GALÁN / VOGT // The Sweet Wait LP

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過去にPast Inside the Presentなどから発表しているスペインのアンビエント作家Pepo Galánと、オーストラリアのドリームポップ作家Karen Vogtが、2021年11月に自主リリースした共作レコードです。

ドリーミーなシューゲイズ・アンビエントポップ9曲を収録。180g重量盤、白盤です。DLコードとポストカード付属。

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Edition of 300. Each LP comes with download code and postcard.

Editions Furioso:

"Debut album from GALÁN / VOGT; a collaboration between Spanish ambient/experimental composer Pepo Galán and Australian dream pop vocalist/musician Karen Vogt. American composer Akira Rabelais contributes to tracks "Panacea" and "Above The Aether". Guests include Jolanda Moletta on backing vocals (SHE OWL), Mark Beazley on bass (ROTHKO/BAND OF HOLY JOY), Simon McCorry on cello and Achim Färber on drums (AUTOMAT). Album artwork features 2 photographs by French photographer Aurélie Scouarnec; known for beautifully capturing shadows in her work."

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Reviews:

FLUID RADIO (UK)
" Taking in dark ambient, dreampop, shoegaze, neo-classical, and ambient elements... a beautiful blurring between Pepo’s elegant, sweeping, and deeply textured ambient soundscapes and Karen’s vocals " bit.ly/3Bcy4Pb

INIQUITOUS GLORY (UK)
"Galán’s music is majestic and utterly compelling. It has the rare quality of being incredibly subtle whilst feeling totally absorbing, transporting you to a place of reflection and thought. That is aided by Vogt’s lyrics, which can be melancholic and even dark but somehow manage to raise you up, to make you aware, and to get you thinking. There is an existential edge to some of the songs, heightened by Vogt’s vocal delivery which is unreservedly unique and devastatingly beautiful" bit.ly/322afgU

RATE YOUR MUSIC (US)
"The standout here for me was Opa, and is perhaps my favorite track of the year. There's a very deep, indescribable feeling inside it that gives me chills even after listening to it countless times. It was also the first track I've heard off the record, since the first time I heard it was on a set on WFMU by my friend and radio tutor, and I was completely floored by it; I couldn't believe a song like that existed, but it's true, and it's really amazing." bit.ly/32kWWse

POST-PUNK . COM (US)
"A dark and beautiful ambient dream pop collaboration in GALÁN VOGT’s “Starseed”... weaves elements of dark ambient, dream pop, shoegaze, experimental, drone, and neo-classical music with the beautiful, haunting single" bit.ly/3kXXSci

SOWHAT (ITALY)
"... the virtuous balance between melodic and rarefied ambient, an effective blend capable of highlighting the two souls of the project without defining dominant hierarchies. The vaporous flows arising from the combination of guitar drones, piano resonances and electronic textures create the perfect substrate... it is worth highlighting [the contribution] of Akira Rabelais - who was entrusted with the creation of an extension to the songs... capable of expanding the sound landscape towards haunting vaguely ghostly horizons and the finishing work in the mastering phase of Rafael Anton Irisarri." bit.ly/3ALTVNQ

TEXTURA (CAN)
"Galán, whose work has appeared as part of Kompakt's Pop Ambient series, doesn't overwhelm Vogt's voice... even when the music swells epically, her delivery ensures a feeling of intimacy remains... Processed guitar, piano, and electronic textures blur together in the backdrop, over which Vogt's slow unfurl appears, her voice positioned so high in the mix it feels like it's whispering in your ear...While one could spend time trying to classify the material, it resists being easily slotted into ambient, dreampop, shoegaze, or any other category. The Sweet Wait could be described as an alluring set of vocal-driven meditations, but one is better advised to simply surrender to the music's intoxicating pull. "
bit.ly/3EZ7MTA

A DECOUVRIR ABSOLUMENT (FR) "
Pepo and Karen seem to construct a mysticism without code or grammar, including the codes of a haunted pop... The Sweet Wait is a pocket of air, a lagoon on a sea on fire...Masterfully chilling, prodigiously comforting." bit.ly/3uiHvuk

FOXY DIGITALIS (US)
"When the overcast skies begin to part, those first stray beams of light pierce the veil, like celestial spotlights searching the ground for answers to questions not yet asked. Karen Vogt’s voice on “Panacea” propels the pristine stillness of Pepo Galán’s composition into motion, languidly moving from cloud to cloud, a weightless angel pulling the planetary strings." bit.ly/3kVEIEF

BACKSEAT MAFIA (UK/AUS)
"Vogt’s magical vocals are stunning: naked and exposed over a wash of ambience and a distant piano, with double tracked vocal interludes that are ethereal and ghostly.....The overall effect is something glittering and beautiful, filled with a deep and rich melancholy that hides within its dark heart a spark of hope and resilience." bit.ly/3ASikBh

WHITE LIGHT WHITE HEAT (ITALY/US)
"Soft glowing auras cut in minimal tinkling piano keys expand droning synth modulations to shiver anxiously under long drawn outbreaths of beautiful, atmospheric female vocals releasing cathartic inhibitions. "

Artist : GALÁN / VOGT

Label : Editions Furioso

Quantity

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ドリーミーなシューゲイズ・アンビエントポップ9曲を収録。180g重量盤、白盤です。DLコードとポストカード付属。

----------------------------

Edition of 300. Each LP comes with download code and postcard.

Editions Furioso:

----------------------------------

Reviews:

Artist : GALÁN / VOGT

Label : Editions Furioso

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Real Death 02:27\u003cbr\u003e2. Seaweed 03:01\u003cbr\u003e3. Ravens 06:39\u003cbr\u003e4. Forest Fire 04:15\u003cbr\u003e5. Swims 04:07\u003cbr\u003e6. My Chasm 02:22\u003cbr\u003e7. When I Take Out The Garbage At Night 02:25\u003cbr\u003e8. Emptiness pt. 2 03:28\u003cbr\u003e9. Toothbrush\/Trash 03:52\u003cbr\u003e10. Soria Moria 06:33\u003cbr\u003e11. Crow 02:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText by Phil Elverum, Dec. 11th, 2016:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"August 31st to Dec. 6th, 2016 in the same room where Geneviève died, using mostly her instruments, her guitar, her bass, her pick, her amp, her old family accordion, writing the words on her paper, looking out the same window.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhy share this much? Why open up like this? Why tell you, stranger, about these personal moments, the devastation and the hanging love? Our little family bubble was so sacred for so long. We carefully held it behind a curtain of privacy when we’d go out and do our art and music selves, too special to share, especially in our hyper-shared imbalanced times. Then we had a baby and this barrier felt even more important. (I still don’t want to tell you our daughter’s name.) Then in May 2015 they told us Geneviève had a surprise bad cancer, advanced pancreatic, and the ground opened up. What\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e matters now? we thought. Then on July 9th 2016 she died at home and I belonged to nobody anymore. My internal moments felt like public property. The idea that I could have a self or personal preferences or songs eroded down into an absurd old idea leftover from a more self-indulgent time before I was a hospital-driver, a caregiver, a child-raiser, a griever. I am open now, and these songs poured out quickly in the fall, watching the days grey over and watching the neighbors across the alley tear down and rebuild their house. I make these songs and put them out into the world just to multiply my voice saying that I love her. I want it known.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"Death Is Real\" could be the name of this album. These cold mechanics of sickness and loss are real and inescapable, and can bring an alienating, detached sharpness. But it is not the thing I want to remember. A crow did look at me. There is an echo of Geneviève that still rings, a reminder of the love and infinity beneath all of this obliteration. That’s why.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mount Eerie\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eP.W. ELVERUM \u0026amp; SUN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003eELV040\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-11-21T07:22:39+09:00","created_at":"2024-11-17T16:30:08+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","mount eerie","new","P.W. Elverum \u0026 Sun"],"price":428300,"price_min":428300,"price_max":428300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46867477725434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mount Eerie \/\/ A Crow Looked At Me LP","public_title":null,"options":["Default Title"],"price":428300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/look1_aae94895-a442-4a09-abf7-70d427630245.jpg?v=1731828483","\/\/tobirarecords.com\/cdn\/shop\/files\/look2.webp?v=1731828483"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/look1_aae94895-a442-4a09-abf7-70d427630245.jpg?v=1731828483","options":["Title"],"media":[{"alt":null,"id":35198175969530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/look1_aae94895-a442-4a09-abf7-70d427630245.jpg?v=1731828483"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/look1_aae94895-a442-4a09-abf7-70d427630245.jpg?v=1731828483","width":700},{"alt":null,"id":35198176002298,"position":2,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/look2.webp?v=1731828483"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/look2.webp?v=1731828483","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ワシントンのインディー作家Mount Eerieが、2017年に自主リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼特有のポエティックなインディーフォーク11曲を収録。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2016年8月31日から12月6日まで、ジュヌヴィエーヴが亡くなった同じ部屋で、主に彼女の楽器、彼女のギター、彼女のベース、彼女のピック、彼女のアンプ、彼女の古い家族のアコーディオンを使い、彼女の紙に言葉を書き、同じ窓の外を眺めていた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eなぜここまで分かち合うのか？なぜこんなに心を開くのか？なぜ見知らぬあなたに、このような個人的な瞬間、惨状、そして吊るされた愛について話すのか？私たち家族の小さな泡は、長い間とても神聖なものだった。私たちが外に出てアートや音楽をするときは、慎重にプライバシーというカーテンの後ろに隠していた。その後、私たちは子供を授かり、この障壁がより重要に感じられるようになった。(そして2015年5月、ジュヌヴィエーヴが進行性の膵臓がんであることを告げられ、地面が開けた。もうどうにでもなれ、と私たちは思った。そして2016年7月9日、彼女は自宅で亡くなり、私はもう誰のものでもなかった。私の内的瞬間は公共物のように感じられた。自分自身や個人的な嗜好や歌を持つことができるという考えは、私が病院の運転手であり、介護者であり、育児者であり、悲嘆者であった以前の、もっと自分勝手な時代から取り残された不条理な古い考えに浸食されていった。私は今、心を開いている。これらの曲は、秋になると、日が暮れて灰色になり、路地の向こうの隣人が家を取り壊し、建て直すのを見ながら、すぐに溢れ出した。私はこれらの曲を作り、世に送り出すことで、彼女を愛しているという私の声を倍増させるのだ。知ってもらいたいんだ。「デス・イズ・リアル」とは、このアルバムの名前にふさわしい。病と喪失という冷たいメカニズムは現実的であり、逃れられないものである。しかし、私が思い出したいのはそれではない。カラスが私を見ていた。ジュヌヴィエーヴのこだまが今も鳴り響いていて、このすべての忘却の下にある愛と無限性を思い出させてくれる。だから。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2790433791\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Real Death 02:27\u003cbr\u003e2. Seaweed 03:01\u003cbr\u003e3. Ravens 06:39\u003cbr\u003e4. Forest Fire 04:15\u003cbr\u003e5. Swims 04:07\u003cbr\u003e6. My Chasm 02:22\u003cbr\u003e7. When I Take Out The Garbage At Night 02:25\u003cbr\u003e8. Emptiness pt. 2 03:28\u003cbr\u003e9. Toothbrush\/Trash 03:52\u003cbr\u003e10. Soria Moria 06:33\u003cbr\u003e11. Crow 02:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText by Phil Elverum, Dec. 11th, 2016:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"August 31st to Dec. 6th, 2016 in the same room where Geneviève died, using mostly her instruments, her guitar, her bass, her pick, her amp, her old family accordion, writing the words on her paper, looking out the same window.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhy share this much? Why open up like this? Why tell you, stranger, about these personal moments, the devastation and the hanging love? Our little family bubble was so sacred for so long. We carefully held it behind a curtain of privacy when we’d go out and do our art and music selves, too special to share, especially in our hyper-shared imbalanced times. Then we had a baby and this barrier felt even more important. (I still don’t want to tell you our daughter’s name.) Then in May 2015 they told us Geneviève had a surprise bad cancer, advanced pancreatic, and the ground opened up. What\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e matters now? we thought. Then on July 9th 2016 she died at home and I belonged to nobody anymore. My internal moments felt like public property. The idea that I could have a self or personal preferences or songs eroded down into an absurd old idea leftover from a more self-indulgent time before I was a hospital-driver, a caregiver, a child-raiser, a griever. I am open now, and these songs poured out quickly in the fall, watching the days grey over and watching the neighbors across the alley tear down and rebuild their house. I make these songs and put them out into the world just to multiply my voice saying that I love her. I want it known.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"Death Is Real\" could be the name of this album. These cold mechanics of sickness and loss are real and inescapable, and can bring an alienating, detached sharpness. But it is not the thing I want to remember. A crow did look at me. There is an echo of Geneviève that still rings, a reminder of the love and infinity beneath all of this obliteration. That’s why.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mount Eerie\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eP.W. ELVERUM \u0026amp; SUN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003eELV040\u003c\/span\u003e\u003c\/p\u003e"}