tsuadatta // Not here but somewhere TAPE

tsuadatta // Not here but somewhere TAPE

¥2,248

Write a review

Item no:
Availability:

※9月中旬発送開始します

Tobiraインストアショーケースでもよく見かける大阪のギタリストtsuadattaが、2025年8月にアメリカ・LAの実験レーベルDinzu Artefactsからリリースしたカセットです。

ギターによるミニマルなアンビエント〜アンビエントドローン5曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at Tobira.

-------------------------

Includes DL code.
Cassette in norelco case.
Edition of 75.

Tracklist:

1. Pray 09:12
2. Walk side by side 09:22
3. Margin of space 08:44
4. Chamber music for solitude 07:38
5. Conversation 03:58

Dinzu Artefacts:

"On Not here but somewhere, the Japanese ambient guitarist crafts freeform soundscapes that feel less composed than discovered. Each track unfolds like a whispered conversation between emotion and environment — guitar lines ripple like wind over water, subtly shifting direction, as if carried downstream by a current of pure intuition. The result is a quietly enveloping odyssey, where every piece becomes a new place, felt more than defined."

Artist : tsuadatta

Label : Dinzu Artefacts

cat no : Dinzu 116

Quantity

+ -

※9月中旬発送開始します

ギターによるミニマルなアンビエント〜アンビエントドローン5曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at Tobira.

-------------------------

Includes DL code.
Cassette in norelco case.
Edition of 75.

Tracklist:

1. Pray 09:12
2. Walk side by side 09:22
3. Margin of space 08:44
4. Chamber music for solitude 07:38
5. Conversation 03:58

Dinzu Artefacts:

Artist : tsuadatta

Label : Dinzu Artefacts

cat no : Dinzu 116

Related Products

クイックビュー {"id":8884947026170,"title":"Ryan Packard \/\/ Garden Variety LP [COLOR]","handle":"ryan-packard-garden-variety-lp-color","description":"\u003cp\u003eスウェーデン・ストックホルムの打楽器奏者Ryan Packardが、2025年7月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサイケデリックなミニマル物音・ストレンジビーツ〜ドローン4曲を収録。DLコード付属。赤盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Garden Variety』は、相互依存、親密さ、そして動き出す打楽器の創発的な振る舞いについての瞑想である。この一連の作品は、私が長年取り組んできた打楽器へのラブレターであり、その膨大なハーモニーと音色の多様性が、いかに多様な音のアイデンティティを明らかにし、それが互いに融合しうるかを探求している。各Garden Variety作品の作曲的発展と演奏的実践は、共鳴素材とその創発的な挙動との絶え間ない対話を続けている。私が楽器を導くのと同じように、動いている楽器も私を導こうとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのシリーズのきっかけは、アン・カーソンの著書「Eros the Bittersweet 」にあるエロスの概念にある。カーソンのエロスに対する理解は、恋人、最愛の人、そしてその間にあるどうしようもなく無形の空間を、儚い状態、つまり認めることはできても、決して抱くことはできず、手に入れることもできないものとして位置づけている。私自身と、共鳴するパーカッシブな物質と、この第3の、常に進化し続ける儚い空間（儚い共鳴の世界）との間のこの三角関係の中で、複合楽器が、動きから作られた一時的な浮遊物体が出現する。ここで楽器はぶつかり合い、音のアイデンティティを曖昧にする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアンプリフィケーションは、この音世界を明らかにするために不可欠なものとなる。この親密さは触覚として現れ、リスナーの身体の中に浮遊する共鳴体に内臓的な次元性を加える。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1699518367\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" red vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl Tracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. GV I 13:07\u003cbr\u003e2. GV II 05:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. GV III 07:57\u003cbr\u003e\u003c\/span\u003e4. GV IV 13:15\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRyan Packard, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eGarden Variety is a meditation on interdependence, intimacy, and the emergent behavior of percussion instruments in motion. This series of works serves as a love letter to percussive instruments I've worked with for years, exploring how their immense harmonic and timbral variety reveals a multiplicity of sonic identities that can merge into one another. The compositional development and performance practice of each Garden Variety work remains in constant conversation with the resonant material and its emergent behavior. I'm attempting to let these instruments in motion guide me just as much as I guide them.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe impetus for this series stems from Anne Carson's concept of Eros in her book “Eros the Bittersweet.” Carson's understanding of Eros situates the lover, the beloved, and the impossibly intangible space between them as an ephemeral state — one that can be acknowledged but never held, never obtained. It is within this triangulation between myself, the resonant percussive matter, and this third, ever-evolving ephemeral space — a fleeting world of resonances — that a composite instrument emerges, a temporary floating object built from motion. Here instruments collide and blur their sonic identities.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmplification becomes integral to revealing this sound world\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e — to be so close to the instrument that one swims inside it. This closeness renders itself as tactile sensation, adding visceral dimensionality to the resonant object as it floats within the listener's body.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryan Packard\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2025-08-12T05:24:22+09:00","created_at":"2025-08-11T17:22:42+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","lp","monooto","new","recommended","strange beats"],"price":454000,"price_min":454000,"price_max":454000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47603473088762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ryan Packard \/\/ Garden Variety LP [COLOR]","public_title":null,"options":["Default Title"],"price":454000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_4ab38e88-5aca-42cb-9f58-5a4187f6a891.jpg?v=1754900432","\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_c4e1a3c9-77b6-48c1-b6e4-06223cf66d97.jpg?v=1754900432"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_4ab38e88-5aca-42cb-9f58-5a4187f6a891.jpg?v=1754900432","options":["Title"],"media":[{"alt":null,"id":36522394943738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_4ab38e88-5aca-42cb-9f58-5a4187f6a891.jpg?v=1754900432"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_4ab38e88-5aca-42cb-9f58-5a4187f6a891.jpg?v=1754900432","width":700},{"alt":null,"id":36522394976506,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_c4e1a3c9-77b6-48c1-b6e4-06223cf66d97.jpg?v=1754900432"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_c4e1a3c9-77b6-48c1-b6e4-06223cf66d97.jpg?v=1754900432","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムの打楽器奏者Ryan Packardが、2025年7月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから100部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eサイケデリックなミニマル物音・ストレンジビーツ〜ドローン4曲を収録。DLコード付属。赤盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、作家本人による解説です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Garden Variety』は、相互依存、親密さ、そして動き出す打楽器の創発的な振る舞いについての瞑想である。この一連の作品は、私が長年取り組んできた打楽器へのラブレターであり、その膨大なハーモニーと音色の多様性が、いかに多様な音のアイデンティティを明らかにし、それが互いに融合しうるかを探求している。各Garden Variety作品の作曲的発展と演奏的実践は、共鳴素材とその創発的な挙動との絶え間ない対話を続けている。私が楽器を導くのと同じように、動いている楽器も私を導こうとしている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのシリーズのきっかけは、アン・カーソンの著書「Eros the Bittersweet 」にあるエロスの概念にある。カーソンのエロスに対する理解は、恋人、最愛の人、そしてその間にあるどうしようもなく無形の空間を、儚い状態、つまり認めることはできても、決して抱くことはできず、手に入れることもできないものとして位置づけている。私自身と、共鳴するパーカッシブな物質と、この第3の、常に進化し続ける儚い空間（儚い共鳴の世界）との間のこの三角関係の中で、複合楽器が、動きから作られた一時的な浮遊物体が出現する。ここで楽器はぶつかり合い、音のアイデンティティを曖昧にする。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアンプリフィケーションは、この音世界を明らかにするために不可欠なものとなる。この親密さは触覚として現れ、リスナーの身体の中に浮遊する共鳴体に内臓的な次元性を加える。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1699518367\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" red vinyl.\u003cbr\u003eEdition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eVinyl Tracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. GV I 13:07\u003cbr\u003e2. GV II 05:16\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. GV III 07:57\u003cbr\u003e\u003c\/span\u003e4. GV IV 13:15\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eRyan Packard, via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eGarden Variety is a meditation on interdependence, intimacy, and the emergent behavior of percussion instruments in motion. This series of works serves as a love letter to percussive instruments I've worked with for years, exploring how their immense harmonic and timbral variety reveals a multiplicity of sonic identities that can merge into one another. The compositional development and performance practice of each Garden Variety work remains in constant conversation with the resonant material and its emergent behavior. I'm attempting to let these instruments in motion guide me just as much as I guide them.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe impetus for this series stems from Anne Carson's concept of Eros in her book “Eros the Bittersweet.” Carson's understanding of Eros situates the lover, the beloved, and the impossibly intangible space between them as an ephemeral state — one that can be acknowledged but never held, never obtained. It is within this triangulation between myself, the resonant percussive matter, and this third, ever-evolving ephemeral space — a fleeting world of resonances — that a composite instrument emerges, a temporary floating object built from motion. Here instruments collide and blur their sonic identities.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAmplification becomes integral to revealing this sound world\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e — to be so close to the instrument that one swims inside it. This closeness renders itself as tactile sensation, adding visceral dimensionality to the resonant object as it floats within the listener's body.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ryan Packard\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}

スウェーデン・ストックホルムの打楽器奏者Ryan Packardが、2025年7月にアメリカ・LAの実験レーベルDinzu Artefactsから100部限定でリリースしたレコードです。サイケデリックなミニマル物音・ストレンジビーツ〜ドローン4曲を収録。DLコード付属。赤盤です。以下、作家本人による解説です。 "『Garden Variety』は、相互依存、親密さ、そして動き出す打楽器の創発的な振る舞いについての瞑想である。この一連の作品は、私が長年取り組んできた打楽器へのラブレターであり、その膨大なハーモニーと音色の多様性が、いかに多様な音のアイデンティティを明らかにし、それが互いに融合しうるかを探求している。各Garden Variety作品の作曲的発展と演奏的実践は、共鳴素材とその創発的な挙動との絶え間ない対話を続けている。私が楽器を導くのと同じように、動いている楽器も私を導こうとしている。このシリーズのきっかけは、アン・カーソンの著書「Eros the Bittersweet 」にあるエロスの概念にある。カーソンのエロスに対する理解は、恋人、最愛の人、そしてその間にあるどうしようもなく無形の空間を、儚い状態、つまり認めることはできても、決して抱くことはできず、手に入れることもできないものとして位置づけている。私自身と、共鳴するパーカッシブな物質と、この第3の、常に進化し続ける儚い空間（儚い共鳴の世界）との間のこの三角関係の中で、複合楽器が、動きから作られた一時的な浮遊物体が出現する。ここで楽器はぶつかり合い、音のアイデンティティを曖昧にする。アンプリフィケーションは、この音世界を明らかにするために不可欠なものとなる。この親密さは触覚として現れ、リスナーの身体の中に浮遊する共鳴体に内臓的な次元性を加える。"...

¥4,540

Sarah Hennies & Tristan Kasten-Krause // The Quiet Sun LP [COLOR]

クイックビュー {"id":8787236847866,"title":"Sarah Hennies \u0026 Tristan Kasten-Krause \/\/ The Quiet Sun LP [COLOR]","handle":"sarah-hennies-tristan-kasten-krause-the-quiet-sun-lp-color","description":"\u003cp\u003eアメリカの実験音楽家／ハーバード大学助教授Sarah Henniesと、NYのコントラバス奏者Tristan Kasten-Krauseが、2025年5月に同国実験レーベルDinzu Artefacts\u003cspan\u003eからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eゴングやビブラフォン、コントラバスによる物音ドローン2曲、40分を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2683975597\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" clear vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Axo 19:30\u003cbr\u003e2. Axonic 21:22 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSarah Hennies – bell plate, cowbells, crotales, gongs, large bells, vibraphone\u003cbr\u003eTristan Kasten-Krause – double bass, large bells \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cspan class=\"bcTruncateMore\"\u003eVanessa Ague,\u003c\/span\u003e via the label :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at ISSUE Project Room, presents two works that each show a different lens into the large-scale forms they have developed together. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Quiet Sun is a natural meeting point for Hennies and Kasten-Krause, who each write and play music that explores sonic perception. Hennies has composed numerous acclaimed pieces that unfold over long durations, such as recent works The Reinvention of Romance and Clock Dies, and has developed a singular approach to bowed vibraphone and other percussion instruments that foregrounds her attention to timbre and texture. Kasten-Krause plays in a variety of contexts that are also rooted in duration, catharsis, and perception, through performing works by composers like Alvin Lucier and the compositions featured on his 2021 album Potential Landscapes. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two musicians first connected over a shared love of\u003cspan class=\"bcTruncateMore\"\u003e the landmark composer Iannis Xenakis. As they talked, they discovered they both listened to music in similar ways, finding solace in the exploration of timbre and texture and the slow evolution of sound. Hennies wrote a duo piece, “Hidden Observer,” for them to play together, and their collaboration has since continued. The two sides of The Quiet Sun are emblematic of the practice they have developed over the past few years, showcasing two pieces that are sewn together from the overarching forms in which they work. There is no hierarchy in this music — rather, it builds from open phrases held until intuition tells them to change...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Hennies \u0026amp; Tristan Kasten-Krause\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2025-05-18T10:20:02+09:00","created_at":"2025-05-16T14:27:48+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","lp","monooto","new","recommended"],"price":454000,"price_min":454000,"price_max":454000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47319317381370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sarah Hennies \u0026 Tristan Kasten-Krause \/\/ The Quiet Sun LP [COLOR]","public_title":null,"options":["Default Title"],"price":454000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_8222e510-5e6c-4520-8d5c-b576793dadfb.jpg?v=1747373099"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_8222e510-5e6c-4520-8d5c-b576793dadfb.jpg?v=1747373099","options":["Title"],"media":[{"alt":null,"id":36041735831802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_8222e510-5e6c-4520-8d5c-b576793dadfb.jpg?v=1747373099"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_8222e510-5e6c-4520-8d5c-b576793dadfb.jpg?v=1747373099","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家／ハーバード大学助教授Sarah Henniesと、NYのコントラバス奏者Tristan Kasten-Krauseが、2025年5月に同国実験レーベルDinzu Artefacts\u003cspan\u003eからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eゴングやビブラフォン、コントラバスによる物音ドローン2曲、40分を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2683975597\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" clear vinyl. \u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Axo 19:30\u003cbr\u003e2. Axonic 21:22 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSarah Hennies – bell plate, cowbells, crotales, gongs, large bells, vibraphone\u003cbr\u003eTristan Kasten-Krause – double bass, large bells \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cspan class=\"bcTruncateMore\"\u003eVanessa Ague,\u003c\/span\u003e via the label :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at ISSUE Project Room, presents two works that each show a different lens into the large-scale forms they have developed together. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Quiet Sun is a natural meeting point for Hennies and Kasten-Krause, who each write and play music that explores sonic perception. Hennies has composed numerous acclaimed pieces that unfold over long durations, such as recent works The Reinvention of Romance and Clock Dies, and has developed a singular approach to bowed vibraphone and other percussion instruments that foregrounds her attention to timbre and texture. Kasten-Krause plays in a variety of contexts that are also rooted in duration, catharsis, and perception, through performing works by composers like Alvin Lucier and the compositions featured on his 2021 album Potential Landscapes. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two musicians first connected over a shared love of\u003cspan class=\"bcTruncateMore\"\u003e the landmark composer Iannis Xenakis. As they talked, they discovered they both listened to music in similar ways, finding solace in the exploration of timbre and texture and the slow evolution of sound. Hennies wrote a duo piece, “Hidden Observer,” for them to play together, and their collaboration has since continued. The two sides of The Quiet Sun are emblematic of the practice they have developed over the past few years, showcasing two pieces that are sewn together from the overarching forms in which they work. There is no hierarchy in this music — rather, it builds from open phrases held until intuition tells them to change...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Hennies \u0026amp; Tristan Kasten-Krause\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}

アメリカの実験音楽家／ハーバード大学助教授Sarah Henniesと、NYのコントラバス奏者Tristan Kasten-Krauseが、2025年5月に同国実験レーベルDinzu Artefactsからリリースした共作レコードです。ゴングやビブラフォン、コントラバスによる物音ドローン2曲、40分を収録。DLコード付属。レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at...

¥4,540

Sarah Hennies & Tristan Kasten-Krause // The Quiet Sun LP

クイックビュー {"id":8787236487418,"title":"Sarah Hennies \u0026 Tristan Kasten-Krause \/\/ The Quiet Sun LP","handle":"sarah-hennies-tristan-kasten-krause-the-quiet-sun-lp","description":"\u003cp\u003eアメリカの実験音楽家／ハーバード大学助教授Sarah Henniesと、NYのコントラバス奏者Tristan Kasten-Krauseが、2025年5月に同国実験レーベルDinzu Artefacts\u003cspan\u003eからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eゴングやビブラフォン、コントラバスによる物音ドローン2曲、40分を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2683975597\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eBlack vinyl edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Axo 19:30\u003cbr\u003e2. Axonic 21:22 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSarah Hennies – bell plate, cowbells, crotales, gongs, large bells, vibraphone\u003cbr\u003eTristan Kasten-Krause – double bass, large bells \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cspan class=\"bcTruncateMore\"\u003eVanessa Ague,\u003c\/span\u003e via the label :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at ISSUE Project Room, presents two works that each show a different lens into the large-scale forms they have developed together. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Quiet Sun is a natural meeting point for Hennies and Kasten-Krause, who each write and play music that explores sonic perception. Hennies has composed numerous acclaimed pieces that unfold over long durations, such as recent works The Reinvention of Romance and Clock Dies, and has developed a singular approach to bowed vibraphone and other percussion instruments that foregrounds her attention to timbre and texture. Kasten-Krause plays in a variety of contexts that are also rooted in duration, catharsis, and perception, through performing works by composers like Alvin Lucier and the compositions featured on his 2021 album Potential Landscapes. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two musicians first connected over a shared love of\u003cspan class=\"bcTruncateMore\"\u003e the landmark composer Iannis Xenakis. As they talked, they discovered they both listened to music in similar ways, finding solace in the exploration of timbre and texture and the slow evolution of sound. Hennies wrote a duo piece, “Hidden Observer,” for them to play together, and their collaboration has since continued. The two sides of The Quiet Sun are emblematic of the practice they have developed over the past few years, showcasing two pieces that are sewn together from the overarching forms in which they work. There is no hierarchy in this music — rather, it builds from open phrases held until intuition tells them to change...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Hennies \u0026amp; Tristan Kasten-Krause\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2025-05-18T10:12:54+09:00","created_at":"2025-05-16T14:27:14+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","lp","monooto","new"],"price":379000,"price_min":379000,"price_max":379000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47319315087610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sarah Hennies \u0026 Tristan Kasten-Krause \/\/ The Quiet Sun LP","public_title":null,"options":["Default Title"],"price":379000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_8222e510-5e6c-4520-8d5c-b576793dadfb.jpg?v=1747373099","\/\/tobirarecords.com\/cdn\/shop\/files\/sun2_76da93cc-0982-4caa-837b-321cf9ef89e6.jpg?v=1747373099"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_8222e510-5e6c-4520-8d5c-b576793dadfb.jpg?v=1747373099","options":["Title"],"media":[{"alt":null,"id":36041735831802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_8222e510-5e6c-4520-8d5c-b576793dadfb.jpg?v=1747373099"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun1_8222e510-5e6c-4520-8d5c-b576793dadfb.jpg?v=1747373099","width":700},{"alt":null,"id":36041735864570,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun2_76da93cc-0982-4caa-837b-321cf9ef89e6.jpg?v=1747373099"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sun2_76da93cc-0982-4caa-837b-321cf9ef89e6.jpg?v=1747373099","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家／ハーバード大学助教授Sarah Henniesと、NYのコントラバス奏者Tristan Kasten-Krauseが、2025年5月に同国実験レーベルDinzu Artefacts\u003cspan\u003eからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eゴングやビブラフォン、コントラバスによる物音ドローン2曲、40分を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2683975597\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eBlack vinyl edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Axo 19:30\u003cbr\u003e2. Axonic 21:22 \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eSarah Hennies – bell plate, cowbells, crotales, gongs, large bells, vibraphone\u003cbr\u003eTristan Kasten-Krause – double bass, large bells \u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText excerpt written by \u003cspan class=\"bcTruncateMore\"\u003eVanessa Ague,\u003c\/span\u003e via the label :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Composer and percussionist Sarah Hennies and composer and bassist Tristan Kasten-Krause make music rooted in observation. Timbres across percussion and string instruments gradually meld into one; pitches gently float into consonance after bristling in dissonance. With The Quiet Sun, their debut duo album, the two musicians present two pieces that survey their nuanced approach to sound as it grows over time. The album, recorded at ISSUE Project Room, presents two works that each show a different lens into the large-scale forms they have developed together. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe Quiet Sun is a natural meeting point for Hennies and Kasten-Krause, who each write and play music that explores sonic perception. Hennies has composed numerous acclaimed pieces that unfold over long durations, such as recent works The Reinvention of Romance and Clock Dies, and has developed a singular approach to bowed vibraphone and other percussion instruments that foregrounds her attention to timbre and texture. Kasten-Krause plays in a variety of contexts that are also rooted in duration, catharsis, and perception, through performing works by composers like Alvin Lucier and the compositions featured on his 2021 album Potential Landscapes. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two musicians first connected over a shared love of\u003cspan class=\"bcTruncateMore\"\u003e the landmark composer Iannis Xenakis. As they talked, they discovered they both listened to music in similar ways, finding solace in the exploration of timbre and texture and the slow evolution of sound. Hennies wrote a duo piece, “Hidden Observer,” for them to play together, and their collaboration has since continued. The two sides of The Quiet Sun are emblematic of the practice they have developed over the past few years, showcasing two pieces that are sewn together from the overarching forms in which they work. There is no hierarchy in this music — rather, it builds from open phrases held until intuition tells them to change...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sarah Hennies \u0026amp; Tristan Kasten-Krause\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}

クイックビュー {"id":8690169446650,"title":"Matthias Urban \/\/ SiAl LP [COLOR]","handle":"matthias-urban-sial","description":"\u003cp\u003e\u003cspan\u003eオーストリアのフィールドレコーディング作家Matthias Urban\u003c\/span\u003eが、2024年12月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから50部限定でリリースした再発レコードです。（オリジナルは2018年カセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアイスランドでのフィールドレコーディングを素材にしたサウンドスケープ2曲、40分を収録。DLコード付属。ピンク盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オーストリアのサウンドアーティストMatthias Urbanは、数年前にアイスランドで録音したフィールドレコーディングから、『SiAl』に収録された20分の作品2曲を作り上げた。彼の音源は、水の流れ、鳥のさえずり、風の音など、よく聞き覚えのあるものばかりだ。『SiAl』をこれほど魅力的なものにしているのは、Urbanがこれらの音を連続させ、それぞれの聴覚的な出来事が物語の新しい章のように感じられるような、サブリミナル的な物語を作り出しているからだ。サイド2には、沼地を踏みしめる泥だらけの足音のような音から、手に取るようなドラマを構築するストレッチがある。何が起こっているのかよくわからないままサスペンスを感じるのは奇妙なことだが、『SiAl』でのUrbanの作品にはそのような卑劣な力がある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117826397\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117826397\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=418980228\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" pink vinyl. Edition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part I 20:00\u003cbr\u003e2. Part II 20:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eReview by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBandcamp Daily via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eAustrian sound artist Matthias Urban crafted the two 20-minute, side-long tracks on SiAl out of field recordings he made in Iceland a few years ago. His source sounds are often recognizable, filled with running water, chirping birds, and wafting wind. What makes SiAl so compelling is the way Urban sequences those sounds, creating a subliminal narrative where each aural event feels like a new chapter in a story. There’s a stretch on side two that builds palpable drama out of what sounds like mucky footsteps tromping through a swamp. It’s odd to feel suspense without even knowing exactly what’s going on, but Urban’s work on SiAl has that kind of sneaky power.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthias Urban\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT no : Dinzu 30\u003c\/p\u003e","published_at":"2024-12-28T17:43:43+09:00","created_at":"2024-12-28T12:31:57+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","field recording","lp","monooto","new","recommended"],"price":544800,"price_min":544800,"price_max":544800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46988730663162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Matthias Urban \/\/ SiAl LP [COLOR]","public_title":null,"options":["Default Title"],"price":544800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/matt1_943fbbb6-cab1-420e-b125-66e4c60c2715.jpg?v=1735356634","\/\/tobirarecords.com\/cdn\/shop\/files\/matt2_2a732dd4-caba-4374-a931-e1df5fba791a.jpg?v=1735356634"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/matt1_943fbbb6-cab1-420e-b125-66e4c60c2715.jpg?v=1735356634","options":["Title"],"media":[{"alt":null,"id":35357789651194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/matt1_943fbbb6-cab1-420e-b125-66e4c60c2715.jpg?v=1735356634"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/matt1_943fbbb6-cab1-420e-b125-66e4c60c2715.jpg?v=1735356634","width":700},{"alt":null,"id":35357789683962,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/matt2_2a732dd4-caba-4374-a931-e1df5fba791a.jpg?v=1735356634"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/matt2_2a732dd4-caba-4374-a931-e1df5fba791a.jpg?v=1735356634","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eオーストリアのフィールドレコーディング作家Matthias Urban\u003c\/span\u003eが、2024年12月にアメリカ・LAの実験レーベルDinzu Artefacts\u003cspan\u003eから50部限定でリリースした再発レコードです。（オリジナルは2018年カセットリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアイスランドでのフィールドレコーディングを素材にしたサウンドスケープ2曲、40分を収録。DLコード付属。ピンク盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オーストリアのサウンドアーティストMatthias Urbanは、数年前にアイスランドで録音したフィールドレコーディングから、『SiAl』に収録された20分の作品2曲を作り上げた。彼の音源は、水の流れ、鳥のさえずり、風の音など、よく聞き覚えのあるものばかりだ。『SiAl』をこれほど魅力的なものにしているのは、Urbanがこれらの音を連続させ、それぞれの聴覚的な出来事が物語の新しい章のように感じられるような、サブリミナル的な物語を作り出しているからだ。サイド2には、沼地を踏みしめる泥だらけの足音のような音から、手に取るようなドラマを構築するストレッチがある。何が起こっているのかよくわからないままサスペンスを感じるのは奇妙なことだが、『SiAl』でのUrbanの作品にはそのような卑劣な力がある。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117826397\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2117826397\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=418980228\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 12\" pink vinyl. Edition of 50. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part I 20:00\u003cbr\u003e2. Part II 20:00\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eReview by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBandcamp Daily via the label :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eAustrian sound artist Matthias Urban crafted the two 20-minute, side-long tracks on SiAl out of field recordings he made in Iceland a few years ago. His source sounds are often recognizable, filled with running water, chirping birds, and wafting wind. What makes SiAl so compelling is the way Urban sequences those sounds, creating a subliminal narrative where each aural event feels like a new chapter in a story. There’s a stretch on side two that builds palpable drama out of what sounds like mucky footsteps tromping through a swamp. It’s odd to feel suspense without even knowing exactly what’s going on, but Urban’s work on SiAl has that kind of sneaky power.\"\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matthias Urban\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT no : Dinzu 30\u003c\/p\u003e"}