contemporary / sound poetry
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{"id":7472075768058,"title":"Andrew McIntosh \/\/ A Moonbeam Is Just A Filtered Sunbeam CD","handle":"andrew-mcintosh-a-moonbeam-is-just-a-filtered-sunbeam-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・カリフォルニアのマルチ奏者Andrew McIntoshが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングをミックスしたアコースティックドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1949767252\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Long-form solo work by multi-instrumentalist composer Andrew McIntosh. Featuring field recordings of pine woods in his home state of California mixed with impeccably crafted instrumental playing. The four parts are continuous and are intended to be played without a break between tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew McIntosh\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-29T10:34:49+09:00","created_at":"2021-11-29T10:08:23+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120793293050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew McIntosh \/\/ A Moonbeam Is Just A Filtered Sunbeam CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","options":["Title"],"media":[{"alt":null,"id":28762694123770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo2_6be75eeb-8e00-4ed6-a035-0e90abeaac16.jpg?v=1638149693","width":1200},{"alt":null,"id":28762694091002,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/mo1_e86e0a58-3720-4bb1-8e63-6a7059856168.jpg?v=1638149693","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・カリフォルニアのマルチ奏者Andrew McIntoshが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフィールドレコーディングをミックスしたアコースティックドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eデジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1949767252\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Long-form solo work by multi-instrumentalist composer Andrew McIntosh. Featuring field recordings of pine woods in his home state of California mixed with impeccably crafted instrumental playing. The four parts are continuous and are intended to be played without a break between tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew McIntosh\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・カリフォルニアのマルチ奏者Andrew McIntoshが、2021年11月にイギリスのコンテンポラリーレーベルAnother Timbreからリリースした最新作です。 フィールドレコーディングをミックスしたアコースティックドローン4曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira....
¥1,890
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{"id":7472074129658,"title":"Martin Iddon \/\/ Sapindales CD","handle":"martin-iddon-sapindales-cd","description":"\u003cp\u003eイギリスのクラリネット奏者Martin Iddonが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。フィールドレコーディングをミックスしたアコースティックドローン4曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=529491424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour works by UK-based composer Martin Iddon, all composed for clarinetist Heather Roche. Including the highly-acclaimed title track, 'Sapindales', which combine multi-tracked clarinets with field recordings made by the composer in woods in his native Yorkshire.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martin Iddon\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-11-29T10:27:25+09:00","created_at":"2021-11-29T10:01:04+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42120785887482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Martin Iddon \/\/ Sapindales CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","options":["Title"],"media":[{"alt":null,"id":28762674364666,"position":1,"preview_image":{"aspect_ratio":1.145,"height":1048,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250"},"aspect_ratio":1.145,"height":1048,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa2_4f39c1d3-c9ba-4ef2-b847-6ac4fce14ed2.jpg?v=1638149250","width":1200},{"alt":null,"id":28762674331898,"position":2,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sa1_3df755fc-0871-471f-9787-5b15f618b367.jpg?v=1638149250","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのクラリネット奏者Martin Iddonが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。フィールドレコーディングをミックスしたアコースティックドローン4曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=529491424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFour works by UK-based composer Martin Iddon, all composed for clarinetist Heather Roche. Including the highly-acclaimed title track, 'Sapindales', which combine multi-tracked clarinets with field recordings made by the composer in woods in his native Yorkshire.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Martin Iddon\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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イギリスのクラリネット奏者Martin Iddonが、2021年11月に同国コンテンポラリーレーベルAnother Timbreからリリースした最新作です。フィールドレコーディングをミックスしたアコースティックドローン4曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira. ---------------------------...
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{"id":7452548530426,"title":"Alison Knowles \/\/ Sounds from the Book of Bean LP","handle":"alison-knowles-sounds-from-the-book-of-bean-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフルクサス作家\u003cmeta charset=\"utf-8\"\u003eAlison Knowles（享年65歳)が1982年にひっそりリリースしていたカセットを、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Sean McCann主宰レーベルRecitalがレコードで再発リリース。サウンドアート全5曲を収録しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAlison Knowles、George Quasha、Charlie Morrowによるグラフィック、ライナーノートが掲載された20ページブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=733973579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl edition, edition of 300 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover and sleeve designed by Alison Knowles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted inner sleeve.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20-page 11\"x11\" booklet of photos and texts from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eRecital :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alison Knowles\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-11-16T13:50:55+09:00","created_at":"2021-11-16T13:15:07+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","lp","monooto","Recital"],"price":365000,"price_min":365000,"price_max":365000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42062451998970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alison Knowles \/\/ Sounds from the Book of Bean LP","public_title":null,"options":["Default Title"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","options":["Title"],"media":[{"alt":null,"id":26937223446778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6910edba-9ba6-4ccf-bd1e-00df3f88299a.jpg?v=1637036109","width":700},{"alt":null,"id":26937223479546,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_120f8c77-34f2-4db4-8188-534b401d0b9e.jpg?v=1637036109","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフルクサス作家\u003cmeta charset=\"utf-8\"\u003eAlison Knowles（享年65歳)が1982年にひっそりリリースしていたカセットを、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのアンビエント作家Sean McCann主宰レーベルRecitalがレコードで再発リリース。サウンドアート全5曲を収録しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eAlison Knowles、George Quasha、Charlie Morrowによるグラフィック、ライナーノートが掲載された20ページブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=733973579\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl edition, edition of 300 copies.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCover and sleeve designed by Alison Knowles.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePrinted inner sleeve.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e20-page 11\"x11\" booklet of photos and texts from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eRecital :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe first vinyl LP release from Fluxus pioneer Alison Knowles (b. 1933). Sounds from the Book of Bean is an assemblage of noises and texts related to The Book of Bean (1982), Knowles’ 8-foot tall walk-in book constructed at Franklin Furnace in New York. This recording, the sounds of making the big book, was continually played back inside of the installation. Echoes of Yoshi Wada hammering together the circular spine of the book, other collaborators mixing ink, feeding a horse, the flowing waters of the Hudson Valley... all superimposed with texts and poems read by Knowles and her daughter Jessica Higgins.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn the second side of the album, the piece Essential Divisions features Knowles performing with red, black, and white beans. Recorded in Annea Lockwood’s underground studio, Knowles sounds the beans in glass, ceramics, wood, as well as in her mouth. Further bean histories and sound poems are recited, concluding with “Popular Bean Soup” – an ancient recipe translated by George Brecht.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKnowles’ big books are, as she describes them, transvironments: a transformationally experienced environment. The phenomenological nature of her book is distilled aurally in the case of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this record. As Knowles describes the end of her book, “the reader leaves via a ladder or out the window and through a muslin panel printed with contradictory wisdom concerning beans and dreaming… one can begin again either by going on or turning back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally published as a cassette in 1982 on the New Wilderness Audiographics label, this remastered edition has been transferred from original tapes. An expansive 20-page booklet is included, holding graphics and writings from Alison Knowles, George Quasha, and Charlie Morrow.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alison Knowles\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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フルクサス作家Alison Knowles（享年65歳)が1982年にひっそりリリースしていたカセットを、アメリカのアンビエント作家Sean McCann主宰レーベルRecitalがレコードで再発リリース。サウンドアート全5曲を収録しています。 Alison Knowles、George Quasha、Charlie Morrowによるグラフィック、ライナーノートが掲載された20ページブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Recital releases available...
¥3,650
クイックビュー
{"id":7445288878330,"title":"Lee Patterson \/ Samo Kutin \/\/ The Universal Veil That Hangs Together Like A Skin LP","handle":"lpsk","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家Lee Pattersonと、スロベニアのマルチ奏者Samo Kutinが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2020年10月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハーディーガーディーや物音によるコラージュ・ドローン6曲を収録。DLコードとDavid Toopによるライナーノートが付属。ゲートフォルド仕様、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e180gクリア重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1014567189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e180g crystal clear transparent vinyls housed in stylish gatefold sleeve are available to order from 1 October, 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLee Patterson: amplified devices, chemical and mechanical synthesis\u003cbr data-mce-fragment=\"1\"\u003eSamo Kutin: hurdy-gurdies, objects, acoustic resonators\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll music by Lee Patterson \u0026amp; Samo Kutin\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Jernej Babnik Romaniuk at KUD Mreža’s Studio Asylum, Ljubljana on 1-2 April 2019\u003cbr data-mce-fragment=\"1\"\u003eMixed and mastered by Jernej Babnik Romaniuk\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by David Toop\u003cbr data-mce-fragment=\"1\"\u003eCover and label paintings by Rachael Elwell\u003cbr data-mce-fragment=\"1\"\u003ePhoto by Jan Prpič\u003cbr data-mce-fragment=\"1\"\u003eGraphic design by László Szakács\u003cbr data-mce-fragment=\"1\"\u003eExecutive producer: Nataša Serec\u003cbr data-mce-fragment=\"1\"\u003eAssociate producer: László Juhász\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to Mauricio Valdés San Emeterio\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA rising creature spreads its shadow over hushed land. In the moment of folding its wings, all air leaves the world. All things now operate by friction, stridulation, rough surfaces in contact with abrasion, materials unlike silk or plastic, the working of ground teeth and jaw bones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the blacksmith’s forge, an alchemist sits away from the fire in a clouded spot, observing those transforming states that move from hard to soft, from dull to radiant. From trees a presence emanates, as thick as wet moss and mud. Birds move within it, their shapes only visible with closed eyes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt night, people sleep with covered ears, their dreams haunted by the footsteps of giants, the slow movement of hills, cracks opening in the earth to unleash insect clouds. Houses lack windows, yet light penetrates, if only to mark daily transitions between stillness and movement, heat to cold. If there are bells, they are heard only in memory, as if buried under silt on the bed of a fathomless pond. To sit quietly is rewarded. A shout is impossible.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvery month a door is opened, simply to change the air. This opening may take many hours, the door hinges resistant, anguished, uttering secret words that only the very old and very young can understand. At each opening, a wooden cart enters, another leaves. The ox that pulls one cart looks sideways at the horse that pulls the other, their gaze as deep as the silence through which they pass. As the trembling of the ground subsides, the world returns to itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDavid Toop\u003cbr data-mce-fragment=\"1\"\u003eJune 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBritish sound artist Lee Patterson (1971) has devised and performs with a selection of amplified devices and processes. Whether working live with amplification or recording within an environment, he has pioneered a range of methods to produce or uncover complex sound in unexpected places. From rock chalk and springs, to aquatic plants and insects, he eavesdrops upon and takes inspiration from places and situations otherwise considered mute. Patterson's collaborators have included some of today's most respected experimental musicians and filmmakers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSlovenian multi-instrumentalist Samo Kutin (1982) is comprehensively devoted to research and manipulate the various potentials of his main instrument, the hurdy-gurdy, in the field of free improvisation. In extreme acoustic dimensions – from silent noise to loud drones, from soft blows to unbearable screeches – he is using unconventional preparations and extreme amplification, handling both contact microphones and acoustic resonators. Runs regular international duos with Jean-Luc Guionnet, Daichi Yoshikawa, Boris Baltschun, Lee Patterson, and most recently with Martin Küchen. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T19:52:27+09:00","created_at":"2021-11-12T19:52:28+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","lp","recommended"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42044945760506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lee Patterson \/ Samo Kutin \/\/ The Universal Veil That Hangs Together Like A Skin LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3101478252_16.jpg?v=1636714699","\/\/tobirarecords.com\/cdn\/shop\/products\/0023382047_10.jpg?v=1636714711"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3101478252_16.jpg?v=1636714699","options":["Title"],"media":[{"alt":null,"id":26910599282938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3101478252_16.jpg?v=1636714699"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3101478252_16.jpg?v=1636714699","width":700},{"alt":null,"id":26910600724730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0023382047_10.jpg?v=1636714711"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0023382047_10.jpg?v=1636714711","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスの実験音楽家Lee Pattersonと、スロベニアのマルチ奏者Samo Kutinが、\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2020年10月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハーディーガーディーや物音によるコラージュ・ドローン6曲を収録。DLコードとDavid Toopによるライナーノートが付属。ゲートフォルド仕様、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e180gクリア重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1014567189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e180g crystal clear transparent vinyls housed in stylish gatefold sleeve are available to order from 1 October, 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLee Patterson: amplified devices, chemical and mechanical synthesis\u003cbr data-mce-fragment=\"1\"\u003eSamo Kutin: hurdy-gurdies, objects, acoustic resonators\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAll music by Lee Patterson \u0026amp; Samo Kutin\u003cbr data-mce-fragment=\"1\"\u003eRecorded by Jernej Babnik Romaniuk at KUD Mreža’s Studio Asylum, Ljubljana on 1-2 April 2019\u003cbr data-mce-fragment=\"1\"\u003eMixed and mastered by Jernej Babnik Romaniuk\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by David Toop\u003cbr data-mce-fragment=\"1\"\u003eCover and label paintings by Rachael Elwell\u003cbr data-mce-fragment=\"1\"\u003ePhoto by Jan Prpič\u003cbr data-mce-fragment=\"1\"\u003eGraphic design by László Szakács\u003cbr data-mce-fragment=\"1\"\u003eExecutive producer: Nataša Serec\u003cbr data-mce-fragment=\"1\"\u003eAssociate producer: László Juhász\u003cbr data-mce-fragment=\"1\"\u003eSpecial thanks to Mauricio Valdés San Emeterio\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA rising creature spreads its shadow over hushed land. In the moment of folding its wings, all air leaves the world. All things now operate by friction, stridulation, rough surfaces in contact with abrasion, materials unlike silk or plastic, the working of ground teeth and jaw bones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the blacksmith’s forge, an alchemist sits away from the fire in a clouded spot, observing those transforming states that move from hard to soft, from dull to radiant. From trees a presence emanates, as thick as wet moss and mud. Birds move within it, their shapes only visible with closed eyes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAt night, people sleep with covered ears, their dreams haunted by the footsteps of giants, the slow movement of hills, cracks opening in the earth to unleash insect clouds. Houses lack windows, yet light penetrates, if only to mark daily transitions between stillness and movement, heat to cold. If there are bells, they are heard only in memory, as if buried under silt on the bed of a fathomless pond. To sit quietly is rewarded. A shout is impossible.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEvery month a door is opened, simply to change the air. This opening may take many hours, the door hinges resistant, anguished, uttering secret words that only the very old and very young can understand. At each opening, a wooden cart enters, another leaves. The ox that pulls one cart looks sideways at the horse that pulls the other, their gaze as deep as the silence through which they pass. As the trembling of the ground subsides, the world returns to itself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDavid Toop\u003cbr data-mce-fragment=\"1\"\u003eJune 2020\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBritish sound artist Lee Patterson (1971) has devised and performs with a selection of amplified devices and processes. Whether working live with amplification or recording within an environment, he has pioneered a range of methods to produce or uncover complex sound in unexpected places. From rock chalk and springs, to aquatic plants and insects, he eavesdrops upon and takes inspiration from places and situations otherwise considered mute. Patterson's collaborators have included some of today's most respected experimental musicians and filmmakers.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSlovenian multi-instrumentalist Samo Kutin (1982) is comprehensively devoted to research and manipulate the various potentials of his main instrument, the hurdy-gurdy, in the field of free improvisation. In extreme acoustic dimensions – from silent noise to loud drones, from soft blows to unbearable screeches – he is using unconventional preparations and extreme amplification, handling both contact microphones and acoustic resonators. Runs regular international duos with Jean-Luc Guionnet, Daichi Yoshikawa, Boris Baltschun, Lee Patterson, and most recently with Martin Küchen. \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Peter Ablinger\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスの実験音楽家Lee Pattersonと、スロベニアのマルチ奏者Samo Kutinが、2020年10月にスロベニアのインプロレーベルInexhaustible Editionsからリリースしたレコードです。 ハーディーガーディーや物音によるコラージュ・ドローン6曲を収録。DLコードとDavid Toopによるライナーノートが付属。ゲートフォルド仕様、180gクリア重量盤です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available...
¥3,280
クイックビュー
{"id":7444634468602,"title":"Birgit Ulher \/ Petr Vrba \/\/ Schallschatten CD","handle":"birgit-ulher-petr-vrba-schallschatten-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツのトランペット奏者Birgit Ulherと、チェコの実験音楽家Petr Vrbaが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜物音ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3460131006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGerman trumpet player Birgit Ulher (1961) studied visual arts, which still have an important influence on her music. Since moving to Hamburg in the early eighties, she has been involved in free improvisation and experimental music. Since then she has established a distinguished grammar of sounds beyond the open trumpet. Since 2006 she has been working with radios and uses extended speakers, fed with radio noise in her trumpet mutes. She has collaborated with Lou Mallozzi, Rhodri Davies\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Damon Smith, Roger Turner, Sven-Åke Johansson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCzech experimental free improviser Petr Vrba's (1974) unrelenting explorations of non-idiomatic music using trumpets, clarinets, electronics, vibrating speakers etc. made him one of the most active musicians in Prague these days. His most intensive collaborations arose from meeting with American bassist George Cremaschi with whom they established the Prague Improvisation Orchestra and the international dance-visual-music project Arthuur. Among others, he has released albums with Axel Dörner, Franz Hautzinger, Matthias Müller, Irene Kepl and Yan Jun.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Birgit Ulher \/ Petr Vrba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:57:00+09:00","created_at":"2021-11-12T11:19:33+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","monooto"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043542110458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Birgit Ulher \/ Petr Vrba \/\/ Schallschatten CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","options":["Title"],"media":[{"alt":null,"id":26906617184506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0bdcddba-8de4-4a34-9d9c-2cde9b237023.jpg?v=1636683575","width":700},{"alt":null,"id":26906617217274,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_b2280ccc-bb5e-484f-82ee-0b4f347a1155.jpg?v=1636683575","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツのトランペット奏者Birgit Ulherと、チェコの実験音楽家Petr Vrbaが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜物音ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3460131006\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGerman trumpet player Birgit Ulher (1961) studied visual arts, which still have an important influence on her music. Since moving to Hamburg in the early eighties, she has been involved in free improvisation and experimental music. Since then she has established a distinguished grammar of sounds beyond the open trumpet. Since 2006 she has been working with radios and uses extended speakers, fed with radio noise in her trumpet mutes. She has collaborated with Lou Mallozzi, Rhodri Davies\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Damon Smith, Roger Turner, Sven-Åke Johansson...\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCzech experimental free improviser Petr Vrba's (1974) unrelenting explorations of non-idiomatic music using trumpets, clarinets, electronics, vibrating speakers etc. made him one of the most active musicians in Prague these days. His most intensive collaborations arose from meeting with American bassist George Cremaschi with whom they established the Prague Improvisation Orchestra and the international dance-visual-music project Arthuur. Among others, he has released albums with Axel Dörner, Franz Hautzinger, Matthias Müller, Irene Kepl and Yan Jun.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Birgit Ulher \/ Petr Vrba\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツのトランペット奏者Birgit Ulherと、チェコの実験音楽家Petr Vrbaが、2021年8月にスロベニアのインプロレーベルInexhaustible Editionsからリリースした共作CDです。 ガチンコインプロ〜物音ドローン6曲を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
¥1,780
クイックビュー
{"id":7444632338682,"title":"Warble (Brad Henkel \/ Miako Klein) \/\/ Swarm CD","handle":"warble-brad-henkel-miako-klein-swarm-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=56430802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrad Henkel (1985) is a trumpet player and composer from the States, currently based in Berlin. With a primary focus on improvisation, using a broad color palette of pitched and unpitched sounds, he creates and participates in music which is rooted in the free jazz, contemporary composed and Echtzeitmusik traditions. He studied jazz trumpet in Los Angeles with Bobby Shew and Clay Jenkins, and improvisation and composition with Jeff Kaiser and John Fumo. He also studied improvisation with Tony Malaby, Ralph Alessi and other staples of the New York scene.\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin-based performer and improviser Miako Klein (1982) has a greatly varied musical background: classically educated on the recorder and violin, she has extensive experience in performing contemporary music, as well as improvised and early music. She constantly questions and challenges the conventional ways of music practices by pushing boundaries between styles and genres, by experimenting, and by interdisciplinary works. She performs as a soloist and chamber musician, and collaborates with composers who have written dedicated works for her. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Warble: Brad Henkel \/ Miako Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:23:47+09:00","created_at":"2021-11-12T11:17:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz","monooto"],"price":188000,"price_min":188000,"price_max":188000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043539128570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Warble (Brad Henkel \/ Miako Klein) \/\/ Swarm CD","public_title":null,"options":["Default Title"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","\/\/tobirarecords.com\/cdn\/shop\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","options":["Title"],"media":[{"alt":null,"id":26906592575738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_c95bde99-5b29-41ad-8b1d-c64690f2b856.jpg?v=1636683469","width":700},{"alt":null,"id":26906592608506,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw2_d6287d66-7f0b-438b-8c95-2e1f9f81d10b.jpg?v=1636683470","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=56430802\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBrad Henkel (1985) is a trumpet player and composer from the States, currently based in Berlin. With a primary focus on improvisation, using a broad color palette of pitched and unpitched sounds, he creates and participates in music which is rooted in the free jazz, contemporary composed and Echtzeitmusik traditions. He studied jazz trumpet in Los Angeles with Bobby Shew and Clay Jenkins, and improvisation and composition with Jeff Kaiser and John Fumo. He also studied improvisation with Tony Malaby, Ralph Alessi and other staples of the New York scene.\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBerlin-based performer and improviser Miako Klein (1982) has a greatly varied musical background: classically educated on the recorder and violin, she has extensive experience in performing contemporary music, as well as improvised and early music. She constantly questions and challenges the conventional ways of music practices by pushing boundaries between styles and genres, by experimenting, and by interdisciplinary works. She performs as a soloist and chamber musician, and collaborates with composers who have written dedicated works for her. \"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Warble: Brad Henkel \/ Miako Klein\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのトランペット奏者Brad Henkelと、ドイツの実験音楽家Miako Kleinが、2021年8月にスロベニアのインプロレーベルInexhaustible Editionsからリリースした共作CDです。 ガチンコインプロ〜ドローン2曲、約40分を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
¥1,880
クイックビュー
{"id":7444629979386,"title":"Yves Charuest \/ Benedict Taylor \/\/ Knotted Threads CD","handle":"yves-charuest-benedict-taylor-knotted-threads-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564565378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eI met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a few private sessions and one short set at Mopomoso. Those encounters confirmed our determination to further explore this connection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Montréal, I invited Benedict in 2019 to perform with me and another duo partner of mine, Montréal-based dancer Alanna Kraaijeveld with whom I explore the kinetic quality and fragility\/instability of movement and sonic threads in improvised dance and music. Around the rehearsals and performances, Benedict and I recorded the music presented on this album, a most rewarding session for both of us that we are happy to share here, especially in these times when world events force us to wait for the possibility to meet in person again and discover new threads to tie. I am grateful to Benedict for his enthusiastic response to my invitation and for sharing music, ideas, friendship, whisky and craft beer...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Benedict Taylor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"I met Yves in 2017 at a concert at Iklectik, London where I was playing at The Horse Improvised Music Club. After my set we chatted about the nature of our work, his background and ongoing work and research in London. We got along and felt it would be a good thing to meet and make some music together in a private setting. Yves invited me to his space where he was living and working as a part of his residency with the Quebec Arts Council.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe connected quickly as both friends and musicians. It was clear to me from the outset that this man had an extraordinary talent as a saxophonist, and a huge pair of ears as a musician, collaborator and a human. A superb listener and playing partner, and importantly a deeply questioning and challenging collaborator.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe knew it would be a good thing to continue working together in some way, though, as is often the case with connections within our musical sphere, we had to figure out some challenging logistics – in this case the Atlantic Ocean. That said after some time talking over distance, discussing ideas and attempts at regrouping – in Berlin, in London, in Canada – Yves was able to invite me for a project in Montreal in the Winter of 2019, playing and recording together as a duo, and collaborating as a trio with the wonderful contemporary dancer Alanna Kraaijeveld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is part of our ongoing dialogue. The continuing musical thread. A knot for us to hold on to for a moment as we prepare to jump back in, and keep weaving.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCanadian saxophonist Yves Charuest (1960) has been active since the 1980s on the local improvised music scene, and now, his solo work has recently gained renewed momentum. He has always devoted his creative energy to improvisation in varying forms and contexts: free improvisation, encounters between improvisation and notated material – conventional and graphic notation, verbal instructions –, and ensembles with more apparent stylistic links to free jazz. His approach is characterized by his sense of form and his attention to the sonic properties.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLondon-based violist Benedict Taylor (1982) is one of the leading figures within contemporary composition, modern string performance and improvised music in the British and European new music world. The central focus of his work is in new composition for live performance, film, theatre, contemporary dance, art installation and electro-acoustic composition. In performance, he predominantly works within improvisation, new composition and 20-21. century music. His improvisational works have been released by labels such as Confront, Raw Tonk or Weekertoft.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Yves Charuest \/ Benedict Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:21:25+09:00","created_at":"2021-11-12T11:15:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Inexhaustible Editions","jazz"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043531526394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Yves Charuest \/ Benedict Taylor \/\/ Knotted Threads CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","options":["Title"],"media":[{"alt":null,"id":26906566197498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_5372d3bd-8edc-4811-a12b-9506b700f9b7.jpg?v=1636683348","width":700},{"alt":null,"id":26906566230266,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_067cc683-e6a1-4e4b-adcb-c287fd680e88.jpg?v=1636683348","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eカナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1564565378\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\"\u003cem\u003eI met Benedict Taylor in London in 2017 where I was doing a six month residency thanks to the Conseil des arts et lettres du Québec. I heard Benedict perform in ensemble and solo contexts and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e rapidly felt a strong connection with some of my musical concerns. I was particularly caught by his ability to listen to what sound elicits or suggests as he articulates and shapes it; a dynamic interplay of sensitivity and agency, at times yielding pretty surprising results. We managed to meet for a few private sessions and one short set at Mopomoso. Those encounters confirmed our determination to further explore this connection.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBack in Montréal, I invited Benedict in 2019 to perform with me and another duo partner of mine, Montréal-based dancer Alanna Kraaijeveld with whom I explore the kinetic quality and fragility\/instability of movement and sonic threads in improvised dance and music. Around the rehearsals and performances, Benedict and I recorded the music presented on this album, a most rewarding session for both of us that we are happy to share here, especially in these times when world events force us to wait for the possibility to meet in person again and discover new threads to tie. I am grateful to Benedict for his enthusiastic response to my invitation and for sharing music, ideas, friendship, whisky and craft beer...\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Benedict Taylor:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e\"I met Yves in 2017 at a concert at Iklectik, London where I was playing at The Horse Improvised Music Club. After my set we chatted about the nature of our work, his background and ongoing work and research in London. We got along and felt it would be a good thing to meet and make some music together in a private setting. Yves invited me to his space where he was living and working as a part of his residency with the Quebec Arts Council.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe connected quickly as both friends and musicians. It was clear to me from the outset that this man had an extraordinary talent as a saxophonist, and a huge pair of ears as a musician, collaborator and a human. A superb listener and playing partner, and importantly a deeply questioning and challenging collaborator.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWe knew it would be a good thing to continue working together in some way, though, as is often the case with connections within our musical sphere, we had to figure out some challenging logistics – in this case the Atlantic Ocean. That said after some time talking over distance, discussing ideas and attempts at regrouping – in Berlin, in London, in Canada – Yves was able to invite me for a project in Montreal in the Winter of 2019, playing and recording together as a duo, and collaborating as a trio with the wonderful contemporary dancer Alanna Kraaijeveld.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis album is part of our ongoing dialogue. The continuing musical thread. A knot for us to hold on to for a moment as we prepare to jump back in, and keep weaving.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e~\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist bio:\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eCanadian saxophonist Yves Charuest (1960) has been active since the 1980s on the local improvised music scene, and now, his solo work has recently gained renewed momentum. He has always devoted his creative energy to improvisation in varying forms and contexts: free improvisation, encounters between improvisation and notated material – conventional and graphic notation, verbal instructions –, and ensembles with more apparent stylistic links to free jazz. His approach is characterized by his sense of form and his attention to the sonic properties.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLondon-based violist Benedict Taylor (1982) is one of the leading figures within contemporary composition, modern string performance and improvised music in the British and European new music world. The central focus of his work is in new composition for live performance, film, theatre, contemporary dance, art installation and electro-acoustic composition. In performance, he predominantly works within improvisation, new composition and 20-21. century music. His improvisational works have been released by labels such as Confront, Raw Tonk or Weekertoft.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Yves Charuest \/ Benedict Taylor\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions \u003c\/span\u003e\u003c\/p\u003e"}
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カナダのサックス奏者Yves Charuestと、イギリスのバイオリニストBenedict Taylorが、2021年6月にスロベニアのインプロレーベルInexhaustible Editionsからリリースした共作CDです。 ガチンコインプロ〜フリージャズ5曲を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
¥1,780
クイックビュー
{"id":7444626112762,"title":"Violeta García \/ Émilie Girard-Charest \/\/ Impermanence CD","handle":"violeta-garcia-emilie-girard-charest-impermanence-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンのチェロ奏者Violeta Garcíaと、カナダのチェロ奏者Émilie Girard-Charestが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eチェロ2本によるガチンコインプロ〜ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3721937392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eVioleta García (1990) is a cellist, improviser and composer born in Buenos Aires, Argentina. She is a performer in many art forms, including free improvisation, contemporary and experimental repertoire and collaborations with dancers and others artists. At the moment she is eager to improvise, compose and create new sounds; experiment with extended techniques, prepared instrument and work with dynamic, rhythmic and original tuneful combinations\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her main interest is to open new sound spaces that invite the audience on an inner voyage. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÉmilie Girard-Charest (1987) is a Canadian cellist, composer and improviser. As a chamber musician, a soloist and with different ensembles, she dedicates herself to new music. As a performer, she took part in more than sixty world premieres and worked with composers such as Malcolm Goldstein, Hans Zender or Joane Hétu. She regularly collaborates with theater, dance and performance productions. She is working on various projects with remarkable multidisciplinary artists such as dancer and visual artist Sarah Bronsard, or composer-performer Charles Quevillon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Violeta García \/ Émilie Girard-Charest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-12T16:19:06+09:00","created_at":"2021-11-12T11:12:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","Inexhaustible Editions","jazz"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42043522777338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Violeta García \/ Émilie Girard-Charest \/\/ Impermanence CD","public_title":null,"options":["Default Title"],"price":178000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","\/\/tobirarecords.com\/cdn\/shop\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","options":["Title"],"media":[{"alt":null,"id":26906520879354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im1_47f4f783-72ef-4f4e-a3ac-5ea714818600.jpg?v=1636683149","width":700},{"alt":null,"id":26906520912122,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/im2_03abdfcd-913e-4eba-bb9d-d1e78be93fac.jpg?v=1636683149","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンのチェロ奏者Violeta Garcíaと、カナダのチェロ奏者Émilie Girard-Charestが、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年6月に\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eスロベニアのインプロレーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInexhaustible Editionsからリリースした共作CD\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eチェロ2本によるガチンコインプロ〜ドローン6曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3721937392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ie\"\u003ehere\u003c\/a\u003e to see more Inexhaustable Editions releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eEdition of 300.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eVioleta García (1990) is a cellist, improviser and composer born in Buenos Aires, Argentina. She is a performer in many art forms, including free improvisation, contemporary and experimental repertoire and collaborations with dancers and others artists. At the moment she is eager to improvise, compose and create new sounds; experiment with extended techniques, prepared instrument and work with dynamic, rhythmic and original tuneful combinations\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Her main interest is to open new sound spaces that invite the audience on an inner voyage. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eÉmilie Girard-Charest (1987) is a Canadian cellist, composer and improviser. As a chamber musician, a soloist and with different ensembles, she dedicates herself to new music. As a performer, she took part in more than sixty world premieres and worked with composers such as Malcolm Goldstein, Hans Zender or Joane Hétu. She regularly collaborates with theater, dance and performance productions. She is working on various projects with remarkable multidisciplinary artists such as dancer and visual artist Sarah Bronsard, or composer-performer Charles Quevillon.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eArtist : Violeta García \/ Émilie Girard-Charest\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\" mce-data-marked=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInexhaustable Editions\u003c\/span\u003e\u003c\/p\u003e"}
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アルゼンチンのチェロ奏者Violeta Garcíaと、カナダのチェロ奏者Émilie Girard-Charestが、2021年6月にスロベニアのインプロレーベルInexhaustible Editionsからリリースした共作CDです。 チェロ2本によるガチンコインプロ〜ドローン6曲を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Inexhaustable Editions releases available at...
¥1,780
クイックビュー
{"id":7440170025210,"title":"All Ords \/\/ Sources and Methods TAPE","handle":"all-ords-sources-and-methods-tape","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーによるデュオAll Ords\u003cspan data-mce-fragment=\"1\"\u003eが、2021年10月にリリースしたカセットです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のスポークンワード〜物音コラージュ5曲、32分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=174516177\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e16 minutes per side. Super Ferro Normal-bias music grade tape. Turquoise cassettes with gold foil pad print labels.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"All Ords is Mark Groves and Joanna Nilson. Sources and Methods consists of domestic voice and sound works generated during 2020. Pieces from this release have appeared previously as a part of Colour Out of Space at a Distance International Festival of Experimental Sound and Art, and Dylan Nyoukis’ Fae Ma Bit Tae Ur Bit on Resonance Extra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt explores the collision of labour, wealth disparity, domestic life and the subconscious, as told through book readings, dreams, and the sounds of a temporarily cloistered, claustrophobic home life and a vacated, virus-ridden inner city business district.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe background of ambient dread and government surveillance associated with the piece’s production is pushed further by the title itself- Sources and Methods referring to the mode of intelligence collection and analysis deployed by the CIA. This is also reflected in the artwork, which draws directly from William Friedkin’s Sorcerer (1977), a favourite of the duo which also mirrors, in a figurative sense, the male-female binary nature of the recording itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSources:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHughes, Robert, The Fatal Shore (London: Collins Harvill, 1987)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTherese, Rita, Come: A Memoir (Sydney: Allen \u0026amp;\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Unwin, 2020)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTirado, Linda, Hand to Mouth: The Truth About Being Poor in a Wealthy World (London: Virago Press, 2014)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolfe, Tom, The Bonfire of the Vanities (New York: Picador, 1987)\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : All Ords\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e","published_at":"2021-11-10T15:09:36+09:00","created_at":"2021-11-10T12:58:05+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","index clean","monooto","tape"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031775580410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"All Ords \/\/ Sources and Methods TAPE","public_title":null,"options":["Default Title"],"price":198000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","\/\/tobirarecords.com\/cdn\/shop\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","options":["Title"],"media":[{"alt":null,"id":26890707206394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or1_9925cbb3-a7cd-4726-a7bf-b1efadcec16a.jpg?v=1636516686","width":700},{"alt":null,"id":26890707239162,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/or2_43ee7072-d856-4671-83a0-761c2e74f344.jpg?v=1636516687","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、レーベルオーナーによるデュオAll Ords\u003cspan data-mce-fragment=\"1\"\u003eが、2021年10月にリリースしたカセットです\u003c\/span\u003e。\u003c\/p\u003e\n\u003cp\u003eメロディ皆無のスポークンワード〜物音コラージュ5曲、32分を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=174516177\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3116208004\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e16 minutes per side. Super Ferro Normal-bias music grade tape. Turquoise cassettes with gold foil pad print labels.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"All Ords is Mark Groves and Joanna Nilson. Sources and Methods consists of domestic voice and sound works generated during 2020. Pieces from this release have appeared previously as a part of Colour Out of Space at a Distance International Festival of Experimental Sound and Art, and Dylan Nyoukis’ Fae Ma Bit Tae Ur Bit on Resonance Extra.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt explores the collision of labour, wealth disparity, domestic life and the subconscious, as told through book readings, dreams, and the sounds of a temporarily cloistered, claustrophobic home life and a vacated, virus-ridden inner city business district.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe background of ambient dread and government surveillance associated with the piece’s production is pushed further by the title itself- Sources and Methods referring to the mode of intelligence collection and analysis deployed by the CIA. This is also reflected in the artwork, which draws directly from William Friedkin’s Sorcerer (1977), a favourite of the duo which also mirrors, in a figurative sense, the male-female binary nature of the recording itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSources:\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHughes, Robert, The Fatal Shore (London: Collins Harvill, 1987)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTherese, Rita, Come: A Memoir (Sydney: Allen \u0026amp;\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Unwin, 2020)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTirado, Linda, Hand to Mouth: The Truth About Being Poor in a Wealthy World (London: Virago Press, 2014)\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWolfe, Tom, The Bonfire of the Vanities (New York: Picador, 1987)\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : All Ords\u003c\/p\u003e\n\u003cp\u003eLabel : Index Clean\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルIndex Clean諸作を入荷しました。 本作は、レーベルオーナーによるデュオAll Ordsが、2021年10月にリリースしたカセットです。 メロディ皆無のスポークンワード〜物音コラージュ5曲、32分を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Index Clean releases available at...
¥1,980
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{"id":7440168452346,"title":"Eric Schmid \/\/ 'Hans Ulrich Obrist' + Bernhard Kleist 'Chaotic Neutral' + 'Total Work of Art' LP + CDr + ART BOOK","handle":"eric-schmid-hans-ulrich-obrist-bernhard-kleist-chaotic-neutral-total-work-of-art-lp-cdr-art-book","description":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当店でもおなじみのアメリカ・シカゴの哲学者／数学者Eric Schmidが、2021年10月にリリースした最新レコード＋CDR＋アート本です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレコードにはスイスのアートキュレーター、評論家、芸術史家Hans Ulrich Obristへの言及が収録、CDには芸術批評についてのラジオ演劇を収録しています。104ページのフルカラーアートブックには、Ericがロードアイランドで行った個展の作品を掲載しています。DLコード付属。マスタリングはSean McCannが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3374554072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSingle sided LP (29’50”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompact Disc Recordable (41’07”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e104 page artist's book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis three part release presents varied works from Eric Schmid, capturing a range of modes present within his practice. 'Hans Ulrich Obrist' sees Eric revisiting the channel last seen on the 2017 'Alain Badiou' single sided LP on Recital. The CDR component houses 'Chaotic Neutral', a radio play centred on critical commentary of the contemporary art world. 'Total Work of Art' presents work exhibited in Placeholder at Apartment 13 Gallery in Providence, Rhode Island, USA in 2020.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Schmid\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndex Clean \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-10T14:21:36+09:00","created_at":"2021-11-10T12:56:15+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","cd","contemporary \/ sound poetry","index clean","lp"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42031774040314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Eric Schmid \/\/ 'Hans Ulrich Obrist' + Bernhard Kleist 'Chaotic Neutral' + 'Total Work of Art' LP + CDr + ART BOOK","public_title":null,"options":["Default Title"],"price":448000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","\/\/tobirarecords.com\/cdn\/shop\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577","\/\/tobirarecords.com\/cdn\/shop\/products\/er3.jpg?v=1636516577"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","options":["Title"],"media":[{"alt":null,"id":26890697441530,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er1_35774ca2-ce91-484b-8f3b-dda9b2854f99.jpg?v=1636516577","width":700},{"alt":null,"id":26890697474298,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er2_cc95a018-b0b6-4d93-ae30-15e8719ba4a5.jpg?v=1636516577","width":1200},{"alt":null,"id":26890697507066,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er3.jpg?v=1636516577"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/er3.jpg?v=1636516577","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、当店でもおなじみのアメリカ・シカゴの哲学者／数学者Eric Schmidが、2021年10月にリリースした最新レコード＋CDR＋アート本です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレコードにはスイスのアートキュレーター、評論家、芸術史家Hans Ulrich Obristへの言及が収録、CDには芸術批評についてのラジオ演劇を収録しています。104ページのフルカラーアートブックには、Ericがロードアイランドで行った個展の作品を掲載しています。DLコード付属。マスタリングはSean McCannが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3374554072\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/indcl\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/indcl\"\u003ehere\u003c\/a\u003e to see more Index Clean releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSingle sided LP (29’50”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCompact Disc Recordable (41’07”)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e104 page artist's book\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIndex Clean:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThis three part release presents varied works from Eric Schmid, capturing a range of modes present within his practice. 'Hans Ulrich Obrist' sees Eric revisiting the channel last seen on the 2017 'Alain Badiou' single sided LP on Recital. The CDR component houses 'Chaotic Neutral', a radio play centred on critical commentary of the contemporary art world. 'Total Work of Art' presents work exhibited in Placeholder at Apartment 13 Gallery in Providence, Rhode Island, USA in 2020.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Eric Schmid\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndex Clean \u003c\/span\u003e\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験レーベルIndex Clean作品を入荷しました。 本作は、当店でもおなじみのアメリカ・シカゴの哲学者／数学者Eric Schmidが、2021年10月にリリースした最新レコード＋CDR＋アート本です。 レコードにはスイスのアートキュレーター、評論家、芸術史家Hans Ulrich Obristへの言及が収録、CDには芸術批評についてのラジオ演劇を収録しています。104ページのフルカラーアートブックには、Ericがロードアイランドで行った個展の作品を掲載しています。DLコード付属。マスタリングはSean McCannが担当しています。 レーベルその他作品はこちら /// Click here to see more Index Clean...
¥4,480
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{"id":7436859375866,"title":"Astral Colonels \/\/ The Difference Of Similarity \/ The Similarity Of Difference LP","handle":"astral-colonels-the-difference-of-similarity-the-similarity-of-difference-lp","description":"\u003cp\u003eイタリアの実験レーベルSecond Sleepを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、オーストラリアの音響作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnthony Paterasと、ドイツ・ベルリンの音響作家\u003cmeta charset=\"utf-8\"\u003eValerio Tricoli\u003c\/span\u003eが、2019年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系物音ドローン〜ピアノコンテンポラリー2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2096605532\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e2nd album from the Anthony Pateras \u0026amp; Valerio Tricoli studio project Astral Colonels, recorded at ZKM Karlsruhe as recipients of the Gigahertz Produktionspreis, 2017.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAnthony Pateras: prepared piano\/electronics\u003cbr\u003eValerio Tricoli: ReVox B77\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnthony Pateras:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eAnthony Pateras (b.1979) is a composer, pianist and electroacoustic musician active since the late 90s. Alongside writing concert works, he performs in improvised, electronic \u0026amp; experimental rock contexts...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e...A main area of interest is how electronics \u0026amp; instruments can work together in multi-speaker environments to create auditory hallucinations. Explorations of this include Nonsite Satellite for piano and 32-channel acousmonium (Festival Archipel, Geneva, 2021), Syncope(s) for 5 masked singers, piano \u0026amp; electronics (Centro di Musica, Modena, 2020), Mécanique Céleste for a building by architect Alberto Figuccio (HEIG-VD, Yverdons-Les-Bains, 2020) and Pseudacusis for electro-acoustic septet (Musica Sanae: Naples, Sokolowsko, Berlin, 2019)...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e...Anthony has published over 40 albums on Tzadik, Editions Mego, Ipecac, Cave12, Bocian \u0026amp; Penultimate Press, and from 2012-19 produced the 15 volume Immediata text\/music project.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eHe founded and curated the Articulating Space concert series \u0026amp; festival (2001-2006), and the Melbourne International Biennale Of Exploratory Music (2008), both which were documented \u0026amp; broadcast extensively by the Australian Broadcasting Corporation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eValerio Tricoli:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eValerio Tricoli was born in Palermo, Italy in 1977 and is currently based in Munich, Germany. He is a composer\/performer of electroacoustic music whose main instrument is the Revox B77 reel-to-reel tape machine, which he uses as a completely analog device for live sampling and real-time transformation of field recordings and live sound sources. His electroacoustic compositions are aligned with the tradition of Musique Concrète and explore themes of the internal and the occult.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Astral Colonels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eSecond Sleep\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-10T17:57:22+09:00","created_at":"2021-11-07T10:42:51+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","second sleep"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42011517059322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Astral Colonels \/\/ The Difference Of Similarity \/ The Similarity Of Difference LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_19f3af05-9c57-4e26-bce4-d3a4a6cb6562.jpg?v=1636249372"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_19f3af05-9c57-4e26-bce4-d3a4a6cb6562.jpg?v=1636249372","options":["Title"],"media":[{"alt":null,"id":26811265188090,"position":1,"preview_image":{"aspect_ratio":1.021,"height":239,"width":244,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_19f3af05-9c57-4e26-bce4-d3a4a6cb6562.jpg?v=1636249372"},"aspect_ratio":1.021,"height":239,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_19f3af05-9c57-4e26-bce4-d3a4a6cb6562.jpg?v=1636249372","width":244}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験レーベルSecond Sleepを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、オーストラリアの音響作家\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnthony Paterasと、ドイツ・ベルリンの音響作家\u003cmeta charset=\"utf-8\"\u003eValerio Tricoli\u003c\/span\u003eが、2019年にリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eディープリスニング系物音ドローン〜ピアノコンテンポラリー2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2096605532\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/secslee\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/secslee\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Second Sleep releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e2nd album from the Anthony Pateras \u0026amp; Valerio Tricoli studio project Astral Colonels, recorded at ZKM Karlsruhe as recipients of the Gigahertz Produktionspreis, 2017.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAnthony Pateras: prepared piano\/electronics\u003cbr\u003eValerio Tricoli: ReVox B77\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAnthony Pateras:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eAnthony Pateras (b.1979) is a composer, pianist and electroacoustic musician active since the late 90s. Alongside writing concert works, he performs in improvised, electronic \u0026amp; experimental rock contexts...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e...A main area of interest is how electronics \u0026amp; instruments can work together in multi-speaker environments to create auditory hallucinations. Explorations of this include Nonsite Satellite for piano and 32-channel acousmonium (Festival Archipel, Geneva, 2021), Syncope(s) for 5 masked singers, piano \u0026amp; electronics (Centro di Musica, Modena, 2020), Mécanique Céleste for a building by architect Alberto Figuccio (HEIG-VD, Yverdons-Les-Bains, 2020) and Pseudacusis for electro-acoustic septet (Musica Sanae: Naples, Sokolowsko, Berlin, 2019)...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e...Anthony has published over 40 albums on Tzadik, Editions Mego, Ipecac, Cave12, Bocian \u0026amp; Penultimate Press, and from 2012-19 produced the 15 volume Immediata text\/music project.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003eHe founded and curated the Articulating Space concert series \u0026amp; festival (2001-2006), and the Melbourne International Biennale Of Exploratory Music (2008), both which were documented \u0026amp; broadcast extensively by the Australian Broadcasting Corporation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e~\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003eValerio Tricoli:\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eValerio Tricoli was born in Palermo, Italy in 1977 and is currently based in Munich, Germany. He is a composer\/performer of electroacoustic music whose main instrument is the Revox B77 reel-to-reel tape machine, which he uses as a completely analog device for live sampling and real-time transformation of field recordings and live sound sources. His electroacoustic compositions are aligned with the tradition of Musique Concrète and explore themes of the internal and the occult.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Astral Colonels\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eSecond Sleep\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの実験レーベルSecond Sleepを大量入荷しました。 本作は、オーストラリアの音響作家Anthony Paterasと、ドイツ・ベルリンの音響作家Valerio Tricoliが、2019年にリリースした共作レコードです。 ディープリスニング系物音ドローン〜ピアノコンテンポラリー2曲、約40分を収録。 レーベルその他作品はこちら /// Click here to see more Second Sleep releases available...
¥3,280
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{"id":7431314342138,"title":"Tripp Nasty \u0026 Sense From Nonsense \/\/ The Thrilling Chilling Sounds of the Haunted House CD","handle":"tripp-nasty-sense-from-nonsense-the-thrilling-chilling-sounds-of-the-haunted-house-cd","description":"\u003cp\u003eアメリカ・コロラドの実験音楽家Tripp Nasty \u0026amp; Sense From Nonsenseが、2021年ハロウィンに自主リリースしたアルバム。\u003c\/p\u003e\n\u003cp\u003eディズニーのレコード「The Thrilling Chilling Sounds of the Haunted House」を独自解釈した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444642609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It'll knock your socks off and mess you up! - \u003c\/em\u003eJohn Cage\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn interpretation of the classic Disney record: Chilling, Thrilling Sounds of the Haunted House\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tripp Nasty \u0026amp; Sense From Nonsense\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelf-released\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-07T12:43:48+09:00","created_at":"2021-11-05T11:07:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","self-released","strange beats","tripnasty"],"price":118000,"price_min":118000,"price_max":118000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41954923348218,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tripp Nasty \u0026 Sense From Nonsense \/\/ The Thrilling Chilling Sounds of the Haunted House CD","public_title":null,"options":["Default Title"],"price":118000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","options":["Title"],"media":[{"alt":null,"id":26800738730234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch1_b330226e-e4fa-4999-b9af-df1a49796d8a.jpg?v=1636078081","width":700},{"alt":null,"id":26800738763002,"position":2,"preview_image":{"aspect_ratio":1.003,"height":1197,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081"},"aspect_ratio":1.003,"height":1197,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ch2_86972a1f-4c00-42d4-b286-475a5da80dc8.jpg?v=1636078081","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コロラドの実験音楽家Tripp Nasty \u0026amp; Sense From Nonsenseが、2021年ハロウィンに自主リリースしたアルバム。\u003c\/p\u003e\n\u003cp\u003eディズニーのレコード「The Thrilling Chilling Sounds of the Haunted House」を独自解釈した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3444642609\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"It'll knock your socks off and mess you up! - \u003c\/em\u003eJohn Cage\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAn interpretation of the classic Disney record: Chilling, Thrilling Sounds of the Haunted House\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tripp Nasty \u0026amp; Sense From Nonsense\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSelf-released\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・コロラドの実験音楽家Tripp Nasty & Sense From Nonsenseが、2021年ハロウィンに自主リリースしたアルバム。 ディズニーのレコード「The Thrilling Chilling Sounds of the Haunted House」を独自解釈した作品です。...
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{"id":7065317441701,"title":"Angharad Davies, Axel Dörner \/\/ AD CD","handle":"angharad-davies-axel-dorner-ad-cd","description":"\u003cp\u003eトランペットとバイオリンによるインプロ3曲、43分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4243127978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eimprovisations for trumpet and violin.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angharad Davies, Axel Dörner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre \u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-26T11:46:26+09:00","created_at":"2021-09-26T11:36:07+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","jazz"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40879436988581,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Angharad Davies, Axel Dörner \/\/ AD CD","public_title":null,"options":["Default Title"],"price":149000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770","options":["Title"],"media":[{"alt":null,"id":23845519458469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ad1_a6f25469-d554-4f73-896c-43e74cb3a2d3.jpg?v=1632623770","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eトランペットとバイオリンによるインプロ3曲、43分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4243127978\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eimprovisations for trumpet and violin.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angharad Davies, Axel Dörner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre \u003c\/span\u003e\u003c\/p\u003e"}
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¥1,490
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{"id":7065316622501,"title":"John Butcher, Xavier Charles \u0026 Axel Dorner \/\/ Tempestuous CD","handle":"john-butcher-xavier-charles-axel-dorner-tempestuous-cd","description":"\u003cp\u003eサックス、クラリネット、トランペットによるインプロ2曲、74分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1991125390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisation by The Contest of Pleasures, recorded live at the Huddersfield Contemporary Music Festival on a stormy night.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Butcher, Xavier Charles \u0026amp; Axel Dorner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-26T11:45:06+09:00","created_at":"2021-09-26T11:34:16+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","jazz"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40879433842853,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Butcher, Xavier Charles \u0026 Axel Dorner \/\/ Tempestuous CD","public_title":null,"options":["Default Title"],"price":149000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_6801a096-646e-4205-b71e-65bd47fee51d.jpg?v=1632623658"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_6801a096-646e-4205-b71e-65bd47fee51d.jpg?v=1632623658","options":["Title"],"media":[{"alt":null,"id":23845511561381,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_6801a096-646e-4205-b71e-65bd47fee51d.jpg?v=1632623658"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_6801a096-646e-4205-b71e-65bd47fee51d.jpg?v=1632623658","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eサックス、クラリネット、トランペットによるインプロ2曲、74分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1991125390\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisation by The Contest of Pleasures, recorded live at the Huddersfield Contemporary Music Festival on a stormy night.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Butcher, Xavier Charles \u0026amp; Axel Dorner\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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サックス、クラリネット、トランペットによるインプロ2曲、74分を収録。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira. --------------------------- Trio improvisation...
¥1,490
クイックビュー
{"id":7065315606693,"title":"Axel Dorner, Thomas Lehn \u0026 Phil Minton \/\/ TOOT Two CD","handle":"axel-dorner-thomas-lehn-phil-minton-toot-two-cd","description":"\u003cp\u003e トランペット、アナログシンセ、声によるインプロ2曲、約55分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3266209068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisations for trumpet, analogue synthesiser and voice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Axel Dorner, Thomas Lehn \u0026amp; Phil Minton\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-26T11:42:31+09:00","created_at":"2021-09-26T11:31:58+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry"],"price":149000,"price_min":149000,"price_max":149000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40879431254181,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Axel Dorner, Thomas Lehn \u0026 Phil Minton \/\/ TOOT Two CD","public_title":null,"options":["Default Title"],"price":149000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519","options":["Title"],"media":[{"alt":null,"id":23845495865509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/to1_b0eaa46f-d584-4920-919f-eea938b56ad6.jpg?v=1632623519","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e トランペット、アナログシンセ、声によるインプロ2曲、約55分を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3266209068\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTrio improvisations for trumpet, analogue synthesiser and voice.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Axel Dorner, Thomas Lehn \u0026amp; Phil Minton\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother Timbre\u003c\/span\u003e\u003c\/p\u003e"}
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トランペット、アナログシンセ、声によるインプロ2曲、約55分を収録。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira. --------------------------- Trio improvisations...
¥1,490
クイックビュー
{"id":7062744629413,"title":"Jane Rigler \/\/ Rarefactions CD","handle":"jane-rigler-rarefactions-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1017378472\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRarefactions, a collection of original compositions and improvisations by highly respected, contemporary flutist Jane Rigler, showcases her unique and moving conception of instrumental and electroacoustic music. 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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Text by Neuma...
¥1,980
クイックビュー
{"id":7062742401189,"title":"Steven Schick \/\/ Drumming In The Dark CD","handle":"steven-schick-drumming-in-the-dark-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4198082743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eArtist : Steven Schick\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:42:18+09:00","created_at":"2021-09-24T15:39:24+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868310646949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Steven Schick \/\/ Drumming In The Dark CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","\/\/tobirarecords.com\/cdn\/shop\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","options":["Title"],"media":[{"alt":null,"id":23819292508325,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1_ad6c3f3b-c6e0-42eb-91fd-31952f15855e.jpg?v=1632465567","width":700},{"alt":null,"id":23819292541093,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da2_815026e0-1efd-4cc4-851d-4c4abf58a2bb.jpg?v=1632465566","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4198082743\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eArtist : Steven Schick\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. Artist : Steven Schick...
¥1,980
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{"id":7062741909669,"title":"Iannis Xenakis \/\/ Iannis Xenakis: Aïs - Gendy3 - Taurhiphanie - Thalleïn CD","handle":"iannis-xenakis-iannis-xenakis-ais-gendy3-taurhiphanie-thallein-cd","description":"\u003cp\u003eギリシャの大御所実験音楽家Iannis Xenakisが1994年にリリースした隠れた名盤を入荷しました。コンピューターによるコラージュ〜オーケストラでのライブ録音まで4曲、1時間を収録。32ページのブックレットには彼自身によるライナーノートとプログラムノートなどが記載されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3571188912\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJewel case with 32page booklet and CD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From April 3 though 9, 1990, the UCSD Music Department sponsored Xenakis @UCSD, the most ambitious presentation of the composer's work yet attempted. Here is a small part.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T16:11:35+09:00","created_at":"2021-09-24T15:37:26+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","neuma records"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868307861669,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Iannis Xenakis \/\/ Iannis Xenakis: Aïs - Gendy3 - Taurhiphanie - Thalleïn CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","\/\/tobirarecords.com\/cdn\/shop\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","options":["Title"],"media":[{"alt":null,"id":23819274387621,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_95b2b962-685a-4b1f-93a7-74ca04081d07.jpg?v=1632465448","width":700},{"alt":null,"id":23819274420389,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la2_f6d99e49-fb10-474b-9d74-b92329fa0aa5.jpg?v=1632465448","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの大御所実験音楽家Iannis Xenakisが1994年にリリースした隠れた名盤を入荷しました。コンピューターによるコラージュ〜オーケストラでのライブ録音まで4曲、1時間を収録。32ページのブックレットには彼自身によるライナーノートとプログラムノートなどが記載されています。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3571188912\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1916547661\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJewel case with 32page booklet and CD.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"From April 3 though 9, 1990, the UCSD Music Department sponsored Xenakis @UCSD, the most ambitious presentation of the composer's work yet attempted. Here is a small part.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Iannis Xenakis\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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ギリシャの大御所実験音楽家Iannis Xenakisが1994年にリリースした隠れた名盤を入荷しました。コンピューターによるコラージュ〜オーケストラでのライブ録音まで4曲、1時間を収録。32ページのブックレットには彼自身によるライナーノートとプログラムノートなどが記載されています。 レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Jewel...
¥2,180
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{"id":7062740107429,"title":"Juan J.G. Escudero \/\/ Shapes of Inner Timespaces CD","handle":"juan-j-g-escudero-shapes-of-inner-timespaces-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2654872321\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic, since Ancient Greek times, has been called “number made audible.” Now, thanks to advances in technology beyond Plato’s dreams (not to mention the invention of useful but non-existent numbers), we have what we might call, “The Harmony of the Hyperspheres.” Imaginary spaces, complex algorithms, surfaces, colors, and shapes can all be described in terms of elegant and expressive equations. And those same qualities can be seen in images and heard as music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnter Spanish imagineer, Juan J.G. Escudero, an artist as familiar with theoretical physics as he is with a laptop or a piano. In his album release, Shapes of Inner Timespaces, eight of his acousmatic compositions introduce listeners to what life might be like in these places, as far removed from the worlds of Descartes as they are from Tron.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhether the works began with a prerecorded sound or one that originated from computer synthesis, a wide variety of high level math techniques are sure to have been involved. Number made sensuous, even sensible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou may have heard of Spectralism, the compositional use of harmonic analysis of the overtone series of certain sounds\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Well here, we are not talking about the spectrum of sounds, but rather of temporal sequences. Polyrhythms (and perhaps the durational structuring of Satie and Cage) to the nth degree. The inspiration, as Escudero says, comes from mathematical quasicrystals, a research field with great activity in the past decades. “Relations between aperiodic but ordered temporal sequences derived from tiling theory and harmonic fields arising from the mathematical analysis of such sequences have been explored. The descriptions of the tilings in terms of word sequences in formal grammars have been significant in relation to musical form, providing a multidimensional space of textures and motivating organic links between musical materials at different temporal scales.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf the thought of Calabi-Yau hypersurfaces, the Pisot-Vijayaraghavan number, and the cohomology of aperiodic tiling spaces leave your head spinning, the music will not. Like any artistic experience, you will make your own sense of it and relish the chance to spend time in an orderly yet fantastical multiverse.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juan J.G. Escudero\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:42:49+09:00","created_at":"2021-09-24T15:32:32+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868292788389,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Juan J.G. Escudero \/\/ Shapes of Inner Timespaces CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","options":["Title"],"media":[{"alt":null,"id":23819237294245,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh1_e5b6324f-06cc-445d-91d1-5a34d70c64c9.jpg?v=1632465154","width":700},{"alt":null,"id":23819237327013,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sh2_09403258-12e3-4b78-912f-085997397c04.jpg?v=1632465154","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2654872321\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMusic, since Ancient Greek times, has been called “number made audible.” Now, thanks to advances in technology beyond Plato’s dreams (not to mention the invention of useful but non-existent numbers), we have what we might call, “The Harmony of the Hyperspheres.” Imaginary spaces, complex algorithms, surfaces, colors, and shapes can all be described in terms of elegant and expressive equations. And those same qualities can be seen in images and heard as music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEnter Spanish imagineer, Juan J.G. Escudero, an artist as familiar with theoretical physics as he is with a laptop or a piano. In his album release, Shapes of Inner Timespaces, eight of his acousmatic compositions introduce listeners to what life might be like in these places, as far removed from the worlds of Descartes as they are from Tron.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhether the works began with a prerecorded sound or one that originated from computer synthesis, a wide variety of high level math techniques are sure to have been involved. Number made sensuous, even sensible.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYou may have heard of Spectralism, the compositional use of harmonic analysis of the overtone series of certain sounds\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Well here, we are not talking about the spectrum of sounds, but rather of temporal sequences. Polyrhythms (and perhaps the durational structuring of Satie and Cage) to the nth degree. The inspiration, as Escudero says, comes from mathematical quasicrystals, a research field with great activity in the past decades. “Relations between aperiodic but ordered temporal sequences derived from tiling theory and harmonic fields arising from the mathematical analysis of such sequences have been explored. The descriptions of the tilings in terms of word sequences in formal grammars have been significant in relation to musical form, providing a multidimensional space of textures and motivating organic links between musical materials at different temporal scales.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIf the thought of Calabi-Yau hypersurfaces, the Pisot-Vijayaraghavan number, and the cohomology of aperiodic tiling spaces leave your head spinning, the music will not. Like any artistic experience, you will make your own sense of it and relish the chance to spend time in an orderly yet fantastical multiverse.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juan J.G. Escudero\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Text by Neuma...
¥1,980
クイックビュー
{"id":7062739517605,"title":"Erik Griswold \/\/ Four Places in Queensland CD","handle":"erik-griswold-four-places-in-queensland-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3314887892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText and bio by Neuma Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Erik Griswold heads to the great outdoors, he follows in the footsteps of other composers who have taken inspiration from their environment. Only in this case, it is neither New England nor Alaska but the Australian bush, specifically Queensland.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour Places in Queensland is a musical landscape in the tradition of Charles Ives, Peter Sculthorpe, Annea Lockwood, and John Luther Adams. But it is also a work that traces the inner world of four distinct pianists: four works, four places, played by four different performers. Mt. Nebo, Cunninghams Gap, Condamine, and Girraween are places of scenic beauty in Australia that also hold deep personal significance to the four artists Anna Grinberg, Stephen Emmerson, the composer, and Liam Viney. The sites of significant family gatherings, environmental music projects, personal meditations, and childhood memories, these are places to which the pianists have formed strong connections over many years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMt. Nebo (Anna Grinberg) is a small town set in the dappled light of a dense rainforest, surrounded by beautiful bush tracks. Cunninghams Gap (Stephen Emmerson) is a steep rise separating coast from Great Dividing Range that boasts panoramic views across ancient volcanic plugs. The tiny, rural town of Condamine (Erik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griswold), whose namesake river is memorialized in bush poetry and song, is also home to the rustic Condamine Cowbell. Girraween (Liam Viney), or “place of many flowers,” is a national park known for its dramatic granite boulders.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlternately meditative and serene, dramatic and turbulent, light and heavy, Four Places in Queensland reflects rhythms and resonances of nature, connecting inner and outer worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eErik Griswold is an Australian-American composer\/pianist who, alongside percussionist Vanessa Tomlinson, is also known as part of the Clocked Out Duo. Four Places in Queensland marks a return to solo piano for Griswold, who has recently created works for toy piano, bowed piano, prepared piano, and the sixteen vintage pianos of the outback Piano Mill.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrom Erik Griswold:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn composing Four Places in Queensland, I responded to each of the locations, spending time in each setting, listening to the soundscapes and absorbing the surroundings. But I also thought carefully about the performers, tailoring the music to each individual’s playing style and personality. Four Places in Queensland celebrates four breathtaking landscapes, and four pianists’ close connections to the land.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMartin Buzacott, The Australian:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e“\u003cem\u003eCunninghams Gap for solo piano was a largely reflective meditation on the natural wonder west of Brisbane, featuring a sublime, extended passage for right hand only and an ending of profound beauty.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Griswold\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Record\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-24T17:39:14+09:00","created_at":"2021-09-24T15:30:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868284039333,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Erik Griswold \/\/ Four Places in Queensland CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","options":["Title"],"media":[{"alt":null,"id":23819220287653,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_662e2cd2-8e4d-48ce-8ec3-b8cdad7161c5.jpg?v=1632465037","width":700},{"alt":null,"id":23819220320421,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_0052f909-1510-4606-9887-d737fc427159.jpg?v=1632465037","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3314887892\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText and bio by Neuma Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Erik Griswold heads to the great outdoors, he follows in the footsteps of other composers who have taken inspiration from their environment. Only in this case, it is neither New England nor Alaska but the Australian bush, specifically Queensland.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFour Places in Queensland is a musical landscape in the tradition of Charles Ives, Peter Sculthorpe, Annea Lockwood, and John Luther Adams. But it is also a work that traces the inner world of four distinct pianists: four works, four places, played by four different performers. Mt. Nebo, Cunninghams Gap, Condamine, and Girraween are places of scenic beauty in Australia that also hold deep personal significance to the four artists Anna Grinberg, Stephen Emmerson, the composer, and Liam Viney. The sites of significant family gatherings, environmental music projects, personal meditations, and childhood memories, these are places to which the pianists have formed strong connections over many years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMt. Nebo (Anna Grinberg) is a small town set in the dappled light of a dense rainforest, surrounded by beautiful bush tracks. Cunninghams Gap (Stephen Emmerson) is a steep rise separating coast from Great Dividing Range that boasts panoramic views across ancient volcanic plugs. The tiny, rural town of Condamine (Erik\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griswold), whose namesake river is memorialized in bush poetry and song, is also home to the rustic Condamine Cowbell. Girraween (Liam Viney), or “place of many flowers,” is a national park known for its dramatic granite boulders.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlternately meditative and serene, dramatic and turbulent, light and heavy, Four Places in Queensland reflects rhythms and resonances of nature, connecting inner and outer worlds.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eErik Griswold is an Australian-American composer\/pianist who, alongside percussionist Vanessa Tomlinson, is also known as part of the Clocked Out Duo. Four Places in Queensland marks a return to solo piano for Griswold, who has recently created works for toy piano, bowed piano, prepared piano, and the sixteen vintage pianos of the outback Piano Mill.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eFrom Erik Griswold:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn composing Four Places in Queensland, I responded to each of the locations, spending time in each setting, listening to the soundscapes and absorbing the surroundings. But I also thought carefully about the performers, tailoring the music to each individual’s playing style and personality. Four Places in Queensland celebrates four breathtaking landscapes, and four pianists’ close connections to the land.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eMartin Buzacott, The Australian:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e“\u003cem\u003eCunninghams Gap for solo piano was a largely reflective meditation on the natural wonder west of Brisbane, featuring a sublime, extended passage for right hand only and an ending of profound beauty.” \u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Erik Griswold\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Record\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Text and...
¥1,980
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{"id":7062737911973,"title":"James Caldwell \/\/ Pocket Music CD","handle":"james-caldwell-pocket-music-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2426892839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJames Caldwell’s creative life is the embodiment of the principle, Start at Home. In his case that is not only Macomb, Illinois, but even more precisely, in his pockets. Whereas some might consider music to be a soundtrack to their lives, an add-on, Caldwell reaches deep into the spaces around him for sonic potential and helps it emerge.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor more than twenty years I have pursued a sporadic project of making small musique concrète pieces. The original set used sounds I made with things I found in my pockets while working in the studio—coins, keys, plastic pill bottle, comb, paperback book, rubber band, and a screwdriver struck against a wrench. (It is possible I put one or two of those things in my pocket expressly so I could find it there.) As I returned to the project, I continued working with small found sounds, but not necessarily things from my pockets: ping-pong balls, a stapler, M\u0026amp;M’s, binder clips, finger cymbals, a pencil run over the rungs on the back of a chair, dresser handles, the bag from a bunch of apples from the grocery store, a wine glass, and then — moving outside into my yard — cicadas, lawn furniture, garden stones in a wheelbarrow, birds, the distant rumble of the Macomb Speedway, and some odds and ends sitting around on my hard drive. Even as the objects became larger or farther from me, the pieces\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e remained pocket size.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe source sounds have always been somewhat autobiographical. I still carry too much stuff in my pockets. My family serves M\u0026amp;M’s in a traditional crystal M\u0026amp;M’s bowl with a distinctive sound that we all respond to. The pool table is in my brother’s basement. Binder clips are my favorite office supply. My grandchildren play with these wooden blocks, bounce play balls in the basement, and fight with cardboard tubes from wrapping paper. Some sounds are from objects I’ve used for drawings and photographs. Many sounds are from household objects whose sounds I become attuned to simply in the act of living in a home and banging on things.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sets of concrète miniatures on this album are grounded firmly in a tradition that stretches back to the early days of electronic music. You might hear influences of Xenakis, Hildegard Westerkamp, Mimaroglu, Steven Feld, Kenneth Gaburo, Hugh LeCaine, or Mike Post’s scores for “NYPD Blue.” The small pieces as a coherent collection are in the tradition of Bach’s Inventions or Bartok’s Mikrokosmos; bite-sized studies to bring delight and attention to the everyday stuff around us. In all, Pocket Music is a testament to an attentive life, well heard and played with.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album – his first portrait release after a lifetime dedicated to nurturing others – represents one facet of the wide-ranging interests of a composer and visual artist who has made his career in the Midwest, teaching at Western Illinois University, co-directing the annual New Music Festival, collaborating with local colleagues, and programming hundreds of new pieces by living composers on dozens of concerts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Caldwell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T17:37:48+09:00","created_at":"2021-09-24T15:25:09+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","neuma records","strange beats"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868265787557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"James Caldwell \/\/ Pocket Music CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","\/\/tobirarecords.com\/cdn\/shop\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","options":["Title"],"media":[{"alt":null,"id":23819171692709,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po1_50728fbe-ca5c-4e02-a0fb-4d377998c8a6.jpg?v=1632464711","width":700},{"alt":null,"id":23819171725477,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/po2_0126e21b-7baa-446b-beba-866228f07b7f.jpg?v=1632464711","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2426892839\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJames Caldwell’s creative life is the embodiment of the principle, Start at Home. In his case that is not only Macomb, Illinois, but even more precisely, in his pockets. Whereas some might consider music to be a soundtrack to their lives, an add-on, Caldwell reaches deep into the spaces around him for sonic potential and helps it emerge.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor more than twenty years I have pursued a sporadic project of making small musique concrète pieces. The original set used sounds I made with things I found in my pockets while working in the studio—coins, keys, plastic pill bottle, comb, paperback book, rubber band, and a screwdriver struck against a wrench. (It is possible I put one or two of those things in my pocket expressly so I could find it there.) As I returned to the project, I continued working with small found sounds, but not necessarily things from my pockets: ping-pong balls, a stapler, M\u0026amp;M’s, binder clips, finger cymbals, a pencil run over the rungs on the back of a chair, dresser handles, the bag from a bunch of apples from the grocery store, a wine glass, and then — moving outside into my yard — cicadas, lawn furniture, garden stones in a wheelbarrow, birds, the distant rumble of the Macomb Speedway, and some odds and ends sitting around on my hard drive. Even as the objects became larger or farther from me, the pieces\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e remained pocket size.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe source sounds have always been somewhat autobiographical. I still carry too much stuff in my pockets. My family serves M\u0026amp;M’s in a traditional crystal M\u0026amp;M’s bowl with a distinctive sound that we all respond to. The pool table is in my brother’s basement. Binder clips are my favorite office supply. My grandchildren play with these wooden blocks, bounce play balls in the basement, and fight with cardboard tubes from wrapping paper. Some sounds are from objects I’ve used for drawings and photographs. Many sounds are from household objects whose sounds I become attuned to simply in the act of living in a home and banging on things.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sets of concrète miniatures on this album are grounded firmly in a tradition that stretches back to the early days of electronic music. You might hear influences of Xenakis, Hildegard Westerkamp, Mimaroglu, Steven Feld, Kenneth Gaburo, Hugh LeCaine, or Mike Post’s scores for “NYPD Blue.” The small pieces as a coherent collection are in the tradition of Bach’s Inventions or Bartok’s Mikrokosmos; bite-sized studies to bring delight and attention to the everyday stuff around us. In all, Pocket Music is a testament to an attentive life, well heard and played with.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album – his first portrait release after a lifetime dedicated to nurturing others – represents one facet of the wide-ranging interests of a composer and visual artist who has made his career in the Midwest, teaching at Western Illinois University, co-directing the annual New Music Festival, collaborating with local colleagues, and programming hundreds of new pieces by living composers on dozens of concerts.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : James Caldwell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. -------------------------------- Text by Neuma...
¥1,980
クイックビュー
{"id":7062735945893,"title":"Agnese Toniutti \/\/ Subtle Matters CD","handle":"agnese-toniutti-subtle-matters-cd","description":"\u003cp\u003eイタリアのピアニストAgnese Toniuttiが、2021年3月にコンテンポラリーレーベルNeumaからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003ePhilip CornerやLucia Dlugoszewskiの楽曲を独自の解釈でアレンジしたピアノ独奏9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3710960392\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHow many sounds can a piano produce without using the keyboard? Some answers can be found in this recording, where the whole instrument is investigated using different techniques to reveal a world of unexpected richness, textures, and resonances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut it’s not just that: it’s also a journey in what the concept of “piano” became in the imagination of three composers (and a pianist). Each, in fact, gave shape to an original sonorous universe, and the task of reconnecting the subtle threads between compositional idea and sound realization is entrusted, to varying degrees, to the performer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLucia Dlugoszewski’s Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) (1997, rev. 2000) is a piece for “timbre piano”. (Here the transformation of the sonic identity of the instrument goes so far as to be certified by critics with a new name.) Dlugoszewski, one the great creative figures of last century, is severely underrecognized for her groundbreaking achievements. Since there was no score of the work available, pianist Toniutti realized the piece through extensive research on documents and recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTan Dun’s C-A-G-E, fingering for piano (1994) looks between traditional East and contemporary West. The piano becomes a “relative” of Chinese traditional instruments but also pays\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e homage to one of the 20th century’s most revolutionary Western composers, John Cage, by using the Flemish compositional artifice of associating a pitch to every letter of his name.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the case of Philip Corner, prominent American composer based in Italy, the piano is an open field were all ways of sound production are welcome, and the keyboard is one among many. The priority is the realization of the compositional idea of each piece, moving within the boundaries of a few written indications, “verbal instructions turning into poetry”, as the author says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree different sonorous and musical worlds, three different ways of reshaping the piano, but one common trait: the desire to wonder while listening, to reach “a hearing whose moment in time is always daybreak,” as Lucia Dlugoszewski once wrote.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eItalian pianist Agnese Toniutti dedicates herself to the exploration and research on peculiar piano repertoire, sometimes little-known, often revolving around the concept of sound and its role in musical composition. Cage, Scelsi, Cardini are some of her favorites; incursions into the territory of improvisation, performance and extemporary composition, also encouraged by the study of art movements in the Seventies, are constantly increasing in time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Agnese Toniutti\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T17:37:14+09:00","created_at":"2021-09-24T15:20:59+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868259561637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Agnese Toniutti \/\/ Subtle Matters CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","options":["Title"],"media":[{"alt":null,"id":23819130503333,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma1_bbae54de-fb0c-4397-bd87-cdad506a474f.jpg?v=1632464461","width":700},{"alt":null,"id":23819130568869,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ma2_5b4104db-be51-450b-8eec-4c9c2a7a9369.jpg?v=1632464461","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのピアニストAgnese Toniuttiが、2021年3月にコンテンポラリーレーベルNeumaからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003ePhilip CornerやLucia Dlugoszewskiの楽曲を独自の解釈でアレンジしたピアノ独奏9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3710960392\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1554589260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eNeuma Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHow many sounds can a piano produce without using the keyboard? Some answers can be found in this recording, where the whole instrument is investigated using different techniques to reveal a world of unexpected richness, textures, and resonances.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut it’s not just that: it’s also a journey in what the concept of “piano” became in the imagination of three composers (and a pianist). Each, in fact, gave shape to an original sonorous universe, and the task of reconnecting the subtle threads between compositional idea and sound realization is entrusted, to varying degrees, to the performer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLucia Dlugoszewski’s Exacerbated Subtlety Concert (Why Does A Woman Love a Man?) (1997, rev. 2000) is a piece for “timbre piano”. (Here the transformation of the sonic identity of the instrument goes so far as to be certified by critics with a new name.) Dlugoszewski, one the great creative figures of last century, is severely underrecognized for her groundbreaking achievements. Since there was no score of the work available, pianist Toniutti realized the piece through extensive research on documents and recordings.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTan Dun’s C-A-G-E, fingering for piano (1994) looks between traditional East and contemporary West. The piano becomes a “relative” of Chinese traditional instruments but also pays\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e homage to one of the 20th century’s most revolutionary Western composers, John Cage, by using the Flemish compositional artifice of associating a pitch to every letter of his name.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn the case of Philip Corner, prominent American composer based in Italy, the piano is an open field were all ways of sound production are welcome, and the keyboard is one among many. The priority is the realization of the compositional idea of each piece, moving within the boundaries of a few written indications, “verbal instructions turning into poetry”, as the author says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThree different sonorous and musical worlds, three different ways of reshaping the piano, but one common trait: the desire to wonder while listening, to reach “a hearing whose moment in time is always daybreak,” as Lucia Dlugoszewski once wrote.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eItalian pianist Agnese Toniutti dedicates herself to the exploration and research on peculiar piano repertoire, sometimes little-known, often revolving around the concept of sound and its role in musical composition. Cage, Scelsi, Cardini are some of her favorites; incursions into the territory of improvisation, performance and extemporary composition, also encouraged by the study of art movements in the Seventies, are constantly increasing in time.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Agnese Toniutti\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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イタリアのピアニストAgnese Toniuttiが、2021年3月にコンテンポラリーレーベルNeumaからリリースしたCDです。 Philip CornerやLucia Dlugoszewskiの楽曲を独自の解釈でアレンジしたピアノ独奏9曲を収録。 レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at...
¥1,890
クイックビュー
{"id":7062734962853,"title":"Harry Partch Ensemble \/ Danlee Mitchell \/\/ The Bewitched: A Ballet Satire CD","handle":"harry-partch-ensemble-danlee-mitchell-the-bewitched-a-ballet-satire-cd","description":"\u003cp\u003eアメリカの実験音楽家Harry Partch\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e(1901-1974)が1957年に初演した劇作品の1980年録音盤。バイノーラル録音により臨場感たっぷりです。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=823987851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Neuma Records\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTHIS IS A BINAURAL RECORDING, BEST HEARD ON HEADPHONES\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIsabella Tercero - The Witch\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Hamlin - Adapted Koto\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePhil Keeney - Spoils of War\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCris Forster - Marimba Eroica\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRandy Hoffman - Cloud Chamber Bowls\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrancis Thumm - Chromelodeon I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJon Szanto - New Boo I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDan Maureen - Bass Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDonna Caruso - Piccolo and flute\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobert Paredes - Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Dunn - Adapted Viola\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobin Gillette and Anita Mitchell - Kithara II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Caruso - Diamond Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGary Irvine - Bass Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Savage and Paul William Simons - Harmonic Canon II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Engel - Surrogate Kithara\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that could use a good dose of reality, he hit upon the idea of a witch who would go around scenes of everyday American life, and, wielding her ancient magical powers, deliver a much-needed smiting of self-awareness. Harry would write the ‘background music’ for them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a real-life chorus of lost musicians at his disposal (renegade players from the Bay Area, disillusioned by their regular gigs, who would show up at his Gate 5 studio in Sausalito to hang loose and play his instruments), he had the basis of The Bewitched (A Ballet Satire). The set ups for the denouements occur in ten scenes covering a soap opera’s range of episodes, all ripe for revelation: students out for an exotic club night, a dreary music class, a smarmy seducer, a new-music fan, a losing basketball team taking a hot shower, first kissers in a stairwell, slapstick detectives, a judge in his court, a politician in paradise with scandalous houris, and a cocktail party of the fashionable elite. You get the idea. It’s a good dose of fun with a serious intent and more reveals than HGTV. The musicians themselves also participate in the psychological stripteases, united by the common bond of music, conjuring their collective energy before disappearing again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnly produced a few times since its premiere in Illinois in 1957, this 1980 production on his original set of instruments, directed by Danlee Mitchell, was the first Partch work to be taken abroad (in a radical production conceived by Kenneth Gaburo). It was the centerpiece of the huge Für Augen und Öhren, Berlin Festival, in West Germany, and took place in the Academy of Arts, a few feet from the Berlin Wall (repression, anyone?). An outfit from the RIAS (Radio in the American Sector) came to record the performance with a binaural head microphone setup. This recording (best heard on headphones) therefore closely represents the experience of an audience member at a live Partch event, featuring the natural acoustic balance of the instruments, occasionally punctuated by coughs and gasps of the packed audience, dancers’ footsteps, and flying basketballs. All generating the rare Corporeal magic that fuels the power of much-needed truthing.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch Ensemble, Danlee Mitchell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e","published_at":"2021-09-24T16:53:32+09:00","created_at":"2021-09-24T15:18:35+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neuma records"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40868256448677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Harry Partch Ensemble \/ Danlee Mitchell \/\/ The Bewitched: A Ballet Satire CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","options":["Title"],"media":[{"alt":null,"id":23819108090021,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_76b648da-0a20-4544-b81b-74da3aecccf2.jpg?v=1632464317","width":700},{"alt":null,"id":23819108122789,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_73498ae0-da02-4073-9438-0414ae66db89.jpg?v=1632464317","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Harry Partch\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e(1901-1974)が1957年に初演した劇作品の1980年録音盤。バイノーラル録音により臨場感たっぷりです。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=823987851\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/neuma\"\u003ehere\u003c\/a\u003e to see more Neuma Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Neuma Records\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTHIS IS A BINAURAL RECORDING, BEST HEARD ON HEADPHONES\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIsabella Tercero - The Witch\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePeter Hamlin - Adapted Koto\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePhil Keeney - Spoils of War\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCris Forster - Marimba Eroica\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRandy Hoffman - Cloud Chamber Bowls\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrancis Thumm - Chromelodeon I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJon Szanto - New Boo I\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDan Maureen - Bass Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDonna Caruso - Piccolo and flute\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobert Paredes - Clarinet\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Dunn - Adapted Viola\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRobin Gillette and Anita Mitchell - Kithara II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Caruso - Diamond Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGary Irvine - Bass Marimba\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDavid Savage and Paul William Simons - Harmonic Canon II\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eRon Engel - Surrogate Kithara\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDramatic moments of enlightenment – when the mask is dropped and truth revealed – are found in tales from the Buddha and Euripides to Scooby Doo and Star Wars. And few artists have been as\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e fascinated by niggling the clueless or deflating the stuck-up as Harry Partch (1901-1974). As a lifelong outsider, the conformist society he experienced and the narrow-minded attitudes (not to mention musical delusions) that permeated it, are themes to which he often returned. In the 1950s, seeing a world that could use a good dose of reality, he hit upon the idea of a witch who would go around scenes of everyday American life, and, wielding her ancient magical powers, deliver a much-needed smiting of self-awareness. Harry would write the ‘background music’ for them.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWith a real-life chorus of lost musicians at his disposal (renegade players from the Bay Area, disillusioned by their regular gigs, who would show up at his Gate 5 studio in Sausalito to hang loose and play his instruments), he had the basis of The Bewitched (A Ballet Satire). The set ups for the denouements occur in ten scenes covering a soap opera’s range of episodes, all ripe for revelation: students out for an exotic club night, a dreary music class, a smarmy seducer, a new-music fan, a losing basketball team taking a hot shower, first kissers in a stairwell, slapstick detectives, a judge in his court, a politician in paradise with scandalous houris, and a cocktail party of the fashionable elite. You get the idea. It’s a good dose of fun with a serious intent and more reveals than HGTV. The musicians themselves also participate in the psychological stripteases, united by the common bond of music, conjuring their collective energy before disappearing again.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOnly produced a few times since its premiere in Illinois in 1957, this 1980 production on his original set of instruments, directed by Danlee Mitchell, was the first Partch work to be taken abroad (in a radical production conceived by Kenneth Gaburo). It was the centerpiece of the huge Für Augen und Öhren, Berlin Festival, in West Germany, and took place in the Academy of Arts, a few feet from the Berlin Wall (repression, anyone?). An outfit from the RIAS (Radio in the American Sector) came to record the performance with a binaural head microphone setup. This recording (best heard on headphones) therefore closely represents the experience of an audience member at a live Partch event, featuring the natural acoustic balance of the instruments, occasionally punctuated by coughs and gasps of the packed audience, dancers’ footsteps, and flying basketballs. All generating the rare Corporeal magic that fuels the power of much-needed truthing.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Harry Partch Ensemble, Danlee Mitchell\u003c\/p\u003e\n\u003cp\u003eLabel : Neuma Records\u003c\/p\u003e"}
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アメリカの実験音楽家Harry Partch(1901-1974)が1957年に初演した劇作品の1980年録音盤。バイノーラル録音により臨場感たっぷりです。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Neuma Records releases available at Tobira. --------------------------------...
¥1,980
クイックビュー
{"id":7057053647013,"title":"Twig Harper \/\/ Classical Electronics TAPE","handle":"twig-harper-classical-electronics-tape","description":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documentsを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にHansonやThrill Jockey、Open Mouthなどから発表している同国ボルチモアの実験音楽家Twig Harperが、2021年9月に150本限定でリリースした最新カセットです。タイトルの通り、カオティックなスコアをクラシック楽器とエレクトロニクスで演奏した実験作品です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2149949984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe new cassette from Baltimore’s Twig Harper actively evades an easy explanation. Filled with punctuations of madness bookended by moments of sparse calm. At times it can sound like a swarm of orchestral bees descending and crashing into your skull. Between climaxes the scattered sounds linger in piles moaning with guttural burps and hypnotic wheezes. This chaotic score will no doubt swirl around you while cinematic images project on the wall of your mind cave.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twig Harper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-21T16:50:22+09:00","created_at":"2021-09-21T13:56:33+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","radical documents","tape"],"price":156000,"price_min":156000,"price_max":156000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40849605525669,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Twig Harper \/\/ Classical Electronics TAPE","public_title":null,"options":["Default Title"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","options":["Title"],"media":[{"alt":null,"id":23778934554789,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl1_ed7853fd-aee1-48e9-9547-30bb0a27543e.jpg?v=1632200195","width":700},{"alt":null,"id":23778934587557,"position":2,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cl2_319e4dfe-4643-40a0-9891-7051359fd200.jpg?v=1632200195","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴの実験レーベルRadical Documentsを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にHansonやThrill Jockey、Open Mouthなどから発表している同国ボルチモアの実験音楽家Twig Harperが、2021年9月に150本限定でリリースした最新カセットです。タイトルの通り、カオティックなスコアをクラシック楽器とエレクトロニクスで演奏した実験作品です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eカセットのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2149949984\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raddoc\"\u003ehere\u003c\/a\u003e to see more Radical Documents releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 150.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe new cassette from Baltimore’s Twig Harper actively evades an easy explanation. Filled with punctuations of madness bookended by moments of sparse calm. At times it can sound like a swarm of orchestral bees descending and crashing into your skull. Between climaxes the scattered sounds linger in piles moaning with guttural burps and hypnotic wheezes. This chaotic score will no doubt swirl around you while cinematic images project on the wall of your mind cave.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Twig Harper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRadical Documents\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴの実験レーベルRadical Documentsを入荷しました。 本作は、過去にHansonやThrill Jockey、Open Mouthなどから発表している同国ボルチモアの実験音楽家Twig Harperが、2021年9月に150本限定でリリースした最新カセットです。タイトルの通り、カオティックなスコアをクラシック楽器とエレクトロニクスで演奏した実験作品です。 カセットのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Radical Documents releases...
¥1,560
クイックビュー
{"id":7046519586981,"title":"Jeroen Diepenmaat + Wouter van Veldhoven \/\/ Struin \/ Stop TAPE","handle":"jeroen-diepenmaat-wouter-van-veldhoven-struin-stop-tape","description":"\u003cp\u003eオランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485721863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eStruin' by Jeroen Diepenmaat is made entirely on a modular synthesizer with two self-built CV controlled turntables. The pulse from the oscillator drives the turntables and by varying the frequencies, the pitch and the intervals of both playing records change. One record player plays a record with bird sounds, on the other you can hear frogs.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stop' by Wouter van Veldhoven is a somewhat minimalist piece consisting of a Risset rhythm of real and unreal metal sounds. Using the rhythmic structures by Jean Claude Risset, an illusion of continuously slowing down is perceived. These sounds were then run through an improvised plate reverb and recorded on a rather tinny sounding wire recorder. In the second part, a rickety violin and Wouter van Veldhoven's own equally unstable vocals slowly take over, recorded on the worst piece of audio tape he could find.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWouter van Veldhoven has been working with wonky tape recorders and related equipment (wire recorders, disc recorders, etc.) since 2005. He tries to get these machines working again with all sorts of trickery, or at the very least have them producing or processing sound in some way. Starting from a cabinet of self-built curiosities, he carefully builds detailed sound layers, like some sort of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e magician.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeroen Diepenmaat is a visual artist with a predilection for sound. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other. In the past few years his excursions into the world of modular synths have increased and spawn all sorts of related inventions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Frans de Waard (Vital Weekly):\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Here we have a split cassette by two Dutch sound artists whose work I appreciate quite a bit. I know Van Veldhoven a bit longer than Diepenmaat, but by now both of them have released an impressive amount of work. Both artists can be seen as an inventor, tinkering with machines. First, we have Van Diepenmaat with 'Struin', a work for modular synthesizer and two CV controlled turntables, that Diepenmaat made in conjunction with the field kit, a creation from Koma Elektronik. Van Veldhoven has 74 reel-to-reel recorders at home (at least when I visited him some time ago), and creates constructions with these machines, with loops that can also be CV controlled. The results are quite different. Van Diepenmaat's 'Struin' (which means 'wander' in English) opens up with what seems to be the sound of insects or frogs, but quickly you'll learn that these are electronic sounds. There is a pulse also, that goes along with the imitation of animal sounds (or, maybe, these are from a record that Van Diepenmaat is playing at any speed, backwards as well as forwards), but slowly it all moves towards a more electronic field, with occasional sharp tones. The piece has a somewhat improvised feeling and remains open towards the end. On the other side, there is 'Stop' (which is Dutch for 'Stop') by Wouter van Veldhoven, who works with the rhythmic structures by Jean-Claude Risset, which open up here. The music is on a repeat mission, but slowing down over a few minutes, and yet it never gets to a final standstill. At two-third new sound elements are added on rather worn out tape (so says the label), apparently violin and voice, but it is hard to say if it is just that. Van Veldhoven's piece is not as Empty as Diepenmaat but shares a similar 'free' approach to composing or improvising here (there is a thin line, I would say). Comes in a nice riso-printed carton sleeve.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeroen Diepenmaat \/ Wouter van Veldhoven\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e","published_at":"2021-09-17T08:50:14+09:00","created_at":"2021-09-15T11:59:52+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","esc.rec.","monooto","tape"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40813346619557,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jeroen Diepenmaat + Wouter van Veldhoven \/\/ Struin \/ Stop TAPE","public_title":null,"options":["Default Title"],"price":195000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","options":["Title"],"media":[{"alt":null,"id":23716525113509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st1_49bbcfe5-25c1-4a69-bf9a-ea55de7a537b.jpg?v=1631674794","width":700},{"alt":null,"id":23716525146277,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/st2_3ab6f3a7-f9ad-41fb-a54f-5d937c6af715.jpg?v=1631674794","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3485721863\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eText by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e'\u003cem\u003eStruin' by Jeroen Diepenmaat is made entirely on a modular synthesizer with two self-built CV controlled turntables. The pulse from the oscillator drives the turntables and by varying the frequencies, the pitch and the intervals of both playing records change. One record player plays a record with bird sounds, on the other you can hear frogs.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Stop' by Wouter van Veldhoven is a somewhat minimalist piece consisting of a Risset rhythm of real and unreal metal sounds. Using the rhythmic structures by Jean Claude Risset, an illusion of continuously slowing down is perceived. These sounds were then run through an improvised plate reverb and recorded on a rather tinny sounding wire recorder. In the second part, a rickety violin and Wouter van Veldhoven's own equally unstable vocals slowly take over, recorded on the worst piece of audio tape he could find.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWouter van Veldhoven has been working with wonky tape recorders and related equipment (wire recorders, disc recorders, etc.) since 2005. He tries to get these machines working again with all sorts of trickery, or at the very least have them producing or processing sound in some way. Starting from a cabinet of self-built curiosities, he carefully builds detailed sound layers, like some sort of\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e magician.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJeroen Diepenmaat is a visual artist with a predilection for sound. In his work, consisting of drawings, sculptures, installations and performances, he explores the cutting edge between image and sound and the transition from one to the other. In the past few years his excursions into the world of modular synths have increased and spawn all sorts of related inventions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eReview by Frans de Waard (Vital Weekly):\u003cbr\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Here we have a split cassette by two Dutch sound artists whose work I appreciate quite a bit. I know Van Veldhoven a bit longer than Diepenmaat, but by now both of them have released an impressive amount of work. Both artists can be seen as an inventor, tinkering with machines. First, we have Van Diepenmaat with 'Struin', a work for modular synthesizer and two CV controlled turntables, that Diepenmaat made in conjunction with the field kit, a creation from Koma Elektronik. Van Veldhoven has 74 reel-to-reel recorders at home (at least when I visited him some time ago), and creates constructions with these machines, with loops that can also be CV controlled. The results are quite different. Van Diepenmaat's 'Struin' (which means 'wander' in English) opens up with what seems to be the sound of insects or frogs, but quickly you'll learn that these are electronic sounds. There is a pulse also, that goes along with the imitation of animal sounds (or, maybe, these are from a record that Van Diepenmaat is playing at any speed, backwards as well as forwards), but slowly it all moves towards a more electronic field, with occasional sharp tones. The piece has a somewhat improvised feeling and remains open towards the end. On the other side, there is 'Stop' (which is Dutch for 'Stop') by Wouter van Veldhoven, who works with the rhythmic structures by Jean-Claude Risset, which open up here. The music is on a repeat mission, but slowing down over a few minutes, and yet it never gets to a final standstill. At two-third new sound elements are added on rather worn out tape (so says the label), apparently violin and voice, but it is hard to say if it is just that. Van Veldhoven's piece is not as Empty as Diepenmaat but shares a similar 'free' approach to composing or improvising here (there is a thin line, I would say). Comes in a nice riso-printed carton sleeve.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeroen Diepenmaat \/ Wouter van Veldhoven\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec.\u003c\/p\u003e"}
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オランダのサウンドアーティストJeroen DiepenmaatとWouter van Veldhovenによるスプリットカセットが、2021年7月に同国実験レーベルesc. rec.より50本限定でリリースしたカセット。A面Jeroen Diepenmaatは、モジュラーシンセと手製CVコントロールターンテーブルによるインスタレーション風の音響作品を、B面Wouter van Veldhovenは、メタルによるガムラン風のミニマルミュージックを収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases...
¥1,950
クイックビュー
{"id":7041717698725,"title":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","handle":"dvasle","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-12T17:03:59+09:00","created_at":"2021-09-12T17:03:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","field recording","monooto","room40"],"price":299000,"price_min":299000,"price_max":299000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40796730523813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","public_title":null,"options":["Default Title"],"price":299000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","options":["Title"],"media":[{"alt":null,"id":23687561904293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0762176011_16.jpg?v=1631433880","width":700},{"alt":null,"id":23687560888485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366781_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560724645,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366782_10.jpg?v=1631433880","width":1200},{"alt":null,"id":23687560822949,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025366784_10.jpg?v=1631433880","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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イギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年にオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。 24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。 「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。 この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-鈴木昭男 David Toop -...
¥2,990
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{"id":7026896175269,"title":"Reverend Claire \/\/ Medjugorje TAPE","handle":"reverend-claire-medjugorje-tape","description":"\u003cp\u003eアメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189650809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003ehere\u003c\/a\u003e to see more Orb Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I have always felt that God has been leading me, in that I'm only an instrument. Who am I without Him, anyway? I rely on prayer and fasting to help me live according to His will, and to help me fulfill my role as a messenger.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Mirjana Dragicevic, Medjugorje\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reverend Claire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrb Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-07T09:35:06+09:00","created_at":"2021-09-06T18:27:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","noise","Orb Tapes","tape"],"price":145000,"price_min":145000,"price_max":145000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40739271901349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Reverend Claire \/\/ Medjugorje TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","options":["Title"],"media":[{"alt":null,"id":23622862307493,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","width":700},{"alt":null,"id":23622862340261,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189650809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003ehere\u003c\/a\u003e to see more Orb Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I have always felt that God has been leading me, in that I'm only an instrument. Who am I without Him, anyway? I rely on prayer and fasting to help me live according to His will, and to help me fulfill my role as a messenger.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Mirjana Dragicevic, Medjugorje\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reverend Claire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrb Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Orb Tapes releases available at Tobira. -----------------------------...
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{"id":7019022712997,"title":"Renato Grieco + Bruno Duplant \/\/ La Disparition CD","handle":"renato-grieco-bruno-duplant-la-disparition-cd","description":"\u003cp\u003e KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003eイタリアのFabio Parletta主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e901 EditionsからリリースしたCDです\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの小説家Georges Perecの作品「\u003cmeta charset=\"utf-8\"\u003eLa Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなアコースティックドローン2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64433840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003ehere\u003c\/a\u003e to see more 901 Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eText by 901 Editions : \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eInspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScore and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Renato Grieco + Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : 901 Editions\u003c\/p\u003e","published_at":"2021-09-02T11:31:18+09:00","created_at":"2021-09-02T10:47:01+09:00","vendor":"Tobira Records","type":"","tags":["901 Editions","cd","contemporary \/ sound poetry","drone"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40710185156773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Renato Grieco + Bruno Duplant \/\/ La Disparition CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","\/\/tobirarecords.com\/cdn\/shop\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223","\/\/tobirarecords.com\/cdn\/shop\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","options":["Title"],"media":[{"alt":null,"id":23576533237925,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","width":700},{"alt":null,"id":23576533270693,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223","width":1200},{"alt":null,"id":23576533303461,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2021年8月に\u003c\/span\u003eイタリアのFabio Parletta主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e901 EditionsからリリースしたCDです\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの小説家Georges Perecの作品「\u003cmeta charset=\"utf-8\"\u003eLa Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルなアコースティックドローン2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64433840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003ehere\u003c\/a\u003e to see more 901 Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eText by 901 Editions : \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eInspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScore and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Renato Grieco + Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : 901 Editions\u003c\/p\u003e"}
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KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、2021年8月にイタリアのFabio Parletta主宰レーベル901 EditionsからリリースしたCDです。 フランスの小説家Georges Perecの作品「La Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。 ミニマルなアコースティックドローン2曲を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more 901...
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{"id":7019009867941,"title":"Molly McCann \/\/ Das Jahr 2020 CD","handle":"molly-mccann-das-jahr-2020-cd","description":"\u003cp\u003eアメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197583524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200 glass-mastered CDs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 8-page insert with program notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Sean McCann (Recital):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDas Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. After encouraging my sister to record her piano playing for years, she embarked on her first recording project with Fanny Mendelssohn Hensel’s Das Jahr (“The Year”, 1841), a groundbreaking cycle of twelve thematically and harmonically interlocked character pieces depicting the twelve months of the year. Putting aside her usual toil for perfection, Molly embraced a larger conceptual experience, both personal and musical in nature: to learn and perform each piece of the cycle in the corresponding calendar month, knowing the accelerated timeline would push her outside of her comfort zone and require a renewed approach to and understanding of time. With a creaky, slightly out-of-tune upright piano and her cellphone’s built-in microphone, the monthly self-recordings began in January of 2020.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFanny Hensel on composing Das Jahr,\u003cbr data-mce-fragment=\"1\"\u003eLetter to August Elsasser, Nov. 11, 1841\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“And so we try to ornament and prettify our lives—that is the advantage of artists, that they can strew such beautifications about, for those nearby to take an interest in.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly McCann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e","published_at":"2021-09-03T15:38:08+09:00","created_at":"2021-09-02T10:36:01+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neo classical","Recital"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40710137741477,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Molly McCann \/\/ Das Jahr 2020 CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/das1.jpg?v=1630546564","\/\/tobirarecords.com\/cdn\/shop\/products\/das2.jpg?v=1630546564","\/\/tobirarecords.com\/cdn\/shop\/products\/das3.jpg?v=1630546565","\/\/tobirarecords.com\/cdn\/shop\/products\/das4.jpg?v=1630546565"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/das1.jpg?v=1630546564","options":["Title"],"media":[{"alt":null,"id":23576432312485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das1.jpg?v=1630546564"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das1.jpg?v=1630546564","width":700},{"alt":null,"id":23576432345253,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das2.jpg?v=1630546564"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das2.jpg?v=1630546564","width":1200},{"alt":null,"id":23576432378021,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das3.jpg?v=1630546565"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das3.jpg?v=1630546565","width":1200},{"alt":null,"id":23576432410789,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das4.jpg?v=1630546565"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/das4.jpg?v=1630546565","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197583524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200 glass-mastered CDs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 8-page insert with program notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Sean McCann (Recital):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDas Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. 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{"id":7017395290277,"title":"Loren Rush \/\/ Dans le Sable LP \/ CD","handle":"loren-rush-dans-le-sable-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面の全てを占めている大作オペラ\u003cspan data-mce-fragment=\"1\"\u003e「Dans le Sable」を含め、完璧に配置された構成やフレーズに息を呑むクラシカルミュージック〜催眠パーカッション曲など3曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3210825439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP Edition of 500, 175gram, \u003c\/span\u003e\u003cspan\u003e11\"x11\" insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCD Edition of 250, glass mastered, 8-page insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescription by Recital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe title piece \"Dans le Sable\" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kajsa Lindgren\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-09-01T19:06:59+09:00","created_at":"2021-09-01T19:06:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","neo classical","Recital","recommended"],"price":225000,"price_min":225000,"price_max":365000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40703566643365,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loren Rush \/\/ Dans le Sable LP \/ CD - LP","public_title":"LP","options":["LP"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40703566676133,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loren Rush \/\/ Dans le Sable LP \/ CD - CD","public_title":"CD","options":["CD"],"price":225000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0552450176_16.jpg?v=1630491538","\/\/tobirarecords.com\/cdn\/shop\/products\/0025911702_10.jpg?v=1630491538","\/\/tobirarecords.com\/cdn\/shop\/products\/0025911743_10.jpg?v=1630491540"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0552450176_16.jpg?v=1630491538","options":["Format"],"media":[{"alt":null,"id":23568321675429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0552450176_16.jpg?v=1630491538"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0552450176_16.jpg?v=1630491538","width":700},{"alt":null,"id":23568321773733,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025911702_10.jpg?v=1630491538"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025911702_10.jpg?v=1630491538","width":1200},{"alt":null,"id":23568322232485,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025911743_10.jpg?v=1630491540"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025911743_10.jpg?v=1630491540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面の全てを占めている大作オペラ\u003cspan data-mce-fragment=\"1\"\u003e「Dans le Sable」を含め、完璧に配置された構成やフレーズに息を呑むクラシカルミュージック〜催眠パーカッション曲など3曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3210825439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP Edition of 500, 175gram, \u003c\/span\u003e\u003cspan\u003e11\"x11\" insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCD Edition of 250, glass mastered, 8-page insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescription by Recital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe title piece \"Dans le Sable\" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kajsa Lindgren\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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アメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。 本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学のCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。 A面の全てを占めている大作オペラ「Dans...
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{"id":6991913549989,"title":"Nick Storring \/\/ Newfoundout CD","handle":"nick-storring-newfoundout-cd","description":"\u003cp\u003eOrange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356424885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003ehere\u003c\/a\u003e to see more Mappa releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll selections are named after ghost towns around Ontario, Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDome is dedicated to the memory of Noah Creshevsky\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed, performed, recorded, produced, and mastered by Nick Storring using acoustic and electromechanical instruments\/ treatments, and only the minimum of effects processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Adam Badi Donoval:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical\/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. The music here doesn’t just evoke imagined landscapes or unique sonic worlds, but it seems to be toying with the idea of a protagonist or a narrative. The pieces move with intent, unravelling in their course moving tales, haunting ancient stories and whispered rumours. There is an underlying aura of mystery and ghostliness which is also reflected in the track titles: all are named after ghost towns around Ontario, Canada. ‘Newfoundout’ is a truly fascinating new entry in Storring’s discography; one which not only highlights his strengths and refines his approach, but also showcases the breadth of his vision. It’s an album where hyperrealism meets psychedelia, where strange dreams meet cinematic grandeur.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePoem by Eric Chenaux:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI hear Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly they are not there.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music seems convinced of the presence of Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat was my first coherent thought after listening to Newfoundout\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what must be a profound list of instruments or sound sources heard on this record,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI doubt we will find Milton Nascimento, Nana Caymmi, or Maria Bethânia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hallucinated them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBecause hallucinations are clear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd there is a lot of hallucinating going on here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music hallucinates itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd leaves space for us to hallucinate along with it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe instruments play, and they play wildly, in a state of hallucination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music slides in a slow and light state of relocation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e a balade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd as we sway we may notice things, they may come to us,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eoften only for mere seconds before evaporating in a clear decay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe hallucination is the space in between us and the music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe space, ever-modulating, of the encounter itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn encounter constantly and slowly composing and decomposing,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eforming and deforming and sensually blurring the lines in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA clear haze.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music guts and lushes without rising or falling.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not an orchestra\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not a paragraph.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA bordel of instruments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClumps of moss.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStretched out like rubber bands.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey sway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlat on the ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHanging under a tree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA band in a hammock.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the grass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey are squatting in the heat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music thinks birds sing just for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA radical obedience of joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a rub.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is some kind of rubbing music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything breaths here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhartum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTropical lungs. Steamy courtyard. A clear sweetnighter.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtist : Nick Storring\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e","published_at":"2021-08-21T15:05:54+09:00","created_at":"2021-08-21T10:38:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Mappa","monooto","sale22","strange beats"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40628143030437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nick Storring \/\/ Newfoundout CD","public_title":null,"options":["Default Title"],"price":195000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","options":["Title"],"media":[{"alt":null,"id":23443436306597,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","width":700},{"alt":null,"id":23443436339365,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOrange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356424885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003ehere\u003c\/a\u003e to see more Mappa releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll selections are named after ghost towns around Ontario, Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDome is dedicated to the memory of Noah Creshevsky\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed, performed, recorded, produced, and mastered by Nick Storring using acoustic and electromechanical instruments\/ treatments, and only the minimum of effects processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Adam Badi Donoval:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical\/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. The music here doesn’t just evoke imagined landscapes or unique sonic worlds, but it seems to be toying with the idea of a protagonist or a narrative. The pieces move with intent, unravelling in their course moving tales, haunting ancient stories and whispered rumours. There is an underlying aura of mystery and ghostliness which is also reflected in the track titles: all are named after ghost towns around Ontario, Canada. ‘Newfoundout’ is a truly fascinating new entry in Storring’s discography; one which not only highlights his strengths and refines his approach, but also showcases the breadth of his vision. It’s an album where hyperrealism meets psychedelia, where strange dreams meet cinematic grandeur.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePoem by Eric Chenaux:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI hear Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly they are not there.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music seems convinced of the presence of Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat was my first coherent thought after listening to Newfoundout\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what must be a profound list of instruments or sound sources heard on this record,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI doubt we will find Milton Nascimento, Nana Caymmi, or Maria Bethânia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hallucinated them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBecause hallucinations are clear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd there is a lot of hallucinating going on here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music hallucinates itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd leaves space for us to hallucinate along with it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe instruments play, and they play wildly, in a state of hallucination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music slides in a slow and light state of relocation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e a balade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd as we sway we may notice things, they may come to us,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eoften only for mere seconds before evaporating in a clear decay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe hallucination is the space in between us and the music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe space, ever-modulating, of the encounter itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn encounter constantly and slowly composing and decomposing,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eforming and deforming and sensually blurring the lines in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA clear haze.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music guts and lushes without rising or falling.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not an orchestra\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not a paragraph.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA bordel of instruments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClumps of moss.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStretched out like rubber bands.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey sway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlat on the ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHanging under a tree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA band in a hammock.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the grass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey are squatting in the heat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music thinks birds sing just for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA radical obedience of joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a rub.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is some kind of rubbing music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything breaths here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhartum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTropical lungs. Steamy courtyard. A clear sweetnighter.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtist : Nick Storring\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e"}
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Orange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースしたアルバムです。 全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Mappa releases available at Tobira. ----------------------------...
¥1,950
クイックビュー
{"id":6983055311013,"title":"Dale Gorfinkel \/\/ Switches and Hose LP","handle":"dale-gorfinkel-switches-and-hose-cd","description":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491238848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e to see more - releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSplitrec:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDale builds automated sonic contraptions and modifies other instruments, especially the vibraphone and trumpet. He often uses common materials to create unexpected \u0026amp; immersive sonic environments. Some installations seek to reframe technology through the intersection of electro\/acoustic and new\/old mediums, such as his use of data projectors \u0026amp; spinning styrofoam causing quasi-holograms. Some installations illuminate acoustic phenomena and are effected by solar \u0026amp; wind activity. Many works also welcome a tactile interactivity especially popular with children. Dale has recently been playing around with footpumps, garden irrigation and balloons.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Gorfinkel\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e","published_at":"2021-08-27T12:21:19+09:00","created_at":"2021-08-17T10:30:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598227320997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dale Gorfinkel \/\/ Switches and Hose LP","public_title":null,"options":["Default Title"],"price":248000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828","options":["Title"],"media":[{"alt":null,"id":23384541102245,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491238848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e to see more - releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSplitrec:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDale builds automated sonic contraptions and modifies other instruments, especially the vibraphone and trumpet. He often uses common materials to create unexpected \u0026amp; immersive sonic environments. Some installations seek to reframe technology through the intersection of electro\/acoustic and new\/old mediums, such as his use of data projectors \u0026amp; spinning styrofoam causing quasi-holograms. Some installations illuminate acoustic phenomena and are effected by solar \u0026amp; wind activity. Many works also welcome a tactile interactivity especially popular with children. Dale has recently been playing around with footpumps, garden irrigation and balloons.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Gorfinkel\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。 レーベルその他作品はこちら /// Click here to see more - releases available at Tobira. ----------------- Description by Splitrec:...
¥2,480
クイックビュー
{"id":6983046496421,"title":"Arthur Cantrill \/\/ Hootonics LP","handle":"arthur-cantrill-hootonics-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-27T11:44:53+09:00","created_at":"2021-08-17T10:16:36+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","noise","shame file music"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598192914597,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arthur Cantrill \/\/ Hootonics LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","options":["Title"],"media":[{"alt":null,"id":23384482218149,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家Harry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at...
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{"id":6983038304421,"title":"Scott King \/\/ All Celebrities Are Dead And The Telly is Empty TAPE","handle":"scott-king-all-celebrities-are-dead-and-the-telly-is-empty-tape","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eid Magazineのアートディレクターを務めていたイギリス・ロンドンの詩人／実験音楽家Scott Kingが、2021年7月に同国Industrial Coastからリリースした最新作です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e封筒とポストカードが付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=840934030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unexpected result of the pandemic. All celebrities have killed themselves \u0026amp; there is nothing on TV. What are we going to do with our time now?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 2nd spoken word track from Scott accompanies this - Nostalgia - as a weary eye is cast over his ancestry\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces are then subjected to musical interpretation by Microcorps, DJ Damage (his last ever work?), TSM, Richard Vergez \u0026amp; The Statins\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover art \u0026amp; postcard by Scott King. Presentation envelope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Scott King\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-17T10:37:04+09:00","created_at":"2021-08-17T09:56:01+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","industrial coast","monooto","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598147465381,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scott King \/\/ All Celebrities Are Dead And The Telly is Empty TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","options":["Title"],"media":[{"alt":null,"id":23384418779301,"position":1,"preview_image":{"aspect_ratio":1.501,"height":617,"width":926,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951"},"aspect_ratio":1.501,"height":617,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","width":926},{"alt":null,"id":23384418812069,"position":2,"preview_image":{"aspect_ratio":0.89,"height":1200,"width":1068,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951"},"aspect_ratio":0.89,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951","width":1068}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eid Magazineのアートディレクターを務めていたイギリス・ロンドンの詩人／実験音楽家Scott Kingが、2021年7月に同国Industrial Coastからリリースした最新作です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e封筒とポストカードが付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=840934030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unexpected result of the pandemic. All celebrities have killed themselves \u0026amp; there is nothing on TV. What are we going to do with our time now?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 2nd spoken word track from Scott accompanies this - Nostalgia - as a weary eye is cast over his ancestry\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces are then subjected to musical interpretation by Microcorps, DJ Damage (his last ever work?), TSM, Richard Vergez \u0026amp; The Statins\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover art \u0026amp; postcard by Scott King. Presentation envelope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Scott King\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e"}
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id Magazineのアートディレクターを務めていたイギリス・ロンドンの詩人／実験音楽家Scott Kingが、2021年7月に同国Industrial Coastからリリースした最新作です。 彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。 封筒とポストカードが付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Industrial...
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{"id":6961050157221,"title":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","handle":"percussion-in-surround-memory-in-motion-mode-325-dvd","description":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2021-08-08T17:20:12+09:00","created_at":"2021-08-08T12:09:33+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","mode","monooto","sale22","strange beats"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528789438629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","options":["Title"],"media":[{"alt":null,"id":23256482545829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e"}
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アンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。 収録曲： Iannis Xenakis Persephassa (1969) for six percussionits 28:10Zihua TanSorites (2015) for...
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{"id":6961048420517,"title":"John Cage \/\/ Complete Cage Edition 54: The Works for Piano 11: Cheap Imitation CD","handle":"jc54","description":"\u003cp\u003eJohn Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Pritchettによるライナーノートが付属。\u003c\/span\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”ケージは、マース・カニングハムの振付のために、エリック・サティの「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et diver- tissements』に収録されている別の曲『The swing』にも同じ手法を適用し、『Swinging』というタイトルをつけた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「All sides of the small stone...」は、サティの「Gymnopedies」から派生した、まったく歴史のわからない曲である。アメリカの作曲家ジェームス・テニーの作品の楽譜の裏に書かれた1ページの音楽原稿には、\"John \"というサインと \"7\/78 \"という日付が記されているだけである。この原稿は、テニーの死後、彼の書類を整理しているときに発見されたものである。ケージの作品とされているが、筆跡は彼のものとは思えない。ケージもテニーも、そして他の誰もがこの作品について一言も語っていないので、作曲者は謎のままである。高橋アキはこの未発表作品を初めて録音した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=694206444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCAGE – SATIE – FELDMAN – TAKAHASHI sums up the focus of this album. All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes\/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman made this arrangement in 1980. Knowing of Takahashi’s reputation as a pianist specializing in new music, Feldman had invit- ed her to be an artist in residence at the university where he taught.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen she was leaving, Feldman gave a musical score to Takahashi as a gift. It was a copy of John Cage’s solo piano piece Cheap Imitation with annotations by Feldman. He told her that this was an instrumen- tal version of this piece: flute, piano, and glockenspiel. He signed the title page, just under the original title:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eINSTRUMENTAL VERSION (Fl, Pf, Glock) Morton Feldman\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBuffalo, N.Y. Winter 1980\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDedicated to Aki\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Takahashi\u003cbr data-mce-fragment=\"1\"\u003eCage was to create a two-piano transcription of Erik Satie’s Socrate for a Merce Cunningham choreography, but he was unable to get permission from the publisher. Even worse, he could not even get performance rights to use the published piano-vocal score of Socrate. Cage’s creative solution was to make a piano piece that maintained the exact metrical and phrase structure of Socrate, but with different notes to avoid copyright issues. He called this piece Cheap Imitation. Cunningham responded by calling his dance Second Hand.\u003cbr data-mce-fragment=\"1\"\u003eThe recital is completed by three short works under Satie’s influence. Perpetual Tango is derived from the “Tango” movement of Satie’s Sports et divertissements. Cage’s method was to take the rhythm of the original tango and erase parts of it. He does not specify pitches, but instead gives the pitch ranges of the original piece. The pianist chooses which pitches to play in the rhythm given. In 1989 he applied the same procedure on another piece from Sports et diver- tissements, “The swing;” he titled the result Swinging.\u003cbr data-mce-fragment=\"1\"\u003eAll sides of the small stone... is a composition with a completely unknown history, derived from Satie’s Gymnopédies. All we have is a page of musical manuscript written in the back of a score of a work by American composer James Tenney with the signature “John” and the date “7\/78.” The manuscript was discovered when Tenney’s papers were being organized after his death. It has been attributed to Cage, but the handwriting doesn’t look like his. Neither Cage nor Tenney—nor anyone else, for that matter—said a word about this piece, so its definitive composer will remain a mystery. Aki Takahashi gives the first recording of this unpublished work.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by James Pritchett.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : John Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-08T17:52:49+09:00","created_at":"2021-08-08T12:05:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","recommended"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528778231973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage \/\/ Complete Cage Edition 54: The Works for Piano 11: Cheap Imitation CD","public_title":null,"options":["Default Title"],"price":245000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918","options":["Title"],"media":[{"alt":null,"id":23256461672613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJohn Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Pritchettによるライナーノートが付属。\u003c\/span\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”ケージは、マース・カニングハムの振付のために、エリック・サティの「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et diver- tissements』に収録されている別の曲『The swing』にも同じ手法を適用し、『Swinging』というタイトルをつけた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「All sides of the small stone...」は、サティの「Gymnopedies」から派生した、まったく歴史のわからない曲である。アメリカの作曲家ジェームス・テニーの作品の楽譜の裏に書かれた1ページの音楽原稿には、\"John \"というサインと \"7\/78 \"という日付が記されているだけである。この原稿は、テニーの死後、彼の書類を整理しているときに発見されたものである。ケージの作品とされているが、筆跡は彼のものとは思えない。ケージもテニーも、そして他の誰もがこの作品について一言も語っていないので、作曲者は謎のままである。高橋アキはこの未発表作品を初めて録音した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=694206444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCAGE – SATIE – FELDMAN – TAKAHASHI sums up the focus of this album. All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes\/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman made this arrangement in 1980. Knowing of Takahashi’s reputation as a pianist specializing in new music, Feldman had invit- ed her to be an artist in residence at the university where he taught.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen she was leaving, Feldman gave a musical score to Takahashi as a gift. It was a copy of John Cage’s solo piano piece Cheap Imitation with annotations by Feldman. He told her that this was an instrumen- tal version of this piece: flute, piano, and glockenspiel. He signed the title page, just under the original title:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eINSTRUMENTAL VERSION (Fl, Pf, Glock) Morton Feldman\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBuffalo, N.Y. Winter 1980\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDedicated to Aki\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Takahashi\u003cbr data-mce-fragment=\"1\"\u003eCage was to create a two-piano transcription of Erik Satie’s Socrate for a Merce Cunningham choreography, but he was unable to get permission from the publisher. Even worse, he could not even get performance rights to use the published piano-vocal score of Socrate. Cage’s creative solution was to make a piano piece that maintained the exact metrical and phrase structure of Socrate, but with different notes to avoid copyright issues. He called this piece Cheap Imitation. Cunningham responded by calling his dance Second Hand.\u003cbr data-mce-fragment=\"1\"\u003eThe recital is completed by three short works under Satie’s influence. Perpetual Tango is derived from the “Tango” movement of Satie’s Sports et divertissements. Cage’s method was to take the rhythm of the original tango and erase parts of it. He does not specify pitches, but instead gives the pitch ranges of the original piece. The pianist chooses which pitches to play in the rhythm given. In 1989 he applied the same procedure on another piece from Sports et diver- tissements, “The swing;” he titled the result Swinging.\u003cbr data-mce-fragment=\"1\"\u003eAll sides of the small stone... is a composition with a completely unknown history, derived from Satie’s Gymnopédies. All we have is a page of musical manuscript written in the back of a score of a work by American composer James Tenney with the signature “John” and the date “7\/78.” The manuscript was discovered when Tenney’s papers were being organized after his death. It has been attributed to Cage, but the handwriting doesn’t look like his. Neither Cage nor Tenney—nor anyone else, for that matter—said a word about this piece, so its definitive composer will remain a mystery. Aki Takahashi gives the first recording of this unpublished work.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by James Pritchett.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : John Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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John Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニストJames Pritchettによるライナーノートが付属。以下、レーベル解説です。 ”ケージは、マース・カニングハムの振付のために、エリック・サティの「 Socrate」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「 Socrate」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。このリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et...
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{"id":6937794576549,"title":"Syko Friend \/\/ Fontanelle LP","handle":"syko-friend-fontanelle-lp","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=714107603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSyko Friend is the ongoing solo vision of Los Angeles based musician\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand writer, Sophie Weil. She started Syko Friend in 2012 while living in Minneapolis, recording simply on a Tascam 244 Porta-studio. The project has since developed into a roiling, unmistakable electric folk music— thunderstruck, light-swallowing guitar churning under whispered or howled poetry. Fontanelle is Syko Friend’s second LP, her first since relocating to Los Angeles in 2015, and her first for the newly resurrected Post Present Medium label. It was preceded by \"Problem Child\" (released by Minneapolis label Mind Rider in 2014) and myriad self- released EPs and tapes. Over six years of tireless commitment to DIY touring and mutual aid, Weil has become a lynchpin of her music community in Los Angeles, organizing shows and releases for a multivarious and far-reaching cohort of friends under the banner of her Dove Cove Records. She is known for\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe heaviness of her sensitizing live shows, and has appeared as Syko Friend in underground clubs, community centers, basements, parks, parking lots, forests and farms all over the USA, in cities both populous and oft-neglected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFontanelle refers to the soft and undeveloped spot on an infant’s head. This record earns its surprising title, vulnerable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and tectonic as that closing gap in the skull. Willing to be cared for, side-eyeing utopia skeptically while partaking in the commune. Longing for love, directness, communication and free food. The album finds Syko Friend irradiated, clarified, surfacing from out of shadow, hungry for fresh air and hell bent to bloom. Her rich and human voice turns patiently in the eye of a storm that rages just out of focus beyond the fragrant, rusted hull of her submarine sanctum. This is conspiratorial music, reminiscent at times of the squall of comrades Body\/Head, the avant garde approach of Les Rallizes, the lucidity and understated power of Sibylle Baier.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Liberty,” the first track on Fontanelle, was fleshed out on a west coast tour a couple autumns ago. It opens with an ill-boding siren of guitar swirl that establishes the space. “Remind me how to write your name.” When Weil’s voice arrives, it muses through a beautiful but menacing NorCal-to-Los Angeles pastoral of weed farms, little towns of small cabins and shacks, migrating elk; lush, incredibly green, black sands and rocky edges, sun hazy with smoke from devastating wildfires. “...And I can drink the juice out from your broken glass \/ it’s heavy when the lights get low to recognize \/ and all to see the elk they kneel around me in a circle \/ that’s mother earth she’s standing with her smoking gun.” Here at turns are confession, incantation, direct address, damning accusation as Syko Friend calls forth what’s required. “Kitten Coop,” the second to last track on the record, is a sweeter aspect, a simple arrangement of chiming fingerpicked guitar with murmuring acoustic following it. This one is a love song to a simpler life, oats soaked in milk and honey, a foil to the smoke that we’ve coughed through to get here on the record. Not a dream of a fantasyland, but a longing for a modest and achievable place of plenty. An earnest directive, splashed with flippancy and capped with a beautiful promise: “So find your kitten ranch \/ and buy your chicken coop \/ and I can see the fine light \/ that love is all around you.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFontanelle was tenderly recorded and mixed by Robert Cody and\u003cbr data-mce-fragment=\"1\"\u003eEvan Burrows in the spring of 2019. Electric guitars were tracked in Weil’s garage. Vocals and acoustic guitar were tracked in her closet and bathroom. Her house is situated between the I-5 and the L.A. river, in Elysian Valley. A contact mic affixed to the garage door during basic tracking captured these surrounds, which are mixed into the record as material, inviting the outside in.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Syko Friend\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T10:00:47+09:00","created_at":"2021-07-26T11:41:51+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","lp","post present medium"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443257454757,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Syko Friend \/\/ Fontanelle LP","public_title":null,"options":["Default Title"],"price":245000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","options":["Title"],"media":[{"alt":null,"id":23102324277413,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","width":700},{"alt":null,"id":23102324310181,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=714107603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSyko Friend is the ongoing solo vision of Los Angeles based musician\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand writer, Sophie Weil. She started Syko Friend in 2012 while living in Minneapolis, recording simply on a Tascam 244 Porta-studio. The project has since developed into a roiling, unmistakable electric folk music— thunderstruck, light-swallowing guitar churning under whispered or howled poetry. Fontanelle is Syko Friend’s second LP, her first since relocating to Los Angeles in 2015, and her first for the newly resurrected Post Present Medium label. It was preceded by \"Problem Child\" (released by Minneapolis label Mind Rider in 2014) and myriad self- released EPs and tapes. Over six years of tireless commitment to DIY touring and mutual aid, Weil has become a lynchpin of her music community in Los Angeles, organizing shows and releases for a multivarious and far-reaching cohort of friends under the banner of her Dove Cove Records. She is known for\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe heaviness of her sensitizing live shows, and has appeared as Syko Friend in underground clubs, community centers, basements, parks, parking lots, forests and farms all over the USA, in cities both populous and oft-neglected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFontanelle refers to the soft and undeveloped spot on an infant’s head. This record earns its surprising title, vulnerable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and tectonic as that closing gap in the skull. Willing to be cared for, side-eyeing utopia skeptically while partaking in the commune. Longing for love, directness, communication and free food. The album finds Syko Friend irradiated, clarified, surfacing from out of shadow, hungry for fresh air and hell bent to bloom. Her rich and human voice turns patiently in the eye of a storm that rages just out of focus beyond the fragrant, rusted hull of her submarine sanctum. This is conspiratorial music, reminiscent at times of the squall of comrades Body\/Head, the avant garde approach of Les Rallizes, the lucidity and understated power of Sibylle Baier.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Liberty,” the first track on Fontanelle, was fleshed out on a west coast tour a couple autumns ago. It opens with an ill-boding siren of guitar swirl that establishes the space. “Remind me how to write your name.” When Weil’s voice arrives, it muses through a beautiful but menacing NorCal-to-Los Angeles pastoral of weed farms, little towns of small cabins and shacks, migrating elk; lush, incredibly green, black sands and rocky edges, sun hazy with smoke from devastating wildfires. “...And I can drink the juice out from your broken glass \/ it’s heavy when the lights get low to recognize \/ and all to see the elk they kneel around me in a circle \/ that’s mother earth she’s standing with her smoking gun.” Here at turns are confession, incantation, direct address, damning accusation as Syko Friend calls forth what’s required. “Kitten Coop,” the second to last track on the record, is a sweeter aspect, a simple arrangement of chiming fingerpicked guitar with murmuring acoustic following it. This one is a love song to a simpler life, oats soaked in milk and honey, a foil to the smoke that we’ve coughed through to get here on the record. Not a dream of a fantasyland, but a longing for a modest and achievable place of plenty. An earnest directive, splashed with flippancy and capped with a beautiful promise: “So find your kitten ranch \/ and buy your chicken coop \/ and I can see the fine light \/ that love is all around you.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFontanelle was tenderly recorded and mixed by Robert Cody and\u003cbr data-mce-fragment=\"1\"\u003eEvan Burrows in the spring of 2019. Electric guitars were tracked in Weil’s garage. Vocals and acoustic guitar were tracked in her closet and bathroom. Her house is situated between the I-5 and the L.A. river, in Elysian Valley. A contact mic affixed to the garage door during basic tracking captured these surrounds, which are mixed into the record as material, inviting the outside in.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Syko Friend\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}
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レーベルその他作品はこちら /// Click here to see more Post Present Medium releases available at Tobira. -------------------------------- Description...
¥2,450
クイックビュー
{"id":6937790775461,"title":"Otis Houston Jr \/\/ America LP","handle":"otis-houston-jr-america-lp","description":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T09:59:06+09:00","created_at":"2021-07-26T11:39:10+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","hiphop \/ funk","lp","post present medium"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443247296677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Otis Houston Jr \/\/ America LP","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","\/\/tobirarecords.com\/cdn\/shop\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","options":["Title"],"media":[{"alt":null,"id":23102314774693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","width":700},{"alt":null,"id":23102314807461,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R&Bのメロディーにのせたスポークンワード15曲を収録。 レーベルその他作品はこちら /// Click here to see more Post Present Medium releases available at Tobira. ...
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{"id":6913947762853,"title":"Patiño \/\/ Actually Laughing Out Loud CD","handle":"patino-actually-laughing-out-loud-cd","description":"\u003cp\u003eスペイン・マドリッドのインスタレーションアーティストRubén Patiñoが2020年10月に100枚限定でリリースしたCD。タイトルの通り、笑い声を様々な手法でコラージュした変態作品15曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/918278332\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"anòmia\" href=\"https:\/\/soundcloud.com\/anomiaprod\" target=\"_blank\"\u003eanòmia\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='ANM053 Patiño \"Mad Medley\"' href=\"https:\/\/soundcloud.com\/anomiaprod\/anm053-patino-mad-medley\" target=\"_blank\"\u003eANM053 Patiño \"Mad Medley\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Anomia:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eActually Laughing Out Loud is a project by Rubén Patiño which explores the sound of laughter as a compositional material as well as a means of psychological conditioning. It originated as a re-interpretation of the \"laugh track\" sound effect featured prominently in many beloved TV sitcoms. ALOL stretches the boundaries in between the enjoyable and the uncanny while addressing certain aspects of contemporary entertainment and popular culture. At the same time, it is an attempt to explore humour as a subversive tool that allows Patiño to question, through a playful approach, rigid standards and a persistent excess of \"seriousness\" in contemporary electronic music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is a compilation of sonic assemblages of manipulated laughter samples that have been featured in Patiño's concerts and spatial interventions over the last years. Such as No Laughing Matter, a performance created with Kay Schuttel presented at Berghain as part of CTM 2020, that included 5 laughing vocalists live and numerous compositions included in the CD.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Patiño\u003c\/p\u003e\n\u003cp\u003eLabel : Anomia\u003c\/p\u003e","published_at":"2021-07-27T17:01:05+09:00","created_at":"2021-07-16T10:32:09+09:00","vendor":"Tobira Records","type":"","tags":["anomia","cd","contemporary \/ sound poetry","monooto"],"price":185000,"price_min":185000,"price_max":185000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40372743176357,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Patiño \/\/ Actually Laughing Out Loud CD","public_title":null,"options":["Default Title"],"price":185000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_eaf30c1e-8f0a-4f8e-878e-346ed3b22d0e.jpg?v=1626399132","\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_e51289e1-ce76-49aa-9bf0-69d1ec745abd.jpg?v=1626399131"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_eaf30c1e-8f0a-4f8e-878e-346ed3b22d0e.jpg?v=1626399132","options":["Title"],"media":[{"alt":null,"id":22974491754661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_eaf30c1e-8f0a-4f8e-878e-346ed3b22d0e.jpg?v=1626399132"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac1_eaf30c1e-8f0a-4f8e-878e-346ed3b22d0e.jpg?v=1626399132","width":700},{"alt":null,"id":22974491787429,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_e51289e1-ce76-49aa-9bf0-69d1ec745abd.jpg?v=1626399131"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ac2_e51289e1-ce76-49aa-9bf0-69d1ec745abd.jpg?v=1626399131","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン・マドリッドのインスタレーションアーティストRubén Patiñoが2020年10月に100枚限定でリリースしたCD。タイトルの通り、笑い声を様々な手法でコラージュした変態作品15曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/918278332\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"anòmia\" href=\"https:\/\/soundcloud.com\/anomiaprod\" target=\"_blank\"\u003eanòmia\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title='ANM053 Patiño \"Mad Medley\"' href=\"https:\/\/soundcloud.com\/anomiaprod\/anm053-patino-mad-medley\" target=\"_blank\"\u003eANM053 Patiño \"Mad Medley\"\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Anomia:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eActually Laughing Out Loud is a project by Rubén Patiño which explores the sound of laughter as a compositional material as well as a means of psychological conditioning. It originated as a re-interpretation of the \"laugh track\" sound effect featured prominently in many beloved TV sitcoms. ALOL stretches the boundaries in between the enjoyable and the uncanny while addressing certain aspects of contemporary entertainment and popular culture. At the same time, it is an attempt to explore humour as a subversive tool that allows Patiño to question, through a playful approach, rigid standards and a persistent excess of \"seriousness\" in contemporary electronic music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album is a compilation of sonic assemblages of manipulated laughter samples that have been featured in Patiño's concerts and spatial interventions over the last years. 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{"id":6897809850533,"title":"Øyvind Brandtsegg \/\/ Nancarrow Biotope TAPE","handle":"oyvind-brandtsegg-nancarrow-biotope-tape","description":"\u003cp\u003eノルウェー科学技術大学音楽学部教授でもあるコンピューターインプロバイザーØyvind Brandtseggが、2020年12月にポルトガル実験レーベルCronicaから100本限定でリリースしたカセット。自身が書いたコードによるパイプオルガンのための自動演奏17曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581185799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eMy essential concern, whether you can analyze it or not, is emotional; there’s an impact that I try to achieve by these means.” — Conlon Nancarrow\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConlon Nancarrow's Studies for Player Piano were orchestrated for Pipe Organ, Disklavier and electronics by Øyvind Brandtsegg. The work with these compositions instigated further exploration of improvisation with these mechanic instruments in combination with improvisation software written by Brandtsegg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs each Pipe Organ is unique, the orchestration is necessarily also unique for each instrument. Two concerts of this material – in Stavanger Concert Hall and the Nidaros Cathedral in Trondheim – show how differently the music is shaped to match the possibilities of these two instruments and venues. Nancarrow’s music requires a quite extraordinary degree of articulation due to the rhythmic passages and high tempi. Sometimes an individual adjustment of each single note would be required, due to slight differences in timing between organ pipes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlgorithms and automation are ubiquitous in our modern society, and Nancarrow’s compositions allow an interesting perspective on automation and mechanization within an expressive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aesthetic context. It also sheds light on the necessity of manual labour of implementation and adaption to make the algorithms matter for human communication.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe improvisation software is based on relatively simple algorithms and serial techniques. It comes to life in the interaction with the live performer, where data is continuously updated from the performer action.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn extensive description of issues encountered in the production can be found in the paper “An interface to an interface to an interface” at \u003ca href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ezenodo.org\/record\/3932842#.X01CLsgzZPY\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eØyvind Brandtsegg is a composer and performer working in the fields of computer improvisation and sound installations. He has a deep interest in developing new audio processing methods for artistic purposes, and he has contributed novel extensions to both granular synthesis and convolution techniques. Brandtsegg has participated on more than 25 music albums in a variety of genres. Since 2010 he is a professor of music technology at NTNU, Trondheim, Norway.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Øyvind Brandtsegg\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e","published_at":"2021-07-11T08:40:17+09:00","created_at":"2021-07-09T10:33:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cronica","monooto","tape"],"price":133000,"price_min":133000,"price_max":133000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40324588863653,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Øyvind Brandtsegg \/\/ Nancarrow Biotope TAPE","public_title":null,"options":["Default Title"],"price":133000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/nan1.jpg?v=1625794406","\/\/tobirarecords.com\/cdn\/shop\/products\/nan2.jpg?v=1625794406"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/nan1.jpg?v=1625794406","options":["Title"],"media":[{"alt":null,"id":22900382924965,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/nan1.jpg?v=1625794406"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/nan1.jpg?v=1625794406","width":700},{"alt":null,"id":22900382957733,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/nan2.jpg?v=1625794406"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/nan2.jpg?v=1625794406","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェー科学技術大学音楽学部教授でもあるコンピューターインプロバイザーØyvind Brandtseggが、2020年12月にポルトガル実験レーベルCronicaから100本限定でリリースしたカセット。自身が書いたコードによるパイプオルガンのための自動演奏17曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581185799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eMy essential concern, whether you can analyze it or not, is emotional; there’s an impact that I try to achieve by these means.” — Conlon Nancarrow\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConlon Nancarrow's Studies for Player Piano were orchestrated for Pipe Organ, Disklavier and electronics by Øyvind Brandtsegg. The work with these compositions instigated further exploration of improvisation with these mechanic instruments in combination with improvisation software written by Brandtsegg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs each Pipe Organ is unique, the orchestration is necessarily also unique for each instrument. Two concerts of this material – in Stavanger Concert Hall and the Nidaros Cathedral in Trondheim – show how differently the music is shaped to match the possibilities of these two instruments and venues. Nancarrow’s music requires a quite extraordinary degree of articulation due to the rhythmic passages and high tempi. Sometimes an individual adjustment of each single note would be required, due to slight differences in timing between organ pipes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlgorithms and automation are ubiquitous in our modern society, and Nancarrow’s compositions allow an interesting perspective on automation and mechanization within an expressive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aesthetic context. It also sheds light on the necessity of manual labour of implementation and adaption to make the algorithms matter for human communication.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe improvisation software is based on relatively simple algorithms and serial techniques. It comes to life in the interaction with the live performer, where data is continuously updated from the performer action.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn extensive description of issues encountered in the production can be found in the paper “An interface to an interface to an interface” at \u003ca href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ezenodo.org\/record\/3932842#.X01CLsgzZPY\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eØyvind Brandtsegg is a composer and performer working in the fields of computer improvisation and sound installations. He has a deep interest in developing new audio processing methods for artistic purposes, and he has contributed novel extensions to both granular synthesis and convolution techniques. Brandtsegg has participated on more than 25 music albums in a variety of genres. Since 2010 he is a professor of music technology at NTNU, Trondheim, Norway.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Øyvind Brandtsegg\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e"}
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¥1,330
クイックビュー
{"id":6876863430821,"title":"Ben Ellul-Knight \u0026 Tom White \/\/ I’ve Had It Up To Hear With Fish \u0026 Chips LP","handle":"ben-ellul-knight-tom-white-i-ve-had-it-up-to-hear-with-fish-chips-lp","description":"\u003cp\u003e本作は、あらゆる種類の「ケア・ワーク」をテーマにした叙情詩です。プレイワーカー、ソーシャルワーカー、そして難民支援サービスのボランティアとして働いたBen Ellul-Knightの経験やインタビューを基に、音響作家Tom Whiteがコラージュ加工した作品です。限定300部。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/716833948\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI've had it up to hear with fish \u0026amp; chips is a hörspiel about 'care work' of all kinds. In part it is auto-ethnographic, as it draws on Ben's experience working as a play worker, social worker and as a volunteer with refugee and asylum-seeker support services. More personal reflections are mixed with conversations Ben had with support workers, social workers, play workers and mental health nurses to form a script. Different speakers\/singers were then invited to record themselves reading the script in any way they wanted and this was used as Tom's raw material for the composition. I've had it up to hear with fish \u0026amp; chips was first performed live in the Radiophrenia studio, Glasgow 2016.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ben Ellul-Knight \u0026amp; Tom White\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e","published_at":"2021-06-28T09:43:31+09:00","created_at":"2021-06-28T09:16:20+09:00","vendor":"Tobira Records","type":"","tags":["calling cards publishing","contemporary \/ sound poetry","florist's mum","lp","monooto"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40252579315877,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Ellul-Knight \u0026 Tom White \/\/ I’ve Had It Up To Hear With Fish \u0026 Chips LP","public_title":null,"options":["Default Title"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_c8024b61-2bba-4f80-922d-0fefe47ac9c0.jpg?v=1624839382","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_8bc39f21-a9a4-4e8f-9e07-32fd841488df.jpg?v=1624839382","\/\/tobirarecords.com\/cdn\/shop\/products\/ha3_7fc68cb7-5ec6-407c-a1f7-4587ca1d7f70.jpg?v=1624839382"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_c8024b61-2bba-4f80-922d-0fefe47ac9c0.jpg?v=1624839382","options":["Title"],"media":[{"alt":null,"id":22785455325349,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_c8024b61-2bba-4f80-922d-0fefe47ac9c0.jpg?v=1624839382"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_c8024b61-2bba-4f80-922d-0fefe47ac9c0.jpg?v=1624839382","width":700},{"alt":null,"id":22785455358117,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_8bc39f21-a9a4-4e8f-9e07-32fd841488df.jpg?v=1624839382"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_8bc39f21-a9a4-4e8f-9e07-32fd841488df.jpg?v=1624839382","width":1200},{"alt":null,"id":22785455423653,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha3_7fc68cb7-5ec6-407c-a1f7-4587ca1d7f70.jpg?v=1624839382"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha3_7fc68cb7-5ec6-407c-a1f7-4587ca1d7f70.jpg?v=1624839382","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e本作は、あらゆる種類の「ケア・ワーク」をテーマにした叙情詩です。プレイワーカー、ソーシャルワーカー、そして難民支援サービスのボランティアとして働いたBen Ellul-Knightの経験やインタビューを基に、音響作家Tom Whiteがコラージュ加工した作品です。限定300部。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/716833948\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI've had it up to hear with fish \u0026amp; chips is a hörspiel about 'care work' of all kinds. In part it is auto-ethnographic, as it draws on Ben's experience working as a play worker, social worker and as a volunteer with refugee and asylum-seeker support services. More personal reflections are mixed with conversations Ben had with support workers, social workers, play workers and mental health nurses to form a script. Different speakers\/singers were then invited to record themselves reading the script in any way they wanted and this was used as Tom's raw material for the composition. I've had it up to hear with fish \u0026amp; chips was first performed live in the Radiophrenia studio, Glasgow 2016.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ben Ellul-Knight \u0026amp; Tom White\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e"}
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本作は、あらゆる種類の「ケア・ワーク」をテーマにした叙情詩です。プレイワーカー、ソーシャルワーカー、そして難民支援サービスのボランティアとして働いたBen Ellul-Knightの経験やインタビューを基に、音響作家Tom Whiteがコラージュ加工した作品です。限定300部。 レーベルその他作品はこちら /// Click here to see more Calling Cards Publishing releases available at Tobira....
¥2,980
クイックビュー
{"id":6862755037349,"title":"Electro Acoustic Fairy Tales \"The Acorns \u0026 Wildcat\" - \"The Telegraph Poles on a Moonlit Night\" \/\/ Kazuya Ishigami \/ Tamako Katsufuji CD","handle":"electro-acoustic-fairy-tales-the-acorns-wildcat-the-telegraph-poles-on-a-moonlit-night-kazuya-ishigami-tamako-katsufuji-cd","description":"\u003cp\u003e大阪の実験音楽家かつふじたまこ作品の取り扱いを開始しました。以下、本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e宮沢賢治による名作「どんぐりと山猫」「月夜のでんしんばしら」を朗読と音で綴る電子音響童話集。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「音」は「朗読」の添え物ではなく、「音」と「言葉」が一体となり、聴く者を宮沢賢治のすきとおった童話の世界へと誘います。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2289995603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTamako Katsufujiその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tamako\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tamako\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tamako\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tamako\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTamako Katsufuji\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThese works are \" Electro Acoustic Fairy Tales\" with 'Sounds ' and 'Recitation' express the stories \"The Acorns \u0026amp; Wildcat\" and \"The Telegraph Poles on a Moonlit Night\" written by Japanese famous author Kenji Miyazawa.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Sounds' are not the back ground music of the story, they come together with 'Words' and take readers to his fantastic world.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Kazuya Ishigami \/ Tamako Katsufuji\u003c\/p\u003e\n\u003cp\u003elabel : self-released\u003c\/p\u003e","published_at":"2021-06-20T08:36:48+09:00","created_at":"2021-06-20T08:36:48+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","contemporary \/ sound poetry","monooto","self-released","tamako"],"price":150000,"price_min":150000,"price_max":150000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40197311987877,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Electro Acoustic Fairy Tales \"The Acorns \u0026 Wildcat\" - \"The Telegraph Poles on a Moonlit Night\" \/\/ Kazuya Ishigami \/ Tamako Katsufuji CD","public_title":null,"options":["Default Title"],"price":150000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0656169676_16.jpg?v=1624145898"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0656169676_16.jpg?v=1624145898","options":["Title"],"media":[{"alt":null,"id":22696350744741,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0656169676_16.jpg?v=1624145898"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0656169676_16.jpg?v=1624145898","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大阪の実験音楽家かつふじたまこ作品の取り扱いを開始しました。以下、本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e宮沢賢治による名作「どんぐりと山猫」「月夜のでんしんばしら」を朗読と音で綴る電子音響童話集。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「音」は「朗読」の添え物ではなく、「音」と「言葉」が一体となり、聴く者を宮沢賢治のすきとおった童話の世界へと誘います。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2289995603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTamako Katsufujiその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tamako\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tamako\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tamako\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tamako\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTamako Katsufuji\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThese works are \" Electro Acoustic Fairy Tales\" with 'Sounds ' and 'Recitation' express the stories \"The Acorns \u0026amp; Wildcat\" and \"The Telegraph Poles on a Moonlit Night\" written by Japanese famous author Kenji Miyazawa.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Sounds' are not the back ground music of the story, they come together with 'Words' and take readers to his fantastic world.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Kazuya Ishigami \/ Tamako Katsufuji\u003c\/p\u003e\n\u003cp\u003elabel : self-released\u003c\/p\u003e"}
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¥1,500
クイックビュー
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¥1,780
クイックビュー
{"id":6839138713765,"title":"Josh Peterson \/\/ Area of Refuge TAPE","handle":"josh-peterson-area-of-refuge-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの音響詩人／実験音楽家Josh Petersonが、\u003cmeta charset=\"utf-8\"\u003e2021年6月に\u003cmeta charset=\"utf-8\"\u003eイギリス・ストックポートの実験レーベルRegional Bearsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュ〜スポークンワード2曲を収録。\u003c\/span\u003eDLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1838795216\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLast copies!\u003c\/p\u003e\n\u003cp\u003eartist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJosh Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Regional Bears\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-06-15T11:28:08+09:00","created_at":"2021-06-15T11:28:09+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","regional bears","tape"],"price":178000,"price_min":178000,"price_max":178000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40148659601573,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Josh Peterson \/\/ Area of Refuge TAPE","public_title":null,"options":["Default Title"],"price":178000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2103618777_16.jpg?v=1623724434"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2103618777_16.jpg?v=1623724434","options":["Title"],"media":[{"alt":null,"id":22573064781989,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2103618777_16.jpg?v=1623724434"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2103618777_16.jpg?v=1623724434","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカの音響詩人／実験音楽家Josh Petersonが、\u003cmeta charset=\"utf-8\"\u003e2021年6月に\u003cmeta charset=\"utf-8\"\u003eイギリス・ストックポートの実験レーベルRegional Bearsからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e物音コラージュ〜スポークンワード2曲を収録。\u003c\/span\u003eDLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1838795216\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLast copies!\u003c\/p\u003e\n\u003cp\u003eartist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJosh Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Regional Bears\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの音響詩人／実験音楽家Josh Petersonが、2021年6月にイギリス・ストックポートの実験レーベルRegional Bearsからリリースしたカセットです。 物音コラージュ〜スポークンワード2曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Regional Bears releases available at Tobira....
¥1,780
クイックビュー
{"id":6839106928805,"title":"James Weeks \/\/ Summer CD","handle":"james-weeks-summer-cd","description":"\u003cp\u003eイギリスの作曲家James Weeksが、2021年5月に同国コンテンポラリーレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eサステインを効かせたピアノの旋律が美しいSummerをはじめ、フルートやハープ、バイオリンを用いた室内楽ドローン5曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3305898862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003cem\u003e5 chamber works by James Weeks, beautifully performed by Explore Ensemble. An album of interlinked pieces that form a sequence. James Weeks says \"I was aware of tying the pieces together as a set, by continuing and extending certain poetic ideas, ways of using and combining instruments, and ways of thinking about material....Things like the use of mixed instrumental duos, which comes from Violet-Violute, the use of a slow-moving or static background harmonic layer, which comes from Summer, the overall very soft and intimate instrumental idiom based on long, breath-length sounds, which appears in all the pieces other than Durham. And finally of course the poetic idea of a piece as opening up an imaginary (or remembered) space: music which unfolds as an area or a field, for the listener to wander in without having to follow a complex series of narrative events.\"\u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : James Weeks\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e","published_at":"2021-06-15T10:36:02+09:00","created_at":"2021-06-15T10:36:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","drone"],"price":205000,"price_min":205000,"price_max":205000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40148518699173,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"James Weeks \/\/ Summer CD","public_title":null,"options":["Default Title"],"price":205000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0024865097_10.jpg?v=1623721197"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024865097_10.jpg?v=1623721197","options":["Title"],"media":[{"alt":null,"id":22572778946725,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024865097_10.jpg?v=1623721197"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0024865097_10.jpg?v=1623721197","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの作曲家James Weeksが、2021年5月に同国コンテンポラリーレーベルAnother TimbreからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eサステインを効かせたピアノの旋律が美しいSummerをはじめ、フルートやハープ、バイオリンを用いた室内楽ドローン5曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3305898862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003cem\u003e5 chamber works by James Weeks, beautifully performed by Explore Ensemble. An album of interlinked pieces that form a sequence. James Weeks says \"I was aware of tying the pieces together as a set, by continuing and extending certain poetic ideas, ways of using and combining instruments, and ways of thinking about material....Things like the use of mixed instrumental duos, which comes from Violet-Violute, the use of a slow-moving or static background harmonic layer, which comes from Summer, the overall very soft and intimate instrumental idiom based on long, breath-length sounds, which appears in all the pieces other than Durham. And finally of course the poetic idea of a piece as opening up an imaginary (or remembered) space: music which unfolds as an area or a field, for the listener to wander in without having to follow a complex series of narrative events.\"\u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : James Weeks\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e"}
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イギリスの作曲家James Weeksが、2021年5月に同国コンテンポラリーレーベルAnother TimbreからリリースしたCDです。 サステインを効かせたピアノの旋律が美しいSummerをはじめ、フルートやハープ、バイオリンを用いた室内楽ドローン5曲を収録。 5 chamber works by James Weeks, beautifully performed by Explore...
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{"id":6795579523237,"title":"Trouble Tracer \/\/ Autofahrt TAPE","handle":"trouble-tracer-autofahrt-tape","description":"\u003cp\u003eイギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にGlistering ExamplesやCanti Magneticiなどの物音レーベルから多数発表しているFritz WelchとMark VernonによるデュオTrouble Tracerの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定\u003c\/span\u003eデビューカセットです。1-2分のコラージュ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2325301573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=675893925\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2325301573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eDescription by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Facing ignition issues?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLooking to identify the symptoms to understand where the problem lies?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur handy Trouble Tracer guide offers clear audio examples that will help you diagnose the problem. Whether it be Corona Discharge Stains, Cold\/Carbon Fouling, Pad Contamination, Flash Over, Ash Deposits or Detonation we are here to help!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Trouble Tracer® we know one thing: quality is in the details. And what is true for technological developments is true for adequately identifying issues and matching them with the appropriate solution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Trouble Tracer® we also believe that accuracy is best attained by working together. That's why we openly share solutions and lay out in a to-the-point and concise manner a reliable way to diagnose contamination, wear, damage and other potential issues, and how to best return to the ideal standards of performance and efficiency we work with dedication to maintain. The Trouble Tracer® guide doesn't always give you enough information for you to know exactly what's wrong, but it does mean that you can eliminate everything from the input to the point where the signal changes. It's important to understand that when fault finding, any anomalous\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e voltage is a symptom of the fault, and is not the fault itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith its unique patented technology, Trouble Tracer® produces audio and visual signals that technicians easily catch when they tap the target. But nevertheless, it does not require bending, cutting, freezing or any other actions that can damage cables.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAutofahrt is ideal for individuals that have difficulty in differentiating between static and leak noise on an electronic listening stick!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“…there are other noises that can spell trouble, are just irritating, or that can be expensive. How can we tell the difference? It’s certainly not easy. It obviously helps if you can identify the sound and where it’s coming from.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSarah H. Sanders\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“All of these noises you heard were recorded in the Meagre Resource Workshop and have since been cured. Regular listeners will find out how all these jobs and repairs can be tackled in a way that’s easily understood. Everybody should know these sounds.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBig Jack Hay\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThanks for listening! And remember: Cause – Remedy – Solution!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd now a word from our sponsors:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAutofahrt is released as a limited edition of 50 hand-numbered, professionally dubbed cassettes and digital download via the Crow Versus Crow Bandcamp on Friday 13th November 2020.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e---------------------------------------------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eTrouble Tracer is a collaborative work of Mark Vernon and Fritz Welch\u003cbr\u003eMark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His work explores themes of magnetic memory, audio archaeology, voyeurism, and nostalgia. His solo music projects have been published\u003cbr\u003ethrough labels including Kye, Glistening Examples, Flaming Pines, Misanthropic Agenda, Entr’acte and Canti Magnetici. He co-runs and curates Glasgow art radio station, Radiophrenia and has produced programmes for stations internationally.\u003cbr\u003e\u003cbr\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/meagreresource.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003emeagreresource.com\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eFritz Welch is a drummer, percussionist and vocalist determined to stretch the escalator of possibilities into the bloodshot eye of results. He was a founding member of Asparagus Piss Raindrop, Peeesseye and Lambs Gamble. He currently plays in EGO DEPLETION (with Adam Campbell), Dome Riders (with Armin Sturm, Ailbhe Nic Oireachtaigh and Mike Parr Burman), Zoming Flakes (with Iain Findlay Walsh and Louise Ahl), and has ongoing duo collaborations with Olivier Di Placido, Mariam Rezaei and Aniela Piasecka. A long-time Brooklynite of Texas origins, Welch is now based in Glasgow Scotland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Trouble Tracer\u003c\/p\u003e\n\u003cp\u003eLabel : Crow Versus Crow\u003c\/p\u003e","published_at":"2021-06-02T19:20:32+09:00","created_at":"2021-06-01T10:44:01+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","crow versus crow","monooto","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40019648577701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Trouble Tracer \/\/ Autofahrt TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/au1_d6b9bc2d-b02d-4b1a-aee0-fbf0512d2116.jpg?v=1622511843","\/\/tobirarecords.com\/cdn\/shop\/products\/au2_6e021b40-a1c2-4f3d-b2f5-cbae4ffd272b.jpg?v=1622511843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_d6b9bc2d-b02d-4b1a-aee0-fbf0512d2116.jpg?v=1622511843","options":["Title"],"media":[{"alt":null,"id":22343607255205,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_d6b9bc2d-b02d-4b1a-aee0-fbf0512d2116.jpg?v=1622511843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au1_d6b9bc2d-b02d-4b1a-aee0-fbf0512d2116.jpg?v=1622511843","width":700},{"alt":null,"id":22343607287973,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au2_6e021b40-a1c2-4f3d-b2f5-cbae4ffd272b.jpg?v=1622511843"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/au2_6e021b40-a1c2-4f3d-b2f5-cbae4ffd272b.jpg?v=1622511843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にGlistering ExamplesやCanti Magneticiなどの物音レーベルから多数発表しているFritz WelchとMark VernonによるデュオTrouble Tracerの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定\u003c\/span\u003eデビューカセットです。1-2分のコラージュ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2325301573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=675893925\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2325301573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eDescription by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Facing ignition issues?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLooking to identify the symptoms to understand where the problem lies?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur handy Trouble Tracer guide offers clear audio examples that will help you diagnose the problem. Whether it be Corona Discharge Stains, Cold\/Carbon Fouling, Pad Contamination, Flash Over, Ash Deposits or Detonation we are here to help!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Trouble Tracer® we know one thing: quality is in the details. And what is true for technological developments is true for adequately identifying issues and matching them with the appropriate solution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Trouble Tracer® we also believe that accuracy is best attained by working together. That's why we openly share solutions and lay out in a to-the-point and concise manner a reliable way to diagnose contamination, wear, damage and other potential issues, and how to best return to the ideal standards of performance and efficiency we work with dedication to maintain. The Trouble Tracer® guide doesn't always give you enough information for you to know exactly what's wrong, but it does mean that you can eliminate everything from the input to the point where the signal changes. It's important to understand that when fault finding, any anomalous\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e voltage is a symptom of the fault, and is not the fault itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith its unique patented technology, Trouble Tracer® produces audio and visual signals that technicians easily catch when they tap the target. But nevertheless, it does not require bending, cutting, freezing or any other actions that can damage cables.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAutofahrt is ideal for individuals that have difficulty in differentiating between static and leak noise on an electronic listening stick!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“…there are other noises that can spell trouble, are just irritating, or that can be expensive. How can we tell the difference? It’s certainly not easy. It obviously helps if you can identify the sound and where it’s coming from.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSarah H. Sanders\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“All of these noises you heard were recorded in the Meagre Resource Workshop and have since been cured. Regular listeners will find out how all these jobs and repairs can be tackled in a way that’s easily understood. Everybody should know these sounds.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBig Jack Hay\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThanks for listening! And remember: Cause – Remedy – Solution!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd now a word from our sponsors:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAutofahrt is released as a limited edition of 50 hand-numbered, professionally dubbed cassettes and digital download via the Crow Versus Crow Bandcamp on Friday 13th November 2020.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e---------------------------------------------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eTrouble Tracer is a collaborative work of Mark Vernon and Fritz Welch\u003cbr\u003eMark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His work explores themes of magnetic memory, audio archaeology, voyeurism, and nostalgia. His solo music projects have been published\u003cbr\u003ethrough labels including Kye, Glistening Examples, Flaming Pines, Misanthropic Agenda, Entr’acte and Canti Magnetici. He co-runs and curates Glasgow art radio station, Radiophrenia and has produced programmes for stations internationally.\u003cbr\u003e\u003cbr\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/meagreresource.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003emeagreresource.com\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eFritz Welch is a drummer, percussionist and vocalist determined to stretch the escalator of possibilities into the bloodshot eye of results. He was a founding member of Asparagus Piss Raindrop, Peeesseye and Lambs Gamble. He currently plays in EGO DEPLETION (with Adam Campbell), Dome Riders (with Armin Sturm, Ailbhe Nic Oireachtaigh and Mike Parr Burman), Zoming Flakes (with Iain Findlay Walsh and Louise Ahl), and has ongoing duo collaborations with Olivier Di Placido, Mariam Rezaei and Aniela Piasecka. A long-time Brooklynite of Texas origins, Welch is now based in Glasgow Scotland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Trouble Tracer\u003c\/p\u003e\n\u003cp\u003eLabel : Crow Versus Crow\u003c\/p\u003e"}
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イギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作を本邦初入荷しました。 本作は、過去にGlistering ExamplesやCanti Magneticiなどの物音レーベルから多数発表しているFritz WelchとMark VernonによるデュオTrouble Tracerの50本限定デビューカセットです。1-2分のコラージュ21曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Crow...
¥1,480
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{"id":6763615322277,"title":"miharu dam \/\/ calmness TAPE","handle":"miharu-dam-calmness-tape","description":"\u003cp\u003e福島県郡山市のレーベルtissue boxの取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、郡山のアンビエント作家miharu damが2021年5月にリリースした最新作です。ガットギターのみによるミニマルなセット2本を収録。シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1136060415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eThe new tape by the Fukushima based artist miharu dam. Ltd 100. \u003c\/p\u003e","published_at":"2021-05-18T11:44:06+09:00","created_at":"2021-05-18T11:44:05+09:00","vendor":"Tobira Records","type":"","tags":["asia","contemporary \/ sound poetry","monooto","tape"],"price":110000,"price_min":110000,"price_max":110000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39914249486501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"miharu dam \/\/ calmness TAPE","public_title":null,"options":["Default Title"],"price":110000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2240099454_16.jpg?v=1621305847"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2240099454_16.jpg?v=1621305847","options":["Title"],"media":[{"alt":null,"id":22177833058469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2240099454_16.jpg?v=1621305847"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2240099454_16.jpg?v=1621305847","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e福島県郡山市のレーベルtissue boxの取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、郡山のアンビエント作家miharu damが2021年5月にリリースした最新作です。ガットギターのみによるミニマルなセット2本を収録。シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1136060415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eThe new tape by the Fukushima based artist miharu dam. Ltd 100. \u003c\/p\u003e"}
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福島県郡山市のレーベルtissue boxの取り扱いを始めました。 本作は、郡山のアンビエント作家miharu damが2021年5月にリリースした最新作です。ガットギターのみによるミニマルなセット2本を収録。シュリンク仕様です。 The new tape by the Fukushima based artist miharu dam....
¥1,100
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{"id":6734369849509,"title":"Dale Cornish \/\/ Fleshpile Thematic TAPE","handle":"dale-cornish-fleshpile-thematic-tape","description":"\u003cp\u003eTouch傘下tapewormのデッドストックをどかっと入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、coherent statesやbeartownなどから発表しているイギリスの音響作家Dale Cornishによるカセットです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"470\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/59485849\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eAquarius Records review:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eShifting constantly, from shimmery static, distant voices, chiming tones that sound like struck glasses or tiny bells, soft focus clouds of hazy static drift over smoldering chordal swells, lots of deeeeeep drones, woozy, turntable manipulations unleash truncated samples slowly shifting into warbled melodies, the rumble and swirl of music speeding up and slowing down, the white noise of television static, sculpted into strange shadowy, granular shapes, eventually splintering into a weird collage that sounds like Jeck, if most of his turntables were spinning Merzbow records, or were simply TVs turned on to some dead channel at 3am, noisy, but the hiss and wow of the static is muted and blurred into something downright soothing, the whole end of the A side is like a blissed out soft noise record.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe flipside begins with looped metallic shimmer over field recordings of rainfall, and more reverberant tones, the spoken word, now a sort of croon, over haunting swirls of sound, dark and looped and hypnotically droney. The sound shifts eventually into a sort of clanging metal junkyard cabaret, the spoken word dramatic and croony, deep and sonorous and a little over the top, laid over what sounds like someone playing the inside of a piano with a hammer, before dissolving into deep rumbling tones, that blur into a washed out thrum in the background, finally disappearing into a field of electronic hum, droned out and crackling.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Cornish\u003c\/p\u003e\n\u003cp\u003eLabel : The Tapeworm\u003c\/p\u003e","published_at":"2021-05-08T13:30:38+09:00","created_at":"2021-05-08T11:16:58+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","tape","the tapeworm"],"price":175000,"price_min":175000,"price_max":175000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39846514852005,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dale Cornish \/\/ Fleshpile Thematic TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/da1.gif?v=1620440220"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1.gif?v=1620440220","options":["Title"],"media":[{"alt":null,"id":22054933495973,"position":1,"preview_image":{"aspect_ratio":0.641,"height":468,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1.gif?v=1620440220"},"aspect_ratio":0.641,"height":468,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/da1.gif?v=1620440220","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTouch傘下tapewormのデッドストックをどかっと入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、coherent statesやbeartownなどから発表しているイギリスの音響作家Dale Cornishによるカセットです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"470\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/59485849\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eAquarius Records review:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eShifting constantly, from shimmery static, distant voices, chiming tones that sound like struck glasses or tiny bells, soft focus clouds of hazy static drift over smoldering chordal swells, lots of deeeeeep drones, woozy, turntable manipulations unleash truncated samples slowly shifting into warbled melodies, the rumble and swirl of music speeding up and slowing down, the white noise of television static, sculpted into strange shadowy, granular shapes, eventually splintering into a weird collage that sounds like Jeck, if most of his turntables were spinning Merzbow records, or were simply TVs turned on to some dead channel at 3am, noisy, but the hiss and wow of the static is muted and blurred into something downright soothing, the whole end of the A side is like a blissed out soft noise record.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe flipside begins with looped metallic shimmer over field recordings of rainfall, and more reverberant tones, the spoken word, now a sort of croon, over haunting swirls of sound, dark and looped and hypnotically droney. 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{"id":6681328976037,"title":"Rene Kita \/ Synaplop \/\/ Ten Thousand Ways Of The Voice \/ Plop Plop TAPE","handle":"rene-kita-synaplop-ten-thousand-ways-of-the-voice-plop-plop-tape","description":"\u003cp\u003e\u003cspan\u003e2000年代初頭からサイケフォークやエセ密林系音楽を中心にリリースしてきたフィンランドの老舗レーベルLal Lal Lal諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、コラージュ作家2名による50本限定スプリットカセットです。サウンドコラージュ29曲を収録。既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3452753575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lal\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lal\"\u003ehere\u003c\/a\u003e to see more Lal Lal Lal releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50. \u003c\/p\u003e\n\u003cp\u003eArtist : Rene Kita \/ Synaplop\u003c\/p\u003e\n\u003cp\u003eLabel : Lal Lal Lal\u003c\/p\u003e","published_at":"2021-04-23T09:31:58+09:00","created_at":"2021-04-22T14:49:33+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lal lal lal","monooto","strange beats","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39691889311909,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rene Kita \/ Synaplop \/\/ Ten Thousand Ways Of The Voice \/ Plop Plop TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/te1_9bef1e43-d162-40b0-86a2-ac296db35a45.jpg?v=1619070574"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_9bef1e43-d162-40b0-86a2-ac296db35a45.jpg?v=1619070574","options":["Title"],"media":[{"alt":null,"id":21684120780965,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_9bef1e43-d162-40b0-86a2-ac296db35a45.jpg?v=1619070574"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/te1_9bef1e43-d162-40b0-86a2-ac296db35a45.jpg?v=1619070574","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e2000年代初頭からサイケフォークやエセ密林系音楽を中心にリリースしてきたフィンランドの老舗レーベルLal Lal Lal諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、コラージュ作家2名による50本限定スプリットカセットです。サウンドコラージュ29曲を収録。既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3452753575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lal\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lal\"\u003ehere\u003c\/a\u003e to see more Lal Lal Lal releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50. \u003c\/p\u003e\n\u003cp\u003eArtist : Rene Kita \/ Synaplop\u003c\/p\u003e\n\u003cp\u003eLabel : Lal Lal Lal\u003c\/p\u003e"}
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