LAKKER // Untitled [SA019] 12"

¥1,950

Write a review

Item no:
Availability:

ドイツ・ベルリンのテクノ作家Lucy主宰レーベルStroboscopic Artefacts諸作を入荷しました。

レーベルその他作品はこちら /// Click here to see more Stroboscopic Artefacts releases available at Tobira.

----------------------------

Stroboscopic Artefacts:

"In ‘Harbour’ eavily distorted rhythms build like the swirl of a storm, a distress signal popping on, radio distortion. As implosion seems near a moment of calm sets in and a less maniacal beat assumes control. But the unpredictable hammers resume once more, thumping above a sheet of glinting and sharp precipitation. ‘eeAea’ is a different experience. It is based on surer footing, concrete beneath the limbs. A thump, incessant, pounds in the background, giving clarity to a winding sigh and dissonant percussion. Yet there remains melody in the madness, with beautiful hi ends peeking through the atmosphere and a strut which surges towards conclusion. The conclusion ends (unresolved) at ‘Valentina Lane’. It is a street of mystery, set upon a gas of syncopated flashes and airy scrapes. An uncomfortable synthesiser hums in the background, darting high and interjecting low. It is as deliberate as ‘Harbour’ is chaotic; it is a tight, cogent finale."

Artist : LAKKER

Label : Stroboscopic Artefacts

Quantity

+ -

ドイツ・ベルリンのテクノ作家Lucy主宰レーベルStroboscopic Artefacts諸作を入荷しました。

レーベルその他作品はこちら /// Click here to see more Stroboscopic Artefacts releases available at Tobira.

----------------------------

Stroboscopic Artefacts:

Artist : LAKKER

Label : Stroboscopic Artefacts

Related Products

クイックビュー {"id":7533833814266,"title":"Alessandro Adriani \/\/ Morphic Dreams 2xLP","handle":"alessandro-adriani-morphic-dreams-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンのテクノ作家Lucy主宰レーベルStroboscopic Artefacts諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e 本作は、イタリアのテクノ作家Alessandro Adrianiが2019年にリリースしたレコードの再発です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2662853604\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003ehere\u003c\/a\u003e to see more Stroboscopic Artefacts releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStroboscopic Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHot on the heels of his preliminary EP on Stroboscopic Artefacts, ‘Embryo’, which paved the way to the present album, andtwo years after the landing of his 2016-released inaugural LP, ‘Montagne Trasparenti’, Mannequin helmsman Alessandro Adriani returns with his highly anticipated full-length debut for SA, ‘Morphic Dreams’. Throughout eleven cuts painstakingly\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eexecuted but lacking not an iota of the fresh, spontaneous oomph that made his sound stand out of the crowd of techno producers to have emerged over the past decade, Adriani lays the foundations to a suspended sound imaginarium, governed by its own rules and principles of gravity. Revolving around the notions of sublimation and quest for inner balance, ‘Morphic Dreams’ is comprised of four distinct sequences, conceived and designed as reflections of four mental states, each of them linked to the four alchemical elements – i.e. Water, Earth, Air and Fire – here represented by the A, B, C and D-sides. Fluid and enveloping, the A-side bathes the listener in some zero-G uterine vortex, pitching and rolling from the slo-burning exotic sensuality and tribal spell of ‘The Tropical Year’ to the trunk-bending, arpeggiated fast-track pulse of ‘Storm Trees’, through Raindance’s feverish electro swing. Entering a further abrasive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, minerally rich phase, the B-side unleashes Adriani’s dark side with optimum conviction. Deeply\u003cbr data-mce-fragment=\"1\"\u003eanchored in earthly materiality, this new evolution stage starts off to the frantic Italo bass of ‘Dissolving Images’, rushing headlong into a kaleidoscopic maelstrom of fractured reflections and nasty Giallo-like ambience. The delirious body stretch sequence then rather abruptly swerves onto a calmer flux with ‘Dust\/Mist’, a much enticingly hip-swaying collaboration with Simon Crab, ex-member of the seminal ’80s UK industrial-experimental band Bourbonese Qualk, before ‘Casting The Runes’ engulfs us into a tormented world of swollen eeriness and disquieting esoterism. Back to a widescreen showcase of droney distortions, nasty acid swashes and other quirky drum programming, ‘Hors De Combat’ opens a new chapter, shortly followed by the playful bass intricacies and modular jeu-de-piste of ‘Invisible Seekers’, featuring Avian affiliate and longtime friend Shawn O’Sullivan. A further mind-expanding piece, C-side closer ‘Crow’ deploys its blackened wings wide and high as a chaos of martial percussions and liquefying synths slivers crash past the red-hot skyline. A fluttering melodic interlude, ‘Things About To Disappear’ blazes a clean trail for ‘Make Words Split And Crack’ to flourish, slowly but surely blooming into a nonstop grandiose twelve minute-shy finale geared up with the stirring cacophonic force of a Ligetian symphony and something of an epic-scale Kubrickian soundtrack\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alessandro Adriani\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-06T15:07:06+09:00","created_at":"2022-02-06T12:07:29+09:00","vendor":"Tobira Records","type":"","tags":["lp","stroboscopic","techno \/ house"],"price":308000,"price_min":308000,"price_max":308000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42397914792186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alessandro Adriani \/\/ Morphic Dreams 2xLP","public_title":null,"options":["Default Title"],"price":308000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_eedacf02-744b-43c6-b189-9e5c3bd21d43.jpg?v=1644116850"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_eedacf02-744b-43c6-b189-9e5c3bd21d43.jpg?v=1644116850","options":["Title"],"media":[{"alt":null,"id":29112913625338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_eedacf02-744b-43c6-b189-9e5c3bd21d43.jpg?v=1644116850"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_eedacf02-744b-43c6-b189-9e5c3bd21d43.jpg?v=1644116850","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンのテクノ作家Lucy主宰レーベルStroboscopic Artefacts諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e 本作は、イタリアのテクノ作家Alessandro Adrianiが2019年にリリースしたレコードの再発です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2662853604\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003ehere\u003c\/a\u003e to see more Stroboscopic Artefacts releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStroboscopic Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eHot on the heels of his preliminary EP on Stroboscopic Artefacts, ‘Embryo’, which paved the way to the present album, andtwo years after the landing of his 2016-released inaugural LP, ‘Montagne Trasparenti’, Mannequin helmsman Alessandro Adriani returns with his highly anticipated full-length debut for SA, ‘Morphic Dreams’. Throughout eleven cuts painstakingly\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eexecuted but lacking not an iota of the fresh, spontaneous oomph that made his sound stand out of the crowd of techno producers to have emerged over the past decade, Adriani lays the foundations to a suspended sound imaginarium, governed by its own rules and principles of gravity. Revolving around the notions of sublimation and quest for inner balance, ‘Morphic Dreams’ is comprised of four distinct sequences, conceived and designed as reflections of four mental states, each of them linked to the four alchemical elements – i.e. Water, Earth, Air and Fire – here represented by the A, B, C and D-sides. Fluid and enveloping, the A-side bathes the listener in some zero-G uterine vortex, pitching and rolling from the slo-burning exotic sensuality and tribal spell of ‘The Tropical Year’ to the trunk-bending, arpeggiated fast-track pulse of ‘Storm Trees’, through Raindance’s feverish electro swing. Entering a further abrasive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, minerally rich phase, the B-side unleashes Adriani’s dark side with optimum conviction. Deeply\u003cbr data-mce-fragment=\"1\"\u003eanchored in earthly materiality, this new evolution stage starts off to the frantic Italo bass of ‘Dissolving Images’, rushing headlong into a kaleidoscopic maelstrom of fractured reflections and nasty Giallo-like ambience. The delirious body stretch sequence then rather abruptly swerves onto a calmer flux with ‘Dust\/Mist’, a much enticingly hip-swaying collaboration with Simon Crab, ex-member of the seminal ’80s UK industrial-experimental band Bourbonese Qualk, before ‘Casting The Runes’ engulfs us into a tormented world of swollen eeriness and disquieting esoterism. Back to a widescreen showcase of droney distortions, nasty acid swashes and other quirky drum programming, ‘Hors De Combat’ opens a new chapter, shortly followed by the playful bass intricacies and modular jeu-de-piste of ‘Invisible Seekers’, featuring Avian affiliate and longtime friend Shawn O’Sullivan. A further mind-expanding piece, C-side closer ‘Crow’ deploys its blackened wings wide and high as a chaos of martial percussions and liquefying synths slivers crash past the red-hot skyline. A fluttering melodic interlude, ‘Things About To Disappear’ blazes a clean trail for ‘Make Words Split And Crack’ to flourish, slowly but surely blooming into a nonstop grandiose twelve minute-shy finale geared up with the stirring cacophonic force of a Ligetian symphony and something of an epic-scale Kubrickian soundtrack\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alessandro Adriani\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts\u003c\/span\u003e\u003c\/p\u003e"}

ドイツ・ベルリンのテクノ作家Lucy主宰レーベルStroboscopic Artefacts諸作を入荷しました。本作は、イタリアのテクノ作家Alessandro Adrianiが2019年にリリースしたレコードの再発です。レーベルその他作品はこちら /// Click here to see more Stroboscopic Artefacts releases available at Tobira. ...

¥3,080

クイックビュー {"id":7533833093370,"title":"Yotam Avni \/\/ Tehillim [SA029] 12\"","handle":"yotam-avni-tehillim-sa029-lp","description":"\u003cp\u003eドイツ・ベルリンのテクノ作家Lucy主宰レーベルStroboscopic Artefacts諸作を入荷しました。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2139127280\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003ehere\u003c\/a\u003e to see more Stroboscopic Artefacts releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStroboscopic Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Israeli producer Yotam Avni, though not one of the main players in the Stroboscopic Artefacts story to date, nevertheless shows that he is definitely here for a reason: having contributed with an entry in the Monad series back in July, he returns with a new set of tracks that fit perfectly into the label’s overall aesthetic of evolving hyper-reality, while also being a strong personal statement. With both his S.A. debut and this new offering, Avni shows himself to be a truly ‘progressive’ musician: a creator whose musical techniques are informed by his creative disposition and not the other way around, an individual who seems to be using the richness and differentiation of human experience in order to let yet more of it arise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe new record begins with the galloping rhythm of “Tehillim”, bringing a whole inventory of struck wood and metal elements into play, and leading listeners on an adventurous voyage through liturgical chanting and volcanic eruptions of synthesizer magma, all the while being accented with nimble percussive fills that convey the improvisational feel of classic bebop drummers. The following “Orma,” while more stripped down in terms of individual elements, continues down the same path with clever spatial arrangements, and with tonal and percussive elements that seem snatched out\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of their buys urban environments and placed under austere laboratory investigation: this holds true for the isolated bits of sax and vaguely middle-Eastern percussive accents that distinguish this track, and which leap out mischievously from their carefully controlled setting.\u003cbr data-mce-fragment=\"1\"\u003e“Shlok” begins with a deep subterranean kick pattern and percolating bell tones that, while first bringing to mind recent efforts from Planetary Assault Systems, soon transform into something much unique to Avni’s imagination – smooth arcing vocals and contrasting shades of nocturnal ambience turn this into a very sinuous and sultry piece of rhythmic music. Once the listener has been lured in by this siren song, the closer “Even” brings the EP’s most forceful and demanding beat – though its heavy punch is tempered with a sense of contemplative sophistication. Once the insistent beat is overlaid by a shimmering latticework of piano, breeze- like pads, and concentrated string plucks, it testifies to Avni’s ability to create tracks that are loaded with emotional nuance and defy easy description.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yotam Avni\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-06T14:51:35+09:00","created_at":"2022-02-06T12:05:14+09:00","vendor":"Tobira Records","type":"","tags":["lp","stroboscopic","techno \/ house"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42397912269050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yotam Avni \/\/ Tehillim [SA029] 12\"","public_title":null,"options":["Default Title"],"price":195000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_ff2809b5-da58-4e3e-9b78-8bfdceff6230.jpg?v=1644116717"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_ff2809b5-da58-4e3e-9b78-8bfdceff6230.jpg?v=1644116717","options":["Title"],"media":[{"alt":null,"id":29112908218618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_ff2809b5-da58-4e3e-9b78-8bfdceff6230.jpg?v=1644116717"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_ff2809b5-da58-4e3e-9b78-8bfdceff6230.jpg?v=1644116717","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのテクノ作家Lucy主宰レーベルStroboscopic Artefacts諸作を入荷しました。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2139127280\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003ehere\u003c\/a\u003e to see more Stroboscopic Artefacts releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStroboscopic Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Israeli producer Yotam Avni, though not one of the main players in the Stroboscopic Artefacts story to date, nevertheless shows that he is definitely here for a reason: having contributed with an entry in the Monad series back in July, he returns with a new set of tracks that fit perfectly into the label’s overall aesthetic of evolving hyper-reality, while also being a strong personal statement. With both his S.A. debut and this new offering, Avni shows himself to be a truly ‘progressive’ musician: a creator whose musical techniques are informed by his creative disposition and not the other way around, an individual who seems to be using the richness and differentiation of human experience in order to let yet more of it arise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe new record begins with the galloping rhythm of “Tehillim”, bringing a whole inventory of struck wood and metal elements into play, and leading listeners on an adventurous voyage through liturgical chanting and volcanic eruptions of synthesizer magma, all the while being accented with nimble percussive fills that convey the improvisational feel of classic bebop drummers. The following “Orma,” while more stripped down in terms of individual elements, continues down the same path with clever spatial arrangements, and with tonal and percussive elements that seem snatched out\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e of their buys urban environments and placed under austere laboratory investigation: this holds true for the isolated bits of sax and vaguely middle-Eastern percussive accents that distinguish this track, and which leap out mischievously from their carefully controlled setting.\u003cbr data-mce-fragment=\"1\"\u003e“Shlok” begins with a deep subterranean kick pattern and percolating bell tones that, while first bringing to mind recent efforts from Planetary Assault Systems, soon transform into something much unique to Avni’s imagination – smooth arcing vocals and contrasting shades of nocturnal ambience turn this into a very sinuous and sultry piece of rhythmic music. Once the listener has been lured in by this siren song, the closer “Even” brings the EP’s most forceful and demanding beat – though its heavy punch is tempered with a sense of contemplative sophistication. Once the insistent beat is overlaid by a shimmering latticework of piano, breeze- like pads, and concentrated string plucks, it testifies to Avni’s ability to create tracks that are loaded with emotional nuance and defy easy description.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Yotam Avni\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts\u003c\/span\u003e\u003c\/p\u003e"}

クイックビュー {"id":7533832241402,"title":"Lucy \/\/ War Lullaby [SA024] 12\"","handle":"lucy-war-lullaby-sa024-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンのテクノ作家Lucy主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1354039822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003ehere\u003c\/a\u003e to see more Stroboscopic Artefacts releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStroboscopic Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe debut collaboration between techno alchemists Ben Klock and Lucy will probably provoke quivers of anticipation before a single note has been heard. After all, both producers have carved out names for themselves as scene innovators at what they do, and both have already proven that they can more than capably work in a duo format without sacrificing an iota of their unique aesthetics: in Lucy’s case, there has already been the sublime Zeitgeber pairing with Speedy J., and Klock has joined forces with the likes of Marcel Dettmann to craft some of the more memorable output from the Ostgut Ton label. This new release makes good on each producer’s talent for working with epically unfolding tracks, maintaining a strong command of both ‘drone’ and melodicism, and envisioning sound as a kind of inter-dimensional mass transit. As the record indicates, things can get very interesting when the two working methods superimpose perfectly, but can be just as interesting when the two fall slightly out of phase with one another.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListeners familiar wit the classic kosmische feel will be taken immediately by the opening gambit “Bliss,” whose feeling of floating through the coldness of space is accompanied here by nicely warm production values. The bassline that introduces the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e subsequent track (“War Lullaby”) is close to being a continuation of the opener’s leitmotif sequence, although with a change in atmosphere that will keep curious ears from turning away too soon: an FX-shrouded voice delivers a monologue at once seductive and foreboding, followed by a confident kick thump with ephemeral trailing clatters in tow. This affective orientation pulses through the whole record well, building up to the second rhythmic track (“Santeria”) which is the busiest and\u003cbr data-mce-fragment=\"1\"\u003emost engaging of the bunch. Here a variety of sonic flavorings are ritually thrown into the pot and allowed to simmer – fleeting snatches of conga, phasing zaps and rhythmic ricochets all make for a rich concoction that epitomizes the progress that has been made in techno music within this decade. The closing “A Ghost Lovestory,” like the opener, is a non-‘dance’ piece, but is no less compelling for that fact: as a foam of white noise pans between the listener’s ears, a slurred \/ pitch-bent refrain conjures the feeling of either entering or exiting from some erotically tinged hypnagogic state.\u003cbr data-mce-fragment=\"1\"\u003eSpeaking of which, the overall impression given off by this record is that of a special kind of reciprocity: that is, of dreams influencing reality and reality feeding back into dreams. The rhythmic intensity of these tracks, at once an indicator of a hard and immediate reality, is regularly complemented by oneiric flourishes that make the partitioning line between these two realms of consciousness less distinct. As the next chapter in the Stroboscopic Artefacts saga, and in the personal journeys of both Ben Klock and Lucy, it will contribute to the ongoing mission of all these parties: giving longtime fans what they want while expanding their consciousness and inquisitiveness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-06T14:52:38+09:00","created_at":"2022-02-06T12:01:44+09:00","vendor":"Tobira Records","type":"","tags":["lp","stroboscopic","techno \/ house"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42397907845370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lucy \/\/ War Lullaby [SA024] 12\"","public_title":null,"options":["Default Title"],"price":195000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_40917104-019d-473d-832a-eb2a3c60980a.jpg?v=1644116506"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_40917104-019d-473d-832a-eb2a3c60980a.jpg?v=1644116506","options":["Title"],"media":[{"alt":null,"id":29112899404026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_40917104-019d-473d-832a-eb2a3c60980a.jpg?v=1644116506"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/lu1_40917104-019d-473d-832a-eb2a3c60980a.jpg?v=1644116506","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ベルリンのテクノ作家Lucy主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1354039822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strob-art\"\u003ehere\u003c\/a\u003e to see more Stroboscopic Artefacts releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eStroboscopic Artefacts:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe debut collaboration between techno alchemists Ben Klock and Lucy will probably provoke quivers of anticipation before a single note has been heard. After all, both producers have carved out names for themselves as scene innovators at what they do, and both have already proven that they can more than capably work in a duo format without sacrificing an iota of their unique aesthetics: in Lucy’s case, there has already been the sublime Zeitgeber pairing with Speedy J., and Klock has joined forces with the likes of Marcel Dettmann to craft some of the more memorable output from the Ostgut Ton label. This new release makes good on each producer’s talent for working with epically unfolding tracks, maintaining a strong command of both ‘drone’ and melodicism, and envisioning sound as a kind of inter-dimensional mass transit. As the record indicates, things can get very interesting when the two working methods superimpose perfectly, but can be just as interesting when the two fall slightly out of phase with one another.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eListeners familiar wit the classic kosmische feel will be taken immediately by the opening gambit “Bliss,” whose feeling of floating through the coldness of space is accompanied here by nicely warm production values. The bassline that introduces the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e subsequent track (“War Lullaby”) is close to being a continuation of the opener’s leitmotif sequence, although with a change in atmosphere that will keep curious ears from turning away too soon: an FX-shrouded voice delivers a monologue at once seductive and foreboding, followed by a confident kick thump with ephemeral trailing clatters in tow. This affective orientation pulses through the whole record well, building up to the second rhythmic track (“Santeria”) which is the busiest and\u003cbr data-mce-fragment=\"1\"\u003emost engaging of the bunch. Here a variety of sonic flavorings are ritually thrown into the pot and allowed to simmer – fleeting snatches of conga, phasing zaps and rhythmic ricochets all make for a rich concoction that epitomizes the progress that has been made in techno music within this decade. The closing “A Ghost Lovestory,” like the opener, is a non-‘dance’ piece, but is no less compelling for that fact: as a foam of white noise pans between the listener’s ears, a slurred \/ pitch-bent refrain conjures the feeling of either entering or exiting from some erotically tinged hypnagogic state.\u003cbr data-mce-fragment=\"1\"\u003eSpeaking of which, the overall impression given off by this record is that of a special kind of reciprocity: that is, of dreams influencing reality and reality feeding back into dreams. The rhythmic intensity of these tracks, at once an indicator of a hard and immediate reality, is regularly complemented by oneiric flourishes that make the partitioning line between these two realms of consciousness less distinct. As the next chapter in the Stroboscopic Artefacts saga, and in the personal journeys of both Ben Klock and Lucy, it will contribute to the ongoing mission of all these parties: giving longtime fans what they want while expanding their consciousness and inquisitiveness.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lucy\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eStroboscopic Artefacts\u003c\/span\u003e\u003c\/p\u003e"}