Khruangbin // Mordechai LP

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アメリカ・テキサスのファンクトリオKhruangbinが、2020年にインディアナのインディーレーベルDead Oceansからリリースしたレコードです。

サイケデリックなファンク10曲を収録。

レーベルその他作品はこちら /// Click here to see more Dead Oceans releases available at Tobira.

-----------------------------------------

12" black vinyl.

Tracklist:

1. First Class 04:46
2. Time (You and I) 05:42
3. Connaissais de Face 04:20
4. Father Bird, Mother Bird 03:05
5. If There Is No Question 05:53
6. Pelota 02:47
7. One To Remember 04:30
8. Dearest Alfred 03:58
9. So We Won’t Forget 04:58
10. Shida 03:54

Artist : Khruangbin

Label : Dead Oceans

cat no : DOC193lp

Release date : 26th June 2020

Quantity

+ -

アメリカ・テキサスのファンクトリオKhruangbinが、2020年にインディアナのインディーレーベルDead Oceansからリリースしたレコードです。

サイケデリックなファンク10曲を収録。

レーベルその他作品はこちら /// Click here to see more Dead Oceans releases available at Tobira.

-----------------------------------------

12" black vinyl.

Tracklist:

Artist : Khruangbin

Label : Dead Oceans

cat no : DOC193lp

Release date : 26th June 2020

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Flowers\u003cbr\u003e2. Paradise\u003cbr\u003e3. Lovers' Holiday 03:25\u003cbr\u003e4. I Need The Answer\u003cbr\u003e5. Flower Moon 04:56\u003cbr\u003e6. Really Wanna Be With You\u003cbr\u003e7. Been So Long 03:16\u003cbr\u003e8. Everything\u003cbr\u003e9. Rust and Steel\u003cbr\u003e10. If Not For Love\u003cbr\u003e11. Without You\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dead Oceans:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"...For as far as Durand Jones and The Indications have come, Flowers grew from the desire to return to their roots in a Bloomington basement, a space where they first found camaraderie in gritty funk and Southern soul that would inspire their self-titled debut.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs on that 2016 release (which was recorded on a Tascam four-track tape machine), The Indications prioritized collaboration while creating Flowers. 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Being able to make art from an intuitive level takes a lot of confidence, not second guessing yourself, not asking if it's going to be well received.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJones says Flowers is the result of significant personal transformation. \"I had spent the last year and a half laying everything out that I felt insecure about — I felt insecure about my sexuality, growing up poor; about a myriad of things. 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Being able to make art from an intuitive level takes a lot of confidence, not second guessing yourself, not asking if it's going to be well received.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJones says Flowers is the result of significant personal transformation. \"I had spent the last year and a half laying everything out that I felt insecure about — I felt insecure about my sexuality, growing up poor; about a myriad of things. I laid all of that out on the table and it made me such a stronger person, to the point that I got back to the Indications and I was way more sure of myself.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePulling sonically and spiritually from each of the group's previous releases and solo work — Jones released his debut album, Wait Til I Get Over, in 2023; Frazer followed with his sophomore effort, Into The Blue, in 2024; and Rhein writes and releases as Patchwork Inc. — Flowers is the next stage of DJI's inspired soulful discography. DJI are not only accepting their flowers, but indulging in their sweet and sexy fragrance...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Durand Jones \u0026amp; The Indications\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC367lp-C1\u003c\/p\u003e"}

アメリカ・インディアナのファンクトリオDurand Jones & The Indicationsが、2025年6月にインディアナのインディーレーベルDead Oceansからリリースしたレコードです。昼下がりにぴったりなネオソウル〜コンテンポラリーR&B11曲を収録。レーベルその他作品はこちら /// Click here to see more...

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There’s always more to be done in the electronic world.”...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toro y Moi\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDOC355lp-C1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-06T08:40:24+09:00","created_at":"2025-08-06T08:38:03+09:00","vendor":"Tobira Records","type":"","tags":["dead oceans","folk \/ left-field pop","lp","new"],"price":412500,"price_min":412500,"price_max":412500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47586157166842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Toro y Moi \/\/ Hole Erth LP [COLOR]","public_title":null,"options":["Default Title"],"price":412500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605165530","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_fc12684c-6cfa-4b55-9f0c-635abc854e07.jpg?v=1727681026"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_fc12684c-6cfa-4b55-9f0c-635abc854e07.jpg?v=1727681026","options":["Title"],"media":[{"alt":null,"id":34959333032186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_fc12684c-6cfa-4b55-9f0c-635abc854e07.jpg?v=1727681026"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hol1_fc12684c-6cfa-4b55-9f0c-635abc854e07.jpg?v=1727681026","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのインディーポップ作家Toro y Moiが、2024年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーポップ〜コンテンポラリーR\u0026amp;B13曲を収録。クリアスモークブルー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3962724314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=884691061\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3962724314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'clear blue smoke' vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Walking In The Rain 03:34\u003cbr\u003e2. CD-R 02:36\u003cbr\u003e3. HOV 03:48\u003cbr\u003e4. Tuesday 02:29\u003cbr\u003e5. Hollywood 03:05\u003cbr\u003e6. Reseda 02:32\u003cbr\u003e7. Babydaddy 03:12\u003cbr\u003e8. Madonna 02:52\u003cbr\u003e9. Undercurrent 03:22\u003cbr\u003e10. Off Road 03:12\u003cbr\u003e11. Smoke 03:38\u003cbr\u003e12. Heaven 03:54\u003cbr\u003e13. Starlink 03:01\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dead Oceans:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Hole Erth, Chaz Bear’s eighth full-length studio record as Toro y Moi, is the genre shapeshifter’s most unexpected and bold move to date, with Bear diving headlong into rap-rock, Soundcloud rap and Y2K emo. The album blitzes anthemic pop-punk next to autotuned, melancholic rap – two genres that inform one another now more than ever before — and packs in the most features ever on a Toro y Moi album. We get Don Toliver’s moody crooning on the anti-love song “Madonna.” We get Kevin Abstract and Lev’s breathy reflections on “Heaven.” We get emo king Benjamin Gibbard, the beating heart of millennial indie for crying out loud. Recorded in the span of a few months across late 2023 and early 2024, Hole Erth’s features built naturally over that short span, with Bear simply reaching out to long-time friends. The sum of Hole Erth’s parts is massive, and demonstrates Bear’s deft abilities as a producer, especially in hip-hop; his role in the culture has long been solidified from previous collaborations with some of rap's biggest trailblazers. It’s a daring left turn for Bear, but the feel is effortless, the make-it-look-easy of a master at work. All told, Bear pushes himself into new sonic ground for the TyM oeuvre while embracing the project’s celebrated, well-known electronic beginnings. Hole Erth is brand new\u003cspan class=\"bcTruncateMore\"\u003e, but somehow perfectly at home.\u003cbr\u003e\u003cbr\u003eThe album’s title is an homage to Whole Earth, Stewart Brand’s DIY periodical from the late ‘60s and early ‘70s, the central purpose of which was to empower people to be holistically self-sufficient. From product reviews of carpentry tools, to how-to guides for growing your own food, to techno-optimistic analyses that’d go on to inspire Silicon Valley startup culture, parallels of the catalog’s DIY ethos can be found all throughout Hole Erth. Bear cites gorpcore, a new-age fashion trend of functional, outdoorsy outerwear worn as streetwear, as influencing the album’s aesthetic. This also ties back to Brand’s influential counterculture catalog. Bear notes: “Things have gone in a more gorp-y direction. Humans are tapping into this more tribal, earthier aesthetic. The Whole Earth catalog is this encyclopedic, self-sustaining guide. With the album title alone, that’s something I wanted to spark as a conversation. We can be off the grid, and also be on the internet, and try out all of these different lifestyles at the same time.” This sense of duality exists within Hole Erth: it’s seeped in the technological world while embracing real-world human connection.\u003cbr\u003e\u003cbr\u003eThe sounds that make up Hole Erth might feel like new territory for Bear, but in reality it’s a return to form for Toro y Moi – a project that has always orbited electronic music. “Toro is not a rock band,” Bear assures. “To me, my folk records and psych rock records are the side quests. What I fell in love with with the Toro project were the electronic productions – the samples. There’s always more to be done in the electronic world.”...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Toro y Moi\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDOC355lp-C1\u003c\/span\u003e\u003c\/p\u003e"}

アメリカ・LAのインディーポップ作家Toro y Moiが、2024年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。インディーポップ〜コンテンポラリーR&B13曲を収録。クリアスモークブルー盤です。レーベルその他作品はこちら /// Click here to see more Dead Oceans...

¥4,125

Japanese Breakfast // For Melancholy Brunettes (& sad women) LP [COLOR]

クイックビュー {"id":8864526401786,"title":"Japanese Breakfast \/\/ For Melancholy Brunettes (\u0026 sad women) LP [COLOR]","handle":"japanese-breakfast-for-melancholy-brunettes-sad-women-lp-color","description":"\u003cp\u003eアメリカ・ペンシルベニアのインディー作家Japanese Breakfastが、2025年5月にインディアナのDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e爽やかなインディーポップからしっとりバラードまで10曲を収録。ダークブラウン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311996376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=459495622\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311996376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311996376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1330351783\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'frosted shadow' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Here is Someone 03:08\u003cbr\u003e2. Orlando in Love 02:25\u003cbr\u003e3. Honey Water 04:50\u003cbr\u003e4. Mega Circuit 03:04\u003cbr\u003e5. Little Girl 03:40\u003cbr\u003e6. Leda 03:18\u003cbr\u003e7. Picture Window 02:58\u003cbr\u003e8. Men in Bars 02:48\u003cbr\u003e9. Winter in LA 02:58\u003cbr\u003e10. Magic Mountain 03:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDead Oceans:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast’s fourth album, For Melancholy Brunettes (\u0026amp; sad women), marks the band’s first proper studio release. Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined its predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Melancholy Brunettes follows a transformative period in Zauner’s life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. “I felt seduced by getting what I always wanted,” she says. “I was flying too close to the sun, and I realized if I kept going I was going to die.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe plight of Icarus and other such condemned ones\u003cspan class=\"bcTruncateMore\"\u003e lends For Melancholy Brunettes its most persistent theme, the perils of desire. Like light dispersed, its spectral parts take the album’s characters through cycles of temptation, transgression and retribution. On “Orlando in Love” — a riff on John Cheever’s riff on Orlando Innamorato, an unfinished epic made up of 68 ½ cantos by the Renaissance poet Matteo Maria Boiardo — the hero is a well meaning poet who parks his Winnebago by the sea and falls victim to a siren’s call, his 69th canto (even in the lofty realm of classical myth Zauner has a soft spot for innuendo). “Honey Water” plumbs the quiet rage of a woman married to an unfaithful man, watching him cede again and again to lust like a base insect perpetuating its own demise.\u003cbr\u003e\u003cbr\u003eSadness is indeed the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life’s essentially tragic character occurs with sensitivity to its fleeting beauty. Zauner finds space enough inside it for glimmers of hope. They are the consolations of mortals that poets before her have called out to and that poets after will continue to rediscover: love and labor, and though they run like tonic resolutions through the record’s many episodes, they sound most saliently on its final song, “Magic Mountain,” an engagement with Thomas Mann’s famous novel of the same name. For her, making any work feels like scaling a mountain, but from the perch of For Melancholy Brunettes, she surveys the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Japanese Breakfast\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDOC425lp-C1\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-27T07:40:49+09:00","created_at":"2025-07-21T10:37:24+09:00","vendor":"Tobira Records","type":"","tags":["dead oceans","folk \/ left-field pop","lp","new"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47528473460986,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Japanese Breakfast \/\/ For Melancholy Brunettes (\u0026 sad women) LP [COLOR]","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605172538","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mel1_1c8d2014-81db-4d7f-8bf1-8623a07cc081.jpg?v=1753061748","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-07-21at10.35.33am.png?v=1753061748"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mel1_1c8d2014-81db-4d7f-8bf1-8623a07cc081.jpg?v=1753061748","options":["Title"],"media":[{"alt":null,"id":36408586273018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mel1_1c8d2014-81db-4d7f-8bf1-8623a07cc081.jpg?v=1753061748"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mel1_1c8d2014-81db-4d7f-8bf1-8623a07cc081.jpg?v=1753061748","width":700},{"alt":null,"id":36408586305786,"position":2,"preview_image":{"aspect_ratio":0.99,"height":314,"width":311,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-07-21at10.35.33am.png?v=1753061748"},"aspect_ratio":0.99,"height":314,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-07-21at10.35.33am.png?v=1753061748","width":311}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ペンシルベニアのインディー作家Japanese Breakfastが、2025年5月にインディアナのDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e爽やかなインディーポップからしっとりバラードまで10曲を収録。ダークブラウン盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311996376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=459495622\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311996376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311996376\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1330351783\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'frosted shadow' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Here is Someone 03:08\u003cbr\u003e2. Orlando in Love 02:25\u003cbr\u003e3. Honey Water 04:50\u003cbr\u003e4. Mega Circuit 03:04\u003cbr\u003e5. Little Girl 03:40\u003cbr\u003e6. Leda 03:18\u003cbr\u003e7. Picture Window 02:58\u003cbr\u003e8. Men in Bars 02:48\u003cbr\u003e9. Winter in LA 02:58\u003cbr\u003e10. Magic Mountain 03:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDead Oceans:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter a decade making the most of improvised recording spaces set in warehouses, trailers and lofts, Japanese Breakfast’s fourth album, For Melancholy Brunettes (\u0026amp; sad women), marks the band’s first proper studio release. Produced by Grammy Award winner Blake Mills, the record sees front-woman and songwriter Michelle Zauner pull back from the bright extroversion that defined its predecessor Jubilee to examine the darker waves that roil within, the moody, fecund field of melancholy, long held to be the psychic state of poets on the verge of inspiration. The result is an artistic statement of purpose: a mature, intricate, contemplative work that conjures the romantic thrill of a gothic novel.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor Melancholy Brunettes follows a transformative period in Zauner’s life during which her 2x GRAMMY nominated breakthrough album Jubilee and her bestselling memoir Crying In H Mart catapulted her into the cultural mainstream, delivering on her deepest artistic ambitions. Reflecting on that success, Zauner came to appreciate the irony of desire, which so often commingles bliss and doom. “I felt seduced by getting what I always wanted,” she says. “I was flying too close to the sun, and I realized if I kept going I was going to die.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe plight of Icarus and other such condemned ones\u003cspan class=\"bcTruncateMore\"\u003e lends For Melancholy Brunettes its most persistent theme, the perils of desire. Like light dispersed, its spectral parts take the album’s characters through cycles of temptation, transgression and retribution. On “Orlando in Love” — a riff on John Cheever’s riff on Orlando Innamorato, an unfinished epic made up of 68 ½ cantos by the Renaissance poet Matteo Maria Boiardo — the hero is a well meaning poet who parks his Winnebago by the sea and falls victim to a siren’s call, his 69th canto (even in the lofty realm of classical myth Zauner has a soft spot for innuendo). “Honey Water” plumbs the quiet rage of a woman married to an unfaithful man, watching him cede again and again to lust like a base insect perpetuating its own demise.\u003cbr\u003e\u003cbr\u003eSadness is indeed the dominant emotional key of this record, but it is sadness of a rarified form: the pensive, prescient sadness of melancholy, in which the recognition of life’s essentially tragic character occurs with sensitivity to its fleeting beauty. Zauner finds space enough inside it for glimmers of hope. They are the consolations of mortals that poets before her have called out to and that poets after will continue to rediscover: love and labor, and though they run like tonic resolutions through the record’s many episodes, they sound most saliently on its final song, “Magic Mountain,” an engagement with Thomas Mann’s famous novel of the same name. For her, making any work feels like scaling a mountain, but from the perch of For Melancholy Brunettes, she surveys the future.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Japanese Breakfast\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDOC425lp-C1\u003c\/span\u003e\u003c\/p\u003e"}

アメリカ・ペンシルベニアのインディー作家Japanese Breakfastが、2025年5月にインディアナのDead Oceansからリリースしたレコードです。爽やかなインディーポップからしっとりバラードまで10曲を収録。ダークブラウン盤です。レーベルその他作品はこちら /// Click here to see more Dead Oceans releases...

¥3,880

クイックビュー {"id":8768372375802,"title":"Jensen McRae \/\/ I Don't Know How But They Found Me! LP [COLOR]","handle":"jensen-mcrae-i-dont-know-how-but-they-found-me-lp-color","description":"\u003cp\u003eアメリカ・LAのインディー作家Jensen McRaeが、2025年4月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーフォーク11曲を収録。紫盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zEe4jYFnXg0?si=Mz9k1pZyIa6Rw_q_\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2355717311\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" violet vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Rearranger\u003cbr\u003e2. I Can Change Him\u003cbr\u003e3. Savannah 03:24\u003cbr\u003e4. Daffodils\u003cbr\u003e5. Let Me Be Wrong\u003cbr\u003e6. Novelty\u003cbr\u003e7. I Don't Do Drugs\u003cbr\u003e8. Tuesday\u003cbr\u003e9. Mother Wound\u003cbr\u003e10. Praying For Your Downfall 03:05\u003cbr\u003e11. Massachusetts 03:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDead Oceans:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI Don’t Know How But They Found Me! takes place against the backdrop of romantic turbulence and McRae's rapidly growing audience. \"I had never been in love before,\" McRae said, \"not really. And then I had two life-altering relationships back to back in my early twenties. This album is primarily an exploration about how love and intimacy knock the wind out of you, can take your legs out from under you.\" She has also had multiple viral moments; the most recent was in 2023, when McRae posted a solo verse and chorus online, little more than a piece of a demo, and it took off. Covers, duets, and an avalanche of new fans followed (including the likes of Justin Bieber, Stormzy, and Dan Nigro to name a few); the song was the beginning of \"Massachusetts\" , which would become her first Dead Oceans release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI Don’t Know How But They Found Me! also reaffirms McRae’s defiance of expectations, as she deepens her singer-songwriter bona fides and claims space for young Black women in the genre. \"I do still feel like I’m pushing a boulder up a hill,” she says. \"I know that in spite of my success and hard work, I still do hit walls that aren't there for other people, and that it's because I'm working in a space that doesn't already allow for people who look like me. It’s connected to why I make music,” she continues, “to be seen and to help others feel seen. But I remain somewhat misunderstood.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMcRae's voice expertly embodies both the heartbreak of being left and of doing the leaving. On top of her excellent songwriting, McRae simply has an exceptional, acrobatic voice. Wispy and textured at times, clear and bright at others, McRae’s singing is surprising and multidimensional in much the same way as her lyrics. When the country-adjacent stealth single “Savannah” hits its crescendo, for example, it’s clear McRae is an artist with her own singular power, as piano layers with guitar and McRae delivers a series of scathing indictments with grit and conviction: \"You swore you'd raise our kids to end up just like you \/ well you're a false prophet \/ and that's a goddamn promise.\" \"Let Me Be Wrong\" is a buoyant ode to rejecting perfectionism. Built on a simple melody and acoustic guitar, it grows step over step; guitars layer, drums pick up the pace, and when McRae growls “fuck those girls got everything” it’s a punch of both power and vulnerability, begging to be shouted in unison with the biggest possible crowd...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jensen McRae\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC365lp-C1\u003c\/p\u003e","published_at":"2025-04-20T13:27:17+09:00","created_at":"2025-04-19T11:11:58+09:00","vendor":"Tobira Records","type":"","tags":["dead oceans","folk \/ left-field pop","lp","new"],"price":344000,"price_min":344000,"price_max":344000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47265502429434,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jensen McRae \/\/ I Don't Know How But They Found Me! LP [COLOR]","public_title":null,"options":["Default Title"],"price":344000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605166537","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/don1_f973d3b8-0008-465a-a892-373e3e0fec70.jpg?v=1745028614","\/\/tobirarecords.com\/cdn\/shop\/files\/don2_812fbd6a-d55f-404d-94f2-c71ab407cfd2.jpg?v=1745028614"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/don1_f973d3b8-0008-465a-a892-373e3e0fec70.jpg?v=1745028614","options":["Title"],"media":[{"alt":null,"id":35903702663418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/don1_f973d3b8-0008-465a-a892-373e3e0fec70.jpg?v=1745028614"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/don1_f973d3b8-0008-465a-a892-373e3e0fec70.jpg?v=1745028614","width":700},{"alt":null,"id":35903702696186,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/don2_812fbd6a-d55f-404d-94f2-c71ab407cfd2.jpg?v=1745028614"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/don2_812fbd6a-d55f-404d-94f2-c71ab407cfd2.jpg?v=1745028614","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのインディー作家Jensen McRaeが、2025年4月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーフォーク11曲を収録。紫盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zEe4jYFnXg0?si=Mz9k1pZyIa6Rw_q_\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2355717311\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" violet vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Rearranger\u003cbr\u003e2. I Can Change Him\u003cbr\u003e3. Savannah 03:24\u003cbr\u003e4. Daffodils\u003cbr\u003e5. Let Me Be Wrong\u003cbr\u003e6. Novelty\u003cbr\u003e7. I Don't Do Drugs\u003cbr\u003e8. Tuesday\u003cbr\u003e9. Mother Wound\u003cbr\u003e10. Praying For Your Downfall 03:05\u003cbr\u003e11. Massachusetts 03:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDead Oceans:\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI Don’t Know How But They Found Me! takes place against the backdrop of romantic turbulence and McRae's rapidly growing audience. \"I had never been in love before,\" McRae said, \"not really. And then I had two life-altering relationships back to back in my early twenties. This album is primarily an exploration about how love and intimacy knock the wind out of you, can take your legs out from under you.\" She has also had multiple viral moments; the most recent was in 2023, when McRae posted a solo verse and chorus online, little more than a piece of a demo, and it took off. Covers, duets, and an avalanche of new fans followed (including the likes of Justin Bieber, Stormzy, and Dan Nigro to name a few); the song was the beginning of \"Massachusetts\" , which would become her first Dead Oceans release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI Don’t Know How But They Found Me! also reaffirms McRae’s defiance of expectations, as she deepens her singer-songwriter bona fides and claims space for young Black women in the genre. \"I do still feel like I’m pushing a boulder up a hill,” she says. \"I know that in spite of my success and hard work, I still do hit walls that aren't there for other people, and that it's because I'm working in a space that doesn't already allow for people who look like me. It’s connected to why I make music,” she continues, “to be seen and to help others feel seen. But I remain somewhat misunderstood.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMcRae's voice expertly embodies both the heartbreak of being left and of doing the leaving. On top of her excellent songwriting, McRae simply has an exceptional, acrobatic voice. Wispy and textured at times, clear and bright at others, McRae’s singing is surprising and multidimensional in much the same way as her lyrics. When the country-adjacent stealth single “Savannah” hits its crescendo, for example, it’s clear McRae is an artist with her own singular power, as piano layers with guitar and McRae delivers a series of scathing indictments with grit and conviction: \"You swore you'd raise our kids to end up just like you \/ well you're a false prophet \/ and that's a goddamn promise.\" \"Let Me Be Wrong\" is a buoyant ode to rejecting perfectionism. Built on a simple melody and acoustic guitar, it grows step over step; guitars layer, drums pick up the pace, and when McRae growls “fuck those girls got everything” it’s a punch of both power and vulnerability, begging to be shouted in unison with the biggest possible crowd...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jensen McRae\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : DOC365lp-C1\u003c\/p\u003e"}