James Elkington // Me Neither 2xLP / CD

¥1,988

Write a review

Item no:
Availability:

イギリスのギタリストJames Elkingtonが、2023年12月にアメリカ・フィラデルフィアのフォークレーベルNo Quarterからリリースしたアルバムです。

アコースティックギターによるインスト・フォーク〜アンビエント・フォーク〜ラウンジ29曲を収録。

レーベルその他作品はこちら /// Click here to see more No Quarter releases available at Tobira.

----------------------

Available on 2x12" black vinyl in gatefold sleeve or CD in 4-panel wallet.

Performed, recorded and mixed by James Elkington at Nada Studio, Spring/Summer 2023

Tracklist:

No-Shows 01:31
Burial At Sea 02:27
A Message For The Janesville Kings 01:15
A Round, A Bout 03:05
Look Spectral! 01:37
The 100-Faced Magma 02:34
A Breathable Liquid 01:27
The Permeable Realm 00:59
Section 2 02:12
Double Orchid 02:28
Part The Thin Painter From His Work 02:16
Every Second Morning 02:18
Section 3 00:36
Me Neither 02:54
Contact Twig Estrangement 02:03
New Red Masterpiece 02:14
Cup Cape 01:31
The Bird Renamed 01:19
Psycasts In Love 02:00
Where For Do I Run 01:40
The Home Counties 02:07
Today's Dictation 01:00
Untidled 01:28
Sleep Baguesttes Sleep 01:54
Infinitu B 01:45
Tree Breather 01:48
The Incredible Waist Of Time 01:00
Nor Yet Door But The One 05:07
The Winner Takes It All 02:10

Artist : James Elkington

Label : No Quarter

Quantity

+ -

イギリスのギタリストJames Elkingtonが、2023年12月にアメリカ・フィラデルフィアのフォークレーベルNo Quarterからリリースしたアルバムです。

アコースティックギターによるインスト・フォーク〜アンビエント・フォーク〜ラウンジ29曲を収録。

レーベルその他作品はこちら /// Click here to see more No Quarter releases available at Tobira.

----------------------

Available on 2x12" black vinyl in gatefold sleeve or CD in 4-panel wallet.

Performed, recorded and mixed by James Elkington at Nada Studio, Spring/Summer 2023

Tracklist:

No-Shows 01:31
Burial At Sea 02:27
A Message For The Janesville Kings 01:15
A Round, A Bout 03:05
Look Spectral! 01:37
The 100-Faced Magma 02:34
A Breathable Liquid 01:27
The Permeable Realm 00:59
Section 2 02:12
Double Orchid 02:28
Part The Thin Painter From His Work 02:16
Every Second Morning 02:18
Section 3 00:36
Me Neither 02:54
Contact Twig Estrangement 02:03
New Red Masterpiece 02:14
Cup Cape 01:31
The Bird Renamed 01:19
Psycasts In Love 02:00
Where For Do I Run 01:40
The Home Counties 02:07
Today's Dictation 01:00
Untidled 01:28
Sleep Baguesttes Sleep 01:54
Infinitu B 01:45
Tree Breather 01:48
The Incredible Waist Of Time 01:00
Nor Yet Door But The One 05:07
The Winner Takes It All 02:10

Artist : James Elkington

Label : No Quarter

Related Products

クイックビュー {"id":7888293855482,"title":"Nathan Salsburg \/\/ Landwerk No. 3 2xLP","handle":"nasal","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ケンタッキーのギタリストNathan Salsburgが、2023年1月に同国フィラデルフィアのインディーレーベルNo Quarterからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1910-1940年代のSPレコードと即興ギターによる時代を超えたコラボレーション6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999454063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003ehere\u003c\/a\u003e to see more No Quarter releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhonographic samples with electric guitar, resonator guitar, organ and piano. Committed January 2021-August 2022 in Skylight, Kentucky. Mixed, mastered and otherwise improved by Chuck Johnson at Cirrus Oxide, Oakland, California.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSource recordings:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIX: From “Mutter's Kaver,” Mayer Kanewsky (as M. Gutmann), Columbia E1737, recorded February 1914.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eX: From “Foiu Verdi,” Dnu. H. Bloom, Grafton 9121 (off Emerson 13158), recorded September 1920.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXI: From “National Hora (part 1),” Abe Schwartz and daughter (Sylvia Schwartz), Columbia E4745, recorded May 1920.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXII: From “A Brief Fin 1916,” Jacob Silbert, Columbia E5145, recorded c. 1916.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXIII: From “Lom Ich Frier Alten Derbei,” Ludwig Satz, Victor V-9003, recorded December 1928.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXIV: From “Mazel Tov,” Abe Ellstein Orchestra, Victor V-9070, recorded February 1940.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to Joan and Talya.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Truth is inseparable from the illusory belief that from the figures of the unreal one day, in spite of all, real deliverance will come.” –Adorno, Minima Moralia 78.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Nathan Salsburg\u003c\/p\u003e\n\u003cp\u003elabel : No Quarter\u003c\/p\u003e","published_at":"2023-01-07T17:32:10+09:00","created_at":"2023-01-07T17:32:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","new","no quarter","recommended"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43861153743098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nathan Salsburg \/\/ Landwerk No. 3 2xLP","public_title":null,"options":["Default Title"],"price":379000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a4051462542_16.jpg?v=1673080326"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4051462542_16.jpg?v=1673080326","options":["Title"],"media":[{"alt":null,"id":31332499620090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4051462542_16.jpg?v=1673080326"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4051462542_16.jpg?v=1673080326","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ケンタッキーのギタリストNathan Salsburgが、2023年1月に同国フィラデルフィアのインディーレーベルNo Quarterからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1910-1940年代のSPレコードと即興ギターによる時代を超えたコラボレーション6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999454063\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003ehere\u003c\/a\u003e to see more No Quarter releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhonographic samples with electric guitar, resonator guitar, organ and piano. Committed January 2021-August 2022 in Skylight, Kentucky. Mixed, mastered and otherwise improved by Chuck Johnson at Cirrus Oxide, Oakland, California.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSource recordings:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIX: From “Mutter's Kaver,” Mayer Kanewsky (as M. Gutmann), Columbia E1737, recorded February 1914.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eX: From “Foiu Verdi,” Dnu. H. Bloom, Grafton 9121 (off Emerson 13158), recorded September 1920.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXI: From “National Hora (part 1),” Abe Schwartz and daughter (Sylvia Schwartz), Columbia E4745, recorded May 1920.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXII: From “A Brief Fin 1916,” Jacob Silbert, Columbia E5145, recorded c. 1916.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXIII: From “Lom Ich Frier Alten Derbei,” Ludwig Satz, Victor V-9003, recorded December 1928.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eXIV: From “Mazel Tov,” Abe Ellstein Orchestra, Victor V-9070, recorded February 1940.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThanks to Joan and Talya.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“Truth is inseparable from the illusory belief that from the figures of the unreal one day, in spite of all, real deliverance will come.” –Adorno, Minima Moralia 78.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Nathan Salsburg\u003c\/p\u003e\n\u003cp\u003elabel : No Quarter\u003c\/p\u003e"}

アメリカ・ケンタッキーのギタリストNathan Salsburgが、2023年1月に同国フィラデルフィアのインディーレーベルNo Quarterからリリースした2枚組レコードです。 1910-1940年代のSPレコードと即興ギターによる時代を超えたコラボレーション6曲を収録。DLコード付属。レーベルその他作品はこちら /// Click here to see more No Quarter releases available at Tobira....

¥3,790

カートに入れる

クイックビュー {"id":7946473275642,"title":"Jana Horn \/\/ The Window Is The Dream CD \/ LP","handle":"jana-horn-the-window-is-the-dream-cd-lp","description":"\u003cp\u003eアメリカ・テキサスのシンガーソングライターJana Hornが、2023年3月に同国No Quarterからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e彼女が休学中に制作したポエティックなベッドルームフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1521619205\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003ehere\u003c\/a\u003e to see more No Quarter releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on LP or CD. Please ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eJana Horn, January 2023\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Window is the Dream began as a failed poem. I wrote it as I was waking up... the last thing I want in this breath of existence \/ is not to throw myself into it \/ as any bird might stop flying \/ when the window is the dream. I think the original line was \"toad breath.\" My classmates were nice about it, even the teacher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was taking a class on esoteric lit, a fiction workshop, a poetry class. And while the poem wasn't quite... a poem... a song did rise from it, like smoke from a fire put-out. The song is called The Dream, which maybe the album is pointing toward. These recurring lines which depict the image of a bird hitting a window, though not out of oblivion, but because the bird knows something we don't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***What if birds aren't singing, they're screaming? (Aldous Harding)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***What if nightmares were cries from hell? What if nightmares literally took place in hell? Why not? Everything is so strange, even this is possible. (Jorge Luis Borges)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think of a line from a favorite story of mine, \"Car Crash While Hitchhiking,\" in which a man is observing someone badly hurt, and about to go: And therefore I looked down into the great pity of a person’s life on this earth. I don’t mean that we all end up dead, that’s not the great pity. I mean that he couldn’t tell me\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e what he was dreaming, and I couldn’t tell him what was real.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI won't bore you with more quotes... but perhaps my idea with this song, and album, was in part to help keep this broader, ongoing conversation in the air, like a beach ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI wrote these songs in the thick of a writing program. I was reading all the time, sometimes five-hundred pages a week or more, there was no music on, for years maybe; my record player broke, the stereo in my car, my laptop’s was on its last speaker and then it started twitching. The feeling of those days was holding on, as though centripetal force alone was keeping everything going. Songs spilled. Days go by \/ they don't have time. Even the walks I took were circular, around the cemetery and back.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album was recorded in the breaths I could take away from school, over about a year. Once I had a number of songs, I drove to upstate New York where my friends Sarah and Jared warned me we could make something beautiful. I think I was the first, or one of them, to record in their barn, which is now a bonafide studio. The whole thing was a family affair. Jonathon, one of the guitarists, and I even have the same last name. I like the songs that we play together, how his guitar and my voice sound like they’re having a conversation, or arguing, or trust-falling into one another. There’s more of this, I think, a kind of dialogue throughout, between the voices in the room.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jana Horn\u003c\/p\u003e\n\u003cp\u003eLabel : No Quarter \u003c\/p\u003e","published_at":"2023-03-30T14:49:40+09:00","created_at":"2023-03-30T12:02:22+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","no quarter"],"price":228000,"price_min":228000,"price_max":329000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44134953353466,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jana Horn \/\/ The Window Is The Dream CD \/ LP - CD","public_title":"CD","options":["CD"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":44134953386234,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jana Horn \/\/ The Window Is The Dream CD \/ LP - LP","public_title":"LP","options":["LP"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wi1_767ed719-5b7f-4ad4-955c-6b3795ceed33.jpg?v=1680145343"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wi1_767ed719-5b7f-4ad4-955c-6b3795ceed33.jpg?v=1680145343","options":["Format"],"media":[{"alt":null,"id":31752870559994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wi1_767ed719-5b7f-4ad4-955c-6b3795ceed33.jpg?v=1680145343"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wi1_767ed719-5b7f-4ad4-955c-6b3795ceed33.jpg?v=1680145343","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスのシンガーソングライターJana Hornが、2023年3月に同国No Quarterからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e彼女が休学中に制作したポエティックなベッドルームフォーク10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1521619205\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003ehere\u003c\/a\u003e to see more No Quarter releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on LP or CD. Please ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eJana Horn, January 2023\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"The Window is the Dream began as a failed poem. I wrote it as I was waking up... the last thing I want in this breath of existence \/ is not to throw myself into it \/ as any bird might stop flying \/ when the window is the dream. I think the original line was \"toad breath.\" My classmates were nice about it, even the teacher.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was taking a class on esoteric lit, a fiction workshop, a poetry class. And while the poem wasn't quite... a poem... a song did rise from it, like smoke from a fire put-out. The song is called The Dream, which maybe the album is pointing toward. These recurring lines which depict the image of a bird hitting a window, though not out of oblivion, but because the bird knows something we don't.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***What if birds aren't singing, they're screaming? (Aldous Harding)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***What if nightmares were cries from hell? What if nightmares literally took place in hell? Why not? Everything is so strange, even this is possible. (Jorge Luis Borges)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI think of a line from a favorite story of mine, \"Car Crash While Hitchhiking,\" in which a man is observing someone badly hurt, and about to go: And therefore I looked down into the great pity of a person’s life on this earth. I don’t mean that we all end up dead, that’s not the great pity. I mean that he couldn’t tell me\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e what he was dreaming, and I couldn’t tell him what was real.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI won't bore you with more quotes... but perhaps my idea with this song, and album, was in part to help keep this broader, ongoing conversation in the air, like a beach ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI wrote these songs in the thick of a writing program. I was reading all the time, sometimes five-hundred pages a week or more, there was no music on, for years maybe; my record player broke, the stereo in my car, my laptop’s was on its last speaker and then it started twitching. The feeling of those days was holding on, as though centripetal force alone was keeping everything going. Songs spilled. Days go by \/ they don't have time. Even the walks I took were circular, around the cemetery and back.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album was recorded in the breaths I could take away from school, over about a year. Once I had a number of songs, I drove to upstate New York where my friends Sarah and Jared warned me we could make something beautiful. I think I was the first, or one of them, to record in their barn, which is now a bonafide studio. The whole thing was a family affair. Jonathon, one of the guitarists, and I even have the same last name. I like the songs that we play together, how his guitar and my voice sound like they’re having a conversation, or arguing, or trust-falling into one another. There’s more of this, I think, a kind of dialogue throughout, between the voices in the room.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jana Horn\u003c\/p\u003e\n\u003cp\u003eLabel : No Quarter \u003c\/p\u003e"}

アメリカ・ワシントンDC＋ボルチモアのジャズトリオHeart of the Ghostが、2022年8月に同国No Quarterからリリースしたレコードです。パンク精神溢れるフリージャズ4セットを収録。 Jarrett Gilgore - Alto/Soprano SaxophoneIan McColm - Drums/PercussionLuke...

¥3,180

クイックビュー {"id":7982962999546,"title":"Nathan Salsburg \/\/ Landwerk No. 2 LP","handle":"nathan-salsburg-landwerk-no-2-12","description":"\u003cp\u003eアメリカ・ケンタッキーのギタリストNathan Salsburgが、2020年に同国フィラデルフィアのインディーレーベルNo Quarterからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1920年代のSPレコードと即興ギターによる時代を超えたコラボレーション4曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3157495267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003ehere\u003c\/a\u003e to see more No Quarter releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. One-time pressing edition of 500.\u003c\/p\u003e\n\u003cp\u003eNo Quarter:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLandwerk No. 2 is a second volume of compositions built around samples from 78-rpm phonograph records—in this case, two klezmer sides, one Yiddish folk song, and one tune by a Slovak miners’ orchestra from Northeastern Pennsylvania, home of six generations of Salsburgs. While the first volume just happened to coincide with the first months of 2020’s problematic peculiarity, No. 2 was undertaken in the depths of the late summer and early fall, when political\/social\/existential despair hung at their heaviest. These are musical attempts to translate the past into the present, or to redeem the present through the past, or to discover, in Michael Löwy’s formulation (in Chris Turner’s translation), a 'critical constellation formed by a particular fragment of the past with a particular moment of the present.'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePhonographic samples with electric guitar, resonator guitar, lap steel, and piano. Committed August–September 2020 in Skylight, Kentucky. Mixed by Zak Riles at Earthwave Studio, Shelbyville, Kentucky. Mastered by Carl Saff.\u003cbr\u003e\u003cbr\u003eSource recordings:\u003cbr\u003e\u003cbr\u003eV: from “Rumenishe Doina” by Dave Tarras’ Orkester, Columbia 8220-F, recorded in New York City, April 1927.\u003cbr\u003e\u003cbr\u003eVI: from Vladimir Heifetz’ introduction to “Sug Mir Du Schein Meidele (Tell me you pretty girl)” by Isa Kremer, Brunswick 40082, recorded in New York City, January 1924.\u003cbr\u003e\u003cbr\u003eVII: from “Jak som išol prez lesh (As I walked through the forest)” by Slovenska Orkestra Michael Lapchaka, Victor 80576, recorded in Camden, New Jersey, February 1928.\u003cbr\u003e\u003cbr\u003eVIII: from “Die Chasidim Forren Tsum Rebbin (The Chasidim Visit The Rabbi)” by Kandel’s Orchestra (drummer unidentified), Victor 68680, recorded in New York City, November 1924\u003c\/p\u003e\n\u003cp\u003eArtist : Nathan Salsburg\u003c\/p\u003e\n\u003cp\u003eLabel : No Quarter\u003c\/p\u003e","published_at":"2023-06-09T07:47:31+09:00","created_at":"2023-06-08T21:41:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","lp","no quarter"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271931097338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nathan Salsburg \/\/ Landwerk No. 2 LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8690fdd9-3123-4f99-9789-c3ca5cb878b5.jpg?v=1686228106","\/\/tobirarecords.com\/cdn\/shop\/files\/no2_49fb8566-c9cf-42fe-92f7-b369645640c5.jpg?v=1686228106","\/\/tobirarecords.com\/cdn\/shop\/files\/no3_f07af942-acd7-49ed-a6c7-35ff7c097641.jpg?v=1686228106"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8690fdd9-3123-4f99-9789-c3ca5cb878b5.jpg?v=1686228106","options":["Title"],"media":[{"alt":null,"id":32092881780986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8690fdd9-3123-4f99-9789-c3ca5cb878b5.jpg?v=1686228106"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8690fdd9-3123-4f99-9789-c3ca5cb878b5.jpg?v=1686228106","width":700},{"alt":null,"id":32092881813754,"position":2,"preview_image":{"aspect_ratio":0.954,"height":1200,"width":1145,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_49fb8566-c9cf-42fe-92f7-b369645640c5.jpg?v=1686228106"},"aspect_ratio":0.954,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_49fb8566-c9cf-42fe-92f7-b369645640c5.jpg?v=1686228106","width":1145},{"alt":null,"id":32092881846522,"position":3,"preview_image":{"aspect_ratio":0.996,"height":1200,"width":1195,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no3_f07af942-acd7-49ed-a6c7-35ff7c097641.jpg?v=1686228106"},"aspect_ratio":0.996,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no3_f07af942-acd7-49ed-a6c7-35ff7c097641.jpg?v=1686228106","width":1195}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ケンタッキーのギタリストNathan Salsburgが、2020年に同国フィラデルフィアのインディーレーベルNo Quarterからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1920年代のSPレコードと即興ギターによる時代を超えたコラボレーション4曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3157495267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noqu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noqu\"\u003ehere\u003c\/a\u003e to see more No Quarter releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. One-time pressing edition of 500.\u003c\/p\u003e\n\u003cp\u003eNo Quarter:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLandwerk No. 2 is a second volume of compositions built around samples from 78-rpm phonograph records—in this case, two klezmer sides, one Yiddish folk song, and one tune by a Slovak miners’ orchestra from Northeastern Pennsylvania, home of six generations of Salsburgs. While the first volume just happened to coincide with the first months of 2020’s problematic peculiarity, No. 2 was undertaken in the depths of the late summer and early fall, when political\/social\/existential despair hung at their heaviest. These are musical attempts to translate the past into the present, or to redeem the present through the past, or to discover, in Michael Löwy’s formulation (in Chris Turner’s translation), a 'critical constellation formed by a particular fragment of the past with a particular moment of the present.'\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003ePhonographic samples with electric guitar, resonator guitar, lap steel, and piano. Committed August–September 2020 in Skylight, Kentucky. Mixed by Zak Riles at Earthwave Studio, Shelbyville, Kentucky. Mastered by Carl Saff.\u003cbr\u003e\u003cbr\u003eSource recordings:\u003cbr\u003e\u003cbr\u003eV: from “Rumenishe Doina” by Dave Tarras’ Orkester, Columbia 8220-F, recorded in New York City, April 1927.\u003cbr\u003e\u003cbr\u003eVI: from Vladimir Heifetz’ introduction to “Sug Mir Du Schein Meidele (Tell me you pretty girl)” by Isa Kremer, Brunswick 40082, recorded in New York City, January 1924.\u003cbr\u003e\u003cbr\u003eVII: from “Jak som išol prez lesh (As I walked through the forest)” by Slovenska Orkestra Michael Lapchaka, Victor 80576, recorded in Camden, New Jersey, February 1928.\u003cbr\u003e\u003cbr\u003eVIII: from “Die Chasidim Forren Tsum Rebbin (The Chasidim Visit The Rabbi)” by Kandel’s Orchestra (drummer unidentified), Victor 68680, recorded in New York City, November 1924\u003c\/p\u003e\n\u003cp\u003eArtist : Nathan Salsburg\u003c\/p\u003e\n\u003cp\u003eLabel : No Quarter\u003c\/p\u003e"}