Da Headbussaz // Dat's How It Happen To'm 2xLP [COLOR]

Da Headbussaz // Dat's How It Happen To'm 2xLP [COLOR]

¥8,680

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アメリカ・メンフィスのヒップホップトリオDa Headbussazが、2025年10月にHypnotize Mindsからリリースした再発2枚組レコードです。（オリジナルは2002年CDリリース）

メンフィス・ヒップホップ12曲を収録。レッド&ブラックスプラッター盤です。

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2 x 12" red and black splash with silver spatter vinyl.

Tracklist:

A1. It's Bout To Happen To'm
A2. Where They Hang
A3. U See We Poe
A4. Headbussaz
B1. How To Get Rid Of A Dead Body
B2. Dat's How It Happen To'm
B3. Powder Cake
B4. Get The F. Out My Face
C1. Smoke If U Got It
C2. Hands On Ya
C3. Ruffest Niggaz Out
C4. Craps Table (Skit)
D1. Crown Me
D2. Gone Be Sum Shit
D3. U See We Poe (Screwed)
D4. Hypnotize Minds & Fiend Ent.

Artist : Da Headbussaz

Label : Hypnotize Minds

cat no : HYP36051-LP,

Quantity

+ -

メンフィス・ヒップホップ12曲を収録。レッド&ブラックスプラッター盤です。

------------------------------------------------

2 x 12" red and black splash with silver spatter vinyl.

Tracklist:

Artist : Da Headbussaz

Label : Hypnotize Minds

cat no : HYP36051-LP,

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過去にHumble BeeやBenoit Pioulard等と共作を重ねてきたアメリカ・コロラドのアンビエント作家offtheskyが、2025年8月にフランスのアンビエントレーベルlaaps / IIKKIからリリースした2020年以来となる久々のソロアルバムです。朧げなアンビエント〜アンビエントドローン10曲を収録。ピンク&パープルマーブル盤です。DLコード付属。レーベルその他作品はこちら /// Click here to see more Laaps / IIKKI releases...

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Seikilos Epitaph\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2. First Lament\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB3. Oracle\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB4. Easter Daydream\u003cbr\u003e\u003c\/span\u003eB5. Lonely Melody\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year. Drawing upon a carefully honed attentiveness to the environments and\u003cspan class=\"bcTruncateMore\"\u003e experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp-c1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-31T07:06:12+09:00","created_at":"2025-10-30T10:51:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","lp","new","recommended","shelter press"],"price":447800,"price_min":447800,"price_max":447800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47883020140794,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Also Bennett \/\/ Στον Ελαιώνα \/ Ston Elaióna LP [COLOR]","public_title":null,"options":["Default Title"],"price":447800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/john1_3035f413-affa-4781-af0c-2a14598efe58.jpg?v=1761789149","\/\/tobirarecords.com\/cdn\/shop\/files\/john2.jpg?v=1761789149"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_3035f413-affa-4781-af0c-2a14598efe58.jpg?v=1761789149","options":["Title"],"media":[{"alt":null,"id":37329640882426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_3035f413-affa-4781-af0c-2a14598efe58.jpg?v=1761789149"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1_3035f413-affa-4781-af0c-2a14598efe58.jpg?v=1761789149","width":700},{"alt":null,"id":37329640915194,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john2.jpg?v=1761789149"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john2.jpg?v=1761789149","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、\u003cspan\u003e2025年7月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズドローン9曲を収録。真珠色盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3252390652\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" 'arctic pearl' color vinyl.\u003cbr\u003eColor vinyl edition of 300.\u003cbr\u003eIncludes bonus tracks exclusive to physical release. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Ston Elaióna\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. Gecko Pads\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA3. Hailstorm\u003cbr\u003e\u003c\/span\u003eA4. A Handful of Olives\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA5. Sacred House\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB1. Seikilos Epitaph\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2. First Lament\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB3. Oracle\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB4. Easter Daydream\u003cbr\u003e\u003c\/span\u003eB5. Lonely Melody\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by John Also Bennett:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSton Elaióna is John Also Bennett’s first album for Shelter Press since his 2019 solo debut Erg Herbe. The American born, Athens, Greece, based flautist, synthesist, and composer weaves a strikingly singular electroacoustic excursion for bass flute and Yamaha DX7ii, largely recorded in the golden haze of the early morning hours - bending time at the otherworldly juncture of consciousness and place. Translating from Greek as “in the olive grove”, Ston Elaióna is permeated with the ambiences of the ancient and present world, guided into form by a playfully rigorous approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eInitially emerging during the mid 2000s as part of Columbus, Ohio’s noise scene, before relocating to NYC around 2010, Bennett’s diverse activities picked up an increasing sense of pace over the following decade - performing and recording as a solo artist (JAB), with the trio Forma and with CV \u0026amp; JAB, his prolific duo with his partner Christina Vantzou, as well as playing in Jon Gibson’s ensemble among many other multifaceted collaborations. However, since 2020 the flautist and electroacoustic composer has existed in a semi nomadic state: drifting between Brooklyn, Brussels, extensive tours, and Greece, where he finally came to rest in Athens last year. Drawing upon a carefully honed attentiveness to the environments and\u003cspan class=\"bcTruncateMore\"\u003e experiences of everyday life, Ston Elaióna is a suite of nine pieces (with an additional track exclusive to physical formats), many of them composed and played live as the early morning sun touched the Parthenon, in full view from Bennett’s studio window in Athens. Bennett’s refinement and restraint, honed over his years adrift, led him to adopt a limited palette focused on his primary instrument, the bass flute, and a Yamaha DX7ii synthesizer tuned to just intonation scales. Alongside a handful of other keyboards, digital oscillators triggered by his flute, and occasional field recordings, this simple palette is reflected by the deeply emotive sense of minimalism that permeates the album’s two sides.\u003cbr\u003e\u003cbr\u003eFollowing two solo albums defined by outward facing temperaments - 2022’s Out there in the middle of nowhere (Poole Music), which used a lap steel guitar and generative oscillators to evoke the surreal landscapes of the South Dakota badlands, and the largely synthetic atmospheres of the 2024 anthology Music For Save Rooms 1 \u0026amp; 2 (Editions Basilic) - the shift in Bennett’s worldly circumstances offered an intuitive return to the calm, inward states of creative exploration that have historically defined JAB’s sound. In parallel, context provided clear sources of inspiration for many of the album’s themes, as well as sources for some of its sounds. The aura of Greece, from the ancient to the present, from its stones and olive groves to its traffic, figures heavily across Στον Ελαιώνα (Ston Elaióna)’s two sides...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Also Bennett\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSP162lp-c1\u003c\/span\u003e\u003c\/p\u003e"}

アメリカ出身ギリシャ在住のフルート奏者John Also Bennettが、2025年7月にフランスの実験レーベルShelter Pressからリリースしたレコードです。アンビエント・ジャズドローン9曲を収録。真珠色盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Shelter Press / Recollection GRM /...

¥4,478

クイックビュー {"id":8976321511674,"title":"Julien Mier \/\/ Gradually LP","handle":"julien-mier-gradually-lp-1","description":"\u003cp\u003eオーストラリアのIDM作家Julien Mierが、2025年6月にスペインのIDMレーベルLapsusからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eIDM〜アンビエント・ダウンテンポ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1138435197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ciel 03:28\u003cbr\u003e2. Soleil 02:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Espace 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Steen 05:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Zee 04:15\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Zand 03:59\u003cbr\u003e\u003c\/span\u003e7. Scrap (ft. Daisuke Tanabe) 04:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Soil 04:44\u003cbr\u003e\u003c\/span\u003e9. Spark 04:28\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a\u003cspan class=\"bcTruncateMore\"\u003e small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.\u003cbr\u003e\u003cbr\u003eThe final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Julien Mier\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLPS42\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-30T16:10:56+09:00","created_at":"2025-10-30T10:24:45+09:00","vendor":"Tobira Records","type":"","tags":["house","lapsus","lp","new"],"price":459000,"price_min":459000,"price_max":459000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882821435642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Julien Mier \/\/ Gradually LP","public_title":null,"options":["Default Title"],"price":459000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548112740","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/grad1.jpg?v=1761787388","\/\/tobirarecords.com\/cdn\/shop\/files\/grad2_082572ea-1101-4d33-906b-782d23777811.jpg?v=1761787388"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad1.jpg?v=1761787388","options":["Title"],"media":[{"alt":null,"id":37328453107962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad1.jpg?v=1761787388"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad1.jpg?v=1761787388","width":700},{"alt":null,"id":37328453140730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad2_082572ea-1101-4d33-906b-782d23777811.jpg?v=1761787388"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/grad2_082572ea-1101-4d33-906b-782d23777811.jpg?v=1761787388","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアのIDM作家Julien Mierが、2025年6月にスペインのIDMレーベルLapsusからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eIDM〜アンビエント・ダウンテンポ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1138435197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ciel 03:28\u003cbr\u003e2. Soleil 02:48\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Espace 03:54\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Steen 05:46\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Zee 04:15\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Zand 03:59\u003cbr\u003e\u003c\/span\u003e7. Scrap (ft. Daisuke Tanabe) 04:06\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Soil 04:44\u003cbr\u003e\u003c\/span\u003e9. Spark 04:28\u003c\/p\u003e\n\u003cp\u003eText excerpt by Lapsus:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGradually, the latest album by Julien Mier, is a sonic journey that delves into the transitions of life, identity, and the blurred boundaries between art and personal growth. With a trilingual brain, Mier reflects on how language shifts have shaped his sense of self throughout his life and the music that he writes. Gradually is his exploration of shapelessness—an urge to break free from rigid musical genres and get closer to his most fundamental expression. The album is composed of nine tracks, each representing a distinct cultural and linguistic influence, all tied together by the theme of gradual evolution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first section, Ciel, Soleil, and Espace (French for Sky, Sun, and Space), draws on Mier’s French heritage, evoking the feeling of childhood memories bathed in a warm, nostalgic glow. This fluid, atmospheric section mirrors the soft, ever-changing air, symbolising a time of pure, untainted intention. It feels like a hazy, sepia-toned dream, as fleeting and elusive as the scent of an old friend. The gentle flow of the music mirrors the flow of wind, effortlessly shifting from one element to the next, a reflection of the innocence and clarity of youth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe second section, Steen, Zee, and Zand (Dutch for Stone, Sea, and Sand), channels the influence of Mier’s childhood in a\u003cspan class=\"bcTruncateMore\"\u003e small Dutch dune village. These tracks are grounded in the hard-edged textures of electronic dance music, a genre that introduced him to a world of rhythm and movement. With a sonic palette of blues, greys, and more defined shapes, this section captures the solid, enduring forces of nature—earth, water, and stone. It’s a sonic landscape rooted in stability, a foundation from which everything can grow. The tracks build from the fluidity of the first section into more structured, rhythmic territories, mirroring the natural transition from childhood innocence to the discovery of deeper, more grounded musical influences.\u003cbr\u003e\u003cbr\u003eThe final section, Scrap (a collaborative track with the Japanese producer Daisuke Tanabe), Soil, and Spark, dives into the exploration of the world beyond familiar borders. Mier’s relocation from the Netherlands to Australia in 2016 is reflected in these pieces, which grapple with the contrast and complexity of different cultures and environments. These tracks are tinged with rust-red hues and a sense of eroded beauty, evoking a more fragmented, distorted view of the world. The music here is marked by tension, conflict, and the erosion of once-solid forms—symbolic of the digital and ecological storms that shape our modern existence. The closing piece, Spark, signals a new beginning, a hopeful initiation into the cycle of renewal. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Julien Mier\u003c\/p\u003e\n\u003cp\u003eLabel : Lapsus\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLPS42\u003c\/span\u003e\u003c\/p\u003e"}

オーストラリアのIDM作家Julien Mierが、2025年6月にスペインのIDMレーベルLapsusからリリースしたレコードです。 IDM〜アンビエント・ダウンテンポ9曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see more Lapsus / Balmat releases available at...

¥4,590

クイックビュー {"id":8976306471162,"title":"Patricia Wolf \/\/ Hrafnamynd LP [COLOR]","handle":"patricia-wolf-hrafnamynd-lp-color","description":"\u003cp\u003eアメリカ・ポートランドのアンビエント作家Patricia Wolfが、2025年8月にスペインのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験映像作家Edward Pack Daveeのドキュメンタリー映画のサウンドトラックとして製作したシンセ・アンビエント11曲を収録。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hrafnamynd』（アイスランド語で「カラス映画」の意）は、実験映画作家エドワード・パック・デーヴィーによる新作長編ドキュメンタリーである。フィルムとデジタルを併用した撮影手法に加え、1970年代に父親が撮影したエクタクロームのスライドを組み込んだ本作は、自伝的要素を帯びつつ複数の次元で機能する。アイスランドでの幼少期の回想、風景と民間伝承の探求、そして島国に生息するカラスたち（話すカラス「クルミ」を含む）のドキュメンタリー研究が同時に展開される。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolfは、この類まれな作品に音楽を提供するのに最適なアーティストだ。アンビエント音楽とフィールドレコーディング（鳥の鳴き声を記録した豊富な経験を含む）を融合させ、彼女の音楽には並外れた共感の視点が宿る。『Hrafnamynd』において、彼女の軽やかなメロディ、思索的な雰囲気、鮮やかな質感は、粒子の粗いフィルム素材と焼き付いたような色彩を直感的に補完している。長年友人関係にあった二人のアーティストは、Wolfが自身の楽曲「Woodland Encounter」（アルバム『See-Through』収録）と「The Culmination Of」（アルバム『I'll Look For You In Others』収録）のミュージックビデオ撮影をパックに依頼したことで、さらに絆を深めた。パックは映画のラフカットを組み立て始める際、Wolfの既録音を仮置きとして使用した。この経緯が、彼の特異なビジョンを完成させるために、全く新しい特注のスコアで協力する自然な選択として彼女を導いたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかしWolfのサウンドトラックは、間違いなく単独でフルアルバムとしても成立している。主にUDO Super 6シンセサイザーを用いて制作された本作は、温かみのある弦楽器のようなパッド音色と、暗くきらめくマレット音色を慎重に抽出したパレットを特徴とし、ごく稀にナイロン弦ギターが導入されることで完成されている。音楽的・様式的に、アルバムの11曲は『See-Through』の思索的なサウンドの継続であると同時に、新たな表現様式への拡張をも示している。アンビエントに限らず、メロディと雰囲気のバランスをこれほど巧みに取り、意図的に限定されたツールキットから新鮮で驚くべき音を引き出す方法を編み出すミュージシャンは稀だ。瞑想的で没入感があり、情感豊かなウルフの『Hrafnamynd』サウンドトラックは、過去数十年のアンビエントの名作群を想起させつつ、確固たる自信をもって独自の豊かな領域を切り開いている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4191628650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" orange vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Early Memories 03:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Subconscious Familiarity 05:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Krummi’s Theme 01:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Huginn and Muninn 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. The Return to Iceland 03:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Reykjavík by the Sea 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. I Thought I Could Fly 01:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Hrafnaþing 02:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Surfing on Wind 04:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Echoes Through Time 12:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. I’ll Take Care of You 01:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBalmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked\u003cspan class=\"bcTruncateMore\"\u003e Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.\u003cbr\u003e\u003cbr\u003eBut Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous, Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patricia Wolf\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBalmat 17\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-30T16:02:37+09:00","created_at":"2025-10-30T10:20:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","balmat","lp","new","post newage"],"price":556000,"price_min":556000,"price_max":556000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882789683450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Patricia Wolf \/\/ Hrafnamynd LP [COLOR]","public_title":null,"options":["Default Title"],"price":556000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548117004","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wol1_340f69bf-a9e4-4c0a-a587-bee107956a9d.jpg?v=1761787296","\/\/tobirarecords.com\/cdn\/shop\/files\/wol3.jpg?v=1761787296"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol1_340f69bf-a9e4-4c0a-a587-bee107956a9d.jpg?v=1761787296","options":["Title"],"media":[{"alt":null,"id":37328441147642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol1_340f69bf-a9e4-4c0a-a587-bee107956a9d.jpg?v=1761787296"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol1_340f69bf-a9e4-4c0a-a587-bee107956a9d.jpg?v=1761787296","width":700},{"alt":null,"id":37328441180410,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol3.jpg?v=1761787296"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wol3.jpg?v=1761787296","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ポートランドのアンビエント作家Patricia Wolfが、2025年8月にスペインのIDMレーベルLapsus傘下Balmatからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験映像作家Edward Pack Daveeのドキュメンタリー映画のサウンドトラックとして製作したシンセ・アンビエント11曲を収録。オレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Hrafnamynd』（アイスランド語で「カラス映画」の意）は、実験映画作家エドワード・パック・デーヴィーによる新作長編ドキュメンタリーである。フィルムとデジタルを併用した撮影手法に加え、1970年代に父親が撮影したエクタクロームのスライドを組み込んだ本作は、自伝的要素を帯びつつ複数の次元で機能する。アイスランドでの幼少期の回想、風景と民間伝承の探求、そして島国に生息するカラスたち（話すカラス「クルミ」を含む）のドキュメンタリー研究が同時に展開される。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWolfは、この類まれな作品に音楽を提供するのに最適なアーティストだ。アンビエント音楽とフィールドレコーディング（鳥の鳴き声を記録した豊富な経験を含む）を融合させ、彼女の音楽には並外れた共感の視点が宿る。『Hrafnamynd』において、彼女の軽やかなメロディ、思索的な雰囲気、鮮やかな質感は、粒子の粗いフィルム素材と焼き付いたような色彩を直感的に補完している。長年友人関係にあった二人のアーティストは、Wolfが自身の楽曲「Woodland Encounter」（アルバム『See-Through』収録）と「The Culmination Of」（アルバム『I'll Look For You In Others』収録）のミュージックビデオ撮影をパックに依頼したことで、さらに絆を深めた。パックは映画のラフカットを組み立て始める際、Wolfの既録音を仮置きとして使用した。この経緯が、彼の特異なビジョンを完成させるために、全く新しい特注のスコアで協力する自然な選択として彼女を導いたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかしWolfのサウンドトラックは、間違いなく単独でフルアルバムとしても成立している。主にUDO Super 6シンセサイザーを用いて制作された本作は、温かみのある弦楽器のようなパッド音色と、暗くきらめくマレット音色を慎重に抽出したパレットを特徴とし、ごく稀にナイロン弦ギターが導入されることで完成されている。音楽的・様式的に、アルバムの11曲は『See-Through』の思索的なサウンドの継続であると同時に、新たな表現様式への拡張をも示している。アンビエントに限らず、メロディと雰囲気のバランスをこれほど巧みに取り、意図的に限定されたツールキットから新鮮で驚くべき音を引き出す方法を編み出すミュージシャンは稀だ。瞑想的で没入感があり、情感豊かなウルフの『Hrafnamynd』サウンドトラックは、過去数十年のアンビエントの名作群を想起させつつ、確固たる自信をもって独自の豊かな領域を切り開いている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4191628650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lapsus\"\u003ehere\u003c\/a\u003e to see more Lapsus \/ Balmat releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" orange vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Early Memories 03:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Subconscious Familiarity 05:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Krummi’s Theme 01:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Huginn and Muninn 04:36\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. The Return to Iceland 03:02\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Reykjavík by the Sea 02:28\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. I Thought I Could Fly 01:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Hrafnaþing 02:38\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Surfing on Wind 04:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Echoes Through Time 12:40\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. I’ll Take Care of You 01:37\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBalmat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBalmat 17 marks both a return and a new frontier. It is the second album on the label from Patricia Wolf, whose 2022 album See-Through is one of the most beloved in Balmat’s catalog; it also marks the first time that Wolf has turned her hand to a film soundtrack. The results are every bit as magical as fans of the Portland, Oregon, composer’s music might expect.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHrafnamynd—Icelandic for “raven film”—is a new feature-length documentary by experimental filmmaker Edward Pack Davee. Shot on a mix of film and digital formats, and incorporating his father’s Ektachrome slides from the 1970s, the autobiographical film works on multiple levels at once: a reminiscence of his childhood in Iceland, an exploration of landscape and folklore, and a documentary study of the island nation’s ravens—including a talking raven named Krummi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWolf is the perfect artist to score such an unusual film. Mixing ambient music and field recording—including extensive experience documenting bird song—Wolf brings an unusually empathic perspective to her music. In the context of Hrafnamynd, her airy melodies, pensive atmospheres, and vivid textures intuitively complement the film’s grainy film stock and blown-out colors. Friends for years, the two artists further bonded when Wolf asked\u003cspan class=\"bcTruncateMore\"\u003e Pack to film music videos for her songs “Woodland Encounter” (from See-Through) and “The Culmination Of” (from I'll Look For You In Others). Pack used Wolf’s previously recorded music as placeholders as he began assembling a rough cut of the film, which made her a natural choice to help him complete his idiosyncratic vision with an all-new, bespoke score.\u003cbr\u003e\u003cbr\u003eBut Wolf’s soundtrack also indisputably stands alone as a full-length album. Largely created using the UDO Super 6 synthesizer, it features a carefully distilled palette of warm, string-like pads and darkly glistening mallets, rounded out with the very occasional introduction of nylon string guitar. Musically and stylistically, the album’s 11 tracks represent both a continuation of the ruminative sound of See-Through and also an extension into new expressive modes. Few musicians, ambient or otherwise, are as skilled at balancing melody with atmosphere, or at finding ways to eke fresh, surprising sounds out of an intentionally reduced toolkit. Meditative, immersive, and emotionally generous, Wolf’s Hrafnamynd soundtrack evokes a range of ambient classics from decades past while confidently marking out its own verdant patch of ground.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patricia Wolf\u003c\/p\u003e\n\u003cp\u003eLabel : Balmat\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBalmat 17\u003c\/span\u003e\u003c\/p\u003e"}