jazz / impro
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{"id":7982048772346,"title":"Larry Goldings \/\/ Earthshine LP","handle":"larry-goldings-earthshine-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのピアニストLarry Goldingsが、2022年にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜コンテンポラリー・ジャズ19曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3091913272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLarry Goldings - piano, sampled piano, electric piano, celeste, pump organ, analog and digital synthesizers, Mellotron, Pocket Piano, Hammond organ, Moog bass, drum programming\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDanny Janklow - alto sax or baritone sax on ”Circling Hours” “5:01 am” “Confetti Clouds” “Out to Pasture” and “Death of Mars”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHarry Allen - tenor sax on “Earthshine”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaphne Chen - violin on ”Circling Hours” and “Doubtful Guests”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Larry Goldings\u003c\/p\u003e\n\u003cp\u003eLabel : Colorfield Recordings\u003c\/p\u003e","published_at":"2023-06-07T12:30:57+09:00","created_at":"2023-06-05T14:09:40+09:00","vendor":"Tobira Records","type":"","tags":["colorfield","jazz","lp","new"],"price":421800,"price_min":421800,"price_max":421800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44267213291770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Larry Goldings \/\/ Earthshine LP","public_title":null,"options":["Default Title"],"price":421800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_de724749-c5fd-417f-9910-968cb675e916.jpg?v=1685941782","\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_664fca06-45b9-455e-a6a2-8441f955792b.jpg?v=1685941782"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_de724749-c5fd-417f-9910-968cb675e916.jpg?v=1685941782","options":["Title"],"media":[{"alt":null,"id":32074481336570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_de724749-c5fd-417f-9910-968cb675e916.jpg?v=1685941782"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea1_de724749-c5fd-417f-9910-968cb675e916.jpg?v=1685941782","width":700},{"alt":null,"id":32074481369338,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_664fca06-45b9-455e-a6a2-8441f955792b.jpg?v=1685941782"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ea2_664fca06-45b9-455e-a6a2-8441f955792b.jpg?v=1685941782","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのピアニストLarry Goldingsが、2022年にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜コンテンポラリー・ジャズ19曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3091913272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrfld\"\u003ehere\u003c\/a\u003e to see more Colorfield Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLarry Goldings - piano, sampled piano, electric piano, celeste, pump organ, analog and digital synthesizers, Mellotron, Pocket Piano, Hammond organ, Moog bass, drum programming\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDanny Janklow - alto sax or baritone sax on ”Circling Hours” “5:01 am” “Confetti Clouds” “Out to Pasture” and “Death of Mars”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eHarry Allen - tenor sax on “Earthshine”\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDaphne Chen - violin on ”Circling Hours” and “Doubtful Guests”\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Larry Goldings\u003c\/p\u003e\n\u003cp\u003eLabel : Colorfield Recordings\u003c\/p\u003e"}
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アメリカ・LAのピアニストLarry Goldingsが、2022年にLAのコンテンポラリージャズレーベルColorfield Recordsからリリースしたレコードです。 アンビエント・ジャズ〜コンテンポラリー・ジャズ19曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Colorfield Recordings releases available at Tobira....
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{"id":7980221956346,"title":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP","handle":"copy-of-jeff-parker-mondays-at-the-enfield-tennis-academy-2xlp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLee Morgan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiles Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan data-mce-fragment=\"1\"\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003eLive in Seattle\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e","published_at":"2023-05-30T17:50:00+09:00","created_at":"2023-05-30T15:02:59+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":621400,"price_min":621400,"price_max":621400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44259748872442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Mondays at The Enfield Tennis Academy 2xLP","public_title":null,"options":["Default Title"],"price":621400,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","options":["Title"],"media":[{"alt":null,"id":32037415420154,"position":1,"preview_image":{"aspect_ratio":1.01,"height":891,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581"},"aspect_ratio":1.01,"height":891,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JFP_52f554be-3316-4410-bee5-02c584975ef1.jpg?v=1685426581","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eLee Morganの「Live at the Lighthouse」やMiles Davisの「In Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco \u0026amp; Black Beauty」、そしてJohn Coltraneの「Live in Seattle」等の西海岸ライブ録音2枚組レコードのオマージュを感じます。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/v5CDhI-xOTU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAguirre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eMondays at The Enfield Tennis Academy, x2 LPs of long-form, lyrical, groove-based free improv by acclaimed guitarist \u0026amp; composer \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJeff Parker\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's ETA IVtet. Recorded live at ETA (referencing David Foster Wallace), a bar in LA’s Highland Park neighborhood with just enough space in the back for Parker, drummer Jay Bellerose, bassist Anna Butterss, \u0026amp; alto saxophonist Josh Johnson to convene in extraordinarily depth-full \u0026amp; exploratory music making. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGleaned for the stoniest side-length cuts from 10+ hours of vivid two-track recordings made between 2019 \u0026amp; 2021 by \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eBryce Gonzales\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e is a darkly glowing séance of an album, brimming over with the hypnotic, the melodic, \u0026amp; patience \u0026amp; grace in its own beautiful strangeness. Room-tone, electric fields, environment, ceiling echo, live recording, Mondays, Los Angeles. Jeff Parker's first double album \u0026amp; first live album, \u003c\/span\u003eMondays at The Enfield Tennis Academy\u003cspan data-mce-fragment=\"1\"\u003e belongs in the lineage of such canonical live double albums recorded on the West Coast as \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eLee Morgan\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e’s \u003c\/span\u003eLive at the Lighthouse\u003cspan data-mce-fragment=\"1\"\u003e, \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eMiles Davis\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e' \u003c\/span\u003eIn Person Friday \u0026amp; Saturday Night at the Blackhawk, San Francisco\u003cspan data-mce-fragment=\"1\"\u003e \u0026amp; \u003c\/span\u003eBlack Beauty\u003cspan data-mce-fragment=\"1\"\u003e, \u0026amp; \u003c\/span\u003e\u003cstrong data-mce-fragment=\"1\"\u003eJohn Coltrane\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e's \u003c\/span\u003eLive in Seattle\u003cspan data-mce-fragment=\"1\"\u003e. \u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eA fundamental of all great ensembles, whether basketball teams or bands, is the ability of each member to move fluidly \u0026amp; fluently in \u0026amp; out of lead \u0026amp; supportive roles. Building on the communicative pathways they’ve established in Parker’s -\u003cstrong\u003eThe New Breed-\u003c\/strong\u003e project, Parker \u0026amp; Johnson maintain a constant dialogue of lead \u0026amp; support. Their sampled \u0026amp; looped phrases move continuously thru the music, layered \u0026amp; alive, adding depth \u0026amp; texture \u0026amp; pattern, evoking birds in formation, sea creatures drifting below the photic zone. Or, the two musicians simulate those processes by entwining their terse, clear-lined playing in real-time.\u003cbr\u003e\u003cbr\u003eThe stop\/start flow of Bellerose, too, simulates the sampler, recalling drum parts in Parker’s beat-driven projects. Mostly Bellerose's animated phraseologies deliver the inimitable instantaneous feel of live creative drumming. The range of tonal colors he conjures from his extremely vintage battery of drums \u0026amp; shakers —as distinctive a sonic signature as we have in contemporary acoustic drumming— bring almost folkloric qualities to the aesthetic currency of the IVtet's language. A wonderful revelation in this band is the playing of Anna Butterss. The strength, judiciousness \u0026amp; humility with which she navigates the bass position both ground \u0026amp; lift upward the egalitarian group sound. As the IVtet's grooves flow \u0026amp; clip, loop \u0026amp; repeat, the ensemble elements reconfigure, a terrarium of musical cultivation growing under controlled variables, a tight experiment of harmony \u0026amp; intuition, deep focus \u0026amp; freedom. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズ奏者Jeff Parkerが、2022年10月にベルギーの実験レーベルAguirreからリリースしたアルバムです。 LAのハイランドパークにあるETA（David Foster Wallaceに由来）というバーでライブ録音されたもので、ドラマーJay Bellerose、ベーシストAnna Butterss、アルトサックスJosh Johnsonとともに演奏したロングフォームなインプロジャズ4曲を収録。廃盤です。 Lee Morganの「Live at the Lighthouse」やMiles Davisの「In...
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{"id":7979892277498,"title":"Sam Gendel \/\/ Pass If Music LP","handle":"sam-gendel-pass-if-music-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4235605404\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRandall Roberts for the Los Angeles Times:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to tell on first listen, but the L.A.-based Gendel made every sound on his new album using his alto saxophone. “Pass If Music” is hardly a solo jazz album, though. Rather, the musician harnesses his horn in service of ambient tones and experimental works that reside outside genre distinctions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“East L.A. Haze Dream” floats like an amorphous cloud of vapor as Gendel layers gently blown notes with the occasional brief sax run. “Trudge” is a darkened mantra featuring lower-register hums and a minimal rhythm that marches with determination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn notes, the artist writes that it and the other eight pieces were inspired by the motion picture “The Labyrinth \u0026amp; the Long Road,” [directed by Daniel Oh] for which Gendel contributed the score, and that makes sense. It’s an atmospheric work that evokes its own brand of drama.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-29T08:17:48+09:00","created_at":"2023-05-29T08:17:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","recommended","sam gendel"],"price":329000,"price_min":329000,"price_max":329000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258114109690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Gendel \/\/ Pass If Music LP","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","options":["Title"],"media":[{"alt":null,"id":32031334367482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1816887228_16.jpg?v=1685316006","width":700},{"alt":null,"id":32031334859002,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032277669_10.jpg?v=1685316022","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eアメリカ・\u003c\/span\u003e\u003cspan\u003eLAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4235605404\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3260638237\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eRandall Roberts for the Los Angeles Times:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIt’s hard to tell on first listen, but the L.A.-based Gendel made every sound on his new album using his alto saxophone. “Pass If Music” is hardly a solo jazz album, though. Rather, the musician harnesses his horn in service of ambient tones and experimental works that reside outside genre distinctions.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“East L.A. Haze Dream” floats like an amorphous cloud of vapor as Gendel layers gently blown notes with the occasional brief sax run. “Trudge” is a darkened mantra featuring lower-register hums and a minimal rhythm that marches with determination.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn notes, the artist writes that it and the other eight pieces were inspired by the motion picture “The Labyrinth \u0026amp; the Long Road,” [directed by Daniel Oh] for which Gendel contributed the score, and that makes sense. It’s an atmospheric work that evokes its own brand of drama.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e”\u003c\/span\u003e \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Sam Gendel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのサックス奏者Sam Gendelが、2023年5月にLAの老舗オールジャンルレーベルLeaving Recordsから400部限定でリリースしたレコードです。 全曲アルトサックスを用いて制作したドリーミーなアンビエントドローン〜実験アンビエント・ジャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
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{"id":7979891851514,"title":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","handle":"sam-wilkes-jacob-mann-perform-the-compositions-of-sam-wilkes-jacob-mann-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2023-05-29T08:07:46+09:00","created_at":"2023-05-29T08:07:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","house","jazz","leaving records","lp","recommended"],"price":339000,"price_min":339000,"price_max":339000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44258104836346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sam Wilkes \u0026 Jacob Mann \/\/ Perform The Compositions of Sam Wilkes \u0026 Jacob Mann LP","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662","\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","options":["Title"],"media":[{"alt":null,"id":32031311266042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_6eeba284-e557-4ddb-a292-8a38d17d226d.jpg?v=1685315269","width":700},{"alt":null,"id":32031323226362,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607205_10.jpg?v=1685315662","width":1200},{"alt":null,"id":32031323324666,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029607207_10.jpg?v=1685315663","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eアメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eヒップホップやハウスリスナーにもおすすめします。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2805983379\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Leaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eOf all the things that can and should and will be said of Sam Wilkes’ \u0026amp; Jacob Mann’s Perform the Compositions of Sam Wilkes \u0026amp; Jacob Mann, let’s begin at the beginning and acknowledge that it is an aptly named record indeed. An ideal collaborative effort (which is to say, greater than the sum of its parts), here we have two longtime friends, two luminaries of the New Weird Los Angeles — the experimental, genre-encompassing underground—who have, at last, devoted a full-length record to their signature musical admixture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSince their meeting as USC music students (Wilkes studied bass, and Mann, jazz\/piano), the two have, with a kind of ceaseless abandon, chased the music to the ends the earth — oftentimes quite literally; travel is a recurrent theme in Compositions’ track titles (Pre-board, Soft Landing, and Around the Horn), and the record’s second track, Jakarta, was sketched out in a hotel room in the city of the same name, where Wilkes and Mann were performing at a jazz festival in 2019. Having initially bonded over a mutual and abiding appreciation for the Soulquarians, the two have spent over a decade playing and traveling, together and separately, their styles coevolving all the while.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAcross its thirteen tracks, Compositions captures the relaxed creative flow of two consummate musicians. Most of the record’s sessions (“four-to-five-day summits” in an apartment studio, occasioned by “blasts of inspiration”) began with casual improvisation, and, indeed, roughly half of the final material was composed in this manner: Wilkes and Mann squaring off, a Yamaha DX7 facing a Roland Juno 106, alternating leads, two co-pilots with no set course. And though the songs are polished to a shine, there are artifacts of the intimacy of these sessions. Yes It Is concludes with a snippet of just-intelligible studio chatter: “…A flat minor, then A major.” A figuring-it-out-as-we-go moment that briefly renders explicit the warmth, friendship, and creative freedom that is the album’s heart.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe duo has quipped that Compositions is Mann’s most “serious” project, while simultaneously being Wilkes’ most “light-hearted” — somewhat tongue-in-cheek, but there are certainly two distinct sensibilities at play across Compositions. Their aesthetics collide, coalesce, and diverge, often in a single song. Then the process starts anew. The album begins with the whimsical (exuberant, even!) glitched-out Cricket Club and ends on a note of quiet contentment with Wichita Wilkes, an Earth, Wind, and Fire x shoegaze fever dream.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThat Compositions coheres as well as it does is a testament to Wilkes’ and Mann’s shared vernacular. Both have expressed a tendency to communicate their musical ideas linguistically, posing questions like “what would the woodwinds be doing here?” Though only the two musicians are credited, the ensemble conjured by their combined imaginary feels infinite.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes \u0026amp; Jacob Mann\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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アメリカのベーシストSam WilkesとピアニストJacob Mannが、2023年4月に同国老舗レーベルLeaving Recordsからリリースした共作レコードです。 レイドバックなアンビエントジャズ〜インストヒップホップ14曲を収録。DLコード付属。 ヒップホップやハウスリスナーにもおすすめします。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases...
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{"id":7978809327866,"title":"giovanni di domenico \/\/ Polvere Di Rabbia LP","handle":"giovanni-di-domenico-polvere-di-rabbia-lp","description":"\u003cp\u003e過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022年4月に\u003cmeta charset=\"utf-8\"\u003eタリア・トレントの実験レーベルKohlhaasから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2794046392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eTHE TRAIN - You cannot take yourself too seriously. Engine spins, with no hint of stopping. A gentle ticking, no frills, passing from one side to another. Always at exchange points, a tortuous side and a straight one. A thin layer of morbidity disappears. Like an inside-out hole, it felt confident, it kept going reverse. Generally speaking, it can always be done. And that ticking again, this time darker, and sadder. Swimming into the earth. Going through a wall. Giving it a chance. Revealing. An awful smell is passing through me. Dead-end track. Uncombed stones. Metal bushes. Abstract snow. And an endless row of passions. He has always stood out, one step after another. And here as well, concentric lines will always bring you back to the starting point. And again. His mouth was shaking, arid. He felt he was getting closer. He shouldn’t have leaned out anymore. Noticing a small dot. Detecting. And that engine again, sleepy. Deciphering the impossible. Sticking to reality. Overstepping. That humming was still behind him. Docile and thoughtful, located along a line, this time a much darker line. He cannot do without it anymore. Revealing oneself. A strong blow of breath. Buckets of color.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA SINGLE FACE - Smooth sanding, a grid of endless screams. Frenzy. Bubbles bursting. Air falling apart. Red and white lights. A sequence of thoughtful layers. Parallel lines. Movement is an illusion. Holding tight, fronting onto the unexpected. More lines. Crooked. I immerse myself in a butter of false decisions. I agree to decipher a step. Blocks. Insensitive starts. A false step. Dark reflections. Stumbling. The unparalleled illusion of emptiness. Once, twice. An infinite arc. Disillusion of movement. As if it was necessary. Another step, false. Paths, lit up in the daytime. Falsifications. Unheard-of battles. Outside, in the center, distracted fires. Absent crackles, nonsensical forms, crowds of thoughts. Burnt snow. Settlings. Cave-ins. Unconfessable secrets. Lying to survive. The void and nothing more, like an inverted ring-a-ring-o’roses. More and more in a hurry, with no smudges nor hints of tremblings. Agitated effusions, lukewarm assents, icy absences. Of many expressions, a single face. Of many faces, a single page, white. Of many blank pages, only one, for me. Of many voids, you. Dust of anger, of those that stick on you despite having no fixed abode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAN EGG - And yet, I felt as if I had told you. I felt as if I had got inside you and done everything I could. Walked all over your veins. Swum through your bones. Swung between your nerves, which were stretched like the strings of a concrete guitar. I didn't want to, I didn't want to touch you lightly and take the bloom out of you with a sentimentalism that cannot find peace, not even within a glass of chamomile tea. I didn't want, or couldn’t, sedate you from your morning nightmares. On certain occasions it takes super-seeing, overdoing and being extra amazed.\u003cbr data-mce-fragment=\"1\"\u003eBut in this layer of insane poetry that pervades me there is nothing I can get rid of, it would be like to separate the yolk from the white. It is like being the hair when splitting hairs (a child’s hair), vague, and vagrant without an impossible destination. Are you there? I would like to tell you, again, and again and again. To intertwine your worlds with mine, to tie your pages with mine, to make a book out of them and then throwing it to the wind (the only trusted messenger between us). I wish I held you up while you sleep, I wish I made you levitate so that you won’t feel the weight of your own breathing, I wish I became a warm breath of tenderness. Yet still, there are battles of extreme wills lurking within me, with nowhere to go but the exit, a one-way exit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWINDLESS SNOW - If in the seasons of purity one goes in search of the abyss, like self-hatred goes and ignites a fight with no defeater. If one finds a curved black broken finger in the madness glove. If everywhere one goes one comes across the same exhausted throb of old visions. If in the veiled embrace, one contorts, does sensorial somersaults and drowns. If all of this made sense, if it had a shape, and if this shape could not be touched, smelled, neither felt, but it could only be lived. If what we don’t know yet would come down to us like windless snow.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist :giovanni di domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e","published_at":"2023-05-26T11:01:28+09:00","created_at":"2023-05-26T11:00:37+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","jazz","kohlhaas","lp","monooto","recommended"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44252831678714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"giovanni di domenico \/\/ Polvere Di Rabbia LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","options":["Title"],"media":[{"alt":null,"id":32018114347258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4104513216_16_225e289f-13fa-4ce3-8662-e297811dbe60.jpg?v=1685066440","width":700},{"alt":null,"id":32018114380026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028012156_10_7ca54e8a-92f1-422c-bc0d-df5358208f50.jpg?v=1685066440","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2022年4月に\u003cmeta charset=\"utf-8\"\u003eタリア・トレントの実験レーベルKohlhaasから\u003c\/span\u003e300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2794046392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eTHE TRAIN - You cannot take yourself too seriously. Engine spins, with no hint of stopping. A gentle ticking, no frills, passing from one side to another. Always at exchange points, a tortuous side and a straight one. A thin layer of morbidity disappears. Like an inside-out hole, it felt confident, it kept going reverse. Generally speaking, it can always be done. And that ticking again, this time darker, and sadder. Swimming into the earth. Going through a wall. Giving it a chance. Revealing. An awful smell is passing through me. Dead-end track. Uncombed stones. Metal bushes. Abstract snow. And an endless row of passions. He has always stood out, one step after another. And here as well, concentric lines will always bring you back to the starting point. And again. His mouth was shaking, arid. He felt he was getting closer. He shouldn’t have leaned out anymore. Noticing a small dot. Detecting. And that engine again, sleepy. Deciphering the impossible. Sticking to reality. Overstepping. That humming was still behind him. Docile and thoughtful, located along a line, this time a much darker line. He cannot do without it anymore. Revealing oneself. A strong blow of breath. Buckets of color.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA SINGLE FACE - Smooth sanding, a grid of endless screams. Frenzy. Bubbles bursting. Air falling apart. Red and white lights. A sequence of thoughtful layers. Parallel lines. Movement is an illusion. Holding tight, fronting onto the unexpected. More lines. Crooked. I immerse myself in a butter of false decisions. I agree to decipher a step. Blocks. Insensitive starts. A false step. Dark reflections. Stumbling. The unparalleled illusion of emptiness. Once, twice. An infinite arc. Disillusion of movement. As if it was necessary. Another step, false. Paths, lit up in the daytime. Falsifications. Unheard-of battles. Outside, in the center, distracted fires. Absent crackles, nonsensical forms, crowds of thoughts. Burnt snow. Settlings. Cave-ins. Unconfessable secrets. Lying to survive. The void and nothing more, like an inverted ring-a-ring-o’roses. More and more in a hurry, with no smudges nor hints of tremblings. Agitated effusions, lukewarm assents, icy absences. Of many expressions, a single face. Of many faces, a single page, white. Of many blank pages, only one, for me. Of many voids, you. Dust of anger, of those that stick on you despite having no fixed abode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAN EGG - And yet, I felt as if I had told you. I felt as if I had got inside you and done everything I could. Walked all over your veins. Swum through your bones. Swung between your nerves, which were stretched like the strings of a concrete guitar. I didn't want to, I didn't want to touch you lightly and take the bloom out of you with a sentimentalism that cannot find peace, not even within a glass of chamomile tea. I didn't want, or couldn’t, sedate you from your morning nightmares. On certain occasions it takes super-seeing, overdoing and being extra amazed.\u003cbr data-mce-fragment=\"1\"\u003eBut in this layer of insane poetry that pervades me there is nothing I can get rid of, it would be like to separate the yolk from the white. It is like being the hair when splitting hairs (a child’s hair), vague, and vagrant without an impossible destination. Are you there? I would like to tell you, again, and again and again. To intertwine your worlds with mine, to tie your pages with mine, to make a book out of them and then throwing it to the wind (the only trusted messenger between us). I wish I held you up while you sleep, I wish I made you levitate so that you won’t feel the weight of your own breathing, I wish I became a warm breath of tenderness. Yet still, there are battles of extreme wills lurking within me, with nowhere to go but the exit, a one-way exit.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWINDLESS SNOW - If in the seasons of purity one goes in search of the abyss, like self-hatred goes and ignites a fight with no defeater. If one finds a curved black broken finger in the madness glove. If everywhere one goes one comes across the same exhausted throb of old visions. If in the veiled embrace, one contorts, does sensorial somersaults and drowns. If all of this made sense, if it had a shape, and if this shape could not be touched, smelled, neither felt, but it could only be lived. If what we don’t know yet would come down to us like windless snow.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist :giovanni di domenico\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e"}
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過去にtsssやcanti magneticiなどから発表してきたイタリア出身ベルギー在住のピアニストgiovanni di domenicoが、2022年4月にタリア・トレントの実験レーベルKohlhaasから300部限定でリリースしたレコードです。 フリージャズ〜スポークンワード〜アンビエントドローンなどジャンルを超越した5曲を収録。DLコード付属。 マスタリングはGiuseppe Ielashiが担当しています。 レーベルその他作品はこちら /// Click here to see more Kohlhaas releases...
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{"id":7978109436154,"title":"Ryo Fukui \/\/ A Letter from Slowboat LP","handle":"ryo-fukui-a-letter-from-slowboat-lp","description":"\u003cp\u003e北海道のジャズピアニストRyo Fukuiの2020年再発レコードです。（オリジナルは2015年）\u003c\/p\u003e\n\u003cp\u003e今も色褪せないジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278090493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWRWTFWW Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial reissue of the final album from the legendary Hokkaido pianist behind Scenery and Mellow Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryo Fukui\u003c\/p\u003e\n\u003cp\u003eLabel : WRWTFWW\u003c\/p\u003e","published_at":"2023-05-24T06:10:44+09:00","created_at":"2023-05-23T17:50:38+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","WRWTFWW Records"],"price":418000,"price_min":418000,"price_max":418000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249361678586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ryo Fukui \/\/ A Letter from Slowboat LP","public_title":null,"options":["Default Title"],"price":418000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","options":["Title"],"media":[{"alt":null,"id":32007922876666,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le1_091f8f79-2699-4514-a9c9-cf385a340aa5.jpg?v=1684831840","width":700},{"alt":null,"id":32007922909434,"position":2,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/le2_8b0d3797-09db-4f65-9bdb-d25317f476c6.jpg?v=1684831840","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e北海道のジャズピアニストRyo Fukuiの2020年再発レコードです。（オリジナルは2015年）\u003c\/p\u003e\n\u003cp\u003e今も色褪せないジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1278090493\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 180gram black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWRWTFWW Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOfficial reissue of the final album from the legendary Hokkaido pianist behind Scenery and Mellow Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was recorded on January 25th and 26th 2015 at Sapporo jazz club Slowboat, a venue founded by Ryo Fukui in 1995 where he played countless times. It is a magnificent and very personal contemporary jazz offering, fluid, skillful, and full of breathtaking solos. 100% love! With Takumi Awaya (bass) and Ittetsu Takemura (drums).\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryo Fukui\u003c\/p\u003e\n\u003cp\u003eLabel : WRWTFWW\u003c\/p\u003e"}
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{"id":7978080239866,"title":"Mark \/\/ So You Betrayed The Creative Arts For Your Own Personal Ends LP","handle":"msyb","description":"\u003cp\u003eドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3322151377\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDid you come here to serve art and make sacrifices for its sake? Or to exploit your own personal ends?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint and collaborating with likeminded peers in both classical and soundsystem spheres, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work: the mechanics of force, the cunning of reason, the invisible but crucial hand of chance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages—the latter most deeply explored in Not Kennt Kein Gebot!\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (2022), a heart-on-your-sleeve mixtape pitting post-Second Viennese School disciples like Luigi Dallapiccola against an era-fusing suite of compositions from Radulescu, Zemlinsky and Monteverdi. This direction is also explored on Mark's monthly NTS Radio show, True As Few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBridging the sonic qualities of post-tonal composition and soundsystem frequencies is nothing new—the oeuvre of Christoph de Babalon immediately comes to mind—but here, Mark attempts to meet both poles on their own terms through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perception. What on the surface seems hostile reveals a welcoming catacomb of connections between elements that stake their claim, disappear, merge and finally reappear—their return sculpted by the intricate mediation of similar and dissimilar elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is deeply personal, too. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mark\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e","published_at":"2023-05-28T07:55:58+09:00","created_at":"2023-05-23T15:05:26+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","techno \/ house"],"price":349000,"price_min":349000,"price_max":349000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44249136693498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mark \/\/ So You Betrayed The Creative Arts For Your Own Personal Ends LP","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","options":["Title"],"media":[{"alt":null,"id":32007216398586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_2f4855e0-618b-4310-b895-be1ba773eba3.jpg?v=1684821928","width":700},{"alt":null,"id":32007216431354,"position":2,"preview_image":{"aspect_ratio":1.142,"height":1051,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928"},"aspect_ratio":1.142,"height":1051,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_4ead0538-5b1e-41fc-b6d1-e1ce96695215.jpg?v=1684821928","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eA Colourful Stormからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3322151377\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003eA Colourful Storm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDid you come here to serve art and make sacrifices for its sake? Or to exploit your own personal ends?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOver the past five years, Mark has forged a unique identity in underground drum’n’bass, alloying traditional junglist motifs and luminous electroacoustic ambience to devastating effect. Developing his sound through a series of singles and EPs on A Colourful Storm and Berghain’s Unterton imprint and collaborating with likeminded peers in both classical and soundsystem spheres, A Colourful Storm presents the culmination of his work and debut album: a two-part study in rhythm, timbre and texture of monolithic scale.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMark’s ambitions had been clear from the outset. Integrier Dich Du Yuppie (2017) and The Least Likely Event Will Occur In The Long Run (2018) are not titles of fleetingness but statements of grave philosophical heft. The relationship between—and division of—people, place and power animated Mark’s production and has remained a pertinent theme throughout his work: the mechanics of force, the cunning of reason, the invisible but crucial hand of chance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWithin these groundbreaking sides lies a synergy between splintering rhythmic elements and extraordinary atmospheric passages—the latter most deeply explored in Not Kennt Kein Gebot!\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (2022), a heart-on-your-sleeve mixtape pitting post-Second Viennese School disciples like Luigi Dallapiccola against an era-fusing suite of compositions from Radulescu, Zemlinsky and Monteverdi. This direction is also explored on Mark's monthly NTS Radio show, True As Few.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBridging the sonic qualities of post-tonal composition and soundsystem frequencies is nothing new—the oeuvre of Christoph de Babalon immediately comes to mind—but here, Mark attempts to meet both poles on their own terms through two meticulously arranged longform pieces. Any suggestion of connection to dance music history has been thrown out for rhythmic arrangements that skirt the contradiction between strict logical coherence and human perception. What on the surface seems hostile reveals a welcoming catacomb of connections between elements that stake their claim, disappear, merge and finally reappear—their return sculpted by the intricate mediation of similar and dissimilar elements.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album is deeply personal, too. Following a Stanislavski-led path through fragments of his pre-maturity music history, Mark connects memories of free jazz drumming and modern percussion ensemble performance with the joy of choral singing, ad hoc kitchen-sink group improvisation and those moments where life seems to swing on a hinge of musical feeling.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Mark\u003c\/p\u003e\n\u003cp\u003eLabel : A Colourful Storm\u003c\/p\u003e"}
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ドイツ・ベルリンのdnb作家Markが、2023年4月にオーストラリア・メルボルンのレフトフィールド・ダンスレーベルA Colourful Stormからリリースしたレコードです。 限りなくジャズに近いdnb〜ブレイクビーツ2曲を収録。 --------------------------------------- 12" black vinyl. A Colourful Storm: "Did you come...
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{"id":7977790931194,"title":"Sunik Kim \/\/ Raid on the White Tiger Regiment TAPE","handle":"copy-of-sunik-kim-raid-on-the-white-tiger-regiment-tape","description":"\u003cp\u003e韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253004901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for download code. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is an insanely wild ride made with software Sunik custom-built in Max MSP and SuperCollider using free orchestral soundfonts at hyper-speed tempos. Despite the presumed chaos of this album, there is a strong and present voice that permeates the barrage of noises, almost as if the teeming and swirling sounds coalesce to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e create a slowly shifting mass that is somehow \u003c\/em\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003esoothing. There is a constant regeneration of textures and sensations here: simultaneously shedding and accumulating, receding and emerging. A multidirectional presence, both solidly grounded but also unpredictable in its motion. Side B presents a unique live document of Sunik’s performances of the Raid material: a lengthy 30 minute piece created from multiple field recordings of the performances at Cafe OTO in London and Counterflows in Glasgow. “Raid Live” stands as an interesting counter to the meticulously crafted studio-created material. Its weight is held by roomtone, pockmarked with the audience’s yelling and mingling; a cathartic experience felt by many.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e++\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eArtist's statement by \u003cmeta charset=\"utf-8\"\u003eSunik Kim, 2022:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003e\"This is possibly the second album named after one of the eight core revolutionary operas produced during the Cultural Revolution; to my knowledge, the first is Brian Eno’s Taking Tiger Mountain By Strategy. Raid on the White Tiger Regiment, the opera, focuses on the joint struggle of Chinese and Korean communists during the Korean War—a truly “forgotten war” in much of the world, in which the US dropped 635,000 tons of explosives and 32,557 tons of napalm on the northern part of the peninsula, killing 20 percent of the population, and massacred tens of thousands of Korean communists and suspected sympathizers from Nogeun-ri to Daejeon.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRaid, the album, pulls its titles from the opera’s program and thereby positions the music as a soundtrack: an inherently limited and dependent form that requires a broader historical and political context—a connection with the world—to reach its fullest state of development. In substituting my wordless, “abstract” music for that of the original opera, I hope to establish a living nexus of contradictions between: (1) the original opera, as direct an example of “political art” as there can be; (2) the extended historical and political processes that birthed it; (3) our current conjuncture; (4) the immediate listening experience. In this clashing and intertwining of timelines, histories, and sense-perceptions, I hope to facilitate a visceral act of comparison, a tracking of excess and deficiency: what aligns, what collides, what falls horribly or comically flat, what brings tears of joy or sadness? And why?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music is constructed with custom software I built with Max\/MSP and SuperCollider that controls banks of free orchestral soundfonts at chaotic tempos. I hope the overt “cheapness” of the materials, and their constantly coalescing, collapsing, disintegrating, reassembling movement, establishes a dramatic—operatic!—tension internal to the logic of the music itself: one that, above all, argues that possibilities—aesthetic, yes, but also historical and political—have nowhere near been exhausted, and that the present order will one day be rightfully relegated to “the museum of antiquities, next to the spinning wheel and the bronze ax.”\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sunik Kim\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e","published_at":"2023-05-22T15:23:00+09:00","created_at":"2023-05-22T14:25:31+09:00","vendor":"Tobira Records","type":"","tags":["jazz","monooto","noise","notice recordings","tape","techno \/ house"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44247308632314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sunik Kim \/\/ Raid on the White Tiger Regiment TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","options":["Title"],"media":[{"alt":null,"id":32002070413562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra1_d0767f8d-86e6-41af-bd18-feffc62f3d26.jpg?v=1684733134","width":700},{"alt":null,"id":32002070446330,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ra2_0e063bef-9e86-4325-b61f-e6c8a83fcfac.jpg?v=1684733135","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eMax\/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2253004901\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for download code. Edition of 100.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Sunik Kim’s Raid on the White Tiger Regiment arrives three years after 2019’s Zero Chime on First Terrace Records. Raid has strong political undertones and is named after one of the eight core revolutionary operas produced during the Cultural Revolution. This particular opera focuses on the joint struggle of Chinese and Korean communists during the Korean War, during which there were devastating US attacks on the northern part of the peninsula. Raid is an insanely wild ride made with software Sunik custom-built in Max MSP and SuperCollider using free orchestral soundfonts at hyper-speed tempos. Despite the presumed chaos of this album, there is a strong and present voice that permeates the barrage of noises, almost as if the teeming and swirling sounds coalesce to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e create a slowly shifting mass that is somehow \u003c\/em\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003esoothing. There is a constant regeneration of textures and sensations here: simultaneously shedding and accumulating, receding and emerging. A multidirectional presence, both solidly grounded but also unpredictable in its motion. Side B presents a unique live document of Sunik’s performances of the Raid material: a lengthy 30 minute piece created from multiple field recordings of the performances at Cafe OTO in London and Counterflows in Glasgow. “Raid Live” stands as an interesting counter to the meticulously crafted studio-created material. Its weight is held by roomtone, pockmarked with the audience’s yelling and mingling; a cathartic experience felt by many.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003e++\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003cbr\u003eArtist's statement by \u003cmeta charset=\"utf-8\"\u003eSunik Kim, 2022:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan class=\"peekaboo-text\" id=\"package_description_0\"\u003e\u003cem\u003e\"This is possibly the second album named after one of the eight core revolutionary operas produced during the Cultural Revolution; to my knowledge, the first is Brian Eno’s Taking Tiger Mountain By Strategy. Raid on the White Tiger Regiment, the opera, focuses on the joint struggle of Chinese and Korean communists during the Korean War—a truly “forgotten war” in much of the world, in which the US dropped 635,000 tons of explosives and 32,557 tons of napalm on the northern part of the peninsula, killing 20 percent of the population, and massacred tens of thousands of Korean communists and suspected sympathizers from Nogeun-ri to Daejeon.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eRaid, the album, pulls its titles from the opera’s program and thereby positions the music as a soundtrack: an inherently limited and dependent form that requires a broader historical and political context—a connection with the world—to reach its fullest state of development. In substituting my wordless, “abstract” music for that of the original opera, I hope to establish a living nexus of contradictions between: (1) the original opera, as direct an example of “political art” as there can be; (2) the extended historical and political processes that birthed it; (3) our current conjuncture; (4) the immediate listening experience. In this clashing and intertwining of timelines, histories, and sense-perceptions, I hope to facilitate a visceral act of comparison, a tracking of excess and deficiency: what aligns, what collides, what falls horribly or comically flat, what brings tears of joy or sadness? And why?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe music is constructed with custom software I built with Max\/MSP and SuperCollider that controls banks of free orchestral soundfonts at chaotic tempos. I hope the overt “cheapness” of the materials, and their constantly coalescing, collapsing, disintegrating, reassembling movement, establishes a dramatic—operatic!—tension internal to the logic of the music itself: one that, above all, argues that possibilities—aesthetic, yes, but also historical and political—have nowhere near been exhausted, and that the present order will one day be rightfully relegated to “the museum of antiquities, next to the spinning wheel and the bronze ax.”\u003c\/em\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sunik Kim\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e"}
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韓国の実験音楽家Sunik Kimが、2022年12月にアメリカ・NYの実験レーベルNotice Recordingsから100本限定でリリースしたカセットです。 Max/MSPによるコラージューク〜フリージャズ・ノイズ3曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Notice Recordings releases available at...
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{"id":7977048801530,"title":"Howie Lee \/\/ Birdy Island LP","handle":"howie-lee-birdy-island-lp","description":"\u003cp\u003e中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1849902179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eMais Um:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSwirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on Birdy Island, the latest album by Beijing-based producer\/artist, Howie Lee, due out in April 2021 on Mais Um.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFresh off the back of several high impact, club-centring album releases on Maloca, SVBKVLT and his influential, Do Hits label, on top of remixes for artists including Lawfawndah, Charlie\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e XCX \u0026amp; Sophie, Lee presents his most organic and expansive project to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten, produced and recorded entirely by Lee at the back end of 2018 (with the exception of the album’s resident four-piece choir made up of rising Beijing artist, Fishdoll, Shanghai singer\/producer, Yehaiyahan and West by West, with Lee himself also included), Birdy Island’s almost exclusively acoustic yet broad sound palette threads continuities between ceremonial Taoist music, early Buchla synth experiments, and FWD\u0026gt;\u0026gt; nights at London’s Plastic People.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album just came very natural. It was all recorded little by little. Layer upon layer. The approach was to just record. I had all these instruments around me and I just thought, i’m gonna play and keep playing”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowie’s latest offering is as enchanting as it is boundlessly imaginative. “I’ve always had this concept in my mind about making an album based around an island”. Loosely based around Lee’s own long-formed concept of a floating Sicilian theme park, co-inhabited by both birds and ancestral spirits, Howie remarks: \"Birdy Island to me is a palace in the clouds and the birds are worshipped like Gods. Not like a western God though.” Reminiscent of Hayao Miyazaki’s Laputa (in the 1986 film Castle In The Sky), Lee’s Birdy Island has been built by a Chinese investment company seeking to re-sync our relationship with the spiritual and natural world after years of economic collapse and degradation, and who invite Howie to compose the park’s soundtrack. Inside Birdy Island’s 30-minute gallery of collaged sound, Lee draws on a wide history of traditional pan-Asian music, filtered through his unique lens of contemporary electronic production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the playful percussion and child-like wonderment of Time To The Sun, featuring Yehaiyahan on vocals to the beguiling loop-based poise of Wave,Wave,Wave offering our first taste of the almost-devotional chanting choir accompaniment. The album title track and first single Birdy Island continues down a similar trajectory, combining Kaitlyn Aurelia Smith-esque synths with rattling bells and AI-manipulated birdsong to saintly effect. Stripped-back UK grime sonics (Foreign Flowers) and Chicago footwork (Dawn Of The Idols) seep into the larger whole, as does elements of jazz fusion, ambient and video game-composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince discovering punk and Fruity Loops at age 15 and making DIY tapes for friends at school, Howie Lee has become one of the most influential players within contemporary Chinese music and arts\/culture. Having co-founded Do Hits as a club night in 2011 (levelling up as a label in 2015), as an outlet to showcase Beijing’s exciting musical underground, Lee’s conceptually intricate brand of traditional Chinese folk meets experimental bass weight sound, has been picked up by listeners worldwide, even securing remix duties for Snoop Dogg (in his Snoop Lion moniker), back in 2012.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Daoist scripture to 1970s martial arts-themed wuxia novels, Howie’s myriad strands of musical and visual output have often enveloped themes circling modern and ancient Chinese history. Lee’s Socialism Core Value EP series and the dystopian-horror 3D animation for 2017 single Bankers (created and directed by Howie himself), as well as his work with visual artist and video game designer, Teom Chen (the pair have gone on to tour their collaborations across China as part of Lee’s live show), offer a glimpse into the broad social and cultural questions intrinsically entwined throughout his discography.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Howie Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Mais Um\u003c\/p\u003e","published_at":"2023-05-28T09:52:42+09:00","created_at":"2023-05-19T12:50:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","post newage"],"price":325000,"price_min":325000,"price_max":325000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44243987398906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Howie Lee \/\/ Birdy Island LP","public_title":null,"options":["Default Title"],"price":325000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","options":["Title"],"media":[{"alt":null,"id":31990429581562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi1_f23a67bf-0c5d-4154-adfa-5c1abf76939e.jpg?v=1684468223","width":700},{"alt":null,"id":31990429614330,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bi2_fefdc0e0-2f6a-4dd7-aa78-bb03b66566a5.jpg?v=1684468222","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1849902179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2999745037\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eMais Um:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSwirling layers of OST-style sound design, dreamy choir vocals and traditional Chinese folk combine across eight dynamic and transportive tracks on Birdy Island, the latest album by Beijing-based producer\/artist, Howie Lee, due out in April 2021 on Mais Um.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFresh off the back of several high impact, club-centring album releases on Maloca, SVBKVLT and his influential, Do Hits label, on top of remixes for artists including Lawfawndah, Charlie\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e XCX \u0026amp; Sophie, Lee presents his most organic and expansive project to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten, produced and recorded entirely by Lee at the back end of 2018 (with the exception of the album’s resident four-piece choir made up of rising Beijing artist, Fishdoll, Shanghai singer\/producer, Yehaiyahan and West by West, with Lee himself also included), Birdy Island’s almost exclusively acoustic yet broad sound palette threads continuities between ceremonial Taoist music, early Buchla synth experiments, and FWD\u0026gt;\u0026gt; nights at London’s Plastic People.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“This album just came very natural. It was all recorded little by little. Layer upon layer. The approach was to just record. I had all these instruments around me and I just thought, i’m gonna play and keep playing”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHowie’s latest offering is as enchanting as it is boundlessly imaginative. “I’ve always had this concept in my mind about making an album based around an island”. Loosely based around Lee’s own long-formed concept of a floating Sicilian theme park, co-inhabited by both birds and ancestral spirits, Howie remarks: \"Birdy Island to me is a palace in the clouds and the birds are worshipped like Gods. Not like a western God though.” Reminiscent of Hayao Miyazaki’s Laputa (in the 1986 film Castle In The Sky), Lee’s Birdy Island has been built by a Chinese investment company seeking to re-sync our relationship with the spiritual and natural world after years of economic collapse and degradation, and who invite Howie to compose the park’s soundtrack. Inside Birdy Island’s 30-minute gallery of collaged sound, Lee draws on a wide history of traditional pan-Asian music, filtered through his unique lens of contemporary electronic production.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom the playful percussion and child-like wonderment of Time To The Sun, featuring Yehaiyahan on vocals to the beguiling loop-based poise of Wave,Wave,Wave offering our first taste of the almost-devotional chanting choir accompaniment. The album title track and first single Birdy Island continues down a similar trajectory, combining Kaitlyn Aurelia Smith-esque synths with rattling bells and AI-manipulated birdsong to saintly effect. Stripped-back UK grime sonics (Foreign Flowers) and Chicago footwork (Dawn Of The Idols) seep into the larger whole, as does elements of jazz fusion, ambient and video game-composition.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSince discovering punk and Fruity Loops at age 15 and making DIY tapes for friends at school, Howie Lee has become one of the most influential players within contemporary Chinese music and arts\/culture. Having co-founded Do Hits as a club night in 2011 (levelling up as a label in 2015), as an outlet to showcase Beijing’s exciting musical underground, Lee’s conceptually intricate brand of traditional Chinese folk meets experimental bass weight sound, has been picked up by listeners worldwide, even securing remix duties for Snoop Dogg (in his Snoop Lion moniker), back in 2012.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom Daoist scripture to 1970s martial arts-themed wuxia novels, Howie’s myriad strands of musical and visual output have often enveloped themes circling modern and ancient Chinese history. Lee’s Socialism Core Value EP series and the dystopian-horror 3D animation for 2017 single Bankers (created and directed by Howie himself), as well as his work with visual artist and video game designer, Teom Chen (the pair have gone on to tour their collaborations across China as part of Lee’s live show), offer a glimpse into the broad social and cultural questions intrinsically entwined throughout his discography.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Howie Lee\u003c\/p\u003e\n\u003cp\u003eLabel : Mais Um\u003c\/p\u003e"}
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中国・北京のエレクトロニック作家Howie Leeが、2021年にリリースしたレコードです。 ポストニューエイジ・アンビエント〜ポストニューエイジ・ジャズ8曲を収録。 ---------------------------------------- 12" black vinyl. Mais Um: "Swirling layers of OST-style sound...
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{"id":7977046311162,"title":"memotone \/\/ Memotone EP 12\"","handle":"memotone-memotone-ep-12","description":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e","published_at":"2023-05-19T13:34:00+09:00","created_at":"2023-05-19T12:47:52+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","sahko recordings"],"price":385000,"price_min":385000,"price_max":385000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44243980615930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"memotone \/\/ Memotone EP 12\"","public_title":null,"options":["Default Title"],"price":385000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","options":["Title"],"media":[{"alt":null,"id":31990418374906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_f27755e8-e9f0-40b0-8904-84e1cb63da80.jpg?v=1684468075","width":700},{"alt":null,"id":31990418407674,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_d2ad870c-30ab-4920-8b6c-c8f58e55b5c2.jpg?v=1684468074","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベル\u003cmeta charset=\"utf-8\"\u003eSahko Recordings\u003c\/span\u003e\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/memotone-how-was-your-life-lp\"\u003e前作\u003c\/a\u003eもおすすめです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2925935580\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sahko\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sahko\"\u003ehere\u003c\/a\u003e to see more Sahko Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eBlack 12\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMusic written and performed by William Yates in Bristol 2019-2022\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums on New Peace by Luke Typesun\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Sahko Recordings\u003c\/p\u003e"}
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イギリス・ブリストルのマルチ奏者memotoneが、2023年5月にフィンランド・ヘルシンキの実験／ダンスレーベルSahko Recordingsからリリースしたレコードです。 実験エレクトロニック・ジャズ〜ダウンテンポ・ジャズ6曲を収録。 前作もおすすめです。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Sahko Recordings releases available at...
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{"id":7976727085306,"title":"Lorena Álvarez \u0026 Alejandro Palacios \/\/ Paisajes Para Torcer al Reloj TAPE","handle":"lorena-alvarez-alejandro-palacios-paisajes-para-torcer-al-reloj-tape","description":"\u003cp\u003eチリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065229613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eNot Not Fun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist \/ DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve \u0026amp; Smog arts residency in Santiago, Chile in April 2022. Theirs is a wispy, whispered chemistry, softly thrumming Rhodes laced with trumpet, guitar, and golden dust. The pieces unspool with a daydream logic of “hazy clocks and floating doors,” inspired by the holy trinity of Hassell, Riley, and Cherry.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBoth Álvarez and Palacios have carved eclectic bodies of work – the former as part of minimalist dance trios Cuerpo Docente and Los Bárbara Blade, the latter via psychedelic lounge-dub suites for Nonlocal Research. Yet Paisajes finds their common ground in more hushed, hidden terrain. Lulling, electro-acoustic landscapes of texture and resonance, shaded in wood, brass, and batteries, flowering at late hours in dimly lit rooms.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lorena Álvarez \u0026amp; Alejandro Palacios\u003c\/p\u003e\n\u003cp\u003eLabel : Not Not Fun Records\u003c\/p\u003e","published_at":"2023-05-24T14:57:09+09:00","created_at":"2023-05-18T16:07:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","not not fun","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44242450776314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lorena Álvarez \u0026 Alejandro Palacios \/\/ Paisajes Para Torcer al Reloj TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","options":["Title"],"media":[{"alt":null,"id":31987044614394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_678447d9-695b-4b0a-8955-f1223f7967c3.jpg?v=1684393678","width":700},{"alt":null,"id":31987044647162,"position":2,"preview_image":{"aspect_ratio":1.353,"height":887,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678"},"aspect_ratio":1.353,"height":887,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_580848e1-6b88-4b17-b01d-6922cdf8399f.jpg?v=1684393678","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリ・サンティアゴのキーボード奏者Lorena Álvarezとマルチ奏者Alejandro Palaciosが、2023年6月にアメリカ・カリフォルニアのアンビエントレーベルNot Not Funからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003e即興的に紡いだミニマルなアンビエント・ジャズ6曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2065229613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nnfun\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nnfun\"\u003ehere\u003c\/a\u003e to see more Not Not Fun Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eNot Not Fun:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePaisajes Para Torcer al Reloj (“landscapes for bending the clock”) is a collection of six collaborative improvisations between keyboardist \/ DJ Lorena Álvarez and multi-instrumentalist Alejandro Palacios recorded at the Nieve \u0026amp; Smog arts residency in Santiago, Chile in April 2022. 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{"id":7975545274618,"title":"Emily Rach Beisel \/\/ Particle Of Organs CD","handle":"emily-rach-beisel-particle-of-organs-cd","description":"\u003cp\u003eアメリカ・シカゴの地下ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmalgam諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、シカゴのクラリネット奏者／講師Emily Rach Beiselが、2023年5月に100部限定でリリースしたデビューCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットによるジャズ・ドローン10曲を収録。DLコード付属。 デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362991231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003ehere\u003c\/a\u003e to see more Amalgam releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. CD in digipack.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e Monret, 2023 (via the label):\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From the very first track, it becomes apparent that this album is a unique and daring exploration of sound. Particle of Organs showcases the raw, unadulterated power of the body and the instrument, weaving together sounds that are both corrosive and tender. Emily Rach Beisel seamlessly blends elements of death vocals, extended vocal and instrumental techniques, analogue timbral effects and rich bass clarinet tone, creating a sonic landscape that is both weighty and exhilarating.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile the album can be challenging to listen to at times, there are moments of lyricism and tenderness that provide a welcome respite from the intensity. Tracks such as “warm upon your face” and “as a Jian-bird alone” showcase Beisel's ability to create beauty from chaos, weaving together delicate melodies with more abrasive elements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOverall, Particle of Organs is a daring, uncompromising album that moves effortlessly through disparate styles and sound worlds. Beisel's use of the body and instrument as sources of unexpected sound is nothing short of breathtaking, and the result is an album that is both physically commanding and deeply rewarding.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emily Rach Beisel\u003c\/p\u003e\n\u003cp\u003eLabel : Amalgam\u003c\/p\u003e","published_at":"2023-05-17T07:36:24+09:00","created_at":"2023-05-14T12:15:31+09:00","vendor":"Tobira Records","type":"","tags":["amalgam","cd","drone","jazz"],"price":178000,"price_min":178000,"price_max":178000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44233655255290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Emily Rach Beisel \/\/ Particle Of Organs CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_3f17282e-491f-4ee8-96f5-b1961ef7f3ef.jpg?v=1684034134","\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_2347d2c3-91f7-4b0e-83f5-2cf39e1a5b46.jpg?v=1684034133"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_3f17282e-491f-4ee8-96f5-b1961ef7f3ef.jpg?v=1684034134","options":["Title"],"media":[{"alt":null,"id":31969138934010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_3f17282e-491f-4ee8-96f5-b1961ef7f3ef.jpg?v=1684034134"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa1_3f17282e-491f-4ee8-96f5-b1961ef7f3ef.jpg?v=1684034134","width":700},{"alt":null,"id":31969138966778,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_2347d2c3-91f7-4b0e-83f5-2cf39e1a5b46.jpg?v=1684034133"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pa2_2347d2c3-91f7-4b0e-83f5-2cf39e1a5b46.jpg?v=1684034133","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの地下ジャズレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAmalgam諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、シカゴのクラリネット奏者／講師Emily Rach Beiselが、2023年5月に100部限定でリリースしたデビューCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラリネットによるジャズ・ドローン10曲を収録。DLコード付属。 デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=362991231\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mlgm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mlgm\"\u003ehere\u003c\/a\u003e to see more Amalgam releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. CD in digipack.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e Monret, 2023 (via the label):\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From the very first track, it becomes apparent that this album is a unique and daring exploration of sound. Particle of Organs showcases the raw, unadulterated power of the body and the instrument, weaving together sounds that are both corrosive and tender. Emily Rach Beisel seamlessly blends elements of death vocals, extended vocal and instrumental techniques, analogue timbral effects and rich bass clarinet tone, creating a sonic landscape that is both weighty and exhilarating.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile the album can be challenging to listen to at times, there are moments of lyricism and tenderness that provide a welcome respite from the intensity. Tracks such as “warm upon your face” and “as a Jian-bird alone” showcase Beisel's ability to create beauty from chaos, weaving together delicate melodies with more abrasive elements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOverall, Particle of Organs is a daring, uncompromising album that moves effortlessly through disparate styles and sound worlds. Beisel's use of the body and instrument as sources of unexpected sound is nothing short of breathtaking, and the result is an album that is both physically commanding and deeply rewarding.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emily Rach Beisel\u003c\/p\u003e\n\u003cp\u003eLabel : Amalgam\u003c\/p\u003e"}
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アメリカ・シカゴの地下ジャズレーベルAmalgam諸作を入荷しました。 本作は、シカゴのクラリネット奏者／講師Emily Rach Beiselが、2023年5月に100部限定でリリースしたデビューCDです。 クラリネットによるジャズ・ドローン10曲を収録。DLコード付属。 デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Amalgam releases available at...
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{"id":7975349813498,"title":"Ebo Taylor And The Pelikans \/\/ s\/t LP","handle":"ebo-taylor-and-the-pelikans-s-t-lp","description":"\u003cp\u003eガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eアフロ・ファンク〜ファンク・ジャズ7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SL4RlIB7Azc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2023 reissue - originally recorded in 1976.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Enye Nyame Nko\u003cbr\u003eA2 Gyae Su Na Nkomo\u003cbr\u003eA3 Reality\u003cbr\u003eB1 Egya Edu\u003cbr\u003eB2 Mber No Aso\u003cbr\u003eB3 Come Along\u003cbr\u003eB4 If You Care\u003c\/p\u003e\n\u003cp\u003eArtist : Ebo Taylor And The Pelikans \u003c\/p\u003e\n\u003cp\u003eLabel : Planet Woo\u003c\/p\u003e","published_at":"2023-05-13T14:45:51+09:00","created_at":"2023-05-13T13:59:55+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","lp"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44232416919802,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ebo Taylor And The Pelikans \/\/ s\/t LP","public_title":null,"options":["Default Title"],"price":468000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","options":["Title"],"media":[{"alt":null,"id":31965190914298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/eb1.jpg?v=1683953997","width":600},{"alt":null,"id":31965190947066,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/e2_aae5a36c-ac20-4f9f-ae07-5e467636da3a.jpg?v=1683953997","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eアフロ・ファンク〜ファンク・ジャズ7曲を収録。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nsrp1ZIt0k\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SL4RlIB7Azc\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2023 reissue - originally recorded in 1976.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Enye Nyame Nko\u003cbr\u003eA2 Gyae Su Na Nkomo\u003cbr\u003eA3 Reality\u003cbr\u003eB1 Egya Edu\u003cbr\u003eB2 Mber No Aso\u003cbr\u003eB3 Come Along\u003cbr\u003eB4 If You Care\u003c\/p\u003e\n\u003cp\u003eArtist : Ebo Taylor And The Pelikans \u003c\/p\u003e\n\u003cp\u003eLabel : Planet Woo\u003c\/p\u003e"}
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ガーナのファンク作家Ebo Taylorが、1976年に発表した作品の再発盤です。 アフロ・ファンク〜ファンク・ジャズ7曲を収録。 ----------------------------------------- 2023 reissue - originally recorded in 1976. Tracklist: A1 ...
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{"id":7974890504442,"title":"Anima Sound \/\/ Underground Altena LP","handle":"anima-sound-underground-altena-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eドイツの実験夫婦Anima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e","published_at":"2023-05-14T14:30:13+09:00","created_at":"2023-05-12T15:03:37+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44230592954618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Anima Sound \/\/ Underground Altena LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","options":["Title"],"media":[{"alt":null,"id":31959430103290,"position":1,"preview_image":{"aspect_ratio":1.053,"height":570,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419"},"aspect_ratio":1.053,"height":570,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un1_ea2843af-927a-4969-b7ec-eeb3eeec598a.jpg?v=1683871419","width":600},{"alt":null,"id":31959430136058,"position":2,"preview_image":{"aspect_ratio":1.115,"height":392,"width":437,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419"},"aspect_ratio":1.115,"height":392,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un2_d9c4f24e-479f-42b2-bf62-597e52d72710.jpg?v=1683871419","width":437},{"alt":null,"id":31959430168826,"position":3,"preview_image":{"aspect_ratio":1.155,"height":374,"width":432,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418"},"aspect_ratio":1.155,"height":374,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/un3_2948d74e-f040-4ad8-883f-c4c097ca6811.jpg?v=1683871418","width":432}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eドイツの実験夫婦Anima Soundが、2022年にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003eAlga Marghenから\u003c\/span\u003e\u003cspan\u003eリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1973年に録音した\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eクラウトロック〜フリージャズ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse With Wound List」に掲載され、Steven Stapletonとのつながりが生まれ、Jac Berrocal, AMM, Operating TheatreとともにAn Afflicted Man Musica Boxアンソロジーに収録されました。Animaが事実上クラウトロックの一部であったとしても、彼らは非常に独特なサウンドを持っており、それはポールの「幻の」彫刻の世界とリンペの聴覚の世界が合流した結果です。パーカッションとヴォーカルに対するリンペのユニークなアプローチに大きく導かれ、ポールが発明した楽器で印象的な音色を奏でる「アンダーグラウンド」と「アルテナ」は、フリージャズの外縁を異国の風景に落としたような作品です。ハウリングとクラッタリング、完全に自由で自発的でありながら、深い意識、目的、コントロールの感覚を失うことはありません。\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/YnM4q3PHaFw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Alga Marghen present Underground Altena, two visionary long-form works by Anima Sound, the radically freedom-pursuing Paul and Limpe Fuchs duo. 1973 represented a peak for Anima sonic explorations into sculptural sound at the crossing of krautrock, free jazz, and experimental music. Limpe Fuchs studied piano, violin, and percussion in Munich, but all changed in the late 1960s when she met sculptor Paul Fuchs and discovered there was much more space to experiment and discover her own way as in the sculptural environment she had the chance to work directly with materials. Paul first built a horn as a sculpture (the famous Fuchshorn) and started experimenting with its sounds. Then he built a pedal kettledrum adding things to it like woodblocks and welded a steel ring to the hi-hat stand that was strung up with several strings which Limpe played with her toes, or using a saw blade and a shovel. Even if in the beginning Paul and Limpe were more interested in experimental film, there were other communities like Amon Düül and Tangerine Dream and Anima started touring with them as well as with Popol Vuh or Xhol and very quickly became well known within this krautrock scene. After they were engaged in the Underground Explosion Tour 1969 and had made the Tractor Tour at 19 km\/h between Munich and Rotterdam in 1971, came Friedrich Gulda who joined them in the early '70s. He was very fond of the duo and he especially liked Limpe singing and their way of just improvising. He was a famous arranger, but wanted to play in an improvising group. Later on, Anima was included in the infamous \"Nurse With Wound List\" and came the connection to Steven Stapleton who included them in the An Afflicted Man Musica Box anthology together with Jac Berrocal, AMM, Operating Theatre. Even if Anima was in fact part of the krautrock scene, they had a very distinct sound which was a result of the confluence of Paul's \"visionary\" sculptural world and Limpe's aural universe. Playing on self-built instruments also had a major role in building their specific sound which became more and more unique in the early 1970s as the Fuchhorn, the Fuchzither, the Fuchsbass and other sound sculptures were created. Heavily guided by Limpe's unique approach to percussion playing and vocals, with Paul delivering a striking arsenal of tonal interventions on his invented instruments, \"Underground\" and \"Altena\" plays like the outer reaches of free jazz dropped in an alien landscape. Howling and clattering, entirely free and spontaneous, while never losing the sense of deep consciousness, purpose and control.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anima Sound\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e"}
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ドイツの実験夫婦Anima Soundが、2022年にイタリアの実験レーベルAlga Marghenからリリースしたレコードです。 1973年に録音したクラウトロック〜フリージャズ2曲を収録。 以下、レーベルによる解説です。 "Alga Marghenは、自由を追求するポールとリンペ・フックスのデュオ、Anima Soundによる2つの幻の長編作品「Underground Altena」を発表します。1973年、クラウトロック、フリージャズ、実験音楽の交差点で、彫刻的なサウンドを追求するAnima Soundの絶頂期を表します。リンペ・フックスはミュンヘンでピアノ、バイオリン、パーカッションを学びましたが、1960年代後半に彫刻家のポール・フックスと出会い、彫刻の環境では素材に直接触れることができるため、自分なりの実験や発見をする余地があることを知り、すべてが変わりました。ポールはまず、ホルンを彫刻として作り（有名なFuchshorn）、その音で実験を始めました。その後、彼はペダルのケトルドラムを作り、それにウッドブロックを加え、ハイハットスタンドにスチールリングを溶接して、いくつかの弦を張り、リンペがつま先で弾いたり、のこぎりの刃やシャベルを使ったりしていました。ポールとリンペは当初、実験映画に興味を持っていましたが、アモン・デュールやタンジェリン・ドリームといった他のコミュニティもあり、アニマは彼らやポポル・ヴフ、クソルとツアーを始め、このクラウトロック・シーンであっという間に有名になりました。1969年のUnderground Explosion Tourに参加し、1971年にはミュンヘンとロッテルダムを時速19kmで結ぶTractor Tourを行った後、70年代初頭にFriedrich Guldaが彼らに参加するようになります。彼はこのデュオがとても好きで、特にリンペの歌と、ただ即興で演奏する彼らのやり方が好きでした。彼は有名なアレンジャーでしたが、即興のグループで演奏したいと常々考えていました。その後、Animaは悪名高い「Nurse...
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{"id":7972798136570,"title":"Mishagas \/\/ 1996-1997 TAPE","handle":"mishagas-1996-1997-tape","description":"\u003cp\u003eアメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1996-1997年に録音したフリージャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Colpitts - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Daniel - Alto Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Lee - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228154267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text\/essay by the artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA priest, a drummer, and a tennis pro step onto a stage. . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Who is in Mishagas? Were they any good?” - Josh Fox.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was the drummer - just out of Middlebury College and untouched by cynicism. I arrived at the doorstep of the Tribeca Knitting Factory in the summer of 1996 and landed a job booking tours for musicians associated with the venue - John Zorn, Dave Douglas, William Hooker, Thomas Chapin, Charles Gayle. It was a heady time for The Knit and sponsorship flowed freely from a few alcohol and cigarette manufacturers convinced that experimental music was profitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was not.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was sleeping on a high school friend’s floor somewhere in Manhattan. I remember coming home after my first, long day of unpaid “trial” work at the Knitting Factory and thinking - how is it possible for someone to have an office job? How do you survive this kind of shit? There is something particularly perverse and damaging about sitting at a desk for 8 hours, and to top it off, I was in a basement. I’d decided that I did not have the talent to make music - at 22 or 23 - I was too old. But a few friends still thought that playing music - just that abstract idea with absolutely no ambition attached - was desirable and possible in New York City\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. But the gang with whom I shared these vague dreams were not in New York yet. So I was adrift, watching a few friends scramble to play shitty shows at places like the Spiral and a threadbare CBs Gallery. You’d think I would have had some kind of connection because I worked at the Knitting Factory, but the guy who booked the club, a lanky dude named John, once stopped me with a raised finger and an arched eyebrow when I paused in front of his desk, cairns of demo tapes stacked on every surface. In the moment I gathered a breath to speak, he said, “No.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a pause.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I will not book your band here so don’t even ask.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut yeah - I was a drummer - even though my drums had not migrated to the city yet. I did not have a permanent place to live. But as I hung out with the various interns who lurked around the Knit’s basement office - it emerged that one of them (perhaps on the same day he arrived toting a full set of audio gear, having just recorded his entire subway ride) knew a couple of guys who were looking for a drummer. Having no prospects - I was happy to meet them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Lee was the guitarist (now an Episcopal priest at Grace Church Brooklyn) and Scott Daniel the sax man who we nicknamed “Captain Jazz” (later turned tennis pro, now retired and living in Brooklyn playing acoustic finger-style guitar). They met each other at Mondo Kim’s: a multi-storied record shop and video store that was a kind of apex of hip cultural retail NYC. Right off Cooper Square on St Mark’s Place, it deserves a book all it’s own. Before the internet was populated with the entire history of recorded music - Kim’s was the place to surf for new sounds under the contemptuous gaze of the sullen staff. It was here that Chris and Scott gravitated towards each other. The way they tell it, in the absurd melange of the ultra knowledgeable that constituted the Kim’s staff, they were as normal and down to earth as possible for ESP Records hounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpeaking of which, the ESP catalog was the perfect amalgam of the threads that Chris and Scott were following - the sleazy White punk of The Godz and The Fugs shared a catalog with the Black loft jazz of Sonny Simmons, Albert Ayler and Milford Graves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris was also obsessed with The Dirty Three and was looking to form a trio with a melodic instrument to go along with his guitar. He was getting into free jazz at the same time, so adding Scott on alto made sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I was trying to play like Sonny Sharrock - not well. The tunings were all open chords - they weren’t dissonant tunings. It was all about unison, open, ringing sounds with tons of overtones. That all comes from My Bloody Valentine and the Cocteau Twins. That was my base. Kevin Shields was about as good as I could get technique-wise,” Chris told me recently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott came from Minneapolis and had transitioned from punk bass, to standup, then on to alto sax. He took lessons with David Murray’s arranger Benny Russell at the Brooklyn Conservatory of Music. He had only been playing the horn for about 5 years when he and Chris started jamming together at Chris’s 2nd floor apartment on 16th St and 8th Ave in Park Slope Brooklyn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris came out to a forgettable show at the Knitting Factory, and brought me a cassette of influences. The tape was programmed with tracks by the Dirty Three, Albert Ayler, and the Sun City Girls. I dutifully checked the tunes out and we made plans to jam at the Ludlow Street Studios - a basement-level rehearsal spot down the block from Katz’s Deli on the Lower East Side. The dingy rooms were equipped with amps, drums, PAs and a cassette deck for recording. We think that perhaps a few of the tunes that made the album in your hands were from our first meeting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was struck by Chris’s wild, emotional guitar playing and Scott’s empathetic, succinct phrasing. These guys listened a lot for young dudes in their early 20s. I tried to fit myself into the spaces - charged up by the old guard heads I was mingling with at the Knitting Factory: Sonny Murray, who demanded weed before he went on stage, Rashied Ali, whose wrists were bound to treat some intractable carpal tunnel, and Andrew Cyrille, whose ferocious, delicate and stoic performances kept me guessing. I had just come from a few months in Amsterdam, plopping myself down at the BimHuis every night, seeing all kinds of Dutch legends play to small audiences. I stirred in a little Han Bennink. I was flailing as well. Any technical shortcomings I had were papered over by shear audacity and unearned confidence. All fairly new to the city, we became fast friends and collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince rehearsal space was at a premium I asked the band if they’d be open to waking up early to practice in the basement of the Knitting Factory. The club had backline - drums and amps - and the Alterknit Theater was soundproofed. We would arrive at around 8am - I would brew some coffee at the upstairs bar - and then we’d play for a couple of hours before I started work at 10:30am.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe learned a few songs - Albert Ayler’s “Ghosts” for one - but quickly realized that we ended up in more interesting places without the heads. “Let’s just shred,” was our mantra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur first show was opening for an experimental theater performance of “American Interference” at the Angel Orensanz Center. It was written and directed by Josh Fox - who went on to direct the anti-fracking documentary Gasland (among many other films). We played for about 20 minutes before the show started. We can’t remember if we were paid. Contacted for these liner notes Fox barely remembered our participation. We set up in a corner in front of the stage and we asked our friend Barry London to record us onto a 4-track cassette machine. He set up mics and we started.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter we jammed, he approached us and said - “OK I have levels. Let me know when you’re gonna do your set.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat was the set!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarry did manage to record a second show - but we can’t find the tape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe arrived in NYC during the very last gasps of the hollowed out 80s. We played the very well lit 5th Street squat with Gold Sparkle Quartet and Sunday Puncher, a mere week before a small fire led to the building’s destruction by wrecking ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were sets at ABC No Rio and the Alterknit - the small 80 person capacity room where we had morning rehearsals at the Knitting Factory. Eventually we were granted a show there, but it was probably after I took over the role of booking the club. I remember hearing that Thurston Moore came to a set and dug it, that would have been very exciting to us. Somehow the NYC shows were well attended and in the heat and the rattling crescendos, one of Scott’s friends passed out. That was the vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no significant attachments, and a naive understanding of the music business, we played constantly over the course of that year, touring around the North East and Mid-Atlantic and recording at what feels like in retrospect, an absurdly breakneck pace. Because of my connections at the Knitting Factory, we sometimes played with jazz groups that were more left of center, but still jazz. Our thing was less refined and way more punk. In Baltimore, we played with a band led by a saxophonist whose day job was with the Tommy Dorsey Band. He happened to be really into Evan Parker. But our unstudied thing did not go over well. Chris remembers, “The guitar player wanted to kick my ass after the gig - he thought I was the biggest charlatan in the world. He had come up as a punk rocker but had learned jazz guitar. I got up there, six beers in, and afterwards he wouldn’t talk to me. He wanted nothing to do with us.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShortly following our second tour - the band broke up. By that time - we’d hit a wall. Scott says now, “I remember asking ourselves, ‘what does it mean to improvise? We say we’re free but every gig kind of sounds the same. Why don’t we dance?’” So Chris and Scott started vocalizing and dancing on stage in the mode of Min Tanaka. They’d seen him perform solo at PS122. As I write this now, I do remember feeling a bit uneasy about the turn towards vocalizing and dance. But I was crawling around the floor rattling my heavy molded plastic cymbal case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guys had to remind me how disappointed I was about the break up. Shortly after Mishagas split, Oneida became more of a priority. Our first album came out in the fall of 1997 and we toured for about 3 months. I was hurt that Mishagas ended, but I poured myself into Oneida. Honestly, my time at the Knit had really soured me on the personalities of the NYC jazz scene. I stopped doing improv until I started playing with Jim Sauter in 2012 or so.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott moved to Seattle with his soon-to-be wife Nancy and opened an art gallery connected to a store dealing in mid-century modern furniture. Around the same time, Scott decided to release a CD of material from our time together. The CD came in a slim white cardboard sleeve with no spine. Chris designed a hand stamp that impressed “POE(1)MISHAGASlive” on the cover. The back was stamped with the label name, “Proof of Existence,” and Scott’s Seattle address. Proof of Existence - a label that no one’s heard of until now. The CD, from which most of this collection is drawn, was not exactly “Live” in the traditionally understood sense. The recordings were not all from a concert in front of an audience. Some were - but others were recorded at various home studio set ups. We simply meant - the music was created on the spot, no matter the context. These nuances were only clear to the three of us - or maybe not even that.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnsurprisingly, the release fell through the cracks. Sure it’s tough stuff and not for everyone. The package had no spine, listed no credits or song titles or much identifying information at all. Scott never received a fan letter. It’s a peak of a kind of willful obscurantism that felt intriguing, but was maybe dumb. The CD was distributed by a few outlets and reviewed in the Wire, Willamette Week and no one else. Tom Ridge, writing for The Wire, called us “an exhilarating, combustible mixture of free jazz and avant-rock” - which I’ll take.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut despite the fact that the group barely made a whimper, and is remembered by almost no one - I still would occasionally find myself listening to the album and being moved by the noise, the dedication, and the guileless openness of it all. I always felt like we had something and I was sad, especially when I got back into improvisation after fifteen years of rock and roll, that this stuff was never heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris went on to record a number of great solo albums with no reference to our kind of thing. Oneida kept moving forward - we have a new album coming out this year. But Mishagas, during our short time alive, was as real as we might have ever gotten.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnjoy the shred\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mishagas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-21T18:13:35+09:00","created_at":"2023-05-09T15:16:16+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222403969274,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mishagas \/\/ 1996-1997 TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","options":["Title"],"media":[{"alt":null,"id":31944756887802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi1_2db5f8b5-0550-401b-bf41-0cc403773e0d.jpg?v=1683612978","width":700},{"alt":null,"id":31944756953338,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mi2_9aac476e-5629-4b67-9ded-9d0c611f9a35.jpg?v=1683612978","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1996-1997年に録音したフリージャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Colpitts - Drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eScott Daniel - Alto Sax\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eChris Lee - Guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1228154267\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text\/essay by the artist: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA priest, a drummer, and a tennis pro step onto a stage. . .\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Who is in Mishagas? Were they any good?” - Josh Fox.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was the drummer - just out of Middlebury College and untouched by cynicism. I arrived at the doorstep of the Tribeca Knitting Factory in the summer of 1996 and landed a job booking tours for musicians associated with the venue - John Zorn, Dave Douglas, William Hooker, Thomas Chapin, Charles Gayle. It was a heady time for The Knit and sponsorship flowed freely from a few alcohol and cigarette manufacturers convinced that experimental music was profitable.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt was not.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was sleeping on a high school friend’s floor somewhere in Manhattan. I remember coming home after my first, long day of unpaid “trial” work at the Knitting Factory and thinking - how is it possible for someone to have an office job? How do you survive this kind of shit? There is something particularly perverse and damaging about sitting at a desk for 8 hours, and to top it off, I was in a basement. I’d decided that I did not have the talent to make music - at 22 or 23 - I was too old. But a few friends still thought that playing music - just that abstract idea with absolutely no ambition attached - was desirable and possible in New York City\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e. But the gang with whom I shared these vague dreams were not in New York yet. So I was adrift, watching a few friends scramble to play shitty shows at places like the Spiral and a threadbare CBs Gallery. You’d think I would have had some kind of connection because I worked at the Knitting Factory, but the guy who booked the club, a lanky dude named John, once stopped me with a raised finger and an arched eyebrow when I paused in front of his desk, cairns of demo tapes stacked on every surface. In the moment I gathered a breath to speak, he said, “No.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere was a pause.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I will not book your band here so don’t even ask.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut yeah - I was a drummer - even though my drums had not migrated to the city yet. I did not have a permanent place to live. But as I hung out with the various interns who lurked around the Knit’s basement office - it emerged that one of them (perhaps on the same day he arrived toting a full set of audio gear, having just recorded his entire subway ride) knew a couple of guys who were looking for a drummer. Having no prospects - I was happy to meet them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Lee was the guitarist (now an Episcopal priest at Grace Church Brooklyn) and Scott Daniel the sax man who we nicknamed “Captain Jazz” (later turned tennis pro, now retired and living in Brooklyn playing acoustic finger-style guitar). They met each other at Mondo Kim’s: a multi-storied record shop and video store that was a kind of apex of hip cultural retail NYC. Right off Cooper Square on St Mark’s Place, it deserves a book all it’s own. Before the internet was populated with the entire history of recorded music - Kim’s was the place to surf for new sounds under the contemptuous gaze of the sullen staff. It was here that Chris and Scott gravitated towards each other. The way they tell it, in the absurd melange of the ultra knowledgeable that constituted the Kim’s staff, they were as normal and down to earth as possible for ESP Records hounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpeaking of which, the ESP catalog was the perfect amalgam of the threads that Chris and Scott were following - the sleazy White punk of The Godz and The Fugs shared a catalog with the Black loft jazz of Sonny Simmons, Albert Ayler and Milford Graves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris was also obsessed with The Dirty Three and was looking to form a trio with a melodic instrument to go along with his guitar. He was getting into free jazz at the same time, so adding Scott on alto made sense.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I was trying to play like Sonny Sharrock - not well. The tunings were all open chords - they weren’t dissonant tunings. It was all about unison, open, ringing sounds with tons of overtones. That all comes from My Bloody Valentine and the Cocteau Twins. That was my base. Kevin Shields was about as good as I could get technique-wise,” Chris told me recently.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott came from Minneapolis and had transitioned from punk bass, to standup, then on to alto sax. He took lessons with David Murray’s arranger Benny Russell at the Brooklyn Conservatory of Music. He had only been playing the horn for about 5 years when he and Chris started jamming together at Chris’s 2nd floor apartment on 16th St and 8th Ave in Park Slope Brooklyn.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris came out to a forgettable show at the Knitting Factory, and brought me a cassette of influences. The tape was programmed with tracks by the Dirty Three, Albert Ayler, and the Sun City Girls. I dutifully checked the tunes out and we made plans to jam at the Ludlow Street Studios - a basement-level rehearsal spot down the block from Katz’s Deli on the Lower East Side. The dingy rooms were equipped with amps, drums, PAs and a cassette deck for recording. We think that perhaps a few of the tunes that made the album in your hands were from our first meeting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI was struck by Chris’s wild, emotional guitar playing and Scott’s empathetic, succinct phrasing. These guys listened a lot for young dudes in their early 20s. I tried to fit myself into the spaces - charged up by the old guard heads I was mingling with at the Knitting Factory: Sonny Murray, who demanded weed before he went on stage, Rashied Ali, whose wrists were bound to treat some intractable carpal tunnel, and Andrew Cyrille, whose ferocious, delicate and stoic performances kept me guessing. I had just come from a few months in Amsterdam, plopping myself down at the BimHuis every night, seeing all kinds of Dutch legends play to small audiences. I stirred in a little Han Bennink. I was flailing as well. Any technical shortcomings I had were papered over by shear audacity and unearned confidence. All fairly new to the city, we became fast friends and collaborators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSince rehearsal space was at a premium I asked the band if they’d be open to waking up early to practice in the basement of the Knitting Factory. The club had backline - drums and amps - and the Alterknit Theater was soundproofed. We would arrive at around 8am - I would brew some coffee at the upstairs bar - and then we’d play for a couple of hours before I started work at 10:30am.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe learned a few songs - Albert Ayler’s “Ghosts” for one - but quickly realized that we ended up in more interesting places without the heads. “Let’s just shred,” was our mantra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur first show was opening for an experimental theater performance of “American Interference” at the Angel Orensanz Center. It was written and directed by Josh Fox - who went on to direct the anti-fracking documentary Gasland (among many other films). We played for about 20 minutes before the show started. We can’t remember if we were paid. Contacted for these liner notes Fox barely remembered our participation. We set up in a corner in front of the stage and we asked our friend Barry London to record us onto a 4-track cassette machine. He set up mics and we started.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter we jammed, he approached us and said - “OK I have levels. Let me know when you’re gonna do your set.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThat was the set!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBarry did manage to record a second show - but we can’t find the tape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e***\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe arrived in NYC during the very last gasps of the hollowed out 80s. We played the very well lit 5th Street squat with Gold Sparkle Quartet and Sunday Puncher, a mere week before a small fire led to the building’s destruction by wrecking ball.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were sets at ABC No Rio and the Alterknit - the small 80 person capacity room where we had morning rehearsals at the Knitting Factory. Eventually we were granted a show there, but it was probably after I took over the role of booking the club. I remember hearing that Thurston Moore came to a set and dug it, that would have been very exciting to us. Somehow the NYC shows were well attended and in the heat and the rattling crescendos, one of Scott’s friends passed out. That was the vibe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith no significant attachments, and a naive understanding of the music business, we played constantly over the course of that year, touring around the North East and Mid-Atlantic and recording at what feels like in retrospect, an absurdly breakneck pace. Because of my connections at the Knitting Factory, we sometimes played with jazz groups that were more left of center, but still jazz. Our thing was less refined and way more punk. In Baltimore, we played with a band led by a saxophonist whose day job was with the Tommy Dorsey Band. He happened to be really into Evan Parker. But our unstudied thing did not go over well. Chris remembers, “The guitar player wanted to kick my ass after the gig - he thought I was the biggest charlatan in the world. He had come up as a punk rocker but had learned jazz guitar. I got up there, six beers in, and afterwards he wouldn’t talk to me. He wanted nothing to do with us.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eShortly following our second tour - the band broke up. By that time - we’d hit a wall. Scott says now, “I remember asking ourselves, ‘what does it mean to improvise? We say we’re free but every gig kind of sounds the same. Why don’t we dance?’” So Chris and Scott started vocalizing and dancing on stage in the mode of Min Tanaka. They’d seen him perform solo at PS122. As I write this now, I do remember feeling a bit uneasy about the turn towards vocalizing and dance. But I was crawling around the floor rattling my heavy molded plastic cymbal case.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe guys had to remind me how disappointed I was about the break up. Shortly after Mishagas split, Oneida became more of a priority. Our first album came out in the fall of 1997 and we toured for about 3 months. I was hurt that Mishagas ended, but I poured myself into Oneida. Honestly, my time at the Knit had really soured me on the personalities of the NYC jazz scene. I stopped doing improv until I started playing with Jim Sauter in 2012 or so.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScott moved to Seattle with his soon-to-be wife Nancy and opened an art gallery connected to a store dealing in mid-century modern furniture. Around the same time, Scott decided to release a CD of material from our time together. The CD came in a slim white cardboard sleeve with no spine. Chris designed a hand stamp that impressed “POE(1)MISHAGASlive” on the cover. The back was stamped with the label name, “Proof of Existence,” and Scott’s Seattle address. Proof of Existence - a label that no one’s heard of until now. The CD, from which most of this collection is drawn, was not exactly “Live” in the traditionally understood sense. The recordings were not all from a concert in front of an audience. Some were - but others were recorded at various home studio set ups. We simply meant - the music was created on the spot, no matter the context. These nuances were only clear to the three of us - or maybe not even that.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnsurprisingly, the release fell through the cracks. Sure it’s tough stuff and not for everyone. The package had no spine, listed no credits or song titles or much identifying information at all. Scott never received a fan letter. It’s a peak of a kind of willful obscurantism that felt intriguing, but was maybe dumb. The CD was distributed by a few outlets and reviewed in the Wire, Willamette Week and no one else. Tom Ridge, writing for The Wire, called us “an exhilarating, combustible mixture of free jazz and avant-rock” - which I’ll take.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut despite the fact that the group barely made a whimper, and is remembered by almost no one - I still would occasionally find myself listening to the album and being moved by the noise, the dedication, and the guileless openness of it all. I always felt like we had something and I was sad, especially when I got back into improvisation after fifteen years of rock and roll, that this stuff was never heard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris went on to record a number of great solo albums with no reference to our kind of thing. Oneida kept moving forward - we have a new album coming out this year. But Mishagas, during our short time alive, was as real as we might have ever gotten.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEnjoy the shred\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mishagas\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・NYのフリージャズバンドMishagasが、2022年11月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。 1996-1997年に録音したフリージャズ14曲を収録。 John Colpitts - DrumsScott Daniel - Alto SaxChris Lee - Guitar...
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{"id":7972790206714,"title":"KVL \/\/ Volume 2 LP","handle":"kvl-volume-2-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eタイトでミニマルな実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4154929910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl 1st edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAstral Spirits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVolume 2 is the long awaited followup from the all-star Chicago trio of QUIN KIRCHNER, DANIEL VAN DUERM \u0026amp; MATTHEW LUX. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on \"Absent Crash,\" Kirchner's steady \u0026amp; insistent \"Compared to What\" beat in \"Pink Void,\" and Lux's steady \u0026amp; subtle bass lines throughout.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut that's not to say this a rehash of their previous work, as Marcus J. Moore astutely noted at the end of his 2019 review of Volume 1,\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"On an album full of lush tranquility, “Bladewalker” snaps you back to reality while foreshadowing KVL’s next move.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd Volume 2 does step boldly into new territory. The trio gives us the wild free jazz of \"Percival's Dilemma,\" the meeting of electro and afrobeat on \"Microvibe,\" and finally, \"Interconnectivity Suite,\" a stunning 10 minute journey through fields of experimental electronics, dub groove rhythm section interludes that are so tight you could wind your clock to them, ruminative electric piano and eventually ending back into a world of lush\u003cspan class=\"bcTruncateMore\"\u003e tranquility.\u003cbr\u003e\u003cbr\u003eKVL isn't coming back around full circle, rather Volume 2 finds KVL expanding and refining their sonic palette. A focus on looking forward instead of behind, and giving us yet another glimpse of what is to come in the future. But for right now, Volume 2 sounds just right coming out of my speakers and I couldn't be happier.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : KVL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-13T07:27:29+09:00","created_at":"2023-05-09T15:06:45+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222379000058,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"KVL \/\/ Volume 2 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","options":["Title"],"media":[{"alt":null,"id":31944688468218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl1.jpg?v=1683612407","width":700},{"alt":null,"id":31944688500986,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kvl2.jpg?v=1683612407","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eタイトでミニマルな実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4154929910\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl 1st edition of 300. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAstral Spirits:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVolume 2 is the long awaited followup from the all-star Chicago trio of QUIN KIRCHNER, DANIEL VAN DUERM \u0026amp; MATTHEW LUX. Although it's been three years since their debut, Volume 1, KVL has continued to hone their brand of call-it-whatever-you-want jazz, keeping many of the same meditative and ambient qualities as their previous album, but expressed in new and different ways - Van Duerm's repetitive and winding organ lines on \"Absent Crash,\" Kirchner's steady \u0026amp; insistent \"Compared to What\" beat in \"Pink Void,\" and Lux's steady \u0026amp; subtle bass lines throughout.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBut that's not to say this a rehash of their previous work, as Marcus J. Moore astutely noted at the end of his 2019 review of Volume 1,\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"On an album full of lush tranquility, “Bladewalker” snaps you back to reality while foreshadowing KVL’s next move.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd Volume 2 does step boldly into new territory. The trio gives us the wild free jazz of \"Percival's Dilemma,\" the meeting of electro and afrobeat on \"Microvibe,\" and finally, \"Interconnectivity Suite,\" a stunning 10 minute journey through fields of experimental electronics, dub groove rhythm section interludes that are so tight you could wind your clock to them, ruminative electric piano and eventually ending back into a world of lush\u003cspan class=\"bcTruncateMore\"\u003e tranquility.\u003cbr\u003e\u003cbr\u003eKVL isn't coming back around full circle, rather Volume 2 finds KVL expanding and refining their sonic palette. A focus on looking forward instead of behind, and giving us yet another glimpse of what is to come in the future. But for right now, Volume 2 sounds just right coming out of my speakers and I couldn't be happier.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : KVL\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズトリオKVLが、2023年4月に同国テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。 タイトでミニマルな実験ジャズ10曲を収録。 レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira. --------------------------------- Black...
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{"id":7972788011258,"title":"Aaron Leaney feat. Guy Thouin \/\/ Lockdown LP","handle":"aaron-leaney-feat-guy-thouin-lockdown-lp","description":"\u003cp\u003eカナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343372428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wLHs6V8w-h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 1st edition of 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAARON LEANEY - Tenor \u0026amp; Alto Saxophones, Mbira, Flulani Flute, Kathak Brass Bells\u003cbr\u003eGUY THOUIN - Drums, Cymbals, Kick Drums, Toms, Tablas, Cow Bell, Gongs, Percussion\u003cbr\u003eRecorded and Mixed by Radwani Ghazi Moumneh, November 23-25, 2021, at Thee Mighty Hotel2Tango\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Leaney feat. Guy Thouin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-10T06:07:46+09:00","created_at":"2023-05-09T15:04:07+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":328000,"price_min":328000,"price_max":328000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222368284922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Aaron Leaney feat. Guy Thouin \/\/ Lockdown LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","options":["Title"],"media":[{"alt":null,"id":31944664875258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1_7292921c-8261-468e-a93c-8c01c24f30a1.jpg?v=1683612248","width":700},{"alt":null,"id":31944664908026,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2_efb8b7da-3fdf-4230-84f6-b1ac9d794bef.jpg?v=1683612249","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eサックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343372428\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wLHs6V8w-h4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. 1st edition of 400.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAARON LEANEY - Tenor \u0026amp; Alto Saxophones, Mbira, Flulani Flute, Kathak Brass Bells\u003cbr\u003eGUY THOUIN - Drums, Cymbals, Kick Drums, Toms, Tablas, Cow Bell, Gongs, Percussion\u003cbr\u003eRecorded and Mixed by Radwani Ghazi Moumneh, November 23-25, 2021, at Thee Mighty Hotel2Tango\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Aaron Leaney feat. Guy Thouin\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・モントリオールのサックス奏者Aaron LeaneyとパーカッショニストGuy Thouinが、2023年3月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースした共作レコードです。 サックスやムビラ、アフリカンフルートによるエキゾチックなフリージャズ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira....
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{"id":7972785684730,"title":"David Lord \/\/ Forest Standards Vol. 3 LP","handle":"david-lord-forest-standards-vol-3-lp","description":"\u003cp\u003eカナダ・モントリオールのギタリストDavid Lordが、2023年4月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ラウンジ・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=348513713\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 500. Black 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eAnthony Dean-Harris (San Antonio, Texas) via Astral Spirits:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhat is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with drummer Chad Taylor and producer Chris Schlarb, his only constant companions. All the while, on Lord’s solo ventures under his own name (and even in his prior work under the nom de plume Francis Moss), he’s finding new ways to examine the interconnectivity of trees, of fungi, of ecosystems brought together in harmony and just what that would be for people to make that kind of harmony for ourselves. This third volume is merely the latest iteration of that idea, the results of the latest planted seeds. The ensemble is a bit larger, and so are the ideas, but that’s also how growth tends to work in the forest if things are going right.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen Taylor opens up on the kit midway through “Trees Yield Tomte” and all of Lord’s and Nathan Hubbard’s arpeggios start darting around corners, it’s a fun break that doesn’t feel at all like it’s\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e coming from the Christmas goblin of the song’s namesake. Christine Tavolacci’s flute on “In Woods I Know” add that sense of mystery like a concerning wind two the trees on a hike that could make an adventurous turn. How much of David Tranchina’s bass acts the propulsive force of “Infant Elm” as much as Chad Taylor’s drumming? Is Lord’s glockenspiel this album series’ paprika? Its nutmeg?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne song after the other, just like the two albums before this one, seem to come from the earth itself and made to fill one’s ears while taking expeditions into nature's unknown. What makes these albums special is that David Lord knows the atmosphere he's making with this music and in each iteration of his chosen musicians to pull off these ideas, he's chosen just the right people at just the right time to go with the flow. He's made balance as nature does, as forests do. Like wind through leaves, like rustling branches, like birds swooping overhead, these are standards to a forest, and hopefully they are to us mere humans as well.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-11T13:19:14+09:00","created_at":"2023-05-09T15:02:04+09:00","vendor":"Tobira Records","type":"","tags":["Astral Spirits","jazz","lp"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222362026234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Lord \/\/ Forest Standards Vol. 3 LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","options":["Title"],"media":[{"alt":null,"id":31944639447290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo1_8439fcec-e7bd-47b8-ba7d-5b49b9026f3a.jpg?v=1683612126","width":700},{"alt":null,"id":31944639480058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fo2_6411a796-32de-4dae-8270-bad60de6a406.jpg?v=1683612126","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのギタリストDavid Lordが、2023年4月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ラウンジ・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=348513713\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1667462272\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/astral-spirits\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAstral Spirits releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1st edition of 500. Black 12\" vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eAnthony Dean-Harris (San Antonio, Texas) via Astral Spirits:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWhat is a standard to a forest? What makes that different to what’s a standard, in that jazz classic compositional sense, to a desert? To a city? To a suburb? To a plain? A wetland? A grove? The only thing standard in a forest, like any other environment, is the search for balance. Nature seeks an equilibrium and, given enough time, it finds it. It’s the only way to ensure survival and growth.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor three albums, David Lord has been exploring this idea, seeking out some sense of the ethereal, with drummer Chad Taylor and producer Chris Schlarb, his only constant companions. All the while, on Lord’s solo ventures under his own name (and even in his prior work under the nom de plume Francis Moss), he’s finding new ways to examine the interconnectivity of trees, of fungi, of ecosystems brought together in harmony and just what that would be for people to make that kind of harmony for ourselves. This third volume is merely the latest iteration of that idea, the results of the latest planted seeds. The ensemble is a bit larger, and so are the ideas, but that’s also how growth tends to work in the forest if things are going right.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen Taylor opens up on the kit midway through “Trees Yield Tomte” and all of Lord’s and Nathan Hubbard’s arpeggios start darting around corners, it’s a fun break that doesn’t feel at all like it’s\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e coming from the Christmas goblin of the song’s namesake. Christine Tavolacci’s flute on “In Woods I Know” add that sense of mystery like a concerning wind two the trees on a hike that could make an adventurous turn. How much of David Tranchina’s bass acts the propulsive force of “Infant Elm” as much as Chad Taylor’s drumming? Is Lord’s glockenspiel this album series’ paprika? Its nutmeg?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne song after the other, just like the two albums before this one, seem to come from the earth itself and made to fill one’s ears while taking expeditions into nature's unknown. What makes these albums special is that David Lord knows the atmosphere he's making with this music and in each iteration of his chosen musicians to pull off these ideas, he's chosen just the right people at just the right time to go with the flow. He's made balance as nature does, as forests do. Like wind through leaves, like rustling branches, like birds swooping overhead, these are standards to a forest, and hopefully they are to us mere humans as well.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Astral Spirits\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・モントリオールのギタリストDavid Lordが、2023年4月にアメリカ・テキサスのジャズレーベルAstral Spiritsからリリースしたレコードです。 スピリチュアル・ジャズ〜ラウンジ・ジャズ10曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Astral Spirits releases available at Tobira....
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{"id":7972763730170,"title":"memotone \/\/ How Was Your Life? LP","handle":"memotone-how-was-your-life-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベル\u003c\/span\u003ePatience \/ Impatience\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなエレクトロニック・ジャズ\u003cmeta charset=\"utf-8\"\u003eフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259194236\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaunching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParadise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWill Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e","published_at":"2023-05-09T15:15:42+09:00","created_at":"2023-05-09T14:34:51+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","patience impatience","strange beats"],"price":367000,"price_min":367000,"price_max":367000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44222278336762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"memotone \/\/ How Was Your Life? LP","public_title":null,"options":["Default Title"],"price":367000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","options":["Title"],"media":[{"alt":null,"id":31944419279098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how1.jpg?v=1683610493","width":700},{"alt":null,"id":31944419311866,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/how2.jpg?v=1683610493","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eイギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベル\u003c\/span\u003ePatience \/ Impatience\u003cspan\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eエキゾチックなエレクトロニック・ジャズ\u003cmeta charset=\"utf-8\"\u003eフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1259194236\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLaunching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInstigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e to date.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eParadise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWill Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : memotone\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e"}
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イギリス・ブリストルのマルチ奏者Memotoneが、2023年5月にアメリカ・NYの実験／ダンスレーベルPatience / Impatienceからリリースしたレコードです。 エキゾチックなエレクトロニック・ジャズフュージョン8曲を収録。カテゴライズするのがとても難しい一枚です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Patience / Impatience releases available at...
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{"id":7966683824378,"title":"Magnus Granberg with Apartment House \/\/ Evening Star, Vesper Bell CD","handle":"magnus-granberg-with-apartment-house-evening-star-vesper-bell-tape","description":"\u003cp\u003eスウェーデン・ストックホルムの作曲家Magnus Granbergが、2023年4月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eApartment House演奏による54分の室内楽作品です。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592471371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in hard cover. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeautiful 54-minute work by Magnus Granberg, written for and wonderfully played by Apartment House. As with almost all of Granberg's compositions, a strong ability in improvisation is essential as the score presents musicians with pools of musical material from which they have to select sounds according to what they are hearing in the moment from the other musicians Sumptuously gorgeous music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magnus Granberg with Apartment House\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2023-05-02T10:58:46+09:00","created_at":"2023-04-30T10:35:41+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","jazz"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44201791815930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Magnus Granberg with Apartment House \/\/ Evening Star, Vesper Bell CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/even1.jpg?v=1682818543","\/\/tobirarecords.com\/cdn\/shop\/files\/even2.jpg?v=1682818543"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1.jpg?v=1682818543","options":["Title"],"media":[{"alt":null,"id":31899347550458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1.jpg?v=1682818543"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even1.jpg?v=1682818543","width":700},{"alt":null,"id":31899347583226,"position":2,"preview_image":{"aspect_ratio":1.054,"height":1138,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even2.jpg?v=1682818543"},"aspect_ratio":1.054,"height":1138,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/even2.jpg?v=1682818543","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムの作曲家Magnus Granbergが、2023年4月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eApartment House演奏による54分の室内楽作品です。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1592471371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in hard cover. \u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBeautiful 54-minute work by Magnus Granberg, written for and wonderfully played by Apartment House. As with almost all of Granberg's compositions, a strong ability in improvisation is essential as the score presents musicians with pools of musical material from which they have to select sounds according to what they are hearing in the moment from the other musicians Sumptuously gorgeous music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Magnus Granberg with Apartment House\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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{"id":7965942743290,"title":"John Carroll Kirby \/\/ Septet 2xLP","handle":"john-carroll-kirby-septet-2xlpのコピー","description":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2021年6月にStones Throwからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ8曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2449815274\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eClash:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat ‘Septet’ really does well is show how accomplished Kirby has become in his writing. The music is fun, with a joyous bounce, but also hints at a deep melancholy. It’s not sad, but it’s also not happy. Which, if we choose to admit it, is what the past 18 months have been... It truly is a product of its time, but instead of focusing on the negativity Kirby concentrates on those little moments that bring happiness. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stone's Throw\u003c\/p\u003e","published_at":"2023-04-28T15:26:58+09:00","created_at":"2023-04-28T15:26:10+09:00","vendor":"Tobira Records","type":"","tags":["jazz","leaving records","lp"],"price":428000,"price_min":428000,"price_max":428000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44198465569018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Septet 2xLP","public_title":null,"options":["Default Title"],"price":428000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172","options":["Title"],"media":[{"alt":null,"id":31891253559546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2021年6月にStones Throwからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ8曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2449815274\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eClash:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat ‘Septet’ really does well is show how accomplished Kirby has become in his writing. The music is fun, with a joyous bounce, but also hints at a deep melancholy. It’s not sad, but it’s also not happy. Which, if we choose to admit it, is what the past 18 months have been... It truly is a product of its time, but instead of focusing on the negativity Kirby concentrates on those little moments that bring happiness. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stone's Throw\u003c\/p\u003e"}
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{"id":7965393322234,"title":"toshimaru nakamura \u0026 suzueri \/\/ a floor, walls, and a ceiling CD","handle":"toshimaru-nakamura-suzueri-a-floor-walls-and-a-ceiling-cd","description":"\u003cp\u003e東京の実験音楽家toshimaru nakamuraとsuzueriが、2023年4月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuperpangからリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eピアノやミキサー、自作楽器を用いたインプロ2曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142550285\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/supa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/supa\"\u003ehere\u003c\/a\u003e to see more Superpang releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in shrink-wrapped digipack.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etoshimaru nakamura - no-input mixing board\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esuzueri - piano, handmade devices\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Ftarri, Tokyo on 11th of July 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSound finished by Toshimaru Nakamura\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toshimaru Nakamura \u0026amp; Suzueri\u003c\/p\u003e\n\u003cp\u003eLabel : Superpang\u003c\/p\u003e","published_at":"2023-04-27T19:31:36+09:00","created_at":"2023-04-27T15:12:25+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","monooto","superpang"],"price":198000,"price_min":198000,"price_max":198000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44196205527290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"toshimaru nakamura \u0026 suzueri \/\/ a floor, walls, and a ceiling CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fl1.jpg?v=1682575947","\/\/tobirarecords.com\/cdn\/shop\/files\/fl2.jpg?v=1682575947"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1.jpg?v=1682575947","options":["Title"],"media":[{"alt":null,"id":31885598228730,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1.jpg?v=1682575947"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl1.jpg?v=1682575947","width":700},{"alt":null,"id":31885598261498,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl2.jpg?v=1682575947"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fl2.jpg?v=1682575947","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京の実験音楽家toshimaru nakamuraとsuzueriが、2023年4月にイタリアの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSuperpangからリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eピアノやミキサー、自作楽器を用いたインプロ2曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2142550285\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/supa\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/supa\"\u003ehere\u003c\/a\u003e to see more Superpang releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in shrink-wrapped digipack.\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003etoshimaru nakamura - no-input mixing board\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003esuzueri - piano, handmade devices\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eRecorded at Ftarri, Tokyo on 11th of July 2021\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSound finished by Toshimaru Nakamura\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toshimaru Nakamura \u0026amp; Suzueri\u003c\/p\u003e\n\u003cp\u003eLabel : Superpang\u003c\/p\u003e"}
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東京の実験音楽家toshimaru nakamuraとsuzueriが、2023年4月にイタリアの実験レーベルSuperpangからリリースした共作CDです。 ピアノやミキサー、自作楽器を用いたインプロ2曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Superpang releases available at Tobira. ---------------------- CD...
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{"id":7964285239546,"title":"Natural Information Society \/\/ Since Time Is Gravity 2xLP","handle":"natural-information-society-since-time-is-gravity-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの11人編成バンドNatural Information Societyが、2023年4月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eモロッコの伝統楽器ゲンブリやハルモニウム、サックス、クラリネット、ドラムなどによるトライバル・ジャズ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276757214\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black double vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e01 Moontide Chorus 6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Is 11:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Murmuration 17:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Wane 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Stigmergy 13:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Immemorial 8:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Wax 3:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Gravity 7:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eEssay by Stuart Broomer, April 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer \u0026amp; multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums \u0026amp;-counting flagship ensemble. Joining the core NIS of Abrams (guimbri \u0026amp; bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) \u0026amp; Jason Stein (bass clarinet)\u003cspan class=\"bcTruncateMore\"\u003e are Hamid Drake (percussion), Josh Berman \u0026amp; Ben Lamar Gay (cornets), Nick Mazzarella \u0026amp; Mai Sugimoto (alto saxophones \u0026amp; flute), Kara Bershad (harp) \u0026amp; Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio \u0026amp; The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado. 2xLP on Eremite USA, 2xLP \u0026amp; CD on Aguirre\/Eremite Europe. Out 14-04.\u003cbr\u003e\u003cbr\u003eSince first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group’s conceptual underpinnings, its musical references \u0026amp; the sheer number of the group’s members. Its music is, in a sense, an expansive form of minimalism, based in repeated \u0026amp; overlaid rhythmic patterns, ostinatos \u0026amp; modality. Its roots, its scale \u0026amp; its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams’ guimbri at its core, the version here can stretch to a tentet, including six horns.\u003cbr\u003e\u003cbr\u003eAbrams has been expanding his minimalism gradually, but he has long understood a key to minimalism’s potential: the breadth of its roots in the late 1950s \u0026amp; early 1960s, ranging from the dissatisfaction of young European-stream composers with the limitations of serialism to the simultaneous dissatisfaction of jazz musicians with the dense harmonic vocabulary of bop \u0026amp; hard bop. The former began exploring rhythmic complexity \u0026amp; narrow tonal palates in place of harmonic abstraction (Steve Reich’s Drumming, Philip Glass’ Music with Changing Parts; perhaps above all Terry Riley’s In C \u0026amp; his late ‘60s all-night organ \u0026amp; loop concerts); the later reduced dense chord changes to scales (signally with Miles Davis' Kind of Blue, but rapidly expanding with John Coltrane’s vast project). In the 1950s the LP record opened the world with documentation of Asian \u0026amp; African musics, key influences on both minimalists \u0026amp; jazz musicians. If John Coltrane’s soprano saxophone suggested the keening shehnai of Bismillah Khan, the instrument was rapidly taken up by two key minimalists, LaMonte Young \u0026amp; Riley, similarly appreciative of its flexible intonation, the same thing that kept it out of big bands.\u003cbr\u003e\u003cbr\u003eIf the guimbri, the North African hide-covered lute that Abrams plays with NIS, involves a rich tradition of hypnotic healing music associated with the Gnawa people, Abrams’ music also touches on other musics as well — other depths, memories \u0026amp; healings, different drones, rhythms \u0026amp; modes. As the group expands on Since Time Is Gravity, he has made certain jazz traditions in the same stream more explicit as well. If there is a mystical \u0026amp; elastic quality involved in the experience of time, both in direction \u0026amp; duration, you will catch it here. The parts for the choir of winds expand on the roles of Abrams’ guimbri, Mikel Patrick Avery \u0026amp; Hamid Drake’s percussion \u0026amp; Lisa Alvarado’s harmonium: at times, the winds are almost looping in the tentet version, each hitting a repeating note in turn, at once drone \u0026amp; distinct inflection on temporal sequence. The brilliance of the work resides in Abrams’ compositions, the NIS’ intuitive execution \u0026amp; in Ari Brown’s singular embodiment of the great tenor saxophone tradition, including the oracular genius of Eddie “Lockjaw” Davis, \u0026amp; Yusef Lateef. The three pieces by the expanded NIS featuring Brown —the opening “Moontide Chorus” \u0026amp; “Is” \u0026amp; the ultimate “Gravity”— have an immediate impact, \u0026amp; togther might be considered a kind of concerto for tenor saxophone. Here Brown presses almost indistinguishably from composed melody to improvised speech, getting so close to language that he might have a text. Everything here is a sign. Note the tap of the Rhythm Ace that links “Moontide Chorus” to “Is”, the attentive heart always present, even when signed by a machine. There’s a link here to the methodologies \u0026amp; meanings of dub music \u0026amp; the linear \u0026amp; vertical collage of beats, textures \u0026amp; tongues: treated with reverence, a sample of a beat-box can be as soulful, as hypnotic, as a mbira or a tamboura. If those pieces with Brown are heard as a suspended concerto, the three embrace \u0026amp; enfold the other works, like the sepals of a flower. That placement will also touch on the mysteries of our perception of time.\u003cbr\u003e\u003cbr\u003eParticularly in “Is”, but elsewhere as well, a phenomenon of transcendence arises in which time appears to be tripartite, at once moving backwards \u0026amp; forwards \u0026amp; standing still. This is an act of technical brilliance certainly, but also an illumination of music’s ability to represent temporal consciousness through polymetrics. This particular listener has only heard it before in a few places, including the horn shouts \u0026amp; bowed basses of Coltrane’s Africa, in moments of Charles Mingus’ The Black Saint \u0026amp; the Sinner Lady, in certain pieces where tapes were literally running backwards, \u0026amp; earlier still in Dizzy Gillespie’s Cubana Be, Cubana Bop, in which the composer George Russell \u0026amp; conguero Chano Pozo found a music that spoke at once in the voices of Stravinsky’s Rite of Spring \u0026amp; the vestigial rites, rhythms \u0026amp; songs of the Yoruba language \u0026amp; Santeria religion of inland Cuba.\u003cbr\u003e\u003cbr\u003eIn Joshua Abrams’ compositions \u0026amp; the realization of them by the NIS, in the time of one’s close listening \u0026amp; memory thereof, distinctions between the “natural” \u0026amp; the “social”, the “quotidian” \u0026amp; the “transcendent” are erased, suspended or perhaps irrelevant. Consider two of the ensemble pieces, one named for nature, the other social science. In “Murmuration” the repeated wind figures of flute \u0026amp; alto saxophone combine with the interlocking patterns of harp, guimbri \u0026amp; frame drum (tar) to create a perfect moving stillness, not an imitation but a witness to the miracle of the starlings’ astonishing collective art, a surfeit of beauty that might be the ultimate defense tactic.\u003cbr\u003e\u003cbr\u003e“Stigmergy” takes its name \u0026amp; concept from the Occupy movement’s Heather Marsh, who proposes a social system based on a cooperative rather than competitive models, one in which ideas are freely contributed \u0026amp; developed as ideas rather than an individual’s property. In its form, Abrams’ “Stigmergy” is the closes thing to traditional jazz, a series of accompanied solos by each of the wind players. However, the composed accompaniment is a radically collectivist notion: a repeated rhythmic figure, call it ostinato or riff, in which the different winds each play only a note or two of the figure, a concept both more collectivist \u0026amp; individualistic in its conception than any typical unison figure. It suggests another of the underlying recognitions that propel the Natural Information Society, the group as social organism, the teleology of hypnotic anarchy, all parts in place, functioning systematically, evolving \u0026amp; expressing itself, its nature \u0026amp; society, as a transformative organism.\u003cbr\u003e\u003cbr\u003eGeorge Lewis has described music as “a space for reflection on the human condition”. This suggests that, rather than a “distraction”, at least some music might serve as a distraction from distraction. It’s a focus, a clarity, a awareness, an external invitation to interiority, as if music itself is a model for form \u0026amp; contemplation, an organism contemplating for us or as us. If that is a possibility, \u0026amp; I am sure I have heard such musics, than this music is among them. How many of our rhythms, melodies \u0026amp; harmonies (cultural, historical, biological, psychic) might such music carry, translate \u0026amp; transform in the particulate ecstasy of our own murmuration? \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre \/ eremite records\u003c\/p\u003e","published_at":"2023-05-01T14:32:04+09:00","created_at":"2023-04-26T10:30:30+09:00","vendor":"Tobira Records","type":"","tags":["aguirre","jazz","lp","new"],"price":499000,"price_min":499000,"price_max":499000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44193397473530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Natural Information Society \/\/ Since Time Is Gravity 2xLP","public_title":null,"options":["Default Title"],"price":499000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","options":["Title"],"media":[{"alt":null,"id":31880778875130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr1.jpg?v=1682472632","width":700},{"alt":null,"id":31880778907898,"position":2,"preview_image":{"aspect_ratio":0.978,"height":552,"width":540,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633"},"aspect_ratio":0.978,"height":552,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gr2.jpg?v=1682472633","width":540}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの11人編成バンドNatural Information Societyが、2023年4月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eモロッコの伝統楽器ゲンブリやハルモニウム、サックス、クラリネット、ドラムなどによるトライバル・ジャズ8曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276757214\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/agu\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/agu\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eAguirre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black double vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e01 Moontide Chorus 6:41\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02 Is 11:39\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e03 Murmuration 17:36\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e04 Wane 4:30\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e05 Stigmergy 13:05\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e06 Immemorial 8:11\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e07 Wax 3:19\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e08 Gravity 7:53\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eEssay by Stuart Broomer, April 2022:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe next chapter of the Natural Information Society is here. Since Time Is Gravity, credited to Natural Information Society Community Ensemble with Ari Brown, presents a newly expanded manifestation of acclaimed composer \u0026amp; multi-instrumentalist Joshua Abrams nearly 15 year, 7 albums \u0026amp;-counting flagship ensemble. Joining the core NIS of Abrams (guimbri \u0026amp; bass), Lisa Alvarado (harmonium) Mikel Patrick Avery (drums) \u0026amp; Jason Stein (bass clarinet)\u003cspan class=\"bcTruncateMore\"\u003e are Hamid Drake (percussion), Josh Berman \u0026amp; Ben Lamar Gay (cornets), Nick Mazzarella \u0026amp; Mai Sugimoto (alto saxophones \u0026amp; flute), Kara Bershad (harp) \u0026amp; Chicago living legend of the tenor saxophone Ari Brown. Recorded live to tape at Electrical Audio \u0026amp; The Graham Foundation, cover painting Vibratory Cartography: Nepantla, by Lisa Alvarado. 2xLP on Eremite USA, 2xLP \u0026amp; CD on Aguirre\/Eremite Europe. Out 14-04.\u003cbr\u003e\u003cbr\u003eSince first developing Natural Information Society in 2010, Joshua Abrams has been gradually expanding the group’s conceptual underpinnings, its musical references \u0026amp; the sheer number of the group’s members. Its music is, in a sense, an expansive form of minimalism, based in repeated \u0026amp; overlaid rhythmic patterns, ostinatos \u0026amp; modality. Its roots, its scale \u0026amp; its meaning become clearer in time. If time is gravity, it also allows us to carry more. Having begun as fundamentally a rhythm section with Abrams’ guimbri at its core, the version here can stretch to a tentet, including six horns.\u003cbr\u003e\u003cbr\u003eAbrams has been expanding his minimalism gradually, but he has long understood a key to minimalism’s potential: the breadth of its roots in the late 1950s \u0026amp; early 1960s, ranging from the dissatisfaction of young European-stream composers with the limitations of serialism to the simultaneous dissatisfaction of jazz musicians with the dense harmonic vocabulary of bop \u0026amp; hard bop. The former began exploring rhythmic complexity \u0026amp; narrow tonal palates in place of harmonic abstraction (Steve Reich’s Drumming, Philip Glass’ Music with Changing Parts; perhaps above all Terry Riley’s In C \u0026amp; his late ‘60s all-night organ \u0026amp; loop concerts); the later reduced dense chord changes to scales (signally with Miles Davis' Kind of Blue, but rapidly expanding with John Coltrane’s vast project). In the 1950s the LP record opened the world with documentation of Asian \u0026amp; African musics, key influences on both minimalists \u0026amp; jazz musicians. If John Coltrane’s soprano saxophone suggested the keening shehnai of Bismillah Khan, the instrument was rapidly taken up by two key minimalists, LaMonte Young \u0026amp; Riley, similarly appreciative of its flexible intonation, the same thing that kept it out of big bands.\u003cbr\u003e\u003cbr\u003eIf the guimbri, the North African hide-covered lute that Abrams plays with NIS, involves a rich tradition of hypnotic healing music associated with the Gnawa people, Abrams’ music also touches on other musics as well — other depths, memories \u0026amp; healings, different drones, rhythms \u0026amp; modes. As the group expands on Since Time Is Gravity, he has made certain jazz traditions in the same stream more explicit as well. If there is a mystical \u0026amp; elastic quality involved in the experience of time, both in direction \u0026amp; duration, you will catch it here. The parts for the choir of winds expand on the roles of Abrams’ guimbri, Mikel Patrick Avery \u0026amp; Hamid Drake’s percussion \u0026amp; Lisa Alvarado’s harmonium: at times, the winds are almost looping in the tentet version, each hitting a repeating note in turn, at once drone \u0026amp; distinct inflection on temporal sequence. The brilliance of the work resides in Abrams’ compositions, the NIS’ intuitive execution \u0026amp; in Ari Brown’s singular embodiment of the great tenor saxophone tradition, including the oracular genius of Eddie “Lockjaw” Davis, \u0026amp; Yusef Lateef. The three pieces by the expanded NIS featuring Brown —the opening “Moontide Chorus” \u0026amp; “Is” \u0026amp; the ultimate “Gravity”— have an immediate impact, \u0026amp; togther might be considered a kind of concerto for tenor saxophone. Here Brown presses almost indistinguishably from composed melody to improvised speech, getting so close to language that he might have a text. Everything here is a sign. Note the tap of the Rhythm Ace that links “Moontide Chorus” to “Is”, the attentive heart always present, even when signed by a machine. There’s a link here to the methodologies \u0026amp; meanings of dub music \u0026amp; the linear \u0026amp; vertical collage of beats, textures \u0026amp; tongues: treated with reverence, a sample of a beat-box can be as soulful, as hypnotic, as a mbira or a tamboura. If those pieces with Brown are heard as a suspended concerto, the three embrace \u0026amp; enfold the other works, like the sepals of a flower. That placement will also touch on the mysteries of our perception of time.\u003cbr\u003e\u003cbr\u003eParticularly in “Is”, but elsewhere as well, a phenomenon of transcendence arises in which time appears to be tripartite, at once moving backwards \u0026amp; forwards \u0026amp; standing still. This is an act of technical brilliance certainly, but also an illumination of music’s ability to represent temporal consciousness through polymetrics. This particular listener has only heard it before in a few places, including the horn shouts \u0026amp; bowed basses of Coltrane’s Africa, in moments of Charles Mingus’ The Black Saint \u0026amp; the Sinner Lady, in certain pieces where tapes were literally running backwards, \u0026amp; earlier still in Dizzy Gillespie’s Cubana Be, Cubana Bop, in which the composer George Russell \u0026amp; conguero Chano Pozo found a music that spoke at once in the voices of Stravinsky’s Rite of Spring \u0026amp; the vestigial rites, rhythms \u0026amp; songs of the Yoruba language \u0026amp; Santeria religion of inland Cuba.\u003cbr\u003e\u003cbr\u003eIn Joshua Abrams’ compositions \u0026amp; the realization of them by the NIS, in the time of one’s close listening \u0026amp; memory thereof, distinctions between the “natural” \u0026amp; the “social”, the “quotidian” \u0026amp; the “transcendent” are erased, suspended or perhaps irrelevant. Consider two of the ensemble pieces, one named for nature, the other social science. In “Murmuration” the repeated wind figures of flute \u0026amp; alto saxophone combine with the interlocking patterns of harp, guimbri \u0026amp; frame drum (tar) to create a perfect moving stillness, not an imitation but a witness to the miracle of the starlings’ astonishing collective art, a surfeit of beauty that might be the ultimate defense tactic.\u003cbr\u003e\u003cbr\u003e“Stigmergy” takes its name \u0026amp; concept from the Occupy movement’s Heather Marsh, who proposes a social system based on a cooperative rather than competitive models, one in which ideas are freely contributed \u0026amp; developed as ideas rather than an individual’s property. In its form, Abrams’ “Stigmergy” is the closes thing to traditional jazz, a series of accompanied solos by each of the wind players. However, the composed accompaniment is a radically collectivist notion: a repeated rhythmic figure, call it ostinato or riff, in which the different winds each play only a note or two of the figure, a concept both more collectivist \u0026amp; individualistic in its conception than any typical unison figure. It suggests another of the underlying recognitions that propel the Natural Information Society, the group as social organism, the teleology of hypnotic anarchy, all parts in place, functioning systematically, evolving \u0026amp; expressing itself, its nature \u0026amp; society, as a transformative organism.\u003cbr\u003e\u003cbr\u003eGeorge Lewis has described music as “a space for reflection on the human condition”. This suggests that, rather than a “distraction”, at least some music might serve as a distraction from distraction. It’s a focus, a clarity, a awareness, an external invitation to interiority, as if music itself is a model for form \u0026amp; contemplation, an organism contemplating for us or as us. If that is a possibility, \u0026amp; I am sure I have heard such musics, than this music is among them. How many of our rhythms, melodies \u0026amp; harmonies (cultural, historical, biological, psychic) might such music carry, translate \u0026amp; transform in the particulate ecstasy of our own murmuration? \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Natural Information Society\u003c\/p\u003e\n\u003cp\u003eLabel : Aguirre \/ eremite records\u003c\/p\u003e"}
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アメリカの11人編成バンドNatural Information Societyが、2023年4月にベルギーの実験レーベルAguirreからリリースした2枚組レコードです。 モロッコの伝統楽器ゲンブリやハルモニウム、サックス、クラリネット、ドラムなどによるトライバル・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more Aguirre releases available at Tobira. ------------------------------ 12"...
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{"id":7961998000378,"title":"Tiny Mouse \/\/ Escaping The Cat LP [COLOR]","handle":"tiny-mouse-escaping-the-cat-lp","description":"\u003cp\u003eスウェーデンのコンフィーシンセ作家Tiny Mouseが、2023年4月にベルギーのダンジョンシンセ〜ブラックメタルレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhantom Lureから\u003c\/span\u003eリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e凄腕ギター／シンセテクニック炸裂のグルーヴィーな60'sブルーノートジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eブラックメタルヘッズだけでなく幅広い層にお楽しみいただける一枚です。青盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=623330859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=870033883\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=623330859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3440114037\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=623330859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3061917970\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=623330859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1450073206\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/phntmlr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/phntmlr\"\u003ehere\u003c\/a\u003e to see more Phantom Lure releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003ePhantom Lure:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 2nd full length by Tiny Mouse takes our little friend through a jazzy parcours while managing to escape the cat. Far from the traditional comfy synth sound, this album really cranks it up a few notches and takes its main inspiration of 60s Blue Note jazz releases. The playful yet deadly dynamic between cat and mouse, this is the soundtrack to a gang of kool jazz cats up to some mischief. Overall, an incredibly fun record, spiked with amazing guitar playing and uplifting, groovy tunes for the wild at heart.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tiny Mouse\u003c\/p\u003e\n\u003cp\u003eLabel : Phantom Lure\u003c\/p\u003e","published_at":"2023-04-21T15:07:55+09:00","created_at":"2023-04-21T14:52:40+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","phantom lure","post newage","recommended"],"price":359000,"price_min":359000,"price_max":359000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44183175659770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tiny Mouse \/\/ Escaping The Cat LP [COLOR]","public_title":null,"options":["Default Title"],"price":359000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mou1_43312d9e-d1ff-43f0-b9a6-62004ba8d48b.jpg?v=1682056361"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mou1_43312d9e-d1ff-43f0-b9a6-62004ba8d48b.jpg?v=1682056361","options":["Title"],"media":[{"alt":null,"id":31860547682554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mou1_43312d9e-d1ff-43f0-b9a6-62004ba8d48b.jpg?v=1682056361"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mou1_43312d9e-d1ff-43f0-b9a6-62004ba8d48b.jpg?v=1682056361","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデンのコンフィーシンセ作家Tiny Mouseが、2023年4月にベルギーのダンジョンシンセ〜ブラックメタルレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhantom Lureから\u003c\/span\u003eリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e凄腕ギター／シンセテクニック炸裂のグルーヴィーな60'sブルーノートジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003eブラックメタルヘッズだけでなく幅広い層にお楽しみいただける一枚です。青盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=623330859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=870033883\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=623330859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3440114037\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=623330859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3061917970\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=623330859\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1450073206\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/phntmlr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/phntmlr\"\u003ehere\u003c\/a\u003e to see more Phantom Lure releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003ePhantom Lure:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 2nd full length by Tiny Mouse takes our little friend through a jazzy parcours while managing to escape the cat. Far from the traditional comfy synth sound, this album really cranks it up a few notches and takes its main inspiration of 60s Blue Note jazz releases. The playful yet deadly dynamic between cat and mouse, this is the soundtrack to a gang of kool jazz cats up to some mischief. Overall, an incredibly fun record, spiked with amazing guitar playing and uplifting, groovy tunes for the wild at heart.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tiny Mouse\u003c\/p\u003e\n\u003cp\u003eLabel : Phantom Lure\u003c\/p\u003e"}
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{"id":7961158844666,"title":"Josiah Steinbrick \/\/ For Anyone That Knows You LP","handle":"josiah-steinbrick-for-anyone-that-knows-you-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者Josiah Steinbrickが、2023年4月に同国アンビエントレーベルUnseen Worldsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノソロを中心としたアンビエント・ジャズ10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eSam Gendelがサックスで参加。マスタリングはTaylor Deupreeが担当しています。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=429367445\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eFor Anyone That Knows You, an album of mostly piano solos by Josiah Steinbrick, was recorded not for smoothness or posterity but to emphasize the piano as object, the person playing it, and the moment it sounds. On three of the pieces, the saxophone of Sam Gendel hovers over the piano like a faint change in the light, adding resonance and gentle reinforcement rather than counterpoint. 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{"id":7958788997370,"title":"Pharoah Sanders \/\/ Live in Paris (1975) LP","handle":"pharoah-sanders-live-in-paris-1975-lp","description":"\u003cp\u003e2022年に他界したアメリカのジャズサックス奏者Pharoah Sandersが、1975年にパリで行ったライブの録音盤です。\u003c\/p\u003e\n\u003cp\u003e英語とフランス語によるライナーノーツ付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1419031460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003ehere\u003c\/a\u003e to see more Transversales Disques releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe Edition - Classic Gatefold Tip-On Jacket \u003c\/span\u003e\u003cspan\u003eincluding exclusive liner notes and pictures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORTF Recordings by the Pharoah Sanders Quartet, \u003c\/span\u003e\u003cspan\u003elive at Studio 104, Maison de la Radio, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pharoah Sanders\u003c\/p\u003e\n\u003cp\u003eLabel : Transversales Disques\u003c\/p\u003e","published_at":"2023-04-15T14:53:43+09:00","created_at":"2023-04-15T12:23:57+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","transversales disques"],"price":399000,"price_min":399000,"price_max":399000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44171222057210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pharoah Sanders \/\/ Live in Paris (1975) LP","public_title":null,"options":["Default Title"],"price":399000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_6f244614-94d8-437a-a0af-e8d11f5052a1.jpg?v=1681529039","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f2845343-a6f1-4f07-b669-3c9a7ef3e9d5.jpg?v=1681529039"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_6f244614-94d8-437a-a0af-e8d11f5052a1.jpg?v=1681529039","options":["Title"],"media":[{"alt":null,"id":31834578321658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_6f244614-94d8-437a-a0af-e8d11f5052a1.jpg?v=1681529039"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_6f244614-94d8-437a-a0af-e8d11f5052a1.jpg?v=1681529039","width":700},{"alt":null,"id":31834578354426,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f2845343-a6f1-4f07-b669-3c9a7ef3e9d5.jpg?v=1681529039"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f2845343-a6f1-4f07-b669-3c9a7ef3e9d5.jpg?v=1681529039","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2022年に他界したアメリカのジャズサックス奏者Pharoah Sandersが、1975年にパリで行ったライブの録音盤です。\u003c\/p\u003e\n\u003cp\u003e英語とフランス語によるライナーノーツ付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1419031460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trandis\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trandis\"\u003ehere\u003c\/a\u003e to see more Transversales Disques releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDeluxe Edition - Classic Gatefold Tip-On Jacket \u003c\/span\u003e\u003cspan\u003eincluding exclusive liner notes and pictures.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eORTF Recordings by the Pharoah Sanders Quartet, \u003c\/span\u003e\u003cspan\u003elive at Studio 104, Maison de la Radio, Paris.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pharoah Sanders\u003c\/p\u003e\n\u003cp\u003eLabel : Transversales Disques\u003c\/p\u003e"}
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2022年に他界したアメリカのジャズサックス奏者Pharoah Sandersが、1975年にパリで行ったライブの録音盤です。 英語とフランス語によるライナーノーツ付属。 レーベルその他作品はこちら /// Click here to see more Transversales Disques releases available at Tobira. ----------------------------...
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{"id":7956893335802,"title":"Fuubutsuhi \/\/ Shiki 4xCD BOX","handle":"fuubutsuhi-shiki-4xcd-box","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※最終入荷です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e毎度予約時点で完売するアンビエント作家4名によるアンビエント・\u003cmeta charset=\"utf-8\"\u003eジャズバンドFuubutsushiが季節ごとにリリースするシリーズ4作のBOXが登場です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris Jusell、\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地良いアンビエント・ジャズ作品に仕上がっております。全36曲を収録\u003c\/span\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e昨今盛り上がりを見せるアンビエント・\u003c\/span\u003e\u003cspan\u003eジャズの最重要アルバムのひとつで、これからも長く楽しめるBOXかと思います。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3061826114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A compendium physical\/digital release that collects all four seasons\/four albums by Fuubutsushi recorded 2020-2021. The physical edition includes 4 CDs in a fold-out digipak housed with a full color booklet in an O-card sleeve.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCombining many genres and elements, Fuubutsushi's catalog is one marked by playful and trusting exploration between four musicians; though each loosely assumes a role -- Jusell on violin, Prymek on guitars, Sage on percussion\/keys, Shiroishi on woodwinds -- the group has, in their hallmark year of long-distance collaboration, established a free-form vocabulary. Borrowing idioms from ECM, cool jazz, ambient music, minimalism, city pop, post rock, folk, and Americana, this music thoughtfully roams across landscapes like a wandering cloud. At times it falls into valleys, at times in soars far above the surface, it falls and collects in puddles and lakes, it thaws and runs like rivers, it collects in snow banks and freezes solid.\"\u003c\/em\u003e\u003c\/p\u003e\nChris Jusell - violin\n\u003cp\u003e\u003cspan\u003eChaz Prymek - guitars, field recordings, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Sage - keyboards, percussion, voice, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatrick Shiroishi - alto \u0026amp; tenor saxophones, clarinet, flute, glockenspiel, samples, whistling, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jusell, Prymek, Sage, Shiroishi \u003c\/p\u003e\n\u003cp\u003elabel : cached media\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2023-04-11T07:29:59+09:00","created_at":"2023-04-11T07:28:50+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cached media","cd","folk \/ left-field pop","jazz","recommended"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44163204645114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Fuubutsuhi \/\/ Shiki 4xCD BOX","public_title":null,"options":["Default Title"],"price":498000,"weight":300,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3855712907_16.jpg?v=1681165775","\/\/tobirarecords.com\/cdn\/shop\/products\/0026589145_10.jpg?v=1681165776","\/\/tobirarecords.com\/cdn\/shop\/products\/0026589146_10.jpg?v=1681165782"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3855712907_16.jpg?v=1681165775","options":["Title"],"media":[{"alt":null,"id":31815596474618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3855712907_16.jpg?v=1681165775"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3855712907_16.jpg?v=1681165775","width":700},{"alt":null,"id":31815596507386,"position":2,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026589145_10.jpg?v=1681165776"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026589145_10.jpg?v=1681165776","width":1200},{"alt":null,"id":31815596769530,"position":3,"preview_image":{"aspect_ratio":1.496,"height":802,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026589146_10.jpg?v=1681165782"},"aspect_ratio":1.496,"height":802,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0026589146_10.jpg?v=1681165782","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※最終入荷です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e毎度予約時点で完売するアンビエント作家4名によるアンビエント・\u003cmeta charset=\"utf-8\"\u003eジャズバンドFuubutsushiが季節ごとにリリースするシリーズ4作のBOXが登場です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eChris Jusell、\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるコラボ作品。それぞれの持ち場で役割が最大限発揮されており、心地良いアンビエント・ジャズ作品に仕上がっております。全36曲を収録\u003c\/span\u003e\u003cspan\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e昨今盛り上がりを見せるアンビエント・\u003c\/span\u003e\u003cspan\u003eジャズの最重要アルバムのひとつで、これからも長く楽しめるBOXかと思います。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3061826114\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cached\"\u003ehere\u003c\/a\u003e to see more Cached Media \/ Patient Sounds releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A compendium physical\/digital release that collects all four seasons\/four albums by Fuubutsushi recorded 2020-2021. The physical edition includes 4 CDs in a fold-out digipak housed with a full color booklet in an O-card sleeve.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCombining many genres and elements, Fuubutsushi's catalog is one marked by playful and trusting exploration between four musicians; though each loosely assumes a role -- Jusell on violin, Prymek on guitars, Sage on percussion\/keys, Shiroishi on woodwinds -- the group has, in their hallmark year of long-distance collaboration, established a free-form vocabulary. Borrowing idioms from ECM, cool jazz, ambient music, minimalism, city pop, post rock, folk, and Americana, this music thoughtfully roams across landscapes like a wandering cloud. At times it falls into valleys, at times in soars far above the surface, it falls and collects in puddles and lakes, it thaws and runs like rivers, it collects in snow banks and freezes solid.\"\u003c\/em\u003e\u003c\/p\u003e\nChris Jusell - violin\n\u003cp\u003e\u003cspan\u003eChaz Prymek - guitars, field recordings, voice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMatthew Sage - keyboards, percussion, voice, field recordings\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePatrick Shiroishi - alto \u0026amp; tenor saxophones, clarinet, flute, glockenspiel, samples, whistling, voice\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jusell, Prymek, Sage, Shiroishi \u003c\/p\u003e\n\u003cp\u003elabel : cached media\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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{"id":7956347224314,"title":"Mohamad Zatari Trio \/\/ Istehlal LP","handle":"mohamad-zatari-trio-istehlal-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシリア・アレッポのウード奏者Mohamad Zatari率いる\u003cmeta charset=\"utf-8\"\u003eシリアとインド、イラン出身のメンバーからなる中東ジャズバンドMohamad Zatari Trioが、2023年1月に中東／アジア／北アフリカ専門レーベルZehraからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウードとタブラ、タールによるオリエンタルなコンテンポラリー・ジャズ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3861170550\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eZehra:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eZEHRA is proud to present the debut album ISTEHLAL by the MOHAMAD ZATARI TRIO, consisting of musicians from Syria, Iran \u0026amp; India. The trio merges traditional Middle Eastern sounds with contemporary vibes incl. interpretations of Hossein Alizadeh \u0026amp; Riad Al-Sunbati classics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a contemporary globalised world where music has lost its borders and is fighting a constant – yet particular – stream of Western commodification, the Mohamad Zatari Trio stands out as an original cultural artefact, aiming at transcending the boundaries between different music worlds.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFounded in 2019 the ensemble had its first public appearance in 2020 at the Outernational Virtual Festival. Comprising the performers Sara Eslami (Iran) on tar, Avadhut Kasinadhuni (India \/ Romania) on tabla and Mohamad Zatari (Syria) on oud. \u003c\/em\u003e\u003cem\u003eTheir debut ISTEHLAL plunges into its own aesthetics, politics and sound intricacies and represents the combined efforts of three musicians hailing from different, yet deeply rooted cultures. Over the course of eleven songs, the album transcends stylistic, ideologic and \u003c\/em\u003e\u003cem\u003egeographic boundaries and reflects on the human condition in an interconnected and interrelated technological world. The\u003cspan class=\"bcTruncateMore\"\u003e repertoire includes not only original compositions in different stylistics but also rearranged traditional pieces by influential composers Riad Al Sunbati (Egypt) and Hossein Alizadeh (Iran). The Mohamad Zatari Trio introduces itself as a strong new voice within a new generation of young musicians that carry the musical heritage of great masters like Ravi Shankar, Nusrat Fateh Ali Khan or Zakir Hussain with a fresh and contemporary approach.\u003cbr\u003e\u003cbr\u003eMohamad Zatari is a composer and oud player from Aleppo, Syria, currently based in Bucharest, Romania. His artistic effort is devoted to deconstructing stereotypes and blending various musical genres. He has been taught traditional and regional music by Tarek Al-Sayed, and has a Bachelor in classical composition at the National University of Music Bucharest (2021). His compositions were used for short films as well as educational courses. He performed in various ensembles and groups, in countries such as Syria, Romania, Hungary, Germany, Italy\u003cbr\u003eand Austria.\u003cbr\u003e\u003cbr\u003eSara Eslami is an Iranian composer, tar and setar instrumentalist and improviser. She has a bachelor’s in musical Performing at the Tehran University of Arts (2011).\u003cbr\u003e\u003cbr\u003eRomanian\/Indian Avadhut Kasinadhuni has a Master in Musical Performing \/ Violin at the National University of Music Bucharest (2022) and started studying tabla intermittently in India with Prof. Kamal Kant (2008) and Prof. Durjay Bhaumik (2017).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist : MOHAMAD ZATARI TRIO\u003c\/div\u003e\n\u003cp\u003eLabel : Zehra\u003c\/p\u003e","published_at":"2023-04-15T08:33:22+09:00","created_at":"2023-04-09T18:28:50+09:00","vendor":"Tobira Records","type":"","tags":["field recording","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44160688062714,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mohamad Zatari Trio \/\/ Istehlal LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/za1_794ae1cd-8311-4a43-b1aa-a54a96ec9330.jpg?v=1681032532","\/\/tobirarecords.com\/cdn\/shop\/products\/za2_0c63a00a-0276-40f9-b3c1-e04d5abb4189.jpg?v=1681032532"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/za1_794ae1cd-8311-4a43-b1aa-a54a96ec9330.jpg?v=1681032532","options":["Title"],"media":[{"alt":null,"id":31808995688698,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/za1_794ae1cd-8311-4a43-b1aa-a54a96ec9330.jpg?v=1681032532"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/za1_794ae1cd-8311-4a43-b1aa-a54a96ec9330.jpg?v=1681032532","width":700},{"alt":null,"id":31808995721466,"position":2,"preview_image":{"aspect_ratio":0.948,"height":1200,"width":1137,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/za2_0c63a00a-0276-40f9-b3c1-e04d5abb4189.jpg?v=1681032532"},"aspect_ratio":0.948,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/za2_0c63a00a-0276-40f9-b3c1-e04d5abb4189.jpg?v=1681032532","width":1137}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシリア・アレッポのウード奏者Mohamad Zatari率いる\u003cmeta charset=\"utf-8\"\u003eシリアとインド、イラン出身のメンバーからなる中東ジャズバンドMohamad Zatari Trioが、2023年1月に中東／アジア／北アフリカ専門レーベルZehraからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eウードとタブラ、タールによるオリエンタルなコンテンポラリー・ジャズ13曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3861170550\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/karlrecords\"\u003ehere\u003c\/a\u003e to see more Karl Records\/Zehra releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eZehra:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eZEHRA is proud to present the debut album ISTEHLAL by the MOHAMAD ZATARI TRIO, consisting of musicians from Syria, Iran \u0026amp; India. The trio merges traditional Middle Eastern sounds with contemporary vibes incl. interpretations of Hossein Alizadeh \u0026amp; Riad Al-Sunbati classics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn a contemporary globalised world where music has lost its borders and is fighting a constant – yet particular – stream of Western commodification, the Mohamad Zatari Trio stands out as an original cultural artefact, aiming at transcending the boundaries between different music worlds.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFounded in 2019 the ensemble had its first public appearance in 2020 at the Outernational Virtual Festival. Comprising the performers Sara Eslami (Iran) on tar, Avadhut Kasinadhuni (India \/ Romania) on tabla and Mohamad Zatari (Syria) on oud. \u003c\/em\u003e\u003cem\u003eTheir debut ISTEHLAL plunges into its own aesthetics, politics and sound intricacies and represents the combined efforts of three musicians hailing from different, yet deeply rooted cultures. Over the course of eleven songs, the album transcends stylistic, ideologic and \u003c\/em\u003e\u003cem\u003egeographic boundaries and reflects on the human condition in an interconnected and interrelated technological world. The\u003cspan class=\"bcTruncateMore\"\u003e repertoire includes not only original compositions in different stylistics but also rearranged traditional pieces by influential composers Riad Al Sunbati (Egypt) and Hossein Alizadeh (Iran). The Mohamad Zatari Trio introduces itself as a strong new voice within a new generation of young musicians that carry the musical heritage of great masters like Ravi Shankar, Nusrat Fateh Ali Khan or Zakir Hussain with a fresh and contemporary approach.\u003cbr\u003e\u003cbr\u003eMohamad Zatari is a composer and oud player from Aleppo, Syria, currently based in Bucharest, Romania. His artistic effort is devoted to deconstructing stereotypes and blending various musical genres. He has been taught traditional and regional music by Tarek Al-Sayed, and has a Bachelor in classical composition at the National University of Music Bucharest (2021). His compositions were used for short films as well as educational courses. He performed in various ensembles and groups, in countries such as Syria, Romania, Hungary, Germany, Italy\u003cbr\u003eand Austria.\u003cbr\u003e\u003cbr\u003eSara Eslami is an Iranian composer, tar and setar instrumentalist and improviser. She has a bachelor’s in musical Performing at the Tehran University of Arts (2011).\u003cbr\u003e\u003cbr\u003eRomanian\/Indian Avadhut Kasinadhuni has a Master in Musical Performing \/ Violin at the National University of Music Bucharest (2022) and started studying tabla intermittently in India with Prof. Kamal Kant (2008) and Prof. Durjay Bhaumik (2017).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eArtist : MOHAMAD ZATARI TRIO\u003c\/div\u003e\n\u003cp\u003eLabel : Zehra\u003c\/p\u003e"}
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シリア・アレッポのウード奏者Mohamad Zatari率いるシリアとインド、イラン出身のメンバーからなる中東ジャズバンドMohamad Zatari Trioが、2023年1月に中東／アジア／北アフリカ専門レーベルZehraからリリースしたレコードです。 ウードとタブラ、タールによるオリエンタルなコンテンポラリー・ジャズ13曲を収録。 レーベルその他作品はこちら /// Click here to see more Karl Records/Zehra releases available at...
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{"id":7954601017594,"title":"Sheng Jie aka gogoj 盛洁 \/\/ Review TAPE","handle":"sheng-jie-aka-gogoj-盛洁-review-tape","description":"\u003cp\u003e中国・北京のマルチ奏者Sheng Jie aka gogojが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eエレキギターとエレキチェロ、シンセを用いたコラージュ〜実験ジャズ〜ドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3709388554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. Edition of 50.\u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy the time of winter 2022, musicians around the globe had stopped making lockdown albums. Telling stories of the pandemic had been out of fashion in some parts of the world, and no longer emotionally bearable in others. This was the time when Sheng Jie recorded Review in Beijing, as accumulated feelings of anxiety, frustration, and loss rose to the peak across China. A deeply personal project from start to finish, Review bears the heavy weight of these collective sentiments in its genesis, and voices them out in a sincere, unsettling way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA classically trained multi-instrumentalist and veteran in Beijing’s underground, Sheng Jie is known for making beautiful noises. Over the years, she has developed a distinctive aesthetic which combines elegantly balanced compositions with relentless walls of string drones, marking her recorded works with a signature sound blending etherealness, intensity and warmth. Review makes a radical departure, taking instead a close-up on the raw texture of the everyday in the time of crisis and social control. Using her mobile phone, Sheng Jie recorded bits and pieces of life in her estranged hometown: the mechanical whirring of an elevator at the supermarket, the sound of the night crowding into her room from an open\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e window, voice loops from a loudspeaker instructing citizens to scan the QR code for nucleic acid test. In between, she played guitar, cello, and an analogue synthesiser. The instrumentations are casual and sparse, they convey a sense of stone-cold apathy, a state of emotional exhaustion in which one loses the ability to be either hopeful or hopeless. For Sheng Jie, this was “the ultimate emotional response” to Beijing’s new normal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after the album was made, three years of zero-COVID campaign in China came to an abrupt end. History hastily moves on. Review, in this sense, speaks of memories and feelings that are too soon left behind, it makes a stand to look back. Against a bitterly divided world, it also gestures towards resonance and reconnection.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sheng Jie aka gogoj 盛洁\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e","published_at":"2023-04-06T17:34:10+09:00","created_at":"2023-04-06T12:43:23+09:00","vendor":"Tobira Records","type":"","tags":["drone","dusty ballz","jazz","monooto","tape"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154575159546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sheng Jie aka gogoj 盛洁 \/\/ Review TAPE","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/re1_8f83cff2-67f0-429d-bb85-c253d1a4e8b3.jpg?v=1680752605","\/\/tobirarecords.com\/cdn\/shop\/products\/re2_b28b0983-b9e3-4300-b42b-bbbac3d82352.jpg?v=1680752605"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_8f83cff2-67f0-429d-bb85-c253d1a4e8b3.jpg?v=1680752605","options":["Title"],"media":[{"alt":null,"id":31793516839162,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_8f83cff2-67f0-429d-bb85-c253d1a4e8b3.jpg?v=1680752605"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re1_8f83cff2-67f0-429d-bb85-c253d1a4e8b3.jpg?v=1680752605","width":700},{"alt":null,"id":31793516871930,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_b28b0983-b9e3-4300-b42b-bbbac3d82352.jpg?v=1680752605"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/re2_b28b0983-b9e3-4300-b42b-bbbac3d82352.jpg?v=1680752605","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・北京のマルチ奏者Sheng Jie aka gogojが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eエレキギターとエレキチェロ、シンセを用いたコラージュ〜実験ジャズ〜ドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3709388554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. Edition of 50.\u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy the time of winter 2022, musicians around the globe had stopped making lockdown albums. Telling stories of the pandemic had been out of fashion in some parts of the world, and no longer emotionally bearable in others. This was the time when Sheng Jie recorded Review in Beijing, as accumulated feelings of anxiety, frustration, and loss rose to the peak across China. A deeply personal project from start to finish, Review bears the heavy weight of these collective sentiments in its genesis, and voices them out in a sincere, unsettling way.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA classically trained multi-instrumentalist and veteran in Beijing’s underground, Sheng Jie is known for making beautiful noises. Over the years, she has developed a distinctive aesthetic which combines elegantly balanced compositions with relentless walls of string drones, marking her recorded works with a signature sound blending etherealness, intensity and warmth. Review makes a radical departure, taking instead a close-up on the raw texture of the everyday in the time of crisis and social control. Using her mobile phone, Sheng Jie recorded bits and pieces of life in her estranged hometown: the mechanical whirring of an elevator at the supermarket, the sound of the night crowding into her room from an open\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e window, voice loops from a loudspeaker instructing citizens to scan the QR code for nucleic acid test. In between, she played guitar, cello, and an analogue synthesiser. The instrumentations are casual and sparse, they convey a sense of stone-cold apathy, a state of emotional exhaustion in which one loses the ability to be either hopeful or hopeless. For Sheng Jie, this was “the ultimate emotional response” to Beijing’s new normal.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after the album was made, three years of zero-COVID campaign in China came to an abrupt end. History hastily moves on. Review, in this sense, speaks of memories and feelings that are too soon left behind, it makes a stand to look back. Against a bitterly divided world, it also gestures towards resonance and reconnection.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sheng Jie aka gogoj 盛洁\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e"}
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中国・北京のマルチ奏者Sheng Jie aka gogojが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから50本限定でリリースしたカセットです。 エレキギターとエレキチェロ、シンセを用いたコラージュ〜実験ジャズ〜ドローン6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dusty Ballz releases available...
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{"id":7954595709178,"title":"Mind Fiber \/\/ Ya Cha Ban 丫杈坂 TAPE","handle":"mind-fiber-ya-cha-ban-丫杈坂-tape","description":"\u003cp\u003e中国の実験デュオMind Fiberが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから30本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e浙江省・励家にある丫杈坂という丘で録音した物音〜インプロ5曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=102222924\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYa Cha Ban is a hill to the north of Lijia Village, a village in South China, where Li Jianhong grew up. On one side of the hill lies a woodland graveyard where the village ancestors are buried, the other hillside, facing the sun, used to be local kids’ secret playground, it also buries Li Jianghong’s own sweet childhood memories.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLi Jianhong left the village in 1994 for Hangzhou, the capital city of the province, he would move on to establish a career as a versatile guitarist and free improviser, before returning to Ya Cha Ban in 2010, by which time the hill had long been abandoned by the village kids. And so was the village itself, withering away in China’s decades-long project of radical urbanization.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt Ya Cha Ban, Li Jianhong and Wei Wei, who performs improvised sounds and processed signals under the moniker VAVABOND, made their first recording as Mind Fiber. Previously unreleased, the pieces in this cassette document a charming moment in the early phase of the duo’s still ongoing exploration of what they call “environment improvisation”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWei Wei was raised in a Northern Chinese city. Untuned to her partner’s bittersweet homecoming, she was a complete outlander to Ya Cha Ban. Feeling initially at sea, Wei Wei soon\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e opened up her senses to the woods, which in return embraced her with a vibrating calmness. Sitting on the grass, the duo improvised with Ya Cha Ban’s spontaneous soundscape: the whistling of mountain wind, the hiss of grass and bamboo leaves, the chirps of frogs, birds, and insects, and the distant murmur of suburban traffic. A symphony of tiny, subtle resonances entangled with whirling emotions and fragments of scattered memories. They played from noon until daylight faded.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn her recording notes, Wei Wei writes to the listeners: “the coexistence of every individual and her environment, her fellow humans, and her own emotions creates and constitutes her own world, her own memories, and her own lived experience. And you will create and harvest your own through this record.” We do sincerely hope so.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mind Fiber\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e","published_at":"2023-04-06T14:26:18+09:00","created_at":"2023-04-06T12:38:27+09:00","vendor":"Tobira Records","type":"","tags":["drone","dusty ballz","jazz","monooto","tape"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154551206138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Mind Fiber \/\/ Ya Cha Ban 丫杈坂 TAPE","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ya1_b92f2090-5966-47d3-80ba-93dafd305eab.jpg?v=1680752309","\/\/tobirarecords.com\/cdn\/shop\/products\/ya2_242c84b6-b9db-4782-bcd5-def3264828ee.jpg?v=1680752309"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya1_b92f2090-5966-47d3-80ba-93dafd305eab.jpg?v=1680752309","options":["Title"],"media":[{"alt":null,"id":31793491345658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya1_b92f2090-5966-47d3-80ba-93dafd305eab.jpg?v=1680752309"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya1_b92f2090-5966-47d3-80ba-93dafd305eab.jpg?v=1680752309","width":700},{"alt":null,"id":31793491378426,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya2_242c84b6-b9db-4782-bcd5-def3264828ee.jpg?v=1680752309"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ya2_242c84b6-b9db-4782-bcd5-def3264828ee.jpg?v=1680752309","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国の実験デュオMind Fiberが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから30本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e浙江省・励家にある丫杈坂という丘で録音した物音〜インプロ5曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=102222924\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYa Cha Ban is a hill to the north of Lijia Village, a village in South China, where Li Jianhong grew up. On one side of the hill lies a woodland graveyard where the village ancestors are buried, the other hillside, facing the sun, used to be local kids’ secret playground, it also buries Li Jianghong’s own sweet childhood memories.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLi Jianhong left the village in 1994 for Hangzhou, the capital city of the province, he would move on to establish a career as a versatile guitarist and free improviser, before returning to Ya Cha Ban in 2010, by which time the hill had long been abandoned by the village kids. And so was the village itself, withering away in China’s decades-long project of radical urbanization.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAt Ya Cha Ban, Li Jianhong and Wei Wei, who performs improvised sounds and processed signals under the moniker VAVABOND, made their first recording as Mind Fiber. Previously unreleased, the pieces in this cassette document a charming moment in the early phase of the duo’s still ongoing exploration of what they call “environment improvisation”.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWei Wei was raised in a Northern Chinese city. Untuned to her partner’s bittersweet homecoming, she was a complete outlander to Ya Cha Ban. Feeling initially at sea, Wei Wei soon\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e opened up her senses to the woods, which in return embraced her with a vibrating calmness. Sitting on the grass, the duo improvised with Ya Cha Ban’s spontaneous soundscape: the whistling of mountain wind, the hiss of grass and bamboo leaves, the chirps of frogs, birds, and insects, and the distant murmur of suburban traffic. A symphony of tiny, subtle resonances entangled with whirling emotions and fragments of scattered memories. They played from noon until daylight faded.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn her recording notes, Wei Wei writes to the listeners: “the coexistence of every individual and her environment, her fellow humans, and her own emotions creates and constitutes her own world, her own memories, and her own lived experience. And you will create and harvest your own through this record.” We do sincerely hope so.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mind Fiber\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e"}
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中国の実験デュオMind Fiberが、2023年3月にイギリス・ロンドンの実験レーベルDusty Ballzから30本限定でリリースした再発カセットです。 浙江省・励家にある丫杈坂という丘で録音した物音〜インプロ5曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dusty Ballz releases available at Tobira....
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{"id":7954594595066,"title":"Chunyang Yao 姚春旸 \/\/ Post-Oblivion 泯默集 TAPE","handle":"chunyang-yao-姚春旸-post-oblivion-泯默集-tape","description":"\u003cp\u003e中国・\u003cmeta charset=\"utf-8\"\u003e麗江出身ナシ族の実験音楽家Chunyang Yaoが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eフリージャズ〜ドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e2019年9月、麗江スタジオがキュレーションするレジデンス交換プログラムで、姚春旸は日本の先住民族であるアイヌが歴史的に居住していた北海道の町、白老に足を踏み入れた。その時、彼女は奇妙な逆転の感覚に襲われた。南西部の都市・麗江で生まれたナシ族のアーティストであるヤオは、中国ではある種のエキゾチックな視線にさらされながらパフォーマンスをすることに慣れていた。しかし、アイヌの難解な生活世界に足を踏み入れたとき、彼女は初めて自分が他民族の不思議な観客であり、その中に深い両義性をもって自分の民族の影を見ることになった。この絡み合いの瞬間は、ゆっくりと反響し、近代化の周縁で記憶する権利を求めてもがく2つの少数民族の伝統の間の繊細な共鳴に変換される。記憶が聞こえるものであるならば、忘れることは音を立てるのだろうか。この問いが、『\u003cmeta charset=\"utf-8\"\u003ePost-Oblivion』の制作の原動力となった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Post-Oblivion』は、そのタイトルから想像されるものとは異なり、聴く者に感情を要求する。カセットテープのA面には、ヤオが北海道に滞在して収集したフィールドレコーディングをもとにした5楽章のコンポジションが収録されており、B面には、声、ノイズサンプル、シンセサイザーによる長大な即興演奏が収録されている。作曲家として、またヴォーカルやエレクトロニクスの即興演奏家として、ヤオのユニークな芸術的センスが発揮された2つの面。また、現代アーティストとして、母親として、ナシ族の子孫として、そして異国の地を旅する者として、彼女のアイデンティティが重なり合い、複雑な音の風景が広がっている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアイヌとナシ族は汎神論的な自然観を共有し、宗教と文化はその環境環境の中に組み込まれている。ナシ族のドンバ文字では、「音なし」と言うには、鉛の石、一対の角、欠けた月、クォークの4つのグリフが必要である。同様に、ヤオはアイヌのコミュニティと直接レコーディングするのではなく、北海道の自然の音風景から音楽の手がかりを集めた。海辺の町、苫小牧の上空で吹く風、猛烈な間欠泉、カモメの鳴き声、カラスが飛び回る音。それらを、「衣食住は土から生まれる」というナシ族のことわざを断片的に詠唱し、島をさまよう自分の存在と同じように織り込んでいく。ポスト・オブリビオンは、このように、喪失と同時に永続についても歌っている。自然のリズムと調和を通して、植民地時代の過去と文化的記憶の政治に立ち向かう、轟音のような沈黙を伝えている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3727912409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code.\u003cspan\u003e Edition of 50.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDusty Ballz:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThere is nothing better than oblivion, since in oblivion there is no wish unfulfilled. (H. P. Lovecraft)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSeptember 2019, during a residency exchange programme curated by the Lijiang Studio, Chunyang Yao set foot in Shiraoi, a town in Hokkaido historically populated by Japan’s indigenous people, the Ainu. A peculiar sense of inversion struck her. Being a Naxi artist emerging from the southwestern city of Lijiang, Yao had become accustomed to performing under a certain exotic gaze in China. Yet, dipping into the arcane, almost bygone lifeworld of the Ainu, for the first time she found herself to be the curious spectator upon another ethnic group, in whom she saw, with profound ambivalence, the shadow of her own people. This moment of entanglement reverberates on, slowly translating into a delicate resonance between two ethnic minority traditions, both struggling for the right to remembrance on the margins of modernity. If memory is audible, does forgetting make a sound? This question drove the making of Post-Oblivion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnlike what the title suggests, listening to Post-Oblivion demands emotion. Side A of the cassette contains a composition in five movements, which is based on field recordings collected\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e during Yao’s stay in Hokkaido; Side B presents a long-form improvisation of voice, noise samples, and synthesisers, the track gets its title “AyuDabuya” from the babbling of Yao’s daughter after she heard the recording. Respectively, the two sides showcase Yao’s unique artistic sensibility as a composer and as a vocal\/electronics improviser. Together they also present an intricate landscape of sound, cut across by her multiple, overlapping identities: as a contemporary artist, a mother, a Naxi descendent, and a traveller in a foreign land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Ainu and the Naxi share a pantheistic vision of nature, through which religion and culture are embedded in their environmental surroundings. In the Naxi Dongba script, to say “without a sound” takes four glyphs: a lead stone, a pair of horns, a waning moon, and quark. Likewise, instead of recording directly with the Ainu community, Yao gathered musical cues from Hokkaido’s natural soundscape — onshore breezes, a raging geyser, cries of the seagulls, and crows hovering above the seaside town of Tomakomai. She stitched them with a fragmented chant of the ancient Naxi proverb: “All food and clothing arise from the soil”, which weaves in and out just like her own wandering presence on the island. Post-Oblivion, as such, sings about loss but also perpetuity. Through nature’s own rhythm and harmony, it channels a roaring silence confronting colonial pasts and the politics of cultural memories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Chunyang Yao 姚春旸\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dusty Ballz\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-07T06:40:25+09:00","created_at":"2023-04-06T12:34:28+09:00","vendor":"Tobira Records","type":"","tags":["drone","dusty ballz","jazz","tape"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154544259322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Chunyang Yao 姚春旸 \/\/ Post-Oblivion 泯默集 TAPE","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_6989cecf-4c7f-4005-901e-11ceabd64faa.jpg?v=1680752070","\/\/tobirarecords.com\/cdn\/shop\/products\/po2_f6328338-190f-462c-b8ee-bc86c741a9c5.jpg?v=1680752070"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_6989cecf-4c7f-4005-901e-11ceabd64faa.jpg?v=1680752070","options":["Title"],"media":[{"alt":null,"id":31793473782010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_6989cecf-4c7f-4005-901e-11ceabd64faa.jpg?v=1680752070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_6989cecf-4c7f-4005-901e-11ceabd64faa.jpg?v=1680752070","width":700},{"alt":null,"id":31793473814778,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_f6328338-190f-462c-b8ee-bc86c741a9c5.jpg?v=1680752070"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_f6328338-190f-462c-b8ee-bc86c741a9c5.jpg?v=1680752070","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・\u003cmeta charset=\"utf-8\"\u003e麗江出身ナシ族の実験音楽家Chunyang Yaoが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eフリージャズ〜ドローン6曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"UTF-8\"\u003e\n\u003cem\u003e2019年9月、麗江スタジオがキュレーションするレジデンス交換プログラムで、姚春旸は日本の先住民族であるアイヌが歴史的に居住していた北海道の町、白老に足を踏み入れた。その時、彼女は奇妙な逆転の感覚に襲われた。南西部の都市・麗江で生まれたナシ族のアーティストであるヤオは、中国ではある種のエキゾチックな視線にさらされながらパフォーマンスをすることに慣れていた。しかし、アイヌの難解な生活世界に足を踏み入れたとき、彼女は初めて自分が他民族の不思議な観客であり、その中に深い両義性をもって自分の民族の影を見ることになった。この絡み合いの瞬間は、ゆっくりと反響し、近代化の周縁で記憶する権利を求めてもがく2つの少数民族の伝統の間の繊細な共鳴に変換される。記憶が聞こえるものであるならば、忘れることは音を立てるのだろうか。この問いが、『\u003cmeta charset=\"utf-8\"\u003ePost-Oblivion』の制作の原動力となった。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e『Post-Oblivion』は、そのタイトルから想像されるものとは異なり、聴く者に感情を要求する。カセットテープのA面には、ヤオが北海道に滞在して収集したフィールドレコーディングをもとにした5楽章のコンポジションが収録されており、B面には、声、ノイズサンプル、シンセサイザーによる長大な即興演奏が収録されている。作曲家として、またヴォーカルやエレクトロニクスの即興演奏家として、ヤオのユニークな芸術的センスが発揮された2つの面。また、現代アーティストとして、母親として、ナシ族の子孫として、そして異国の地を旅する者として、彼女のアイデンティティが重なり合い、複雑な音の風景が広がっている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eアイヌとナシ族は汎神論的な自然観を共有し、宗教と文化はその環境環境の中に組み込まれている。ナシ族のドンバ文字では、「音なし」と言うには、鉛の石、一対の角、欠けた月、クォークの4つのグリフが必要である。同様に、ヤオはアイヌのコミュニティと直接レコーディングするのではなく、北海道の自然の音風景から音楽の手がかりを集めた。海辺の町、苫小牧の上空で吹く風、猛烈な間欠泉、カモメの鳴き声、カラスが飛び回る音。それらを、「衣食住は土から生まれる」というナシ族のことわざを断片的に詠唱し、島をさまよう自分の存在と同じように織り込んでいく。ポスト・オブリビオンは、このように、喪失と同時に永続についても歌っている。自然のリズムと調和を通して、植民地時代の過去と文化的記憶の政治に立ち向かう、轟音のような沈黙を伝えている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3727912409\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code.\u003cspan\u003e Edition of 50.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDusty Ballz:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThere is nothing better than oblivion, since in oblivion there is no wish unfulfilled. (H. P. Lovecraft)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSeptember 2019, during a residency exchange programme curated by the Lijiang Studio, Chunyang Yao set foot in Shiraoi, a town in Hokkaido historically populated by Japan’s indigenous people, the Ainu. A peculiar sense of inversion struck her. Being a Naxi artist emerging from the southwestern city of Lijiang, Yao had become accustomed to performing under a certain exotic gaze in China. Yet, dipping into the arcane, almost bygone lifeworld of the Ainu, for the first time she found herself to be the curious spectator upon another ethnic group, in whom she saw, with profound ambivalence, the shadow of her own people. This moment of entanglement reverberates on, slowly translating into a delicate resonance between two ethnic minority traditions, both struggling for the right to remembrance on the margins of modernity. If memory is audible, does forgetting make a sound? This question drove the making of Post-Oblivion.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUnlike what the title suggests, listening to Post-Oblivion demands emotion. Side A of the cassette contains a composition in five movements, which is based on field recordings collected\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e during Yao’s stay in Hokkaido; Side B presents a long-form improvisation of voice, noise samples, and synthesisers, the track gets its title “AyuDabuya” from the babbling of Yao’s daughter after she heard the recording. Respectively, the two sides showcase Yao’s unique artistic sensibility as a composer and as a vocal\/electronics improviser. Together they also present an intricate landscape of sound, cut across by her multiple, overlapping identities: as a contemporary artist, a mother, a Naxi descendent, and a traveller in a foreign land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Ainu and the Naxi share a pantheistic vision of nature, through which religion and culture are embedded in their environmental surroundings. In the Naxi Dongba script, to say “without a sound” takes four glyphs: a lead stone, a pair of horns, a waning moon, and quark. Likewise, instead of recording directly with the Ainu community, Yao gathered musical cues from Hokkaido’s natural soundscape — onshore breezes, a raging geyser, cries of the seagulls, and crows hovering above the seaside town of Tomakomai. She stitched them with a fragmented chant of the ancient Naxi proverb: “All food and clothing arise from the soil”, which weaves in and out just like her own wandering presence on the island. Post-Oblivion, as such, sings about loss but also perpetuity. Through nature’s own rhythm and harmony, it channels a roaring silence confronting colonial pasts and the politics of cultural memories.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Chunyang Yao 姚春旸\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Dusty Ballz\u003c\/span\u003e\u003c\/p\u003e"}
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中国・麗江出身ナシ族の実験音楽家Chunyang Yaoが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。 フリージャズ〜ドローン6曲を収録。DLコード付属。 以下、レーベルによる解説です。 2019年9月、麗江スタジオがキュレーションするレジデンス交換プログラムで、姚春旸は日本の先住民族であるアイヌが歴史的に居住していた北海道の町、白老に足を踏み入れた。その時、彼女は奇妙な逆転の感覚に襲われた。南西部の都市・麗江で生まれたナシ族のアーティストであるヤオは、中国ではある種のエキゾチックな視線にさらされながらパフォーマンスをすることに慣れていた。しかし、アイヌの難解な生活世界に足を踏み入れたとき、彼女は初めて自分が他民族の不思議な観客であり、その中に深い両義性をもって自分の民族の影を見ることになった。この絡み合いの瞬間は、ゆっくりと反響し、近代化の周縁で記憶する権利を求めてもがく2つの少数民族の伝統の間の繊細な共鳴に変換される。記憶が聞こえるものであるならば、忘れることは音を立てるのだろうか。この問いが、『Post-Oblivion』の制作の原動力となった。『Post-Oblivion』は、そのタイトルから想像されるものとは異なり、聴く者に感情を要求する。カセットテープのA面には、ヤオが北海道に滞在して収集したフィールドレコーディングをもとにした5楽章のコンポジションが収録されており、B面には、声、ノイズサンプル、シンセサイザーによる長大な即興演奏が収録されている。作曲家として、またヴォーカルやエレクトロニクスの即興演奏家として、ヤオのユニークな芸術的センスが発揮された2つの面。また、現代アーティストとして、母親として、ナシ族の子孫として、そして異国の地を旅する者として、彼女のアイデンティティが重なり合い、複雑な音の風景が広がっている。アイヌとナシ族は汎神論的な自然観を共有し、宗教と文化はその環境環境の中に組み込まれている。ナシ族のドンバ文字では、「音なし」と言うには、鉛の石、一対の角、欠けた月、クォークの4つのグリフが必要である。同様に、ヤオはアイヌのコミュニティと直接レコーディングするのではなく、北海道の自然の音風景から音楽の手がかりを集めた。海辺の町、苫小牧の上空で吹く風、猛烈な間欠泉、カモメの鳴き声、カラスが飛び回る音。それらを、「衣食住は土から生まれる」というナシ族のことわざを断片的に詠唱し、島をさまよう自分の存在と同じように織り込んでいく。ポスト・オブリビオンは、このように、喪失と同時に永続についても歌っている。自然のリズムと調和を通して、植民地時代の過去と文化的記憶の政治に立ち向かう、轟音のような沈黙を伝えている。 レーベルその他作品はこちら /// Click here to see more Dusty Ballz releases available...
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{"id":7954594103546,"title":"Lao Dan 老丹 \/\/ Chinese Medicine 草乙术 TAPE","handle":"lao-dan-老丹-chinese-medicine-草乙术-tape","description":"\u003cp\u003e中国・杭州の竹笛奏者Lao Danが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eサックスと古筝のみのインプロ3曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=367654598\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. 2nd edition of 50. \u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA classically trained Chinese bamboo flautist, Lao Dan picked up the saxophone again around 2013 as he went wildly astray in the world of avant-garde jazz and free improvisation. While demonstrating an ever-growing ability to deliver explosive force and intensity in his free playing, Lao Dan keeps a brutal honesty in his approach to the instrument. He plays ‘jazz’ as what it is, not what it’s supposed to be. Navigating constantly between the East and the West, Lao Dan embraces a unique aesthetic which fuses all his past influences into a voice of glorious mayhem and sheer zaniness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded in June 2019, this is a solo set in which two instruments – tenor saxophone and Zheng, also known as the Chinese zither – were played successively and simultaneously by hands and feet. The recording was made in one go with no overdub or effect added. Lao Dan never learned to play the Zheng properly before this very first attempt. As a result, he didn’t struggle at all to play it in an awkward way, while with the saxophone he did, as always, try very hard to do that.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe cover art, created by Shenzhen-based artist Tiemei, is a portrait of Shennong, the Deity of medicine and agriculture in ancient Chinese mythology. The three tracks in Chinese Medicine are\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e named after three species of herb each believed to have unique medicinal properties. It is our responsibility to remind you to take them with extra caution. In Chinese medicine, after all, every drug is a thirty-percent poison.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Dusty Ballz is a London-based label that releases Chinese underground music on cassette tapes. The term originates in an old Soviet joke, which somehow still speaks to the situation today.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lao Dan 老丹\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e","published_at":"2023-04-07T06:33:44+09:00","created_at":"2023-04-06T12:32:38+09:00","vendor":"Tobira Records","type":"","tags":["dusty ballz","jazz","tape"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154542293242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Lao Dan 老丹 \/\/ Chinese Medicine 草乙术 TAPE","public_title":null,"options":["Default Title"],"price":225000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_f276b0a4-b665-4394-82de-3c828ddc287d.jpg?v=1680751960","\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_44c53930-9e99-4cf5-9d81-0cc2c0d8e041.jpg?v=1680751960"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_f276b0a4-b665-4394-82de-3c828ddc287d.jpg?v=1680751960","options":["Title"],"media":[{"alt":null,"id":31793465295098,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_f276b0a4-b665-4394-82de-3c828ddc287d.jpg?v=1680751960"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_f276b0a4-b665-4394-82de-3c828ddc287d.jpg?v=1680751960","width":700},{"alt":null,"id":31793465327866,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_44c53930-9e99-4cf5-9d81-0cc2c0d8e041.jpg?v=1680751960"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_44c53930-9e99-4cf5-9d81-0cc2c0d8e041.jpg?v=1680751960","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e中国・杭州の竹笛奏者Lao Danが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eサックスと古筝のみのインプロ3曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=367654598\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dstblz\"\u003ehere\u003c\/a\u003e to see more Dusty Ballz releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. 2nd edition of 50. \u003c\/p\u003e\n\u003cp\u003eDusty Ballz:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA classically trained Chinese bamboo flautist, Lao Dan picked up the saxophone again around 2013 as he went wildly astray in the world of avant-garde jazz and free improvisation. While demonstrating an ever-growing ability to deliver explosive force and intensity in his free playing, Lao Dan keeps a brutal honesty in his approach to the instrument. He plays ‘jazz’ as what it is, not what it’s supposed to be. Navigating constantly between the East and the West, Lao Dan embraces a unique aesthetic which fuses all his past influences into a voice of glorious mayhem and sheer zaniness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRecorded in June 2019, this is a solo set in which two instruments – tenor saxophone and Zheng, also known as the Chinese zither – were played successively and simultaneously by hands and feet. The recording was made in one go with no overdub or effect added. Lao Dan never learned to play the Zheng properly before this very first attempt. As a result, he didn’t struggle at all to play it in an awkward way, while with the saxophone he did, as always, try very hard to do that.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe cover art, created by Shenzhen-based artist Tiemei, is a portrait of Shennong, the Deity of medicine and agriculture in ancient Chinese mythology. The three tracks in Chinese Medicine are\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e named after three species of herb each believed to have unique medicinal properties. It is our responsibility to remind you to take them with extra caution. In Chinese medicine, after all, every drug is a thirty-percent poison.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e\"Dusty Ballz is a London-based label that releases Chinese underground music on cassette tapes. The term originates in an old Soviet joke, which somehow still speaks to the situation today.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lao Dan 老丹\u003c\/p\u003e\n\u003cp\u003eLabel : Dusty Ballz\u003c\/p\u003e"}
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中国・杭州の竹笛奏者Lao Danが、2023年3月にイギリス・ロンドンの中国地下音楽専門レーベルDusty Ballzから50本限定でリリースした再発カセットです。 サックスと古筝のみのインプロ3曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dusty Ballz releases available at Tobira....
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{"id":7954520473850,"title":"Claude Lavender \/\/ Lavender II TAPE","handle":"claude-lavender-lavender-ii-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eにリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eClaude節といわんばかりの懐かしい響きのラウンジ〜ジャズ・フュージョン〜インストポップ12曲を収録。インストなのにもかかわらず、思わずシンガロングしてしまうほどにキャッチーです。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3006129268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=439021737\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code\u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e","published_at":"2023-04-06T07:51:03+09:00","created_at":"2023-04-06T07:51:03+09:00","vendor":"Tobira Records","type":"","tags":["claude lavender","folk \/ left-field pop","jazz","self-released","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154237124858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Claude Lavender \/\/ Lavender II TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_a7c7c387-2c61-41f0-8816-fd4505b7c3b6.jpg?v=1680735066","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_5f2b171a-250e-45aa-923b-5911172bf960.jpg?v=1680735066"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_a7c7c387-2c61-41f0-8816-fd4505b7c3b6.jpg?v=1680735066","options":["Title"],"media":[{"alt":null,"id":31792721592570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_a7c7c387-2c61-41f0-8816-fd4505b7c3b6.jpg?v=1680735066"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_a7c7c387-2c61-41f0-8816-fd4505b7c3b6.jpg?v=1680735066","width":700},{"alt":null,"id":31792721625338,"position":2,"preview_image":{"aspect_ratio":1.158,"height":1036,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_5f2b171a-250e-45aa-923b-5911172bf960.jpg?v=1680735066"},"aspect_ratio":1.158,"height":1036,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_5f2b171a-250e-45aa-923b-5911172bf960.jpg?v=1680735066","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eにリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eClaude節といわんばかりの懐かしい響きのラウンジ〜ジャズ・フュージョン〜インストポップ12曲を収録。インストなのにもかかわらず、思わずシンガロングしてしまうほどにキャッチーです。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3006129268\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=439021737\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code\u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e"}
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当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年にリリースしたカセットです。 Claude節といわんばかりの懐かしい響きのラウンジ〜ジャズ・フュージョン〜インストポップ12曲を収録。インストなのにもかかわらず、思わずシンガロングしてしまうほどにキャッチーです。DLコード付属。 アーティストその他作品はこちら /// Click here to see more Claude Lavender releases available at Tobira. Includes...
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{"id":7954520178938,"title":"Claude Lavender \/\/ Control Point TAPE","handle":"claude-lavender-control-point-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eに自主リリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMOTHER2などのゲームのサントラカバー集です\u003c\/span\u003e。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1216514877\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2541852522\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA cover album containing some selected works of themes from the golden age of gaming.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e","published_at":"2023-04-06T07:49:14+09:00","created_at":"2023-04-06T07:49:14+09:00","vendor":"Tobira Records","type":"","tags":["claude lavender","folk \/ left-field pop","jazz","self-released","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154235158778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Claude Lavender \/\/ Control Point TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_42e895e7-8241-4e9d-b2db-6e5840b712df.jpg?v=1680734958","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_bd14f7ac-330d-4948-9ea3-5d72168ace26.jpg?v=1680734958"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_42e895e7-8241-4e9d-b2db-6e5840b712df.jpg?v=1680734958","options":["Title"],"media":[{"alt":null,"id":31792716841210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_42e895e7-8241-4e9d-b2db-6e5840b712df.jpg?v=1680734958"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_42e895e7-8241-4e9d-b2db-6e5840b712df.jpg?v=1680734958","width":700},{"alt":null,"id":31792716873978,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_bd14f7ac-330d-4948-9ea3-5d72168ace26.jpg?v=1680734958"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_bd14f7ac-330d-4948-9ea3-5d72168ace26.jpg?v=1680734958","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eに自主リリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMOTHER2などのゲームのサントラカバー集です\u003c\/span\u003e。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1216514877\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2541852522\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1052700852\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e Includes DL code\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA cover album containing some selected works of themes from the golden age of gaming.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e"}
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{"id":7954516410618,"title":"Claude Lavender \/\/ Claude Lavender TAPE","handle":"claude-lavender-claude-lavender-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eにリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eClaude節といわんばかりの懐かしい響きのラウンジ〜ジャズ・フュージョン〜インストポップ10曲を収録。インストなのにもかかわらず、思わずシンガロングしてしまうほどにキャッチーです。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e作家本人曰く、皿洗いのときに聴いてほしいとのことです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4007129822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e Includes DL code\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eInstrumental music to wash dishes to. Inspired by Casio\/toy keyboards and childhood gamez!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePeter Grigio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eClaude Lavender's self titled debut hit recording gave me that peaceful easy feeling on my morning commute. A great way to start my week!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e","published_at":"2023-04-06T07:46:27+09:00","created_at":"2023-04-06T07:44:54+09:00","vendor":"Tobira Records","type":"","tags":["claude lavender","folk \/ left-field pop","jazz","new","self-released","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44154215956730,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Claude Lavender \/\/ Claude Lavender TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0033089203_16.jpg?v=1680734758","\/\/tobirarecords.com\/cdn\/shop\/products\/0019987436_10.jpg?v=1680734758","\/\/tobirarecords.com\/cdn\/shop\/products\/0019987433_10.jpg?v=1680734759"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0033089203_16.jpg?v=1680734758","options":["Title"],"media":[{"alt":null,"id":31792705536250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0033089203_16.jpg?v=1680734758"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0033089203_16.jpg?v=1680734758","width":700},{"alt":null,"id":31792705601786,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0019987436_10.jpg?v=1680734758"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0019987436_10.jpg?v=1680734758","width":900},{"alt":null,"id":31792705732858,"position":3,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0019987433_10.jpg?v=1680734759"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0019987433_10.jpg?v=1680734759","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年\u003c\/span\u003eにリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eClaude節といわんばかりの懐かしい響きのラウンジ〜ジャズ・フュージョン〜インストポップ10曲を収録。インストなのにもかかわらず、思わずシンガロングしてしまうほどにキャッチーです。\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e作家本人曰く、皿洗いのときに聴いてほしいとのことです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4007129822\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eアーティストその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clla\"\u003ehere\u003c\/a\u003e to see more Claude Lavender releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e Includes DL code\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eInstrumental music to wash dishes to. Inspired by Casio\/toy keyboards and childhood gamez!\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePeter Grigio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eClaude Lavender's self titled debut hit recording gave me that peaceful easy feeling on my morning commute. A great way to start my week!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Claude Lavender\u003c\/p\u003e\n\u003cp\u003eLabel : self-released\u003c\/p\u003e"}
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当店おなじみカナダ・トロントの地下ラウンジ作家Claude Lavenderが、2020年にリリースしたカセットです。 Claude節といわんばかりの懐かしい響きのラウンジ〜ジャズ・フュージョン〜インストポップ10曲を収録。インストなのにもかかわらず、思わずシンガロングしてしまうほどにキャッチーです。DLコード付属。 作家本人曰く、皿洗いのときに聴いてほしいとのことです。 アーティストその他作品はこちら /// Click here to see more Claude Lavender releases available at...
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{"id":7953945854202,"title":"Ho Chi Moon \/\/ Ho Chi Moon LP","handle":"ho-chi-moon-ho-chi-moon-lp","description":"\u003cp\u003eフィンランドのフリージャズトリオ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHo Chi Moonが、2022年11月に200部限定でリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e白熱の2セットを収録。一瞬で廃盤になった代物ですのでこの機会をお見逃しなく。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1212093613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eVille Pirinen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e”\u003cem\u003eChoking hazard: An extra heavy portion of greasy \u0026amp; salty vegetarian freedom music!\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eHo Chi Moon breaks free from all jazz tradition, including the free jazz tradition. Psychedelic, poetic, ass-kicking, soothing, painful, ecstatic \u0026amp; inconsolable. Tasty \u0026amp; nutritious. Too unhealthy for everyday consumption, yet perfect for special occations of self-indulgence.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ho Chi Moon\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraääni Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-28T13:30:36+09:00","created_at":"2023-04-05T11:48:43+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","Ultraääni Records"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44151707533562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ho Chi Moon \/\/ Ho Chi Moon LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_dc3f4ad9-28cc-4dce-8ed5-bd6ed0bdf0e0.jpg?v=1680662925","\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_d2d6626f-53b7-49c9-b210-7485636ea41e.jpg?v=1680662926"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_dc3f4ad9-28cc-4dce-8ed5-bd6ed0bdf0e0.jpg?v=1680662925","options":["Title"],"media":[{"alt":null,"id":31788117098746,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_dc3f4ad9-28cc-4dce-8ed5-bd6ed0bdf0e0.jpg?v=1680662925"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_dc3f4ad9-28cc-4dce-8ed5-bd6ed0bdf0e0.jpg?v=1680662925","width":700},{"alt":null,"id":31788117131514,"position":2,"preview_image":{"aspect_ratio":1.125,"height":1067,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_d2d6626f-53b7-49c9-b210-7485636ea41e.jpg?v=1680662926"},"aspect_ratio":1.125,"height":1067,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho2_d2d6626f-53b7-49c9-b210-7485636ea41e.jpg?v=1680662926","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのフリージャズトリオ\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHo Chi Moonが、2022年11月に200部限定でリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e白熱の2セットを収録。一瞬で廃盤になった代物ですのでこの機会をお見逃しなく。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1212093613\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eVille Pirinen:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e”\u003cem\u003eChoking hazard: An extra heavy portion of greasy \u0026amp; salty vegetarian freedom music!\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eHo Chi Moon breaks free from all jazz tradition, including the free jazz tradition. Psychedelic, poetic, ass-kicking, soothing, painful, ecstatic \u0026amp; inconsolable. Tasty \u0026amp; nutritious. Too unhealthy for everyday consumption, yet perfect for special occations of self-indulgence.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ho Chi Moon\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraääni Records\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":7953944248570,"title":"Paanin Kuoro \/\/ 催眠状態のヤギ LP","handle":"paanin-kuoro-催-眠-状-態-の-ヤ-ギ-lp","description":"\u003cp\u003eフィンランドのフリージャズバンドPaanin Kuoroが、2023年3月にUltraääni、Hikinauhat 、Gafoniから合同リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスリリングなフリージャズ3曲を収録。シルクスクリーン仕様です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eLimited and numbered edition of 100 copies. Silk screen printed sleeves, riso printed OBI and blank white labels. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA 催眠状態のヤギ テイク3\u003cbr\u003eB1 催眠状態のヤギ テイク1\u003cbr\u003eB2 催眠状態のヤギ テイク2\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded April 10, 2022.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComplete session; A-side is take 3, B-side includes take 1 (soundcheck) and take 2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paanin Kuoro \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraääni Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-29T12:12:03+09:00","created_at":"2023-04-05T11:42:56+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","Ultraääni Records"],"price":448000,"price_min":448000,"price_max":448000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44151704223994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Paanin Kuoro \/\/ 催眠状態のヤギ LP","public_title":null,"options":["Default Title"],"price":448000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa_47044bd0-538e-439c-9423-3e646dd44dba.jpg?v=1680662578","\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_68d87bc8-586e-426d-b54a-4f100a37f326.jpg?v=1680662578"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_47044bd0-538e-439c-9423-3e646dd44dba.jpg?v=1680662578","options":["Title"],"media":[{"alt":null,"id":31788101140730,"position":1,"preview_image":{"aspect_ratio":1.163,"height":516,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_47044bd0-538e-439c-9423-3e646dd44dba.jpg?v=1680662578"},"aspect_ratio":1.163,"height":516,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa_47044bd0-538e-439c-9423-3e646dd44dba.jpg?v=1680662578","width":600},{"alt":null,"id":31788101173498,"position":2,"preview_image":{"aspect_ratio":1.005,"height":596,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_68d87bc8-586e-426d-b54a-4f100a37f326.jpg?v=1680662578"},"aspect_ratio":1.005,"height":596,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_68d87bc8-586e-426d-b54a-4f100a37f326.jpg?v=1680662578","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのフリージャズバンドPaanin Kuoroが、2023年3月にUltraääni、Hikinauhat 、Gafoniから合同リリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスリリングなフリージャズ3曲を収録。シルクスクリーン仕様です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ulre\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ulre\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eUltraääni Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eLimited and numbered edition of 100 copies. Silk screen printed sleeves, riso printed OBI and blank white labels. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eA 催眠状態のヤギ テイク3\u003cbr\u003eB1 催眠状態のヤギ テイク1\u003cbr\u003eB2 催眠状態のヤギ テイク2\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecorded April 10, 2022.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComplete session; A-side is take 3, B-side includes take 1 (soundcheck) and take 2.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Paanin Kuoro \u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUltraääni Records\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランドのフリージャズバンドPaanin Kuoroが、2023年3月にUltraääni、Hikinauhat 、Gafoniから合同リリースしたレコードです。 スリリングなフリージャズ3曲を収録。シルクスクリーン仕様です。 レーベルその他作品はこちら /// Click here to see more Ultraääni Records releases available at Tobira. ...
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{"id":7949120766202,"title":"Pauline Oliveros and Alan Courtis \/\/ Telematic Concert LP","handle":"pauline-oliveros-and-alan-courtis-telematic-concert-lp","description":"\u003cp\u003eアメリカのPauline OliverosとアルゼンチンのAlan Courtis実験音楽家2名が、2009年に行ったライブの録音盤です。DLコード付属。 \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/775507390\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/spleencoffin\" title=\"sPLeeNCoFFiN\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003esPLeeNCoFFiN\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/spleencoffin\/pauline-oliveros-and-alan-courtis-telematic-concert-i-excerpt\" title=\"Pauline Oliveros and Alan Courtis - Telematic Concert I [excerpt]\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePauline Oliveros and Alan Courtis - Telematic Concert I [excerpt]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splncfn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splncfn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splncfn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splncfn\"\u003ehere\u003c\/a\u003e to see more sPLeeNCoFFiN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003es P L e e N C o F F i N:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Telematic Concert brought together American electronic music pioneer Pauline Oliveros with Argentinian experimental musician Alan Courtis (Reynols), improvising across continents for the Deep Listening Institute’s Dream Festival in October, 2009 — Oliveros in person in Kingston, NY, Courtis piped in digitally from Buenos Aires. 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This special LP is the first release in Spleencoffin’s new Vault Series, bringing to light unreleased recordings from artists’ archives. \u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pauline Oliveros and Alan Courtis\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLabel : \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003es P L e e N C o F F i N\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-03T08:08:48+09:00","created_at":"2023-04-02T11:24:58+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","lp","spleencoffin"],"price":235000,"price_min":235000,"price_max":235000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44142081605882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pauline Oliveros and Alan Courtis \/\/ Telematic Concert LP","public_title":null,"options":["Default Title"],"price":235000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/con1.webp?v=1680402300","\/\/tobirarecords.com\/cdn\/shop\/products\/con2_1948713e-db8d-484f-b085-4d505081ed68.webp?v=1680402300"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1.webp?v=1680402300","options":["Title"],"media":[{"alt":null,"id":31769572606202,"position":1,"preview_image":{"aspect_ratio":1.017,"height":1200,"width":1220,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1.webp?v=1680402300"},"aspect_ratio":1.017,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1.webp?v=1680402300","width":1220},{"alt":null,"id":31769572638970,"position":2,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con2_1948713e-db8d-484f-b085-4d505081ed68.webp?v=1680402300"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con2_1948713e-db8d-484f-b085-4d505081ed68.webp?v=1680402300","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのPauline OliverosとアルゼンチンのAlan Courtis実験音楽家2名が、2009年に行ったライブの録音盤です。DLコード付属。 \u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/775507390\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/spleencoffin\" title=\"sPLeeNCoFFiN\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003esPLeeNCoFFiN\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/spleencoffin\/pauline-oliveros-and-alan-courtis-telematic-concert-i-excerpt\" title=\"Pauline Oliveros and Alan Courtis - Telematic Concert I [excerpt]\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003ePauline Oliveros and Alan Courtis - Telematic Concert I [excerpt]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splncfn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splncfn\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splncfn\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/splncfn\"\u003ehere\u003c\/a\u003e to see more sPLeeNCoFFiN releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003es P L e e N C o F F i N:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Telematic Concert brought together American electronic music pioneer Pauline Oliveros with Argentinian experimental musician Alan Courtis (Reynols), improvising across continents for the Deep Listening Institute’s Dream Festival in October, 2009 — Oliveros in person in Kingston, NY, Courtis piped in digitally from Buenos Aires. 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アメリカのPauline OliverosとアルゼンチンのAlan Courtis実験音楽家2名が、2009年に行ったライブの録音盤です。DLコード付属。 sPLeeNCoFFiN · Pauline Oliveros and Alan Courtis - Telematic Concert I...
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{"id":7947706728698,"title":"Emergency Group \/\/ Inspection Of Cruelty TAPE","handle":"emergency-group-inspection-of-cruelty-tape","description":"\u003cp\u003eアメリカのジャムバンドEmergency Groupが、2023年2月に同国NYのサイケデリックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsland House Recordingsから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eジャズロック・フュージョン2曲を収録。DLコード付属。 廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=287844349\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ihr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ihr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ihr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ihr\"\u003ehere\u003c\/a\u003e to see more Island House Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes DL code\u003c\/span\u003e. Edition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText by Steve Holtje, Manager of ESP-Disk, keyboardist of Caterpillar Quartet\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Everything stands somewhere on a continuum, like various shades along the color spectrum. Emergency Group’s Inspection of Cruelty is somewhere on a spectrum refracted through the '70s bands of jazz-rock fusion in general and (despite the lack of horns) Miles Davis’s keyboard-heavy bands in particular, yet coming five decades on from that initial blast of creative innovation, the original musical DNA has been mingled with other styles and developments. There’s perhaps a strain of dub reggae in Dave Mandl’s bass lines, though perhaps their beguiling repetition comes from another source via concurrent evolution. The keyboard parts of Robert Boston don’t specifically sound like anybody who played with Miles, though sort of an amalgam of all of them reduced to its essence and then recast as Hawkwind jams. Tony Williams’s drumming is clearly something Andreas Brade has been influenced by (but then, what drummer hasn’t been influenced by Tony?), and the band’s name obviously nods at Williams’s greatest album as a leader—yet the specifics of how Brade drums is harder and rockier than Williams’s light lines of quicksilver pulse. And Jonathan Byerley’s guitar: the wild card in this comparison, sort of a guitarist acting as one of Miles’s keyboardists (say, Chick Corea) but on guitar and with crunchier riffs and\u003cspan class=\"bcTruncateMore\"\u003e dirtier tones than even Pete Cosey. Add in the multiplicity of related musics that have come since; it’s an ever-flowing river, and even if you stand in that river where Miles and McLaughlin et al. stood, it’s fifty years later and the water’s different, having picked up particles running off from all the weather that’s come since. The result is somewhat like drone in overall mood but jazz-rock in its moment-to-moment kaleidoscopic unfolding, redolent with ancestry but not mere imitation. At moments the result suggests Laraaji as four people playing different instruments in a meditative communion that nonetheless is burlier than “meditative” would suggest if you think of New Age music in connection with meditation when instead you could be pondering the mysteries of universes moving through space with massive power yet lean agility. In the vernacular of the '70s, it’s heavy, man.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emergency Group\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsland House Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-02T08:45:53+09:00","created_at":"2023-04-01T11:46:20+09:00","vendor":"Tobira Records","type":"","tags":["island house recordings","jazz","tape"],"price":189000,"price_min":189000,"price_max":189000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44139531174138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Emergency Group \/\/ Inspection Of Cruelty TAPE","public_title":null,"options":["Default Title"],"price":189000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/in1_f8126a51-2655-428a-bfaf-627e258ea766.jpg?v=1680317181","\/\/tobirarecords.com\/cdn\/shop\/products\/in2_fbcdfeed-944f-4312-ba86-083174e77e35.jpg?v=1680317181"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_f8126a51-2655-428a-bfaf-627e258ea766.jpg?v=1680317181","options":["Title"],"media":[{"alt":null,"id":31763913015546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_f8126a51-2655-428a-bfaf-627e258ea766.jpg?v=1680317181"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in1_f8126a51-2655-428a-bfaf-627e258ea766.jpg?v=1680317181","width":700},{"alt":null,"id":31763913048314,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_fbcdfeed-944f-4312-ba86-083174e77e35.jpg?v=1680317181"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/in2_fbcdfeed-944f-4312-ba86-083174e77e35.jpg?v=1680317181","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャムバンドEmergency Groupが、2023年2月に同国NYのサイケデリックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsland House Recordingsから75本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eジャズロック・フュージョン2曲を収録。DLコード付属。 廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=287844349\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ihr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ihr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ihr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ihr\"\u003ehere\u003c\/a\u003e to see more Island House Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes DL code\u003c\/span\u003e. Edition of 75.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText by Steve Holtje, Manager of ESP-Disk, keyboardist of Caterpillar Quartet\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Everything stands somewhere on a continuum, like various shades along the color spectrum. Emergency Group’s Inspection of Cruelty is somewhere on a spectrum refracted through the '70s bands of jazz-rock fusion in general and (despite the lack of horns) Miles Davis’s keyboard-heavy bands in particular, yet coming five decades on from that initial blast of creative innovation, the original musical DNA has been mingled with other styles and developments. There’s perhaps a strain of dub reggae in Dave Mandl’s bass lines, though perhaps their beguiling repetition comes from another source via concurrent evolution. The keyboard parts of Robert Boston don’t specifically sound like anybody who played with Miles, though sort of an amalgam of all of them reduced to its essence and then recast as Hawkwind jams. Tony Williams’s drumming is clearly something Andreas Brade has been influenced by (but then, what drummer hasn’t been influenced by Tony?), and the band’s name obviously nods at Williams’s greatest album as a leader—yet the specifics of how Brade drums is harder and rockier than Williams’s light lines of quicksilver pulse. And Jonathan Byerley’s guitar: the wild card in this comparison, sort of a guitarist acting as one of Miles’s keyboardists (say, Chick Corea) but on guitar and with crunchier riffs and\u003cspan class=\"bcTruncateMore\"\u003e dirtier tones than even Pete Cosey. Add in the multiplicity of related musics that have come since; it’s an ever-flowing river, and even if you stand in that river where Miles and McLaughlin et al. stood, it’s fifty years later and the water’s different, having picked up particles running off from all the weather that’s come since. The result is somewhat like drone in overall mood but jazz-rock in its moment-to-moment kaleidoscopic unfolding, redolent with ancestry but not mere imitation. At moments the result suggests Laraaji as four people playing different instruments in a meditative communion that nonetheless is burlier than “meditative” would suggest if you think of New Age music in connection with meditation when instead you could be pondering the mysteries of universes moving through space with massive power yet lean agility. In the vernacular of the '70s, it’s heavy, man.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Emergency Group\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIsland House Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのジャムバンドEmergency Groupが、2023年2月に同国NYのサイケデリックレーベルIsland House Recordingsから75本限定でリリースしたカセットです。 ジャズロック・フュージョン2曲を収録。DLコード付属。 廃盤です。 レーベルその他作品はこちら /// Click here to see more Island House Recordings releases...
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{"id":7947119198458,"title":"Marie Carroll, James McKain, \u0026 Tamio Shiraishi \/\/ No Information LP","handle":"marie-carroll-james-mckain-tamio-shiraishi-no-information-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarie CarrollとJames McKain、Tamio Shiraishiが、2023年1月にアメリカ・シカゴの実験レーベルRadical Documentsから300部限定でリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e琴とサックスによるインプロ2セットを収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2316600019\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMarie Carroll — koto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJames McKain — tenor saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTamio Shiraishi — alto saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marie Carroll, James McKain, \u0026amp; Tamio Shiraishi\u003c\/p\u003e\n\u003cp\u003eLabel : Radical Documents\u003c\/p\u003e","published_at":"2023-04-01T06:38:39+09:00","created_at":"2023-03-31T14:03:05+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","radical documents"],"price":298000,"price_min":298000,"price_max":298000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137410789626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Marie Carroll, James McKain, \u0026 Tamio Shiraishi \/\/ No Information LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/no1_0010543a-c645-40f4-a743-8496e7a0f95c.jpg?v=1680238986","\/\/tobirarecords.com\/cdn\/shop\/products\/no2_e138aee7-892e-4ad0-925d-016892e81ebf.jpg?v=1680238987"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_0010543a-c645-40f4-a743-8496e7a0f95c.jpg?v=1680238986","options":["Title"],"media":[{"alt":null,"id":31758210957562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_0010543a-c645-40f4-a743-8496e7a0f95c.jpg?v=1680238986"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_0010543a-c645-40f4-a743-8496e7a0f95c.jpg?v=1680238986","width":700},{"alt":null,"id":31758210990330,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_e138aee7-892e-4ad0-925d-016892e81ebf.jpg?v=1680238987"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_e138aee7-892e-4ad0-925d-016892e81ebf.jpg?v=1680238987","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarie CarrollとJames McKain、Tamio Shiraishiが、2023年1月にアメリカ・シカゴの実験レーベルRadical Documentsから300部限定でリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e琴とサックスによるインプロ2セットを収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2316600019\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMarie Carroll — koto\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJames McKain — tenor saxophone\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTamio Shiraishi — alto saxophone\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Marie Carroll, James McKain, \u0026amp; Tamio Shiraishi\u003c\/p\u003e\n\u003cp\u003eLabel : Radical Documents\u003c\/p\u003e"}
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{"id":7947117723898,"title":"Makaya McCraven \/\/ Where We Come From (CHICAGOxLONDON Mixtape) LP","handle":"makaya-mccraven-where-we-come-from-chicagoxlondon-mixtape-lp","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2023年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音とリミックスあわせて14曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=770961976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black Vinyl LP in a heavyweight matte LP Jacket with Black Flood inner pocket, includes insert sheet, IARC dome-pattern inner sleeve and OBI Strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded live at Total Refreshment Centre 18 \u0026amp; 19 October 2017 (CHICAGOxLONDON).\u003cbr\u003e\u003cbr\u003eLive recordings mixed at Total Refreshment Studios 20 \u0026amp; 21 October 2017.\u003cbr\u003e\u003cbr\u003eRemixed live at Total Refreshment Centre 22 October 2017 (FRESH ROASTED: Live Beat-Making \u0026amp; Battle).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-03-31T15:00:34+09:00","created_at":"2023-03-31T13:57:36+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":398000,"price_min":398000,"price_max":398000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137401516282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Makaya McCraven \/\/ Where We Come From (CHICAGOxLONDON Mixtape) LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657","\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","options":["Title"],"media":[{"alt":null,"id":31758196015354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657","width":700},{"alt":null,"id":31758196048122,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we2_26bfe15e-1948-4a0a-9fdd-9d9187eab438.jpg?v=1680238657","width":1200},{"alt":null,"id":31758196113658,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we3_b2c8935d-bc78-4f8e-8f0d-8e94127cf441.jpg?v=1680238657","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2023年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音とリミックスあわせて14曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=770961976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black Vinyl LP in a heavyweight matte LP Jacket with Black Flood inner pocket, includes insert sheet, IARC dome-pattern inner sleeve and OBI Strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded live at Total Refreshment Centre 18 \u0026amp; 19 October 2017 (CHICAGOxLONDON).\u003cbr\u003e\u003cbr\u003eLive recordings mixed at Total Refreshment Studios 20 \u0026amp; 21 October 2017.\u003cbr\u003e\u003cbr\u003eRemixed live at Total Refreshment Centre 22 October 2017 (FRESH ROASTED: Live Beat-Making \u0026amp; Battle).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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{"id":7947116249338,"title":"Tom Skinner \/\/ Voices of Bishara LP","handle":"tom-skinner-voices-of-bishara-lp","description":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e6つのセッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3960316375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eClassic Black 160g LP in Heavyweight Reverse-Board Jacket, with Glossy Photo Insert Sheet, IARC OBI strip \u0026amp; dome-pattern inner sleeve. 45rpm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album ‘By Myself’, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a classic-sounding record that connects backwards to Skinner’s 2017 Hello Skinny collaboration with American composer and Arthur Russell-collaborator Peter Zummo on ‘Watermelon Sun’. It links sideways to Makaya McCraven’s beat maker-inspired treatments of jazz sessions, and it offers a musical bridge to Sons of Kemet’s most meditative moments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Voices of Bishara’ began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album ‘Life Time’ and the music he and his friends conjured up was so special\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that it inspired Skinner to write an albums-worth of phenomenal new music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSkinner, a cellist, a bass player and two saxophonists recorded the results classic album-style, with everyone in the same room. He took the music home and it was put to the side, occasionally coming out for some attention in between Tom’s many other creative projects. This was a slow burn creation, and gradually, a new album began appearing as he embraced the studio recordings and accentuated their sublime idiosyncrasies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I took a very liberal approach with the scissors and started going really hard into the edits between instruments. It breathed new life into the music. I was taking my cue from the great disco re-edits, people like Theo Parrish chopping up tunes and looping sections. I’m not a purist. I don’t want to get hung up on the past. It was really empowering to fuck it up a bit, to mess around with the music and see what happened. It felt right”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is a tight, hypnotic and unique 31-minutes of music. ‘Voices of Bishara’ is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic – drumming skills that have brought artists from Grace Jones to Jonny Greenwood to request him on their records and tours.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“We’re individual voices, coming together collectively. The idea was that we could collectively bring something more positive to the table. It’s the start of something.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTom Skinner and ‘Voices of Bishara’: bringers of good news.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-04-02T14:19:49+09:00","created_at":"2023-03-31T13:55:02+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":389000,"price_min":389000,"price_max":389000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137396142330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tom Skinner \/\/ Voices of Bishara LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504","\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","options":["Title"],"media":[{"alt":null,"id":31758188806394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","width":700},{"alt":null,"id":31758188839162,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504","width":1200},{"alt":null,"id":31758188871930,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e6つのセッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3960316375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eClassic Black 160g LP in Heavyweight Reverse-Board Jacket, with Glossy Photo Insert Sheet, IARC OBI strip \u0026amp; dome-pattern inner sleeve. 45rpm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album ‘By Myself’, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a classic-sounding record that connects backwards to Skinner’s 2017 Hello Skinny collaboration with American composer and Arthur Russell-collaborator Peter Zummo on ‘Watermelon Sun’. It links sideways to Makaya McCraven’s beat maker-inspired treatments of jazz sessions, and it offers a musical bridge to Sons of Kemet’s most meditative moments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Voices of Bishara’ began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album ‘Life Time’ and the music he and his friends conjured up was so special\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that it inspired Skinner to write an albums-worth of phenomenal new music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSkinner, a cellist, a bass player and two saxophonists recorded the results classic album-style, with everyone in the same room. He took the music home and it was put to the side, occasionally coming out for some attention in between Tom’s many other creative projects. This was a slow burn creation, and gradually, a new album began appearing as he embraced the studio recordings and accentuated their sublime idiosyncrasies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I took a very liberal approach with the scissors and started going really hard into the edits between instruments. It breathed new life into the music. I was taking my cue from the great disco re-edits, people like Theo Parrish chopping up tunes and looping sections. I’m not a purist. I don’t want to get hung up on the past. It was really empowering to fuck it up a bit, to mess around with the music and see what happened. It felt right”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is a tight, hypnotic and unique 31-minutes of music. ‘Voices of Bishara’ is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic – drumming skills that have brought artists from Grace Jones to Jonny Greenwood to request him on their records and tours.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“We’re individual voices, coming together collectively. The idea was that we could collectively bring something more positive to the table. It’s the start of something.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTom Skinner and ‘Voices of Bishara’: bringers of good news.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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イギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 6つのセッションを収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":7940161732858,"title":"M. Takara \u0026 Carla Boregas \/\/ Grande Massa D'Agua LP","handle":"m-takara-carla-boregas-grande-massa-dagua-lp","description":"\u003cp\u003eブラジル出身ドイツ在住のインプロデュオM. Takara \u0026amp; Carla Boregasが、2022年12月にイギリスの土着レーベルHive Mindからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜ストレンジビーツ7曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554220903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1443699856\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554220903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003ehere\u003c\/a\u003e to see more Hive Mind Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eHive Mind Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMauricio Takara and Carla Boregas have long been key players in the experimental and underground music scene in São Paulo, Brazil and have recently relocated in Berlin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGrande Massa D'Agua (Great Body of Water) is their second album as a duo and it sees them continue to explore themes related to water as they dive into uncharted musical depths. In discussing the duo's relationship with water, Mauricio said:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“...In the beginning of the pandemic we decided to take a turn and move to a small beach close to São Paulo, and that's right in the middle of the rainforest, so by then water definitely took a major role in our lives. We were living right in between the ocean and a waterfall, it´d rain for days on a roll sometimes and it was an open house where we had the sound of rain 360 degrees around us... I kinda think our music has a little of those different dynamics of water in its different states. Also, it might seem strange but São Paulo is a city in the water too, and it has a very chaotic relationship with it.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music itself is difficult to pin down, always kinetic and driven by Takara's fluid, nimble percussion; there's a freeness to the sound as a whole, but also an atmosphere of tight discipline as the pair harness and channel the elemental force from which\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e they've drawn the inspiration for their works. At times the lines between Takara's skittish percussion and Boregas' idiosyncratic synth work and sound manipulation blur into flowing rivers or torrents of sound - here, both water and sound have the ability to awaken in us different memories, and emotional or physical states.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf you're looking for precedents we could say their sound contains clear influences from jazz, the most heavily manipulated vintage dub or krautrock, the outer limits of what punk can be. Possible contemporaries might include Holy Tongue, Shackleton or Oren Ambarchi, but really you'll just have to listen and draw your own conclusions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCarla Boregas' other projects include Fronte Violeta and Rakta, as well as being a prolific solo artist and co-founder of AUTA, a venue dedicated to experimental music in São Paulo (2019-2020), and the record label Dama Da Noite.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMauricio Takara also plays with the bands Hurtmold and São Paulo Underground (with trumpeter Rob Mazurek from Chicago), as well as sitting in on live sessions with an array of improv \/ experimental \/ jazz figures such as Pharoah Sanders, Damo Suzuki, Yusef Lateef, Joe Lally, Naná Vasconcelos, Prefuse 73, Makoto Kawabata.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : M. Takara \u0026amp; Carla Boregas\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e","published_at":"2023-03-19T14:34:02+09:00","created_at":"2023-03-19T11:32:43+09:00","vendor":"Tobira Records","type":"","tags":["hive mind records","jazz","lp","strange beats"],"price":358000,"price_min":358000,"price_max":358000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44104154415354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"M. Takara \u0026 Carla Boregas \/\/ Grande Massa D'Agua LP","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_81868e2b-f195-49d7-a151-78bdbd8f8f58.jpg?v=1679193164","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_be8fd328-05a9-47e0-b3be-869d77753a3f.jpg?v=1679193165"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_81868e2b-f195-49d7-a151-78bdbd8f8f58.jpg?v=1679193164","options":["Title"],"media":[{"alt":null,"id":31699910263034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_81868e2b-f195-49d7-a151-78bdbd8f8f58.jpg?v=1679193164"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_81868e2b-f195-49d7-a151-78bdbd8f8f58.jpg?v=1679193164","width":700},{"alt":null,"id":31699910295802,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_be8fd328-05a9-47e0-b3be-869d77753a3f.jpg?v=1679193165"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_be8fd328-05a9-47e0-b3be-869d77753a3f.jpg?v=1679193165","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eブラジル出身ドイツ在住のインプロデュオM. Takara \u0026amp; Carla Boregasが、2022年12月にイギリスの土着レーベルHive Mindからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eフリージャズ〜ストレンジビーツ7曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554220903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1443699856\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554220903\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/hive-mind-records\"\u003ehere\u003c\/a\u003e to see more Hive Mind Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003eHive Mind Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMauricio Takara and Carla Boregas have long been key players in the experimental and underground music scene in São Paulo, Brazil and have recently relocated in Berlin.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGrande Massa D'Agua (Great Body of Water) is their second album as a duo and it sees them continue to explore themes related to water as they dive into uncharted musical depths. In discussing the duo's relationship with water, Mauricio said:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“...In the beginning of the pandemic we decided to take a turn and move to a small beach close to São Paulo, and that's right in the middle of the rainforest, so by then water definitely took a major role in our lives. We were living right in between the ocean and a waterfall, it´d rain for days on a roll sometimes and it was an open house where we had the sound of rain 360 degrees around us... I kinda think our music has a little of those different dynamics of water in its different states. Also, it might seem strange but São Paulo is a city in the water too, and it has a very chaotic relationship with it.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music itself is difficult to pin down, always kinetic and driven by Takara's fluid, nimble percussion; there's a freeness to the sound as a whole, but also an atmosphere of tight discipline as the pair harness and channel the elemental force from which\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e they've drawn the inspiration for their works. At times the lines between Takara's skittish percussion and Boregas' idiosyncratic synth work and sound manipulation blur into flowing rivers or torrents of sound - here, both water and sound have the ability to awaken in us different memories, and emotional or physical states.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf you're looking for precedents we could say their sound contains clear influences from jazz, the most heavily manipulated vintage dub or krautrock, the outer limits of what punk can be. Possible contemporaries might include Holy Tongue, Shackleton or Oren Ambarchi, but really you'll just have to listen and draw your own conclusions.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCarla Boregas' other projects include Fronte Violeta and Rakta, as well as being a prolific solo artist and co-founder of AUTA, a venue dedicated to experimental music in São Paulo (2019-2020), and the record label Dama Da Noite.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMauricio Takara also plays with the bands Hurtmold and São Paulo Underground (with trumpeter Rob Mazurek from Chicago), as well as sitting in on live sessions with an array of improv \/ experimental \/ jazz figures such as Pharoah Sanders, Damo Suzuki, Yusef Lateef, Joe Lally, Naná Vasconcelos, Prefuse 73, Makoto Kawabata.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : M. Takara \u0026amp; Carla Boregas\u003c\/p\u003e\n\u003cp\u003eLabel : Hive Mind Records\u003c\/p\u003e"}
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ブラジル出身ドイツ在住のインプロデュオM. Takara & Carla Boregasが、2022年12月にイギリスの土着レーベルHive Mindからリリースした共作レコードです。 フリージャズ〜ストレンジビーツ7曲を収録。 レーベルその他作品はこちら /// Click here to see more Hive Mind Records...
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{"id":7939705733370,"title":"Kenny Mattucci \/\/ Big W TAPE","handle":"kmbw","description":"\u003cp\u003eアメリカ・NYのマルチ奏者Kenny Mattucciが、2019年に自主リリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e弦楽器、打楽器、管楽器、その他全てを一人で演奏したサイケデリックなジャズ・ジャム9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=758461305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ekeyboards, synths, piano, ehru, harmonica, drums, drum machine, percussion, bass guitars, electric guitar, acoustic guitar, tenor saxophone, pipa, vocals, sampler by kenny mattucci\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kenny Mattucci\u003c\/p\u003e\n\u003cp\u003eLabel : Space Cassette \/ Dog Records\u003c\/p\u003e","published_at":"2023-05-09T08:57:36+09:00","created_at":"2023-03-18T12:03:09+09:00","vendor":"Tobira Records","type":"","tags":["jazz","Kenny Mattucci","strange beats","tape"],"price":138000,"price_min":138000,"price_max":138000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44097598128378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kenny Mattucci \/\/ Big W TAPE","public_title":null,"options":["Default Title"],"price":138000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_f7d29c1b-6f9b-4569-bcbf-dab6181cf922.jpg?v=1679108590"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_f7d29c1b-6f9b-4569-bcbf-dab6181cf922.jpg?v=1679108590","options":["Title"],"media":[{"alt":null,"id":31697223516410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_f7d29c1b-6f9b-4569-bcbf-dab6181cf922.jpg?v=1679108590"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bi1_f7d29c1b-6f9b-4569-bcbf-dab6181cf922.jpg?v=1679108590","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのマルチ奏者Kenny Mattucciが、2019年に自主リリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e弦楽器、打楽器、管楽器、その他全てを一人で演奏したサイケデリックなジャズ・ジャム9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=758461305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ekeyboards, synths, piano, ehru, harmonica, drums, drum machine, percussion, bass guitars, electric guitar, acoustic guitar, tenor saxophone, pipa, vocals, sampler by kenny mattucci\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Kenny Mattucci\u003c\/p\u003e\n\u003cp\u003eLabel : Space Cassette \/ Dog Records\u003c\/p\u003e"}
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アメリカ・NYのマルチ奏者Kenny Mattucciが、2019年に自主リリースしたカセットです。 弦楽器、打楽器、管楽器、その他全てを一人で演奏したサイケデリックなジャズ・ジャム9曲を収録。 -------------------------------------------- keyboards, synths, piano, ehru, harmonica, drums, drum machine, percussion, bass...
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{"id":7939299901690,"title":"Pavel Viry \/\/ Morsures de midges et de sandflies TAPE","handle":"pavel-viry-morsures-de-midges-et-de-sandflies-tape","description":"\u003cp\u003eフランスの実験ギタリストPavel Viryが、2022年10月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eLa République des Grangesから80本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e教会で録音したギターインプロ〜ノイズ9曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2959825423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/l-r-d-g\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/l-r-d-g\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/l-r-d-g\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/l-r-d-g\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLa République des Granges\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 80.\u003c\/p\u003e\n\u003cp\u003eRecorded in the Chapel of Saint-Laurent-Sous-Coiron on June 17 and 18, 2022 by Pavel.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pavel Viry\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLa République des Granges\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-26T09:50:14+09:00","created_at":"2023-03-17T17:08:16+09:00","vendor":"Tobira Records","type":"","tags":["jazz","la republique des granges","noise","tape"],"price":138000,"price_min":138000,"price_max":138000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44092710715642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Pavel Viry \/\/ Morsures de midges et de sandflies TAPE","public_title":null,"options":["Default Title"],"price":138000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_2caff63b-03ba-4f93-a55e-451ac51a8d74.jpg?v=1679040497"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_2caff63b-03ba-4f93-a55e-451ac51a8d74.jpg?v=1679040497","options":["Title"],"media":[{"alt":null,"id":31694734164218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_2caff63b-03ba-4f93-a55e-451ac51a8d74.jpg?v=1679040497"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mi1_2caff63b-03ba-4f93-a55e-451ac51a8d74.jpg?v=1679040497","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの実験ギタリストPavel Viryが、2022年10月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eLa République des Grangesから80本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e教会で録音したギターインプロ〜ノイズ9曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2959825423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/l-r-d-g\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/l-r-d-g\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/l-r-d-g\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/l-r-d-g\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLa République des Granges\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 80.\u003c\/p\u003e\n\u003cp\u003eRecorded in the Chapel of Saint-Laurent-Sous-Coiron on June 17 and 18, 2022 by Pavel.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Pavel Viry\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLa République des Granges\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの実験ギタリストPavel Viryが、2022年10月に同国実験レーベルLa République des Grangesから80本限定でリリースしたカセットです。 教会で録音したギターインプロ〜ノイズ9曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more La République des Granges releases available...
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{"id":7936306872570,"title":"Dennis \/ McKain \/ Murray \/ Sullivan \/\/ BLEKINGEGADE TAPE","handle":"dennis-mckain-murray-sullivan-blekingegade-tape","description":"\u003cp\u003eアメリカ・フィラデルフィアとNYを拠点としているジャズバンドDennis \/ McKain \/ Murray \/ Sullivanが、2022年1月に台湾のノイズレーベル牛牛出版からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフルスロットルな20分2セットを収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1283243392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Burning non idealistic improv from Philadelphia USA.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide A: Mass Line, As Explained by a Puppet\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide B: Anya’s Antique Store\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Jason Lafarge at Seizures Palace\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDecember 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNiu Niu Press:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eBLEKINGEGADE the raw Danish Street gang that committed high level robberies to send money and weapons to support Palestine in its defense for freedom. This album will bring you to\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e those bleak streets of 1970’s Denmark. Then feel the violence. And then you are brought into a feeling of community. This is within the music, the players, as well as the story behind BLEKINGEGADE. This is FIRE MUSIC. Saxes blister bend and stay hard to the bone but with deep seeded melodies from these seasoned players. The drums and Double Bass battle and ease with the Saxes until rapidly coming together to play a journey you had no clue was about to come. The Low end is thick and the Saxes are angular yet smoothly executed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dennis \/ McKain \/ Murray \/ Sullivan\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNiu Niu Press --- 牛牛出版\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-03-20T09:43:17+09:00","created_at":"2023-03-13T11:01:32+09:00","vendor":"Tobira Records","type":"","tags":["jazz","niu niu press","tape"],"price":175000,"price_min":175000,"price_max":175000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44073854632186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dennis \/ McKain \/ Murray \/ Sullivan \/\/ BLEKINGEGADE TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/l1_b315d91b-b77c-460d-a5f0-6f43bc14bb13.jpg?v=1678672894","\/\/tobirarecords.com\/cdn\/shop\/products\/l2_abff1cc8-0d75-47de-8202-32d6a14a0f27.jpg?v=1678672894"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/l1_b315d91b-b77c-460d-a5f0-6f43bc14bb13.jpg?v=1678672894","options":["Title"],"media":[{"alt":null,"id":31672580276474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/l1_b315d91b-b77c-460d-a5f0-6f43bc14bb13.jpg?v=1678672894"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/l1_b315d91b-b77c-460d-a5f0-6f43bc14bb13.jpg?v=1678672894","width":700},{"alt":null,"id":31672580309242,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/l2_abff1cc8-0d75-47de-8202-32d6a14a0f27.jpg?v=1678672894"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/l2_abff1cc8-0d75-47de-8202-32d6a14a0f27.jpg?v=1678672894","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フィラデルフィアとNYを拠点としているジャズバンドDennis \/ McKain \/ Murray \/ Sullivanが、2022年1月に台湾のノイズレーベル牛牛出版からリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフルスロットルな20分2セットを収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1283243392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Burning non idealistic improv from Philadelphia USA.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide A: Mass Line, As Explained by a Puppet\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSide B: Anya’s Antique Store\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Jason Lafarge at Seizures Palace\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDecember 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNiu Niu Press:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eBLEKINGEGADE the raw Danish Street gang that committed high level robberies to send money and weapons to support Palestine in its defense for freedom. This album will bring you to\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e those bleak streets of 1970’s Denmark. Then feel the violence. And then you are brought into a feeling of community. This is within the music, the players, as well as the story behind BLEKINGEGADE. This is FIRE MUSIC. Saxes blister bend and stay hard to the bone but with deep seeded melodies from these seasoned players. The drums and Double Bass battle and ease with the Saxes until rapidly coming together to play a journey you had no clue was about to come. The Low end is thick and the Saxes are angular yet smoothly executed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dennis \/ McKain \/ Murray \/ Sullivan\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNiu Niu Press --- 牛牛出版\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・フィラデルフィアとNYを拠点としているジャズバンドDennis / McKain / Murray / Sullivanが、2022年1月に台湾のノイズレーベル牛牛出版からリリースしたカセットです。 フルスロットルな20分2セットを収録。DLコード付属。 ---------------------------------------- Includes DL code. "Burning non...
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{"id":7932959588602,"title":"Cole Pulice \/\/ Scry LP","handle":"cole-pulice-scry-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのサックス奏者Cole Puliceが、2023年2月に同国オレゴンのポストニューエイジレーベルMoon Glyphからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとサックスによるアンビエント・ジャズ8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3459954518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3769800434\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan class=\"im\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003ehere\u003c\/a\u003e to see more Moon Glyph releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cwbr\u003e---------\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003eMoon Glyph:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eCole Pulice is a composer, saxophonist and electroacoustic musician from Oakland-via-Minneapolis. Following their debut album \"Gloam\" and two duo collaborations with Lynn Avery and Nat Harvie, Cole Pulice returns with their sophomore album \"Scry\". The sound is deeply contemporary, incorporating saxophone\/wind synth with live signal processing and modern electronics\/software. It drifts between electroacoustic experimentalism and more traditional forms of song-like beauty, casting a wide sonic net that highlights Pulice’s versatility and creativity as both an improviser and composer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom Cole:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Scry is a collection of musics exploring fragmentary or gradient states of liminality – recursive spirals of worlds hidden within worlds, dreams within dreams, sensations of time, and the notion of the past, present, and future all occupying a single point.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s a record that, for me, resonates strongly with this sort of “between-ness:” it began in Minneapolis, and was finished in Oakland, bridging pre-pandemic life with the “new normal” of current times; being genderqueer and navigating the spaces between and outside of the masculine and feminine binary; wandering through a musical interchange station that is interconnects\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e improvisation, “song,” and collage experiments . . . multidimensional yet woven together by similar aesthetic threads.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas my previous record, Gloam, was mostly a series of compositions for a very specific electroacoustic setup, Scry utilizes a series of different hardware\/software frameworks and apparatus. Or, to think of it in another way: Gloam was like looking through a kaleidoscope (each turn of the handle giving a different abstract perspective of the same bits of gemstone); Scry is more like a stained-glass crystal ball (a singular sculpture, with each fragment somehow offering an ephemeral glimpse into another world or dimension).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScry is deeply indebted to the electroacoustic works of Pauline Oliveros, David Behrman, Marion Brown, Maggi Payne, Harold Budd, and Jon Hassell - all of whom explored, in their own ways, the interconnectivity between acoustic instruments, interactive electronic signal processing, and improvisation - the crux of ‘Scry’s DNA. To this end: virtually all of the signal processing on ‘Scry’ is done live as I play saxophone\/wind synth, either through a hardware setup that I control with my feet as I play, or through software instruments I build which respond live to what I’m playing. Often, both software and hardware processes are being used simultaneously.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"To scry\" defines the practice of foretelling the future through gazing into a crystal ball or other reflective surfaces. There's a lot to say here regarding the mix of temporalities, timelines, states of being, and so forth, but I mostly just have to give a special thanks to glass artist, composer, and dear friend Sadie Robison. The arcane aesthetics of her technicolor stained glass sculptures were a major influence on the themes of Scry\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cole Pulice\u003c\/p\u003e\n\u003cp\u003eLabel : Moon Glyph\u003c\/p\u003e","published_at":"2023-03-08T17:31:53+09:00","created_at":"2023-03-08T17:31:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","moon glyph","new","post newage","recommended"],"price":399500,"price_min":399500,"price_max":399500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44056915837178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cole Pulice \/\/ Scry LP","public_title":null,"options":["Default Title"],"price":399500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0758430333_16_232d808e-00c8-4455-bf86-85efbade4309.jpg?v=1678264344","\/\/tobirarecords.com\/cdn\/shop\/products\/0029626452_10.jpg?v=1678264345"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0758430333_16_232d808e-00c8-4455-bf86-85efbade4309.jpg?v=1678264344","options":["Title"],"media":[{"alt":null,"id":31645799645434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0758430333_16_232d808e-00c8-4455-bf86-85efbade4309.jpg?v=1678264344"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0758430333_16_232d808e-00c8-4455-bf86-85efbade4309.jpg?v=1678264344","width":700},{"alt":null,"id":31645799710970,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029626452_10.jpg?v=1678264345"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0029626452_10.jpg?v=1678264345","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのサックス奏者Cole Puliceが、2023年2月に同国オレゴンのポストニューエイジレーベルMoon Glyphからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eピアノとサックスによるアンビエント・ジャズ8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3459954518\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3769800434\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan class=\"im\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003ehere\u003c\/a\u003e to see more Moon Glyph releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cwbr\u003e---------\u003c\/wbr\u003e\u003c\/p\u003e\n\u003cp\u003eMoon Glyph:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eCole Pulice is a composer, saxophonist and electroacoustic musician from Oakland-via-Minneapolis. Following their debut album \"Gloam\" and two duo collaborations with Lynn Avery and Nat Harvie, Cole Pulice returns with their sophomore album \"Scry\". The sound is deeply contemporary, incorporating saxophone\/wind synth with live signal processing and modern electronics\/software. It drifts between electroacoustic experimentalism and more traditional forms of song-like beauty, casting a wide sonic net that highlights Pulice’s versatility and creativity as both an improviser and composer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrom Cole:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Scry is a collection of musics exploring fragmentary or gradient states of liminality – recursive spirals of worlds hidden within worlds, dreams within dreams, sensations of time, and the notion of the past, present, and future all occupying a single point.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s a record that, for me, resonates strongly with this sort of “between-ness:” it began in Minneapolis, and was finished in Oakland, bridging pre-pandemic life with the “new normal” of current times; being genderqueer and navigating the spaces between and outside of the masculine and feminine binary; wandering through a musical interchange station that is interconnects\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e improvisation, “song,” and collage experiments . . . multidimensional yet woven together by similar aesthetic threads.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas my previous record, Gloam, was mostly a series of compositions for a very specific electroacoustic setup, Scry utilizes a series of different hardware\/software frameworks and apparatus. Or, to think of it in another way: Gloam was like looking through a kaleidoscope (each turn of the handle giving a different abstract perspective of the same bits of gemstone); Scry is more like a stained-glass crystal ball (a singular sculpture, with each fragment somehow offering an ephemeral glimpse into another world or dimension).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eScry is deeply indebted to the electroacoustic works of Pauline Oliveros, David Behrman, Marion Brown, Maggi Payne, Harold Budd, and Jon Hassell - all of whom explored, in their own ways, the interconnectivity between acoustic instruments, interactive electronic signal processing, and improvisation - the crux of ‘Scry’s DNA. To this end: virtually all of the signal processing on ‘Scry’ is done live as I play saxophone\/wind synth, either through a hardware setup that I control with my feet as I play, or through software instruments I build which respond live to what I’m playing. Often, both software and hardware processes are being used simultaneously.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"To scry\" defines the practice of foretelling the future through gazing into a crystal ball or other reflective surfaces. There's a lot to say here regarding the mix of temporalities, timelines, states of being, and so forth, but I mostly just have to give a special thanks to glass artist, composer, and dear friend Sadie Robison. The arcane aesthetics of her technicolor stained glass sculptures were a major influence on the themes of Scry\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cole Pulice\u003c\/p\u003e\n\u003cp\u003eLabel : Moon Glyph\u003c\/p\u003e"}
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アメリカ・カリフォルニアのサックス奏者Cole Puliceが、2023年2月に同国オレゴンのポストニューエイジレーベルMoon Glyphからリリースしたレコードです。 ピアノとサックスによるアンビエント・ジャズ8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Moon Glyph releases available at Tobira....
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{"id":7932144255226,"title":"Tour-Maubourg \/\/ Spaces of Silence 2xLP","handle":"tour-maubourg-spaces-of-silence-2xlp","description":"\u003cp\u003eベルギー出身フランス在住のジャズ・ハウス作家Tour-Maubourgが、2023年3月にフランスのハウスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePont Neuf Recordsからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eスムースで内省的なジャズ・ハウス〜アンビエント・ジャズ〜ダウンテンポ14曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。 \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「このアルバムは、2021年2月から2022年7月にかけてブリュッセルの祖父母の家で作曲し、小さなスタジオを設置しました。2013年にベルギーを離れて以来、この地で再び作曲するのは初めてだったので、個人的なルーツに戻るような気持ちで臨みました。溢れるようなパリの雰囲気から離れ、7年間一緒にいた大好きな人たちからも離れ、本当に一人で音楽と向き合う期間として活用したのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpaces of Silenceという名前は、私が2018年から恒常的に抱えている耳鳴りと呼応しています。静寂とは、私が音楽の中に逆説的に見出す状態であり、この耳鳴りが聞こえないようにするためのものです。したがって、各トラック、つまり各作曲は、私がある種のバランスを見つけることを可能にする鍵の1つです。このノイズとサイレンスの概念を、テープ、カセット、バックグラウンドノイズ、フィールドレコーディングを使って表現することを意図して、このアルバムを構成しました。」\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2048854141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3194030227\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2048854141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1976361998\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2048854141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2660659673\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2048854141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pneuf\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pneuf\"\u003ehere\u003c\/a\u003e to see more Pont Neuf Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2x12\" vinyl version, 33 1\/3 RPM, black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePont Neuf Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eFrom spearheading France’s jazz-house and electronica scenes, to amassing millions of streams for lauded tracks such as Ode To Love, Manhattan To Brooklyn and Artifice, Tour- Maubourg is a flag bearer for modern French electronic music. Reminiscent of St Germain from years gone by, his maiden album - Paradis Artificiels - received critical acclaim upon its release two years ago.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow, his new album Spaces Of Silence continues in such a vein, representing a tribute to his home country of Belgium and embodying a year long journey into deep, musical solitude.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Tour-Maubourg:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I composed this album in Brussels at my grandparents' house between February 2021 and July 2022 where I set up a small studio. I saw it as a return to my personal roots, as it was the first time since I left Belgium in 2013 that I found myself composing here again. I took advantage of this period away from the overflowing Parisian atmosphere and away from the people I loved who I've been around for seven years, to be truly alone with my music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name Spaces of Silence echoes the tinnitus that I have had permanently had since 2018. Silence is a state that I find paradoxically in music, one that allows me not to hear this tinnitus. Each track - each composition - is therefore one of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the keys that allows me to find a certain balance. I composed this album with the intention of expressing this notion of noise and silence using tape, cassette, background noise and field recordings.\" \u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tour-Maubourg\u003c\/p\u003e\n\u003cp\u003eLabel : Pont Neuf Records\u003c\/p\u003e","published_at":"2023-03-07T17:12:07+09:00","created_at":"2023-03-07T15:44:11+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","house","jazz","lp","pont neuf records","recommended"],"price":438000,"price_min":438000,"price_max":438000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44053587591418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tour-Maubourg \/\/ Spaces of Silence 2xLP","public_title":null,"options":["Default Title"],"price":438000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_9f92eac4-e998-4226-89d5-9d2527190962.jpg?v=1678171453","\/\/tobirarecords.com\/cdn\/shop\/products\/sp2_5e8287ed-78a4-4e49-be24-526dee5b5c94.jpg?v=1678171453"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_9f92eac4-e998-4226-89d5-9d2527190962.jpg?v=1678171453","options":["Title"],"media":[{"alt":null,"id":31640317526266,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_9f92eac4-e998-4226-89d5-9d2527190962.jpg?v=1678171453"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp1_9f92eac4-e998-4226-89d5-9d2527190962.jpg?v=1678171453","width":700},{"alt":null,"id":31640317559034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp2_5e8287ed-78a4-4e49-be24-526dee5b5c94.jpg?v=1678171453"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sp2_5e8287ed-78a4-4e49-be24-526dee5b5c94.jpg?v=1678171453","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギー出身フランス在住のジャズ・ハウス作家Tour-Maubourgが、2023年3月にフランスのハウスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePont Neuf Recordsからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eスムースで内省的なジャズ・ハウス〜アンビエント・ジャズ〜ダウンテンポ14曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。 \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「このアルバムは、2021年2月から2022年7月にかけてブリュッセルの祖父母の家で作曲し、小さなスタジオを設置しました。2013年にベルギーを離れて以来、この地で再び作曲するのは初めてだったので、個人的なルーツに戻るような気持ちで臨みました。溢れるようなパリの雰囲気から離れ、7年間一緒にいた大好きな人たちからも離れ、本当に一人で音楽と向き合う期間として活用したのです。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSpaces of Silenceという名前は、私が2018年から恒常的に抱えている耳鳴りと呼応しています。静寂とは、私が音楽の中に逆説的に見出す状態であり、この耳鳴りが聞こえないようにするためのものです。したがって、各トラック、つまり各作曲は、私がある種のバランスを見つけることを可能にする鍵の1つです。このノイズとサイレンスの概念を、テープ、カセット、バックグラウンドノイズ、フィールドレコーディングを使って表現することを意図して、このアルバムを構成しました。」\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2048854141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3194030227\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2048854141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1976361998\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2048854141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2660659673\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2048854141\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pneuf\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pneuf\"\u003ehere\u003c\/a\u003e to see more Pont Neuf Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2x12\" vinyl version, 33 1\/3 RPM, black vinyl.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ePont Neuf Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eFrom spearheading France’s jazz-house and electronica scenes, to amassing millions of streams for lauded tracks such as Ode To Love, Manhattan To Brooklyn and Artifice, Tour- Maubourg is a flag bearer for modern French electronic music. Reminiscent of St Germain from years gone by, his maiden album - Paradis Artificiels - received critical acclaim upon its release two years ago.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNow, his new album Spaces Of Silence continues in such a vein, representing a tribute to his home country of Belgium and embodying a year long journey into deep, musical solitude.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Tour-Maubourg:\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I composed this album in Brussels at my grandparents' house between February 2021 and July 2022 where I set up a small studio. I saw it as a return to my personal roots, as it was the first time since I left Belgium in 2013 that I found myself composing here again. I took advantage of this period away from the overflowing Parisian atmosphere and away from the people I loved who I've been around for seven years, to be truly alone with my music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe name Spaces of Silence echoes the tinnitus that I have had permanently had since 2018. Silence is a state that I find paradoxically in music, one that allows me not to hear this tinnitus. Each track - each composition - is therefore one of\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e the keys that allows me to find a certain balance. I composed this album with the intention of expressing this notion of noise and silence using tape, cassette, background noise and field recordings.\" \u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tour-Maubourg\u003c\/p\u003e\n\u003cp\u003eLabel : Pont Neuf Records\u003c\/p\u003e"}
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ベルギー出身フランス在住のジャズ・ハウス作家Tour-Maubourgが、2023年3月にフランスのハウスレーベルPont Neuf Recordsからリリースした2枚組レコードです。 スムースで内省的なジャズ・ハウス〜アンビエント・ジャズ〜ダウンテンポ14曲を収録。廃盤です。 以下、作家本人による解説です。 「このアルバムは、2021年2月から2022年7月にかけてブリュッセルの祖父母の家で作曲し、小さなスタジオを設置しました。2013年にベルギーを離れて以来、この地で再び作曲するのは初めてだったので、個人的なルーツに戻るような気持ちで臨みました。溢れるようなパリの雰囲気から離れ、7年間一緒にいた大好きな人たちからも離れ、本当に一人で音楽と向き合う期間として活用したのです。Spaces of Silenceという名前は、私が2018年から恒常的に抱えている耳鳴りと呼応しています。静寂とは、私が音楽の中に逆説的に見出す状態であり、この耳鳴りが聞こえないようにするためのものです。したがって、各トラック、つまり各作曲は、私がある種のバランスを見つけることを可能にする鍵の1つです。このノイズとサイレンスの概念を、テープ、カセット、バックグラウンドノイズ、フィールドレコーディングを使って表現することを意図して、このアルバムを構成しました。」 レーベルその他作品はこちら /// Click here to see more Pont Neuf...
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{"id":7931444461818,"title":"Amanda Irarrázabal \u0026 Eli Wallace \/\/ Entre Pliegos TAPE","handle":"amanda-irarrazabal-eli-wallace-entre-pliegos-tape","description":"\u003cp\u003eチリのチェロ奏者Amanda Irarrázabalとアメリカ・NYのピアニストEli Wallaceが、2023年2月にアメリカ・LAの実験／物音レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDinzu Artefactsから100本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音フリージャズ〜ドローン2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=336072505\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eEntre Pliegos embarks on a quest through shared sonic ancestry to explore the immediacy of communication, invoking a mercurial, yet at times uplifting, musical environ. The drones and growls of low strings flow into explosive electronics, while ecstatic vocal spikes morph into rambunctious linear intertwinings that settle into an interminable, grating exhale.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChilean-based double bassist Amanda Irarrázabal and Brooklyn, NY-based pianist Eli Wallace crossed paths in the summer of 2019, where they collaborated for a few weeks in the eclectic Mexico City improvisational music scene. They found an instant connection predicated on a shared interest in expanding their respective instruments' sound and incorporating an all-encompassing exploratory approach to idiomatic inspiration. This approach manifests in Amanda's unconventional use of the bass, singing and vocalizing, and her use of electronics. Eli subverts the piano's conventional sound by preparing the instrument, complementing its sound by playing small percussion instruments. This results in a multi-instrumental mindset ensconced in anti-genre musical freedom.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith the initial groundwork of their musical confluence\u003cspan class=\"bcTruncateMore\"\u003e established, they remained in contact and recorded this duo album Entre Pliegos when Amanda traveled to New York in the Summer of 2021. The result was a deepening of the aforementioned musical congruency. They stretched each other's proclivities, pushing each other in different directions that encompassed their backgrounds. While their separate identities comprising free jazz and improvisational music resound throughout, this recording hints at something much more antiquated as they draw upon shared ancestral sonic history, unearthing it in unexpected and unforeseen ineffable musical offerings. This release is a documentation of their shared heterogeneous experience of sound, expressed through their multifaceted collaborative coexistence.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amanda Irarrázabal \u0026amp; Eli Wallace\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2023-03-06T15:13:15+09:00","created_at":"2023-03-06T12:24:20+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","jazz","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44050336252154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Amanda Irarrázabal \u0026 Eli Wallace \/\/ Entre Pliegos TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/en1_122a98eb-5af4-4dc5-970d-ffd7af0af035.jpg?v=1678073062"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_122a98eb-5af4-4dc5-970d-ffd7af0af035.jpg?v=1678073062","options":["Title"],"media":[{"alt":null,"id":31634351456506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_122a98eb-5af4-4dc5-970d-ffd7af0af035.jpg?v=1678073062"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/en1_122a98eb-5af4-4dc5-970d-ffd7af0af035.jpg?v=1678073062","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eチリのチェロ奏者Amanda Irarrázabalとアメリカ・NYのピアニストEli Wallaceが、2023年2月にアメリカ・LAの実験／物音レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDinzu Artefactsから100本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音フリージャズ〜ドローン2曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=336072505\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 100.\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eEntre Pliegos embarks on a quest through shared sonic ancestry to explore the immediacy of communication, invoking a mercurial, yet at times uplifting, musical environ. The drones and growls of low strings flow into explosive electronics, while ecstatic vocal spikes morph into rambunctious linear intertwinings that settle into an interminable, grating exhale.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChilean-based double bassist Amanda Irarrázabal and Brooklyn, NY-based pianist Eli Wallace crossed paths in the summer of 2019, where they collaborated for a few weeks in the eclectic Mexico City improvisational music scene. They found an instant connection predicated on a shared interest in expanding their respective instruments' sound and incorporating an all-encompassing exploratory approach to idiomatic inspiration. This approach manifests in Amanda's unconventional use of the bass, singing and vocalizing, and her use of electronics. Eli subverts the piano's conventional sound by preparing the instrument, complementing its sound by playing small percussion instruments. This results in a multi-instrumental mindset ensconced in anti-genre musical freedom.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith the initial groundwork of their musical confluence\u003cspan class=\"bcTruncateMore\"\u003e established, they remained in contact and recorded this duo album Entre Pliegos when Amanda traveled to New York in the Summer of 2021. The result was a deepening of the aforementioned musical congruency. They stretched each other's proclivities, pushing each other in different directions that encompassed their backgrounds. While their separate identities comprising free jazz and improvisational music resound throughout, this recording hints at something much more antiquated as they draw upon shared ancestral sonic history, unearthing it in unexpected and unforeseen ineffable musical offerings. This release is a documentation of their shared heterogeneous experience of sound, expressed through their multifaceted collaborative coexistence.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Amanda Irarrázabal \u0026amp; Eli Wallace\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
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チリのチェロ奏者Amanda Irarrázabalとアメリカ・NYのピアニストEli Wallaceが、2023年2月にアメリカ・LAの実験／物音レーベルDinzu Artefactsから100本限定でリリースした共作カセットです。 物音フリージャズ〜ドローン2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at...
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{"id":7930873610490,"title":"Kaoru Abe No Future 阿部薰没有未来 \/\/ Steps 台阶 TAPE","handle":"karou-abe-no-future-阿部薰没有未来-steps-台阶-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e中国・北京のノーウェーブ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eトリオKaoru Abe No Future（ Liu Lu、 Zhao Cong 、Zhu Wenbo）が、2022年12月にイギリスの実験レーベルInfant Treeから50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eミニマルなノーウェーブ・ジャズ〜アヴァン・フォーク9曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1226870894\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/intr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/intr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/intr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/intr\"\u003ehere \u003c\/a\u003e\u003cspan\u003eto see more Infant Tree releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eKaoru Abe No Future is:\u003cbr\u003e\u003cbr\u003eliu lu 刘璐 guitar, voice (A2, B4), percussion (B1)\u003cbr\u003ezhao cong 赵丛 bass guitar\u003cbr\u003ezhu wenbo 朱文博 guitar, voice (A1, A2, A3, B2, B3),\u003cbr\u003epercussion (A4, B2)\u003cbr\u003ewith guest trumpet by dong xing 董星 (A2)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kaoru Abe No Future 阿部薰没有未来\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Infant Tree\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-03-08T07:46:05+09:00","created_at":"2023-03-05T12:58:32+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","infant tree","jazz","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44047251210490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kaoru Abe No Future 阿部薰没有未来 \/\/ Steps 台阶 TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_f8876358-924f-49e8-9773-79057c882c7d.jpg?v=1677988713","\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_3da8ab0e-a2b2-4a28-80e8-c0644d93f904.jpg?v=1677988714"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_f8876358-924f-49e8-9773-79057c882c7d.jpg?v=1677988713","options":["Title"],"media":[{"alt":null,"id":31630477754618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_f8876358-924f-49e8-9773-79057c882c7d.jpg?v=1677988713"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka1_f8876358-924f-49e8-9773-79057c882c7d.jpg?v=1677988713","width":700},{"alt":null,"id":31630477787386,"position":2,"preview_image":{"aspect_ratio":1.014,"height":1183,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_3da8ab0e-a2b2-4a28-80e8-c0644d93f904.jpg?v=1677988714"},"aspect_ratio":1.014,"height":1183,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ka2_3da8ab0e-a2b2-4a28-80e8-c0644d93f904.jpg?v=1677988714","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e中国・北京のノーウェーブ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eトリオKaoru Abe No Future（ Liu Lu、 Zhao Cong 、Zhu Wenbo）が、2022年12月にイギリスの実験レーベルInfant Treeから50本限定でリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eミニマルなノーウェーブ・ジャズ〜アヴァン・フォーク9曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1226870894\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/intr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/intr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/intr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/intr\"\u003ehere \u003c\/a\u003e\u003cspan\u003eto see more Infant Tree releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eKaoru Abe No Future is:\u003cbr\u003e\u003cbr\u003eliu lu 刘璐 guitar, voice (A2, B4), percussion (B1)\u003cbr\u003ezhao cong 赵丛 bass guitar\u003cbr\u003ezhu wenbo 朱文博 guitar, voice (A1, A2, A3, B2, B3),\u003cbr\u003epercussion (A4, B2)\u003cbr\u003ewith guest trumpet by dong xing 董星 (A2)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Kaoru Abe No Future 阿部薰没有未来\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Infant Tree\u003c\/span\u003e\u003c\/p\u003e"}
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