jazz / impro
![David Lavoie & Carson Tworow // Teardown LP [COLOR]](http://tobirarecords.com/cdn/shop/files/tear1_0542f85e-995a-4e02-b96e-0dc517101145_medium.jpg?v=1729156038)
クイックビュー
{"id":9214918721786,"title":"David Lavoie \u0026 Carson Tworow \/\/ Teardown LP [COLOR]","handle":"david-lavoie-carson-tworow-teardown-lp-color","description":"\u003cp\u003e\u003cspan\u003eカナダ・アルベルタのトランペット奏者David LavoieとバンクーバーのパーカッショニストCarson Tworowが、2024年10月に\u003c\/span\u003e\u003cspan\u003eカルガリーのLo-Fi\u003c\/span\u003e\u003cspan\u003eヒップホップレーベルInner Oceanからリリースした共作アルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo-Fiジャズ・ヒップホップ10曲を収録。クリーム盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1882871963\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Inner Ocean Records\" href=\"https:\/\/soundcloud.com\/inneroceanrecords\" target=\"_blank\"\u003eInner Ocean Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Teardown\" href=\"https:\/\/soundcloud.com\/inneroceanrecords\/sets\/teardown\" target=\"_blank\"\u003eTeardown\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInner Ocean Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on 12\" cream\/grey vinyl (edition of 100) or cassette in norelco case (edition of 150). Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eden 03:20\u003cbr\u003e2. Blindside 02:44\u003cbr\u003e3. Where Are You Going 04:23\u003cbr\u003e4. Cypress 03:32\u003cbr\u003e5. Mantra 03:16\u003cbr\u003e6. Hot Commodity 02:45\u003cbr\u003e7. Refraction 03:15\u003cbr\u003e8. Unbothered 02:49\u003cbr\u003e9. Maybe It's Overrated 03:23\u003cbr\u003e10. The Slabs 04:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInner Ocean Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe second full length album by Canada based pals David Lavoie and Carson Tworow. Forging ahead in the world of jazz today, \"Teardown\" is a clear evolutionary path forward from their debut effort \"Urban Repurpose\". Inspired by the urban landscape of Western Canada, where heritage homes are rarely preserved but instead \"torn down\" to be replaced by the brand new and shiny. Our urban space is changing at a rapid pace, let Lavoie and Tworow present a provocative musical commentary on a complex topic.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lavoie \u0026amp; Carson Tworow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Inner Ocean Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-04T05:06:04+09:00","created_at":"2026-05-04T05:05:35+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","inner ocean records","jazz","lp","new"],"price":598300,"price_min":598300,"price_max":598300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48834696478970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Lavoie \u0026 Carson Tworow \/\/ Teardown LP [COLOR]","public_title":null,"options":["Default Title"],"price":598300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tear1_0542f85e-995a-4e02-b96e-0dc517101145.jpg?v=1729156038","\/\/tobirarecords.com\/cdn\/shop\/files\/tear2_833e6b31-0788-4a9b-9870-286de9f4f6de.jpg?v=1729156038"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear1_0542f85e-995a-4e02-b96e-0dc517101145.jpg?v=1729156038","options":["Title"],"media":[{"alt":null,"id":35069976772858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear1_0542f85e-995a-4e02-b96e-0dc517101145.jpg?v=1729156038"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear1_0542f85e-995a-4e02-b96e-0dc517101145.jpg?v=1729156038","width":700},{"alt":null,"id":35069976805626,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear2_833e6b31-0788-4a9b-9870-286de9f4f6de.jpg?v=1729156038"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear2_833e6b31-0788-4a9b-9870-286de9f4f6de.jpg?v=1729156038","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・アルベルタのトランペット奏者David LavoieとバンクーバーのパーカッショニストCarson Tworowが、2024年10月に\u003c\/span\u003e\u003cspan\u003eカルガリーのLo-Fi\u003c\/span\u003e\u003cspan\u003eヒップホップレーベルInner Oceanからリリースした共作アルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo-Fiジャズ・ヒップホップ10曲を収録。クリーム盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1882871963\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Inner Ocean Records\" href=\"https:\/\/soundcloud.com\/inneroceanrecords\" target=\"_blank\"\u003eInner Ocean Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Teardown\" href=\"https:\/\/soundcloud.com\/inneroceanrecords\/sets\/teardown\" target=\"_blank\"\u003eTeardown\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInner Ocean Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on 12\" cream\/grey vinyl (edition of 100) or cassette in norelco case (edition of 150). Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eden 03:20\u003cbr\u003e2. Blindside 02:44\u003cbr\u003e3. Where Are You Going 04:23\u003cbr\u003e4. Cypress 03:32\u003cbr\u003e5. Mantra 03:16\u003cbr\u003e6. Hot Commodity 02:45\u003cbr\u003e7. Refraction 03:15\u003cbr\u003e8. Unbothered 02:49\u003cbr\u003e9. Maybe It's Overrated 03:23\u003cbr\u003e10. The Slabs 04:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInner Ocean Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe second full length album by Canada based pals David Lavoie and Carson Tworow. Forging ahead in the world of jazz today, \"Teardown\" is a clear evolutionary path forward from their debut effort \"Urban Repurpose\". Inspired by the urban landscape of Western Canada, where heritage homes are rarely preserved but instead \"torn down\" to be replaced by the brand new and shiny. Our urban space is changing at a rapid pace, let Lavoie and Tworow present a provocative musical commentary on a complex topic.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lavoie \u0026amp; Carson Tworow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Inner Ocean Records\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
カナダ・アルベルタのトランペット奏者David LavoieとバンクーバーのパーカッショニストCarson Tworowが、2024年10月にカルガリーのLo-FiヒップホップレーベルInner Oceanからリリースした共作アルバムです。 Lo-Fiジャズ・ヒップホップ10曲を収録。クリーム盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Inner Ocean Records · Teardown レーベルその他作品はこちら /// Click here to see...
¥5,983
クイックビュー
{"id":9212582985978,"title":"We Jazz Magazine \/\/ Winter 2022 \"Revelation\" MAGAZINE","handle":"we-jazz-magazine-winter-2022-revelation-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 6 \/ Winter 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRevelation\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah \/ Jazz Composers Orchestra by Seymour Wright, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG06\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-03T06:34:37+09:00","created_at":"2026-05-01T11:29:39+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48810358407418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Winter 2022 \"Revelation\" MAGAZINE","public_title":null,"options":["Default Title"],"price":399000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653","options":["Title"],"media":[{"alt":null,"id":39215796224250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 6 \/ Winter 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRevelation\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah \/ Jazz Composers Orchestra by Seymour Wright, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG06\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年冬号です。 ほぼフルカラーの全文英語128ページです。 We Jazz Magazine, Issue 6 / Winter 2022 "Revelation" for...
¥3,990
クイックビュー
{"id":9212582625530,"title":"We Jazz Magazine \/\/ Fall 2022 \"Oisters\" MAGAZINE","handle":"we-jazz-magazine-fall-2022-oisters-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年秋号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 9 \/ Fall 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOisters\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePetter Eldh\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePetter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJMAG09\u003c\/p\u003e","published_at":"2026-05-03T06:34:03+09:00","created_at":"2026-05-01T11:26:31+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48810355851514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Fall 2022 \"Oisters\" MAGAZINE","public_title":null,"options":["Default Title"],"price":399000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oi1_52c9f2e7-9d04-4b38-989a-2484e09481c8.jpg?v=1777602453","\/\/tobirarecords.com\/cdn\/shop\/files\/oi2_3c19628e-9ba6-4040-9422-fe93d3566832.jpg?v=1777602453","\/\/tobirarecords.com\/cdn\/shop\/files\/oi3.jpg?v=1777602453","\/\/tobirarecords.com\/cdn\/shop\/files\/oi4.jpg?v=1777602453"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi1_52c9f2e7-9d04-4b38-989a-2484e09481c8.jpg?v=1777602453","options":["Title"],"media":[{"alt":null,"id":39215785083130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi1_52c9f2e7-9d04-4b38-989a-2484e09481c8.jpg?v=1777602453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi1_52c9f2e7-9d04-4b38-989a-2484e09481c8.jpg?v=1777602453","width":1200},{"alt":null,"id":39215785115898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi2_3c19628e-9ba6-4040-9422-fe93d3566832.jpg?v=1777602453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi2_3c19628e-9ba6-4040-9422-fe93d3566832.jpg?v=1777602453","width":1200},{"alt":null,"id":39215785148666,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi3.jpg?v=1777602453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi3.jpg?v=1777602453","width":1200},{"alt":null,"id":39215785181434,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi4.jpg?v=1777602453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oi4.jpg?v=1777602453","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年秋号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 9 \/ Fall 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOisters\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePetter Eldh\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePetter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJMAG09\u003c\/p\u003e"}
You may also like:
フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年秋号です。 ほぼフルカラーの全文英語128ページです。 We Jazz Magazine, Issue 9 / Fall 2022 "Oisters" for...
¥3,990
クイックビュー
{"id":9212349743354,"title":"memotone \/\/ Memotone EP LP","handle":"memotone-memotone-ep-lp","description":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e","published_at":"2026-05-01T05:01:59+09:00","created_at":"2026-05-01T05:01:27+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","sahko recordings","strange beats"],"price":479500,"price_min":479500,"price_max":479500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48808132247802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"memotone \/\/ Memotone EP LP","public_title":null,"options":["Default Title"],"price":479500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"5050580805972","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","options":["Title"],"media":[{"alt":null,"id":31990418374906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","width":700},{"alt":null,"id":31990418407674,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e"}
You may also like:
イギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベルSahko Recordingsからリリースしたレコードです。 実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。 前作もおすすめです。 レーベルその他作品はこちら /// Click here to see more Sahko Recordings releases available at Tobira....
¥4,795
クイックビュー
{"id":9211385381114,"title":"Kristofer Svensson, Maya Bennardo, Erik Blennow Calälv \/\/ For a Lemon Tree CD","handle":"kristofer-svensson-maya-bennardo-erik-blennow-calalv-for-a-lemon-tree-cd","description":"\u003cp\u003eKristofer Svensson, Maya Bennardo, Erik Blennow Calälvが、2026年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eバイオリンとバスクラリネット、インドネシアのカチャピーによる室内楽〜インプロ2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、Kristofer Svenssonへのインタビューの抜粋です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cstrong\u003e『For a Lemon Tree』は、12分間のタイトル曲と、それよりはるかに長い『Improvisation on Prakāśa』の2曲で構成されています。両曲とも、マヤ・ベナルド（ヴァイオリン）、エリック・ブレノウ・カラルヴ（バスクラリネット）、そしてあなた自身によるカチャピ（インドネシアのツィターの一種）のトリオによって演奏されています。どの程度が即興なのか、私にははっきりしません。両曲の構成について説明していただけますか？\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Improvisation on Prakāśa』では、特定の調律と形式の枠内で即興が行われますが、『For a Lemon Tree』は完全に記譜されています。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Prakāśa』への指示は非常に簡潔です。楽譜の最初のページには調律が示され、和声的な領域——サブモードの領域、調整可能な経路、そして明確に示された際に音程を合わせる楽器が傾けることができる、いくつかの暗示された近似音——が図示されています。2ページ目（そして最後のページ）には、素材を導入したり省略したりするための順序を示す、単純な大規模な形式が記されており、そのためこの曲は演奏されるたびに似たような和声的な形を生み出す傾向があります。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれにより実際に得られるのは、即興のための音符のパレットだけでなく、一連の制約と可能性です。音程が不均等で極めて特異であるため、このモードは中立的な音階のように振る舞わないのです。どの音程の組み合わせが実際に落ち着くか、どの二音和音が自力で安定することを拒むか、どの三音の構成が穏やかに感じられるか、そしてどこに緊張が自然に集まるかを示唆するのです。これらすべてが相まって、独特な調和的な響き、つまり感情的な雰囲気、一種の「ラーサ」を生み出します。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e同時に、この感情が調律そのものに組み込まれていると言うのは誤解を招きます。それは関係性の中で、演奏の中で、私たちがモードをどのように移動していくかを通じて生じるのです。リハーサルは一種の知覚的学習となり、そこで私たちは演奏を通じて調律を内面化し、自分たちなりの楽曲像を形作っていきます。即興こそが私たちの方法ではあるが、毎回何か新しいことをしなければならないという義務とは捉えていません。私たちの実践は、モードの深みへと入り込み、楽曲が徐々に明らかになっていくのを待つことにあります――それは外側から研究する対象としてではなく、演奏を通じてのみ生じ得るものとして……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=368352009\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. For a Lemon Tree 12:59\u003cbr\u003e2. Improvisation on Prakāśa, June 10, 2024 43:45\u003c\/p\u003e\n\u003cp\u003eText excerpt from an interview with Kristofer Svensson:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003e‘For a Lemon Tree' consists of two pieces: the title track, which lasts 12 minutes, and the much longer ‘Improvisation on Prakāśa’. Both tracks are played by the trio of Maya Bennardo (violin), Erik Blennow Calälv (bass clarinet) and yourself on kacapi (a kind of zither from Indonesia). I’m not clear how much of the music is improvised. Could you explain how both pieces work?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Improvisation on Prakāśa the music is improvised within a tuning and form, while For a lemon tree is fully notated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe instructions to Prakāśa are quite brief. The first page of the score gives the tuning and maps the harmonic terrain: sub-modal regions, tunable paths, and a few implied near-pitches that intonating instruments can lean toward when they’re clearly suggested. The second (and last) page gives a simple large-scale form—an order for introducing and omitting materials—so the piece tends to generate a similar harmonic shape each time it’s played.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat this gives us in practice is not just a palette of notes to improvise with, but a set of constraints and affordances. Because the intervals are unequal and highly specific, the mode doesn’t behave like a neutral scale: it suggests which pitch combinations can\u003cspan class=\"bcTruncateMore\"\u003e actually settle, which dyads resist stabilizing on their own, which three-note constellations feel calm, and where tension naturally collects. All of this adds up to a distinct attunemental tone: an affective atmosphere, a kind of 'rasa'.\u003cbr\u003e\u003cbr\u003eAt the same time, it would be misleading to say that this affect is built into the tuning itself. It arises relationally, in performance, through how we move through the mode. Rehearsal becomes a kind of perceptual learning where we internalize the tuning by performing it, and we work out our version of the piece. While improvisation is our method, we don’t treat it as an obligation to do something new every time. Our practice is more about going deeper into the mode and letting the piece gradually clarify for us—not as something we study from the outside, but as something that can only arise through playing...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristofer Svensson, Maya Bennardo, Erik Blennow Calälv\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : at253\u003c\/p\u003e\n\u003cp\u003eRelease date : 18th April 2026\u003c\/p\u003e","published_at":"2026-05-03T14:39:15+09:00","created_at":"2026-04-30T11:02:12+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","jazz","new"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48794670891258,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kristofer Svensson, Maya Bennardo, Erik Blennow Calälv \/\/ For a Lemon Tree CD","public_title":null,"options":["Default Title"],"price":268000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lem2_1b1b72c8-d032-4f8b-a868-a7a95cb1d0b7.jpg?v=1777514430","\/\/tobirarecords.com\/cdn\/shop\/files\/lem1_02aa74f4-ef75-428b-af54-0df09d094fa9.jpg?v=1777514430"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem2_1b1b72c8-d032-4f8b-a868-a7a95cb1d0b7.jpg?v=1777514430","options":["Title"],"media":[{"alt":null,"id":39199252873466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem2_1b1b72c8-d032-4f8b-a868-a7a95cb1d0b7.jpg?v=1777514430"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem2_1b1b72c8-d032-4f8b-a868-a7a95cb1d0b7.jpg?v=1777514430","width":1200},{"alt":null,"id":39199252840698,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem1_02aa74f4-ef75-428b-af54-0df09d094fa9.jpg?v=1777514430"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lem1_02aa74f4-ef75-428b-af54-0df09d094fa9.jpg?v=1777514430","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKristofer Svensson, Maya Bennardo, Erik Blennow Calälvが、2026年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eバイオリンとバスクラリネット、インドネシアのカチャピーによる室内楽〜インプロ2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、Kristofer Svenssonへのインタビューの抜粋です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cstrong\u003e『For a Lemon Tree』は、12分間のタイトル曲と、それよりはるかに長い『Improvisation on Prakāśa』の2曲で構成されています。両曲とも、マヤ・ベナルド（ヴァイオリン）、エリック・ブレノウ・カラルヴ（バスクラリネット）、そしてあなた自身によるカチャピ（インドネシアのツィターの一種）のトリオによって演奏されています。どの程度が即興なのか、私にははっきりしません。両曲の構成について説明していただけますか？\u003c\/strong\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Improvisation on Prakāśa』では、特定の調律と形式の枠内で即興が行われますが、『For a Lemon Tree』は完全に記譜されています。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Prakāśa』への指示は非常に簡潔です。楽譜の最初のページには調律が示され、和声的な領域——サブモードの領域、調整可能な経路、そして明確に示された際に音程を合わせる楽器が傾けることができる、いくつかの暗示された近似音——が図示されています。2ページ目（そして最後のページ）には、素材を導入したり省略したりするための順序を示す、単純な大規模な形式が記されており、そのためこの曲は演奏されるたびに似たような和声的な形を生み出す傾向があります。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれにより実際に得られるのは、即興のための音符のパレットだけでなく、一連の制約と可能性です。音程が不均等で極めて特異であるため、このモードは中立的な音階のように振る舞わないのです。どの音程の組み合わせが実際に落ち着くか、どの二音和音が自力で安定することを拒むか、どの三音の構成が穏やかに感じられるか、そしてどこに緊張が自然に集まるかを示唆するのです。これらすべてが相まって、独特な調和的な響き、つまり感情的な雰囲気、一種の「ラーサ」を生み出します。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e同時に、この感情が調律そのものに組み込まれていると言うのは誤解を招きます。それは関係性の中で、演奏の中で、私たちがモードをどのように移動していくかを通じて生じるのです。リハーサルは一種の知覚的学習となり、そこで私たちは演奏を通じて調律を内面化し、自分たちなりの楽曲像を形作っていきます。即興こそが私たちの方法ではあるが、毎回何か新しいことをしなければならないという義務とは捉えていません。私たちの実践は、モードの深みへと入り込み、楽曲が徐々に明らかになっていくのを待つことにあります――それは外側から研究する対象としてではなく、演奏を通じてのみ生じ得るものとして……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=368352009\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. For a Lemon Tree 12:59\u003cbr\u003e2. Improvisation on Prakāśa, June 10, 2024 43:45\u003c\/p\u003e\n\u003cp\u003eText excerpt from an interview with Kristofer Svensson:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cem\u003e‘For a Lemon Tree' consists of two pieces: the title track, which lasts 12 minutes, and the much longer ‘Improvisation on Prakāśa’. Both tracks are played by the trio of Maya Bennardo (violin), Erik Blennow Calälv (bass clarinet) and yourself on kacapi (a kind of zither from Indonesia). I’m not clear how much of the music is improvised. Could you explain how both pieces work?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Improvisation on Prakāśa the music is improvised within a tuning and form, while For a lemon tree is fully notated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe instructions to Prakāśa are quite brief. The first page of the score gives the tuning and maps the harmonic terrain: sub-modal regions, tunable paths, and a few implied near-pitches that intonating instruments can lean toward when they’re clearly suggested. The second (and last) page gives a simple large-scale form—an order for introducing and omitting materials—so the piece tends to generate a similar harmonic shape each time it’s played.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhat this gives us in practice is not just a palette of notes to improvise with, but a set of constraints and affordances. Because the intervals are unequal and highly specific, the mode doesn’t behave like a neutral scale: it suggests which pitch combinations can\u003cspan class=\"bcTruncateMore\"\u003e actually settle, which dyads resist stabilizing on their own, which three-note constellations feel calm, and where tension naturally collects. All of this adds up to a distinct attunemental tone: an affective atmosphere, a kind of 'rasa'.\u003cbr\u003e\u003cbr\u003eAt the same time, it would be misleading to say that this affect is built into the tuning itself. It arises relationally, in performance, through how we move through the mode. Rehearsal becomes a kind of perceptual learning where we internalize the tuning by performing it, and we work out our version of the piece. While improvisation is our method, we don’t treat it as an obligation to do something new every time. Our practice is more about going deeper into the mode and letting the piece gradually clarify for us—not as something we study from the outside, but as something that can only arise through playing...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kristofer Svensson, Maya Bennardo, Erik Blennow Calälv\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : at253\u003c\/p\u003e\n\u003cp\u003eRelease date : 18th April 2026\u003c\/p\u003e"}
You may also like:
Kristofer Svensson, Maya Bennardo, Erik Blennow Calälvが、2026年4月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした共作CDです。 バイオリンとバスクラリネット、インドネシアのカチャピーによる室内楽〜インプロ2曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 以下、Kristofer Svenssonへのインタビューの抜粋です。 "『For a Lemon...
¥2,680
クイックビュー
{"id":9211344093434,"title":"Satoshi \u0026 Makoto \/\/ Mirage Cafe LP","handle":"sama","description":"\u003cp\u003e神奈川のバレアリック双子デュオSatoshi \u0026amp; Makotoが、2026年4月にイタリアの8mm Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e清涼感抜群のバレアリック・エレクトロニカ〜ポストニューエイジ・アンビエント〜シンセウェーブ〜エレクトロニック・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e部屋の温度が少し下がる気がするので今夏の節電対策にもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から6年、Satoshi \u0026amp; Makotoは待望のニューアルバム『Mirage Cafe』をリリースしました。8mm Recordsにて制作された本作は、Standart Magazineとのユニークなコラボレーションから誕生しました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e単なる音楽の集まり以上に、『Mirage Cafe』は「完全に没入型の感覚体験」を提供します。今作で彼らは、自分たちの特徴的なサウンドをより深く、よりシネマティックな領域へと拡張しました。洗練されたエレクトロニカとアンビエントの質感、そして微かなジャズの抑揚と控えめながらも耳に残るグルーヴを、見事に融合させています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルは、熟考、繋がり、そしてインスピレーションが交差する概念的な空間である架空のカフェを想起させます。このビジョンは、Standart Magazineとのパートナーシップによってさらに豊かになり、音楽とコーヒーカルチャーの世界を、親密であると同時に国際的な物語へと橋渡ししています。その結果、温かく、包み込むような、そして細部まで注意深く作り込まれた「ゆっくりとした儀式」のように展開するアルバムとなりました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコード全体を通して、Satoshi \u0026amp; Makotoは成熟し、自信に満ちたソングライティングへのアプローチを示しています。プロダクションは豊かでありながら抑制されており、内省的な静けさと前進する感覚のバランスをとっています。贅沢なハーモニーと没入感のあるサウンドデザインにより、『Mirage Cafe』はリスナーを深く集中させ、あるいは深夜の時間の中にただ漂わせるように誘います。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1302919281\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2380229344\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3674096565\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4250207091\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3524241758\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Diverge Grid 05:39\u003cbr\u003e2. Filter and Flutter 03:21\u003cbr\u003e3. Slow Dissolution 06:04\u003cbr\u003e4. Contrast 06:05\u003cbr\u003e5. Rhythm Somnia 05:08\u003cbr\u003e6. Passages 04:15\u003cbr\u003e7. Mata-Ashita 05:07\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSix years after their last full-length release, Satoshi \u0026amp; Makoto return with Mirage Café, the highly anticipated new album (Standart\/8mm Records)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA carefully crafted and long-awaited work, Mirage Café is more than an album — it is a fully immersive sensory experience. The Japanese duo expand their signature sound into deeper and more cinematic territory, blending refined electronica, ambient textures, subtle jazz inflections and understated groove with remarkable elegance and control.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title evokes an imaginary café — a space of contemplation, connection and inspiration. The partnership with Standart Magazine reinforces this conceptual layer, bridging music and coffee culture into a cohesive narrative that feels both intimate and international. The result is an album that unfolds like a slow ritual: warm, enveloping and meticulously detailed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout the record, Satoshi \u0026amp; Makoto demonstrate a mature and confident songwriting approach. The production is rich yet restrained, atmospheric yet rhythmically engaging — balancing introspection with forward motion. Lush harmonies, delicate arrangements and immersive sound design create a listening experience that\u003cspan class=\"bcTruncateMore\"\u003e rewards both focused attention and late-night drifting.\u003cbr\u003e\u003cbr\u003eWith Mirage Café , the duo not only meet expectations after a six-year silence — they surpass them. This is a masterwork of nuance and vision, poised to become a defining chapter in their discography and a standout release in the contemporary electronic landscape.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Satoshi \u0026amp; Makoto\u003c\/p\u003e\n\u003cp\u003eLabel : 8mm Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003e8MM072LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-30T10:10:54+09:00","created_at":"2026-04-30T09:55:51+09:00","vendor":"Tobira Records","type":"","tags":["8mm","ambient","asia","hiphop \/ funk","house","jazz","lp","new","post newage","recommended"],"price":547000,"price_min":547000,"price_max":547000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48794120585466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Satoshi \u0026 Makoto \/\/ Mirage Cafe LP","public_title":null,"options":["Default Title"],"price":547000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"0615678599901","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/front_satoshi_makoto_-_cafe_mirage_-_8mm072lp_samples.jpg?v=1777848495","\/\/tobirarecords.com\/cdn\/shop\/files\/satoshi_makoto_cafe_mirage_lp_8mm_records_8mm072lp.jpg?v=1777848495"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/front_satoshi_makoto_-_cafe_mirage_-_8mm072lp_samples.jpg?v=1777848495","options":["Title"],"media":[{"alt":null,"id":39244987891962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1280,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/front_satoshi_makoto_-_cafe_mirage_-_8mm072lp_samples.jpg?v=1777848495"},"aspect_ratio":1.0,"height":1280,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/front_satoshi_makoto_-_cafe_mirage_-_8mm072lp_samples.jpg?v=1777848495","width":1280},{"alt":null,"id":39244987924730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1280,"width":1280,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/satoshi_makoto_cafe_mirage_lp_8mm_records_8mm072lp.jpg?v=1777848495"},"aspect_ratio":1.0,"height":1280,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/satoshi_makoto_cafe_mirage_lp_8mm_records_8mm072lp.jpg?v=1777848495","width":1280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e神奈川のバレアリック双子デュオSatoshi \u0026amp; Makotoが、2026年4月にイタリアの8mm Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e清涼感抜群のバレアリック・エレクトロニカ〜ポストニューエイジ・アンビエント〜シンセウェーブ〜エレクトロニック・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e部屋の温度が少し下がる気がするので今夏の節電対策にもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"前作から6年、Satoshi \u0026amp; Makotoは待望のニューアルバム『Mirage Cafe』をリリースしました。8mm Recordsにて制作された本作は、Standart Magazineとのユニークなコラボレーションから誕生しました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e単なる音楽の集まり以上に、『Mirage Cafe』は「完全に没入型の感覚体験」を提供します。今作で彼らは、自分たちの特徴的なサウンドをより深く、よりシネマティックな領域へと拡張しました。洗練されたエレクトロニカとアンビエントの質感、そして微かなジャズの抑揚と控えめながらも耳に残るグルーヴを、見事に融合させています。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルは、熟考、繋がり、そしてインスピレーションが交差する概念的な空間である架空のカフェを想起させます。このビジョンは、Standart Magazineとのパートナーシップによってさらに豊かになり、音楽とコーヒーカルチャーの世界を、親密であると同時に国際的な物語へと橋渡ししています。その結果、温かく、包み込むような、そして細部まで注意深く作り込まれた「ゆっくりとした儀式」のように展開するアルバムとなりました。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコード全体を通して、Satoshi \u0026amp; Makotoは成熟し、自信に満ちたソングライティングへのアプローチを示しています。プロダクションは豊かでありながら抑制されており、内省的な静けさと前進する感覚のバランスをとっています。贅沢なハーモニーと没入感のあるサウンドデザインにより、『Mirage Cafe』はリスナーを深く集中させ、あるいは深夜の時間の中にただ漂わせるように誘います。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1302919281\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2380229344\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3674096565\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4250207091\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4088976475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3524241758\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Diverge Grid 05:39\u003cbr\u003e2. Filter and Flutter 03:21\u003cbr\u003e3. Slow Dissolution 06:04\u003cbr\u003e4. Contrast 06:05\u003cbr\u003e5. Rhythm Somnia 05:08\u003cbr\u003e6. Passages 04:15\u003cbr\u003e7. Mata-Ashita 05:07\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSix years after their last full-length release, Satoshi \u0026amp; Makoto return with Mirage Café, the highly anticipated new album (Standart\/8mm Records)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA carefully crafted and long-awaited work, Mirage Café is more than an album — it is a fully immersive sensory experience. The Japanese duo expand their signature sound into deeper and more cinematic territory, blending refined electronica, ambient textures, subtle jazz inflections and understated groove with remarkable elegance and control.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title evokes an imaginary café — a space of contemplation, connection and inspiration. The partnership with Standart Magazine reinforces this conceptual layer, bridging music and coffee culture into a cohesive narrative that feels both intimate and international. The result is an album that unfolds like a slow ritual: warm, enveloping and meticulously detailed.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThroughout the record, Satoshi \u0026amp; Makoto demonstrate a mature and confident songwriting approach. The production is rich yet restrained, atmospheric yet rhythmically engaging — balancing introspection with forward motion. Lush harmonies, delicate arrangements and immersive sound design create a listening experience that\u003cspan class=\"bcTruncateMore\"\u003e rewards both focused attention and late-night drifting.\u003cbr\u003e\u003cbr\u003eWith Mirage Café , the duo not only meet expectations after a six-year silence — they surpass them. This is a masterwork of nuance and vision, poised to become a defining chapter in their discography and a standout release in the contemporary electronic landscape.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Satoshi \u0026amp; Makoto\u003c\/p\u003e\n\u003cp\u003eLabel : 8mm Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003e8MM072LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
神奈川のバレアリック双子デュオSatoshi & Makotoが、2026年4月にイタリアの8mm Recordsからリリースしたレコードです。 清涼感抜群のバレアリック・エレクトロニカ〜ポストニューエイジ・アンビエント〜シンセウェーブ〜エレクトロニック・ジャズ7曲を収録。 部屋の温度が少し下がる気がするので今夏の節電対策にもオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "前作から6年、Satoshi & Makotoは待望のニューアルバム『Mirage Cafe』をリリースしました。8mm Recordsにて制作された本作は、Standart Magazineとのユニークなコラボレーションから誕生しました。...
¥5,470
クイックビュー
{"id":9211223736570,"title":"Irreversible Entanglements \/\/ Open The Gates 2xLP","handle":"irreversible-entanglements-open-the-gates-2xlp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr\u003e\u003cbr\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-30T07:15:15+09:00","created_at":"2026-04-30T07:14:21+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48792767070458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Irreversible Entanglements \/\/ Open The Gates 2xLP","public_title":null,"options":["Default Title"],"price":548000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991549","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","options":["Title"],"media":[{"alt":null,"id":33656941019386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_9ea2e216-3c65-4ec4-8089-24d6fc888dd5.jpg?v=1712723530","width":700},{"alt":null,"id":33656941478138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op3_297dd1de-ae04-46d3-9688-f94f086ff7bb.jpg?v=1712723530","width":1200},{"alt":null,"id":33656941838586,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op4.jpg?v=1712723531","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月に\u003c\/span\u003e\u003cspan\u003eInternational Anthemからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eスピリチュアルジャズ7曲、70分以上を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=581489244\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIrreversible Entanglements’ third full-length album OPEN THE GATES is ethereal shards of jagged onyx, a melancholic exploration of the post-colonial debris that surrounds us. Let’s watch and listen, as this platter snakes through the sandy ashes of possible histories, dialogs with a nervous present, and asks to be birthed into a holographic new future. “Together in holy sound!” the band stitches patient anthems out of atmosphere. Pulling from a wider sonic vocabulary than on previous excursions, the agit-jazz found here is simultaneously pre- and post-apocalypse, as bass lurches in a tranced-out loop, horns are up in the track grooves like poltergeists playing in the streets, poetry cascades like a warrior call at a satsang, the drums both wild and refined pulse with uhuru-heart cadence. This is Irreversible Entanglements on new ground; same as the old ground.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd we need it now – the universe was awash in the sickly static veneer of anti-cosmos, of anti-nation; the halls were emptied, our shadows echoing and staining the walls of our abandoned oases – so we poured out into 2020’s wild streets. The ghosts of our labor danced around the sickness as we set fire to our old ways of thinking and moving, as we set fire to cop cars and bashed in the windows of our own rising disenfranchisement. “Open the gates!”\u003cspan class=\"bcTruncateMore\"\u003e we shouted, blessed be – we need it now!\u003cbr\u003e\u003cbr\u003eHere come Irreversible Entanglements – Luke Stewart, the high priest on bass; Aquiles Navarro, the electric universe in human form on trumpet; Keir Neuringer, the cosmologist with the siren sound on sax; Tcheser Holmes, the griot, the myth-maker on drums; and Camae Ayewa, the Moor mother with an empyrean pen game – on this new disc with their fierce aural tectonics shifting the earth, their watery post-pangea as dirge, their punk rock ethos and crash and bang polyrhythmic super-sonic sound synesthesia in the form of OPEN THE GATES – here it comes, my Brothas and Sistas, here it comes\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ・シカゴのジャズバンドIrreversible Entanglementsが、2021年12月にInternational Anthemからリリースした2枚組レコードです。 スピリチュアルジャズ7曲、70分以上を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥5,480
![Thee Marloes // Di Hotel Malibu LP [COLOR]](http://tobirarecords.com/cdn/shop/files/di1_bab6ea08-dd31-42e0-8403-b428bd250497_medium.jpg?v=1777252596)
クイックビュー
{"id":9207059644666,"title":"Thee Marloes \/\/ Di Hotel Malibu LP [COLOR]","handle":"thee-marloes-di-hotel-malibu-lp-color","description":"\u003cp\u003eインドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e晩夏を彩るネオソウル・バラード〜ファンク14曲を収録。クリアエメラルド盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBig Crownは、Thee Marloesのセカンド・アルバム『Di Hotel Malibu』を誇りを持って発表する。本作は、彼らのサウンドをかつてきっちりと枠にはめていた境界線から自信を持って一歩踏み出し、より開放的で、対話的であり、そして深くインドネシア的な何かへと向かう、視野の広がりとして登場する。スラバヤ出身のトリオがBig Crown Recordsからデビューし、そのユニークなサウンドを世に送り出した『Perak』から、2年の歳月が流れた。この新作は、その系譜を捨てるというよりはむしろそれを拡張するものであり、デビュー作のリリース以来、そしてそれに伴う数々の経験を通じて、彼らがバンドとしてどれほど成長したかを示している。ボーカル兼キーボードのナタッシャ・シアンチュリ、ギタリスト兼プロデューサーのシナトリア・ダラカ、ドラマーのトミー・サトウィックからなるThee Marloesは、常に一体となって活動し、共通の参照点と、生活感あふれるグルーヴによって楽曲を形作ってきた。今作では、その集団的な表現がさらに広がっている。アレンジはより広いスペクトルを駆け巡り、新たな楽器の色彩、予想外のリズムの展開、そしてより自由な構成へのアプローチが見られる。バンドはこれを、過去2年間の生活——社会的な現実、流動的な恋愛事情、そして成功がもたらしたあらゆるもの——への応答だと語っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのオープニングを飾る「Under the Silver Moon」は、爽やかな音楽的背景に乗せて、遠距離恋愛の甘くも苦い現実を歌い上げた、クールなツーステップナンバーだ。「Six Years」は、ボーカルのナタシャ・シアンチュリ自身の人生の一幕であり、安定的で快適な日中の仕事を辞め、音楽でのフルタイムのキャリアという夢を追うという決断を下すまでの葛藤を描いている。「Harap Dan Ragu」は、生と死、そしてそれらを取り巻く感情を探求する楽曲で、耳に残るギターリフで幕を開け、シアンチュリの甘美な歌声へと導く。今回は彼女の母国語であるインドネシア語で歌われている。アルバムは曲ごとに雰囲気とトーンを変え続け、より暗く内省的な「The More」へと続く。華麗な演奏と脈打つドラムは、虚しさと不屈のレジリエンスの狭間を歩む、深く詩的な歌詞と見事に調和している。Thee Marloesは「Through the Changes」で、死後の世界をどう想像し、どう向き合うかを描いた、力強くも繊細な楽曲を通じて、彼らの息をのむほど美しいバラードのレパートリーを披露している。北スマトラの伝統語であるバタク語で全編歌われた「Boru」は、グループの基盤であり使命であるルーツをさらに強く主張する一方、「I’d Be Lost」は軽やかで愛らしい愛の告白と共に、私たちを再びダンスフロアへと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e結局のところ、『Di Hotel Malibu』は最高のインスピレーションの結晶だ。Thee Marloesが世界中から注目を集め、自国の音楽を世界中のファンに届ける機会を得たことが、彼らの原動力となっている。このアルバムを堪能したら、ぜひ彼らの世界ツアーをチェックしてほしい。スラバヤ発のソウルミュージック、またしてもBig Crownの確かな一作だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=174941015\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2664064796\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear emerald vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Under the Silver Moon\u003cbr\u003e2. 6 Years\u003cbr\u003e3. Harap Dan Ragu\u003cbr\u003e4. Through the Changes\u003cbr\u003e5. Di Hotel Malibu\u003cbr\u003e6. I'd Be Lost\u003cbr\u003e7. Di Dalam\u003cbr\u003e8. I'm Just a Girl\u003cbr\u003e9. The More\u003cbr\u003e10. Selatan\u003cbr\u003e11. What's On Your Mind\u003cbr\u003e12. Crazy Eyes\u003cbr\u003e13. Boru\u003cbr\u003e14. Rahasia\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBig Crown is proud to present Thee Marloes’ sophomore album, Di Hotel Malibu. It arrives as a widening of the frame — a confident step away from the lines that once neatly held their sound, and toward something more porous, conversational, and deeply Indonesian. It’s been two years since Perak, the Surabaya trio’s debut for Big Crown Records, introduced their unique sound. This new record doesn’t abandon that lineage so much as stretch it, showing how much they have grown as a band since the release of their debut and all the experiences that came with it. Composed of vocalist and keyboardist Natassya Sianturi, guitarist and producer Sinatrya Dharaka and drummer Tommy Satwick, Thee Marloes have always worked as a unit, their songs shaped by shared reference points and a lived-in sense of groove. On this album, that collective language expands. The arrangements move across a broader spectrum, with new instrumental colors, unexpected rhythmic turns, and a looser approach to structure. The band describes it as a response to the last two years of living: social realities, love lives in flux, and all that success has brought into their lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album opener “Under the Silver Moon” is a stone cold two-stepper that addresses the bitter and the sweet of long\u003cspan class=\"bcTruncateMore\"\u003e-distance love affairs over a breezy musical backdrop. “Six Years” is a page from singer Natassya Sianturi’s life and her struggle to take the step of leaving a comfortable and stable daytime job to follow her dreams of a full-time career in music. “Harap Dan Ragu” explores life, death, and the emotions that orbit them, opening with an earworm guitar riff that ushers in Sianturi’s honeyed vocals, this time in her native language of Indonesian. The album continues to switch vibes and tones track to track with the darker, more introspective “The More”. The gorgeous musicianship and pulsing drums are met with the deeply poetic lyrics that walk the line between futility and unbreakable resilience. Thee Marloes dip into their drop dead gorgeous ballad bag with “Through the Changes” with a powerful yet delicate song about how we imagine and deal with what comes after death. “Boru” sung entirely in Batak, a traditional language from North Sumatera, goes further into asserting heritage as a foundation and mission statement for the group while “I’d Be Lost” takes us back to the dancefloor with a light and lovely profession of love. \u003cbr\u003e\u003cbr\u003eIn the end, Di Hotel Malibu is the result of the best type of inspiration: the global attention Thee Marloes have earned, and the chance to play their homegrown music for fans around the world has put wind in their sails. Enjoy the record, then catch them as they tour the globe. Soul Music from Surabaya, another Big Crown Sureshot.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thee Marloes\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : BCR202lp\u003c\/p\u003e\n\u003cp\u003eRelease date : May 22nd 2026\u003c\/p\u003e","published_at":"2026-04-27T16:00:45+09:00","created_at":"2026-04-27T10:17:55+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","folk \/ left-field pop","hiphop \/ funk","jazz","lp","new","recommended"],"price":359000,"price_min":359000,"price_max":359000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48774676742394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thee Marloes \/\/ Di Hotel Malibu LP [COLOR]","public_title":null,"options":["Default Title"],"price":359000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"349223020267","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/di1_bab6ea08-dd31-42e0-8403-b428bd250497.jpg?v=1777252596"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_bab6ea08-dd31-42e0-8403-b428bd250497.jpg?v=1777252596","options":["Title"],"media":[{"alt":null,"id":39155940950266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_bab6ea08-dd31-42e0-8403-b428bd250497.jpg?v=1777252596"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_bab6ea08-dd31-42e0-8403-b428bd250497.jpg?v=1777252596","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eインドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e晩夏を彩るネオソウル・バラード〜ファンク14曲を収録。クリアエメラルド盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBig Crownは、Thee Marloesのセカンド・アルバム『Di Hotel Malibu』を誇りを持って発表する。本作は、彼らのサウンドをかつてきっちりと枠にはめていた境界線から自信を持って一歩踏み出し、より開放的で、対話的であり、そして深くインドネシア的な何かへと向かう、視野の広がりとして登場する。スラバヤ出身のトリオがBig Crown Recordsからデビューし、そのユニークなサウンドを世に送り出した『Perak』から、2年の歳月が流れた。この新作は、その系譜を捨てるというよりはむしろそれを拡張するものであり、デビュー作のリリース以来、そしてそれに伴う数々の経験を通じて、彼らがバンドとしてどれほど成長したかを示している。ボーカル兼キーボードのナタッシャ・シアンチュリ、ギタリスト兼プロデューサーのシナトリア・ダラカ、ドラマーのトミー・サトウィックからなるThee Marloesは、常に一体となって活動し、共通の参照点と、生活感あふれるグルーヴによって楽曲を形作ってきた。今作では、その集団的な表現がさらに広がっている。アレンジはより広いスペクトルを駆け巡り、新たな楽器の色彩、予想外のリズムの展開、そしてより自由な構成へのアプローチが見られる。バンドはこれを、過去2年間の生活——社会的な現実、流動的な恋愛事情、そして成功がもたらしたあらゆるもの——への応答だと語っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムのオープニングを飾る「Under the Silver Moon」は、爽やかな音楽的背景に乗せて、遠距離恋愛の甘くも苦い現実を歌い上げた、クールなツーステップナンバーだ。「Six Years」は、ボーカルのナタシャ・シアンチュリ自身の人生の一幕であり、安定的で快適な日中の仕事を辞め、音楽でのフルタイムのキャリアという夢を追うという決断を下すまでの葛藤を描いている。「Harap Dan Ragu」は、生と死、そしてそれらを取り巻く感情を探求する楽曲で、耳に残るギターリフで幕を開け、シアンチュリの甘美な歌声へと導く。今回は彼女の母国語であるインドネシア語で歌われている。アルバムは曲ごとに雰囲気とトーンを変え続け、より暗く内省的な「The More」へと続く。華麗な演奏と脈打つドラムは、虚しさと不屈のレジリエンスの狭間を歩む、深く詩的な歌詞と見事に調和している。Thee Marloesは「Through the Changes」で、死後の世界をどう想像し、どう向き合うかを描いた、力強くも繊細な楽曲を通じて、彼らの息をのむほど美しいバラードのレパートリーを披露している。北スマトラの伝統語であるバタク語で全編歌われた「Boru」は、グループの基盤であり使命であるルーツをさらに強く主張する一方、「I’d Be Lost」は軽やかで愛らしい愛の告白と共に、私たちを再びダンスフロアへと誘う。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e結局のところ、『Di Hotel Malibu』は最高のインスピレーションの結晶だ。Thee Marloesが世界中から注目を集め、自国の音楽を世界中のファンに届ける機会を得たことが、彼らの原動力となっている。このアルバムを堪能したら、ぜひ彼らの世界ツアーをチェックしてほしい。スラバヤ発のソウルミュージック、またしてもBig Crownの確かな一作だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=174941015\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1537652557\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2664064796\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear emerald vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Under the Silver Moon\u003cbr\u003e2. 6 Years\u003cbr\u003e3. Harap Dan Ragu\u003cbr\u003e4. Through the Changes\u003cbr\u003e5. Di Hotel Malibu\u003cbr\u003e6. I'd Be Lost\u003cbr\u003e7. Di Dalam\u003cbr\u003e8. I'm Just a Girl\u003cbr\u003e9. The More\u003cbr\u003e10. Selatan\u003cbr\u003e11. What's On Your Mind\u003cbr\u003e12. Crazy Eyes\u003cbr\u003e13. Boru\u003cbr\u003e14. Rahasia\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBig Crown is proud to present Thee Marloes’ sophomore album, Di Hotel Malibu. It arrives as a widening of the frame — a confident step away from the lines that once neatly held their sound, and toward something more porous, conversational, and deeply Indonesian. It’s been two years since Perak, the Surabaya trio’s debut for Big Crown Records, introduced their unique sound. This new record doesn’t abandon that lineage so much as stretch it, showing how much they have grown as a band since the release of their debut and all the experiences that came with it. Composed of vocalist and keyboardist Natassya Sianturi, guitarist and producer Sinatrya Dharaka and drummer Tommy Satwick, Thee Marloes have always worked as a unit, their songs shaped by shared reference points and a lived-in sense of groove. On this album, that collective language expands. The arrangements move across a broader spectrum, with new instrumental colors, unexpected rhythmic turns, and a looser approach to structure. The band describes it as a response to the last two years of living: social realities, love lives in flux, and all that success has brought into their lives.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album opener “Under the Silver Moon” is a stone cold two-stepper that addresses the bitter and the sweet of long\u003cspan class=\"bcTruncateMore\"\u003e-distance love affairs over a breezy musical backdrop. “Six Years” is a page from singer Natassya Sianturi’s life and her struggle to take the step of leaving a comfortable and stable daytime job to follow her dreams of a full-time career in music. “Harap Dan Ragu” explores life, death, and the emotions that orbit them, opening with an earworm guitar riff that ushers in Sianturi’s honeyed vocals, this time in her native language of Indonesian. The album continues to switch vibes and tones track to track with the darker, more introspective “The More”. The gorgeous musicianship and pulsing drums are met with the deeply poetic lyrics that walk the line between futility and unbreakable resilience. Thee Marloes dip into their drop dead gorgeous ballad bag with “Through the Changes” with a powerful yet delicate song about how we imagine and deal with what comes after death. “Boru” sung entirely in Batak, a traditional language from North Sumatera, goes further into asserting heritage as a foundation and mission statement for the group while “I’d Be Lost” takes us back to the dancefloor with a light and lovely profession of love. \u003cbr\u003e\u003cbr\u003eIn the end, Di Hotel Malibu is the result of the best type of inspiration: the global attention Thee Marloes have earned, and the chance to play their homegrown music for fans around the world has put wind in their sails. Enjoy the record, then catch them as they tour the globe. Soul Music from Surabaya, another Big Crown Sureshot.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thee Marloes\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : BCR202lp\u003c\/p\u003e\n\u003cp\u003eRelease date : May 22nd 2026\u003c\/p\u003e"}
You may also like:
インドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースしたレコードです。 晩夏を彩るネオソウル・バラード〜ファンク14曲を収録。クリアエメラルド盤です。 以下、レーベルによる解説です。 "Big Crownは、Thee Marloesのセカンド・アルバム『Di Hotel Malibu』を誇りを持って発表する。本作は、彼らのサウンドをかつてきっちりと枠にはめていた境界線から自信を持って一歩踏み出し、より開放的で、対話的であり、そして深くインドネシア的な何かへと向かう、視野の広がりとして登場する。スラバヤ出身のトリオがBig Crown Recordsからデビューし、そのユニークなサウンドを世に送り出した『Perak』から、2年の歳月が流れた。この新作は、その系譜を捨てるというよりはむしろそれを拡張するものであり、デビュー作のリリース以来、そしてそれに伴う数々の経験を通じて、彼らがバンドとしてどれほど成長したかを示している。ボーカル兼キーボードのナタッシャ・シアンチュリ、ギタリスト兼プロデューサーのシナトリア・ダラカ、ドラマーのトミー・サトウィックからなるThee Marloesは、常に一体となって活動し、共通の参照点と、生活感あふれるグルーヴによって楽曲を形作ってきた。今作では、その集団的な表現がさらに広がっている。アレンジはより広いスペクトルを駆け巡り、新たな楽器の色彩、予想外のリズムの展開、そしてより自由な構成へのアプローチが見られる。バンドはこれを、過去2年間の生活——社会的な現実、流動的な恋愛事情、そして成功がもたらしたあらゆるもの——への応答だと語っている。 アルバムのオープニングを飾る「Under...
¥3,590
クイックビュー
{"id":9206557114618,"title":"L. Jacobs \/\/ Behind The Great Curve LP","handle":"l-jacobs-behind-the-great-curve-lp","description":"\u003cp\u003e\u003cspan\u003eTobiraインストアショーケースで素晴らしいライブを披露してくれたベルギーのマルチ奏者L. Jacobsが、2026年4月に同国実験／アンビエントレーベルdauw傘下Blickwinkelからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマフィア・ラウンジ〜アンビエント・ジャズ〜ストレンジビーツ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eプロデュースはMilan W.が担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、ゲント市中心部の修道院にある小さな礼拝堂で録音された。礼拝堂という場所は本質的に瞑想と内省の場であり、それが必然的に音楽に影響を与えている。動きは緩やかになり、注意力は研ぎ澄まされ、空間に満ちる圧倒的な静寂が音楽の一部となる。音と沈黙が緻密に織り交ぜられている。音楽が時に濃密で重厚に膨らむ瞬間でさえ、常に身近で親密な感覚が漂う。これは声の活用によってさらに強化されている。声はアルバム全体に自然に登場するが、独立した層としてではなく、楽器の延長として機能する。楽曲群——前作『Pair, Paire』よりも厳選された今回の作品群——は、音が空間となり空間が音となる、数時間に及ぶ即興演奏から生まれた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893547856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2939600491\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893547856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=182706537\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893547856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893547856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=534887109\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Dauw releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Talk To Mt. Inari 02:24\u003cbr\u003e2. Algebra 03:08\u003cbr\u003e3. Rabbit's Aura 01:50\u003cbr\u003e4. Fanfare 01:08\u003cbr\u003e5. At Your Leisure 04:32\u003cbr\u003e6. Cadabra 04:22\u003cbr\u003e7. A Joyous Whistle 02:48\u003cbr\u003e8. Sun Rock 03:26\u003cbr\u003e9. Behind the Great Curve 04:02\u003cbr\u003e10. The North, Parts 1 and 2 06:34\u003cbr\u003e11. There is No Dream 01:50\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA line or outline which gradually deviates from being straight for some or all of its length.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBehind the Great Curve explores and celebrates the beauty and universality of the abstract notion above and what we commonly refer to as the curve. Its presence, allegedly, is everywhere. It is a form that appears visually, mathematically, and symbolically — a line that suggests motion, time, expectation, and impermanence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album aims to listen to all of this — the poetry, the irony, and the faint background hum of modern life — with quiet curiosity. Within a gently meandering, synthesized landscape, a collection of dreamlike compositions unfolds: delicate melodies, sparse percussion, warm buzzing synths, and fragments of field recordings coexist in carefully measured imperfection. Colorful yet minimal in aesthetic, the album does not seek to explain the curve, but to follow it\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : L. Jacobs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Blickwinkel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eblickwinkel 24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-26T14:42:00+09:00","created_at":"2026-04-26T08:13:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","blickwinkel","dauw","jazz","lp","new","strange beats"],"price":499600,"price_min":499600,"price_max":499600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48771520463098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"L. Jacobs \/\/ Behind The Great Curve LP","public_title":null,"options":["Default Title"],"price":499600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e14dd334-6849-4632-ac52-473e7fad62cf.jpg?v=1777158694","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_71a231f8-1e11-4dff-a6fa-f8047fff1b2b.jpg?v=1777158694","\/\/tobirarecords.com\/cdn\/shop\/files\/be3_d978adc1-782e-4e8c-8e1c-d19f89935f18.jpg?v=1777158694"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e14dd334-6849-4632-ac52-473e7fad62cf.jpg?v=1777158694","options":["Title"],"media":[{"alt":null,"id":39148546326778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e14dd334-6849-4632-ac52-473e7fad62cf.jpg?v=1777158694"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_e14dd334-6849-4632-ac52-473e7fad62cf.jpg?v=1777158694","width":350},{"alt":null,"id":39148546359546,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_71a231f8-1e11-4dff-a6fa-f8047fff1b2b.jpg?v=1777158694"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_71a231f8-1e11-4dff-a6fa-f8047fff1b2b.jpg?v=1777158694","width":1200},{"alt":null,"id":39148546392314,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_d978adc1-782e-4e8c-8e1c-d19f89935f18.jpg?v=1777158694"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be3_d978adc1-782e-4e8c-8e1c-d19f89935f18.jpg?v=1777158694","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eTobiraインストアショーケースで素晴らしいライブを披露してくれたベルギーのマルチ奏者L. Jacobsが、2026年4月に同国実験／アンビエントレーベルdauw傘下Blickwinkelからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eマフィア・ラウンジ〜アンビエント・ジャズ〜ストレンジビーツ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eプロデュースはMilan W.が担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"このアルバムは、ゲント市中心部の修道院にある小さな礼拝堂で録音された。礼拝堂という場所は本質的に瞑想と内省の場であり、それが必然的に音楽に影響を与えている。動きは緩やかになり、注意力は研ぎ澄まされ、空間に満ちる圧倒的な静寂が音楽の一部となる。音と沈黙が緻密に織り交ぜられている。音楽が時に濃密で重厚に膨らむ瞬間でさえ、常に身近で親密な感覚が漂う。これは声の活用によってさらに強化されている。声はアルバム全体に自然に登場するが、独立した層としてではなく、楽器の延長として機能する。楽曲群——前作『Pair, Paire』よりも厳選された今回の作品群——は、音が空間となり空間が音となる、数時間に及ぶ即興演奏から生まれた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893547856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2939600491\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893547856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=182706537\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893547856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3893547856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=534887109\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Dauw releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Talk To Mt. Inari 02:24\u003cbr\u003e2. Algebra 03:08\u003cbr\u003e3. Rabbit's Aura 01:50\u003cbr\u003e4. Fanfare 01:08\u003cbr\u003e5. At Your Leisure 04:32\u003cbr\u003e6. Cadabra 04:22\u003cbr\u003e7. A Joyous Whistle 02:48\u003cbr\u003e8. Sun Rock 03:26\u003cbr\u003e9. Behind the Great Curve 04:02\u003cbr\u003e10. The North, Parts 1 and 2 06:34\u003cbr\u003e11. There is No Dream 01:50\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA line or outline which gradually deviates from being straight for some or all of its length.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBehind the Great Curve explores and celebrates the beauty and universality of the abstract notion above and what we commonly refer to as the curve. Its presence, allegedly, is everywhere. It is a form that appears visually, mathematically, and symbolically — a line that suggests motion, time, expectation, and impermanence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album aims to listen to all of this — the poetry, the irony, and the faint background hum of modern life — with quiet curiosity. Within a gently meandering, synthesized landscape, a collection of dreamlike compositions unfolds: delicate melodies, sparse percussion, warm buzzing synths, and fragments of field recordings coexist in carefully measured imperfection. Colorful yet minimal in aesthetic, the album does not seek to explain the curve, but to follow it\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : L. Jacobs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Blickwinkel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eblickwinkel 24\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
Tobiraインストアショーケースで素晴らしいライブを披露してくれたベルギーのマルチ奏者L. Jacobsが、2026年4月に同国実験／アンビエントレーベルdauw傘下Blickwinkelからリリースしたレコードです。 マフィア・ラウンジ〜アンビエント・ジャズ〜ストレンジビーツ11曲を収録。 プロデュースはMilan W.が担当しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "このアルバムは、ゲント市中心部の修道院にある小さな礼拝堂で録音された。礼拝堂という場所は本質的に瞑想と内省の場であり、それが必然的に音楽に影響を与えている。動きは緩やかになり、注意力は研ぎ澄まされ、空間に満ちる圧倒的な静寂が音楽の一部となる。音と沈黙が緻密に織り交ぜられている。音楽が時に濃密で重厚に膨らむ瞬間でさえ、常に身近で親密な感覚が漂う。これは声の活用によってさらに強化されている。声はアルバム全体に自然に登場するが、独立した層としてではなく、楽器の延長として機能する。楽曲群——前作『Pair, Paire』よりも厳選された今回の作品群——は、音が空間となり空間が音となる、数時間に及ぶ即興演奏から生まれた。" レーベルその他作品はこちら /// Click here to see more Dauw...
¥4,996
クイックビュー
{"id":9205727789306,"title":"FloFilz \/\/ Hagaki LP + PHOTO BOOKLET","handle":"flofilz-hagaki-lp","description":"\u003cp\u003eドイツ・ベルリンのビートメイカーFloFilzが、2026年4月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。（オリジナルは2025年リリース）\u003c\/p\u003e\n\u003cp\u003eレイドバックなジャズ・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740710319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eIncludes 20-page photo booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Furo \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e風呂\u003cbr\u003e\u003c\/span\u003e2. Setagaya Samba 02:22\u003cbr\u003e3. Taito City Hideout (feat. Takuya Kuroda) 02:38\u003cbr\u003e4. Kimochi ii \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e気持ちいい\u003cbr\u003e\u003c\/span\u003e5. Yoinokuchi \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e宵の口\u003c\/span\u003e 02:45\u003cbr\u003e6. 6F Encounters\u003cbr\u003e7. Yokohama Yard (feat. tajima hal \u0026amp; Lidly)\u003cbr\u003e8. Inemuri \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e居眠り\u003cbr\u003e\u003c\/span\u003e9. 20today (feat. 12Vince)\u003cbr\u003e10. Kaki \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e柿\u003cbr\u003e\u003c\/span\u003e11. Ma \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e間\u003cbr\u003e\u003c\/span\u003e12. Atélier (feat. Matt Wilde \u0026amp; Toshiki Soejima) 03:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Insomnia (feat. Nao Yoshioka) 02:59\u003cbr\u003e\u003c\/span\u003e14. Yōkai \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e妖怪\u003cbr\u003e\u003c\/span\u003e15. Forest Crab (feat. Budamunk)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. Sunken Stones\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cem\u003e...In 2014, FloFilz and Melting Pot Music launched an album series that explores the culture, vibe, and landscape of cities he loves—both musically and visually. The visual side is handled by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Robert Winter, a well-known music and travel photographer immersed in Germany’s hip-hop and beat producer scene. For the first album, 'Metronom', FloFilz, Robert Winter, and Melting Pot Music founder Olski traveled to Paris. For 'Cenário' (2016) and 'Transit' (2019), they visited Lisbon and London. Each album is released as a high-quality gatefold edition and includes a 20-page photo book.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor 'Hagaki', the fourth volume in the series, FloFilz traveled to Japan, where he spent a full month working on music and visuals. 'Hagaki' means 'postcard' in Japanese. The album is a multidisciplinary love letter and a dialogue with Japanese culture and music. FloFilz had visited Japan several times before—playing shows in Tokyo, Osaka, and Kyoto; enjoying some of the best food he’d ever had; and discovering rare records in meticulously curated record stores. He also ventured beyond the big cities, hiking through mountains, forests, and along coastlines. These experiences deepened his appreciation for how Japanese culture emphasizes harmony with nature. The attention to detail and sincerity found in Japanese art and craftsmanship are qualities that also define FloFilz's approach to music-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Hagaki' is dedicated to Tokyo, the Japanese capital and the most populous city in the world, with over 37 million residents. FloFilz, Robert Winter, and Olski immersed themselves in the city and its culture. They visited jazz joints, ramen shops, record stores, tea houses, temples—and even more record stores. They attended performances by local jazz artists like Uyama Hiroto and Manchester’s own Matthew Halsall at the iconic Blue Note club. FloFilz performed at the Jazzy Sport x Roland Anniversary Party and was invited by Ella Records for a DJ set and an in-depth video interview about record culture and digging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring their trip, they reconnected with old music friends and made new ones—from Mitsu The Beats, Budamunk, and Lidly to the entire Jazzy Sport crew and the welcoming team at Ella Records. FloFilz also hit the studio with trumpeter Takuya Kuroda, vocalist Nao Yoshioka, guitarist Toshiki Soejima, and some of Tokyo’s most respected beatmakers.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FloFilz\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM347XLP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T15:17:47+09:00","created_at":"2026-04-25T15:17:22+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","melting pot","new","recommended"],"price":599400,"price_min":599400,"price_max":599400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48763090895098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"FloFilz \/\/ Hagaki LP + PHOTO BOOKLET","public_title":null,"options":["Default Title"],"price":599400,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"673793334715","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","\/\/tobirarecords.com\/cdn\/shop\/files\/0040269718_10.jpg?v=1776988154","\/\/tobirarecords.com\/cdn\/shop\/files\/0040270535_10.jpg?v=1776988151"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","options":["Title"],"media":[{"alt":null,"id":36575293210874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hag1.jpg?v=1755480470","width":700},{"alt":null,"id":39131005190394,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040269718_10.jpg?v=1776988154"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040269718_10.jpg?v=1776988154","width":1200},{"alt":null,"id":39131004797178,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040270535_10.jpg?v=1776988151"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040270535_10.jpg?v=1776988151","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのビートメイカーFloFilzが、2026年4月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。（オリジナルは2025年リリース）\u003c\/p\u003e\n\u003cp\u003eレイドバックなジャズ・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=740710319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in gatefold sleeve.\u003cbr\u003eIncludes 20-page photo booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Furo \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e風呂\u003cbr\u003e\u003c\/span\u003e2. Setagaya Samba 02:22\u003cbr\u003e3. Taito City Hideout (feat. Takuya Kuroda) 02:38\u003cbr\u003e4. Kimochi ii \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e気持ちいい\u003cbr\u003e\u003c\/span\u003e5. Yoinokuchi \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e宵の口\u003c\/span\u003e 02:45\u003cbr\u003e6. 6F Encounters\u003cbr\u003e7. Yokohama Yard (feat. tajima hal \u0026amp; Lidly)\u003cbr\u003e8. Inemuri \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e居眠り\u003cbr\u003e\u003c\/span\u003e9. 20today (feat. 12Vince)\u003cbr\u003e10. Kaki \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e柿\u003cbr\u003e\u003c\/span\u003e11. Ma \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e間\u003cbr\u003e\u003c\/span\u003e12. Atélier (feat. Matt Wilde \u0026amp; Toshiki Soejima) 03:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Insomnia (feat. Nao Yoshioka) 02:59\u003cbr\u003e\u003c\/span\u003e14. Yōkai \u003cspan lang=\"JA\" style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003e妖怪\u003cbr\u003e\u003c\/span\u003e15. Forest Crab (feat. Budamunk)\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e16. Sunken Stones\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cem\u003e...In 2014, FloFilz and Melting Pot Music launched an album series that explores the culture, vibe, and landscape of cities he loves—both musically and visually. The visual side is handled by\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Robert Winter, a well-known music and travel photographer immersed in Germany’s hip-hop and beat producer scene. For the first album, 'Metronom', FloFilz, Robert Winter, and Melting Pot Music founder Olski traveled to Paris. For 'Cenário' (2016) and 'Transit' (2019), they visited Lisbon and London. Each album is released as a high-quality gatefold edition and includes a 20-page photo book.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor 'Hagaki', the fourth volume in the series, FloFilz traveled to Japan, where he spent a full month working on music and visuals. 'Hagaki' means 'postcard' in Japanese. The album is a multidisciplinary love letter and a dialogue with Japanese culture and music. FloFilz had visited Japan several times before—playing shows in Tokyo, Osaka, and Kyoto; enjoying some of the best food he’d ever had; and discovering rare records in meticulously curated record stores. He also ventured beyond the big cities, hiking through mountains, forests, and along coastlines. These experiences deepened his appreciation for how Japanese culture emphasizes harmony with nature. The attention to detail and sincerity found in Japanese art and craftsmanship are qualities that also define FloFilz's approach to music-making.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Hagaki' is dedicated to Tokyo, the Japanese capital and the most populous city in the world, with over 37 million residents. FloFilz, Robert Winter, and Olski immersed themselves in the city and its culture. They visited jazz joints, ramen shops, record stores, tea houses, temples—and even more record stores. They attended performances by local jazz artists like Uyama Hiroto and Manchester’s own Matthew Halsall at the iconic Blue Note club. FloFilz performed at the Jazzy Sport x Roland Anniversary Party and was invited by Ella Records for a DJ set and an in-depth video interview about record culture and digging.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDuring their trip, they reconnected with old music friends and made new ones—from Mitsu The Beats, Budamunk, and Lidly to the entire Jazzy Sport crew and the welcoming team at Ella Records. FloFilz also hit the studio with trumpeter Takuya Kuroda, vocalist Nao Yoshioka, guitarist Toshiki Soejima, and some of Tokyo’s most respected beatmakers.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : FloFilz\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMPM347XLP\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
ドイツ・ベルリンのビートメイカーFloFilzが、2026年4月にケルンのヒップホップレーベルMelting Potからリリースしたレコードです。（オリジナルは2025年リリース） レイドバックなジャズ・ヒップホップ16曲を収録。ゲートフォルド仕様です。20ページの写真ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Melting Pot Music releases available at...
¥5,994
クイックビュー
{"id":9205614379258,"title":"Loula Yorke (featuring Charlotte Jolly) \/\/ Salix TAPE","handle":"loula-yorke-featuring-charlotte-jolly-salix-tape","description":"\u003cp\u003eイギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=330383318\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the carrier bag theory of fiction 02:32\u003cbr\u003e2. bundle of styx (feat. charlotte jolly) 07:23\u003cbr\u003e3. with the red dawn (feat. charlotte jolly) 10:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eSalix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where Yorke's Truxalis labelmate and life collaborator, Seiche, has a studio space). The organ is in poor condition and fascinatingly, painfully detuned. Yorke's recordings bring out its host of unusual quirks exacerbated by age and neglect: the powerful rhythmic creaking of the wooden treadles; the bone-shaking resonance emanating from its body at specific pitches; unexpected exclamations of harmonic collision from within the carcass redolent of a human voice; the piercing\u003cspan class=\"bcTruncateMore\"\u003e, shrieking whistles of broken reeds, and the powerful timbres unlocked via Yorke's experiments with various combinations of stops.\u003cbr\u003e\u003cbr\u003eThe three tracks that form Salix are inspired by a local weeping willow tree, a constant companion photographed over the course of a year. Boughs caught in a gyre. A maiden in mourning. Branches that gesture in the wrong direction. A tree turned upside down. A hand-woven willow basket, an old technology to gather and store. The journey of a lovelorn bard through the underworld, a bundle of willow under one arm for protection...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Loula Yorke (featuring Charlotte Jolly)\u003c\/p\u003e\n\u003cp\u003eLabel : Truxalis\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTRX029\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T11:50:11+09:00","created_at":"2026-04-25T10:51:34+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","new","tape"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48762028425466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loula Yorke (featuring Charlotte Jolly) \/\/ Salix TAPE","public_title":null,"options":["Default Title"],"price":318000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","options":["Title"],"media":[{"alt":null,"id":39138345550074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou1_6a6f3db4-c4a5-43bf-a8c8-33e45905a94c.jpg?v=1777081804","width":350},{"alt":null,"id":39138345582842,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lou2_cc80387e-eb53-4c62-8266-b6cc656f6a25.jpg?v=1777081804","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eアンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389328565\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=330383318\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. the carrier bag theory of fiction 02:32\u003cbr\u003e2. bundle of styx (feat. charlotte jolly) 07:23\u003cbr\u003e3. with the red dawn (feat. charlotte jolly) 10:22\u003c\/p\u003e\n\u003cp\u003eText excerpt from the artist:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eSalix is a bold new departure for modular synthesist Loula Yorke, seen here using an antique reed organ to explore the ancient roots of willow trees in magic, myth and medicine, as well as inviting another musician into her recording studio for the first time, clarinettist Charlotte Jolly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP forms a sonic archive of a singular instrument: an antique free reed organ left behind by a previous encumbent of Asylum Studios, (the artists' co-operative in Suffolk where Yorke's Truxalis labelmate and life collaborator, Seiche, has a studio space). The organ is in poor condition and fascinatingly, painfully detuned. Yorke's recordings bring out its host of unusual quirks exacerbated by age and neglect: the powerful rhythmic creaking of the wooden treadles; the bone-shaking resonance emanating from its body at specific pitches; unexpected exclamations of harmonic collision from within the carcass redolent of a human voice; the piercing\u003cspan class=\"bcTruncateMore\"\u003e, shrieking whistles of broken reeds, and the powerful timbres unlocked via Yorke's experiments with various combinations of stops.\u003cbr\u003e\u003cbr\u003eThe three tracks that form Salix are inspired by a local weeping willow tree, a constant companion photographed over the course of a year. Boughs caught in a gyre. A maiden in mourning. Branches that gesture in the wrong direction. A tree turned upside down. A hand-woven willow basket, an old technology to gather and store. The journey of a lovelorn bard through the underworld, a bundle of willow under one arm for protection...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Loula Yorke (featuring Charlotte Jolly)\u003c\/p\u003e\n\u003cp\u003eLabel : Truxalis\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTRX029\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd April 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
イギリスのモジュラー奏者Loula Yorkeが、2026年4月に自身主宰レーベルTruxalisからリリースしたカセットです。 アンティークのモルガンとクラリネットによるアコースティック・ドローン3曲を収録。 以下、レーベルによる解説です。 "『Salix』は、モジュラー・シンセシストのLoula Yorkeにとって大胆な新たな試みである。本作では、アンティークのリードオルガンを用いて、魔法、神話、医療におけるヤナギの木の古代のルーツを探求するとともに、クラリネット奏者のシャーロット・ジョリーを初めて自身のレコーディング・スタジオに招き入れている。 このEPは、ある特異な楽器の音響アーカイブとなっている。それは、アサイラム・スタジオ（サフォークにあるアーティスト協同組合で、Loula YorkeのTruxalisレーベルメイトであり生涯のコラボレーターであるセイチェがスタジオスペースを構えている場所）の前の入居者が残していったアンティークのフリーリードオルガンだ。このオルガンは状態が悪く、興味深くも痛々しいほど音程が狂っている。Loula Yorkeの録音は、経年と放置によって増幅された数々の特異な癖を引き出している。木製のペダルから響く力強いリズミカルなきしみ音、特定の音程で本体の奥底から湧き上がる骨を震わせるような共鳴、人間の声を思わせる軀体内部からの予期せぬ倍音の衝突による叫び、壊れたリードから発せられる鋭く甲高い笛音、そしてLoula Yorkeが様々なストップの組み合わせを試行錯誤することで解き放たれた力強い音色。 『Salix』を構成する3曲は、地元のシダレヤナギの木にインスピレーションを得たものである。1年間にわたって撮影され続けた、絶え間ない伴侶のような存在だ。渦に巻き込まれた枝。喪に服する乙女。間違った方向を指し示す枝。逆さまになった木。手編みの柳の籠、集め、蓄えるための古来の技法。失恋した吟遊詩人の冥界への旅路、身を守るために片腕に抱えた柳の束……" --------------------------------------------------- Cassette in...
¥3,180
![SML // How You Been LP [BLACK]](http://tobirarecords.com/cdn/shop/files/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690_medium.jpg?v=1759812541)
クイックビュー
{"id":9205520761082,"title":"SML \/\/ How You Been LP [BLACK]","handle":"sml-how-you-been-lp-black","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Classic Black Vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e","published_at":"2026-04-25T06:43:33+09:00","created_at":"2026-04-25T06:42:57+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":495600,"price_min":495600,"price_max":495600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48761002852602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"SML \/\/ How You Been LP [BLACK]","public_title":null,"options":["Default Title"],"price":495600,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457224742","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","options":["Title"],"media":[{"alt":null,"id":37025344487674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","width":1200},{"alt":null,"id":37025344520442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081834_10_8526fdd1-7da0-4a52-b016-f97b33a22876.jpg?v=1759812544","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Classic Black Vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e"}
You may also like:
アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。帯付属。 レーベルその他作品はこちら /// Click here to see more International Anthem...
¥4,956
![Ben LaMar Gay // Yowzers LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9_medium.jpg?v=1750123824)
クイックビュー
{"id":9205516894458,"title":"Ben LaMar Gay \/\/ Yowzers LP [COLOR]","handle":"ben-lamar-gay-yowzers-lp-color","description":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" 'ipomea jalapa' transparent pink vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e","published_at":"2026-04-25T06:32:03+09:00","created_at":"2026-04-25T06:31:39+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":549200,"price_min":549200,"price_max":549200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760987123962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Yowzers LP [COLOR]","public_title":null,"options":["Default Title"],"price":549200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203440","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824","\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","options":["Title"],"media":[{"alt":null,"id":36205644546298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_61332047-ea8a-47f9-b358-371cbfd2d4b9.jpg?v=1750123824","width":700},{"alt":null,"id":36205644579066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_fd0e0564-94da-4176-a85d-867659cf0baa.jpg?v=1750123824","width":1200},{"alt":null,"id":36205644611834,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben4.jpg?v=1750123824","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never Block The Sun』は、当時未発表だった7枚のアルバムから15曲の多様なスタイルの楽曲を並べることで、Gayを世界に紹介した。その後、7枚の未発表アルバムの全貌が明らかになり、2021年にリリースされた『Open Arms To Open Us』は高い評価を受け、2022年の『Certain Reveries』では爆発的なフリーサウンドを聴かせた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eマカヤ・マクラヴェン、ジェイミー・ブランチ、デイモン・ロックス、イベリッセ・グアルディア・フェラグッティ＆ランプ、フランク・ロザリーのアルバムなど、驚異的な数のIAのリリースに参加しているほか、Gayは現在クリエイティブ・ミュージック界で最も多作なコラボレーターの一人である。マイク・リードの『セパラティスト・パーティー』、ジョシュア・エイブラムスの『ナチュラル・インフォメーション・ソサエティ』、テスター・ゲイツの『ブラック・モンク』などに積極的に参加している。また、シカゴの伝説的なAssociation for the Advancement of Creative Musiciansに長年参加している。彼の資格は驚くべきものであり、その関心と能力の範囲は無限とも思える。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Yowzers』に収録されている曲の多くは、トマソ・モレッティ（ドラム、パーカッション、声）、マシュー・デイヴィス（チューバ、ピアノ、ベル、声）、ウィル・フェイバー（ギター、ンゴニ、ベル、声）とのカルテットをフィーチャーしている。しかし、ここに記されていない特徴は、コラボレーターのユニークな長所を召喚し、解き放つGay自身の能力である。カルテットの素材は、このグループが数年にわたる旅の中で培ってきたボキャブラリーに傾倒しており、そのレパートリーは、脈打つようなリズムと自由なリズムの見事なカクテルである。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2219493347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" 'ipomea jalapa' transparent pink vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. yowzers 02:22\u003cbr\u003e2. the glorification of small victories 04:57\u003cbr\u003e3. there, inside the morning glory 05:11\u003cbr\u003e4. roller skates 00:49\u003cbr\u003e5. for Breezy 03:13\u003cbr\u003e6. I am (bells) 06:12\u003cbr\u003e7. promontory 02:12\u003cbr\u003e8. John, John Henry 03:46\u003cbr\u003e9. damn you cute 03:51\u003cbr\u003e10. cumulus 07:02\u003cbr\u003e11. touch 02:13\u003cbr\u003e12. leave some for you 03:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYowzers is a new album by Chicago composer, improvisor, instrumentalist and musical folklorist Ben LaMar Gay. The twelve track collection is a leap forward in the lexicon of Gay’s recorded output, and a veritable masterwork of ancient inner-body rhythms and intuitive melodic storytelling.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s worth mentioning that a leap forward for Gay is no small feat. The musical ground he has covered in the last decade, both as a bandleader and collaborator, is immense. His de facto debut album—the 2018 compilation Downtown Castles Can Never Block The Sun—properly introduced the world to Gay by placing fifteen stylistically diverse tracks from seven then-unreleased albums next to one another, letting the populace outside of Cook County in on an unintentionally best-kept-secret that Chicagoans had already been marveling at for quite some time. That secret has become even more open in the years since, with the full unveiling of those seven previously-unreleased albums, the release of his critically-acclaimed 2021 song cycle Open Arms To Open Us, and the explosive free sonics of 2022’s Certain Reveries.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to being featured on a staggering number of International Anthem releases (including albums by Makaya McCraven\u003cspan class=\"bcTruncateMore\"\u003e, jaimie branch, Damon Locks, Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly), Gay is one of the most prolific collaborators in creative music today. He makes active contributions to Mike Reed’s Separatist Party, Joshua Abrams’s Natural Information Society, Theaster Gates’s Black Monks, and many more. He is also a long-time participant in Chicago’s legendary Association for the Advancement of Creative Musicians. Suffice to say, his credentials are astonishing and the scope of his interests and abilities is seemingly limitless, with Yowzers representing the latest redrawing of that ever-expanding creative borderline.\u003cbr\u003e\u003cbr\u003eMuch of the music on Yowzers features his working quartet with Tommaso Moretti (drums, percussion, voice), Matthew Davis (tuba, piano, bells, voice), and Will Faber (guitar, ngoni, bells, voice). But the unlisted feature here is Gay’s own ability to summon and unleash the unique strengths of his collaborators. The quartet material leans into a vocabulary that the group has developed over the course of several years together on the road; and the repertoire delivers an arresting cocktail of pulsing and free rhythms that somehow swing alongside a gathering of melodic phrases that sweep the outer-reaches of harmony with nostalgic echoes of family songs from the living room...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0097\u003c\/p\u003e"}
You may also like:
アメリカのトランペット／コルネット奏者Ben LaMar Gayが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 実験スピリチュアル・ジャズ12曲を収録。クリアバイオレットピンク盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Yowzers』は、シカゴの作曲家、即興演奏家、インストゥルメンタリスト、音楽民俗学者であるBen LaMar Gayの新作である。全12曲からなるこのアルバムは、Gayのレコーディング作品における辞書的な飛躍であり、古代の内なる身体のリズムと直感的なメロディック・ストーリーテリングの正真正銘の傑作である。 Gayにとって飛躍的な前進とは、並大抵のことではない。バンドリーダーとしてもコラボレーターとしても、彼がこの10年でカバーした音楽的境地は計り知れない。彼の事実上のデビューアルバムである2018年のコンピレーション『Downtown Castles Can Never...
¥5,492
![Charles Stepney // Step on Step 2xLP [BLACK]](http://tobirarecords.com/cdn/shop/products/on1_52e33c8f-3218-47b8-85b7-f402b18657b9_medium.jpg?v=1661569533)
クイックビュー
{"id":9205513814266,"title":"Charles Stepney \/\/ Step on Step 2xLP [BLACK]","handle":"charles-stepney-step-on-step-2xlp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble black vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:29:58+09:00","created_at":"2026-04-25T06:28:27+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":594000,"price_min":594000,"price_max":594000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760919785722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles Stepney \/\/ Step on Step 2xLP [BLACK]","public_title":null,"options":["Default Title"],"price":594000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992553","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Title"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e今聴いても新鮮な21曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble black vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
You may also like:
1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。 今聴いても新鮮な21曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------...
¥5,940
クイックビュー
{"id":9205512143098,"title":"Charles Stepney \/\/ Step on Step 2xLP [COLOR]","handle":"charles-stepney-step-on-step-2xlp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e今聴いても新鮮な21曲を収録。ゴールド盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:27:45+09:00","created_at":"2026-04-25T06:27:12+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":683700,"price_min":683700,"price_max":683700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760891080954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles Stepney \/\/ Step on Step 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":683700,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992577","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","options":["Title"],"media":[{"alt":null,"id":30364035514618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/on1_52e33c8f-3218-47b8-85b7-f402b18657b9.jpg?v=1661569533","width":700},{"alt":null,"id":36698304250106,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029765596_10.jpg?v=1756676603","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e今聴いても新鮮な21曲を収録。ゴールド盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4113308018\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDouble gold vinyl edition of 555.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cem\u003eInternational Anthem is proud to present 'Step on Step', a double LP collection of home recordings marking the de-facto eponymous debut album by enigmatic producer, arranger, and composer Charles Stepney (1931-1976). The music that makes up Step on Step was created by Stepney alone, in the basement of his home on the Southside of Chicago, sometime in the late 1960s and early 1970s, before his untimely death in 1976.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA Chicago born and bred arranger, producer, multi-instrumentalist and songwriter, Stepney is known for his work with Earth, Wind \u0026amp; Fire, Deniece Williams, and Ramsey Lewis, and as a staff producer for Chess Records in the 1960s, where he was an essential creative force behind seminal recordings by Rotary Connection, Minnie Riperton, Marlena Shaw, Muddy Waters, Howlin Wolf, Terry Callier, The Dells, The Emotions, and many more. In the decades since his passing, the presence of his name in liner notes and on vinyl labels has become a seal of quality for record collectors, music historians, and aficionados, while his sound has been used by countless samplers in the hip-hop world including Kanye West, A Tribe Called Quest, The Fugees, MF Doom, and Madlib. But in comparison to the post-mortem renown of his sound, or the music he created and the artists he\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e supported while he was alive, Stepney is a greatly underappreciated figure… a genius relegated to the shadows.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne of the signature elements of his “baroque soul” sound is the epic, expansive, orchestral expression of his horn and string arrangements (in many cases brought to life by members of the Chicago Symphony Orchestra), as heard on Minnie Riperton’s “Les Fleurs,” or Marlena Shaw’s “California Soul,” or Terry Callier’s “What Color Is Love.” Hence making it even more special that his de-facto debut LP Step on Step, which sees its first wide release nearly five decades after his death, is a collection of stripped-down 4-track tape recordings featuring Stepney, alone, performing all instruments with minimal means. It is, as said by Chicago culture historian (and author of Step on Step liner notes) Ayana Contreras, “the uncut funk,” an unprecedented depiction of an imbued composer imagining and conceiving music (some of which would eventually become massive studio productions) in its primal state.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eStep on Step features 23 tracks, most of which are original compositions by Stepney that were never again recorded by him or any other artist. It also features prototypical, seedling-style demos of Stepney compositions for Earth, Wind \u0026amp; Fire, including “That’s The Way of The World,” “Imagination,” and “On Your Face,” as well as the original version of “Black Gold,” which would eventually be recorded by Rotary Connection (as “I Am The Black Gold of The Sun,” with lyrics by Richard Rudolph). And in addition to the wordless croons of Stepney original and early single “Daddy’s Diddies,” Stepney’s actual voice is heard on a couple occasions across the album, testing microphones and inputs on his tape machine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll of the otherwise unrecorded, previously unnamed original compositions contained on Step on Step were given their titles by Stepney’s daughters Eibur, Charlene, and Chanté Stepney, whose voices are also heard throughout the album, telling stories and sharing memories about their father. The Stepney Sisters, who produced this album over many years, have long been engaged in efforts to celebrate their father’s legacy and bring his work into brighter light. They’ve cherished the tape reels left behind by their father in the basement of their home, transferring the audio on multiple occasions, and originally compiling the recordings for an ultra-limited CD on their own DIY label (The Charles Stepney Masters) in the early 2010s. “We always talk about how we were trying to develop this and would go to different people and they would go ‘what is this raw stuff…’ It was just the first level of something that became something really great,” says Chanté. “To get this type of intimate look into an artist’s process is really unknown and unheard of… so I just really appreciate the opportunity to give this. I am very happy for my Dad that we’re able to share this with the world in this way, with this amount of respect.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis new double LP collection on International Anthem presents “a genuine, beautiful, deeply emotional and personal effort by three women to reconnect with their father and validate their own memories of his passion and brilliance,” says label co-founder Scott McNiece. And it’s a long-overdue fulfillment of Stepney’s unsatiated plan to release a solo album – which he once vowed to his daughters that he would do, and that he would name it: “Step on Step.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Charles Stepney\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
You may also like:
1976年に45歳の若さで他界したアメリカ・シカゴのプロデューサーCharles Stepneyが、60-70年代に自宅の地下スタジオで録音していた作品をコンパイルした未発表作品集です。 今聴いても新鮮な21曲を収録。ゴールド盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------...
¥6,837
![Resavoir // Resavoir LP [BLACK]](http://tobirarecords.com/cdn/shop/files/voi1_medium.jpg?v=1701309353)
クイックビュー
{"id":9205509325050,"title":"Resavoir \/\/ Resavoir LP [BLACK]","handle":"resavoir-resavoir-lp-black","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:25:17+09:00","created_at":"2026-04-25T06:24:26+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new","resavoir"],"price":491000,"price_min":491000,"price_max":491000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760863129850,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir \/\/ Resavoir LP [BLACK]","public_title":null,"options":["Default Title"],"price":491000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993727","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","options":["Title"],"media":[{"alt":null,"id":32770513797370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi1.jpg?v=1701309353","width":700},{"alt":null,"id":32770513862906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/voi2.jpg?v=1701309353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eトランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作\u003cmeta charset=\"utf-8\"\u003e『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1817381454\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=779391825\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1829349526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1035673598\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e Available on 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHeavenly 01:57\u003c\/li\u003e\n\u003cli\u003eInside Minds 02:37\u003c\/li\u003e\n\u003cli\u003eSunday Morning (featuring Elton Aura \u0026amp; Whitney) 03:31 video\u003c\/li\u003e\n\u003cli\u003eRobot Dreams 01:19\u003c\/li\u003e\n\u003cli\u003eMidday 03:53\u003c\/li\u003e\n\u003cli\u003eSunset 02:57\u003c\/li\u003e\n\u003cli\u003eFirst Light 06:23\u003c\/li\u003e\n\u003cli\u003eFuture 02:35\u003c\/li\u003e\n\u003cli\u003eOn n On 01:49\u003c\/li\u003e\n\u003cli\u003eBlutopia 03:40\u003c\/li\u003e\n\u003cli\u003eFacets 02:01\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eResavoir - the collaborative project led by Chicago producer\/composer Will Miller - presents their second self-titled album. The new 'Resavoir' is a subtly radiant symphony interweaving modern-day soul-jazz with bedroom beats, synth serenades and twilight sonatas. It represents Miller’s most assured and refined work to date.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagined, instigated and produced by Miller, who ties the diverse sounds into an expansive, coherent whole, 'Resavoir' features a wide and vibrant cast of collaborators, including Elton Aura, Whitney, Akenya, Matt Gold, Eddie Burns, Lane Beckstrom, Jeremy Cunningham, Irvin Pierce, Macie Stewart, Peter Manheim and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRooted in the collaborative spirit of the early 2010s indie hip-hop scene, Miller cut loose from his training at Oberlin jazz conservatory, taking a compositional assignment to write a tune about a reservoir as his cue to explore a beats and RnB-inspired sound that could function as a literal reservoir of music to draw from. Running his trumpet through MIDI keyboards, experimenting with samplers, drum machines and synths, he began to build a sound that could seamlessly collaborate with MCs, vocalists and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e instrumentalists.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Resavoir\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2023年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 トランペットやサンプラー、ドラムマシン、シンセを用いたアンビエント・ジャズ〜メローなジャズ・ヒップホップ11曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "シカゴのプロデューサー／コンポーザー、Will Miller率いるコラボレーション・プロジェクトResavoirが、セルフタイトルのセカンドアルバムを発表する。新作『Resavoir』は、現代のソウル・ジャズとベッドルーム・ビート、シンセのセレナーデ、そして黄昏のソナタが織り成す、繊細な輝きを放つシンフォニーだ。Millerのこれまでで最も確実で洗練された作品である。『Resavoir』には、エルトン・オーラ、ホイットニー、アケニア、マット・ゴールド、エディ・バーンズ、レイン・ベックストローム、ジェレミー・カニンガム、アーヴィン・ピアース、マシー・スチュワート、ピーター・マンハイムなど、幅広く活気に満ちたコラボレーターが参加している。2010年代初頭のインディーヒップホップシーンのコラボレーションの精神に根ざしたMillerは、オバーリンジャズ音楽院でのトレーニングから解放され、貯水池をテーマにした曲を書くという作曲課題を合図に、文字通り音楽の貯水池として機能するビートとRnBにインスパイアされたサウンドを探求した。トランペットをMIDIキーボードに通し、サンプラー、ドラムマシン、シンセを試しながら、MC、ヴォーカリスト、インストゥルメンタリストとシームレスにコラボレートできるサウンドを作り始めた。" レーベルその他作品はこちら /// Click here to see more...
¥4,910
クイックビュー
{"id":9205506212090,"title":"Photay with Carlos Niño \/\/ An Offering TAPE","handle":"photay-with-carlos-nino-an-offering-tape","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-04-25T06:17:27+09:00","created_at":"2026-04-25T06:13:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","new","post newage","tape"],"price":259800,"price_min":259800,"price_max":259800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760851759354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Photay with Carlos Niño \/\/ An Offering TAPE","public_title":null,"options":["Default Title"],"price":259800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259","\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Title"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":39137474347258,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074487_10.jpg?v=1777065259","width":1200},{"alt":null,"id":39137474380026,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0030074479_10.jpg?v=1777065259","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
You may also like:
アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
¥2,598
![Whitney Johnson, Lia Kohl, Macie Stewart // BODY SOUND LP [COLOR]](http://tobirarecords.com/cdn/shop/files/bod1_58b02fce-b883-419b-87b5-731f3d0480ad_medium.jpg?v=1774314665)
クイックビュー
{"id":9205498282234,"title":"Whitney Johnson, Lia Kohl, Macie Stewart \/\/ BODY SOUND LP [COLOR]","handle":"whitney-johnson-lia-kohl-macie-stewart-body-sound-lp-color","description":"\u003cp\u003eアメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" \"Grapefruit\" color vinyl with International Anthem OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dawn | pulse 06:03\u003cbr\u003e2. laundry | blood 02:51\u003cbr\u003e3. chewing gum 00:39\u003cbr\u003e4. door | watch 03:05\u003cbr\u003e5. stone | piece 07:33\u003cbr\u003e6. burning | counting (sleeping) 02:27\u003cbr\u003e7. shadow | mess 04:10\u003cbr\u003e8. paper folding | disappearing 03:05\u003cbr\u003e9. cough | laugh 02:39\u003cbr\u003e10. snow | touch 02:48\u003cbr\u003e11. fog | mirror 04:35\u003c\/p\u003e\n\u003cp\u003eExcerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e reacting...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:06:58+09:00","created_at":"2026-04-25T06:05:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","neo classical","new","recommended"],"price":549200,"price_min":549200,"price_max":549200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760731533562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Whitney Johnson, Lia Kohl, Macie Stewart \/\/ BODY SOUND LP [COLOR]","public_title":null,"options":["Default Title"],"price":549200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665","\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","options":["Title"],"media":[{"alt":null,"id":38829615251706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod1_58b02fce-b883-419b-87b5-731f3d0480ad.jpg?v=1774314665","width":350},{"alt":null,"id":38829615284474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bod2_afe7eedf-7870-465b-b935-ebed84629786.jpg?v=1774314665","width":1200},{"alt":null,"id":39137445511418,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0042888229_10.jpg?v=1777064783","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2492412378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" \"Grapefruit\" color vinyl with International Anthem OBI.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. dawn | pulse 06:03\u003cbr\u003e2. laundry | blood 02:51\u003cbr\u003e3. chewing gum 00:39\u003cbr\u003e4. door | watch 03:05\u003cbr\u003e5. stone | piece 07:33\u003cbr\u003e6. burning | counting (sleeping) 02:27\u003cbr\u003e7. shadow | mess 04:10\u003cbr\u003e8. paper folding | disappearing 03:05\u003cbr\u003e9. cough | laugh 02:39\u003cbr\u003e10. snow | touch 02:48\u003cbr\u003e11. fog | mirror 04:35\u003c\/p\u003e\n\u003cp\u003eExcerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhitney Johnson, Lia Kohl, and Macie Stewart are a trio who utilize string instruments, voices, and manual tape effect processing to craft compositions from alternately tranquil and disquieting improvised music. The three musicians are individually rooted in deep sound exploration, multi-disciplinary composition, and all manner of cross-genre collaboration. The musical ground covered by their solo practices is correspondingly expansive, and their individual recording and performance credits read as a veritable who’s who, ranging from DIY darlings to household names of experimental avant-garde, electronic, indie rock, and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe trio’s collective sound is based in improvisation—automatic, intuitive composition via their three voices and three string instruments (viola, cello, and violin, respectively). Their influences are vast—dispatched with more playful ease than a trio of string instruments is typically approached with, and just as likely to be found in the cloud-obscured mountains of Donegal, the low-rent cacophony of a midwestern basement, or the revelatory expanse of the Nurse With Wound list as in the storied halls of the academy. Touchstones and areas of interest aside, the main thing that Johnson, Kohl, and Stewart engage with in BODY SOUND is listening and\u003cspan class=\"bcTruncateMore\"\u003e reacting...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Whitney Johnson, Lia Kohl, Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP-IARC0108\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ・シカゴのバイオリニストWhitney JohnsonとMacie Stewart、チェリストLia Kohlが、2026年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。 インプロによるネオクラシカル・アンビエントドローン11曲を収録。グレープフルーツカラー盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
¥5,492
クイックビュー
{"id":9202275909882,"title":"JC Leisure Group \/\/ Low Tide, Hi Grypus! TAPE","handle":"jc-leisure-group-low-tide-hi-grypus-tape","description":"\u003cp\u003eイギリスの実験音楽家JC Leisure率いるJC Leisure Groupが、2026年9月にベルギーの実験／アンビエントレーベルEdicoes CNから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベルリンでのライブ録音11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『Low Tide, Hi Grypus!』は、JC LeisureがJC Leisure Groupとして展開する新たなライブ・プロジェクトである。人間の即興演奏者と大西洋アザラシとの出会いとコミュニケーションを記録した本作は、反応的な即興演奏を種を越えたコラボレーションの一形態として提示している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eこのプロジェクトはウェールズのポースディンレンで始まり、Leisureは干潮時に地元のコロニーからアザラシの鳴き声を録音した。リバプールのスタジオに戻ったLeisureは、人間の音楽的ジェスチャー——音高、音色、リズム、密度、存在感——を、これらのアザラシの表現を引き出すトリガーへと変換するパフォーマンス・システムを開発した。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして生まれたシステムは、水平的な文脈において、作用すると同時に作用を受けるという二重の能動性を備えている。それは、再現不可能なニュー・ミュージックの非線形的な境界を創出する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Low Tide, Hi Grypus!』は、ベルリンの1210でライブ録音されたもので、このコンセプトの一つの事例を捉えている。地元の即興演奏家たちが、このパフォーマンス・システムとの邂逅に招かれた。ワンテイクで録音されたこの作品では、ペダル・スティール、木管楽器、弦楽器、ピアノ、オルガン、そしてエレクトロニクスが、徐々に海の声に耳を傾け、それに応答することを学んでいく。この種を越えたグループは、一夜の間に、親密なデュエット（人間とアザラシ）から、フル・アンサンブル作品（人間とアザラシ）へと移行していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフィールドレコーディングを静的な素材として扱うのではなく、膨大なアザラシのアーカイブは能動的な共演者として機能し、リアルタイムで形式、テンポ、相互作用を形作っていく。まさに海洋生物学と人間のコミュニケーションの融合だ！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJC Leisureはこれまで、Sun Ark、Warm Winters Ltd、Not Not Funから作品をリリースしており、DialectとのコラボレーションとしてRaft of Trashとしても活動している。また、BBCラジオから委嘱を受け、放送されたラジオドラマの作曲も手掛けている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=173929768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ensemble i, Pedal Steel, Flute, Voice 02:44\u003cbr\u003e2. Pedal Steel i 02:50\u003cbr\u003e3. Harp i 04:43\u003cbr\u003e4. Pedal Steel ii 00:51\u003cbr\u003e5. Ensemble ii, Piano, Cello, Flute, Organ, Voice 04:29\u003cbr\u003e6. Pedal Steel iii 02:15\u003cbr\u003e7. Piano i 08:23\u003cbr\u003e8. Ensemble iii, Organ, Voice, Piano, Cello 04:45\u003cbr\u003e9. Ensemble iv, Pedal Steel, Flute, Whistles 02:36\u003cbr\u003e10. Ensemble v, Flute, Pedal Steel Whistles 03:16\u003cbr\u003e11. Sonata i 04:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLow Tide, Hi Grypus! is the new live-iteration of JC Leisure as JC Leisure Group. Documenting an encounter and a communication between human improvisers and atlantic grey seals. The record presents responsive improvisation as a form of cross-species collaboration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe project began on Porthdinllaen, Wales, where Leisure recorded seal vocalisations from a local colony at low tide. Back in their Liverpool studio, Leisure developed a performance system that translates human musical gestures - pitch, timbre, rhythm, density, presence - into triggers for these seal expressions. The resulting system is dual-active, as in it simultaneously acts and is acted upon in the horizontal instance. It creates a new-music non-linear threshold that cannot be replicated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLow Tide, Hi Grypus! was recorded live at 1210 Berlin and captures one instance of this concept. Local improvisers were invited to encounter the performance system. Recorded in one take, pedal-steel, woodwinds, strings, piano, organ, and electronics gradually learn to listen and respond to the marine voices. This interspecific group moves from intimate duets (that's human, seal) into full ensemble works (humans, seals) over the course of\u003cspan class=\"bcTruncateMore\"\u003e one night.\u003cbr\u003e\u003cbr\u003eRather than treating field recordings as static material, the extensive seal archive functions as an active collaborator: shaping form, pacing, and interaction in real-time. Now that’s marine biology meets human communication!\u003cbr\u003e\u003cbr\u003eJC Leisure has previously released work on Sun Ark, Warm Winters Ltd, Not Not Fun and collaboratively with Dialect as Raft of Trash. He has composed a radio play commissioned and broadcast by BBC Radio.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JC Leisure Group\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : ECN52\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th March 2026\u003c\/p\u003e","published_at":"2026-04-23T07:25:53+09:00","created_at":"2026-04-22T12:36:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Edições CN","jazz","new","tape"],"price":259500,"price_min":259500,"price_max":259500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48732691169530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JC Leisure Group \/\/ Low Tide, Hi Grypus! TAPE","public_title":null,"options":["Default Title"],"price":259500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/0047399594_10.jpg?v=1793251468","\/\/tobirarecords.com\/cdn\/shop\/files\/low1.jpg?v=1776828905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/0047399594_10.jpg?v=1793251468","options":["Title"],"media":[{"alt":null,"id":46782367072506,"position":1,"preview_image":{"aspect_ratio":1.001,"height":736,"width":737,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0047399594_10.jpg?v=1793251468"},"aspect_ratio":1.001,"height":736,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0047399594_10.jpg?v=1793251468","width":737},{"alt":null,"id":39113023226106,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/low1.jpg?v=1776828905"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/low1.jpg?v=1776828905","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家JC Leisure率いるJC Leisure Groupが、2026年9月にベルギーの実験／アンビエントレーベルEdicoes CNから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eベルリンでのライブ録音11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『Low Tide, Hi Grypus!』は、JC LeisureがJC Leisure Groupとして展開する新たなライブ・プロジェクトである。人間の即興演奏者と大西洋アザラシとの出会いとコミュニケーションを記録した本作は、反応的な即興演奏を種を越えたコラボレーションの一形態として提示している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003eこのプロジェクトはウェールズのポースディンレンで始まり、Leisureは干潮時に地元のコロニーからアザラシの鳴き声を録音した。リバプールのスタジオに戻ったLeisureは、人間の音楽的ジェスチャー——音高、音色、リズム、密度、存在感——を、これらのアザラシの表現を引き出すトリガーへと変換するパフォーマンス・システムを開発した。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして生まれたシステムは、水平的な文脈において、作用すると同時に作用を受けるという二重の能動性を備えている。それは、再現不可能なニュー・ミュージックの非線形的な境界を創出する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Low Tide, Hi Grypus!』は、ベルリンの1210でライブ録音されたもので、このコンセプトの一つの事例を捉えている。地元の即興演奏家たちが、このパフォーマンス・システムとの邂逅に招かれた。ワンテイクで録音されたこの作品では、ペダル・スティール、木管楽器、弦楽器、ピアノ、オルガン、そしてエレクトロニクスが、徐々に海の声に耳を傾け、それに応答することを学んでいく。この種を越えたグループは、一夜の間に、親密なデュエット（人間とアザラシ）から、フル・アンサンブル作品（人間とアザラシ）へと移行していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフィールドレコーディングを静的な素材として扱うのではなく、膨大なアザラシのアーカイブは能動的な共演者として機能し、リアルタイムで形式、テンポ、相互作用を形作っていく。まさに海洋生物学と人間のコミュニケーションの融合だ！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJC Leisureはこれまで、Sun Ark、Warm Winters Ltd、Not Not Funから作品をリリースしており、DialectとのコラボレーションとしてRaft of Trashとしても活動している。また、BBCラジオから委嘱を受け、放送されたラジオドラマの作曲も手掛けている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=173929768\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/edicoes-cn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eEdições CN releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ensemble i, Pedal Steel, Flute, Voice 02:44\u003cbr\u003e2. Pedal Steel i 02:50\u003cbr\u003e3. Harp i 04:43\u003cbr\u003e4. Pedal Steel ii 00:51\u003cbr\u003e5. Ensemble ii, Piano, Cello, Flute, Organ, Voice 04:29\u003cbr\u003e6. Pedal Steel iii 02:15\u003cbr\u003e7. Piano i 08:23\u003cbr\u003e8. Ensemble iii, Organ, Voice, Piano, Cello 04:45\u003cbr\u003e9. Ensemble iv, Pedal Steel, Flute, Whistles 02:36\u003cbr\u003e10. Ensemble v, Flute, Pedal Steel Whistles 03:16\u003cbr\u003e11. Sonata i 04:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLow Tide, Hi Grypus! is the new live-iteration of JC Leisure as JC Leisure Group. Documenting an encounter and a communication between human improvisers and atlantic grey seals. The record presents responsive improvisation as a form of cross-species collaboration.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe project began on Porthdinllaen, Wales, where Leisure recorded seal vocalisations from a local colony at low tide. Back in their Liverpool studio, Leisure developed a performance system that translates human musical gestures - pitch, timbre, rhythm, density, presence - into triggers for these seal expressions. The resulting system is dual-active, as in it simultaneously acts and is acted upon in the horizontal instance. It creates a new-music non-linear threshold that cannot be replicated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLow Tide, Hi Grypus! was recorded live at 1210 Berlin and captures one instance of this concept. Local improvisers were invited to encounter the performance system. Recorded in one take, pedal-steel, woodwinds, strings, piano, organ, and electronics gradually learn to listen and respond to the marine voices. This interspecific group moves from intimate duets (that's human, seal) into full ensemble works (humans, seals) over the course of\u003cspan class=\"bcTruncateMore\"\u003e one night.\u003cbr\u003e\u003cbr\u003eRather than treating field recordings as static material, the extensive seal archive functions as an active collaborator: shaping form, pacing, and interaction in real-time. Now that’s marine biology meets human communication!\u003cbr\u003e\u003cbr\u003eJC Leisure has previously released work on Sun Ark, Warm Winters Ltd, Not Not Fun and collaboratively with Dialect as Raft of Trash. He has composed a radio play commissioned and broadcast by BBC Radio.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : JC Leisure Group\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eEdições CN\u003c\/p\u003e\n\u003cp\u003ecat no : ECN52\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th March 2026\u003c\/p\u003e"}
You may also like:
イギリスの実験音楽家JC Leisure率いるJC Leisure Groupが、2026年9月にベルギーの実験／アンビエントレーベルEdicoes CNから50本限定でリリースしたカセットです。 ベルリンでのライブ録音11曲を収録。DLコード付属。 以下、レーベルによる解説です。 "『Low Tide, Hi Grypus!』は、JC LeisureがJC Leisure Groupとして展開する新たなライブ・プロジェクトである。人間の即興演奏者と大西洋アザラシとの出会いとコミュニケーションを記録した本作は、反応的な即興演奏を種を越えたコラボレーションの一形態として提示している。...
¥2,595
クイックビュー
{"id":9202221711610,"title":"Thee Marloes \/\/ Under the Silver Moon b\/w Through the Changes 7inch","handle":"thee-marloes-under-the-silver-moon-b-w-through-the-changes-7inch","description":"\u003cp\u003eインドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースした7\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e今夏を彩るネオソウル・バラード2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/thee-marloes-id-be-lost-b-w-whats-on-your-mind-7inch\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Thee Marloesが、またしても圧巻の2曲入りシングルを届けてくれた……\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面「Under the Silver Moon」は、爽やかな音楽をバックに、遠距離恋愛の苦さと甘さを巧みに描き出した、クールなツーステップ・ナンバーだ。最初のスネア音から聴き手を引き込む演奏とプロダクションに加え、フロントウーマンのナタッシャ・シアンチュリの蜜のような歌声は、比喩や散文を通じて鮮やかな情景を描き出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面「Through the Changes」は、バンドのサウンドが持つ最も優しい一面を露わにしている。力強さと繊細さを併せ持つこの曲は、死後の世界について私たちがどう想像し、どう向き合っているかを映し出している。ナタシャは、この世を去った愛する人との共存や会話を切望し、時には共有した記憶を回想し、また時には、その人に語りかけ、思いを巡らせ続けるという行為そのものに疑問を投げかける。彼女の歌い方は極めて親密で、その言葉の一つひとつに心を動かされずにはいられない。バンドは、その歌声を完璧に、そして控えめに支えている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EKvzbJ0DMcg?si=hAMe926tzNFjQmud\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iNm94z7Gxpo?si=yRKzDIjD7jfCne2P\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Under the Silver Moon \u003cbr\u003e2. Through the Changes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThee Marloes treat us to another show-stopping two-sider…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe A-side, “Under the Silver Moon,” is a stone-cold two-stepper that captures both the bitter and the sweet of long-distance love, set against a breezy musical backdrop. The musicianship and production pull you in from the first snare hit, while frontwoman Natassya Sianturi’s honeyed vocals conjure vivid imagery through metaphor and prose.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn the B-side, “Through the Changes” reveals the most tender side of the band’s sound. Both powerful and delicate, the song reflects on how we imagine – and grapple with – what comes after death. Natassya yearns for company and conversation with a love who has passed, at times recalling shared memories, at others questioning the act of continuing to speak to and think about them. Her delivery is so intimate it’s impossible not to feel every word, as the band provides the perfect, understated backing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thee Marloes\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBCR204lp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T14:43:15+09:00","created_at":"2026-04-22T11:20:13+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","folk \/ left-field pop","hiphop \/ funk","jazz","lp","new"],"price":227500,"price_min":227500,"price_max":227500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48732545122554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Thee Marloes \/\/ Under the Silver Moon b\/w Through the Changes 7inch","public_title":null,"options":["Default Title"],"price":227500,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":"349223020410","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-22at11.13.33am.png?v=1776824145"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-22at11.13.33am.png?v=1776824145","options":["Title"],"media":[{"alt":null,"id":39112694628602,"position":1,"preview_image":{"aspect_ratio":0.99,"height":693,"width":686,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-22at11.13.33am.png?v=1776824145"},"aspect_ratio":0.99,"height":693,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-22at11.13.33am.png?v=1776824145","width":686}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eインドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースした7\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e今夏を彩るネオソウル・バラード2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/thee-marloes-id-be-lost-b-w-whats-on-your-mind-7inch\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Thee Marloesが、またしても圧巻の2曲入りシングルを届けてくれた……\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA面「Under the Silver Moon」は、爽やかな音楽をバックに、遠距離恋愛の苦さと甘さを巧みに描き出した、クールなツーステップ・ナンバーだ。最初のスネア音から聴き手を引き込む演奏とプロダクションに加え、フロントウーマンのナタッシャ・シアンチュリの蜜のような歌声は、比喩や散文を通じて鮮やかな情景を描き出す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面「Through the Changes」は、バンドのサウンドが持つ最も優しい一面を露わにしている。力強さと繊細さを併せ持つこの曲は、死後の世界について私たちがどう想像し、どう向き合っているかを映し出している。ナタシャは、この世を去った愛する人との共存や会話を切望し、時には共有した記憶を回想し、また時には、その人に語りかけ、思いを巡らせ続けるという行為そのものに疑問を投げかける。彼女の歌い方は極めて親密で、その言葉の一つひとつに心を動かされずにはいられない。バンドは、その歌声を完璧に、そして控えめに支えている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EKvzbJ0DMcg?si=hAMe926tzNFjQmud\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/iNm94z7Gxpo?si=yRKzDIjD7jfCne2P\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Under the Silver Moon \u003cbr\u003e2. Through the Changes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThee Marloes treat us to another show-stopping two-sider…\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe A-side, “Under the Silver Moon,” is a stone-cold two-stepper that captures both the bitter and the sweet of long-distance love, set against a breezy musical backdrop. The musicianship and production pull you in from the first snare hit, while frontwoman Natassya Sianturi’s honeyed vocals conjure vivid imagery through metaphor and prose.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn the B-side, “Through the Changes” reveals the most tender side of the band’s sound. Both powerful and delicate, the song reflects on how we imagine – and grapple with – what comes after death. Natassya yearns for company and conversation with a love who has passed, at times recalling shared memories, at others questioning the act of continuing to speak to and think about them. Her delivery is so intimate it’s impossible not to feel every word, as the band provides the perfect, understated backing.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thee Marloes\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBCR204lp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 8th May 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
インドネシア・ジャワ島のソウルトリオThee Marloesが、2026年5月にアメリカ・NYのソウルレーベルBig Crownからリリースした7"です。 今夏を彩るネオソウル・バラード2曲を収録。 前作もオススメです。 以下、レーベルによる解説です。 "Thee Marloesが、またしても圧巻の2曲入りシングルを届けてくれた…… A面「Under the Silver Moon」は、爽やかな音楽をバックに、遠距離恋愛の苦さと甘さを巧みに描き出した、クールなツーステップ・ナンバーだ。最初のスネア音から聴き手を引き込む演奏とプロダクションに加え、フロントウーマンのナタッシャ・シアンチュリの蜜のような歌声は、比喩や散文を通じて鮮やかな情景を描き出す。 B面「Through the...
¥2,275
クイックビュー
{"id":9202216042746,"title":"Jac Berrocal, Vincent Epplay, Timo van Luijk \/\/ Ste Cy LP","handle":"jac-berrocal-vincent-epplay-timo-van-luijk-anne-gillis-ste-cy-lp","description":"\u003cp\u003e実験音楽家Jac Berrocal, Vincent Epplay, Timo van Luijkが、\u003cspan\u003e2026年4月にベルギーの実験レーベルLa Scie Doreeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜サウンドポエトリー12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=648757692\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3793537801\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=648757692\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003eIncludes insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Horizontal valley 03:36\u003cbr\u003e2. Saint, Sainte, Saints 03:55\u003cbr\u003e3. Raven goth 03:31\u003cbr\u003e4. Ne dites pas 03:12\u003cbr\u003e5. Sphère de Dyson 02:32\u003cbr\u003e6. L'âge d'or 02:16\u003cbr\u003e7. Emphysème 02:58\u003cbr\u003e8. Célébration 03:33\u003cbr\u003e9. Adoration 02:18\u003cbr\u003e10. No Connexion 03:13\u003cbr\u003e11. Ste Cy 03:14\u003cbr\u003e12. La ralentie 03:29\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSte Cy, the latest studio offering from the trio of Jac Berrocal, Vincent Epplay, and Timo van Luijk, ripens like a forbidden fruit—born of an improvised instrumental session captured in the secluded hush of Kulta Saha by Timo van Luijk.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese raw recordings were later reshaped into 12 songs by Vincent Epplay at Studio Villejuif in Paris. And over it all drifts the poetry of Jac Berrocal— sensual and incendiary, seeping into the music like spice into flesh.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jac Berrocal, Vincent Epplay, Timo van Luijk, (Anne Gillis)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : La Scie Doree\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e3925\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelese date : April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T15:56:57+09:00","created_at":"2026-04-22T10:53:46+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","lp","metaphon","new"],"price":499500,"price_min":499500,"price_max":499500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48732520874234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jac Berrocal, Vincent Epplay, Timo van Luijk \/\/ Ste Cy LP","public_title":null,"options":["Default Title"],"price":499500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jac1_a7b0f575-61b8-4fc3-addf-0583926020aa.jpg?v=1776822760","\/\/tobirarecords.com\/cdn\/shop\/files\/jac2_30d8dc86-497d-480c-94ec-b8e94b99912c.jpg?v=1776822738"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1_a7b0f575-61b8-4fc3-addf-0583926020aa.jpg?v=1776822760","options":["Title"],"media":[{"alt":null,"id":39112633254138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1_a7b0f575-61b8-4fc3-addf-0583926020aa.jpg?v=1776822760"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac1_a7b0f575-61b8-4fc3-addf-0583926020aa.jpg?v=1776822760","width":350},{"alt":null,"id":39112633286906,"position":2,"preview_image":{"aspect_ratio":0.987,"height":600,"width":592,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac2_30d8dc86-497d-480c-94ec-b8e94b99912c.jpg?v=1776822738"},"aspect_ratio":0.987,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jac2_30d8dc86-497d-480c-94ec-b8e94b99912c.jpg?v=1776822738","width":592}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家Jac Berrocal, Vincent Epplay, Timo van Luijkが、\u003cspan\u003e2026年4月にベルギーの実験レーベルLa Scie Doreeからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eインプロ〜サウンドポエトリー12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=648757692\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3793537801\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=648757692\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003eIncludes insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Horizontal valley 03:36\u003cbr\u003e2. Saint, Sainte, Saints 03:55\u003cbr\u003e3. Raven goth 03:31\u003cbr\u003e4. Ne dites pas 03:12\u003cbr\u003e5. Sphère de Dyson 02:32\u003cbr\u003e6. L'âge d'or 02:16\u003cbr\u003e7. Emphysème 02:58\u003cbr\u003e8. Célébration 03:33\u003cbr\u003e9. Adoration 02:18\u003cbr\u003e10. No Connexion 03:13\u003cbr\u003e11. Ste Cy 03:14\u003cbr\u003e12. La ralentie 03:29\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSte Cy, the latest studio offering from the trio of Jac Berrocal, Vincent Epplay, and Timo van Luijk, ripens like a forbidden fruit—born of an improvised instrumental session captured in the secluded hush of Kulta Saha by Timo van Luijk.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese raw recordings were later reshaped into 12 songs by Vincent Epplay at Studio Villejuif in Paris. And over it all drifts the poetry of Jac Berrocal— sensual and incendiary, seeping into the music like spice into flesh.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jac Berrocal, Vincent Epplay, Timo van Luijk, (Anne Gillis)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : La Scie Doree\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e3925\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelese date : April 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
実験音楽家Jac Berrocal, Vincent Epplay, Timo van Luijkが、2026年4月にベルギーの実験レーベルLa Scie Doreeからリリースしたレコードです。 インプロ〜サウンドポエトリー12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see...
¥4,995
クイックビュー
{"id":9196113035514,"title":"Noah Howard \/\/ The Black Ark LP","handle":"noah-howard-the-black-ark-lp","description":"\u003cp\u003eアメリカのサックス奏者Noah Howard(1943-2010)が、2026年3月にSuperior Viaductからリリースした再発レコードです。（オリジナルは1972年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・フリージャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/E9-YzcQT-AM?si=uEsL1CXha73TynA1\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003ehere\u003c\/a\u003e to see more Superior Viaduct releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2026 reissue - originally released in 1972. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Domiabra\u003cbr\u003e2. Ole Negro\u003cbr\u003e3. Mount Fuji\u003cbr\u003e4. Queen Anne\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the pantheon of classic free jazz, Noah Howard's The Black Ark looms large. Recorded at Bell Sound Studios in New York City in 1969 – just prior to the alto saxophonist's relocation to Europe – the album was eventually released in 1972.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Black Ark exhibits not only the power and imagination of Howard's playing, but also his breadth as a composer and bandleader. Listeners expecting unrelenting blasts of \"energy music\" might be surprised to find a cohesion atypical of free jazz; amidst the wild, impassioned solos, \u003ca href=\"https:\/\/www.superiorviaduct.com\/collections\/noah-howard\"\u003eHoward\u003c\/a\u003e weaves in Latin rhythms and fat-bottomed grooves.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe first side, consisting of \"Domiabra\" and \"Ole Negro,\" sets the album's tone. Both tracks sound as if they could have appeared on some of Blue Note's proto-spiritual jazz, groove-heavy releases – evoking the likes of Horace Silver or Bobby Hutcherson – before ceding the floor to the horn players' anarchic firepower.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs John Corbett writes in the liner notes, \"Two players stand out. Bassist Norris Jones – who would soon consolidate his name into a one-word reversed amalgamation \/ permutation of the two, Sirone – is given ample room, largely unaccompanied; his corporal approach foreshadows later work with the Revolutionary Ensemble. But the secret weapon on The Black Ark is Arthur Doyle. Straight from basement rehearsal sessions with Milford Graves, whose ensemble he had joined and who remained a favorite of the drummer for decades, Doyle is a human flamethrower.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTrumpeter Earl Cross' guttural, vocal effects complement Doyle's take-no-prisoners approach, while the estimable combination of Muhammad Ali (Rashied's brother) on drums and Juma Sultan on congas adds an ever-shifting propulsion. The septet is rounded out by the enigmatic pianist Leslie Waldron, who anchors the group with imaginative accompaniment and occasional boppish flourishes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEvery bit worthy of its reputation as an \"out-jazz\" holy grail, The Black Ark only sounds better with age. It remains the ideal record to convert the remaining free-jazz skeptics.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003eArtist : Noah Howard\u003c\/p\u003e\n\u003cp\u003eLabel : Superior Viaduct\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSV206\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T06:45:19+09:00","created_at":"2026-04-20T09:45:33+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","superior viaduct"],"price":447500,"price_min":447500,"price_max":447500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48698403324154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Noah Howard \/\/ The Black Ark LP","public_title":null,"options":["Default Title"],"price":447500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"857661008544","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-20at9.43.14am.png?v=1776645855","\/\/tobirarecords.com\/cdn\/shop\/files\/no2_7a5e23d4-6e35-4c2b-be75-675f6a53df84.jpg?v=1776645855"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-20at9.43.14am.png?v=1776645855","options":["Title"],"media":[{"alt":null,"id":39087783051514,"position":1,"preview_image":{"aspect_ratio":1.002,"height":462,"width":463,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-20at9.43.14am.png?v=1776645855"},"aspect_ratio":1.002,"height":462,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-20at9.43.14am.png?v=1776645855","width":463},{"alt":null,"id":39087783018746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_7a5e23d4-6e35-4c2b-be75-675f6a53df84.jpg?v=1776645855"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_7a5e23d4-6e35-4c2b-be75-675f6a53df84.jpg?v=1776645855","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのサックス奏者Noah Howard(1943-2010)が、2026年3月にSuperior Viaductからリリースした再発レコードです。（オリジナルは1972年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・フリージャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/E9-YzcQT-AM?si=uEsL1CXha73TynA1\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003ehere\u003c\/a\u003e to see more Superior Viaduct releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2026 reissue - originally released in 1972. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Domiabra\u003cbr\u003e2. Ole Negro\u003cbr\u003e3. Mount Fuji\u003cbr\u003e4. Queen Anne\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn the pantheon of classic free jazz, Noah Howard's The Black Ark looms large. Recorded at Bell Sound Studios in New York City in 1969 – just prior to the alto saxophonist's relocation to Europe – the album was eventually released in 1972.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Black Ark exhibits not only the power and imagination of Howard's playing, but also his breadth as a composer and bandleader. Listeners expecting unrelenting blasts of \"energy music\" might be surprised to find a cohesion atypical of free jazz; amidst the wild, impassioned solos, \u003ca href=\"https:\/\/www.superiorviaduct.com\/collections\/noah-howard\"\u003eHoward\u003c\/a\u003e weaves in Latin rhythms and fat-bottomed grooves.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe first side, consisting of \"Domiabra\" and \"Ole Negro,\" sets the album's tone. Both tracks sound as if they could have appeared on some of Blue Note's proto-spiritual jazz, groove-heavy releases – evoking the likes of Horace Silver or Bobby Hutcherson – before ceding the floor to the horn players' anarchic firepower.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs John Corbett writes in the liner notes, \"Two players stand out. Bassist Norris Jones – who would soon consolidate his name into a one-word reversed amalgamation \/ permutation of the two, Sirone – is given ample room, largely unaccompanied; his corporal approach foreshadows later work with the Revolutionary Ensemble. But the secret weapon on The Black Ark is Arthur Doyle. Straight from basement rehearsal sessions with Milford Graves, whose ensemble he had joined and who remained a favorite of the drummer for decades, Doyle is a human flamethrower.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTrumpeter Earl Cross' guttural, vocal effects complement Doyle's take-no-prisoners approach, while the estimable combination of Muhammad Ali (Rashied's brother) on drums and Juma Sultan on congas adds an ever-shifting propulsion. The septet is rounded out by the enigmatic pianist Leslie Waldron, who anchors the group with imaginative accompaniment and occasional boppish flourishes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEvery bit worthy of its reputation as an \"out-jazz\" holy grail, The Black Ark only sounds better with age. It remains the ideal record to convert the remaining free-jazz skeptics.\u003c\/em\u003e\"\u003c\/p\u003e\n\u003cp\u003eArtist : Noah Howard\u003c\/p\u003e\n\u003cp\u003eLabel : Superior Viaduct\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSV206\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカのサックス奏者Noah Howard(1943-2010)が、2026年3月にSuperior Viaductからリリースした再発レコードです。（オリジナルは1972年リリース） スピリチュアル・フリージャズ4曲を収録。 レーベルその他作品はこちら /// Click here to see more Superior Viaduct releases available at Tobira....
¥4,475
クイックビュー
{"id":9196112511226,"title":"Julius Hemphill \/\/ Dogon A.D. LP","handle":"julius-hemphill-dogon-a-d-lp","description":"\u003cp\u003eアメリカのサックス奏者Noah Howard(1938-1995)が、2026年3月にSuperior Viaductからリリースした再発レコードです。（オリジナルは1972年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・フリージャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZrVZC44qiIs?si=oL2gULJm7T8u-ybl\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-eRxsbKfG1Y?si=Dt5i1Cfx1QR_pz2u\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FtXNdfbGfNo?si=oHaF8Sd0oaqfPFZu\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9QZ2WMGGXmQ?si=ELKcOfkX_SJzi8H8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003ehere\u003c\/a\u003e to see more Superior Viaduct releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2026 reissue - originally released in 1972. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dogon A.D. 14:52\u003cbr\u003e2. Rites 08:22\u003cbr\u003e3. The Painter 15:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. The Hard Blues 20:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Julius Hemphill\u003c\/p\u003e\n\u003cp\u003eLabel : Superior Viaduct\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSV205\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T06:47:49+09:00","created_at":"2026-04-20T09:42:07+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","superior viaduct"],"price":447500,"price_min":447500,"price_max":447500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48698400899322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Julius Hemphill \/\/ Dogon A.D. LP","public_title":null,"options":["Default Title"],"price":447500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"857661008537","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dog1_9cc04857-9dad-46c2-bbe9-002642fa05f7.jpg?v=1776645569"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dog1_9cc04857-9dad-46c2-bbe9-002642fa05f7.jpg?v=1776645569","options":["Title"],"media":[{"alt":null,"id":39087773843706,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dog1_9cc04857-9dad-46c2-bbe9-002642fa05f7.jpg?v=1776645569"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dog1_9cc04857-9dad-46c2-bbe9-002642fa05f7.jpg?v=1776645569","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのサックス奏者Noah Howard(1938-1995)が、2026年3月にSuperior Viaductからリリースした再発レコードです。（オリジナルは1972年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・フリージャズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZrVZC44qiIs?si=oL2gULJm7T8u-ybl\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/-eRxsbKfG1Y?si=Dt5i1Cfx1QR_pz2u\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/FtXNdfbGfNo?si=oHaF8Sd0oaqfPFZu\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9QZ2WMGGXmQ?si=ELKcOfkX_SJzi8H8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sprvdct\"\u003ehere\u003c\/a\u003e to see more Superior Viaduct releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2026 reissue - originally released in 1972. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dogon A.D. 14:52\u003cbr\u003e2. Rites 08:22\u003cbr\u003e3. The Painter 15:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. The Hard Blues 20:10\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Julius Hemphill\u003c\/p\u003e\n\u003cp\u003eLabel : Superior Viaduct\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSV205\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカのサックス奏者Noah Howard(1938-1995)が、2026年3月にSuperior Viaductからリリースした再発レコードです。（オリジナルは1972年リリース） スピリチュアル・フリージャズ4曲を収録。 レーベルその他作品はこちら /// Click here to see more Superior Viaduct releases available at Tobira....
¥4,475
クイックビュー
{"id":9196109529338,"title":"Misha Panfilov \u0026 Shawn Lee \/\/ Paradise Cove LP","handle":"misha-panfilov-shawn-lee-paradise-cove-lp","description":"\u003cp\u003e\u003cspan\u003eエストニア・タリンのM\u003c\/span\u003e\u003cspan\u003eisha PanfilovとアメリカのShawn Leeマルチ奏者2名が、2026年4月にアメリカのジャズレーベルFunk Night Recordsからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサイケデリックなジャズ・ファンク〜トロピカル・エキゾチカ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VhBy77dd-U0?si=p_ns4Ijy9qBvxFQb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Deep Sea Oddities 03:54\u003cbr\u003e2. Volkswagenesque 04:04\u003cbr\u003e3. Camel Sands 02:23\u003cbr\u003e4. Teledisko 03:18\u003cbr\u003e5. Aquaria 02:24\u003cbr\u003e6. Miles Away 02:50\u003cbr\u003e7. Belt Buckle 02:49\u003cbr\u003e8. Synthpathy For The Devil 02:37\u003cbr\u003e9. Gyroplane 03:19\u003cbr\u003e10. Freaky Tiki Cafe 02:28\u003cbr\u003e11. Sigmund Jähn Bossa 02:52\u003cbr\u003e12. Voodoo You Love 02:55\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGreg Foat, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From the opening bubbling synth laden 'Deep Sea Oddities', the blissed out hippy drum circle vibes of 'Volkswagenesque' and 'Camel Sands'. The Euro library 'Teledisko', the hairy 'Aquaria'. The Italian Library 'Today's Sound' 'Miles Away' and that's just side A! This album has it all! Side B opens with 'Belt Buckle' and you had better fasten it as you are in for a wild ride! Chunky bass, space invaders and ray guns await! 'Synthpathy for the Devil' gives you an idea of satanic moods, thankfully no stones were rolled in the making of this music! Feedback and wild angular guitars with syncopated beats take you through the 'Gyroplane'. Relax with a cool drink in the 'Freaky Tiki Cafe' as guitars, wurlitzer and wood blocks serenade you before an upbeat bossa of the Sigmund Jähn variety sweeps you away on a fantastical journey ending with 'Voodoo You Love' ...well after that musical experience, I think the answer is Misha and Shawn!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn my humble opinion this is Misha's best work to date. I have enjoyed following his musical progress from his deep funk beginnings to his later kraut rock inspired experiments and now this eclectic beauty with the irrepressible Shawn Lee.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misha Panfilov \u0026amp; Shawn Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFNR-133\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : April 2026 (repress)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-21T07:14:10+09:00","created_at":"2026-04-20T09:19:56+09:00","vendor":"Tobira Records","type":"","tags":["funk night","hiphop \/ funk","jazz","lp","new"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48698390544634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Misha Panfilov \u0026 Shawn Lee \/\/ Paradise Cove LP","public_title":null,"options":["Default Title"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/para1_e110a842-7b03-460a-8856-9b4ab4c5c605.jpg?v=1776644261"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_e110a842-7b03-460a-8856-9b4ab4c5c605.jpg?v=1776644261","options":["Title"],"media":[{"alt":null,"id":39087738814714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_e110a842-7b03-460a-8856-9b4ab4c5c605.jpg?v=1776644261"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_e110a842-7b03-460a-8856-9b4ab4c5c605.jpg?v=1776644261","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eエストニア・タリンのM\u003c\/span\u003e\u003cspan\u003eisha PanfilovとアメリカのShawn Leeマルチ奏者2名が、2026年4月にアメリカのジャズレーベルFunk Night Recordsからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサイケデリックなジャズ・ファンク〜トロピカル・エキゾチカ12曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/VhBy77dd-U0?si=p_ns4Ijy9qBvxFQb\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Deep Sea Oddities 03:54\u003cbr\u003e2. Volkswagenesque 04:04\u003cbr\u003e3. Camel Sands 02:23\u003cbr\u003e4. Teledisko 03:18\u003cbr\u003e5. Aquaria 02:24\u003cbr\u003e6. Miles Away 02:50\u003cbr\u003e7. Belt Buckle 02:49\u003cbr\u003e8. Synthpathy For The Devil 02:37\u003cbr\u003e9. Gyroplane 03:19\u003cbr\u003e10. Freaky Tiki Cafe 02:28\u003cbr\u003e11. Sigmund Jähn Bossa 02:52\u003cbr\u003e12. Voodoo You Love 02:55\u003c\/p\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGreg Foat, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From the opening bubbling synth laden 'Deep Sea Oddities', the blissed out hippy drum circle vibes of 'Volkswagenesque' and 'Camel Sands'. The Euro library 'Teledisko', the hairy 'Aquaria'. The Italian Library 'Today's Sound' 'Miles Away' and that's just side A! This album has it all! Side B opens with 'Belt Buckle' and you had better fasten it as you are in for a wild ride! Chunky bass, space invaders and ray guns await! 'Synthpathy for the Devil' gives you an idea of satanic moods, thankfully no stones were rolled in the making of this music! Feedback and wild angular guitars with syncopated beats take you through the 'Gyroplane'. Relax with a cool drink in the 'Freaky Tiki Cafe' as guitars, wurlitzer and wood blocks serenade you before an upbeat bossa of the Sigmund Jähn variety sweeps you away on a fantastical journey ending with 'Voodoo You Love' ...well after that musical experience, I think the answer is Misha and Shawn!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn my humble opinion this is Misha's best work to date. I have enjoyed following his musical progress from his deep funk beginnings to his later kraut rock inspired experiments and now this eclectic beauty with the irrepressible Shawn Lee.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misha Panfilov \u0026amp; Shawn Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFNR-133\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : April 2026 (repress)\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
エストニア・タリンのMisha PanfilovとアメリカのShawn Leeマルチ奏者2名が、2026年4月にアメリカのジャズレーベルFunk Night Recordsからリリースした再発レコードです。（オリジナルは2020年リリース） サイケデリックなジャズ・ファンク〜トロピカル・エキゾチカ12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Funk Night...
¥3,790
クイックビュー
{"id":9195009900794,"title":"Jesse Hackett \/\/ Nocturnes LP","handle":"jesse-hackett-nocturnes-lp","description":"\u003cp\u003eイギリス・ロンドンのマルチ奏者Jesse Hackettが、2026年2月に同国Hive Mindからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノを主体としたジャズ〜ネオクラシカル・アンビエント13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Nocturnes』において、Jesse Hackettは影の世界へと足を踏み入れ、幽玄なピアノとゴシック調の室内楽が織りなす、極めて個人的なアルバムを披露している。この作品は、消え去らない不安と忍び寄る恐怖を漂わせ、予測不可能なハケットの作品群における新たな方向性を示している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJesse Hackettから、彼自身が「これまでで最も個人的な作品」と称する本作へのコラボレーションを提案された際、私たちは大いに喜んだ。特に困難な時期に作曲・プロデュースされた『Nocturnes』は、雨に濡れた夕暮れのジャズとゴシックな室内楽が織りなす、美しくも不気味な世界へとリスナーを誘い込む。まるで架空のジャッロ・スリラーやハマー・ホラー映画のサウンドトラックを彷彿とさせるこのアルバムは、極めて映画的で想像力をかき立て、不穏なイメージを呼び起こす。不安な夢の端に佇む形のない存在、揺らめく影を落とすろうそくの灯、そしてロンドンのボヘミアンな裏社会の荒廃したバーやラウンジに隠された、口に出すことのできない秘密といった光景だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Nocturnes』において、Jesse Hackettは表現の主要な手段としてピアノに戻り、サックス奏者兼フルート奏者のフィン・ピーターズと共演している。二人は、深夜にエリック・サティ、モーリス・ラヴェル、オリヴィエ・メシアン、そしてビル・エヴァンスやチャールズ・ミンガスといったジャズの系譜に耳を傾けながら呼び起こされた霊を、共に奏でている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2985299384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003ehere\u003c\/a\u003e to see more Hive Mind Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 250 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nocturne 1: Snow Dance 03:36\u003cbr\u003e2. Nocturne 2: Lovely Cold Ruins 03:40\u003cbr\u003e3. Nocturne 3: Darkusosy 02:16\u003cbr\u003e4. Nocturne 4: Goodbye Pork Pie Gal 04:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Nocturne 5: Piano Man's Pain 02:24\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Nocturne 6: Rain Soaked Choker 02:43 video\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Nocturne 7: Nosferatu 03:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Nocturne 8: Chainca Shadow 02:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Nocturne 9: Larks 03:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Nocturne 10: Satalight Song 02:50\u003cbr\u003e\u003c\/span\u003e11. Nocturne 11: Meet Me in the Hills 01:54\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Nocturne 12: Pyjamas 03:59\u003cbr\u003e\u003c\/span\u003e13. Nocturne 13: The Hissing Mist 03:16\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Nocturnes, Jesse Hackett steps into the shadows, unveiling a deeply personal album of spectral piano and gothic chamber pieces. The record channels a sense of lingering unease and creeping dread and signals a new direction in Hackett’s unpredictable oeuvre.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe were delighted when Jesse reached out to propose a collaboration on what he described as his most personal work to date. Written and produced during a particularly difficult period, Nocturnes plunges the listener into a beautifully eerie world of rain-soaked twilight jazz and gothic chamber music. Reminiscent of the soundtrack to an imagined Giallo thriller or Hammer Horror film, the album is deeply cinematic and evocative, conjuring unsettling mental images: shapeless presences lingering at the edges of uneasy dreams, candlelight casting wavering shadows, and unspeakable secrets hidden in the run-down bars and lounges of London’s bohemian underbelly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Nocturnes, Jesse returns to the piano as his primary means of expression and collaborates with saxophonist and flautist Finn Peters. Together, they channel spirits summoned during late nights listening to the works of Erik Satie, Maurice Ravel, Olivier Messiaen, and the jazz lineage of Bill Evans and Charles\u003cspan class=\"bcTruncateMore\"\u003e Mingus.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jesse Hackett\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHMRLP042\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-21T15:56:36+09:00","created_at":"2026-04-18T11:49:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","hive mind records","jazz","lp","neo classical","new"],"price":489500,"price_min":489500,"price_max":489500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48694402318586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jesse Hackett \/\/ Nocturnes LP","public_title":null,"options":["Default Title"],"price":489500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hack1.jpg?v=1776480452","\/\/tobirarecords.com\/cdn\/shop\/files\/hack2.jpg?v=1776480452"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hack1.jpg?v=1776480452","options":["Title"],"media":[{"alt":null,"id":39077120475386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hack1.jpg?v=1776480452"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hack1.jpg?v=1776480452","width":350},{"alt":null,"id":39077120508154,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hack2.jpg?v=1776480452"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hack2.jpg?v=1776480452","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのマルチ奏者Jesse Hackettが、2026年2月に同国Hive Mindからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノを主体としたジャズ〜ネオクラシカル・アンビエント13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Nocturnes』において、Jesse Hackettは影の世界へと足を踏み入れ、幽玄なピアノとゴシック調の室内楽が織りなす、極めて個人的なアルバムを披露している。この作品は、消え去らない不安と忍び寄る恐怖を漂わせ、予測不可能なハケットの作品群における新たな方向性を示している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJesse Hackettから、彼自身が「これまでで最も個人的な作品」と称する本作へのコラボレーションを提案された際、私たちは大いに喜んだ。特に困難な時期に作曲・プロデュースされた『Nocturnes』は、雨に濡れた夕暮れのジャズとゴシックな室内楽が織りなす、美しくも不気味な世界へとリスナーを誘い込む。まるで架空のジャッロ・スリラーやハマー・ホラー映画のサウンドトラックを彷彿とさせるこのアルバムは、極めて映画的で想像力をかき立て、不穏なイメージを呼び起こす。不安な夢の端に佇む形のない存在、揺らめく影を落とすろうそくの灯、そしてロンドンのボヘミアンな裏社会の荒廃したバーやラウンジに隠された、口に出すことのできない秘密といった光景だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Nocturnes』において、Jesse Hackettは表現の主要な手段としてピアノに戻り、サックス奏者兼フルート奏者のフィン・ピーターズと共演している。二人は、深夜にエリック・サティ、モーリス・ラヴェル、オリヴィエ・メシアン、そしてビル・エヴァンスやチャールズ・ミンガスといったジャズの系譜に耳を傾けながら呼び起こされた霊を、共に奏でている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2985299384\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003ehere\u003c\/a\u003e to see more Hive Mind Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 250 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Nocturne 1: Snow Dance 03:36\u003cbr\u003e2. Nocturne 2: Lovely Cold Ruins 03:40\u003cbr\u003e3. Nocturne 3: Darkusosy 02:16\u003cbr\u003e4. Nocturne 4: Goodbye Pork Pie Gal 04:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Nocturne 5: Piano Man's Pain 02:24\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Nocturne 6: Rain Soaked Choker 02:43 video\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Nocturne 7: Nosferatu 03:32\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Nocturne 8: Chainca Shadow 02:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Nocturne 9: Larks 03:18\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Nocturne 10: Satalight Song 02:50\u003cbr\u003e\u003c\/span\u003e11. Nocturne 11: Meet Me in the Hills 01:54\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Nocturne 12: Pyjamas 03:59\u003cbr\u003e\u003c\/span\u003e13. Nocturne 13: The Hissing Mist 03:16\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn Nocturnes, Jesse Hackett steps into the shadows, unveiling a deeply personal album of spectral piano and gothic chamber pieces. The record channels a sense of lingering unease and creeping dread and signals a new direction in Hackett’s unpredictable oeuvre.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe were delighted when Jesse reached out to propose a collaboration on what he described as his most personal work to date. Written and produced during a particularly difficult period, Nocturnes plunges the listener into a beautifully eerie world of rain-soaked twilight jazz and gothic chamber music. Reminiscent of the soundtrack to an imagined Giallo thriller or Hammer Horror film, the album is deeply cinematic and evocative, conjuring unsettling mental images: shapeless presences lingering at the edges of uneasy dreams, candlelight casting wavering shadows, and unspeakable secrets hidden in the run-down bars and lounges of London’s bohemian underbelly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Nocturnes, Jesse returns to the piano as his primary means of expression and collaborates with saxophonist and flautist Finn Peters. Together, they channel spirits summoned during late nights listening to the works of Erik Satie, Maurice Ravel, Olivier Messiaen, and the jazz lineage of Bill Evans and Charles\u003cspan class=\"bcTruncateMore\"\u003e Mingus.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jesse Hackett\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHMRLP042\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 27th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
イギリス・ロンドンのマルチ奏者Jesse Hackettが、2026年2月に同国Hive Mindからリリースしたレコードです。 ピアノを主体としたジャズ〜ネオクラシカル・アンビエント13曲を収録。 以下、レーベルによる解説です。 "『Nocturnes』において、Jesse Hackettは影の世界へと足を踏み入れ、幽玄なピアノとゴシック調の室内楽が織りなす、極めて個人的なアルバムを披露している。この作品は、消え去らない不安と忍び寄る恐怖を漂わせ、予測不可能なハケットの作品群における新たな方向性を示している。 Jesse Hackettから、彼自身が「これまでで最も個人的な作品」と称する本作へのコラボレーションを提案された際、私たちは大いに喜んだ。特に困難な時期に作曲・プロデュースされた『Nocturnes』は、雨に濡れた夕暮れのジャズとゴシックな室内楽が織りなす、美しくも不気味な世界へとリスナーを誘い込む。まるで架空のジャッロ・スリラーやハマー・ホラー映画のサウンドトラックを彷彿とさせるこのアルバムは、極めて映画的で想像力をかき立て、不穏なイメージを呼び起こす。不安な夢の端に佇む形のない存在、揺らめく影を落とすろうそくの灯、そしてロンドンのボヘミアンな裏社会の荒廃したバーやラウンジに隠された、口に出すことのできない秘密といった光景だ。 『Nocturnes』において、Jesse Hackettは表現の主要な手段としてピアノに戻り、サックス奏者兼フルート奏者のフィン・ピーターズと共演している。二人は、深夜にエリック・サティ、モーリス・ラヴェル、オリヴィエ・メシアン、そしてビル・エヴァンスやチャールズ・ミンガスといったジャズの系譜に耳を傾けながら呼び起こされた霊を、共に奏でている。" レーベルその他作品はこちら /// Click here to see...
¥4,895
クイックビュー
{"id":9195008786682,"title":"Noel Kelehan Quintet \/\/ Ozone LP","handle":"noel-kelehan-quintet-ozone-lp","description":"\u003cp\u003eアイルランドのジャズバンドNoel Kelehan Quintetが、2024年にOuternational Soundsからリリースした再発レコードです。（オリジナルは1979年リリース）\u003c\/p\u003e\n\u003cp\u003eアイリッシュ・モーダルジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2756343879\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2024 reissue and remaster - originally released in 1979. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Castle Of Dromore 09:26\u003cbr\u003e2. Spon Song 04:03\u003cbr\u003e3. One For Willie 05:00\u003cbr\u003e4. Spacer's Delight 09:21\u003cbr\u003e5. I Only Have Time To Say I Love You 05:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Triers Not Fliers 08:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHighly sought-after landmark 1979 Irish jazz LP by the legendary Noel Kelehan Quintet, featuring stunning modal and spiritual compositions – first ever reissue on vinyl, remastered at Abbey Road from the original tapes!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSide A: Castle of Dromore, Spon Song, One For Willie\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSide B: Spacer’s Delight, I Only Have Time Time To Say I Love You, Triers Not Fliers\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLong sought-after by those in know, this essential Irish jazz album finally gets a vinyl reissue on Outernational Sounds! Fully licensed from producer John D’Ardis, remastered at Abbey Road from the original tapes, and with lacquers cut at Dubplates and Mastering, the Noel Kelehan Quintet’s stunning 1979 Ozone is presented with unseen photographs of the band and commentary from original band members.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFeaturing moody, modal jazz of the first order, subtle and original composing and world- class playing, Ozone was the creation of Ireland’s most respected jazz composer and musician, pianist Noel Kelehan (1935-2012). The only small-group album under his name, and arguably the first ever Irish jazz LP, Ozone was a landmark recording, but it was far from Kelehan’s only\u003cspan class=\"bcTruncateMore\"\u003e achievement. Born in Dublin, Kelehan had studied music from an early age. From the mid-1950s he worked at state-broadcaster Radio Éireann (RÉ, later RTÉ – Radio Telefis Éireann), and from the early 1960s he fronted Dublin’s first be-bop unit, the Jazz Heralds. A busy professional career saw him compose for numerous Irish pop stars, arrange and conduct many of Ireland’s Eurovision entries, and even contribute string arrangements to U2’s Unforgettable Fire LP.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eBut jazz was Kelehan’s first passion, and he never stopped playing in both small modernist units and composing for his own big band. The late 1970s saw him fronting the Noel Kelehan Quintet, alongside drummer John Wadham, saxophonist Keith Donald, bassist Frank Hess and trumpeter Mick Nolan. Playing weekly in Dublin for several years, they opened for visiting stars including Dollar Brand and the Ronnie Scott Orchestra, and eventually played a two-week residency at Ronnie Scotts in London. Though Kelehan had recorded a big-band LP of traditional Irish songs arranged as easy jazz in 1970, Ozone was his first album of modern jazz. Released on John D’Ardis’s independent Cargo imprint and press on blue vinyl, it featured original compositions such as the deep collectors cut ‘Spon Song’, subtle Latin flavours on ‘Spacer’s Delight’ and a beautiful modal arrangement of the traditional Irish air ‘Castle of Dromore’. A legendary recording in Ireland, Ozone reflected Kelehan’s keen appreciation of classic quintet-era Miles, with touches of the cerebral fusion of Ian Carr and the arranging genius of Neil Ardley. Not just a landmark Irish jazz set, Ozone is a lost classic of European jazz more widely – finally available again on vinyl from Outernational Sounds!\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Noel Kelehan Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : Outernational Sounds\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOTR-019 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2024 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-13T15:15:14+09:00","created_at":"2026-04-18T11:42:24+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new"],"price":594000,"price_min":594000,"price_max":594000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48694378856698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Noel Kelehan Quintet \/\/ Ozone LP","public_title":null,"options":["Default Title"],"price":594000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oz1.jpg?v=1776480049"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oz1.jpg?v=1776480049","options":["Title"],"media":[{"alt":null,"id":39077089771770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oz1.jpg?v=1776480049"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oz1.jpg?v=1776480049","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアイルランドのジャズバンドNoel Kelehan Quintetが、2024年にOuternational Soundsからリリースした再発レコードです。（オリジナルは1979年リリース）\u003c\/p\u003e\n\u003cp\u003eアイリッシュ・モーダルジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2756343879\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2024 reissue and remaster - originally released in 1979. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Castle Of Dromore 09:26\u003cbr\u003e2. Spon Song 04:03\u003cbr\u003e3. One For Willie 05:00\u003cbr\u003e4. Spacer's Delight 09:21\u003cbr\u003e5. I Only Have Time To Say I Love You 05:04\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Triers Not Fliers 08:56\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHighly sought-after landmark 1979 Irish jazz LP by the legendary Noel Kelehan Quintet, featuring stunning modal and spiritual compositions – first ever reissue on vinyl, remastered at Abbey Road from the original tapes!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSide A: Castle of Dromore, Spon Song, One For Willie\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSide B: Spacer’s Delight, I Only Have Time Time To Say I Love You, Triers Not Fliers\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLong sought-after by those in know, this essential Irish jazz album finally gets a vinyl reissue on Outernational Sounds! Fully licensed from producer John D’Ardis, remastered at Abbey Road from the original tapes, and with lacquers cut at Dubplates and Mastering, the Noel Kelehan Quintet’s stunning 1979 Ozone is presented with unseen photographs of the band and commentary from original band members.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFeaturing moody, modal jazz of the first order, subtle and original composing and world- class playing, Ozone was the creation of Ireland’s most respected jazz composer and musician, pianist Noel Kelehan (1935-2012). The only small-group album under his name, and arguably the first ever Irish jazz LP, Ozone was a landmark recording, but it was far from Kelehan’s only\u003cspan class=\"bcTruncateMore\"\u003e achievement. Born in Dublin, Kelehan had studied music from an early age. From the mid-1950s he worked at state-broadcaster Radio Éireann (RÉ, later RTÉ – Radio Telefis Éireann), and from the early 1960s he fronted Dublin’s first be-bop unit, the Jazz Heralds. A busy professional career saw him compose for numerous Irish pop stars, arrange and conduct many of Ireland’s Eurovision entries, and even contribute string arrangements to U2’s Unforgettable Fire LP.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eBut jazz was Kelehan’s first passion, and he never stopped playing in both small modernist units and composing for his own big band. The late 1970s saw him fronting the Noel Kelehan Quintet, alongside drummer John Wadham, saxophonist Keith Donald, bassist Frank Hess and trumpeter Mick Nolan. Playing weekly in Dublin for several years, they opened for visiting stars including Dollar Brand and the Ronnie Scott Orchestra, and eventually played a two-week residency at Ronnie Scotts in London. Though Kelehan had recorded a big-band LP of traditional Irish songs arranged as easy jazz in 1970, Ozone was his first album of modern jazz. Released on John D’Ardis’s independent Cargo imprint and press on blue vinyl, it featured original compositions such as the deep collectors cut ‘Spon Song’, subtle Latin flavours on ‘Spacer’s Delight’ and a beautiful modal arrangement of the traditional Irish air ‘Castle of Dromore’. A legendary recording in Ireland, Ozone reflected Kelehan’s keen appreciation of classic quintet-era Miles, with touches of the cerebral fusion of Ian Carr and the arranging genius of Neil Ardley. Not just a landmark Irish jazz set, Ozone is a lost classic of European jazz more widely – finally available again on vinyl from Outernational Sounds!\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Noel Kelehan Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : Outernational Sounds\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOTR-019 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2024 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アイルランドのジャズバンドNoel Kelehan Quintetが、2024年にOuternational Soundsからリリースした再発レコードです。（オリジナルは1979年リリース） アイリッシュ・モーダルジャズ6曲を収録。 --------------------------------------------------- 12" black vinyl.2024 reissue and remaster - originally...
¥5,940
クイックビュー
{"id":9195008491770,"title":"Shankar Jaikishan \/ Rais Khan \/\/ Raga Jazz Style LP","handle":"shankar-jaikishan-raga-jazz-style-lp","description":"\u003cp\u003eインド映画黄金期に活躍した作曲家デュオShankar Jaikishanが、2026年4月にOuternational Soundsからリリースした再発レコードです。（オリジナルは1968年リリース）\u003c\/p\u003e\n\u003cp\u003eインド古典ラーガとジャズが融和した11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NgvE4yK4Ujs?si=2cOOa3kBWt_jX4lp\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/a9LeZa3rSB4?si=SFRo1recm0f1yA6Z\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vdUnf4JZQ2U?si=jrkz_PstXxum2mtm\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/67T_uFdbG94?si=RwgRr9jtDZykZCdF\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Alb7M9L4G4Q?si=mU_kEZGYU70hvlSH\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eFeaturing original artwork + label replica. \u003cbr\u003e2017 reissue - originally released in 1968. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Raga: Todi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Raga: Bhairav\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Raga: Malkauns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Raga: Kalavati\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5 Raga: Tilak Kamod\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA6 Raga: Miyan Malhar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Raga: Bairagi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Raga: Jaijaiwanti\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Raga: Mishra Pilu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Raga: Shivranjani\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5 Raga: Bhairavi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shankar Jaikishan\u003c\/p\u003e\n\u003cp\u003eLabel : Outernational Sounds x His Master's Voice\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOTR-001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-13T15:20:33+09:00","created_at":"2026-04-18T11:39:05+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new"],"price":489500,"price_min":489500,"price_max":489500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48694375579898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Shankar Jaikishan \/ Rais Khan \/\/ Raga Jazz Style LP","public_title":null,"options":["Default Title"],"price":489500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/raga1.jpg?v=1776479700","\/\/tobirarecords.com\/cdn\/shop\/files\/raga2.jpg?v=1776479700"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/raga1.jpg?v=1776479700","options":["Title"],"media":[{"alt":null,"id":39077072208122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/raga1.jpg?v=1776479700"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/raga1.jpg?v=1776479700","width":350},{"alt":null,"id":39077072240890,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/raga2.jpg?v=1776479700"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/raga2.jpg?v=1776479700","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eインド映画黄金期に活躍した作曲家デュオShankar Jaikishanが、2026年4月にOuternational Soundsからリリースした再発レコードです。（オリジナルは1968年リリース）\u003c\/p\u003e\n\u003cp\u003eインド古典ラーガとジャズが融和した11曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NgvE4yK4Ujs?si=2cOOa3kBWt_jX4lp\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/a9LeZa3rSB4?si=SFRo1recm0f1yA6Z\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vdUnf4JZQ2U?si=jrkz_PstXxum2mtm\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/67T_uFdbG94?si=RwgRr9jtDZykZCdF\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Alb7M9L4G4Q?si=mU_kEZGYU70hvlSH\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eFeaturing original artwork + label replica. \u003cbr\u003e2017 reissue - originally released in 1968. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Raga: Todi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 Raga: Bhairav\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Raga: Malkauns\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4 Raga: Kalavati\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5 Raga: Tilak Kamod\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA6 Raga: Miyan Malhar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1 Raga: Bairagi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2 Raga: Jaijaiwanti\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3 Raga: Mishra Pilu\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4 Raga: Shivranjani\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5 Raga: Bhairavi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Shankar Jaikishan\u003c\/p\u003e\n\u003cp\u003eLabel : Outernational Sounds x His Master's Voice\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOTR-001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
インド映画黄金期に活躍した作曲家デュオShankar Jaikishanが、2026年4月にOuternational Soundsからリリースした再発レコードです。（オリジナルは1968年リリース） インド古典ラーガとジャズが融和した11曲を収録。 --------------------------------------------------- 12" black vinyl.Featuring original artwork + label replica. 2017 reissue...
¥4,895
クイックビュー
{"id":9195007377658,"title":"The Eyes and the Mistoids \/\/ The Beware Gallery TAPE","handle":"the-eyes-and-the-mistoids-the-beware-gallery-tape","description":"\u003cp\u003eイギリスの実験／ジャズ作家The Eyes and the Mistoidsが、2026年3月に同国実験レーベルWaxing \u003cspan\u003eCrescentから80本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノとモジュラーによるカオティックなアウトサイダー・ジャズ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=622463746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/waxing-crescent\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/waxing-crescent\"\u003ehere\u003c\/a\u003e to see more Waxing Crescent releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Moist Frangipane and Instantaneous Coffee 05:41\u003cbr\u003e2. Microbial Diversity 00:47\u003cbr\u003e3. The Neolithic Period 05:44\u003cbr\u003e4. A Perfectly Collimated Light Beam, With No Divergence 05:30\u003cbr\u003e5. Snails That Failed 03:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Rhizome Zone 04:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Feats of Human Endurance 04:21\u003cbr\u003e\u003c\/span\u003e8. The Future of Steam 04:45\u003cbr\u003e9. Prelude for the Planets 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. 85 Hour Experimental Film 03:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePrepare to enter \"The Beware Gallery,\" the latest offering by The Eyes and the Mistoids. An eclectic fusion of jazz and classical piano seamlessly intertwines with dynamic modular synthesis, revealing new surprises around every corner, and a little something for everyone. Journeying from \"The Neolithic Period\" right through to \"The future of steam\" and beyond, get ready to experience the unexpected.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Eyes and the Mistoids\u003c\/p\u003e\n\u003cp\u003eLabel : Waxing Crescent\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWC 77\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-22T07:52:26+09:00","created_at":"2026-04-18T11:25:38+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","new","strange beats","tape","waxing crescent"],"price":264500,"price_min":264500,"price_max":264500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48694353133818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"The Eyes and the Mistoids \/\/ The Beware Gallery TAPE","public_title":null,"options":["Default Title"],"price":264500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_fe832dcf-b731-4687-846c-b6af2c874bae.jpg?v=1776479042","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1bfb95d8-dee1-42dc-9407-73ac23dc48ac.jpg?v=1776479042"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_fe832dcf-b731-4687-846c-b6af2c874bae.jpg?v=1776479042","options":["Title"],"media":[{"alt":null,"id":39077032165626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_fe832dcf-b731-4687-846c-b6af2c874bae.jpg?v=1776479042"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_fe832dcf-b731-4687-846c-b6af2c874bae.jpg?v=1776479042","width":350},{"alt":null,"id":39077032198394,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1bfb95d8-dee1-42dc-9407-73ac23dc48ac.jpg?v=1776479042"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_1bfb95d8-dee1-42dc-9407-73ac23dc48ac.jpg?v=1776479042","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験／ジャズ作家The Eyes and the Mistoidsが、2026年3月に同国実験レーベルWaxing \u003cspan\u003eCrescentから80本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノとモジュラーによるカオティックなアウトサイダー・ジャズ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=622463746\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/waxing-crescent\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/waxing-crescent\"\u003ehere\u003c\/a\u003e to see more Waxing Crescent releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCassette in norelco case.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Moist Frangipane and Instantaneous Coffee 05:41\u003cbr\u003e2. Microbial Diversity 00:47\u003cbr\u003e3. The Neolithic Period 05:44\u003cbr\u003e4. A Perfectly Collimated Light Beam, With No Divergence 05:30\u003cbr\u003e5. Snails That Failed 03:03\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Rhizome Zone 04:39\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Feats of Human Endurance 04:21\u003cbr\u003e\u003c\/span\u003e8. The Future of Steam 04:45\u003cbr\u003e9. Prelude for the Planets 03:22\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. 85 Hour Experimental Film 03:36\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePrepare to enter \"The Beware Gallery,\" the latest offering by The Eyes and the Mistoids. An eclectic fusion of jazz and classical piano seamlessly intertwines with dynamic modular synthesis, revealing new surprises around every corner, and a little something for everyone. Journeying from \"The Neolithic Period\" right through to \"The future of steam\" and beyond, get ready to experience the unexpected.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : The Eyes and the Mistoids\u003c\/p\u003e\n\u003cp\u003eLabel : Waxing Crescent\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWC 77\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 20th March 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
イギリスの実験／ジャズ作家The Eyes and the Mistoidsが、2026年3月に同国実験レーベルWaxing Crescentから80本限定でリリースしたカセットです。 ピアノとモジュラーによるカオティックなアウトサイダー・ジャズ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Waxing Crescent...
¥2,645
クイックビュー
{"id":9193019605242,"title":"Alabaster DePlume \/\/ Dear Children of Our Children, I Knew: Epilogue LP","handle":"alabaster-deplume-dear-children-of-our-children-i-knew-epilogue-lp","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2026年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアメリカツアー中に録音した5曲を収録。Record Store Day限定盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"『\u003cem\u003eDear Children of Our Children, I Knew: Epilogue』は、Alabaster DePlumeによる新作EPで、2025年3月の全米ツアー中に録音された。Alabaster DePlumeは、ベーシストのシャザド・イスマイリー、ドラマーのチェサー・ホームズと共にライブを行い、批評家から絶賛されたアルバム『A Blade Because A Blade Is Whole』（2025年3月リリース）の楽曲を披露していた。トリオのステージ上の息の合い方は非常に自然で強固なものであったため、ブルックリンでのオフ日に、Alabaster DePlumeはその絆を形に残すことを決意した。本作は、全米各地の観客に向けて『A Blade』の楽曲を演奏し、共有し、即興で展開する中で培われた体験によって形作られたインストゥルメンタル曲集である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlabaster DePlumeは次のように語っている。「ライブで皆さんと出会った時、私は皆さんが声を失っていると感じました。それは、今日私たちがICE（移民・関税執行局）という形で目の当たりにしている現実をも示唆する、ある倫理的な問題に関するものでした。皆さんと共有したその体験は、壁に描かれたグラフィティやポスターのように、私の心に深く刻まれています。皆さんの声を届けること、それが私の役目であり、このレコードはまさにそのためのものです。そして、行動を起こすこと。その切迫感が、私をその場でレコーディングへと駆り立てたのです。そして今、私たちはここにいる。私たちが言ったように、この世界は、すでに生きていた現実へと目覚めつつあるのです。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Dear Children』は、『A Blade Because A Blade Is Whole』のエピローグであり、2024年10月にリリースされたEP『Cremisan: Prologue to A Blade』と対をなす作品となっている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDePlumeが近年発表してきたほぼすべての作品と同様に、これらすべての作品とパレスチナとの結びつきは深い。『Cremisan』EP自体もパレスチナで録音された。『Dear Children』には、西岸地区での子供たちの遊びや日常のフィールドレコーディングやサンプルが取り入れられており、そのジャケットアートには、ガザ出身の13歳の少年が描いたイラストの貼り紙ポスターが描かれている（使用許諾済み）。カバーアートにはアラビア語で次のように記されている。「殉教者／証人オバイダ・アフマド・アル＝キラムの母へ捧ぐ。安らかに眠れ。あなたの教え子であり、アーティストであるハサン・ジャワド・アブダヤより。」”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3966764814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bringing Up The Nakba \u003cbr\u003e2. I Play A Role In It And I Know\u003cbr\u003e3. It's Only Now Once (Elbit Systems Windowpane) \u003cbr\u003e4. Glass \u003cbr\u003e5. What Did The Child Say \/ Facing Reality\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'\u003cem\u003eDear Children of Our Children, I Knew: Epilogue' is a new EP by Alabaster DePlume, recorded during the middle of his March 2025 US tour. DePlume had been playing shows with bassist Shahzad Ismaily and drummer Tcheser Holmes, performing music from his critically acclaimed album 'A Blade Because A Blade Is Whole' (released March 2025). The trio’s onstage rapport was so immediate and strong that, on an off day in Brooklyn, DePlume chose to capture that connection, recording this collection of instrumental pieces shaped by the experience of performing, sharing, and improvising off the music of A Blade for audiences across the US.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDePlume says: “Meeting with you all at the shows I sensed that you felt voiceless, on this ethical issue that also spelled out what we’re seeing today, in the form of ICE. That experience with you is etched into me, like graffiti or a poster on the wall. It’s my job to deliver your voice, and that’s what this record is. And to take action. That urgency compelled me to record then. And now here we are. As we said, this world is awakening to the reality it was already living.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDear Children serves as an epilogue to A Blade Because A Blade Is Whole, and as a companion bookend with his October 2024 EP 'Cremisan: Prologue to A\u003cspan class=\"bcTruncateMore\"\u003e Blade'.\u003cbr\u003e\u003cbr\u003eAs with almost everything that DePlume has put forth in recent years, the connection of all these works to Palestine is deep. The Cremisan EP itself was recorded in Palestine. Dear Children incorporates field recordings and samples of children playing and of normal life in the West Bank, and its cover art depicts wheatpaste posters of a drawing made by a 13-year-old boy from Gaza (used with permission). The inscription on the cover art says, in Arabic, “Dedicated to the mother of the martyr\/witness Obaida Ahmed al-Qiram. May you rest in peace. From your student, the artist, Hasan Jawad Abudayyeh.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0110LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-21T06:31:37+09:00","created_at":"2026-04-17T09:47:38+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":443000,"price_min":443000,"price_max":443000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48689807556858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alabaster DePlume \/\/ Dear Children of Our Children, I Knew: Epilogue LP","public_title":null,"options":["Default Title"],"price":443000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457242128","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/de1_909aaf44-6341-4744-8b0a-403dbc09618a.jpg?v=1776386678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_909aaf44-6341-4744-8b0a-403dbc09618a.jpg?v=1776386678","options":["Title"],"media":[{"alt":null,"id":39066770178298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_909aaf44-6341-4744-8b0a-403dbc09618a.jpg?v=1776386678"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_909aaf44-6341-4744-8b0a-403dbc09618a.jpg?v=1776386678","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2026年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアメリカツアー中に録音した5曲を収録。Record Store Day限定盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"『\u003cem\u003eDear Children of Our Children, I Knew: Epilogue』は、Alabaster DePlumeによる新作EPで、2025年3月の全米ツアー中に録音された。Alabaster DePlumeは、ベーシストのシャザド・イスマイリー、ドラマーのチェサー・ホームズと共にライブを行い、批評家から絶賛されたアルバム『A Blade Because A Blade Is Whole』（2025年3月リリース）の楽曲を披露していた。トリオのステージ上の息の合い方は非常に自然で強固なものであったため、ブルックリンでのオフ日に、Alabaster DePlumeはその絆を形に残すことを決意した。本作は、全米各地の観客に向けて『A Blade』の楽曲を演奏し、共有し、即興で展開する中で培われた体験によって形作られたインストゥルメンタル曲集である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlabaster DePlumeは次のように語っている。「ライブで皆さんと出会った時、私は皆さんが声を失っていると感じました。それは、今日私たちがICE（移民・関税執行局）という形で目の当たりにしている現実をも示唆する、ある倫理的な問題に関するものでした。皆さんと共有したその体験は、壁に描かれたグラフィティやポスターのように、私の心に深く刻まれています。皆さんの声を届けること、それが私の役目であり、このレコードはまさにそのためのものです。そして、行動を起こすこと。その切迫感が、私をその場でレコーディングへと駆り立てたのです。そして今、私たちはここにいる。私たちが言ったように、この世界は、すでに生きていた現実へと目覚めつつあるのです。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e『Dear Children』は、『A Blade Because A Blade Is Whole』のエピローグであり、2024年10月にリリースされたEP『Cremisan: Prologue to A Blade』と対をなす作品となっている。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDePlumeが近年発表してきたほぼすべての作品と同様に、これらすべての作品とパレスチナとの結びつきは深い。『Cremisan』EP自体もパレスチナで録音された。『Dear Children』には、西岸地区での子供たちの遊びや日常のフィールドレコーディングやサンプルが取り入れられており、そのジャケットアートには、ガザ出身の13歳の少年が描いたイラストの貼り紙ポスターが描かれている（使用許諾済み）。カバーアートにはアラビア語で次のように記されている。「殉教者／証人オバイダ・アフマド・アル＝キラムの母へ捧ぐ。安らかに眠れ。あなたの教え子であり、アーティストであるハサン・ジャワド・アブダヤより。」”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3966764814\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bringing Up The Nakba \u003cbr\u003e2. I Play A Role In It And I Know\u003cbr\u003e3. It's Only Now Once (Elbit Systems Windowpane) \u003cbr\u003e4. Glass \u003cbr\u003e5. What Did The Child Say \/ Facing Reality\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'\u003cem\u003eDear Children of Our Children, I Knew: Epilogue' is a new EP by Alabaster DePlume, recorded during the middle of his March 2025 US tour. DePlume had been playing shows with bassist Shahzad Ismaily and drummer Tcheser Holmes, performing music from his critically acclaimed album 'A Blade Because A Blade Is Whole' (released March 2025). The trio’s onstage rapport was so immediate and strong that, on an off day in Brooklyn, DePlume chose to capture that connection, recording this collection of instrumental pieces shaped by the experience of performing, sharing, and improvising off the music of A Blade for audiences across the US.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDePlume says: “Meeting with you all at the shows I sensed that you felt voiceless, on this ethical issue that also spelled out what we’re seeing today, in the form of ICE. That experience with you is etched into me, like graffiti or a poster on the wall. It’s my job to deliver your voice, and that’s what this record is. And to take action. That urgency compelled me to record then. And now here we are. As we said, this world is awakening to the reality it was already living.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDear Children serves as an epilogue to A Blade Because A Blade Is Whole, and as a companion bookend with his October 2024 EP 'Cremisan: Prologue to A\u003cspan class=\"bcTruncateMore\"\u003e Blade'.\u003cbr\u003e\u003cbr\u003eAs with almost everything that DePlume has put forth in recent years, the connection of all these works to Palestine is deep. The Cremisan EP itself was recorded in Palestine. Dear Children incorporates field recordings and samples of children playing and of normal life in the West Bank, and its cover art depicts wheatpaste posters of a drawing made by a 13-year-old boy from Gaza (used with permission). The inscription on the cover art says, in Arabic, “Dedicated to the mother of the martyr\/witness Obaida Ahmed al-Qiram. May you rest in peace. From your student, the artist, Hasan Jawad Abudayyeh.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0110LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2026年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 アメリカツアー中に録音した5曲を収録。Record Store Day限定盤です。 以下、レーベルによる解説です。 "『Dear Children of Our Children, I Knew:...
¥4,430
![Prymek & Sage // Shelter LP [COLOR]](http://tobirarecords.com/cdn/shop/files/sag1_e6607cac-23fb-49cc-9665-6ba209742aba_medium.jpg?v=1776300734)
クイックビュー
{"id":9191286964474,"title":"Prymek \u0026 Sage \/\/ Shelter LP [COLOR]","handle":"prymek-sage-shelter-lp-color","description":"\u003cp\u003eアメリカのアンビエント・フォークバンド風物詩のメンバーとしても活動しているLake MaryとM. Sageが、2026年4月に同国LAのオールジャンルレーベルAKP Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜アンビエント・ジャズ5曲を収録。黄色盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2555428635\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" yellow vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wonder Comes Aroaring 09:41\u003cbr\u003e2. Michigan Turquoise 07:21\u003cbr\u003e3. Shelter From 06:04\u003cbr\u003e4. Hill Blocks View 10:13\u003cbr\u003e5. Red Healer 09:48\u003c\/p\u003e\n\u003cp\u003eFrom the label: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChaz Prymek and Matthew Sage are old friends; after a spate of duo releases in the late 2010s and early 2020s, this is their first proper full length duo release in six years. Those six years have been busy for both artists; they are the primary songwriters in their project Fuubutsushi with Patrick Shiroishi and Chris Jusell, Prymek is busy with his Lake Mary project, along with being a curator and organizer in Salt Lake, Sage has had a string of albums on RVNG, as well as juggling being a professor, a parent, a gardener, and an artist in Northern Colorado. They both spent part of that time wandering the Midwest, but both share deep roots in the Mountain West, in Colorado and Utah. Shelter sees the duo settling back into the wide landscapes of where they come from, and also where they are going.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese were the first recordings made in the pole barn studio Sage set up in rural Colorado in 2022. Slowly and gently layered with sparse overdubs – yearning slide guitar, accordion, clarinet, recorder, delicate synthesizers – and sateen production treatments, the core of the album is a series of first take live improvisations with Prymek on electric guitar and Sage on piano. The album feels like sitting on a porch with an old friend and a warm cup of coffee while you catch up and talk about the good and the bad with a smile\u003cspan class=\"bcTruncateMore\"\u003e. Gentle and hymn-like, deeply melodious and patient. Channeling a humble spirit looking out on a majestic scene, things feel airy and pastoral, spacious and patient but a little tousled, windblown, chapped. Prymek and Sage have a long and wide catalog together, but something about Shelter feels like a new chapter and a benchmark for both of their practices containing the influence of years of sonic and artistic explorations, immense life changes, cross country moves, and all the warmth a sunbeam can bring along the way.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Prymek \u0026amp; Sage\u003c\/p\u003e\n\u003cp\u003eLabel : AKP Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAKP046\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-16T10:12:48+09:00","created_at":"2026-04-16T09:53:51+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","jazz","lp","new","recommended"],"price":465200,"price_min":465200,"price_max":465200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48682551836922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Prymek \u0026 Sage \/\/ Shelter LP [COLOR]","public_title":null,"options":["Default Title"],"price":465200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sag1_e6607cac-23fb-49cc-9665-6ba209742aba.jpg?v=1776300734","\/\/tobirarecords.com\/cdn\/shop\/files\/sage2_38f05535-124b-4fec-8de2-bab2819fde97.jpg?v=1776300734"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sag1_e6607cac-23fb-49cc-9665-6ba209742aba.jpg?v=1776300734","options":["Title"],"media":[{"alt":null,"id":39056991846650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sag1_e6607cac-23fb-49cc-9665-6ba209742aba.jpg?v=1776300734"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sag1_e6607cac-23fb-49cc-9665-6ba209742aba.jpg?v=1776300734","width":350},{"alt":null,"id":39056991879418,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sage2_38f05535-124b-4fec-8de2-bab2819fde97.jpg?v=1776300734"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sage2_38f05535-124b-4fec-8de2-bab2819fde97.jpg?v=1776300734","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアンビエント・フォークバンド風物詩のメンバーとしても活動しているLake MaryとM. Sageが、2026年4月に同国LAのオールジャンルレーベルAKP Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエント・フォーク〜アンビエント・ジャズ5曲を収録。黄色盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2555428635\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" yellow vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wonder Comes Aroaring 09:41\u003cbr\u003e2. Michigan Turquoise 07:21\u003cbr\u003e3. Shelter From 06:04\u003cbr\u003e4. Hill Blocks View 10:13\u003cbr\u003e5. Red Healer 09:48\u003c\/p\u003e\n\u003cp\u003eFrom the label: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChaz Prymek and Matthew Sage are old friends; after a spate of duo releases in the late 2010s and early 2020s, this is their first proper full length duo release in six years. Those six years have been busy for both artists; they are the primary songwriters in their project Fuubutsushi with Patrick Shiroishi and Chris Jusell, Prymek is busy with his Lake Mary project, along with being a curator and organizer in Salt Lake, Sage has had a string of albums on RVNG, as well as juggling being a professor, a parent, a gardener, and an artist in Northern Colorado. They both spent part of that time wandering the Midwest, but both share deep roots in the Mountain West, in Colorado and Utah. Shelter sees the duo settling back into the wide landscapes of where they come from, and also where they are going.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese were the first recordings made in the pole barn studio Sage set up in rural Colorado in 2022. Slowly and gently layered with sparse overdubs – yearning slide guitar, accordion, clarinet, recorder, delicate synthesizers – and sateen production treatments, the core of the album is a series of first take live improvisations with Prymek on electric guitar and Sage on piano. The album feels like sitting on a porch with an old friend and a warm cup of coffee while you catch up and talk about the good and the bad with a smile\u003cspan class=\"bcTruncateMore\"\u003e. Gentle and hymn-like, deeply melodious and patient. Channeling a humble spirit looking out on a majestic scene, things feel airy and pastoral, spacious and patient but a little tousled, windblown, chapped. Prymek and Sage have a long and wide catalog together, but something about Shelter feels like a new chapter and a benchmark for both of their practices containing the influence of years of sonic and artistic explorations, immense life changes, cross country moves, and all the warmth a sunbeam can bring along the way.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Prymek \u0026amp; Sage\u003c\/p\u003e\n\u003cp\u003eLabel : AKP Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAKP046\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカのアンビエント・フォークバンド風物詩のメンバーとしても活動しているLake MaryとM. Sageが、2026年4月に同国LAのオールジャンルレーベルAKP Recordingsからリリースした共作レコードです。 ドリーミーなアンビエント・フォーク〜アンビエント・ジャズ5曲を収録。黄色盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more AKP Recordings releases available...
¥4,652
クイックビュー
{"id":9186600452346,"title":"Ex-Corp \/\/ Assemblage CD","handle":"ex-corp-assemblage-cd","description":"\u003cp\u003eアメリカのサイケデリックバンドEx-Corpが、2025年7月に同国コロラドのアンビエントレーベルCached MediaからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント・ジャズ〜インプロ2曲を収録。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached.Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. EC I\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e18:01\u003cbr\u003e2. EC II\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e17:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe exquisite corpse game – invented by the Surrealists in the early 20th century – is one that requires a rare combination of imagination and communal trust. One must uphold the rules first, and place their personal contribution second to those rules. The game, the rules, the act of playing becomes more precious than what is created. In this case, the rules have led to a thing being built, an assemblage, and here, with this impossible sculpture of recorded sound, we are left to play while the wind moves the light.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA group of collaborators – Ben Felton, Daniel Klag, Bill Gillim, John Crouch, Mike Walters, Dan Goldberg – used this exquisite corpse approach, this game, these rules, to create Assemblage. Many of these players have worked across many labels (including pre-Cached Patient Sounds), under many monikers, and have a massive collective discography. Here, they present their first exercise as Ex Corp. Two sprawling tracks made by following a prompt laid out by Felton: he sends a track to someone, they record responding to what he sent, he sends the responders track to someone, they respond, repeat. So, each artist only has the previous contributors’ reaction to a buzzing and hidden network of playing and thinking at any given moment. A kind of psychic musical game of telephone. In the end, all contributions are overlaid to create each of these two movements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEvoking a kind of 2008 experimental nostalgia, these two experiments feel like a group of friends in a basement with low ceilings zoning out amongst piles of gear. Both close and also distant. Think Caboladies, early Emeralds, WZT Hearts, Sunburned Hand of the Man. A distinctly psychedelic kind of music-as-adventure born from the collisions of noise, new age, post rock, spiritual jazz and “free music.” Equal parts shambolic and beatific. Synths and drones, hissing electronics, jangling sonorous guitars, quasi-tribal jazz percussion and drums flutter together in curious twists. Much like many exquisite corpse drawings, things become disjointed or confused in places, and that confusion feels more like the rules of the game working to create tension and release. In some ways we listen with questions. These players are expressing a kind of technological and aesthetic empathetic response, and that empathy will suddenly emerge in dazzling moments, flutters of melody, strange and tangled turns, and satisfying slow arcs of push and pull sound and music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBen Felton - Guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Klag - Samples, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Gillim - Wind controller\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohn Crouch - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMike Walters - Synthesizer,Piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDan Goldberg - Synthesizer on track 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ex-corp\u003c\/p\u003e\n\u003cp\u003eLabel : Cached.Media\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ecmcd mmxxvi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : July 2025\u003c\/p\u003e","published_at":"2026-04-13T07:00:22+09:00","created_at":"2026-04-12T17:27:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cached media","cd","jazz","new","strange beats"],"price":228800,"price_min":228800,"price_max":228800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48648403648762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ex-Corp \/\/ Assemblage CD","public_title":null,"options":["Default Title"],"price":228800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.05pm.png?v=1775982326","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.47pm.png?v=1775982326","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.59pm.png?v=1775982326"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.05pm.png?v=1775982326","options":["Title"],"media":[{"alt":null,"id":39025495212282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":727,"width":727,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.05pm.png?v=1775982326"},"aspect_ratio":1.0,"height":727,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.05pm.png?v=1775982326","width":727},{"alt":null,"id":39025495245050,"position":2,"preview_image":{"aspect_ratio":1.0,"height":727,"width":727,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.47pm.png?v=1775982326"},"aspect_ratio":1.0,"height":727,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.47pm.png?v=1775982326","width":727},{"alt":null,"id":39025495277818,"position":3,"preview_image":{"aspect_ratio":1.301,"height":727,"width":946,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.59pm.png?v=1775982326"},"aspect_ratio":1.301,"height":727,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at5.23.59pm.png?v=1775982326","width":946}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのサイケデリックバンドEx-Corpが、2025年7月に同国コロラドのアンビエントレーベルCached MediaからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験アンビエント・ジャズ〜インプロ2曲を収録。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached.Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. EC I\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e18:01\u003cbr\u003e2. EC II\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e17:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe exquisite corpse game – invented by the Surrealists in the early 20th century – is one that requires a rare combination of imagination and communal trust. One must uphold the rules first, and place their personal contribution second to those rules. The game, the rules, the act of playing becomes more precious than what is created. In this case, the rules have led to a thing being built, an assemblage, and here, with this impossible sculpture of recorded sound, we are left to play while the wind moves the light.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA group of collaborators – Ben Felton, Daniel Klag, Bill Gillim, John Crouch, Mike Walters, Dan Goldberg – used this exquisite corpse approach, this game, these rules, to create Assemblage. Many of these players have worked across many labels (including pre-Cached Patient Sounds), under many monikers, and have a massive collective discography. Here, they present their first exercise as Ex Corp. Two sprawling tracks made by following a prompt laid out by Felton: he sends a track to someone, they record responding to what he sent, he sends the responders track to someone, they respond, repeat. So, each artist only has the previous contributors’ reaction to a buzzing and hidden network of playing and thinking at any given moment. A kind of psychic musical game of telephone. In the end, all contributions are overlaid to create each of these two movements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEvoking a kind of 2008 experimental nostalgia, these two experiments feel like a group of friends in a basement with low ceilings zoning out amongst piles of gear. Both close and also distant. Think Caboladies, early Emeralds, WZT Hearts, Sunburned Hand of the Man. A distinctly psychedelic kind of music-as-adventure born from the collisions of noise, new age, post rock, spiritual jazz and “free music.” Equal parts shambolic and beatific. Synths and drones, hissing electronics, jangling sonorous guitars, quasi-tribal jazz percussion and drums flutter together in curious twists. Much like many exquisite corpse drawings, things become disjointed or confused in places, and that confusion feels more like the rules of the game working to create tension and release. In some ways we listen with questions. These players are expressing a kind of technological and aesthetic empathetic response, and that empathy will suddenly emerge in dazzling moments, flutters of melody, strange and tangled turns, and satisfying slow arcs of push and pull sound and music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBen Felton - Guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaniel Klag - Samples, guitar\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eBill Gillim - Wind controller\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJohn Crouch - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMike Walters - Synthesizer,Piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDan Goldberg - Synthesizer on track 1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ex-corp\u003c\/p\u003e\n\u003cp\u003eLabel : Cached.Media\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ecmcd mmxxvi\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : July 2025\u003c\/p\u003e"}
You may also like:
アメリカのサイケデリックバンドEx-Corpが、2025年7月に同国コロラドのアンビエントレーベルCached MediaからリリースしたCDです。 実験アンビエント・ジャズ〜インプロ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Cached.Media / Patient Sounds releases available...
¥2,288
クイックビュー
{"id":9186595897594,"title":"Tegn s\/t CD","handle":"tegn-s-t-cd","description":"\u003cp\u003eデンマーク・コペンハーゲンの地下アンビエントレーベルMovement Shaped Like A Heart諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、コペンハーゲンのインプロデュオTegnが2024年に250部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eインプロ〜アンビエント・ジャズ9曲を収録。デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1608586470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mslah\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mslah\"\u003ehere\u003c\/a\u003e to see more Movement Shaped Like A Heart releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 250 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ......... 02:31\u003cbr\u003e2. ............ 02:15\u003cbr\u003e3. ........... 04:21\u003cbr\u003e4. .... 02:18\u003cbr\u003e5. ... 03:13\u003cbr\u003e6. . 01:34\u003cbr\u003e7. ........ 05:12\u003cbr\u003e8. ...... 02:51\u003cbr\u003e9. ..... 05:38\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccompanying poem by Halfdan Magnus Stefansson, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tegn meaning signs\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eshowing where we are going\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eindicating a direction but not a destination\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eleaving home without the intention of a final stop\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebut still now moving for a purpose\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTegn meaning to sketch\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea small dot \/ mark \/ line \/ scratch \/ cross\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebeing scattered as the hands see fit\u003c\/em\u003e\u003cbr\u003e\u003cem\u003estill with the intention of a greater picture\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea childish drawing, holding complex emotions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003etelling this more directly in a language we do not know but all speak\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTegn meaning symbol\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esignifying some thing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003egreater around all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003enot being us but being in us.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethey do not know what it is\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebut they have faith in the not knowing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003emaking it important\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tegn\u003c\/p\u003e\n\u003cp\u003eLabel : Movement Shaped Like A Heart\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd November 2024\u003c\/p\u003e","published_at":"2026-04-14T13:55:36+09:00","created_at":"2026-04-12T17:21:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","movement shaped like a heart","new","strange beats"],"price":250000,"price_min":250000,"price_max":250000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48648381104378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tegn s\/t CD","public_title":null,"options":["Default Title"],"price":250000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/teg1.jpg?v=1775981944","\/\/tobirarecords.com\/cdn\/shop\/files\/teg2.jpg?v=1775981944","\/\/tobirarecords.com\/cdn\/shop\/files\/teg3.jpg?v=1775981944"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/teg1.jpg?v=1775981944","options":["Title"],"media":[{"alt":null,"id":39025471586554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/teg1.jpg?v=1775981944"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/teg1.jpg?v=1775981944","width":350},{"alt":null,"id":39025471619322,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/teg2.jpg?v=1775981944"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/teg2.jpg?v=1775981944","width":1200},{"alt":null,"id":39025471652090,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/teg3.jpg?v=1775981944"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/teg3.jpg?v=1775981944","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマーク・コペンハーゲンの地下アンビエントレーベルMovement Shaped Like A Heart諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、コペンハーゲンのインプロデュオTegnが2024年に250部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eインプロ〜アンビエント・ジャズ9曲を収録。デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1608586470\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mslah\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mslah\"\u003ehere\u003c\/a\u003e to see more Movement Shaped Like A Heart releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 250 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. ......... 02:31\u003cbr\u003e2. ............ 02:15\u003cbr\u003e3. ........... 04:21\u003cbr\u003e4. .... 02:18\u003cbr\u003e5. ... 03:13\u003cbr\u003e6. . 01:34\u003cbr\u003e7. ........ 05:12\u003cbr\u003e8. ...... 02:51\u003cbr\u003e9. ..... 05:38\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccompanying poem by Halfdan Magnus Stefansson, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Tegn meaning signs\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eshowing where we are going\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eindicating a direction but not a destination\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eleaving home without the intention of a final stop\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebut still now moving for a purpose\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTegn meaning to sketch\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea small dot \/ mark \/ line \/ scratch \/ cross\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebeing scattered as the hands see fit\u003c\/em\u003e\u003cbr\u003e\u003cem\u003estill with the intention of a greater picture\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea childish drawing, holding complex emotions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003etelling this more directly in a language we do not know but all speak\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTegn meaning symbol\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esignifying some thing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003egreater around all\u003c\/em\u003e\u003cbr\u003e\u003cem\u003enot being us but being in us.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethey do not know what it is\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ebut they have faith in the not knowing\u003c\/em\u003e\u003cbr\u003e\u003cem\u003emaking it important\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tegn\u003c\/p\u003e\n\u003cp\u003eLabel : Movement Shaped Like A Heart\u003c\/p\u003e\n\u003cp\u003eRelease date : 3rd November 2024\u003c\/p\u003e"}
You may also like:
デンマーク・コペンハーゲンの地下アンビエントレーベルMovement Shaped Like A Heart諸作を入荷しました。 本作は、コペンハーゲンのインプロデュオTegnが2024年に250部限定でリリースしたCDです。 インプロ〜アンビエント・ジャズ9曲を収録。デジパック仕様です。 レーベルその他作品はこちら /// Click here to see more...
¥2,500
クイックビュー
{"id":9186590753018,"title":"Kakao Intens \/\/ Sweet Science CD","handle":"kakao-intens-sweet-science-cd","description":"\u003cp\u003eデンマーク・コペンハーゲンの地下アンビエントレーベルMovement Shaped Like A Heart諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、コペンハーゲンのインプロトリオKakao Intensが2024年に200部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eインプロ8曲を収録。デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3019184051\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3019184051\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=215864278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mslah\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mslah\"\u003ehere\u003c\/a\u003e to see more Movement Shaped Like A Heart releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Problematisk Men Uundgåeligt 06:17\u003cbr\u003e2. Smokin' Joe 32-4-1 07:39\u003cbr\u003e3. Fødderne i Skudstilling 03:15\u003cbr\u003e4. Sjippetovs Katastrofe 06:51\u003cbr\u003e5. Bemærk Det Helt Strakte Højre Ben 05:56\u003cbr\u003e6. Never Leave It Up To The Judges 03:35\u003cbr\u003e7. Like a Beat Dog 05:37\u003cbr\u003e8. Hang Up Your Gloves 03:22\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003econsisting of two electric guitars and drums, the music of kakao intens illustrates the intersection of sound-oriented exploration and dynamic musical interplay; intertwining extended instrumental praxis with a brash and insisting language.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebased on a fascination of sound. abstracting their instruments to the point of making them super concrete. looking at a guitar, without seeing pentatonic scales, jimi Hendrix riffs or “it could happen to you”, but instead seeing the physical attributes of the instrument. the pickups, the strings, the wood, and using and using those very concrete elements to create sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebut still with some roots in popular music, somehow being kept intact through all this. being deeply in love with outkast, metallica, big thief, leaves behind some sort of structure, making the music of kakao intens weirdly dancable.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kakao Intens\u003c\/p\u003e\n\u003cp\u003eLabel : Movement Shaped Like A Heart\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMSLAH002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th June 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-14T07:29:13+09:00","created_at":"2026-04-12T17:13:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","jazz","movement shaped like a heart","new","strange beats"],"price":250000,"price_min":250000,"price_max":250000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48648344011002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kakao Intens \/\/ Sweet Science CD","public_title":null,"options":["Default Title"],"price":250000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kak1_2703fb0f-845b-4358-a95b-e272a03f3508.jpg?v=1775981627","\/\/tobirarecords.com\/cdn\/shop\/files\/kak2_30f10f43-bb31-401b-87c3-823f183da1ac.jpg?v=1775981627","\/\/tobirarecords.com\/cdn\/shop\/files\/kak3.jpg?v=1775981627"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak1_2703fb0f-845b-4358-a95b-e272a03f3508.jpg?v=1775981627","options":["Title"],"media":[{"alt":null,"id":39025448681722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak1_2703fb0f-845b-4358-a95b-e272a03f3508.jpg?v=1775981627"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak1_2703fb0f-845b-4358-a95b-e272a03f3508.jpg?v=1775981627","width":350},{"alt":null,"id":39025448714490,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak2_30f10f43-bb31-401b-87c3-823f183da1ac.jpg?v=1775981627"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak2_30f10f43-bb31-401b-87c3-823f183da1ac.jpg?v=1775981627","width":1200},{"alt":null,"id":39025448747258,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak3.jpg?v=1775981627"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kak3.jpg?v=1775981627","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマーク・コペンハーゲンの地下アンビエントレーベルMovement Shaped Like A Heart諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、コペンハーゲンのインプロトリオKakao Intensが2024年に200部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eインプロ8曲を収録。デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3019184051\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3019184051\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=215864278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mslah\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mslah\"\u003ehere\u003c\/a\u003e to see more Movement Shaped Like A Heart releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in cardstock sleeve.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Problematisk Men Uundgåeligt 06:17\u003cbr\u003e2. Smokin' Joe 32-4-1 07:39\u003cbr\u003e3. Fødderne i Skudstilling 03:15\u003cbr\u003e4. Sjippetovs Katastrofe 06:51\u003cbr\u003e5. Bemærk Det Helt Strakte Højre Ben 05:56\u003cbr\u003e6. Never Leave It Up To The Judges 03:35\u003cbr\u003e7. Like a Beat Dog 05:37\u003cbr\u003e8. Hang Up Your Gloves 03:22\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003econsisting of two electric guitars and drums, the music of kakao intens illustrates the intersection of sound-oriented exploration and dynamic musical interplay; intertwining extended instrumental praxis with a brash and insisting language.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebased on a fascination of sound. abstracting their instruments to the point of making them super concrete. looking at a guitar, without seeing pentatonic scales, jimi Hendrix riffs or “it could happen to you”, but instead seeing the physical attributes of the instrument. the pickups, the strings, the wood, and using and using those very concrete elements to create sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ebut still with some roots in popular music, somehow being kept intact through all this. being deeply in love with outkast, metallica, big thief, leaves behind some sort of structure, making the music of kakao intens weirdly dancable.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kakao Intens\u003c\/p\u003e\n\u003cp\u003eLabel : Movement Shaped Like A Heart\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMSLAH002\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 14th June 2024\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
デンマーク・コペンハーゲンの地下アンビエントレーベルMovement Shaped Like A Heart諸作を入荷しました。 本作は、コペンハーゲンのインプロトリオKakao Intensが2024年に200部限定でリリースしたCDです。 インプロ8曲を収録。デジパック仕様です。 レーベルその他作品はこちら /// Click here to see...
¥2,500
クイックビュー
{"id":9186427142394,"title":"John Tchicai Quintet \/ Tchicai Kowald Duo \/\/ I.C.P. \/ Jutto-Ku Kyoto LP","handle":"john-tchicai-quintet-tchicai-kowald-duo-i-c-p-jutto-ku-kyoto-lp","description":"\u003cp\u003eデンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドJohn Tchicai QuintetとTchicai Kowald Duoが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1968年に1983年に行ったライブ録音5曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e1969年9月下旬から10月上旬にかけて、John Tchicaiは特別なクインテットを率いてデンマーク各地をツアーした。この国際色豊かなバンドは注目に値するもので、デンマークとオランダ出身のミュージシャンが集結しており、彼らの持つ音楽的価値観の共通点と同様に、その概念的な相違点もまた重要な要素となっていた。John Tchicaiと、彼と最も親密な関係にあった2人のデンマーク人共演者——トランペット奏者のヒュー・スタインメッツとギタリストのピエール・ドージェ——は、アフリカ音楽、現代クラシック、ジャズといった広範な影響を取り入れつつ、クールでありながら遊び心と喜びに満ちた現代性を体現する国際的な視点を掲げていた。このクインテットでは、オランダの「インスタント・コンポーザーズ・プール」の二大巨頭であるピアニストのミーシャ・メンゲルベルクとハン・ベニンクと共演した。皮肉と反逆の精神に満ちた彼らは、あらゆる既成概念を打ち破ろうとする意欲、いや、むしろ熱意さえも示していた。John Tchicai同様、彼らもまたジャズとクラシックの伝統を熟知していたが、その基盤を爆破し、瓦礫の中から何が現れるかを見ることを楽しんでいた。秩序と混沌、皮肉と誠実、連続性と断絶の間のダイナミックな緊張は、彼らの音楽に計り知れない不確実性と曖昧さを生み出し、彼らは皆、それを楽しんでいるようだった。1969年10月9日、コペンハーゲンのデンマーク放送スタジオ11で録音されたこのLPに収録されている音楽は、直前に終了したツアーで演奏された楽曲に加え、グループによる即興演奏で構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Tchicaiのマントラのような「Babaji Smiles」において、メンゲルバーグは、独特でぎこちない躊躇や不協和音を用いて、テーマを形作り、再構築していく。残りのメンバーは、チベットの角笛やモロッコのトランペット、その他様々な楽器を奏で、一見無関係に見える音のタペストリーを紡ぎ出す。それは、まるで霧笛同士が対決するかのように互いに呼び合うホーンの音、昆虫のようなブーンという音や口笛、そしてランダムなガタガタという音で織り上げられている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eグループ即興演奏「No Enthusiasm」は、バンド内の創造的な緊張感が、いかにして驚きと必然性を併せ持つ音楽へと融合し得るかを示す、魅力的な一例である。Tchicaiは、穏やかで直線的なフレーズ作りの砦であり、強烈な集中力を備えたヨギだ。ベニンクは、狂乱的なカチカチと響くスティックワークや、激しく打ち鳴らされるシンバル、雷鳴のようなバスドラムの爆発を挟み込み、道化のような存在であり、わがままな子供に扮した音楽の天才だ。メンゲルバーグは多くの役割を演じ、常にいたずら心とユーモアを帯びている。彼の安定したコードがビートを定義し、きらめくようなランがバンドメンバーのフレーズを彩り、密度の高い音の塊が前進する流れを遮る。ドージェは楽器の間を滑るように駆け巡り、緊張感あふれるバックグラウンドの擦音から花火のような音の爆発まで、すべてを結びつける音を生み出す。ステインメッツは、その磨き抜かれた音色で、Tchicaiと同様に熟考を重ねたメロディストであることを証明しているが、常に独自の声で表現している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eメンゲルバーグの反逆的な奇想天外な曲「Is Is Is a Question」は、極めて不安定なテンポと絶えず戦わなければならないワルツだ。その効果は滑稽であると同時に哀愁を帯びている。しかし、この曲は統一感へと融合することを拒む、いくつかの異質な要素の一つに過ぎない。とはいえ、その断絶や倒錯は、なぜか聴く者を満足させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Broken T」の大半でTchicaiはソロ演奏を披露し、音色、旋律のテーマと変奏、そして音符の配置に対する彼の卓越した操りぶりを示している。しかし、このバンドは不連続性と断絶を糧としていたため、必然的にベニンクが華々しい登場を果たし、最後の数分間を騒々しいグループ即興へと導いていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eもちろん、Tchicaiの国際的なコラボレーションは隣国オランダにとどまらなかった。彼は極めて国際的なミュージシャンであり、アメリカ、アジア、アフリカ、ヨーロッパのミュージシャンたちと共演し、レコーディングを行っていた。意外に思われるかもしれないが、彼の最も意気投合したヨーロッパのパートナーの一人は、ドイツのベーシスト、ペーター・コヴァルトであった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicaiは、ドイツの即興シーンと確かに音楽的な親和性を共有していた。コヴァルトや、ピーター・ブロッツマン、アレクサンダー・フォン・シュリッペンバッハといった同胞たちが、フリー・ジャズ、とりわけアルバート・アイラーのカタルシス的なエネルギーと集団即興からインスピレーションを得ていたのと同様に。もちろん、Tchicaiはアイラーと共演し、1964年には彼と共に画期的なアルバム『ニューヨーク・アイ・アンド・イヤー・コントロール』を録音している。したがって、彼はドイツの即興シーンに多大な影響を与えた人物への直接的な架け橋であった。ジョン・コルトレーンの『アセンション』への参加も、ハード・ブロウイングを信条とするドイツ人ミュージシャンたちからの尊敬を勝ち得る要因となったはずだ。Tchicaiとコヴァルトは、異文化の音やフリー・インプロヴィゼーションに対する相互の開放性によって非常に相性が良かったため、彼らの共演が記録されたのが本作のみであるというのは、ある種の衝撃である。1983年、この二人の即興演奏家は日本を訪れ、このLPのB面に収録されている驚異的なデュオを録音した。京都での彼らの即興演奏は、驚くほど創意に富んだ対話であり、「ワールド・ミュージック」とは程遠い即興の形態だ。新たな音響的質感が彼らの音楽的語彙を広げ、新たなアイデアを生み出すことを可能にした。こうした資質こそが、Tchicaiをこれほど多様な環境で花開かせたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e25分間にわたるデュオの即興演奏は、広々としていながらも容赦なく、サックスとフルートが弓奏と撥奏のベースと対峙する。互いに深く共鳴し合い、相手の動きが起きる前に予見しているかのような二人のミュージシャン。魅惑的で、圧倒的であり、そして悲劇的なことに、これが彼らの唯一の録音された共演である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen \/ Formalibera releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith photos from the John Tchicai \u003c\/span\u003e\u003cspan\u003eQuintet sessions with portraits of Tchicai, Bennink, Mengelberg, \u003c\/span\u003e\u003cspan\u003eSteinmetz and Dørge, plus liner notes by Ed Hazell.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI. C. P.:\u003cbr\u003eA1. John Tchicai Quintet, I.C.P. - Babaji Smiles 2:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. John Tchicai Quintet, I.C.P. - No Enthusiasm 9:03\u003cbr\u003e\u003c\/span\u003eA3. John Tchicai Quintet, I.C.P. - Is Is Is A Question 10:12\u003cbr\u003eA4. John Tchicai Quintet, I.C.P. - Broken T 6:03\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eJutto-Ku, Kyoto:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eB. John Tchicai - Peter Kowald Duo - Jutto-Ku, Kyoto 24:55\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn late September and early October 1969, John Tchicai toured \u003c\/em\u003e\u003cem\u003ethroughout Denmark with a special quintet. The international band was \u003c\/em\u003e\u003cem\u003ea notable one, bringing together musicians from Denmark and Holland \u003c\/em\u003e\u003cem\u003ewhose conceptual differences were as important as the musical values \u003c\/em\u003e\u003cem\u003ethey held in common. Tchicai and two of his closest Danish \u003c\/em\u003e\u003cem\u003ecollaborators—trumpeter Hugh Steinmetz and guitarist Pierre \u003c\/em\u003e\u003cem\u003eDørge—embraced an international perspective that incorporated far \u003c\/em\u003e\u003cem\u003eflung influences from African music, contemporary classical, and jazz \u003c\/em\u003e\u003cem\u003einto a cool, yet playful and joyous, modernity. In this quintet they \u003c\/em\u003e\u003cem\u003eworked with two pillars of the Dutch Instant Composer’s Pool, pianist \u003c\/em\u003e\u003cem\u003eMisha Mengelberg and Han Bennink. Ironic and subversive, they \u003c\/em\u003e\u003cem\u003edisplayed a willingness, you might even say an eagerness, to disrupt \u003c\/em\u003e\u003cem\u003eaccepted conventions of any kind. Like Tchicai, they, too, knew their \u003c\/em\u003e\u003cem\u003ejazz and classical heritage, but they enjoyed dynamiting the \u003c\/em\u003e\u003cem\u003efoundations to see what might emerge from the rubble. The dynamic \u003c\/em\u003e\u003cem\u003etension between order and chaos, between irony and sincerity, between \u003c\/em\u003e\u003cem\u003econtinuity and disruption created enormous unpredictability and \u003c\/em\u003e\u003cem\u003eambiguity in their music, which they all seemed to enjoy. The music on \u003c\/em\u003e\u003cem\u003ethis LP, recorded on October 9, 1969, at Danish Radio Studio 11 in \u003c\/em\u003e\u003cem\u003eCopenhagen, consists of compositions they’d played on the recently \u003c\/em\u003e\u003cem\u003econcluded tour plus a group improvisation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Tchicai’s mantra-like “Babaji Smiles,” Mengelberg shapes and \u003c\/em\u003e\u003cem\u003ereshapes the theme using idiosyncratic, awkward hesitations and \u003c\/em\u003e\u003cem\u003edissonant harmonies. The remainder of the band, playing Tibetan horn, \u003c\/em\u003e\u003cem\u003eMoroccan trumpet, and assorted other instruments create a seemingly \u003c\/em\u003e\u003cem\u003eunrelated tapestry of sound, woven of horns calling to each other like \u003c\/em\u003e\u003cem\u003edueling fog horns, insectivorous buzzing and whistles, and random \u003c\/em\u003e\u003cem\u003eclattering.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe group improvisation “No Enthusiasm” is a fascinating example \u003c\/em\u003e\u003cem\u003eof how the creative tensions within the band could coalesce into music \u003c\/em\u003e\u003cem\u003ethat is both surprising and inevitable. Tchicai is a bastion of calm \u003c\/em\u003e\u003cem\u003elinear phrasing, a yogi of intensity and focus. Bennink, interjecting \u003c\/em\u003e\u003cem\u003efrantic, clickety-clack stick work and outbursts of thrashing cymbals \u003c\/em\u003e\u003cem\u003eand thundering bass drum, is an antic presence, a musical genius \u003c\/em\u003e\u003cem\u003edisguised as a willful child. Mengelberg plays many roles, always with \u003c\/em\u003e\u003cem\u003ea sense of mischief and humor. His steady chords define a beat, \u003c\/em\u003e\u003cem\u003esparkling runs embellish a bandmember’s phrasing, and dense note \u003c\/em\u003e\u003cem\u003eclusters interrupt forward movement. Dørge slips and skitters among \u003c\/em\u003e\u003cem\u003ethe instruments, making sounds that hold everything together, from \u003c\/em\u003e\u003cem\u003etense background scraping to fireworks bursts of sound. Steinmetz, \u003c\/em\u003e\u003cem\u003ewith his burnished tone, proves himself to be a deliberate melodicist \u003c\/em\u003e\u003cem\u003elike Tchicai, although always in his own unique voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Mengelberg’s subversive bit of whimsey, “Is Is Is a Question,” is \u003c\/em\u003e\u003cem\u003ea waltz that has to keep fighting against a highly unreliable tempo. \u003c\/em\u003e\u003cem\u003eThe effect is both funny and melancholy. But the tune is just one of \u003c\/em\u003e\u003cem\u003eseveral disparate parts that defy coalescing into a unity, although \u003c\/em\u003e\u003cem\u003eits disconnections and perversities somehow satisfy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicai performs alone for most of “Broken T,” showcasing his \u003c\/em\u003e\u003cem\u003emasterful manipulation of timbre, melodic theme and variation, and \u003c\/em\u003e\u003cem\u003enote placement. But this was a band that thrived on discontinuity and \u003c\/em\u003e\u003cem\u003edislocation, so inevitably Bennink makes one of his grand entrances \u003c\/em\u003e\u003cem\u003eand ushers in a clamorous group improvisation for the final minutes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOf course, Tchicai’s international collaborations extended beyond \u003c\/em\u003e\u003cem\u003eneighboring Holland. He was a most cosmopolitan musician, performing \u003c\/em\u003e\u003cem\u003eand recording with musicians in the U.S., Asia, Africa, and Europe. \u003c\/em\u003e\u003cem\u003ePerhaps surprisingly, one of his most sympathetic European partners \u003c\/em\u003e\u003cem\u003ewas German bassist Peter Kowald.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTchicai’s did share some musical affinities with the German \u003c\/em\u003e\u003cem\u003eimprovising scene. As Kowald and his compatriots, such as Peter \u003c\/em\u003e\u003cem\u003eBrötzmann and Alexander von Schlippenbach, took inspiration from the \u003c\/em\u003e\u003cem\u003ecathartic energy and the collective improvisation of free jazz, \u003c\/em\u003e\u003cem\u003eespecially Albert Ayler. Tchicai, of course, had played with Ayler and r\u003c\/em\u003e\u003cem\u003eecorded the landmark “New York Eye and Ear Control” with him in 1964. \u003c\/em\u003e\u003cem\u003eThus he was a direct link to one of the largest influences on the \u003c\/em\u003e\u003cem\u003eGerman improv scene. His appearance on John Coltrane’s “Ascension”, \u003c\/em\u003e\u003cem\u003ewould have also earned him respect among the hard-blowing Germans. \u003c\/em\u003e\u003cem\u003eTchicai and Kowald mutual openness to the sounds of other cultures and \u003c\/em\u003e\u003cem\u003efree improvisation made them quite compatible, so it’s something of a \u003c\/em\u003e\u003cem\u003eshock that this is the only documentation of their work together. The \u003c\/em\u003e\u003cem\u003etwo improvisors found themselves in Japan in 1983, when they recorded \u003c\/em\u003e\u003cem\u003ethe astonishing duet contained on the second side of this LP. Their \u003c\/em\u003e\u003cem\u003eimprovisation in Kyoto is an amazingly resourceful conversation a kind \u003c\/em\u003e\u003cem\u003eof improvisation which remains far from “world music,” and with new \u003c\/em\u003e\u003cem\u003etextures expanding their musical vocabularies and allowing them to \u003c\/em\u003e\u003cem\u003edevelop new ideas; qualities that allowed Tchicai to flourish in so \u003c\/em\u003e\u003cem\u003emany different settings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwenty-fice minutes of duo improvisation, spacious yet relentless, \u003c\/em\u003e\u003cem\u003esaxophone and flute against bowed and plucked bass, two musicians so \u003c\/em\u003e\u003cem\u003edeeply attuned to each other they seem to anticipate every move before \u003c\/em\u003e\u003cem\u003eit happens. Engrossing, mind-blowing and tragically their only \u003c\/em\u003e\u003cem\u003erecorded encounter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai Quintet \/ Tchicai Kowald Duo \u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e5FFJT185\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-14T14:12:40+09:00","created_at":"2026-04-12T12:24:45+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new","recommended"],"price":518000,"price_min":518000,"price_max":518000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48647474774266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tchicai Quintet \/ Tchicai Kowald Duo \/\/ I.C.P. \/ Jutto-Ku Kyoto LP","public_title":null,"options":["Default Title"],"price":518000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.16.54pm.png?v=1775963847","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.17.11pm.png?v=1775963847"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.16.54pm.png?v=1775963847","options":["Title"],"media":[{"alt":null,"id":39024082518266,"position":1,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.16.54pm.png?v=1775963847"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.16.54pm.png?v=1775963847","width":600},{"alt":null,"id":39024082551034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":699,"width":699,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.17.11pm.png?v=1775963847"},"aspect_ratio":1.0,"height":699,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.17.11pm.png?v=1775963847","width":699}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドJohn Tchicai QuintetとTchicai Kowald Duoが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1968年に1983年に行ったライブ録音5曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e1969年9月下旬から10月上旬にかけて、John Tchicaiは特別なクインテットを率いてデンマーク各地をツアーした。この国際色豊かなバンドは注目に値するもので、デンマークとオランダ出身のミュージシャンが集結しており、彼らの持つ音楽的価値観の共通点と同様に、その概念的な相違点もまた重要な要素となっていた。John Tchicaiと、彼と最も親密な関係にあった2人のデンマーク人共演者——トランペット奏者のヒュー・スタインメッツとギタリストのピエール・ドージェ——は、アフリカ音楽、現代クラシック、ジャズといった広範な影響を取り入れつつ、クールでありながら遊び心と喜びに満ちた現代性を体現する国際的な視点を掲げていた。このクインテットでは、オランダの「インスタント・コンポーザーズ・プール」の二大巨頭であるピアニストのミーシャ・メンゲルベルクとハン・ベニンクと共演した。皮肉と反逆の精神に満ちた彼らは、あらゆる既成概念を打ち破ろうとする意欲、いや、むしろ熱意さえも示していた。John Tchicai同様、彼らもまたジャズとクラシックの伝統を熟知していたが、その基盤を爆破し、瓦礫の中から何が現れるかを見ることを楽しんでいた。秩序と混沌、皮肉と誠実、連続性と断絶の間のダイナミックな緊張は、彼らの音楽に計り知れない不確実性と曖昧さを生み出し、彼らは皆、それを楽しんでいるようだった。1969年10月9日、コペンハーゲンのデンマーク放送スタジオ11で録音されたこのLPに収録されている音楽は、直前に終了したツアーで演奏された楽曲に加え、グループによる即興演奏で構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Tchicaiのマントラのような「Babaji Smiles」において、メンゲルバーグは、独特でぎこちない躊躇や不協和音を用いて、テーマを形作り、再構築していく。残りのメンバーは、チベットの角笛やモロッコのトランペット、その他様々な楽器を奏で、一見無関係に見える音のタペストリーを紡ぎ出す。それは、まるで霧笛同士が対決するかのように互いに呼び合うホーンの音、昆虫のようなブーンという音や口笛、そしてランダムなガタガタという音で織り上げられている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eグループ即興演奏「No Enthusiasm」は、バンド内の創造的な緊張感が、いかにして驚きと必然性を併せ持つ音楽へと融合し得るかを示す、魅力的な一例である。Tchicaiは、穏やかで直線的なフレーズ作りの砦であり、強烈な集中力を備えたヨギだ。ベニンクは、狂乱的なカチカチと響くスティックワークや、激しく打ち鳴らされるシンバル、雷鳴のようなバスドラムの爆発を挟み込み、道化のような存在であり、わがままな子供に扮した音楽の天才だ。メンゲルバーグは多くの役割を演じ、常にいたずら心とユーモアを帯びている。彼の安定したコードがビートを定義し、きらめくようなランがバンドメンバーのフレーズを彩り、密度の高い音の塊が前進する流れを遮る。ドージェは楽器の間を滑るように駆け巡り、緊張感あふれるバックグラウンドの擦音から花火のような音の爆発まで、すべてを結びつける音を生み出す。ステインメッツは、その磨き抜かれた音色で、Tchicaiと同様に熟考を重ねたメロディストであることを証明しているが、常に独自の声で表現している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eメンゲルバーグの反逆的な奇想天外な曲「Is Is Is a Question」は、極めて不安定なテンポと絶えず戦わなければならないワルツだ。その効果は滑稽であると同時に哀愁を帯びている。しかし、この曲は統一感へと融合することを拒む、いくつかの異質な要素の一つに過ぎない。とはいえ、その断絶や倒錯は、なぜか聴く者を満足させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Broken T」の大半でTchicaiはソロ演奏を披露し、音色、旋律のテーマと変奏、そして音符の配置に対する彼の卓越した操りぶりを示している。しかし、このバンドは不連続性と断絶を糧としていたため、必然的にベニンクが華々しい登場を果たし、最後の数分間を騒々しいグループ即興へと導いていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eもちろん、Tchicaiの国際的なコラボレーションは隣国オランダにとどまらなかった。彼は極めて国際的なミュージシャンであり、アメリカ、アジア、アフリカ、ヨーロッパのミュージシャンたちと共演し、レコーディングを行っていた。意外に思われるかもしれないが、彼の最も意気投合したヨーロッパのパートナーの一人は、ドイツのベーシスト、ペーター・コヴァルトであった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicaiは、ドイツの即興シーンと確かに音楽的な親和性を共有していた。コヴァルトや、ピーター・ブロッツマン、アレクサンダー・フォン・シュリッペンバッハといった同胞たちが、フリー・ジャズ、とりわけアルバート・アイラーのカタルシス的なエネルギーと集団即興からインスピレーションを得ていたのと同様に。もちろん、Tchicaiはアイラーと共演し、1964年には彼と共に画期的なアルバム『ニューヨーク・アイ・アンド・イヤー・コントロール』を録音している。したがって、彼はドイツの即興シーンに多大な影響を与えた人物への直接的な架け橋であった。ジョン・コルトレーンの『アセンション』への参加も、ハード・ブロウイングを信条とするドイツ人ミュージシャンたちからの尊敬を勝ち得る要因となったはずだ。Tchicaiとコヴァルトは、異文化の音やフリー・インプロヴィゼーションに対する相互の開放性によって非常に相性が良かったため、彼らの共演が記録されたのが本作のみであるというのは、ある種の衝撃である。1983年、この二人の即興演奏家は日本を訪れ、このLPのB面に収録されている驚異的なデュオを録音した。京都での彼らの即興演奏は、驚くほど創意に富んだ対話であり、「ワールド・ミュージック」とは程遠い即興の形態だ。新たな音響的質感が彼らの音楽的語彙を広げ、新たなアイデアを生み出すことを可能にした。こうした資質こそが、Tchicaiをこれほど多様な環境で花開かせたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e25分間にわたるデュオの即興演奏は、広々としていながらも容赦なく、サックスとフルートが弓奏と撥奏のベースと対峙する。互いに深く共鳴し合い、相手の動きが起きる前に予見しているかのような二人のミュージシャン。魅惑的で、圧倒的であり、そして悲劇的なことに、これが彼らの唯一の録音された共演である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen \/ Formalibera releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith photos from the John Tchicai \u003c\/span\u003e\u003cspan\u003eQuintet sessions with portraits of Tchicai, Bennink, Mengelberg, \u003c\/span\u003e\u003cspan\u003eSteinmetz and Dørge, plus liner notes by Ed Hazell.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI. C. P.:\u003cbr\u003eA1. John Tchicai Quintet, I.C.P. - Babaji Smiles 2:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. John Tchicai Quintet, I.C.P. - No Enthusiasm 9:03\u003cbr\u003e\u003c\/span\u003eA3. John Tchicai Quintet, I.C.P. - Is Is Is A Question 10:12\u003cbr\u003eA4. John Tchicai Quintet, I.C.P. - Broken T 6:03\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eJutto-Ku, Kyoto:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eB. John Tchicai - Peter Kowald Duo - Jutto-Ku, Kyoto 24:55\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn late September and early October 1969, John Tchicai toured \u003c\/em\u003e\u003cem\u003ethroughout Denmark with a special quintet. The international band was \u003c\/em\u003e\u003cem\u003ea notable one, bringing together musicians from Denmark and Holland \u003c\/em\u003e\u003cem\u003ewhose conceptual differences were as important as the musical values \u003c\/em\u003e\u003cem\u003ethey held in common. Tchicai and two of his closest Danish \u003c\/em\u003e\u003cem\u003ecollaborators—trumpeter Hugh Steinmetz and guitarist Pierre \u003c\/em\u003e\u003cem\u003eDørge—embraced an international perspective that incorporated far \u003c\/em\u003e\u003cem\u003eflung influences from African music, contemporary classical, and jazz \u003c\/em\u003e\u003cem\u003einto a cool, yet playful and joyous, modernity. In this quintet they \u003c\/em\u003e\u003cem\u003eworked with two pillars of the Dutch Instant Composer’s Pool, pianist \u003c\/em\u003e\u003cem\u003eMisha Mengelberg and Han Bennink. Ironic and subversive, they \u003c\/em\u003e\u003cem\u003edisplayed a willingness, you might even say an eagerness, to disrupt \u003c\/em\u003e\u003cem\u003eaccepted conventions of any kind. Like Tchicai, they, too, knew their \u003c\/em\u003e\u003cem\u003ejazz and classical heritage, but they enjoyed dynamiting the \u003c\/em\u003e\u003cem\u003efoundations to see what might emerge from the rubble. The dynamic \u003c\/em\u003e\u003cem\u003etension between order and chaos, between irony and sincerity, between \u003c\/em\u003e\u003cem\u003econtinuity and disruption created enormous unpredictability and \u003c\/em\u003e\u003cem\u003eambiguity in their music, which they all seemed to enjoy. The music on \u003c\/em\u003e\u003cem\u003ethis LP, recorded on October 9, 1969, at Danish Radio Studio 11 in \u003c\/em\u003e\u003cem\u003eCopenhagen, consists of compositions they’d played on the recently \u003c\/em\u003e\u003cem\u003econcluded tour plus a group improvisation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Tchicai’s mantra-like “Babaji Smiles,” Mengelberg shapes and \u003c\/em\u003e\u003cem\u003ereshapes the theme using idiosyncratic, awkward hesitations and \u003c\/em\u003e\u003cem\u003edissonant harmonies. The remainder of the band, playing Tibetan horn, \u003c\/em\u003e\u003cem\u003eMoroccan trumpet, and assorted other instruments create a seemingly \u003c\/em\u003e\u003cem\u003eunrelated tapestry of sound, woven of horns calling to each other like \u003c\/em\u003e\u003cem\u003edueling fog horns, insectivorous buzzing and whistles, and random \u003c\/em\u003e\u003cem\u003eclattering.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe group improvisation “No Enthusiasm” is a fascinating example \u003c\/em\u003e\u003cem\u003eof how the creative tensions within the band could coalesce into music \u003c\/em\u003e\u003cem\u003ethat is both surprising and inevitable. Tchicai is a bastion of calm \u003c\/em\u003e\u003cem\u003elinear phrasing, a yogi of intensity and focus. Bennink, interjecting \u003c\/em\u003e\u003cem\u003efrantic, clickety-clack stick work and outbursts of thrashing cymbals \u003c\/em\u003e\u003cem\u003eand thundering bass drum, is an antic presence, a musical genius \u003c\/em\u003e\u003cem\u003edisguised as a willful child. Mengelberg plays many roles, always with \u003c\/em\u003e\u003cem\u003ea sense of mischief and humor. His steady chords define a beat, \u003c\/em\u003e\u003cem\u003esparkling runs embellish a bandmember’s phrasing, and dense note \u003c\/em\u003e\u003cem\u003eclusters interrupt forward movement. Dørge slips and skitters among \u003c\/em\u003e\u003cem\u003ethe instruments, making sounds that hold everything together, from \u003c\/em\u003e\u003cem\u003etense background scraping to fireworks bursts of sound. Steinmetz, \u003c\/em\u003e\u003cem\u003ewith his burnished tone, proves himself to be a deliberate melodicist \u003c\/em\u003e\u003cem\u003elike Tchicai, although always in his own unique voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Mengelberg’s subversive bit of whimsey, “Is Is Is a Question,” is \u003c\/em\u003e\u003cem\u003ea waltz that has to keep fighting against a highly unreliable tempo. \u003c\/em\u003e\u003cem\u003eThe effect is both funny and melancholy. But the tune is just one of \u003c\/em\u003e\u003cem\u003eseveral disparate parts that defy coalescing into a unity, although \u003c\/em\u003e\u003cem\u003eits disconnections and perversities somehow satisfy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicai performs alone for most of “Broken T,” showcasing his \u003c\/em\u003e\u003cem\u003emasterful manipulation of timbre, melodic theme and variation, and \u003c\/em\u003e\u003cem\u003enote placement. But this was a band that thrived on discontinuity and \u003c\/em\u003e\u003cem\u003edislocation, so inevitably Bennink makes one of his grand entrances \u003c\/em\u003e\u003cem\u003eand ushers in a clamorous group improvisation for the final minutes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOf course, Tchicai’s international collaborations extended beyond \u003c\/em\u003e\u003cem\u003eneighboring Holland. He was a most cosmopolitan musician, performing \u003c\/em\u003e\u003cem\u003eand recording with musicians in the U.S., Asia, Africa, and Europe. \u003c\/em\u003e\u003cem\u003ePerhaps surprisingly, one of his most sympathetic European partners \u003c\/em\u003e\u003cem\u003ewas German bassist Peter Kowald.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTchicai’s did share some musical affinities with the German \u003c\/em\u003e\u003cem\u003eimprovising scene. As Kowald and his compatriots, such as Peter \u003c\/em\u003e\u003cem\u003eBrötzmann and Alexander von Schlippenbach, took inspiration from the \u003c\/em\u003e\u003cem\u003ecathartic energy and the collective improvisation of free jazz, \u003c\/em\u003e\u003cem\u003eespecially Albert Ayler. Tchicai, of course, had played with Ayler and r\u003c\/em\u003e\u003cem\u003eecorded the landmark “New York Eye and Ear Control” with him in 1964. \u003c\/em\u003e\u003cem\u003eThus he was a direct link to one of the largest influences on the \u003c\/em\u003e\u003cem\u003eGerman improv scene. His appearance on John Coltrane’s “Ascension”, \u003c\/em\u003e\u003cem\u003ewould have also earned him respect among the hard-blowing Germans. \u003c\/em\u003e\u003cem\u003eTchicai and Kowald mutual openness to the sounds of other cultures and \u003c\/em\u003e\u003cem\u003efree improvisation made them quite compatible, so it’s something of a \u003c\/em\u003e\u003cem\u003eshock that this is the only documentation of their work together. The \u003c\/em\u003e\u003cem\u003etwo improvisors found themselves in Japan in 1983, when they recorded \u003c\/em\u003e\u003cem\u003ethe astonishing duet contained on the second side of this LP. Their \u003c\/em\u003e\u003cem\u003eimprovisation in Kyoto is an amazingly resourceful conversation a kind \u003c\/em\u003e\u003cem\u003eof improvisation which remains far from “world music,” and with new \u003c\/em\u003e\u003cem\u003etextures expanding their musical vocabularies and allowing them to \u003c\/em\u003e\u003cem\u003edevelop new ideas; qualities that allowed Tchicai to flourish in so \u003c\/em\u003e\u003cem\u003emany different settings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwenty-fice minutes of duo improvisation, spacious yet relentless, \u003c\/em\u003e\u003cem\u003esaxophone and flute against bowed and plucked bass, two musicians so \u003c\/em\u003e\u003cem\u003edeeply attuned to each other they seem to anticipate every move before \u003c\/em\u003e\u003cem\u003eit happens. Engrossing, mind-blowing and tragically their only \u003c\/em\u003e\u003cem\u003erecorded encounter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai Quintet \/ Tchicai Kowald Duo \u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e5FFJT185\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
デンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドJohn Tchicai QuintetとTchicai Kowald Duoが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。 1968年に1983年に行ったライブ録音5曲を収録。インサート付属。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "1969年9月下旬から10月上旬にかけて、John Tchicaiは特別なクインテットを率いてデンマーク各地をツアーした。この国際色豊かなバンドは注目に値するもので、デンマークとオランダ出身のミュージシャンが集結しており、彼らの持つ音楽的価値観の共通点と同様に、その概念的な相違点もまた重要な要素となっていた。John Tchicaiと、彼と最も親密な関係にあった2人のデンマーク人共演者——トランペット奏者のヒュー・スタインメッツとギタリストのピエール・ドージェ——は、アフリカ音楽、現代クラシック、ジャズといった広範な影響を取り入れつつ、クールでありながら遊び心と喜びに満ちた現代性を体現する国際的な視点を掲げていた。このクインテットでは、オランダの「インスタント・コンポーザーズ・プール」の二大巨頭であるピアニストのミーシャ・メンゲルベルクとハン・ベニンクと共演した。皮肉と反逆の精神に満ちた彼らは、あらゆる既成概念を打ち破ろうとする意欲、いや、むしろ熱意さえも示していた。John Tchicai同様、彼らもまたジャズとクラシックの伝統を熟知していたが、その基盤を爆破し、瓦礫の中から何が現れるかを見ることを楽しんでいた。秩序と混沌、皮肉と誠実、連続性と断絶の間のダイナミックな緊張は、彼らの音楽に計り知れない不確実性と曖昧さを生み出し、彼らは皆、それを楽しんでいるようだった。1969年10月9日、コペンハーゲンのデンマーク放送スタジオ11で録音されたこのLPに収録されている音楽は、直前に終了したツアーで演奏された楽曲に加え、グループによる即興演奏で構成されている。...
¥5,180
クイックビュー
{"id":9186358853882,"title":"Ben Seretan \u0026 John Thayer \/\/ Sunbeam of No Illusion LP","handle":"ben-seretan-john-thayer-sunbeam-of-no-illusion-lp","description":"\u003cp\u003eアメリカのシンガーソングライターBen Seretanと、Tobiraインストアショーケースでも素晴らしいライブを披露してくれたJohn Thayerが、2026年3月に同国LAのオールジャンルレーベルAKP Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエントドローン〜ポストニューエイジ・アンビエントジャズ11曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266493055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266493055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1512670880\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266493055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=719779630\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. + + (Double Positive) 04:37\u003cbr\u003e2. Memory Garden 04:08\u003cbr\u003e3. Ink Dark Moon 02:07\u003cbr\u003e4. Watermelon Well 03:41\u003cbr\u003e5. Little Winds 03:00\u003cbr\u003e6. Field Notes #1 03:52\u003cbr\u003e7. Wild Mint Breeze 03:14\u003cbr\u003e8. Field Notes #2 02:47\u003cbr\u003e9. Valley Spirit 05:02\u003cbr\u003e10. Stradella Bass System 01:48\u003cbr\u003e11. Peat Fire 04:13\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe album’s name comes from actual correspondence between Emerson and Whitman - Ralph praises Walt’s manuscript, he can’t believe how good it is, the 1800s equivalent of a fire emoji. The epistolary pull quote serves as cheeky acknowledgment of the mutual admiration of this project’s partnership. This is the duo’s first official work together, though they’ve both played in ensembles and toured together previously (up to you to decide who’s the Emerson and who’s the Whitman here). But it’s also a perfectly appropriate description of the serenity at the core of these sounds, a warm blade of sun laid across your cheek. And pulling something from these sages of old also draws in the haunted, crumbling charm of the historic river valley where the two both now live and record, a place of snaking waterways, 200–year-old industrial ruins, centuries of ghosts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eIt is slow, intentional work profoundly acted on by seasonality. The two got together casually at Thayer’s creekfront studio over the course of 18 months, beginning each hang with a spontaneous keyboard gesture. They would construct hypnotic loops, transforming the audio through various novel means, like Thayer’s modular rig, his tape echo, or most notably his not-quite-perfectly-operable PrimeTime 93, a rack mount digital delay from 1978 with an uncanny rhythmic abilities. Over top the two traded off sprinkling overdubs - synthesizers, slide guitar, the very occasional percussion part...\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Seretan \u0026amp; John Thayer\u003c\/p\u003e\n\u003cp\u003eLabel : AKP Recordings\u003c\/p\u003e\n\u003cp\u003eRelease date : 27th March 2026\u003c\/p\u003e","published_at":"2026-04-13T07:15:21+09:00","created_at":"2026-04-12T11:02:12+09:00","vendor":"Tobira Records","type":"","tags":["akp","ambient","jazz","lp","miyaxx","new","post newage"],"price":465200,"price_min":465200,"price_max":465200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48646873907450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Seretan \u0026 John Thayer \/\/ Sunbeam of No Illusion LP","public_title":null,"options":["Default Title"],"price":465200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_4715a176-330d-45d3-a967-f5afbe919fae.jpg?v=1775959223","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_913bce38-9a22-4927-82a7-a7e0b79462eb.jpg?v=1775959223"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_4715a176-330d-45d3-a967-f5afbe919fae.jpg?v=1775959223","options":["Title"],"media":[{"alt":null,"id":39023392030970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_4715a176-330d-45d3-a967-f5afbe919fae.jpg?v=1775959223"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_4715a176-330d-45d3-a967-f5afbe919fae.jpg?v=1775959223","width":350},{"alt":null,"id":39023392063738,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_913bce38-9a22-4927-82a7-a7e0b79462eb.jpg?v=1775959223"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_913bce38-9a22-4927-82a7-a7e0b79462eb.jpg?v=1775959223","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンガーソングライターBen Seretanと、Tobiraインストアショーケースでも素晴らしいライブを披露してくれたJohn Thayerが、2026年3月に同国LAのオールジャンルレーベルAKP Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eドリーミーなアンビエントドローン〜ポストニューエイジ・アンビエントジャズ11曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266493055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266493055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1512670880\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=266493055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=719779630\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akp\"\u003ehere\u003c\/a\u003e to see more AKP Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. + + (Double Positive) 04:37\u003cbr\u003e2. Memory Garden 04:08\u003cbr\u003e3. Ink Dark Moon 02:07\u003cbr\u003e4. Watermelon Well 03:41\u003cbr\u003e5. Little Winds 03:00\u003cbr\u003e6. Field Notes #1 03:52\u003cbr\u003e7. Wild Mint Breeze 03:14\u003cbr\u003e8. Field Notes #2 02:47\u003cbr\u003e9. Valley Spirit 05:02\u003cbr\u003e10. Stradella Bass System 01:48\u003cbr\u003e11. Peat Fire 04:13\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe album’s name comes from actual correspondence between Emerson and Whitman - Ralph praises Walt’s manuscript, he can’t believe how good it is, the 1800s equivalent of a fire emoji. The epistolary pull quote serves as cheeky acknowledgment of the mutual admiration of this project’s partnership. This is the duo’s first official work together, though they’ve both played in ensembles and toured together previously (up to you to decide who’s the Emerson and who’s the Whitman here). But it’s also a perfectly appropriate description of the serenity at the core of these sounds, a warm blade of sun laid across your cheek. And pulling something from these sages of old also draws in the haunted, crumbling charm of the historic river valley where the two both now live and record, a place of snaking waterways, 200–year-old industrial ruins, centuries of ghosts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eIt is slow, intentional work profoundly acted on by seasonality. The two got together casually at Thayer’s creekfront studio over the course of 18 months, beginning each hang with a spontaneous keyboard gesture. They would construct hypnotic loops, transforming the audio through various novel means, like Thayer’s modular rig, his tape echo, or most notably his not-quite-perfectly-operable PrimeTime 93, a rack mount digital delay from 1978 with an uncanny rhythmic abilities. Over top the two traded off sprinkling overdubs - synthesizers, slide guitar, the very occasional percussion part...\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Seretan \u0026amp; John Thayer\u003c\/p\u003e\n\u003cp\u003eLabel : AKP Recordings\u003c\/p\u003e\n\u003cp\u003eRelease date : 27th March 2026\u003c\/p\u003e"}
You may also like:
アメリカのシンガーソングライターBen Seretanと、Tobiraインストアショーケースでも素晴らしいライブを披露してくれたJohn Thayerが、2026年3月に同国LAのオールジャンルレーベルAKP Recordingsからリリースした共作レコードです。 ドリーミーなアンビエントドローン〜ポストニューエイジ・アンビエントジャズ11曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more AKP Records releases available at...
¥4,652
クイックビュー
{"id":9185248674042,"title":"John Tchicai, Cadentia Nova Danica \/\/ Wigmore Hall 1968 LP","handle":"john-tchicai-cadentia-nova-danica-wigmore-hall-1968-lp","description":"\u003cp\u003eデンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドCadentia Nova Danicaが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1968年にロンドンのWigmore Hallで行ったインプロ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan style=\"font-family: Arial;\"\u003eAnthony Barnettと\u003c\/span\u003eレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e知る限り、John TchicaiとCadentia Nova Danicaによるこの公演は、ロンドンの由緒あるリサイタルホール、ウィグモア・ホールで初めて開催されたジャズあるいは即興演奏のコンサートであった。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eでは、この会場としては異例となるコンサートは、どのようにして実現したのだろうか？1968年は、デンマークによる英国での大規模な文化交流プログラムが展開された年であり、その一環として10月2日にマンチェスターのフリー・トレード・ホールで\u003ci\u003eCadentia Nova Danica\u003c\/i\u003e（CND）のコンサートが開催されたが、観客はまばらで、録音も残されていない。ニューヨーク・コンテンポラリー・ファイブ、ニューヨーク・アート・カルテット、そしてコルトレーンの『アセンション』で知られるTchicaiによるコンサートが、これだけで終わってしまうというのは、あまりにも馬鹿げた話だったため、アンソニー・バーネットはロンドンでのコンサート開催に奔走した。彼は利用可能な会場を探して首都中を歩き回ったが、なかなか見つからなかった。そして、もはや成功するとは思っていなかったが、ウィグモア・ホールに入ってみた。驚いたことに、ほとんど質問もされずに、彼らは承諾してくれた。その後、就労ビザの問題があった。バーネットは関係する事務所を訪ねたが、そこでも承諾された。おそらく、マンチェスターでのコンサートにデンマーク王立大使館とデンマーク文化省が関与していたためだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長話を省略すると、コンサート直前の夜、私はクイーン・エリザベス・ホール、あるいはパーセル・ルーム（これらは同じサウス・バンク・コンプレックス内にある）の外に立ち、ジョー・ハリオットのリサイタルを終えたばかりの人々にチラシを配っていた。それがウィグモア・ホールの定員約450人を埋めるのに一役買ったのだろうが、別の事情がそれを台無しにする可能性も十分にあった。バーネットは『ガーディアン』紙に、コンサートのプレビュー記事を執筆できないか打診していた。同紙側は、コンサート翌日に掲載するレビュー記事として執筆するよう提案した。しかし実際には、コンサート当日に誤って掲載されてしまった。つまり、まだ開催されていないコンサートのレビューが、その日に掲載されてしまったのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eデンマーク放送（DR）は、BBCに対し、同局に代わってコンサートを録音するよう依頼した。取り決めでは、バーネットは少額の報酬とテープの完全なセットを受け取る予定だった。その後、BBCがテープを編集し、放送されたもの（今回、それ以来初めて公開される）をデンマーク放送に送っていたことが判明した。悲しいことに、そしてまさにBBCらしいことだが、残りの部分は消去されていた。そして、残っていたテープを取り戻すために、アンソニー・バーネットは苦労を強いられた。これは、独立して活動する際に物事がいかに困難になり得るかを示しているのかもしれない。アンソニー・バーネットが述べたように、「順風満帆な場所はほとんどない。我々はそうあることを求めてはいない。そこは混沌としたジャングルであり、その中でいくつかのものは耐え抜き、生き残るのだ」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e全盛期のCadentia Nova Danica。激しく、豊かで、密度の高い演奏は、フリーフォームの即興とアフリカの要素を行き来し、やがて白熱したフリー・インプロヴィゼーションへと爆発する。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen \/ Formalibera releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026 vinyl reissue - originally recorded on October 1st, 1968, by BBC mobile unit for Danish Radio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. The Education Of An Amphibian 13:24\u003cbr\u003eB. Llanto Del Indio \/ Piece For Percussion And Flutes \/ Amphius 18:08\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo the best of anyone’s knowledge this performance by John Tchicai and Cadentia Nova Danica was the first ever jazz- or improvisation-type concert held at London’s hallowed recital room Wigmore Hall.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo how did the concert, unique for the venue, come about? 1968 was a year of Denmark’s extensive cultural programme in Britain, which included a poorly attended CND concert, not recorded, on 2nd October at Manchester’s Free Trade Hall. That this was to be the sole concert by Tchicai—of New York Contemporary Five, New York Art Quartet, Coltrane’s “Ascension” fame—was stupefyingly ridiculous so Anthony Barnett set about trying to organize a London concert. He traipsed the capital in search of an available venue without luck until, with no thought of a positive outcome, he entered Wigmore Hall. To his astonishment, with few questions asked, they said Yes. Following that, there was the matter of work permits. Barnett visited the relevant office and they too said Yes, probably because of the involvement of The Royal Danish Embassy and the Danish Cultural Ministry with the Manchester concert.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo cut many a long story short, on an evening shortly before the concert I stood outside Queen Elizabeth Hall or Purcell Room (they are in the same South Bank complex) handing out flyers to those who had just attended a Joe Harriot recital. That probably helped Wigmore Hall reach its capacity audience of some 450, though another matter could easily have put the jinx on that. Barnett had approached The Guardian newspaper about the possibility of writing a preview of the concert. They suggested he write it as a review which they would print the day after the concert. But what in fact happened was that it accidentally appeared on the day of the concert: a review of a concert that had yet to take place.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDanmarks Radio asked the BBC to record the concert on its behalf. The arrangement was that Barnett would receive a small fee and a complete set of the tapes. Afterwards, it turned out that the BBC had edited the tapes down to what it sent to Danmarks Radio, as broadcast and now heard here for the first time since. Sadly, and quite true to form, the BBC had wiped the rest. And it was a struggle for Anthony Barnett to get back the tape that did remain. Possibly it shows how difficult things can be when one acts independently. As Anthony Barnett put it, “Almost nowhere is it easy sailing. We do not ask that it is. It is a disordered jungle in which some things do endure and survive”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCadentia Nova Danica at the absolute peak of their powers; furious, rich and dense, moving between freeform improvisation and African touchstones before erupting into incandescent free \u003c\/em\u003e\u003cspan\u003e\u003cem\u003eimprovisation.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai, Cadentia Nova Danica\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e6FFCND186\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-11T15:03:53+09:00","created_at":"2026-04-11T08:21:34+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":518000,"price_min":518000,"price_max":518000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48639056543994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tchicai, Cadentia Nova Danica \/\/ Wigmore Hall 1968 LP","public_title":null,"options":["Default Title"],"price":518000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-11at8.14.06am.png?v=1775862963","\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_a613a5ff-291a-4ee5-bf99-0c535bfb8a60.jpg?v=1775862963","\/\/tobirarecords.com\/cdn\/shop\/files\/jon3_b5d6ca1b-efad-4cbe-8098-9edcf2c84ffb.jpg?v=1775862964","\/\/tobirarecords.com\/cdn\/shop\/files\/jon4.jpg?v=1775862963"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-11at8.14.06am.png?v=1775862963","options":["Title"],"media":[{"alt":null,"id":39014401212666,"position":1,"preview_image":{"aspect_ratio":1.002,"height":601,"width":602,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-11at8.14.06am.png?v=1775862963"},"aspect_ratio":1.002,"height":601,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-11at8.14.06am.png?v=1775862963","width":602},{"alt":null,"id":39014401114362,"position":2,"preview_image":{"aspect_ratio":1.003,"height":598,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_a613a5ff-291a-4ee5-bf99-0c535bfb8a60.jpg?v=1775862963"},"aspect_ratio":1.003,"height":598,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_a613a5ff-291a-4ee5-bf99-0c535bfb8a60.jpg?v=1775862963","width":600},{"alt":null,"id":39014401147130,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon3_b5d6ca1b-efad-4cbe-8098-9edcf2c84ffb.jpg?v=1775862964"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon3_b5d6ca1b-efad-4cbe-8098-9edcf2c84ffb.jpg?v=1775862964","width":600},{"alt":null,"id":39014401179898,"position":4,"preview_image":{"aspect_ratio":0.853,"height":599,"width":511,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon4.jpg?v=1775862963"},"aspect_ratio":0.853,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon4.jpg?v=1775862963","width":511}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドCadentia Nova Danicaが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1968年にロンドンのWigmore Hallで行ったインプロ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan style=\"font-family: Arial;\"\u003eAnthony Barnettと\u003c\/span\u003eレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e知る限り、John TchicaiとCadentia Nova Danicaによるこの公演は、ロンドンの由緒あるリサイタルホール、ウィグモア・ホールで初めて開催されたジャズあるいは即興演奏のコンサートであった。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eでは、この会場としては異例となるコンサートは、どのようにして実現したのだろうか？1968年は、デンマークによる英国での大規模な文化交流プログラムが展開された年であり、その一環として10月2日にマンチェスターのフリー・トレード・ホールで\u003ci\u003eCadentia Nova Danica\u003c\/i\u003e（CND）のコンサートが開催されたが、観客はまばらで、録音も残されていない。ニューヨーク・コンテンポラリー・ファイブ、ニューヨーク・アート・カルテット、そしてコルトレーンの『アセンション』で知られるTchicaiによるコンサートが、これだけで終わってしまうというのは、あまりにも馬鹿げた話だったため、アンソニー・バーネットはロンドンでのコンサート開催に奔走した。彼は利用可能な会場を探して首都中を歩き回ったが、なかなか見つからなかった。そして、もはや成功するとは思っていなかったが、ウィグモア・ホールに入ってみた。驚いたことに、ほとんど質問もされずに、彼らは承諾してくれた。その後、就労ビザの問題があった。バーネットは関係する事務所を訪ねたが、そこでも承諾された。おそらく、マンチェスターでのコンサートにデンマーク王立大使館とデンマーク文化省が関与していたためだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長話を省略すると、コンサート直前の夜、私はクイーン・エリザベス・ホール、あるいはパーセル・ルーム（これらは同じサウス・バンク・コンプレックス内にある）の外に立ち、ジョー・ハリオットのリサイタルを終えたばかりの人々にチラシを配っていた。それがウィグモア・ホールの定員約450人を埋めるのに一役買ったのだろうが、別の事情がそれを台無しにする可能性も十分にあった。バーネットは『ガーディアン』紙に、コンサートのプレビュー記事を執筆できないか打診していた。同紙側は、コンサート翌日に掲載するレビュー記事として執筆するよう提案した。しかし実際には、コンサート当日に誤って掲載されてしまった。つまり、まだ開催されていないコンサートのレビューが、その日に掲載されてしまったのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eデンマーク放送（DR）は、BBCに対し、同局に代わってコンサートを録音するよう依頼した。取り決めでは、バーネットは少額の報酬とテープの完全なセットを受け取る予定だった。その後、BBCがテープを編集し、放送されたもの（今回、それ以来初めて公開される）をデンマーク放送に送っていたことが判明した。悲しいことに、そしてまさにBBCらしいことだが、残りの部分は消去されていた。そして、残っていたテープを取り戻すために、アンソニー・バーネットは苦労を強いられた。これは、独立して活動する際に物事がいかに困難になり得るかを示しているのかもしれない。アンソニー・バーネットが述べたように、「順風満帆な場所はほとんどない。我々はそうあることを求めてはいない。そこは混沌としたジャングルであり、その中でいくつかのものは耐え抜き、生き残るのだ」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e全盛期のCadentia Nova Danica。激しく、豊かで、密度の高い演奏は、フリーフォームの即興とアフリカの要素を行き来し、やがて白熱したフリー・インプロヴィゼーションへと爆発する。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen \/ Formalibera releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026 vinyl reissue - originally recorded on October 1st, 1968, by BBC mobile unit for Danish Radio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. The Education Of An Amphibian 13:24\u003cbr\u003eB. Llanto Del Indio \/ Piece For Percussion And Flutes \/ Amphius 18:08\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo the best of anyone’s knowledge this performance by John Tchicai and Cadentia Nova Danica was the first ever jazz- or improvisation-type concert held at London’s hallowed recital room Wigmore Hall.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo how did the concert, unique for the venue, come about? 1968 was a year of Denmark’s extensive cultural programme in Britain, which included a poorly attended CND concert, not recorded, on 2nd October at Manchester’s Free Trade Hall. That this was to be the sole concert by Tchicai—of New York Contemporary Five, New York Art Quartet, Coltrane’s “Ascension” fame—was stupefyingly ridiculous so Anthony Barnett set about trying to organize a London concert. He traipsed the capital in search of an available venue without luck until, with no thought of a positive outcome, he entered Wigmore Hall. To his astonishment, with few questions asked, they said Yes. Following that, there was the matter of work permits. Barnett visited the relevant office and they too said Yes, probably because of the involvement of The Royal Danish Embassy and the Danish Cultural Ministry with the Manchester concert.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo cut many a long story short, on an evening shortly before the concert I stood outside Queen Elizabeth Hall or Purcell Room (they are in the same South Bank complex) handing out flyers to those who had just attended a Joe Harriot recital. That probably helped Wigmore Hall reach its capacity audience of some 450, though another matter could easily have put the jinx on that. Barnett had approached The Guardian newspaper about the possibility of writing a preview of the concert. They suggested he write it as a review which they would print the day after the concert. But what in fact happened was that it accidentally appeared on the day of the concert: a review of a concert that had yet to take place.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDanmarks Radio asked the BBC to record the concert on its behalf. The arrangement was that Barnett would receive a small fee and a complete set of the tapes. Afterwards, it turned out that the BBC had edited the tapes down to what it sent to Danmarks Radio, as broadcast and now heard here for the first time since. Sadly, and quite true to form, the BBC had wiped the rest. And it was a struggle for Anthony Barnett to get back the tape that did remain. Possibly it shows how difficult things can be when one acts independently. As Anthony Barnett put it, “Almost nowhere is it easy sailing. We do not ask that it is. It is a disordered jungle in which some things do endure and survive”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCadentia Nova Danica at the absolute peak of their powers; furious, rich and dense, moving between freeform improvisation and African touchstones before erupting into incandescent free \u003c\/em\u003e\u003cspan\u003e\u003cem\u003eimprovisation.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai, Cadentia Nova Danica\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e6FFCND186\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
デンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドCadentia Nova Danicaが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。 1968年にロンドンのWigmore Hallで行ったインプロ2曲を収録。インサート付属。 レコードのみでの発表となります。 以下、Anthony Barnettとレーベルによる解説です。 "知る限り、John TchicaiとCadentia Nova Danicaによるこの公演は、ロンドンの由緒あるリサイタルホール、ウィグモア・ホールで初めて開催されたジャズあるいは即興演奏のコンサートであった。...
¥5,180
クイックビュー
{"id":9184194691322,"title":"Hot Heros \/\/ Tähtisilmä LP","handle":"hot-heros-tahtisilma-lp","description":"\u003cp\u003eフィンランドのジャズバンドHot Heros\u003cspan\u003eが\u003c\/span\u003e、2026年4月に同国ジャズレーベルPuro Recordingsから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサックス、コントラバス、チェロ、ドラムによるスピリチュアル・ジャズ6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2147814086\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/puro\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/puro\"\u003ehere\u003c\/a\u003e to see more Puro Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl in screen-printed sleeve.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tähtisilmä-valssi 07:01\u003cbr\u003e2. Laulu 05:40\u003cbr\u003e3. Vuokraemännän sotiisi 06:12\u003cbr\u003e4. Kerran varhainen pyhäaamu 06:24\u003cbr\u003e5. Metsäkylän sotiisi 05:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Kehtolaulu 06:29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHot Heros once again bring a raw jazz grit to the heart of Finnish folk. Their latest LP, Tähtisilmä, explores the compositions of the master fiddler Konsta Jylhä through a modern, improvisational lens. Deepened by the rich, mournful tones of cellist Juho Kanervo, the group reimagines these beloved songs alongside a new original composition by bassist Ville Rauhala. Tähtisilmä is a visceral blend of jazz improvisation and the timeless \"pelimanni\" spirit, capturing the melancholy beauty of Finnish music tradition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hot Heros\u003c\/p\u003e\n\u003cp\u003eLabel : Puro Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUROLP12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-10T15:09:28+09:00","created_at":"2026-04-10T10:47:32+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","puro"],"price":556200,"price_min":556200,"price_max":556200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48633576620282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hot Heros \/\/ Tähtisilmä LP","public_title":null,"options":["Default Title"],"price":556200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_afff071e-c320-457f-accf-e3b94ccf862e.jpg?v=1775785558","\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_e6a69556-5bb5-4b31-b83b-fef95ce3ce52.jpg?v=1775785558"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_afff071e-c320-457f-accf-e3b94ccf862e.jpg?v=1775785558","options":["Title"],"media":[{"alt":null,"id":39005641081082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_afff071e-c320-457f-accf-e3b94ccf862e.jpg?v=1775785558"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_afff071e-c320-457f-accf-e3b94ccf862e.jpg?v=1775785558","width":350},{"alt":null,"id":39005641113850,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_e6a69556-5bb5-4b31-b83b-fef95ce3ce52.jpg?v=1775785558"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho2_e6a69556-5bb5-4b31-b83b-fef95ce3ce52.jpg?v=1775785558","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのジャズバンドHot Heros\u003cspan\u003eが\u003c\/span\u003e、2026年4月に同国ジャズレーベルPuro Recordingsから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサックス、コントラバス、チェロ、ドラムによるスピリチュアル・ジャズ6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2147814086\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/puro\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/puro\"\u003ehere\u003c\/a\u003e to see more Puro Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl in screen-printed sleeve.\u003cbr\u003eEdition of 300 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tähtisilmä-valssi 07:01\u003cbr\u003e2. Laulu 05:40\u003cbr\u003e3. Vuokraemännän sotiisi 06:12\u003cbr\u003e4. Kerran varhainen pyhäaamu 06:24\u003cbr\u003e5. Metsäkylän sotiisi 05:55\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Kehtolaulu 06:29\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHot Heros once again bring a raw jazz grit to the heart of Finnish folk. Their latest LP, Tähtisilmä, explores the compositions of the master fiddler Konsta Jylhä through a modern, improvisational lens. Deepened by the rich, mournful tones of cellist Juho Kanervo, the group reimagines these beloved songs alongside a new original composition by bassist Ville Rauhala. Tähtisilmä is a visceral blend of jazz improvisation and the timeless \"pelimanni\" spirit, capturing the melancholy beauty of Finnish music tradition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hot Heros\u003c\/p\u003e\n\u003cp\u003eLabel : Puro Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUROLP12\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
フィンランドのジャズバンドHot Herosが、2026年4月に同国ジャズレーベルPuro Recordingsから300部限定でリリースしたレコードです。 サックス、コントラバス、チェロ、ドラムによるスピリチュアル・ジャズ6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Puro Recordings releases available at...
¥5,562
クイックビュー
{"id":9182474338554,"title":"Various Artists (Hip Dozer) \/\/ Jazz Alley, Vol. 1 TAPE","handle":"various-artists-hip-dozer-jazz-alley-vol-1-tape","description":"\u003cp\u003e\u003cspan\u003eカナダ・カルガリーのLo-Fi\u003c\/span\u003e\u003cspan\u003eヒップホップレーベルInner Oceanが、2025年9月にリリースしたHip Dozer監修の\u003c\/span\u003e\u003cspan\u003eコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコンテンポラリー・ジャズ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1786638168\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"HIP DOZER ®\" href=\"https:\/\/soundcloud.com\/hipdozer\" target=\"_blank\"\u003eHIP DOZER ®\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Hip Dozer presents : Jazz Alley\" href=\"https:\/\/soundcloud.com\/hipdozer\/sets\/va-dozing-jazz-1\" target=\"_blank\"\u003eHip Dozer presents : Jazz Alley\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInner Ocean Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 150 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Offline - Les Dunes 02:54\u003cbr\u003e2. SHOLTO - Never Going To End 02:31\u003cbr\u003e3. Josef Akin - Small Steps 04:26\u003cbr\u003e4. Jerk - L.Y.F.F.F. 02:44\u003cbr\u003e5. Jimmy Q, Zac Colwell - Tomorrow 01:43\u003cbr\u003e6. Michael Benedikt - Ben's Mood 02:59\u003cbr\u003e7. George Bloomfield - Sierra 03:21\u003cbr\u003e8. F E L L A S - Ashes to Ashes 06:26\u003cbr\u003e9. Sucado - Beachday 04:31\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter exploring hip-hop horizons for over a decade through Lo-Fi, and experimental compilations, Hip Dozer, mostly operating on the beatmaking scene but increasingly collaborating with producers drifting toward jazz, nu-soul, and library music, now steps into new territory with Jazz Alley, Vol.1, our first jazz compilation, carrying the same mission of gathering inspiring producers and composers worldwide to deliver warm, emotional, and genre-bending beats into the vibrant, ever-evolving jazz scene.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis first volume is a meeting point for a new generation of musicians who mix tradition with experimentation: from SHOLTO’s enchanting blend of harp, bass, and synth on Never Going To End, to The Offline’s cinematic Les Dunes, Josef Akin’s spontaneous and groovy Small Steps, or George Bloomfield’s nostalgic Sierra. The compilation also shines with collaborative gems like Jimmy Q \u0026amp; Zac Colwell’s delicate Tomorrow, the quirky energy of Jerk’s L.Y.F.F.F., the haunting melancholy of FELLAS’ Ashes to Ashes, and the serotonin-fueled brightness of Michael Benedikt’s Ben’s Mood. Closing on Sucado’s sun-drenched Beaches, the project feels like a journey through the many moods of today’s jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith 9 tracks by 9 different artists, Jazz Alley, Volume 1\u003cspan class=\"bcTruncateMore\"\u003e is more than just a compilation, it is a statement. A celebration of jazz in its modern form: cinematic, soulful, spontaneous, and endlessly diverse. Because that’s the Hip Dozer vision, to keep pushing musical boundaries, to let sounds speak where words fall short, and to share the timeless magic of jazz with a new generation of listeners.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eHip Dozer x Inner Ocean Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th September 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-10T15:22:00+09:00","created_at":"2026-04-09T09:58:46+09:00","vendor":"Tobira Records","type":"","tags":["hip dozer","inner ocean records","jazz","new","tape"],"price":299800,"price_min":299800,"price_max":299800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48628075495674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Various Artists (Hip Dozer) \/\/ Jazz Alley, Vol. 1 TAPE","public_title":null,"options":["Default Title"],"price":299800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_ce41812b-f133-488f-bcaf-e30a66ced0b3.jpg?v=1775696226","\/\/tobirarecords.com\/cdn\/shop\/files\/jazz2_da5da38f-3392-4374-a056-55654330b597.jpg?v=1775696226"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_ce41812b-f133-488f-bcaf-e30a66ced0b3.jpg?v=1775696226","options":["Title"],"media":[{"alt":null,"id":38993649041658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_ce41812b-f133-488f-bcaf-e30a66ced0b3.jpg?v=1775696226"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_ce41812b-f133-488f-bcaf-e30a66ced0b3.jpg?v=1775696226","width":350},{"alt":null,"id":38993649074426,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz2_da5da38f-3392-4374-a056-55654330b597.jpg?v=1775696226"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz2_da5da38f-3392-4374-a056-55654330b597.jpg?v=1775696226","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・カルガリーのLo-Fi\u003c\/span\u003e\u003cspan\u003eヒップホップレーベルInner Oceanが、2025年9月にリリースしたHip Dozer監修の\u003c\/span\u003e\u003cspan\u003eコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコンテンポラリー・ジャズ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A1786638168\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"HIP DOZER ®\" href=\"https:\/\/soundcloud.com\/hipdozer\" target=\"_blank\"\u003eHIP DOZER ®\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Hip Dozer presents : Jazz Alley\" href=\"https:\/\/soundcloud.com\/hipdozer\/sets\/va-dozing-jazz-1\" target=\"_blank\"\u003eHip Dozer presents : Jazz Alley\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInner Ocean Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eEdition of 150 copies.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Offline - Les Dunes 02:54\u003cbr\u003e2. SHOLTO - Never Going To End 02:31\u003cbr\u003e3. Josef Akin - Small Steps 04:26\u003cbr\u003e4. Jerk - L.Y.F.F.F. 02:44\u003cbr\u003e5. Jimmy Q, Zac Colwell - Tomorrow 01:43\u003cbr\u003e6. Michael Benedikt - Ben's Mood 02:59\u003cbr\u003e7. George Bloomfield - Sierra 03:21\u003cbr\u003e8. F E L L A S - Ashes to Ashes 06:26\u003cbr\u003e9. Sucado - Beachday 04:31\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter exploring hip-hop horizons for over a decade through Lo-Fi, and experimental compilations, Hip Dozer, mostly operating on the beatmaking scene but increasingly collaborating with producers drifting toward jazz, nu-soul, and library music, now steps into new territory with Jazz Alley, Vol.1, our first jazz compilation, carrying the same mission of gathering inspiring producers and composers worldwide to deliver warm, emotional, and genre-bending beats into the vibrant, ever-evolving jazz scene.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis first volume is a meeting point for a new generation of musicians who mix tradition with experimentation: from SHOLTO’s enchanting blend of harp, bass, and synth on Never Going To End, to The Offline’s cinematic Les Dunes, Josef Akin’s spontaneous and groovy Small Steps, or George Bloomfield’s nostalgic Sierra. The compilation also shines with collaborative gems like Jimmy Q \u0026amp; Zac Colwell’s delicate Tomorrow, the quirky energy of Jerk’s L.Y.F.F.F., the haunting melancholy of FELLAS’ Ashes to Ashes, and the serotonin-fueled brightness of Michael Benedikt’s Ben’s Mood. Closing on Sucado’s sun-drenched Beaches, the project feels like a journey through the many moods of today’s jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith 9 tracks by 9 different artists, Jazz Alley, Volume 1\u003cspan class=\"bcTruncateMore\"\u003e is more than just a compilation, it is a statement. A celebration of jazz in its modern form: cinematic, soulful, spontaneous, and endlessly diverse. Because that’s the Hip Dozer vision, to keep pushing musical boundaries, to let sounds speak where words fall short, and to share the timeless magic of jazz with a new generation of listeners.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eHip Dozer x Inner Ocean Records\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 18th September 2025\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
カナダ・カルガリーのLo-FiヒップホップレーベルInner Oceanが、2025年9月にリリースしたHip Dozer監修のコンピレーションカセットです。 コンテンポラリー・ジャズ9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ HIP DOZER ® · Hip Dozer presents : Jazz...
¥2,998
クイックビュー
{"id":9177702105338,"title":"We Jazz Magazine \/\/ Spring 2026 \"Space Time\" MAGAZINE","handle":"we-jazz-magazine-spring-2026-space-time-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2026年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 14 \/ Spring 2026 \"Space Time\" for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShabaka\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShabaka by Tina Edwards, Booker Stardrum by Clifford Allen, Aurora Nealand by Bennett Kirschner, Jazz Now Jazz by Rui Miguel Abreu, The Space Book by Patrick Preziosi, XT by XT (Paul Abbott \u0026amp; Seymour Wright), Naïssam Jalal by Florent Servia, Craig Taborn by Bret Sjerven, the term \"Free Jazz\" by Pierre Crépon, Alexander Hawkins by Kevin Le Gendre Alan Braufman by Andy Beta, Discaholic column by Mats Gustafsson, album reviews, live reviews, Big Ears Festival photo essay \u0026amp; more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJMAG18\u003c\/p\u003e","published_at":"2026-04-04T14:47:45+09:00","created_at":"2026-04-04T10:39:07+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":399000,"price_min":399000,"price_max":399000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48606246076666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Spring 2026 \"Space Time\" MAGAZINE","public_title":null,"options":["Default Title"],"price":399000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_97e9b670-064c-4a1d-baf7-beae5174c93a.jpg?v=1775266896"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_97e9b670-064c-4a1d-baf7-beae5174c93a.jpg?v=1775266896","options":["Title"],"media":[{"alt":null,"id":38948362060026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":985,"width":985,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_97e9b670-064c-4a1d-baf7-beae5174c93a.jpg?v=1775266896"},"aspect_ratio":1.0,"height":985,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_97e9b670-064c-4a1d-baf7-beae5174c93a.jpg?v=1775266896","width":985}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2026年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 14 \/ Spring 2026 \"Space Time\" for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShabaka\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShabaka by Tina Edwards, Booker Stardrum by Clifford Allen, Aurora Nealand by Bennett Kirschner, Jazz Now Jazz by Rui Miguel Abreu, The Space Book by Patrick Preziosi, XT by XT (Paul Abbott \u0026amp; Seymour Wright), Naïssam Jalal by Florent Servia, Craig Taborn by Bret Sjerven, the term \"Free Jazz\" by Pierre Crépon, Alexander Hawkins by Kevin Le Gendre Alan Braufman by Andy Beta, Discaholic column by Mats Gustafsson, album reviews, live reviews, Big Ears Festival photo essay \u0026amp; more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJMAG18\u003c\/p\u003e"}
You may also like:
フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2026年春号です。 ほぼフルカラーの全文英語128ページです。 We Jazz Magazine, Issue 14 / Spring 2026 "Space Time"...
¥3,990
クイックビュー
{"id":9175008805114,"title":"Jon Collin \/\/ High Peak Selections LP","handle":"jon-collin-high-peak-selections-lp","description":"\u003cp\u003eスウェーデン・ストックホルムのアンビエント・ギタリストJon Collinが、2026年3月に自身主宰レーベルEarly Musicからリリースした再発レコードです。（オリジナルは2013年リリース）\u003c\/p\u003e\n\u003cp\u003eロードムービーのサウンドトラックのようなアンビエント・ブルース〜インプロ6曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eLoren Connorsが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2164357285\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/earmu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/earmu\"\u003ehere\u003c\/a\u003e to see more Early Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e2026 vinyl reissue - originally released in 2013. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Prelude To CK Junior Blues 6:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. Tea Master 6:26\u003cbr\u003e\u003c\/span\u003eA3. Furniture Makers Moan 6:48\u003cbr\u003eB1. Freedom And Wildness 3:26\u003cbr\u003eB2. High Water 4:08\u003cbr\u003eB3. For The Road No.s 1 \u0026amp; 2 9:22\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Collin\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Early Music\u003c\/p\u003e\n\u003cp\u003eRelease date : March 2026 (repress)\u003c\/p\u003e","published_at":"2026-04-02T14:45:18+09:00","created_at":"2026-04-02T10:11:09+09:00","vendor":"Tobira Records","type":"","tags":["ambient","early music","jazz","lp","new"],"price":399700,"price_min":399700,"price_max":399700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595352518906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jon Collin \/\/ High Peak Selections LP","public_title":null,"options":["Default Title"],"price":399700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_aa210637-bcb3-4a1c-9a76-0a6947896d1b.jpg?v=1775091837"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_aa210637-bcb3-4a1c-9a76-0a6947896d1b.jpg?v=1775091837","options":["Title"],"media":[{"alt":null,"id":38928995090682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_aa210637-bcb3-4a1c-9a76-0a6947896d1b.jpg?v=1775091837"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_aa210637-bcb3-4a1c-9a76-0a6947896d1b.jpg?v=1775091837","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムのアンビエント・ギタリストJon Collinが、2026年3月に自身主宰レーベルEarly Musicからリリースした再発レコードです。（オリジナルは2013年リリース）\u003c\/p\u003e\n\u003cp\u003eロードムービーのサウンドトラックのようなアンビエント・ブルース〜インプロ6曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eLoren Connorsが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2164357285\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/earmu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/earmu\"\u003ehere\u003c\/a\u003e to see more Early Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e2026 vinyl reissue - originally released in 2013. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Prelude To CK Junior Blues 6:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. Tea Master 6:26\u003cbr\u003e\u003c\/span\u003eA3. Furniture Makers Moan 6:48\u003cbr\u003eB1. Freedom And Wildness 3:26\u003cbr\u003eB2. High Water 4:08\u003cbr\u003eB3. For The Road No.s 1 \u0026amp; 2 9:22\u003c\/p\u003e\n\u003cp\u003eArtist : Jon Collin\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Early Music\u003c\/p\u003e\n\u003cp\u003eRelease date : March 2026 (repress)\u003c\/p\u003e"}
You may also like:
スウェーデン・ストックホルムのアンビエント・ギタリストJon Collinが、2026年3月に自身主宰レーベルEarly Musicからリリースした再発レコードです。（オリジナルは2013年リリース） ロードムービーのサウンドトラックのようなアンビエント・ブルース〜インプロ6曲を収録。インサート付属。 Loren Connorsが好きな方にオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Early Music...
¥3,997
クイックビュー
{"id":9175006413050,"title":"Jeff Parker ETA IVtet \/\/ Happy Today CD","handle":"jeff-parker-eta-ivtet-happy-today-cd","description":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 15th May 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e","published_at":"2026-04-02T14:52:06+09:00","created_at":"2026-04-02T09:55:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595341377786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet \/\/ Happy Today CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_40fe5778-c9bf-4c3e-9743-9f05ce163fb4.jpg?v=1775091365","\/\/tobirarecords.com\/cdn\/shop\/files\/hap4.jpg?v=1775091365"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_40fe5778-c9bf-4c3e-9743-9f05ce163fb4.jpg?v=1775091365","options":["Title"],"media":[{"alt":null,"id":38928974315770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_40fe5778-c9bf-4c3e-9743-9f05ce163fb4.jpg?v=1775091365"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_40fe5778-c9bf-4c3e-9743-9f05ce163fb4.jpg?v=1775091365","width":350},{"alt":null,"id":38928974348538,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap4.jpg?v=1775091365"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap4.jpg?v=1775091365","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 15th May 2026\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e"}
You may also like:
アメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 ライブセッション4曲を収録。 レーベルその他作品はこちら /// Click here to see...
¥2,780
![Jeff Parker ETA IVtet // Happy Today LP [BLACK]](http://tobirarecords.com/cdn/shop/files/hap1_medium.jpg?v=1775091005)
クイックビュー
{"id":9175006118138,"title":"Jeff Parker ETA IVtet \/\/ Happy Today LP [BLACK]","handle":"jeff-parker-eta-ivtet-happy-today-lp-black","description":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e","published_at":"2026-04-02T14:49:37+09:00","created_at":"2026-04-02T09:53:09+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595338756346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeff Parker ETA IVtet \/\/ Happy Today LP [BLACK]","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"760944510996","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hap1.jpg?v=1775091005","\/\/tobirarecords.com\/cdn\/shop\/files\/hap2.jpg?v=1775091005"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1.jpg?v=1775091005","options":["Title"],"media":[{"alt":null,"id":38928959799546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1.jpg?v=1775091005"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1.jpg?v=1775091005","width":350},{"alt":null,"id":38928959832314,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap2.jpg?v=1775091005"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap2.jpg?v=1775091005","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e"}
You may also like:
アメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 ライブセッション4曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to...
¥4,980
クイックビュー
{"id":9174994780410,"title":"Tomo Katsurada \u0026 Misha Panfilov \/\/ Eternal Almost LP","handle":"tomo-katsurada-misha-panfilov-eternal-almost-lp","description":"\u003cp\u003e\u003cspan\u003eエストニア・タリンのマルチ奏者Misha Panfilovと日本のギタリストTomo Katsuradaが、2026年4月にアメリカのジャズレーベルFunk Night Recordsからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサイケデリックなジャズ・ファンク10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2357669966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mostra 03:45\u003cbr\u003e2. Boundless 03:05\u003cbr\u003e3. Cymbal Symbol 02:57\u003cbr\u003e4. Private Party 03:32\u003cbr\u003e5. Yoyo 03:31\u003cbr\u003e6. Mokuba 03:34\u003cbr\u003e7. Fantastic World 03:35\u003cbr\u003e8. Mosaic Memory 04:09\u003cbr\u003e9. Hundreds Spirits 07:00\u003cbr\u003e10. Slice of Time 04:15\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"'Eternal Almost' is a collaborative album by Japanese musician Tomo Katsurada and Estonian composer Misha Panfilov. Born from the simple joy of songwriting and creative exchange, Tomo and Misha had long admired each other’s music from afar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen the opportunity to collaborate finally arrived, it felt completely natural, and by the time the album was finished, it almost seemed as though the two had known each other always.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnited by a shared sense of humour and musical curiosity, Tomo and Misha poured a raw, honest energy into these songs — one shaped by their intuitive rapport. In an increasingly artificial world, “Eternal Almost” subtly celebrates the qualities that make music feel most alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmid the weight of our current times, the pair hope this album brings listeners a sense of lightness, joy, and of course—a gently surreal journey from beginning to end.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tomo Katsurada \u0026amp; Misha Panfilov\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFNR 300\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-02T14:59:37+09:00","created_at":"2026-04-02T09:03:07+09:00","vendor":"Tobira Records","type":"","tags":["funk night","hiphop \/ funk","jazz","lp","new"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595225641210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tomo Katsurada \u0026 Misha Panfilov \/\/ Eternal Almost LP","public_title":null,"options":["Default Title"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tomo1_9d3c5c47-d9d0-44f2-b0d6-0f7b72f61d7b.jpg?v=1775088072"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tomo1_9d3c5c47-d9d0-44f2-b0d6-0f7b72f61d7b.jpg?v=1775088072","options":["Title"],"media":[{"alt":null,"id":38928758735098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tomo1_9d3c5c47-d9d0-44f2-b0d6-0f7b72f61d7b.jpg?v=1775088072"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tomo1_9d3c5c47-d9d0-44f2-b0d6-0f7b72f61d7b.jpg?v=1775088072","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eエストニア・タリンのマルチ奏者Misha Panfilovと日本のギタリストTomo Katsuradaが、2026年4月にアメリカのジャズレーベルFunk Night Recordsからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサイケデリックなジャズ・ファンク10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2357669966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mostra 03:45\u003cbr\u003e2. Boundless 03:05\u003cbr\u003e3. Cymbal Symbol 02:57\u003cbr\u003e4. Private Party 03:32\u003cbr\u003e5. Yoyo 03:31\u003cbr\u003e6. Mokuba 03:34\u003cbr\u003e7. Fantastic World 03:35\u003cbr\u003e8. Mosaic Memory 04:09\u003cbr\u003e9. Hundreds Spirits 07:00\u003cbr\u003e10. Slice of Time 04:15\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"'Eternal Almost' is a collaborative album by Japanese musician Tomo Katsurada and Estonian composer Misha Panfilov. Born from the simple joy of songwriting and creative exchange, Tomo and Misha had long admired each other’s music from afar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen the opportunity to collaborate finally arrived, it felt completely natural, and by the time the album was finished, it almost seemed as though the two had known each other always.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnited by a shared sense of humour and musical curiosity, Tomo and Misha poured a raw, honest energy into these songs — one shaped by their intuitive rapport. In an increasingly artificial world, “Eternal Almost” subtly celebrates the qualities that make music feel most alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmid the weight of our current times, the pair hope this album brings listeners a sense of lightness, joy, and of course—a gently surreal journey from beginning to end.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tomo Katsurada \u0026amp; Misha Panfilov\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFNR 300\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 1st April 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
エストニア・タリンのマルチ奏者Misha Panfilovと日本のギタリストTomo Katsuradaが、2026年4月にアメリカのジャズレーベルFunk Night Recordsからリリースした共作レコードです。 サイケデリックなジャズ・ファンク10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Funk Night...
¥3,790
クイックビュー
{"id":9173941616890,"title":"William Roper \/\/ Lost in the Sands LP","handle":"william-roper-lost-in-the-sands-lp","description":"\u003cp\u003eアメリカ・LAのチューバ奏者William Roperが、2025年11月にLAの老舗レーベルThe Villageからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜サウンドポエトリー〜ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2184954416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thvi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thvi\"\u003ehere\u003c\/a\u003e to see more The Village releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wumpas 11:59\u003cbr\u003e2. Bleu 08:05\u003cbr\u003e3. Lost in the Sands 07:45\u003cbr\u003e4. Sweet Time 13:53\u003c\/p\u003e\n\u003cp\u003eFrom the artist : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI view this recording as the beginning of the final leg of my journey with Horace Tapscott and the Pan Afrikan Peoples Arkestra. This is true notwithstanding the fact that neither Horace nor the ARK are playing on it. Still it would not exist without the P.A.P.A., its various arms, its history, its members, fellow travelers and spirit. I am a Los Angeles native. I was born in the 1950’s. I started playing music in the 3rd grade. I grew up in the West Adams and South Central communities and, except for my last year of high school, attended public schools in those neighborhoods. Yet I had not heard of Horace Tapscott and the ARK until ¿1987?, when I was a little past 30. My friend Joseph Mitchell and others, tell me this is not true. He says that the ARK came to Locke High School and played in the gym; that I was there. This is plausible, even likely, but I don’t remember it. One evening in 1987, I came home to find a message on my answering machine. It went something like this: “Roper. This is Horace Tapscott. They tell me you play tuba. I need you, man!” So I called him back. The gig was, I think, for the first L.A. Fringe Festival. I figured it was just a gig. Little did I know that almost 40 years later, I would still be with the ARK. Not that I have been with them continuously. It is a special organization, often with some truly\u003cspan class=\"bcTruncateMore\"\u003e trying dynamics happening. For years at a time, I couldn’t handle those dynamics. For whatever reasons, I would leave and for whatever reasons I’d come back. This album is a tribute to that long-standing and ongoing relationship.\u003cbr\u003e\u003cbr\u003eOne thing about Horace is that he made room for everybody. It didn’t matter that when I started with him, my main focus was as a classical musician. My role when I was with the ARK, was to play the ARK’s music in the ARK’s tradition. So I had to get with it. But Horace was sincerely interested in making what I did work in his context. There was \/ is space for me to be me. This is not the case everywhere. This project is a reflection of that openness. These pieces trace the arc of the four decades of my ARK-adjacent musical life. They all require improvisation to varying degrees. One of them is a total improvisation. Two of them have spoken word. All of the players on here have had some association with Horace and the ARK. Joseph Mitchell played Horace’s “Ancestral Voices,” with Horace as soloist with the Watts Symphony. Vinny Golia shared the stage with Horace in Europe and played with the ARK at least once. Devin Daniels, the youth of America, is a present member of the ensemble.\u003cbr\u003e\u003cbr\u003eThis recording of Wumpas, is from a 1992 live performance given in the theater at Barnsdall Art Park, Los Angeles.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : William Roper\u003c\/p\u003e\n\u003cp\u003eLabel : The Village\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eVLG013 \u003c\/p\u003e\n\u003cp\u003eRelease date : 14th November 2025\u003c\/p\u003e","published_at":"2026-04-05T08:02:01+09:00","created_at":"2026-04-01T11:24:34+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","new","sound poetry","the village"],"price":494600,"price_min":494600,"price_max":494600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48586807869690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"William Roper \/\/ Lost in the Sands LP","public_title":null,"options":["Default Title"],"price":494600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/san1_2b27a957-ebc4-4fd6-b723-1e01d340c09b.jpg?v=1775010106","\/\/tobirarecords.com\/cdn\/shop\/files\/san2_5d2193a6-6050-4dcb-8821-dcab0c334dc3.jpg?v=1775010106"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_2b27a957-ebc4-4fd6-b723-1e01d340c09b.jpg?v=1775010106","options":["Title"],"media":[{"alt":null,"id":38919348617466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_2b27a957-ebc4-4fd6-b723-1e01d340c09b.jpg?v=1775010106"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san1_2b27a957-ebc4-4fd6-b723-1e01d340c09b.jpg?v=1775010106","width":350},{"alt":null,"id":38919348650234,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_5d2193a6-6050-4dcb-8821-dcab0c334dc3.jpg?v=1775010106"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/san2_5d2193a6-6050-4dcb-8821-dcab0c334dc3.jpg?v=1775010106","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのチューバ奏者William Roperが、2025年11月にLAの老舗レーベルThe Villageからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜サウンドポエトリー〜ドローン4曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2184954416\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thvi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thvi\"\u003ehere\u003c\/a\u003e to see more The Village releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl. \u003cbr\u003eEdition of 100 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wumpas 11:59\u003cbr\u003e2. Bleu 08:05\u003cbr\u003e3. Lost in the Sands 07:45\u003cbr\u003e4. Sweet Time 13:53\u003c\/p\u003e\n\u003cp\u003eFrom the artist : \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI view this recording as the beginning of the final leg of my journey with Horace Tapscott and the Pan Afrikan Peoples Arkestra. This is true notwithstanding the fact that neither Horace nor the ARK are playing on it. Still it would not exist without the P.A.P.A., its various arms, its history, its members, fellow travelers and spirit. I am a Los Angeles native. I was born in the 1950’s. I started playing music in the 3rd grade. I grew up in the West Adams and South Central communities and, except for my last year of high school, attended public schools in those neighborhoods. Yet I had not heard of Horace Tapscott and the ARK until ¿1987?, when I was a little past 30. My friend Joseph Mitchell and others, tell me this is not true. He says that the ARK came to Locke High School and played in the gym; that I was there. This is plausible, even likely, but I don’t remember it. One evening in 1987, I came home to find a message on my answering machine. It went something like this: “Roper. This is Horace Tapscott. They tell me you play tuba. I need you, man!” So I called him back. The gig was, I think, for the first L.A. Fringe Festival. I figured it was just a gig. Little did I know that almost 40 years later, I would still be with the ARK. Not that I have been with them continuously. It is a special organization, often with some truly\u003cspan class=\"bcTruncateMore\"\u003e trying dynamics happening. For years at a time, I couldn’t handle those dynamics. For whatever reasons, I would leave and for whatever reasons I’d come back. This album is a tribute to that long-standing and ongoing relationship.\u003cbr\u003e\u003cbr\u003eOne thing about Horace is that he made room for everybody. It didn’t matter that when I started with him, my main focus was as a classical musician. My role when I was with the ARK, was to play the ARK’s music in the ARK’s tradition. So I had to get with it. But Horace was sincerely interested in making what I did work in his context. There was \/ is space for me to be me. This is not the case everywhere. This project is a reflection of that openness. These pieces trace the arc of the four decades of my ARK-adjacent musical life. They all require improvisation to varying degrees. One of them is a total improvisation. Two of them have spoken word. All of the players on here have had some association with Horace and the ARK. Joseph Mitchell played Horace’s “Ancestral Voices,” with Horace as soloist with the Watts Symphony. Vinny Golia shared the stage with Horace in Europe and played with the ARK at least once. Devin Daniels, the youth of America, is a present member of the ensemble.\u003cbr\u003e\u003cbr\u003eThis recording of Wumpas, is from a 1992 live performance given in the theater at Barnsdall Art Park, Los Angeles.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : William Roper\u003c\/p\u003e\n\u003cp\u003eLabel : The Village\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eVLG013 \u003c\/p\u003e\n\u003cp\u003eRelease date : 14th November 2025\u003c\/p\u003e"}
You may also like:
アメリカ・LAのチューバ奏者William Roperが、2025年11月にLAの老舗レーベルThe Villageからリリースしたレコードです。 実験ジャズ〜サウンドポエトリー〜ドローン4曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more The Village...
¥4,946
クイックビュー
{"id":9173930148090,"title":"Enrico Rava \/\/ Katcharpari LP","handle":"enrico-rava-katcharpari-lp","description":"\u003cp\u003eイタリアのトランペット奏者Enrico Ravaが、2026年3月に同国CInedelicからリリースした再発レコードです。（オリジナルは1973年リリース）\u003c\/p\u003e\n\u003cp\u003eフュージョン〜ジャズ・ファンク6曲を収録。180g重量盤、ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4127346580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl in gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bunny's Pie 02:02\u003cbr\u003e2. Trial N. 5 06:09\u003cbr\u003e3. Dimenticare Stanca 09:02\u003cbr\u003e4. Fluid Connection 04:11\u003cbr\u003e5. Cheerin' Cherry 09:26\u003cbr\u003e6. Peace 01:29\u003c\/p\u003e\n\u003cp\u003eArtist : Enrico Rava\u003c\/p\u003e\n\u003cp\u003eLabel : Free Flow Archive\u003c\/p\u003e\n\u003cp\u003ecat no : FFA7006\u003c\/p\u003e\n\u003cp\u003eRelease date : March 2026\u003c\/p\u003e","published_at":"2026-04-06T07:29:24+09:00","created_at":"2026-04-01T10:14:46+09:00","vendor":"Tobira Records","type":"","tags":["cinedelic","jazz","lp","new"],"price":599000,"price_min":599000,"price_max":599000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48586446143738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Enrico Rava \/\/ Katcharpari LP","public_title":null,"options":["Default Title"],"price":599000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"8055323522649","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/en1_12b822fe-ba28-4e17-baf2-69fea83f644f.jpg?v=1775005998","\/\/tobirarecords.com\/cdn\/shop\/files\/en2_bd3a35db-5350-4f97-915d-8a3f8cdda494.jpg?v=1775005998","\/\/tobirarecords.com\/cdn\/shop\/files\/en3_7dd612f7-6f75-45c4-ae17-ba7d63b8e952.jpg?v=1775005998"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_12b822fe-ba28-4e17-baf2-69fea83f644f.jpg?v=1775005998","options":["Title"],"media":[{"alt":null,"id":38919202242810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_12b822fe-ba28-4e17-baf2-69fea83f644f.jpg?v=1775005998"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_12b822fe-ba28-4e17-baf2-69fea83f644f.jpg?v=1775005998","width":350},{"alt":null,"id":38919202275578,"position":2,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en2_bd3a35db-5350-4f97-915d-8a3f8cdda494.jpg?v=1775005998"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en2_bd3a35db-5350-4f97-915d-8a3f8cdda494.jpg?v=1775005998","width":600},{"alt":null,"id":38919202308346,"position":3,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en3_7dd612f7-6f75-45c4-ae17-ba7d63b8e952.jpg?v=1775005998"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en3_7dd612f7-6f75-45c4-ae17-ba7d63b8e952.jpg?v=1775005998","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのトランペット奏者Enrico Ravaが、2026年3月に同国CInedelicからリリースした再発レコードです。（オリジナルは1973年リリース）\u003c\/p\u003e\n\u003cp\u003eフュージョン〜ジャズ・ファンク6曲を収録。180g重量盤、ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4127346580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl in gatefold sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bunny's Pie 02:02\u003cbr\u003e2. Trial N. 5 06:09\u003cbr\u003e3. Dimenticare Stanca 09:02\u003cbr\u003e4. Fluid Connection 04:11\u003cbr\u003e5. Cheerin' Cherry 09:26\u003cbr\u003e6. Peace 01:29\u003c\/p\u003e\n\u003cp\u003eArtist : Enrico Rava\u003c\/p\u003e\n\u003cp\u003eLabel : Free Flow Archive\u003c\/p\u003e\n\u003cp\u003ecat no : FFA7006\u003c\/p\u003e\n\u003cp\u003eRelease date : March 2026\u003c\/p\u003e"}
You may also like:
イタリアのトランペット奏者Enrico Ravaが、2026年3月に同国CInedelicからリリースした再発レコードです。（オリジナルは1973年リリース） フュージョン〜ジャズ・ファンク6曲を収録。180g重量盤、ゲートフォルド仕様です。 ------------------------------------------------ 12" black 180gram vinyl in gatefold sleeve. Tracklist: 1. Bunny's...
¥5,990
クイックビュー
{"id":9170294243578,"title":"Danny Scott Lane \/\/ Holy Goodnight LP","handle":"danny-scott-lane-holy-goodnight-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年4月にスイス・ジュネーブのWRWTFWWからリリースした再発レコードです。（オリジナルは2022年カセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eソフト・ファンク〜ポストニューエイジ・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2248471182\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 3rd April 2026 (reissue)\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies.\u003cbr\u003ePressed on vinyl for the first time - originally released on cassette in 2022. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Have Another 02:40\u003cbr\u003e2. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e授与な\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e事\u003c\/span\u003e 03:55\u003cbr\u003e3. Mystery To Me 05:24\u003cbr\u003e4. Man, I Gotta Get Out Of This City 03:38\u003cbr\u003e5. Turn The Car Around 03:51\u003cbr\u003e6. Light Nude 04:03\u003cbr\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eホット\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eソル\u003c\/span\u003e 03:31\u003cbr\u003e8. Mirror Spit 03:02\u003cbr\u003e9. City Sad 02:27\u003cbr\u003e10. Desiree 03:42\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On 2022's Holy Goodnight, Danny is on synth, keyboard, bass, guitar, percussion, vocals, field recordings for a nightride of city pop, jazz, vaporwave, slow funk, ambient, and chill feels.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Danny Scott Lane\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records\u003c\/p\u003e\n\u003cp\u003ecat no : WRWT FWW130\u003c\/p\u003e","published_at":"2026-03-29T07:17:40+09:00","created_at":"2026-03-28T17:55:24+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new","post newage","WRWTFWW Records"],"price":573700,"price_min":573700,"price_max":573700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48569357992186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Danny Scott Lane \/\/ Holy Goodnight LP","public_title":null,"options":["Default Title"],"price":573700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804188982","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_d473c4b8-85e7-4356-bd77-32fe2cf7fee2.jpg?v=1774687947"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_d473c4b8-85e7-4356-bd77-32fe2cf7fee2.jpg?v=1774687947","options":["Title"],"media":[{"alt":null,"id":38891029692666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_d473c4b8-85e7-4356-bd77-32fe2cf7fee2.jpg?v=1774687947"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/goo1_d473c4b8-85e7-4356-bd77-32fe2cf7fee2.jpg?v=1774687947","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年4月にスイス・ジュネーブのWRWTFWWからリリースした再発レコードです。（オリジナルは2022年カセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eソフト・ファンク〜ポストニューエイジ・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2248471182\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 3rd April 2026 (reissue)\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 500 copies.\u003cbr\u003ePressed on vinyl for the first time - originally released on cassette in 2022. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Have Another 02:40\u003cbr\u003e2. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e授与な\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003e事\u003c\/span\u003e 03:55\u003cbr\u003e3. Mystery To Me 05:24\u003cbr\u003e4. Man, I Gotta Get Out Of This City 03:38\u003cbr\u003e5. Turn The Car Around 03:51\u003cbr\u003e6. Light Nude 04:03\u003cbr\u003e7. \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eホット\u003c\/span\u003e\u003cspan lang=\"JA\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eソル\u003c\/span\u003e 03:31\u003cbr\u003e8. Mirror Spit 03:02\u003cbr\u003e9. City Sad 02:27\u003cbr\u003e10. Desiree 03:42\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"On 2022's Holy Goodnight, Danny is on synth, keyboard, bass, guitar, percussion, vocals, field recordings for a nightride of city pop, jazz, vaporwave, slow funk, ambient, and chill feels.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Danny Scott Lane\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records\u003c\/p\u003e\n\u003cp\u003ecat no : WRWT FWW130\u003c\/p\u003e"}
You may also like:
アメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年4月にスイス・ジュネーブのWRWTFWWからリリースした再発レコードです。（オリジナルは2022年カセットリリース） ソフト・ファンク〜ポストニューエイジ・ジャズ10曲を収録。 レーベルその他作品はこちら /// Click here to see more WRWTFWW Records releases available at Tobira. ---------------------------------...
¥5,737
クイックビュー
{"id":9170287788282,"title":"Danny Scott Lane \/\/ House Of Alice LP","handle":"danny-scott-lane-house-of-alice-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年3月にスイス・ジュネーブのWRWTFWWからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eソフト・ファンク〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1597467146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. House Of Alice 03:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Love Is Mine 02:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Music World 03:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Time Changes 03:04\u003cbr\u003e\u003c\/span\u003e5. High End 03:12\u003cbr\u003e6. Paradise 03:06\u003cbr\u003e7. Marc Six 03:20\u003cbr\u003e8. Save Ass 03:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDanny Scott Lane is a New York–based musician, photographer and sound artist whose work drifts between jazz, ambient, and gentle funk. Originally an actor and singer before turning to photography, Lane brings a cinematic and emotional sensibility to his recordings — music that feels intimate, tactile, and quietly surreal. He has scored films and commercials, and his eclectic taste has taken him to DJ booths around the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince his first tape release in 2019, Lane has released nine albums, five of them with WRWTFWW Records, each expanding his distinct blend of warmth, rhythm, and daydream. His tenth LP, House of Alice, welcomes back three-time collaborator David Lackner and introduces Michael Gagliardi, further deepening the reflective world Lane continues to build.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s title is derived from the Alice Austen House. Danny took an interest in the prolific ‘street’ photography of Alice where she often captured everyday life and intimate depictions of women’s lives beautifully. Inspiring images that reflect in his own photography as well. We will continue to stand on the shoulders of giants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExpect a gentle mix of electronic new age jazz and soft funk.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Danny Scott Lane\u003c\/p\u003e\n\u003cp\u003eLabel : Records We Release Records\u003c\/p\u003e\n\u003cp\u003ecat no : RWR03LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th March 2026\u003c\/p\u003e","published_at":"2026-03-29T07:09:38+09:00","created_at":"2026-03-28T17:22:14+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new","post newage"],"price":499500,"price_min":499500,"price_max":499500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48569328828666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Danny Scott Lane \/\/ House Of Alice LP","public_title":null,"options":["Default Title"],"price":499500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"0821555206392","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_cbb70ce2-fa37-4b72-877d-ee4e898e330a.jpg?v=1774686000","\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_9ffa0aa3-91b3-41a6-b7e1-5adeddc6cc10.jpg?v=1774686000"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_cbb70ce2-fa37-4b72-877d-ee4e898e330a.jpg?v=1774686000","options":["Title"],"media":[{"alt":null,"id":38890955407610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_cbb70ce2-fa37-4b72-877d-ee4e898e330a.jpg?v=1774686000"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou1_cbb70ce2-fa37-4b72-877d-ee4e898e330a.jpg?v=1774686000","width":350},{"alt":null,"id":38890955440378,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_9ffa0aa3-91b3-41a6-b7e1-5adeddc6cc10.jpg?v=1774686000"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hou2_9ffa0aa3-91b3-41a6-b7e1-5adeddc6cc10.jpg?v=1774686000","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年3月にスイス・ジュネーブのWRWTFWWからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eソフト・ファンク〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1597467146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. House Of Alice 03:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Love Is Mine 02:56\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Music World 03:41\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Time Changes 03:04\u003cbr\u003e\u003c\/span\u003e5. High End 03:12\u003cbr\u003e6. Paradise 03:06\u003cbr\u003e7. Marc Six 03:20\u003cbr\u003e8. Save Ass 03:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eDanny Scott Lane is a New York–based musician, photographer and sound artist whose work drifts between jazz, ambient, and gentle funk. Originally an actor and singer before turning to photography, Lane brings a cinematic and emotional sensibility to his recordings — music that feels intimate, tactile, and quietly surreal. He has scored films and commercials, and his eclectic taste has taken him to DJ booths around the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince his first tape release in 2019, Lane has released nine albums, five of them with WRWTFWW Records, each expanding his distinct blend of warmth, rhythm, and daydream. His tenth LP, House of Alice, welcomes back three-time collaborator David Lackner and introduces Michael Gagliardi, further deepening the reflective world Lane continues to build.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album’s title is derived from the Alice Austen House. Danny took an interest in the prolific ‘street’ photography of Alice where she often captured everyday life and intimate depictions of women’s lives beautifully. Inspiring images that reflect in his own photography as well. We will continue to stand on the shoulders of giants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExpect a gentle mix of electronic new age jazz and soft funk.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Danny Scott Lane\u003c\/p\u003e\n\u003cp\u003eLabel : Records We Release Records\u003c\/p\u003e\n\u003cp\u003ecat no : RWR03LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th March 2026\u003c\/p\u003e"}
You may also like:
アメリカ・LAのアンビエント・ジャズ作家Danny Scott Laneが、2026年3月にスイス・ジュネーブのWRWTFWWからリリースしたレコードです。 ソフト・ファンク〜ポストニューエイジ・ジャズ8曲を収録。 ------------------------------------------ 12" black vinyl. Tracklist: 1. House Of Alice 03:062....
¥4,995
![Mickey & The Soul Generation // Give Everybody Some LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ScreenShot2026-03-27at7.44.06pm_5f57df84-2517-4fd7-ae05-70d76200d511_medium.png?v=1774608630)
クイックビュー
{"id":9166437777658,"title":"Mickey \u0026 The Soul Generation \/\/ Give Everybody Some LP [COLOR]","handle":"mickey-the-soul-generation-give-everybody-some-lp-color","description":"\u003cp\u003e1970年代初頭に活動していたアメリカのファンクバンドMickey \u0026amp; The Soul Generationが、2026年4月に同国発掘専門レーベルNumeroからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシングルを中心に未発表音源も含めた12曲を収録。真珠カラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/HFYiMwS4SdQ?si=_tan7gyX55HL3Bh3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SpayIYinmKk?si=7_Z1VViPfqk3hcxd\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8FT5bj8KxOA?si=cIHpzjA7VemRPAj3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1BWFUA6NxHo?si=P5hvFO-dwSvpg89A\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hNI4PCN1Vcs?si=kY0ui4H7WuYE81MY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" opaque silver vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"artist\"\u003eA1\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eIron Leg\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA2\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eGive Everybody Some\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eFootball\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eChocolate\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA5\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eUFO\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA6\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eMystery Girl\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB1\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eGet Down Brother\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB2\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eUp The Stairs And Around The Bend\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eThe Whatzit\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eSoulful Sickness\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB5\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eJoint Session\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB6\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eMessage From A Black Man\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hard Texas funk from the celebrated San Antonio scene. As Abe Epstein was tracking West Side brown-eyed soul groups on General McMullen Blvd., Mickey Foster and his biracial Soul Generation band were answering James Brown's call to get on the good foot just south of the River Walk. Collected here are a dozen of their swaggiest and crook-legged instrumentals, a mood building survey of the band's 1969-'77 run, including the paper hit knee-wobbler \"Iron Leg.\" Chop up your next sample here.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mickey \u0026amp; The Soul Generation\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e\n\u003cp\u003ecat no : NUM610lp-C2\u003c\/p\u003e\n\u003cp\u003eRelease Date : 10th April 2026\u003c\/p\u003e","published_at":"2026-03-31T14:12:29+09:00","created_at":"2026-03-27T19:49:46+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","new","numero group"],"price":419400,"price_min":419400,"price_max":419400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48561868669178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mickey \u0026 The Soul Generation \/\/ Give Everybody Some LP [COLOR]","public_title":null,"options":["Default Title"],"price":419400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"825764161039","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at7.44.06pm_5f57df84-2517-4fd7-ae05-70d76200d511.png?v=1774608630","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at7.44.23pm.png?v=1774608630"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at7.44.06pm_5f57df84-2517-4fd7-ae05-70d76200d511.png?v=1774608630","options":["Title"],"media":[{"alt":null,"id":38885195677946,"position":1,"preview_image":{"aspect_ratio":0.989,"height":435,"width":430,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at7.44.06pm_5f57df84-2517-4fd7-ae05-70d76200d511.png?v=1774608630"},"aspect_ratio":0.989,"height":435,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at7.44.06pm_5f57df84-2517-4fd7-ae05-70d76200d511.png?v=1774608630","width":430},{"alt":null,"id":38885195710714,"position":2,"preview_image":{"aspect_ratio":1.36,"height":475,"width":646,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at7.44.23pm.png?v=1774608630"},"aspect_ratio":1.36,"height":475,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at7.44.23pm.png?v=1774608630","width":646}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1970年代初頭に活動していたアメリカのファンクバンドMickey \u0026amp; The Soul Generationが、2026年4月に同国発掘専門レーベルNumeroからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシングルを中心に未発表音源も含めた12曲を収録。真珠カラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/HFYiMwS4SdQ?si=_tan7gyX55HL3Bh3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SpayIYinmKk?si=7_Z1VViPfqk3hcxd\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8FT5bj8KxOA?si=cIHpzjA7VemRPAj3\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/1BWFUA6NxHo?si=P5hvFO-dwSvpg89A\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hNI4PCN1Vcs?si=kY0ui4H7WuYE81MY\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/numerog\"\u003ehere\u003c\/a\u003e to see more Numero Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" opaque silver vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"artist\"\u003eA1\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eIron Leg\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA2\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eGive Everybody Some\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eFootball\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eChocolate\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA5\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eUFO\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eA6\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eMystery Girl\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB1\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eGet Down Brother\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB2\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eUp The Stairs And Around The Bend\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB3\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eThe Whatzit\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB4\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eSoulful Sickness\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB5\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eJoint Session\u003cbr\u003e\u003c\/span\u003e\u003cspan class=\"artist\"\u003eB6\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e-\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"title\"\u003eMessage From A Black Man\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hard Texas funk from the celebrated San Antonio scene. As Abe Epstein was tracking West Side brown-eyed soul groups on General McMullen Blvd., Mickey Foster and his biracial Soul Generation band were answering James Brown's call to get on the good foot just south of the River Walk. Collected here are a dozen of their swaggiest and crook-legged instrumentals, a mood building survey of the band's 1969-'77 run, including the paper hit knee-wobbler \"Iron Leg.\" Chop up your next sample here.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mickey \u0026amp; The Soul Generation\u003c\/p\u003e\n\u003cp\u003eLabel : Numero Group\u003c\/p\u003e\n\u003cp\u003ecat no : NUM610lp-C2\u003c\/p\u003e\n\u003cp\u003eRelease Date : 10th April 2026\u003c\/p\u003e"}
You may also like:
1970年代初頭に活動していたアメリカのファンクバンドMickey & The Soul Generationが、2026年4月に同国発掘専門レーベルNumeroからリリースしたレコードです。 シングルを中心に未発表音源も含めた12曲を収録。真珠カラー盤です。 レーベルその他作品はこちら /// Click here to see more Numero Group releases available...
¥4,194
クイックビュー
{"id":9165531676922,"title":"Young Jazz Rebels \/\/ Slave Riot 2xLP","handle":"young-jazz-rebels-slave-riot-2xlp","description":"\u003cp\u003eMadlib率いるアヴァンジャズバンドYoung Jazz Rebelsのデビュー2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スピリチュアル・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3947792043\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ancestors 01:42\u003cbr\u003e2. The Legend of Mankind 02:12\u003cbr\u003e3. The Wind 02:16\u003cbr\u003e4. Forces Unseen 02:36\u003cbr\u003e5. On The Run From Mr. Charlie 03:16\u003cbr\u003e6. The Sun 03:12\u003cbr\u003e7. Hate:Love 02:29\u003cbr\u003e8. Newear 02:40\u003cbr\u003e9. Theme From Illusion Suite 01:59\u003cbr\u003e10. Primal Sound (The Moon) 01:22\u003cbr\u003e11. Nappy Headed History 03:14\u003cbr\u003e12. Young Day (Short Version) 02:25\u003cbr\u003e13. For Brother Sun Ra 02:35\u003cbr\u003e14. Hope 00:40\u003cbr\u003e15. Nino's Deeds (Alternative Take) 02:51\u003cbr\u003e16. Slave Riot, Parts 1-3, Before 06:35\u003cbr\u003e17. Slave Riot, Parts 4-6, After 06:59\u003cbr\u003e18. Black Freedom 04:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYoung Jazz Rebels is a Madlib jazz group from the Yesterdays Universe collective, and this debut album Slave Riot is a fully developed avant-garde free jazz record, representing the furthest Madlib in developing this style.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Young Jazz Rebels\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTH2224\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 23rd March 2010\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-28T07:50:54+09:00","created_at":"2026-03-27T09:32:49+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","stones throw"],"price":582400,"price_min":582400,"price_max":582400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48559303983354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Young Jazz Rebels \/\/ Slave Riot 2xLP","public_title":null,"options":["Default Title"],"price":582400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"659457222413","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/slave1.jpg?v=1774571463","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at9.30.12am.png?v=1774571463"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/slave1.jpg?v=1774571463","options":["Title"],"media":[{"alt":null,"id":38877413081338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/slave1.jpg?v=1774571463"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/slave1.jpg?v=1774571463","width":350},{"alt":null,"id":38877413048570,"position":2,"preview_image":{"aspect_ratio":1.0,"height":444,"width":444,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at9.30.12am.png?v=1774571463"},"aspect_ratio":1.0,"height":444,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-03-27at9.30.12am.png?v=1774571463","width":444}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eMadlib率いるアヴァンジャズバンドYoung Jazz Rebelsのデビュー2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スピリチュアル・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3947792043\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ancestors 01:42\u003cbr\u003e2. The Legend of Mankind 02:12\u003cbr\u003e3. The Wind 02:16\u003cbr\u003e4. Forces Unseen 02:36\u003cbr\u003e5. On The Run From Mr. Charlie 03:16\u003cbr\u003e6. The Sun 03:12\u003cbr\u003e7. Hate:Love 02:29\u003cbr\u003e8. Newear 02:40\u003cbr\u003e9. Theme From Illusion Suite 01:59\u003cbr\u003e10. Primal Sound (The Moon) 01:22\u003cbr\u003e11. Nappy Headed History 03:14\u003cbr\u003e12. Young Day (Short Version) 02:25\u003cbr\u003e13. For Brother Sun Ra 02:35\u003cbr\u003e14. Hope 00:40\u003cbr\u003e15. Nino's Deeds (Alternative Take) 02:51\u003cbr\u003e16. Slave Riot, Parts 1-3, Before 06:35\u003cbr\u003e17. Slave Riot, Parts 4-6, After 06:59\u003cbr\u003e18. Black Freedom 04:03\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYoung Jazz Rebels is a Madlib jazz group from the Yesterdays Universe collective, and this debut album Slave Riot is a fully developed avant-garde free jazz record, representing the furthest Madlib in developing this style.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Young Jazz Rebels\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTH2224\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 23rd March 2010\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
Madlib率いるアヴァンジャズバンドYoung Jazz Rebelsのデビュー2枚組レコードです。 フリージャズ〜スピリチュアル・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at...
¥5,824
クイックビュー
{"id":9164919341306,"title":"Booker Stardrum \u0026 Chris Williams \/\/ Relay TAPE","handle":"booker-stardrum-chris-williams-relay-tape","description":"\u003cp\u003eSMLメンバーとしても活動しているアメリカの実験ジャズ作家Booker Stardrum \u0026amp; Chris Williams\u003cspan\u003eが、2023年4月に同国Matthew Sage主宰コラボ専門レーベル Cached Mediaからリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフリー・エレクトロニクスジャズ〜ジャズ・ドローン2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCached Media:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChris Williams and Booker Stardrum are prominent figures in the free music communities they’ve run in for years now. Stardrum, a percussionist, and Williams, a trumpeter, both swirl in the eddies of the burgeoning fourth world free electronics jazz community. On Relay, two side-long pieces, the duo hash through an icy and diffused collection of jittery motifs, splotchy melodies, muffled notions, and passing drifts. Both artists move between lyrically curious melodies and phrasings and extended technique textural foragings. Williams’ horn gurgles like a sloshed stomach in places, and then, accompanied by looped cycles of Stardrum’s toothy sampling, melodic fragments, and distant bells, Williams suddenly soars sonorous. The album is uneasy in the corners and yet these wound-up moments reveal a kind of harmonious transparency. Moments of stillness collapse into chasmal and meditative micro-percussion, bells and static, and timbral whispers. Williams’ trumpet skips like a stone over Stardrum’s frozen pond. This album is Cached’s first foray in the cassette format in order to best retain the structure and composition, the two-sidedness, of this album. Two performances by this duo of players exploring music that is written on space and swept across time; traversing every dimensional axis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Booker Stardrum \u0026amp; Chris Williams\u003c\/p\u003e\n\u003cp\u003eLabel : Cached Media\u003c\/p\u003e","published_at":"2026-03-27T05:20:01+09:00","created_at":"2026-03-27T05:19:32+09:00","vendor":"Tobira Records","type":"","tags":["cached media","drone","jazz","new","tape"],"price":218800,"price_min":218800,"price_max":218800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48554978902266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Booker Stardrum \u0026 Chris Williams \/\/ Relay TAPE","public_title":null,"options":["Default Title"],"price":218800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re_8b2e4237-5c1b-4bbe-8d38-70d111a35d3d.jpg?v=1681209670","\/\/tobirarecords.com\/cdn\/shop\/products\/re1_96c76e13-d940-4db0-84e2-25e032e1a60e.jpg?v=1681209670","\/\/tobirarecords.com\/cdn\/shop\/products\/ca3_a8006774-1437-4b1a-bfae-71dd5a694e47.jpg?v=1681209670","\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_61eaf4e8-a19d-499c-8e51-3ad4f146730a.jpg?v=1681209670"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re_8b2e4237-5c1b-4bbe-8d38-70d111a35d3d.jpg?v=1681209670","options":["Title"],"media":[{"alt":null,"id":31818066100474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re_8b2e4237-5c1b-4bbe-8d38-70d111a35d3d.jpg?v=1681209670"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re_8b2e4237-5c1b-4bbe-8d38-70d111a35d3d.jpg?v=1681209670","width":700},{"alt":null,"id":31818066133242,"position":2,"preview_image":{"aspect_ratio":1.333,"height":938,"width":1250,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_96c76e13-d940-4db0-84e2-25e032e1a60e.jpg?v=1681209670"},"aspect_ratio":1.333,"height":938,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_96c76e13-d940-4db0-84e2-25e032e1a60e.jpg?v=1681209670","width":1250},{"alt":null,"id":31818066166010,"position":3,"preview_image":{"aspect_ratio":1.331,"height":263,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca3_a8006774-1437-4b1a-bfae-71dd5a694e47.jpg?v=1681209670"},"aspect_ratio":1.331,"height":263,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca3_a8006774-1437-4b1a-bfae-71dd5a694e47.jpg?v=1681209670","width":350},{"alt":null,"id":31818066198778,"position":4,"preview_image":{"aspect_ratio":1.331,"height":263,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_61eaf4e8-a19d-499c-8e51-3ad4f146730a.jpg?v=1681209670"},"aspect_ratio":1.331,"height":263,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ca2_61eaf4e8-a19d-499c-8e51-3ad4f146730a.jpg?v=1681209670","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSMLメンバーとしても活動しているアメリカの実験ジャズ作家Booker Stardrum \u0026amp; Chris Williams\u003cspan\u003eが、2023年4月に同国Matthew Sage主宰コラボ専門レーベル Cached Mediaからリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフリー・エレクトロニクスジャズ〜ジャズ・ドローン2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eカセットのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCached Media:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChris Williams and Booker Stardrum are prominent figures in the free music communities they’ve run in for years now. Stardrum, a percussionist, and Williams, a trumpeter, both swirl in the eddies of the burgeoning fourth world free electronics jazz community. On Relay, two side-long pieces, the duo hash through an icy and diffused collection of jittery motifs, splotchy melodies, muffled notions, and passing drifts. Both artists move between lyrically curious melodies and phrasings and extended technique textural foragings. Williams’ horn gurgles like a sloshed stomach in places, and then, accompanied by looped cycles of Stardrum’s toothy sampling, melodic fragments, and distant bells, Williams suddenly soars sonorous. The album is uneasy in the corners and yet these wound-up moments reveal a kind of harmonious transparency. Moments of stillness collapse into chasmal and meditative micro-percussion, bells and static, and timbral whispers. Williams’ trumpet skips like a stone over Stardrum’s frozen pond. This album is Cached’s first foray in the cassette format in order to best retain the structure and composition, the two-sidedness, of this album. Two performances by this duo of players exploring music that is written on space and swept across time; traversing every dimensional axis.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Booker Stardrum \u0026amp; Chris Williams\u003c\/p\u003e\n\u003cp\u003eLabel : Cached Media\u003c\/p\u003e"}
You may also like:
SMLメンバーとしても活動しているアメリカの実験ジャズ作家Booker Stardrum & Chris Williamsが、2023年4月に同国Matthew Sage主宰コラボ専門レーベル Cached Mediaからリリースした共作カセットです。 フリー・エレクトロニクスジャズ〜ジャズ・ドローン2曲を収録。廃盤です。 カセットのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more...
¥2,188