Gang of Four, Prince, Frank Ocean, Young Marble Giants, Lou Reid, Vangelis, Joni Mitchell, and Enya.\u003cbr\u003e\u003cbr\u003eThis album would not exist without the extraordinary contributions of my immensely talented collaborators. Thank you\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dear Nora\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。 本作は、1990年代から活動しているカリフォルニアのシンガーソングライターDear Noraが、2018年にリリースしたレコードです。 爽やかなインディーポップ14曲を収録。歌詞カードとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":7647248679162,"title":"Karima Walker \/\/ Hands in Our Names TAPE","handle":"karima-walker-hands-in-our-names-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライター作家Karima Walkerが、2017年に135本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン・ポップ12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3649996278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e135 copies. 12 tracks, 40 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eHands in Our Names, the first full-length album from Tucson, Arizona experimental musician Karima Walker, is a hypnotizing patchwork of drone, folk, psychedelia, field recordings and tape loops. Equal parts gorgeous and abrasive, comforting and confounding, Hands in Our Names builds abstract song-collages from disparate sonic components, isolating and harmonizing a wild array of instruments and textures across the span of twelve interwoven tracks. Hands in Our Names is dizzyingly abstract at moments, but taken as a whole, the album moves like a half-remembered travelogue, with Walker's understated, measured and beautiful singing voice acting as a compassionate tour guide through a wrecked landscape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Orindal edition of Hands in Our Names is a remixed, resequenced and remastered version of a self-released 2016 cassette that went out of print almost immediately, but not before grabbing the attention of discerning music blogs like Yab Yum West, Raised by Gypsies and Wake the Deaf, who named Hands in Our Names one of their favorite albums of 2016.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karima Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T18:38:36+09:00","created_at":"2022-06-19T12:18:01+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","orindal","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42894916485370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Karima Walker \/\/ Hands in Our Names TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a60774b9-abe1-4b9d-804d-cbc09072064b.jpg?v=1655608682","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_5c64dd4f-9b06-4c42-a323-a7221ba9f169.jpg?v=1655608682"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a60774b9-abe1-4b9d-804d-cbc09072064b.jpg?v=1655608682","options":["Title"],"media":[{"alt":null,"id":29930155704570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a60774b9-abe1-4b9d-804d-cbc09072064b.jpg?v=1655608682"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a60774b9-abe1-4b9d-804d-cbc09072064b.jpg?v=1655608682","width":700},{"alt":null,"id":29930155737338,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_5c64dd4f-9b06-4c42-a323-a7221ba9f169.jpg?v=1655608682"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_5c64dd4f-9b06-4c42-a323-a7221ba9f169.jpg?v=1655608682","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライター作家Karima Walkerが、2017年に135本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン・ポップ12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3649996278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e135 copies. 12 tracks, 40 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eHands in Our Names, the first full-length album from Tucson, Arizona experimental musician Karima Walker, is a hypnotizing patchwork of drone, folk, psychedelia, field recordings and tape loops. 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