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Gideon Nxumalo // Gideon Plays LP

Gideon Nxumalo // Gideon Plays LP

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南アフリカジャズのパイオニアGideon Nxumaloの幻の一枚が2021年9月に再発。以下　、レーベルの解説です。

"ピアニストのNxumaloは、1950年代に定期的にレコーディングを行っていた先見性のあるジャズ作曲家で、1962年に発表したアルバム『Jazz Fantasia』は、アフリカの伝統的な音源や楽器を取り入れた南アフリカ初のジャズ・レコーディングとして知られている。1954年以降、彼は "Mgibe "というニックネームをつけて、南アフリカのラジオで最高のジャズ番組である「This Is Bantu Jazz」を担当。しかし、1961年に起きたシャープビルの大虐殺の影響で、Nxumalo はラジオ番組から外され、最終的には政治的な意味を持つレコードをかけたことでクビになってしまい、1968年までの数年間、彼のレコードはラジオで聞くことができなくなってしまったのである。

本作は、南アフリカで最も愛され、最も先進的なジャズマンの1人がスタジオに復帰した記念すべき作品であり、Nxumaloのジャズに対する深い理解、作曲家としての見事なタッチ、南アフリカ固有のサウンドを音楽に取り入れることへのこだわりを表現した一枚である。にもかかわらず、1968年に1回プレスされただけで、ほぼ流通されることなく闇に葬られてしまった。

過去10年間、Matsuli Musicは南アフリカの歴史の中で失われたジャズ録音を紹介してきましたが、偉大なギデオン'Mgibe' Nxumaloの『Gideon Plays』ほど希少で知られていないアルバムはなかった。"

------------------------------ 

Text by Matsuli Music:

"Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader, despite his crucial place in South African jazz history.

Pianist Nxumalo was a visionary jazz composer who had recorded regularly during the 1950s, and his 1962 Jazz Fantasia album was the first South African jazz recording to incorporate traditional African musical sources and instruments. But he was also the country’s most significant radio presenter and jazz tastemaker – from 1954 onwards, he had worn the nickname ‘Mgibe’ to introduce ‘This Is Bantu Jazz’, South African radio’s premier jazz show.

But in the aftermath of the Sharpeville Massacre in 1961, Nxumalo had been sidelined from radio play, and was eventually sacked for playing records with political meanings. By 1968, he had not been heard on record or airwave for several years. Gideon Plays was a celebrated return to the studio for one of South Africa’s best loved and most forward-thinking jazzmen, and it showcases Nxumalo’s deep understanding of jazz, his brilliant touch as a composer, and his commitment to bringing South Africa’s indigenous sound into the music.

However, it was released on the tiny JAS Pride label owned by production impresario Ray Nkwe, and after one pressing in 1968, Gideon Plays fell into the undeserved silence that has obscured so much of the South African jazz discography. It has since become a legend: hardly more than a rumour, it has been bootlegged by the unscrupulous, changed hands for eye-watering sums, and has scarcely been heard outside the circles of the most committed South African jazz devotees. It goes without saying that it has never been released outside South Africa, and even now only a handful of original copies are known to have survived.

Over the last ten years, Matsuli Music has been proud to present some of the greatest lost and found jazz recordings in South African history – but we have never presented a rarer, lesser known album than the mighty Gideon ‘Mgibe’ Nxumalo’s Gideon Plays. " 

Artist : Gideon Nxumalo

Label : Matsuli Music

南アフリカジャズのパイオニアGideon Nxumaloの幻の一枚が2021年9月に再発。以下　、レーベルの解説です。

"ピアニストのNxumaloは、1950年代に定期的にレコーディングを行っていた先見性のあるジャズ作曲家で、1962年に発表したアルバム『Jazz Fantasia』は、アフリカの伝統的な音源や楽器を取り入れた南アフリカ初のジャズ・レコーディングとして知られている。1954年以降、彼は "Mgibe "というニックネームをつけて、南アフリカのラジオで最高のジャズ番組である「This Is Bantu Jazz」を担当。しかし、1961年に起きたシャープビルの大虐殺の影響で、Nxumalo はラジオ番組から外され、最終的には政治的な意味を持つレコードをかけたことでクビになってしまい、1968年までの数年間、彼のレコードはラジオで聞くことができなくなってしまったのである。

本作は、南アフリカで最も愛され、最も先進的なジャズマンの1人がスタジオに復帰した記念すべき作品であり、Nxumaloのジャズに対する深い理解、作曲家としての見事なタッチ、南アフリカ固有のサウンドを音楽に取り入れることへのこだわりを表現した一枚である。にもかかわらず、1968年に1回プレスされただけで、ほぼ流通されることなく闇に葬られてしまった。

過去10年間、Matsuli Musicは南アフリカの歴史の中で失われたジャズ録音を紹介してきましたが、偉大なギデオン'Mgibe' Nxumaloの『Gideon Plays』ほど希少で知られていないアルバムはなかった。"

------------------------------ 

Text by Matsuli Music:

"Gideon Nxumalo’s Gideon Plays might just be the most mythologised and sought-after LP in the whole South African canon. A sophisticated bop excursion with a distinctive African edge, it was only Nxumalo’s second LP as leader, despite his crucial place in South African jazz history.

Pianist Nxumalo was a visionary jazz composer who had recorded regularly during the 1950s, and his 1962 Jazz Fantasia album was the first South African jazz recording to incorporate traditional African musical sources and instruments. But he was also the country’s most significant radio presenter and jazz tastemaker – from 1954 onwards, he had worn the nickname ‘Mgibe’ to introduce ‘This Is Bantu Jazz’, South African radio’s premier jazz show.

But in the aftermath of the Sharpeville Massacre in 1961, Nxumalo had been sidelined from radio play, and was eventually sacked for playing records with political meanings. By 1968, he had not been heard on record or airwave for several years. Gideon Plays was a celebrated return to the studio for one of South Africa’s best loved and most forward-thinking jazzmen, and it showcases Nxumalo’s deep understanding of jazz, his brilliant touch as a composer, and his commitment to bringing South Africa’s indigenous sound into the music.

However, it was released on the tiny JAS Pride label owned by production impresario Ray Nkwe, and after one pressing in 1968, Gideon Plays fell into the undeserved silence that has obscured so much of the South African jazz discography. It has since become a legend: hardly more than a rumour, it has been bootlegged by the unscrupulous, changed hands for eye-watering sums, and has scarcely been heard outside the circles of the most committed South African jazz devotees. It goes without saying that it has never been released outside South Africa, and even now only a handful of original copies are known to have survived.

Over the last ten years, Matsuli Music has been proud to present some of the greatest lost and found jazz recordings in South African history – but we have never presented a rarer, lesser known album than the mighty Gideon ‘Mgibe’ Nxumalo’s Gideon Plays. " 

Artist : Gideon Nxumalo

Label : Matsuli Music