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{"id":8690168692986,"title":"Aileron Vane \/\/ Amassed Like Bells LP","handle":"aivaa","description":"\u003cp\u003e\u003cspan\u003e※当店限定販売です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・サンフランシスコのアンビエント作家Aileron Vaneが、2022年9月に自主リリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004-2007年に録音したエレキギターとエフェクターによる朧げなアンビエントドローン12曲を収録。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4063573138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1222347322\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Clear 12\" vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Concrete Artifacts 03:04\u003cbr\u003e2. Topography 02:30\u003cbr\u003e3. Mono Basin 02:37\u003cbr\u003e4. Within Sediment 04:17\u003cbr\u003e5. The Slope of the Grain 04:07\u003cbr\u003e6. Furthering 02:09\u003cbr\u003e7. Ladders 03:38\u003cbr\u003e8. An Attempt at Forgetting 02:00\u003cbr\u003e9. Amassed Like Bells 01:17\u003cbr\u003e10. Song for Angel's Egg 02:25\u003cbr\u003e11. An Attempt at Remembering 01:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Drone Archipelago 07:07\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAileron Vane:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Amassed Like Bells is a collection of lo-fi ambient sound experiments written and recorded between 2004-2007. All works created from processed guitar and synth recordings. Album artwork is courtesy of Oakland artist, Evan Holm.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Aileron Vane\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan\u003eSelf released\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-12-30T06:08:07+09:00","created_at":"2024-12-28T12:16:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","self-released"],"price":343000,"price_min":343000,"price_max":343000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46988684132602,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aileron Vane \/\/ Amassed Like Bells LP","public_title":null,"options":["Default Title"],"price":343000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_d718c152-c3a9-4de2-a2fa-7ec51eaedbd6.jpg?v=1664525108","\/\/tobirarecords.com\/cdn\/shop\/products\/am2_348bdfc6-f2c5-4ac2-8299-18253659d9cc.jpg?v=1664525107","\/\/tobirarecords.com\/cdn\/shop\/products\/am3_ec529881-035e-4377-a0e3-a378bbe27209.jpg?v=1664525107"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_d718c152-c3a9-4de2-a2fa-7ec51eaedbd6.jpg?v=1664525108","options":["Title"],"media":[{"alt":null,"id":30608894460154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_d718c152-c3a9-4de2-a2fa-7ec51eaedbd6.jpg?v=1664525108"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_d718c152-c3a9-4de2-a2fa-7ec51eaedbd6.jpg?v=1664525108","width":700},{"alt":null,"id":30608894492922,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_348bdfc6-f2c5-4ac2-8299-18253659d9cc.jpg?v=1664525107"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_348bdfc6-f2c5-4ac2-8299-18253659d9cc.jpg?v=1664525107","width":1200},{"alt":null,"id":30608894525690,"position":3,"preview_image":{"aspect_ratio":1.103,"height":1088,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am3_ec529881-035e-4377-a0e3-a378bbe27209.jpg?v=1664525107"},"aspect_ratio":1.103,"height":1088,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am3_ec529881-035e-4377-a0e3-a378bbe27209.jpg?v=1664525107","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e※当店限定販売です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・サンフランシスコのアンビエント作家Aileron Vaneが、2022年9月に自主リリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2004-2007年に録音したエレキギターとエフェクターによる朧げなアンビエントドローン12曲を収録。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4063573138\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1222347322\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Clear 12\" vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Concrete Artifacts 03:04\u003cbr\u003e2. Topography 02:30\u003cbr\u003e3. Mono Basin 02:37\u003cbr\u003e4. Within Sediment 04:17\u003cbr\u003e5. The Slope of the Grain 04:07\u003cbr\u003e6. Furthering 02:09\u003cbr\u003e7. Ladders 03:38\u003cbr\u003e8. An Attempt at Forgetting 02:00\u003cbr\u003e9. Amassed Like Bells 01:17\u003cbr\u003e10. Song for Angel's Egg 02:25\u003cbr\u003e11. An Attempt at Remembering 01:37\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Drone Archipelago 07:07\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAileron Vane:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Amassed Like Bells is a collection of lo-fi ambient sound experiments written and recorded between 2004-2007. All works created from processed guitar and synth recordings. Album artwork is courtesy of Oakland artist, Evan Holm.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Aileron Vane\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan\u003eSelf released\u003c\/span\u003e\u003c\/p\u003e"}
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※当店限定販売です アメリカ・サンフランシスコのアンビエント作家Aileron Vaneが、2022年9月に自主リリースしたレコードです。 2004-2007年に録音したエレキギターとエフェクターによる朧げなアンビエントドローン12曲を収録。クリア盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ------------------------------------ Ask us for digital files. Clear 12" vinyl....
¥3,430
クイックビュー
{"id":8763048493306,"title":"Airaksinen Pekkola Tanner \/\/ Uudet Jes Opot LP","handle":"airaksinen-pekkola-tanner-uudet-jes-opot-lp","description":"\u003cp\u003eフィンランドのキーボード奏者故\u003cspan data-mce-fragment=\"1\"\u003ePekka Airaksinenとサックス奏者\u003cmeta charset=\"utf-8\"\u003eSami Pekkola、コラージュ作家Samuli Tannerによる実験ジャズバンドが、2022年4月に同国実験レーベルArtsyから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2015年に行ったライブの2テイクを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePekka Airaksinen - keyboards\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSami Pekkola - saxophones, bongos and small objects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSamuli Tanner - electronics\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3113424999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eArtsy Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ePekka Airaksinen (1945–2019) was a pioneering composer of electronic and experimental music. Despite his undisputed position as one of the most significant factors in Finnish experimental music, he rarely performed live since the early days of Finnish underground in the 60’s and 70’s. He composed and developed his unique, gentle and enthusiastic approach to music at his private meditation center, far from the pulse and demands of life in the city. Luckily some exceptions did occur, like this live set with saxophonist Sami Pekkola and electronic musician Samuli Tanner.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe trio was formed around 2015 for private sessions and occasional live performances. The music varied from dreamy electroacoustic improvisations to blasting blowout sessions where Tanner switched to drums. In February 2017, they performed in Tampere and Helsinki, opening for Rashad Becker. The latter concert can be heard almost entirely on this record.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn loving memory of Pekka.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePekka Airaksinen - keyboards\u003cbr\u003eSami Pekkola - saxophones, bongos and small objects\u003cbr\u003eSamuli Tanner - electronics\u003cbr\u003eSimo Ulvi - front cover photograph\u003cbr\u003eSamuli Tanner - mastering and cover design\u003c\/p\u003e\n\u003cp\u003eArtist : Airaksinen Pekkola Tanner\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e","published_at":"2025-04-12T06:33:24+09:00","created_at":"2025-04-12T06:32:34+09:00","vendor":"Tobira Records","type":"","tags":["artsy records","jazz","lp","monooto","new"],"price":354000,"price_min":354000,"price_max":354000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47252168016122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Airaksinen Pekkola Tanner \/\/ Uudet Jes Opot LP","public_title":null,"options":["Default Title"],"price":354000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_34d95896-0e12-4e96-ae6a-bd7d7fc21200.jpg?v=1653454260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_34d95896-0e12-4e96-ae6a-bd7d7fc21200.jpg?v=1653454260","options":["Title"],"media":[{"alt":null,"id":29759191449850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_34d95896-0e12-4e96-ae6a-bd7d7fc21200.jpg?v=1653454260"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_34d95896-0e12-4e96-ae6a-bd7d7fc21200.jpg?v=1653454260","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのキーボード奏者故\u003cspan data-mce-fragment=\"1\"\u003ePekka Airaksinenとサックス奏者\u003cmeta charset=\"utf-8\"\u003eSami Pekkola、コラージュ作家Samuli Tannerによる実験ジャズバンドが、2022年4月に同国実験レーベルArtsyから300部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2015年に行ったライブの2テイクを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePekka Airaksinen - keyboards\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSami Pekkola - saxophones, bongos and small objects\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSamuli Tanner - electronics\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3113424999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eArtsy Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ePekka Airaksinen (1945–2019) was a pioneering composer of electronic and experimental music. Despite his undisputed position as one of the most significant factors in Finnish experimental music, he rarely performed live since the early days of Finnish underground in the 60’s and 70’s. He composed and developed his unique, gentle and enthusiastic approach to music at his private meditation center, far from the pulse and demands of life in the city. Luckily some exceptions did occur, like this live set with saxophonist Sami Pekkola and electronic musician Samuli Tanner.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe trio was formed around 2015 for private sessions and occasional live performances. The music varied from dreamy electroacoustic improvisations to blasting blowout sessions where Tanner switched to drums. In February 2017, they performed in Tampere and Helsinki, opening for Rashad Becker. The latter concert can be heard almost entirely on this record.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn loving memory of Pekka.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePekka Airaksinen - keyboards\u003cbr\u003eSami Pekkola - saxophones, bongos and small objects\u003cbr\u003eSamuli Tanner - electronics\u003cbr\u003eSimo Ulvi - front cover photograph\u003cbr\u003eSamuli Tanner - mastering and cover design\u003c\/p\u003e\n\u003cp\u003eArtist : Airaksinen Pekkola Tanner\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e"}
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フィンランドのキーボード奏者故Pekka Airaksinenとサックス奏者Sami Pekkola、コラージュ作家Samuli Tannerによる実験ジャズバンドが、2022年4月に同国実験レーベルArtsyから300部限定でリリースしたレコードです。 2015年に行ったライブの2テイクを収録。DLコード付属。 Pekka Airaksinen - keyboardsSami Pekkola - saxophones, bongos and...
¥3,540
クイックビュー
{"id":7937787298042,"title":"aircode \/\/ Grounded CD","handle":"aircode-grounded-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンの実験テクノ作家aircode\u003c\/span\u003eが、2022年1月にロンドンのレフトフィールド・ダンスレーベルAlien JamsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ドローンテクノ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1176730147\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eAlien Jamsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alja\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alja\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alja\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alja\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAlien Jams releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003eIncludes DL code. CD in digipak.\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003eAlien Jams:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eaircode returns to Alien Jams for her debut album \"Grounded\". Channeling a humid, soaking sprawling atmosphere - piano, voice and guitar are layered across a bed of percussion and low- end heavy production, with glimpses of light throughout. Building from her \"Effortless\" EP previously released on Alien Jams, \"Grounded\" is ever-evolving throughout it's 11 tracks, playful at times but also introspective, patient and poignant.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInspired by a sense of distorted temporality and video game soundtracks, aircode meditates on the granular details of one's surroundings. The album takes visual inspiration from plant life, specifically zoning in on the microscopic world of moss and it's almost invisible inhabitants. With this mysterious atmosphere as a backdrop, aircode isn't afraid to delve into the dark, dank and mischievous imaginings of this organized chaos.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003eArtist : aircode\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003eLabel : Alien James\u003c\/p\u003e","published_at":"2023-03-15T13:30:07+09:00","created_at":"2023-03-15T11:57:38+09:00","vendor":"Tobira Records","type":"","tags":["alien jams","cd","techno \/ house"],"price":214000,"price_min":214000,"price_max":214000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44083489472762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"aircode \/\/ Grounded CD","public_title":null,"options":["Default Title"],"price":214000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_0878380f-7e36-4d73-b81d-9a6e6f897c00.jpg?v=1678849060","\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_ba4e63d7-6918-4432-8da0-b60086833027.jpg?v=1678849060"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_0878380f-7e36-4d73-b81d-9a6e6f897c00.jpg?v=1678849060","options":["Title"],"media":[{"alt":null,"id":31684035477754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_0878380f-7e36-4d73-b81d-9a6e6f897c00.jpg?v=1678849060"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_0878380f-7e36-4d73-b81d-9a6e6f897c00.jpg?v=1678849060","width":700},{"alt":null,"id":31684035510522,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_ba4e63d7-6918-4432-8da0-b60086833027.jpg?v=1678849060"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_ba4e63d7-6918-4432-8da0-b60086833027.jpg?v=1678849060","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンの実験テクノ作家aircode\u003c\/span\u003eが、2022年1月にロンドンのレフトフィールド・ダンスレーベルAlien JamsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ドローンテクノ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1176730147\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eAlien Jamsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alja\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alja\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alja\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alja\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAlien Jams releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003eIncludes DL code. CD in digipak.\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003eAlien Jams:\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eaircode returns to Alien Jams for her debut album \"Grounded\". Channeling a humid, soaking sprawling atmosphere - piano, voice and guitar are layered across a bed of percussion and low- end heavy production, with glimpses of light throughout. Building from her \"Effortless\" EP previously released on Alien Jams, \"Grounded\" is ever-evolving throughout it's 11 tracks, playful at times but also introspective, patient and poignant.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInspired by a sense of distorted temporality and video game soundtracks, aircode meditates on the granular details of one's surroundings. The album takes visual inspiration from plant life, specifically zoning in on the microscopic world of moss and it's almost invisible inhabitants. With this mysterious atmosphere as a backdrop, aircode isn't afraid to delve into the dark, dank and mischievous imaginings of this organized chaos.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003eArtist : aircode\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003eLabel : Alien James\u003c\/p\u003e"}
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イギリス・ロンドンの実験テクノ作家aircodeが、2022年1月にロンドンのレフトフィールド・ダンスレーベルAlien JamsからリリースしたCDです。 レフトフィールド・ドローンテクノ11曲を収録。DLコード付属。 Alien Jamsその他作品はこちら /// Click here to see more Alien Jams releases available at Tobira. ---------------------- Includes...
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{"id":8679030849786,"title":"Aire Terra \/\/ El Barrio (inc Ricardo Villalobos \u0026 Argenis Brito remixes) 12inch","handle":"aire-terra-guillermo-de-caminos-juki-vemo-manglus-el-barrio-inc-ricardo-villalobos-argenis-brito-remixes-12inch","description":"\u003cp\u003e南米ハウス作家Guillermo De Caminos, Juki Vemo, ManglusによるトリオAire Terraが、2024年11月にリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eミニマルハウス2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/g_ijtP-BBCA?si=32KHMBCwE4jJIkn2\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vZ-pBXm2z_c?si=Kqe3pdCTNFG2Rao_\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Aire Terra feat Juki Vemo - El Barrio\u003cbr\u003eB1. Aire Terra - El Barrio ( Ricardo Villalobos \u0026amp; Argenis Brito Rmx )\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Aire Terra, Guillermo De Caminos, Juki Vemo, Manglus\u003c\/p\u003e\n\u003cp\u003eLabel : Kaminantes\u003c\/p\u003e\n\u003cp\u003eCAT NO : KTS002\u003c\/p\u003e","published_at":"2024-12-11T14:26:05+09:00","created_at":"2024-12-10T12:40:25+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new"],"price":273000,"price_min":273000,"price_max":273000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46939313176826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aire Terra \/\/ El Barrio (inc Ricardo Villalobos \u0026 Argenis Brito remixes) 12inch","public_title":null,"options":["Default Title"],"price":273000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-12-10at12.36.36pm.png?v=1733801879","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-12-10at12.37.01pm.png?v=1733801879"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-12-10at12.36.36pm.png?v=1733801879","options":["Title"],"media":[{"alt":null,"id":35288690557178,"position":1,"preview_image":{"aspect_ratio":1.0,"height":601,"width":601,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-12-10at12.36.36pm.png?v=1733801879"},"aspect_ratio":1.0,"height":601,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-12-10at12.36.36pm.png?v=1733801879","width":601},{"alt":null,"id":35288690589946,"position":2,"preview_image":{"aspect_ratio":1.021,"height":610,"width":623,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-12-10at12.37.01pm.png?v=1733801879"},"aspect_ratio":1.021,"height":610,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-12-10at12.37.01pm.png?v=1733801879","width":623}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南米ハウス作家Guillermo De Caminos, Juki Vemo, ManglusによるトリオAire Terraが、2024年11月にリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eミニマルハウス2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/g_ijtP-BBCA?si=32KHMBCwE4jJIkn2\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vZ-pBXm2z_c?si=Kqe3pdCTNFG2Rao_\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Aire Terra feat Juki Vemo - El Barrio\u003cbr\u003eB1. Aire Terra - El Barrio ( Ricardo Villalobos \u0026amp; Argenis Brito Rmx )\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Aire Terra, Guillermo De Caminos, Juki Vemo, Manglus\u003c\/p\u003e\n\u003cp\u003eLabel : Kaminantes\u003c\/p\u003e\n\u003cp\u003eCAT NO : KTS002\u003c\/p\u003e"}
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南米ハウス作家Guillermo De Caminos, Juki Vemo, ManglusによるトリオAire Terraが、2024年11月にリリースした12"です。 ミニマルハウス2曲を収録。 ------------------------------------------- 12" black vinyl. Tracklist: A1....
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{"id":7855831548154,"title":"airport people \/\/ from nine mornings TAPE","handle":"airport-people-from-nine-mornings-tape","description":"\u003cp\u003eアメリカ・インディアナポリスのマルチ奏者airport peopleが、2022年8月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノを主体としたネオクラシカル・アンビエント〜ポストロック10曲を収録。DLコード付属。\u003c\/span\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4174651807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Comes with DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeon Johnson has spent his share of time in airports. Growing up in a veritable Civil Rights dynasty, the now Indianapolis-based multi-instrumentalist and composer traveled frequently as a child, accompanying his family all over the U.S. and Africa where his grandfather organized against apartheid. Being so often on the move, Johnson took solace in sitting and people-watching at airports where, as Johnson puts it, “we’re in between where we’re going and where we were and we don’t have much to say.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn From Nine Mornings, his debut full-length as Airport People, Johnson conjures a sense of ease and order, a kind of effortless harmonic precision that sounds, perhaps, like a reaction to the disjointedness of being dragged along from place to place.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike Eno’s Music for Aiports or Satie’s musique d'ameublement, From Nine Mornings seems to invite projection and interpretation. It is music which can be used this way or that; generous music. There is a spaciousness that recalls Keith Jarrett’s The Köln Concert but also a deeply memorable, hummable character, like William Tyler or Paul Bley’s “Ida Lupino.” From Nine Mornings is sparse but supportive; melodies don’t drift, they ride, if ever so gently.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of the tracks on From Nine Mornings proceeds from\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e a melody that, in fact, emerged each on a respective morning in 2020. Johnson had recently lost his job, recently moved, and was once again seeking to exploit the more freeing aspects of the liminal. What is there to hear when we’re in between where we were and where we’re going and we don’t have much to say?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter that period of emergent morning melodies, Johnson reviewed and culled. By chance, nine stood out––and so we have nine (and a prelude), each from its own morning. Piano, essentially, but also violin, upright bass, guitar, drums, field recordings, and manipulated orchestral samples bolster these melodies, careful but buoyant. Fans of John Carroll Kirby and Nils Frahm and H. Takahashi will undoubtedly find much to love in these pieces, but Johnson’s love of The Bad Plus and Pat Metheny are here too, just beneath the surface, as is Johnson’s classical training. The songs are simple but sophisticated just the same, cinematic or perhaps televisionistic, a kind of gentle drama fit for the subliminal, the periphery––this is a mode not entirely unlike the Rachel’s Selenography.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMuch of what happens on From Nine Mornings is precise, but none of it is proscriptive. The title, and the spirit implied, ensures an openness. These are nine pieces of music from nine mornings. But as for what they are for or where they are going, this is left to the listener.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : airport people\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-06T14:59:42+09:00","created_at":"2022-12-01T15:42:52+09:00","vendor":"Tobira Records","type":"","tags":["ambient","neo classical","tape","Whited Sepulchre Records"],"price":208000,"price_min":208000,"price_max":208000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43720378450170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"airport people \/\/ from nine mornings TAPE","public_title":null,"options":["Default Title"],"price":208000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_f09adcfe-d4b0-4b5c-8f6d-4bec07c19d8c.jpg?v=1669876973","\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_87d72dd1-d916-466f-afdf-e9dbfa28952b.jpg?v=1669876973"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_f09adcfe-d4b0-4b5c-8f6d-4bec07c19d8c.jpg?v=1669876973","options":["Title"],"media":[{"alt":null,"id":31119182823674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_f09adcfe-d4b0-4b5c-8f6d-4bec07c19d8c.jpg?v=1669876973"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_f09adcfe-d4b0-4b5c-8f6d-4bec07c19d8c.jpg?v=1669876973","width":700},{"alt":null,"id":31119182856442,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_87d72dd1-d916-466f-afdf-e9dbfa28952b.jpg?v=1669876973"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai2_87d72dd1-d916-466f-afdf-e9dbfa28952b.jpg?v=1669876973","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・インディアナポリスのマルチ奏者airport peopleが、2022年8月に同国アンビエント〜ポップレーベル\u003cspan data-mce-fragment=\"1\"\u003eWhited Sepulchreから100本限定でリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノを主体としたネオクラシカル・アンビエント〜ポストロック10曲を収録。DLコード付属。\u003c\/span\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4174651807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/whited-sepulchre-records\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Comes with DL code.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhited Sepulchre Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eLeon Johnson has spent his share of time in airports. Growing up in a veritable Civil Rights dynasty, the now Indianapolis-based multi-instrumentalist and composer traveled frequently as a child, accompanying his family all over the U.S. and Africa where his grandfather organized against apartheid. Being so often on the move, Johnson took solace in sitting and people-watching at airports where, as Johnson puts it, “we’re in between where we’re going and where we were and we don’t have much to say.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn From Nine Mornings, his debut full-length as Airport People, Johnson conjures a sense of ease and order, a kind of effortless harmonic precision that sounds, perhaps, like a reaction to the disjointedness of being dragged along from place to place.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLike Eno’s Music for Aiports or Satie’s musique d'ameublement, From Nine Mornings seems to invite projection and interpretation. It is music which can be used this way or that; generous music. There is a spaciousness that recalls Keith Jarrett’s The Köln Concert but also a deeply memorable, hummable character, like William Tyler or Paul Bley’s “Ida Lupino.” From Nine Mornings is sparse but supportive; melodies don’t drift, they ride, if ever so gently.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEach of the tracks on From Nine Mornings proceeds from\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e a melody that, in fact, emerged each on a respective morning in 2020. Johnson had recently lost his job, recently moved, and was once again seeking to exploit the more freeing aspects of the liminal. What is there to hear when we’re in between where we were and where we’re going and we don’t have much to say?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAfter that period of emergent morning melodies, Johnson reviewed and culled. By chance, nine stood out––and so we have nine (and a prelude), each from its own morning. Piano, essentially, but also violin, upright bass, guitar, drums, field recordings, and manipulated orchestral samples bolster these melodies, careful but buoyant. Fans of John Carroll Kirby and Nils Frahm and H. Takahashi will undoubtedly find much to love in these pieces, but Johnson’s love of The Bad Plus and Pat Metheny are here too, just beneath the surface, as is Johnson’s classical training. The songs are simple but sophisticated just the same, cinematic or perhaps televisionistic, a kind of gentle drama fit for the subliminal, the periphery––this is a mode not entirely unlike the Rachel’s Selenography.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMuch of what happens on From Nine Mornings is precise, but none of it is proscriptive. The title, and the spirit implied, ensures an openness. These are nine pieces of music from nine mornings. But as for what they are for or where they are going, this is left to the listener.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : airport people\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Whited Sepulchre Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・インディアナポリスのマルチ奏者airport peopleが、2022年8月に同国アンビエント〜ポップレーベルWhited Sepulchreから100本限定でリリースしたデビューカセットです。 ピアノを主体としたネオクラシカル・アンビエント〜ポストロック10曲を収録。DLコード付属。 Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available...
¥2,080
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{"id":7477962998010,"title":"Airway \/\/ Live at Zebulon CD","handle":"airway-live-at-zebulon-cd","description":"\u003cp\u003eアメリカ・LAのLAFMSオーケストラAirwayが、2021年12月に同国老舗ノイズレーベルHelicopterからリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、Airwayが2019年12月にLAで行ったライブ音源を収録した作品です。デジパック、シュリンク仕様。参加メンバーは以下の通りです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAce Farren Ford, Joseph Hammer, Kevin Laffey, Keith Lubow, Maya, Aaron Moore, Fredrik Nilsen, Joe Potts, Rick Potts, Tom Recchion, Michael Ruiz, Vetza, John Wiese\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1170304240\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs2\" href=\"https:\/\/soundcloud.com\/user-102607145\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Airway_Live-at-Zebulon_sample\" href=\"https:\/\/soundcloud.com\/user-102607145\/airway_live-at-zebulon_sample\" target=\"_blank\"\u003eAirway_Live-at-Zebulon_sample\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eHelicopter:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn December 2019, Los Angeles Free Music Society pioneers Airway performed live at Zebulon with a stacked cast of collaborators, unleashing a constantly mutating wave of raucous free improv experiments and unexpected art damage sonics from their collection of objects, electronics, and self-made musical instruments. Now carefully mixed \u0026amp; mastered by John Wiese from a deluxe multichannel soundboard recording for, perhaps, the best sounding live recording in Airway’s long-running history.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAirway lineup: Ace Farren Ford, Joseph Hammer, Kevin Laffey, Keith Lubow, Maya, Aaron Moore, Fredrik Nilsen, Joe Potts, Rick Potts, Tom Recchion, Michael Ruiz, Vetza, John Wiese.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Airway\u003c\/p\u003e\n\u003cp\u003eLabel : Helicopter\u003c\/p\u003e","published_at":"2021-12-02T14:26:24+09:00","created_at":"2021-12-02T13:42:57+09:00","vendor":"Tobira Records","type":"","tags":["cd","Helicopter","jazz","monooto","noise"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42135694115066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Airway \/\/ Live at Zebulon CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_9b5a0eb2-5174-4895-b9d7-eee26a575751.jpg?v=1638420179"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_9b5a0eb2-5174-4895-b9d7-eee26a575751.jpg?v=1638420179","options":["Title"],"media":[{"alt":null,"id":28792577884410,"position":1,"preview_image":{"aspect_ratio":1.12,"height":686,"width":768,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_9b5a0eb2-5174-4895-b9d7-eee26a575751.jpg?v=1638420179"},"aspect_ratio":1.12,"height":686,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ai1_9b5a0eb2-5174-4895-b9d7-eee26a575751.jpg?v=1638420179","width":768}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのLAFMSオーケストラAirwayが、2021年12月に同国老舗ノイズレーベルHelicopterからリリースした最新作です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、Airwayが2019年12月にLAで行ったライブ音源を収録した作品です。デジパック、シュリンク仕様。参加メンバーは以下の通りです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAce Farren Ford, Joseph Hammer, Kevin Laffey, Keith Lubow, Maya, Aaron Moore, Fredrik Nilsen, Joe Potts, Rick Potts, Tom Recchion, Michael Ruiz, Vetza, John Wiese\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1170304240\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs2\" href=\"https:\/\/soundcloud.com\/user-102607145\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Airway_Live-at-Zebulon_sample\" href=\"https:\/\/soundcloud.com\/user-102607145\/airway_live-at-zebulon_sample\" target=\"_blank\"\u003eAirway_Live-at-Zebulon_sample\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eHelicopter:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn December 2019, Los Angeles Free Music Society pioneers Airway performed live at Zebulon with a stacked cast of collaborators, unleashing a constantly mutating wave of raucous free improv experiments and unexpected art damage sonics from their collection of objects, electronics, and self-made musical instruments. Now carefully mixed \u0026amp; mastered by John Wiese from a deluxe multichannel soundboard recording for, perhaps, the best sounding live recording in Airway’s long-running history.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAirway lineup: Ace Farren Ford, Joseph Hammer, Kevin Laffey, Keith Lubow, Maya, Aaron Moore, Fredrik Nilsen, Joe Potts, Rick Potts, Tom Recchion, Michael Ruiz, Vetza, John Wiese.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Airway\u003c\/p\u003e\n\u003cp\u003eLabel : Helicopter\u003c\/p\u003e"}
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アメリカ・LAのLAFMSオーケストラAirwayが、2021年12月に同国老舗ノイズレーベルHelicopterからリリースした最新作です。 本作は、Airwayが2019年12月にLAで行ったライブ音源を収録した作品です。デジパック、シュリンク仕様。参加メンバーは以下の通りです。 Ace Farren Ford, Joseph Hammer, Kevin Laffey, Keith Lubow, Maya, Aaron Moore,...
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![Aisha Vaughan // The Gate LP [COLOR]](http://tobirarecords.com/cdn/shop/files/aish1_medium.jpg?v=1734068347)
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{"id":8680495939834,"title":"Aisha Vaughan \/\/ The Gate LP [COLOR]","handle":"aisha-vaughan-the-gate-lp-color-tape","description":"\u003cp\u003eウェールズのポストニューエイジ作家Aisha Vaughanが、\u003cspan\u003e2024年12月にアメリカ・LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2020年代アップデート版ケルティック・ニューエイジ7曲を収録。100%リサイカブルのスカイブルー盤です。DLリンク付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ウェールズのミュージシャンAisha VaughanがThe Gateを発表した。2024年、ケルト・ニューエイジの深く切り込んだ重厚なメランコリーを更新する時が来た。特にエンヤ（と彼女のバンド、クラナド）、パトリック・ボールのケルト・ハープのインストゥルメンタル・ミュージック、そして90年代初頭にニューエイジのCDやカセット音楽市場を席巻した、今ではほとんど忘れ去られた様々なアーティストのコンピレーションの数々がそうだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Gateは、彼女が故郷と呼ぶ風景（ヴォーンがソーシャルメディアを通じて自ら撮影したビデオで一貫して映画的に描かれている）に真摯に敬意を表している。現在、ウェールズ中部にある納屋を改造して住んでいるVaughanは、窓の外の山々で狩りをするアカトビやワシを見ながら曲を書き、録音している。ASMRサウンドデザインとコンピューター音楽制作のレイヤーは、彼女の声という主要な楽器を補い、キャンプファイヤーのひびき、ウィンドチャイム、コオロギ、鳥、ハープ、フルート、シンセサイザーのパッド＆アンプ、SFX、新月の狼の遠吠えなどの中に織り込まれ、彼女の遠隔の故郷から呼び起こされた天空のガイドとチャンネルを合わせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e幼少の頃、家庭で音楽を禁止されたトラウマ的な生い立ちに由来するカタルシスとしての作曲と、この芸術形式を取り巻く固有のオカルト的な歴史を用いて、Vaughanは、彼女の世代のアンビエント・レンズを通して、この特殊な（しばしばまだ見過ごされている）音楽の伝統を正確に執り行うことから逃げない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2366097953\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link.\u003cbr\u003eAvailable on 12\" sky blue transparent vinyl (edition of 100 - made using \u003cspan\u003enon-toxic 100% recyclable vinyl records using injection molding process\u003c\/span\u003e).\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No Past, No Present, No Future 04:36\u003cbr\u003e2. Half Awake 05:25\u003cbr\u003e3. Do You Love Me 04:28\u003cbr\u003e4. Day Dreams 05:26\u003cbr\u003e5. Across The Golden Land 03:51\u003cbr\u003e6. A Moment In Space Time 07:28\u003cbr\u003e7. Campfires 05:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWelsh musician Aisha Vaughan presents The Gate. It is upon us to renew the deep-cut, heavy-weighted melancholy of Celtic New Age for 2024. New Age music from the Celtic\/British Isles crossed over into the mainstream in the late 80s - notably with Enya (and her band Clannad), the perhaps now lesser-known instrumental Celtic harp music of Patrick Ball, and the slew of now mostly forgotten various artist compilations that saturated the New Age CD and cassette music market in the early 90s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Gate earnestly gives reverence to the landscape that she calls home (as cinematically portrayed consistently in Vaughan’s self-shot videos via her social media). Now living in converted barn in mid-Wales, Vaughan writes and records her music to red kites and eagles hunting in the mountains outside her windows. The notably welcomed layers of ASMR sound design and computer music production supplement the main instrument here - her voice - woven within campfire crackle, wind chime, cricket, bird, harp, flute, synthesizer pad \u0026amp; sfx, and new moon wolf howl to channel celestial guides conjured from her remote homeland.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing composition as catharsis stemming from a traumatic upbringing where music was banned in her childhood household, and the inherent occult history that surrounds the art form, Vaughan does not shy away from precisely stewarding this particular - often still-overlooked - musical tradition through her generation’s ambient lens.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aisha Vaughan\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2024-12-14T05:46:45+09:00","created_at":"2024-12-13T14:42:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","new","post newage"],"price":415000,"price_min":415000,"price_max":415000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46948729684218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aisha Vaughan \/\/ The Gate LP [COLOR]","public_title":null,"options":["Default Title"],"price":415000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aish1.jpg?v=1734068347","\/\/tobirarecords.com\/cdn\/shop\/files\/aish2.jpg?v=1734068348"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish1.jpg?v=1734068347","options":["Title"],"media":[{"alt":null,"id":35299022799098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish1.jpg?v=1734068347"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish1.jpg?v=1734068347","width":700},{"alt":null,"id":35299022831866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish2.jpg?v=1734068348"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish2.jpg?v=1734068348","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウェールズのポストニューエイジ作家Aisha Vaughanが、\u003cspan\u003e2024年12月にアメリカ・LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2020年代アップデート版ケルティック・ニューエイジ7曲を収録。100%リサイカブルのスカイブルー盤です。DLリンク付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ウェールズのミュージシャンAisha VaughanがThe Gateを発表した。2024年、ケルト・ニューエイジの深く切り込んだ重厚なメランコリーを更新する時が来た。特にエンヤ（と彼女のバンド、クラナド）、パトリック・ボールのケルト・ハープのインストゥルメンタル・ミュージック、そして90年代初頭にニューエイジのCDやカセット音楽市場を席巻した、今ではほとんど忘れ去られた様々なアーティストのコンピレーションの数々がそうだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Gateは、彼女が故郷と呼ぶ風景（ヴォーンがソーシャルメディアを通じて自ら撮影したビデオで一貫して映画的に描かれている）に真摯に敬意を表している。現在、ウェールズ中部にある納屋を改造して住んでいるVaughanは、窓の外の山々で狩りをするアカトビやワシを見ながら曲を書き、録音している。ASMRサウンドデザインとコンピューター音楽制作のレイヤーは、彼女の声という主要な楽器を補い、キャンプファイヤーのひびき、ウィンドチャイム、コオロギ、鳥、ハープ、フルート、シンセサイザーのパッド＆アンプ、SFX、新月の狼の遠吠えなどの中に織り込まれ、彼女の遠隔の故郷から呼び起こされた天空のガイドとチャンネルを合わせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e幼少の頃、家庭で音楽を禁止されたトラウマ的な生い立ちに由来するカタルシスとしての作曲と、この芸術形式を取り巻く固有のオカルト的な歴史を用いて、Vaughanは、彼女の世代のアンビエント・レンズを通して、この特殊な（しばしばまだ見過ごされている）音楽の伝統を正確に執り行うことから逃げない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2366097953\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link.\u003cbr\u003eAvailable on 12\" sky blue transparent vinyl (edition of 100 - made using \u003cspan\u003enon-toxic 100% recyclable vinyl records using injection molding process\u003c\/span\u003e).\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No Past, No Present, No Future 04:36\u003cbr\u003e2. Half Awake 05:25\u003cbr\u003e3. Do You Love Me 04:28\u003cbr\u003e4. Day Dreams 05:26\u003cbr\u003e5. Across The Golden Land 03:51\u003cbr\u003e6. A Moment In Space Time 07:28\u003cbr\u003e7. Campfires 05:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWelsh musician Aisha Vaughan presents The Gate. It is upon us to renew the deep-cut, heavy-weighted melancholy of Celtic New Age for 2024. New Age music from the Celtic\/British Isles crossed over into the mainstream in the late 80s - notably with Enya (and her band Clannad), the perhaps now lesser-known instrumental Celtic harp music of Patrick Ball, and the slew of now mostly forgotten various artist compilations that saturated the New Age CD and cassette music market in the early 90s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Gate earnestly gives reverence to the landscape that she calls home (as cinematically portrayed consistently in Vaughan’s self-shot videos via her social media). Now living in converted barn in mid-Wales, Vaughan writes and records her music to red kites and eagles hunting in the mountains outside her windows. The notably welcomed layers of ASMR sound design and computer music production supplement the main instrument here - her voice - woven within campfire crackle, wind chime, cricket, bird, harp, flute, synthesizer pad \u0026amp; sfx, and new moon wolf howl to channel celestial guides conjured from her remote homeland.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing composition as catharsis stemming from a traumatic upbringing where music was banned in her childhood household, and the inherent occult history that surrounds the art form, Vaughan does not shy away from precisely stewarding this particular - often still-overlooked - musical tradition through her generation’s ambient lens.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aisha Vaughan\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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ウェールズのポストニューエイジ作家Aisha Vaughanが、2024年12月にアメリカ・LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。 2020年代アップデート版ケルティック・ニューエイジ7曲を収録。100%リサイカブルのスカイブルー盤です。DLリンク付属。 以下、レーベルによる解説です。 "ウェールズのミュージシャンAisha VaughanがThe Gateを発表した。2024年、ケルト・ニューエイジの深く切り込んだ重厚なメランコリーを更新する時が来た。特にエンヤ（と彼女のバンド、クラナド）、パトリック・ボールのケルト・ハープのインストゥルメンタル・ミュージック、そして90年代初頭にニューエイジのCDやカセット音楽市場を席巻した、今ではほとんど忘れ去られた様々なアーティストのコンピレーションの数々がそうだ。 The Gateは、彼女が故郷と呼ぶ風景（ヴォーンがソーシャルメディアを通じて自ら撮影したビデオで一貫して映画的に描かれている）に真摯に敬意を表している。現在、ウェールズ中部にある納屋を改造して住んでいるVaughanは、窓の外の山々で狩りをするアカトビやワシを見ながら曲を書き、録音している。ASMRサウンドデザインとコンピューター音楽制作のレイヤーは、彼女の声という主要な楽器を補い、キャンプファイヤーのひびき、ウィンドチャイム、コオロギ、鳥、ハープ、フルート、シンセサイザーのパッド＆アンプ、SFX、新月の狼の遠吠えなどの中に織り込まれ、彼女の遠隔の故郷から呼び起こされた天空のガイドとチャンネルを合わせる。 幼少の頃、家庭で音楽を禁止されたトラウマ的な生い立ちに由来するカタルシスとしての作曲と、この芸術形式を取り巻く固有のオカルト的な歴史を用いて、Vaughanは、彼女の世代のアンビエント・レンズを通して、この特殊な（しばしばまだ見過ごされている）音楽の伝統を正確に執り行うことから逃げない。" レーベルその他作品はこちら /// Click here to see...
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{"id":8715884003578,"title":"Aisha Vaughan \/\/ The Gate TAPE","handle":"aisha-vaughan-the-gate-tape","description":"\u003cp\u003eウェールズのポストニューエイジ作家Aisha Vaughanが、\u003cspan\u003e2024年12月にアメリカ・LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2020年代アップデート版ケルティック・ニューエイジ7曲を収録。DLリンク付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ウェールズのミュージシャンAisha VaughanがThe Gateを発表した。2024年、ケルト・ニューエイジの深く切り込んだ重厚なメランコリーを更新する時が来た。特にエンヤ（と彼女のバンド、クラナド）、パトリック・ボールのケルト・ハープのインストゥルメンタル・ミュージック、そして90年代初頭にニューエイジのCDやカセット音楽市場を席巻した、今ではほとんど忘れ去られた様々なアーティストのコンピレーションの数々がそうだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Gateは、彼女が故郷と呼ぶ風景（ヴォーンがソーシャルメディアを通じて自ら撮影したビデオで一貫して映画的に描かれている）に真摯に敬意を表している。現在、ウェールズ中部にある納屋を改造して住んでいるVaughanは、窓の外の山々で狩りをするアカトビやワシを見ながら曲を書き、録音している。ASMRサウンドデザインとコンピューター音楽制作のレイヤーは、彼女の声という主要な楽器を補い、キャンプファイヤーのひびき、ウィンドチャイム、コオロギ、鳥、ハープ、フルート、シンセサイザーのパッド＆アンプ、SFX、新月の狼の遠吠えなどの中に織り込まれ、彼女の遠隔の故郷から呼び起こされた天空のガイドとチャンネルを合わせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e幼少の頃、家庭で音楽を禁止されたトラウマ的な生い立ちに由来するカタルシスとしての作曲と、この芸術形式を取り巻く固有のオカルト的な歴史を用いて、Vaughanは、彼女の世代のアンビエント・レンズを通して、この特殊な（しばしばまだ見過ごされている）音楽の伝統を正確に執り行うことから逃げない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2366097953\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link.\u003cbr\u003eCassette in norelco case (edition of 100 - full album repeats on both sides).\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No Past, No Present, No Future 04:36\u003cbr\u003e2. Half Awake 05:25\u003cbr\u003e3. Do You Love Me 04:28\u003cbr\u003e4. Day Dreams 05:26\u003cbr\u003e5. Across The Golden Land 03:51\u003cbr\u003e6. A Moment In Space Time 07:28\u003cbr\u003e7. Campfires 05:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWelsh musician Aisha Vaughan presents The Gate. It is upon us to renew the deep-cut, heavy-weighted melancholy of Celtic New Age for 2024. New Age music from the Celtic\/British Isles crossed over into the mainstream in the late 80s - notably with Enya (and her band Clannad), the perhaps now lesser-known instrumental Celtic harp music of Patrick Ball, and the slew of now mostly forgotten various artist compilations that saturated the New Age CD and cassette music market in the early 90s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Gate earnestly gives reverence to the landscape that she calls home (as cinematically portrayed consistently in Vaughan’s self-shot videos via her social media). Now living in converted barn in mid-Wales, Vaughan writes and records her music to red kites and eagles hunting in the mountains outside her windows. The notably welcomed layers of ASMR sound design and computer music production supplement the main instrument here - her voice - woven within campfire crackle, wind chime, cricket, bird, harp, flute, synthesizer pad \u0026amp; sfx, and new moon wolf howl to channel celestial guides conjured from her remote homeland.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing composition as catharsis stemming from a traumatic upbringing where music was banned in her childhood household, and the inherent occult history that surrounds the art form, Vaughan does not shy away from precisely stewarding this particular - often still-overlooked - musical tradition through her generation’s ambient lens.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aisha Vaughan\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2025-02-07T06:00:48+09:00","created_at":"2025-02-07T05:59:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","new","post newage","tape"],"price":227000,"price_min":227000,"price_max":227000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47108078665978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aisha Vaughan \/\/ The Gate TAPE","public_title":null,"options":["Default Title"],"price":227000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aish1.jpg?v=1734068347","\/\/tobirarecords.com\/cdn\/shop\/files\/aish3.jpg?v=1734068348"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish1.jpg?v=1734068347","options":["Title"],"media":[{"alt":null,"id":35299022799098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish1.jpg?v=1734068347"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish1.jpg?v=1734068347","width":700},{"alt":null,"id":35299022864634,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish3.jpg?v=1734068348"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aish3.jpg?v=1734068348","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウェールズのポストニューエイジ作家Aisha Vaughanが、\u003cspan\u003e2024年12月にアメリカ・LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2020年代アップデート版ケルティック・ニューエイジ7曲を収録。DLリンク付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ウェールズのミュージシャンAisha VaughanがThe Gateを発表した。2024年、ケルト・ニューエイジの深く切り込んだ重厚なメランコリーを更新する時が来た。特にエンヤ（と彼女のバンド、クラナド）、パトリック・ボールのケルト・ハープのインストゥルメンタル・ミュージック、そして90年代初頭にニューエイジのCDやカセット音楽市場を席巻した、今ではほとんど忘れ去られた様々なアーティストのコンピレーションの数々がそうだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Gateは、彼女が故郷と呼ぶ風景（ヴォーンがソーシャルメディアを通じて自ら撮影したビデオで一貫して映画的に描かれている）に真摯に敬意を表している。現在、ウェールズ中部にある納屋を改造して住んでいるVaughanは、窓の外の山々で狩りをするアカトビやワシを見ながら曲を書き、録音している。ASMRサウンドデザインとコンピューター音楽制作のレイヤーは、彼女の声という主要な楽器を補い、キャンプファイヤーのひびき、ウィンドチャイム、コオロギ、鳥、ハープ、フルート、シンセサイザーのパッド＆アンプ、SFX、新月の狼の遠吠えなどの中に織り込まれ、彼女の遠隔の故郷から呼び起こされた天空のガイドとチャンネルを合わせる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e幼少の頃、家庭で音楽を禁止されたトラウマ的な生い立ちに由来するカタルシスとしての作曲と、この芸術形式を取り巻く固有のオカルト的な歴史を用いて、Vaughanは、彼女の世代のアンビエント・レンズを通して、この特殊な（しばしばまだ見過ごされている）音楽の伝統を正確に執り行うことから逃げない。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2366097953\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL link.\u003cbr\u003eCassette in norelco case (edition of 100 - full album repeats on both sides).\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. No Past, No Present, No Future 04:36\u003cbr\u003e2. Half Awake 05:25\u003cbr\u003e3. Do You Love Me 04:28\u003cbr\u003e4. Day Dreams 05:26\u003cbr\u003e5. Across The Golden Land 03:51\u003cbr\u003e6. A Moment In Space Time 07:28\u003cbr\u003e7. Campfires 05:07\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWelsh musician Aisha Vaughan presents The Gate. It is upon us to renew the deep-cut, heavy-weighted melancholy of Celtic New Age for 2024. New Age music from the Celtic\/British Isles crossed over into the mainstream in the late 80s - notably with Enya (and her band Clannad), the perhaps now lesser-known instrumental Celtic harp music of Patrick Ball, and the slew of now mostly forgotten various artist compilations that saturated the New Age CD and cassette music market in the early 90s.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Gate earnestly gives reverence to the landscape that she calls home (as cinematically portrayed consistently in Vaughan’s self-shot videos via her social media). Now living in converted barn in mid-Wales, Vaughan writes and records her music to red kites and eagles hunting in the mountains outside her windows. The notably welcomed layers of ASMR sound design and computer music production supplement the main instrument here - her voice - woven within campfire crackle, wind chime, cricket, bird, harp, flute, synthesizer pad \u0026amp; sfx, and new moon wolf howl to channel celestial guides conjured from her remote homeland.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUsing composition as catharsis stemming from a traumatic upbringing where music was banned in her childhood household, and the inherent occult history that surrounds the art form, Vaughan does not shy away from precisely stewarding this particular - often still-overlooked - musical tradition through her generation’s ambient lens.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aisha Vaughan\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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ウェールズのポストニューエイジ作家Aisha Vaughanが、2024年12月にアメリカ・LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。 2020年代アップデート版ケルティック・ニューエイジ7曲を収録。DLリンク付属。 以下、レーベルによる解説です。 "ウェールズのミュージシャンAisha VaughanがThe Gateを発表した。2024年、ケルト・ニューエイジの深く切り込んだ重厚なメランコリーを更新する時が来た。特にエンヤ（と彼女のバンド、クラナド）、パトリック・ボールのケルト・ハープのインストゥルメンタル・ミュージック、そして90年代初頭にニューエイジのCDやカセット音楽市場を席巻した、今ではほとんど忘れ去られた様々なアーティストのコンピレーションの数々がそうだ。 The Gateは、彼女が故郷と呼ぶ風景（ヴォーンがソーシャルメディアを通じて自ら撮影したビデオで一貫して映画的に描かれている）に真摯に敬意を表している。現在、ウェールズ中部にある納屋を改造して住んでいるVaughanは、窓の外の山々で狩りをするアカトビやワシを見ながら曲を書き、録音している。ASMRサウンドデザインとコンピューター音楽制作のレイヤーは、彼女の声という主要な楽器を補い、キャンプファイヤーのひびき、ウィンドチャイム、コオロギ、鳥、ハープ、フルート、シンセサイザーのパッド＆アンプ、SFX、新月の狼の遠吠えなどの中に織り込まれ、彼女の遠隔の故郷から呼び起こされた天空のガイドとチャンネルを合わせる。 幼少の頃、家庭で音楽を禁止されたトラウマ的な生い立ちに由来するカタルシスとしての作曲と、この芸術形式を取り巻く固有のオカルト的な歴史を用いて、Vaughanは、彼女の世代のアンビエント・レンズを通して、この特殊な（しばしばまだ見過ごされている）音楽の伝統を正確に執り行うことから逃げない。" レーベルその他作品はこちら /// Click here to see...
¥2,270
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{"id":8122518601978,"title":"Aja \/\/ Ajasphère 12\"","handle":"aja-ajasphere-lp","description":"\u003cp\u003eフランスのアンビエント作家Ajaが、2023年9月に同国ハウスレーベルyoyakuからリリースした12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eシンセによるポストニューエイジ・アンビエント4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051854551\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2647963115\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051854551\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3837307865\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051854551\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2054239281\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051854551\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=4122225203\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA1 Maisange 15:32\u003c\/li\u003e\n\u003cli\u003eA2 Pegazote 06:24\u003c\/li\u003e\n\u003cli\u003eB1 Herbulle 10:40\u003c\/li\u003e\n\u003cli\u003eB2 Vagabondule 11:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Aja\u003c\/p\u003e\n\u003cp\u003eLabel : Yoyaku\u003c\/p\u003e","published_at":"2023-12-29T18:52:38+09:00","created_at":"2023-12-29T14:07:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post newage"],"price":297000,"price_min":297000,"price_max":297000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44938658939130,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aja \/\/ Ajasphère 12\"","public_title":null,"options":["Default Title"],"price":297000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aja1.jpg?v=1703826476"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aja1.jpg?v=1703826476","options":["Title"],"media":[{"alt":null,"id":32897715798266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aja1.jpg?v=1703826476"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aja1.jpg?v=1703826476","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのアンビエント作家Ajaが、2023年9月に同国ハウスレーベルyoyakuからリリースした12\"です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eシンセによるポストニューエイジ・アンビエント4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051854551\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2647963115\/transparent=true\/\" style=\"border: 0; width: 100%; height: 42px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051854551\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=3837307865\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051854551\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=2054239281\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 42px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1051854551\/size=small\/bgcol=ffffff\/linkcol=0687f5\/track=4122225203\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eA1 Maisange 15:32\u003c\/li\u003e\n\u003cli\u003eA2 Pegazote 06:24\u003c\/li\u003e\n\u003cli\u003eB1 Herbulle 10:40\u003c\/li\u003e\n\u003cli\u003eB2 Vagabondule 11:12\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Aja\u003c\/p\u003e\n\u003cp\u003eLabel : Yoyaku\u003c\/p\u003e"}
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フランスのアンビエント作家Ajaが、2023年9月に同国ハウスレーベルyoyakuからリリースした12"です。 シンセによるポストニューエイジ・アンビエント4曲を収録。 ------------------------------------------- 12" black vinyl. Tracklist: A1 Maisange 15:32 A2 Pegazote 06:24 B1...
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{"id":8559438332154,"title":"Aja \/\/ Ajasphère Vol.II LP [COLOR]","handle":"aja-ajasphere-vol-ii-12-color","description":"\u003cp\u003eフランス出身モロッコ在住のアンビエント作家Ajaが、2024年5月にパリのインディーレーベル\u003cspan\u003eGrand Musique Managementからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエントドローン〜ポストニューエイジ・アンビエント7曲を収録。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/aja-ajasphere-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=108333415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=447603319\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=108333415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2082672365\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=108333415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Œucarina 01:59\u003cbr\u003e2. Ondéambule 05:28\u003cbr\u003e3. Fôrêve 03:20\u003cbr\u003e4. Absolune 05:23\u003cbr\u003e5. Sceaurore 05:21\u003cbr\u003e6. Flocontemple 08:23\u003cbr\u003e7. Thêtâme 09:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGrand Musique Management:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe ambient French producer Aja, is back with 7 atmospheric and hypnotic tracks. Aja’s production mixes field recording with crystal-clear strings and a heavenly acoustic touch. An invitation to contemplation and reverie.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAja is the project of Clémence Quélennec, French artist most widely known for her work with French band La Femme which lasted for 10 years before she decided to take a long break and move to Morocco. There, she took the time to do what she does best : research and experimentation in the quest for the perfect sound. Field recording, sampling, skimming through infinite textures and plugins.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aja\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGrand Musique Management\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003eCLE005LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-07-14T09:00:30+09:00","created_at":"2024-07-13T15:47:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","post newage"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46394250887418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aja \/\/ Ajasphère Vol.II LP [COLOR]","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aja1_40173e7b-4c63-4968-8b87-aaf1048abd6b.jpg?v=1720853126","\/\/tobirarecords.com\/cdn\/shop\/files\/aja2.jpg?v=1720853126"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aja1_40173e7b-4c63-4968-8b87-aaf1048abd6b.jpg?v=1720853126","options":["Title"],"media":[{"alt":null,"id":34537862725882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aja1_40173e7b-4c63-4968-8b87-aaf1048abd6b.jpg?v=1720853126"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aja1_40173e7b-4c63-4968-8b87-aaf1048abd6b.jpg?v=1720853126","width":700},{"alt":null,"id":34537862758650,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aja2.jpg?v=1720853126"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aja2.jpg?v=1720853126","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランス出身モロッコ在住のアンビエント作家Ajaが、2024年5月にパリのインディーレーベル\u003cspan\u003eGrand Musique Managementからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエントドローン〜ポストニューエイジ・アンビエント7曲を収録。クリア盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/aja-ajasphere-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=108333415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=447603319\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=108333415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2082672365\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=108333415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Œucarina 01:59\u003cbr\u003e2. Ondéambule 05:28\u003cbr\u003e3. Fôrêve 03:20\u003cbr\u003e4. Absolune 05:23\u003cbr\u003e5. Sceaurore 05:21\u003cbr\u003e6. Flocontemple 08:23\u003cbr\u003e7. Thêtâme 09:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGrand Musique Management:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe ambient French producer Aja, is back with 7 atmospheric and hypnotic tracks. Aja’s production mixes field recording with crystal-clear strings and a heavenly acoustic touch. An invitation to contemplation and reverie.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAja is the project of Clémence Quélennec, French artist most widely known for her work with French band La Femme which lasted for 10 years before she decided to take a long break and move to Morocco. There, she took the time to do what she does best : research and experimentation in the quest for the perfect sound. Field recording, sampling, skimming through infinite textures and plugins.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aja\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGrand Musique Management\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003eCLE005LP\u003c\/span\u003e\u003c\/p\u003e"}
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フランス出身モロッコ在住のアンビエント作家Ajaが、2024年5月にパリのインディーレーベルGrand Musique Managementからリリースしたレコードです。 ドリーミーなアンビエントドローン〜ポストニューエイジ・アンビエント7曲を収録。クリア盤です。 前作もオススメです。 ---------------------------------------- 12" clear vinyl. Tracklist: 1. Œucarina 01:592. Ondéambule...
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{"id":7987862372602,"title":"aja monet \/\/ when the poems do what they do 2xLP","handle":"aja-monet-when-the-poems-do-what-they-do-2xlp","description":"\u003cp\u003eアメリカ・NYの詩人aja monetが、2023年6月にNYのdrink sum wtrからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー・ジャズヒップホップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e16ページの写真\u0026amp;歌詞ブックレットとポスター付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3097307146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes a limited edition 16-page full color photo \u0026amp; lyric booklet and 18\" x 24\" glossy full color photo poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edrink sum wtr:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eaja monet’s poems are a work of gravity. A surrealist blues poet, storyteller, and organizer born and raised in Brooklyn, NY, aja won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, releasing June 9 via drink sum wtr, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn when the poems do what they do, aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, “Who’s got time for poems when the world is on fire?!.” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eaja is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together, creating music that is insistent and unrelenting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : aja monet\u003c\/p\u003e\n\u003cp\u003eLabel : drink sum wtr\u003c\/p\u003e","published_at":"2023-06-24T08:21:30+09:00","created_at":"2023-06-23T19:24:29+09:00","vendor":"Tobira Records","type":"","tags":["drink sum wtr","hiphop \/ funk","jazz","lp"],"price":599000,"price_min":599000,"price_max":599000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44295040893178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"aja monet \/\/ when the poems do what they do 2xLP","public_title":null,"options":["Default Title"],"price":599000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","options":["Title"],"media":[{"alt":null,"id":32146932826362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh1_f5b1a2f0-9493-4fa2-8a81-794303179afe.jpg?v=1687515871","width":700},{"alt":null,"id":32146932859130,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wh2_d8df0f9c-bfa9-4ad0-aa43-46040f044fc9.jpg?v=1687515871","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの詩人aja monetが、2023年6月にNYのdrink sum wtrからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eサウンドポエトリー・ジャズヒップホップ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e16ページの写真\u0026amp;歌詞ブックレットとポスター付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3097307146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes a limited edition 16-page full color photo \u0026amp; lyric booklet and 18\" x 24\" glossy full color photo poster.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003edrink sum wtr:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eaja monet’s poems are a work of gravity. A surrealist blues poet, storyteller, and organizer born and raised in Brooklyn, NY, aja won the legendary Nuyorican Poets Cafe Grand Slam poetry award title in 2007. In 2018, she was nominated for a NAACP Literary Award for Poetry and in 2019 was awarded the Marjory Stoneman Douglas Award for Poetry for her cultural organizing work in South Florida. Her work moves, constantly, between origin and outcome, allowing them to exist in converse. In her debut album when the poems do what they do, releasing June 9 via drink sum wtr, we glimpse her indefatigable commitment to speak. Those thematic origins of this album at times center around Black resistance, love and the inexhaustible quest for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn when the poems do what they do, aja monet appears as a woman of letters and storm, her poems do not roar in pentameter - but rather in storm surge because, “Who’s got time for poems when the world is on fire?!.” And this work isn’t one to pull apart into one liners, these are poems of things felt. There is a fullness here that can’t be encapsulated in even the boundaries that language offers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eaja is joined in effort on this album by musicians Christian Scott (trumpet), Samora Pinderhughes (piano), Elena\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Pinderhughes (flute), Luques Curtis (bass), Weedie Braimah (djembe) and Marcus Gilmore (drums). Together, creating music that is insistent and unrelenting.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen you finally reach the end of this album, you are left with a similar feeling you get when heartbroken, the gravity of barrelling back down to earth, sopping wet with tears, out of breath, overcome with love, despair, hope, and all too aware that all of this, is over far too soon. When the poems do what they do, they do absolutely everything.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : aja monet\u003c\/p\u003e\n\u003cp\u003eLabel : drink sum wtr\u003c\/p\u003e"}
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Originally hailing from a small town of Bor (pronounced ‘bohr’) on the Upper Nile in what is now South Sudan, music has always been part of her life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlongside sharing political messages through her music, Ajak Kwai is also a radio broadcaster in Melbourne on both PBS and 3CR. Her shows give a voice to the local African community so that they can tell their stories through music and spoken word, and her music selections focus on songs that have changed the world in a positive way. She challenges bias in our society and reminds politicians to be accountable for their language and actions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePerforming in English, Arabic, and her native language, Dinka, Ajak Kwai’s music draws upon South Sudanese funk and blues influences and brings together elements of traditional music alongside more contemporary gestures. The result is something notably unique and powerful.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ajak Kwai\u003c\/p\u003e\n\u003cp\u003eLabel : Music In Exile\u003c\/p\u003e","published_at":"2022-01-23T12:08:06+09:00","created_at":"2022-01-09T11:26:30+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","music in exile"],"price":299000,"price_min":299000,"price_max":299000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42294556000506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ajak Kwai \/\/ Red Sands LP","public_title":null,"options":["Default Title"],"price":299000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_ab5ca09f-9ca6-4ae3-843e-e2309796fbe6.jpg?v=1641695192","\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_33aa0cd3-89ee-4fdf-9565-c7c9df2c7cb9.jpg?v=1641695192"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_ab5ca09f-9ca6-4ae3-843e-e2309796fbe6.jpg?v=1641695192","options":["Title"],"media":[{"alt":null,"id":28978689638650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_ab5ca09f-9ca6-4ae3-843e-e2309796fbe6.jpg?v=1641695192"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_ab5ca09f-9ca6-4ae3-843e-e2309796fbe6.jpg?v=1641695192","width":700},{"alt":null,"id":28978689671418,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_33aa0cd3-89ee-4fdf-9565-c7c9df2c7cb9.jpg?v=1641695192"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_33aa0cd3-89ee-4fdf-9565-c7c9df2c7cb9.jpg?v=1641695192","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=846240897\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eMusic In Exile:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAjak Kwai is a name well known to the airwaves, stage, and broader Australian music community for her powerful performances and strong messages that call for inclusion and celebration of the diversity found throughout Australian society. Originally hailing from a small town of Bor (pronounced ‘bohr’) on the Upper Nile in what is now South Sudan, music has always been part of her life.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlongside sharing political messages through her music, Ajak Kwai is also a radio broadcaster in Melbourne on both PBS and 3CR. Her shows give a voice to the local African community so that they can tell their stories through music and spoken word, and her music selections focus on songs that have changed the world in a positive way. She challenges bias in our society and reminds politicians to be accountable for their language and actions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePerforming in English, Arabic, and her native language, Dinka, Ajak Kwai’s music draws upon South Sudanese funk and blues influences and brings together elements of traditional music alongside more contemporary gestures. The result is something notably unique and powerful.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ajak Kwai\u003c\/p\u003e\n\u003cp\u003eLabel : Music In Exile\u003c\/p\u003e"}
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DLコード付属。 ------------------------------- Edition of 300. Music In Exile: "Ajak Kwai is a name well...
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{"id":7982959329530,"title":"Akane \/\/ Night-Time Birds LP","handle":"akane-night-time-birds-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※7\/27のTobiraインストアショーケースに出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eテネリフェ島のアヴァンポップ作家Akaneが、2023年5月にポルトガルの密林レーベルDiscrepant傘下Keroxenからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アヴァンポップ〜ストレンジビーツ・ポップ〜コズミック・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"スペースロック・サイケデリック・アウトフィットGaf y La Estrella de la Muerteのドラマー兼シンガーとして知られるテネリフェのCarolina Machadoによる新しいベッドルームソロプロジェクト、Akaneのデビューアルバムです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eここ2、3年の間にゆっくりと成長したカロリナは、「Night-Time Birds」というタイトルで、ドリーミーなアヴァン・ポップの親密なコレクションを発表するために心を開いているのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eデヴィッド・リンチの夢のようなイメージや奇妙なアメリカーナの風景に様々な示唆を与えながら、キャロライナは彼女自身の地元の感性を優雅に融合させ、未完成のロードムービーのパノラマ的で実写的なサウンドトラックを再構築し、ビンテージポップス、豊かな環境音風景、西海岸のLo-Fiエレクトロニカからなるパーソナルな音楽言語を作り出しました。モジュラーシンセシス技術による音の探求を追求し、エキゾチックなエイリアンのようなメロディとトレードマークの癒し系シューゲイザー風ボイスを融合させ、彼女のサウンドをさらに広い領域へと押し広げています。優雅に漂い、時が止まったようなアルバムです...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムの7曲は、2022年のKeroxenフェスティバルの廃ガスタンクでのパフォーマンスでライブ録音され、GafのバンドメイトCésar Chinarroのギターとの特別なコラボレーションでカウントされています。間違いなく、『Night-Time Birds』がキャロルの最後の作品になることはなく、現在カナリア諸島から流れている多様で多彩な創造的エネルギーが減速する気配がないことを改めて示しています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1325922745\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2600587020\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1325922745\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKeroxen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDebut album by Akane, a new bedroom solo project by Tenerife's Carolina Machado - best known for her role as drummer and singer in space rock psychedelic outfit Gaf y La Estrella de la Muerte.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCooked and slowly matured over the last couple of years, Carolina opens up her heart to present an intimate collection of dreamy avant pop songs under the banner title Night-Time Birds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith various nods to David Lynch’s dreamlike imagery and weird americana landscapes, Carolina gracefully merges her own local sensibilities to reimagine a panoramic, fictional soundtrack to an unmade road movie, creating a personal musical language made up of vintage pop songs, lush ambient soundscapes and West Coast lo-fi electronica. Her pursue of sonic exploration through modular synthesis techniques pushes her sound further out into a wider realm as she blends exotic alien-like melodies with her trademark soothing, shoe-gaze style voice. An album that seems to be floating gracefully and frozen in time…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s seven tracks were recorded live during her performance in a disused gas tank at the Keroxen festival in 2022 and counts with the special collaboration of her bandmate in Gaf César Chinarro on guitar. No doubt, Night-Time Birds is not the last we’ll hear from Carol demonstrating once again the varied and eclectic creative energy currently flowing from the Canary archipelago shows no sign of slowing down.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Akane\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Keroxen\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-10T10:46:03+09:00","created_at":"2023-06-08T21:04:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Discrepant","folk \/ left-field pop","lp","strange beats"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271905472762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akane \/\/ Night-Time Birds LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_53af19d3-29a3-4665-9ec5-61202e907da8.jpg?v=1686225867","\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_d4e4e043-4a7b-4f85-80a5-69fb745031f3.jpg?v=1686225868"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_53af19d3-29a3-4665-9ec5-61202e907da8.jpg?v=1686225867","options":["Title"],"media":[{"alt":null,"id":32092765946106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_53af19d3-29a3-4665-9ec5-61202e907da8.jpg?v=1686225867"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_53af19d3-29a3-4665-9ec5-61202e907da8.jpg?v=1686225867","width":700},{"alt":null,"id":32092765978874,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_d4e4e043-4a7b-4f85-80a5-69fb745031f3.jpg?v=1686225868"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_d4e4e043-4a7b-4f85-80a5-69fb745031f3.jpg?v=1686225868","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※7\/27のTobiraインストアショーケースに出演します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eテネリフェ島のアヴァンポップ作家Akaneが、2023年5月にポルトガルの密林レーベルDiscrepant傘下Keroxenからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eベッドルーム・アヴァンポップ〜ストレンジビーツ・ポップ〜コズミック・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"スペースロック・サイケデリック・アウトフィットGaf y La Estrella de la Muerteのドラマー兼シンガーとして知られるテネリフェのCarolina Machadoによる新しいベッドルームソロプロジェクト、Akaneのデビューアルバムです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eここ2、3年の間にゆっくりと成長したカロリナは、「Night-Time Birds」というタイトルで、ドリーミーなアヴァン・ポップの親密なコレクションを発表するために心を開いているのです。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eデヴィッド・リンチの夢のようなイメージや奇妙なアメリカーナの風景に様々な示唆を与えながら、キャロライナは彼女自身の地元の感性を優雅に融合させ、未完成のロードムービーのパノラマ的で実写的なサウンドトラックを再構築し、ビンテージポップス、豊かな環境音風景、西海岸のLo-Fiエレクトロニカからなるパーソナルな音楽言語を作り出しました。モジュラーシンセシス技術による音の探求を追求し、エキゾチックなエイリアンのようなメロディとトレードマークの癒し系シューゲイザー風ボイスを融合させ、彼女のサウンドをさらに広い領域へと押し広げています。優雅に漂い、時が止まったようなアルバムです...。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこのアルバムの7曲は、2022年のKeroxenフェスティバルの廃ガスタンクでのパフォーマンスでライブ録音され、GafのバンドメイトCésar Chinarroのギターとの特別なコラボレーションでカウントされています。間違いなく、『Night-Time Birds』がキャロルの最後の作品になることはなく、現在カナリア諸島から流れている多様で多彩な創造的エネルギーが減速する気配がないことを改めて示しています。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1325922745\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2600587020\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1325922745\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant \/ Keroxen releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eKeroxen:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDebut album by Akane, a new bedroom solo project by Tenerife's Carolina Machado - best known for her role as drummer and singer in space rock psychedelic outfit Gaf y La Estrella de la Muerte.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCooked and slowly matured over the last couple of years, Carolina opens up her heart to present an intimate collection of dreamy avant pop songs under the banner title Night-Time Birds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith various nods to David Lynch’s dreamlike imagery and weird americana landscapes, Carolina gracefully merges her own local sensibilities to reimagine a panoramic, fictional soundtrack to an unmade road movie, creating a personal musical language made up of vintage pop songs, lush ambient soundscapes and West Coast lo-fi electronica. 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{"id":7960270274810,"title":"Akasha System \/\/ Phytopia LP [COLOR] \/ LP [COLOR]+ TAPE","handle":"akasha-system-phytopia-lp-lp-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカ・ポートランドのエレクトロニック作家Akasha System aka DJ Panthrが、2023年5月に同国CAのハウスレーベル100% Silk\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・テクノ〜トライバルIDM9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカセットには異なる楽曲が収録されています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=992747883\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e100% Silk:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom the forests of Cascadia to the rippling tropics of the Gulf Coast, Hunter P. Thompson’s music as Akasha System both reflects and refracts the environment of its origin – equal parts mirror, mixing desk, and meditation chamber. His latest, Phytopia, skews even loftier, a private portal into a primordial world of mist and mystery, framed by crystalline rivers, rainbow canopies, and hanging gardens. He describes its wavelength as “a waking vision,” teeming with “life, chaos, and magic.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCrafted across the past three years in his recently departed Portland, Oregon basement haven, Green House, the album’s nine tracks unfold with a shimmering, cellular symmetry – prehistoric and preordained, lush ecosystems in hidden harmony. A composite of synths, software, and spatial finesse, this is Akasha System at its most attuned and eternal, a forever expanding universe of percolating rhythm and fragrant air.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akasha System\u003c\/p\u003e\n\u003cp\u003eLabel : 100% Silk\u003c\/p\u003e","published_at":"2023-04-20T12:45:12+09:00","created_at":"2023-04-18T11:51:24+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","not not fun","post newage","tape","techno \/ house"],"price":328000,"price_min":328000,"price_max":428000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44252035842298,"title":"\"Phytopia\" LP + \"Ancient Path Complete\" TAPE","option1":"\"Phytopia\" LP + \"Ancient Path Complete\" TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akasha System \/\/ Phytopia LP [COLOR] \/ LP [COLOR]+ TAPE - \"Phytopia\" LP + \"Ancient Path Complete\" TAPE","public_title":"\"Phytopia\" LP + \"Ancient Path Complete\" TAPE","options":["\"Phytopia\" LP + \"Ancient Path Complete\" TAPE"],"price":428000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44252035875066,"title":"\"Phytopia\" LP","option1":"\"Phytopia\" LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akasha System \/\/ Phytopia LP [COLOR] \/ LP [COLOR]+ TAPE - \"Phytopia\" LP","public_title":"\"Phytopia\" LP","options":["\"Phytopia\" LP"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_daec368f-f8cf-4c2a-9c52-d58648eb5e4e.jpg?v=1681786286","\/\/tobirarecords.com\/cdn\/shop\/files\/0031247054_10.jpg?v=1685009689","\/\/tobirarecords.com\/cdn\/shop\/files\/0031550639_10.jpg?v=1685009689","\/\/tobirarecords.com\/cdn\/shop\/files\/0031550638_10.jpg?v=1685009689"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_daec368f-f8cf-4c2a-9c52-d58648eb5e4e.jpg?v=1681786286","options":["Format"],"media":[{"alt":null,"id":31846485262586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_daec368f-f8cf-4c2a-9c52-d58648eb5e4e.jpg?v=1681786286"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_daec368f-f8cf-4c2a-9c52-d58648eb5e4e.jpg?v=1681786286","width":700},{"alt":null,"id":32015663268090,"position":2,"preview_image":{"aspect_ratio":1.418,"height":846,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031247054_10.jpg?v=1685009689"},"aspect_ratio":1.418,"height":846,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031247054_10.jpg?v=1685009689","width":1200},{"alt":null,"id":32015663005946,"position":3,"preview_image":{"aspect_ratio":1.309,"height":917,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031550639_10.jpg?v=1685009689"},"aspect_ratio":1.309,"height":917,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031550639_10.jpg?v=1685009689","width":1200},{"alt":null,"id":32015663038714,"position":4,"preview_image":{"aspect_ratio":1.314,"height":913,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031550638_10.jpg?v=1685009689"},"aspect_ratio":1.314,"height":913,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031550638_10.jpg?v=1685009689","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・ポートランドのエレクトロニック作家Akasha System aka DJ Panthrが、2023年5月に同国CAのハウスレーベル100% Silk\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・テクノ〜トライバルIDM9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカセットには異なる楽曲が収録されています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=992747883\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e100% Silk:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFrom the forests of Cascadia to the rippling tropics of the Gulf Coast, Hunter P. Thompson’s music as Akasha System both reflects and refracts the environment of its origin – equal parts mirror, mixing desk, and meditation chamber. His latest, Phytopia, skews even loftier, a private portal into a primordial world of mist and mystery, framed by crystalline rivers, rainbow canopies, and hanging gardens. He describes its wavelength as “a waking vision,” teeming with “life, chaos, and magic.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCrafted across the past three years in his recently departed Portland, Oregon basement haven, Green House, the album’s nine tracks unfold with a shimmering, cellular symmetry – prehistoric and preordained, lush ecosystems in hidden harmony. A composite of synths, software, and spatial finesse, this is Akasha System at its most attuned and eternal, a forever expanding universe of percolating rhythm and fragrant air.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akasha System\u003c\/p\u003e\n\u003cp\u003eLabel : 100% Silk\u003c\/p\u003e"}
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アメリカ・ポートランドのエレクトロニック作家Akasha System aka DJ Panthrが、2023年5月に同国CAのハウスレーベル100% Silkからリリースしたレコードです。 ポストニューエイジ・テクノ〜トライバルIDM9曲を収録。DLコード付属。 カセットには異なる楽曲が収録されています。 レーベルその他作品はこちら /// Click here to see more Not Not...
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{"id":7586871935226,"title":"akeyamasou \/\/ Seed 12\"","handle":"akeyamasou-seed-lp","description":"\u003cp\u003e秋田のIDM作家akeyamasouが、2022年3月にフランスのMakesenseからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eグリッチが効いたIDM〜ブレイクビーツ4曲を収録。\u003c\/p\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1248081826\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/ms05-1\" title=\"MS05 1\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eMS05 1\u003c\/a\u003e\n\u003c\/div\u003e\u003ciframe width=\"100%\" height=\"166\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1248081982\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/user-297960592\" title=\"tobirarecs4\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003etobirarecs4\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/user-297960592\/ms05-2\" title=\"MS05 2\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eMS05 2\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eMakesense Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMakesense Records is very excited to presents Sou Akeyama ’s first 12’’ release. Machinedrum and Monomachine skilled composer, Sou explores romanticism within hard-break-core and glitchy music. In the manner of a Japanese countryside landscape merging modernism into nature, Sou is giving birth to a Four-Tracker exploring tonality and speeds, organic and electric. Substractive Percussion Synthesis at it’s finest fighting for existence with FM pads thru a genuine compressor chain.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom the center of earth to the very edge of it’s canopy highest leaves, Seed grows under your feet: break beats patterns progressivly transforming Chaos into Life. You’ll feel the rhythm running into your veins. Blood Pressure Monitor drops as n14 big basses and laidback and impulsive broken beats will drive you into the fog. Frenetic yet so warm, scattered rhythms stabbed by aerial pads: a colored thunder from inside the cloud. 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秋田のIDM作家akeyamasouが、2022年3月にフランスのMakesenseからリリースした12"です。 グリッチが効いたIDM〜ブレイクビーツ4曲を収録。 tobirarecs4 · MS05 1 tobirarecs4 · MS05 2 Makesense Records:...
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{"id":8881024860410,"title":"Akhira Sano \/\/ D-R CD","handle":"akhira-sano-d-r-cd","description":"\u003cp\u003e\u003cspan\u003e東京のアンビエント作家\u003c\/span\u003eAkhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとシンセによる微睡アンビエント4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_THB8R2x0eE?si=WopA3zNc9oTddpTM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j7ymaTY1WLE?si=IiU8-wF-F8r7AMHC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fUncelvFY0g?si=7AF2sHNcblYTOasc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cRsm5yhFGLU?si=a4dxqshup1PnOcQf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCD in cardstock sleeve.\u003cbr\u003eCD edition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Demande Un 05:15\u003cbr\u003e2. Demande Deux 09:27\u003cbr\u003e3. Réponse Un 11:34\u003cbr\u003e4. Réponse Deux 05:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAkhira Sano is a Tokyo-based music artist who has recorded since 2019 several albums on labels such as Important Records, IIKKI, and recently 12K among others. Working with electronic, instrumental, and concrete sounds, he crafts immersive assemblages of long overlapping tones and blurred resonance, cut through with textural crunch and hiss.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : L\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaaps 045\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-08T15:24:40+09:00","created_at":"2025-08-08T11:33:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","Laaps","new"],"price":288300,"price_min":288300,"price_max":288300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47592999846138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akhira Sano \/\/ D-R CD","public_title":null,"options":["Default Title"],"price":288300,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sano1_97076766-3956-4f58-879a-ec3dc84bfc2f.jpg?v=1754620504","\/\/tobirarecords.com\/cdn\/shop\/files\/sano3_b965a8bb-ae7a-4574-b2e7-481d8b6a1d23.jpg?v=1754620504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1_97076766-3956-4f58-879a-ec3dc84bfc2f.jpg?v=1754620504","options":["Title"],"media":[{"alt":null,"id":36496432234746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1_97076766-3956-4f58-879a-ec3dc84bfc2f.jpg?v=1754620504"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1_97076766-3956-4f58-879a-ec3dc84bfc2f.jpg?v=1754620504","width":700},{"alt":null,"id":36496432267514,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano3_b965a8bb-ae7a-4574-b2e7-481d8b6a1d23.jpg?v=1754620504"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano3_b965a8bb-ae7a-4574-b2e7-481d8b6a1d23.jpg?v=1754620504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e東京のアンビエント作家\u003c\/span\u003eAkhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとシンセによる微睡アンビエント4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_THB8R2x0eE?si=WopA3zNc9oTddpTM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j7ymaTY1WLE?si=IiU8-wF-F8r7AMHC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fUncelvFY0g?si=7AF2sHNcblYTOasc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cRsm5yhFGLU?si=a4dxqshup1PnOcQf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCD in cardstock sleeve.\u003cbr\u003eCD edition of 150. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Demande Un 05:15\u003cbr\u003e2. Demande Deux 09:27\u003cbr\u003e3. Réponse Un 11:34\u003cbr\u003e4. Réponse Deux 05:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAkhira Sano is a Tokyo-based music artist who has recorded since 2019 several albums on labels such as Important Records, IIKKI, and recently 12K among others. Working with electronic, instrumental, and concrete sounds, he crafts immersive assemblages of long overlapping tones and blurred resonance, cut through with textural crunch and hiss.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : L\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaaps 045\u003c\/span\u003e\u003c\/p\u003e"}
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東京のアンビエント作家Akhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたCDです。 フィールドレコーディングとシンセによる微睡アンビエント4曲を収録。 レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases available at Tobira. ...
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![Akhira Sano // D-R LP [COLOR]](http://tobirarecords.com/cdn/shop/files/sano1_medium.jpg?v=1754620136)
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{"id":8881019355386,"title":"Akhira Sano \/\/ D-R LP [COLOR]","handle":"akhira-sano-d-r-lp-color","description":"\u003cp\u003e\u003cspan\u003e東京のアンビエント作家\u003c\/span\u003eAkhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとシンセによる微睡アンビエント4曲を収録。白盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_THB8R2x0eE?si=WopA3zNc9oTddpTM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j7ymaTY1WLE?si=IiU8-wF-F8r7AMHC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fUncelvFY0g?si=7AF2sHNcblYTOasc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cRsm5yhFGLU?si=a4dxqshup1PnOcQf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" white vinyl.\u003cbr\u003eVinyl edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Demande Un 05:15\u003cbr\u003e2. Demande Deux 09:27\u003cbr\u003e3. Réponse Un 11:34\u003cbr\u003e4. Réponse Deux 05:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAkhira Sano is a Tokyo-based music artist who has recorded since 2019 several albums on labels such as Important Records, IIKKI, and recently 12K among others. Working with electronic, instrumental, and concrete sounds, he crafts immersive assemblages of long overlapping tones and blurred resonance, cut through with textural crunch and hiss.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : L\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaaps 045\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-08T15:23:07+09:00","created_at":"2025-08-08T11:32:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Laaps","lp","new"],"price":428600,"price_min":428600,"price_max":428600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47592991457530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akhira Sano \/\/ D-R LP [COLOR]","public_title":null,"options":["Default Title"],"price":428600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sano1.jpg?v=1754620136","\/\/tobirarecords.com\/cdn\/shop\/files\/sano2.jpg?v=1754620136"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1.jpg?v=1754620136","options":["Title"],"media":[{"alt":null,"id":36496360669434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1.jpg?v=1754620136"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano1.jpg?v=1754620136","width":700},{"alt":null,"id":36496360702202,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano2.jpg?v=1754620136"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sano2.jpg?v=1754620136","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e東京のアンビエント作家\u003c\/span\u003eAkhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとシンセによる微睡アンビエント4曲を収録。白盤です。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_THB8R2x0eE?si=WopA3zNc9oTddpTM\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/j7ymaTY1WLE?si=IiU8-wF-F8r7AMHC\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/fUncelvFY0g?si=7AF2sHNcblYTOasc\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/cRsm5yhFGLU?si=a4dxqshup1PnOcQf\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" white vinyl.\u003cbr\u003eVinyl edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Demande Un 05:15\u003cbr\u003e2. Demande Deux 09:27\u003cbr\u003e3. Réponse Un 11:34\u003cbr\u003e4. Réponse Deux 05:06\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eLaaps:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAkhira Sano is a Tokyo-based music artist who has recorded since 2019 several albums on labels such as Important Records, IIKKI, and recently 12K among others. Working with electronic, instrumental, and concrete sounds, he crafts immersive assemblages of long overlapping tones and blurred resonance, cut through with textural crunch and hiss.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e\n\u003cp\u003ecat no : L\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaaps 045\u003c\/span\u003e\u003c\/p\u003e"}
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東京のアンビエント作家Akhira Sanoが、2025年7月にフランスのアンビエントレーベルLaapsからリリースしたレコードです。 フィールドレコーディングとシンセによる微睡アンビエント4曲を収録。白盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases available at Tobira. ...
¥4,286
![Akhira Sano // Shadow's Praise LP [COLOR] / CD](http://tobirarecords.com/cdn/shop/files/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de_medium.jpg?v=1685427070)
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{"id":7980223463674,"title":"Akhira Sano \/\/ Shadow's Praise LP [COLOR] \/ CD","handle":"akhira-sano-shadows-praise-lp-color","description":"\u003cp\u003e日本のアンビエント作家Akhira Sanoが、2023年4月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eミニマルなアンビエント7曲を収録。DLコード付属。シルバー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2564791222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear, silver and white vinyl. Hand numbered edition of 300.\u003c\/p\u003e\n\u003cp\u003eIIKKI:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Shadow’s Praise\" is the result of the dialogue between the Japanese musician Akhira Sano and the French photographer David Nissen initiated by IIKKI, between December 2022 and March 2023. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe complete project works in two physical imprints:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea book and a disc (vinyl\/cd)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eit should be experienced in different ways :\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book read alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe disc listened to alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book and the disc read and listened to together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e___________________________________________________\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAkhira Sano was born in 1992 in Niigata, Japan. Artist. Focusing on the imperfections and irregularities of form and sound, he creates, observes, records, and extends them secondarily through drawing, graphics, installation, videography, and music composition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis major works include \"Penetrating, For Filtration\" (Important Records, 2019), \"Particle Dialogue - Observation and\u003cspan class=\"bcTruncateMore\"\u003e Recording\" (The Trilogy Tapes, Inc. 2022), and major solo exhibitions include \"Perspectives of Possibility\" (FAITH, 2021) and \"mē on - Seeing the Absent\" (TOH, 2022).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : IIKKI\u003c\/p\u003e","published_at":"2023-06-03T09:00:24+09:00","created_at":"2023-05-30T15:11:09+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","IIKKI","lp"],"price":218000,"price_min":218000,"price_max":368000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44872902213882,"title":"LP [COLOR]","option1":"LP [COLOR]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":39426533523706,"product_id":7980223463674,"position":2,"created_at":"2023-05-30T15:11:09+09:00","updated_at":"2023-05-30T15:11:11+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071","variant_ids":[44872902213882]},"available":false,"name":"Akhira Sano \/\/ Shadow's Praise LP [COLOR] \/ CD - LP [COLOR]","public_title":"LP [COLOR]","options":["LP [COLOR]"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32037477417210,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44872902246650,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40166223937786,"product_id":7980223463674,"position":3,"created_at":"2023-12-11T10:11:48+09:00","updated_at":"2023-12-11T10:11:50+09:00","alt":null,"width":1200,"height":767,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110","variant_ids":[44872902246650]},"available":false,"name":"Akhira Sano \/\/ Shadow's Praise LP [COLOR] \/ CD - CD","public_title":"CD","options":["CD"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32821101527290,"position":3,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de.jpg?v=1685427070","\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071","\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de.jpg?v=1685427070","options":["Format"],"media":[{"alt":null,"id":32037477384442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de.jpg?v=1685427070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_c1d65568-1686-4a05-8e31-cade1b7e66de.jpg?v=1685427070","width":700},{"alt":null,"id":32037477417210,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak2_f2845e10-97e9-4c08-a625-c7b279de2cd8.jpg?v=1685427071","width":1200},{"alt":null,"id":32821101527290,"position":3,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110"},"aspect_ratio":1.565,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031630446_10.jpg?v=1702257110","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のアンビエント作家Akhira Sanoが、2023年4月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eミニマルなアンビエント7曲を収録。DLコード付属。シルバー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2564791222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear, silver and white vinyl. Hand numbered edition of 300.\u003c\/p\u003e\n\u003cp\u003eIIKKI:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Shadow’s Praise\" is the result of the dialogue between the Japanese musician Akhira Sano and the French photographer David Nissen initiated by IIKKI, between December 2022 and March 2023. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ethe complete project works in two physical imprints:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ea book and a disc (vinyl\/cd)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eit should be experienced in different ways :\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book read alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe disc listened to alone\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe book and the disc read and listened to together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e___________________________________________________\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAkhira Sano was born in 1992 in Niigata, Japan. Artist. Focusing on the imperfections and irregularities of form and sound, he creates, observes, records, and extends them secondarily through drawing, graphics, installation, videography, and music composition.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHis major works include \"Penetrating, For Filtration\" (Important Records, 2019), \"Particle Dialogue - Observation and\u003cspan class=\"bcTruncateMore\"\u003e Recording\" (The Trilogy Tapes, Inc. 2022), and major solo exhibitions include \"Perspectives of Possibility\" (FAITH, 2021) and \"mē on - Seeing the Absent\" (TOH, 2022).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akhira Sano\u003c\/p\u003e\n\u003cp\u003eLabel : IIKKI\u003c\/p\u003e"}
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日本のアンビエント作家Akhira Sanoが、2023年4月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。 ミニマルなアンビエント7曲を収録。DLコード付属。シルバー盤です。 レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases available at Tobira. ...
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{"id":8669111582970,"title":"Aki Onda \/\/ 99 Cent Dreams TAPE","handle":"aki-onda-99-cent-dreams-tape","description":"\u003cp\u003e日本の実験音楽家Aki Ondaが、2024年11月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"私は1998年から2003年にかけて、キャナル・ストリートから14番街まで、そしてバワリー（3番街）からイーストリバーまで続くニューヨークのロウアーイーストサイド（LES）周辺で、これらの音の断片を録音した。カセットテープの練習を始めた頃、私はレコーダーを持って歩き回り、まるで写真を撮るかのように、時には1秒にも満たないような短い音の断片を録音したり、深く聴き入ったりする習慣があった。これらの録音は、磁気テープに濃密なコラージュを刻み、私は約20年前にそれらをキャプチャしたのと同じ編集スタイルで、ここに音を提示する。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e当時、LESは憧れの場所だった。この界隈には多くのアーティスト、映画制作者、ミュージシャンが住み、本物のボヘミアン・コミュニティの雰囲気があった。地域の大部分はランドマーク委員会によって保護され、家賃安定ビルも多かった。ジェントリフィケーション（高級化）により、LESに長年住んでいた人たちの一部はウィリアムズバーグやブルックリンの他の地域に移り住んだが、それ以外の人たちは家賃が安定した住戸に住み続け、何十年もそこに住み続けている。19世紀以来、この地域にはイタリア人、ユダヤ人、プエルトリコ人などの移民コミュニティが次々と居住してきた。イースト・リバー沿いのアルファベット・シティ（LESのうち、大通りに番号ではなく文字が振られている部分）には、昔も今もラテン系コミュニティが多い。これらすべての特徴が混在することで、街の他のどの地域とも異なる多文化的で控えめな雰囲気が生まれた。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は、2番街とセカンド・アベニューの角にあるアンソロジー・フィルム・アーカイブス（AFA）で数え切れないほどの時間を過ごした。1998年、私はAFAの共同設立者の一人であるジョナス・メカスと知り合いになった。90年代に東京で彼の『\u003cspan class=\"bcTruncateMore\"\u003eReminiscences of a Journey to Lithuania\u003c\/span\u003e』（1972年）を初めて観た私は、メカスの作品に強い影響を受けたので、彼を訪ねたのは自然な成り行きだった。当時のAFAは、もっとカオスでアンダーグラウンドな場所だった。私たちは、ジョナスが写真スタジオを持っていた地下室にたむろしていた。他の部屋にはリトアニア人の友人が数人いた。ジョナスは私にフィルムカルチャー誌をくれた。私たちは近くのイタリアンレストランで昼食をとり、ジョナスのオフィスの延長のような、1番街と2番街の角にあるゴミゴミしたマーズバーに立ち寄った。AFAの上映会に無料でアクセスし、私は前衛映画のエッセンスを吸収した。私のお気に入りは \u003cspan class=\"bcTruncateMore\"\u003eWilliam Klein's 『Muhammad Ali the Greatest』(1969); Ken Jacobs's 『Blonde Cobra』(1963); Michael Snow’s 『Rameau’s Nephew by Diderot』 (1974); Harry Smith's 『Mahagonny』 (1980) and 『Heaven and Earth Magic』 (1962); Bruce Conner’s 『The White Rose』 (1965); Milton Moses Ginsberg's 『Coming Apart』 (1969); Béla Tarr’s 『The Outsider』 (1981)\u003c\/span\u003eなどだ。映画の映像と音の混合に没頭することは、私の作品に滲み出る強烈な経験の蓄積となった。私はサウンドトラックをよく録音し、そのカセットテープは映画製作者の音に対するアプローチを研究する手段となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eつまり、これらは単なる環境音でもなければ、私の個人的な生活の聴覚的記録でもない。私のフィールドレコーディングの実践は、LESの歴史、文化、精神と私を結びつけるツールなのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2711281190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 110. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part I 17:47\u003cbr\u003e2. Part II 18:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eI recorded these sound fragments between 1998 and 2003 in and around the Lower East Side (LES), an area in New York City that extends roughly from Canal Street up to 14th Street and from the Bowery (3rd Avenue) to the East River. In the formative years of my cassette practice, I had a habit of walking around with my recorder and capturing very short snippets of sound – at times less than a second, as if taking a photo – as well as some longer segments of deep listening. These recordings carved a dense collage on the magnetic tapes, and I am presenting the sounds here with the same editing style as I captured them almost 20 years ago. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack then, the LES was the place to be. The neighborhood was home to many artists, filmmakers, and musicians, and there was a vibe of genuine bohemian community. A large portion of the area was protected by the Landmarks Commission, and there were many rent-stabilized buildings. Gentrification eventually priced out some of the long-time residents of the LES, who moved to Williamsburg and other parts of Brooklyn, but the rest held on to the rent-stabilized units and have been residing there for decades. Since the 19th century, the area has been inhabited by a succession of immigrant communities, including Italians, Jews, and Puerto Ricans. Toward the East River\u003cspan class=\"bcTruncateMore\"\u003e in Alphabet City (the part of the LES where the avenues are lettered rather than numbered), it was, and still is, a largely Latinx community. The mixture of all of these characteristics created a multicultural and low-key atmosphere that was different from any other part of the city. \u003cbr\u003e\u003cbr\u003eI spent countless hours at Anthology Film Archives (AFA) on the corner of 2nd Street and Second Ave. In 1998, I became acquainted with one of AFA’s co-founders, Jonas Mekas. I first watched his Reminiscences of a Journey to Lithuania (1972) in Tokyo in the '90s, and Mekas’s work became a strong influence on me, so it was a natural consequence to visit him. AFA was a more chaotic, underground place back then. We would hang out in the basement, where Jonas had a photography studio. A few of his Lithuanian friends occupied the other rooms. Jonas gave me copies of Film Culture magazines, which were excellent resources to trace film history. We would have lunch at an Italian restaurant nearby and end up stopping by the trashy Mars Bar on the corner of 1st Street and Second Ave, which was almost like an extension of Jonas's office. With free access to AFA’s screenings, I absorbed the essence of avant-garde cinema. My favorites were: William Klein's Muhammad Ali the Greatest (1969); Ken Jacobs's Blonde Cobra (1963); Michael Snow’s Rameau’s Nephew by Diderot (1974); Harry Smith's Mahagonny (1980) and Heaven and Earth Magic (1962); Bruce Conner’s The White Rose (1965); Milton Moses Ginsberg's Coming Apart (1969); Béla Tarr’s The Outsider (1981), and so on. Immersing myself in cinema’s mixture of visual and sound became a powerful accumulation of experiences that bled into my work. I often taped the soundtracks, and those cassettes became a way to study filmmakers' approaches to sounds. \u003cbr\u003e\u003cbr\u003eSo, these are not just environmental sounds nor are they aural documentation of my personal life. My field recording practice is a tool to connect me to the history, culture, and psyche of the LES, which exists as much in the realm of the imagination as it does in the coordinates of topology.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2024-11-22T18:15:25+09:00","created_at":"2024-11-22T17:48:18+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","monooto","new","tape"],"price":213800,"price_min":213800,"price_max":213800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46883432136954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aki Onda \/\/ 99 Cent Dreams TAPE","public_title":null,"options":["Default Title"],"price":213800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","options":["Title"],"media":[{"alt":null,"id":35217535140090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1_4a485df7-f013-4344-9002-6fd94f105209.jpg?v=1732265231","width":700},{"alt":null,"id":35217535172858,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2_5b883530-02be-4e76-a0b0-518c3e9fc9d1.jpg?v=1732265231","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の実験音楽家Aki Ondaが、2024年11月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan data-mce-fragment=\"1\"\u003eからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュスケープ2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"私は1998年から2003年にかけて、キャナル・ストリートから14番街まで、そしてバワリー（3番街）からイーストリバーまで続くニューヨークのロウアーイーストサイド（LES）周辺で、これらの音の断片を録音した。カセットテープの練習を始めた頃、私はレコーダーを持って歩き回り、まるで写真を撮るかのように、時には1秒にも満たないような短い音の断片を録音したり、深く聴き入ったりする習慣があった。これらの録音は、磁気テープに濃密なコラージュを刻み、私は約20年前にそれらをキャプチャしたのと同じ編集スタイルで、ここに音を提示する。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e当時、LESは憧れの場所だった。この界隈には多くのアーティスト、映画制作者、ミュージシャンが住み、本物のボヘミアン・コミュニティの雰囲気があった。地域の大部分はランドマーク委員会によって保護され、家賃安定ビルも多かった。ジェントリフィケーション（高級化）により、LESに長年住んでいた人たちの一部はウィリアムズバーグやブルックリンの他の地域に移り住んだが、それ以外の人たちは家賃が安定した住戸に住み続け、何十年もそこに住み続けている。19世紀以来、この地域にはイタリア人、ユダヤ人、プエルトリコ人などの移民コミュニティが次々と居住してきた。イースト・リバー沿いのアルファベット・シティ（LESのうち、大通りに番号ではなく文字が振られている部分）には、昔も今もラテン系コミュニティが多い。これらすべての特徴が混在することで、街の他のどの地域とも異なる多文化的で控えめな雰囲気が生まれた。\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私は、2番街とセカンド・アベニューの角にあるアンソロジー・フィルム・アーカイブス（AFA）で数え切れないほどの時間を過ごした。1998年、私はAFAの共同設立者の一人であるジョナス・メカスと知り合いになった。90年代に東京で彼の『\u003cspan class=\"bcTruncateMore\"\u003eReminiscences of a Journey to Lithuania\u003c\/span\u003e』（1972年）を初めて観た私は、メカスの作品に強い影響を受けたので、彼を訪ねたのは自然な成り行きだった。当時のAFAは、もっとカオスでアンダーグラウンドな場所だった。私たちは、ジョナスが写真スタジオを持っていた地下室にたむろしていた。他の部屋にはリトアニア人の友人が数人いた。ジョナスは私にフィルムカルチャー誌をくれた。私たちは近くのイタリアンレストランで昼食をとり、ジョナスのオフィスの延長のような、1番街と2番街の角にあるゴミゴミしたマーズバーに立ち寄った。AFAの上映会に無料でアクセスし、私は前衛映画のエッセンスを吸収した。私のお気に入りは \u003cspan class=\"bcTruncateMore\"\u003eWilliam Klein's 『Muhammad Ali the Greatest』(1969); Ken Jacobs's 『Blonde Cobra』(1963); Michael Snow’s 『Rameau’s Nephew by Diderot』 (1974); Harry Smith's 『Mahagonny』 (1980) and 『Heaven and Earth Magic』 (1962); Bruce Conner’s 『The White Rose』 (1965); Milton Moses Ginsberg's 『Coming Apart』 (1969); Béla Tarr’s 『The Outsider』 (1981)\u003c\/span\u003eなどだ。映画の映像と音の混合に没頭することは、私の作品に滲み出る強烈な経験の蓄積となった。私はサウンドトラックをよく録音し、そのカセットテープは映画製作者の音に対するアプローチを研究する手段となった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eつまり、これらは単なる環境音でもなければ、私の個人的な生活の聴覚的記録でもない。私のフィールドレコーディングの実践は、LESの歴史、文化、精神と私を結びつけるツールなのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2711281190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 110. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part I 17:47\u003cbr\u003e2. Part II 18:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by Aki Onda:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eI recorded these sound fragments between 1998 and 2003 in and around the Lower East Side (LES), an area in New York City that extends roughly from Canal Street up to 14th Street and from the Bowery (3rd Avenue) to the East River. In the formative years of my cassette practice, I had a habit of walking around with my recorder and capturing very short snippets of sound – at times less than a second, as if taking a photo – as well as some longer segments of deep listening. These recordings carved a dense collage on the magnetic tapes, and I am presenting the sounds here with the same editing style as I captured them almost 20 years ago. \u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack then, the LES was the place to be. The neighborhood was home to many artists, filmmakers, and musicians, and there was a vibe of genuine bohemian community. A large portion of the area was protected by the Landmarks Commission, and there were many rent-stabilized buildings. Gentrification eventually priced out some of the long-time residents of the LES, who moved to Williamsburg and other parts of Brooklyn, but the rest held on to the rent-stabilized units and have been residing there for decades. Since the 19th century, the area has been inhabited by a succession of immigrant communities, including Italians, Jews, and Puerto Ricans. Toward the East River\u003cspan class=\"bcTruncateMore\"\u003e in Alphabet City (the part of the LES where the avenues are lettered rather than numbered), it was, and still is, a largely Latinx community. The mixture of all of these characteristics created a multicultural and low-key atmosphere that was different from any other part of the city. \u003cbr\u003e\u003cbr\u003eI spent countless hours at Anthology Film Archives (AFA) on the corner of 2nd Street and Second Ave. In 1998, I became acquainted with one of AFA’s co-founders, Jonas Mekas. I first watched his Reminiscences of a Journey to Lithuania (1972) in Tokyo in the '90s, and Mekas’s work became a strong influence on me, so it was a natural consequence to visit him. AFA was a more chaotic, underground place back then. We would hang out in the basement, where Jonas had a photography studio. A few of his Lithuanian friends occupied the other rooms. Jonas gave me copies of Film Culture magazines, which were excellent resources to trace film history. We would have lunch at an Italian restaurant nearby and end up stopping by the trashy Mars Bar on the corner of 1st Street and Second Ave, which was almost like an extension of Jonas's office. With free access to AFA’s screenings, I absorbed the essence of avant-garde cinema. My favorites were: William Klein's Muhammad Ali the Greatest (1969); Ken Jacobs's Blonde Cobra (1963); Michael Snow’s Rameau’s Nephew by Diderot (1974); Harry Smith's Mahagonny (1980) and Heaven and Earth Magic (1962); Bruce Conner’s The White Rose (1965); Milton Moses Ginsberg's Coming Apart (1969); Béla Tarr’s The Outsider (1981), and so on. Immersing myself in cinema’s mixture of visual and sound became a powerful accumulation of experiences that bled into my work. I often taped the soundtracks, and those cassettes became a way to study filmmakers' approaches to sounds. \u003cbr\u003e\u003cbr\u003eSo, these are not just environmental sounds nor are they aural documentation of my personal life. My field recording practice is a tool to connect me to the history, culture, and psyche of the LES, which exists as much in the realm of the imagination as it does in the coordinates of topology.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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日本の実験音楽家Aki Ondaが、2024年11月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。 物音コラージュスケープ2曲を収録。DLコード付属。 以下、作家本人による解説です。 "私は1998年から2003年にかけて、キャナル・ストリートから14番街まで、そしてバワリー（3番街）からイーストリバーまで続くニューヨークのロウアーイーストサイド（LES）周辺で、これらの音の断片を録音した。カセットテープの練習を始めた頃、私はレコーダーを持って歩き回り、まるで写真を撮るかのように、時には1秒にも満たないような短い音の断片を録音したり、深く聴き入ったりする習慣があった。これらの録音は、磁気テープに濃密なコラージュを刻み、私は約20年前にそれらをキャプチャしたのと同じ編集スタイルで、ここに音を提示する。 当時、LESは憧れの場所だった。この界隈には多くのアーティスト、映画制作者、ミュージシャンが住み、本物のボヘミアン・コミュニティの雰囲気があった。地域の大部分はランドマーク委員会によって保護され、家賃安定ビルも多かった。ジェントリフィケーション（高級化）により、LESに長年住んでいた人たちの一部はウィリアムズバーグやブルックリンの他の地域に移り住んだが、それ以外の人たちは家賃が安定した住戸に住み続け、何十年もそこに住み続けている。19世紀以来、この地域にはイタリア人、ユダヤ人、プエルトリコ人などの移民コミュニティが次々と居住してきた。イースト・リバー沿いのアルファベット・シティ（LESのうち、大通りに番号ではなく文字が振られている部分）には、昔も今もラテン系コミュニティが多い。これらすべての特徴が混在することで、街の他のどの地域とも異なる多文化的で控えめな雰囲気が生まれた。 私は、2番街とセカンド・アベニューの角にあるアンソロジー・フィルム・アーカイブス（AFA）で数え切れないほどの時間を過ごした。1998年、私はAFAの共同設立者の一人であるジョナス・メカスと知り合いになった。90年代に東京で彼の『Reminiscences of a Journey to Lithuania』（1972年）を初めて観た私は、メカスの作品に強い影響を受けたので、彼を訪ねたのは自然な成り行きだった。当時のAFAは、もっとカオスでアンダーグラウンドな場所だった。私たちは、ジョナスが写真スタジオを持っていた地下室にたむろしていた。他の部屋にはリトアニア人の友人が数人いた。ジョナスは私にフィルムカルチャー誌をくれた。私たちは近くのイタリアンレストランで昼食をとり、ジョナスのオフィスの延長のような、1番街と2番街の角にあるゴミゴミしたマーズバーに立ち寄った。AFAの上映会に無料でアクセスし、私は前衛映画のエッセンスを吸収した。私のお気に入りは William...
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{"id":8601072075002,"title":"Aki Onda \/\/ Brisbane September 25 2004 TAPE","handle":"aki-onda-brisbane-september-25-2004-tape","description":"\u003cp\u003e過去にDinzu Artefactsなどから発表している日本の実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eAki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ〜ドローン46分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2415128320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and embossed outer sleeve, three panel monochrome fold out insert, soft poly-carb case. Includes an 18 page long form in conversation between Aki Onda and Lawrence English, plus archival photographs etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt may sound implausible now, but in the early 2000s Australia felt a long way away from the rest of the world. Brisbane, where I still live today, felt even further removed. This remoteness had its challenges, but also its charms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2001, Zane Trow then director of the Brisbane Powerhouse invited me to perform at an Open Day for the centre with my trio I\/O3 and DJ Olive. I didn’t realise it at the time, but this engagement would spark a number of connections that tie directly into this edition. Following that live performance (released as Powerhouse Sessions in 2002), I was invited to curate a performance series, Fabrique, focused on new and emergent musics for Brisbane Powerhouse. At the same time, DJ Olive mentioned that he had started a new imprint, Phonomena, with Toshio Kajiwara and one of the first releases they were planning was from Aki Onda, whom Olive described as using a set of Walkmans that make a whole universe. I was intrigued.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe following year, Aki Onda not only produced Cassette Memories Volume I ‘Ancient And Modern' for Phonomena, but a few months later released a second volume ‘Bon Voyage!’ with the always inspiring Improvised Music From Japan label. Both of these editions marked out overlapping territories relating to tape\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e music, field recordings and most of all perceptions of memory (how it is lost and then found again, how it can constructed and deconstructed - sometimes simultaneously). In early 2004, I wrote to Aki and invited him to Australia for a series of performances including two in Brisbane; one at Fabrique and another as part of NineHoursNorth, a dedicated program of Japanese music I was curating at the Judith Wright Centre Of Contemporary Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of Aki’s performances typified the expansive nature of his practice. Although the medium and tools may have been identical (cassettes, Walkmans, delay pedals and fender twin amps), the focus of each performance was markedly different. For NinehoursNorth, Aki deployed the approach he presented on 'Bon Voyage!’, long-form field recordings were re-amped and in the process of their unfolding a perception of time being bent in and out of shape emerged. There was a sense of the strange familiar, as bird songs, city scapes, voices, instruments and various environments were melted together and reconfigured through the intense volume produced by the amplifiers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Fabrique, the recording collected on this edition, Aki undertook a more performative method that reflected the sense of pacing and movement collected on ‘Ancient And Modern’. What surprised me most about his performance was how closely it resembled the compositional sensibilities captured on the record. In my mind’s ear I had heard ‘Ancient And Modern’ as a highly orchestrated work, a process of layering and transformation. Upon hearing Aki’s performance, it became clear what was captured in that recording was a transcription of an experimental and utterly personal performative language that had unfastened the walkman from its conceptual bounds as a device for linear acoustic playback.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn performance (and his recordings as I now realised) Aki Onda sought to bend, and break, expectations of time and linearity. In doing so he opened up new ways of appreciating themes of texture, pulse, rhythm and repetition. William S. Burroughs often wrote of the cut-up as a device for causing a rupture in time and that certain new ways of knowing and understanding might ooze out from these cuts, to my ears Aki Onda’s sounds were doing just this. He was taking elements from the world we collectively knew and he was refocusing them, cutting into them and removing their sense of ‘natural’ time, in doing so he allowed us all to forgo our desire for the familiar in favour of something unknown and perhaps even unknowable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo revisit this performance nearly two decades on, I am struck by this same sense of reaching out into something that is not altogether clear, but maintains a deep invitational attraction, an acoustic allure that remains as compelling today as it did then…perhaps even more so.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-08-19T10:09:58+09:00","created_at":"2024-08-19T10:09:17+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","room40","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46581162705146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aki Onda \/\/ Brisbane September 25 2004 TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","options":["Title"],"media":[{"alt":null,"id":28965875024122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_94a6976c-5f91-4559-9b2a-30646e01da13.jpg?v=1641450487","width":700},{"alt":null,"id":28965875056890,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_0f940ad8-b1e1-4c66-840e-1e11334dd778.jpg?v=1641450487","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にDinzu Artefactsなどから発表している日本の実験音楽家\u003cspan data-mce-fragment=\"1\"\u003eAki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eコラージュ〜ドローン46分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2415128320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMatte laminate and embossed outer sleeve, three panel monochrome fold out insert, soft poly-carb case. Includes an 18 page long form in conversation between Aki Onda and Lawrence English, plus archival photographs etc.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIt may sound implausible now, but in the early 2000s Australia felt a long way away from the rest of the world. Brisbane, where I still live today, felt even further removed. This remoteness had its challenges, but also its charms.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 2001, Zane Trow then director of the Brisbane Powerhouse invited me to perform at an Open Day for the centre with my trio I\/O3 and DJ Olive. I didn’t realise it at the time, but this engagement would spark a number of connections that tie directly into this edition. Following that live performance (released as Powerhouse Sessions in 2002), I was invited to curate a performance series, Fabrique, focused on new and emergent musics for Brisbane Powerhouse. At the same time, DJ Olive mentioned that he had started a new imprint, Phonomena, with Toshio Kajiwara and one of the first releases they were planning was from Aki Onda, whom Olive described as using a set of Walkmans that make a whole universe. I was intrigued.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe following year, Aki Onda not only produced Cassette Memories Volume I ‘Ancient And Modern' for Phonomena, but a few months later released a second volume ‘Bon Voyage!’ with the always inspiring Improvised Music From Japan label. Both of these editions marked out overlapping territories relating to tape\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e music, field recordings and most of all perceptions of memory (how it is lost and then found again, how it can constructed and deconstructed - sometimes simultaneously). In early 2004, I wrote to Aki and invited him to Australia for a series of performances including two in Brisbane; one at Fabrique and another as part of NineHoursNorth, a dedicated program of Japanese music I was curating at the Judith Wright Centre Of Contemporary Art.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEach of Aki’s performances typified the expansive nature of his practice. Although the medium and tools may have been identical (cassettes, Walkmans, delay pedals and fender twin amps), the focus of each performance was markedly different. For NinehoursNorth, Aki deployed the approach he presented on 'Bon Voyage!’, long-form field recordings were re-amped and in the process of their unfolding a perception of time being bent in and out of shape emerged. There was a sense of the strange familiar, as bird songs, city scapes, voices, instruments and various environments were melted together and reconfigured through the intense volume produced by the amplifiers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFor Fabrique, the recording collected on this edition, Aki undertook a more performative method that reflected the sense of pacing and movement collected on ‘Ancient And Modern’. What surprised me most about his performance was how closely it resembled the compositional sensibilities captured on the record. In my mind’s ear I had heard ‘Ancient And Modern’ as a highly orchestrated work, a process of layering and transformation. Upon hearing Aki’s performance, it became clear what was captured in that recording was a transcription of an experimental and utterly personal performative language that had unfastened the walkman from its conceptual bounds as a device for linear acoustic playback.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn performance (and his recordings as I now realised) Aki Onda sought to bend, and break, expectations of time and linearity. In doing so he opened up new ways of appreciating themes of texture, pulse, rhythm and repetition. William S. Burroughs often wrote of the cut-up as a device for causing a rupture in time and that certain new ways of knowing and understanding might ooze out from these cuts, to my ears Aki Onda’s sounds were doing just this. He was taking elements from the world we collectively knew and he was refocusing them, cutting into them and removing their sense of ‘natural’ time, in doing so he allowed us all to forgo our desire for the familiar in favour of something unknown and perhaps even unknowable.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTo revisit this performance nearly two decades on, I am struck by this same sense of reaching out into something that is not altogether clear, but maintains a deep invitational attraction, an acoustic allure that remains as compelling today as it did then…perhaps even more so.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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過去にDinzu Artefactsなどから発表している日本の実験音楽家Aki Ondaが、2021年10月にオーストラリア・メルボルンの音響作家Lawrence English主宰レーベルRoom40からリリースしたカセットです。 コラージュ〜ドローン46分を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥2,180
クイックビュー
{"id":8092539257082,"title":"Aki Onda \/\/ Nam June's Spirit Was Speaking To Me LP","handle":"aki-onda-nam-junes-spirit-was-speaking-to-me-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003eアメリカ・NYを拠点に活動している実験音楽家Aki Ondaが、2022年6月に同国Recitalからリリースした再発盤です。\u003c\/p\u003e\n\u003cp\u003e題の通り、フルクサス・ビデオアート作家Nam June Paikに捧げた物音コラージュ〜ドローン4曲を収録。20ページの写真集付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2851467951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eSecond edition of 250. \u003cspan\u003eNew pressing of the sold out LP.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 20 page 11\" x 8.5\" booklet of essays and rare photos of Nam June Paik.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSean McCann, 2020: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A spellbinding tribute from one multi-faceted artist to another. New York-based artist Aki Onda (b. 1967) conjured a transduction to the Korean multi-media pioneer Nam June Paik (1932-2006). Aki himself describes the project:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Nam June’s Spirit Was Speaking to Me occurred purely by chance. In 2010, I was spending four days at Nam June Paik Art Center in South Korea for a series of performances and had plenty of free time to wander. The building was packed with Paik’s artwork and related material. I have always felt a close kinship with him as an artist, and so it was a great opportunity to immerse myself in his works and ephemera.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt was that night I made the first contact, via a hand-held radio in a hotel room in Seoul. It was literally out of the blue. Scanning through the stations, I stumbled upon what sounded like a submerged voice and I began to record it in fascination. I concluded this was Paik’s spirit reaching out to me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe project continued to grow organically as I kept channeling Paik’s spirit over long distance and receiving cryptic broadcasts\/messages. The series of séances, conducted in different cities across the globe, began in Seoul in 2010, and continued in Köln\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, Germany in 2012, Wrocław, Poland in 2013, and Lewisburg, USA in 2014. The original recordings were captured by the same radio which has a tape recorder, with almost no editing, save for some minimal slicing and mastering.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePaik is known for his association with shamanism, a practice that constantly surfaces in his works all through his career. In an interview, he stated “In Korea, diverse forms of shamanism are strongly remained. Even though I have created my work unconsciously, the most inspiring thing in my work came from Korean female shaman Mudang.” Paik himself was a master shaman and vividly used shaman rituals and symbols for staging his performances and installations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese recordings also became a way for me to explore the mythic form of radio—a medium which is full of mysteries. The transmissions captured may be “secret broadcasts” on anonymous radio stations. There are in fact hundreds of those stations around the world, although the numbers dwindle as clandestine messages can now be sent via encrypted digital channels. Some of these stations were likely for military use or espionage or relics of the Cold War. But many others continue without apparent explanation. These are just some of the questions that remain unanswered.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCommissioned in 2017 by documenta 14’s radio program “Every Time A Ear di Soun,” these recordings were continually broadcast on eight radios stations around the world that year. Nam June’s Spirit is a beautifully formed homage, I cannot think of any other like it. An intimate, flickering language discovered through the air. The LP comes replete with a booklet of rare photographs of Paik. These images were shot on the set of Michael Snow’s film Rameau’s Nephew… (1974), although the scene was not included in the final cut.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2023-11-25T18:41:14+09:00","created_at":"2023-11-25T18:40:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","Recital"],"price":379000,"price_min":379000,"price_max":379000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44807776993530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aki Onda \/\/ Nam June's Spirit Was Speaking To Me LP","public_title":null,"options":["Default Title"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/na1_4b81152c-1bdb-4ed5-b848-741deac580a7.jpg?v=1700905230","\/\/tobirarecords.com\/cdn\/shop\/files\/na2_9c40a0c1-a5c3-4b14-9545-c5756b8643ed.jpg?v=1700905230"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_4b81152c-1bdb-4ed5-b848-741deac580a7.jpg?v=1700905230","options":["Title"],"media":[{"alt":null,"id":32744262762746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_4b81152c-1bdb-4ed5-b848-741deac580a7.jpg?v=1700905230"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na1_4b81152c-1bdb-4ed5-b848-741deac580a7.jpg?v=1700905230","width":700},{"alt":null,"id":32744262795514,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_9c40a0c1-a5c3-4b14-9545-c5756b8643ed.jpg?v=1700905230"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/na2_9c40a0c1-a5c3-4b14-9545-c5756b8643ed.jpg?v=1700905230","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\" data-mce-fragment=\"1\"\u003e\u003c\/span\u003eアメリカ・NYを拠点に活動している実験音楽家Aki Ondaが、2022年6月に同国Recitalからリリースした再発盤です。\u003c\/p\u003e\n\u003cp\u003e題の通り、フルクサス・ビデオアート作家Nam June Paikに捧げた物音コラージュ〜ドローン4曲を収録。20ページの写真集付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2851467951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eSecond edition of 250. \u003cspan\u003eNew pressing of the sold out LP.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 20 page 11\" x 8.5\" booklet of essays and rare photos of Nam June Paik.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eSean McCann, 2020: \u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"A spellbinding tribute from one multi-faceted artist to another. New York-based artist Aki Onda (b. 1967) conjured a transduction to the Korean multi-media pioneer Nam June Paik (1932-2006). Aki himself describes the project:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Nam June’s Spirit Was Speaking to Me occurred purely by chance. In 2010, I was spending four days at Nam June Paik Art Center in South Korea for a series of performances and had plenty of free time to wander. The building was packed with Paik’s artwork and related material. I have always felt a close kinship with him as an artist, and so it was a great opportunity to immerse myself in his works and ephemera.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIt was that night I made the first contact, via a hand-held radio in a hotel room in Seoul. It was literally out of the blue. Scanning through the stations, I stumbled upon what sounded like a submerged voice and I began to record it in fascination. I concluded this was Paik’s spirit reaching out to me.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe project continued to grow organically as I kept channeling Paik’s spirit over long distance and receiving cryptic broadcasts\/messages. The series of séances, conducted in different cities across the globe, began in Seoul in 2010, and continued in Köln\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, Germany in 2012, Wrocław, Poland in 2013, and Lewisburg, USA in 2014. The original recordings were captured by the same radio which has a tape recorder, with almost no editing, save for some minimal slicing and mastering.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePaik is known for his association with shamanism, a practice that constantly surfaces in his works all through his career. In an interview, he stated “In Korea, diverse forms of shamanism are strongly remained. Even though I have created my work unconsciously, the most inspiring thing in my work came from Korean female shaman Mudang.” Paik himself was a master shaman and vividly used shaman rituals and symbols for staging his performances and installations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThese recordings also became a way for me to explore the mythic form of radio—a medium which is full of mysteries. The transmissions captured may be “secret broadcasts” on anonymous radio stations. There are in fact hundreds of those stations around the world, although the numbers dwindle as clandestine messages can now be sent via encrypted digital channels. Some of these stations were likely for military use or espionage or relics of the Cold War. But many others continue without apparent explanation. These are just some of the questions that remain unanswered.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCommissioned in 2017 by documenta 14’s radio program “Every Time A Ear di Soun,” these recordings were continually broadcast on eight radios stations around the world that year. Nam June’s Spirit is a beautifully formed homage, I cannot think of any other like it. An intimate, flickering language discovered through the air. The LP comes replete with a booklet of rare photographs of Paik. These images were shot on the set of Michael Snow’s film Rameau’s Nephew… (1974), although the scene was not included in the final cut.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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アメリカ・NYを拠点に活動している実験音楽家Aki Ondaが、2022年6月に同国Recitalからリリースした再発盤です。 題の通り、フルクサス・ビデオアート作家Nam June Paikに捧げた物音コラージュ〜ドローン4曲を収録。20ページの写真集付属。 レーベルその他作品はこちら /// Click here to see more Recital releases available at Tobira. ...
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{"id":8016992141562,"title":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR]","handle":"aki-onda-transmissions-from-the-radio-midnight-lp","description":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e世界10ヵ国を旅しながら\u003c\/span\u003eAM\/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM\/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2599816025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlbum is based on Aki Onda's previous cassette, \"Voice Studies 17,” released in 2013 by London-based label My Dance The Skull. In 2022, the artist re-edited these materials and incorporated more previously unheard material.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Part I\u003cbr\u003e2. Part II \u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Aki Onda\u003cbr\u003eSeptember 20, 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM\/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed, I would begin tuning the radio in search of a program that I liked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf I concentrated intently on my fingers controlling the knob, I could sometimes catch two or three frequencies at once and hear the overlap of different languages. Otherwise I would scan through frequencies and jump around programs to hear the juxtaposition of different languages, such as Spanish, Swedish, French, Polish, Arabic, Korean, among others. There was no greater joy than the moment in which I would begin to hear these languages, which were foreign to me, not as words but as aural texture. Was I enjoying text-sound compositions with alien words? Perhaps it was the abstract fusing of these lingual sounds. It was, at the very least, something akin to sound poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI would often fall asleep while doing this — and so, just\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as often, the radio would continue playing in my dreams. Sometimes, in the middle of the night, I would wake up to the high-pitched beep of a test tone bouncing off the walls of the hotel room. On other occasions I would awaken in the mornings to some unknown program, or, if the tuning was off, simply static noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this album, I selected some of my favorite segments from the recordings made in ten-or-so countries over the span of roughly a decade, beginning in 2008. All of the fragments are presented just as they were captured. Since frequency behavior is often unpredictable, and since the act of catching waves was done manually, the recordings capture all sorts of incidental sounds, including various kinds of static noise and radio interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe radio is like an ocean of languages. It continuously projects a million chatterings happening simultaneously all over the world. This album captures and presents a tiny drop of this ocean, while the ocean itself flows onward — enormous, endless, infinite — for as long as the medium itself lasts. Isn’t that amazing?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2023-09-12T12:12:06+09:00","created_at":"2023-09-12T10:57:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","lp","monooto"],"price":379000,"price_min":379000,"price_max":428000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46222352646394,"title":"Black LP","option1":"Black LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":{"id":39805866148090,"product_id":8016992141562,"position":2,"created_at":"2023-09-12T10:57:28+09:00","updated_at":"2023-09-12T10:57:30+09:00","alt":null,"width":1200,"height":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","variant_ids":[46222352646394]},"available":true,"name":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR] - Black LP","public_title":"Black LP","options":["Black LP"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32436484833530,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46222352679162,"title":"Rainbow Splatter LP","option1":"Rainbow Splatter LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":{"id":41565209166074,"product_id":8016992141562,"position":3,"created_at":"2024-06-12T13:57:16+09:00","updated_at":"2024-06-12T13:57:17+09:00","alt":null,"width":1200,"height":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237","variant_ids":[46222352679162]},"available":true,"name":"Aki Onda \/\/ Transmissions From The Radio Midnight LP [BLACK \/ COLOR] - Rainbow Splatter LP","public_title":"Rainbow Splatter LP","options":["Rainbow Splatter LP"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34311754514682,"position":3,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","options":["Color"],"media":[{"alt":null,"id":32436484800762,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki1.jpg?v=1694483850","width":700},{"alt":null,"id":32436484833530,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aki2.jpg?v=1694483850","width":1200},{"alt":null,"id":34311754514682,"position":3,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032353131_10.jpg?v=1718168237","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e世界10ヵ国を旅しながら\u003c\/span\u003eAM\/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM\/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eそうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2599816025\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eAlbum is based on Aki Onda's previous cassette, \"Voice Studies 17,” released in 2013 by London-based label My Dance The Skull. In 2022, the artist re-edited these materials and incorporated more previously unheard material.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Part I\u003cbr\u003e2. Part II \u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Aki Onda\u003cbr\u003eSeptember 20, 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This project, entitled Transmissions From The Radio Midnight, started around 2006, when I acquired a Sony TCM F59 — an AM\/FM radio and cassette recorder combined in a slim, handheld body. Since then, whenever I went on a trip, I would throw it into my suitcase and take it around with me. No matter which country I was in, upon returning to the hotel room I made a habit of listening to the radio into the late hours of the night. As soon as I would snuggle into bed, I would begin tuning the radio in search of a program that I liked.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf I concentrated intently on my fingers controlling the knob, I could sometimes catch two or three frequencies at once and hear the overlap of different languages. Otherwise I would scan through frequencies and jump around programs to hear the juxtaposition of different languages, such as Spanish, Swedish, French, Polish, Arabic, Korean, among others. There was no greater joy than the moment in which I would begin to hear these languages, which were foreign to me, not as words but as aural texture. Was I enjoying text-sound compositions with alien words? Perhaps it was the abstract fusing of these lingual sounds. It was, at the very least, something akin to sound poetry.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI would often fall asleep while doing this — and so, just\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e as often, the radio would continue playing in my dreams. Sometimes, in the middle of the night, I would wake up to the high-pitched beep of a test tone bouncing off the walls of the hotel room. On other occasions I would awaken in the mornings to some unknown program, or, if the tuning was off, simply static noise.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor this album, I selected some of my favorite segments from the recordings made in ten-or-so countries over the span of roughly a decade, beginning in 2008. All of the fragments are presented just as they were captured. Since frequency behavior is often unpredictable, and since the act of catching waves was done manually, the recordings capture all sorts of incidental sounds, including various kinds of static noise and radio interference.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe radio is like an ocean of languages. It continuously projects a million chatterings happening simultaneously all over the world. This album captures and presents a tiny drop of this ocean, while the ocean itself flows onward — enormous, endless, infinite — for as long as the medium itself lasts. Isn’t that amazing?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aki Onda\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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茨城の実験音楽家Aki Ondaが、2023年9月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたレコードです。 世界10ヵ国を旅しながらAM/FMラジオ付カセットレコーダーのみで制作したラジオ・コラージュ作品です。DLコード付属。 以下、作家本人による解説です。 "Transmissions From The Radio Midnightと題したこのプロジェクトは、2006年頃、AM/FMラジオとカセットレコーダーが一体化したソニーのTCM F59を手に入れたことから始まった。それ以来、旅に出るときはいつもスーツケースに放り込んで持ち歩いていた。どの国に行っても、ホテルの部屋に戻ると、夜遅くまでラジオを聴くのが習慣だった。ベッドにもぐりこむとすぐにラジオのチューニングを始め、自分の好きな番組を探した。ツマミを操作する指に集中すれば、2つ、3つの周波数を同時にキャッチし、異なる言語の重なりを聴くことができることもあった。そうでなければ、周波数をスキャンし、スペイン語、スウェーデン語、フランス語、ポーランド語、アラビア語、韓国語など、異なる言語の重なりを聴くために番組を飛び回った。私にとって外国語であるこれらの言語が、言葉としてではなく、聴覚の質感として聴こえ始める瞬間ほど楽しいことはなかった。私は、異質な言葉を使ったテキストサウンドのコンポジションを楽しんでいたのだろうか。おそらくそれは、これらの言語音の抽象的な融合だったのだろう。少なくとも、音響詩のようなものだった。そうしているうちに、私はしばしば眠りに落ちた。夜中に、ホテルの部屋の壁を跳ね返すテストトーンの甲高いビープ音で目が覚めることもあった。また、朝目覚めると、見知らぬ番組が流れていたり、チューニングがずれていれば、単に静的ノイズが流れていたりすることもあった。このアルバムでは、2008年からおよそ10年の間に10カ国ほどで録音したものの中から、お気に入りの断片を選んだ。すべての断片は、録音されたままの状態で収録されている。周波数の挙動は予測不可能なことが多く、また波をキャッチする行為は手作業で行われたため、録音にはさまざまな種類の静的ノイズや電波干渉を含む、あらゆる種類の付随音が含まれている。ラジオは言語の海のようなものだ。世界中で同時に起こっている100万ものおしゃべりを、絶えず映し続けている。このアルバムは、この大洋のほんの一滴をとらえ、提示するものであり、大洋そのものは、巨大で、果てしなく、無限に、メディアが続く限り、流れ続ける。すごいことだと思わないか？" レーベルその他作品はこちら /// Click here to see...
¥3,790
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{"id":6561937588389,"title":"Akiko Haruna \/\/ Delusions 12\"","handle":"akiko-haruna-delusions-lp","description":"\u003cp\u003e新人作家Akiko HarunaがWhere To Now?よりリリースしたデビューEP。電子音響寄りのテクノ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=430200672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhere To Nowその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wtn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wtn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhere To Now releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Where To Now? Records present the debut release from Akiko Haruna. Akiko’s world is one where cacophonic distress lingers, shuffling itself over scapes of percussive damage and driven groove. Akiko presents a fresh take on the current Technoid function through her use of emotive and intentionally disruptive vocal chops and a dizzying ‘wall of sound’ approach to the dancefloor, consuming all yet somehow keeping vibes alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAkiko’s artistic background is primarily in Dance, and undoubtedly this performance led background has had an acute impact on her approach to melodic detail \u0026amp; storytelling. Akiko’s tracks rapidly shift \u0026amp; morph states, always restless and searching with fluidity and intent. From the ever present Micro Electronic details to sweeping swathes of Bass flutter the notion of progressive movement remains at the forefront of her sound, minute elements of detail become briefly isolated, intentionally directing the listener to their subtle presence.\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e- Where To Now\u003c\/p\u003e\n\u003cp\u003eArtist : Akiko Haruna\u003c\/p\u003e\n\u003cp\u003eLabel : Where To Now\u003c\/p\u003e","published_at":"2021-03-12T11:54:12+09:00","created_at":"2021-03-09T13:05:56+09:00","vendor":"Tobira Records","type":"","tags":["lp","techno \/ house","where to now"],"price":175000,"price_min":175000,"price_max":175000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39337710846117,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akiko Haruna \/\/ Delusions 12\"","public_title":null,"options":["Default Title"],"price":175000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_9e8e657d-64a5-44f5-b0a9-df129ef2ca7a.jpg?v=1615262757","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_1783dfd6-18f0-4e95-8bf0-301b3bbe8b7a.jpg?v=1615262758"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_9e8e657d-64a5-44f5-b0a9-df129ef2ca7a.jpg?v=1615262757","options":["Title"],"media":[{"alt":null,"id":20585385722021,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_9e8e657d-64a5-44f5-b0a9-df129ef2ca7a.jpg?v=1615262757"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_9e8e657d-64a5-44f5-b0a9-df129ef2ca7a.jpg?v=1615262757","width":700},{"alt":null,"id":20585385754789,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_1783dfd6-18f0-4e95-8bf0-301b3bbe8b7a.jpg?v=1615262758"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_1783dfd6-18f0-4e95-8bf0-301b3bbe8b7a.jpg?v=1615262758","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e新人作家Akiko HarunaがWhere To Now?よりリリースしたデビューEP。電子音響寄りのテクノ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=430200672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eWhere To Nowその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wtn\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wtn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wtn\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWhere To Now releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Where To Now? Records present the debut release from Akiko Haruna. Akiko’s world is one where cacophonic distress lingers, shuffling itself over scapes of percussive damage and driven groove. Akiko presents a fresh take on the current Technoid function through her use of emotive and intentionally disruptive vocal chops and a dizzying ‘wall of sound’ approach to the dancefloor, consuming all yet somehow keeping vibes alive.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAkiko’s artistic background is primarily in Dance, and undoubtedly this performance led background has had an acute impact on her approach to melodic detail \u0026amp; storytelling. Akiko’s tracks rapidly shift \u0026amp; morph states, always restless and searching with fluidity and intent. From the ever present Micro Electronic details to sweeping swathes of Bass flutter the notion of progressive movement remains at the forefront of her sound, minute elements of detail become briefly isolated, intentionally directing the listener to their subtle presence.\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e- Where To Now\u003c\/p\u003e\n\u003cp\u003eArtist : Akiko Haruna\u003c\/p\u003e\n\u003cp\u003eLabel : Where To Now\u003c\/p\u003e"}
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新人作家Akiko HarunaがWhere To Now?よりリリースしたデビューEP。電子音響寄りのテクノ3曲を収録。 Where To Nowその他作品はこちら /// Click here to see more Where To Now releases available...
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{"id":5813386117285,"title":"Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","handle":"pre-order-akio-suzuki-aki-onda-gi-n-ga-cd","description":"\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198435861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous Analapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces from a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and energy of the performance space, creating corresponding topographies, perceiving sound as space.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-21T17:58:53+09:00","created_at":"2020-10-21T17:58:43+09:00","vendor":"Tobira Records","type":"","tags":["cd","Hasana Editions","monooto","recommended","sale22"],"price":238000,"price_min":238000,"price_max":238000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36821138407589,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akio Suzuki \u0026 Aki Onda \/\/ gi n ga CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","options":["Title"],"media":[{"alt":null,"id":12508852453541,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2021,"width":2022,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725"},"aspect_ratio":1.0,"height":2021,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/XX-II-ginga.jpg?v=1603270725","width":2022},{"alt":null,"id":12782584430757,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021981800_10.jpg?v=1603580353","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eこれまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3198435861\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hasana-editions\"\u003ehere\u003c\/a\u003e to see more Hasana Editions releases available at Tobira. \u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e------------------------------\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAkio Suzuki and Aki Onda have been collaborating extensively in recent years. Though differ in generation and \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eperformance practice, these Japanese sound artists share an astonishingly inventive, open-ended, and in situ approach to the\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003einfinite and variegated possibilities of sound. Suzuki and Onda often utilize self-made instruments (Suzuki’s famous Analapos), stone flute, tape recorders, wood pieces, nails, hammer, and other found objects among others. gi n ga brings a\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ecollection of some important documentation from their extensive collaboration in the last decade with recording pieces from a performance space in Berlin, an event during documenta 14 in Athens, and a performance at Flanders Festival in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKortrijk. Each of them is an extensive investigation on sound in relation to the specific site, architecture, acoustics, and energy of the performance space, creating corresponding topographies, perceiving sound as space.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eConcrete volume XX-II:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLimited Edition CD. Hand-numbered edition of 300.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6-page digipak with silver foil stamp, packed in hand-assembled glassine paper with hand-stamped seal.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleases October 25, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCredits:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki: ANALAPOS – a \u0026amp; b, reed pipe, stone flute, one hole bamboo flute, wood piece, nails, hammer, plastics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emuddlers\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda: field recordings, tape recorders, electronics, cymbals, bells, slide bamboo flutes, daily objects\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 1 was recorded at Ausland, Berlin on June 19th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 2 was recorded by Yorgos Yergiou at Athens Conservatoire (Odeion) in documenta 14, Athens on April 18th, 2017\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTrack 3 was recorded by Stijn Demeulenaere at Budascoop in Flanders Festival Kortrijk, Kortrijk on May 10th, 2014\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMixed by Aki Onda in New York, 2020\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMastered by Giuseppe Ielasi\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalligraphy by Akio Suzuki\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhoto by Goran Vejvoda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbout the artists\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the 1960s, sound art pioneer Akio Suzuki has been investigating the acoustic quality of selected locations and creating\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecorresponding topographies. His intensive involvement with the phenomena of pulse and echo led him to develop his own\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003einstruments in the 1970s. One of these is the spiral echo instrument Analapos. It consists of a coil spring and two iron\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecylinders that function as resonating chambers, and is played with the voice or by hand. Starting from the 90s, his\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003esoundwalk project, oto-date, which means, respectively, \"sound\" and \"point\" in Japanese, finds listening points in the city,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eand playfully invites the audience to stop and listen carefully at given points on the map. Suzuki has been also active in the\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eimprovised music scenes in different continents, and has collaborated with Takehisa Kosugi, Derek Bailey, Peter Brötzmann,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSteve Lacy, George Lewis, David Toop, and John Butcher.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAki Onda is an artist and composer currently based in Mito, Japan after living in New York for two decades. He is\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eparticularly known for his “Cassette Memories”—works compiled from a “sound diary” of field-recordings collected by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eusing portable cassette recorder over a span of last three decades. Radio is another medium Onda loves and often uses for\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ecreating compositions and performances. Onda has presented his work at numerous institutions and festivals such as\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003edocumenta 14, Louvre Museum, Pompidou Center, Palais de Tokyo, Fondation Cartier, Présences électronique, Argos,\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBozar, ICA London, Counterflow, International Film Festival Rotterdam, The Kitchen, MoMA, REDCAT, Time-Based Art\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFestival, and Nam June Paik Art Center. He has collaborated with a diverse range of artists such as Ken Jacobs, Michael\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSnow, Paul Clipson, Raha Raissnia, Annea Lockwood, Loren Conners, Alan Licht, David Toop, Rie Nakajima, and Nao\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNishihara.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eAkio Suzuki \u0026amp; Aki Onda\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Hasana Editions\u003c\/span\u003e\u003c\/p\u003e"}
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これまでに数々のコラーボレーションを行ってきた2人による新作。本作はベルリン、アテネ、オランダFlanders Festivalで行ったライブ音源をGiuseppe Ielashiがマスタリングし、インドネシア物音レーベルHasana EditionsがCDでリリース。鈴木氏のAnalaposを含む多数の自作楽器や石笛、テープレコーダー、木片、釘、ハンマー、その他拾い物などで見事なサウンドスケープを奏でています。純粋に音の楽しみを感じる全3曲。6パネルデジパック、300部限定です。2020年10月発売。 レーベルその他作品はこちら /// Click here to see more Hasana Editions releases available at Tobira. ...
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{"id":7586960507130,"title":"Akio Suzuki \u0026 Lawrence English \/\/ boombana echoes CD","handle":"akio-suzuki-and-lawrence-english-boombana-echoes-cd","description":"\u003cp\u003e京都の音響作家Akio Suzukiとオーストラリア・ブリスベンの音響作家Lawrence Englishが、2012年にアメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜自作楽器によるドローン4曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2101518716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWinds Measure Recordingsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWinds Measure Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003eText by Lawrence English, May 2012:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"I had the pleasure to meet and record with Akio Suzuki late in 2005. Having discovered his work a good few years before that, I had always been impressed with his clear passion for the expressive nature of sound - not merely as a vibrational art form, but also for its mystic, perhaps even spiritual qualities. His many experiments with sound, space and environment were a great inspiration for me and still to this day fill me with a great sense of wonder (no doubt a result of Suzuki's magician like quality, after all he is a shaman).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese recordings are edits from a series of both site specific and situation specific encounters we developed together during a short performance based residency in Brisbane. The first recordings we made together were site specific, and the title of this edition reflects the location in which we began working on the project together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoombana is an area of forest that shifts from open eucalypt woodland to sub-tropic rainforest within a matter of 500 metres. It's located on route to Mt Nebo and not far from there, the view stretches all the way to Moreton Bay. I recorded Suzuki-san during high summer, the forest sizzling with an eerie electronic fizz of cicadas and leaf hoppers, occasionally interrupted by screeching Sulphur Crested Cockatoos. It was these recordings that form the inspiration for the duet published here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReturning to Brisbane, Suzuki and I recorded a series of pieces late one evening. Suzuki played his remarkable Analapos and I used a some hand percussion and a range of small electronic devices that in many ways reflected on the initial sessions we recorded in Boombana - the cicadas replaced by tone generators and filters. The titles of each work also directly link back to Boombana, its distinctive flora and fauna.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing back to these recordings more than half a decade after they were created, I'm still captivated by Suzuki's remarkable use of his unique instrument the Analapos and I'm inspired to this day by his mastery of sound as an art form. I dearly hope you enjoy these pieces.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : akio suzuki and lawrence english\u003c\/p\u003e\n\u003cp\u003eLabel : Winds Measure Recordings\u003c\/p\u003e","published_at":"2022-04-13T07:35:20+09:00","created_at":"2022-04-11T16:42:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","winds measure recordings"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42626522185978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akio Suzuki \u0026 Lawrence English \/\/ boombana echoes CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ec1_f6143108-7e29-4a05-a8de-dfb4fc816743.jpg?v=1649662969","\/\/tobirarecords.com\/cdn\/shop\/products\/ec2_4064108c-3292-453c-ac88-f5fd1832f3ea.jpg?v=1649662969"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec1_f6143108-7e29-4a05-a8de-dfb4fc816743.jpg?v=1649662969","options":["Title"],"media":[{"alt":null,"id":29513533030650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec1_f6143108-7e29-4a05-a8de-dfb4fc816743.jpg?v=1649662969"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec1_f6143108-7e29-4a05-a8de-dfb4fc816743.jpg?v=1649662969","width":700},{"alt":null,"id":29513533063418,"position":2,"preview_image":{"aspect_ratio":1.376,"height":872,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec2_4064108c-3292-453c-ac88-f5fd1832f3ea.jpg?v=1649662969"},"aspect_ratio":1.376,"height":872,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ec2_4064108c-3292-453c-ac88-f5fd1832f3ea.jpg?v=1649662969","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e京都の音響作家Akio Suzukiとオーストラリア・ブリスベンの音響作家Lawrence Englishが、2012年にアメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディング〜自作楽器によるドローン4曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2101518716\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWinds Measure Recordingsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWinds Measure Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003eText by Lawrence English, May 2012:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\"I had the pleasure to meet and record with Akio Suzuki late in 2005. Having discovered his work a good few years before that, I had always been impressed with his clear passion for the expressive nature of sound - not merely as a vibrational art form, but also for its mystic, perhaps even spiritual qualities. His many experiments with sound, space and environment were a great inspiration for me and still to this day fill me with a great sense of wonder (no doubt a result of Suzuki's magician like quality, after all he is a shaman).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese recordings are edits from a series of both site specific and situation specific encounters we developed together during a short performance based residency in Brisbane. The first recordings we made together were site specific, and the title of this edition reflects the location in which we began working on the project together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBoombana is an area of forest that shifts from open eucalypt woodland to sub-tropic rainforest within a matter of 500 metres. It's located on route to Mt Nebo and not far from there, the view stretches all the way to Moreton Bay. I recorded Suzuki-san during high summer, the forest sizzling with an eerie electronic fizz of cicadas and leaf hoppers, occasionally interrupted by screeching Sulphur Crested Cockatoos. It was these recordings that form the inspiration for the duet published here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReturning to Brisbane, Suzuki and I recorded a series of pieces late one evening. Suzuki played his remarkable Analapos and I used a some hand percussion and a range of small electronic devices that in many ways reflected on the initial sessions we recorded in Boombana - the cicadas replaced by tone generators and filters. The titles of each work also directly link back to Boombana, its distinctive flora and fauna.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eComing back to these recordings more than half a decade after they were created, I'm still captivated by Suzuki's remarkable use of his unique instrument the Analapos and I'm inspired to this day by his mastery of sound as an art form. I dearly hope you enjoy these pieces.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : akio suzuki and lawrence english\u003c\/p\u003e\n\u003cp\u003eLabel : Winds Measure Recordings\u003c\/p\u003e"}
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京都の音響作家Akio Suzukiとオーストラリア・ブリスベンの音響作家Lawrence Englishが、2012年にアメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。 フィールドレコーディング〜自作楽器によるドローン4曲を収録。廃盤です。 Winds Measure Recordingsその他作品はこちら /// Click here to see more Winds Measure Recordings...
¥2,280
クイックビュー
{"id":7671367663866,"title":"Akio Suzuki \/\/ Analapos CD","handle":"akio-suzuki-analapos-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227392117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card and 28 page book which includes exclusive photographs and an extensive interview conducted by Aki Onda about the history of the Analapos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 1979, Akio Suzuki recorded a performance, ’New Sense Of Hearing’, at the Nagoya American Centre. During the performance, Suzuki used voice, turntables, glass harmonica and his self-designed instrument the Analapos to create a series of improvised pieces that effectively charted out his sonic investigations for the proceeding decades.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1980 these recordings were issued by ALM records as Analapos, the first work made publicly available by Akio Suzuki.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor going on six decades now, Akio Suzuki has been responsible for creating amongst the most otherworldly, yet deeply affective sound works of his generation. As a musician, sculptor and sound artist, Suzuki’s work threads an important linkage between Eastern and Western sound art practices. His approaches, that focus primarily on intense states of listening, ’throwing and following’ and a relentless sense of open curiosity, have allowed him to continuously deepen his work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally published in an edition of just 200 copies in 1980, Analapos has been out of print literally since its release. Clocking in an over an hour, the original pressing of the recordings to a single LP, presented some technical\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e limitations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 40th anniversary edition of Analapos is entirely remastered and is published with a booklet that includes a long form interview with Akio Suzuki conducted by sound artist and collaborator Aki Onda, plus extensive photographic documentation of the development of the Analapos. The publication of this edition is announced in conjunction with the Sense Of Ekō retrospective exhibition which opens at The Substation in Melbourne late January.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2022-07-11T14:39:29+09:00","created_at":"2022-07-11T09:30:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","room40"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42974064050426,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Analapos CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","options":["Title"],"media":[{"alt":null,"id":30094755627258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak1_322c1790-fbc2-407e-b876-7eab49dbd9c1.jpg?v=1657499450","width":700},{"alt":null,"id":30094755660026,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ak2_937ad061-afb6-4fe1-a2de-9c928363980a.jpg?v=1657499450","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=227392117\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes insert card and 28 page book which includes exclusive photographs and an extensive interview conducted by Aki Onda about the history of the Analapos.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRoom40:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 1979, Akio Suzuki recorded a performance, ’New Sense Of Hearing’, at the Nagoya American Centre. During the performance, Suzuki used voice, turntables, glass harmonica and his self-designed instrument the Analapos to create a series of improvised pieces that effectively charted out his sonic investigations for the proceeding decades.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn 1980 these recordings were issued by ALM records as Analapos, the first work made publicly available by Akio Suzuki.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor going on six decades now, Akio Suzuki has been responsible for creating amongst the most otherworldly, yet deeply affective sound works of his generation. As a musician, sculptor and sound artist, Suzuki’s work threads an important linkage between Eastern and Western sound art practices. His approaches, that focus primarily on intense states of listening, ’throwing and following’ and a relentless sense of open curiosity, have allowed him to continuously deepen his work.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally published in an edition of just 200 copies in 1980, Analapos has been out of print literally since its release. Clocking in an over an hour, the original pressing of the recordings to a single LP, presented some technical\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e limitations.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis 40th anniversary edition of Analapos is entirely remastered and is published with a booklet that includes a long form interview with Akio Suzuki conducted by sound artist and collaborator Aki Onda, plus extensive photographic documentation of the development of the Analapos. The publication of this edition is announced in conjunction with the Sense Of Ekō retrospective exhibition which opens at The Substation in Melbourne late January.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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京都の音響作家Akio Suzukiが1980年にリリースしたデビュー作の再発盤です。 自作楽器アナラポスの写真資料やAki Ondaとの英文インタビューなどが掲載されたブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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クイックビュー
{"id":8626263818490,"title":"Akio Suzuki \/\/ KA I KI LP","handle":"akio-suzuki-ka-i-ki-tape","description":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月15日(火)発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e京都の大御所実験音楽家Akio Suzukiが、2024年10月に新潟のExperimental Roomsからリリースするレコードです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サウンド・アート界の巨匠、鈴木昭男が超絶エコー空間と共に創り上げたサイト・スペシフィック音響作品。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1960年代より「聴く」ことを主体に置き、自らをエコー人間とも称して響きの場を求め、これまでに洞窟、トンネル、宮殿、石油タンクなど数々のエコー空間を訪れてきたサウンド・アートの先駆的存在＝鈴木昭男。そんな巨匠が新潟・新発田市内の山奥に位置する内の倉ダム堤体内の残響40秒の異世界に導かれ、無観客レコーディングを敢行した記録が今作である。石、竹、スポンジ、手鏡、櫛、段ボール、ガラス瓶、そして自身の声。日常的に扱うオブジェクトや身体はたちまち「音器」と化し、叩く、転がす、擦る、回す、吹く、引っ張るなど、様々な作法によって演奏行為が行われ、電気的な増幅を一切持たない巨大なコンクリート空間の自然反射による特異なリバーブ効果とともにアコースティックな音響作品が立ち上がっていく。その様はミクロにもマクロにも変容し、私たち聴衆者に無限の宇宙をも想起させてくれる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2536465428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Kikkokikiriki | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eキッコキキリキ\u003c\/span\u003e 02:26\u003cbr\u003e2. Bokorobonboko | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eボコロボンボコ\u003c\/span\u003e 03:28\u003cbr\u003e3. Kyurukyuttsu | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eキュルキュッツ\u003c\/span\u003e 03:22\u003cbr\u003e4. Hyarihyariu | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eヒャリヒャリウ\u003c\/span\u003e 03:00\u003cbr\u003e5. Gurunmechuru | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eグルンメチュル\u003c\/span\u003e 06:53\u003cbr\u003e6. Jarujiruyaji | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eジャルジルャジ\u003c\/span\u003e 05:42\u003cbr\u003e7. Konrokokonro | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eコンロココンロ\u003c\/span\u003e 05:43\u003cbr\u003e8. Ōhohhōo | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eオーホッホーオ\u003c\/span\u003e 08:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eExperimental Rooms:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA site-specific sound piece created by Akio Suzuki, a master of sound art, with a transcendent\u003cspan class=\"bcTruncateMore\"\u003e echo space.\u003cbr\u003e\u003cbr\u003eSince the 1960s, Akio Suzuki, a pioneer of sound art, has focused on \"listening\" and has visited numerous echo spaces such as caves, tunnels, palaces, and oil tanks in search of places of resonance, calling himself an \"echo man.\" This work is a record of the master's being led to a 40-second otherworldly world of reverberation inside the embankment of Uchinokura Dam, located deep in the mountains of Shibata City, Niigata, and recording without an audience. Stones, bamboo, sponges, hand mirrors, combs, cardboard, glass bottles, and his own voice. Everyday objects and bodies are instantly transformed into \"sound instruments,\" and performances are performed in various ways, such as hitting, rolling, rubbing, spinning, blowing, and pulling, and an acoustic sound piece is created with the unique reverb effect of natural reflections in a huge concrete space without any electrical amplification. The scene transforms into both micro and macro scenes, evoking us, the audience, the infinite universe.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Experimental Rooms\u003c\/p\u003e","published_at":"2024-09-25T08:00:52+09:00","created_at":"2024-09-23T11:54:14+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46679533486330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ KA I KI LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kai1_2812fd56-23f8-432d-8ed7-998286e25829.jpg?v=1727059756","\/\/tobirarecords.com\/cdn\/shop\/files\/kai2_6bf9787a-261f-442c-98ff-7f3403f1e4a4.jpg?v=1727059757"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai1_2812fd56-23f8-432d-8ed7-998286e25829.jpg?v=1727059756","options":["Title"],"media":[{"alt":null,"id":34924017680634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai1_2812fd56-23f8-432d-8ed7-998286e25829.jpg?v=1727059756"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai1_2812fd56-23f8-432d-8ed7-998286e25829.jpg?v=1727059756","width":700},{"alt":null,"id":34924017713402,"position":2,"preview_image":{"aspect_ratio":1.332,"height":901,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai2_6bf9787a-261f-442c-98ff-7f3403f1e4a4.jpg?v=1727059757"},"aspect_ratio":1.332,"height":901,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kai2_6bf9787a-261f-442c-98ff-7f3403f1e4a4.jpg?v=1727059757","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月15日(火)発送開始します\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e京都の大御所実験音楽家Akio Suzukiが、2024年10月に新潟のExperimental Roomsからリリースするレコードです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"サウンド・アート界の巨匠、鈴木昭男が超絶エコー空間と共に創り上げたサイト・スペシフィック音響作品。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1960年代より「聴く」ことを主体に置き、自らをエコー人間とも称して響きの場を求め、これまでに洞窟、トンネル、宮殿、石油タンクなど数々のエコー空間を訪れてきたサウンド・アートの先駆的存在＝鈴木昭男。そんな巨匠が新潟・新発田市内の山奥に位置する内の倉ダム堤体内の残響40秒の異世界に導かれ、無観客レコーディングを敢行した記録が今作である。石、竹、スポンジ、手鏡、櫛、段ボール、ガラス瓶、そして自身の声。日常的に扱うオブジェクトや身体はたちまち「音器」と化し、叩く、転がす、擦る、回す、吹く、引っ張るなど、様々な作法によって演奏行為が行われ、電気的な増幅を一切持たない巨大なコンクリート空間の自然反射による特異なリバーブ効果とともにアコースティックな音響作品が立ち上がっていく。その様はミクロにもマクロにも変容し、私たち聴衆者に無限の宇宙をも想起させてくれる。 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2536465428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Kikkokikiriki | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eキッコキキリキ\u003c\/span\u003e 02:26\u003cbr\u003e2. Bokorobonboko | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eボコロボンボコ\u003c\/span\u003e 03:28\u003cbr\u003e3. Kyurukyuttsu | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eキュルキュッツ\u003c\/span\u003e 03:22\u003cbr\u003e4. Hyarihyariu | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eヒャリヒャリウ\u003c\/span\u003e 03:00\u003cbr\u003e5. Gurunmechuru | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eグルンメチュル\u003c\/span\u003e 06:53\u003cbr\u003e6. Jarujiruyaji | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eジャルジルャジ\u003c\/span\u003e 05:42\u003cbr\u003e7. Konrokokonro | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eコンロココンロ\u003c\/span\u003e 05:43\u003cbr\u003e8. Ōhohhōo | \u003cspan style=\"font-family: 'Yu Mincho',serif; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\" lang=\"JA\"\u003eオーホッホーオ\u003c\/span\u003e 08:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eExperimental Rooms:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA site-specific sound piece created by Akio Suzuki, a master of sound art, with a transcendent\u003cspan class=\"bcTruncateMore\"\u003e echo space.\u003cbr\u003e\u003cbr\u003eSince the 1960s, Akio Suzuki, a pioneer of sound art, has focused on \"listening\" and has visited numerous echo spaces such as caves, tunnels, palaces, and oil tanks in search of places of resonance, calling himself an \"echo man.\" This work is a record of the master's being led to a 40-second otherworldly world of reverberation inside the embankment of Uchinokura Dam, located deep in the mountains of Shibata City, Niigata, and recording without an audience. Stones, bamboo, sponges, hand mirrors, combs, cardboard, glass bottles, and his own voice. Everyday objects and bodies are instantly transformed into \"sound instruments,\" and performances are performed in various ways, such as hitting, rolling, rubbing, spinning, blowing, and pulling, and an acoustic sound piece is created with the unique reverb effect of natural reflections in a huge concrete space without any electrical amplification. The scene transforms into both micro and macro scenes, evoking us, the audience, the infinite universe.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Experimental Rooms\u003c\/p\u003e"}
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※10月15日(火)発送開始します 京都の大御所実験音楽家Akio Suzukiが、2024年10月に新潟のExperimental Roomsからリリースするレコードです。DLコード付属。 以下、レーベルによる解説です。 "サウンド・アート界の巨匠、鈴木昭男が超絶エコー空間と共に創り上げたサイト・スペシフィック音響作品。 1960年代より「聴く」ことを主体に置き、自らをエコー人間とも称して響きの場を求め、これまでに洞窟、トンネル、宮殿、石油タンクなど数々のエコー空間を訪れてきたサウンド・アートの先駆的存在＝鈴木昭男。そんな巨匠が新潟・新発田市内の山奥に位置する内の倉ダム堤体内の残響40秒の異世界に導かれ、無観客レコーディングを敢行した記録が今作である。石、竹、スポンジ、手鏡、櫛、段ボール、ガラス瓶、そして自身の声。日常的に扱うオブジェクトや身体はたちまち「音器」と化し、叩く、転がす、擦る、回す、吹く、引っ張るなど、様々な作法によって演奏行為が行われ、電気的な増幅を一切持たない巨大なコンクリート空間の自然反射による特異なリバーブ効果とともにアコースティックな音響作品が立ち上がっていく。その様はミクロにもマクロにも変容し、私たち聴衆者に無限の宇宙をも想起させてくれる。 " ------------------------------------------- Includes DL code. 12" black...
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{"id":5850282229925,"title":"Akio Suzuki \/\/ Kidate DVD+BOOK","handle":"kidate","description":"\u003cp\u003e日本が世界に誇るサウンドアーティスト鈴木昭男の展覧会記念DVDと写真集セットを入荷しました。DVDには谷川俊太郎との「詩と音のパフォーマンス」などライブ映像を3時間半収録。写真集はバイリンガル仕様で189ページにも及びます。ケースは茶と白の2色からお選びいただけます。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is Akio Suzuki's brand new fantastic item consisted of an exhibition catalog and DVD boxed! He carried out an exhibition at a small museum in Aichi pref. This DVD includes his installations, talking with poet Syuntaro Tanikawa, live performances and some past events in 3 hours and a half !! Also small catalog is included many photographs of this exhibition and very rare performances in earlier period. 189 pp, text is in Japanese and English (translated by Alan Cummings). Also box is appeared two colors (white and brown)'. 'The Theme of the exhibition is ki-date - a phase which orginally derives from the tea ceremony, where no-date means to brew tea outdoors. But rather than brewing tea, Suzuki means to kindle our awareness, and our spirit (ki ). Ki appears in many Japanese words - tenki (weather), kisei (elan), iki (spirited). In each of these cases, ki points to the latent potentioal to reveal its inner life. Atmosphere, life-force, beauty - each is composed of ki itself.\u003c\/span\u003e-soundohm\u003c\/p\u003e\n\u003cp\u003eartist : Akio Suzuki \u003c\/p\u003e","published_at":"2020-10-31T16:21:07+09:00","created_at":"2020-10-31T16:21:05+09:00","vendor":"Tobira Records","type":"","tags":["asia","books \/ clothing \/ others","monooto","recommended"],"price":396000,"price_min":396000,"price_max":396000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36960094421157,"title":"Brown","option1":"Brown","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Kidate DVD+BOOK - Brown","public_title":"Brown","options":["Brown"],"price":396000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":36960094453925,"title":"White","option1":"White","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Kidate DVD+BOOK - White","public_title":"White","options":["White"],"price":396000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date_box.jpg?v=1604128868","\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date400.jpg?v=1604128868","\/\/tobirarecords.com\/cdn\/shop\/products\/kidate_dvd.jpg?v=1604128868","\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_4.jpg?v=1604128869","\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_1_906b54a1-3742-44b9-9cca-d8a732961de4.jpg?v=1604128869","\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_3.jpg?v=1604128869","\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_2_efd77746-9f0c-4f63-8a82-dbbe41f9e699.jpg?v=1604128869"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date_box.jpg?v=1604128868","options":["Color"],"media":[{"alt":null,"id":13022157308069,"position":1,"preview_image":{"aspect_ratio":1.333,"height":450,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date_box.jpg?v=1604128868"},"aspect_ratio":1.333,"height":450,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date_box.jpg?v=1604128868","width":600},{"alt":null,"id":13022157373605,"position":2,"preview_image":{"aspect_ratio":0.696,"height":575,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date400.jpg?v=1604128868"},"aspect_ratio":0.696,"height":575,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ki-date400.jpg?v=1604128868","width":400},{"alt":null,"id":13022157406373,"position":3,"preview_image":{"aspect_ratio":1.515,"height":660,"width":1000,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kidate_dvd.jpg?v=1604128868"},"aspect_ratio":1.515,"height":660,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kidate_dvd.jpg?v=1604128868","width":1000},{"alt":null,"id":13022157471909,"position":4,"preview_image":{"aspect_ratio":1.333,"height":2448,"width":3264,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_4.jpg?v=1604128869"},"aspect_ratio":1.333,"height":2448,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_4.jpg?v=1604128869","width":3264},{"alt":null,"id":13022157504677,"position":5,"preview_image":{"aspect_ratio":0.75,"height":3264,"width":2448,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_1_906b54a1-3742-44b9-9cca-d8a732961de4.jpg?v=1604128869"},"aspect_ratio":0.75,"height":3264,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_1_906b54a1-3742-44b9-9cca-d8a732961de4.jpg?v=1604128869","width":2448},{"alt":null,"id":13022157537445,"position":6,"preview_image":{"aspect_ratio":0.75,"height":3264,"width":2448,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_3.jpg?v=1604128869"},"aspect_ratio":0.75,"height":3264,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_3.jpg?v=1604128869","width":2448},{"alt":null,"id":13022157602981,"position":7,"preview_image":{"aspect_ratio":0.75,"height":3264,"width":2448,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_2_efd77746-9f0c-4f63-8a82-dbbe41f9e699.jpg?v=1604128869"},"aspect_ratio":0.75,"height":3264,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/unnamed_2_efd77746-9f0c-4f63-8a82-dbbe41f9e699.jpg?v=1604128869","width":2448}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本が世界に誇るサウンドアーティスト鈴木昭男の展覧会記念DVDと写真集セットを入荷しました。DVDには谷川俊太郎との「詩と音のパフォーマンス」などライブ映像を3時間半収録。写真集はバイリンガル仕様で189ページにも及びます。ケースは茶と白の2色からお選びいただけます。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis is Akio Suzuki's brand new fantastic item consisted of an exhibition catalog and DVD boxed! He carried out an exhibition at a small museum in Aichi pref. This DVD includes his installations, talking with poet Syuntaro Tanikawa, live performances and some past events in 3 hours and a half !! Also small catalog is included many photographs of this exhibition and very rare performances in earlier period. 189 pp, text is in Japanese and English (translated by Alan Cummings). Also box is appeared two colors (white and brown)'. 'The Theme of the exhibition is ki-date - a phase which orginally derives from the tea ceremony, where no-date means to brew tea outdoors. But rather than brewing tea, Suzuki means to kindle our awareness, and our spirit (ki ). Ki appears in many Japanese words - tenki (weather), kisei (elan), iki (spirited). In each of these cases, ki points to the latent potentioal to reveal its inner life. Atmosphere, life-force, beauty - each is composed of ki itself.\u003c\/span\u003e-soundohm\u003c\/p\u003e\n\u003cp\u003eartist : Akio Suzuki \u003c\/p\u003e"}
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日本が世界に誇るサウンドアーティスト鈴木昭男の展覧会記念DVDと写真集セットを入荷しました。DVDには谷川俊太郎との「詩と音のパフォーマンス」などライブ映像を3時間半収録。写真集はバイリンガル仕様で189ページにも及びます。ケースは茶と白の2色からお選びいただけます。 This is Akio Suzuki's brand new fantastic item consisted of an exhibition catalog...
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{"id":6174823612581,"title":"Akio Suzuki \/\/ Na-Gi 1997 CD","handle":"akio-suzuki-na-gi-1997-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサウンドアーティスト鈴木昭男氏が1997年にリリースしたパフォーマンス音源。洞窟や風、虫の音など約1時間の壮大なサウンドスケープが堪能できます。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1997 release. A CD of minimalist environmental sounds by this Japanese sound-artist, previously known for his fabulous Soundsphere CD on the Dutch Het Apollohuis label. \"This music was recorded in Takano, Tango-cho, the northern-most coast of Kyoto, where I live. The bay surrounded by volcanic rock caves is the place where the mighty sounds of waves of the open sea have their muffled echo. Seawater flows into the hollows in the rock again and again like breathing in and breathing out. Spring water constantly drips in the cave, and now and then the wind from the meadow above the chasm brings the sounds of the crickets...the sound spaces of the coast of Takano. A site of a new encounter with the rhythm of the sounds of the sea.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 Performance 17.10.'97 52:00\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 Performance 20.10.'97 6:00\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Edition RZ\u003c\/p\u003e","published_at":"2021-02-15T09:45:50+09:00","created_at":"2021-02-13T15:26:00+09:00","vendor":"Tobira Records","type":"","tags":["asia","edition RZ","field recording","lp","monooto"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37903975448741,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Na-Gi 1997 CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akio1.jpg?v=1613197562"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akio1.jpg?v=1613197562","options":["Title"],"media":[{"alt":null,"id":16474187956389,"position":1,"preview_image":{"aspect_ratio":1.015,"height":335,"width":340,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akio1.jpg?v=1613197562"},"aspect_ratio":1.015,"height":335,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akio1.jpg?v=1613197562","width":340}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサウンドアーティスト鈴木昭男氏が1997年にリリースしたパフォーマンス音源。洞窟や風、虫の音など約1時間の壮大なサウンドスケープが堪能できます。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1997 release. A CD of minimalist environmental sounds by this Japanese sound-artist, previously known for his fabulous Soundsphere CD on the Dutch Het Apollohuis label. \"This music was recorded in Takano, Tango-cho, the northern-most coast of Kyoto, where I live. The bay surrounded by volcanic rock caves is the place where the mighty sounds of waves of the open sea have their muffled echo. Seawater flows into the hollows in the rock again and again like breathing in and breathing out. Spring water constantly drips in the cave, and now and then the wind from the meadow above the chasm brings the sounds of the crickets...the sound spaces of the coast of Takano. A site of a new encounter with the rhythm of the sounds of the sea.\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 Performance 17.10.'97 52:00\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 Performance 20.10.'97 6:00\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Edition RZ\u003c\/p\u003e"}
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日本のサウンドアーティスト鈴木昭男氏が1997年にリリースしたパフォーマンス音源。洞窟や風、虫の音など約1時間の壮大なサウンドスケープが堪能できます。 1997 release. A CD of minimalist environmental sounds by this Japanese sound-artist, previously...
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{"id":8556016992506,"title":"Akio Suzuki \/\/ Stone CD","handle":"akio-suzuki-stone-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e京都の実験音楽家Akio Suzukiが、2024年6月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした再発CDです。（オリジナルは1994年リリース）\u003c\/p\u003e\n\u003cp\u003e石笛を用いた演奏です。David Toopによるエッセイを掲載したブックレット付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1396641625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. Includes booklet with essay by David Toop. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Keihitsu 00:32\u003cbr\u003e2. Seseragi 10:05\u003cbr\u003e3. Hinabi 04:28\u003cbr\u003e4. Tsumugi 08:43\u003cbr\u003e5. Hata 11:51\u003cbr\u003e6. Kinuta 05:01\u003cbr\u003e7. Tubarama 02:39\u003cbr\u003e8. Raiin 00:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by David Toop (excerpt from the Stone booklet):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"With concentration, or elevated tension as he has called it, Akio Suzuki enters completely into the substance of sound, its emergence and its passing. What he does with sound may propose a rarefied world to many people, and yet it possesses a persuasive quality of rightness. One of the most difficult aspects of music and soundwork to explain is the concept of ‘right action’. How is that music can be evaluated almost immediately, just as quickly as a fire alarm or a baby’s cry?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen Akio performs, certain qualities (grace, warmth, a quiet authority of mind and action, an engagement with the vessel of nothingness through which sound can emerge) are evident as presences, as soon as he begins. He begins from a state we call silence, by listening, yet at the same time raises questions about our ideas of what this silence might be.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTime passes; fixity gives way to destruction; visual perfection is relinquished within the faintest of sound fields. As for the work, this ceremony returns us to nothing, ‘to the feeling of not\u003cspan class=\"bcTruncateMore\"\u003e knowing exactly what is before us’, so to the uncanny, to the shell-like ear found by the sea, the ‘ungraspable phantom of life’, the record of a haunting, time regained. The sound is a parabola, a finger tracing on skin, a brush point, bird in flight.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2024-07-11T18:58:24+09:00","created_at":"2024-07-11T16:33:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","new","room40"],"price":279000,"price_min":279000,"price_max":279000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46385089675514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Stone CD","public_title":null,"options":["Default Title"],"price":279000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","options":["Title"],"media":[{"alt":null,"id":34523934523642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio1.jpg?v=1720683169","width":700},{"alt":null,"id":34523934556410,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akio2.jpg?v=1720683169","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e京都の実験音楽家Akio Suzukiが、2024年6月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした再発CDです。（オリジナルは1994年リリース）\u003c\/p\u003e\n\u003cp\u003e石笛を用いた演奏です。David Toopによるエッセイを掲載したブックレット付属。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1396641625\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in embossed cardstock sleeve. Includes booklet with essay by David Toop. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Keihitsu 00:32\u003cbr\u003e2. Seseragi 10:05\u003cbr\u003e3. Hinabi 04:28\u003cbr\u003e4. Tsumugi 08:43\u003cbr\u003e5. Hata 11:51\u003cbr\u003e6. Kinuta 05:01\u003cbr\u003e7. Tubarama 02:39\u003cbr\u003e8. Raiin 00:39\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eText by David Toop (excerpt from the Stone booklet):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"With concentration, or elevated tension as he has called it, Akio Suzuki enters completely into the substance of sound, its emergence and its passing. What he does with sound may propose a rarefied world to many people, and yet it possesses a persuasive quality of rightness. One of the most difficult aspects of music and soundwork to explain is the concept of ‘right action’. How is that music can be evaluated almost immediately, just as quickly as a fire alarm or a baby’s cry?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWhen Akio performs, certain qualities (grace, warmth, a quiet authority of mind and action, an engagement with the vessel of nothingness through which sound can emerge) are evident as presences, as soon as he begins. He begins from a state we call silence, by listening, yet at the same time raises questions about our ideas of what this silence might be.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTime passes; fixity gives way to destruction; visual perfection is relinquished within the faintest of sound fields. As for the work, this ceremony returns us to nothing, ‘to the feeling of not\u003cspan class=\"bcTruncateMore\"\u003e knowing exactly what is before us’, so to the uncanny, to the shell-like ear found by the sea, the ‘ungraspable phantom of life’, the record of a haunting, time regained. The sound is a parabola, a finger tracing on skin, a brush point, bird in flight.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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京都の実験音楽家Akio Suzukiが、2024年6月にオーストラリア・ブリスベンの実験／アンビエントレーベルRoom40からリリースした再発CDです。（オリジナルは1994年リリース） 石笛を用いた演奏です。David Toopによるエッセイを掲載したブックレット付属。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ----------------------------...
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{"id":6545079959717,"title":"Akio Suzuki \/\/ Zeitstudie LP","handle":"akio-suzuki-zeitstudie-lp","description":"\u003cp\u003e日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1267095545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally release on cassette in 1984, “Zeitstudie” is remastered and published as an LP by Room40. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOn May 1984 I appeared at a German festival called Pro \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eMusica Nova, organized by Radio Bremen. I then travelled to Berlin by car with Rolf Langebertels, the owner of Galerie Giannozzo who had driven to Bremen to hear me perform. I still remember very vividly the experience of passing through the checkpoint to enter West Berlin, a city that floated like an island in the middle of the still socialist GDR. I had previously visited Berlin in 1982 to perform at Kunstlerhaus Bethanien at an event that Rolf had organized. This time too Rolf had organized a concert for me at the Technische Universitat. Playing off the title of the piece (“Study Time”) I had performed at Pro Musica Nova, I titled the piece for this concert “Zeitstudie”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI owe Rolf a great deal of gratitude, as it was him who encouraged me by releasing my very first cassette tape, “Zeitstudie von Akio Suzuki”. In recent years it has become difficult for me to carry heavy instruments around with me, and I have started to do simpler performances with objects assembled on site. So it feels wonderful to have the sound of the battery of instruments I used back then to be\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e returned to the light of day.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Zeitstudie von A.S.” I used an ANALAPOS, the echo instrument I invented in 1970, and the Suzuki-type glass harmonica that I created in 1975. The ANALAPOS resembles the tin-can telephone that children used to play with: two metal cans, open at one end and connected by a coil spring. You play it by stretching out the spring horizonally and then projecting your voice into the open end of one of the cylinders. The second piece features a variation, where I would suspend several ANALAPOS vertically and play them like a percussion instrument.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Suzuki-type glass harmonica is in a simpler form than the pre-existing glass harmonica, and consists of five long glass tubes of varying diameters suspended horizontally in a metal frame. As well as rubbing the tubes with wet hands, I developed my own style of playing it using sticks. Once when I was practicing with it in the Netherlands, outside the window I was surprised to hear a bird imitating my sounds. However, later I discovered that the bird always sang that way, and as a token of my regret for having ever doubted it, I borrowed the bird’s Dutch name, De Koolmees, and I s till use it for my instrument. Recently, as I listened back to the cassette of “Zeitstudie von A.S.”, one of Hiromi Miyakita’s drawings was lying in front of me. There was a sympathetic resonance between the sounds and the drawing, so I decided to use it on the cover. This is a joyful music.\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eAkio Suzuki\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-02-28T12:05:33+09:00","created_at":"2021-02-27T11:02:18+09:00","vendor":"Tobira Records","type":"","tags":["asia","field recording","lp","monooto","room40"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39276009390245,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akio Suzuki \/\/ Zeitstudie LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/zei1.jpg?v=1614481512","\/\/tobirarecords.com\/cdn\/shop\/products\/zei3.jpg?v=1614481512"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei1.jpg?v=1614481512","options":["Title"],"media":[{"alt":null,"id":20330138632357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei1.jpg?v=1614481512"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei1.jpg?v=1614481512","width":700},{"alt":null,"id":20330138665125,"position":2,"preview_image":{"aspect_ratio":1.339,"height":896,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei3.jpg?v=1614481512"},"aspect_ratio":1.339,"height":896,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/zei3.jpg?v=1614481512","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1267095545\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally release on cassette in 1984, “Zeitstudie” is remastered and published as an LP by Room40. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eOn May 1984 I appeared at a German festival called Pro \u003c\/em\u003e\u003c\/span\u003e\u003cem\u003eMusica Nova, organized by Radio Bremen. I then travelled to Berlin by car with Rolf Langebertels, the owner of Galerie Giannozzo who had driven to Bremen to hear me perform. I still remember very vividly the experience of passing through the checkpoint to enter West Berlin, a city that floated like an island in the middle of the still socialist GDR. I had previously visited Berlin in 1982 to perform at Kunstlerhaus Bethanien at an event that Rolf had organized. This time too Rolf had organized a concert for me at the Technische Universitat. Playing off the title of the piece (“Study Time”) I had performed at Pro Musica Nova, I titled the piece for this concert “Zeitstudie”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI owe Rolf a great deal of gratitude, as it was him who encouraged me by releasing my very first cassette tape, “Zeitstudie von Akio Suzuki”. In recent years it has become difficult for me to carry heavy instruments around with me, and I have started to do simpler performances with objects assembled on site. So it feels wonderful to have the sound of the battery of instruments I used back then to be\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e returned to the light of day.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Zeitstudie von A.S.” I used an ANALAPOS, the echo instrument I invented in 1970, and the Suzuki-type glass harmonica that I created in 1975. The ANALAPOS resembles the tin-can telephone that children used to play with: two metal cans, open at one end and connected by a coil spring. You play it by stretching out the spring horizonally and then projecting your voice into the open end of one of the cylinders. The second piece features a variation, where I would suspend several ANALAPOS vertically and play them like a percussion instrument.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Suzuki-type glass harmonica is in a simpler form than the pre-existing glass harmonica, and consists of five long glass tubes of varying diameters suspended horizontally in a metal frame. As well as rubbing the tubes with wet hands, I developed my own style of playing it using sticks. Once when I was practicing with it in the Netherlands, outside the window I was surprised to hear a bird imitating my sounds. However, later I discovered that the bird always sang that way, and as a token of my regret for having ever doubted it, I borrowed the bird’s Dutch name, De Koolmees, and I s till use it for my instrument. Recently, as I listened back to the cassette of “Zeitstudie von A.S.”, one of Hiromi Miyakita’s drawings was lying in front of me. There was a sympathetic resonance between the sounds and the drawing, so I decided to use it on the cover. This is a joyful music.\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eAkio Suzuki\u003c\/p\u003e\n\u003cp\u003eArtist : Akio Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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日本を代表するサウンドアーティストAkio Suzukiが1984年にカセットでリリースしたアルバムを、オーストラリアアンビエント作家Lawrence English主宰Room40がLP再発。全4曲のオーガニック・サウンドコラージュを収録。DLコード付属。 Originally release on cassette in 1984, “Zeitstudie” is remastered and published...
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{"id":7990147318010,"title":"Akira Ishikawa Count Buffalo Jazz And Rock Band \/\/ Bakishinba: Memories Of Africa LP","handle":"akira-ishikawa-count-buffalo-jazz-and-rock-band-bakishinba-memories-of-africa-lp","description":"\u003cp\u003eAkira Ishikawa Count Buffalo Jazz And Rock Bandの再発デビューレコードです。（オリジナルは1970年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ファンク〜フュージョン7曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3507430855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sandstorm\u003cbr\u003eA2 Sunrise\u003cbr\u003eA3 Flamingo\u003cbr\u003eA4 African Deer\u003cbr\u003eB1 Bakishinba\u003cbr\u003eB2 Mirage\u003cbr\u003eB3 Blue Soul \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ishikawa Count Buffalo Jazz And Rock Band\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e","published_at":"2023-06-29T13:43:05+09:00","created_at":"2023-06-29T12:07:17+09:00","vendor":"Tobira Records","type":"","tags":["cinedelic","jazz","lp"],"price":478000,"price_min":478000,"price_max":478000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44303551987962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Ishikawa Count Buffalo Jazz And Rock Band \/\/ Bakishinba: Memories Of Africa LP","public_title":null,"options":["Default Title"],"price":478000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","options":["Title"],"media":[{"alt":null,"id":32166199066874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_d01f990f-c567-4c82-9c44-53639ceb5562.jpg?v=1688008039","width":700},{"alt":null,"id":32166199099642,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_0b89a57c-6df8-4750-8da4-333604626188.jpg?v=1688008039","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAkira Ishikawa Count Buffalo Jazz And Rock Bandの再発デビューレコードです。（オリジナルは1970年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ファンク〜フュージョン7曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3507430855\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Sandstorm\u003cbr\u003eA2 Sunrise\u003cbr\u003eA3 Flamingo\u003cbr\u003eA4 African Deer\u003cbr\u003eB1 Bakishinba\u003cbr\u003eB2 Mirage\u003cbr\u003eB3 Blue Soul \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ishikawa Count Buffalo Jazz And Rock Band\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e"}
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Akira Ishikawa Count Buffalo Jazz And Rock Bandの再発デビューレコードです。（オリジナルは1970年リリース） ジャズ・ファンク〜フュージョン7曲を収録。ゲートフォルド仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more...
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{"id":7568233627898,"title":"Akira Ito \/\/ Marine Flowers (Science Fantasy) LP","handle":"akira-ito-marine-flowers-science-fantasy-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のニューエイジ作家Akira Itoが、1986年にリリースしたアルバムの再発レコードです。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=947565442\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCelebrating its 35th anniversary, this is the first remaster and reissue of the 1986 Akira Ito's 1986 album 'Marine Flowers (Science Fantasy). \u003cbr\u003eThe album was originally c\u003cspan data-mce-fragment=\"1\"\u003eomposed for a documentary for Marine wildlife filmed in Palau and commissioned by Pionner's Laser Disc campaign.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGlossy Mistakes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multiartist Akira Ito. An album that is unique, delicate, exploratory…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA true one of a kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLooking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor\/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnlikely as it seems, Akira would segue a string of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e stints playing in American cover bands into backing up a slew of varied American artists that would come tour Japanese military bases. Aretha, The Jacksons, Stevie Wonder or James Brown. Those were a few of the big names Akira would play alongside.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut Akira’s musical interests changed throught his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAkira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First he started his own record label, dubbing it “Green \u0026amp; Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFladked by more than a phalanx of analog and digital synthesizers from Roland, Korg, and Moog, Akira would dedicate this release to those waters of Palau. Here he would largely improvise on scratch ideas he had in mind, creating a musical base for tracks like “W・A・T・E・R”, “Dancing Spirits’’, and “Life Goes On” that he’d let invited friends and gifted musicians, like violinist Takashi Toyoda, the late Japanese drum giant Shuichi “Ponta” Murakami, and others contribute their own ideas afterward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHearing the music now, it’s not hard to understand just what Akira stumbled into. Marine Flowers (Science Fantasy) is of a new lineage of “ambient” artists like Hiroshi Yoshimura, Satoshi Sumitani, and others who took academia out of all these therapeutic ideas married to scientific theories, making them into something a bit more universal, malleable, and palpable. This Music For Inochi or “music for life”, treated us to gorgeous, floating music like album opener “Prologue, Into the Beauty” where Akira’s droning, aquatic-sounding electronics open up to the ebb and flow of percolating electroacoustic sonics that flow into the aforementioned “W·A·T·E·R”. Rich and organic, a violin melody from Takashi Toyoda feels like an aural lily pad bobbing along to all these gentle sonorities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGentle piano melodies cycle in and out of songs like “Dancing Spirits” evoking classic ambient discreet music from the likes of Brian Eno. Others like “Essence Of Beauty” have gossamer parallels in the works of Harmonia. Nevertheless, according to Akira Ito, every idea was just different to the others, creating pieces that although they did not lack coherence o cohesion, were independent and self-contained.\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner notes are written by Diego Olivas, author of the blog Fond\/Sond, from an interview with the artist coordinated by Ken Hidaka.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ito\u003c\/p\u003e\n\u003cp\u003eLabel : Glossy Mistakes\u003c\/p\u003e","published_at":"2022-03-17T18:52:29+09:00","created_at":"2022-03-17T16:03:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","glossy mistakes","lp","post newage"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42537147367674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Ito \/\/ Marine Flowers (Science Fantasy) LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_0beb3552-e5f2-445e-b86a-627786b32f34.jpg?v=1647500615","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ae845532-b5ae-44fd-9603-a9d9d80a6376.jpg?v=1647500615"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_0beb3552-e5f2-445e-b86a-627786b32f34.jpg?v=1647500615","options":["Title"],"media":[{"alt":null,"id":29322965254394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_0beb3552-e5f2-445e-b86a-627786b32f34.jpg?v=1647500615"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_0beb3552-e5f2-445e-b86a-627786b32f34.jpg?v=1647500615","width":700},{"alt":null,"id":29322965287162,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ae845532-b5ae-44fd-9603-a9d9d80a6376.jpg?v=1647500615"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_ae845532-b5ae-44fd-9603-a9d9d80a6376.jpg?v=1647500615","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のニューエイジ作家Akira Itoが、1986年にリリースしたアルバムの再発レコードです。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=947565442\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCelebrating its 35th anniversary, this is the first remaster and reissue of the 1986 Akira Ito's 1986 album 'Marine Flowers (Science Fantasy). \u003cbr\u003eThe album was originally c\u003cspan data-mce-fragment=\"1\"\u003eomposed for a documentary for Marine wildlife filmed in Palau and commissioned by Pionner's Laser Disc campaign.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGlossy Mistakes:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Some artists have gained huge recognition, some records have been idealized to the point of becoming cult albums… and that’s exactly the case of Marine Flowers, by Japanese multiartist Akira Ito. An album that is unique, delicate, exploratory…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA true one of a kind sonic adventure that 35 years after its first release comes back in the form of a reissue via Glossy Mistakes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLooking back, Akira Ito’s artistic career began not in music but in acting. Born in Japan in 1945, he developed a prodigious ability to perform and a childhood acting career blossomed. However, as acting gigs dried up, actor\/director Shintaro Katsu encouraged him to follow his steps into the music industry. With the rise of Western rock and soul music lighting up Japanese radio, Akira Ito stood to capitalize in the localized mid-60s “Group Sounds” craze by becoming a performing musician, joining touring bands across Japan fusing western and Shōwa-era pop styles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnlikely as it seems, Akira would segue a string of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e stints playing in American cover bands into backing up a slew of varied American artists that would come tour Japanese military bases. Aretha, The Jacksons, Stevie Wonder or James Brown. Those were a few of the big names Akira would play alongside.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut Akira’s musical interests changed throught his life experiences and travels, up to the point when he knew exactly what he wanted to do (without knowing how to do it): healing music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAkira understood that once he set up shop at Hitokuchizaka Studios in Tokyo the work of translating these ideas began in earnest. First he started his own record label, dubbing it “Green \u0026amp; Water’’ to promote a series of releases that would strike a more organic tone, envisioning a series of Japanese Environmental Music records. Marine Flowers would be one of four self-penned albums on the label dedicated to esoteric symbolism like “Hopi Prophecies”, “Prayers”, and the “Four Corners Of Water”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFladked by more than a phalanx of analog and digital synthesizers from Roland, Korg, and Moog, Akira would dedicate this release to those waters of Palau. Here he would largely improvise on scratch ideas he had in mind, creating a musical base for tracks like “W・A・T・E・R”, “Dancing Spirits’’, and “Life Goes On” that he’d let invited friends and gifted musicians, like violinist Takashi Toyoda, the late Japanese drum giant Shuichi “Ponta” Murakami, and others contribute their own ideas afterward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHearing the music now, it’s not hard to understand just what Akira stumbled into. Marine Flowers (Science Fantasy) is of a new lineage of “ambient” artists like Hiroshi Yoshimura, Satoshi Sumitani, and others who took academia out of all these therapeutic ideas married to scientific theories, making them into something a bit more universal, malleable, and palpable. This Music For Inochi or “music for life”, treated us to gorgeous, floating music like album opener “Prologue, Into the Beauty” where Akira’s droning, aquatic-sounding electronics open up to the ebb and flow of percolating electroacoustic sonics that flow into the aforementioned “W·A·T·E·R”. Rich and organic, a violin melody from Takashi Toyoda feels like an aural lily pad bobbing along to all these gentle sonorities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGentle piano melodies cycle in and out of songs like “Dancing Spirits” evoking classic ambient discreet music from the likes of Brian Eno. Others like “Essence Of Beauty” have gossamer parallels in the works of Harmonia. Nevertheless, according to Akira Ito, every idea was just different to the others, creating pieces that although they did not lack coherence o cohesion, were independent and self-contained.\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1986 and on its 35th anniversary, Marine Flowers deserves this fresh reissue, making this masterpiece available for everyone.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner notes are written by Diego Olivas, author of the blog Fond\/Sond, from an interview with the artist coordinated by Ken Hidaka.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Akira Ito\u003c\/p\u003e\n\u003cp\u003eLabel : Glossy Mistakes\u003c\/p\u003e"}
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日本のニューエイジ作家Akira Itoが、1986年にリリースしたアルバムの再発レコードです。DLコード付属。 -------------------------------- Celebrating its 35th anniversary, this is the first remaster and...
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![Akira Kosemura & Lawrence English // Selene LP [BLACK/COLOR]](http://tobirarecords.com/cdn/shop/files/sel1_medium.jpg?v=1716879661)
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{"id":8473003655418,"title":"Akira Kosemura \u0026 Lawrence English \/\/ Selene LP [BLACK\/COLOR]","handle":"akira-kosemura-lawrence-english-selene-lp-black-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e東京のピアニストAkira Kosemuraとオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2024年5月にアメリカ・NYのTemporary Residence Ltdからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UjcnOF4Kuqk?si=ca6ZtuZRnaR551yh\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W8sQPFpAM7w?si=lHPYsKqMBFxx5Xpn\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" cloudy white vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Crescents\u003cbr\u003e2. Crater\u003cbr\u003e3. Thela 04:56\u003cbr\u003e4. The Shadow Falling\u003cbr\u003e5. Twilight Wave\u003cbr\u003e6. Tint Of Ionosphere\u003cbr\u003e7. Mirroring Feldspar 04:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTemporary Residence Ltd.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAtmosphere and gravity lean into each other. They are simultaneously expansive, and anchoring. They hold us, and lend a sense of perspective. They provide a stability and a knowingness which is essential in the absolute, and yet we can’t help but find ourselves gazing upward, outward and reaching towards that which sits outside those things and ways we know.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSelene is a record about that this lingering desire for that which sits beyond. It is work that seeks new perspectives snatched from familiar vistas, and it meditates on that sense of anchor and perspective. The work is also a speculative hymn to the visions of the celestial zones that spill ever outward. These visions, once merely what we could perceive with the naked eye are now so much more. Our minds eye is fed in equal parts by radio telecopy, filmic dreams and fiction renders of a place most of us will never know first-hand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording ties into a linage that reaches back, while stretching forward. It is just one story of so many, told across places, across cultures, across generations. It sits in the in-between of before and after, and in that moment invites us to situate ourselves and lean into it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Kosemura \u0026amp; Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Temporary Residence Ltd. \u003c\/p\u003e\n\u003cp\u003eCAT No: TRR428lp\u003c\/p\u003e","published_at":"2024-05-28T17:35:14+09:00","created_at":"2024-05-28T16:03:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","temporary residence ltd."],"price":398800,"price_min":398800,"price_max":413200,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46128927965434,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41427029524730,"product_id":8473003655418,"position":3,"created_at":"2024-05-28T16:01:00+09:00","updated_at":"2024-05-28T16:01:01+09:00","alt":null,"width":1200,"height":907,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661","variant_ids":[46128927965434]},"available":false,"name":"Akira Kosemura \u0026 Lawrence English \/\/ Selene LP [BLACK\/COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":398800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34167504503034,"position":3,"preview_image":{"aspect_ratio":1.323,"height":907,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46128927998202,"title":"Cloudy White Vinyl","option1":"Cloudy White Vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":41427029491962,"product_id":8473003655418,"position":2,"created_at":"2024-05-28T16:01:00+09:00","updated_at":"2024-05-28T16:01:01+09:00","alt":null,"width":1200,"height":907,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661","variant_ids":[46128927998202]},"available":false,"name":"Akira Kosemura \u0026 Lawrence English \/\/ Selene LP [BLACK\/COLOR] - Cloudy White Vinyl","public_title":"Cloudy White Vinyl","options":["Cloudy White Vinyl"],"price":413200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":34167504470266,"position":2,"preview_image":{"aspect_ratio":1.323,"height":907,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sel1.jpg?v=1716879661","\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661","\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1.jpg?v=1716879661","options":["Size"],"media":[{"alt":null,"id":34167504437498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1.jpg?v=1716879661"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel1.jpg?v=1716879661","width":700},{"alt":null,"id":34167504470266,"position":2,"preview_image":{"aspect_ratio":1.323,"height":907,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661"},"aspect_ratio":1.323,"height":907,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel2.jpg?v=1716879661","width":1200},{"alt":null,"id":34167504503034,"position":3,"preview_image":{"aspect_ratio":1.323,"height":907,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661"},"aspect_ratio":1.323,"height":907,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sel3.jpg?v=1716879661","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e東京のピアニストAkira Kosemuraとオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2024年5月にアメリカ・NYのTemporary Residence Ltdからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント7曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/UjcnOF4Kuqk?si=ca6ZtuZRnaR551yh\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/W8sQPFpAM7w?si=lHPYsKqMBFxx5Xpn\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" cloudy white vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Crescents\u003cbr\u003e2. Crater\u003cbr\u003e3. Thela 04:56\u003cbr\u003e4. The Shadow Falling\u003cbr\u003e5. Twilight Wave\u003cbr\u003e6. Tint Of Ionosphere\u003cbr\u003e7. Mirroring Feldspar 04:21\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTemporary Residence Ltd.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAtmosphere and gravity lean into each other. They are simultaneously expansive, and anchoring. They hold us, and lend a sense of perspective. They provide a stability and a knowingness which is essential in the absolute, and yet we can’t help but find ourselves gazing upward, outward and reaching towards that which sits outside those things and ways we know.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSelene is a record about that this lingering desire for that which sits beyond. It is work that seeks new perspectives snatched from familiar vistas, and it meditates on that sense of anchor and perspective. The work is also a speculative hymn to the visions of the celestial zones that spill ever outward. These visions, once merely what we could perceive with the naked eye are now so much more. Our minds eye is fed in equal parts by radio telecopy, filmic dreams and fiction renders of a place most of us will never know first-hand.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis recording ties into a linage that reaches back, while stretching forward. It is just one story of so many, told across places, across cultures, across generations. It sits in the in-between of before and after, and in that moment invites us to situate ourselves and lean into it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Kosemura \u0026amp; Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Temporary Residence Ltd. \u003c\/p\u003e\n\u003cp\u003eCAT No: TRR428lp\u003c\/p\u003e"}
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東京のピアニストAkira Kosemuraとオーストラリアの実験レーベルRoom40主宰Lawrence Englishが、2024年5月にアメリカ・NYのTemporary Residence Ltdからリリースした共作レコードです。 ネオクラシカル・アンビエント7曲を収録。 ---------------------------------------- Available on 12" black vinyl or 12"...
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{"id":8781952090362,"title":"Akira Sakata \u0026 Giotis Damianidis \/\/ Adyton LP","handle":"akira-sakata-giotis-damianidis-adyton-lp","description":"\u003cp\u003e\u003cspan\u003e御年80歳の日本のフリージャズ作家Akira Sakataと、ギリシャの実験ギタリストGiotis Damianidisが、2025年4月にベルギーの実験レーベルAguirreからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2023年にベルギー・ブリュッセルのHaekem Theatreで行ったライブ録音7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"日本のフリージャズ界のレジェンドAkira Sakataとギリシャのアヴァンギャルド・ギタリストGiotis Damianidisが初のデュオ録音『Adyton』を発表する。2018年からコラボレートしてきた2人のミュージシャンは、直感的で衝撃的な音楽的対話を展開し、このブリュッセルのヘケムでのライブパフォーマンス（2023年9月にエンタシスと行った2週間のツアーの最終公演）で最高潮に達した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年2月21日に80歳を迎えたSakataは、彼の特徴である激しいアルトサックス、エボケイトなクラリネット、表現力豊かな声、共鳴するベルを披露し、Damianidisは質感豊かなギターとエフェクトで音のスペクトルを広げ、構造と混沌のダイナミックな相互作用を織り成す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、古代寺院の最も神聖な場所である『Adyton』にちなんでタイトルが付けられ、リスナーを、自然発生的なエネルギーと深く根付いた伝統が融合する、生々しく、フィルターにかからない音楽的探求の空間へと誘う。Sakataが生涯をかけて即興演奏に打ち込んできたことと、Damianidisがギターの境界を押し広げるようなアプローチをしてきたことの証であるこの『Adyton』は、未知へのパワフルで超越的な旅である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2037238685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fuji Talked to Olympus (i) 05:36\u003cbr\u003e2. Kondō (ii) 04:49\u003cbr\u003e3. Haibōru Lapse 02:28\u003cbr\u003e4. I Don't Stop You 07:53\u003cbr\u003e5. Back Home Safely 03:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Athanasia 03:30\u003cbr\u003e\u003c\/span\u003e7. Gion Shōja (i), All That the Man Left Behind When He Died (ii) 12:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese free jazz legend Akira Sakata and Greek avant-garde guitarist Giotis Damianidis present Adyton, their first-ever duo recording. Having collaborated since 2018, the two musicians have developed an intuitive and electrifying musical dialogue, culminating in this live performance at Haekem, Brussels—the final concert of a two-week tour with Entasis in September 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSakata, who turned 80 on February 21st, 2024, delivers his signature fiery alto saxophone, evocative clarinet, expressive voice, and resonant bells, while Damianidis expands the sonic spectrum with textural guitar and effects, weaving a dynamic interplay between structure and chaos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTitled after the \"Adyton\"—the innermost, most sacred part of an ancient temple—this album invites listeners into a raw, unfiltered space of musical exploration, where spontaneous energy and deep-rooted tradition converge. A testament to Sakata’s lifelong commitment to improvisation and Damianidis’ boundary-pushing approach to guitar, Adyton is a powerful, transcendental journey into the unknown.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Sakata \u0026amp; Giotis Damianidis\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2025-05-14T12:25:49+09:00","created_at":"2025-05-09T08:10:31+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":434400,"price_min":434400,"price_max":434400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47304457781498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Sakata \u0026 Giotis Damianidis \/\/ Adyton LP","public_title":null,"options":["Default Title"],"price":434400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_cc9c3276-071e-4584-b1c5-b6f148165f3a.jpg?v=1746745752"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_cc9c3276-071e-4584-b1c5-b6f148165f3a.jpg?v=1746745752","options":["Title"],"media":[{"alt":null,"id":35999396724986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_cc9c3276-071e-4584-b1c5-b6f148165f3a.jpg?v=1746745752"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ak1_cc9c3276-071e-4584-b1c5-b6f148165f3a.jpg?v=1746745752","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e御年80歳の日本のフリージャズ作家Akira Sakataと、ギリシャの実験ギタリストGiotis Damianidisが、2025年4月にベルギーの実験レーベルAguirreからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2023年にベルギー・ブリュッセルのHaekem Theatreで行ったライブ録音7曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"日本のフリージャズ界のレジェンドAkira Sakataとギリシャのアヴァンギャルド・ギタリストGiotis Damianidisが初のデュオ録音『Adyton』を発表する。2018年からコラボレートしてきた2人のミュージシャンは、直感的で衝撃的な音楽的対話を展開し、このブリュッセルのヘケムでのライブパフォーマンス（2023年9月にエンタシスと行った2週間のツアーの最終公演）で最高潮に達した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年2月21日に80歳を迎えたSakataは、彼の特徴である激しいアルトサックス、エボケイトなクラリネット、表現力豊かな声、共鳴するベルを披露し、Damianidisは質感豊かなギターとエフェクトで音のスペクトルを広げ、構造と混沌のダイナミックな相互作用を織り成す。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは、古代寺院の最も神聖な場所である『Adyton』にちなんでタイトルが付けられ、リスナーを、自然発生的なエネルギーと深く根付いた伝統が融合する、生々しく、フィルターにかからない音楽的探求の空間へと誘う。Sakataが生涯をかけて即興演奏に打ち込んできたことと、Damianidisがギターの境界を押し広げるようなアプローチをしてきたことの証であるこの『Adyton』は、未知へのパワフルで超越的な旅である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2037238685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Fuji Talked to Olympus (i) 05:36\u003cbr\u003e2. Kondō (ii) 04:49\u003cbr\u003e3. Haibōru Lapse 02:28\u003cbr\u003e4. I Don't Stop You 07:53\u003cbr\u003e5. Back Home Safely 03:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Athanasia 03:30\u003cbr\u003e\u003c\/span\u003e7. Gion Shōja (i), All That the Man Left Behind When He Died (ii) 12:29\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJapanese free jazz legend Akira Sakata and Greek avant-garde guitarist Giotis Damianidis present Adyton, their first-ever duo recording. Having collaborated since 2018, the two musicians have developed an intuitive and electrifying musical dialogue, culminating in this live performance at Haekem, Brussels—the final concert of a two-week tour with Entasis in September 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSakata, who turned 80 on February 21st, 2024, delivers his signature fiery alto saxophone, evocative clarinet, expressive voice, and resonant bells, while Damianidis expands the sonic spectrum with textural guitar and effects, weaving a dynamic interplay between structure and chaos.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTitled after the \"Adyton\"—the innermost, most sacred part of an ancient temple—this album invites listeners into a raw, unfiltered space of musical exploration, where spontaneous energy and deep-rooted tradition converge. A testament to Sakata’s lifelong commitment to improvisation and Damianidis’ boundary-pushing approach to guitar, Adyton is a powerful, transcendental journey into the unknown.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Sakata \u0026amp; Giotis Damianidis\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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御年80歳の日本のフリージャズ作家Akira Sakataと、ギリシャの実験ギタリストGiotis Damianidisが、2025年4月にベルギーの実験レーベルAguirreからリリースした共作レコードです。 2023年にベルギー・ブリュッセルのHaekem Theatreで行ったライブ録音7曲を収録。 以下、レーベルによる解説です。 "日本のフリージャズ界のレジェンドAkira Sakataとギリシャのアヴァンギャルド・ギタリストGiotis Damianidisが初のデュオ録音『Adyton』を発表する。2018年からコラボレートしてきた2人のミュージシャンは、直感的で衝撃的な音楽的対話を展開し、このブリュッセルのヘケムでのライブパフォーマンス（2023年9月にエンタシスと行った2週間のツアーの最終公演）で最高潮に達した。 2024年2月21日に80歳を迎えたSakataは、彼の特徴である激しいアルトサックス、エボケイトなクラリネット、表現力豊かな声、共鳴するベルを披露し、Damianidisは質感豊かなギターとエフェクトで音のスペクトルを広げ、構造と混沌のダイナミックな相互作用を織り成す。 このアルバムは、古代寺院の最も神聖な場所である『Adyton』にちなんでタイトルが付けられ、リスナーを、自然発生的なエネルギーと深く根付いた伝統が融合する、生々しく、フィルターにかからない音楽的探求の空間へと誘う。Sakataが生涯をかけて即興演奏に打ち込んできたことと、Damianidisがギターの境界を押し広げるようなアプローチをしてきたことの証であるこの『Adyton』は、未知へのパワフルで超越的な旅である。" レーベルその他作品はこちら /// Click here to see...
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{"id":6939651965093,"title":"Akira Sileas \/\/ Ito TAPE","handle":"akira-sileas-ito-tape","description":"\u003cp\u003eイギリス・ファーンハムのアンビエントドローンレーベルRusted Tone Recordingsの2021年2月新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス・サリーのアンビエント作家Akira Sileas\u003cspan data-mce-fragment=\"1\"\u003eが80本限定でリリースしたカセットです。モジュラーによるアンビエント7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=675433330\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rtr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rtr\"\u003ehere\u003c\/a\u003e to see more Rusted Tone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRusted Tone Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIto' is the latest album from Surrey-based experimental musician Akira Sileas, exploring themes of time and place through gradual progression.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Sileas\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRusted Tone Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-28T11:47:45+09:00","created_at":"2021-07-27T10:02:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","rusted tone recordings","tape"],"price":128000,"price_min":128000,"price_max":128000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40449750761637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akira Sileas \/\/ Ito TAPE","public_title":null,"options":["Default Title"],"price":128000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/it1_27df9f44-4eb8-4b8d-91d9-621de61e50bb.jpg?v=1627347727","\/\/tobirarecords.com\/cdn\/shop\/products\/it2_7a4560c0-fd05-401e-84b7-711c6908b96e.jpg?v=1627347727"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/it1_27df9f44-4eb8-4b8d-91d9-621de61e50bb.jpg?v=1627347727","options":["Title"],"media":[{"alt":null,"id":23111520714917,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/it1_27df9f44-4eb8-4b8d-91d9-621de61e50bb.jpg?v=1627347727"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/it1_27df9f44-4eb8-4b8d-91d9-621de61e50bb.jpg?v=1627347727","width":700},{"alt":null,"id":23111520747685,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/it2_7a4560c0-fd05-401e-84b7-711c6908b96e.jpg?v=1627347727"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/it2_7a4560c0-fd05-401e-84b7-711c6908b96e.jpg?v=1627347727","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ファーンハムのアンビエントドローンレーベルRusted Tone Recordingsの2021年2月新作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス・サリーのアンビエント作家Akira Sileas\u003cspan data-mce-fragment=\"1\"\u003eが80本限定でリリースしたカセットです。モジュラーによるアンビエント7曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=675433330\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rtr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rtr\"\u003ehere\u003c\/a\u003e to see more Rusted Tone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRusted Tone Recordings:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIto' is the latest album from Surrey-based experimental musician Akira Sileas, exploring themes of time and place through gradual progression.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Sileas\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRusted Tone Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8430635090170,"title":"Akira Uchida \/\/ Kurayami LP [COLOR] \/ CD","handle":"akira-uchida-kurayami-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e日本のサックス奏者／ピアノ調律師／楽器製作者Akira Uchidaが、2023年7月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自身で製作した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラヴィーコード（\u003c\/span\u003e中世後期のルネサンスから古典派の時代に主にオルガン奏者の練習用や作曲用に用いられた、チェンバロより小型の鍵盤楽器）と、笙、経による和アンビエント・ジャズ2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1791073609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e• Cutting lacquer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 12’’ black vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Matt laminated outer sleeve on 300 gm paper, white inner\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 300 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e• Glass Mastered CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 200 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eAkira Uchida\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e","published_at":"2024-05-11T12:09:14+09:00","created_at":"2024-05-11T12:07:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","jazz","Laaps","lp"],"price":228000,"price_min":228000,"price_max":374000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45909122810106,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41263722103034,"product_id":8430635090170,"position":7,"created_at":"2024-05-11T12:07:42+09:00","updated_at":"2024-05-11T12:07:42+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862","variant_ids":[45909122810106]},"available":false,"name":"Akira Uchida \/\/ Kurayami LP [COLOR] \/ CD - LP","public_title":"LP","options":["LP"],"price":374000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33995813880058,"position":7,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":45909122842874,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":{"id":41263722037498,"product_id":8430635090170,"position":5,"created_at":"2024-05-11T12:07:42+09:00","updated_at":"2024-05-11T12:07:42+09:00","alt":null,"width":1200,"height":767,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862","variant_ids":[45909122842874]},"available":false,"name":"Akira Uchida \/\/ Kurayami LP [COLOR] \/ CD - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":33995813814522,"position":5,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3590419800_16_e77cfa66-e9ca-4b04-9a8b-46bf00a0c505.jpg?v=1715396861","\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_744d835f-a7fd-4d93-aca7-46dd87662386.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_1c2f5086-ae25-473f-a7df-dc514bfba1f7.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_77554e9a-1471-4f6e-b87e-90031b615ab3.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_b69491f0-c74c-4008-8197-06c05b382cd7.jpg?v=1715396862","\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3590419800_16_e77cfa66-e9ca-4b04-9a8b-46bf00a0c505.jpg?v=1715396861","options":["Format"],"media":[{"alt":null,"id":33995813617914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3590419800_16_e77cfa66-e9ca-4b04-9a8b-46bf00a0c505.jpg?v=1715396861"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3590419800_16_e77cfa66-e9ca-4b04-9a8b-46bf00a0c505.jpg?v=1715396861","width":700},{"alt":null,"id":33995813650682,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_744d835f-a7fd-4d93-aca7-46dd87662386.jpg?v=1715396862"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_744d835f-a7fd-4d93-aca7-46dd87662386.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813683450,"position":3,"preview_image":{"aspect_ratio":1.521,"height":789,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_1c2f5086-ae25-473f-a7df-dc514bfba1f7.jpg?v=1715396862"},"aspect_ratio":1.521,"height":789,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_1c2f5086-ae25-473f-a7df-dc514bfba1f7.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813781754,"position":4,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_77554e9a-1471-4f6e-b87e-90031b615ab3.jpg?v=1715396862"},"aspect_ratio":1.565,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_77554e9a-1471-4f6e-b87e-90031b615ab3.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813814522,"position":5,"preview_image":{"aspect_ratio":1.565,"height":767,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862"},"aspect_ratio":1.565,"height":767,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032469990_10_8c0a79c4-dc85-4ba6-8842-14d741f86399.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813847290,"position":6,"preview_image":{"aspect_ratio":1.521,"height":789,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_b69491f0-c74c-4008-8197-06c05b382cd7.jpg?v=1715396862"},"aspect_ratio":1.521,"height":789,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470056_10_b69491f0-c74c-4008-8197-06c05b382cd7.jpg?v=1715396862","width":1200},{"alt":null,"id":33995813880058,"position":7,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032470054_10_83668984-e69b-4845-9032-7fe6053f74ff.jpg?v=1715396862","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e日本のサックス奏者／ピアノ調律師／楽器製作者Akira Uchidaが、2023年7月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e自身で製作した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラヴィーコード（\u003c\/span\u003e中世後期のルネサンスから古典派の時代に主にオルガン奏者の練習用や作曲用に用いられた、チェンバロより小型の鍵盤楽器）と、笙、経による和アンビエント・ジャズ2曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1791073609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/laaps\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/laaps\"\u003ehere\u003c\/a\u003e to see more Laaps \/ IIKKI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e• Cutting lacquer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• 12’’ black vinyl\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Matt laminated outer sleeve on 300 gm paper, white inner\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 300 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e• Glass Mastered CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Selective UV varnish\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e• Hand numbered \/ Limited edition to 200 copies, first and only edition (no re-press)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/em\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eAkira Uchida\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Laaps\u003c\/p\u003e"}
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日本のサックス奏者／ピアノ調律師／楽器製作者Akira Uchidaが、2023年7月にフランスのアンビエントレーベルlaapsからリリースしたアルバムです。 自身で製作したクラヴィーコード（中世後期のルネサンスから古典派の時代に主にオルガン奏者の練習用や作曲用に用いられた、チェンバロより小型の鍵盤楽器）と、笙、経による和アンビエント・ジャズ2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases available at Tobira. ...
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{"id":8848099115258,"title":"Akira Umeda \u0026 Metal Preyers \/\/ Clube da Mariposa Mórbida LP","handle":"akira-umeda-metal-preyers-clube-da-mariposa-morbida-lp","description":"\u003cp\u003e\u003cspan\u003eブラジルのストレンジビーツ作家Akira UmedaとMetal Preyersが、2025年7月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eストレンジビーツ11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ジャダーな電子音響リズム、アナログシンセ、環境録音、音声合成詩、そしてAkira Umedaが「ゴースト・サウンド」と呼ぶものからコラージュされた「Clube da Mariposa Mórbida」は、純粋なサウンドファンタジーへのトランスカルチュラルな旅である。サンパウロを拠点とするDIYの奇才で元歴史家のAkira Umedaは、Nyegeの常連であるMetal Preyersと印象と妄想を交換し、グロいVRアバター、愛に飢えたクモ型生物、超巨大ブラックホール、そしてタイトルにもなっている病的な蛾のクラブなど、彼らの歪んだ変幻自在のサウンドスケープを汚す不条理な図像を想像する。Metal PreyersとUmedaは、Umedaの広大な「Gueixa」に続いてこのプロジェクトに取りかかった。コラージュとキュレーションが両者の原動力であることに共通点を見出したMetal Preyersのメンバージェシー・ハケットは、4ヶ月間にわたる旋風的な交流に乗り出した。Umedaの貢献は、より不気味なものだった。スケッチを繰り返し聴き、その音が彼の頭の中で「回避的な印象」を生み出すまで、彼はアナログ楽器と音声合成ソフトを使って、これらの幻の出来事を再現した。「妖怪は決して明瞭ではなく、常に移り変わるものだから、それを合成する経験は粘土の造形に似ている。これらの合成ゴーストサウンドを録音することは、陶器の鍋を焼くようなもの」と彼は説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそして、2人のコラボレーションのハイブリッドな性質は、それだけにとどまらない。ハケットとUmedaはともにビジュアルアートの分野で活躍している。 Umedaは映画、陶芸、イラストレーションを手がけ、ハケットは1960年代に活躍したプロト・パンク・アーティストであり、神秘的なオカルトのような彫刻やキース・リチャーズの象徴的なスカル・リングの制作で知られる父ビルと共にジュエリーや彫刻を制作している。ビルが手がけた2つの作品はアルバムアートにも使用されており、78回転の古いレコードから作られたシェラック染料で染色された木に彫られている。Umedaとハケットの音楽も同じようにリサイクルされたもので、まるで新鮮なアートに長い間忘れられていた色をつけているかのようだ。オープニングトラックの「One Eyed Weasel」では、減速したブラジリアン・ファンクのシンコペーションが、重みのない声、オーケストラの華やかさ、定型文のような叫び声と絡み合って、不気味なホワイトノイズのベッドに沈んでいく。タブラ、オーバードライブしたサイケギター、暗号のようなサントゥールのチャイム、微音のリードエコーなど、絡み合った色とりどりの音楽の糸を、さまざまな言語でサイボーグの声が淀みなく取り囲んでいる。しかし、Umedaとハケットの音楽は、ハッセル以降の第4世界のコンセプトの伴奏ではなく、デジタルであれ何であれ、私たちの文化のパッチワークがかすかな記憶に還元されたパラレルな未来への投影なのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2521788044\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 27th July 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. One Eyed Weasel\u003cbr\u003e2. Big Scud 01:52\u003cbr\u003e3. Clube da Mariposa Mórbida\u003cbr\u003e4. Immolation Meditation\u003cbr\u003e5. Boi de Piranha\u003cbr\u003e6. Rato Gordo\u003cbr\u003e7. Cut Throat Mickey\u003cbr\u003e8. Hora Do Slime\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Olhos De Facão\u003cbr\u003e\u003c\/span\u003e10. Gnomo Desagradável\u003cbr\u003e11. Ice Maidens Myriad Dream\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCollaged from juddery electroacoustic rhythms, analog synth segments, environmental recordings, text-to-speech poems and what Akira Umeda calls \"ghost sounds\", 'Clube da Mariposa Mórbida' is a transcultural voyage into pure sonic fantasy. The São Paulo-based DIY maverick and former historian trades impressions and delusions with Nyege regular Metal Preyers, imagining gory VR avatars, lovestruck arachnids, supermassive black holes and the titular morbid moth club, absurd iconography that stains their warped, mutable soundscapes. Metal Preyers and Umeda starting working on this project following Umeda’s sprawling 'Gueixa', an hour-long postmodern mixtape made from 202 fragments of the artist's seemingly bottomless library of experiments. Spotting a similarity in the way they were both driven by collage and curation, Metal Preyers member Jesse Hackett embarked on four whirlwind months of exchange, sending Umeda audio snippets and concepts that the Brazilian eccentric would decode with Google translate. Umeda's contribution was more uncanny; listening to the sketches on repeat until the sounds created \"evasive impressions\" in his mind, he used analog instruments and text-to-speech software to recreate these phantom occurrences. \"Specters are never clear and always\u003cspan class=\"bcTruncateMore\"\u003e shifting, so the experience of synthesizing them is similar to clay modeling,\" he explains. \"To record these synthetic ghost sounds is like firing ceramic pots.\"\u003cbr\u003e\u003cbr\u003eAnd the hybrid nature of their collaboration doesn't begin and end there. Both Hackett and Umeda work within visual art: Umeda has made films, ceramics and illustrations, while Hackett works on jewelry and sculpture with his father Bill, the proto-punk artist from the 1960’s best known for his mysterious occult like sculptures and for creating Keith Richards' iconic skull ring. Two of Bill's artworks are featured on the album art and shadow the record's themes, both carved in wood that's stained with a shellac dye made from old 78rpm records. Umeda and Hackett's music is similarly recycled, as if they're dousing fresh art with long forgotten colors. On the opening track 'One Eyed Weasel', decelerated Brazilian funk syncopations are twisted with weightless voices, orchestral flourishes and canned screams before being lowered into eerie beds of unplaceable white noise. Even at the best of times, it's difficult to pry apart what's real and what's synthesized; cyborg voices in different languages stutter around tangled, colorful musical threads: tablas, overdriven psych guitars, cryptic santur chimes and microtonal reed echoes. But Umeda and Hackett's music isn't an accompaniment to some post-Hassell Fourth World concept, it's a projection into parallel future where our patchwork of cultures, digital and otherwise, has been reduced to hazy memories.\u003cbr\u003e\u003cbr\u003eOn 'Boi de Piranha', defective temple bells punctuate blown-out spiraling beats and unsettling backmasked chatter, and ruffled, featherlight rhythms and mbira-like repeating sequences quiver through sleazy 4\/4 architectures on 'Cut Throat Mickey'. Unfolding like a hypnagogic soundtrack to an unwritten queer post-apocalyptic noir, 'Clube da Mariposa Mórbida' retches and heaves in the glamor of decay; slithering electro-plated music box earworms burrow into 'Hora Do Slime', while on 'Olhos De Facão' humid synth sequences chew on bone-rattling acoustic percussion and dissociated traces of humanity. It's Akira Umeda’s and Metal Preyers most bizarre offering yet, a few paces beyond 'Shadow Swamps' murking shadows towards Umeda's kaleidoscopic concrète jungle.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Umeda \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT076\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-07T13:28:01+09:00","created_at":"2025-07-02T10:15:29+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","nyege nyege tapes","strange beats"],"price":459000,"price_min":459000,"price_max":459000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47467055022330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akira Umeda \u0026 Metal Preyers \/\/ Clube da Mariposa Mórbida LP","public_title":null,"options":["Default Title"],"price":459000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cl1_24043fdf-e87e-4f93-8169-a0a5238d9de2.jpg?v=1751418818","\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_960560b2-9c2c-47bb-b3e5-20e4caf9f532.jpg?v=1751418818"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl1_24043fdf-e87e-4f93-8169-a0a5238d9de2.jpg?v=1751418818","options":["Title"],"media":[{"alt":null,"id":36305174167802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl1_24043fdf-e87e-4f93-8169-a0a5238d9de2.jpg?v=1751418818"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl1_24043fdf-e87e-4f93-8169-a0a5238d9de2.jpg?v=1751418818","width":700},{"alt":null,"id":36305174200570,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_960560b2-9c2c-47bb-b3e5-20e4caf9f532.jpg?v=1751418818"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cl2_960560b2-9c2c-47bb-b3e5-20e4caf9f532.jpg?v=1751418818","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eブラジルのストレンジビーツ作家Akira UmedaとMetal Preyersが、2025年7月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eストレンジビーツ11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ジャダーな電子音響リズム、アナログシンセ、環境録音、音声合成詩、そしてAkira Umedaが「ゴースト・サウンド」と呼ぶものからコラージュされた「Clube da Mariposa Mórbida」は、純粋なサウンドファンタジーへのトランスカルチュラルな旅である。サンパウロを拠点とするDIYの奇才で元歴史家のAkira Umedaは、Nyegeの常連であるMetal Preyersと印象と妄想を交換し、グロいVRアバター、愛に飢えたクモ型生物、超巨大ブラックホール、そしてタイトルにもなっている病的な蛾のクラブなど、彼らの歪んだ変幻自在のサウンドスケープを汚す不条理な図像を想像する。Metal PreyersとUmedaは、Umedaの広大な「Gueixa」に続いてこのプロジェクトに取りかかった。コラージュとキュレーションが両者の原動力であることに共通点を見出したMetal Preyersのメンバージェシー・ハケットは、4ヶ月間にわたる旋風的な交流に乗り出した。Umedaの貢献は、より不気味なものだった。スケッチを繰り返し聴き、その音が彼の頭の中で「回避的な印象」を生み出すまで、彼はアナログ楽器と音声合成ソフトを使って、これらの幻の出来事を再現した。「妖怪は決して明瞭ではなく、常に移り変わるものだから、それを合成する経験は粘土の造形に似ている。これらの合成ゴーストサウンドを録音することは、陶器の鍋を焼くようなもの」と彼は説明する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそして、2人のコラボレーションのハイブリッドな性質は、それだけにとどまらない。ハケットとUmedaはともにビジュアルアートの分野で活躍している。 Umedaは映画、陶芸、イラストレーションを手がけ、ハケットは1960年代に活躍したプロト・パンク・アーティストであり、神秘的なオカルトのような彫刻やキース・リチャーズの象徴的なスカル・リングの制作で知られる父ビルと共にジュエリーや彫刻を制作している。ビルが手がけた2つの作品はアルバムアートにも使用されており、78回転の古いレコードから作られたシェラック染料で染色された木に彫られている。Umedaとハケットの音楽も同じようにリサイクルされたもので、まるで新鮮なアートに長い間忘れられていた色をつけているかのようだ。オープニングトラックの「One Eyed Weasel」では、減速したブラジリアン・ファンクのシンコペーションが、重みのない声、オーケストラの華やかさ、定型文のような叫び声と絡み合って、不気味なホワイトノイズのベッドに沈んでいく。タブラ、オーバードライブしたサイケギター、暗号のようなサントゥールのチャイム、微音のリードエコーなど、絡み合った色とりどりの音楽の糸を、さまざまな言語でサイボーグの声が淀みなく取り囲んでいる。しかし、Umedaとハケットの音楽は、ハッセル以降の第4世界のコンセプトの伴奏ではなく、デジタルであれ何であれ、私たちの文化のパッチワークがかすかな記憶に還元されたパラレルな未来への投影なのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2521788044\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hakku\"\u003ehere\u003c\/a\u003e to see more Hakuna Kulala \/ Nyege Nyege Tapes \/ Heat Crimes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 27th July 2025\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. One Eyed Weasel\u003cbr\u003e2. Big Scud 01:52\u003cbr\u003e3. Clube da Mariposa Mórbida\u003cbr\u003e4. Immolation Meditation\u003cbr\u003e5. Boi de Piranha\u003cbr\u003e6. Rato Gordo\u003cbr\u003e7. Cut Throat Mickey\u003cbr\u003e8. Hora Do Slime\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Olhos De Facão\u003cbr\u003e\u003c\/span\u003e10. Gnomo Desagradável\u003cbr\u003e11. Ice Maidens Myriad Dream\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNyege Nyege Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCollaged from juddery electroacoustic rhythms, analog synth segments, environmental recordings, text-to-speech poems and what Akira Umeda calls \"ghost sounds\", 'Clube da Mariposa Mórbida' is a transcultural voyage into pure sonic fantasy. The São Paulo-based DIY maverick and former historian trades impressions and delusions with Nyege regular Metal Preyers, imagining gory VR avatars, lovestruck arachnids, supermassive black holes and the titular morbid moth club, absurd iconography that stains their warped, mutable soundscapes. Metal Preyers and Umeda starting working on this project following Umeda’s sprawling 'Gueixa', an hour-long postmodern mixtape made from 202 fragments of the artist's seemingly bottomless library of experiments. Spotting a similarity in the way they were both driven by collage and curation, Metal Preyers member Jesse Hackett embarked on four whirlwind months of exchange, sending Umeda audio snippets and concepts that the Brazilian eccentric would decode with Google translate. Umeda's contribution was more uncanny; listening to the sketches on repeat until the sounds created \"evasive impressions\" in his mind, he used analog instruments and text-to-speech software to recreate these phantom occurrences. \"Specters are never clear and always\u003cspan class=\"bcTruncateMore\"\u003e shifting, so the experience of synthesizing them is similar to clay modeling,\" he explains. \"To record these synthetic ghost sounds is like firing ceramic pots.\"\u003cbr\u003e\u003cbr\u003eAnd the hybrid nature of their collaboration doesn't begin and end there. Both Hackett and Umeda work within visual art: Umeda has made films, ceramics and illustrations, while Hackett works on jewelry and sculpture with his father Bill, the proto-punk artist from the 1960’s best known for his mysterious occult like sculptures and for creating Keith Richards' iconic skull ring. Two of Bill's artworks are featured on the album art and shadow the record's themes, both carved in wood that's stained with a shellac dye made from old 78rpm records. Umeda and Hackett's music is similarly recycled, as if they're dousing fresh art with long forgotten colors. On the opening track 'One Eyed Weasel', decelerated Brazilian funk syncopations are twisted with weightless voices, orchestral flourishes and canned screams before being lowered into eerie beds of unplaceable white noise. Even at the best of times, it's difficult to pry apart what's real and what's synthesized; cyborg voices in different languages stutter around tangled, colorful musical threads: tablas, overdriven psych guitars, cryptic santur chimes and microtonal reed echoes. But Umeda and Hackett's music isn't an accompaniment to some post-Hassell Fourth World concept, it's a projection into parallel future where our patchwork of cultures, digital and otherwise, has been reduced to hazy memories.\u003cbr\u003e\u003cbr\u003eOn 'Boi de Piranha', defective temple bells punctuate blown-out spiraling beats and unsettling backmasked chatter, and ruffled, featherlight rhythms and mbira-like repeating sequences quiver through sleazy 4\/4 architectures on 'Cut Throat Mickey'. Unfolding like a hypnagogic soundtrack to an unwritten queer post-apocalyptic noir, 'Clube da Mariposa Mórbida' retches and heaves in the glamor of decay; slithering electro-plated music box earworms burrow into 'Hora Do Slime', while on 'Olhos De Facão' humid synth sequences chew on bone-rattling acoustic percussion and dissociated traces of humanity. It's Akira Umeda’s and Metal Preyers most bizarre offering yet, a few paces beyond 'Shadow Swamps' murking shadows towards Umeda's kaleidoscopic concrète jungle.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akira Umeda \u0026amp; Metal Preyers\u003c\/p\u003e\n\u003cp\u003eLabel : Nyege Nyege Tapes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNNT076\u003c\/span\u003e\u003c\/p\u003e"}
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ブラジルのストレンジビーツ作家Akira UmedaとMetal Preyersが、2025年7月にウガンダ・カンパラのレフトフィールド・ダンスレーベルNyege Nyegeからリリースした共作レコードです。 ストレンジビーツ11曲を収録。 以下、レーベルによる解説です。 "ジャダーな電子音響リズム、アナログシンセ、環境録音、音声合成詩、そしてAkira Umedaが「ゴースト・サウンド」と呼ぶものからコラージュされた「Clube da Mariposa Mórbida」は、純粋なサウンドファンタジーへのトランスカルチュラルな旅である。サンパウロを拠点とするDIYの奇才で元歴史家のAkira Umedaは、Nyegeの常連であるMetal Preyersと印象と妄想を交換し、グロいVRアバター、愛に飢えたクモ型生物、超巨大ブラックホール、そしてタイトルにもなっている病的な蛾のクラブなど、彼らの歪んだ変幻自在のサウンドスケープを汚す不条理な図像を想像する。Metal PreyersとUmedaは、Umedaの広大な「Gueixa」に続いてこのプロジェクトに取りかかった。コラージュとキュレーションが両者の原動力であることに共通点を見出したMetal...
¥4,590
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{"id":5616779886757,"title":"Akiyama \/ Field \/ Vidic \/\/ Interpersonal Subjectivities CD","handle":"akiyama-field-vidic-interpersonal-subjectivities-cd","description":"\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2228696841\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akiyama \/ Field \/ Vidic\u003c\/p\u003e\n\u003cp\u003eLabel : Astral Spirits\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2020-09-04T13:58:27+09:00","created_at":"2020-09-04T13:58:26+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","cd","jazz"],"price":239600,"price_min":239600,"price_max":239600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36009548152997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akiyama \/ Field \/ Vidic \/\/ Interpersonal Subjectivities CD","public_title":null,"options":["Default Title"],"price":239600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akiyama.jpg?v=1599195507"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akiyama.jpg?v=1599195507","options":["Title"],"media":[{"alt":null,"id":10982239535269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akiyama.jpg?v=1599195507"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akiyama.jpg?v=1599195507","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2228696841\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akiyama \/ Field \/ Vidic\u003c\/p\u003e\n\u003cp\u003eLabel : Astral Spirits\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira. Artist : Akiyama / Field /...
¥2,396
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{"id":6126495498405,"title":"Akkad The Orphic Priest \/ City Of Dawn \/\/ The Stars Speak Quietly In Their Own Language TAPE","handle":"akkad-the-orphic-priest-city-of-dawn-the-stars-speak-quietly-in-their-own-language-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eテキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、アンビエント作家2名による\u003c\/span\u003e2020年リリースのスプリットカセット。ドリーミーなアンビエント7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3881306638\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003ehere\u003c\/a\u003e to see more Aural Canyon releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll of these pieces of music were written to express emotions through the form of sound. Hopefully this music takes you to wherever your mind desires. Experience, feel, and absorb the vibrations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Akkad The Orphic Priest \/ City Of Dawn\u003c\/p\u003e\n\u003cp\u003elabel : aural canyon\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2021-01-26T10:35:39+09:00","created_at":"2021-01-26T10:35:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","aural canyon","drone","tape"],"price":209800,"price_min":209800,"price_max":209800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37777938481317,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akkad The Orphic Priest \/ City Of Dawn \/\/ The Stars Speak Quietly In Their Own Language TAPE","public_title":null,"options":["Default Title"],"price":209800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-7233_jpeg.jpg?v=1611625056","\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-5409_jpeg.jpg?v=1611625056"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-7233_jpeg.jpg?v=1611625056","options":["Title"],"media":[{"alt":null,"id":16244880015525,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-7233_jpeg.jpg?v=1611625056"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-7233_jpeg.jpg?v=1611625056","width":600},{"alt":null,"id":16244879982757,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-5409_jpeg.jpg?v=1611625056"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-14088474-1593551676-5409_jpeg.jpg?v=1611625056","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eテキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、アンビエント作家2名による\u003c\/span\u003e2020年リリースのスプリットカセット。ドリーミーなアンビエント7曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3881306638\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003ehere\u003c\/a\u003e to see more Aural Canyon releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll of these pieces of music were written to express emotions through the form of sound. Hopefully this music takes you to wherever your mind desires. Experience, feel, and absorb the vibrations.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Akkad The Orphic Priest \/ City Of Dawn\u003c\/p\u003e\n\u003cp\u003elabel : aural canyon\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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テキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、アンビエント作家2名による2020年リリースのスプリットカセット。ドリーミーなアンビエント7曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Aural Canyon releases available at Tobira. ------------------------- All...
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{"id":7637751726330,"title":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","handle":"akos-rozmann-12-stations-tolv-stationer-1978-2001-7xcd-boxset","description":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-06-12T07:55:49+09:00","created_at":"2022-06-11T13:52:21+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862353383674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Akos Rozmann \/\/ 12 Stations\/Tolv Stationer (1978-2001) 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","options":["Title"],"media":[{"alt":null,"id":29869699989754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":250,"width":250,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142"},"aspect_ratio":1.0,"height":250,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/akos-rozmann-12-stations-tolv-statione.jpg.250.jpg?v=1654923142","width":250},{"alt":null,"id":29869700022522,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/av.jpg?v=1654923143","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。\u003c\/p\u003e\n\u003cp\u003e以下、Mark Harwoodによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black Pit'は、重く堕落した声と狂乱したエレクトロニクスが最も不穏な方法で踊る広がりのある味付けでさらに外へとシフトしていく。The Abandonment of Hell'は、リスナーを洗練された衝撃的なオーディオの混乱に導き、明確な「音楽」の質を持つものである。この作品には、職人が静かに個々の要素を削ぎ落とし、以前は手に入れることのできなかった世界を手に入れようとしているのが感じられる。パートV「The Awakening」では、序盤のうなり声、腹鳴、不穏な声が、より天の声となり、下の異形のものを昇天させるように、ミックスに女性の形を埋め込んでいる。ロズマン氏は、「Twelve Stations」の最初の部分が「チベットの生命の輪」の解釈であることを以前に示唆していたが、作品の背後にある意味について典型的に曖昧な態度をとっていた。チベット仏教への関心と並行して、彼はカソリック教会への信仰を持ち続けていた。その結果、高揚したモチーフを持つこの曲は、地獄から天国への上昇と読むこともできるだろう。ロズマンが演奏する「The Celebrators」は、エンディングというより、ある種の継続として提示されている。短い音楽のリフレインは、声と音の屈折が鏡の回廊のように現れ、果てしなく螺旋状に広がっていくプリズムを思い起こさせる。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eスケール、音色、テクニック、ムード、動きにおいて叙事詩的なこの作品は、20世紀のムジーク・コンクレーテのユニークな傑作であり、強烈にパーソナルで大胆な音の領域として、万人に開かれた過激なミサのような捧げ物として提示されている。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e人間は放浪の旅を通して、さまざまな困難や苦しみに出会う。これらは、絶え間なく続く闘争の間にある力である。彼はこれらの力を制御し、主宰することはできない。嵐の中の雪片のように、上下に翻弄され、無力である。混沌とした思考と感情、喜びと苦しみは、始まりも終わりもない川のように途切れることなく流れている。これらはすべて自分の行いの結果である。しかし、この人生では、これらのことを簡単にするチャンスがある。 \u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1312392139\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eFinal pressing edition of 300.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 20-page booklet containing an extensive essay on the composition by the scholar Gergely Loch, photos from the process and of scores and the composer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText \/ artist bio by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMark Harwood\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Ákos Rózmann (1939-2005) was born in Budapest where he studied organ and composition at the Liszt Academy. From 1971 to 1974 he studied composition at the Royal College of Music in Stockholm and from 1978 he was an organist at the catholic cathedral in Stockholm. Throughout his life Rózmann dedicated himself to musique concrète developing one of the largest and most rewarding bodies of work in this, the most alchemical of all musical genres. In the early eighties, Rózmann started to build a private electroacoustic studio which he installed in the basement of the Catholic Cathedral whilst continuing to work in tandem at the Elektronmusikstudion (EMS Sweden) where he produced his earlier masterpieces.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWith an unwavering commitment to the creation of music Rózmann would often lock himself up in his windowless studio working into the night in order to achieve the results he desired. He did not seek the approval of his peers nor the satisfaction of his audience with the only concern being the perfect articulation of his vision. This combination of vision, passion and stubbornness resulted in one of the most singular catalogues within the field of musique concrete. Commissioned by the Hungarian composer\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Miklós Maros who requested a five-minute work for piano and voice. Rózmann accepted the offer with the intention of writing a tape piece made from recordings of Miklós’ wife, the soprano singer Ilona Maros’ and his own experiments with prepared piano. The elements recorded here became the source material for Twelve Stations, a work which flew far from the initial five minute brief to land 20 years later as a spirit stretching journey of more than 6 1\/2 hours. The compositional process is unique in Rózmann’s output due to the 18 year gap between the initial phase and completion of the final work. The first phase made between 1978-1980 consists of an exploration of traditional musique concrète techniques such as speeding up, slowing down, cutting and splicing tape. The last four stations made between 1998-2001 embrace digital technology where small sections of the original recordings from 1978 were fed through an effects processor and improvised on a sampler keyboard. Despite this gap and the different techniques deployed at each period of creation the monumental result sits as a complete and staggering whole.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin the set limitations of the source material Rózmann’s skill unfolds in an uncanny ability to coax a vast world of flexible sound from the original piano and voice recordings. The result is a maelstrom of dynamic audio and one of the most daring, challenging and rewarding works of musique concrète from the 20th Century. ‘Property – Room’ parts I and II initiate proceedings with a vast landscape of Sturm und Drang. The original material of piano and voice are dissected and reconstructed as a means of evoking an aggressive otherworldly atmosphere. ‘The Contents and Life of the Black Pit’ shifts further outside with an expansive palate of heavily corrupted voice and frenzied electronics dancing in a most unsettling fashion. ‘The Abandonment of Hell’ leads the listener into a sophisticated and shocking melange of audio disorientation, one with a distinct ‘musical’ quality. One senses a master craftsman quietly whittling away at the individual elements in order to harness the previously unobtainable world within. Part V ‘The Awakening’ implants female forms in the mix as the growling, belching, disturbing voices of the early sequences are replaced with more heavenly voices ascending the malformed matter below. Rózmann was typically ambiguous about the meaning behind his work despite suggesting earlier that the first part of ‘Twelve Stations’ was an interpretation of the ‘Tibetan Wheel of Life’. Alongside his interest in Tibetan Buddhism he maintained his following of the catholic church and as a consequence one may also read this sequence, with its uplifting motifs as an ascent from hell into heaven. Rózmann concludes proceedings with ‘The Celebrators’, which presents itself not as an ending but rather a continuation of sorts. A short musical refrain conjures a prism where refractions of voice and sound appear like a hall of mirrors, spiralling onwards and outwards, without end.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEpic in scale, timbre, technique, mood and movement, Twelve Stations is a unique masterpiece of 20th Century musique concrète and presents itself as an intensely personal and bold realm of sound, an offering as such, a radical mass open to all.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMan meets different difficulties and sufferings through his wandering. These are forces between which a continuous struggle is going on. He cannot control and preside over these forces. He is being tossed up and down, powerless, like snowflakes in the storm: chaotic thoughts and feelings, gladness and suffering, which flow without intermission like a river that has no beginning nor end. All these are the fruits of our own deeds. However, in this life you have the chance to make easier those life wanderings that are to come. - Rózmann (from the programme notes for the 1984 premiere of the first seven stations).\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Akos Rozmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIdeologic Organ\u003c\/span\u003e\u003c\/p\u003e"}
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ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットがこの度再発。 以下、Mark Harwoodによる解説です。 アコス・ロズマン（1939-2005）はブダペストで生まれ、リスト音楽院でオルガンと作曲を学んだ。1971年から1974年までストックホルム王立音楽大学で作曲を学び、1978年からはストックホルムのカソリック大聖堂のオルガニストとして活躍した。生涯を通じてムジーク・コンクレートに専念し、あらゆる音楽のジャンルの中で最も錬金術的なこのジャンルにおいて、最も大規模で実りある作品群を作り上げた。80年代初頭には、カトリック大聖堂の地下に電子音響スタジオを建設し、その一方で、初期の傑作を生み出したEMS（Elektronmusikstudion スウェーデン）でも活動を継続した。音楽創作への揺るぎないこだわりを持つロズマン氏は、望む結果を得るために、窓のないスタジオに閉じこもって夜通し作業をすることもしばしばあった。彼は、自分のビジョンを完璧に表現することだけを考え、仲間からの承認や聴衆の満足は求めなかった。このようなビジョン、情熱、頑固さの組み合わせが、ミュージック・コンクリートという分野で最も特異なカタログを生み出すことになった。ハンガリーの作曲家ミクローシュ・マロスから、ピアノと声のための5分間の作品を依頼された。ロズマンは、ミクローシュの妻でソプラノ歌手のイロナ・マロスの録音と、彼自身のプリペアド・ピアノの実験からなるテープ作品を書くつもりで、この申し出を受けた。ここで録音された要素が「12 Stations」の素材となった。この作品は、当初の5分という短い時間から大きく飛び出し、20年後に6時間半を超える精神の旅路として着地したのである。この作曲プロセスは、初期段階から最終作品の完成まで18年間のギャップがあるため、ロズマン作品の中でもユニークなものとなっている。1978年から1980年にかけて作られた最初の段階は、スピードアップ、スローダウン、テープのカットやスプライシングといった伝統的なミュジック・コンクレートの技法の探求で構成されています。1998年から2001年にかけて制作された最後の4つのステーションは、デジタル技術を取り入れ、1978年のオリジナル録音の小さなセクションをエフェクト・プロセッサーにかけ、サンプラーキーボードで即興演奏しています。このようなギャップや、それぞれの制作期間で展開された異なる技術にもかかわらず、記念碑的な結果は完全で驚異的な全体として収まっている。ロズマンは、音源の制限の中で、オリジナルのピアノと声の録音から柔軟な音の世界を引き出す不思議な才能を発揮している。その結果、ダイナミックな音の渦が生まれ、20世紀における最も大胆で挑戦的、かつ見応えのあるムジーク・コンクレートの作品のひとつとなったのである。プロパティ・ルームパートIとIIは、シュトゥルム・ウント・ドランの広大な風景で始まる。ピアノと声のオリジナル素材は、攻撃的な異世界の雰囲気を呼び起こす手段として、分解・再構築されている。The Contents and Life of the Black...
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{"id":7637752938746,"title":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","handle":"akos-rozmann-mass-massa-7xcd-boxset","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e","published_at":"2022-06-12T08:01:57+09:00","created_at":"2022-06-11T13:55:02+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","shelter press"],"price":798000,"price_min":798000,"price_max":798000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42862367473914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ákos Rózmann \/\/ MASS \/ MÄSSA - 7xCD BOXSET","public_title":null,"options":["Default Title"],"price":798000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","options":["Title"],"media":[{"alt":null,"id":29869711196410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_e661f73f-f625-4c69-b54d-c0e756bbe563.jpg?v=1654923303","width":700},{"alt":null,"id":29869711229178,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_fb5e1f6f-5e66-4b94-be50-fd5c14c677b1.jpg?v=1654923304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eÁkos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。\u003cbr\u003eロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。\u003cbr\u003e\u003cbr\u003eミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。\u003cbr\u003eミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。\u003cbr\u003e\u003cbr\u003e「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。\"\u003cbr\u003e\u003cbr\u003e作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。\u003cbr\u003e\u003cbr\u003e1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2309218720\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 CD’s packaged in a hardcover slipcase with a pull ribbon, 12 and 20 pages booklets.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBoxset contains an extensive essay on the composition by Gergely Loch and additional texts by Göran Bergendal and Mats Lindström, and visual documentation.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText \/ artist bio by Ideologic Organ:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eÁkos Rózmann (1939-2005) - Mass\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eÁkos Rózmann’s Mass consists of twelve electroacoustic compositions created between 1989 and 2004 in the composer’s studio and at EMS in Stockholm. Like most of Rózmann’s compositions, Mass is a long-form work with a duration of around seven hours. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe can describe Rózmann’s Mass as an enormous fresco of personal observations on the two first parts of the Catholic Mass, Kyrie and Gloria. The intensely subjective perspective on the texts of the Mass is underlined by Rózmann’s freezing images – in his own words – “tropes”, i.e. meditations in Swedish, Hungarian and Latin over particular words in the mass text or connection to it. A few passages have nothing to do with the mass text: Organ piece VI in Gloria I (also performed with the subtitle Nocturne in silver and dance) is a sort of lament based on the phrase “Natten gråter” (the night is crying). We find the composer’s peculiar sense of humour in the intermezzo following Gloria I – a composed version of the intermission common in Swedish concert houses, complete with clashing coffee cups and empty chatter from the bureaucratic music\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e establishment. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe overarching formal structure of Mass is an intricate one, with the various parts functioning simultaneously as independent pieces and as parts of sub-groups within the whole structure of the piece. As independent pieces, some of them go under the name Organ piece. For example, the three pieces included in the first Gloria part of mass form another independent composition named Triptykon, first performed as a separate work in 1996.\u003cbr data-mce-fragment=\"1\"\u003eIn the earlier parts of Mass, a battle fought between Positive forces is represented by the words in the Mass text and Negative forces represented by various challenging sounds, such as scornful laughter, grunts, burps, nauseous choking and vomiting sounds. First, the Negative powers drag down the Positive forces into a “black hole” or in pockets. Then the Positive forces return to dominate the remaining parts of Gloria. This formal narrative is nuanced by the composer, who, in interviews, offer a less dualistic, more complex viewpoint on the conflict central to the Mass: \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It’s presumable that everything in the general sense is about the notion of positive or negative because everything in the world is structured like that. But it’s not that simple in the Triptych [the first three pieces of the Gloria-cycle]. Different forces stand against each other, but their interrelation is more complex than that of good and evil.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe most prominent sound sources in the work are the organ, a Hungarian zither and human voices. Throughout the whole piece, there is a vocal group from a village church in Corsica, singing the Latin mass texts solo and chorally. Other participants are Schola Gregoriana Holmiae under the direction of Viveca Servatius, a group of German Benedictine monks and – in the role of a sort of master of ceremonies, Thomas Hammar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÁkos Rózmann was born in 1939 in Budapest, Hungary, where he studied composition at the Bartók Conservatory and the Liszt Academy. In 1971 he received a scholarship to come to Stockholm and completed his compositional studies with Ingvar Lidholm at the Royal College of Music in Stockholm and then settled down in Sweden. He was the organist at the Catholic Cathedral in Stockholm for a long time. His early encounter with electroacoustic music gave a new direction to his composing. Except for a few early pieces, Rózmann composed solely electroacoustic music – often preferring a monumental form, usually with the organ and the human voice as the most crucial sound sources in a complex, penetrating musical language loaded with symbols. As a composer, he worked involuntary seclusion, uncompromisingly and with great originality. Rózmann’s music is about the fundamental questions of existence, often on an ethical or religious (Catholic or Buddhist) basis, for example, in the enormous suites Images of the Dream and Death and Twelve Stations, both previously released on Ideologic Organ.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ákos Rózmann\u003c\/p\u003e\n\u003cp\u003eLabel : Ideologic Organ\u003c\/p\u003e"}
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ハンガリー・ブダペストの実験音楽家Akos Rozmannの7CD BOXセットです。 以下、レーベル解説です。 Ákos RózmannのMassは、1989年から2004年の間に作曲家のスタジオとストックホルムのEMSで制作された12の電子音響作品から構成されています。ロズマンが作曲したほとんどの作品と同様に、『ミサ』は約7時間の長大な作品である。ロズマンの《ミサ》は、カトリックのミサの第一部である「キリー」と「グローリア」についての個人的な観察による巨大なフレスコ画であると表現することができる。ミサのテキストに対する極めて主観的な視点は、ロズマン自身の言葉で言うところの「トロペ」、つまりミサのテキストの特定の言葉やそれとの関連に対するスウェーデン語、ハンガリー語、ラテン語による瞑想のイメージを凍らせることで強調されている。いくつかのパッセージはミサ文とは無関係である。グローリアIのオルガン曲VI（銀と踊りの夜想曲という副題もついている）は、「Natten gråter」（夜が泣いている）というフレーズに基づく一種の哀歌である。グローリアIに続く間奏曲は、スウェーデンのコンサートホールでよく見られる、コーヒーカップの衝突や官僚的な音楽関係者の空虚なおしゃべりを盛り込んだ構成になっており、作曲者の独特のユーモアが感じられる。ミサ曲の全体的な形式構造は複雑で、さまざまなパートが独立した曲として、また曲の全体構造の中で小グループの一部として同時に機能している。独立した曲として、オルガン曲という名前で演奏されるものもある。例えば、ミサの最初のグローリア部分に含まれる3つの曲は、トリプティコンという別の独立した作品を形成しており、1996年に独立した作品として初演されている。ミサ曲の前半では、ミサ文の言葉によって表される「正の力」と、軽蔑的な笑い、うなり声、ゲップ、吐き気をもよおす窒息音、嘔吐音など、さまざまな挑戦的音によって表される「負の力」の戦いが繰り広げられる。まず、ネガティブな力がポジティブな力を「ブラックホール」あるいはポケットの中に引きずり込みます。その後、ポジティブな力が戻ってきて、グロリアの残りの部分を支配する。この形式的な物語は、作曲者のインタビューによると、このミサの中心的な対立について、より二元的でなく、より複雑な視点をもってニュアンスを表現している。「一般的な感覚では、世の中のものはすべてポジティブかネガティブかという概念で成り立っていると思われる。しかし、トリプティク（グローリア曲集の最初の3曲）では、そう単純ではありません。異なる力が互いに対立しているのだが、その相互関係は善と悪のそれよりも複雑なのである。"作品の中で最も目立つ音源は、オルガン、ハンガリーチター、そして人の声である。全曲を通して、コルシカ島の村の教会の声楽グループが、ラテン語のミサ文を独唱と合唱で歌っている。その他、ヴィヴェッカ・セルヴァティウス指揮のスコラ・グレゴリアーナ・ホルミエ、ドイツのベネディクト派修道士たち、そしてトーマス・ハマーが、ある種の儀式の主役として参加している。1939年、ハンガリーのブダペストで生まれたアコス・ロズマンは、バルトーク音楽院とリスト音楽院で作曲を学んだ。1971年に奨学金を得てストックホルムに渡り、ストックホルム王立音楽大学でイングヴァル・リドホルムに作曲を師事して修了し、スウェーデンに定住する。ストックホルムのカトリック大聖堂のオルガニストを長く務めた。早くから電子音響音楽に出会い、彼の作曲に新たな方向性を与えた。初期の数曲を除いて、ロズマンが作曲したのはもっぱら電気音響音楽であり、しばしば記念碑的な形式を好み、通常はオルガンと人間の声を最も重要な音源として、記号を満載した複雑で浸透性のある音楽言語を用いている。作曲家として、彼は不本意ながら隠遁生活を送り、妥協することなく、優れた独創性を発揮した。ロズマンの音楽は、存在の根本的な疑問について、しばしば倫理的または宗教的（カトリックや仏教）な根拠に基づいており、例えば、以前Ideologic Organからリリースされた巨大な組曲『夢と死のイメージ』と『12の駅』では、そのような疑問が示されている。" レーベルその他作品はこちら /// Click here to see more Shelter Press...
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{"id":7980224086266,"title":"AKSU and IL SANTO BEVITORE \u0026 THE SEER \/\/ split TAPE","handle":"aksu-and-il-santo-bevitore-the-seer-split-tape","description":"\u003cp\u003eAKSUとIL SANTO BEVITORE、THE SEER\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eリチュアリスティックプロジェクト3組が、2023年5月にイギリスの実験レーベルIndustrial Coast からリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e儀式的なストレンジビーツ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3526388544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Industrial Coast releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eC50 cassette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText via Industrial Coast:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Started in 2020, this project aims to gather two entities, separate in space but close\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ein spirit. On the one side, a magical call escaped from the desert sand and the salted\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003esea. On the other side, its echo responds, heaving from the depth of a chasmal land,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ean incantation told by an ancient seer spun like old yarn with strings, chants and percussions\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAKSU is the project of Pierre Arese (Drums and Percussions) and Guillaume Cazalet (Guitar, Bass and Vocals) Guillaume and Pierre started AKSU in 2012. After a few self-released works, their first album \"The Way to Destroy and Create Things\" came out on Paradigms Recordings in November 2013. Since then, AKSU took part in numerous projects, including Neptunian Maximalism. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAKSU contribute with SIDE A: Erg Namib, emerged from live sessions that took part in Brussels between 2018 and 2020. At that time, the aim of those sessions was to find a commune energy to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e connect ourselves with our surroundings. Erg Namib is a successful attempt to reach this goal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded, Mixed and Mastered by Guillaume Cazalet at Homo Sensibilis Sounds Studio, Brussels.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIl Santo Bevitore and THE SEER come together with their first collaboration to date.\u003cbr data-mce-fragment=\"1\"\u003eISB (Drums, Percussions, Electronics) is Nicola Serra’s ethnographic research and sound project which explores folklore and pagan mysteries from his native land of Sardinia. Nicola is an Italian born musician, producer and sound engineer based in London. He’s the founder and curator of Dronica, renowned experimental sound-art UK festival, as well as the curator and resident artist of Ritualtronics. ISB has performed across Europe and has released on a number of labels such\u003cbr data-mce-fragment=\"1\"\u003eas Opal Tapes, Aurora Borealis, An Trinse, Champion Version, Borders Of Known, Modern Bon, Attenuation Circuit and Amek Collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHE SEER (Cello, Vocals, Piano and Flute) is the performance and sound project created by London based artist Conny Prantera. The Seer is a multimedia live performance that interlocks A\/V, music, theatre and performance art. The project is based on unpublished writings that explore the story of a prophet in a timeless frame, floating between Homeric myths and personal memoir.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Seer was nominated by Red Bull Academy as one of the “7 women audiovisual artists pushing boundaries and challenging perceptions.”\u003cbr data-mce-fragment=\"1\"\u003eThe Seer was also named by Elephant Magazine as one of “the Women Rewriting the Audiovisual Rulebook” and by The Quietus as part of the “New Weird Britannia” music phenomenon.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eISB \u0026amp; THE SEER contribute with SIDE B: STONES (I, II, III), a short trilogy based on The Völuspá, an Old Norse poem that describes the life cycles of birth, death and rebirth through the words of a Seeress, or Völva, called by Odin to share her memories and prophecies with humankind. The three tracks are the result of a semi-improvised jam meticulously edited and enhanced.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : AKSU \/\/ IL SANTO BEVITORE \u0026amp; THE SEER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Industrial Coast\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-25T09:27:49+09:00","created_at":"2023-05-30T15:15:36+09:00","vendor":"Tobira Records","type":"","tags":["industrial coast","strange beats","tape"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259755589882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"AKSU and IL SANTO BEVITORE \u0026 THE SEER \/\/ split TAPE","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aksu1.jpg?v=1685427338"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aksu1.jpg?v=1685427338","options":["Title"],"media":[{"alt":null,"id":32037511135482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aksu1.jpg?v=1685427338"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aksu1.jpg?v=1685427338","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAKSUとIL SANTO BEVITORE、THE SEER\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eリチュアリスティックプロジェクト3組が、2023年5月にイギリスの実験レーベルIndustrial Coast からリリースしたスプリットカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e儀式的なストレンジビーツ4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3526388544\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Industrial Coast releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eC50 cassette.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText via Industrial Coast:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Started in 2020, this project aims to gather two entities, separate in space but close\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ein spirit. On the one side, a magical call escaped from the desert sand and the salted\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003esea. On the other side, its echo responds, heaving from the depth of a chasmal land,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ean incantation told by an ancient seer spun like old yarn with strings, chants and percussions\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAKSU is the project of Pierre Arese (Drums and Percussions) and Guillaume Cazalet (Guitar, Bass and Vocals) Guillaume and Pierre started AKSU in 2012. After a few self-released works, their first album \"The Way to Destroy and Create Things\" came out on Paradigms Recordings in November 2013. Since then, AKSU took part in numerous projects, including Neptunian Maximalism. \u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAKSU contribute with SIDE A: Erg Namib, emerged from live sessions that took part in Brussels between 2018 and 2020. At that time, the aim of those sessions was to find a commune energy to\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e connect ourselves with our surroundings. Erg Namib is a successful attempt to reach this goal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded, Mixed and Mastered by Guillaume Cazalet at Homo Sensibilis Sounds Studio, Brussels.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIl Santo Bevitore and THE SEER come together with their first collaboration to date.\u003cbr data-mce-fragment=\"1\"\u003eISB (Drums, Percussions, Electronics) is Nicola Serra’s ethnographic research and sound project which explores folklore and pagan mysteries from his native land of Sardinia. Nicola is an Italian born musician, producer and sound engineer based in London. He’s the founder and curator of Dronica, renowned experimental sound-art UK festival, as well as the curator and resident artist of Ritualtronics. ISB has performed across Europe and has released on a number of labels such\u003cbr data-mce-fragment=\"1\"\u003eas Opal Tapes, Aurora Borealis, An Trinse, Champion Version, Borders Of Known, Modern Bon, Attenuation Circuit and Amek Collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTHE SEER (Cello, Vocals, Piano and Flute) is the performance and sound project created by London based artist Conny Prantera. The Seer is a multimedia live performance that interlocks A\/V, music, theatre and performance art. The project is based on unpublished writings that explore the story of a prophet in a timeless frame, floating between Homeric myths and personal memoir.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Seer was nominated by Red Bull Academy as one of the “7 women audiovisual artists pushing boundaries and challenging perceptions.”\u003cbr data-mce-fragment=\"1\"\u003eThe Seer was also named by Elephant Magazine as one of “the Women Rewriting the Audiovisual Rulebook” and by The Quietus as part of the “New Weird Britannia” music phenomenon.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eISB \u0026amp; THE SEER contribute with SIDE B: STONES (I, II, III), a short trilogy based on The Völuspá, an Old Norse poem that describes the life cycles of birth, death and rebirth through the words of a Seeress, or Völva, called by Odin to share her memories and prophecies with humankind. The three tracks are the result of a semi-improvised jam meticulously edited and enhanced.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : AKSU \/\/ IL SANTO BEVITORE \u0026amp; THE SEER\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Industrial Coast\u003c\/span\u003e\u003c\/p\u003e"}
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AKSUとIL SANTO BEVITORE、THE SEERリチュアリスティックプロジェクト3組が、2023年5月にイギリスの実験レーベルIndustrial Coast からリリースしたスプリットカセットです。 儀式的なストレンジビーツ4曲を収録。 レーベルその他作品はこちら /// Click here to see more Industrial Coast releases...
¥1,880
クイックビュー
{"id":8171441717498,"title":"Akti ZINE VOL. 2","handle":"akti-zine-vol-2","description":"\u003cp\u003eフィンランドの実験レーベルAkti Recordsによる72ページのZINEです。\u003c\/p\u003e\n\u003cp\u003eインタビューとレビューが掲載。絶版です。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003ehere\u003c\/a\u003e to see more AKTI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e72-page zine featuring interviews and record reviews.\u003c\/p\u003e\n\u003cp\u003eAKTI:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003e[...] Afrer a brief cooling-off period, I found myself facing what some zine enthusiasts might term the ”brick wall of the second edition,” where the imperative is to make the paper bigger, better, and more comprehensive. Despite the fact that the paper is my cherished creation, I must as humbly as possible to admit that, in my opinion, Akti Zine Vol. 2 succeeded in achieving its goal; It serves as a simple DIY cut-and-paste exploration of experimentalists and experimental music, kicking off with interviews followed by musings on captivating sonic puzzles — that one might even dare to call audio recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, I’ll let you folks decide if this was worth the trouble. Special thanks to Jani Hirvonen for his enourmous help making the zine digital and thus getting it to print mode and for heikki hautala for lending his scrap book for cut and paste!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eInterviews:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoy Montgomery\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Orcutt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKuupuu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoachim Nordwall\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAprapat\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArv \u0026amp; Miljö\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArttu Partinen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSunhiilow\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eP.Wits\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRasmus Östling\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTomutonttu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrenna Murphy\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Akti\u003c\/p\u003e","published_at":"2024-07-08T10:57:24+09:00","created_at":"2024-02-11T11:36:00+09:00","vendor":"Tobira Records","type":"","tags":["akti","books \/ clothing \/ others","new"],"price":217000,"price_min":217000,"price_max":217000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45173875605754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Akti ZINE VOL. 2","public_title":null,"options":["Default Title"],"price":217000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/akti1.jpg?v=1720403839"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/akti1.jpg?v=1720403839","options":["Title"],"media":[{"alt":null,"id":33153420820730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":878,"width":878,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akti1.jpg?v=1720403839"},"aspect_ratio":1.0,"height":878,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/akti1.jpg?v=1720403839","width":878}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドの実験レーベルAkti Recordsによる72ページのZINEです。\u003c\/p\u003e\n\u003cp\u003eインタビューとレビューが掲載。絶版です。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003ehere\u003c\/a\u003e to see more AKTI releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e72-page zine featuring interviews and record reviews.\u003c\/p\u003e\n\u003cp\u003eAKTI:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003e[...] Afrer a brief cooling-off period, I found myself facing what some zine enthusiasts might term the ”brick wall of the second edition,” where the imperative is to make the paper bigger, better, and more comprehensive. Despite the fact that the paper is my cherished creation, I must as humbly as possible to admit that, in my opinion, Akti Zine Vol. 2 succeeded in achieving its goal; It serves as a simple DIY cut-and-paste exploration of experimentalists and experimental music, kicking off with interviews followed by musings on captivating sonic puzzles — that one might even dare to call audio recordings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, I’ll let you folks decide if this was worth the trouble. Special thanks to Jani Hirvonen for his enourmous help making the zine digital and thus getting it to print mode and for heikki hautala for lending his scrap book for cut and paste!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eInterviews:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRoy Montgomery\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBill Orcutt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKuupuu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoachim Nordwall\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAprapat\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArv \u0026amp; Miljö\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArttu Partinen\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSunhiilow\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eP.Wits\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRasmus Östling\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTomutonttu\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBrenna Murphy\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Akti\u003c\/p\u003e"}
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フィンランドの実験レーベルAkti Recordsによる72ページのZINEです。 インタビューとレビューが掲載。絶版です。 レーベルその他作品はこちら /// Click here to see more AKTI releases available at Tobira. ------------------------------------ 72-page...
¥2,170
クイックビュー
{"id":8018700304634,"title":"al dente \/\/ Running and Falling Over 12\"","handle":"aldet","description":"\u003cp\u003eオーストラリア・メルボルンのトランス作家al denteが、2023年9月にイギリス・ロンドンのトランスレーベルBEAMからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eフロアフレンドリーなテックハウス〜トランス4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2366734915\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple Effect 06:26\u003c\/li\u003e\n\u003cli\u003eSoft Steps 06:17\u003c\/li\u003e\n\u003cli\u003eUnfold 05:59\u003c\/li\u003e\n\u003cli\u003eBlue Trial 07:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBEAM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter another long hiatus, BEAM is excited to present the vinyl debut from rising star and nebulous neurocranker, al dente. Over 4 tracks, ‘Running and Falling Over’ captures the stylistic fluidity we have come to know and love from Naarm\/Melbourne. Ever present traces of Dozzy refract through millennium-bug tek haus, summoning atmospheres of deep yet ever playful psychedelia. Opening the A-side on ‘Ripple Effect’, pulsating drones and echoes of organic percussion slither through the undergrowth. ‘Soft Steps’ explores fractal resonance amid expansive, evolving textures. Flipping to the B-side, ‘Unfold’ melds paranoiac psy with a wiggly tek swagger. Slow-burner ‘Blue Trial’ closes out the EP – a proggy roller for the eternal sunrise.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : al dente\u003c\/p\u003e\n\u003cp\u003eLabel : BEAM\u003c\/p\u003e","published_at":"2023-09-18T09:08:14+09:00","created_at":"2023-09-17T13:05:14+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":229500,"price_min":229500,"price_max":229500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44568330371322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"al dente \/\/ Running and Falling Over 12\"","public_title":null,"options":["Default Title"],"price":229500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dent1.jpg?v=1694923516","\/\/tobirarecords.com\/cdn\/shop\/files\/dent2.jpg?v=1694923516"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent1.jpg?v=1694923516","options":["Title"],"media":[{"alt":null,"id":32464014377210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent1.jpg?v=1694923516"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent1.jpg?v=1694923516","width":700},{"alt":null,"id":32464014409978,"position":2,"preview_image":{"aspect_ratio":1.012,"height":1186,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent2.jpg?v=1694923516"},"aspect_ratio":1.012,"height":1186,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dent2.jpg?v=1694923516","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンのトランス作家al denteが、2023年9月にイギリス・ロンドンのトランスレーベルBEAMからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eフロアフレンドリーなテックハウス〜トランス4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2366734915\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRipple Effect 06:26\u003c\/li\u003e\n\u003cli\u003eSoft Steps 06:17\u003c\/li\u003e\n\u003cli\u003eUnfold 05:59\u003c\/li\u003e\n\u003cli\u003eBlue Trial 07:23\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBEAM:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter another long hiatus, BEAM is excited to present the vinyl debut from rising star and nebulous neurocranker, al dente. Over 4 tracks, ‘Running and Falling Over’ captures the stylistic fluidity we have come to know and love from Naarm\/Melbourne. Ever present traces of Dozzy refract through millennium-bug tek haus, summoning atmospheres of deep yet ever playful psychedelia. Opening the A-side on ‘Ripple Effect’, pulsating drones and echoes of organic percussion slither through the undergrowth. ‘Soft Steps’ explores fractal resonance amid expansive, evolving textures. Flipping to the B-side, ‘Unfold’ melds paranoiac psy with a wiggly tek swagger. Slow-burner ‘Blue Trial’ closes out the EP – a proggy roller for the eternal sunrise.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : al dente\u003c\/p\u003e\n\u003cp\u003eLabel : BEAM\u003c\/p\u003e"}
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オーストラリア・メルボルンのトランス作家al denteが、2023年9月にイギリス・ロンドンのトランスレーベルBEAMからリリースした12"です。 フロアフレンドリーなテックハウス〜トランス4曲を収録。 -------------------------------------- 12" black vinyl. Vinyl Tracklist: Ripple Effect 06:26 Soft Steps...
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クイックビュー
{"id":8100195467514,"title":"Al Fajer Group \/\/ Al Fajer (The Dawn) فرقة الفجر الفلسطينية LP","handle":"al-fajer-group-al-fajer-the-dawn","description":"\u003cp\u003e1987年から活動していたクウェートのフォークバンドAl Fajer Groupが、2023年11月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1988年に制作したものの、1990年のイラクによるクウェート侵攻により発表の機会を逃したフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Al Fajer Groupは1987年にクウェートで設立され、4人のアーティストによって共同設立された： シマ・カナーン（ヴォーカル）、バシャール・シャムアウト（ギター）、ジャミール・サラージ（ウードとギター）、ニザール・アリヤン（パーカッション）。アル・ファジェール・グループは、そのユニークな周波数と透明感のあるサウンドで知られるようになった。バンドはアコースティック・ウード、ギター、パーカッションに根ざしており、セット中に電子機器を使用することはない。結成当初は、パレスチナ解放闘争に関連したパレスチナの愛国的な曲を演奏していた。1988年の第一次インティファーダ中に、リールテープに録音したアルバムを発表。1990年にイラクがクウェートに侵攻したため、メンバー全員が国外退去を余儀なくされ、セカンド・アルバムをリリースするための再結成ができなかった。限られた活動期間の中で、彼らはクウェート、イラク、ドイツなどで複数のツアーに参加した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれはバンドにとって初のヴァイナル・リリースであり、今日まで入手不可能だったオリジナル楽曲も収録されている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=120118569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalalalalayya - هلالاليا 07:09\u003c\/li\u003e\n\u003cli\u003e3an Insan - عن إنسان 05:43\u003c\/li\u003e\n\u003cli\u003eRubbama - ربما 01:53\u003c\/li\u003e\n\u003cli\u003eLiqaa - لقاء 02:44\u003c\/li\u003e\n\u003cli\u003eFilisteen - فلسطين 01:25\u003c\/li\u003e\n\u003cli\u003e3aneed Ana - عنيد أنا 02:29\u003c\/li\u003e\n\u003cli\u003e3an al Umniyat - عن الأمنيات 03:24\u003c\/li\u003e\n\u003cli\u003eYamma Mweil el Hawa - يما مويل الهوى 04:10\u003c\/li\u003e\n\u003cli\u003eU3linuha - أعلنها 03:01\u003c\/li\u003e\n\u003cli\u003eHalalalalayya Music - موسيقى هلالاليا 05:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMajazz Project \/ Palestine Sound Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAl Fajer Group was established in Kuwait in 1987, co-founded by four artists: Sima Kanaan (Vocals), Bashar Shammout (Guitar) Jameel Saraj (Oud and Guitar) and Nizar Alyan (Percussion). Al Fajer Group became known for their unique frequencies and the transparency of their sound. The band is rooted in acoustic oud, guitar and percussion and they never used any electronic equipment during their sets. When they were first established they would perform Palestinian patriotic songs, related to the Palestinian liberation struggle. They released their launch album, recorded on reel tapes, during the First Intifada in 1988, after which they began composing and writing their own original music. They were unable to release this due to the Iraqi invasion of Kuwait in 1990, when all the band members were forced to leave the country and could not reunite to release the second album. During the limited time in which they were able to work together, they participated in multiple tours in Kuwait, Iraq, Germany and other locations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the first vinyl release for the band and includes original music, which has not been available until today.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Al Fajer Group\u003c\/p\u003e\n\u003cp\u003eLabel : Majazz Project \/ Palestine Sound Archive\u003c\/p\u003e","published_at":"2023-12-18T12:00:36+09:00","created_at":"2023-12-03T15:57:54+09:00","vendor":"Tobira Records","type":"","tags":["field recording","folk \/ left-field pop","lp"],"price":648000,"price_min":648000,"price_max":648000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44839469089018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Al Fajer Group \/\/ Al Fajer (The Dawn) فرقة الفجر الفلسطينية LP","public_title":null,"options":["Default Title"],"price":648000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_7744c3da-f607-40cc-b728-2ec43c37b594.jpg?v=1701586675","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_41696709-deb6-4f13-8061-5b76bf72f1c2.jpg?v=1701586676"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_7744c3da-f607-40cc-b728-2ec43c37b594.jpg?v=1701586675","options":["Title"],"media":[{"alt":null,"id":32786384322810,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_7744c3da-f607-40cc-b728-2ec43c37b594.jpg?v=1701586675"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_7744c3da-f607-40cc-b728-2ec43c37b594.jpg?v=1701586675","width":700},{"alt":null,"id":32786384355578,"position":2,"preview_image":{"aspect_ratio":1.778,"height":675,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_41696709-deb6-4f13-8061-5b76bf72f1c2.jpg?v=1701586676"},"aspect_ratio":1.778,"height":675,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_41696709-deb6-4f13-8061-5b76bf72f1c2.jpg?v=1701586676","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1987年から活動していたクウェートのフォークバンドAl Fajer Groupが、2023年11月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1988年に制作したものの、1990年のイラクによるクウェート侵攻により発表の機会を逃したフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Al Fajer Groupは1987年にクウェートで設立され、4人のアーティストによって共同設立された： シマ・カナーン（ヴォーカル）、バシャール・シャムアウト（ギター）、ジャミール・サラージ（ウードとギター）、ニザール・アリヤン（パーカッション）。アル・ファジェール・グループは、そのユニークな周波数と透明感のあるサウンドで知られるようになった。バンドはアコースティック・ウード、ギター、パーカッションに根ざしており、セット中に電子機器を使用することはない。結成当初は、パレスチナ解放闘争に関連したパレスチナの愛国的な曲を演奏していた。1988年の第一次インティファーダ中に、リールテープに録音したアルバムを発表。1990年にイラクがクウェートに侵攻したため、メンバー全員が国外退去を余儀なくされ、セカンド・アルバムをリリースするための再結成ができなかった。限られた活動期間の中で、彼らはクウェート、イラク、ドイツなどで複数のツアーに参加した。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれはバンドにとって初のヴァイナル・リリースであり、今日まで入手不可能だったオリジナル楽曲も収録されている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=120118569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eHalalalalayya - هلالاليا 07:09\u003c\/li\u003e\n\u003cli\u003e3an Insan - عن إنسان 05:43\u003c\/li\u003e\n\u003cli\u003eRubbama - ربما 01:53\u003c\/li\u003e\n\u003cli\u003eLiqaa - لقاء 02:44\u003c\/li\u003e\n\u003cli\u003eFilisteen - فلسطين 01:25\u003c\/li\u003e\n\u003cli\u003e3aneed Ana - عنيد أنا 02:29\u003c\/li\u003e\n\u003cli\u003e3an al Umniyat - عن الأمنيات 03:24\u003c\/li\u003e\n\u003cli\u003eYamma Mweil el Hawa - يما مويل الهوى 04:10\u003c\/li\u003e\n\u003cli\u003eU3linuha - أعلنها 03:01\u003c\/li\u003e\n\u003cli\u003eHalalalalayya Music - موسيقى هلالاليا 05:48\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMajazz Project \/ Palestine Sound Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAl Fajer Group was established in Kuwait in 1987, co-founded by four artists: Sima Kanaan (Vocals), Bashar Shammout (Guitar) Jameel Saraj (Oud and Guitar) and Nizar Alyan (Percussion). Al Fajer Group became known for their unique frequencies and the transparency of their sound. The band is rooted in acoustic oud, guitar and percussion and they never used any electronic equipment during their sets. When they were first established they would perform Palestinian patriotic songs, related to the Palestinian liberation struggle. They released their launch album, recorded on reel tapes, during the First Intifada in 1988, after which they began composing and writing their own original music. They were unable to release this due to the Iraqi invasion of Kuwait in 1990, when all the band members were forced to leave the country and could not reunite to release the second album. During the limited time in which they were able to work together, they participated in multiple tours in Kuwait, Iraq, Germany and other locations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is the first vinyl release for the band and includes original music, which has not been available until today.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Al Fajer Group\u003c\/p\u003e\n\u003cp\u003eLabel : Majazz Project \/ Palestine Sound Archive\u003c\/p\u003e"}
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1987年から活動していたクウェートのフォークバンドAl Fajer Groupが、2023年11月にリリースしたレコードです。 1988年に制作したものの、1990年のイラクによるクウェート侵攻により発表の機会を逃したフォーク10曲を収録。 以下、レーベルによる解説です。 "Al Fajer Groupは1987年にクウェートで設立され、4人のアーティストによって共同設立された： シマ・カナーン（ヴォーカル）、バシャール・シャムアウト（ギター）、ジャミール・サラージ（ウードとギター）、ニザール・アリヤン（パーカッション）。アル・ファジェール・グループは、そのユニークな周波数と透明感のあるサウンドで知られるようになった。バンドはアコースティック・ウード、ギター、パーカッションに根ざしており、セット中に電子機器を使用することはない。結成当初は、パレスチナ解放闘争に関連したパレスチナの愛国的な曲を演奏していた。1988年の第一次インティファーダ中に、リールテープに録音したアルバムを発表。1990年にイラクがクウェートに侵攻したため、メンバー全員が国外退去を余儀なくされ、セカンド・アルバムをリリースするための再結成ができなかった。限られた活動期間の中で、彼らはクウェート、イラク、ドイツなどで複数のツアーに参加した。 これはバンドにとって初のヴァイナル・リリースであり、今日まで入手不可能だったオリジナル楽曲も収録されている。" ----------------------------------- 12" black vinyl. ...
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{"id":7872222396666,"title":"Al Marantz \/\/ The Mechanic TAPE","handle":"al-marantz-the-mechanic-tape","description":"\u003cp\u003eアメリカ・NYのベッドルーム・ポップ作家Al Marantz が、2022年7月に同国LAのレフトフィールド・ポップレーベルCudighi Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eキャッチーなLo-Fiサイケデリック・ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1843921937\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJanglepop Hub:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eA lo-fi, psychedelic inflected aesthetic that is as brilliantly obtuse as it is endearing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Al Marantz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Cudighi Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-12-29T07:42:32+09:00","created_at":"2022-12-19T10:33:43+09:00","vendor":"Tobira Records","type":"","tags":["Cudighi Records","folk \/ left-field pop","folk \/ vocal \/ band","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43789597114618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Marantz \/\/ The Mechanic TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/al1_0aaac633-9513-400b-a821-71e56f7fce12.jpg?v=1671413625","\/\/tobirarecords.com\/cdn\/shop\/products\/al2_684814fa-cd5d-4f09-ad80-880d833f4921.jpg?v=1671413625"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_0aaac633-9513-400b-a821-71e56f7fce12.jpg?v=1671413625","options":["Title"],"media":[{"alt":null,"id":31220454392058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_0aaac633-9513-400b-a821-71e56f7fce12.jpg?v=1671413625"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al1_0aaac633-9513-400b-a821-71e56f7fce12.jpg?v=1671413625","width":700},{"alt":null,"id":31220454424826,"position":2,"preview_image":{"aspect_ratio":1.019,"height":1178,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_684814fa-cd5d-4f09-ad80-880d833f4921.jpg?v=1671413625"},"aspect_ratio":1.019,"height":1178,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/al2_684814fa-cd5d-4f09-ad80-880d833f4921.jpg?v=1671413625","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのベッドルーム・ポップ作家Al Marantz が、2022年7月に同国LAのレフトフィールド・ポップレーベルCudighi Recordsからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eキャッチーなLo-Fiサイケデリック・ポップ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1843921937\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cudi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cudi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCudighi Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eJanglepop Hub:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eA lo-fi, psychedelic inflected aesthetic that is as brilliantly obtuse as it is endearing.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Al Marantz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Cudighi Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのベッドルーム・ポップ作家Al Marantz が、2022年7月に同国LAのレフトフィールド・ポップレーベルCudighi Recordsからリリースしたカセットです。 キャッチーなLo-Fiサイケデリック・ポップ11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Cudighi Records releases available at Tobira. --------------------------...
¥1,580
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{"id":8259257270522,"title":"Al Margolis \u0026 Jim Strong \/\/ Correspondences TAPE","handle":"al-margolis-jim-strong-correspondences-tape","description":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisと、過去にvitrineやphineryから発表している物音作家Jim Strongが、2024年3月にイギリス・ストックポートの実験レーベルRegional Bearsからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e燻銀のミュージックコンクレート2曲を収録。\u003c\/p\u003e\n\u003cp\u003eAl Margolisの\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-margolis-ordet-cd\"\u003e前作\u003c\/a\u003eとJim Strongの\u003ca href=\"https:\/\/tobirarecords.com\/products\/jim-strong-voluntary-letters-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255484897\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide A 24:43\u003c\/li\u003e\n\u003cli\u003eSide B 23:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Al Margolis \u0026amp; Jim Strong\u003c\/p\u003e\n\u003cp\u003eLabel : Regional Bears\u003c\/p\u003e","published_at":"2024-04-03T09:04:29+09:00","created_at":"2024-04-02T15:22:40+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","new","regional bears","tape"],"price":199800,"price_min":199800,"price_max":199800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45498863157498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Margolis \u0026 Jim Strong \/\/ Correspondences TAPE","public_title":null,"options":["Default Title"],"price":199800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1.jpg?v=1712038962","\/\/tobirarecords.com\/cdn\/shop\/files\/al2.jpg?v=1712038962"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1.jpg?v=1712038962","options":["Title"],"media":[{"alt":null,"id":33531348615418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1.jpg?v=1712038962"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1.jpg?v=1712038962","width":700},{"alt":null,"id":33531348648186,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2.jpg?v=1712038962"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2.jpg?v=1712038962","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisと、過去にvitrineやphineryから発表している物音作家Jim Strongが、2024年3月にイギリス・ストックポートの実験レーベルRegional Bearsからリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e燻銀のミュージックコンクレート2曲を収録。\u003c\/p\u003e\n\u003cp\u003eAl Margolisの\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-margolis-ordet-cd\"\u003e前作\u003c\/a\u003eとJim Strongの\u003ca href=\"https:\/\/tobirarecords.com\/products\/jim-strong-voluntary-letters-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255484897\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSide A 24:43\u003c\/li\u003e\n\u003cli\u003eSide B 23:58\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : Al Margolis \u0026amp; Jim Strong\u003c\/p\u003e\n\u003cp\u003eLabel : Regional Bears\u003c\/p\u003e"}
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1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig / Pugus主宰Al Margolisと、過去にvitrineやphineryから発表している物音作家Jim Strongが、2024年3月にイギリス・ストックポートの実験レーベルRegional Bearsからリリースした共作カセットです。 燻銀のミュージックコンクレート2曲を収録。 Al Margolisの前作とJim Strongの前作もオススメです。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら ///...
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{"id":7837403185402,"title":"Al Margolis \/\/ Iceless, Faceless CD","handle":"al-margolis-iceless-faceless-cd","description":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisが、1990年代にリリースしていたレア音源がこの度CDで再発。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=696923693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTribe Tapes その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProfessionally-manufactured CD in full-color, 4-panel digipak.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginally released via HalTapes, 90s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eAl Margolis, July 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003e'Iceless, Faceless' has always felt like a 'lost' release\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to me. It\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewas originally released on Hal McGee's Haltapes label, just as he was\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esuspending the labels activity. So I'm very pleased that Max\/Tribe\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTapes is reissuing this (as a CD!!!) and rescuing it from 'the void'.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI hope it is still worth a listen.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReview by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrans de Waard, Vital Weekly 1356\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eDecades of experience by now; that is Al Margolis. Long ago, he worked as If, Bwana and had a cassette label, Sound Of Pig. He has used his real name in recent years and ran another label, Pogus Productions. His music also changed over the years. From the more or less randomized tape experiments of the early years to minimalism (the excellent 'R.ISMV.1' CD springs to mind) and improvisation. As with many of the releases on Tribe Tapes, especially regarding people, we can call 'veterans'; this is a historical release. 'Iceless, Faceless' was intended for release on Hal McGee's Hal Tapes, but that didn't happen as he was about to stop his label activities. This being in the early 90s. On the six pieces on this release, there is sound input from others, and two pieces are solo. The improvisational aspect of the music is there, especially in the collaborative pieces, but in all six, there are elements of that. Margolis plays tapes, electronics, piano, processing and an ARP 2600. Usually, not all at the same time. Yet, the music isn't all that improvised sounding perse. Maybe Margolis' tape processing adds a different shape and texture to the music. In 'Jamming', for instance, he plays vibe samples, while Danielle Reddick adds percussion and Paul Richard drums. It sounds as if the piece never starts and keeps stumbling around. This piece has a lo-fi quality, making me like it even more. There is also something similar with 'Prelude To An Ongoing Conversation', with a four-piece line-up, same percussionists but adding Brian Charles on didjeridu and Margolis on vocals, whistler and percussion. A curious, minimalist rockist agenda approach. Not all pieces have the lo-fi quality, but that studio-as-instrument approach to reshape improvisations lingers through all of these pieces. It's music that isn't easily captured as one thing or another (musique concrète, new music, improvisation), and indeed not easy to digest, but one that slowly unfolds its beauty.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Margolis\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e","published_at":"2022-11-17T16:57:53+09:00","created_at":"2022-11-13T12:19:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","tribe tapes"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644660646138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Margolis \/\/ Iceless, Faceless CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_5e8c451a-64d7-416b-a5ad-e857d9bc76eb.jpg?v=1668309587","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_32cdbb7d-92fa-4c04-ac97-df377543cba6.jpg?v=1668309588"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_5e8c451a-64d7-416b-a5ad-e857d9bc76eb.jpg?v=1668309587","options":["Title"],"media":[{"alt":null,"id":30987231625466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_5e8c451a-64d7-416b-a5ad-e857d9bc76eb.jpg?v=1668309587"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fa1_5e8c451a-64d7-416b-a5ad-e857d9bc76eb.jpg?v=1668309587","width":700},{"alt":null,"id":30987231658234,"position":2,"preview_image":{"aspect_ratio":1.429,"height":840,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_32cdbb7d-92fa-4c04-ac97-df377543cba6.jpg?v=1668309588"},"aspect_ratio":1.429,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_32cdbb7d-92fa-4c04-ac97-df377543cba6.jpg?v=1668309588","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisが、1990年代にリリースしていたレア音源がこの度CDで再発。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=696923693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTribe Tapes その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProfessionally-manufactured CD in full-color, 4-panel digipak.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eOriginally released via HalTapes, 90s.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eAl Margolis, July 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003e'Iceless, Faceless' has always felt like a 'lost' release\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e to me. It\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewas originally released on Hal McGee's Haltapes label, just as he was\u003c\/em\u003e\u003cbr\u003e\u003cem\u003esuspending the labels activity. So I'm very pleased that Max\/Tribe\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTapes is reissuing this (as a CD!!!) and rescuing it from 'the void'.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eI hope it is still worth a listen.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReview by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrans de Waard, Vital Weekly 1356\u003c\/span\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003e\"\u003cem\u003eDecades of experience by now; that is Al Margolis. Long ago, he worked as If, Bwana and had a cassette label, Sound Of Pig. He has used his real name in recent years and ran another label, Pogus Productions. His music also changed over the years. From the more or less randomized tape experiments of the early years to minimalism (the excellent 'R.ISMV.1' CD springs to mind) and improvisation. As with many of the releases on Tribe Tapes, especially regarding people, we can call 'veterans'; this is a historical release. 'Iceless, Faceless' was intended for release on Hal McGee's Hal Tapes, but that didn't happen as he was about to stop his label activities. This being in the early 90s. On the six pieces on this release, there is sound input from others, and two pieces are solo. The improvisational aspect of the music is there, especially in the collaborative pieces, but in all six, there are elements of that. Margolis plays tapes, electronics, piano, processing and an ARP 2600. Usually, not all at the same time. Yet, the music isn't all that improvised sounding perse. Maybe Margolis' tape processing adds a different shape and texture to the music. In 'Jamming', for instance, he plays vibe samples, while Danielle Reddick adds percussion and Paul Richard drums. It sounds as if the piece never starts and keeps stumbling around. This piece has a lo-fi quality, making me like it even more. There is also something similar with 'Prelude To An Ongoing Conversation', with a four-piece line-up, same percussionists but adding Brian Charles on didjeridu and Margolis on vocals, whistler and percussion. A curious, minimalist rockist agenda approach. Not all pieces have the lo-fi quality, but that studio-as-instrument approach to reshape improvisations lingers through all of these pieces. It's music that isn't easily captured as one thing or another (musique concrète, new music, improvisation), and indeed not easy to digest, but one that slowly unfolds its beauty.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Margolis\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e"}
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1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig / Pugus主宰Al Margolisが、1990年代にリリースしていたレア音源がこの度CDで再発。 Lo-Fiコンクレート6曲を収録。デジパック、シュリンク仕様です。 Tribe Tapes その他作品はこちら /// Click here to see more Tribe...
¥1,980
クイックビュー
{"id":8171441029370,"title":"Al Margolis \/\/ Ordet CD","handle":"al-margolis-ordet-cd","description":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisが、2024年1月にフィンランドの実験レーベルArtsyからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート6曲を収録。6面デジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-margolis-iceless-faceless-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563997994\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3372592528\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563997994\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCopernicium 06:56\u003c\/li\u003e\n\u003cli\u003eLivermorium 10:03\u003c\/li\u003e\n\u003cli\u003eNihonium 10:00\u003c\/li\u003e\n\u003cli\u003eDarmstadtium 07:15\u003c\/li\u003e\n\u003cli\u003eOganesson 09:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtsy Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour of the five pieces on Ordet can be considered as solo \u003c\/em\u003e\u003cem\u003ecollaborations – or perhaps, collaborations with oneself. \u003c\/em\u003e\u003cem\u003eThese assemblages\/constructions are reworked\/reimagined\/revisited\/recycled pieces - transformed into something new. The one exception, \u003c\/em\u003e\u003cem\u003eLivermorium, is more accurately described as a process piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAl Margolis is a composer\/performer, improvisor, and painter. Since \u003c\/em\u003e\u003cem\u003e1984, often under his project name If, Bwana, he has worked in the field \u003c\/em\u003e\u003cem\u003eof non-commercial, non-popular music and sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Margolis\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e","published_at":"2024-02-12T07:43:11+09:00","created_at":"2024-02-11T11:30:27+09:00","vendor":"Tobira Records","type":"","tags":["artsy records","cd","monooto"],"price":197500,"price_min":197500,"price_max":197500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45173869248762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Al Margolis \/\/ Ordet CD","public_title":null,"options":["Default Title"],"price":197500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b1af05cd-6c87-4ade-8404-744aa8bc3f3e.jpg?v=1707618629","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_4bf4cdbf-a769-4843-a144-040a6fd80982.jpg?v=1707618629"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b1af05cd-6c87-4ade-8404-744aa8bc3f3e.jpg?v=1707618629","options":["Title"],"media":[{"alt":null,"id":33153414267130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b1af05cd-6c87-4ade-8404-744aa8bc3f3e.jpg?v=1707618629"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_b1af05cd-6c87-4ade-8404-744aa8bc3f3e.jpg?v=1707618629","width":700},{"alt":null,"id":33153414299898,"position":2,"preview_image":{"aspect_ratio":0.973,"height":1200,"width":1168,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_4bf4cdbf-a769-4843-a144-040a6fd80982.jpg?v=1707618629"},"aspect_ratio":0.973,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_4bf4cdbf-a769-4843-a144-040a6fd80982.jpg?v=1707618629","width":1168}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig \/ Pugus主宰Al Margolisが、2024年1月にフィンランドの実験レーベルArtsyからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eLo-Fiコンクレート6曲を収録。6面デジスリーブ仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/al-margolis-iceless-faceless-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563997994\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3372592528\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2563997994\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/artsy\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/artsy\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eArtsy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCopernicium 06:56\u003c\/li\u003e\n\u003cli\u003eLivermorium 10:03\u003c\/li\u003e\n\u003cli\u003eNihonium 10:00\u003c\/li\u003e\n\u003cli\u003eDarmstadtium 07:15\u003c\/li\u003e\n\u003cli\u003eOganesson 09:53\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtsy Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour of the five pieces on Ordet can be considered as solo \u003c\/em\u003e\u003cem\u003ecollaborations – or perhaps, collaborations with oneself. \u003c\/em\u003e\u003cem\u003eThese assemblages\/constructions are reworked\/reimagined\/revisited\/recycled pieces - transformed into something new. The one exception, \u003c\/em\u003e\u003cem\u003eLivermorium, is more accurately described as a process piece.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAl Margolis is a composer\/performer, improvisor, and painter. Since \u003c\/em\u003e\u003cem\u003e1984, often under his project name If, Bwana, he has worked in the field \u003c\/em\u003e\u003cem\u003eof non-commercial, non-popular music and sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Al Margolis\u003c\/p\u003e\n\u003cp\u003eLabel : Artsy Records\u003c\/p\u003e"}
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1980年代から活動しているアメリカ・NYの実験レーベルSound Of Pig / Pugus主宰Al Margolisが、2024年1月にフィンランドの実験レーベルArtsyからリリースしたCDです。 Lo-Fiコンクレート6曲を収録。6面デジスリーブ仕様です。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Artsy Records releases...
¥1,975