jazz / impro
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{"id":8648691646714,"title":"Bokoya \u0026 FloFilz \/\/ Yurika LP","handle":"bokoya-flofilz-yurika-lp-1","description":"\u003cp\u003eドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとビートメイカーFloFilzが、2024年1月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックなインスト・ジャズヒップホップ19曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6HY6XjiLB40?si=nFX-SrAsC3pLjC4B\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/amxKCj3t7e0?si=OqwAjI4o5Ma1pUnf\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Aiz5OtX5xqI?si=JL40Lz4Cqay-jk-u\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GR2xxHwiDyk?si=bDp4bLfw2UggrzIC\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nB0GzEqRtgc?si=UNungigDm9yxFFCd\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Lran5w8SXLY?si=Q4GqPYbqybwSTx8M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black 140gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntro 01:05\u003c\/li\u003e\n\u003cli\u003eSoft Encounter 01:45\u003c\/li\u003e\n\u003cli\u003eStalagtight 02:56\u003c\/li\u003e\n\u003cli\u003eAix 02:19\u003c\/li\u003e\n\u003cli\u003eSenchimentaru Way (feat. Kan Sano) 03:09\u003c\/li\u003e\n\u003cli\u003eBizzare Bird 01:24\u003c\/li\u003e\n\u003cli\u003eGasborn 03:28\u003c\/li\u003e\n\u003cli\u003eHidehiko 02:26\u003c\/li\u003e\n\u003cli\u003eGrenodile 00:44\u003c\/li\u003e\n\u003cli\u003eReaching Out 01:59\u003c\/li\u003e\n\u003cli\u003eKaminoaner 01:51\u003c\/li\u003e\n\u003cli\u003eUbongo Extreme 02:50\u003c\/li\u003e\n\u003cli\u003eTripple T 01:02\u003c\/li\u003e\n\u003cli\u003eDonari 02:49\u003c\/li\u003e\n\u003cli\u003eBijetzu 01:14\u003c\/li\u003e\n\u003cli\u003eYurika 02:45\u003c\/li\u003e\n\u003cli\u003eMürbchen 01:13\u003c\/li\u003e\n\u003cli\u003eRoya 03:27\u003c\/li\u003e\n\u003cli\u003eFelicious (Outro) 01:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eMelting Pot Music:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"[...] \u003c\/em\u003e\u003cem\u003eWhat happens when a four-headed human drum computer meets a classically trained violinist turned beatmaker to spend time in the studio? A beautiful lily blossom. At least this was the case when Bokoya and FloFilz entered Atelier 21 in Aachen (a Produzentengalerie für globale Kunst) for a musical encounter with no goals set. The music that was born out of these sessions is simply amazing and we are more than happy to release them as an album under the name ‘Yurika’ - Japanese for „beautiful lily“.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Yurika’ will be available digital and on LP with artwork by Jens Roth \u0026amp; Jeremias Diekmann. The 19-track strong instrumental album includes one vocal track featuring Japanese singer Kano San. Prior to the album drop in December, we will release five digital singles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFloFilz is one of Europe's most acclaimed Jazz Beat producers with four albums on MPM under his belt (and close to 300 million streams). His last album ‘Close Distance’ came out in 2022 and featured artists Alfa Mist, Blue Lab Beats, Jerome Thomas, and Summers Sons. FloFilz is a classically trained musician who not only plays\u003cspan class=\"bcTruncateMore\"\u003e the TR 404 but also violin.\u003cbr\u003e\u003cbr\u003eBokoya describe themselves as a four-headed human drum machine that play improvised beat music. You can call it jazz if you like (all four members are graduated jazz musicians) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. In 2022 Bokoya released their second album ‘Hausensession’ on MPM, followed by a collabo album with Cologne-based producer Gianni Brezzo (Jakarta Records) called ‘Minari’.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Bokoya \u0026amp; FloFilz\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eMPM 330\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-24T07:25:01+09:00","created_at":"2024-10-22T14:19:21+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp","melting pot"],"price":444600,"price_min":444600,"price_max":444600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46774114681082,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bokoya \u0026 FloFilz \/\/ Yurika LP","public_title":null,"options":["Default Title"],"price":444600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/yu1_30b7ef82-47f4-4832-9d14-730aef69b05d.jpg?v=1708677784","\/\/tobirarecords.com\/cdn\/shop\/files\/yu2_ea746cca-6756-4e06-bb4f-bcf2e4ea7e6c.jpg?v=1708677784"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/yu1_30b7ef82-47f4-4832-9d14-730aef69b05d.jpg?v=1708677784","options":["Title"],"media":[{"alt":null,"id":33225086894330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yu1_30b7ef82-47f4-4832-9d14-730aef69b05d.jpg?v=1708677784"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yu1_30b7ef82-47f4-4832-9d14-730aef69b05d.jpg?v=1708677784","width":700},{"alt":null,"id":33225086927098,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yu2_ea746cca-6756-4e06-bb4f-bcf2e4ea7e6c.jpg?v=1708677784"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/yu2_ea746cca-6756-4e06-bb4f-bcf2e4ea7e6c.jpg?v=1708677784","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとビートメイカーFloFilzが、2024年1月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eレイドバックなインスト・ジャズヒップホップ19曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/6HY6XjiLB40?si=nFX-SrAsC3pLjC4B\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/amxKCj3t7e0?si=OqwAjI4o5Ma1pUnf\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Aiz5OtX5xqI?si=JL40Lz4Cqay-jk-u\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/GR2xxHwiDyk?si=bDp4bLfw2UggrzIC\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nB0GzEqRtgc?si=UNungigDm9yxFFCd\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Lran5w8SXLY?si=Q4GqPYbqybwSTx8M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/melpot\"\u003ehere\u003c\/a\u003e to see more Melting Pot Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black 140gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eIntro 01:05\u003c\/li\u003e\n\u003cli\u003eSoft Encounter 01:45\u003c\/li\u003e\n\u003cli\u003eStalagtight 02:56\u003c\/li\u003e\n\u003cli\u003eAix 02:19\u003c\/li\u003e\n\u003cli\u003eSenchimentaru Way (feat. Kan Sano) 03:09\u003c\/li\u003e\n\u003cli\u003eBizzare Bird 01:24\u003c\/li\u003e\n\u003cli\u003eGasborn 03:28\u003c\/li\u003e\n\u003cli\u003eHidehiko 02:26\u003c\/li\u003e\n\u003cli\u003eGrenodile 00:44\u003c\/li\u003e\n\u003cli\u003eReaching Out 01:59\u003c\/li\u003e\n\u003cli\u003eKaminoaner 01:51\u003c\/li\u003e\n\u003cli\u003eUbongo Extreme 02:50\u003c\/li\u003e\n\u003cli\u003eTripple T 01:02\u003c\/li\u003e\n\u003cli\u003eDonari 02:49\u003c\/li\u003e\n\u003cli\u003eBijetzu 01:14\u003c\/li\u003e\n\u003cli\u003eYurika 02:45\u003c\/li\u003e\n\u003cli\u003eMürbchen 01:13\u003c\/li\u003e\n\u003cli\u003eRoya 03:27\u003c\/li\u003e\n\u003cli\u003eFelicious (Outro) 01:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e++\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eMelting Pot Music:\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"[...] \u003c\/em\u003e\u003cem\u003eWhat happens when a four-headed human drum computer meets a classically trained violinist turned beatmaker to spend time in the studio? A beautiful lily blossom. At least this was the case when Bokoya and FloFilz entered Atelier 21 in Aachen (a Produzentengalerie für globale Kunst) for a musical encounter with no goals set. The music that was born out of these sessions is simply amazing and we are more than happy to release them as an album under the name ‘Yurika’ - Japanese for „beautiful lily“.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Yurika’ will be available digital and on LP with artwork by Jens Roth \u0026amp; Jeremias Diekmann. The 19-track strong instrumental album includes one vocal track featuring Japanese singer Kano San. Prior to the album drop in December, we will release five digital singles.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFloFilz is one of Europe's most acclaimed Jazz Beat producers with four albums on MPM under his belt (and close to 300 million streams). His last album ‘Close Distance’ came out in 2022 and featured artists Alfa Mist, Blue Lab Beats, Jerome Thomas, and Summers Sons. FloFilz is a classically trained musician who not only plays\u003cspan class=\"bcTruncateMore\"\u003e the TR 404 but also violin.\u003cbr\u003e\u003cbr\u003eBokoya describe themselves as a four-headed human drum machine that play improvised beat music. You can call it jazz if you like (all four members are graduated jazz musicians) but be ready to stumble over some Dilla, Kraut Rock, Ambient or Dub in the mix. In 2022 Bokoya released their second album ‘Hausensession’ on MPM, followed by a collabo album with Cologne-based producer Gianni Brezzo (Jakarta Records) called ‘Minari’.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Bokoya \u0026amp; FloFilz\u003c\/p\u003e\n\u003cp\u003eLabel : Melting Pot Music\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eMPM 330\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ケルンのジャズ・ヒップホップバンドBokoyaとビートメイカーFloFilzが、2024年1月にケルンのヒップホップレーベルMelting Potからリリースした共作レコードです。 レイドバックなインスト・ジャズヒップホップ19曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Melting Pot Music releases available at Tobira. ...
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{"id":8648647409914,"title":"Jibóia \/\/ Salar LP","handle":"jiboia-salar-lp","description":"\u003cp\u003eポルトガルのサイケデリックトリオJibóiaが、2024年10月に同国リスボンの密林系音楽の大巣窟Discrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなサイケデリック・ロック〜フリージャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3413916145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1859260260\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3413916145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selar (Joana Guerra) 04:20\u003cbr\u003e2. salar i 01:32\u003cbr\u003e3. Solar (Yaw Tembe) 04:58\u003cbr\u003e4. salar ii 00:55\u003cbr\u003e5. Sitar (Ayoub ElAyady) 04:14\u003cbr\u003e6. Sarar (Rui Carvalho) 03:46\u003cbr\u003e7. salar iii 00:59\u003cbr\u003e8. Sonar (Pedro Augusto) 04:58\u003cbr\u003e9. salar iv 01:24\u003cbr\u003e10. Salir (Daiyen Jone) 05:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour years after their Discrepant debut - 'OOOO' -, Lisbon-based travellers Jibóia return to the fold with another offering of globetrotting psychedelia with 'Salar'. With the core trio of Óscar Silva, Ricardo Martins and Mestre André augmented by a stellar parade of collaborators on various roles, 'Salar' further expands on the transglobal visions by now pretty trademarked by the band. Intersped among shorter vignettes for drums, saxophone and bass, each of the more fully fleshed tracks casts a guest to elevate Jibóia's music to uncharted realms - both in a mystical and geographical sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener 'Selar' summons the cello of songstress Joana Guerra for a skewed dialogue with Silva's guitar, propelled by Martins' drums and percussion and André's electronic textures into 4 minutes and 20 seconds that feel epic - if there was any psychedelic numerological symbolism needed. On 'Solar', Silva's non-western plucking rides on for Yaw Tembe's trumpet to veer in a multitude in directions, while the mysterious 'Sitar' conjures the voice of moroccan musician Ayoub ElAyady for a contemplative nighttime prayer. Elsewhere, guitarist Rui Carvalho aka Filho da Mãe injects dissonant guitar lines unto 'Sarar's pummelling dance and Pedro Augusto's electronics hover below the shapeshifting dynamics of 'Sonar', among mesmerising keyboard lines. 'Salir' featuring Daiyen Jone enchanted flute brings the album to a close at its most reflective, all crepuscular synth lines and reverbed handclaps. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jibóia\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCREP106\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-22T13:19:14+09:00","created_at":"2024-10-22T12:13:56+09:00","vendor":"Tobira Records","type":"","tags":["Discrepant","jazz","lp","new","strange beats"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46773882847482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jibóia \/\/ Salar LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jib1.jpg?v=1729566687","\/\/tobirarecords.com\/cdn\/shop\/files\/jib2.jpg?v=1729566686"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jib1.jpg?v=1729566687","options":["Title"],"media":[{"alt":null,"id":35093476081914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jib1.jpg?v=1729566687"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jib1.jpg?v=1729566687","width":700},{"alt":null,"id":35093476114682,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jib2.jpg?v=1729566686"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jib2.jpg?v=1729566686","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルのサイケデリックトリオJibóiaが、2024年10月に同国リスボンの密林系音楽の大巣窟Discrepantからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなサイケデリック・ロック〜フリージャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3413916145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1859260260\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3413916145\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dipa\"\u003ehere\u003c\/a\u003e to see more Discrepant releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Selar (Joana Guerra) 04:20\u003cbr\u003e2. salar i 01:32\u003cbr\u003e3. Solar (Yaw Tembe) 04:58\u003cbr\u003e4. salar ii 00:55\u003cbr\u003e5. Sitar (Ayoub ElAyady) 04:14\u003cbr\u003e6. Sarar (Rui Carvalho) 03:46\u003cbr\u003e7. salar iii 00:59\u003cbr\u003e8. Sonar (Pedro Augusto) 04:58\u003cbr\u003e9. salar iv 01:24\u003cbr\u003e10. Salir (Daiyen Jone) 05:25\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDiscrepant:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour years after their Discrepant debut - 'OOOO' -, Lisbon-based travellers Jibóia return to the fold with another offering of globetrotting psychedelia with 'Salar'. With the core trio of Óscar Silva, Ricardo Martins and Mestre André augmented by a stellar parade of collaborators on various roles, 'Salar' further expands on the transglobal visions by now pretty trademarked by the band. Intersped among shorter vignettes for drums, saxophone and bass, each of the more fully fleshed tracks casts a guest to elevate Jibóia's music to uncharted realms - both in a mystical and geographical sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpener 'Selar' summons the cello of songstress Joana Guerra for a skewed dialogue with Silva's guitar, propelled by Martins' drums and percussion and André's electronic textures into 4 minutes and 20 seconds that feel epic - if there was any psychedelic numerological symbolism needed. On 'Solar', Silva's non-western plucking rides on for Yaw Tembe's trumpet to veer in a multitude in directions, while the mysterious 'Sitar' conjures the voice of moroccan musician Ayoub ElAyady for a contemplative nighttime prayer. Elsewhere, guitarist Rui Carvalho aka Filho da Mãe injects dissonant guitar lines unto 'Sarar's pummelling dance and Pedro Augusto's electronics hover below the shapeshifting dynamics of 'Sonar', among mesmerising keyboard lines. 'Salir' featuring Daiyen Jone enchanted flute brings the album to a close at its most reflective, all crepuscular synth lines and reverbed handclaps. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jibóia\u003c\/p\u003e\n\u003cp\u003eLabel : Discrepant\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCREP106\u003c\/span\u003e\u003c\/p\u003e"}
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ポルトガルのサイケデリックトリオJibóiaが、2024年10月に同国リスボンの密林系音楽の大巣窟Discrepantからリリースしたレコードです。 エキゾチックなサイケデリック・ロック〜フリージャズ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Discrepant releases available at Tobira. ------------------------------- Ask...
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{"id":8647987953914,"title":"Ansgar Wilken \/\/ The last we can do is wave to each other LP","handle":"ansgar-wilken-the-last-we-can-do-is-wave-to-each-other-lp","description":"\u003cp\u003eドイツ・ベルリンの実験音楽家Ansgar Wilkenが、2024年10月に同国実験レーベルEconoreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマル・ストレンジビーツ〜物音ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"パーカッションとマイクロパーカッション。調子の良いクラッタリング、タッピング、メモリアルエンジェル。ビート、クレッシェンド、細かいフィードバック、倍音、ドローン。フェルトのマレットを、落とした卓球のボールのように鼓膜の上で弾ませる。ブリキのボウルを共鳴の宝箱として、あるいはチェロをドラムセットとして使う。今、この瞬間と利用可能な素材の可能性は、多くの慣習を驚かせる。音楽を生み出すのではなく、音楽を摘み取る。ノイズや音のスペクトルを追求し、出現するリズムに没頭し、必ずしも聴こえるとは限らないが、常に感じたり加えたりできる基本的なドローンから始める。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnsgar Wilkenは、時にコンピューターが作り出したような音を発するオブジェや道具など、シンプルかつ広範囲に及ぶサウンドを駆使する。エレクトロニクスが使われているかどうか（あるいは、どこで、どのように使われているか）は、しばしば判断が難しいが、その理由は、ミュージシャン自身がどこかエネルギッシュで、演奏中に不意に機械のリズムに陥ることがあるからにほかならない。Ansgar Wilkenのバッキングは、ヴィルトゥオジティの代わりに首尾一貫した音楽世界を切り開き、動きと音の落ち着きのない探求が絶えず光り輝く激しさを放つ。スタイルとは、このミュージシャンが目指すものではなく、彼が振り払うことのできないものに過ぎない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e簡潔な口ひげを蓄えた痩身で長身の男、Ansgar Wilkenが目の前のバーのスツールに座ると、フィルム・ノワールに登場する幻滅した英国空軍将校のように見える。世間に放り出された男が、ストイックに自分に忠実であり続けながら、新しい環境や状況に注意深く対応する。それゆえ、このレコードのジャケットに、いわば本人が描かれているにもかかわらず、本人が写っていないのは驚くにはあたらない。トロンボーンを中心とした静かな庭の風景の中に、彼の父親が、彼のきれいなシャツと薄い日曜日のズボンが風で少し毛羽立っているのが見える。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnsgar Wilkenがときどき座っているバー・スツールは、ベルリンのマダム・クロードのDJブースの後ろにあり、ドリンクメニューを含め、文字通りすべてが逆さまになっている。重力の法則をうまく無視できれば、天井の下に逆さまにねじ込まれた椅子やテーブルに座ることができる。最初は観光客向けのギミックに思えるかもしれないが、適切な音楽、仲間、ドリンクのセレクションがあれば、思ったよりも早く魔法のような演出に変わる。遅くとも、アンダーグラウンドのインプロ・アヴァンギャルドについて具体的な知識のないベルリンを訪れた客がDJに抽象的な技術的質問をすると、Ansgar Wilkenはそれに丁寧に答えてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの地下バーの入り口は、通りから階段を半階分上がったところにある。バー（つまり地下）から数段の階段を登って行ける奥の部屋は、バーより低いコンサートセラーになっている。Ansgar Wilkenは、優れたサウンド・エンジニアを備えたこのコンサート・ルームで、ソロ、あるいは様々なミュージシャンや合唱団との短期間のコンステレーションや、現在の常設バンドであるイッチー・スポッツとよく演奏している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eさて、庭の風景に戻ろう。結局のところ、それほど平和で牧歌的な場所ではないのかもしれない。小さな木々、下草、深く暗い池......。整然とした顔立ちのトロンボーン奏者を、中程度の縮れたミニチュアの風景が取り囲んでいる。背景の空があるはずの場所には、瓦屋根の納屋の屋根が空気に対する壁のように左から右に伸びている。この風景が心の状態だとしたら、Ansgar Wilkenのアルバムが制作されたコロナウィルスの時代によく似合うだろう--そしてアルバムは、この風景の中の金管楽器奏者であり、Ansgar Wilkenと混同してはならないだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eどこにいたっけ？アルバムで？- 最後の3曲、「The last we can do is wave to each other Part I - III 」は、タイトルからしてコロナトラックであり、レコード全体がそれにちなんで名付けられているが、このアルバムはコロナ風景ではない。それともAnsgar Wilken？- 1曲目の 「I am Gay and you are not 」は、わざと 「gay 」を大文字にしている。それとも音楽？- 「Language with Things 」は、おそらくAnsgar Wilkenが発話行為理論（「How to Do Things with Words」）を音楽理論的にゴロゴロと転回させたものだろう。Ansgar Wilkenにとって、物事は最初になされる必要はなく、それ自体が能動的な要素を持っている、つまり、その音は常にすでに彼に語りかけているのだから、ミュージシャンには別の種類の行為が必要なのだ、とか、そんな風にタイトルは理解されるべきだろう； この文章は、論理的・演奏的な理由と、明確で簡潔な思考の重圧のために、無惨にも崩壊してしまうからだ！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれとも参考文献？- 「Today is a Killer 」はパン・ソニックを彷彿とさせる。Ansgar Wilkenはファンで、彼がDJをすると、遅かれ早かれパン・ソニックのレコードが彼の皿に乗ることになる。それとも伝統？- ロバート・ジョンソン・アンド・ザ・ブラックス」は、伝説のブルース・ミュージシャン、ロバート・ジョンソン（異種交配、悪魔との契約など）、ジェームス・ホワイト・アンド・ザ・ブラックス（ノー・ウェイヴ・バンド）、ロバート・ジョンソン・アンド・ザ・ブラウンズ（ノイズ・ロック・バンド）という2つ（あるいは3つ）の引用で音楽史をスキップする。- ディス・ヒートの伝統を受け継ぐ80年代後半から90年代前半のノイズ／アヴァンギャルド・ロックは、Ansgar Wilkenのサウンドとリズムへのアプローチに、過小評価すべきでない後押しを与えた。Ansgar WilkenのDJセットにおけるもうひとつのエバーグリーンは、この系統のバンド、ブリーズ・グラッセの素晴らしい作品「in sisters all and felony」である。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eそれとも、「The last we can do is wave to each other（最後にできることは、互いに手を振り合うこと）」で遠巻きに手を振っているのに対して、もっと遠くからでもかなり直接的なアプローチで対抗しているようなトロンボーンのことだろうか？まず最初にできることは、お互いに「こんにちは！」と言うことだ。調子のいいカタカタ、タッピング、メモリアル・エンジェル。ビート、クレッシェンド、微妙なフィードバック......。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2025346966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2025346966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1900392022\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohe\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohe\"\u003ehere\u003c\/a\u003e to see more Kosmischen Hexen \/ Econore releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I am Gay and you are not 05:05\u003cbr\u003e2. This is Happy Place 04:45\u003cbr\u003e3. Robert Johnson and the Blacks 06:03\u003cbr\u003e4. Language with Things 03:40\u003cbr\u003e5. Today is a Killer 03:47\u003cbr\u003e6. The last we can do is wave to each other Part I 06:12\u003cbr\u003e7. The last we can do is wave to each other Part II 05:26\u003cbr\u003e8. The last we can do is wave to each other Part III 02:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Ansgar Wilken\u003c\/p\u003e\n\u003cp\u003eLabel : Econore\u003c\/p\u003e","published_at":"2024-10-22T12:16:45+09:00","created_at":"2024-10-21T15:56:52+09:00","vendor":"Tobira Records","type":"","tags":["jazz","Kosmischen Hexen","lp","monooto","new","strange beats"],"price":366400,"price_min":366400,"price_max":366400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46770781978874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ansgar Wilken \/\/ The last we can do is wave to each other LP","public_title":null,"options":["Default Title"],"price":366400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/we1_27444490-3b7b-46d6-ba51-39742393aa33.jpg?v=1729493577","\/\/tobirarecords.com\/cdn\/shop\/files\/we2_1c0faffe-6010-43b9-bbda-38144f96cb27.jpg?v=1729493577"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_27444490-3b7b-46d6-ba51-39742393aa33.jpg?v=1729493577","options":["Title"],"media":[{"alt":null,"id":35086887682298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_27444490-3b7b-46d6-ba51-39742393aa33.jpg?v=1729493577"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_27444490-3b7b-46d6-ba51-39742393aa33.jpg?v=1729493577","width":700},{"alt":null,"id":35086887715066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we2_1c0faffe-6010-43b9-bbda-38144f96cb27.jpg?v=1729493577"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we2_1c0faffe-6010-43b9-bbda-38144f96cb27.jpg?v=1729493577","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験音楽家Ansgar Wilkenが、2024年10月に同国実験レーベルEconoreからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eミニマル・ストレンジビーツ〜物音ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"パーカッションとマイクロパーカッション。調子の良いクラッタリング、タッピング、メモリアルエンジェル。ビート、クレッシェンド、細かいフィードバック、倍音、ドローン。フェルトのマレットを、落とした卓球のボールのように鼓膜の上で弾ませる。ブリキのボウルを共鳴の宝箱として、あるいはチェロをドラムセットとして使う。今、この瞬間と利用可能な素材の可能性は、多くの慣習を驚かせる。音楽を生み出すのではなく、音楽を摘み取る。ノイズや音のスペクトルを追求し、出現するリズムに没頭し、必ずしも聴こえるとは限らないが、常に感じたり加えたりできる基本的なドローンから始める。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnsgar Wilkenは、時にコンピューターが作り出したような音を発するオブジェや道具など、シンプルかつ広範囲に及ぶサウンドを駆使する。エレクトロニクスが使われているかどうか（あるいは、どこで、どのように使われているか）は、しばしば判断が難しいが、その理由は、ミュージシャン自身がどこかエネルギッシュで、演奏中に不意に機械のリズムに陥ることがあるからにほかならない。Ansgar Wilkenのバッキングは、ヴィルトゥオジティの代わりに首尾一貫した音楽世界を切り開き、動きと音の落ち着きのない探求が絶えず光り輝く激しさを放つ。スタイルとは、このミュージシャンが目指すものではなく、彼が振り払うことのできないものに過ぎない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e簡潔な口ひげを蓄えた痩身で長身の男、Ansgar Wilkenが目の前のバーのスツールに座ると、フィルム・ノワールに登場する幻滅した英国空軍将校のように見える。世間に放り出された男が、ストイックに自分に忠実であり続けながら、新しい環境や状況に注意深く対応する。それゆえ、このレコードのジャケットに、いわば本人が描かれているにもかかわらず、本人が写っていないのは驚くにはあたらない。トロンボーンを中心とした静かな庭の風景の中に、彼の父親が、彼のきれいなシャツと薄い日曜日のズボンが風で少し毛羽立っているのが見える。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAnsgar Wilkenがときどき座っているバー・スツールは、ベルリンのマダム・クロードのDJブースの後ろにあり、ドリンクメニューを含め、文字通りすべてが逆さまになっている。重力の法則をうまく無視できれば、天井の下に逆さまにねじ込まれた椅子やテーブルに座ることができる。最初は観光客向けのギミックに思えるかもしれないが、適切な音楽、仲間、ドリンクのセレクションがあれば、思ったよりも早く魔法のような演出に変わる。遅くとも、アンダーグラウンドのインプロ・アヴァンギャルドについて具体的な知識のないベルリンを訪れた客がDJに抽象的な技術的質問をすると、Ansgar Wilkenはそれに丁寧に答えてくれる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの地下バーの入り口は、通りから階段を半階分上がったところにある。バー（つまり地下）から数段の階段を登って行ける奥の部屋は、バーより低いコンサートセラーになっている。Ansgar Wilkenは、優れたサウンド・エンジニアを備えたこのコンサート・ルームで、ソロ、あるいは様々なミュージシャンや合唱団との短期間のコンステレーションや、現在の常設バンドであるイッチー・スポッツとよく演奏している。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eさて、庭の風景に戻ろう。結局のところ、それほど平和で牧歌的な場所ではないのかもしれない。小さな木々、下草、深く暗い池......。整然とした顔立ちのトロンボーン奏者を、中程度の縮れたミニチュアの風景が取り囲んでいる。背景の空があるはずの場所には、瓦屋根の納屋の屋根が空気に対する壁のように左から右に伸びている。この風景が心の状態だとしたら、Ansgar Wilkenのアルバムが制作されたコロナウィルスの時代によく似合うだろう--そしてアルバムは、この風景の中の金管楽器奏者であり、Ansgar Wilkenと混同してはならないだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eどこにいたっけ？アルバムで？- 最後の3曲、「The last we can do is wave to each other Part I - III 」は、タイトルからしてコロナトラックであり、レコード全体がそれにちなんで名付けられているが、このアルバムはコロナ風景ではない。それともAnsgar Wilken？- 1曲目の 「I am Gay and you are not 」は、わざと 「gay 」を大文字にしている。それとも音楽？- 「Language with Things 」は、おそらくAnsgar Wilkenが発話行為理論（「How to Do Things with Words」）を音楽理論的にゴロゴロと転回させたものだろう。Ansgar Wilkenにとって、物事は最初になされる必要はなく、それ自体が能動的な要素を持っている、つまり、その音は常にすでに彼に語りかけているのだから、ミュージシャンには別の種類の行為が必要なのだ、とか、そんな風にタイトルは理解されるべきだろう； この文章は、論理的・演奏的な理由と、明確で簡潔な思考の重圧のために、無惨にも崩壊してしまうからだ！\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eそれとも参考文献？- 「Today is a Killer 」はパン・ソニックを彷彿とさせる。Ansgar Wilkenはファンで、彼がDJをすると、遅かれ早かれパン・ソニックのレコードが彼の皿に乗ることになる。それとも伝統？- ロバート・ジョンソン・アンド・ザ・ブラックス」は、伝説のブルース・ミュージシャン、ロバート・ジョンソン（異種交配、悪魔との契約など）、ジェームス・ホワイト・アンド・ザ・ブラックス（ノー・ウェイヴ・バンド）、ロバート・ジョンソン・アンド・ザ・ブラウンズ（ノイズ・ロック・バンド）という2つ（あるいは3つ）の引用で音楽史をスキップする。- ディス・ヒートの伝統を受け継ぐ80年代後半から90年代前半のノイズ／アヴァンギャルド・ロックは、Ansgar Wilkenのサウンドとリズムへのアプローチに、過小評価すべきでない後押しを与えた。Ansgar WilkenのDJセットにおけるもうひとつのエバーグリーンは、この系統のバンド、ブリーズ・グラッセの素晴らしい作品「in sisters all and felony」である。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eそれとも、「The last we can do is wave to each other（最後にできることは、互いに手を振り合うこと）」で遠巻きに手を振っているのに対して、もっと遠くからでもかなり直接的なアプローチで対抗しているようなトロンボーンのことだろうか？まず最初にできることは、お互いに「こんにちは！」と言うことだ。調子のいいカタカタ、タッピング、メモリアル・エンジェル。ビート、クレッシェンド、微妙なフィードバック......。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2025346966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2025346966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1900392022\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohe\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohe\"\u003ehere\u003c\/a\u003e to see more Kosmischen Hexen \/ Econore releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I am Gay and you are not 05:05\u003cbr\u003e2. This is Happy Place 04:45\u003cbr\u003e3. Robert Johnson and the Blacks 06:03\u003cbr\u003e4. Language with Things 03:40\u003cbr\u003e5. Today is a Killer 03:47\u003cbr\u003e6. The last we can do is wave to each other Part I 06:12\u003cbr\u003e7. The last we can do is wave to each other Part II 05:26\u003cbr\u003e8. The last we can do is wave to each other Part III 02:03\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Ansgar Wilken\u003c\/p\u003e\n\u003cp\u003eLabel : Econore\u003c\/p\u003e"}
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ドイツ・ベルリンの実験音楽家Ansgar Wilkenが、2024年10月に同国実験レーベルEconoreからリリースしたレコードです。 ミニマル・ストレンジビーツ〜物音ジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "パーカッションとマイクロパーカッション。調子の良いクラッタリング、タッピング、メモリアルエンジェル。ビート、クレッシェンド、細かいフィードバック、倍音、ドローン。フェルトのマレットを、落とした卓球のボールのように鼓膜の上で弾ませる。ブリキのボウルを共鳴の宝箱として、あるいはチェロをドラムセットとして使う。今、この瞬間と利用可能な素材の可能性は、多くの慣習を驚かせる。音楽を生み出すのではなく、音楽を摘み取る。ノイズや音のスペクトルを追求し、出現するリズムに没頭し、必ずしも聴こえるとは限らないが、常に感じたり加えたりできる基本的なドローンから始める。Ansgar Wilkenは、時にコンピューターが作り出したような音を発するオブジェや道具など、シンプルかつ広範囲に及ぶサウンドを駆使する。エレクトロニクスが使われているかどうか（あるいは、どこで、どのように使われているか）は、しばしば判断が難しいが、その理由は、ミュージシャン自身がどこかエネルギッシュで、演奏中に不意に機械のリズムに陥ることがあるからにほかならない。Ansgar Wilkenのバッキングは、ヴィルトゥオジティの代わりに首尾一貫した音楽世界を切り開き、動きと音の落ち着きのない探求が絶えず光り輝く激しさを放つ。スタイルとは、このミュージシャンが目指すものではなく、彼が振り払うことのできないものに過ぎない。 簡潔な口ひげを蓄えた痩身で長身の男、Ansgar Wilkenが目の前のバーのスツールに座ると、フィルム・ノワールに登場する幻滅した英国空軍将校のように見える。世間に放り出された男が、ストイックに自分に忠実であり続けながら、新しい環境や状況に注意深く対応する。それゆえ、このレコードのジャケットに、いわば本人が描かれているにもかかわらず、本人が写っていないのは驚くにはあたらない。トロンボーンを中心とした静かな庭の風景の中に、彼の父親が、彼のきれいなシャツと薄い日曜日のズボンが風で少し毛羽立っているのが見える。Ansgar Wilkenがときどき座っているバー・スツールは、ベルリンのマダム・クロードのDJブースの後ろにあり、ドリンクメニューを含め、文字通りすべてが逆さまになっている。重力の法則をうまく無視できれば、天井の下に逆さまにねじ込まれた椅子やテーブルに座ることができる。最初は観光客向けのギミックに思えるかもしれないが、適切な音楽、仲間、ドリンクのセレクションがあれば、思ったよりも早く魔法のような演出に変わる。遅くとも、アンダーグラウンドのインプロ・アヴァンギャルドについて具体的な知識のないベルリンを訪れた客がDJに抽象的な技術的質問をすると、Ansgar Wilkenはそれに丁寧に答えてくれる。 この地下バーの入り口は、通りから階段を半階分上がったところにある。バー（つまり地下）から数段の階段を登って行ける奥の部屋は、バーより低いコンサートセラーになっている。Ansgar Wilkenは、優れたサウンド・エンジニアを備えたこのコンサート・ルームで、ソロ、あるいは様々なミュージシャンや合唱団との短期間のコンステレーションや、現在の常設バンドであるイッチー・スポッツとよく演奏している。さて、庭の風景に戻ろう。結局のところ、それほど平和で牧歌的な場所ではないのかもしれない。小さな木々、下草、深く暗い池......。整然とした顔立ちのトロンボーン奏者を、中程度の縮れたミニチュアの風景が取り囲んでいる。背景の空があるはずの場所には、瓦屋根の納屋の屋根が空気に対する壁のように左から右に伸びている。この風景が心の状態だとしたら、Ansgar...
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{"id":8647449018618,"title":"Schreel Van De Velde \/\/ A One And A Two LP","handle":"schreel-van-de-velde-a-one-and-a-two-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー・ブリュッセルのミニマルスローコアデュオSchreel Van De Veldeが、2024年9月に同国アンビエントレーベルdauwのサブラインblickwinkelから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギターとドラムによるミニマルでタイトなスローコア〜フリーインプロ〜ポストロック14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sy5_A923qcg?si=lN_jzk0fRVU4AEZ9\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_sXKCMvSl7M?si=qpxGmN13wAIJ7xl6\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jmNswq01ifE?si=njBVpPA3uLk6BUdt\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BWf0qFGFyZI?si=uSlNYjfMvFOFM2GF\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bmewd0xSaGY?si=fDy_9ze8xhaSeMgw\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZhZZLMKlzuo?si=5DD4xzTPcVn_zA_D\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eBitterns Are Birds\u003cbr\u003eOpening Night\u003cbr\u003eBaby’s (generous ruby)\u003cbr\u003eSemillon Tears\u003cbr\u003eThe Room\u003cbr\u003eWaltz\u003cbr\u003eBest Friends\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eRetour Ritournelle\u003cbr\u003eSemillon Tears II\u003cbr\u003eBaby’s (big pearl)\u003cbr\u003eThe Room II\u003cbr\u003eSolododo\u003cbr\u003eBosbessen\u003cbr\u003eBitterns Are Birds II\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDauw:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eRoughly three years after the release of Balts, Schreel Van De Velde’s debut album on Blickwinkel, the guitar and drums improv-centered duo is happy to present their sophomore album A One And A Two.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Brussels-based musicians sound more decisive than ever: the loud became louder, the quiet became quieter, the weird became weirder and the nostalgic became more nostalgic. The fruit peeled off one of its own shells, getting closer to its heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe album came about as a result of 2 separate studio sessions. For a first one, they restricted themself to solely electric guitar and drums, without overdubs, and with most songs ending up as one-takers. A second one took place some months later in a different recording space, using classical guitar with a matching small, cute drum set-up.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn both sessions, the duo played the same compositions, with some additional improvisations. Afterwards they made a blend of both sessions, mixing both energies: A One And A Two. A new language, organic and well-considered, was found.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout the album, touches of minimalism, American primitivism, free-improv, and 90s indie rock can be found, but always within the limits of Schreel Van De Veldes freshly found voice: one that combines sentiment and cerebrality, overview, playfulness and mystery.\"\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Schreel Van De Velde\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003elabel : blickwinkel (Dauw)\u003c\/p\u003e\n\u003cp\u003eCat No : blickwinkel17\u003c\/p\u003e","published_at":"2024-10-20T09:00:46+09:00","created_at":"2024-10-20T08:51:46+09:00","vendor":"Tobira Records","type":"","tags":["dauw","folk \/ left-field pop","jazz","lp","new"],"price":399600,"price_min":399600,"price_max":399600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46767210037498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Schreel Van De Velde \/\/ A One And A Two LP","public_title":null,"options":["Default Title"],"price":399600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1362252815_16.jpg?v=1729382264","\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P3.jpg?v=1729382264","\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P2.jpg?v=1729382264","\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P1.jpg?v=1729382264"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1362252815_16.jpg?v=1729382264","options":["Title"],"media":[{"alt":null,"id":35081949741306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1362252815_16.jpg?v=1729382264"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1362252815_16.jpg?v=1729382264","width":700},{"alt":null,"id":35081949905146,"position":2,"preview_image":{"aspect_ratio":1.494,"height":1339,"width":2000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P3.jpg?v=1729382264"},"aspect_ratio":1.494,"height":1339,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P3.jpg?v=1729382264","width":2000},{"alt":null,"id":35081950036218,"position":3,"preview_image":{"aspect_ratio":1.494,"height":1339,"width":2000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P2.jpg?v=1729382264"},"aspect_ratio":1.494,"height":1339,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P2.jpg?v=1729382264","width":2000},{"alt":null,"id":35081950101754,"position":4,"preview_image":{"aspect_ratio":1.494,"height":1339,"width":2000,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P1.jpg?v=1729382264"},"aspect_ratio":1.494,"height":1339,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/SVD_P1.jpg?v=1729382264","width":2000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー・ブリュッセルのミニマルスローコアデュオSchreel Van De Veldeが、2024年9月に同国アンビエントレーベルdauwのサブラインblickwinkelから200部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eギターとドラムによるミニマルでタイトなスローコア〜フリーインプロ〜ポストロック14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sy5_A923qcg?si=lN_jzk0fRVU4AEZ9\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_sXKCMvSl7M?si=qpxGmN13wAIJ7xl6\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jmNswq01ifE?si=njBVpPA3uLk6BUdt\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BWf0qFGFyZI?si=uSlNYjfMvFOFM2GF\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bmewd0xSaGY?si=fDy_9ze8xhaSeMgw\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZhZZLMKlzuo?si=5DD4xzTPcVn_zA_D\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 200. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003eSide A\u003c\/p\u003e\n\u003cp\u003eBitterns Are Birds\u003cbr\u003eOpening Night\u003cbr\u003eBaby’s (generous ruby)\u003cbr\u003eSemillon Tears\u003cbr\u003eThe Room\u003cbr\u003eWaltz\u003cbr\u003eBest Friends\u003c\/p\u003e\n\u003cp\u003eSide B\u003c\/p\u003e\n\u003cp\u003eRetour Ritournelle\u003cbr\u003eSemillon Tears II\u003cbr\u003eBaby’s (big pearl)\u003cbr\u003eThe Room II\u003cbr\u003eSolododo\u003cbr\u003eBosbessen\u003cbr\u003eBitterns Are Birds II\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDauw:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eRoughly three years after the release of Balts, Schreel Van De Velde’s debut album on Blickwinkel, the guitar and drums improv-centered duo is happy to present their sophomore album A One And A Two.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Brussels-based musicians sound more decisive than ever: the loud became louder, the quiet became quieter, the weird became weirder and the nostalgic became more nostalgic. The fruit peeled off one of its own shells, getting closer to its heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe album came about as a result of 2 separate studio sessions. For a first one, they restricted themself to solely electric guitar and drums, without overdubs, and with most songs ending up as one-takers. A second one took place some months later in a different recording space, using classical guitar with a matching small, cute drum set-up.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOn both sessions, the duo played the same compositions, with some additional improvisations. Afterwards they made a blend of both sessions, mixing both energies: A One And A Two. A new language, organic and well-considered, was found.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout the album, touches of minimalism, American primitivism, free-improv, and 90s indie rock can be found, but always within the limits of Schreel Van De Veldes freshly found voice: one that combines sentiment and cerebrality, overview, playfulness and mystery.\"\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Schreel Van De Velde\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003elabel : blickwinkel (Dauw)\u003c\/p\u003e\n\u003cp\u003eCat No : blickwinkel17\u003c\/p\u003e"}
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ベルギー・ブリュッセルのミニマルスローコアデュオSchreel Van De Veldeが、2024年9月に同国アンビエントレーベルdauwのサブラインblickwinkelから200部限定でリリースしたレコードです。 ギターとドラムによるミニマルでタイトなスローコア〜フリーインプロ〜ポストロック14曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Dauw releases available at...
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{"id":8647145095418,"title":"memotone \/\/ Fever of the World LP","handle":"memotone-fever-of-the-world-lp","description":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2024年10月にアメリカ・オハイオの実験／ダンスレーベル\u003c\/span\u003eSoda Gong\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなアンビエント・ジャズ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1686786590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Catherine, On Fire 08:24\u003cbr\u003e2. Circle of Ants 03:14\u003cbr\u003e3. Following 08:04\u003cbr\u003e4. Practical Joke 02:48\u003cbr\u003e5. The Bus 07:06\u003cbr\u003e6. When the Bakery Has What You Want, and it's Cheap 03:41\u003cbr\u003e7. Too Much Syrup 00:39\u003cbr\u003e8. Trees Bullied by the Wind 02:06\u003cbr\u003e9. Fever of the World 04:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSoda Gong:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing releases on Sähkö Recordings and The Trilogy Tapes, \"Fever of the World\" is the Soda Gong debut by Memotone, the nom de plume of UK-based multi-instrumentalist Will Yates. As a collection, it is both intimate and expansive, like the feeling of gathering one's thoughts before setting off on a long journey or committing to an irrevocable course of action. Throughout, Yates' talents as both player and sound designer are on full display, as are the sonic signatures that have come to characterize the Memotone catalog: low-lit, ECM-inflected noir; evasive and evolving loop-based accretions; and mellifluous mosaics of keys, guitar, reeds, and percussion. It is patient and focused music, built around production techniques and compositional ideas that have been perfected both in studio and in live performance over a period of several years. \"Catherine, On Fire\" sets the scene, one of two languid, longform selections, and develops slowly from a spare, harmonic-laden guitar loop into a bed of rippling textural ambience and woozy clarinet filigree. Later, \"The Bus\" and \"When the Bakery Has What You Want and It's Cheap\" conjure images of rain-streaked windows, fanciful baked confections, and grey skies broken finally by sunlight. Warm, generous, and comfortable in its own skin, this is music that reminds us that when it feels easy to resign ourselves to world weariness, we should pause for a moment and listen to the rustle of the leaves. The wind knows not to linger.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : SODA GONG\u003c\/p\u003e\n\u003cp\u003eCAT No : SODA016LP\u003c\/p\u003e","published_at":"2024-10-19T15:06:43+09:00","created_at":"2024-10-19T14:44:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new"],"price":421600,"price_min":421600,"price_max":421600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46765421658362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"memotone \/\/ Fever of the World LP","public_title":null,"options":["Default Title"],"price":421600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fever1.jpg?v=1729316575","\/\/tobirarecords.com\/cdn\/shop\/files\/fever2.jpg?v=1729316575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fever1.jpg?v=1729316575","options":["Title"],"media":[{"alt":null,"id":35079340982522,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fever1.jpg?v=1729316575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fever1.jpg?v=1729316575","width":700},{"alt":null,"id":35079341015290,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fever2.jpg?v=1729316575"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fever2.jpg?v=1729316575","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2024年10月にアメリカ・オハイオの実験／ダンスレーベル\u003c\/span\u003eSoda Gong\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなアンビエント・ジャズ9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1686786590\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Catherine, On Fire 08:24\u003cbr\u003e2. Circle of Ants 03:14\u003cbr\u003e3. Following 08:04\u003cbr\u003e4. Practical Joke 02:48\u003cbr\u003e5. The Bus 07:06\u003cbr\u003e6. When the Bakery Has What You Want, and it's Cheap 03:41\u003cbr\u003e7. Too Much Syrup 00:39\u003cbr\u003e8. Trees Bullied by the Wind 02:06\u003cbr\u003e9. Fever of the World 04:41\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eSoda Gong:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFollowing releases on Sähkö Recordings and The Trilogy Tapes, \"Fever of the World\" is the Soda Gong debut by Memotone, the nom de plume of UK-based multi-instrumentalist Will Yates. As a collection, it is both intimate and expansive, like the feeling of gathering one's thoughts before setting off on a long journey or committing to an irrevocable course of action. Throughout, Yates' talents as both player and sound designer are on full display, as are the sonic signatures that have come to characterize the Memotone catalog: low-lit, ECM-inflected noir; evasive and evolving loop-based accretions; and mellifluous mosaics of keys, guitar, reeds, and percussion. It is patient and focused music, built around production techniques and compositional ideas that have been perfected both in studio and in live performance over a period of several years. \"Catherine, On Fire\" sets the scene, one of two languid, longform selections, and develops slowly from a spare, harmonic-laden guitar loop into a bed of rippling textural ambience and woozy clarinet filigree. Later, \"The Bus\" and \"When the Bakery Has What You Want and It's Cheap\" conjure images of rain-streaked windows, fanciful baked confections, and grey skies broken finally by sunlight. Warm, generous, and comfortable in its own skin, this is music that reminds us that when it feels easy to resign ourselves to world weariness, we should pause for a moment and listen to the rustle of the leaves. The wind knows not to linger.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : SODA GONG\u003c\/p\u003e\n\u003cp\u003eCAT No : SODA016LP\u003c\/p\u003e"}
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イギリス・ブリストルのマルチ奏者Memotoneが、2024年10月にアメリカ・オハイオの実験／ダンスレーベルSoda Gongからリリースしたレコードです。 エキゾチックなアンビエント・ジャズ9曲を収録。 ------------------------------------------- 12" black vinyl. Edition of 300. Tracklist: 1. Catherine, On...
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{"id":8647139131642,"title":"Tori Kudo \u0026 3C123 \/\/ s\/t LP","handle":"tori-kudo-3c123-s-t-lp","description":"\u003cp\u003e工藤冬里と3C123が、2024年9月にフランスのAn'archivesからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. First vinyl reissue - originally released on cassette in 2020. \u003cbr\u003eRecorded in 2009. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Side A\u003cbr\u003e2. Side B\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAn'archives:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn’archives are pleased to announce the release of a self-titled album by Tori Kudo \u0026amp; 3C123. A reissue of a cassette that was originally released on Uramado in 2020, this is the first time this live session has appeared on vinyl. The performance, featuring Kudo on piano and 3C123 on clarinet, was recorded on October 18, 2009, at the Uramado venue in Shinjuku. A beautiful and quixotic forty-minute set, it reconnects both Kudo and 3C123 with various musical histories, including those of classical composition and free improvisation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe performance documented on Tori Kudo \u0026amp; 3C123 is a curious one. While they both appear to slip into improvised ruminations at times, for the most part, Kudo performs pieces by Erik Satie on the piano, \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eover which 3C123 teases an excoriating stream of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e improvisation from the clarinet. His playing here is wild in its poetry: sometimes lushly nestling alongside Satie’s melodies, elsewhere loosing Ayler-esque squalls from the instrument, it’s a bravura performance that is matched, in an indirect manner, by the poise and pacing of Kudo’s generous, fluent recital.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eWhen asked about the thinking behind the performance documented here, Kudo explains by describing the historical juxtaposition of Satie with Takehisa Kosugi’s improvised violin as “an essence of the Japanese art of collective improvisation.” The playing here, as within Japanese collective improvisation, is about sitting ‘alongside’ each other, not necessarily in direct (or even indirect) reference, but rather sharing the space; “just being there together,” Kudo says, and letting go of the need for performers to engage in interplay.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eTori Kudo \u0026amp; 3C123 is certainly part of that tradition, and this is where its curious poetry resides; in that ‘third space’ that sits in between, but not directly connecting, the two performers. Kudo makes an analogy with Fluxus, which is appropriate. But you can also hear their shared history here, somehow, as Kudo and 3C123 have known each other since the eighties, when they shared a house in Kunitachi City, Tokyo. Their musical paths have been multiple – Kudo, of course, best known perhaps for his Maher Shalal Hash Baz ensemble; 3C123 as a member of Vedda Music Workshop, and with other Japanese musicians like Koichiro Watanabe.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tori Kudo \u0026amp; 3C123\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eAn’archives\u003c\/p\u003e\n\u003cp\u003eCAT NO : AN44\u003c\/p\u003e","published_at":"2024-10-21T14:37:26+09:00","created_at":"2024-10-19T13:24:03+09:00","vendor":"Tobira Records","type":"","tags":["An'archives","jazz","lp","new"],"price":639000,"price_min":639000,"price_max":639000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46765371719930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tori Kudo \u0026 3C123 \/\/ s\/t LP","public_title":null,"options":["Default Title"],"price":639000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kudo1.jpg?v=1729311693"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kudo1.jpg?v=1729311693","options":["Title"],"media":[{"alt":null,"id":35079233503482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kudo1.jpg?v=1729311693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kudo1.jpg?v=1729311693","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e工藤冬里と3C123が、2024年9月にフランスのAn'archivesからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. First vinyl reissue - originally released on cassette in 2020. \u003cbr\u003eRecorded in 2009. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Side A\u003cbr\u003e2. Side B\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAn'archives:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn’archives are pleased to announce the release of a self-titled album by Tori Kudo \u0026amp; 3C123. A reissue of a cassette that was originally released on Uramado in 2020, this is the first time this live session has appeared on vinyl. The performance, featuring Kudo on piano and 3C123 on clarinet, was recorded on October 18, 2009, at the Uramado venue in Shinjuku. A beautiful and quixotic forty-minute set, it reconnects both Kudo and 3C123 with various musical histories, including those of classical composition and free improvisation.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe performance documented on Tori Kudo \u0026amp; 3C123 is a curious one. While they both appear to slip into improvised ruminations at times, for the most part, Kudo performs pieces by Erik Satie on the piano, \u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003eover which 3C123 teases an excoriating stream of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003e improvisation from the clarinet. His playing here is wild in its poetry: sometimes lushly nestling alongside Satie’s melodies, elsewhere loosing Ayler-esque squalls from the instrument, it’s a bravura performance that is matched, in an indirect manner, by the poise and pacing of Kudo’s generous, fluent recital.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eWhen asked about the thinking behind the performance documented here, Kudo explains by describing the historical juxtaposition of Satie with Takehisa Kosugi’s improvised violin as “an essence of the Japanese art of collective improvisation.” The playing here, as within Japanese collective improvisation, is about sitting ‘alongside’ each other, not necessarily in direct (or even indirect) reference, but rather sharing the space; “just being there together,” Kudo says, and letting go of the need for performers to engage in interplay.\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eTori Kudo \u0026amp; 3C123 is certainly part of that tradition, and this is where its curious poetry resides; in that ‘third space’ that sits in between, but not directly connecting, the two performers. Kudo makes an analogy with Fluxus, which is appropriate. But you can also hear their shared history here, somehow, as Kudo and 3C123 have known each other since the eighties, when they shared a house in Kunitachi City, Tokyo. Their musical paths have been multiple – Kudo, of course, best known perhaps for his Maher Shalal Hash Baz ensemble; 3C123 as a member of Vedda Music Workshop, and with other Japanese musicians like Koichiro Watanabe.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tori Kudo \u0026amp; 3C123\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eAn’archives\u003c\/p\u003e\n\u003cp\u003eCAT NO : AN44\u003c\/p\u003e"}
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工藤冬里と3C123が、2024年9月にフランスのAn'archivesからリリースした再発レコードです。 ------------------------------------------ 12" black vinyl. First vinyl reissue - originally released on cassette in...
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{"id":8645808029946,"title":"Solar Unity Ensemble \/\/ Upstream LP","handle":"solar-unity-ensemble-upstream-lp","description":"\u003cp\u003eフィンランドのジャズデュオSolar Unity Ensemble\u003cspan\u003eが、2024年9月に同国ジャズレーベル\u003cspan class=\"title\"\u003eMustik Motel Music\u003c\/span\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサイケデリックなアンビエント・ジャズ〜スピリチュアル・ジャズ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77663210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77663210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=578678975\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded in Jyväskylä, Sastamala and Tampere \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ebetween 2019-2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRoope Niemelä : guitar, keyboard, double bass, electric bass, flute,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eclarinet, trumpet, violin, alto saxophone, piano, accordion, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHenri Ijäs : soprano and tenor saxophone, piano, percussion\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Emergence 06:45\u003cbr\u003e2. Mantra 10:28\u003cbr\u003e3. Passing Nimbus 02:12\u003cbr\u003e4. Shallow Water 04:18\u003cbr\u003e5. Didn't Know We Were Lost 02:36\u003cbr\u003e6. Mitha pt. 1 03:09\u003cbr\u003e7. Impact 02:21\u003cbr\u003e8. Didn't Know We Were Found 01:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Solar Unity Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan\u003eMustik Motel Music \u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-17T20:07:41+09:00","created_at":"2024-10-17T18:46:06+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","Mustik Motel Music","new"],"price":477000,"price_min":477000,"price_max":477000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46761186492666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Solar Unity Ensemble \/\/ Upstream LP","public_title":null,"options":["Default Title"],"price":477000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/en1_1d5e323c-b421-49d0-8876-2c4b4d5c89c3.jpg?v=1729158282","\/\/tobirarecords.com\/cdn\/shop\/files\/en2_94731993-af1e-4fd6-8403-7bc6f51fbf07.jpg?v=1729158282"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_1d5e323c-b421-49d0-8876-2c4b4d5c89c3.jpg?v=1729158282","options":["Title"],"media":[{"alt":null,"id":35070338072826,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_1d5e323c-b421-49d0-8876-2c4b4d5c89c3.jpg?v=1729158282"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en1_1d5e323c-b421-49d0-8876-2c4b4d5c89c3.jpg?v=1729158282","width":700},{"alt":null,"id":35070338105594,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en2_94731993-af1e-4fd6-8403-7bc6f51fbf07.jpg?v=1729158282"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/en2_94731993-af1e-4fd6-8403-7bc6f51fbf07.jpg?v=1729158282","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのジャズデュオSolar Unity Ensemble\u003cspan\u003eが、2024年9月に同国ジャズレーベル\u003cspan class=\"title\"\u003eMustik Motel Music\u003c\/span\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサイケデリックなアンビエント・ジャズ〜スピリチュアル・ジャズ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77663210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=77663210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=578678975\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded in Jyväskylä, Sastamala and Tampere \u003c\/span\u003e\u003cspan id=\"package_description_0\" class=\"peekaboo-text\"\u003ebetween 2019-2023\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"peekaboo-text\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRoope Niemelä : guitar, keyboard, double bass, electric bass, flute,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eclarinet, trumpet, violin, alto saxophone, piano, accordion, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHenri Ijäs : soprano and tenor saxophone, piano, percussion\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Emergence 06:45\u003cbr\u003e2. Mantra 10:28\u003cbr\u003e3. Passing Nimbus 02:12\u003cbr\u003e4. Shallow Water 04:18\u003cbr\u003e5. Didn't Know We Were Lost 02:36\u003cbr\u003e6. Mitha pt. 1 03:09\u003cbr\u003e7. Impact 02:21\u003cbr\u003e8. Didn't Know We Were Found 01:56\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Solar Unity Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan\u003eMustik Motel Music \u003c\/span\u003e\u003c\/p\u003e"}
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フィンランドのジャズデュオSolar Unity Ensembleが、2024年9月に同国ジャズレーベルMustik Motel Musicからリリースしたレコードです。 サイケデリックなアンビエント・ジャズ〜スピリチュアル・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Ultraääni Records releases available at...
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{"id":8645806096634,"title":"Hot Heros \/\/ Kammin Jaaretti LP [COLOR]","handle":"hot-heros-kammin-jaaretti-lp-color","description":"\u003cp\u003eフィンランドのジャズトリオHot Heros\u003cspan data-mce-fragment=\"1\"\u003eが、2024年8月に同国実験／ジャズレーベルUltraääni Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールド・フュージョン〜スピリチュアル・ジャズ7曲を収録。緑盤です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794774526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4133274951\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794774526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=932011214\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794774526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e12\" green vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kammin Jaaretti 07:02\u003cbr\u003e2. Kammin beat 01:39\u003cbr\u003e3. Yhä lähempänä leimuavat liekit 02:59\u003cbr\u003e4. Halla 09:10\u003cbr\u003e5. Nummen alla nukkuva 06:33\u003cbr\u003e6. Piru koputtaa ikkunaan 06:13\u003cbr\u003e7. Laulu vihreästä 06:36\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePuro Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOn their new album \"Kammin Jaaretti,\" the renowned jazz trio Hot Heros craft mesmerizing forest jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSaxophonist Sami Sippola and double bassist Ville Rauhala have been navigating the depths of jazz together for over two decades. Originally part of the wild and unpredictable Black Motor, their musical journey evolved into Hot Heros when they combined forces with the masterful drummer and percussionist Janne Tuomi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHot Heros have made a name for themselves as a fierce live band and a hardworking studio outfit. Alongside their original works, they’ve collaborated with talents like pianist Iro Haarla, rap poet Hannibal, and guitarist Matti Salo. Their music, often influenced by folk traditions, embraces both ecstatic, spiritual free jazz and lyrical, sophisticated compositions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReleased by Puro Recordings, \"Kammin Jaaretti\" draws inspiration from nature, mysticism, and the realms of fantasy and beatnik literature. Sippola explains: “I felt like Jaaretti, a musically and materially humble folk composer living in a turf hut—a rural village version of Keith Jarrett.” While the tracks capture some of Jarrett’s virtues, their style aligns more closely with Bo Hansson’s prog-jazz and the iconic ECM releases of the\u003cspan class=\"bcTruncateMore\"\u003e 1970s.\u003cbr\u003e\u003cbr\u003eThe album opens with the title track’s languid soul-jazz groove. Following this, \"Yhä lähempänä leimuavat liekit,\" Rauhala’s sole composition on the album, unfolds as a mystery, beginning with a foreboding pattern of restrained notes from the bass and saxophone before climaxing in a fiery eruption. \"Nummen alla nukkuva\" starts as a serene jazz waltz, but surprising twists in its evolving structure lead it towards progressive jazz. Another standout track, \"Halla,\" stretches over nine minutes, combining a catchy theme with a tense structure and collective improvisation that resonates with cosmic wisdom.\u003cbr\u003e\u003cbr\u003eHot Heros’ unique \"forest jazz\" serves as a refreshing alternative to the often elitist and clinical side of conservatory jazz. Hot Heros dare to be both approachable and distinctive, with no need to prove anything. Their profound understanding of various jazz styles shines through in every moment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hot Heros\u003c\/p\u003e\n\u003cp\u003eLabel : Puro Recordings (\u003cmeta charset=\"utf-8\"\u003eUltraääni Records)\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUROLP03\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-17T20:04:40+09:00","created_at":"2024-10-17T18:40:26+09:00","vendor":"Tobira Records","type":"","tags":["jazz","new","tape","Ultraääni Records"],"price":398500,"price_min":398500,"price_max":398500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46761136750842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Hot Heros \/\/ Kammin Jaaretti LP [COLOR]","public_title":null,"options":["Default Title"],"price":398500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hot1_2905a3e0-fd63-4dd4-a7d3-868e8f6502db.jpg?v=1729157888","\/\/tobirarecords.com\/cdn\/shop\/files\/hot2_46e0deeb-87fd-4c72-b565-e749dc85e01d.jpg?v=1729157888"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hot1_2905a3e0-fd63-4dd4-a7d3-868e8f6502db.jpg?v=1729157888","options":["Title"],"media":[{"alt":null,"id":35070275420410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hot1_2905a3e0-fd63-4dd4-a7d3-868e8f6502db.jpg?v=1729157888"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hot1_2905a3e0-fd63-4dd4-a7d3-868e8f6502db.jpg?v=1729157888","width":700},{"alt":null,"id":35070275453178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hot2_46e0deeb-87fd-4c72-b565-e749dc85e01d.jpg?v=1729157888"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hot2_46e0deeb-87fd-4c72-b565-e749dc85e01d.jpg?v=1729157888","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのジャズトリオHot Heros\u003cspan data-mce-fragment=\"1\"\u003eが、2024年8月に同国実験／ジャズレーベルUltraääni Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレフトフィールド・フュージョン〜スピリチュアル・ジャズ7曲を収録。緑盤です。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794774526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4133274951\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794774526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=932011214\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1794774526\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e12\" green vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kammin Jaaretti 07:02\u003cbr\u003e2. Kammin beat 01:39\u003cbr\u003e3. Yhä lähempänä leimuavat liekit 02:59\u003cbr\u003e4. Halla 09:10\u003cbr\u003e5. Nummen alla nukkuva 06:33\u003cbr\u003e6. Piru koputtaa ikkunaan 06:13\u003cbr\u003e7. Laulu vihreästä 06:36\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePuro Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOn their new album \"Kammin Jaaretti,\" the renowned jazz trio Hot Heros craft mesmerizing forest jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSaxophonist Sami Sippola and double bassist Ville Rauhala have been navigating the depths of jazz together for over two decades. Originally part of the wild and unpredictable Black Motor, their musical journey evolved into Hot Heros when they combined forces with the masterful drummer and percussionist Janne Tuomi.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHot Heros have made a name for themselves as a fierce live band and a hardworking studio outfit. Alongside their original works, they’ve collaborated with talents like pianist Iro Haarla, rap poet Hannibal, and guitarist Matti Salo. Their music, often influenced by folk traditions, embraces both ecstatic, spiritual free jazz and lyrical, sophisticated compositions.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eReleased by Puro Recordings, \"Kammin Jaaretti\" draws inspiration from nature, mysticism, and the realms of fantasy and beatnik literature. Sippola explains: “I felt like Jaaretti, a musically and materially humble folk composer living in a turf hut—a rural village version of Keith Jarrett.” While the tracks capture some of Jarrett’s virtues, their style aligns more closely with Bo Hansson’s prog-jazz and the iconic ECM releases of the\u003cspan class=\"bcTruncateMore\"\u003e 1970s.\u003cbr\u003e\u003cbr\u003eThe album opens with the title track’s languid soul-jazz groove. Following this, \"Yhä lähempänä leimuavat liekit,\" Rauhala’s sole composition on the album, unfolds as a mystery, beginning with a foreboding pattern of restrained notes from the bass and saxophone before climaxing in a fiery eruption. \"Nummen alla nukkuva\" starts as a serene jazz waltz, but surprising twists in its evolving structure lead it towards progressive jazz. Another standout track, \"Halla,\" stretches over nine minutes, combining a catchy theme with a tense structure and collective improvisation that resonates with cosmic wisdom.\u003cbr\u003e\u003cbr\u003eHot Heros’ unique \"forest jazz\" serves as a refreshing alternative to the often elitist and clinical side of conservatory jazz. Hot Heros dare to be both approachable and distinctive, with no need to prove anything. Their profound understanding of various jazz styles shines through in every moment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hot Heros\u003c\/p\u003e\n\u003cp\u003eLabel : Puro Recordings (\u003cmeta charset=\"utf-8\"\u003eUltraääni Records)\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePUROLP03\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランドのジャズトリオHot Herosが、2024年8月に同国実験／ジャズレーベルUltraääni Recordsからリリースしたレコードです。 レフトフィールド・フュージョン〜スピリチュアル・ジャズ7曲を収録。緑盤です。廃盤です。 レーベルその他作品はこちら /// Click here to see more Ultraääni Records releases available at Tobira. -----------------------...
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{"id":8641678934266,"title":"We Jazz Magazine \/\/ Summer 2024 \"Worldwide\" MAGAZINE","handle":"we-jazz-magazine-summer-2024-worldwide-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe twelfth issue of We Jazz Magazine, \"Worldwide\" for Gilles Peterson. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word \/ Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : WJMAG12\u003c\/p\u003e","published_at":"2025-01-16T06:26:26+09:00","created_at":"2024-10-14T10:25:11+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","we jazz records"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46747056931066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"We Jazz Magazine \/\/ Summer 2024 \"Worldwide\" MAGAZINE","public_title":null,"options":["Default Title"],"price":399000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/world1.jpg?v=1728869174"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1.jpg?v=1728869174","options":["Title"],"media":[{"alt":null,"id":35045833408762,"position":1,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1.jpg?v=1728869174"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1.jpg?v=1728869174","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe twelfth issue of We Jazz Magazine, \"Worldwide\" for Gilles Peterson. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word \/ Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : WJMAG12\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年夏号です。 ほぼフルカラーの全文英語128ページです。 The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles...
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{"id":8641677525242,"title":"Isaiah Collier \/\/ Parallel Universe 2xLP","handle":"isaiah-collier-parallel-universe-2xlp","description":"\u003cp\u003eアメリカ・シカゴのサックス奏者Isaiah Collierが、2024年5月にイギリス・ロンドンのジャズレーベルNight Dreamerからリリースした再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3164043016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eggun 04:24\u003cbr\u003e2. Village Song 13:07\u003cbr\u003e3. Retreat 08:01\u003cbr\u003e4. Parallel Universe 10:07\u003cbr\u003e5. The Lean 08:02\u003cbr\u003e6. Never Back Down 07:40\u003cbr\u003e7. Open The Door 04:44\u003cbr\u003e8. The Last Song 10:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Night Dreamer: \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"...\u003c\/span\u003e\u003cspan\u003eEmbracing the risk and vulnerability that comes with the live process, Collier and his band tapped into the frequencies of improvisation that fired up so many of the most timeless jazz recordings. “Recording direct-to-disc gave me a really fortunate opportunity to experience what our musical predecessors almost a hundred years ago were dealing with,” he explains.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eName-checking Sun Ra, Ras G, J Dilla, Fela Kuti\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, Miles Davis, Gil Scott-Heron, Whitney Huston, Aaliyah and Frankie Knuckles, the opening of track of Parallel Universe imagines a genreless musical lineage that resonates with the polyphony of stories his band bring to the table, from Chicago and beyond.\u003cbr\u003e\u003cbr\u003eFeaturing gospel soul singer Jimetta Rose, AACM and former Art Ensemble of Chicago trumpet player Corey Wilkes, blues-rooted guitarist Michael Damani, regular collaborators Julian Davis Reid, James Russell Sims and Micah Collier, the 8-track album bristles with a sense of love and understanding between players at the top of their game.\u003cbr\u003e\u003cbr\u003eNowhere is this more evident than on the album’s 13-minute centrepiece, ‘Village Song’, in which Collier evokes the spiritual, psychological and emotional home of the African diaspora in song. “I want to speak to everybody of the African diaspora, truly in its entirety,” he explains, “from all the way of being back in the motherland, to the new lands we’ve come to.”\u003cbr\u003e\u003cbr\u003eRooted in the percussion of Sonny Daze and the kalimba of Radius, ‘Village Song’ is a joyous and affirmative celebration of that unity. Picking up the flute, Collier explains, was also a part of that narrative: “The saxophone was not made in Africa so the concept of going back into the village we have to go back to our village instruments and dialect.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Isaiah Collier\u003c\/p\u003e\n\u003cp\u003eLabel : Night Dreamer\u003c\/p\u003e\n\u003cp\u003eCAT No : ND020R\u003c\/p\u003e","published_at":"2024-10-23T15:33:36+09:00","created_at":"2024-10-14T10:15:02+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new"],"price":397000,"price_min":397000,"price_max":397000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46747042906362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Isaiah Collier \/\/ Parallel Universe 2xLP","public_title":null,"options":["Default Title"],"price":397000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"745314214513","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_39592b54-6a6b-4b82-bbe4-db2627ce60f8.jpg?v=1728868380","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_7454f55c-ef85-4119-9765-c01387505b67.jpg?v=1728868380"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_39592b54-6a6b-4b82-bbe4-db2627ce60f8.jpg?v=1728868380","options":["Title"],"media":[{"alt":null,"id":35045802410234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_39592b54-6a6b-4b82-bbe4-db2627ce60f8.jpg?v=1728868380"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_39592b54-6a6b-4b82-bbe4-db2627ce60f8.jpg?v=1728868380","width":700},{"alt":null,"id":35045802443002,"position":2,"preview_image":{"aspect_ratio":1.382,"height":868,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_7454f55c-ef85-4119-9765-c01387505b67.jpg?v=1728868380"},"aspect_ratio":1.382,"height":868,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_7454f55c-ef85-4119-9765-c01387505b67.jpg?v=1728868380","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのサックス奏者Isaiah Collierが、2024年5月にイギリス・ロンドンのジャズレーベルNight Dreamerからリリースした再発2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3164043016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eggun 04:24\u003cbr\u003e2. Village Song 13:07\u003cbr\u003e3. Retreat 08:01\u003cbr\u003e4. Parallel Universe 10:07\u003cbr\u003e5. The Lean 08:02\u003cbr\u003e6. Never Back Down 07:40\u003cbr\u003e7. Open The Door 04:44\u003cbr\u003e8. The Last Song 10:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Night Dreamer: \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"...\u003c\/span\u003e\u003cspan\u003eEmbracing the risk and vulnerability that comes with the live process, Collier and his band tapped into the frequencies of improvisation that fired up so many of the most timeless jazz recordings. “Recording direct-to-disc gave me a really fortunate opportunity to experience what our musical predecessors almost a hundred years ago were dealing with,” he explains.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eName-checking Sun Ra, Ras G, J Dilla, Fela Kuti\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e, Miles Davis, Gil Scott-Heron, Whitney Huston, Aaliyah and Frankie Knuckles, the opening of track of Parallel Universe imagines a genreless musical lineage that resonates with the polyphony of stories his band bring to the table, from Chicago and beyond.\u003cbr\u003e\u003cbr\u003eFeaturing gospel soul singer Jimetta Rose, AACM and former Art Ensemble of Chicago trumpet player Corey Wilkes, blues-rooted guitarist Michael Damani, regular collaborators Julian Davis Reid, James Russell Sims and Micah Collier, the 8-track album bristles with a sense of love and understanding between players at the top of their game.\u003cbr\u003e\u003cbr\u003eNowhere is this more evident than on the album’s 13-minute centrepiece, ‘Village Song’, in which Collier evokes the spiritual, psychological and emotional home of the African diaspora in song. “I want to speak to everybody of the African diaspora, truly in its entirety,” he explains, “from all the way of being back in the motherland, to the new lands we’ve come to.”\u003cbr\u003e\u003cbr\u003eRooted in the percussion of Sonny Daze and the kalimba of Radius, ‘Village Song’ is a joyous and affirmative celebration of that unity. Picking up the flute, Collier explains, was also a part of that narrative: “The saxophone was not made in Africa so the concept of going back into the village we have to go back to our village instruments and dialect.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Isaiah Collier\u003c\/p\u003e\n\u003cp\u003eLabel : Night Dreamer\u003c\/p\u003e\n\u003cp\u003eCAT No : ND020R\u003c\/p\u003e"}
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アメリカ・シカゴのサックス奏者Isaiah Collierが、2024年5月にイギリス・ロンドンのジャズレーベルNight Dreamerからリリースした再発2枚組レコードです。 コンテンポラリー・ジャズ8曲を収録。 ----------------------------------------------- 2 x 12" black vinyl Tracklist: 1. Eggun 04:242....
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{"id":8641675854074,"title":"Bolbec \/\/ Victime De L'aube LP","handle":"bolbec-victime-de-laube-lp","description":"\u003cp\u003eフランスのマルチ奏者Axel ConcatoとBarth CorbeletBolbecによるデュオBolbecが、2024年8月にイギリス・ロンドンのコンテンポラリー・ファンクレーベルBatovからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e架空の映画のサウンドトラックを意識して制作したジャズ〜イージーリスニング〜ラウンジ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3904123793\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rue Nue 01:55\u003cbr\u003e2. Funaise 02:14\u003cbr\u003e3. Feuille D'orage 02:40\u003cbr\u003e4. En Bermuda 02:58\u003cbr\u003e5. Vengeance Tropicale 02:51\u003cbr\u003e6. Victime De L'aube 03:01\u003cbr\u003e7. Jaki 02:22\u003cbr\u003e8. Pomme Sautèe 01:47\u003cbr\u003e9. À L'instar Du Flair 02:33\u003cbr\u003e10. Nuitèe 03:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBatov:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Bolbec, brand new project of childhood friends and multi-instrumentalists Axel Concato and Barth Corbelet, present their debut record, \"Victime De L'aube”, on Batov Records. Drawing on their wide blend of musical tastes, from spiritual jazz and folk to classical and electronic sounds, to create an imaginary soundtrack that could easily sit beside the best of Piero Piccioni or Michel Legrand. The album features the duo playing over a dozen different instruments between them, with some heavyweight support from the Nostalgia 77 rhythm section.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst their names might not be household names, the pair have quietly built up a discography and reputation writing for, producing and recording for other artists. Axel's eclectic career includes producing some of the most exciting artists to break out of the underground Parisien scene, such as Steeple Remove and the sci-fi pop of Halo Maud, on Heavenly Recordings, and met success with his own Pi Ja Ma project, while Barth's ventures ranged from recording albums in his bedroom and raiding the annals of rock history with Hastings-based Del Vargas as Bosco Rogers, to writing songs for renowned artists like Hollie Cook.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHowever long before the duo embarked on such successful\u003cspan class=\"bcTruncateMore\"\u003e individual paths in the music industry, Axel and Barth's musical journey began in their childhood days in Rouen, France. Bonding over a shared love for well-crafted songs and avoiding rotten tomatoes on stage (thanks to their dads' ballroom band experiences).\u003cbr\u003e\u003cbr\u003e\"Victime De L'aube”, embodies Bolbec's unique blend of musical tastes and eclectic instrumentation, and the album's title, which translates to \"Victim of the Dawn”, reflects the duo's exploration of the poignant emotions evoked by the breaking of dawn.\u003cbr\u003e\u003cbr\u003eAxel and Barth share, \"‘Victime de l’Aube’ could be the title of an erotic zombie movie. Unfortunately, it doesn’t exist yet. It just describes this moving feeling when night and dreams end while the morning sun sets the bedroom curtain alight”. Perhaps that’s what the duo had in mind when recording album opener “Rue Nue”, with its mysterious and almost spine-tingling synth motifs.\u003cbr\u003e\u003cbr\u003e‘Victime De L'aube’ showcases Bolbec's ambitious creative vision, transforming an array of instrumentation into poetic musical pieces that conjure moods and places. You can hear traces of Mal Waldron’s ‘Warm Canto’, and the ‘Shoplifter’ soundtrack by Haruomi Hosono, on the beautifully understated “Jaki” and closing piece, “Nuitée”, but the addition of the 77 rhythm section across six songs, and members of the Rouen Normandy Opera House wind section on four, add further depth and texture across the album,\u003cbr\u003e\u003cbr\u003eAlbum standout \"Vengeance Tropicale\" is a spirited jazz number with an almost joropo swing, Piero Piccioni meets Aldemaro Romero perhaps. Whilst \"Feuille D'orage”, is a beautiful bossa jazz number, again showcasing the Bolbec’s singular sound and musicality. Elsewhere, \"À L'instar Du Flair\", transports the listener on a modal jazz journey, recalling Yusef Lateef, and the evocative title track, \"Victime De L'aube”, promises to captivate listeners with it’s walking bass and suspenseful atmospherics.\u003cbr\u003e\u003cbr\u003eBolbec’s sound is an eclectic mix of deep jazz with the art of esoteric soundtracks, through lenses of electronica, folk, classical, and more, that is sure to captivate listeners on initial and subsequent hearings.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolbec\u003c\/p\u003e\n\u003cp\u003eLabel : Batov\u003c\/p\u003e\n\u003cp\u003eCAT No : BTR099LP\u003c\/p\u003e","published_at":"2024-10-18T10:06:14+09:00","created_at":"2024-10-14T09:46:38+09:00","vendor":"Tobira Records","type":"","tags":["Batov Records","jazz","lp","new"],"price":372200,"price_min":372200,"price_max":372200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46747012137210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Bolbec \/\/ Victime De L'aube LP","public_title":null,"options":["Default Title"],"price":372200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548088953","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/vic1.jpg?v=1728866683","\/\/tobirarecords.com\/cdn\/shop\/files\/vic2.jpg?v=1728866683"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/vic1.jpg?v=1728866683","options":["Title"],"media":[{"alt":null,"id":35045751685370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vic1.jpg?v=1728866683"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vic1.jpg?v=1728866683","width":700},{"alt":null,"id":35045751750906,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vic2.jpg?v=1728866683"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/vic2.jpg?v=1728866683","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのマルチ奏者Axel ConcatoとBarth CorbeletBolbecによるデュオBolbecが、2024年8月にイギリス・ロンドンのコンテンポラリー・ファンクレーベルBatovからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003e架空の映画のサウンドトラックを意識して制作したジャズ〜イージーリスニング〜ラウンジ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3904123793\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rue Nue 01:55\u003cbr\u003e2. Funaise 02:14\u003cbr\u003e3. Feuille D'orage 02:40\u003cbr\u003e4. En Bermuda 02:58\u003cbr\u003e5. Vengeance Tropicale 02:51\u003cbr\u003e6. Victime De L'aube 03:01\u003cbr\u003e7. Jaki 02:22\u003cbr\u003e8. Pomme Sautèe 01:47\u003cbr\u003e9. À L'instar Du Flair 02:33\u003cbr\u003e10. Nuitèe 03:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBatov:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Bolbec, brand new project of childhood friends and multi-instrumentalists Axel Concato and Barth Corbelet, present their debut record, \"Victime De L'aube”, on Batov Records. Drawing on their wide blend of musical tastes, from spiritual jazz and folk to classical and electronic sounds, to create an imaginary soundtrack that could easily sit beside the best of Piero Piccioni or Michel Legrand. The album features the duo playing over a dozen different instruments between them, with some heavyweight support from the Nostalgia 77 rhythm section.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhilst their names might not be household names, the pair have quietly built up a discography and reputation writing for, producing and recording for other artists. Axel's eclectic career includes producing some of the most exciting artists to break out of the underground Parisien scene, such as Steeple Remove and the sci-fi pop of Halo Maud, on Heavenly Recordings, and met success with his own Pi Ja Ma project, while Barth's ventures ranged from recording albums in his bedroom and raiding the annals of rock history with Hastings-based Del Vargas as Bosco Rogers, to writing songs for renowned artists like Hollie Cook.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHowever long before the duo embarked on such successful\u003cspan class=\"bcTruncateMore\"\u003e individual paths in the music industry, Axel and Barth's musical journey began in their childhood days in Rouen, France. Bonding over a shared love for well-crafted songs and avoiding rotten tomatoes on stage (thanks to their dads' ballroom band experiences).\u003cbr\u003e\u003cbr\u003e\"Victime De L'aube”, embodies Bolbec's unique blend of musical tastes and eclectic instrumentation, and the album's title, which translates to \"Victim of the Dawn”, reflects the duo's exploration of the poignant emotions evoked by the breaking of dawn.\u003cbr\u003e\u003cbr\u003eAxel and Barth share, \"‘Victime de l’Aube’ could be the title of an erotic zombie movie. Unfortunately, it doesn’t exist yet. It just describes this moving feeling when night and dreams end while the morning sun sets the bedroom curtain alight”. Perhaps that’s what the duo had in mind when recording album opener “Rue Nue”, with its mysterious and almost spine-tingling synth motifs.\u003cbr\u003e\u003cbr\u003e‘Victime De L'aube’ showcases Bolbec's ambitious creative vision, transforming an array of instrumentation into poetic musical pieces that conjure moods and places. You can hear traces of Mal Waldron’s ‘Warm Canto’, and the ‘Shoplifter’ soundtrack by Haruomi Hosono, on the beautifully understated “Jaki” and closing piece, “Nuitée”, but the addition of the 77 rhythm section across six songs, and members of the Rouen Normandy Opera House wind section on four, add further depth and texture across the album,\u003cbr\u003e\u003cbr\u003eAlbum standout \"Vengeance Tropicale\" is a spirited jazz number with an almost joropo swing, Piero Piccioni meets Aldemaro Romero perhaps. Whilst \"Feuille D'orage”, is a beautiful bossa jazz number, again showcasing the Bolbec’s singular sound and musicality. Elsewhere, \"À L'instar Du Flair\", transports the listener on a modal jazz journey, recalling Yusef Lateef, and the evocative title track, \"Victime De L'aube”, promises to captivate listeners with it’s walking bass and suspenseful atmospherics.\u003cbr\u003e\u003cbr\u003eBolbec’s sound is an eclectic mix of deep jazz with the art of esoteric soundtracks, through lenses of electronica, folk, classical, and more, that is sure to captivate listeners on initial and subsequent hearings.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolbec\u003c\/p\u003e\n\u003cp\u003eLabel : Batov\u003c\/p\u003e\n\u003cp\u003eCAT No : BTR099LP\u003c\/p\u003e"}
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フランスのマルチ奏者Axel ConcatoとBarth CorbeletBolbecによるデュオBolbecが、2024年8月にイギリス・ロンドンのコンテンポラリー・ファンクレーベルBatovからリリースしたデビューレコードです。 架空の映画のサウンドトラックを意識して制作したジャズ〜イージーリスニング〜ラウンジ10曲を収録。 --------------------------------------- 12" black vinyl. Edition of 500. Tracklist: 1. Rue...
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{"id":8640237732090,"title":"Various Artists (Ulyssa) \/\/ TOE HUNTERS TAPE","handle":"various-artists-toe-hunters-tape","description":"\u003cp\u003e水面下でジワジワと盛り上げってきている（？）新ジャンルToejazzの入門書的コンピレーション第4弾を入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eその辺の\u003c\/span\u003eショッピングモールやスーパーマーケット、駅前のカフェで流れていそうなスカスカな打ち込みジャズがクセになります。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1991年のセガ・ジェネシス用ゲーム『Toejam \u0026amp; Earl』や、1986年のMiles Davis作品『Tutu』がToejazzの由来とのことです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/various-artists-the-shape-of-toejazz-to-come-tape-1\"\u003e第1弾\u003c\/a\u003eと\u003ca href=\"https:\/\/tobirarecords.com\/products\/various-artists-bitches-toe-tape-1\"\u003e第2弾\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003eと\u003ca href=\"https:\/\/tobirarecords.com\/products\/various-artists-toejazz-for-debby-tape\"\u003e第3弾\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2544057489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A 49:09\u003cbr\u003e2. SIDE B 47:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eULY026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-12T13:43:46+09:00","created_at":"2024-10-11T16:15:35+09:00","vendor":"Tobira Records","type":"","tags":["jazz","new","strange beats","tape","ulyssa"],"price":284400,"price_min":284400,"price_max":284400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46739813990650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (Ulyssa) \/\/ TOE HUNTERS TAPE","public_title":null,"options":["Default Title"],"price":284400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hun1_6583209f-791a-42ff-9974-d07c9aa59fce.jpg?v=1728630872","\/\/tobirarecords.com\/cdn\/shop\/files\/hun2_e73a269a-56ac-4b25-a1f4-9cb7c0cbafdf.jpg?v=1728630872"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hun1_6583209f-791a-42ff-9974-d07c9aa59fce.jpg?v=1728630872","options":["Title"],"media":[{"alt":null,"id":35033790578938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hun1_6583209f-791a-42ff-9974-d07c9aa59fce.jpg?v=1728630872"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hun1_6583209f-791a-42ff-9974-d07c9aa59fce.jpg?v=1728630872","width":700},{"alt":null,"id":35033790611706,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hun2_e73a269a-56ac-4b25-a1f4-9cb7c0cbafdf.jpg?v=1728630872"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hun2_e73a269a-56ac-4b25-a1f4-9cb7c0cbafdf.jpg?v=1728630872","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e水面下でジワジワと盛り上げってきている（？）新ジャンルToejazzの入門書的コンピレーション第4弾を入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eその辺の\u003c\/span\u003eショッピングモールやスーパーマーケット、駅前のカフェで流れていそうなスカスカな打ち込みジャズがクセになります。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1991年のセガ・ジェネシス用ゲーム『Toejam \u0026amp; Earl』や、1986年のMiles Davis作品『Tutu』がToejazzの由来とのことです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/various-artists-the-shape-of-toejazz-to-come-tape-1\"\u003e第1弾\u003c\/a\u003eと\u003ca href=\"https:\/\/tobirarecords.com\/products\/various-artists-bitches-toe-tape-1\"\u003e第2弾\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003eと\u003ca href=\"https:\/\/tobirarecords.com\/products\/various-artists-toejazz-for-debby-tape\"\u003e第3弾\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2544057489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulyssa\"\u003ehere\u003c\/a\u003e to see more ULYSSA releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. SIDE A 49:09\u003cbr\u003e2. SIDE B 47:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : ULYSSA\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eULY026\u003c\/span\u003e\u003c\/p\u003e"}
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水面下でジワジワと盛り上げってきている（？）新ジャンルToejazzの入門書的コンピレーション第4弾を入荷しました。 その辺のショッピングモールやスーパーマーケット、駅前のカフェで流れていそうなスカスカな打ち込みジャズがクセになります。 1991年のセガ・ジェネシス用ゲーム『Toejam & Earl』や、1986年のMiles Davis作品『Tutu』がToejazzの由来とのことです。 第1弾と第2弾と第3弾もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more ULYSSA releases...
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{"id":8640223772922,"title":"Cop Tears \/\/ Theodor Adorno: Piano Works LP","handle":"cop-tears-theodor-adorno-piano-works-lp","description":"\u003cp\u003e過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baron主宰レーベルReading Group諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツの社会学者／哲学家／作曲家Theodor Adornoが書き残したピアノ作品を、NYのジャズバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノーツとDLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Andrew Wilhite-Hannisdal (double bass)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek Baron (flute)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Kapoor (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Welsh (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5aG0FoQgIjw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eSide A\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eKlavierstück (1921)\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933) 3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003eDrei kurze Klavierstücke (1934, 1945), 1\u003cbr\u003eDrei Klavierstücke (1927, 1945), 2. Die böhmischen Terzen\u003cbr\u003eDrei Klavierstücke (1927, 1945), 1. Adagietto. Hommage à Bizet\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933):\u003cbr\u003e1. Klein-Gavlin kann nur “Ich auch” sagen\u003cbr\u003e2. Ich bin das hüpfende Kleinpferd, ich bin das Hottepferd mit Knopf im Ohr\u003cbr\u003e4. Klein-Gitty und Klein-Gavlin (Variationen aus ihrem Leben),\u003cbr\u003evar. 1 (…und auf dem Bauch)\u003cbr\u003evar. 2 (Ländler)\u003cbr\u003evar. 3 (Gitty und Gavlin als Tristan und Isolde)\u003cbr\u003evar. 4 (Auch Brahms besucht das P.K.B.)\u003cbr\u003evar. 5 Molto vivace e capricioso (quasi\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ePresto) (Bewegte Gruppenszene)\u003cbr\u003e3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003evar. 6 Kleines Feuerwerk zu Ehren Debussys\u003cbr\u003evar. 7 Herztöne\u003cbr\u003evar. 8 Etwas feuerlich (Kanon des Friedens im P.K.B.)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003e******************\u003cbr\u003e\u003cem\u003e\"Cop Tears recorded selections from Theodor Adorno's piano works in Derek's apartment in New York during the winter of 2018.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered by Matt Bachmann.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLiner notes on the vinyl LP by Kylie and Coop.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Cop Tears\u003c\/p\u003e\n\u003cp\u003elabel : Reading Group\u003c\/p\u003e","published_at":"2024-10-11T15:16:41+09:00","created_at":"2024-10-11T15:15:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","new","reading group"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46739651068154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cop Tears \/\/ Theodor Adorno: Piano Works LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178","options":["Title"],"media":[{"alt":null,"id":22137351307429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baron主宰レーベルReading Group諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツの社会学者／哲学家／作曲家Theodor Adornoが書き残したピアノ作品を、NYのジャズバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノーツとDLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Andrew Wilhite-Hannisdal (double bass)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek Baron (flute)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Kapoor (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Welsh (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5aG0FoQgIjw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eSide A\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eKlavierstück (1921)\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933) 3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003eDrei kurze Klavierstücke (1934, 1945), 1\u003cbr\u003eDrei Klavierstücke (1927, 1945), 2. Die böhmischen Terzen\u003cbr\u003eDrei Klavierstücke (1927, 1945), 1. Adagietto. Hommage à Bizet\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933):\u003cbr\u003e1. Klein-Gavlin kann nur “Ich auch” sagen\u003cbr\u003e2. Ich bin das hüpfende Kleinpferd, ich bin das Hottepferd mit Knopf im Ohr\u003cbr\u003e4. Klein-Gitty und Klein-Gavlin (Variationen aus ihrem Leben),\u003cbr\u003evar. 1 (…und auf dem Bauch)\u003cbr\u003evar. 2 (Ländler)\u003cbr\u003evar. 3 (Gitty und Gavlin als Tristan und Isolde)\u003cbr\u003evar. 4 (Auch Brahms besucht das P.K.B.)\u003cbr\u003evar. 5 Molto vivace e capricioso (quasi\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ePresto) (Bewegte Gruppenszene)\u003cbr\u003e3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003evar. 6 Kleines Feuerwerk zu Ehren Debussys\u003cbr\u003evar. 7 Herztöne\u003cbr\u003evar. 8 Etwas feuerlich (Kanon des Friedens im P.K.B.)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003e******************\u003cbr\u003e\u003cem\u003e\"Cop Tears recorded selections from Theodor Adorno's piano works in Derek's apartment in New York during the winter of 2018.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered by Matt Bachmann.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLiner notes on the vinyl LP by Kylie and Coop.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Cop Tears\u003c\/p\u003e\n\u003cp\u003elabel : Reading Group\u003c\/p\u003e"}
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過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baron主宰レーベルReading Group諸作を入荷しました。 本作は、ドイツの社会学者／哲学家／作曲家Theodor Adornoが書き残したピアノ作品を、NYのジャズバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノーツとDLコード付属。廃盤です。 John Andrew Wilhite-Hannisdal (double bass) Derek Baron (flute)...
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{"id":8637564551418,"title":"Black Disco \/\/ Black Disco 3 LP","handle":"black-disco-black-disco-3-lp","description":"\u003cp\u003e南アフリカのエレピ奏者Pops Mohamed率いるBlack Discoが、2024年9月にイタリアの再発専門レーベルCinedelicからリリースした再発レコードです。（オリジナルは1976年リリース）\u003c\/p\u003e\n\u003cp\u003eチルアウト・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=935442097\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dawn 10:05\u003cbr\u003e2. Deep Blue 03:37\u003cbr\u003e3. Spiritual Feeling (Riding The Blue) 05:42\u003cbr\u003e4. Whiter Shade Of Pale 06:06\u003cbr\u003e5. No More Tears 03:45\u003cbr\u003e6. Slow Mood 03:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCinedelic:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWith a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams\/The Sun label alongside Abdullah Ibrahim and Harari.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after session players on the South African jazz scene, Cape Town's sax and flute wizard Basil Coetzee, who had risen to fame in 1974 as one of the soloists on the hit “Mannenberg,” and Sipho Gumede, the young bass prodigy from the city of Durban. The album is a mostly downtempo affair with the drum machine on Mohamed’s organ laying down the beat while the trio soars in blissful improvisational territory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBassist Peter Odendaal and drummer Monty Weber join Mohamed and Coetzee for Black Disco 3 in 1976, preserving the New Age lounge aesthetic but allowing the group to flex their jazz chops more adventurously. “Spiritual Feeling” from the debut album is revamped as “Spiritual Feeling Riding the Blue” but the album opener\u003cspan class=\"bcTruncateMore\"\u003e “Dawn” is the centrepiece – a trippy, flute-driven awakening that unfolds over a period of ten minutes.\u003cbr\u003e\u003cbr\u003eReissued and available internationally for the very first time, Afrodelic's 2024 replica editions of Black Disco (1975) and Black Disco 3 (1976) are fully licensed and sourced from the original analog master tapes.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Disco\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e","published_at":"2024-10-08T09:03:25+09:00","created_at":"2024-10-07T14:22:22+09:00","vendor":"Tobira Records","type":"","tags":["cinedelic","jazz","lp","new"],"price":424200,"price_min":424200,"price_max":424200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46722688418042,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Black Disco \/\/ Black Disco 3 LP","public_title":null,"options":["Default Title"],"price":424200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/di1_5801d551-513b-4251-ae60-a8b4b384f6e8.jpg?v=1728278443","\/\/tobirarecords.com\/cdn\/shop\/files\/di2.jpg?v=1728278443"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_5801d551-513b-4251-ae60-a8b4b384f6e8.jpg?v=1728278443","options":["Title"],"media":[{"alt":null,"id":35006519083258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_5801d551-513b-4251-ae60-a8b4b384f6e8.jpg?v=1728278443"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di1_5801d551-513b-4251-ae60-a8b4b384f6e8.jpg?v=1728278443","width":700},{"alt":null,"id":35006519116026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di2.jpg?v=1728278443"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di2.jpg?v=1728278443","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカのエレピ奏者Pops Mohamed率いるBlack Discoが、2024年9月にイタリアの再発専門レーベルCinedelicからリリースした再発レコードです。（オリジナルは1976年リリース）\u003c\/p\u003e\n\u003cp\u003eチルアウト・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=935442097\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dawn 10:05\u003cbr\u003e2. Deep Blue 03:37\u003cbr\u003e3. Spiritual Feeling (Riding The Blue) 05:42\u003cbr\u003e4. Whiter Shade Of Pale 06:06\u003cbr\u003e5. No More Tears 03:45\u003cbr\u003e6. Slow Mood 03:46\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCinedelic:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eWith a Yamaha organ and a dream, Pops Mohamed started his musical journey in mid-1970s South Africa as the founder of Black Disco, creating a hip and innovative blend of chill-out jazz with spiritual overtones. Playing original compositions as well as reimagined soul and pop hits, the group appeared on producer Rashid Vally's As-Shams\/The Sun label alongside Abdullah Ibrahim and Harari.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the band's self-titled debut from 1975, Mohamed's cosmic organ is supported by two of the most sought-after session players on the South African jazz scene, Cape Town's sax and flute wizard Basil Coetzee, who had risen to fame in 1974 as one of the soloists on the hit “Mannenberg,” and Sipho Gumede, the young bass prodigy from the city of Durban. The album is a mostly downtempo affair with the drum machine on Mohamed’s organ laying down the beat while the trio soars in blissful improvisational territory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBassist Peter Odendaal and drummer Monty Weber join Mohamed and Coetzee for Black Disco 3 in 1976, preserving the New Age lounge aesthetic but allowing the group to flex their jazz chops more adventurously. “Spiritual Feeling” from the debut album is revamped as “Spiritual Feeling Riding the Blue” but the album opener\u003cspan class=\"bcTruncateMore\"\u003e “Dawn” is the centrepiece – a trippy, flute-driven awakening that unfolds over a period of ten minutes.\u003cbr\u003e\u003cbr\u003eReissued and available internationally for the very first time, Afrodelic's 2024 replica editions of Black Disco (1975) and Black Disco 3 (1976) are fully licensed and sourced from the original analog master tapes.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Black Disco\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e"}
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{"id":8637558817018,"title":"Masahiko Togashi \u0026 Isao Suzuki \/\/ A Day Of The Sun LP","handle":"masahiko-togashi-isao-suzuki-a-day-of-the-sun-lp","description":"\u003cp\u003e日本のジャズ奏者Masahiko TogashiとIsao Suzukiが、2024年1月にイタリアの再発専門レーベルCinedelicからリリースした再発レコードです。（オリジナルは1979年リリース）\u003c\/p\u003e\n\u003cp\u003e スピリチュアル・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zqRl1ubi5aM?si=VJmzZ6wqBCVkO3IC\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Day Of The Sun 08:01\u003cbr\u003e2. Birth Of Yellow Eggs 04:29\u003cbr\u003e3. Lonely Blue 07:12\u003cbr\u003e4. Creatures In The Deep Blue Sea 07:54\u003cbr\u003e5. Silvery Flash 07:54\u003cbr\u003e6. Awakening Of The Fresh Green 05:30\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Masahiko Togashi \u0026amp; Isao Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e","published_at":"2024-10-08T08:56:40+09:00","created_at":"2024-10-07T14:11:04+09:00","vendor":"Tobira Records","type":"","tags":["cinedelic","jazz","lp","new"],"price":519000,"price_min":519000,"price_max":519000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46722668790010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Masahiko Togashi \u0026 Isao Suzuki \/\/ A Day Of The Sun LP","public_title":null,"options":["Default Title"],"price":519000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_93b0fe5a-416f-4949-98af-f58d3fc19861.jpg?v=1728277811","\/\/tobirarecords.com\/cdn\/shop\/files\/sun.jpg?v=1728277811"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_93b0fe5a-416f-4949-98af-f58d3fc19861.jpg?v=1728277811","options":["Title"],"media":[{"alt":null,"id":35006468620538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_93b0fe5a-416f-4949-98af-f58d3fc19861.jpg?v=1728277811"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_93b0fe5a-416f-4949-98af-f58d3fc19861.jpg?v=1728277811","width":700},{"alt":null,"id":35006468587770,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun.jpg?v=1728277811"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun.jpg?v=1728277811","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のジャズ奏者Masahiko TogashiとIsao Suzukiが、2024年1月にイタリアの再発専門レーベルCinedelicからリリースした再発レコードです。（オリジナルは1979年リリース）\u003c\/p\u003e\n\u003cp\u003e スピリチュアル・ジャズ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zqRl1ubi5aM?si=VJmzZ6wqBCVkO3IC\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cndc\"\u003ehere\u003c\/a\u003e to see more Cinedelic releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Day Of The Sun 08:01\u003cbr\u003e2. Birth Of Yellow Eggs 04:29\u003cbr\u003e3. Lonely Blue 07:12\u003cbr\u003e4. Creatures In The Deep Blue Sea 07:54\u003cbr\u003e5. Silvery Flash 07:54\u003cbr\u003e6. Awakening Of The Fresh Green 05:30\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Masahiko Togashi \u0026amp; Isao Suzuki\u003c\/p\u003e\n\u003cp\u003eLabel : Cinedelic\u003c\/p\u003e"}
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日本のジャズ奏者Masahiko TogashiとIsao Suzukiが、2024年1月にイタリアの再発専門レーベルCinedelicからリリースした再発レコードです。（オリジナルは1979年リリース） スピリチュアル・ジャズ6曲を収録。 レーベルその他作品はこちら /// Click here to see more Cinedelic releases available at Tobira. ----------------------...
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{"id":8634787692794,"title":"V\/Z (Valentina Magaletti \u0026 Zongamin) \/\/ Suono Assente LP","handle":"v-z-valentina-magaletti-zongamin-suono-assente-lp","description":"\u003cp\u003e イタリア／イギリスのV\/Z (Valentina Magaletti \u0026amp; Zongamin）が、2024年8月にイギリスのWhitiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜ポストパンク・ダブ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3680852569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Suono Assente 04:50\u003cbr\u003e2. Candles 02:31\u003cbr\u003e3. Habadash feat. Cathy Lucas 04:09\u003cbr\u003e4. Bites feat. Coby Sey 03:28\u003cbr\u003e5. Nail Jar 02:48\u003cbr\u003e6. Plants No Virtues feat. Venus Ex Machina 04:26\u003cbr\u003e7. Caffe Giallo 03:47\u003cbr\u003e8. Candles (Version) 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAD 93:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorld-renowned drummer-composer Valentina Magaletti teams up with music producer and multi-instrumentalist Zongamin in their East London studio to create an album of Dub \/ Post-Punk influenced material, featuring Vanishing Twin's Cathy Lucas, Coby Sey and Venus Ex Machina.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDub postcards, east London boats, reflections in the eye of a cat, swallowing your tarot card, spitting echo from calming substances, yellow paint on our shut down local brunch spot, post-punk golden rules, shaking metal memories in a glass jar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbsence of sound shaped in summertime 2022.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : V\/Z (Valentina Magaletti \u0026amp; Zongamin)\u003c\/p\u003e\n\u003cp\u003eLabel : AD 93\u003c\/p\u003e\n\u003cp\u003eCAT NO : WHYT059\u003c\/p\u003e","published_at":"2024-10-04T05:48:53+09:00","created_at":"2024-10-03T18:37:36+09:00","vendor":"Tobira Records","type":"","tags":["ad 93","folk \/ left-field pop","hiphop \/ funk","jazz","lp","new"],"price":377700,"price_min":377700,"price_max":377700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46710901571834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"V\/Z (Valentina Magaletti \u0026 Zongamin) \/\/ Suono Assente LP","public_title":null,"options":["Default Title"],"price":377700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/suono1.jpg?v=1727948180","\/\/tobirarecords.com\/cdn\/shop\/files\/suono2.jpg?v=1727948180"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/suono1.jpg?v=1727948180","options":["Title"],"media":[{"alt":null,"id":34979124314362,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/suono1.jpg?v=1727948180"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/suono1.jpg?v=1727948180","width":700},{"alt":null,"id":34979124347130,"position":2,"preview_image":{"aspect_ratio":1.008,"height":1191,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/suono2.jpg?v=1727948180"},"aspect_ratio":1.008,"height":1191,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/suono2.jpg?v=1727948180","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e イタリア／イギリスのV\/Z (Valentina Magaletti \u0026amp; Zongamin）が、2024年8月にイギリスのWhitiesからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ポップ〜ポストパンク・ダブ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3680852569\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Suono Assente 04:50\u003cbr\u003e2. Candles 02:31\u003cbr\u003e3. Habadash feat. Cathy Lucas 04:09\u003cbr\u003e4. Bites feat. Coby Sey 03:28\u003cbr\u003e5. Nail Jar 02:48\u003cbr\u003e6. Plants No Virtues feat. Venus Ex Machina 04:26\u003cbr\u003e7. Caffe Giallo 03:47\u003cbr\u003e8. Candles (Version) 02:22\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAD 93:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWorld-renowned drummer-composer Valentina Magaletti teams up with music producer and multi-instrumentalist Zongamin in their East London studio to create an album of Dub \/ Post-Punk influenced material, featuring Vanishing Twin's Cathy Lucas, Coby Sey and Venus Ex Machina.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDub postcards, east London boats, reflections in the eye of a cat, swallowing your tarot card, spitting echo from calming substances, yellow paint on our shut down local brunch spot, post-punk golden rules, shaking metal memories in a glass jar.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAbsence of sound shaped in summertime 2022.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : V\/Z (Valentina Magaletti \u0026amp; Zongamin)\u003c\/p\u003e\n\u003cp\u003eLabel : AD 93\u003c\/p\u003e\n\u003cp\u003eCAT NO : WHYT059\u003c\/p\u003e"}
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{"id":8634281230586,"title":"Various Artists (Funknight) \/\/ Krautrock LP","handle":"various-artists-krautrock-lp","description":"\u003cp\u003eアメリカのジャズレーベルFunkNightが、2204年9月にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eクラウトロック14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jUa5CLrqBtI?si=j8DsFmXqY42WppiF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iTtjLGtzraE?si=VuuAY-TPDKAFT3a6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W4R8K5_ZmLc?si=DlEXAp9GHbf_ke62\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3mfWl4AdGsQ?si=82oTTew0-466cwo6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RNj0UzxiVbA?si=KdyuRjnH8MYAkDFW\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZdhNSxETThA?si=GqPDv0ArMfJuJy7Z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BS3kcYBo4NE?si=SSxMpb8bGf4u-L0j\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c01UkChnPm4?si=KhloMS4hhZuAA8cp\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Rhythm Snipers –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMove The Kraut\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:38\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHyperreal Simulacra Cake\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:12\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Rhythm Snipers –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHaschisch und Sex in Schwabylon\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:45\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTransport\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:12\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohn Reed \u0026amp; The Automatics –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHippie Karawane\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:28\u003cbr\u003eA6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Rhythm Snipers –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMogadishu 77\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:24\u003cbr\u003eA7\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSomnambulances\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:02\u003cbr\u003eB8\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohn Reed \u0026amp; The Automatics –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eOpium\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:34\u003cbr\u003eB9\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Future Is Real\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:07\u003cbr\u003eB10\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Rhythm Snipers –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAfropa\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:59\u003cbr\u003eB11\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eIntercity nach Utopia\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:09\u003cbr\u003eB12\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohn Reed \u0026amp; The Automatics –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMarokko\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:57\u003cbr\u003eB13\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eKrakatoa\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:12\u003cbr\u003eB14\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohn Reed \u0026amp; The Automatics –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTime Is Passing\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFNR-217\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-21T09:37:07+09:00","created_at":"2024-10-02T21:12:16+09:00","vendor":"Tobira Records","type":"","tags":["funk night","jazz","lp","new"],"price":347700,"price_min":347700,"price_max":347700,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46707819151610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (Funknight) \/\/ Krautrock LP","public_title":null,"options":["Default Title"],"price":347700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kr1.jpg?v=1727870844","\/\/tobirarecords.com\/cdn\/shop\/files\/kr2.jpg?v=1727870844"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kr1.jpg?v=1727870844","options":["Title"],"media":[{"alt":null,"id":34974137614586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kr1.jpg?v=1727870844"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kr1.jpg?v=1727870844","width":599},{"alt":null,"id":34974137647354,"position":2,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kr2.jpg?v=1727870844"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kr2.jpg?v=1727870844","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズレーベルFunkNightが、2204年9月にリリースしたコンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003eクラウトロック14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jUa5CLrqBtI?si=j8DsFmXqY42WppiF\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/iTtjLGtzraE?si=VuuAY-TPDKAFT3a6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/W4R8K5_ZmLc?si=DlEXAp9GHbf_ke62\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3mfWl4AdGsQ?si=82oTTew0-466cwo6\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RNj0UzxiVbA?si=KdyuRjnH8MYAkDFW\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZdhNSxETThA?si=GqPDv0ArMfJuJy7Z\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/BS3kcYBo4NE?si=SSxMpb8bGf4u-L0j\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/c01UkChnPm4?si=KhloMS4hhZuAA8cp\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Rhythm Snipers –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMove The Kraut\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:38\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHyperreal Simulacra Cake\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:12\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Rhythm Snipers –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHaschisch und Sex in Schwabylon\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:45\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTransport\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:12\u003cbr\u003eA5\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohn Reed \u0026amp; The Automatics –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eHippie Karawane\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:28\u003cbr\u003eA6\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Rhythm Snipers –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMogadishu 77\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:24\u003cbr\u003eA7\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eSomnambulances\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:02\u003cbr\u003eB8\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohn Reed \u0026amp; The Automatics –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eOpium\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:34\u003cbr\u003eB9\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Future Is Real\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:07\u003cbr\u003eB10\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eThe Rhythm Snipers –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eAfropa\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e1:59\u003cbr\u003eB11\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eIntercity nach Utopia\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:09\u003cbr\u003eB12\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohn Reed \u0026amp; The Automatics –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eMarokko\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:57\u003cbr\u003eB13\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTendaji\/Donje –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eKrakatoa\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:12\u003cbr\u003eB14\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eJohn Reed \u0026amp; The Automatics –\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003eTime Is Passing\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e2:47\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFNR-217\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのジャズレーベルFunkNightが、2204年9月にリリースしたコンピレーションレコードです。 クラウトロック14曲を収録。 レーベルその他作品はこちら /// Click here to see more Funk Night releases available at Tobira. ---------------------------------------------...
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{"id":8633491882234,"title":"I-I (Uchihashi Kazuhisa, Yamamoto Tatsuhisa, Sakaguchi Mitsuhisa) \/\/ s\/t LP","handle":"i-i-uchihashi-kazuhisa-yamamoto-tatsuhisa-sakaguchi-mitsuhisa-s-t-lp","description":"\u003cp\u003e日本の即興トリオが、2023年12月にスペイン・バルセロナの実験レーベルModern Obscure Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2792888414\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/modbmu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/modbmu\"\u003ehere\u003c\/a\u003e to see more Modern Obscure Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. movement 1 08:53\u003cbr\u003e2. movement 2 04:52\u003cbr\u003e3. movement 3 05:47\u003cbr\u003e4. movement 4 11:47\u003cbr\u003e5. movement 5 03:16\u003cbr\u003e6. movement 6 05:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eModern Obscure Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWe are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio ‘I-I’. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"There's no inspiration from others. We just played.\" With this raw and unfiltered approach to music, ‘I-I’ promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘I-I’ is the trio's debut album, marking the beginning of\u003cspan class=\"bcTruncateMore\"\u003e their musical journey as a collective. Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless.\"We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.’ The trio hopes that listeners will fully immerse themselves in \"I-I\" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : I-I (Uchihashi Kazuhisa, Yamamoto Tatsuhisa, Sakaguchi Mitsuhisa) \u003c\/p\u003e\n\u003cp\u003eLabel : Modern Obscure Music\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMOM47\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-10-02T09:21:37+09:00","created_at":"2024-10-01T13:12:21+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","modern obscure music","new"],"price":413000,"price_min":413000,"price_max":413000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46704411148538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"I-I (Uchihashi Kazuhisa, Yamamoto Tatsuhisa, Sakaguchi Mitsuhisa) \/\/ s\/t LP","public_title":null,"options":["Default Title"],"price":413000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/uchi1.jpg?v=1727755871","\/\/tobirarecords.com\/cdn\/shop\/files\/uchi2.jpg?v=1727755871"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/uchi1.jpg?v=1727755871","options":["Title"],"media":[{"alt":null,"id":34967203774714,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uchi1.jpg?v=1727755871"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uchi1.jpg?v=1727755871","width":700},{"alt":null,"id":34967203807482,"position":2,"preview_image":{"aspect_ratio":1.223,"height":981,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uchi2.jpg?v=1727755871"},"aspect_ratio":1.223,"height":981,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/uchi2.jpg?v=1727755871","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本の即興トリオが、2023年12月にスペイン・バルセロナの実験レーベルModern Obscure Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ6曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2792888414\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/modbmu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/modbmu\"\u003ehere\u003c\/a\u003e to see more Modern Obscure Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 150. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. movement 1 08:53\u003cbr\u003e2. movement 2 04:52\u003cbr\u003e3. movement 3 05:47\u003cbr\u003e4. movement 4 11:47\u003cbr\u003e5. movement 5 03:16\u003cbr\u003e6. movement 6 05:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eModern Obscure Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWe are thrilled to introduce the world to the innovative sounds of the Japanese improvisational music trio ‘I-I’. Composed of three exceptionally talented musicians, Kazuhisa Uchihashi (guitar, daxophone, pedals), Mitsuhisa Sakaguchi (synthesizers, pedals) and Tatsuhisa Yamamoto (percussion). This dynamic ensemble has embarked on a remarkable musical journey with their homonymous debut album.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"There's no inspiration from others. We just played.\" With this raw and unfiltered approach to music, ‘I-I’ promises a unique listening experience. The album's overall sound and style can be described as completely improvised, devoid of any predetermined theme or content. Instead, the musicians rely on their deep understanding of each other's musicality to create spontaneous and captivating harmonies. This organic approach results in a tension-filled sound that challenges traditional norms.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn their own words, the musicians stated that there are no particular themes or messages they seek to convey through the songs. Their creative process is one of pure exploration, allowing their musical intuition to guide them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘I-I’ is the trio's debut album, marking the beginning of\u003cspan class=\"bcTruncateMore\"\u003e their musical journey as a collective. Despite the complexities of spontaneous creation, the trio revealed that they faced no significant challenges during the album's production, making the creative process smooth and seamless.\"We hope you will listen to this album from the first track to the last track in order, as like 'Album-oriented music.’ The trio hopes that listeners will fully immerse themselves in \"I-I\" by sitting down in front of their audio systems and playing it as loudly as possible. Their goal is to provide a unique and unforgettable musical experience that transcends traditional boundaries.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : I-I (Uchihashi Kazuhisa, Yamamoto Tatsuhisa, Sakaguchi Mitsuhisa) \u003c\/p\u003e\n\u003cp\u003eLabel : Modern Obscure Music\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMOM47\u003c\/span\u003e\u003c\/p\u003e"}
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日本の即興トリオが、2023年12月にスペイン・バルセロナの実験レーベルModern Obscure Musicからリリースしたレコードです。 インプロ6曲を収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Modern Obscure Music...
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{"id":8633487917306,"title":"Eiko Ishibashi \/ Jim O’Rourke \/ Tatsuhisa Yamamoto \/ Kei Matsumaru \/ Giovanni Di Domenico \/\/ Sakuraza LP","handle":"eiko-ishibashi-jim-o-rourke-tatsuhisa-yamamoto-kei-matsumaru-giovanni-di-domenico-sakuraza-lp","description":"\u003cp\u003eEiko Ishibashi \/ Jim O’Rourke \/ Tatsuhisa Yamamoto \/ Kei Matsumaru \/ Giovanni Di Domenicoが、2024年8月にスペイン・バルセロナの実験レーベルModern Obscure Musicからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e山梨県甲府市のベニューSakurazaでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3063914920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/modbmu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/modbmu\"\u003ehere\u003c\/a\u003e to see more Modern Obscure Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 250. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRecorded at Sakuraza, Kofu, Yamanashi, Japan, on June the 14th 2023.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A side Sakuraza 16:29\u003cbr\u003e2. B side Sakuraza 22:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWe are pleased to announce the release of \"Sakuraza,\" a collaborative album that brings together five luminaries of the contemporary music scene: Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). This live recording, made at the Sakuraza jazz club in Kofu, Yamanashi, Japan, offers a sonic exploration marked by dynamic precision and timbral sophistication.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePianist Giovanni Di Domenico, who has traveled to Japan for over 15 years, has cultivated a close artistic relationship with Eiko Ishibashi, Jim O’Rourke, and Tatsuhisa Yamamoto. In June 2023, during a visit to Japan, Giovanni proposed organizing a concert with his long-time friends and collaborators. They chose the cozy and acoustically refined Sakuraza club as the venue and extended an invitation to the young and promising saxophonist Kei Matsumaru.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSakuraza, with its warm wooden interior and intimate atmosphere, provided the perfect setting for this unedited, overdub-free improvisational session, capturing the entirety of the second set played that night. The chemistry among the musicians, strengthened by years of collaboration and friendship, manifests in a\u003cspan class=\"bcTruncateMore\"\u003e performance that defies genre conventions, blending elements of jazz, electronic music, advanced harmonies, and touches of pop.\u003cbr\u003e\u003cbr\u003e\"Sakuraza\" is not just a recording; it is an auditory experience celebrating spontaneity and the profound musical connection among these artists. The fluid interaction and mutual understanding they share, enriched by countless discussions about music and life, resonate in every measure, offering a work that is both intimate and expansive.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi \/ Jim O’Rourke \/ Tatsuhisa Yamamoto \/ Kei Matsumaru \/ Giovanni Di Domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Modern Obscure Music\u003c\/p\u003e\n\u003cp\u003eCAT No : MOM051\u003c\/p\u003e","published_at":"2024-10-01T20:44:31+09:00","created_at":"2024-10-01T12:53:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","modern obscure music","new"],"price":445000,"price_min":445000,"price_max":445000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46704384999674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Eiko Ishibashi \/ Jim O’Rourke \/ Tatsuhisa Yamamoto \/ Kei Matsumaru \/ Giovanni Di Domenico \/\/ Sakuraza LP","public_title":null,"options":["Default Title"],"price":445000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sak1.jpg?v=1727754686","\/\/tobirarecords.com\/cdn\/shop\/files\/sak2.jpg?v=1727754686"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sak1.jpg?v=1727754686","options":["Title"],"media":[{"alt":null,"id":34967147249914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sak1.jpg?v=1727754686"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sak1.jpg?v=1727754686","width":700},{"alt":null,"id":34967147282682,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sak2.jpg?v=1727754686"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sak2.jpg?v=1727754686","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eEiko Ishibashi \/ Jim O’Rourke \/ Tatsuhisa Yamamoto \/ Kei Matsumaru \/ Giovanni Di Domenicoが、2024年8月にスペイン・バルセロナの実験レーベルModern Obscure Musicからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e山梨県甲府市のベニューSakurazaでのライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3063914920\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/modbmu\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/modbmu\"\u003ehere\u003c\/a\u003e to see more Modern Obscure Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Edition of 250. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRecorded at Sakuraza, Kofu, Yamanashi, Japan, on June the 14th 2023.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A side Sakuraza 16:29\u003cbr\u003e2. B side Sakuraza 22:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWe are pleased to announce the release of \"Sakuraza,\" a collaborative album that brings together five luminaries of the contemporary music scene: Eiko Ishibashi (flute and electronics), Jim O'Rourke (electronics), Kei Matsumaru (alto saxophone), Tatsuhisa Yamamoto (drums), and Giovanni Di Domenico (piano). This live recording, made at the Sakuraza jazz club in Kofu, Yamanashi, Japan, offers a sonic exploration marked by dynamic precision and timbral sophistication.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePianist Giovanni Di Domenico, who has traveled to Japan for over 15 years, has cultivated a close artistic relationship with Eiko Ishibashi, Jim O’Rourke, and Tatsuhisa Yamamoto. In June 2023, during a visit to Japan, Giovanni proposed organizing a concert with his long-time friends and collaborators. They chose the cozy and acoustically refined Sakuraza club as the venue and extended an invitation to the young and promising saxophonist Kei Matsumaru.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSakuraza, with its warm wooden interior and intimate atmosphere, provided the perfect setting for this unedited, overdub-free improvisational session, capturing the entirety of the second set played that night. The chemistry among the musicians, strengthened by years of collaboration and friendship, manifests in a\u003cspan class=\"bcTruncateMore\"\u003e performance that defies genre conventions, blending elements of jazz, electronic music, advanced harmonies, and touches of pop.\u003cbr\u003e\u003cbr\u003e\"Sakuraza\" is not just a recording; it is an auditory experience celebrating spontaneity and the profound musical connection among these artists. The fluid interaction and mutual understanding they share, enriched by countless discussions about music and life, resonate in every measure, offering a work that is both intimate and expansive.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eiko Ishibashi \/ Jim O’Rourke \/ Tatsuhisa Yamamoto \/ Kei Matsumaru \/ Giovanni Di Domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Modern Obscure Music\u003c\/p\u003e\n\u003cp\u003eCAT No : MOM051\u003c\/p\u003e"}
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Eiko Ishibashi / Jim O’Rourke / Tatsuhisa Yamamoto / Kei Matsumaru / Giovanni Di...
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{"id":8633468289274,"title":"Mabisyo \/\/ The Worst Generation TAPE","handle":"mabisyo-the-worst-generation-tape","description":"\u003cp\u003eチリのヴェイパーウェーブ作家Mabisyoが、2024年2月にアメリカ・フロリダのヴェイパーウェーブレーベルTurn Undeadからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e一向に夏を終わらせてくれないムーディーなヴェイパー・ラウンジ〜イージーリスニング8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2771579782\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1567178917\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2771579782\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2771579782\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3530195787\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shttrfl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shttrfl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shttrfl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shttrfl\"\u003ehere\u003c\/a\u003e to see more Shatterfoil Industries \/ Turn Undead releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Inside The Room 06:01\u003cbr\u003e2. One Of Them Will Find It 04:22\u003cbr\u003e3. Sabaody Island 04:11\u003cbr\u003e4. Punk Hazard 07:26\u003cbr\u003e5. The Summit War 05:15\u003cbr\u003e6. 300 Million Berries 04:14\u003cbr\u003e7. The Tyrant's Daughter 04:16\u003cbr\u003e8. A Mafia-Style Pirate 06:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTurn Undead:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAdjustments of jazz, easy listening, and general selections of brass-heavy shortcuts to relaxation come together on this album by Mabisyo, given his usual flavor of reinterpretation. If you enjoy the styles of sample that find their home in traditional vaporwave most commonly, there's more than enough to enjoy in a full sitting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mabisyo\u003c\/p\u003e\n\u003cp\u003eLabel : Turn Undead\u003c\/p\u003e","published_at":"2024-10-01T20:56:13+09:00","created_at":"2024-10-01T12:10:30+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","new","shatterfoil","tape"],"price":232200,"price_min":232200,"price_max":232200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46704332865786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mabisyo \/\/ The Worst Generation TAPE","public_title":null,"options":["Default Title"],"price":232200,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gen1.jpg?v=1727752167","\/\/tobirarecords.com\/cdn\/shop\/files\/gen2.jpg?v=1727752167"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gen1.jpg?v=1727752167","options":["Title"],"media":[{"alt":null,"id":34966948118778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gen1.jpg?v=1727752167"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gen1.jpg?v=1727752167","width":700},{"alt":null,"id":34966948151546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gen2.jpg?v=1727752167"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gen2.jpg?v=1727752167","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリのヴェイパーウェーブ作家Mabisyoが、2024年2月にアメリカ・フロリダのヴェイパーウェーブレーベルTurn Undeadからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e一向に夏を終わらせてくれないムーディーなヴェイパー・ラウンジ〜イージーリスニング8曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2771579782\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1567178917\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2771579782\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2771579782\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3530195787\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shttrfl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shttrfl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shttrfl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/shttrfl\"\u003ehere\u003c\/a\u003e to see more Shatterfoil Industries \/ Turn Undead releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Inside The Room 06:01\u003cbr\u003e2. One Of Them Will Find It 04:22\u003cbr\u003e3. Sabaody Island 04:11\u003cbr\u003e4. Punk Hazard 07:26\u003cbr\u003e5. The Summit War 05:15\u003cbr\u003e6. 300 Million Berries 04:14\u003cbr\u003e7. The Tyrant's Daughter 04:16\u003cbr\u003e8. A Mafia-Style Pirate 06:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTurn Undead:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAdjustments of jazz, easy listening, and general selections of brass-heavy shortcuts to relaxation come together on this album by Mabisyo, given his usual flavor of reinterpretation. If you enjoy the styles of sample that find their home in traditional vaporwave most commonly, there's more than enough to enjoy in a full sitting.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mabisyo\u003c\/p\u003e\n\u003cp\u003eLabel : Turn Undead\u003c\/p\u003e"}
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{"id":8626110857466,"title":"Cole Pulice \/\/ Scry TAPE","handle":"cole-pulice-scry-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのサックス奏者Cole Puliceが、2022年12月に同国オレゴンのポストニューエイジレーベルMoon Glyphからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eピアノとサックスによるアンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3459954518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3713430108\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3459954518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"im\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003ehere\u003c\/a\u003e to see more Moon Glyph releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cwbr\u003e---------\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Cassette in norelco case.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. HP \/ MP 01:11\u003cbr\u003e2. Astral Cowpoke 06:03\u003cbr\u003e3. Driftglass 01:15\u003cbr\u003e4. City in a City 05:47\u003cbr\u003e5. Moon Gate Rune 01:05\u003cbr\u003e6. Glitterdark 03:23\u003cbr\u003e7. Spool 02:12\u003cbr\u003e8. Scry 07:31 \u003c\/p\u003e\n\u003cp\u003eMoon Glyph:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eCole Pulice is a composer, saxophonist and electroacoustic musician from Oakland-via-Minneapolis. Following their debut album \"Gloam\" and two duo collaborations with Lynn Avery and Nat Harvie, Cole Pulice returns with their sophomore album \"Scry\". The sound is deeply contemporary, incorporating saxophone\/wind synth with live signal processing and modern electronics\/software. It drifts between electroacoustic experimentalism and more traditional forms of song-like beauty, casting a wide sonic net that highlights Pulice’s versatility and creativity as both an improviser and composer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom Cole:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Scry is a collection of musics exploring fragmentary or gradient states of liminality – recursive spirals of worlds hidden within worlds, dreams within dreams, sensations of time, and the notion of the past, present, and future all occupying a single point.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s a record that, for me, resonates strongly with this sort of “between-ness:” it began in Minneapolis, and was finished in Oakland, bridging pre-pandemic life with the “new normal” of current times; being genderqueer and navigating the spaces between and outside of the masculine and feminine binary; wandering through a musical interchange station that is interconnects\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e improvisation, “song,” and collage experiments . . . multidimensional yet woven together by similar aesthetic threads.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas my previous record, Gloam, was mostly a series of compositions for a very specific electroacoustic setup, Scry utilizes a series of different hardware\/software frameworks and apparatus. Or, to think of it in another way: Gloam was like looking through a kaleidoscope (each turn of the handle giving a different abstract perspective of the same bits of gemstone); Scry is more like a stained-glass crystal ball (a singular sculpture, with each fragment somehow offering an ephemeral glimpse into another world or dimension).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScry is deeply indebted to the electroacoustic works of Pauline Oliveros, David Behrman, Marion Brown, Maggi Payne, Harold Budd, and Jon Hassell - all of whom explored, in their own ways, the interconnectivity between acoustic instruments, interactive electronic signal processing, and improvisation - the crux of ‘Scry’s DNA. To this end: virtually all of the signal processing on ‘Scry’ is done live as I play saxophone\/wind synth, either through a hardware setup that I control with my feet as I play, or through software instruments I build which respond live to what I’m playing. Often, both software and hardware processes are being used simultaneously.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"To scry\" defines the practice of foretelling the future through gazing into a crystal ball or other reflective surfaces. There's a lot to say here regarding the mix of temporalities, timelines, states of being, and so forth, but I mostly just have to give a special thanks to glass artist, composer, and dear friend Sadie Robison. The arcane aesthetics of her technicolor stained glass sculptures were a major influence on the themes of Scry\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cole Pulice\u003c\/p\u003e\n\u003cp\u003eLabel : Moon Glyph\u003c\/p\u003e","published_at":"2024-09-22T19:27:52+09:00","created_at":"2024-09-22T19:26:57+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","moon glyph","new","post newage","tape"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46678230663418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cole Pulice \/\/ Scry TAPE","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0758430333_16.jpg?v=1669164700","\/\/tobirarecords.com\/cdn\/shop\/products\/0029985767_10.jpg?v=1669164700"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0758430333_16.jpg?v=1669164700","options":["Title"],"media":[{"alt":null,"id":31055802433786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0758430333_16.jpg?v=1669164700"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0758430333_16.jpg?v=1669164700","width":700},{"alt":null,"id":31055802466554,"position":2,"preview_image":{"aspect_ratio":1.498,"height":801,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029985767_10.jpg?v=1669164700"},"aspect_ratio":1.498,"height":801,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029985767_10.jpg?v=1669164700","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのサックス奏者Cole Puliceが、2022年12月に同国オレゴンのポストニューエイジレーベルMoon Glyphからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eピアノとサックスによるアンビエントジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3459954518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3713430108\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3459954518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"im\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003ehere\u003c\/a\u003e to see more Moon Glyph releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cwbr\u003e---------\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Cassette in norelco case.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. HP \/ MP 01:11\u003cbr\u003e2. Astral Cowpoke 06:03\u003cbr\u003e3. Driftglass 01:15\u003cbr\u003e4. City in a City 05:47\u003cbr\u003e5. Moon Gate Rune 01:05\u003cbr\u003e6. Glitterdark 03:23\u003cbr\u003e7. Spool 02:12\u003cbr\u003e8. Scry 07:31 \u003c\/p\u003e\n\u003cp\u003eMoon Glyph:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eCole Pulice is a composer, saxophonist and electroacoustic musician from Oakland-via-Minneapolis. Following their debut album \"Gloam\" and two duo collaborations with Lynn Avery and Nat Harvie, Cole Pulice returns with their sophomore album \"Scry\". The sound is deeply contemporary, incorporating saxophone\/wind synth with live signal processing and modern electronics\/software. It drifts between electroacoustic experimentalism and more traditional forms of song-like beauty, casting a wide sonic net that highlights Pulice’s versatility and creativity as both an improviser and composer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom Cole:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Scry is a collection of musics exploring fragmentary or gradient states of liminality – recursive spirals of worlds hidden within worlds, dreams within dreams, sensations of time, and the notion of the past, present, and future all occupying a single point.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s a record that, for me, resonates strongly with this sort of “between-ness:” it began in Minneapolis, and was finished in Oakland, bridging pre-pandemic life with the “new normal” of current times; being genderqueer and navigating the spaces between and outside of the masculine and feminine binary; wandering through a musical interchange station that is interconnects\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e improvisation, “song,” and collage experiments . . . multidimensional yet woven together by similar aesthetic threads.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas my previous record, Gloam, was mostly a series of compositions for a very specific electroacoustic setup, Scry utilizes a series of different hardware\/software frameworks and apparatus. Or, to think of it in another way: Gloam was like looking through a kaleidoscope (each turn of the handle giving a different abstract perspective of the same bits of gemstone); Scry is more like a stained-glass crystal ball (a singular sculpture, with each fragment somehow offering an ephemeral glimpse into another world or dimension).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScry is deeply indebted to the electroacoustic works of Pauline Oliveros, David Behrman, Marion Brown, Maggi Payne, Harold Budd, and Jon Hassell - all of whom explored, in their own ways, the interconnectivity between acoustic instruments, interactive electronic signal processing, and improvisation - the crux of ‘Scry’s DNA. To this end: virtually all of the signal processing on ‘Scry’ is done live as I play saxophone\/wind synth, either through a hardware setup that I control with my feet as I play, or through software instruments I build which respond live to what I’m playing. Often, both software and hardware processes are being used simultaneously.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"To scry\" defines the practice of foretelling the future through gazing into a crystal ball or other reflective surfaces. There's a lot to say here regarding the mix of temporalities, timelines, states of being, and so forth, but I mostly just have to give a special thanks to glass artist, composer, and dear friend Sadie Robison. The arcane aesthetics of her technicolor stained glass sculptures were a major influence on the themes of Scry\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cole Pulice\u003c\/p\u003e\n\u003cp\u003eLabel : Moon Glyph\u003c\/p\u003e"}
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アメリカ・カリフォルニアのサックス奏者Cole Puliceが、2022年12月に同国オレゴンのポストニューエイジレーベルMoon Glyphからリリースしたカセットです。 ピアノとサックスによるアンビエントジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Moon Glyph releases available at...
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{"id":8623964520698,"title":"Ulla \u0026 Perila \/\/ Jazz Plates 2xLP","handle":"ulla-perila-jazz-plates-2xlp","description":"\u003cp\u003eアメリカのUllaとロシアのPerilaアンビエント作家2名が、2024年9月にスペイン・バルセロナの実験レーベルParalaxe Editionsからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eワンテイクで録音した実験アンビエント・ジャズ13曲、1時間以上を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jazz Platesは、Ulla \u0026amp; Perilaが初めて同じ部屋で音楽を作り、即興的なアンビエント・ジャズの空気を吐き出す。デュオ自身のジャズに対する催眠術のような肖像を、その最も静かな順列のすべてとリンクさせた、驚くほど親密な素材だ。Jazz Platesは、アリス・コルトレーンとファロア・サンダースへの共通の愛を、3回のセッションを通して、声、クラリネット、ギター、ピアノ、ヴォーカル、そして様々な非音楽的オブジェ（丸太、葉っぱ、水槽）を駆使しながら、感情の核心に達するまで、互いのスピリットを慎重に注いでいく様子を捉えている。以前は海を隔てて離れていた彼女たちが、初めて直接会ってレコーディングセッションを行ったところ、ある曲では太陽が、またある曲では大雨が、移り変わる外の天候に影響されながら、ゆったりとした雰囲気のサウンドを奏で、酔わせることができた。淡々として、エーテル的で、切なく、13のパートからなるこのアルバムは、Perilaが言うように「私たちの楽器と魂の相互対話」から生まれる、なだめるような瞑想的な響きで、五感を洗い、擦り切れた神経をとかす。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングの「leasting like a grass leaf」では、このデュオの湿った楽器の周りに遠くの声が渦を巻き、テーマが静謐なアンビエンスの上を潜り抜けていく。このアルバムは決して大文字のアンビエントではないが、Ulla \u0026amp; Perilaのアプローチは比喩的というよりは印象主義的だ。「a josh outside the window」では、空洞をなぞるようなリズムを中心に幽霊のようなハーフソングを作り、モダン・ジャズの息の長いロマンスを埃の層で覆い、「Place in shell parcels」では、残響のあるヴォーカルの周りをゆっくりと踊りながら、クラリネットにほとんどの仕事をさせている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e何よりもJazz Platesは、コラボレーションの官能性を際立たせている。デュオが視線を交わし、ムードに勢いを任せているのが聞こえてきそうだ。2枚目では、親密さを失うことなく、アイデアをより緊密にまとめ上げている。フリージャズのロジックを再考するかのような「messages from a floor」では、くぐもったエレキギターがウッディなリズムを刻み、胸に突き刺さる「cheese homework」では、ブルース風のギター・フレーズが力強くゆったりとしたベースラインの下に沈む。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eクロージングトラックの「givegrade」は、このアルバムで最もストレートな瞬間だ。ペリーラの明るく開放的なヴォーカルが、糖蜜のようなゆったりとしたトーン、そしてピンッと伸びたベースプラックの上で宙に浮いている。耳を澄ませば、そこにはジャズがあり、そのエッジは純粋な表現へのエクササイズからにじんでいる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2NAUvZyUjR4?si=BSO9k18RwoskzOH1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eDeluxe Gatefold 2 x 12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e13 tracks, recorded in one breath over three sessions in 2022.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. lasting like a grass leaf\u003cbr\u003e2. a josh outside the window\u003cbr\u003e3. glass containers\u003cbr\u003e4. placing in shell parcels\u003cbr\u003e5. plumb\u003cbr\u003e6. synesthesia\u003cbr\u003e7. swäb\u003cbr\u003e8. messages from a floor\u003cbr\u003e9. cheese homework\u003cbr\u003e10. elapstic\u003cbr\u003e11. juice\u003cbr\u003e12. nimina\u003cbr\u003e13. givegrade\u003c\/p\u003e\n\u003cp\u003eParalaxe Editions:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"‘Jazz Plates’ finds Ulla and Perila making music in the same room for the first time, exhaling an improvised ambient-jazz air gently crackling with a dream-textured haze for the ages. It’s remarkably intimate material, linking the duo’s own hypnagogic portrait of jazz, in all its most hushed permutations. ‘Jazz Plates’ catches the mutual spirits measuredly channelling their shared love of Alice Coltrane and Pharoah Sanders over three sessions, making use of voice, clarinet, guitar, piano, vocals and various non-musical objets - logs, leafs, an aquarium - until they hit their emotional core. Previously separated by an ocean, their first recording sessions in person finds an intoxicating play of slow and atmospheric sounds porous to the shifting weather outside, with one plate subtly guided by the sun, and another by heavy rain. Unhurried, etheric, and wistful, the album’s 13 parts wash over the senses and comb frayed nerves with a soothingly meditative resonance that emerges from their “mutual dialogue of our instruments and souls”, as Perila puts it.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDistant voices swirl around the duo’s dampened instrumentation on opener ‘lasting like a grass leaf’, as themes duck and dive over plangent ambience. It isn’t a capital A Ambient record, by any means, but Perila and Ulla’s approach is impressionistic rather than figurative. They form ghostly half-songs around hollow trace rhythms on ‘a josh outside the window’, coating the breathy romance of modern jazz in a layer of dust, and let the clarinet do most of the work on ‘placing in shell parcels’ as it slow dances around a reverberant vocal.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMore than anything, ‘Jazz Plates’ seems to highlight the sensuality of collaboration; you can almost hear the duo trading glances and allowing the mood to dictate the momentum. When they switch things up on the second disc, they pull their ideas more tightly together without losing any of the intimacy. Muffled electric guitar prangs punctuate woody rhythms on ‘messages from a floor’, as if the two are trying to rethink the logic of free jazz, and on the heart piercing ‘cheese homework’, blues-y guitar phrases are sunk under a powerful, loping bassline.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eClosing track ‘givegrade’ is the album’s straightest moment. With none of the emotional heft sacrificed; \u003c\/em\u003e\u003cem\u003ePerila’s bright, open vocals are suspended over a molasses slow thump and tweezed out bass plucks. If you listen closely, there’s jazz right there staring you in the face, with its edges smudged from an exercise into pure expression.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDistant voices swirl around the duo’s dampened instrumentation on opener ‘lasting like a grass leaf’, as themes duck and dive over plangent ambience. It isn’t a capital A Ambient record, by any means, but Perila and Ulla’s approach is impressionistic rather than figurative. They form ghostly half-songs around hollow trace rhythms on ‘a josh outside the window’, coating the breathy romance of modern jazz in a layer of dust, and let the clarinet do most of the work on ‘placing in shell parcels’ as it slow dances around a reverberant vocal.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMore than anything, ‘Jazz Plates’ seems to highlight the sensuality of collaboration; you can almost hear the duo trading glances and allowing the mood to dictate the momentum. When they switch things up on the second disc, they pull their ideas more tightly together without losing any of the intimacy. Muffled electric guitar prangs punctuate woody rhythms on ‘messages from a floor’, as if the two are trying to rethink the logic of free jazz, and on the heart piercing ‘cheese homework’, blues-y guitar phrases are sunk under a powerful, loping bassline.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eClosing track ‘givegrade’ is the album’s straightest moment. With none of the emotional heft sacrificed; Perila’s bright, open vocals are suspended over a molasses slow thump and tweezed out bass plucks. If you listen closely, there’s jazz right there staring you in the face, with its edges smudged from an exercise into pure expression.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ulla \u0026amp; Perila\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Paralaxe Editions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT No : PXE19\u003c\/p\u003e","published_at":"2024-09-19T07:47:33+09:00","created_at":"2024-09-19T07:17:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","paralaxe editions","recommended"],"price":549000,"price_min":549000,"price_max":549000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46668080480506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ulla \u0026 Perila \/\/ Jazz Plates 2xLP","public_title":null,"options":["Default Title"],"price":549000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/image_1_b46e307f-7f8e-4940-865b-b356a8d52f13.jpg?v=1726698788"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/image_1_b46e307f-7f8e-4940-865b-b356a8d52f13.jpg?v=1726698788","options":["Title"],"media":[{"alt":null,"id":34903652630778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":2500,"width":2500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image_1_b46e307f-7f8e-4940-865b-b356a8d52f13.jpg?v=1726698788"},"aspect_ratio":1.0,"height":2500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/image_1_b46e307f-7f8e-4940-865b-b356a8d52f13.jpg?v=1726698788","width":2500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのUllaとロシアのPerilaアンビエント作家2名が、2024年9月にスペイン・バルセロナの実験レーベルParalaxe Editionsからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eワンテイクで録音した実験アンビエント・ジャズ13曲、1時間以上を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Jazz Platesは、Ulla \u0026amp; Perilaが初めて同じ部屋で音楽を作り、即興的なアンビエント・ジャズの空気を吐き出す。デュオ自身のジャズに対する催眠術のような肖像を、その最も静かな順列のすべてとリンクさせた、驚くほど親密な素材だ。Jazz Platesは、アリス・コルトレーンとファロア・サンダースへの共通の愛を、3回のセッションを通して、声、クラリネット、ギター、ピアノ、ヴォーカル、そして様々な非音楽的オブジェ（丸太、葉っぱ、水槽）を駆使しながら、感情の核心に達するまで、互いのスピリットを慎重に注いでいく様子を捉えている。以前は海を隔てて離れていた彼女たちが、初めて直接会ってレコーディングセッションを行ったところ、ある曲では太陽が、またある曲では大雨が、移り変わる外の天候に影響されながら、ゆったりとした雰囲気のサウンドを奏で、酔わせることができた。淡々として、エーテル的で、切なく、13のパートからなるこのアルバムは、Perilaが言うように「私たちの楽器と魂の相互対話」から生まれる、なだめるような瞑想的な響きで、五感を洗い、擦り切れた神経をとかす。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eオープニングの「leasting like a grass leaf」では、このデュオの湿った楽器の周りに遠くの声が渦を巻き、テーマが静謐なアンビエンスの上を潜り抜けていく。このアルバムは決して大文字のアンビエントではないが、Ulla \u0026amp; Perilaのアプローチは比喩的というよりは印象主義的だ。「a josh outside the window」では、空洞をなぞるようなリズムを中心に幽霊のようなハーフソングを作り、モダン・ジャズの息の長いロマンスを埃の層で覆い、「Place in shell parcels」では、残響のあるヴォーカルの周りをゆっくりと踊りながら、クラリネットにほとんどの仕事をさせている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e何よりもJazz Platesは、コラボレーションの官能性を際立たせている。デュオが視線を交わし、ムードに勢いを任せているのが聞こえてきそうだ。2枚目では、親密さを失うことなく、アイデアをより緊密にまとめ上げている。フリージャズのロジックを再考するかのような「messages from a floor」では、くぐもったエレキギターがウッディなリズムを刻み、胸に突き刺さる「cheese homework」では、ブルース風のギター・フレーズが力強くゆったりとしたベースラインの下に沈む。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eクロージングトラックの「givegrade」は、このアルバムで最もストレートな瞬間だ。ペリーラの明るく開放的なヴォーカルが、糖蜜のようなゆったりとしたトーン、そしてピンッと伸びたベースプラックの上で宙に浮いている。耳を澄ませば、そこにはジャズがあり、そのエッジは純粋な表現へのエクササイズからにじんでいる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2NAUvZyUjR4?si=BSO9k18RwoskzOH1\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eDeluxe Gatefold 2 x 12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e13 tracks, recorded in one breath over three sessions in 2022.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. lasting like a grass leaf\u003cbr\u003e2. a josh outside the window\u003cbr\u003e3. glass containers\u003cbr\u003e4. placing in shell parcels\u003cbr\u003e5. plumb\u003cbr\u003e6. synesthesia\u003cbr\u003e7. swäb\u003cbr\u003e8. messages from a floor\u003cbr\u003e9. cheese homework\u003cbr\u003e10. elapstic\u003cbr\u003e11. juice\u003cbr\u003e12. nimina\u003cbr\u003e13. givegrade\u003c\/p\u003e\n\u003cp\u003eParalaxe Editions:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"‘Jazz Plates’ finds Ulla and Perila making music in the same room for the first time, exhaling an improvised ambient-jazz air gently crackling with a dream-textured haze for the ages. It’s remarkably intimate material, linking the duo’s own hypnagogic portrait of jazz, in all its most hushed permutations. ‘Jazz Plates’ catches the mutual spirits measuredly channelling their shared love of Alice Coltrane and Pharoah Sanders over three sessions, making use of voice, clarinet, guitar, piano, vocals and various non-musical objets - logs, leafs, an aquarium - until they hit their emotional core. Previously separated by an ocean, their first recording sessions in person finds an intoxicating play of slow and atmospheric sounds porous to the shifting weather outside, with one plate subtly guided by the sun, and another by heavy rain. Unhurried, etheric, and wistful, the album’s 13 parts wash over the senses and comb frayed nerves with a soothingly meditative resonance that emerges from their “mutual dialogue of our instruments and souls”, as Perila puts it.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eDistant voices swirl around the duo’s dampened instrumentation on opener ‘lasting like a grass leaf’, as themes duck and dive over plangent ambience. It isn’t a capital A Ambient record, by any means, but Perila and Ulla’s approach is impressionistic rather than figurative. They form ghostly half-songs around hollow trace rhythms on ‘a josh outside the window’, coating the breathy romance of modern jazz in a layer of dust, and let the clarinet do most of the work on ‘placing in shell parcels’ as it slow dances around a reverberant vocal.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMore than anything, ‘Jazz Plates’ seems to highlight the sensuality of collaboration; you can almost hear the duo trading glances and allowing the mood to dictate the momentum. When they switch things up on the second disc, they pull their ideas more tightly together without losing any of the intimacy. Muffled electric guitar prangs punctuate woody rhythms on ‘messages from a floor’, as if the two are trying to rethink the logic of free jazz, and on the heart piercing ‘cheese homework’, blues-y guitar phrases are sunk under a powerful, loping bassline.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eClosing track ‘givegrade’ is the album’s straightest moment. With none of the emotional heft sacrificed; \u003c\/em\u003e\u003cem\u003ePerila’s bright, open vocals are suspended over a molasses slow thump and tweezed out bass plucks. If you listen closely, there’s jazz right there staring you in the face, with its edges smudged from an exercise into pure expression.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eDistant voices swirl around the duo’s dampened instrumentation on opener ‘lasting like a grass leaf’, as themes duck and dive over plangent ambience. It isn’t a capital A Ambient record, by any means, but Perila and Ulla’s approach is impressionistic rather than figurative. They form ghostly half-songs around hollow trace rhythms on ‘a josh outside the window’, coating the breathy romance of modern jazz in a layer of dust, and let the clarinet do most of the work on ‘placing in shell parcels’ as it slow dances around a reverberant vocal.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMore than anything, ‘Jazz Plates’ seems to highlight the sensuality of collaboration; you can almost hear the duo trading glances and allowing the mood to dictate the momentum. When they switch things up on the second disc, they pull their ideas more tightly together without losing any of the intimacy. Muffled electric guitar prangs punctuate woody rhythms on ‘messages from a floor’, as if the two are trying to rethink the logic of free jazz, and on the heart piercing ‘cheese homework’, blues-y guitar phrases are sunk under a powerful, loping bassline.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eClosing track ‘givegrade’ is the album’s straightest moment. With none of the emotional heft sacrificed; Perila’s bright, open vocals are suspended over a molasses slow thump and tweezed out bass plucks. If you listen closely, there’s jazz right there staring you in the face, with its edges smudged from an exercise into pure expression.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ulla \u0026amp; Perila\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Paralaxe Editions\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eCAT No : PXE19\u003c\/p\u003e"}
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アメリカのUllaとロシアのPerilaアンビエント作家2名が、2024年9月にスペイン・バルセロナの実験レーベルParalaxe Editionsからリリースした共作2枚組レコードです。 ワンテイクで録音した実験アンビエント・ジャズ13曲、1時間以上を収録。ゲートフォルド仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Jazz Platesは、Ulla & Perilaが初めて同じ部屋で音楽を作り、即興的なアンビエント・ジャズの空気を吐き出す。デュオ自身のジャズに対する催眠術のような肖像を、その最も静かな順列のすべてとリンクさせた、驚くほど親密な素材だ。Jazz Platesは、アリス・コルトレーンとファロア・サンダースへの共通の愛を、3回のセッションを通して、声、クラリネット、ギター、ピアノ、ヴォーカル、そして様々な非音楽的オブジェ（丸太、葉っぱ、水槽）を駆使しながら、感情の核心に達するまで、互いのスピリットを慎重に注いでいく様子を捉えている。以前は海を隔てて離れていた彼女たちが、初めて直接会ってレコーディングセッションを行ったところ、ある曲では太陽が、またある曲では大雨が、移り変わる外の天候に影響されながら、ゆったりとした雰囲気のサウンドを奏で、酔わせることができた。淡々として、エーテル的で、切なく、13のパートからなるこのアルバムは、Perilaが言うように「私たちの楽器と魂の相互対話」から生まれる、なだめるような瞑想的な響きで、五感を洗い、擦り切れた神経をとかす。 オープニングの「leasting like a grass...
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{"id":8622269497594,"title":"Richard Bone \/\/ Electropica LP [COLOR]","handle":"richard-bone-electropica-lp-color","description":"\u003cp\u003eアメリカ・NYのエレクトロニック・ジャズ作家Richard Boneが、2023年12月にカナダ・トロントの\u003cspan data-mce-fragment=\"1\"\u003eヴェイパーウェーブレーベルTiger Blood Tapesからリリースした再発レコードです。（オリジナルは1998年にCD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトロピカル・アンビエントジャズ〜バレアリック・ダウンテンポ12曲を収録。色はランダムになります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1347744947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tbt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tbt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tbt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tbt\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTiger Blood Tapes\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" color vinyl (photo unavailable).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Andean Grays 05:44\u003cbr\u003e2. Electropica 04:57\u003cbr\u003e3. Waveland 04:34\u003cbr\u003e4. Afrouxe 05:51\u003cbr\u003e5. Little Orpheus 01:57\u003cbr\u003e6. Ipanema 2000 07:32\u003cbr\u003e7. Canguru 03:24\u003cbr\u003e8. Pao, Baby! 05:21\u003cbr\u003e9. Puff 05:10\u003cbr\u003e10. Amazona Adeus 05:08\u003cbr\u003e11. Untitled Bonus Track 2 01:52\u003cbr\u003e12. Cosa Nova (Electropica outtake) 05:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTiger Blood Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTiger Blood Tapes proudly presents for the first time ever on cassette, Richard Bone's 1998 Ambient Electro Jazz album \"Electropica\".\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFeatures an unreleased outtake \"Cosa Nova\".\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"Electropica\" is part one in a trilogy of Richard Bone's Ambient Electro Bossa Nova albums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e++\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRichard Bone:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eA curious thing happened to me during the summer of 1996. While leaving a favorite music store, I detoured down the jazz isle. Suddenly, one of the discs flung itself out of the bin and landed squarely at my feet. I was immediately drawn to its cover. A giraffe was gliding across cobalt blue sand beneath an emerald green sky. Without a second thought I bought the disc and brought it home. My life was about to change.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe disc was Antonio Carlos Jobim's \"WAVE\". Recorded in 1967, it was one of the most sensual works I had ever heard. The gentle rhythms, the haunting melodies were mesmerizing. The stereo imaging of producer Creed Taylor was magical. I must have\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e played it ten times that night. These were beats of another time, another place. Innocent, yet primal, but most of all...romantic. This was Bossa Nova!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have spent the last year and a half researching this old\/new music. I discovered the masters of this genre: Jobim, Luiz Bonfa and Joao Gilberto. During those many months I listened to little else.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eELECTROPICA is my homage to these artists. Through the melding of sampled, found and created sounds, I have tried to capture my impression of this music, these rhythms. My work in the past has been described as ambient or electronic. For this release, I set those catagories aside.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI hope you will take a little time and listen to ELECTROPICA with unbiased ears. Close your eyes and envision a different world. With giraffes, perhaps, and emerald skies above cobalt sand.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richard Bone\u003c\/p\u003e\n\u003cp\u003eLabel : Tiger Blood Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTBT107\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-09-18T08:59:14+09:00","created_at":"2024-09-16T14:02:56+09:00","vendor":"Tobira Records","type":"","tags":["house","jazz","lp","new","post newage","tiger blood tapes"],"price":499400,"price_min":499400,"price_max":499400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46660699783418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Richard Bone \/\/ Electropica LP [COLOR]","public_title":null,"options":["Default Title"],"price":499400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/el1_61602fc4-f088-4532-befe-9b2c50a725cf.jpg?v=1726462834"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_61602fc4-f088-4532-befe-9b2c50a725cf.jpg?v=1726462834","options":["Title"],"media":[{"alt":null,"id":34887666434298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_61602fc4-f088-4532-befe-9b2c50a725cf.jpg?v=1726462834"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/el1_61602fc4-f088-4532-befe-9b2c50a725cf.jpg?v=1726462834","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのエレクトロニック・ジャズ作家Richard Boneが、2023年12月にカナダ・トロントの\u003cspan data-mce-fragment=\"1\"\u003eヴェイパーウェーブレーベルTiger Blood Tapesからリリースした再発レコードです。（オリジナルは1998年にCD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトロピカル・アンビエントジャズ〜バレアリック・ダウンテンポ12曲を収録。色はランダムになります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1347744947\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tbt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tbt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tbt\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tbt\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTiger Blood Tapes\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" color vinyl (photo unavailable).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Andean Grays 05:44\u003cbr\u003e2. Electropica 04:57\u003cbr\u003e3. Waveland 04:34\u003cbr\u003e4. Afrouxe 05:51\u003cbr\u003e5. Little Orpheus 01:57\u003cbr\u003e6. Ipanema 2000 07:32\u003cbr\u003e7. Canguru 03:24\u003cbr\u003e8. Pao, Baby! 05:21\u003cbr\u003e9. Puff 05:10\u003cbr\u003e10. Amazona Adeus 05:08\u003cbr\u003e11. Untitled Bonus Track 2 01:52\u003cbr\u003e12. Cosa Nova (Electropica outtake) 05:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTiger Blood Tapes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTiger Blood Tapes proudly presents for the first time ever on cassette, Richard Bone's 1998 Ambient Electro Jazz album \"Electropica\".\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eFeatures an unreleased outtake \"Cosa Nova\".\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"Electropica\" is part one in a trilogy of Richard Bone's Ambient Electro Bossa Nova albums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e++\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRichard Bone:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eA curious thing happened to me during the summer of 1996. While leaving a favorite music store, I detoured down the jazz isle. Suddenly, one of the discs flung itself out of the bin and landed squarely at my feet. I was immediately drawn to its cover. A giraffe was gliding across cobalt blue sand beneath an emerald green sky. Without a second thought I bought the disc and brought it home. My life was about to change.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe disc was Antonio Carlos Jobim's \"WAVE\". Recorded in 1967, it was one of the most sensual works I had ever heard. The gentle rhythms, the haunting melodies were mesmerizing. The stereo imaging of producer Creed Taylor was magical. I must have\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e played it ten times that night. These were beats of another time, another place. Innocent, yet primal, but most of all...romantic. This was Bossa Nova!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have spent the last year and a half researching this old\/new music. I discovered the masters of this genre: Jobim, Luiz Bonfa and Joao Gilberto. During those many months I listened to little else.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eELECTROPICA is my homage to these artists. Through the melding of sampled, found and created sounds, I have tried to capture my impression of this music, these rhythms. My work in the past has been described as ambient or electronic. For this release, I set those catagories aside.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI hope you will take a little time and listen to ELECTROPICA with unbiased ears. Close your eyes and envision a different world. With giraffes, perhaps, and emerald skies above cobalt sand.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richard Bone\u003c\/p\u003e\n\u003cp\u003eLabel : Tiger Blood Tapes\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTBT107\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのエレクトロニック・ジャズ作家Richard Boneが、2023年12月にカナダ・トロントのヴェイパーウェーブレーベルTiger Blood Tapesからリリースした再発レコードです。（オリジナルは1998年にCDリリース） トロピカル・アンビエントジャズ〜バレアリック・ダウンテンポ12曲を収録。色はランダムになります。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Tiger Blood Tapes releases available at...
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{"id":8622232764666,"title":"Dave Guy \/\/ Ruby LP [BLACK\/COLOR] \/ CD","handle":"dave-guy-ruby-lp-black-color-cd","description":"\u003cp\u003eアメリカ・NYのトランペッターDave Guyが、2024年9月にNYのソウルレーベルBig Crownからリリースしたアルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1003996999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl, 12\" 'blue smoke' color vinyl (photo unavailable), or CD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 7th Heaven 02:39\u003cbr\u003e2. Footwork 01:53\u003cbr\u003e3. I'll Follow You 03:07\u003cbr\u003e4. Morning Glory 02:18\u003cbr\u003e5. Pinky Ring 03:16\u003cbr\u003e6. Diamond Encore\u003cbr\u003e7. Still Standing 02:09\u003cbr\u003e8. Dave Wants You\u003cbr\u003e9. Drony Boy\u003cbr\u003e10. Quesodillas\u003cbr\u003e11. The Green Door\u003cbr\u003e12. Ruby's Rubies\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBig Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen you hear Dave Guy play his trumpet you know it is him right away. Like many of the greats before him he has a distinct tone and sensibility that sets him apart from his peers. Unless you are the type to read album credits you may never have heard his name, but you have heard him play. In fact, you have likely seen him play. Whether in person at a show or on national television he has lent his talents to a who’s who list of world famous artists both in the recording studio and on stage. And now, with his first solo LP on Big Crown Records, Dave is stepping from a band’s flank straight to the front—with a well deserved light shining directly on him and his sound.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRaised in NYC’s East Village, Dave was surrounded by hip-hop and the hustle that defined the city in the ’90s. In those formative days, he and his playing were influenced by jazz greats like Donald Byrd and Hugh Masekela but also by the Native Tongue sounds of A Tribe Called Quest and De La Soul. His time at LaGuardia Performing Arts High School furthered this path. Dave remembers sharing playing time with Big Crown co-founder Leon Michels and drumming powerhouse Homer Steinweiss. “Being in the All-City Jazz Big Band, I would see them rehearsing all the time,” Dave recalls. “They were already doing things with the Dap-Kings back\u003cspan class=\"bcTruncateMore\"\u003e then—which was crazy.” It was here Dave’s voice as a player began to take shape and continued to be refined through his studies at the Manhattan School of Music and The New School.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eAfter a few stints with live hip-hop group Dujeous—Dave was touring with The Sugarman 3, an organ-driven soul jazz group. Through those gigs he was recruited to play with the late great Sharon Jones \u0026amp; The Dap-Kings, touring with and recording on all of her albums until her untimely passing. During those years he lent his playing to countless records from the likes of Amy Winehouse, Mark Ronson, Pharell, The Menahan Street Band, Lee Fields, Al Green, and countless others. But fast forward to now, and you may best know Dave Guy as the trumpeter playing with Black Thought, Questlove, and the rest of The Roots crew—both on tour, in the studio, and on TV with Jimmy Fallon.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eOn his new record Dave steps to the front of the stage with a debut album that could have only come from a seasoned veteran. It’s a record that mixes his musical influences with the energies of the city that raised him. A New York jazz record that pushes the boundaries of the genre by incorporating shades of hip hop and soul making it both unique and modern. This is what you get when someone hones their talent for years while rubbing elbows with the best of the best. As fate would have it, a classic case of “when one door shuts, another opens” was really what got the ball rolling. “I never wanted to force my own project,” Dave explains. “There was always a lot going on between things—the timing was never right.” But then, that timing finally fell into place. The Tonight Show had to pause with the writers’ strike and unexpectedly, there was a free moment. Within days Dave started recording at NYC’s fabled Diamond Mine studio with friends and longtime collaborators Homer Steinweiss and Nick Movshon. What started out as just looking to make music and create, quickly took shape and direction and they ended up laying down something wildly special and authentic. An album of songs that capture different moods and an invitation into the world as Dave Guy sees it and feels it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dave Guy\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003eCAT no : BCR177\u003c\/p\u003e","published_at":"2024-09-18T09:13:24+09:00","created_at":"2024-09-16T11:42:00+09:00","vendor":"Tobira Records","type":"","tags":["big crown records","cd","jazz","lp","new"],"price":218000,"price_min":218000,"price_max":333000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46660506681594,"title":"LP [blue smoke]","option1":"LP [blue smoke]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42240581763322,"product_id":8622232764666,"position":1,"created_at":"2024-09-16T11:39:19+09:00","updated_at":"2024-09-16T11:39:20+09:00","alt":null,"width":700,"height":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360","variant_ids":[46660506681594,46660506714362,46660506747130]},"available":false,"name":"Dave Guy \/\/ Ruby LP [BLACK\/COLOR] \/ CD - LP [blue smoke]","public_title":"LP [blue smoke]","options":["LP [blue smoke]"],"price":333000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34887304249594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":46660506714362,"title":"LP [black]","option1":"LP [black]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42240581763322,"product_id":8622232764666,"position":1,"created_at":"2024-09-16T11:39:19+09:00","updated_at":"2024-09-16T11:39:20+09:00","alt":null,"width":700,"height":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360","variant_ids":[46660506681594,46660506714362,46660506747130]},"available":false,"name":"Dave Guy \/\/ Ruby LP [BLACK\/COLOR] \/ CD - LP [black]","public_title":"LP [black]","options":["LP [black]"],"price":327000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34887304249594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":46660506747130,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42240581763322,"product_id":8622232764666,"position":1,"created_at":"2024-09-16T11:39:19+09:00","updated_at":"2024-09-16T11:39:20+09:00","alt":null,"width":700,"height":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360","variant_ids":[46660506681594,46660506714362,46660506747130]},"available":false,"name":"Dave Guy \/\/ Ruby LP [BLACK\/COLOR] \/ CD - CD","public_title":"CD","options":["CD"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"featured_media":{"alt":null,"id":34887304249594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360","options":["Format and Color"],"media":[{"alt":null,"id":34887304249594,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/guy1.jpg?v=1726454360","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのトランペッターDave Guyが、2024年9月にNYのソウルレーベルBig Crownからリリースしたアルバムです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1003996999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bcr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/bcr\"\u003ehere\u003c\/a\u003e to see more Big Crown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl, 12\" 'blue smoke' color vinyl (photo unavailable), or CD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 7th Heaven 02:39\u003cbr\u003e2. Footwork 01:53\u003cbr\u003e3. I'll Follow You 03:07\u003cbr\u003e4. Morning Glory 02:18\u003cbr\u003e5. Pinky Ring 03:16\u003cbr\u003e6. Diamond Encore\u003cbr\u003e7. Still Standing 02:09\u003cbr\u003e8. Dave Wants You\u003cbr\u003e9. Drony Boy\u003cbr\u003e10. Quesodillas\u003cbr\u003e11. The Green Door\u003cbr\u003e12. Ruby's Rubies\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBig Crown Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen you hear Dave Guy play his trumpet you know it is him right away. Like many of the greats before him he has a distinct tone and sensibility that sets him apart from his peers. Unless you are the type to read album credits you may never have heard his name, but you have heard him play. In fact, you have likely seen him play. Whether in person at a show or on national television he has lent his talents to a who’s who list of world famous artists both in the recording studio and on stage. And now, with his first solo LP on Big Crown Records, Dave is stepping from a band’s flank straight to the front—with a well deserved light shining directly on him and his sound.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRaised in NYC’s East Village, Dave was surrounded by hip-hop and the hustle that defined the city in the ’90s. In those formative days, he and his playing were influenced by jazz greats like Donald Byrd and Hugh Masekela but also by the Native Tongue sounds of A Tribe Called Quest and De La Soul. His time at LaGuardia Performing Arts High School furthered this path. Dave remembers sharing playing time with Big Crown co-founder Leon Michels and drumming powerhouse Homer Steinweiss. “Being in the All-City Jazz Big Band, I would see them rehearsing all the time,” Dave recalls. “They were already doing things with the Dap-Kings back\u003cspan class=\"bcTruncateMore\"\u003e then—which was crazy.” It was here Dave’s voice as a player began to take shape and continued to be refined through his studies at the Manhattan School of Music and The New School.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eAfter a few stints with live hip-hop group Dujeous—Dave was touring with The Sugarman 3, an organ-driven soul jazz group. Through those gigs he was recruited to play with the late great Sharon Jones \u0026amp; The Dap-Kings, touring with and recording on all of her albums until her untimely passing. During those years he lent his playing to countless records from the likes of Amy Winehouse, Mark Ronson, Pharell, The Menahan Street Band, Lee Fields, Al Green, and countless others. But fast forward to now, and you may best know Dave Guy as the trumpeter playing with Black Thought, Questlove, and the rest of The Roots crew—both on tour, in the studio, and on TV with Jimmy Fallon.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eOn his new record Dave steps to the front of the stage with a debut album that could have only come from a seasoned veteran. It’s a record that mixes his musical influences with the energies of the city that raised him. A New York jazz record that pushes the boundaries of the genre by incorporating shades of hip hop and soul making it both unique and modern. This is what you get when someone hones their talent for years while rubbing elbows with the best of the best. As fate would have it, a classic case of “when one door shuts, another opens” was really what got the ball rolling. “I never wanted to force my own project,” Dave explains. “There was always a lot going on between things—the timing was never right.” But then, that timing finally fell into place. The Tonight Show had to pause with the writers’ strike and unexpectedly, there was a free moment. Within days Dave started recording at NYC’s fabled Diamond Mine studio with friends and longtime collaborators Homer Steinweiss and Nick Movshon. What started out as just looking to make music and create, quickly took shape and direction and they ended up laying down something wildly special and authentic. An album of songs that capture different moods and an invitation into the world as Dave Guy sees it and feels it.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dave Guy\u003c\/p\u003e\n\u003cp\u003eLabel : Big Crown Records\u003c\/p\u003e\n\u003cp\u003eCAT no : BCR177\u003c\/p\u003e"}
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アメリカ・NYのトランペッターDave Guyが、2024年9月にNYのソウルレーベルBig Crownからリリースしたアルバムです。 スピリチュアル・ジャズ12曲を収録。 レーベルその他作品はこちら /// Click here to see more Big Crown Records releases available at...
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{"id":8621344260346,"title":"Isak Hedtjärn \/\/ Kvarpan LP","handle":"isak-hedtjarn-kvarpan-lp","description":"\u003cp\u003e\u003cspan\u003eスウェーデンのクラリネット奏者\u003c\/span\u003e\u003cspan\u003eIsak Hedtjärnが、2024年9月\u003c\/span\u003eに同国ヨーテボリの実験レーベルFönstretからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eクラリネットによるインプロ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1542611058\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3230432281\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1542611058\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4164552355\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1542611058\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fstrt\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fstrt\"\u003ehere\u003c\/a\u003e to see more fönstret releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 302. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Toner 03:00\u003cbr\u003e2. Kvarplek 05:03\u003cbr\u003e3. Plop I 02:02\u003cbr\u003e4. Kvarpan I 03:52\u003cbr\u003e5. Starka Toner 01:30\u003cbr\u003e6. Sågen II 04:18\u003cbr\u003e7. Dist 03:32\u003cbr\u003e8. Sågen I 04:06\u003cbr\u003e9. Piom 02:03\u003cbr\u003e10. Toner II 04:46\u003cbr\u003e11. Kvarpan II 03:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIsak Hedtjärn plays the clarinet — a straight, metal variant of the more common wooden B flat Clarinet. Kvarpan is Isak’s first ‘solo’ record, but you also hear him in ‘quartet’ with himself, too on this diverse suite of improvisations recorded ‘on location’ on a single day at Patons Malmgård — his usual practice spot just by where the ferries head over to Finland. We recorded until the throb of the boats and waiting cars took over.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA polymath of undeniable musicality, Isak is a constant, always invigorating presence across a breadth of ‘scenes’ in Stockholm be it via in his own groups — Grismask, Svenska Folkjazzkvartetten, Festen — or making guest appearances in concert and on record with Viagra Boys, Fire! Orchestra, Rotem Geffen, Kali Malone and many many more. His online notoriety as @JazzIsak, the deft editor of a stream of classic jazz and tiktok dance\/crash mashups is not only a riotous good time but gives you some other small window into the scope and scale of his knowledge of and feeling for all the music that has gone before.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis own notes to the record point specifically to clarinettists Johnny Dodds, Perry Robinson, Jimmy Giuffre and Sükrü Tunar and acknowledge the abiding mentorship of Harald Hult\u003cspan class=\"bcTruncateMore\"\u003e, Raymond Strid, Christer Bothén and especially Roland Keijser, the saxophonist and founder of legendary progg combo Arbete och Fritid and a veritable living library of international folk melodies until his passing in 2019. On Kvarpan Hedtjärn renders these influences in his own way — deeply personal, alluring and strange. As Mats Gustafsson says in his notes to the record “This ain’t no normal slang med halka” \u2028\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Isak Hedtjärn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efönstret\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-09-14T17:21:59+09:00","created_at":"2024-09-14T15:53:50+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","discreet music","fönstret","jazz","lp","new"],"price":447600,"price_min":447600,"price_max":447600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46657738998010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Isak Hedtjärn \/\/ Kvarpan LP","public_title":null,"options":["Default Title"],"price":447600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kv1.jpg?v=1726296717","\/\/tobirarecords.com\/cdn\/shop\/files\/kv2.jpg?v=1726296718"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kv1.jpg?v=1726296717","options":["Title"],"media":[{"alt":null,"id":34883408855290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kv1.jpg?v=1726296717"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kv1.jpg?v=1726296717","width":700},{"alt":null,"id":34883408888058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kv2.jpg?v=1726296718"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kv2.jpg?v=1726296718","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eスウェーデンのクラリネット奏者\u003c\/span\u003e\u003cspan\u003eIsak Hedtjärnが、2024年9月\u003c\/span\u003eに同国ヨーテボリの実験レーベルFönstretからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eクラリネットによるインプロ11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1542611058\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3230432281\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1542611058\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4164552355\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1542611058\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fstrt\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fstrt\"\u003ehere\u003c\/a\u003e to see more fönstret releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" black vinyl. Edition of 302. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Toner 03:00\u003cbr\u003e2. Kvarplek 05:03\u003cbr\u003e3. Plop I 02:02\u003cbr\u003e4. Kvarpan I 03:52\u003cbr\u003e5. Starka Toner 01:30\u003cbr\u003e6. Sågen II 04:18\u003cbr\u003e7. Dist 03:32\u003cbr\u003e8. Sågen I 04:06\u003cbr\u003e9. Piom 02:03\u003cbr\u003e10. Toner II 04:46\u003cbr\u003e11. Kvarpan II 03:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIsak Hedtjärn plays the clarinet — a straight, metal variant of the more common wooden B flat Clarinet. Kvarpan is Isak’s first ‘solo’ record, but you also hear him in ‘quartet’ with himself, too on this diverse suite of improvisations recorded ‘on location’ on a single day at Patons Malmgård — his usual practice spot just by where the ferries head over to Finland. We recorded until the throb of the boats and waiting cars took over.\u2028\u2028\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA polymath of undeniable musicality, Isak is a constant, always invigorating presence across a breadth of ‘scenes’ in Stockholm be it via in his own groups — Grismask, Svenska Folkjazzkvartetten, Festen — or making guest appearances in concert and on record with Viagra Boys, Fire! Orchestra, Rotem Geffen, Kali Malone and many many more. His online notoriety as @JazzIsak, the deft editor of a stream of classic jazz and tiktok dance\/crash mashups is not only a riotous good time but gives you some other small window into the scope and scale of his knowledge of and feeling for all the music that has gone before.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis own notes to the record point specifically to clarinettists Johnny Dodds, Perry Robinson, Jimmy Giuffre and Sükrü Tunar and acknowledge the abiding mentorship of Harald Hult\u003cspan class=\"bcTruncateMore\"\u003e, Raymond Strid, Christer Bothén and especially Roland Keijser, the saxophonist and founder of legendary progg combo Arbete och Fritid and a veritable living library of international folk melodies until his passing in 2019. On Kvarpan Hedtjärn renders these influences in his own way — deeply personal, alluring and strange. As Mats Gustafsson says in his notes to the record “This ain’t no normal slang med halka” \u2028\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Isak Hedtjärn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003efönstret\u003c\/span\u003e\u003c\/p\u003e"}
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スウェーデンのクラリネット奏者Isak Hedtjärnが、2024年9月に同国ヨーテボリの実験レーベルFönstretからリリースしたレコードです。 クラリネットによるインプロ11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more fönstret releases available at...
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![Parlor Greens // In Green We Dream LP [COLOR]](http://tobirarecords.com/cdn/shop/files/we1_3c71b734-5001-4fa8-a47b-d837ce636582_medium.jpg?v=1723800227)
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{"id":8598265757946,"title":"Parlor Greens \/\/ In Green We Dream LP [COLOR]","handle":"parlor-greens-in-green-we-dream-lp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのソウルトリオParlor Greensが、2024年7月に同国Colemineからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eソウル11曲を収録。緑盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4KEDCh2ihEk?si=KEW41HnJ1LSVw_gn\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" green vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Driptorch 03:05\u003cbr\u003e2. Sugar Maple 03:36\u003cbr\u003e3. In Green We Dream 03:00 video\u003cbr\u003e4. West Memphis 03:03\u003cbr\u003e5. Flowers For Sharon 04:59\u003cbr\u003e6. Parlor Strut 02:22\u003cbr\u003e7. The Ripper 02:39\u003cbr\u003e8. Steam Presser 04:25\u003cbr\u003e9. The Jelly Roll 02:36\u003cbr\u003e10. Irish Goodbye 02:42\u003cbr\u003e11. My Sweet Lord 02:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eColemine Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePerhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colemine Records! You could say that Parlor Greens are greater than the sum of their parts…however, the individual parts are simply stellar on their own. Tim Carman (GA-20) on drums, Jimmy James (True Loves, formerly Delvon Lamarr Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScone is perhaps the most tasteful living organist on planet Earth (and beyond) and to watch him play is to truly watch a master at work. He bends the organ to his will like a true mastercraftsman. He’s a veteran of the soul revival scene, having played on many Daptone recording sessions since their inception, but also has learned from some of the legends of soul jazz: Melvin Sparks and The Turbanator himself Dr. Lonnie Smith. Jimmy James needs no introduction to many as he’s been seen all over the world performing with instrumental groups The True Loves and the Delvon Lamarr Organ Trio. Perhaps the most dangerous right hand in all of soul music, his signature funky approach can be identified by even the most novice of music fans, a feat most musicians could only dream of. Tim\u003cspan class=\"bcTruncateMore\"\u003e Carman. The backbone. The pocket. Having cut his teeth touring the world with blues group GA-20, Carman’s expertise in the world of blues shuffles might make him an unlikely candidate to lay the foundation for the funky Parlor Greens, but this debut LP shows otherwise. Steady, heavy pockets and as funky as they come.\u003cbr\u003e\u003cbr\u003eParlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he’d love to have an organ trio be the first project at the label’s new studio, Portage Lounge, located in Loveland, Ohio. So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer’s row arrived they hit the ground running. It was instant chemistry. Within the first ten minutes of everyone plugging in, a song was written and recorded, “West Memphis”. And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Parlor Greens\u003c\/p\u003e\n\u003cp\u003eLabel : Colemine Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CLMN12062\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2024-08-19T13:47:22+09:00","created_at":"2024-08-16T18:25:41+09:00","vendor":"Tobira Records","type":"","tags":["colemine records","jazz","lp","new"],"price":374000,"price_min":374000,"price_max":374000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46567404175610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Parlor Greens \/\/ In Green We Dream LP [COLOR]","public_title":null,"options":["Default Title"],"price":374000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/we1_3c71b734-5001-4fa8-a47b-d837ce636582.jpg?v=1723800227","\/\/tobirarecords.com\/cdn\/shop\/files\/we2_57c51072-4bec-4c48-bebd-5287a726642f.jpg?v=1723800227"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_3c71b734-5001-4fa8-a47b-d837ce636582.jpg?v=1723800227","options":["Title"],"media":[{"alt":null,"id":34717419897082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_3c71b734-5001-4fa8-a47b-d837ce636582.jpg?v=1723800227"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_3c71b734-5001-4fa8-a47b-d837ce636582.jpg?v=1723800227","width":700},{"alt":null,"id":34717419929850,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we2_57c51072-4bec-4c48-bebd-5287a726642f.jpg?v=1723800227"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we2_57c51072-4bec-4c48-bebd-5287a726642f.jpg?v=1723800227","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのソウルトリオParlor Greensが、2024年7月に同国Colemineからリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eソウル11曲を収録。緑盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4KEDCh2ihEk?si=KEW41HnJ1LSVw_gn\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" green vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Driptorch 03:05\u003cbr\u003e2. Sugar Maple 03:36\u003cbr\u003e3. In Green We Dream 03:00 video\u003cbr\u003e4. West Memphis 03:03\u003cbr\u003e5. Flowers For Sharon 04:59\u003cbr\u003e6. Parlor Strut 02:22\u003cbr\u003e7. The Ripper 02:39\u003cbr\u003e8. Steam Presser 04:25\u003cbr\u003e9. The Jelly Roll 02:36\u003cbr\u003e10. Irish Goodbye 02:42\u003cbr\u003e11. My Sweet Lord 02:19\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eColemine Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePerhaps one of the most exciting and anticipated projects in the world of heavy instrumental music is Parlor Greens, a fresh organ trio on Colemine Records! You could say that Parlor Greens are greater than the sum of their parts…however, the individual parts are simply stellar on their own. Tim Carman (GA-20) on drums, Jimmy James (True Loves, formerly Delvon Lamarr Organ Trio) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScone is perhaps the most tasteful living organist on planet Earth (and beyond) and to watch him play is to truly watch a master at work. He bends the organ to his will like a true mastercraftsman. He’s a veteran of the soul revival scene, having played on many Daptone recording sessions since their inception, but also has learned from some of the legends of soul jazz: Melvin Sparks and The Turbanator himself Dr. Lonnie Smith. Jimmy James needs no introduction to many as he’s been seen all over the world performing with instrumental groups The True Loves and the Delvon Lamarr Organ Trio. Perhaps the most dangerous right hand in all of soul music, his signature funky approach can be identified by even the most novice of music fans, a feat most musicians could only dream of. Tim\u003cspan class=\"bcTruncateMore\"\u003e Carman. The backbone. The pocket. Having cut his teeth touring the world with blues group GA-20, Carman’s expertise in the world of blues shuffles might make him an unlikely candidate to lay the foundation for the funky Parlor Greens, but this debut LP shows otherwise. Steady, heavy pockets and as funky as they come.\u003cbr\u003e\u003cbr\u003eParlor Greens started off as an idea before it even had a name. Carman had been chatting with Colemine label boss Terry Cole about their shared love for organ combo records of yesterday on labels like Blue Note and Prestige. Cole said he’d love to have an organ trio be the first project at the label’s new studio, Portage Lounge, located in Loveland, Ohio. So when Carman tapped James and Scone for the session, the stage was set. Carman and Cole had started work a day early to dial in the drum sound, so when the rest of this murderer’s row arrived they hit the ground running. It was instant chemistry. Within the first ten minutes of everyone plugging in, a song was written and recorded, “West Memphis”. And over the next three days, these three maestros conducted a beautiful and soulful symphony straight to tape. As natural and fun as three old friends getting together after a long absence, only this was the first time they had written and performed together. True magic.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Parlor Greens\u003c\/p\u003e\n\u003cp\u003eLabel : Colemine Records\u003c\/p\u003e\n\u003cp\u003eCAT No : CLMN12062\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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アメリカのソウルトリオParlor Greensが、2024年7月に同国Colemineからリリースしたデビューレコードです。 ソウル11曲を収録。緑盤です。 --------------------------------------- 12" green vinyl. Tracklist: 1. Driptorch 03:052. Sugar Maple 03:363....
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{"id":8596354498810,"title":"Sam Gendel \u0026 Emile Mosseri \/\/ Hardy Boys LP","handle":"emsa","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのサックス奏者Sam GendelとピアニストEmile Mosseriが、2024年10月に自主リリースした共作アルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなアンビエント・ジャズ14\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2091160763\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1854686397\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2091160763\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2091160763\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3639358506\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Cassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e1. Pencil 02:05\u003cbr\u003e2. Penelope 1 01:22\u003cbr\u003e3. The Secret of the Old Mill 04:44\u003cbr\u003e4. Mexico Edit 02:17\u003cbr\u003e5. Teeth 01:13\u003cbr\u003e6. Moonhelmet 02:24\u003cbr\u003e7. I Died 5000 Times 03:02\u003cbr\u003e8. Penelope 2 03:50\u003cbr\u003e9. A Sinatra 02:23\u003cbr\u003e10. Fandango 01:49\u003cbr\u003e11. Jewelry 02:04\u003cbr\u003e12. The Melted Coins 04:04\u003cbr\u003e13. Gas Lamp 04:12\u003cbr\u003e14. Get Home Safe 02:24 \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Emile Mosseri \u0026amp; Sam Gendel\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Self-released\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-15T10:47:52+09:00","created_at":"2024-08-15T10:37:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","sam gendel","self-released"],"price":454000,"price_min":454000,"price_max":454000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46758404194554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Gendel \u0026 Emile Mosseri \/\/ Hardy Boys LP","public_title":null,"options":["Default Title"],"price":454000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3198949906_16.jpg?v=1723686093","\/\/tobirarecords.com\/cdn\/shop\/files\/0036640848_10.jpg?v=1729117096"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3198949906_16.jpg?v=1723686093","options":["Title"],"media":[{"alt":null,"id":34709819916538,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3198949906_16.jpg?v=1723686093"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3198949906_16.jpg?v=1723686093","width":700},{"alt":null,"id":35066764591354,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036640848_10.jpg?v=1729117096"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036640848_10.jpg?v=1729117096","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・LAのサックス奏者Sam GendelとピアニストEmile Mosseriが、2024年10月に自主リリースした共作アルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレイドバックなアンビエント・ジャズ14\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e曲を収録。DLコード付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2091160763\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1854686397\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2091160763\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2091160763\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3639358506\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Cassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e1. Pencil 02:05\u003cbr\u003e2. Penelope 1 01:22\u003cbr\u003e3. The Secret of the Old Mill 04:44\u003cbr\u003e4. Mexico Edit 02:17\u003cbr\u003e5. Teeth 01:13\u003cbr\u003e6. Moonhelmet 02:24\u003cbr\u003e7. I Died 5000 Times 03:02\u003cbr\u003e8. Penelope 2 03:50\u003cbr\u003e9. A Sinatra 02:23\u003cbr\u003e10. Fandango 01:49\u003cbr\u003e11. Jewelry 02:04\u003cbr\u003e12. The Melted Coins 04:04\u003cbr\u003e13. Gas Lamp 04:12\u003cbr\u003e14. Get Home Safe 02:24 \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Emile Mosseri \u0026amp; Sam Gendel\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Self-released\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのサックス奏者Sam GendelとピアニストEmile Mosseriが、2024年10月に自主リリースした共作アルバムです。 レイドバックなアンビエント・ジャズ14曲を収録。DLコード付属。 ----------------------------------- Includes DL code. Cassette in norelco case. Tracklist: 1....
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{"id":8592389406970,"title":"Misha Panfilov \/\/ Frutaria Electrónica LP","handle":"misha-panfilov-frutaria-electronica-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e当店おなじみエストニア・タリンのマルチ奏者Misha Panfilovが、2024年8月に自身主宰レーベル\u003cspan data-mce-fragment=\"1\"\u003eMiraaž Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e全ての楽器をほぼ一人で演奏したスペース・ジャズ〜ポストニューエイジ・ストレンジビーツ10曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Zl8fPOChBkI?si=iuqKl-2Hq-By3UQ7\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miraz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miraz\"\u003ehere\u003c\/a\u003e to see more Miraaz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" 180g black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Frutaria Electrónica 00:31\u003cbr\u003e2. Maracuja Lounge 04:40\u003cbr\u003e3. Rhythm-O-Green 04:30\u003cbr\u003e4. Crystals 04:25\u003cbr\u003e5. Pear Blossoms 04:08\u003cbr\u003e6. Island Byrd Improv 03:17\u003cbr\u003e7. Journey to the Lemon Moon 03:30\u003cbr\u003e8. Whale Song 05:01\u003cbr\u003e9. Silver Pineapples 03:23\u003cbr\u003e10. Formosa 04:36\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAll music was recorded in various locations in Funchal, Portugal between February and April 2024, including home studio, Estúdio 21, and the Conservatory of Madeira. Some sounds were also recorded in Vila Baleira, Porto Santo, with vocals being recorded in Karigasniemi, Finland.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misha Panfilov\u003c\/p\u003e\n\u003cp\u003eLabel : Miraaz Records\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMIRAAZ-24-01\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-14T14:31:14+09:00","created_at":"2024-08-12T14:37:01+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","Miraaz","new","post newage","recommended","strange beats"],"price":437000,"price_min":437000,"price_max":437000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46542503510266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Misha Panfilov \/\/ Frutaria Electrónica LP","public_title":null,"options":["Default Title"],"price":437000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ele1_eee9cef6-d52f-4461-acb8-3ea97c868e03.jpg?v=1723440924","\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_cedc49ac-1f49-421b-8605-92921219aa45.jpg?v=1723440925"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele1_eee9cef6-d52f-4461-acb8-3ea97c868e03.jpg?v=1723440924","options":["Title"],"media":[{"alt":null,"id":34696428781818,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele1_eee9cef6-d52f-4461-acb8-3ea97c868e03.jpg?v=1723440924"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele1_eee9cef6-d52f-4461-acb8-3ea97c868e03.jpg?v=1723440924","width":700},{"alt":null,"id":34696428814586,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_cedc49ac-1f49-421b-8605-92921219aa45.jpg?v=1723440925"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_cedc49ac-1f49-421b-8605-92921219aa45.jpg?v=1723440925","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e当店おなじみエストニア・タリンのマルチ奏者Misha Panfilovが、2024年8月に自身主宰レーベル\u003cspan data-mce-fragment=\"1\"\u003eMiraaž Recordsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e全ての楽器をほぼ一人で演奏したスペース・ジャズ〜ポストニューエイジ・ストレンジビーツ10曲を収録。180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Zl8fPOChBkI?si=iuqKl-2Hq-By3UQ7\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miraz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miraz\"\u003ehere\u003c\/a\u003e to see more Miraaz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" 180g black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Frutaria Electrónica 00:31\u003cbr\u003e2. Maracuja Lounge 04:40\u003cbr\u003e3. Rhythm-O-Green 04:30\u003cbr\u003e4. Crystals 04:25\u003cbr\u003e5. Pear Blossoms 04:08\u003cbr\u003e6. Island Byrd Improv 03:17\u003cbr\u003e7. Journey to the Lemon Moon 03:30\u003cbr\u003e8. Whale Song 05:01\u003cbr\u003e9. Silver Pineapples 03:23\u003cbr\u003e10. Formosa 04:36\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAll music was recorded in various locations in Funchal, Portugal between February and April 2024, including home studio, Estúdio 21, and the Conservatory of Madeira. Some sounds were also recorded in Vila Baleira, Porto Santo, with vocals being recorded in Karigasniemi, Finland.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Misha Panfilov\u003c\/p\u003e\n\u003cp\u003eLabel : Miraaz Records\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMIRAAZ-24-01\u003c\/span\u003e\u003c\/p\u003e"}
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当店おなじみエストニア・タリンのマルチ奏者Misha Panfilovが、2024年8月に自身主宰レーベルMiraaž Recordsからリリースしたレコードです。 全ての楽器をほぼ一人で演奏したスペース・ジャズ〜ポストニューエイジ・ストレンジビーツ10曲を収録。180g重量盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Miraaz Records...
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{"id":8592006152442,"title":"DAR \/\/ Breaking Fast TAPE","handle":"dar-breaking-fast-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eノルウェー・オスロのフリーフォームデュオDARが、2024年6月にオスロの実験レーベルBreton Cassetteから20本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eインプロ16曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3582702314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003ehere\u003c\/a\u003e to see more Breton Cassette releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Not for sale 00:49\u003cbr\u003e2. Holiday Control 08:18\u003cbr\u003e3. To the market garden 04:57\u003cbr\u003e4. Not it theatre 05:34\u003cbr\u003e5. Gastrotracks 06:09\u003cbr\u003e6. Lilith 01:48\u003cbr\u003e7. Graveplass 02:12\u003cbr\u003e8. Of shame 04:18\u003cbr\u003e9. Weeds 04:29\u003cbr\u003e10. Mourn the lazy \/ STE 17 02:01\u003cbr\u003e11. Bags on the floor 02:12\u003cbr\u003e12. Close up 10:44\u003cbr\u003e13. Salome II 07:36\u003cbr\u003e14. Inroads 03:09\u003cbr\u003e15. And confused 03:34\u003cbr\u003e16. Evil hands 12:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist bio via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDAR is an agent. She has no cigarettes, but lights up whatevers in her wallet. Old receipts, thank you notes, letters. She smells of motor oil and rosewater.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DAR\u003c\/p\u003e\n\u003cp\u003eLabel : Breton Cassette\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBreton Cassette # 046\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-08-19T09:25:55+09:00","created_at":"2024-08-12T12:06:26+09:00","vendor":"Tobira Records","type":"","tags":["Breton Cassette","drone","jazz","new","tape"],"price":178300,"price_min":178300,"price_max":178300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46542255030522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"DAR \/\/ Breaking Fast TAPE","public_title":null,"options":["Default Title"],"price":178300,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dar1.jpg?v=1723431869","\/\/tobirarecords.com\/cdn\/shop\/files\/dar2.jpg?v=1723431869"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dar1.jpg?v=1723431869","options":["Title"],"media":[{"alt":null,"id":34695984251130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dar1.jpg?v=1723431869"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dar1.jpg?v=1723431869","width":700},{"alt":null,"id":34695984283898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dar2.jpg?v=1723431869"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dar2.jpg?v=1723431869","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eノルウェー・オスロのフリーフォームデュオDARが、2024年6月にオスロの実験レーベルBreton Cassetteから20本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eインプロ16曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3582702314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/breton\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/breton\"\u003ehere\u003c\/a\u003e to see more Breton Cassette releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Not for sale 00:49\u003cbr\u003e2. Holiday Control 08:18\u003cbr\u003e3. To the market garden 04:57\u003cbr\u003e4. Not it theatre 05:34\u003cbr\u003e5. Gastrotracks 06:09\u003cbr\u003e6. Lilith 01:48\u003cbr\u003e7. Graveplass 02:12\u003cbr\u003e8. Of shame 04:18\u003cbr\u003e9. Weeds 04:29\u003cbr\u003e10. Mourn the lazy \/ STE 17 02:01\u003cbr\u003e11. Bags on the floor 02:12\u003cbr\u003e12. Close up 10:44\u003cbr\u003e13. Salome II 07:36\u003cbr\u003e14. Inroads 03:09\u003cbr\u003e15. And confused 03:34\u003cbr\u003e16. Evil hands 12:18\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist bio via the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDAR is an agent. She has no cigarettes, but lights up whatevers in her wallet. Old receipts, thank you notes, letters. She smells of motor oil and rosewater.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : DAR\u003c\/p\u003e\n\u003cp\u003eLabel : Breton Cassette\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBreton Cassette # 046\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8590355267834,"title":"Erica Dawn Lyle \/\/ Colonial Motels TAPE","handle":"erica-dawn-lyle-colonial-motels-tape","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYのインプロ奏者／ギタリストErica Dawn Lyleが、2024年6月にNYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e一発録音によるノイズ・ブルース2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Erica Dawn Lyleはピッチフォーク誌で「パンクヒーロー」と評されているが、その通りではあるものの、彼女の多面的な存在と作品を表現するには具体性に欠けるように感じる。『Colonial Motels』は実際、生々しく個人的なものであり、喪の深淵から抜け出すための梯子であると同時に、耐え忍び、つながろうとする決意でもある。このアルバムは、ライルのアート、パフォーマンス、アクティビズムを定義する魅力的な激しさと率直さを捉えている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパートIは、忍耐強いルーピングとギターのボディプレイで構成され、次第にアナログとデジタルのノイズの疾風となり、ギターの咆哮が突き刺さる。コーダが鳴り響き、エレキギターの素が削ぎ落とされ、唐突に終わる。パートIIは強烈でカタルシスをもたらすもので、地形図のようにゆっくりとうねりながら後退と拡大を繰り返す、重厚なテクスチャーの音の壁である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLyleのギターはスコール的なノイズの要素を含み、あらゆる装置の過負荷を利用している。しかし、砂漠のブルースの催眠術のような反復、微妙に奇妙なペダルの実験、無自覚な遊び心、幻聴をとらえるための見事な空間も含まれている。驚くべきことに、これらの作品は激しさがピークに達しても瞑想的なペースに感じられ、ほとんどのギタリストが身じろぎするか空想することしかできないような嵐の目の中にいながら、聴き手は束の間の瞑想に浸ることができる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3701119101\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Colonial Motels Part I 17:03\u003cbr\u003e2. Colonial Motels Part II 15:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eErica Dawn Lyle has been described by Pitchfork as a “punk hero,” which, though true, feels like an insufficiently specific term to describe her multifaceted presence and work. Colonial Motels is in fact rawly personal, a ladder out of an abyss of mourning as well as a determination to persevere and connect. Playing less but achieving more, this album captures the engaging intensity and directness that defines Lyle’s art, performance, and activism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePart I builds on patient looping and guitar body play, then gradually disintegrates into a gale of analog and digital noise stabbed with howling guitar calls. A blaring coda strips the electric guitar down to the primes before an abrupt end. Part II starts intense and cathartic, and stays that way, a heavily textured sonic wall which slowly undulates like an animated topographical map simultaneously receding and growing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces seem to encourage a listening level that could be described as provocative, and Lyle’s guitar contains elements of squallish noise, employing to its advantage the overload of all apparatuses involved. But it also contains a masterful degree of space in which to catch the hypnotic repetition of desert blues, subtly weird pedal experimentation, unselfconscious playfulness\u003cspan class=\"bcTruncateMore\"\u003e, and aural hallucinations. Astonishingly, these pieces feel meditatively paced even as they reach peak intensity, enabling the listener to briefly rest in contemplation while in the eye of a storm about which most guitarists can only cower or fantasize.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erica Dawn Lyle\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003eCAT No: NTR086\u003c\/p\u003e","published_at":"2024-08-10T14:27:48+09:00","created_at":"2024-08-09T14:45:21+09:00","vendor":"Tobira Records","type":"","tags":["jazz","noise","notice recordings","tape"],"price":212000,"price_min":212000,"price_max":212000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46534014533882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Erica Dawn Lyle \/\/ Colonial Motels TAPE","public_title":null,"options":["Default Title"],"price":212000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mot1.jpg?v=1723182166","\/\/tobirarecords.com\/cdn\/shop\/files\/mot2.jpg?v=1723182166"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mot1.jpg?v=1723182166","options":["Title"],"media":[{"alt":null,"id":34684303081722,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mot1.jpg?v=1723182166"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mot1.jpg?v=1723182166","width":700},{"alt":null,"id":34684303114490,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mot2.jpg?v=1723182166"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mot2.jpg?v=1723182166","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYのインプロ奏者／ギタリストErica Dawn Lyleが、2024年6月にNYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e一発録音によるノイズ・ブルース2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Erica Dawn Lyleはピッチフォーク誌で「パンクヒーロー」と評されているが、その通りではあるものの、彼女の多面的な存在と作品を表現するには具体性に欠けるように感じる。『Colonial Motels』は実際、生々しく個人的なものであり、喪の深淵から抜け出すための梯子であると同時に、耐え忍び、つながろうとする決意でもある。このアルバムは、ライルのアート、パフォーマンス、アクティビズムを定義する魅力的な激しさと率直さを捉えている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eパートIは、忍耐強いルーピングとギターのボディプレイで構成され、次第にアナログとデジタルのノイズの疾風となり、ギターの咆哮が突き刺さる。コーダが鳴り響き、エレキギターの素が削ぎ落とされ、唐突に終わる。パートIIは強烈でカタルシスをもたらすもので、地形図のようにゆっくりとうねりながら後退と拡大を繰り返す、重厚なテクスチャーの音の壁である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLyleのギターはスコール的なノイズの要素を含み、あらゆる装置の過負荷を利用している。しかし、砂漠のブルースの催眠術のような反復、微妙に奇妙なペダルの実験、無自覚な遊び心、幻聴をとらえるための見事な空間も含まれている。驚くべきことに、これらの作品は激しさがピークに達しても瞑想的なペースに感じられ、ほとんどのギタリストが身じろぎするか空想することしかできないような嵐の目の中にいながら、聴き手は束の間の瞑想に浸ることができる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3701119101\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Cassette in norelco case. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Colonial Motels Part I 17:03\u003cbr\u003e2. Colonial Motels Part II 15:48\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eErica Dawn Lyle has been described by Pitchfork as a “punk hero,” which, though true, feels like an insufficiently specific term to describe her multifaceted presence and work. Colonial Motels is in fact rawly personal, a ladder out of an abyss of mourning as well as a determination to persevere and connect. Playing less but achieving more, this album captures the engaging intensity and directness that defines Lyle’s art, performance, and activism.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePart I builds on patient looping and guitar body play, then gradually disintegrates into a gale of analog and digital noise stabbed with howling guitar calls. A blaring coda strips the electric guitar down to the primes before an abrupt end. Part II starts intense and cathartic, and stays that way, a heavily textured sonic wall which slowly undulates like an animated topographical map simultaneously receding and growing.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe pieces seem to encourage a listening level that could be described as provocative, and Lyle’s guitar contains elements of squallish noise, employing to its advantage the overload of all apparatuses involved. But it also contains a masterful degree of space in which to catch the hypnotic repetition of desert blues, subtly weird pedal experimentation, unselfconscious playfulness\u003cspan class=\"bcTruncateMore\"\u003e, and aural hallucinations. Astonishingly, these pieces feel meditatively paced even as they reach peak intensity, enabling the listener to briefly rest in contemplation while in the eye of a storm about which most guitarists can only cower or fantasize.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erica Dawn Lyle\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003eCAT No: NTR086\u003c\/p\u003e"}
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アメリカ・NYのインプロ奏者／ギタリストErica Dawn Lyleが、2024年6月にNYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。 一発録音によるノイズ・ブルース2曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "Erica Dawn Lyleはピッチフォーク誌で「パンクヒーロー」と評されているが、その通りではあるものの、彼女の多面的な存在と作品を表現するには具体性に欠けるように感じる。『Colonial Motels』は実際、生々しく個人的なものであり、喪の深淵から抜け出すための梯子であると同時に、耐え忍び、つながろうとする決意でもある。このアルバムは、ライルのアート、パフォーマンス、アクティビズムを定義する魅力的な激しさと率直さを捉えている。 パートIは、忍耐強いルーピングとギターのボディプレイで構成され、次第にアナログとデジタルのノイズの疾風となり、ギターの咆哮が突き刺さる。コーダが鳴り響き、エレキギターの素が削ぎ落とされ、唐突に終わる。パートIIは強烈でカタルシスをもたらすもので、地形図のようにゆっくりとうねりながら後退と拡大を繰り返す、重厚なテクスチャーの音の壁である。 Lyleのギターはスコール的なノイズの要素を含み、あらゆる装置の過負荷を利用している。しかし、砂漠のブルースの催眠術のような反復、微妙に奇妙なペダルの実験、無自覚な遊び心、幻聴をとらえるための見事な空間も含まれている。驚くべきことに、これらの作品は激しさがピークに達しても瞑想的なペースに感じられ、ほとんどのギタリストが身じろぎするか空想することしかできないような嵐の目の中にいながら、聴き手は束の間の瞑想に浸ることができる。" レーベルその他作品はこちら ///...
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{"id":8586361045242,"title":"Asma Maroof, Patrick Belaga, Tapiwa Svosve \/\/ The Sport of Love LP","handle":"asma-maroof-patrick-belaga-tapiwa-svosve-the-sport-of-love-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eインプロ奏者Asma MaroofとPatrick Belaga、Tapiwa Svosveが、2024年7月にドイツ・ベルリン実験レーベルPANからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=30079311\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. G Major Kinda Love 03:49\u003cbr\u003e2. Delicate Distance Between Bolders 05:35\u003cbr\u003e3. Wicked City 02:36\u003cbr\u003e4. The Stranger 15:25\u003cbr\u003e5. Sport 03:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe music emerged like smoke from the embers of soundtrack work they collaborated on in 2021. After finishing scores for Virgil Abloh's Louis Vuitton A\/W 2021 collection film, Peculiar Contrast, Perfect Light and Bafic’s documentary short Sub Eleven Seconds, the trio were left with unanswered questions and excess energy. They considered the idea of creating an imaginary score to a romantic movie, using love to dictate its movement and narrative. So opening track 'G Major Kind of Love' is the intoxicating first blush, characterized by a drowned sax solo that sounds like a siren call from beneath the ocean. 'Delicate Distance Between Boulders' is quivering and hesitant, using gentle piano motifs against reverberating flute sounds and subtle, goosebump inducing electronic treatments.\u003cbr\u003e\u003cbr\u003eEverything comes into sharp focus on the album's lengthy central piece 'The Stranger', that brings in additional instrumentation from harpist Ayha Simone and percussionist Mathieu Edward. The three friends saw this particular composition as a journey within itself, charting the anxiety, harmony and uncertainty of love. Shifting from gooey freeform jazz into gurgling noise and bleak ambient drone, it connects the dots between Dorothy Ashby, Arve Henriksen, Jon Hassell and Hildur Guðnadóttir while voyaging into parts unknown. It's a finale of sorts that wrestles with the complexity of the album's themes, returning to earlier refrains and prolonging their tension.\u003cbr\u003e\u003cbr\u003eFittingly, the record is tied together by artwork from the trio's friend Tosh Basco, and several tracks have already been used by Wu Tsang in a piece for SFMoMa. The Sport of Love is powered by physical connection in a digital world, and breathes a mysterious allure that's never been more urgent.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asma Maroof, Patrick Belaga, Tapiwa Svosve\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : PAN134\u003c\/p\u003e","published_at":"2024-08-06T12:20:27+09:00","created_at":"2024-08-05T18:10:06+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","PAN"],"price":327000,"price_min":327000,"price_max":327000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46518361096442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Asma Maroof, Patrick Belaga, Tapiwa Svosve \/\/ The Sport of Love LP","public_title":null,"options":["Default Title"],"price":327000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","options":["Title"],"media":[{"alt":null,"id":34662008226042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma1.jpg?v=1722848889","width":700},{"alt":null,"id":34662008258810,"position":2,"preview_image":{"aspect_ratio":1.494,"height":803,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889"},"aspect_ratio":1.494,"height":803,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/asma2.jpg?v=1722848889","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eインプロ奏者Asma MaroofとPatrick Belaga、Tapiwa Svosveが、2024年7月にドイツ・ベルリン実験レーベルPANからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜インプロ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=30079311\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=291161810\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pan\"\u003ehere\u003c\/a\u003e to see more PAN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. G Major Kinda Love 03:49\u003cbr\u003e2. Delicate Distance Between Bolders 05:35\u003cbr\u003e3. Wicked City 02:36\u003cbr\u003e4. The Stranger 15:25\u003cbr\u003e5. Sport 03:20\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by PAN:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eThe music emerged like smoke from the embers of soundtrack work they collaborated on in 2021. After finishing scores for Virgil Abloh's Louis Vuitton A\/W 2021 collection film, Peculiar Contrast, Perfect Light and Bafic’s documentary short Sub Eleven Seconds, the trio were left with unanswered questions and excess energy. They considered the idea of creating an imaginary score to a romantic movie, using love to dictate its movement and narrative. So opening track 'G Major Kind of Love' is the intoxicating first blush, characterized by a drowned sax solo that sounds like a siren call from beneath the ocean. 'Delicate Distance Between Boulders' is quivering and hesitant, using gentle piano motifs against reverberating flute sounds and subtle, goosebump inducing electronic treatments.\u003cbr\u003e\u003cbr\u003eEverything comes into sharp focus on the album's lengthy central piece 'The Stranger', that brings in additional instrumentation from harpist Ayha Simone and percussionist Mathieu Edward. The three friends saw this particular composition as a journey within itself, charting the anxiety, harmony and uncertainty of love. Shifting from gooey freeform jazz into gurgling noise and bleak ambient drone, it connects the dots between Dorothy Ashby, Arve Henriksen, Jon Hassell and Hildur Guðnadóttir while voyaging into parts unknown. It's a finale of sorts that wrestles with the complexity of the album's themes, returning to earlier refrains and prolonging their tension.\u003cbr\u003e\u003cbr\u003eFittingly, the record is tied together by artwork from the trio's friend Tosh Basco, and several tracks have already been used by Wu Tsang in a piece for SFMoMa. The Sport of Love is powered by physical connection in a digital world, and breathes a mysterious allure that's never been more urgent.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asma Maroof, Patrick Belaga, Tapiwa Svosve\u003c\/p\u003e\n\u003cp\u003eLabel : PAN\u003c\/p\u003e\n\u003cp\u003eCAT No : PAN134\u003c\/p\u003e"}
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インプロ奏者Asma MaroofとPatrick Belaga、Tapiwa Svosveが、2024年7月にドイツ・ベルリン実験レーベルPANからリリースした共作レコードです。 アンビエント・ジャズ〜インプロ5曲を収録。 レーベルその他作品はこちら /// Click here to see more PAN releases...
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{"id":7982050083066,"title":"Nora Stanley and Benny Bock \/\/ Distance of the Moon LP","handle":"nora-stanley-and-benny-bock-distance-of-the-moon-lp","description":"\u003cp\u003eアメリカ・LAのサックス奏者Nora Stanleyとキーボード奏者Benny Bockが、2023年11月にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eバークレー高校時代からの盟友であり、10年近く音楽を共に制作した2人による穏やかなアンビエント・スピリチュアルジャズ10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Nora Stanley and Benny Bockのデュオとしての初アルバム\u003cmeta charset=\"utf-8\"\u003e『Distance of the Moon』は、アコースティック、エレクトロニック、そして即興的な領域への深い旅である。カリフォルニア州バークレーの高校時代にさかのぼる友情を持つこのサックス／キーボードデュオは、10年近く一緒に音楽を作ってきた。マリン・ヘッドランズやタム山をハイキングしたことが、長い友情の始まりであり、オハイオに住んでいた2人がオベリン音楽院に通うようになると、その友情はさらに深まった。田舎を横断するドライブ旅行やトウモロコシ畑を通る週末の小旅行が、個人的かつ音楽的なつながりをさらに強固なものにし、\u003cmeta charset=\"utf-8\"\u003eNora Stanley and Benny Bockは、対岸にいるにもかかわらず、この4年間ずっと築き続けてきた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eデビューアルバムでは、2人は音楽、文学、映画から受けた影響の宝庫を共有している。彼らのサンフランシスコ・ベイエリアの自然景観への愛とつながりは、アルバム全体を通じても存在し、「Into The Flats」や「Hawk Hill」といった曲で言及されている（後者は故ファラオ・サンダースへのオマージュ）。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Distance of the Moon』では、ポンプ・オルガンやプリペアド・ピアノからオーバーハイム・フォーボイス・シンセサイザーやバリトン・ギターまで、様々なテクスチャーとサウンドを駆使してデュオをフィーチャーしている。ゲストには、Owen Clapp、Doug Stuart、Jeff Parker、Abe Rounds、Mark Giuliana、Daphne Chen、 Myles Martin 、Jacob Richards、CJ Camerieriが参加している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263560376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263560376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3594465808\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263560376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=53569167\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColorfield:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Distance of the Moon, Nora Stanley and Benny Bock’s first album together as a duo, is a deep journey into acoustic, electronic, and improvisatory realms. With a friendship dating back to high school in Berkeley, CA, the saxophone\/ keyboard duo has been making music together for nearly a decade. Hikes through the Marin Headlands and Mt. Tam set the landscape for a long friendship that only deepened when the duo found themselves both living in Ohio, attending Oberlin Conservatory. Cross country road trips and weekend excursions through cornfields further solidified a connection both personal and musical that Nora and Benny have continued to build throughout the past four years, despite being situated on opposite coasts. \u003cbr\u003e\u003cbr\u003eFor their debut album, the two friends draw on a trove of shared musical, literary, and cinematic influences. Their connection to and love for the natural landscape of the San Francisco Bay Area is also present throughout the album, referenced in songs like “Into The Flats” and “Hawk Hill”, the latter, an homage to the late Pharaoh Sanders. \u003cbr\u003e\u003cbr\u003eDistance of the Moon features the duo on a plethora of instruments, capturing a variety of textures and sounds from pump organ and prepared piano to Oberheim Four Voice synthesizer and baritone guitar. Featured guests include Abe Rounds, CJ Camerieri, Daphne Chen, Doug Stuart, Jacob Richards, Jeff Parker, Mark Giuliana, Myles Martin and Owen Clapp.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBenny Bock - Steinway Grand Piano, Steinway Prepared Upright Piano, Fender Rhodes, Wurlitzer 200a, Hammond B3, Estey Pump Organ, Percussion, Baritone Guitar, ARP 2600, Yamaha CS60, Moog Minimoog, Prophet 5, UDO Super 6, Oberheim Two Voice Pro, Soma Lyra \u0026amp; Pulsar 23, Drum Programming\u003cbr\u003eNora Stanley - Saxophone, Korg Maxikorg 800, Soma Pulsar, Moog Minimoog, Percussion, Kalimba, Drum Programming\u003cbr\u003eOwen Clapp - Upright Bass (“Maurice”)\u003cbr\u003eDoug Stuart - Electric Bass (“Assembling”)\u003cbr\u003eJeff Parker - Guitar (“Vista Ahead”)\u003cbr\u003eAbe Rounds - Drums (“Distance of the Moon”)\u003cbr\u003eMark Giuliana - Drums (“Like Smoke”)\u003cbr\u003eDaphne Chen - Violin, Viola (“Assembling”)\u003cbr\u003eMyles Martin - Drums (“Into The Flats”)\u003cbr\u003eJacob Richards - Drums (“Vista Ahead”)\u003cbr\u003eCJ Camerieri - Trumpet, French Horn (“Distance of the Moon” and “Maurice”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nora Stanley and Benny Bock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Colorfield Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-05T19:28:23+09:00","created_at":"2023-06-05T14:32:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","colorfield","jazz","lp","recommended"],"price":497800,"price_min":497800,"price_max":497800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44267216339194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nora Stanley and Benny Bock \/\/ Distance of the Moon LP","public_title":null,"options":["Default Title"],"price":497800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/moon1_f98a1cd1-1e65-4091-92a2-42f0b84f5e8e.jpg?v=1685943130","\/\/tobirarecords.com\/cdn\/shop\/files\/moon2_60080575-908d-4ea3-a81c-e2e23e8102bc.jpg?v=1685943130"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/moon1_f98a1cd1-1e65-4091-92a2-42f0b84f5e8e.jpg?v=1685943130","options":["Title"],"media":[{"alt":null,"id":32074594320634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moon1_f98a1cd1-1e65-4091-92a2-42f0b84f5e8e.jpg?v=1685943130"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moon1_f98a1cd1-1e65-4091-92a2-42f0b84f5e8e.jpg?v=1685943130","width":700},{"alt":null,"id":32074594353402,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moon2_60080575-908d-4ea3-a81c-e2e23e8102bc.jpg?v=1685943130"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/moon2_60080575-908d-4ea3-a81c-e2e23e8102bc.jpg?v=1685943130","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのサックス奏者Nora Stanleyとキーボード奏者Benny Bockが、2023年11月にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eバークレー高校時代からの盟友であり、10年近く音楽を共に制作した2人による穏やかなアンビエント・スピリチュアルジャズ10曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"Nora Stanley and Benny Bockのデュオとしての初アルバム\u003cmeta charset=\"utf-8\"\u003e『Distance of the Moon』は、アコースティック、エレクトロニック、そして即興的な領域への深い旅である。カリフォルニア州バークレーの高校時代にさかのぼる友情を持つこのサックス／キーボードデュオは、10年近く一緒に音楽を作ってきた。マリン・ヘッドランズやタム山をハイキングしたことが、長い友情の始まりであり、オハイオに住んでいた2人がオベリン音楽院に通うようになると、その友情はさらに深まった。田舎を横断するドライブ旅行やトウモロコシ畑を通る週末の小旅行が、個人的かつ音楽的なつながりをさらに強固なものにし、\u003cmeta charset=\"utf-8\"\u003eNora Stanley and Benny Bockは、対岸にいるにもかかわらず、この4年間ずっと築き続けてきた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eデビューアルバムでは、2人は音楽、文学、映画から受けた影響の宝庫を共有している。彼らのサンフランシスコ・ベイエリアの自然景観への愛とつながりは、アルバム全体を通じても存在し、「Into The Flats」や「Hawk Hill」といった曲で言及されている（後者は故ファラオ・サンダースへのオマージュ）。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Distance of the Moon』では、ポンプ・オルガンやプリペアド・ピアノからオーバーハイム・フォーボイス・シンセサイザーやバリトン・ギターまで、様々なテクスチャーとサウンドを駆使してデュオをフィーチャーしている。ゲストには、Owen Clapp、Doug Stuart、Jeff Parker、Abe Rounds、Mark Giuliana、Daphne Chen、 Myles Martin 、Jacob Richards、CJ Camerieriが参加している。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263560376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263560376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3594465808\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2263560376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=53569167\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColorfield:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Distance of the Moon, Nora Stanley and Benny Bock’s first album together as a duo, is a deep journey into acoustic, electronic, and improvisatory realms. With a friendship dating back to high school in Berkeley, CA, the saxophone\/ keyboard duo has been making music together for nearly a decade. Hikes through the Marin Headlands and Mt. Tam set the landscape for a long friendship that only deepened when the duo found themselves both living in Ohio, attending Oberlin Conservatory. Cross country road trips and weekend excursions through cornfields further solidified a connection both personal and musical that Nora and Benny have continued to build throughout the past four years, despite being situated on opposite coasts. \u003cbr\u003e\u003cbr\u003eFor their debut album, the two friends draw on a trove of shared musical, literary, and cinematic influences. Their connection to and love for the natural landscape of the San Francisco Bay Area is also present throughout the album, referenced in songs like “Into The Flats” and “Hawk Hill”, the latter, an homage to the late Pharaoh Sanders. \u003cbr\u003e\u003cbr\u003eDistance of the Moon features the duo on a plethora of instruments, capturing a variety of textures and sounds from pump organ and prepared piano to Oberheim Four Voice synthesizer and baritone guitar. Featured guests include Abe Rounds, CJ Camerieri, Daphne Chen, Doug Stuart, Jacob Richards, Jeff Parker, Mark Giuliana, Myles Martin and Owen Clapp.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBenny Bock - Steinway Grand Piano, Steinway Prepared Upright Piano, Fender Rhodes, Wurlitzer 200a, Hammond B3, Estey Pump Organ, Percussion, Baritone Guitar, ARP 2600, Yamaha CS60, Moog Minimoog, Prophet 5, UDO Super 6, Oberheim Two Voice Pro, Soma Lyra \u0026amp; Pulsar 23, Drum Programming\u003cbr\u003eNora Stanley - Saxophone, Korg Maxikorg 800, Soma Pulsar, Moog Minimoog, Percussion, Kalimba, Drum Programming\u003cbr\u003eOwen Clapp - Upright Bass (“Maurice”)\u003cbr\u003eDoug Stuart - Electric Bass (“Assembling”)\u003cbr\u003eJeff Parker - Guitar (“Vista Ahead”)\u003cbr\u003eAbe Rounds - Drums (“Distance of the Moon”)\u003cbr\u003eMark Giuliana - Drums (“Like Smoke”)\u003cbr\u003eDaphne Chen - Violin, Viola (“Assembling”)\u003cbr\u003eMyles Martin - Drums (“Into The Flats”)\u003cbr\u003eJacob Richards - Drums (“Vista Ahead”)\u003cbr\u003eCJ Camerieri - Trumpet, French Horn (“Distance of the Moon” and “Maurice”)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Nora Stanley and Benny Bock\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Colorfield Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのサックス奏者Nora Stanleyとキーボード奏者Benny Bockが、2023年11月にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースした共作レコードです。 バークレー高校時代からの盟友であり、10年近く音楽を共に制作した2人による穏やかなアンビエント・スピリチュアルジャズ10曲を収録。DLコード付属。 以下、レーベルによる解説です。 "Nora Stanley and Benny Bockのデュオとしての初アルバム『Distance of the Moon』は、アコースティック、エレクトロニック、そして即興的な領域への深い旅である。カリフォルニア州バークレーの高校時代にさかのぼる友情を持つこのサックス／キーボードデュオは、10年近く一緒に音楽を作ってきた。マリン・ヘッドランズやタム山をハイキングしたことが、長い友情の始まりであり、オハイオに住んでいた2人がオベリン音楽院に通うようになると、その友情はさらに深まった。田舎を横断するドライブ旅行やトウモロコシ畑を通る週末の小旅行が、個人的かつ音楽的なつながりをさらに強固なものにし、Nora...
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{"id":7979892277498,"title":"Sam Gendel \/\/ Pass If Music LP","handle":"sam-gendel-pass-if-music-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4235605404\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRandall Roberts for the Los Angeles Times:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to tell on first listen, but the L.A.-based Gendel made every sound on his new album using his alto saxophone. “Pass If Music” is hardly a solo jazz album, though. Rather, the musician harnesses his horn in service of ambient tones and experimental works that reside outside genre distinctions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“East L.A. Haze Dream” floats like an amorphous cloud of vapor as Gendel layers gently blown notes with the occasional brief sax run. “Trudge” is a darkened mantra featuring lower-register hums and a minimal rhythm that marches with determination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn notes, the artist writes that it and the other eight pieces were inspired by the motion picture “The Labyrinth \u0026amp; the Long Road,” [directed by Daniel Oh] for which Gendel contributed the score, and that makes sense. It’s an atmospheric work that evokes its own brand of drama.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-29T08:17:48+09:00","created_at":"2023-05-29T08:17:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","recommended","sam gendel"],"price":329000,"price_min":329000,"price_max":329000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258114109690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Gendel \/\/ Pass If Music LP","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","options":["Title"],"media":[{"alt":null,"id":32031334367482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","width":700},{"alt":null,"id":32031334859002,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4235605404\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRandall Roberts for the Los Angeles Times:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to tell on first listen, but the L.A.-based Gendel made every sound on his new album using his alto saxophone. “Pass If Music” is hardly a solo jazz album, though. Rather, the musician harnesses his horn in service of ambient tones and experimental works that reside outside genre distinctions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“East L.A. Haze Dream” floats like an amorphous cloud of vapor as Gendel layers gently blown notes with the occasional brief sax run. “Trudge” is a darkened mantra featuring lower-register hums and a minimal rhythm that marches with determination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn notes, the artist writes that it and the other eight pieces were inspired by the motion picture “The Labyrinth \u0026amp; the Long Road,” [directed by Daniel Oh] for which Gendel contributed the score, and that makes sense. It’s an atmospheric work that evokes its own brand of drama.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。 全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7979891851514,"title":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","handle":"sam-wilkes-jacob-mann-perform-the-compositions-of-sam-wilkes-jacob-mann-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2023-05-29T08:07:46+09:00","created_at":"2023-05-29T08:07:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","house","jazz","leaving records","lp","recommended"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258104836346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662","\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","options":["Title"],"media":[{"alt":null,"id":32031311266042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","width":700},{"alt":null,"id":32031323226362,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662","width":1200},{"alt":null,"id":32031323324666,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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アメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。 レイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。 ヒップホップやハウスリスナーにもおすすめします。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases...
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{"id":7978809327866,"title":"giovanni di domenico \/\/ Polvere Di Rabbia LP","handle":"giovanni-di-domenico-polvere-di-rabbia-lp","description":"\u003cp\u003e過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022年4月に\u003cmeta charset=\"utf-8\"\u003eタリア・トレントの実験レーベルKohlhaasから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2794046392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eTHE TRAIN - You cannot take yourself too seriously. Engine spins, with no hint of stopping. A gentle ticking, no frills, passing from one side to another. Always at exchange points, a tortuous side and a straight one. A thin layer of morbidity disappears. Like an inside-out hole, it felt confident, it kept going reverse. Generally speaking, it can always be done. And that ticking again, this time darker, and sadder. Swimming into the earth. Going through a wall. Giving it a chance. Revealing. An awful smell is passing through me. Dead-end track. Uncombed stones. Metal bushes. Abstract snow. And an endless row of passions. He has always stood out, one step after another. And here as well, concentric lines will always bring you back to the starting point. And again. His mouth was shaking, arid. He felt he was getting closer. He shouldn’t have leaned out anymore. Noticing a small dot. Detecting. And that engine again, sleepy. Deciphering the impossible. Sticking to reality. Overstepping. That humming was still behind him. Docile and thoughtful, located along a line, this time a much darker line. He cannot do without it anymore. Revealing oneself. A strong blow of breath. Buckets of color.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA SINGLE FACE - Smooth sanding, a grid of endless screams. Frenzy. Bubbles bursting. Air falling apart. Red and white lights. A sequence of thoughtful layers. Parallel lines. Movement is an illusion. Holding tight, fronting onto the unexpected. More lines. Crooked. I immerse myself in a butter of false decisions. I agree to decipher a step. Blocks. Insensitive starts. A false step. Dark reflections. Stumbling. The unparalleled illusion of emptiness. Once, twice. An infinite arc. Disillusion of movement. As if it was necessary. Another step, false. Paths, lit up in the daytime. Falsifications. Unheard-of battles. Outside, in the center, distracted fires. Absent crackles, nonsensical forms, crowds of thoughts. Burnt snow. Settlings. Cave-ins. Unconfessable secrets. Lying to survive. The void and nothing more, like an inverted ring-a-ring-o’roses. More and more in a hurry, with no smudges nor hints of tremblings. Agitated effusions, lukewarm assents, icy absences. Of many expressions, a single face. Of many faces, a single page, white. Of many blank pages, only one, for me. Of many voids, you. Dust of anger, of those that stick on you despite having no fixed abode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAN EGG - And yet, I felt as if I had told you. I felt as if I had got inside you and done everything I could. Walked all over your veins. Swum through your bones. Swung between your nerves, which were stretched like the strings of a concrete guitar. I didn't want to, I didn't want to touch you lightly and take the bloom out of you with a sentimentalism that cannot find peace, not even within a glass of chamomile tea. I didn't want, or couldn’t, sedate you from your morning nightmares. On certain occasions it takes super-seeing, overdoing and being extra amazed.\u003cbr data-mce-fragment=\"1\"\u003eBut in this layer of insane poetry that pervades me there is nothing I can get rid of, it would be like to separate the yolk from the white. It is like being the hair when splitting hairs (a child’s hair), vague, and vagrant without an impossible destination. Are you there? I would like to tell you, again, and again and again. To intertwine your worlds with mine, to tie your pages with mine, to make a book out of them and then throwing it to the wind (the only trusted messenger between us). I wish I held you up while you sleep, I wish I made you levitate so that you won’t feel the weight of your own breathing, I wish I became a warm breath of tenderness. Yet still, there are battles of extreme wills lurking within me, with nowhere to go but the exit, a one-way exit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWINDLESS SNOW - If in the seasons of purity one goes in search of the abyss, like self-hatred goes and ignites a fight with no defeater. If one finds a curved black broken finger in the madness glove. If everywhere one goes one comes across the same exhausted throb of old visions. If in the veiled embrace, one contorts, does sensorial somersaults and drowns. If all of this made sense, if it had a shape, and if this shape could not be touched, smelled, neither felt, but it could only be lived. If what we don’t know yet would come down to us like windless snow.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist :giovanni di domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e","published_at":"2023-05-26T11:01:28+09:00","created_at":"2023-05-26T11:00:37+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","kohlhaas","lp","monooto","recommended"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44252831678714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"giovanni di domenico \/\/ Polvere Di Rabbia LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","options":["Title"],"media":[{"alt":null,"id":32018114347258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","width":700},{"alt":null,"id":32018114380026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022年4月に\u003cmeta charset=\"utf-8\"\u003eタリア・トレントの実験レーベルKohlhaasから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2794046392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eTHE TRAIN - You cannot take yourself too seriously. Engine spins, with no hint of stopping. A gentle ticking, no frills, passing from one side to another. Always at exchange points, a tortuous side and a straight one. A thin layer of morbidity disappears. Like an inside-out hole, it felt confident, it kept going reverse. Generally speaking, it can always be done. And that ticking again, this time darker, and sadder. Swimming into the earth. Going through a wall. Giving it a chance. Revealing. An awful smell is passing through me. Dead-end track. Uncombed stones. Metal bushes. Abstract snow. And an endless row of passions. He has always stood out, one step after another. And here as well, concentric lines will always bring you back to the starting point. And again. His mouth was shaking, arid. He felt he was getting closer. He shouldn’t have leaned out anymore. Noticing a small dot. Detecting. And that engine again, sleepy. Deciphering the impossible. Sticking to reality. Overstepping. That humming was still behind him. Docile and thoughtful, located along a line, this time a much darker line. He cannot do without it anymore. Revealing oneself. A strong blow of breath. Buckets of color.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA SINGLE FACE - Smooth sanding, a grid of endless screams. Frenzy. Bubbles bursting. Air falling apart. Red and white lights. A sequence of thoughtful layers. Parallel lines. Movement is an illusion. Holding tight, fronting onto the unexpected. More lines. Crooked. I immerse myself in a butter of false decisions. I agree to decipher a step. Blocks. Insensitive starts. A false step. Dark reflections. Stumbling. The unparalleled illusion of emptiness. Once, twice. An infinite arc. Disillusion of movement. As if it was necessary. Another step, false. Paths, lit up in the daytime. Falsifications. Unheard-of battles. Outside, in the center, distracted fires. Absent crackles, nonsensical forms, crowds of thoughts. Burnt snow. Settlings. Cave-ins. Unconfessable secrets. Lying to survive. The void and nothing more, like an inverted ring-a-ring-o’roses. More and more in a hurry, with no smudges nor hints of tremblings. Agitated effusions, lukewarm assents, icy absences. Of many expressions, a single face. Of many faces, a single page, white. Of many blank pages, only one, for me. Of many voids, you. Dust of anger, of those that stick on you despite having no fixed abode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAN EGG - And yet, I felt as if I had told you. I felt as if I had got inside you and done everything I could. Walked all over your veins. Swum through your bones. Swung between your nerves, which were stretched like the strings of a concrete guitar. I didn't want to, I didn't want to touch you lightly and take the bloom out of you with a sentimentalism that cannot find peace, not even within a glass of chamomile tea. I didn't want, or couldn’t, sedate you from your morning nightmares. On certain occasions it takes super-seeing, overdoing and being extra amazed.\u003cbr data-mce-fragment=\"1\"\u003eBut in this layer of insane poetry that pervades me there is nothing I can get rid of, it would be like to separate the yolk from the white. It is like being the hair when splitting hairs (a child’s hair), vague, and vagrant without an impossible destination. Are you there? I would like to tell you, again, and again and again. To intertwine your worlds with mine, to tie your pages with mine, to make a book out of them and then throwing it to the wind (the only trusted messenger between us). I wish I held you up while you sleep, I wish I made you levitate so that you won’t feel the weight of your own breathing, I wish I became a warm breath of tenderness. Yet still, there are battles of extreme wills lurking within me, with nowhere to go but the exit, a one-way exit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWINDLESS SNOW - If in the seasons of purity one goes in search of the abyss, like self-hatred goes and ignites a fight with no defeater. If one finds a curved black broken finger in the madness glove. If everywhere one goes one comes across the same exhausted throb of old visions. If in the veiled embrace, one contorts, does sensorial somersaults and drowns. If all of this made sense, if it had a shape, and if this shape could not be touched, smelled, neither felt, but it could only be lived. If what we don’t know yet would come down to us like windless snow.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist :giovanni di domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e"}
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過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、2022年4月にタリア・トレントの実験レーベルKohlhaasから300部限定でリリースしたレコードです。 フリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Kohlhaas releases...
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{"id":7978109436154,"title":"Ryo Fukui \/\/ A Letter from Slowboat LP","handle":"ryo-fukui-a-letter-from-slowboat-lp","description":"\u003cp\u003e北海道のジャズピアニストRyo Fukuiの2020年再発レコードです。（オリジナルは2015年）\u003c\/p\u003e\n\u003cp\u003e今も色褪せないジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278090493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWRWTFWW Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial reissue of the final album from the legendary Hokkaido pianist behind Scenery and Mellow Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryo Fukui\u003c\/p\u003e\n\u003cp\u003eLabel : WRWTFWW\u003c\/p\u003e","published_at":"2023-05-24T06:10:44+09:00","created_at":"2023-05-23T17:50:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","WRWTFWW Records"],"price":418000,"price_min":418000,"price_max":418000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249361678586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ryo Fukui \/\/ A Letter from Slowboat LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","options":["Title"],"media":[{"alt":null,"id":32007922876666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","width":700},{"alt":null,"id":32007922909434,"position":2,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北海道のジャズピアニストRyo Fukuiの2020年再発レコードです。（オリジナルは2015年）\u003c\/p\u003e\n\u003cp\u003e今も色褪せないジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278090493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWRWTFWW Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial reissue of the final album from the legendary Hokkaido pianist behind Scenery and Mellow Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryo Fukui\u003c\/p\u003e\n\u003cp\u003eLabel : WRWTFWW\u003c\/p\u003e"}
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{"id":7978080239866,"title":"Mark \/\/ So You Betrayed The Creative Arts For Your Own Personal Ends LP","handle":"msyb","description":"\u003cp\u003eドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3322151377\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDid you come here to serve art and make sacrifices for its sake? Or to exploit your own personal ends?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint and collaborating with likeminded peers in both classical and soundsystem spheres, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work: the mechanics of force, the cunning of reason, the invisible but crucial hand of chance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages—the latter most deeply explored in Not Kennt Kein Gebot!\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (2022), a heart-on-your-sleeve mixtape pitting post-Second Viennese School disciples like Luigi Dallapiccola against an era-fusing suite of compositions from Radulescu, Zemlinsky and Monteverdi. This direction is also explored on Mark's monthly NTS Radio show, True As Few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBridging the sonic qualities of post-tonal composition and soundsystem frequencies is nothing new—the oeuvre of Christoph de Babalon immediately comes to mind—but here, Mark attempts to meet both poles on their own terms through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perception. What on the surface seems hostile reveals a welcoming catacomb of connections between elements that stake their claim, disappear, merge and finally reappear—their return sculpted by the intricate mediation of similar and dissimilar elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is deeply personal, too. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mark\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e","published_at":"2023-05-28T07:55:58+09:00","created_at":"2023-05-23T15:05:26+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","techno \/ house"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249136693498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mark \/\/ So You Betrayed The Creative Arts For Your Own Personal Ends LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","options":["Title"],"media":[{"alt":null,"id":32007216398586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","width":700},{"alt":null,"id":32007216431354,"position":2,"preview_image":{"aspect_ratio":1.142,"height":1051,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928"},"aspect_ratio":1.142,"height":1051,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3322151377\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDid you come here to serve art and make sacrifices for its sake? Or to exploit your own personal ends?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint and collaborating with likeminded peers in both classical and soundsystem spheres, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work: the mechanics of force, the cunning of reason, the invisible but crucial hand of chance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages—the latter most deeply explored in Not Kennt Kein Gebot!\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (2022), a heart-on-your-sleeve mixtape pitting post-Second Viennese School disciples like Luigi Dallapiccola against an era-fusing suite of compositions from Radulescu, Zemlinsky and Monteverdi. This direction is also explored on Mark's monthly NTS Radio show, True As Few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBridging the sonic qualities of post-tonal composition and soundsystem frequencies is nothing new—the oeuvre of Christoph de Babalon immediately comes to mind—but here, Mark attempts to meet both poles on their own terms through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perception. What on the surface seems hostile reveals a welcoming catacomb of connections between elements that stake their claim, disappear, merge and finally reappear—their return sculpted by the intricate mediation of similar and dissimilar elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is deeply personal, too. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mark\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e"}
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{"id":7977790931194,"title":"Sunik Kim \/\/ Raid on the White Tiger Regiment TAPE","handle":"copy-of-sunik-kim-raid-on-the-white-tiger-regiment-tape","description":"\u003cp\u003e韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253004901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for download code. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is an insanely wild ride made with software Sunik custom-built in Max MSP and SuperCollider using free orchestral soundfonts at hyper-speed tempos. Despite the presumed chaos of this album, there is a strong and present voice that permeates the barrage of noises, almost as if the teeming and swirling sounds coalesce to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e create a slowly shifting mass that is somehow \u003c\/em\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003esoothing. There is a constant regeneration of textures and sensations here: simultaneously shedding and accumulating, receding and emerging. A multidirectional presence, both solidly grounded but also unpredictable in its motion. Side B presents a unique live document of Sunik’s performances of the Raid material: a lengthy 30 minute piece created from multiple field recordings of the performances at Cafe OTO in London and Counterflows in Glasgow. “Raid Live” stands as an interesting counter to the meticulously crafted studio-created material. Its weight is held by roomtone, pockmarked with the audience’s yelling and mingling; a cathartic experience felt by many.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e++\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eArtist's statement by \u003cmeta charset=\"utf-8\"\u003eSunik Kim, 2022:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003e\"This is possibly the second album named after one of the eight core revolutionary operas produced during the Cultural Revolution; to my knowledge, the first is Brian Eno’s Taking Tiger Mountain By Strategy. Raid on the White Tiger Regiment, the opera, focuses on the joint struggle of Chinese and Korean communists during the Korean War—a truly “forgotten war” in much of the world, in which the US dropped 635,000 tons of explosives and 32,557 tons of napalm on the northern part of the peninsula, killing 20 percent of the population, and massacred tens of thousands of Korean communists and suspected sympathizers from Nogeun-ri to Daejeon.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRaid, the album, pulls its titles from the opera’s program and thereby positions the music as a soundtrack: an inherently limited and dependent form that requires a broader historical and political context—a connection with the world—to reach its fullest state of development. In substituting my wordless, “abstract” music for that of the original opera, I hope to establish a living nexus of contradictions between: (1) the original opera, as direct an example of “political art” as there can be; (2) the extended historical and political processes that birthed it; (3) our current conjuncture; (4) the immediate listening experience. In this clashing and intertwining of timelines, histories, and sense-perceptions, I hope to facilitate a visceral act of comparison, a tracking of excess and deficiency: what aligns, what collides, what falls horribly or comically flat, what brings tears of joy or sadness? And why?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music is constructed with custom software I built with Max\/MSP and SuperCollider that controls banks of free orchestral soundfonts at chaotic tempos. I hope the overt “cheapness” of the materials, and their constantly coalescing, collapsing, disintegrating, reassembling movement, establishes a dramatic—operatic!—tension internal to the logic of the music itself: one that, above all, argues that possibilities—aesthetic, yes, but also historical and political—have nowhere near been exhausted, and that the present order will one day be rightfully relegated to “the museum of antiquities, next to the spinning wheel and the bronze ax.”\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sunik Kim\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e","published_at":"2023-05-22T15:23:00+09:00","created_at":"2023-05-22T14:25:31+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","noise","notice recordings","tape","techno \/ house"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247308632314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sunik Kim \/\/ Raid on the White Tiger Regiment TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","options":["Title"],"media":[{"alt":null,"id":32002070413562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","width":700},{"alt":null,"id":32002070446330,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253004901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for download code. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is an insanely wild ride made with software Sunik custom-built in Max MSP and SuperCollider using free orchestral soundfonts at hyper-speed tempos. Despite the presumed chaos of this album, there is a strong and present voice that permeates the barrage of noises, almost as if the teeming and swirling sounds coalesce to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e create a slowly shifting mass that is somehow \u003c\/em\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003esoothing. There is a constant regeneration of textures and sensations here: simultaneously shedding and accumulating, receding and emerging. A multidirectional presence, both solidly grounded but also unpredictable in its motion. Side B presents a unique live document of Sunik’s performances of the Raid material: a lengthy 30 minute piece created from multiple field recordings of the performances at Cafe OTO in London and Counterflows in Glasgow. “Raid Live” stands as an interesting counter to the meticulously crafted studio-created material. Its weight is held by roomtone, pockmarked with the audience’s yelling and mingling; a cathartic experience felt by many.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e++\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eArtist's statement by \u003cmeta charset=\"utf-8\"\u003eSunik Kim, 2022:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003e\"This is possibly the second album named after one of the eight core revolutionary operas produced during the Cultural Revolution; to my knowledge, the first is Brian Eno’s Taking Tiger Mountain By Strategy. Raid on the White Tiger Regiment, the opera, focuses on the joint struggle of Chinese and Korean communists during the Korean War—a truly “forgotten war” in much of the world, in which the US dropped 635,000 tons of explosives and 32,557 tons of napalm on the northern part of the peninsula, killing 20 percent of the population, and massacred tens of thousands of Korean communists and suspected sympathizers from Nogeun-ri to Daejeon.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRaid, the album, pulls its titles from the opera’s program and thereby positions the music as a soundtrack: an inherently limited and dependent form that requires a broader historical and political context—a connection with the world—to reach its fullest state of development. In substituting my wordless, “abstract” music for that of the original opera, I hope to establish a living nexus of contradictions between: (1) the original opera, as direct an example of “political art” as there can be; (2) the extended historical and political processes that birthed it; (3) our current conjuncture; (4) the immediate listening experience. In this clashing and intertwining of timelines, histories, and sense-perceptions, I hope to facilitate a visceral act of comparison, a tracking of excess and deficiency: what aligns, what collides, what falls horribly or comically flat, what brings tears of joy or sadness? And why?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music is constructed with custom software I built with Max\/MSP and SuperCollider that controls banks of free orchestral soundfonts at chaotic tempos. I hope the overt “cheapness” of the materials, and their constantly coalescing, collapsing, disintegrating, reassembling movement, establishes a dramatic—operatic!—tension internal to the logic of the music itself: one that, above all, argues that possibilities—aesthetic, yes, but also historical and political—have nowhere near been exhausted, and that the present order will one day be rightfully relegated to “the museum of antiquities, next to the spinning wheel and the bronze ax.”\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sunik Kim\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e"}
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韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。 Max/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Notice Recordings releases available at...
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クイックビュー
{"id":7977057386746,"title":"Aya Metwalli \u0026 Calamita \/\/ Al Saher LP","handle":"aya-metwalli-calamita-al-saher-lp","description":"\u003cp\u003eエジプトのボーカリストAya MetwalliとレバノンのフリーフォークバンドCalamitaが、2023年5月にドイツ・ベルリンのエキゾチックレーベルZehraからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアラビック・フリージャズ〜ポストパンク4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=7961696\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eZehra:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCALAMITA = KARKHANA members TONY ELIEH, SHARIF SEHNAOUI and Lebanese drummer MALEK RIZKALLAH join forces with the Egyptian singer AYA METWALLI - the result is the improbable meeting between free jazz \/ improv, punk rock \u0026amp; Oum Kalthoum!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCALAMITA is the “rock project” of SHARIF SEHNAOUI and TONY ELIEH, two of the most active musicians on the Lebanese experimental scene (among others projects, both are members of the “free Middle Eastern music” collective KARKHANA). SEHNAOUI comes from a jazz and improv music background, ELIEH is primarily a rock musician and founding member of the Lebanese post-punk band THE SCRAMBLED EGGS whose work in the last decade has covered many directions from pop-rock to plain experimental. They are joined by Lebanese drummer MALEK RIZKALLAH (WHO KILLED BRUCE LEE, ex THE SCRAMBLED EGGS). As trio they develop instrumental pieces that draw their inspiration from artists as diverse as Tony Conrad, Last Exit or Oum Kalthoum.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAYA METWALLI is an Egyptian singer\/songwriter, composer and sound artist currently based in Beirut. Grown up in Cairo, her father would play non-stop Oum Kalthoum songs on road trips to the beach and Aya’s mother; known to have the most beautiful\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e voice in the family, she always sang at home and at family gatherings, so long before Aya was able to form her own music taste, immense amounts of Arabic classic songs and melodies already settled in her subconsciousness …\u003cbr data-mce-fragment=\"1\"\u003eAfter her first EP „Beitak“ in 2016, Metwalli (named “a musical enigma” by The Guardian) started to integrate more experimental and eerie sonic excursions into her avant-pop, so the collaboration with CALAMITA feels like a natural or logic step.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe roots for „Al Saher“ („stay awake“) were laid when SEHNAOUI and METWALLI first worked together in “Night”, a dance piece by ALI CHAHROUR which included a wide collection of Arabic songs and ancient poems, later Sehnaoui invited her to work with CALAMITA.\u003cbr data-mce-fragment=\"1\"\u003eThe four met in a recording studio in Beirut, using songs by \"The Voice of Egypt\" Oum Kalthoum as starting point. Together they aim to fully revisit the song format and explore the possibilities of classical Tarab songs, extracted from their origins and reframed within the music of the twenty-first century. The result is a mix of various styles and influences that often seek to stretch the contrasts to towering extremes - an improbable blend between free jazz \u0026amp; improv, punk rock \u0026amp; Oum Kalthoum!\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : AYA METWALLI \u0026amp; CALAMITA\u003c\/p\u003e\n\u003cp\u003eLabel : Zehra\u003c\/p\u003e","published_at":"2023-05-29T08:53:04+09:00","created_at":"2023-05-19T12:58:30+09:00","vendor":"Tobira Records","type":"","tags":["jazz","karlrecords","lp"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44244012171514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aya Metwalli \u0026 Calamita \/\/ Al Saher LP","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/al1_13468358-3341-4fb6-b3af-ec2f5841f457.jpg?v=1684468712","\/\/tobirarecords.com\/cdn\/shop\/files\/al2_12651fac-1ea1-4cf9-86ff-69378f83f5d0.jpg?v=1684468712"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_13468358-3341-4fb6-b3af-ec2f5841f457.jpg?v=1684468712","options":["Title"],"media":[{"alt":null,"id":31990467657978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_13468358-3341-4fb6-b3af-ec2f5841f457.jpg?v=1684468712"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al1_13468358-3341-4fb6-b3af-ec2f5841f457.jpg?v=1684468712","width":700},{"alt":null,"id":31990467690746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_12651fac-1ea1-4cf9-86ff-69378f83f5d0.jpg?v=1684468712"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/al2_12651fac-1ea1-4cf9-86ff-69378f83f5d0.jpg?v=1684468712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエジプトのボーカリストAya MetwalliとレバノンのフリーフォークバンドCalamitaが、2023年5月にドイツ・ベルリンのエキゾチックレーベルZehraからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアラビック・フリージャズ〜ポストパンク4曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=7961696\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl. \u003c\/p\u003e\n\u003cp\u003eZehra:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCALAMITA = KARKHANA members TONY ELIEH, SHARIF SEHNAOUI and Lebanese drummer MALEK RIZKALLAH join forces with the Egyptian singer AYA METWALLI - the result is the improbable meeting between free jazz \/ improv, punk rock \u0026amp; Oum Kalthoum!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCALAMITA is the “rock project” of SHARIF SEHNAOUI and TONY ELIEH, two of the most active musicians on the Lebanese experimental scene (among others projects, both are members of the “free Middle Eastern music” collective KARKHANA). SEHNAOUI comes from a jazz and improv music background, ELIEH is primarily a rock musician and founding member of the Lebanese post-punk band THE SCRAMBLED EGGS whose work in the last decade has covered many directions from pop-rock to plain experimental. They are joined by Lebanese drummer MALEK RIZKALLAH (WHO KILLED BRUCE LEE, ex THE SCRAMBLED EGGS). As trio they develop instrumental pieces that draw their inspiration from artists as diverse as Tony Conrad, Last Exit or Oum Kalthoum.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAYA METWALLI is an Egyptian singer\/songwriter, composer and sound artist currently based in Beirut. Grown up in Cairo, her father would play non-stop Oum Kalthoum songs on road trips to the beach and Aya’s mother; known to have the most beautiful\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e voice in the family, she always sang at home and at family gatherings, so long before Aya was able to form her own music taste, immense amounts of Arabic classic songs and melodies already settled in her subconsciousness …\u003cbr data-mce-fragment=\"1\"\u003eAfter her first EP „Beitak“ in 2016, Metwalli (named “a musical enigma” by The Guardian) started to integrate more experimental and eerie sonic excursions into her avant-pop, so the collaboration with CALAMITA feels like a natural or logic step.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe roots for „Al Saher“ („stay awake“) were laid when SEHNAOUI and METWALLI first worked together in “Night”, a dance piece by ALI CHAHROUR which included a wide collection of Arabic songs and ancient poems, later Sehnaoui invited her to work with CALAMITA.\u003cbr data-mce-fragment=\"1\"\u003eThe four met in a recording studio in Beirut, using songs by \"The Voice of Egypt\" Oum Kalthoum as starting point. Together they aim to fully revisit the song format and explore the possibilities of classical Tarab songs, extracted from their origins and reframed within the music of the twenty-first century. The result is a mix of various styles and influences that often seek to stretch the contrasts to towering extremes - an improbable blend between free jazz \u0026amp; improv, punk rock \u0026amp; Oum Kalthoum!\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : AYA METWALLI \u0026amp; CALAMITA\u003c\/p\u003e\n\u003cp\u003eLabel : Zehra\u003c\/p\u003e"}
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エジプトのボーカリストAya MetwalliとレバノンのフリーフォークバンドCalamitaが、2023年5月にドイツ・ベルリンのエキゾチックレーベルZehraからリリースした共作レコードです。 アラビック・フリージャズ〜ポストパンク4曲を収録。 レーベルその他作品はこちら /// Click here to see more Karl Records/Zehra releases available at Tobira. ---------------------------------...
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{"id":7977048801530,"title":"Howie Lee \/\/ Birdy Island LP","handle":"howie-lee-birdy-island-lp","description":"\u003cp\u003e中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1849902179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eMais Um:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSwirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on Birdy Island, the latest album by Beijing-based producer\/artist, Howie Lee, due out in April 2021 on Mais Um.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFresh off the back of several high impact, club-centring album releases on Maloca, SVBKVLT and his influential, Do Hits label, on top of remixes for artists including Lawfawndah, Charlie\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e XCX \u0026amp; Sophie, Lee presents his most organic and expansive project to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten, produced and recorded entirely by Lee at the back end of 2018 (with the exception of the album’s resident four-piece choir made up of rising Beijing artist, Fishdoll, Shanghai singer\/producer, Yehaiyahan and West by West, with Lee himself also included), Birdy Island’s almost exclusively acoustic yet broad sound palette threads continuities between ceremonial Taoist music, early Buchla synth experiments, and FWD\u0026gt;\u0026gt; nights at London’s Plastic People.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album just came very natural. It was all recorded little by little. Layer upon layer. The approach was to just record. I had all these instruments around me and I just thought, i’m gonna play and keep playing”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowie’s latest offering is as enchanting as it is boundlessly imaginative. “I’ve always had this concept in my mind about making an album based around an island”. Loosely based around Lee’s own long-formed concept of a floating Sicilian theme park, co-inhabited by both birds and ancestral spirits, Howie remarks: \"Birdy Island to me is a palace in the clouds and the birds are worshipped like Gods. Not like a western God though.” Reminiscent of Hayao Miyazaki’s Laputa (in the 1986 film Castle In The Sky), Lee’s Birdy Island has been built by a Chinese investment company seeking to re-sync our relationship with the spiritual and natural world after years of economic collapse and degradation, and who invite Howie to compose the park’s soundtrack. Inside Birdy Island’s 30-minute gallery of collaged sound, Lee draws on a wide history of traditional pan-Asian music, filtered through his unique lens of contemporary electronic production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the playful percussion and child-like wonderment of Time To The Sun, featuring Yehaiyahan on vocals to the beguiling loop-based poise of Wave,Wave,Wave offering our first taste of the almost-devotional chanting choir accompaniment. The album title track and first single Birdy Island continues down a similar trajectory, combining Kaitlyn Aurelia Smith-esque synths with rattling bells and AI-manipulated birdsong to saintly effect. Stripped-back UK grime sonics (Foreign Flowers) and Chicago footwork (Dawn Of The Idols) seep into the larger whole, as does elements of jazz fusion, ambient and video game-composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince discovering punk and Fruity Loops at age 15 and making DIY tapes for friends at school, Howie Lee has become one of the most influential players within contemporary Chinese music and arts\/culture. Having co-founded Do Hits as a club night in 2011 (levelling up as a label in 2015), as an outlet to showcase Beijing’s exciting musical underground, Lee’s conceptually intricate brand of traditional Chinese folk meets experimental bass weight sound, has been picked up by listeners worldwide, even securing remix duties for Snoop Dogg (in his Snoop Lion moniker), back in 2012.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Daoist scripture to 1970s martial arts-themed wuxia novels, Howie’s myriad strands of musical and visual output have often enveloped themes circling modern and ancient Chinese history. Lee’s Socialism Core Value EP series and the dystopian-horror 3D animation for 2017 single Bankers (created and directed by Howie himself), as well as his work with visual artist and video game designer, Teom Chen (the pair have gone on to tour their collaborations across China as part of Lee’s live show), offer a glimpse into the broad social and cultural questions intrinsically entwined throughout his discography.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Howie Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Mais Um\u003c\/p\u003e","published_at":"2023-05-28T09:52:42+09:00","created_at":"2023-05-19T12:50:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","post newage"],"price":325000,"price_min":325000,"price_max":325000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44243987398906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Howie Lee \/\/ Birdy Island LP","public_title":null,"options":["Default Title"],"price":325000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","options":["Title"],"media":[{"alt":null,"id":31990429581562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","width":700},{"alt":null,"id":31990429614330,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1849902179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eMais Um:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSwirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on Birdy Island, the latest album by Beijing-based producer\/artist, Howie Lee, due out in April 2021 on Mais Um.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFresh off the back of several high impact, club-centring album releases on Maloca, SVBKVLT and his influential, Do Hits label, on top of remixes for artists including Lawfawndah, Charlie\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e XCX \u0026amp; Sophie, Lee presents his most organic and expansive project to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten, produced and recorded entirely by Lee at the back end of 2018 (with the exception of the album’s resident four-piece choir made up of rising Beijing artist, Fishdoll, Shanghai singer\/producer, Yehaiyahan and West by West, with Lee himself also included), Birdy Island’s almost exclusively acoustic yet broad sound palette threads continuities between ceremonial Taoist music, early Buchla synth experiments, and FWD\u0026gt;\u0026gt; nights at London’s Plastic People.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album just came very natural. It was all recorded little by little. Layer upon layer. The approach was to just record. I had all these instruments around me and I just thought, i’m gonna play and keep playing”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowie’s latest offering is as enchanting as it is boundlessly imaginative. “I’ve always had this concept in my mind about making an album based around an island”. Loosely based around Lee’s own long-formed concept of a floating Sicilian theme park, co-inhabited by both birds and ancestral spirits, Howie remarks: \"Birdy Island to me is a palace in the clouds and the birds are worshipped like Gods. Not like a western God though.” Reminiscent of Hayao Miyazaki’s Laputa (in the 1986 film Castle In The Sky), Lee’s Birdy Island has been built by a Chinese investment company seeking to re-sync our relationship with the spiritual and natural world after years of economic collapse and degradation, and who invite Howie to compose the park’s soundtrack. Inside Birdy Island’s 30-minute gallery of collaged sound, Lee draws on a wide history of traditional pan-Asian music, filtered through his unique lens of contemporary electronic production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the playful percussion and child-like wonderment of Time To The Sun, featuring Yehaiyahan on vocals to the beguiling loop-based poise of Wave,Wave,Wave offering our first taste of the almost-devotional chanting choir accompaniment. The album title track and first single Birdy Island continues down a similar trajectory, combining Kaitlyn Aurelia Smith-esque synths with rattling bells and AI-manipulated birdsong to saintly effect. Stripped-back UK grime sonics (Foreign Flowers) and Chicago footwork (Dawn Of The Idols) seep into the larger whole, as does elements of jazz fusion, ambient and video game-composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince discovering punk and Fruity Loops at age 15 and making DIY tapes for friends at school, Howie Lee has become one of the most influential players within contemporary Chinese music and arts\/culture. Having co-founded Do Hits as a club night in 2011 (levelling up as a label in 2015), as an outlet to showcase Beijing’s exciting musical underground, Lee’s conceptually intricate brand of traditional Chinese folk meets experimental bass weight sound, has been picked up by listeners worldwide, even securing remix duties for Snoop Dogg (in his Snoop Lion moniker), back in 2012.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Daoist scripture to 1970s martial arts-themed wuxia novels, Howie’s myriad strands of musical and visual output have often enveloped themes circling modern and ancient Chinese history. Lee’s Socialism Core Value EP series and the dystopian-horror 3D animation for 2017 single Bankers (created and directed by Howie himself), as well as his work with visual artist and video game designer, Teom Chen (the pair have gone on to tour their collaborations across China as part of Lee’s live show), offer a glimpse into the broad social and cultural questions intrinsically entwined throughout his discography.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Howie Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Mais Um\u003c\/p\u003e"}
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中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。 ポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。 ---------------------------------------- 12" black vinyl. Mais Um: "Swirling layers of OST-style sound...
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{"id":7976727085306,"title":"Lorena Álvarez \u0026 Alejandro Palacios \/\/ Paisajes Para Torcer al Reloj TAPE","handle":"lorena-alvarez-alejandro-palacios-paisajes-para-torcer-al-reloj-tape","description":"\u003cp\u003eチリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065229613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eNot Not Fun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist \/ DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve \u0026amp; Smog arts residency in Santiago, Chile in April 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorena Álvarez \u0026amp; Alejandro Palacios\u003c\/p\u003e\n\u003cp\u003eLabel : Not Not Fun Records\u003c\/p\u003e","published_at":"2023-05-24T14:57:09+09:00","created_at":"2023-05-18T16:07:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","not not fun","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44242450776314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lorena Álvarez \u0026 Alejandro Palacios \/\/ Paisajes Para Torcer al Reloj TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","options":["Title"],"media":[{"alt":null,"id":31987044614394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","width":700},{"alt":null,"id":31987044647162,"position":2,"preview_image":{"aspect_ratio":1.353,"height":887,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678"},"aspect_ratio":1.353,"height":887,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065229613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eNot Not Fun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist \/ DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve \u0026amp; Smog arts residency in Santiago, Chile in April 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorena Álvarez \u0026amp; Alejandro Palacios\u003c\/p\u003e\n\u003cp\u003eLabel : Not Not Fun Records\u003c\/p\u003e"}
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チリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。 即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Not Not Fun Records...
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{"id":7975545274618,"title":"Emily Rach Beisel \/\/ Particle Of Organs CD","handle":"emily-rach-beisel-particle-of-organs-cd","description":"\u003cp\u003eアメリカ・シカゴの地下ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmalgam諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、シカゴのクラリネット奏者／講師Emily Rach Beiselが、2023年5月に100部限定でリリースしたデビューCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットによるジャズ・ドローン10曲を収録。DLコード付属。 デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362991231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003ehere\u003c\/a\u003e to see more Amalgam releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. CD in digipack.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e Monret, 2023 (via the label):\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From the very first track, it becomes apparent that this album is a unique and daring exploration of sound. Particle of Organs showcases the raw, unadulterated power of the body and the instrument, weaving together sounds that are both corrosive and tender. Emily Rach Beisel seamlessly blends elements of death vocals, extended vocal and instrumental techniques, analogue timbral effects and rich bass clarinet tone, creating a sonic landscape that is both weighty and exhilarating.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile the album can be challenging to listen to at times, there are moments of lyricism and tenderness that provide a welcome respite from the intensity. Tracks such as “warm upon your face” and “as a Jian-bird alone” showcase Beisel's ability to create beauty from chaos, weaving together delicate melodies with more abrasive elements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOverall, Particle of Organs is a daring, uncompromising album that moves effortlessly through disparate styles and sound worlds. 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{"id":7975349813498,"title":"Ebo Taylor And The Pelikans \/\/ s\/t LP","handle":"ebo-taylor-and-the-pelikans-s-t-lp","description":"\u003cp\u003eガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eアフロ・ファンク〜ファンク・ジャズ7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SL4RlIB7Azc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2023 reissue - originally recorded in 1976.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Enye Nyame Nko\u003cbr\u003eA2 Gyae Su Na Nkomo\u003cbr\u003eA3 Reality\u003cbr\u003eB1 Egya Edu\u003cbr\u003eB2 Mber No Aso\u003cbr\u003eB3 Come Along\u003cbr\u003eB4 If You Care\u003c\/p\u003e\n\u003cp\u003eArtist : Ebo Taylor And The Pelikans \u003c\/p\u003e\n\u003cp\u003eLabel : Planet Woo\u003c\/p\u003e","published_at":"2023-05-13T14:45:51+09:00","created_at":"2023-05-13T13:59:55+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44232416919802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ebo Taylor And The Pelikans \/\/ s\/t LP","public_title":null,"options":["Default Title"],"price":468000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","options":["Title"],"media":[{"alt":null,"id":31965190914298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","width":600},{"alt":null,"id":31965190947066,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eアフロ・ファンク〜ファンク・ジャズ7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SL4RlIB7Azc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2023 reissue - originally recorded in 1976.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Enye Nyame Nko\u003cbr\u003eA2 Gyae Su Na Nkomo\u003cbr\u003eA3 Reality\u003cbr\u003eB1 Egya Edu\u003cbr\u003eB2 Mber No Aso\u003cbr\u003eB3 Come Along\u003cbr\u003eB4 If You Care\u003c\/p\u003e\n\u003cp\u003eArtist : Ebo Taylor And The Pelikans \u003c\/p\u003e\n\u003cp\u003eLabel : Planet Woo\u003c\/p\u003e"}
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ガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。 アフロ・ファンク〜ファンク・ジャズ7曲を収録。 ----------------------------------------- 2023 reissue - originally recorded in 1976. Tracklist: A1 ...
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{"id":7975349649658,"title":"The Broadway Quintet \/\/ Amalume (Lekani Mowa) LP","handle":"the-broadway-quintet-amalume-lekani-mowa-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1970年代に活動していたザンビアのジャズバンドThe Broadway Quintetのデビュー作品の再発盤です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eザムロックとは一線を画す音楽性は今聴いても新鮮です。ライナーノーツ付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e”1960年代初頭、ザンビアの統一民族独立党（UNIP）の娯楽ニーズに応えるために誕生したブロードウェイ・クインテットは、ルサカの一流ホテルバンドからベテランを集め、その尊敬すべきラインナップを作り上げました。カルテットとしてスタートし、後にクインテットに発展したこのグループのキャリアは、キャバレー・サーキットでの人気者として20年以上に及び、無数の名高いコラボレーションを誇っています。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eブロードウェイ・クインテットのジャズ・センスは、1970年代にザンビアの音楽界を席巻していたロック・サウンドとは一線を画していました。しかし、土着のリズムと西洋のポップスを融合させたザムロックの方式は、彼らの唯一無二の1976年の長編アルバムを形成しました。伝統的な曲を現代風にアレンジしたアマルメは、コンガとサックス、アフリカの民謡とエレキキーボード、ショービジネスの曲とジャズギターを融合させました。タイトル曲の酒を飲むことの危険性を警告するサイケデリックなイラストのジャケットは、アルバムのライナーノーツにあるように、「独創性と衝撃的な美しさ」の爆発的なパッケージでした。”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=540862701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eSharp-Flat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmerging to serve the entertainment needs of Zambia's United National Independence Party (UNIP) in the early 1960s, The Broadway Quintet gathered seasoned talent from Lusaka's best hotel bands to fashion its esteemed lineup. Starting as a quartet and later evolving into a quintet, the group's career spanned over twenty years as favourites on the cabaret circuit and boasted a myriad of prestigious collaborations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Broadway Quintet's jazz sensibilities set them apart from the rock sound that dominated Zambia's music landscape in the 1970s. Yet the formula behind Zamrock, fusing indigenous rhythms with Western pop, shaped their one and only 1976 long-player. Featuring modern arrangements of traditional songs, Amalume blended congas with sax sounds, African folk lyrics with electric keyboard shenanigans and show business tunes with jazz guitar noodling. With its psychedelic illustrated cover, which references the title track's warning against the perils of drinking alcohol, it was an explosive package of \"originality and electrifying beauty\" as the album's liner notes proclaimed.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : The Broadway Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : Sharp-Flat\u003c\/p\u003e","published_at":"2023-05-13T14:42:04+09:00","created_at":"2023-05-13T13:55:50+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp"],"price":428000,"price_min":428000,"price_max":428000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44232412987642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"The Broadway Quintet \/\/ Amalume (Lekani Mowa) LP","public_title":null,"options":["Default Title"],"price":428000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ama1.jpg?v=1683953752"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ama1.jpg?v=1683953752","options":["Title"],"media":[{"alt":null,"id":31965181444346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ama1.jpg?v=1683953752"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ama1.jpg?v=1683953752","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1970年代に活動していたザンビアのジャズバンドThe Broadway Quintetのデビュー作品の再発盤です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eザムロックとは一線を画す音楽性は今聴いても新鮮です。ライナーノーツ付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cspan\u003e”1960年代初頭、ザンビアの統一民族独立党（UNIP）の娯楽ニーズに応えるために誕生したブロードウェイ・クインテットは、ルサカの一流ホテルバンドからベテランを集め、その尊敬すべきラインナップを作り上げました。カルテットとしてスタートし、後にクインテットに発展したこのグループのキャリアは、キャバレー・サーキットでの人気者として20年以上に及び、無数の名高いコラボレーションを誇っています。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eブロードウェイ・クインテットのジャズ・センスは、1970年代にザンビアの音楽界を席巻していたロック・サウンドとは一線を画していました。しかし、土着のリズムと西洋のポップスを融合させたザムロックの方式は、彼らの唯一無二の1976年の長編アルバムを形成しました。伝統的な曲を現代風にアレンジしたアマルメは、コンガとサックス、アフリカの民謡とエレキキーボード、ショービジネスの曲とジャズギターを融合させました。タイトル曲の酒を飲むことの危険性を警告するサイケデリックなイラストのジャケットは、アルバムのライナーノーツにあるように、「独創性と衝撃的な美しさ」の爆発的なパッケージでした。”\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=540862701\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eSharp-Flat:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEmerging to serve the entertainment needs of Zambia's United National Independence Party (UNIP) in the early 1960s, The Broadway Quintet gathered seasoned talent from Lusaka's best hotel bands to fashion its esteemed lineup. Starting as a quartet and later evolving into a quintet, the group's career spanned over twenty years as favourites on the cabaret circuit and boasted a myriad of prestigious collaborations.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Broadway Quintet's jazz sensibilities set them apart from the rock sound that dominated Zambia's music landscape in the 1970s. Yet the formula behind Zamrock, fusing indigenous rhythms with Western pop, shaped their one and only 1976 long-player. Featuring modern arrangements of traditional songs, Amalume blended congas with sax sounds, African folk lyrics with electric keyboard shenanigans and show business tunes with jazz guitar noodling. With its psychedelic illustrated cover, which references the title track's warning against the perils of drinking alcohol, it was an explosive package of \"originality and electrifying beauty\" as the album's liner notes proclaimed.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : The Broadway Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : Sharp-Flat\u003c\/p\u003e"}
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1970年代に活動していたザンビアのジャズバンドThe Broadway Quintetのデビュー作品の再発盤です。ザムロックとは一線を画す音楽性は今聴いても新鮮です。ライナーノーツ付属。 以下、レーベルによる解説です。 ”1960年代初頭、ザンビアの統一民族独立党（UNIP）の娯楽ニーズに応えるために誕生したブロードウェイ・クインテットは、ルサカの一流ホテルバンドからベテランを集め、その尊敬すべきラインナップを作り上げました。カルテットとしてスタートし、後にクインテットに発展したこのグループのキャリアは、キャバレー・サーキットでの人気者として20年以上に及び、無数の名高いコラボレーションを誇っています。ブロードウェイ・クインテットのジャズ・センスは、1970年代にザンビアの音楽界を席巻していたロック・サウンドとは一線を画していました。しかし、土着のリズムと西洋のポップスを融合させたザムロックの方式は、彼らの唯一無二の1976年の長編アルバムを形成しました。伝統的な曲を現代風にアレンジしたアマルメは、コンガとサックス、アフリカの民謡とエレキキーボード、ショービジネスの曲とジャズギターを融合させました。タイトル曲の酒を飲むことの危険性を警告するサイケデリックなイラストのジャケットは、アルバムのライナーノーツにあるように、「独創性と衝撃的な美しさ」の爆発的なパッケージでした。” ----------------------------------------- 12" black vinyl. Sharp-Flat: "Emerging to serve the...
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{"id":7974890504442,"title":"Anima Sound \/\/ Underground Altena LP","handle":"anima-sound-underground-altena-lp","description":"\u003cp\u003e1960-1980年代に活動していた\u003cspan\u003eドイツの実験夫婦デュオAnima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T14:30:13+09:00","created_at":"2023-05-12T15:03:37+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230592954618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anima Sound \/\/ Underground Altena LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","options":["Title"],"media":[{"alt":null,"id":31959430103290,"position":1,"preview_image":{"aspect_ratio":1.053,"height":570,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419"},"aspect_ratio":1.053,"height":570,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","width":600},{"alt":null,"id":31959430136058,"position":2,"preview_image":{"aspect_ratio":1.115,"height":392,"width":437,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419"},"aspect_ratio":1.115,"height":392,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","width":437},{"alt":null,"id":31959430168826,"position":3,"preview_image":{"aspect_ratio":1.155,"height":374,"width":432,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"},"aspect_ratio":1.155,"height":374,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418","width":432}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1960-1980年代に活動していた\u003cspan\u003eドイツの実験夫婦デュオAnima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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1960-1980年代に活動していたドイツの実験夫婦デュオAnima Soundが、2022年にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 1973年に録音したクラウトロック〜フリージャズ2曲を収録。 以下、レーベルによる解説です。 "Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse...
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{"id":7972798136570,"title":"Mishagas \/\/ 1996-1997 TAPE","handle":"mishagas-1996-1997-tape","description":"\u003cp\u003eアメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1996-1997年に録音したフリージャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Colpitts - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Daniel - Alto Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Lee - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228154267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text\/essay by the artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA priest, a drummer, and a tennis pro step onto a stage. . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Who is in Mishagas? Were they any good?” - Josh Fox.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was the drummer - just out of Middlebury College and untouched by cynicism. I arrived at the doorstep of the Tribeca Knitting Factory in the summer of 1996 and landed a job booking tours for musicians associated with the venue - John Zorn, Dave Douglas, William Hooker, Thomas Chapin, Charles Gayle. It was a heady time for The Knit and sponsorship flowed freely from a few alcohol and cigarette manufacturers convinced that experimental music was profitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was not.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was sleeping on a high school friend’s floor somewhere in Manhattan. I remember coming home after my first, long day of unpaid “trial” work at the Knitting Factory and thinking - how is it possible for someone to have an office job? How do you survive this kind of shit? There is something particularly perverse and damaging about sitting at a desk for 8 hours, and to top it off, I was in a basement. I’d decided that I did not have the talent to make music - at 22 or 23 - I was too old. But a few friends still thought that playing music - just that abstract idea with absolutely no ambition attached - was desirable and possible in New York City\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. But the gang with whom I shared these vague dreams were not in New York yet. So I was adrift, watching a few friends scramble to play shitty shows at places like the Spiral and a threadbare CBs Gallery. You’d think I would have had some kind of connection because I worked at the Knitting Factory, but the guy who booked the club, a lanky dude named John, once stopped me with a raised finger and an arched eyebrow when I paused in front of his desk, cairns of demo tapes stacked on every surface. In the moment I gathered a breath to speak, he said, “No.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a pause.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I will not book your band here so don’t even ask.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut yeah - I was a drummer - even though my drums had not migrated to the city yet. I did not have a permanent place to live. But as I hung out with the various interns who lurked around the Knit’s basement office - it emerged that one of them (perhaps on the same day he arrived toting a full set of audio gear, having just recorded his entire subway ride) knew a couple of guys who were looking for a drummer. Having no prospects - I was happy to meet them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Lee was the guitarist (now an Episcopal priest at Grace Church Brooklyn) and Scott Daniel the sax man who we nicknamed “Captain Jazz” (later turned tennis pro, now retired and living in Brooklyn playing acoustic finger-style guitar). They met each other at Mondo Kim’s: a multi-storied record shop and video store that was a kind of apex of hip cultural retail NYC. Right off Cooper Square on St Mark’s Place, it deserves a book all it’s own. Before the internet was populated with the entire history of recorded music - Kim’s was the place to surf for new sounds under the contemptuous gaze of the sullen staff. It was here that Chris and Scott gravitated towards each other. The way they tell it, in the absurd melange of the ultra knowledgeable that constituted the Kim’s staff, they were as normal and down to earth as possible for ESP Records hounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpeaking of which, the ESP catalog was the perfect amalgam of the threads that Chris and Scott were following - the sleazy White punk of The Godz and The Fugs shared a catalog with the Black loft jazz of Sonny Simmons, Albert Ayler and Milford Graves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris was also obsessed with The Dirty Three and was looking to form a trio with a melodic instrument to go along with his guitar. He was getting into free jazz at the same time, so adding Scott on alto made sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I was trying to play like Sonny Sharrock - not well. The tunings were all open chords - they weren’t dissonant tunings. It was all about unison, open, ringing sounds with tons of overtones. That all comes from My Bloody Valentine and the Cocteau Twins. That was my base. Kevin Shields was about as good as I could get technique-wise,” Chris told me recently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott came from Minneapolis and had transitioned from punk bass, to standup, then on to alto sax. He took lessons with David Murray’s arranger Benny Russell at the Brooklyn Conservatory of Music. He had only been playing the horn for about 5 years when he and Chris started jamming together at Chris’s 2nd floor apartment on 16th St and 8th Ave in Park Slope Brooklyn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris came out to a forgettable show at the Knitting Factory, and brought me a cassette of influences. The tape was programmed with tracks by the Dirty Three, Albert Ayler, and the Sun City Girls. I dutifully checked the tunes out and we made plans to jam at the Ludlow Street Studios - a basement-level rehearsal spot down the block from Katz’s Deli on the Lower East Side. The dingy rooms were equipped with amps, drums, PAs and a cassette deck for recording. We think that perhaps a few of the tunes that made the album in your hands were from our first meeting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was struck by Chris’s wild, emotional guitar playing and Scott’s empathetic, succinct phrasing. These guys listened a lot for young dudes in their early 20s. I tried to fit myself into the spaces - charged up by the old guard heads I was mingling with at the Knitting Factory: Sonny Murray, who demanded weed before he went on stage, Rashied Ali, whose wrists were bound to treat some intractable carpal tunnel, and Andrew Cyrille, whose ferocious, delicate and stoic performances kept me guessing. I had just come from a few months in Amsterdam, plopping myself down at the BimHuis every night, seeing all kinds of Dutch legends play to small audiences. I stirred in a little Han Bennink. I was flailing as well. Any technical shortcomings I had were papered over by shear audacity and unearned confidence. All fairly new to the city, we became fast friends and collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince rehearsal space was at a premium I asked the band if they’d be open to waking up early to practice in the basement of the Knitting Factory. The club had backline - drums and amps - and the Alterknit Theater was soundproofed. We would arrive at around 8am - I would brew some coffee at the upstairs bar - and then we’d play for a couple of hours before I started work at 10:30am.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe learned a few songs - Albert Ayler’s “Ghosts” for one - but quickly realized that we ended up in more interesting places without the heads. “Let’s just shred,” was our mantra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur first show was opening for an experimental theater performance of “American Interference” at the Angel Orensanz Center. It was written and directed by Josh Fox - who went on to direct the anti-fracking documentary Gasland (among many other films). We played for about 20 minutes before the show started. We can’t remember if we were paid. Contacted for these liner notes Fox barely remembered our participation. We set up in a corner in front of the stage and we asked our friend Barry London to record us onto a 4-track cassette machine. He set up mics and we started.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter we jammed, he approached us and said - “OK I have levels. Let me know when you’re gonna do your set.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat was the set!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarry did manage to record a second show - but we can’t find the tape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe arrived in NYC during the very last gasps of the hollowed out 80s. We played the very well lit 5th Street squat with Gold Sparkle Quartet and Sunday Puncher, a mere week before a small fire led to the building’s destruction by wrecking ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were sets at ABC No Rio and the Alterknit - the small 80 person capacity room where we had morning rehearsals at the Knitting Factory. Eventually we were granted a show there, but it was probably after I took over the role of booking the club. I remember hearing that Thurston Moore came to a set and dug it, that would have been very exciting to us. Somehow the NYC shows were well attended and in the heat and the rattling crescendos, one of Scott’s friends passed out. That was the vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no significant attachments, and a naive understanding of the music business, we played constantly over the course of that year, touring around the North East and Mid-Atlantic and recording at what feels like in retrospect, an absurdly breakneck pace. Because of my connections at the Knitting Factory, we sometimes played with jazz groups that were more left of center, but still jazz. Our thing was less refined and way more punk. In Baltimore, we played with a band led by a saxophonist whose day job was with the Tommy Dorsey Band. He happened to be really into Evan Parker. But our unstudied thing did not go over well. Chris remembers, “The guitar player wanted to kick my ass after the gig - he thought I was the biggest charlatan in the world. He had come up as a punk rocker but had learned jazz guitar. I got up there, six beers in, and afterwards he wouldn’t talk to me. He wanted nothing to do with us.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShortly following our second tour - the band broke up. By that time - we’d hit a wall. Scott says now, “I remember asking ourselves, ‘what does it mean to improvise? We say we’re free but every gig kind of sounds the same. Why don’t we dance?’” So Chris and Scott started vocalizing and dancing on stage in the mode of Min Tanaka. They’d seen him perform solo at PS122. As I write this now, I do remember feeling a bit uneasy about the turn towards vocalizing and dance. But I was crawling around the floor rattling my heavy molded plastic cymbal case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guys had to remind me how disappointed I was about the break up. Shortly after Mishagas split, Oneida became more of a priority. Our first album came out in the fall of 1997 and we toured for about 3 months. I was hurt that Mishagas ended, but I poured myself into Oneida. Honestly, my time at the Knit had really soured me on the personalities of the NYC jazz scene. I stopped doing improv until I started playing with Jim Sauter in 2012 or so.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott moved to Seattle with his soon-to-be wife Nancy and opened an art gallery connected to a store dealing in mid-century modern furniture. Around the same time, Scott decided to release a CD of material from our time together. The CD came in a slim white cardboard sleeve with no spine. Chris designed a hand stamp that impressed “POE(1)MISHAGASlive” on the cover. The back was stamped with the label name, “Proof of Existence,” and Scott’s Seattle address. Proof of Existence - a label that no one’s heard of until now. The CD, from which most of this collection is drawn, was not exactly “Live” in the traditionally understood sense. The recordings were not all from a concert in front of an audience. Some were - but others were recorded at various home studio set ups. We simply meant - the music was created on the spot, no matter the context. These nuances were only clear to the three of us - or maybe not even that.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnsurprisingly, the release fell through the cracks. Sure it’s tough stuff and not for everyone. The package had no spine, listed no credits or song titles or much identifying information at all. Scott never received a fan letter. It’s a peak of a kind of willful obscurantism that felt intriguing, but was maybe dumb. The CD was distributed by a few outlets and reviewed in the Wire, Willamette Week and no one else. Tom Ridge, writing for The Wire, called us “an exhilarating, combustible mixture of free jazz and avant-rock” - which I’ll take.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut despite the fact that the group barely made a whimper, and is remembered by almost no one - I still would occasionally find myself listening to the album and being moved by the noise, the dedication, and the guileless openness of it all. I always felt like we had something and I was sad, especially when I got back into improvisation after fifteen years of rock and roll, that this stuff was never heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris went on to record a number of great solo albums with no reference to our kind of thing. Oneida kept moving forward - we have a new album coming out this year. But Mishagas, during our short time alive, was as real as we might have ever gotten.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnjoy the shred\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mishagas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-21T18:13:35+09:00","created_at":"2023-05-09T15:16:16+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222403969274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mishagas \/\/ 1996-1997 TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","options":["Title"],"media":[{"alt":null,"id":31944756887802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","width":700},{"alt":null,"id":31944756953338,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1996-1997年に録音したフリージャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Colpitts - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Daniel - Alto Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Lee - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228154267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text\/essay by the artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA priest, a drummer, and a tennis pro step onto a stage. . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Who is in Mishagas? Were they any good?” - Josh Fox.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was the drummer - just out of Middlebury College and untouched by cynicism. I arrived at the doorstep of the Tribeca Knitting Factory in the summer of 1996 and landed a job booking tours for musicians associated with the venue - John Zorn, Dave Douglas, William Hooker, Thomas Chapin, Charles Gayle. It was a heady time for The Knit and sponsorship flowed freely from a few alcohol and cigarette manufacturers convinced that experimental music was profitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was not.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was sleeping on a high school friend’s floor somewhere in Manhattan. I remember coming home after my first, long day of unpaid “trial” work at the Knitting Factory and thinking - how is it possible for someone to have an office job? How do you survive this kind of shit? There is something particularly perverse and damaging about sitting at a desk for 8 hours, and to top it off, I was in a basement. I’d decided that I did not have the talent to make music - at 22 or 23 - I was too old. But a few friends still thought that playing music - just that abstract idea with absolutely no ambition attached - was desirable and possible in New York City\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. But the gang with whom I shared these vague dreams were not in New York yet. So I was adrift, watching a few friends scramble to play shitty shows at places like the Spiral and a threadbare CBs Gallery. You’d think I would have had some kind of connection because I worked at the Knitting Factory, but the guy who booked the club, a lanky dude named John, once stopped me with a raised finger and an arched eyebrow when I paused in front of his desk, cairns of demo tapes stacked on every surface. In the moment I gathered a breath to speak, he said, “No.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a pause.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I will not book your band here so don’t even ask.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut yeah - I was a drummer - even though my drums had not migrated to the city yet. I did not have a permanent place to live. But as I hung out with the various interns who lurked around the Knit’s basement office - it emerged that one of them (perhaps on the same day he arrived toting a full set of audio gear, having just recorded his entire subway ride) knew a couple of guys who were looking for a drummer. Having no prospects - I was happy to meet them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Lee was the guitarist (now an Episcopal priest at Grace Church Brooklyn) and Scott Daniel the sax man who we nicknamed “Captain Jazz” (later turned tennis pro, now retired and living in Brooklyn playing acoustic finger-style guitar). They met each other at Mondo Kim’s: a multi-storied record shop and video store that was a kind of apex of hip cultural retail NYC. Right off Cooper Square on St Mark’s Place, it deserves a book all it’s own. Before the internet was populated with the entire history of recorded music - Kim’s was the place to surf for new sounds under the contemptuous gaze of the sullen staff. It was here that Chris and Scott gravitated towards each other. The way they tell it, in the absurd melange of the ultra knowledgeable that constituted the Kim’s staff, they were as normal and down to earth as possible for ESP Records hounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpeaking of which, the ESP catalog was the perfect amalgam of the threads that Chris and Scott were following - the sleazy White punk of The Godz and The Fugs shared a catalog with the Black loft jazz of Sonny Simmons, Albert Ayler and Milford Graves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris was also obsessed with The Dirty Three and was looking to form a trio with a melodic instrument to go along with his guitar. He was getting into free jazz at the same time, so adding Scott on alto made sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I was trying to play like Sonny Sharrock - not well. The tunings were all open chords - they weren’t dissonant tunings. It was all about unison, open, ringing sounds with tons of overtones. That all comes from My Bloody Valentine and the Cocteau Twins. That was my base. Kevin Shields was about as good as I could get technique-wise,” Chris told me recently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott came from Minneapolis and had transitioned from punk bass, to standup, then on to alto sax. He took lessons with David Murray’s arranger Benny Russell at the Brooklyn Conservatory of Music. He had only been playing the horn for about 5 years when he and Chris started jamming together at Chris’s 2nd floor apartment on 16th St and 8th Ave in Park Slope Brooklyn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris came out to a forgettable show at the Knitting Factory, and brought me a cassette of influences. The tape was programmed with tracks by the Dirty Three, Albert Ayler, and the Sun City Girls. I dutifully checked the tunes out and we made plans to jam at the Ludlow Street Studios - a basement-level rehearsal spot down the block from Katz’s Deli on the Lower East Side. The dingy rooms were equipped with amps, drums, PAs and a cassette deck for recording. We think that perhaps a few of the tunes that made the album in your hands were from our first meeting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was struck by Chris’s wild, emotional guitar playing and Scott’s empathetic, succinct phrasing. These guys listened a lot for young dudes in their early 20s. I tried to fit myself into the spaces - charged up by the old guard heads I was mingling with at the Knitting Factory: Sonny Murray, who demanded weed before he went on stage, Rashied Ali, whose wrists were bound to treat some intractable carpal tunnel, and Andrew Cyrille, whose ferocious, delicate and stoic performances kept me guessing. I had just come from a few months in Amsterdam, plopping myself down at the BimHuis every night, seeing all kinds of Dutch legends play to small audiences. I stirred in a little Han Bennink. I was flailing as well. Any technical shortcomings I had were papered over by shear audacity and unearned confidence. All fairly new to the city, we became fast friends and collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince rehearsal space was at a premium I asked the band if they’d be open to waking up early to practice in the basement of the Knitting Factory. The club had backline - drums and amps - and the Alterknit Theater was soundproofed. We would arrive at around 8am - I would brew some coffee at the upstairs bar - and then we’d play for a couple of hours before I started work at 10:30am.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe learned a few songs - Albert Ayler’s “Ghosts” for one - but quickly realized that we ended up in more interesting places without the heads. “Let’s just shred,” was our mantra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur first show was opening for an experimental theater performance of “American Interference” at the Angel Orensanz Center. It was written and directed by Josh Fox - who went on to direct the anti-fracking documentary Gasland (among many other films). We played for about 20 minutes before the show started. We can’t remember if we were paid. Contacted for these liner notes Fox barely remembered our participation. We set up in a corner in front of the stage and we asked our friend Barry London to record us onto a 4-track cassette machine. He set up mics and we started.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter we jammed, he approached us and said - “OK I have levels. Let me know when you’re gonna do your set.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat was the set!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarry did manage to record a second show - but we can’t find the tape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe arrived in NYC during the very last gasps of the hollowed out 80s. We played the very well lit 5th Street squat with Gold Sparkle Quartet and Sunday Puncher, a mere week before a small fire led to the building’s destruction by wrecking ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were sets at ABC No Rio and the Alterknit - the small 80 person capacity room where we had morning rehearsals at the Knitting Factory. Eventually we were granted a show there, but it was probably after I took over the role of booking the club. I remember hearing that Thurston Moore came to a set and dug it, that would have been very exciting to us. Somehow the NYC shows were well attended and in the heat and the rattling crescendos, one of Scott’s friends passed out. That was the vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no significant attachments, and a naive understanding of the music business, we played constantly over the course of that year, touring around the North East and Mid-Atlantic and recording at what feels like in retrospect, an absurdly breakneck pace. Because of my connections at the Knitting Factory, we sometimes played with jazz groups that were more left of center, but still jazz. Our thing was less refined and way more punk. In Baltimore, we played with a band led by a saxophonist whose day job was with the Tommy Dorsey Band. He happened to be really into Evan Parker. But our unstudied thing did not go over well. Chris remembers, “The guitar player wanted to kick my ass after the gig - he thought I was the biggest charlatan in the world. He had come up as a punk rocker but had learned jazz guitar. I got up there, six beers in, and afterwards he wouldn’t talk to me. He wanted nothing to do with us.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShortly following our second tour - the band broke up. By that time - we’d hit a wall. Scott says now, “I remember asking ourselves, ‘what does it mean to improvise? We say we’re free but every gig kind of sounds the same. Why don’t we dance?’” So Chris and Scott started vocalizing and dancing on stage in the mode of Min Tanaka. They’d seen him perform solo at PS122. As I write this now, I do remember feeling a bit uneasy about the turn towards vocalizing and dance. But I was crawling around the floor rattling my heavy molded plastic cymbal case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guys had to remind me how disappointed I was about the break up. Shortly after Mishagas split, Oneida became more of a priority. Our first album came out in the fall of 1997 and we toured for about 3 months. I was hurt that Mishagas ended, but I poured myself into Oneida. Honestly, my time at the Knit had really soured me on the personalities of the NYC jazz scene. I stopped doing improv until I started playing with Jim Sauter in 2012 or so.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott moved to Seattle with his soon-to-be wife Nancy and opened an art gallery connected to a store dealing in mid-century modern furniture. Around the same time, Scott decided to release a CD of material from our time together. The CD came in a slim white cardboard sleeve with no spine. Chris designed a hand stamp that impressed “POE(1)MISHAGASlive” on the cover. The back was stamped with the label name, “Proof of Existence,” and Scott’s Seattle address. Proof of Existence - a label that no one’s heard of until now. The CD, from which most of this collection is drawn, was not exactly “Live” in the traditionally understood sense. The recordings were not all from a concert in front of an audience. Some were - but others were recorded at various home studio set ups. We simply meant - the music was created on the spot, no matter the context. These nuances were only clear to the three of us - or maybe not even that.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnsurprisingly, the release fell through the cracks. Sure it’s tough stuff and not for everyone. The package had no spine, listed no credits or song titles or much identifying information at all. Scott never received a fan letter. It’s a peak of a kind of willful obscurantism that felt intriguing, but was maybe dumb. The CD was distributed by a few outlets and reviewed in the Wire, Willamette Week and no one else. Tom Ridge, writing for The Wire, called us “an exhilarating, combustible mixture of free jazz and avant-rock” - which I’ll take.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut despite the fact that the group barely made a whimper, and is remembered by almost no one - I still would occasionally find myself listening to the album and being moved by the noise, the dedication, and the guileless openness of it all. I always felt like we had something and I was sad, especially when I got back into improvisation after fifteen years of rock and roll, that this stuff was never heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris went on to record a number of great solo albums with no reference to our kind of thing. Oneida kept moving forward - we have a new album coming out this year. But Mishagas, during our short time alive, was as real as we might have ever gotten.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnjoy the shred\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mishagas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。 1996-1997年に録音したフリージャズ14曲を収録。 John Colpitts - DrumsScott Daniel - Alto SaxChris Lee - Guitar...
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{"id":7972790206714,"title":"KVL \/\/ Volume 2 LP","handle":"kvl-volume-2-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eタイトでミニマルな実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4154929910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl 1st edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAstral Spirits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVolume 2 is the long awaited followup from the all-star Chicago trio of QUIN KIRCHNER, DANIEL VAN DUERM \u0026amp; MATTHEW LUX. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on \"Absent Crash,\" Kirchner's steady \u0026amp; insistent \"Compared to What\" beat in \"Pink Void,\" and Lux's steady \u0026amp; subtle bass lines throughout.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut that's not to say this a rehash of their previous work, as Marcus J. Moore astutely noted at the end of his 2019 review of Volume 1,\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"On an album full of lush tranquility, “Bladewalker” snaps you back to reality while foreshadowing KVL’s next move.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd Volume 2 does step boldly into new territory. The trio gives us the wild free jazz of \"Percival's Dilemma,\" the meeting of electro and afrobeat on \"Microvibe,\" and finally, \"Interconnectivity Suite,\" a stunning 10 minute journey through fields of experimental electronics, dub groove rhythm section interludes that are so tight you could wind your clock to them, ruminative electric piano and eventually ending back into a world of lush\u003cspan class=\"bcTruncateMore\"\u003e tranquility.\u003cbr\u003e\u003cbr\u003eKVL isn't coming back around full circle, rather Volume 2 finds KVL expanding and refining their sonic palette. A focus on looking forward instead of behind, and giving us yet another glimpse of what is to come in the future. But for right now, Volume 2 sounds just right coming out of my speakers and I couldn't be happier.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : KVL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-13T07:27:29+09:00","created_at":"2023-05-09T15:06:45+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222379000058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"KVL \/\/ Volume 2 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","options":["Title"],"media":[{"alt":null,"id":31944688468218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","width":700},{"alt":null,"id":31944688500986,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eタイトでミニマルな実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4154929910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl 1st edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAstral Spirits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVolume 2 is the long awaited followup from the all-star Chicago trio of QUIN KIRCHNER, DANIEL VAN DUERM \u0026amp; MATTHEW LUX. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on \"Absent Crash,\" Kirchner's steady \u0026amp; insistent \"Compared to What\" beat in \"Pink Void,\" and Lux's steady \u0026amp; subtle bass lines throughout.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut that's not to say this a rehash of their previous work, as Marcus J. Moore astutely noted at the end of his 2019 review of Volume 1,\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"On an album full of lush tranquility, “Bladewalker” snaps you back to reality while foreshadowing KVL’s next move.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd Volume 2 does step boldly into new territory. The trio gives us the wild free jazz of \"Percival's Dilemma,\" the meeting of electro and afrobeat on \"Microvibe,\" and finally, \"Interconnectivity Suite,\" a stunning 10 minute journey through fields of experimental electronics, dub groove rhythm section interludes that are so tight you could wind your clock to them, ruminative electric piano and eventually ending back into a world of lush\u003cspan class=\"bcTruncateMore\"\u003e tranquility.\u003cbr\u003e\u003cbr\u003eKVL isn't coming back around full circle, rather Volume 2 finds KVL expanding and refining their sonic palette. A focus on looking forward instead of behind, and giving us yet another glimpse of what is to come in the future. But for right now, Volume 2 sounds just right coming out of my speakers and I couldn't be happier.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : KVL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。 タイトでミニマルな実験ジャズ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira. --------------------------------- Black...
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{"id":7972788011258,"title":"Aaron Leaney feat. Guy Thouin \/\/ Lockdown LP","handle":"aaron-leaney-feat-guy-thouin-lockdown-lp","description":"\u003cp\u003eカナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343372428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wLHs6V8w-h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 1st edition of 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAARON LEANEY - Tenor \u0026amp; Alto Saxophones, Mbira, Flulani Flute, Kathak Brass Bells\u003cbr\u003eGUY THOUIN - Drums, Cymbals, Kick Drums, Toms, Tablas, Cow Bell, Gongs, Percussion\u003cbr\u003eRecorded and Mixed by Radwani Ghazi Moumneh, November 23-25, 2021, at Thee Mighty Hotel2Tango\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Leaney feat. Guy Thouin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-10T06:07:46+09:00","created_at":"2023-05-09T15:04:07+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222368284922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aaron Leaney feat. Guy Thouin \/\/ Lockdown LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","options":["Title"],"media":[{"alt":null,"id":31944664875258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","width":700},{"alt":null,"id":31944664908026,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343372428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wLHs6V8w-h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 1st edition of 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAARON LEANEY - Tenor \u0026amp; Alto Saxophones, Mbira, Flulani Flute, Kathak Brass Bells\u003cbr\u003eGUY THOUIN - Drums, Cymbals, Kick Drums, Toms, Tablas, Cow Bell, Gongs, Percussion\u003cbr\u003eRecorded and Mixed by Radwani Ghazi Moumneh, November 23-25, 2021, at Thee Mighty Hotel2Tango\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Leaney feat. Guy Thouin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。 サックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira....
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{"id":7972785684730,"title":"David Lord \/\/ Forest Standards Vol. 3 LP","handle":"david-lord-forest-standards-vol-3-lp","description":"\u003cp\u003eカナダ・モントリオールのギタリストDavid Lordが、2023年4月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ラウンジ・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=348513713\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 500. Black 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eAnthony Dean-Harris (San Antonio, Texas) via Astral Spirits:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhat is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with drummer Chad Taylor and producer Chris Schlarb, his only constant companions. All the while, on Lord’s solo ventures under his own name (and even in his prior work under the nom de plume Francis Moss), he’s finding new ways to examine the interconnectivity of trees, of fungi, of ecosystems brought together in harmony and just what that would be for people to make that kind of harmony for ourselves. This third volume is merely the latest iteration of that idea, the results of the latest planted seeds. The ensemble is a bit larger, and so are the ideas, but that’s also how growth tends to work in the forest if things are going right.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen Taylor opens up on the kit midway through “Trees Yield Tomte” and all of Lord’s and Nathan Hubbard’s arpeggios start darting around corners, it’s a fun break that doesn’t feel at all like it’s\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e coming from the Christmas goblin of the song’s namesake. Christine Tavolacci’s flute on “In Woods I Know” add that sense of mystery like a concerning wind two the trees on a hike that could make an adventurous turn. How much of David Tranchina’s bass acts the propulsive force of “Infant Elm” as much as Chad Taylor’s drumming? Is Lord’s glockenspiel this album series’ paprika? Its nutmeg?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne song after the other, just like the two albums before this one, seem to come from the earth itself and made to fill one’s ears while taking expeditions into nature's unknown. What makes these albums special is that David Lord knows the atmosphere he's making with this music and in each iteration of his chosen musicians to pull off these ideas, he's chosen just the right people at just the right time to go with the flow. He's made balance as nature does, as forests do. Like wind through leaves, like rustling branches, like birds swooping overhead, these are standards to a forest, and hopefully they are to us mere humans as well.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-11T13:19:14+09:00","created_at":"2023-05-09T15:02:04+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222362026234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Lord \/\/ Forest Standards Vol. 3 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","options":["Title"],"media":[{"alt":null,"id":31944639447290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","width":700},{"alt":null,"id":31944639480058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのギタリストDavid Lordが、2023年4月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ラウンジ・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=348513713\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 500. Black 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eAnthony Dean-Harris (San Antonio, Texas) via Astral Spirits:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhat is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with drummer Chad Taylor and producer Chris Schlarb, his only constant companions. All the while, on Lord’s solo ventures under his own name (and even in his prior work under the nom de plume Francis Moss), he’s finding new ways to examine the interconnectivity of trees, of fungi, of ecosystems brought together in harmony and just what that would be for people to make that kind of harmony for ourselves. This third volume is merely the latest iteration of that idea, the results of the latest planted seeds. The ensemble is a bit larger, and so are the ideas, but that’s also how growth tends to work in the forest if things are going right.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen Taylor opens up on the kit midway through “Trees Yield Tomte” and all of Lord’s and Nathan Hubbard’s arpeggios start darting around corners, it’s a fun break that doesn’t feel at all like it’s\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e coming from the Christmas goblin of the song’s namesake. Christine Tavolacci’s flute on “In Woods I Know” add that sense of mystery like a concerning wind two the trees on a hike that could make an adventurous turn. How much of David Tranchina’s bass acts the propulsive force of “Infant Elm” as much as Chad Taylor’s drumming? Is Lord’s glockenspiel this album series’ paprika? Its nutmeg?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne song after the other, just like the two albums before this one, seem to come from the earth itself and made to fill one’s ears while taking expeditions into nature's unknown. What makes these albums special is that David Lord knows the atmosphere he's making with this music and in each iteration of his chosen musicians to pull off these ideas, he's chosen just the right people at just the right time to go with the flow. He's made balance as nature does, as forests do. Like wind through leaves, like rustling branches, like birds swooping overhead, these are standards to a forest, and hopefully they are to us mere humans as well.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7972763730170,"title":"memotone \/\/ How Was Your Life? LP","handle":"memotone-how-was-your-life-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベル\u003c\/span\u003ePatience \/ Impatience\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなエレクトロニック・ジャズ\u003cmeta charset=\"utf-8\"\u003eフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259194236\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaunching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParadise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWill Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e","published_at":"2023-05-09T15:15:42+09:00","created_at":"2023-05-09T14:34:51+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","patience impatience","strange beats"],"price":367000,"price_min":367000,"price_max":367000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222278336762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"memotone \/\/ How Was Your Life? LP","public_title":null,"options":["Default Title"],"price":367000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","options":["Title"],"media":[{"alt":null,"id":31944419279098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","width":700},{"alt":null,"id":31944419311866,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベル\u003c\/span\u003ePatience \/ Impatience\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなエレクトロニック・ジャズ\u003cmeta charset=\"utf-8\"\u003eフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259194236\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaunching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParadise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWill Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e"}
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イギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベルPatience / Impatienceからリリースしたレコードです。 エキゾチックなエレクトロニック・ジャズフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Patience / Impatience releases available at...
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