contemporary / sound poetry
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{"id":5830613958821,"title":"Kayo Makino \/\/ Ein Traum fur Dich mix CDR","handle":"kayo-makino-ein-traum-fur-dich-mix-cdr","description":"\u003cp\u003e東京アンダーグラウンドシーンで活躍するKayo MakinoのミックスCDRを入荷しました。本作は2018年に行われた石橋英子氏のリリースイベントのために制作されました。工藤冬里氏のピアノに環境音などが交わります。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDJ Kayo Makino who has been active in the Tokyo underground scene has released her 1st mix CDR. This mix was played at Eiko Ishibashi's release show in 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/541504269\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003eartist : Kayo Makino\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003elabel : self-released\u003c\/div\u003e","published_at":"2020-10-25T08:50:16+09:00","created_at":"2020-10-25T08:50:15+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","contemporary \/ sound poetry","monooto","self-released"],"price":100100,"price_min":100100,"price_max":100100,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36881863671973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kayo Makino \/\/ Ein Traum fur Dich mix CDR","public_title":null,"options":["Default Title"],"price":100100,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-258.49.43.png?v=1603583418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-258.49.43.png?v=1603583418","options":["Title"],"media":[{"alt":null,"id":12785307484325,"position":1,"preview_image":{"aspect_ratio":1.006,"height":670,"width":674,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-258.49.43.png?v=1603583418"},"aspect_ratio":1.006,"height":670,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/2020-10-258.49.43.png?v=1603583418","width":674}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京アンダーグラウンドシーンで活躍するKayo MakinoのミックスCDRを入荷しました。本作は2018年に行われた石橋英子氏のリリースイベントのために制作されました。工藤冬里氏のピアノに環境音などが交わります。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDJ Kayo Makino who has been active in the Tokyo underground scene has released her 1st mix CDR. This mix was played at Eiko Ishibashi's release show in 2018.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/541504269\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003eartist : Kayo Makino\u003c\/div\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003elabel : self-released\u003c\/div\u003e"}
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東京アンダーグラウンドシーンで活躍するKayo MakinoのミックスCDRを入荷しました。本作は2018年に行われた石橋英子氏のリリースイベントのために制作されました。工藤冬里氏のピアノに環境音などが交わります。 DJ Kayo Makino who has been active in the Tokyo underground scene...
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{"id":5828711481509,"title":"Enzo Minarelli \/\/ Phonosensitivity CD","handle":"enzo-minarelli-phonosensitivity-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3Vitre主宰のイタリア人音響詩人作家Enzo Minarelliの1979年-1987年に制作された作品をコンパイルしPogusがリリース。エンターテイメント性溢れる一枚。落ち込んだときに元気が出そうです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3373690492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhonosensitivity is a neologism I found in a visual text probably written in the late Sixties, but issued only in 1996, by Emilio Villa, a great Italian scholar and artist. The sensibility of the sound, the sensibility of the phonemes, the sensibility of the words - all perfectly fit my works of those years when I was moving my own way among the already marked lines of historical sound poetry.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll the pieces are unpublished; they belong to the decade—end of the Seventies to the end of the Eighties—when analogical recording systems still ruled.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and also editing records, CDs and DVDs. He is the theorist of Polypoetry (his manifesto came out in Valencia in 1987), stating the spectacular event of sound poetry; he has been performing\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003enationally and abroad. He was the publisher of the vinyl series 3ViTre Records, producing about twenty records both as 45s and LPs, and founding the 3ViTre Archive of Polypoetry which has been collecting verbo-voco-visual materials. A scholar and researcher about orality and poetry, his essays and books are well-known reference sources. His sound and visual works are gathered in the collections of museum, libraries and archives. As a video-poet, he has produced many video-poems since the early 1980s\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eartist : Enzo Minarelli \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003elabel : Pogus\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-24T16:43:07+09:00","created_at":"2020-10-24T16:43:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","xi records"],"price":206800,"price_min":206800,"price_max":206800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872566341797,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Enzo Minarelli \/\/ Phonosensitivity CD","public_title":null,"options":["Default Title"],"price":206800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2349914904_16.jpg?v=1603525388"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2349914904_16.jpg?v=1603525388","options":["Title"],"media":[{"alt":null,"id":12736612630693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2349914904_16.jpg?v=1603525388"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2349914904_16.jpg?v=1603525388","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3Vitre主宰のイタリア人音響詩人作家Enzo Minarelliの1979年-1987年に制作された作品をコンパイルしPogusがリリース。エンターテイメント性溢れる一枚。落ち込んだときに元気が出そうです。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3373690492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePhonosensitivity is a neologism I found in a visual text probably written in the late Sixties, but issued only in 1996, by Emilio Villa, a great Italian scholar and artist. The sensibility of the sound, the sensibility of the phonemes, the sensibility of the words - all perfectly fit my works of those years when I was moving my own way among the already marked lines of historical sound poetry.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll the pieces are unpublished; they belong to the decade—end of the Seventies to the end of the Eighties—when analogical recording systems still ruled.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSince the early 1970s, Enzo Minarelli has been developing his multiple activities, starting from the written word, which will become related to orality, visuality, performance and television. He has been active in the field of linear and visual poetry, creating several one-man shows and also editing records, CDs and DVDs. He is the theorist of Polypoetry (his manifesto came out in Valencia in 1987), stating the spectacular event of sound poetry; he has been performing\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003enationally and abroad. He was the publisher of the vinyl series 3ViTre Records, producing about twenty records both as 45s and LPs, and founding the 3ViTre Archive of Polypoetry which has been collecting verbo-voco-visual materials. A scholar and researcher about orality and poetry, his essays and books are well-known reference sources. His sound and visual works are gathered in the collections of museum, libraries and archives. 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3Vitre主宰のイタリア人音響詩人作家Enzo Minarelliの1979年-1987年に制作された作品をコンパイルしPogusがリリース。エンターテイメント性溢れる一枚。落ち込んだときに元気が出そうです。 Xi Records / Pogusその他作品はこちら /// Click here to see more Xi Records/Pogus releases available at...
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{"id":5828699717797,"title":"Leo Kupper \/\/ Digital Voices CD","handle":"leo-kupper-digital-voices-cd","description":"\u003cp\u003eベルギーの音響詩人家 Leo Kupperの21曲入りアルバム。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eOf the six works presented on this CD, five involve the human voice. Sung by Barbara Zanichelli, Anna Maria Kieffer, and Nicholas Isherwood, their microphone recordings were integrated into Kupper's digital computer sessions - hence the title Digital Voices. The remaining work is for the santur.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eAll the songs on this recording are abstract, which allows both composer and singer a certain artistic liberty. Kupper's stated goal in this recording of digital songs is \"to encourage the internationalization of spirituality through a musical language that accepts both sung and instrumental world sonorities that can be mixed with electronic sounds derived from the voices of the singers.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eartist : Leo Kupper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : Pogus\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-24T16:37:41+09:00","created_at":"2020-10-24T16:37:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","xi records"],"price":173800,"price_min":173800,"price_max":173800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872523841701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Leo Kupper \/\/ Digital Voices CD","public_title":null,"options":["Default Title"],"price":173800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a4234181807_16.jpg?v=1603525063"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4234181807_16.jpg?v=1603525063","options":["Title"],"media":[{"alt":null,"id":12736418906277,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4234181807_16.jpg?v=1603525063"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4234181807_16.jpg?v=1603525063","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eベルギーの音響詩人家 Leo Kupperの21曲入りアルバム。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eOf the six works presented on this CD, five involve the human voice. Sung by Barbara Zanichelli, Anna Maria Kieffer, and Nicholas Isherwood, their microphone recordings were integrated into Kupper's digital computer sessions - hence the title Digital Voices. The remaining work is for the santur.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003cspan\u003eAll the songs on this recording are abstract, which allows both composer and singer a certain artistic liberty. Kupper's stated goal in this recording of digital songs is \"to encourage the internationalization of spirituality through a musical language that accepts both sung and instrumental world sonorities that can be mixed with electronic sounds derived from the voices of the singers.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eartist : Leo Kupper\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : Pogus\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":5828674093221,"title":"David Rosenboom \/\/ Zones of Influence 2xCD","handle":"david-rosenboom-zones-of-influence-2xcd","description":"\u003cp\u003e David Rosenboomが1984年から1985年にかけて制作した作品。当時MIDIが誕生しておらず、Touchéというコンピュータアルゴリズムを開発・使用して打楽器に当て込み制作されました。2枚組の大ボリューム、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : David Rosenboom\u003c\/p\u003e\n\u003cp\u003elabel : Pogus\u003c\/p\u003e","published_at":"2020-10-24T16:21:02+09:00","created_at":"2020-10-24T16:21:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","strange beats","xi records"],"price":261800,"price_min":261800,"price_max":261800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872429011109,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"David Rosenboom \/\/ Zones of Influence 2xCD","public_title":null,"options":["Default Title"],"price":261800,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/Zones_CD_Cover.jpg?v=1603524062"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/Zones_CD_Cover.jpg?v=1603524062","options":["Title"],"media":[{"alt":null,"id":12735879315621,"position":1,"preview_image":{"aspect_ratio":1.0,"height":464,"width":464,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Zones_CD_Cover.jpg?v=1603524062"},"aspect_ratio":1.0,"height":464,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/Zones_CD_Cover.jpg?v=1603524062","width":464}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e David Rosenboomが1984年から1985年にかけて制作した作品。当時MIDIが誕生しておらず、Touchéというコンピュータアルゴリズムを開発・使用して打楽器に当て込み制作されました。2枚組の大ボリューム、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : David Rosenboom\u003c\/p\u003e\n\u003cp\u003elabel : Pogus\u003c\/p\u003e"}
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David Rosenboomが1984年から1985年にかけて制作した作品。当時MIDIが誕生しておらず、Touchéというコンピュータアルゴリズムを開発・使用して打楽器に当て込み制作されました。2枚組の大ボリューム、ブックレット付属。 Xi Records / Pogusその他作品はこちら /// Click here to see more Xi Records/Pogus releases available at...
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{"id":5828582965413,"title":"Alvin Lucier \/\/ Almost New York 2CD","handle":"alvin-lucier-almost-new-york-2xcd","description":"\u003cp\u003eAlvin Lucierが2000年初期に制作した楽曲をNY Pogusがリリース。Twoningsでは2つの異なるチューニングシステムがぶつかり合い、Coda Variationsではわずかな音程の変化が時系列ごとに聴こえてきます。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAlmost New York employs slow sweep pure wave oscillators, Broken Line, flute glissandi. In Twonings two different tuning systems collide and in Coda Variations slight variations in pitch are heard chronologically.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Charles Curtis, Joseph Kubera, Robert Dick, Danny Tunick, and Robin Hayward - some of the leading new music performers of our era, these works are essential additions to the Alvin Lucier oeuvre, as well as satisfying anyone interested in great experimental music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003elabel : pogus\u003c\/p\u003e","published_at":"2020-10-24T15:31:00+09:00","created_at":"2020-10-24T15:30:58+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","xi records"],"price":250800,"price_min":250800,"price_max":250800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36872166113445,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Almost New York 2CD","public_title":null,"options":["Default Title"],"price":250800,"weight":150,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529533_jpeg.jpg?v=1603521061","\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529586_jpeg.jpg?v=1603521061"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529533_jpeg.jpg?v=1603521061","options":["Title"],"media":[{"alt":null,"id":12733235953829,"position":1,"preview_image":{"aspect_ratio":1.011,"height":473,"width":478,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529533_jpeg.jpg?v=1603521061"},"aspect_ratio":1.011,"height":473,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529533_jpeg.jpg?v=1603521061","width":478},{"alt":null,"id":12733235986597,"position":2,"preview_image":{"aspect_ratio":1.268,"height":473,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529586_jpeg.jpg?v=1603521061"},"aspect_ratio":1.268,"height":473,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-2662534-1295529586_jpeg.jpg?v=1603521061","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eAlvin Lucierが2000年初期に制作した楽曲をNY Pogusがリリース。Twoningsでは2つの異なるチューニングシステムがぶつかり合い、Coda Variationsではわずかな音程の変化が時系列ごとに聴こえてきます。\u003c\/p\u003e\n\u003cp\u003eXi Records \/ Pogusその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/xi-records-pogus\"\u003ehere\u003c\/a\u003e to see more Xi Records\/Pogus releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAlmost New York employs slow sweep pure wave oscillators, Broken Line, flute glissandi. In Twonings two different tuning systems collide and in Coda Variations slight variations in pitch are heard chronologically.\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded by Charles Curtis, Joseph Kubera, Robert Dick, Danny Tunick, and Robin Hayward - some of the leading new music performers of our era, these works are essential additions to the Alvin Lucier oeuvre, as well as satisfying anyone interested in great experimental music.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Alvin Lucier\u003c\/p\u003e\n\u003cp\u003elabel : pogus\u003c\/p\u003e"}
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Alvin Lucierが2000年初期に制作した楽曲をNY Pogusがリリース。Twoningsでは2つの異なるチューニングシステムがぶつかり合い、Coda Variationsではわずかな音程の変化が時系列ごとに聴こえてきます。 Xi Records / Pogusその他作品はこちら /// Click here to see more Xi Records/Pogus releases...
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{"id":5826483716261,"title":"Teresa Rampazzi \/\/ Immagini Per Diana Baylon LP ","handle":"teresa-rampazzi-immagini-per-diana-baylon-lp","description":"\u003cp\u003eJohn Cageの影響下、電子音楽とコンピュータ音楽の先駆者の一人として地位を確率したイタリア人作家Teresa Rampazzi が、1972年にフィレンツェの現代美術ギャラリー「Il Fiore」で開催されたDiana Baylon展覧会のために作曲した楽曲を同国Die Schachtelが発掘プレス化しました。15分前後の楽曲2曲を収録。Giuseppe Ielashiマスタリング。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264531693\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eDie Schachtel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eartist : Teresa Rampazzi \u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel \u003c\/p\u003e","published_at":"2020-10-24T04:06:06+09:00","created_at":"2020-10-24T04:06:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","Die Schachtel","lp"],"price":360800,"price_min":360800,"price_max":360800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36866225078437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Teresa Rampazzi \/\/ Immagini Per Diana Baylon LP ","public_title":null,"options":["Default Title"],"price":360800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","\/\/tobirarecords.com\/cdn\/shop\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","options":["Title"],"media":[{"alt":null,"id":12697594036389,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/8ce7c7726097968ef11e0157ba014472.jpg?v=1603479968","width":600},{"alt":null,"id":12697594069157,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/c6f4b26859b90fccf278b1c4a5e83b1a.jpg?v=1603479968","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJohn Cageの影響下、電子音楽とコンピュータ音楽の先駆者の一人として地位を確率したイタリア人作家Teresa Rampazzi が、1972年にフィレンツェの現代美術ギャラリー「Il Fiore」で開催されたDiana Baylon展覧会のために作曲した楽曲を同国Die Schachtelが発掘プレス化しました。15分前後の楽曲2曲を収録。Giuseppe Ielashiマスタリング。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/264531693\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eDie Schachtel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eartist : Teresa Rampazzi \u003c\/p\u003e\n\u003cp\u003elabel : Die Schachtel \u003c\/p\u003e"}
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{"id":5817541918885,"title":"Alvin Lucier \/\/ Vespers LP","handle":"alvin-lucier-vespers-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e演奏者とその空間という2つの対等な存在によって生み出された作品で、\u003cmeta charset=\"utf-8\"\u003e短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eイタリア\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eDie Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132599228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/editionsblume.bandcamp.com\/album\/vespers\"\u003eVespers by Alvin Lucier\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eSince its advent within the broader of movement of modernism during the early years of the 20th century, avant-garde music has almost always struggled to reach the audience for which it was conceived. It is a diverse creative territory, forward thinking and radical by nature, that pursues the unknown, attempting to create new forms of organized sound that are more democratic, accessible, and open than those of the past. Emerging during the late 1950s and across the 1960s, the second generation of the post-war avant-garde can be regarded as a representational return to the ideologies that define the practice. As a result, they collectively created what is arguably the most revolutionary body of thought and action within 20th century music. Despite the persistence of the definitions and perceptions cemented by their predecessors, these artists and their work —Éliane Radigue, Pauline Oliveros, Alvin Curran, Takehisa Kosugi, Frederic Rzewski, David Behrman, Terry Riley, Robert Ashley, Steve Reich, La Monte Young, Tony Conrad, Gordon Mumma, and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecountless others have yielded unparalleled influence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most important, influential, and radical of this generation is Alvin Lucier, a towering figure in the field. Already active on the scene for a number of years, Lucier’s entrance into the public and creative consciousness occurred in 1966 at the now legendary ONCE Festival, in Ann Arbor, Michigan, where, as a member of the newly formed Sonic Arts Union, a collective founded with fellow composers, David Behrman, Gordon Mumma, and Robert Ashley, he performed his groundbreaking work, Music for a Solo Performer, composed the year before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vespers\" (1969) and \"Chambers\" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn. First released as Lucier's contribution to the Sonic Arts Union's lone LP, Electronic Sound, in 1972, \"Vespers\" is a work generated by two equal actors —the performers and the space that they occupy. Conceived following a chance encounter with hand-held echolocation technology —the Sondol™, a pulse oscillator that emits short, sharp pulses at variable repetition speeds, producing echoes from the reflecting walls of a space to register relative location and orientation— it stands as one of the first works in history within which the decisions made during the performance are solely based on acoustics, allowing sound to be equally the content and structural determiner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten as a poetic \"prose score\", for the realization of \"Vespers\", each performer is equipped with a Sondol™ and asked to move blindfolded within a defined space, moving from one point to the next using only echolocation, taking what Lucier describes as \"sound photographs\" that reveal discrete details of the given area. As the recording unfolds, the aptitude of this image becomes increasingly clear. While an aesthetic relationship to the movement of musical minimalism, embarked upon by a number of his peers, has often presented itself within Lucier's work, of all of them this is arguably most present within \"Vespers\". Despite the radical leap it presented within the history of the sonic arts, \"Vespers\" was not the first of Lucier's works that began to specifically address the relation between sound, perception, and space. Notably \"Chambers\", composed the year before in 1968 and embedded with the wry humor which lingers below much of the composer’s output, explored the theme on a brilliantly miniature scale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a total work, \"Chambers\" contends with the relationship between the knowing and understanding of what we hear, our perception of the source of a sound, and its relation to space. When viewed in the immediate context of \"Vespers\", as it is here, it presents as an unexpected inversion of what was to come. While it plays on the relation of sight and the sonic actor, here what is seen and unseen takes on a dynamically different role. Equally, there is not one space to perceive, but many. For the realization of \"Chambers\", battery-operated radios, tape recorders, and various kinds of electric toys are hidden in paper bags, shoes, kettles, a suitcase, and other small resonant spaces, which not only limit the perception of these object to their sounds alone, but take on the role of acoustic actors on the sounds within, each space becoming as individual and distinct as the object it contains. Taking it one step further, rather than being static, these \"\"Chambers\"\" are carried by performers into larger ones —those in which the work is performed— further altering the sounds which occupy them, drawing the ear, once again, to the action of that which contains a body of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecause the works of Alvin Lucier have occupied a seminal place in the landscape of avant-garde sound for more than half a century, their materiality forming the bedrock on which so many have subsequently built, there can be a natural tendency to focus on their immediate forms, each springing from a radical and forward thinking approach to the generation of sound —what the sounds are and what makes them, rather than how they operate and why they were made. This, at least in some part, underscores the importance of this reissue of the two works before us now. Like most of Lucier's efforts from the 1960s, there is a purity to discover them in recorded form that draws the ear toward the remarkable territories of conceptualism and ideology that lay at their core. Not only are they a crucial window into Lucier's early years and less acknowledged efforts, but they activate a more dynamic awareness, philosophically, of the broad creative paradigm and context in which he has continuously worked. These are works which belong to a movement which sought to rejoin the avant-garde with the society it was conceived to serve. A human music of expanded consciousness, to be occupied, tapping the fundamental need to communicate and understand through sound.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Lucier\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : \u003c\/span\u003e\u003c\/div\u003e","published_at":"2020-10-22T11:12:21+09:00","created_at":"2020-10-22T11:12:13+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","lp","monooto","strange beats"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36834620539045,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Lucier \/\/ Vespers LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734","options":["Title"],"media":[{"alt":null,"id":12562984599717,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0020093482_10.jpg?v=1603332734","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e演奏者とその空間という2つの対等な存在によって生み出された作品で、\u003cmeta charset=\"utf-8\"\u003e短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eイタリア\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eDie Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。\u003c\/span\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2132599228\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/editionsblume.bandcamp.com\/album\/vespers\"\u003eVespers by Alvin Lucier\u003c\/a\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eSince its advent within the broader of movement of modernism during the early years of the 20th century, avant-garde music has almost always struggled to reach the audience for which it was conceived. It is a diverse creative territory, forward thinking and radical by nature, that pursues the unknown, attempting to create new forms of organized sound that are more democratic, accessible, and open than those of the past. Emerging during the late 1950s and across the 1960s, the second generation of the post-war avant-garde can be regarded as a representational return to the ideologies that define the practice. As a result, they collectively created what is arguably the most revolutionary body of thought and action within 20th century music. Despite the persistence of the definitions and perceptions cemented by their predecessors, these artists and their work —Éliane Radigue, Pauline Oliveros, Alvin Curran, Takehisa Kosugi, Frederic Rzewski, David Behrman, Terry Riley, Robert Ashley, Steve Reich, La Monte Young, Tony Conrad, Gordon Mumma, and\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003ecountless others have yielded unparalleled influence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the most important, influential, and radical of this generation is Alvin Lucier, a towering figure in the field. Already active on the scene for a number of years, Lucier’s entrance into the public and creative consciousness occurred in 1966 at the now legendary ONCE Festival, in Ann Arbor, Michigan, where, as a member of the newly formed Sonic Arts Union, a collective founded with fellow composers, David Behrman, Gordon Mumma, and Robert Ashley, he performed his groundbreaking work, Music for a Solo Performer, composed the year before.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Vespers\" (1969) and \"Chambers\" (1968), the two works featured on this LP, witness Lucier rethinking the material and conceptual possibilities of music at every turn. First released as Lucier's contribution to the Sonic Arts Union's lone LP, Electronic Sound, in 1972, \"Vespers\" is a work generated by two equal actors —the performers and the space that they occupy. Conceived following a chance encounter with hand-held echolocation technology —the Sondol™, a pulse oscillator that emits short, sharp pulses at variable repetition speeds, producing echoes from the reflecting walls of a space to register relative location and orientation— it stands as one of the first works in history within which the decisions made during the performance are solely based on acoustics, allowing sound to be equally the content and structural determiner.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWritten as a poetic \"prose score\", for the realization of \"Vespers\", each performer is equipped with a Sondol™ and asked to move blindfolded within a defined space, moving from one point to the next using only echolocation, taking what Lucier describes as \"sound photographs\" that reveal discrete details of the given area. As the recording unfolds, the aptitude of this image becomes increasingly clear. While an aesthetic relationship to the movement of musical minimalism, embarked upon by a number of his peers, has often presented itself within Lucier's work, of all of them this is arguably most present within \"Vespers\". Despite the radical leap it presented within the history of the sonic arts, \"Vespers\" was not the first of Lucier's works that began to specifically address the relation between sound, perception, and space. Notably \"Chambers\", composed the year before in 1968 and embedded with the wry humor which lingers below much of the composer’s output, explored the theme on a brilliantly miniature scale.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs a total work, \"Chambers\" contends with the relationship between the knowing and understanding of what we hear, our perception of the source of a sound, and its relation to space. When viewed in the immediate context of \"Vespers\", as it is here, it presents as an unexpected inversion of what was to come. While it plays on the relation of sight and the sonic actor, here what is seen and unseen takes on a dynamically different role. Equally, there is not one space to perceive, but many. For the realization of \"Chambers\", battery-operated radios, tape recorders, and various kinds of electric toys are hidden in paper bags, shoes, kettles, a suitcase, and other small resonant spaces, which not only limit the perception of these object to their sounds alone, but take on the role of acoustic actors on the sounds within, each space becoming as individual and distinct as the object it contains. Taking it one step further, rather than being static, these \"\"Chambers\"\" are carried by performers into larger ones —those in which the work is performed— further altering the sounds which occupy them, drawing the ear, once again, to the action of that which contains a body of sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBecause the works of Alvin Lucier have occupied a seminal place in the landscape of avant-garde sound for more than half a century, their materiality forming the bedrock on which so many have subsequently built, there can be a natural tendency to focus on their immediate forms, each springing from a radical and forward thinking approach to the generation of sound —what the sounds are and what makes them, rather than how they operate and why they were made. This, at least in some part, underscores the importance of this reissue of the two works before us now. Like most of Lucier's efforts from the 1960s, there is a purity to discover them in recorded form that draws the ear toward the remarkable territories of conceptualism and ideology that lay at their core. Not only are they a crucial window into Lucier's early years and less acknowledged efforts, but they activate a more dynamic awareness, philosophically, of the broad creative paradigm and context in which he has continuously worked. These are works which belong to a movement which sought to rejoin the avant-garde with the society it was conceived to serve. A human music of expanded consciousness, to be occupied, tapping the fundamental need to communicate and understand through sound.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Lucier\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : \u003c\/span\u003e\u003c\/div\u003e"}
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1950年代後半から1960年代にかけて誕生した戦後前衛第2世代の中でもとりわけ過激で影響力のあったAlvin Lucier。彼が1969年に制作したVespersは、 演奏者とその空間という2つの対等な存在によって生み出された作品で、短く鋭いパルス音を壁にぶつけ、そのエコーの変化を観賞するというもの。 イタリア Die Schachtelの現代音楽部門傘下Blumeが2020年5月にLPで出版しました。Vespers by Alvin Lucier Since its advent within the...
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{"id":5817500729509,"title":"Alvin Curran \/\/ Canti Illuminati LP","handle":"alvin-curran-canti-illuminati-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eイタリア\u003cmeta charset=\"utf-8\"\u003eDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。\u003c\/span\u003eGiuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAn occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.\u003cbr data-mce-fragment=\"1\"\u003eA bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. Necessity stripped to the elemental, while challenging, endlessly surprising, and complex. A crucial component in Curran's life long musical quest for something deeply human and fundamentally representative - that elusive thing which connects us all. Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Curran\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Blume\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2196746030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/andrewweathers.bandcamp.com\/album\/under-the-tree\"\u003eUnder the Tree by Andrew Weathers\u003c\/a\u003e\u003c\/iframe\u003e","published_at":"2020-10-22T10:58:53+09:00","created_at":"2020-10-22T10:58:44+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","drone","lp"],"price":327800,"price_min":327800,"price_max":327800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36834473607333,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alvin Curran \/\/ Canti Illuminati LP","public_title":null,"options":["Default Title"],"price":327800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925","options":["Title"],"media":[{"alt":null,"id":12562188468389,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0015687034_10.jpg?v=1603331925","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eイタリア\u003cmeta charset=\"utf-8\"\u003eDie Schachtelの現代音楽部門傘下Blumeが米国実験音楽レジェンドAlvin Curran1982年の傑作を再発。\u003c\/span\u003eGiuseppe Ielasiリマスタリング、Bradford Baileyによるライナーノーツが付属。廃盤間近ですのでこの機会をお見逃しなく。\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eAn occupant of the present and thread to the past - a rare juncture between diverse polarities of experimental practice, from free improvisation and modern classical composition, to primitivism, electronic music, and extended techniques, for more than half a century Alvin Curran has stood as beacon in the landscape of organized sound. From his efforts within Musica Elettronica Viva, the collective which he helped found in 1966 with Frederic Rzewski and Richard Teitelbaum, to those as a solo-performer and composer, his sounds and ideas have effected immeasurable change. Canti Illuminati, composed and recorded between 1973 and 1977, stands as one of the great documents from the golden era of Curran's singular brand of creative radicalism - combining a deep sense of social and political consciousness, with creative humanism and visionary compositional ideas. Blume Editions is proud to present the first ever vinyl reissue of this seminal master-stoke by one of the most important composers working today.\u003cbr data-mce-fragment=\"1\"\u003eA bridge between the American and European traditions of experimental music, Canti Illuminati, Curran's tribute to the human voice - “the most natural source of music”, delves toward the very origins of music itself. In lyrical and poetic form\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, it rethinks the possibilities and potential of organized sound, seeking something fundamentally human - an optimistic vision of the future, born of the primitive past. Standing apart from canonical definition, it contributes to a more complex and nuanced understanding of what musical Minimalism is. Consciously conceived by Curran for the format of the LP, the album takes form as a single work in two parts - Canti Illuminati, For Choir, Synthesizer, Piano And Tape - a structured choral improvisation, built from the contributions and voices of Alessandro Bruno, Antonella Talamonti, Antonio Cesareni, David Thorner, Elisabetta Bordes-Page, Giorgio Caruano, Luca Miti, Manuela Garroni, Nicola Bernardini, Pierluigi Castellano, and Sista Carandini, and Canti Illuminati, For Voice, Synthesizer, Tape, which Curran realised as a solo performer with his own voice, tape delayed feedback, and a Serge synthesizer and sequencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSinfully under celebrated and all too rarely heard since its initial release, Canti Illuminati remains a profoundly compelling and moving body of sound - unavoidably beautiful - a landscape of sustained tone, rippling texture, and structural intervention. 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Fully remastered by Giuseppe Ielasi, with brand new expanded liner text written by Bradford Bailey.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eartist : Alvin Curran\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Blume\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\n\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2196746030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/andrewweathers.bandcamp.com\/album\/under-the-tree\"\u003eUnder the Tree by Andrew Weathers\u003c\/a\u003e\u003c\/iframe\u003e"}
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{"id":5777189666981,"title":"Brant • Scelsi • Wolpe • Xenakis • Cage • Glass • Feldman \/\/ ST","handle":"pre-order-brant-scelsi-wolpe-xenakis-cage-glass-feldman-st","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263121055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 Henry Brant (1913-) QUOMBEX\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Carl Fischer, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, June 3, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 Giacinto Scelsi (1905-1988) ANAHIT\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: G. Schirmer, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at the Oberlin Conservatory of Music, October 8, 1973\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 Stefan Wolpe (1902-1972) SECOND PIECE FOR VIOLIN ALONE\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Josef Marx\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 Iannis Xenakis (1922-) MIKKA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5 Iannis Xenakis (1922-) MIKKA \"S\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Editions Salabert\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Big Apple Recording Studio, New York City\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJune 29, 1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 John Cage (1912-1992) NOCTURNE\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: C.F. Peters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 Philip Glass (1937-) STRUNG OUT\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Dunvagen Music Publishers, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Big Apple Recording Studio, New York City, June 29, 1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8 Morton Feldman (1926-1987) VERTICAL THOUGHTS II\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: C.F. Peters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972.\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-12T11:00:40+09:00","created_at":"2020-10-12T11:00:39+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36679524221093,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Brant • Scelsi • Wolpe • Xenakis • Cage • Glass • Feldman \/\/ ST","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2547396163_16.jpg?v=1602468040"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2547396163_16.jpg?v=1602468040","options":["Title"],"media":[{"alt":null,"id":12171351097509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2547396163_16.jpg?v=1602468040"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2547396163_16.jpg?v=1602468040","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3263121055\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1 Henry Brant (1913-) QUOMBEX\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Carl Fischer, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, June 3, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2 Giacinto Scelsi (1905-1988) ANAHIT\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: G. Schirmer, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at the Oberlin Conservatory of Music, October 8, 1973\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 Stefan Wolpe (1902-1972) SECOND PIECE FOR VIOLIN ALONE\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Josef Marx\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 Iannis Xenakis (1922-) MIKKA\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5 Iannis Xenakis (1922-) MIKKA \"S\"\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Editions Salabert\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Big Apple Recording Studio, New York City\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJune 29, 1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e6 John Cage (1912-1992) NOCTURNE\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: C.F. Peters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e7 Philip Glass (1937-) STRUNG OUT\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: Dunvagen Music Publishers, Inc.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Big Apple Recording Studio, New York City, June 29, 1976\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e8 Morton Feldman (1926-1987) VERTICAL THOUGHTS II\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: C.F. Peters\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at Paul Hall, Juilliard School of Music, May 21, 1972.\u003c\/span\u003e\u003c\/p\u003e"}
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70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 レーベルその他作品はこちら /// Click here to see more cp2 releases available at Tobira. ------------------------------- 1...
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{"id":5777161781413,"title":"Milton Babbitt \/ Morton Feldman \/\/ Septet But Equal; Fourplay \/ Instruments 1; Three Clarinets, Cello and Piano CD","handle":"pre-order-milton-babbitt-morton-feldman-septet-but-equal-fourplay-instruments-1-three-clarinets-cello-and-piano-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3924163475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/milton-babbitt-septet-but-equal-fourplay-morton-feldman-instruments-1-three-clarinets-cello-and-piano\"\u003eMilton Babbitt: Septet But Equal; Fourplay; Morton Feldman: Instruments 1; Three Clarinets, Cello and Piano by PAUL ZUKOFSKY, conductor; COMPOSERS ENSEMBLE\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMilton Babbitt: (1916- )\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSEPTET BUT EQUAL\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFOURPLAY\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher for both works: C.F. Peters Corporation\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorton Feldman: (1926-1987)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eINSTRUMENTS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHREE CLARINETS, CELLO AND PIANO\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher for both works: Universal Edition\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll works recorded at Studio 2, BBC Maida Vale, Delaware Rd., London, W9, July 20-21, 1997.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCo-produced by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBBC Radio 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Milton Babbitt \/ Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-12T10:50:29+09:00","created_at":"2020-10-12T10:50:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36679411663013,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Milton Babbitt \/ Morton Feldman \/\/ Septet But Equal; Fourplay \/ Instruments 1; Three Clarinets, Cello and Piano CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3288311555_16.jpg?v=1602467429"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3288311555_16.jpg?v=1602467429","options":["Title"],"media":[{"alt":null,"id":12170832740517,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3288311555_16.jpg?v=1602467429"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3288311555_16.jpg?v=1602467429","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3924163475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/milton-babbitt-septet-but-equal-fourplay-morton-feldman-instruments-1-three-clarinets-cello-and-piano\"\u003eMilton Babbitt: Septet But Equal; Fourplay; Morton Feldman: Instruments 1; Three Clarinets, Cello and Piano by PAUL ZUKOFSKY, conductor; COMPOSERS ENSEMBLE\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMilton Babbitt: (1916- )\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSEPTET BUT EQUAL\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFOURPLAY\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher for both works: C.F. Peters Corporation\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMorton Feldman: (1926-1987)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eINSTRUMENTS\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTHREE CLARINETS, CELLO AND PIANO\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher for both works: Universal Edition\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll works recorded at Studio 2, BBC Maida Vale, Delaware Rd., London, W9, July 20-21, 1997.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCo-produced by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBBC Radio 3\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Milton Babbitt \/ Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 Milton Babbitt: Septet But Equal; Fourplay; Morton Feldman: Instruments 1; Three...
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{"id":5777138122917,"title":"Ives, Hauer, Stravinsky, Pepples, Satie \/\/ In Memoriam Paul Zukofsky CD","handle":"pre-order-ives-hauer-stravinsky-pepples-satie-in-memoriam-paul-zukofsky-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4116389482\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis album presents the last music program designed by the late violinist\/conductor Paul Zukofsky. Both Monkeys At Play and Josef Hauer’s Zwölftonspiel (April 1956)* are first recordings. The program served as his New York memorial concert in 2017 played by pianists Aaron Likness and Andrew Zhou.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll recordings were made at Oktaven Audio in Mount Vernon, NY on August 22-24, 2019, recorded and edited by Ryan Streber, mastered by Ian Turner.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e","published_at":"2020-10-12T10:41:16+09:00","created_at":"2020-10-12T10:41:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36679346258085,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ives, Hauer, Stravinsky, Pepples, Satie \/\/ In Memoriam Paul Zukofsky CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2887647828_16.jpg?v=1602466875"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2887647828_16.jpg?v=1602466875","options":["Title"],"media":[{"alt":null,"id":12170360717477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2887647828_16.jpg?v=1602466875"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2887647828_16.jpg?v=1602466875","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e70年代からハードコアな現代音楽を出版しているPaul Zukofsky主宰cp2の作品を一挙入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4116389482\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThis album presents the last music program designed by the late violinist\/conductor Paul Zukofsky. Both Monkeys At Play and Josef Hauer’s Zwölftonspiel (April 1956)* are first recordings. The program served as his New York memorial concert in 2017 played by pianists Aaron Likness and Andrew Zhou.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAll recordings were made at Oktaven Audio in Mount Vernon, NY on August 22-24, 2019, recorded and edited by Ryan Streber, mastered by Ian Turner.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e"}
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{"id":5777125441701,"title":"Artur Schnabel \/\/ Dance and Secret \u0026 Joy and Peace; Sonata for Solo Violin CD","handle":"pre-order-artur-schnabel-dance-and-secret-joy-and-peace-sonata-for-solo-violin-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086736213\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Artur Schnabel \u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-12T10:35:16+09:00","created_at":"2020-10-12T10:35:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36679315128485,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Artur Schnabel \/\/ Dance and Secret \u0026 Joy and Peace; Sonata for Solo Violin CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2575915788_16.jpg?v=1602466516"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2575915788_16.jpg?v=1602466516","options":["Title"],"media":[{"alt":null,"id":12170101817509,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2575915788_16.jpg?v=1602466516"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2575915788_16.jpg?v=1602466516","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1086736213\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Artur Schnabel \u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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{"id":5773616939173,"title":"Morton Feldman \/\/ For John Cage CD","handle":"morton-feldman-for-john-cage-cd","description":"\u003cp\u003e\u003cspan\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1833588411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/morton-feldman-for-john-cage\"\u003eMorton Feldman: For John Cage by PAUL ZUKOFSKY, violin; MARIANNE SCHROEDER, piano\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis recording was supported in part by public funds from the New York State Council on the Arts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe generous support of Betty Freeman and Paul Sacher is gratefully acknowledged.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor John Cage was recorded April 7, 1984 at SONOGRAPHIC AG, Schlieren, Switzerland. Recording Engineer: W.A. Wettler; Montage: Elite Recordings, NYC; Publisher: Universal Edition, Ltd., London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T12:00:26+09:00","created_at":"2020-10-11T12:00:25+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36667077984421,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Morton Feldman \/\/ For John Cage CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0711098832_16.jpg?v=1602385227"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0711098832_16.jpg?v=1602385227","options":["Title"],"media":[{"alt":null,"id":12114155405477,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0711098832_16.jpg?v=1602385227"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0711098832_16.jpg?v=1602385227","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1833588411\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/morton-feldman-for-john-cage\"\u003eMorton Feldman: For John Cage by PAUL ZUKOFSKY, violin; MARIANNE SCHROEDER, piano\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThis recording was supported in part by public funds from the New York State Council on the Arts.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe generous support of Betty Freeman and Paul Sacher is gratefully acknowledged.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFor John Cage was recorded April 7, 1984 at SONOGRAPHIC AG, Schlieren, Switzerland. Recording Engineer: W.A. Wettler; Montage: Elite Recordings, NYC; Publisher: Universal Edition, Ltd., London.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Morton Feldman\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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{"id":5773584302245,"title":"Jo Kondo \/\/ Hagoromo CD","handle":"jo-kondo-hagoromo-cd","description":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2936849554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eJo Kondo: (1947--- ) HAGOROMO\u003c\/p\u003e\n\u003cp\u003ewritten under commission from the Maggio Musicale Fiorentino, and premiered there June 13, 1994\u003cbr\u003ePublisher: University of York Music Press (U.K.)\u003c\/p\u003e\n\u003cp\u003eRecorded March 25, 2002 at Abbey Road Studio 2, London, England\u003cbr\u003eProduced and engineered by Paul Zinman\u003cbr\u003eAssistant engineers: Roland Heap, Chris Clark\u003c\/p\u003e\n\u003cp\u003eEdited, mixed and mastered by Paul Zinman at SoundByte Productions, Inc., NYC\u003c\/p\u003e\n\u003cp\u003eAll edit choices: Paul Zukofsky\u003cbr\u003ePre and Post-production supervision: Paul Zukofsky\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T11:44:29+09:00","created_at":"2020-10-11T11:44:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","drone","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666952155301,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jo Kondo \/\/ Hagoromo CD","public_title":null,"options":["Default Title"],"price":217800,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1541305210_16.jpg?v=1602384269"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1541305210_16.jpg?v=1602384269","options":["Title"],"media":[{"alt":null,"id":12113340858533,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1541305210_16.jpg?v=1602384269"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1541305210_16.jpg?v=1602384269","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2936849554\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eJo Kondo: (1947--- ) HAGOROMO\u003c\/p\u003e\n\u003cp\u003ewritten under commission from the Maggio Musicale Fiorentino, and premiered there June 13, 1994\u003cbr\u003ePublisher: University of York Music Press (U.K.)\u003c\/p\u003e\n\u003cp\u003eRecorded March 25, 2002 at Abbey Road Studio 2, London, England\u003cbr\u003eProduced and engineered by Paul Zinman\u003cbr\u003eAssistant engineers: Roland Heap, Chris Clark\u003c\/p\u003e\n\u003cp\u003eEdited, mixed and mastered by Paul Zinman at SoundByte Productions, Inc., NYC\u003c\/p\u003e\n\u003cp\u003eAll edit choices: Paul Zukofsky\u003cbr\u003ePre and Post-production supervision: Paul Zukofsky\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 レーベルその他作品はこちら /// Click here to see more cp2 releases available at Tobira. ------------------------------- Jo Kondo:...
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{"id":5773574144165,"title":"Jo Kondo \/\/ Mulberry; In the Woods; In Summer; Under the Umbrella CD","handle":"jo-kondo-mulberry-in-the-woods-in-summer-under-the-umbrella-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3456212834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJo Kondo: (1947--)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: University of York Music Press (U.K.)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMulberry, In the Woods, and In Summer are edited versions (also including some rehearsal takes) of the \"Jo Kondo Composer's Portrait Concert\" of October 7, 2004, held in Suntory Hall, Tokyo, Japan.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: Yukio Kojima\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited and mastered by Paul Zinman at SoundByte Productions, Inc., NYC\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll edit choices: Paul Zukofsky\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll Pre and Post-production supervision: Paul Zukofsky\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnder the Umbrella was recorded August 18, 1980, in the Norland, Ontario, Canada, geodesic-dome home of John Wyre. Each movement was recorded in one take, without edits. The recording was made using one microphone, Nexus having constructed a pentagonal rack, from each section of which hung each player's five \"almglocken\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: Tim Clark\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal Mastering (for LP CP2 #11: Robert C. Ludwig (Masterdisk Corp.))\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2006, the recording was remixed and re-mastered by Paul Zinman at Soundbyte Productions, Inc., NYC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T11:40:07+09:00","created_at":"2020-10-11T11:40:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","drone","recommended","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666904314021,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jo Kondo \/\/ Mulberry; In the Woods; In Summer; Under the Umbrella CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3211580262_16.jpg?v=1602384008"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3211580262_16.jpg?v=1602384008","options":["Title"],"media":[{"alt":null,"id":12113105584293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3211580262_16.jpg?v=1602384008"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3211580262_16.jpg?v=1602384008","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3456212834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJo Kondo: (1947--)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePublisher: University of York Music Press (U.K.)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMulberry, In the Woods, and In Summer are edited versions (also including some rehearsal takes) of the \"Jo Kondo Composer's Portrait Concert\" of October 7, 2004, held in Suntory Hall, Tokyo, Japan.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: Yukio Kojima\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eEdited and mastered by Paul Zinman at SoundByte Productions, Inc., NYC\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll edit choices: Paul Zukofsky\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAll Pre and Post-production supervision: Paul Zukofsky\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnder the Umbrella was recorded August 18, 1980, in the Norland, Ontario, Canada, geodesic-dome home of John Wyre. Each movement was recorded in one take, without edits. The recording was made using one microphone, Nexus having constructed a pentagonal rack, from each section of which hung each player's five \"almglocken\".\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecording Engineer: Tim Clark\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOriginal Mastering (for LP CP2 #11: Robert C. Ludwig (Masterdisk Corp.))\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIn 2006, the recording was remixed and re-mastered by Paul Zinman at Soundbyte Productions, Inc., NYC.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 レーベルその他作品はこちら /// Click here to see more cp2 releases available at Tobira. ------------------------------- Jo Kondo:...
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{"id":5773560250533,"title":"Jo Kondo, Craig Pepples \/\/ Syzygia, Pine Cones Fall, Snow's Falling CD","handle":"jo-kondo-craig-pepples-syzygia-pine-cones-fall-snows-falling","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=930772959\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo, Craig Pepples\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e","published_at":"2020-10-11T11:36:08+09:00","created_at":"2020-10-11T11:36:06+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":217800,"price_min":217800,"price_max":217800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666871218341,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jo Kondo, Craig Pepples \/\/ Syzygia, Pine Cones Fall, Snow's Falling CD","public_title":null,"options":["Default Title"],"price":217800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a2626332736_16.jpg?v=1602383768"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2626332736_16.jpg?v=1602383768","options":["Title"],"media":[{"alt":null,"id":12112898982053,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2626332736_16.jpg?v=1602383768"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a2626332736_16.jpg?v=1602383768","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=930772959\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cp2\"\u003ehere\u003c\/a\u003e to see more cp2 releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : Jo Kondo, Craig Pepples\u003c\/p\u003e\n\u003cp\u003elabel : cp2\u003c\/p\u003e"}
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 レーベルその他作品はこちら /// Click here to see more cp2 releases available at Tobira. artist : Jo Kondo,...
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{"id":5773512442021,"title":"J.S.Bach \/\/ 3 Sonatas and 3 Partitas, BWV 1001-1006 2CD","handle":"j-s-bach-3-sonatas-and-3-partitas-bwv-1001-1006-2cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2288981335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/j-s-bach-3-sonatas-and-3-partitas-bwv-1001-1006\"\u003eJ.S.Bach: 3 Sonatas and 3 Partitas, BWV 1001-1006 by PAUL ZUKOFSKY, Violin\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAUL ZUKOFSKY, violin; 2-disc set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : J.S.Bach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : cp2\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-11T11:24:29+09:00","created_at":"2020-10-11T11:24:28+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","cp2","sound poetry"],"price":316800,"price_min":316800,"price_max":316800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36666773012645,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"J.S.Bach \/\/ 3 Sonatas and 3 Partitas, BWV 1001-1006 2CD","public_title":null,"options":["Default Title"],"price":316800,"weight":120,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3030149194_16.jpg?v=1602383070"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3030149194_16.jpg?v=1602383070","options":["Title"],"media":[{"alt":null,"id":12112227303589,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3030149194_16.jpg?v=1602383070"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3030149194_16.jpg?v=1602383070","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ePaul Zukofsky\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2288981335\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/musicalobservations.bandcamp.com\/album\/j-s-bach-3-sonatas-and-3-partitas-bwv-1001-1006\"\u003eJ.S.Bach: 3 Sonatas and 3 Partitas, BWV 1001-1006 by PAUL ZUKOFSKY, Violin\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePAUL ZUKOFSKY, violin; 2-disc set\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : J.S.Bach\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003elabel : cp2\u003c\/span\u003e\u003c\/p\u003e"}
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Paul Zukofskyはブルックリンで生まれジュリアード音楽院で学び、テクニック面でも「ヴァイオリニストの王」と呼ばれたハイフェッツの後継者とまで言われていたにも関わらず、現代音楽や前衛音楽のスペシャリストであり続けました。日本の前衛音楽とも深く関わりを持っている彼の自主レーベルデッドストック群を発掘入荷しました。 J.S.Bach: 3 Sonatas and 3 Partitas, BWV 1001-1006 by PAUL ZUKOFSKY, Violin...
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{"id":5768831140005,"title":"Kiera Mulhern \/\/ De ossibus 20 LP","handle":"pre-order-kiera-mulhern-de-ossibus-20-lp","description":"\u003cp\u003e2020年NYから突如現れた女性サウンドポエトリー作家Kiera Mulhernの新譜がSean McCann主宰Recitalより2020年10月リリース。彼女の母が他界した直後に制作されたアルバムです。リリース前に既に廃盤ですのでお早めに。12ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1109866094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/de-ossibus-20\"\u003eDe ossibus 20 by Kiera Mulhern\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDe ossibus 20 is the debut LP by sound artist and poet Kiera Mulhern (b.1992). Bridging classic sound poetry elements with micro studies of the artist’s body and environment. Burying a microphone in a book, this LP picks up fragments of words and memories, humming the rustles of parchment. It reminds me of Henri Chopin at times, busy mouth clusters bang against the air. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKiera made this album as a means of organizing loss after her mother’s death. Recordings of her maternal grandfather and the inside of Mulhern’s throat explore parallel means of investigating family and what gets passed on. The particularities of her family, psychiatry \u0026amp; medicine, became ghosts she followed into the writings of Galen, whose notes on dissection and animal anatomy wind through the text of the LP. Archaeological notes and scraps from the myth of Syrinx blow through the ending of De ossibus 20, as distant pan pipes and flutes fold into each-other.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e","published_at":"2020-10-10T07:05:01+09:00","created_at":"2020-10-10T07:04:59+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","recital","sound poetry"],"price":404800,"price_min":404800,"price_max":404800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36650288611493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Kiera Mulhern \/\/ De ossibus 20 LP","public_title":null,"options":["Default Title"],"price":404800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0100412142_10.jpg?v=1602281149"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0100412142_10.jpg?v=1602281149","options":["Title"],"media":[{"alt":null,"id":12030985240741,"position":1,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0100412142_10.jpg?v=1602281149"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0100412142_10.jpg?v=1602281149","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2020年NYから突如現れた女性サウンドポエトリー作家Kiera Mulhernの新譜がSean McCann主宰Recitalより2020年10月リリース。彼女の母が他界した直後に制作されたアルバムです。リリース前に既に廃盤ですのでお早めに。12ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1109866094\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/de-ossibus-20\"\u003eDe ossibus 20 by Kiera Mulhern\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDe ossibus 20 is the debut LP by sound artist and poet Kiera Mulhern (b.1992). Bridging classic sound poetry elements with micro studies of the artist’s body and environment. Burying a microphone in a book, this LP picks up fragments of words and memories, humming the rustles of parchment. It reminds me of Henri Chopin at times, busy mouth clusters bang against the air. \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eKiera made this album as a means of organizing loss after her mother’s death. Recordings of her maternal grandfather and the inside of Mulhern’s throat explore parallel means of investigating family and what gets passed on. The particularities of her family, psychiatry \u0026amp; medicine, became ghosts she followed into the writings of Galen, whose notes on dissection and animal anatomy wind through the text of the LP. Archaeological notes and scraps from the myth of Syrinx blow through the ending of De ossibus 20, as distant pan pipes and flutes fold into each-other.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : \u003c\/p\u003e"}
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2020年NYから突如現れた女性サウンドポエトリー作家Kiera Mulhernの新譜がSean McCann主宰Recitalより2020年10月リリース。彼女の母が他界した直後に制作されたアルバムです。リリース前に既に廃盤ですのでお早めに。12ページのブックレット付属。 De ossibus 20 by Kiera Mulhern De ossibus 20 is the...
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{"id":5768755937445,"title":"Charlie Morrow \/\/ America Lament LP","handle":"pre-order-charlie-morrow-america-lament-lp","description":"\u003cp\u003e映画のサウンドトラックや博物館でのサウンドインスタレーション、病院のチャイムなど様々な活動を行う作曲家Charlie Morrowの新作がSean McCann主宰Recitalから2020年10月リリース。彼のあらゆる音楽への興味関心がこの1枚に凝縮されており、アイリッシュ・ラップパイプ、恍惚としたジャズ、シューベルトのレコンポジション、アンビエントフルート、弦楽四重奏などあらゆるものを用いた作品で構成されています。\u003c\/p\u003e\n\u003cp\u003e20ページのブックレットには楽譜やインタビューが掲載されています。300部限定。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1963135948\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAmerica Lament is a panoramic musical survey of legendary experimental composer\/event-maker Charlie Morrow’s eclectic works. At just over 40-minutes, America Lament is mysterious, beguiling, and jubilant, comprised of pieces employing everything from hand-made electronics to Irish lap pipes, ecstatic jazz to Schubert recompositions, ambient flutes, and a string quartet. Charlie Morrow and Recital’s Sean McCann excavated 50 years of Morrow’s bottomless archive, from 1970 to 2020, to present this follow-up to 2018’s Recital release Toot! Too.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCharlie Morrow (b. 1942 in Newark, NJ) is a composer, sound artist, performer, and innovator. With concert performances and ad jingles (including Hefty trash bags – “Hefty, Hefty, Hefty! Wimpy, wimpy, wimpy!”), city-wide events and film soundtracks, museum sound installations and hospital sound environments, Morrow’s work has been experienced by a wider audience than most creative artists can claim.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCharlie’s music has a melody and depth to it that I feel is absent from a lot of avant-garde music. His keen interest in all musical styles seem to inform this harmony. Charlie’s drive to interconnect people and ideas is contagious and affirming, and working with\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e him has been one of the pleasures of my life. We have forthcoming releases in 2021 by Alison Knowles, Jerome Rothenberg, and a box set of the 1980 International Sound Poetry Festival.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Charlie Morrow \u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2020-10-10T06:38:12+09:00","created_at":"2020-10-10T06:38:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","folk \/ left-field pop","folk \/ vocal \/ band","jazz","lp","neo classical","Recital","sound poetry"],"price":377400,"price_min":377400,"price_max":377400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36650087153829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Charlie Morrow \/\/ America Lament LP","public_title":null,"options":["Default Title"],"price":377400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R81_Morrow-Cover-1536x1536.jpg?v=1602279492"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R81_Morrow-Cover-1536x1536.jpg?v=1602279492","options":["Title"],"media":[{"alt":null,"id":12030008328357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1536,"width":1536,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R81_Morrow-Cover-1536x1536.jpg?v=1602279492"},"aspect_ratio":1.0,"height":1536,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R81_Morrow-Cover-1536x1536.jpg?v=1602279492","width":1536}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e映画のサウンドトラックや博物館でのサウンドインスタレーション、病院のチャイムなど様々な活動を行う作曲家Charlie Morrowの新作がSean McCann主宰Recitalから2020年10月リリース。彼のあらゆる音楽への興味関心がこの1枚に凝縮されており、アイリッシュ・ラップパイプ、恍惚としたジャズ、シューベルトのレコンポジション、アンビエントフルート、弦楽四重奏などあらゆるものを用いた作品で構成されています。\u003c\/p\u003e\n\u003cp\u003e20ページのブックレットには楽譜やインタビューが掲載されています。300部限定。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1963135948\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eAmerica Lament is a panoramic musical survey of legendary experimental composer\/event-maker Charlie Morrow’s eclectic works. 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Wimpy, wimpy, wimpy!”), city-wide events and film soundtracks, museum sound installations and hospital sound environments, Morrow’s work has been experienced by a wider audience than most creative artists can claim.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCharlie’s music has a melody and depth to it that I feel is absent from a lot of avant-garde music. His keen interest in all musical styles seem to inform this harmony. Charlie’s drive to interconnect people and ideas is contagious and affirming, and working with\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e him has been one of the pleasures of my life. We have forthcoming releases in 2021 by Alison Knowles, Jerome Rothenberg, and a box set of the 1980 International Sound Poetry Festival.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e-Sean McCann, Sept. 2020\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Charlie Morrow \u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
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{"id":5768676966565,"title":"Derek Baron \/\/ Curtain LP","handle":"pre-order-derek-baron-curtain-lp","description":"\u003cp\u003eDerek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657682245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/curtain\"\u003eCurtain by Derek Baron\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDerek Baron is a composer, musician, and artist. Curtain is a diary. Both in musical and non-musical situations, they attribute a filmic quality to their journal-like aural self-documentation. Dreams turn real then dissolve. Single phrases and events arrive and leave, abruptly. Yet, the overall sense of place that Baron creates is understood.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpening Curtain is the eponymous piece. A 21-minute live chamber work for quintet recorded in 2018. A musical assemblage of glued-together fragments and scraps of sheet music from Baron’s past. Compositions wrote in the small margins and folds of paper; illustrated in the art booklet included with the LP. The flute, violin, guitar, keyboard, and bass clarinet phrases saunter at a pre-sleep pace, until a subdued, yet ecstatic Mass theme ushers in periodically. Delivering the warmth of life… it is a slow beauty. It brings me such happiness listening to this piece. Its continuity is cut with scissors and pasted about oddly… all soaked in a certain malaise; a resigned grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next piece and other side of the LP, “Chancel,” is rather different. An audio journal flipped through, dropped on the ground, picked up and opened to another page. A confusing montage of world-ized musical snatches: car radios, church choirs emanating to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe streets, moldy organs, domestic piano recordings. Similarly, machine vibrations, bodega conversations, and other environmental observations segue the harmony and disharmony of this listening experience. I’ll finish with some of Derek’s notes from the booklet: “Co-opting new achievements \/ Thank you for this incredible demonstration \/ This theatre of procedures \/ This consoling play of recognitions \/ No theatre but “what’s that”, \/ Nowhere for the silver ball to roll to. \/ How are we so in love.”\u003cbr\u003e\u003cbr\u003e-Sean McCann (July 2020)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-10T06:10:50+09:00","created_at":"2020-10-10T06:10:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","monooto","neo classical","recital","sound poetry"],"price":371800,"price_min":371800,"price_max":371800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36649838739621,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Derek Baron \/\/ Curtain LP","public_title":null,"options":["Default Title"],"price":371800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","options":["Title"],"media":[{"alt":null,"id":12028918792357,"position":1,"preview_image":{"aspect_ratio":1.005,"height":1019,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850"},"aspect_ratio":1.005,"height":1019,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","width":1024},{"alt":null,"id":12028918825125,"position":2,"preview_image":{"aspect_ratio":1.255,"height":956,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850"},"aspect_ratio":1.255,"height":956,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDerek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657682245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/curtain\"\u003eCurtain by Derek Baron\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDerek Baron is a composer, musician, and artist. Curtain is a diary. Both in musical and non-musical situations, they attribute a filmic quality to their journal-like aural self-documentation. Dreams turn real then dissolve. Single phrases and events arrive and leave, abruptly. Yet, the overall sense of place that Baron creates is understood.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpening Curtain is the eponymous piece. A 21-minute live chamber work for quintet recorded in 2018. A musical assemblage of glued-together fragments and scraps of sheet music from Baron’s past. Compositions wrote in the small margins and folds of paper; illustrated in the art booklet included with the LP. The flute, violin, guitar, keyboard, and bass clarinet phrases saunter at a pre-sleep pace, until a subdued, yet ecstatic Mass theme ushers in periodically. Delivering the warmth of life… it is a slow beauty. It brings me such happiness listening to this piece. Its continuity is cut with scissors and pasted about oddly… all soaked in a certain malaise; a resigned grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next piece and other side of the LP, “Chancel,” is rather different. An audio journal flipped through, dropped on the ground, picked up and opened to another page. A confusing montage of world-ized musical snatches: car radios, church choirs emanating to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe streets, moldy organs, domestic piano recordings. Similarly, machine vibrations, bodega conversations, and other environmental observations segue the harmony and disharmony of this listening experience. I’ll finish with some of Derek’s notes from the booklet: “Co-opting new achievements \/ Thank you for this incredible demonstration \/ This theatre of procedures \/ This consoling play of recognitions \/ No theatre but “what’s that”, \/ Nowhere for the silver ball to roll to. \/ How are we so in love.”\u003cbr\u003e\u003cbr\u003e-Sean McCann (July 2020)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e"}
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{"id":5696354058405,"title":"Takehisa Kosugi \/\/ New York, August 14, 1991 LP","handle":"takehisa-kosugi-new-york-august-14-1991-lp","description":"\u003cp\u003e1994年にオリジナル盤がリリースされ、2019年にSlowscanが再発した小杉武久のライブ音源。350部限定、廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916960067\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Tkpreview\" href=\"https:\/\/soundcloud.com\/user-198195096\/tkpreview\" target=\"_blank\"\u003eTkpreview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn March 24, 1938; passed away October 12, 2018. Takehisa Kosugi created mixed-media sound performances and installations, making use of daily materials and electronic technology, realizing the multiplicity of sounds in space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEdition of 350 copies. Originally released as part of the Fluxus Anthology box set (Slowscan Vol. 10) in 1994.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takehisa Kosugi\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan\u003c\/p\u003e","published_at":"2020-09-27T09:30:24+09:00","created_at":"2020-09-26T11:24:19+09:00","vendor":"Tobira Records","type":"","tags":["asia","contemporary \/ sound poetry","lp","monooto","noise","Slowscan"],"price":459800,"price_min":459800,"price_max":459800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36390877397157,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Takehisa Kosugi \/\/ New York, August 14, 1991 LP","public_title":null,"options":["Default Title"],"price":459800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/takehisa.jpg?v=1601087060"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/takehisa.jpg?v=1601087060","options":["Title"],"media":[{"alt":null,"id":11442049056933,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/takehisa.jpg?v=1601087060"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/takehisa.jpg?v=1601087060","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1994年にオリジナル盤がリリースされ、2019年にSlowscanが再発した小杉武久のライブ音源。350部限定、廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/916960067\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Tkpreview\" href=\"https:\/\/soundcloud.com\/user-198195096\/tkpreview\" target=\"_blank\"\u003eTkpreview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBorn March 24, 1938; passed away October 12, 2018. Takehisa Kosugi created mixed-media sound performances and installations, making use of daily materials and electronic technology, realizing the multiplicity of sounds in space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEdition of 350 copies. Originally released as part of the Fluxus Anthology box set (Slowscan Vol. 10) in 1994.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Takehisa Kosugi\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan\u003c\/p\u003e"}
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1994年にオリジナル盤がリリースされ、2019年にSlowscanが再発した小杉武久のライブ音源。350部限定、廃盤です。 tobirarecs · Tkpreview Born March 24, 1938; passed away October 12, 2018. Takehisa...
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{"id":5654381592741,"title":"Henning Christiansen \/\/ Op.201 L´ESSERE UMANO ERRABANDO LA VOCA ERRABANDO LP","handle":"henning-christiansen-op-201-l-essere-umano-errabando-la-voca-errabando-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansenの作品再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/p7DQXu1t9pA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe third release on the Henning Christiansen Archive features a previously unreleased work from 1991. The Wandering Human Being – The Wandering Voice, as the title suggest is a piece for voice and featurues Carlo Quartucci, Carla Tatò, Ursula Reuter Christiansen and Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUrsula and Henning met the couple Carlo Quartucci and Carla Tatò through the curator Johannes Gachnang on a visit to Genazzano in Italy 1983 and became close friends, collaborating on a variety of projects, most notably on Carlo and Carla’s epic adaptation of Heinrich von Kleist’s play Penthesilea (forthcoming on The Henning Christiansen archive).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wandering Human Being – The Wandering Voice came about from a conversation between the four of them whilst on a beach on the island of Møn in the eastern sea in Denmark, looking south. Here they all laughed at the realisation that on the other ide of Europe in this direction was Sicily where Carlo and Carla lived. The island Sicily, The island Møn. As Henning says “The human-being was wandering from sea to sea”. Henning saw no difference in their way over life ‘over there’ and mused on the means of which we cross over oceans and move around facilitating awareness of the same family of human being. People from islands meet people from islands and they can all look across vast waters and laugh together.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHuman-basic-technology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis conversation and collective realisation of the simplicity of it all lead to this work which is one of the finest in Henning’s vast catalogue. L´essere Umano Errabando La Voce Errabando is a mantra for four voices, the sound of the ocean, a pvc tube, effects and wind instument. The piece moves in an organic hypnotic fashion lulling and rolling, ebbing and flowing over the two sides of the record. Rudimentary phrases in various languages interlope and weave a mystical music, as primitive as it is ‘contemporary’.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wind, The Stars, etc are repeated over in random untrained fashion. The two couples from different countries weave voices, words and language into a common sonic fabric which eradicates identity, the idea of ‘national’, the idea of country, the idea of difference.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnlike anything else in Henning’s output L´essere Umano Errabando La Voce Errabando is a calm and meditative work which rolls along two sides wrapping the listener in a random melancholic meditative mantra. Only Henning Christiansen could summon such haunting, beautiful, gothic music carved from political hope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist: Henning Christiansen\u003c\/p\u003e\n\u003cp\u003elabel : Henning Christiansen Archive\u003c\/p\u003e","published_at":"2020-09-15T18:33:41+09:00","created_at":"2020-09-15T18:33:39+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","sound poetry","strange beats","The Henning Christiansen Archive"],"price":371800,"price_min":371800,"price_max":371800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36183527293093,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Henning Christiansen \/\/ Op.201 L´ESSERE UMANO ERRABANDO LA VOCA ERRABANDO LP","public_title":null,"options":["Default Title"],"price":371800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","options":["Title"],"media":[{"alt":null,"id":11154447892645,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0013821729_16.jpg?v=1600162420","width":700},{"alt":null,"id":11154447925413,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021490077_10.jpg?v=1600162421","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家Henning Christiansenの作品再発レーベル\u003cmeta charset=\"utf-8\"\u003eHenning \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eChristiansen \u003c\/span\u003e\u003cspan\u003eArchiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/www.youtube.com\/embed\/p7DQXu1t9pA\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/henning-christiansen-archive\"\u003ehere\u003c\/a\u003e to see more Henning Christiansen Archive releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eHenning Christiansen Archive:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe third release on the Henning Christiansen Archive features a previously unreleased work from 1991. The Wandering Human Being – The Wandering Voice, as the title suggest is a piece for voice and featurues Carlo Quartucci, Carla Tatò, Ursula Reuter Christiansen and Henning Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUrsula and Henning met the couple Carlo Quartucci and Carla Tatò through the curator Johannes Gachnang on a visit to Genazzano in Italy 1983 and became close friends, collaborating on a variety of projects, most notably on Carlo and Carla’s epic adaptation of Heinrich von Kleist’s play Penthesilea (forthcoming on The Henning Christiansen archive).\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wandering Human Being – The Wandering Voice came about from a conversation between the four of them whilst on a beach on the island of Møn in the eastern sea in Denmark, looking south. Here they all laughed at the realisation that on the other ide of Europe in this direction was Sicily where Carlo and Carla lived. The island Sicily, The island Møn. As Henning says “The human-being was wandering from sea to sea”. Henning saw no difference in their way over life ‘over there’ and mused on the means of which we cross over oceans and move around facilitating awareness of the same family of human being. People from islands meet people from islands and they can all look across vast waters and laugh together.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHuman-basic-technology\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis conversation and collective realisation of the simplicity of it all lead to this work which is one of the finest in Henning’s vast catalogue. L´essere Umano Errabando La Voce Errabando is a mantra for four voices, the sound of the ocean, a pvc tube, effects and wind instument. The piece moves in an organic hypnotic fashion lulling and rolling, ebbing and flowing over the two sides of the record. Rudimentary phrases in various languages interlope and weave a mystical music, as primitive as it is ‘contemporary’.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Wind, The Stars, etc are repeated over in random untrained fashion. The two couples from different countries weave voices, words and language into a common sonic fabric which eradicates identity, the idea of ‘national’, the idea of country, the idea of difference.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUnlike anything else in Henning’s output L´essere Umano Errabando La Voce Errabando is a calm and meditative work which rolls along two sides wrapping the listener in a random melancholic meditative mantra. Only Henning Christiansen could summon such haunting, beautiful, gothic music carved from political hope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist: Henning Christiansen\u003c\/p\u003e\n\u003cp\u003elabel : Henning Christiansen Archive\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansenの作品再発レーベルHenning Christiansen Archiveからの第3弾は1991年の声楽家のための未発表作品。Giuseppe Ielashiマスタリング。ブックレットが付属。 レーベルその他作品はこちら /// Click here to see more Henning Christiansen Archive releases available at...
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{"id":5654345351333,"title":"VA \/\/ SAVE THE NATURE —– USE FLUXUS, The Box parking lot, Los Angeles 2LP","handle":"hca1","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家\u003c\/span\u003e\u003cspan\u003eHenning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen \/ Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT THE BIRD SONGS」の一環として、ギャラリー駐車場にて6時間のパフォーマンスが行われました。本２枚組LPはその演奏のハイライトを編集したもの。\u003c\/p\u003e\n\u003cp\u003e個展のカタログやポスターなど付属品も豪華。今回限りの入荷です、お見逃しなく。マスタリングはSean McCann。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/829942081\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Penultimate Press\" href=\"https:\/\/soundcloud.com\/quockenzocker\" target=\"_blank\"\u003ePenultimate Press\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\" href=\"https:\/\/soundcloud.com\/quockenzocker\/save-the-nature-use-fluxus-the-box-gallery-parking-lot-los-angeles\" target=\"_blank\"\u003eSAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_IimA2boN8?start=1166\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn November 17, 2019 a six hour performance was undertaken in the car park of The Box gallery in Los Angeles as a part of the Henning Christiansen \/ Ursula Reuter Christiansen exhibition THEY WON’T SURVIVE WITHOUT THE BIRD SONGS\u2028. Thorbjørn Reuter Christiansen, son of Ursula and Henning, developed a timeline for the performance which was essentially designed to encompass a contemporary community of like minded artists that spans generations and continents harnessing and continuing the work instigated by Henning during his lifetime. The resulting performance included archival recordings taken from the H.C. Archive, which houses a vast collection of compositions, scores and correspondence of the late Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis limited edition 2LP collects edited highlights from the day capturing the unique and somewhat unsettling atmosphere provoked by a diverse range of performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThorbjørn Reuter Christiansen developed a new action where he performed a sound piece on iconic instruments of Henning’s alongside recorded sounds of his father. Father and son re-united again in performance. The New Sound of the Living Dead.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBjørn Nørgaard presented two new iterations of some of his historical actions; Homage to Henning and Joseph, Manresa, a piece he first collaborated on with Henning Christiansen and Joseph Beuys at Galerieleri Schmela in Düsseldorf in 1966, and The Cake, a live construction of a monolithic yet impermanent sculpture meant to decay over time. Mai Dengsøe Hansen performed EURASIENSTAB fluxorum organum op. 39, a piece for organ that Henning scored and used as the soundtrack for the film Eurasienstab, with Beuys.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe BOX gallery founder Mara McCarthy, along with her father Paul McCarthy and Chiara Giovando performed Knock Harder, a 20 min. improvisation that loosely recalls Knocking, a sound scape Henning used repeatedly throughout many of his own compositions. Chiara and Mara can be heard singing and playing a selection of small instruments, while Paul methodically slammed the back door of the gallery with a piece of scrap 2×4 pinewood – a kind of dedication to the monotony of Fluxus.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMark Harwood, the founder of the expansive experimental independent label Penultimate Press performed an improvised musical protest incorporating fire, rhythm and chaos alongside field recordings of the civil unrest in Chile that he collected occurred just prior to the opening of this exhibition. Harwood’s contribution speaks to Hennings political activism and dedication.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout SAVE THE NATURE —- USE FLUXUS all came together to celebrate these great artists and to embody the same spirit of communal collaboration that has so thoroughly been a part of both Ursula and Henning’s lifelong endeavors.\u003c\/em\u003e\u003cem\u003eThis is a co-release between the Henning Christiansen Archive (Europe) and The Box (USA)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Various Artists\u003c\/p\u003e\n\u003cp\u003elabel : The Henning Christiansen Archive\u003c\/p\u003e","published_at":"2020-09-15T17:59:58+09:00","created_at":"2020-09-15T17:59:56+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","sound poetry","strange beats","The Henning Christiansen Archive"],"price":568000,"price_min":568000,"price_max":568000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36183109992613,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"VA \/\/ SAVE THE NATURE —– USE FLUXUS, The Box parking lot, Los Angeles 2LP","public_title":null,"options":["Default Title"],"price":568000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","options":["Title"],"media":[{"alt":null,"id":11154100715685,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532282-3342_jpeg.jpg?v=1600160398","width":600},{"alt":null,"id":11154100748453,"position":2,"preview_image":{"aspect_ratio":1.415,"height":424,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398"},"aspect_ratio":1.415,"height":424,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596532281-5644_jpeg.jpg?v=1600160398","width":600},{"alt":null,"id":11154100781221,"position":3,"preview_image":{"aspect_ratio":0.983,"height":300,"width":295,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398"},"aspect_ratio":0.983,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15719271-1596851037-6943_jpeg.jpg?v=1600160398","width":295}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eデンマークのフルクサス作家\u003c\/span\u003e\u003cspan\u003eHenning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen \/ Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT THE BIRD SONGS」の一環として、ギャラリー駐車場にて6時間のパフォーマンスが行われました。本２枚組LPはその演奏のハイライトを編集したもの。\u003c\/p\u003e\n\u003cp\u003e個展のカタログやポスターなど付属品も豪華。今回限りの入荷です、お見逃しなく。マスタリングはSean McCann。\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/829942081\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Penultimate Press\" href=\"https:\/\/soundcloud.com\/quockenzocker\" target=\"_blank\"\u003ePenultimate Press\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"SAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\" href=\"https:\/\/soundcloud.com\/quockenzocker\/save-the-nature-use-fluxus-the-box-gallery-parking-lot-los-angeles\" target=\"_blank\"\u003eSAVE THE NATURE —– USE FLUXUS, The Box Gallery parking lot, Los Angeles\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/M_IimA2boN8?start=1166\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEdition of 500.\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eIn November 17, 2019 a six hour performance was undertaken in the car park of The Box gallery in Los Angeles as a part of the Henning Christiansen \/ Ursula Reuter Christiansen exhibition THEY WON’T SURVIVE WITHOUT THE BIRD SONGS\u2028. Thorbjørn Reuter Christiansen, son of Ursula and Henning, developed a timeline for the performance which was essentially designed to encompass a contemporary community of like minded artists that spans generations and continents harnessing and continuing the work instigated by Henning during his lifetime. The resulting performance included archival recordings taken from the H.C. Archive, which houses a vast collection of compositions, scores and correspondence of the late Christiansen.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis limited edition 2LP collects edited highlights from the day capturing the unique and somewhat unsettling atmosphere provoked by a diverse range of performances.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThorbjørn Reuter Christiansen developed a new action where he performed a sound piece on iconic instruments of Henning’s alongside recorded sounds of his father. Father and son re-united again in performance. The New Sound of the Living Dead.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBjørn Nørgaard presented two new iterations of some of his historical actions; Homage to Henning and Joseph, Manresa, a piece he first collaborated on with Henning Christiansen and Joseph Beuys at Galerieleri Schmela in Düsseldorf in 1966, and The Cake, a live construction of a monolithic yet impermanent sculpture meant to decay over time. Mai Dengsøe Hansen performed EURASIENSTAB fluxorum organum op. 39, a piece for organ that Henning scored and used as the soundtrack for the film Eurasienstab, with Beuys.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe BOX gallery founder Mara McCarthy, along with her father Paul McCarthy and Chiara Giovando performed Knock Harder, a 20 min. improvisation that loosely recalls Knocking, a sound scape Henning used repeatedly throughout many of his own compositions. Chiara and Mara can be heard singing and playing a selection of small instruments, while Paul methodically slammed the back door of the gallery with a piece of scrap 2×4 pinewood – a kind of dedication to the monotony of Fluxus.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMark Harwood, the founder of the expansive experimental independent label Penultimate Press performed an improvised musical protest incorporating fire, rhythm and chaos alongside field recordings of the civil unrest in Chile that he collected occurred just prior to the opening of this exhibition. Harwood’s contribution speaks to Hennings political activism and dedication.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout SAVE THE NATURE —- USE FLUXUS all came together to celebrate these great artists and to embody the same spirit of communal collaboration that has so thoroughly been a part of both Ursula and Henning’s lifelong endeavors.\u003c\/em\u003e\u003cem\u003eThis is a co-release between the Henning Christiansen Archive (Europe) and The Box (USA)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Various Artists\u003c\/p\u003e\n\u003cp\u003elabel : The Henning Christiansen Archive\u003c\/p\u003e"}
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デンマークのフルクサス作家Henning Christiansen(1932-2008)の楽曲を7名の作家が演奏したライブ音源。 2019年ロサンゼルスThe Box galleryにて開催されたHenning Christiansen / Ursula Reuter Christiansen展 「THEY WON'T SURVIVE WITHOUT...
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{"id":5622688088229,"title":"Peter Fengler \/\/ Ping Pong TAPE","handle":"peter-fengler-ping-pong-tape","description":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e過去にUltra EczemaからもリリースしているPeter Fenglerが個性派レーベルBeartownから発表したカセット。聴いてると無性に卓球がやりたくなります。廃盤です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/691703734\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beartown\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/beartown\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beartown\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/beartown\"\u003ehere\u003c\/a\u003e to see more Beartown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A dérive into the clouded mind of Peter Fengler. Two players face each other, the arena gleams in the half light. The ball launched, the heavy whoosh of the paddle through the cool air, the echoing hollow cluck of ball against bat - pure bliss.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTwo sides of the artist as gladiator - the grunt, the struggle, the endless forward backward of the dancing satellite. Over 30 minutes of restless energy hanging loosely in the collapsing cosmos... and obviously Ping Pong.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTape comes with DOUBLE SIDED pro-printed j-card (for the connoisseurs) which features live Ping Pong aktion on reverse. Black and white is alright.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-\u003c\/em\u003e Beartown Records\u003c\/p\u003e\n\u003cp\u003eArtist : Peter Fengler\u003c\/p\u003e\n\u003cp\u003eLabel : Beartown Records\u003c\/p\u003e\n\u003c\/div\u003e","published_at":"2020-09-06T11:47:31+09:00","created_at":"2020-09-06T11:47:30+09:00","vendor":"Tobira Records","type":"","tags":["Beartown","contemporary \/ sound poetry","monooto","sound poetry","tape"],"price":140800,"price_min":140800,"price_max":140800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36033238466725,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Peter Fengler \/\/ Ping Pong TAPE","public_title":null,"options":["Default Title"],"price":140800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/peterfengler.jpg?v=1599360452"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/peterfengler.jpg?v=1599360452","options":["Title"],"media":[{"alt":null,"id":11012433543333,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1000,"width":1000,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/peterfengler.jpg?v=1599360452"},"aspect_ratio":1.0,"height":1000,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/peterfengler.jpg?v=1599360452","width":1000}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e過去にUltra EczemaからもリリースしているPeter Fenglerが個性派レーベルBeartownから発表したカセット。聴いてると無性に卓球がやりたくなります。廃盤です。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/691703734\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/beartown\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/beartown\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/beartown\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/beartown\"\u003ehere\u003c\/a\u003e to see more Beartown Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"A dérive into the clouded mind of Peter Fengler. Two players face each other, the arena gleams in the half light. The ball launched, the heavy whoosh of the paddle through the cool air, the echoing hollow cluck of ball against bat - pure bliss.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTwo sides of the artist as gladiator - the grunt, the struggle, the endless forward backward of the dancing satellite. Over 30 minutes of restless energy hanging loosely in the collapsing cosmos... and obviously Ping Pong.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTape comes with DOUBLE SIDED pro-printed j-card (for the connoisseurs) which features live Ping Pong aktion on reverse. Black and white is alright.\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e-\u003c\/em\u003e Beartown Records\u003c\/p\u003e\n\u003cp\u003eArtist : Peter Fengler\u003c\/p\u003e\n\u003cp\u003eLabel : Beartown Records\u003c\/p\u003e\n\u003c\/div\u003e"}
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{"id":4878225506436,"title":"Sean McCann \/\/ Puck LP","handle":"sean-mccann-puck-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003ePuck is here.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMusic for Public Ensemble, my previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnd three years before that was Private Ensemble.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePuck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching, Puck balances on the rooftop, tipping side to side in the fog.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:46:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","neo classical","Recital","recommended","sound poetry"],"price":316800,"price_min":316800,"price_max":316800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563807154308,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sean McCann \/\/ Puck LP","public_title":null,"options":["Default Title"],"price":316800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","options":["Title"],"media":[{"alt":null,"id":7816559329412,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003ePuck is here.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMusic for Public Ensemble, my previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnd three years before that was Private Ensemble.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePuck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching, Puck balances on the rooftop, tipping side to side in the fog.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e"}
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artist : Sean McCannlabel : Recital レーベルその他作品はこちら /// Click here to see more Recital releases available at...
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{"id":4878189035652,"title":"Daniel Schmidt \/\/ Abies Firma CD","handle":"daniel-schmidt-abies-firma-lp","description":"\u003cp\u003eアメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=710372385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=966270246\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eRecital:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAbies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Unempins to Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:27:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Recital","sound poetry"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563702231172,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Schmidt \/\/ Abies Firma CD","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","options":["Title"],"media":[{"alt":null,"id":7816394834052,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=710372385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=966270246\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eRecital:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAbies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Unempins to Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e"}
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アメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。 ガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。 Recital: "The second album by the American Gamelan composer and instrument...
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{"id":4849216356484,"title":"Simple Affections \/\/ Simple Affections LP","handle":"simple-affections-simple-affections-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n","published_at":"2020-04-20T13:37:16+09:00","created_at":"2020-04-20T13:49:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","Recital","sound poetry"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33461837660292,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Simple Affections \/\/ Simple Affections LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197","options":["Title"],"media":[{"alt":null,"id":7717469716612,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n"}
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artist : Simple Affectionslabel : Recital
Simple Affections by Simple Affections
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{"id":8755915948282,"title":"Andrea Neumann \/ Mads Emil Nielsen \/\/ Refound 10inch","handle":"andrea-neumann-mads-emil-nielsen-refound-10inch","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eデンマークの実験音楽家Mads Emil Nielsenが主宰するプライベートレーベルArbitrary諸作を一挙入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、ピアノ内部奏法を得意とするAndrea Neumannとの共作で、グラフィックスコアに基づいて演奏した10曲を収録。45rpmクリア盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=284990064\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3737523677\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 10\" vinyl, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e45 rpm. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Andrea Neumann and Mads Emil Nielsen’s collaboration was initiated in 2014 with a common focus on creating music combining graphic scores, open improvisations and remixing. This led to their “Deconstruction” series and a graphic score (Framework) interpretation. In 2018 Neumann and Nielsen produced a 4-channel composition and they now release a 10” vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe starting points for these ten short pieces are selected parts of recorded improvisations made with electronics and inside piano, which were remixed by both musicians. Different musical aspects such as tactility, three-dimensionality, repetition, rhythmical elements and transparency are explored by the two musicians as the ambiguous characters of the original improvisations are transformed into ten new compositions.\"\u003cbr\u003e\u003c\/em\u003e- \u003cmeta charset=\"utf-8\"\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrea Neumann \/ Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2025-04-03T08:20:29+09:00","created_at":"2025-04-03T08:19:28+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","contemporary \/ sound poetry","drone","lp","monooto","new","strange beats"],"price":276000,"price_min":276000,"price_max":276000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47233422295290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrea Neumann \/ Mads Emil Nielsen \/\/ Refound 10inch","public_title":null,"options":["Default Title"],"price":276000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","options":["Title"],"media":[{"alt":null,"id":33983880495354,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re1.jpg?v=1715299260","width":700},{"alt":null,"id":33983880528122,"position":2,"preview_image":{"aspect_ratio":1.361,"height":882,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260"},"aspect_ratio":1.361,"height":882,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/re2.jpg?v=1715299260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※4月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eデンマークの実験音楽家Mads Emil Nielsenが主宰するプライベートレーベルArbitrary諸作を一挙入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、ピアノ内部奏法を得意とするAndrea Neumannとの共作で、グラフィックスコアに基づいて演奏した10曲を収録。45rpmクリア盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=284990064\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3737523677\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 10\" vinyl, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e45 rpm. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Andrea Neumann and Mads Emil Nielsen’s collaboration was initiated in 2014 with a common focus on creating music combining graphic scores, open improvisations and remixing. This led to their “Deconstruction” series and a graphic score (Framework) interpretation. In 2018 Neumann and Nielsen produced a 4-channel composition and they now release a 10” vinyl.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe starting points for these ten short pieces are selected parts of recorded improvisations made with electronics and inside piano, which were remixed by both musicians. Different musical aspects such as tactility, three-dimensionality, repetition, rhythmical elements and transparency are explored by the two musicians as the ambiguous characters of the original improvisations are transformed into ten new compositions.\"\u003cbr\u003e\u003c\/em\u003e- \u003cmeta charset=\"utf-8\"\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrea Neumann \/ Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
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※4月中旬再入荷後発送します デンマークの実験音楽家Mads Emil Nielsenが主宰するプライベートレーベルArbitrary諸作を一挙入荷しました。 本作は、ピアノ内部奏法を得意とするAndrea Neumannとの共作で、グラフィックスコアに基づいて演奏した10曲を収録。45rpmクリア盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Arbitrary releases available at...
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{"id":8752914465018,"title":"Satsuki Shibano \/\/ Wave Notation 3: Erik Satie 1984 2xLP","handle":"satsuki-shibano-wave-notation-3-erik-satie-1984","description":"\u003cp\u003e日本のピアニストSatsuki Shibanoが、2023年8月にスイスの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWRWTFWWからリリースした再発2枚組レコードです。（オリジナルは1984年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eErik Satieの楽曲26曲を収録。英語と日本語のライナーノート付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w8buDQtwWOY?si=GZ-FfhbK7w2nArTF\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOfficial reissue sourced from the original master tape. Limited edition double LP with heavyweight sleeve and liner notes insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA-C \u003cbr\u003eA1 La Balançoire (Sports Et Divertissements) 1914 0:58\u003cbr\u003eA2 Berceuse (Enfantillages Pittoresques) 1913 1:49\u003cbr\u003eA3 Caresse 1897 2:18\u003cbr\u003eA4 Ce Que Dit La Petite Princesse Des Tulipes (Menus Propos Enfantiins) 1913 0:56\u003cbr\u003eA5 5ème Gnossienne 1889 3:06\u003cbr\u003eA6 Colin-Maillard (Sports Et Divertissements) 1914 0:55 \u003c\/p\u003e\n\u003cp\u003eD-M \u003cbr\u003eB1 Danses De Travers (Pièces Froides) 1897 4:44\u003cbr\u003eB2 2ème Gnossienne 1890 2:17\u003cbr\u003eB3 2ème Gymnopédie 1888 2:30\u003cbr\u003eB4 Harmonie 1895? 0:33\u003cbr\u003eB5 Idylle (Avant-Dernières Pensées) 1915 0:58\u003cbr\u003eB6 Idylle Cynique (Préludes Flasques \u0026lt;Pour Un Chien\u0026gt;) 1912 0:49\u003cbr\u003eB7 Lui Manger Sa Tartine (Peccadilles Importunes) 1913 2:01 \u003c\/p\u003e\n\u003cp\u003eN-Q \u003cbr\u003eC1 La Pêche (Sports Et Divertissements) 1914 0:57\u003cbr\u003eC2 Petite Ouverture À Danser 1900 2:09\u003cbr\u003eC3 Petit Prélude A La Journée (Enfantillages Pittoresques) 1913 0:52\u003cbr\u003eC4 Prière 1895? 1:33\u003cbr\u003eC5 4ème Gnossienne 1891 3:49\u003cbr\u003eC6 4ème Nocturnes 1919 2:34 \u003c\/p\u003e\n\u003cp\u003eR-Z \u003cbr\u003eD1 Rêverie Du Pauvre 1900 4:36\u003cbr\u003eD2 Son Binocle (Les Trois Valses Distinguées Du Précieux Dégoûté) 1914 1:08\u003cbr\u003eD3 Songe Creux 1906 - 08? 1:48\u003cbr\u003eD4 Sur Un Vaisseau (Descriptions Automatiques) 1913 1:42\u003cbr\u003eD5 Tyrolienne Turque (Croquis Et Agaceries D'un Gros Bonhomme En Bois) 1913 1:47\u003cbr\u003eD6 Vexation 1895? 1:39\u003cbr\u003eD7 Voix D'intérieur (Préludes Flasques \u0026lt;Pour Un Chien\u0026gt;) 1912 0:58\u003c\/p\u003e\n\u003cp\u003eArtist : Satsuki Shibano\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWRWTFWW Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-28T06:35:29+09:00","created_at":"2025-03-28T06:34:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","jazz","lp","new","WRWTFWW Records"],"price":597800,"price_min":597800,"price_max":597800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47223499423994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Satsuki Shibano \/\/ Wave Notation 3: Erik Satie 1984 2xLP","public_title":null,"options":["Default Title"],"price":597800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ro1_ca043833-14cd-4e4c-8386-9bef7cfd9816.jpg?v=1700374094","\/\/tobirarecords.com\/cdn\/shop\/files\/ro2_bbb4ea33-3cde-44b6-bc1c-f3384cb6ab05.jpg?v=1700374094","\/\/tobirarecords.com\/cdn\/shop\/files\/ro3_4dd76db2-8a8c-4789-966b-a210920df8f0.jpg?v=1700374094","\/\/tobirarecords.com\/cdn\/shop\/files\/ro4_575f0cc3-f243-431f-be68-8fd1542cbe49.jpg?v=1700374094"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro1_ca043833-14cd-4e4c-8386-9bef7cfd9816.jpg?v=1700374094","options":["Title"],"media":[{"alt":null,"id":32712455061754,"position":1,"preview_image":{"aspect_ratio":1.007,"height":596,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro1_ca043833-14cd-4e4c-8386-9bef7cfd9816.jpg?v=1700374094"},"aspect_ratio":1.007,"height":596,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro1_ca043833-14cd-4e4c-8386-9bef7cfd9816.jpg?v=1700374094","width":600},{"alt":null,"id":32712455094522,"position":2,"preview_image":{"aspect_ratio":1.007,"height":596,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro2_bbb4ea33-3cde-44b6-bc1c-f3384cb6ab05.jpg?v=1700374094"},"aspect_ratio":1.007,"height":596,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro2_bbb4ea33-3cde-44b6-bc1c-f3384cb6ab05.jpg?v=1700374094","width":600},{"alt":null,"id":32712455127290,"position":3,"preview_image":{"aspect_ratio":1.012,"height":592,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro3_4dd76db2-8a8c-4789-966b-a210920df8f0.jpg?v=1700374094"},"aspect_ratio":1.012,"height":592,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro3_4dd76db2-8a8c-4789-966b-a210920df8f0.jpg?v=1700374094","width":599},{"alt":null,"id":32712455160058,"position":4,"preview_image":{"aspect_ratio":0.861,"height":599,"width":516,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro4_575f0cc3-f243-431f-be68-8fd1542cbe49.jpg?v=1700374094"},"aspect_ratio":0.861,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ro4_575f0cc3-f243-431f-be68-8fd1542cbe49.jpg?v=1700374094","width":516}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のピアニストSatsuki Shibanoが、2023年8月にスイスの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWRWTFWWからリリースした再発2枚組レコードです。（オリジナルは1984年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eErik Satieの楽曲26曲を収録。英語と日本語のライナーノート付属。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w8buDQtwWOY?si=GZ-FfhbK7w2nArTF\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e2x12\" black vinyl. \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOfficial reissue sourced from the original master tape. Limited edition double LP with heavyweight sleeve and liner notes insert.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA-C \u003cbr\u003eA1 La Balançoire (Sports Et Divertissements) 1914 0:58\u003cbr\u003eA2 Berceuse (Enfantillages Pittoresques) 1913 1:49\u003cbr\u003eA3 Caresse 1897 2:18\u003cbr\u003eA4 Ce Que Dit La Petite Princesse Des Tulipes (Menus Propos Enfantiins) 1913 0:56\u003cbr\u003eA5 5ème Gnossienne 1889 3:06\u003cbr\u003eA6 Colin-Maillard (Sports Et Divertissements) 1914 0:55 \u003c\/p\u003e\n\u003cp\u003eD-M \u003cbr\u003eB1 Danses De Travers (Pièces Froides) 1897 4:44\u003cbr\u003eB2 2ème Gnossienne 1890 2:17\u003cbr\u003eB3 2ème Gymnopédie 1888 2:30\u003cbr\u003eB4 Harmonie 1895? 0:33\u003cbr\u003eB5 Idylle (Avant-Dernières Pensées) 1915 0:58\u003cbr\u003eB6 Idylle Cynique (Préludes Flasques \u0026lt;Pour Un Chien\u0026gt;) 1912 0:49\u003cbr\u003eB7 Lui Manger Sa Tartine (Peccadilles Importunes) 1913 2:01 \u003c\/p\u003e\n\u003cp\u003eN-Q \u003cbr\u003eC1 La Pêche (Sports Et Divertissements) 1914 0:57\u003cbr\u003eC2 Petite Ouverture À Danser 1900 2:09\u003cbr\u003eC3 Petit Prélude A La Journée (Enfantillages Pittoresques) 1913 0:52\u003cbr\u003eC4 Prière 1895? 1:33\u003cbr\u003eC5 4ème Gnossienne 1891 3:49\u003cbr\u003eC6 4ème Nocturnes 1919 2:34 \u003c\/p\u003e\n\u003cp\u003eR-Z \u003cbr\u003eD1 Rêverie Du Pauvre 1900 4:36\u003cbr\u003eD2 Son Binocle (Les Trois Valses Distinguées Du Précieux Dégoûté) 1914 1:08\u003cbr\u003eD3 Songe Creux 1906 - 08? 1:48\u003cbr\u003eD4 Sur Un Vaisseau (Descriptions Automatiques) 1913 1:42\u003cbr\u003eD5 Tyrolienne Turque (Croquis Et Agaceries D'un Gros Bonhomme En Bois) 1913 1:47\u003cbr\u003eD6 Vexation 1895? 1:39\u003cbr\u003eD7 Voix D'intérieur (Préludes Flasques \u0026lt;Pour Un Chien\u0026gt;) 1912 0:58\u003c\/p\u003e\n\u003cp\u003eArtist : Satsuki Shibano\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWRWTFWW Records\u003c\/span\u003e\u003c\/p\u003e"}
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日本のピアニストSatsuki Shibanoが、2023年8月にスイスのWRWTFWWからリリースした再発2枚組レコードです。（オリジナルは1984年リリース） Erik Satieの楽曲26曲を収録。英語と日本語のライナーノート付属。 レーベルその他作品はこちら /// Click here to see more WRWTFWW Records releases available at Tobira. ---------------------------------...
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{"id":8738975056122,"title":"Jacques Bekaert \/\/ Jacques Bekaert LP","handle":"jacques-bekaert-jacques-bekaert-lp","description":"\u003cp\u003e 実験音楽家Jacques Bekaertが、1981年に自主リリースした作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4050465162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Metaphon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e‘\u003cem\u003eA Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtapositions of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene Tyranny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘A Summer Day at Stony Point’ was composed in 1969, with participation of David Behrman, Shigeko Kubota and Charlotte Warren. The piece was commissioned by English composer Hugh Davies who presented it at the Harrogate festival the same year. Stony Point is a small village in New York State where John Cage co-owned a small pseudo-commune art resort where like-minded artists gathered. ‘A Summer Day at Stony Point’ is nothing more than a page of a journal, a fragment of a notebook that utilizes a series of sound sources recorded at Stony Point on one beautiful day in the summer of 1968. Other electronic sound sources were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recorded at the Brandeis University where Alvin Lucier was professor. The final realization of the piece was done at Henri Pousseur’s APELAC Studio in Brussels, 1969.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe soundtrack for Akiko Iimura’s ‘Mon Petit Album’ was composed on the basis of a simple description of the technique of the film and its time span. It includes David Behrman on alto, from an outdoor recording at Stony Point, plus excerpts from a Transition concert in London, the band Bekaert formed in 1971 with Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers. The atmosphere is quiet and pastoral throughout with a very dreamlike flavour.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJacques Bekaert (1940-2020) was a man of many gifts: author, journalist, composer, photographer, visual artist, wine connoisseur, radio talk show host, diplomat and expert in Southeast Asian affairs. His whole life Bekaert has been actively involved in music but not much of his work got recorded or published. In the early 60’s Bekaert studied with Pousseur and through his frequent visits to the US he became friends with artists like John Cage, David Tudor, Charlotte Moorman and most of all David Behrman with whom he had a close friendship ever since. Bekaert helped organize the first European tour of The Sonic Arts Union (David Behrman, Robert Ashley, Gordon Mumma, Alvin Lucier) and in the early 70’s he formed the group Transition (with Belgian jazz pianist Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers). His meeting with Japanese experimental film-maker Akiko Iimura resulted in two film soundtracks featured on this one of a kind discreet avant garde album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen asked in a 1979 interview about his double life as a musician and a journalist, Bekaert replied, “I suppose they’re both unsafe, unstable, questioning jobs—composing and reporting. Journalism takes me to places, shows me the world as it is. My music is my wish for the kind of world I’d want to live in. The little peaceful state I dream for everyone, where you can be yourself, and happy, and as collective as possible without giving up total privacy.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1981 on the Belgian Igloo label this reissue comes with the same sleeve as originally designed by Alain Géronnez.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jacques Bekaert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Metaphon\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-06T09:49:58+09:00","created_at":"2025-03-06T09:49:16+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","metaphon","monooto","new"],"price":394400,"price_min":394400,"price_max":394400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47175301038330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jacques Bekaert \/\/ Jacques Bekaert LP","public_title":null,"options":["Default Title"],"price":394400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ja1.jpg?v=1682472309"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1.jpg?v=1682472309","options":["Title"],"media":[{"alt":null,"id":31880764555514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1.jpg?v=1682472309"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ja1.jpg?v=1682472309","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e 実験音楽家Jacques Bekaertが、1981年に自主リリースした作品の再発盤です。\u003c\/p\u003e\n\u003cp\u003eミュージックコンクレート3曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4050465162\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBlack 12\" vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Metaphon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e‘\u003cem\u003eA Late Lunch’ is the soundtrack to Akiko Iimura’s eponymous movie realized in 1978. It is based on acoustic instruments and field recordings, brilliantly reconfigured and mixed by Bekaert to create a surreal, immersive soundscape. The technique used includes superposition and speed change of recordings, radical sound effects and juxtapositions of sounds. The players were prominent musicians of the 1970’s, including Maggi Payne, George Lewis, David Rosenboom and Blue Gene Tyranny.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘A Summer Day at Stony Point’ was composed in 1969, with participation of David Behrman, Shigeko Kubota and Charlotte Warren. The piece was commissioned by English composer Hugh Davies who presented it at the Harrogate festival the same year. Stony Point is a small village in New York State where John Cage co-owned a small pseudo-commune art resort where like-minded artists gathered. ‘A Summer Day at Stony Point’ is nothing more than a page of a journal, a fragment of a notebook that utilizes a series of sound sources recorded at Stony Point on one beautiful day in the summer of 1968. Other electronic sound sources were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e recorded at the Brandeis University where Alvin Lucier was professor. The final realization of the piece was done at Henri Pousseur’s APELAC Studio in Brussels, 1969.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe soundtrack for Akiko Iimura’s ‘Mon Petit Album’ was composed on the basis of a simple description of the technique of the film and its time span. It includes David Behrman on alto, from an outdoor recording at Stony Point, plus excerpts from a Transition concert in London, the band Bekaert formed in 1971 with Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers. The atmosphere is quiet and pastoral throughout with a very dreamlike flavour.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJacques Bekaert (1940-2020) was a man of many gifts: author, journalist, composer, photographer, visual artist, wine connoisseur, radio talk show host, diplomat and expert in Southeast Asian affairs. His whole life Bekaert has been actively involved in music but not much of his work got recorded or published. In the early 60’s Bekaert studied with Pousseur and through his frequent visits to the US he became friends with artists like John Cage, David Tudor, Charlotte Moorman and most of all David Behrman with whom he had a close friendship ever since. Bekaert helped organize the first European tour of The Sonic Arts Union (David Behrman, Robert Ashley, Gordon Mumma, Alvin Lucier) and in the early 70’s he formed the group Transition (with Belgian jazz pianist Michel Herr, Takehisa Kosugi and Ryo Koike, both members of the Taj Mahal Travelers). His meeting with Japanese experimental film-maker Akiko Iimura resulted in two film soundtracks featured on this one of a kind discreet avant garde album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen asked in a 1979 interview about his double life as a musician and a journalist, Bekaert replied, “I suppose they’re both unsafe, unstable, questioning jobs—composing and reporting. Journalism takes me to places, shows me the world as it is. My music is my wish for the kind of world I’d want to live in. The little peaceful state I dream for everyone, where you can be yourself, and happy, and as collective as possible without giving up total privacy.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOriginally released in 1981 on the Belgian Igloo label this reissue comes with the same sleeve as originally designed by Alain Géronnez.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Jacques Bekaert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Metaphon\u003c\/span\u003e\u003c\/p\u003e"}
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実験音楽家Jacques Bekaertが、1981年に自主リリースした作品の再発盤です。 ミュージックコンクレート3曲を収録。 レーベルその他作品はこちら /// Click here to see more La Scie Doree / Metaphon releases available...
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{"id":8738939306234,"title":"Arthur Petronio \/\/ Arthur Petronio LP","handle":"arthur-petronio-arthur-petronio-lp","description":"\u003cp\u003eスイスの実験音楽家Arthur Petronioが、2023年5月にベルギーの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMetaphonからリリースした再発レコードです。（オリジナルは1979年にリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミュージックコンクレート〜サウンドポエトリー4曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ro3IZ8U8rb4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 500. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Tellurgie\u003cbr\u003eA2 Nouvelle Innocence\u003cbr\u003eB1 Cosmosmose\u003cbr\u003eB2 Sortileges\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio via Metaphon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBorn Switzerland 1897.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrench-Italian musician, poet and painter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLived in Belgium and The Netherlands between 1910 and 1924 and since then in France.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYoung violin virtuoso studying with Belgian master violinist Eugène Ysaÿe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePlayed solo violin for Belgian King Leopold II, at the age of 9.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAttracted to the avant-garde and visionary ideas of Gesamtkunstwerk.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDevelops and presents his “Verbophonie” in 1919, integrating sound poetry into regular music scores.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFriend with Kandinsky, Mondrian, Cocteau and Picasso.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePublished several avant-garde journals and poetry books with participation of like minded artists.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWrote many scores for solo instruments, small ensembles, orchestral works, opera,…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMet Henri Chopin in 1950 and extended his musical ideas\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e with new possibilities of tape composition.\u003cbr data-mce-fragment=\"1\"\u003eHis one and only LP, now reissued by Metaphon, was originally published by the Belgian Igloo label in 1979.\u003cbr data-mce-fragment=\"1\"\u003eAn extravagant DIY montage of musique concrète and sound poetry.\u003cbr data-mce-fragment=\"1\"\u003eIn addition to Petronio’s voice several female readers\/performers contribute to this theatre of voices as guest vocalists.\u003cbr data-mce-fragment=\"1\"\u003eAn album as unusual as his lifecycle.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Arthur Petronio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Metaphon\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-03-06T09:06:58+09:00","created_at":"2025-03-06T09:06:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","metaphon","monooto","new"],"price":394400,"price_min":394400,"price_max":394400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47175212269818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Arthur Petronio \/\/ Arthur Petronio LP","public_title":null,"options":["Default Title"],"price":394400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_1d78645e-34f7-4f8b-abca-3d7e411af1d6.jpg?v=1683541453"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_1d78645e-34f7-4f8b-abca-3d7e411af1d6.jpg?v=1683541453","options":["Title"],"media":[{"alt":null,"id":31940463165690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_1d78645e-34f7-4f8b-abca-3d7e411af1d6.jpg?v=1683541453"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_1d78645e-34f7-4f8b-abca-3d7e411af1d6.jpg?v=1683541453","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスイスの実験音楽家Arthur Petronioが、2023年5月にベルギーの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMetaphonからリリースした再発レコードです。（オリジナルは1979年にリリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eミュージックコンクレート〜サウンドポエトリー4曲を収録。インサート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ro3IZ8U8rb4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/la-scie-doree\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more La Scie Doree \/ Metaphon releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 500. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 Tellurgie\u003cbr\u003eA2 Nouvelle Innocence\u003cbr\u003eB1 Cosmosmose\u003cbr\u003eB2 Sortileges\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist bio via Metaphon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBorn Switzerland 1897.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFrench-Italian musician, poet and painter.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLived in Belgium and The Netherlands between 1910 and 1924 and since then in France.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYoung violin virtuoso studying with Belgian master violinist Eugène Ysaÿe.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePlayed solo violin for Belgian King Leopold II, at the age of 9.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAttracted to the avant-garde and visionary ideas of Gesamtkunstwerk.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDevelops and presents his “Verbophonie” in 1919, integrating sound poetry into regular music scores.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFriend with Kandinsky, Mondrian, Cocteau and Picasso.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePublished several avant-garde journals and poetry books with participation of like minded artists.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWrote many scores for solo instruments, small ensembles, orchestral works, opera,…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMet Henri Chopin in 1950 and extended his musical ideas\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e with new possibilities of tape composition.\u003cbr data-mce-fragment=\"1\"\u003eHis one and only LP, now reissued by Metaphon, was originally published by the Belgian Igloo label in 1979.\u003cbr data-mce-fragment=\"1\"\u003eAn extravagant DIY montage of musique concrète and sound poetry.\u003cbr data-mce-fragment=\"1\"\u003eIn addition to Petronio’s voice several female readers\/performers contribute to this theatre of voices as guest vocalists.\u003cbr data-mce-fragment=\"1\"\u003eAn album as unusual as his lifecycle.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Arthur Petronio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Metaphon\u003c\/span\u003e\u003c\/p\u003e"}
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スイスの実験音楽家Arthur Petronioが、2023年5月にベルギーの実験レーベルMetaphonからリリースした再発レコードです。（オリジナルは1979年にリリース） ミュージックコンクレート〜サウンドポエトリー4曲を収録。インサート付属。 レーベルその他作品はこちら /// Click here to see more La Scie Doree / Metaphon releases available...
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![Judith Hamann // Aunes LP [PRE-ORDER]](http://tobirarecords.com/cdn/shop/files/aun1_medium.jpg?v=1740215395)
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{"id":8728893980922,"title":"Judith Hamann \/\/ Aunes LP [PRE-ORDER]","handle":"judith-hamann-aunes-lp","description":"\u003cp\u003e過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチェロや声によるアコースティック・ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu' Redentore」は、キウシュレの野外ミサに向かうために丘を登っていく様子を記録したもので、足音や虫の音、その他の付随音に近くて遠い声を重ねている。モニエク・ダージやリュック・フェラーリの作品のように、録音された場所は空間と時間の中で折りたたまれ、その記録的な機能は夢のような効果をもたらすために脱臼している。他の作品では、Hamannが柔らかく歌い、ハミングするヴォーカルの親密な儚さや、冒頭の「by the line」でマイクの向こう側でそよぐ衣服など、演奏する身体の存在が強調され、音楽の根拠となっている。Hamannが喘息の発作に苦しんでいる間に録音された口笛のレイヤーから作曲されたもので、想像上の鳥小屋のフィールドレコーディングとアンリ・ショパンのオーディオポエムの中間のような仕上がりとなっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHamannのこれまでのどのソロ作品よりも、Aunesには強いメロディセンスが貫かれている。たとえ「seventeen fabrics of measure」のように、音楽がほんの一本の糸でつながっているような場合でも。豊かなシンセのハーモニーを奏でる「by the line」は、『ハウンズ・オブ・ラヴ』のバックトラックの断片が溶け出したような曲だ。この曲は、オーバーダビングされた2人の声と、ジャスト・イントンのチェロの音の限りない深みとハーモニーの豊かさが組み合わされており、そのエレガントなスローモーションの弧の中でオッケガムやリンダ・ケイトリン・スミスを呼び起こす。Hamannにとって最も個人的な作品である『Aunes』は、この曲の多くが録音された仮設住宅のひとつ、アカデミー・シュロス・ソリチュードの友人であり住人でもあったウィルダー・アリソンが、染めた羊毛を縫い合わせて描いた絵の一部を再現した印象的なスリーブに入っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1362798960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 14, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. by the line\u003cbr\u003e2. Casa Di Riposo, Gesu’ Redentore\u003cbr\u003e3. seventeen fabrics of measure 06:15\u003cbr\u003e4. bruststärke (lung song)\u003cbr\u003e5. schloss, night\u003cbr\u003e6. neither from nor towards\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country and from material to material. Unlike the platinum metre bar deposited in the National Archives after the Revolution as an immovable standard, an aune of silk differed from an aune of linen: the measure could not be separated from the material. In much the same way, in these six pieces—which Hamann thinks of as ‘songs’—formal aspects such as tuning, pacing, melodic shape and timbre are not abstractions applied universally to musical material but are inextricable from the instruments and sounds used, even from the places and communities in which the music was made.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAudible location sound embeds the music in its place of making, as in the delicate duet for church organ and wordless singing ‘schloss, night’, where shuffles and cluttering in the\u003cspan class=\"bcTruncateMore\"\u003e reverberant church space form a phantom accompaniment, gradually displaced by a uneasy shimmer of wavering tones from half-opened organ stops. ‘Casa Di Riposo, Gesu’ Redentore’ documents a walk up a hill to an outdoor mass in Chiusure, layering voices near and far with footsteps, insects and other incidental sounds. Like in the work of Moniek Darge or Luc Ferrari, location recordings are folded on themselves in space and time, their documentary function dislocated to dreamlike effect. On other pieces, it is the emphatic presence of the performing body that grounds the music, whether in the intimate fragility of Hamann’s softly sung and hummed vocal tones or the clothing that rustles across a microphone on the opening ‘by the line’. The idea of a music inextricable from its material conditions is perhaps most strikingly communicated on the album’s briefest piece ‘bruststärke (lung song)’, composed from layered whistling recorded while Hamann suffered through an asthma flare up, the results halfway between field recordings of an imaginary aviary and the audiopoems of Henri Chopin.\u003cbr\u003e\u003cbr\u003eMore than any of Hamann’s previous solo works, a strong melodic sensibility runs through Aunes, even when, like on ‘seventeen fabrics of measure’, the music hangs together by the merest thread. At other points, Hamann’s love of pop music is more obvious: the rich synth harmonies of ‘by the line’ could almost be a melting fragment of a backing track from Hounds of Love. The expansive closing piece ‘neither from nor toward’ exemplifies the highly personal musical language that Hamann has developed in recent years through constant solo performance (and a rigorous discipline of instrumental practice), pairing two overdubbed voices with the boundless depth and harmonic richness of just-intoned cello notes, calling up Ockegham or Linda Caitlin Smith in its elegiac slow motion arcs. Hamann’s most personal work yet, Aunes arrives in a striking sleeve reproducing a section of a painting made from sewn pieces of dyed wool by Wilder Alison, a friend and fellow resident at Akademie Schloss Solitude, one of the temporary homes where much of this music was recorded.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judith Hamann\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP154lp\u003c\/p\u003e","published_at":"2025-02-23T11:07:23+09:00","created_at":"2025-02-22T18:11:16+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","new","shelter press"],"price":369000,"price_min":369000,"price_max":369000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47145080520954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Judith Hamann \/\/ Aunes LP [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":369000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"788362411459","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","options":["Title"],"media":[{"alt":null,"id":35610026836218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun1.jpg?v=1740215395","width":700},{"alt":null,"id":35610026868986,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aun2.jpg?v=1740215394","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eチェロや声によるアコースティック・ドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu' Redentore」は、キウシュレの野外ミサに向かうために丘を登っていく様子を記録したもので、足音や虫の音、その他の付随音に近くて遠い声を重ねている。モニエク・ダージやリュック・フェラーリの作品のように、録音された場所は空間と時間の中で折りたたまれ、その記録的な機能は夢のような効果をもたらすために脱臼している。他の作品では、Hamannが柔らかく歌い、ハミングするヴォーカルの親密な儚さや、冒頭の「by the line」でマイクの向こう側でそよぐ衣服など、演奏する身体の存在が強調され、音楽の根拠となっている。Hamannが喘息の発作に苦しんでいる間に録音された口笛のレイヤーから作曲されたもので、想像上の鳥小屋のフィールドレコーディングとアンリ・ショパンのオーディオポエムの中間のような仕上がりとなっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHamannのこれまでのどのソロ作品よりも、Aunesには強いメロディセンスが貫かれている。たとえ「seventeen fabrics of measure」のように、音楽がほんの一本の糸でつながっているような場合でも。豊かなシンセのハーモニーを奏でる「by the line」は、『ハウンズ・オブ・ラヴ』のバックトラックの断片が溶け出したような曲だ。この曲は、オーバーダビングされた2人の声と、ジャスト・イントンのチェロの音の限りない深みとハーモニーの豊かさが組み合わされており、そのエレガントなスローモーションの弧の中でオッケガムやリンダ・ケイトリン・スミスを呼び起こす。Hamannにとって最も個人的な作品である『Aunes』は、この曲の多くが録音された仮設住宅のひとつ、アカデミー・シュロス・ソリチュードの友人であり住人でもあったウィルダー・アリソンが、染めた羊毛を縫い合わせて描いた絵の一部を再現した印象的なスリーブに入っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1362798960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases March 14, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. by the line\u003cbr\u003e2. Casa Di Riposo, Gesu’ Redentore\u003cbr\u003e3. seventeen fabrics of measure 06:15\u003cbr\u003e4. bruststärke (lung song)\u003cbr\u003e5. schloss, night\u003cbr\u003e6. neither from nor towards\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAunes is a rare solo album from peripatetic Australian cellist-composer-performer Judith Hamann, presenting six pieces recorded across several years and countries. Developing the collage techniques and expanded sound palettes heard on their previous releases, Aunes makes use of synthesizers, organ, voice and location recordings alongside the dazzlingly pure, enveloping tones of Hamann’s cello. The record takes its name from an old French unit of measurement for fabric, varying around the country and from material to material. Unlike the platinum metre bar deposited in the National Archives after the Revolution as an immovable standard, an aune of silk differed from an aune of linen: the measure could not be separated from the material. In much the same way, in these six pieces—which Hamann thinks of as ‘songs’—formal aspects such as tuning, pacing, melodic shape and timbre are not abstractions applied universally to musical material but are inextricable from the instruments and sounds used, even from the places and communities in which the music was made.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAudible location sound embeds the music in its place of making, as in the delicate duet for church organ and wordless singing ‘schloss, night’, where shuffles and cluttering in the\u003cspan class=\"bcTruncateMore\"\u003e reverberant church space form a phantom accompaniment, gradually displaced by a uneasy shimmer of wavering tones from half-opened organ stops. ‘Casa Di Riposo, Gesu’ Redentore’ documents a walk up a hill to an outdoor mass in Chiusure, layering voices near and far with footsteps, insects and other incidental sounds. Like in the work of Moniek Darge or Luc Ferrari, location recordings are folded on themselves in space and time, their documentary function dislocated to dreamlike effect. On other pieces, it is the emphatic presence of the performing body that grounds the music, whether in the intimate fragility of Hamann’s softly sung and hummed vocal tones or the clothing that rustles across a microphone on the opening ‘by the line’. The idea of a music inextricable from its material conditions is perhaps most strikingly communicated on the album’s briefest piece ‘bruststärke (lung song)’, composed from layered whistling recorded while Hamann suffered through an asthma flare up, the results halfway between field recordings of an imaginary aviary and the audiopoems of Henri Chopin.\u003cbr\u003e\u003cbr\u003eMore than any of Hamann’s previous solo works, a strong melodic sensibility runs through Aunes, even when, like on ‘seventeen fabrics of measure’, the music hangs together by the merest thread. At other points, Hamann’s love of pop music is more obvious: the rich synth harmonies of ‘by the line’ could almost be a melting fragment of a backing track from Hounds of Love. The expansive closing piece ‘neither from nor toward’ exemplifies the highly personal musical language that Hamann has developed in recent years through constant solo performance (and a rigorous discipline of instrumental practice), pairing two overdubbed voices with the boundless depth and harmonic richness of just-intoned cello notes, calling up Ockegham or Linda Caitlin Smith in its elegiac slow motion arcs. Hamann’s most personal work yet, Aunes arrives in a striking sleeve reproducing a section of a painting made from sewn pieces of dyed wool by Wilder Alison, a friend and fellow resident at Akademie Schloss Solitude, one of the temporary homes where much of this music was recorded.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Judith Hamann\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCAT no : SP154lp\u003c\/p\u003e"}
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過去にAnother TimbreやBlank Formsなどから発表しているオーストラリアのチェロ奏者Judith Hamannが、2025年3月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 チェロや声によるアコースティック・ドローン6曲を収録。 以下、レーベルによる解説です。 "オーストラリアのチェリスト、作曲家、演奏家であるJudith Hamannによる貴重なソロ・アルバム。前作で聴かれたコラージュ・テクニックと拡張されたサウンドパレットを発展させ、シンセサイザー、オルガン、声、ロケーションレコーディングを、Hamannが奏でるまばゆいばかりにピュアで包み込むようなチェロの音色とともに駆使している。このレコードの名前は、国や素材によって異なるフランスの古い布地の測定単位に由来する。革命後、不動の基準として国立公文書館に寄託されたプラチナのメートルバーとは異なり、シルクのオーネとリネンのオーネは異なる。これと同じように、Hamannが「歌」と考えているこの6つの作品では、調律、拍子、旋律の形、音色といった形式的な側面は、音楽素材に普遍的に適用される抽象的なものではなく、使用された楽器や音、さらには音楽が作られた場所や共同体から切り離すことのできないものなのだ。 教会オルガンと無言歌のための繊細な二重唱「schloss, night」では、残響の多い教会空間でのざわめきや雑踏が幻の伴奏となり、半開きになったオルガンのストップから揺らめく音色の不穏な揺らぎによって徐々にその場を離れていく。「Casa Di Riposo, Gesu'...
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{"id":8727455465722,"title":"Marco Baldini \/\/ Vesperi CD","handle":"marco-baldini-vesperi-cd","description":"\u003cp\u003eイタリア・フィレンツェの若手音楽家Marco Baldiniが、2023年2月にイギリスのコンテンポラリー・クラシックレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif;\"\u003eチェロやコントラバス、マリンバによる室内楽7曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eデジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3938310250\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSeven chamber works for low strings \u0026amp; 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{"id":8727454613754,"title":"Catherine Lamb \/\/ Curva Triangulus CD","handle":"catherine-lamb-curva-triangulus-cd","description":"\u003cp\u003eアメリカのチェロ奏者／作曲家Catherine Lambが、2024年6月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベル\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイス・ベルンのアンサンブルEnsemble Protonのために書き下ろした作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフルートやバイオリン、クラリネットだけでなくアルシオガーノ、バロックトリプルハープ、ルポフォン、コントラフォルテなどの珍しい楽器も使用しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eゲートフォルド\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/catherine-lamb-parallaxis-forma-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jUaANI392go?si=OO23BjGYI310Cixn\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold cardstock sleeve. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Curva Triangulus 33:17 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Curva Triangulus' is a superb composition from 2021 by Catherine Lamb, written for and played by Ensemble Proton, who are based in Bern, and have access to some of the unusual instruments used in piece, including arciorgano, baroque triple harp, lupophone and contraforte.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMore details about the piece can be found in Catherine Lamb's and Richard Haynes's sleevenotes, which are included as bonus items with the music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSound engineer, editing and mastering: Ingo Schmidt-Lucas\u003c\/p\u003e\n\u003cp\u003eCover drawing by Catherine Lamb\u003c\/p\u003e\n\u003cp\u003eEnsemble Proton\u003cbr\u003eBettina Berger - flute, alto flute\u003cbr\u003eMartin Bliggenstorfer - cor anglais, lupophone\u003cbr\u003eRichard Haynes - clarinet d’amore, bass clarinet\u003cbr\u003eElise Jacoberger - bassoon, contraforte\u003cbr\u003eVera Schnider - triple harp\u003cbr\u003eCoco Schwarz - arciorgano\u003cbr\u003eMaximilian Haft - violin\u003cbr\u003eJan-Filip Ťupa - violoncello \u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Lamb\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2025-02-20T10:48:45+09:00","created_at":"2025-02-20T10:48:05+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":229000,"price_min":229000,"price_max":229000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47140956504314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Catherine Lamb \/\/ Curva Triangulus CD","public_title":null,"options":["Default Title"],"price":229000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/0036089447_10.jpg?v=1719301863"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036089447_10.jpg?v=1719301863","options":["Title"],"media":[{"alt":null,"id":34400419971322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036089447_10.jpg?v=1719301863"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036089447_10.jpg?v=1719301863","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのチェロ奏者／作曲家Catherine Lambが、2024年6月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベル\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたCDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスイス・ベルンのアンサンブルEnsemble Protonのために書き下ろした作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフルートやバイオリン、クラリネットだけでなくアルシオガーノ、バロックトリプルハープ、ルポフォン、コントラフォルテなどの珍しい楽器も使用しています。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eゲートフォルド\u003c\/span\u003eデジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/catherine-lamb-parallaxis-forma-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jUaANI392go?si=OO23BjGYI310Cixn\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in gatefold cardstock sleeve. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Curva Triangulus 33:17 \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Curva Triangulus' is a superb composition from 2021 by Catherine Lamb, written for and played by Ensemble Proton, who are based in Bern, and have access to some of the unusual instruments used in piece, including arciorgano, baroque triple harp, lupophone and contraforte.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMore details about the piece can be found in Catherine Lamb's and Richard Haynes's sleevenotes, which are included as bonus items with the music.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eSound engineer, editing and mastering: Ingo Schmidt-Lucas\u003c\/p\u003e\n\u003cp\u003eCover drawing by Catherine Lamb\u003c\/p\u003e\n\u003cp\u003eEnsemble Proton\u003cbr\u003eBettina Berger - flute, alto flute\u003cbr\u003eMartin Bliggenstorfer - cor anglais, lupophone\u003cbr\u003eRichard Haynes - clarinet d’amore, bass clarinet\u003cbr\u003eElise Jacoberger - bassoon, contraforte\u003cbr\u003eVera Schnider - triple harp\u003cbr\u003eCoco Schwarz - arciorgano\u003cbr\u003eMaximilian Haft - violin\u003cbr\u003eJan-Filip Ťupa - violoncello \u003c\/p\u003e\n\u003cp\u003eArtist : Catherine Lamb\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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アメリカのチェロ奏者／作曲家Catherine Lambが、2024年6月にイギリス・シェフィールドのコンテンポラリー・クラシックレーベルAnother TimbreからリリースしたCDです。 スイス・ベルンのアンサンブルEnsemble Protonのために書き下ろした作品です。 フルートやバイオリン、クラリネットだけでなくアルシオガーノ、バロックトリプルハープ、ルポフォン、コントラフォルテなどの珍しい楽器も使用しています。ゲートフォルドデジスリーブ、シュリンク仕様です。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases...
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{"id":8726228173050,"title":"Sissi Rada \/\/ Demeter in Aexone LP","handle":"sissi-rada-demeter-in-aexone-lp","description":"\u003cp\u003eTobiraインストアショーケースで素晴らしいライブを披露してくれたギリシャのハープ奏者Sissi Radaが、2024年10月にドイツのKryptoxからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオーバーダブ無しのインプロ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3272684342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Demeter 09:47\u003cbr\u003e2. One Thousand Years 04:21\u003cbr\u003e3. Plutoneum 04:04\u003cbr\u003e4. The Abduction of Persephone 05:16\u003cbr\u003e5. Nysian Fields 01:38\u003cbr\u003e6. A Safe And Certain Death 02:36\u003cbr\u003e7. Kykeon On The Rocks Please 03:37\u003cbr\u003e8. Forgot Where I Was Born 03:15\u003cbr\u003e9. Pax Kogx 04:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKryptox:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eToy Tonics sublabel Kryptox comes with a new album by Greek harpist SISSI RADA. “Demeter in Aexone” is a 45’ pure solo improvisation on harp. Using no post production techniques and no overdubs, the album was recorded one afternoon in her studio in Voula, Athens, overlooking the ancient demos of “Aexone”. It is a tribute to the ancient myth of Persephone, the daughter of the goddess Demeter, to whom the Eleusinian Mysteries were dedicated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music evokes archaic atmospheres, as raw wooden sounds intertwine with modal harmonies and extended techniques, by this ancient instrument, hailing from 3.000 BC that is suddenly transformed into a current medium. The harp that Sissi Rada plays is a rare 100 years old Lyon and Healy Style 3 harp.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s Sissi Rada’s 2nd album on Kryptox. The label created by Mathias ‚Kapote‘ Modica as a sublabel for Toy Tonics to show the wild band and musicians scene from Berlin. (There are no DJs and no electronic dance producers on Kryptox).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter releases of jazz and experimental bands like Joel Holmes, Zeitgeist Freedom Energy Exchange and the much acclaimed compilation series KRAUT JAZZ FUTURISM here comes Sissi Rada, also known as Sissi\u003cspan class=\"bcTruncateMore\"\u003e Makropoulou.\u003cbr\u003eSISSI is a multifaceted artist who has navigated the realms of both classical, experimental symphony, avantgarde chamber music and electronic music with finesse. She has collaborated with Brian Eno, Lee “Scratch” Perry, Andi Toma of Mouse on Mars, Jay Glass Dubs, Lena Platonos, Daniel Barenboim, Teodor Currentzis, Yannik Nézét-Séguin, Andris Nelsons and Donald Runnicles.\u003cbr\u003e\u003cbr\u003eHailing from Greece, Sissi has carved a distinctive niche for herself with her unique blend of ethereal vocals, innovative soundscapes, and a fearless approach to genre-defying sound exploration.\u003cbr\u003eShe has studied music at the Conservatorium van Amsterdam (Bachelor in Music), at the Hochschule für Musik Detmold (Master in Music, Solo) and the Universität der Künste Berlin (Master in Music, Orchestra). With notable skill, she collaborated with orchestras, such as the Berlin Philharmonic, Deutsche Oper and musicAeterna contributing to the classical music landscape with both technical prowess and emotional depth.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissi Rada\u003c\/p\u003e\n\u003cp\u003eLabel : Kryptox\u003c\/p\u003e\n\u003cp\u003eCAT no : KRY030LP\u003c\/p\u003e","published_at":"2025-03-21T11:43:02+09:00","created_at":"2025-02-18T13:07:23+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","jazz","lp","new"],"price":394200,"price_min":394200,"price_max":394200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47136995246330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sissi Rada \/\/ Demeter in Aexone LP","public_title":null,"options":["Default Title"],"price":394200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dem1_8ff0ce6f-f05f-4f00-94f6-19d2d8cbcb70.jpg?v=1739851544","\/\/tobirarecords.com\/cdn\/shop\/files\/dem2_363b4359-b570-4f9b-9d54-ff16d1700210.jpg?v=1739851543"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1_8ff0ce6f-f05f-4f00-94f6-19d2d8cbcb70.jpg?v=1739851544","options":["Title"],"media":[{"alt":null,"id":35588698538234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1_8ff0ce6f-f05f-4f00-94f6-19d2d8cbcb70.jpg?v=1739851544"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1_8ff0ce6f-f05f-4f00-94f6-19d2d8cbcb70.jpg?v=1739851544","width":700},{"alt":null,"id":35588698571002,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem2_363b4359-b570-4f9b-9d54-ff16d1700210.jpg?v=1739851543"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem2_363b4359-b570-4f9b-9d54-ff16d1700210.jpg?v=1739851543","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTobiraインストアショーケースで素晴らしいライブを披露してくれたギリシャのハープ奏者Sissi Radaが、2024年10月にドイツのKryptoxからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eオーバーダブ無しのインプロ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3272684342\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Demeter 09:47\u003cbr\u003e2. One Thousand Years 04:21\u003cbr\u003e3. Plutoneum 04:04\u003cbr\u003e4. The Abduction of Persephone 05:16\u003cbr\u003e5. Nysian Fields 01:38\u003cbr\u003e6. A Safe And Certain Death 02:36\u003cbr\u003e7. Kykeon On The Rocks Please 03:37\u003cbr\u003e8. Forgot Where I Was Born 03:15\u003cbr\u003e9. Pax Kogx 04:08\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eKryptox:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eToy Tonics sublabel Kryptox comes with a new album by Greek harpist SISSI RADA. “Demeter in Aexone” is a 45’ pure solo improvisation on harp. Using no post production techniques and no overdubs, the album was recorded one afternoon in her studio in Voula, Athens, overlooking the ancient demos of “Aexone”. It is a tribute to the ancient myth of Persephone, the daughter of the goddess Demeter, to whom the Eleusinian Mysteries were dedicated.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music evokes archaic atmospheres, as raw wooden sounds intertwine with modal harmonies and extended techniques, by this ancient instrument, hailing from 3.000 BC that is suddenly transformed into a current medium. The harp that Sissi Rada plays is a rare 100 years old Lyon and Healy Style 3 harp.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s Sissi Rada’s 2nd album on Kryptox. The label created by Mathias ‚Kapote‘ Modica as a sublabel for Toy Tonics to show the wild band and musicians scene from Berlin. (There are no DJs and no electronic dance producers on Kryptox).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter releases of jazz and experimental bands like Joel Holmes, Zeitgeist Freedom Energy Exchange and the much acclaimed compilation series KRAUT JAZZ FUTURISM here comes Sissi Rada, also known as Sissi\u003cspan class=\"bcTruncateMore\"\u003e Makropoulou.\u003cbr\u003eSISSI is a multifaceted artist who has navigated the realms of both classical, experimental symphony, avantgarde chamber music and electronic music with finesse. She has collaborated with Brian Eno, Lee “Scratch” Perry, Andi Toma of Mouse on Mars, Jay Glass Dubs, Lena Platonos, Daniel Barenboim, Teodor Currentzis, Yannik Nézét-Séguin, Andris Nelsons and Donald Runnicles.\u003cbr\u003e\u003cbr\u003eHailing from Greece, Sissi has carved a distinctive niche for herself with her unique blend of ethereal vocals, innovative soundscapes, and a fearless approach to genre-defying sound exploration.\u003cbr\u003eShe has studied music at the Conservatorium van Amsterdam (Bachelor in Music), at the Hochschule für Musik Detmold (Master in Music, Solo) and the Universität der Künste Berlin (Master in Music, Orchestra). With notable skill, she collaborated with orchestras, such as the Berlin Philharmonic, Deutsche Oper and musicAeterna contributing to the classical music landscape with both technical prowess and emotional depth.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sissi Rada\u003c\/p\u003e\n\u003cp\u003eLabel : Kryptox\u003c\/p\u003e\n\u003cp\u003eCAT no : KRY030LP\u003c\/p\u003e"}
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{"id":8710055985402,"title":"Jeff Kimmel \u0026 Jack Langdon \/\/ The other side of the air TAPE","handle":"jeff-kimmel-jack-langdon-the-other-side-of-the-air-tape","description":"\u003cp\u003eアメリカのクラリネット奏者Jeff Kimmelとオルガン奏者Jack Langdonが、2025年2月に同国LAの実験レーベルDinzu Artefacts\u003cspan\u003eから80本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアコースティック・ドローン4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=826786676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 80. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. stillness of paintings 08:04\u003cbr\u003e2. language ends\u003cbr\u003e3. holy departure\u003cbr\u003e4. the most practiced distance\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn improvised meeting between clarinet and a small, hand-built pipe organ. Sounds converge from these two instruments, coalescing and diverging to explore subtle nuances of resonance and timbre. The form of these pieces creates a unique space through stasis and repetition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Kimmel \u0026amp; Jack Langdon\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT No : DINZU110\u003c\/p\u003e","published_at":"2025-01-29T13:05:17+09:00","created_at":"2025-01-29T10:09:29+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dinzu artefacts","drone","new","tape"],"price":218000,"price_min":218000,"price_max":218000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47086338539770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Kimmel \u0026 Jack Langdon \/\/ The other side of the air TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/air1_8c6092e5-2a4b-473f-9820-dc890474e198.jpg?v=1738112905","\/\/tobirarecords.com\/cdn\/shop\/files\/air2_e51b18f2-d9cf-47ae-80ad-0886e644ea62.jpg?v=1738112904"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_8c6092e5-2a4b-473f-9820-dc890474e198.jpg?v=1738112905","options":["Title"],"media":[{"alt":null,"id":35487969313018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_8c6092e5-2a4b-473f-9820-dc890474e198.jpg?v=1738112905"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air1_8c6092e5-2a4b-473f-9820-dc890474e198.jpg?v=1738112905","width":700},{"alt":null,"id":35487969345786,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air2_e51b18f2-d9cf-47ae-80ad-0886e644ea62.jpg?v=1738112904"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/air2_e51b18f2-d9cf-47ae-80ad-0886e644ea62.jpg?v=1738112904","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのクラリネット奏者Jeff Kimmelとオルガン奏者Jack Langdonが、2025年2月に同国LAの実験レーベルDinzu Artefacts\u003cspan\u003eから80本限定でリリースした共作カセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアコースティック・ドローン4曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=826786676\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 80. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. stillness of paintings 08:04\u003cbr\u003e2. language ends\u003cbr\u003e3. holy departure\u003cbr\u003e4. the most practiced distance\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn improvised meeting between clarinet and a small, hand-built pipe organ. Sounds converge from these two instruments, coalescing and diverging to explore subtle nuances of resonance and timbre. The form of these pieces creates a unique space through stasis and repetition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Kimmel \u0026amp; Jack Langdon\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e\n\u003cp\u003eCAT No : DINZU110\u003c\/p\u003e"}
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アメリカのクラリネット奏者Jeff Kimmelとオルガン奏者Jack Langdonが、2025年2月に同国LAの実験レーベルDinzu Artefactsから80本限定でリリースした共作カセットです。 アコースティック・ドローン4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available at...
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![Damon Locks // List of Demands LP [COLOR]](http://tobirarecords.com/cdn/shop/files/dem1_medium.jpg?v=1737617904)
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{"id":8707126264058,"title":"Damon Locks \/\/ List of Demands LP [COLOR]","handle":"damon-locks-list-of-demands-lp-color","description":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスポークンワードを中心としたジャズ12曲を収録。レッドマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシカゴ現代写真美術館で開催された『Beautiful Diaspora \/ You Are Not the Lesser Part』展で、Locksがエクスペリメンタル・サウンド・スタジオ（ESS）の新作を発表するよう依頼されたことがきっかけで、『List of Demands』は動き出した。彼はまた、List of Demandsのアルバムアートで見ることができるビジュアルワークも提供した。これらの作品は、同展のキュレーターであるアーシャ・イマン・ヴィールからの指示によって制作されたもので、「グローバルな有色人種アーティストと多様な黒人アーティストとの間の並行する経験や関係について深く考えることを促す 」ことを目的としている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eショーの後、ESSのチーフ・エンジニアであるアレックス・イングリツィアンは、Locksに素材をさらに発展させてレコーディングすることを勧め、そのためのコントロール操作を自ら志願した。コルネット奏者のベン・ラマー・ゲイ、ヴァイオリニストのマシー・スチュワート、詩人のクリスタ・フランクリン、ターンテーブリスト／ドラマーのラルフ・ダーデン（別名DJメジャー・テイラー）などだ。しかし、その結果はLocks独特のものだ。その上、Locksにとっては明らかに新しい作品となった。ブラック・モニュメント・アンサンブルの濃密なリズム、ニュー・フューチャー・シティ・レディオのカオティックな404カット・アンド・ミックス、ロブ・マズレックのエクスプロッディング・スター・オーケストラのリゼルギーなSFディージェイ・トースティング、ザ・エターナルズのダブを取り入れたポストパンクなど、彼のカタログには『List of Demands』のヒントが散りばめられているが、本作はその全体像を集中的に切り取ったものだ。間違いなく、これまでで最も Locksらしいレコードである...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3386797177\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'hot signal red' marble color vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reversed\u003cbr\u003e2. Distance\u003cbr\u003e3. Holding the Dawn in Place (Beyond pt. 2) \u003cbr\u003e4. Everything’s Under Control\u003cbr\u003e5. Isn’t It Beautiful\u003cbr\u003e6. High Priestess\u003cbr\u003e7. Meteors of Fear\u003cbr\u003e8. List of Demands\u003cbr\u003e9. The Signal is Hot\u003cbr\u003e10. Control Power\u003cbr\u003e11. Click \u003cbr\u003e12. Reversed pt. 2 (Something to Love)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eList of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eList of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition\u003cspan class=\"bcTruncateMore\"\u003e called Beautiful Diaspora \/ You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”\u003cbr\u003e\u003cbr\u003eAfter the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist \/ drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most \"Damon Locks\" Damon Locks record to date...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT no : IARC0092\u003c\/p\u003e","published_at":"2025-01-23T17:21:01+09:00","created_at":"2025-01-23T16:41:31+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","international anthem","jazz","lp","new"],"price":561900,"price_min":561900,"price_max":561900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47073254506746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Damon Locks \/\/ List of Demands LP [COLOR]","public_title":null,"options":["Default Title"],"price":561900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457192225","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","\/\/tobirarecords.com\/cdn\/shop\/files\/0037993118_10.jpg?v=1737619916"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","options":["Title"],"media":[{"alt":null,"id":35467373445370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dem1.jpg?v=1737617904","width":700},{"alt":null,"id":35467516903674,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037993118_10.jpg?v=1737619916"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037993118_10.jpg?v=1737619916","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスポークンワードを中心としたジャズ12曲を収録。レッドマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシカゴ現代写真美術館で開催された『Beautiful Diaspora \/ You Are Not the Lesser Part』展で、Locksがエクスペリメンタル・サウンド・スタジオ（ESS）の新作を発表するよう依頼されたことがきっかけで、『List of Demands』は動き出した。彼はまた、List of Demandsのアルバムアートで見ることができるビジュアルワークも提供した。これらの作品は、同展のキュレーターであるアーシャ・イマン・ヴィールからの指示によって制作されたもので、「グローバルな有色人種アーティストと多様な黒人アーティストとの間の並行する経験や関係について深く考えることを促す 」ことを目的としている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eショーの後、ESSのチーフ・エンジニアであるアレックス・イングリツィアンは、Locksに素材をさらに発展させてレコーディングすることを勧め、そのためのコントロール操作を自ら志願した。コルネット奏者のベン・ラマー・ゲイ、ヴァイオリニストのマシー・スチュワート、詩人のクリスタ・フランクリン、ターンテーブリスト／ドラマーのラルフ・ダーデン（別名DJメジャー・テイラー）などだ。しかし、その結果はLocks独特のものだ。その上、Locksにとっては明らかに新しい作品となった。ブラック・モニュメント・アンサンブルの濃密なリズム、ニュー・フューチャー・シティ・レディオのカオティックな404カット・アンド・ミックス、ロブ・マズレックのエクスプロッディング・スター・オーケストラのリゼルギーなSFディージェイ・トースティング、ザ・エターナルズのダブを取り入れたポストパンクなど、彼のカタログには『List of Demands』のヒントが散りばめられているが、本作はその全体像を集中的に切り取ったものだ。間違いなく、これまでで最も Locksらしいレコードである...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3386797177\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'hot signal red' marble color vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reversed\u003cbr\u003e2. Distance\u003cbr\u003e3. Holding the Dawn in Place (Beyond pt. 2) \u003cbr\u003e4. Everything’s Under Control\u003cbr\u003e5. Isn’t It Beautiful\u003cbr\u003e6. High Priestess\u003cbr\u003e7. Meteors of Fear\u003cbr\u003e8. List of Demands\u003cbr\u003e9. The Signal is Hot\u003cbr\u003e10. Control Power\u003cbr\u003e11. Click \u003cbr\u003e12. Reversed pt. 2 (Something to Love)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eList of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eList of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition\u003cspan class=\"bcTruncateMore\"\u003e called Beautiful Diaspora \/ You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”\u003cbr\u003e\u003cbr\u003eAfter the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist \/ drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most \"Damon Locks\" Damon Locks record to date...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT no : IARC0092\u003c\/p\u003e"}
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アメリカ・シカゴのベテランジャズ作家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。 スポークンワードを中心としたジャズ12曲を収録。レッドマーブル盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。 サンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。 シカゴ現代写真美術館で開催された『Beautiful Diaspora /...
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{"id":8704837386490,"title":"Nick Dunston \/\/ COLLA VOCE CD","handle":"nick-dunston-colla-voce-cd","description":"\u003cp\u003eアメリカのベーシストNick Dunstonが、2024年8月に同国バージニアのOut Of Your Head RecordsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜コンテンポラリー13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私の見る青が、あなたの見る青と違っていたら？この問いは、私のアフロ・シュルレアリスム・反オペラ『COLLA VOCE』の基盤となっている。シュルレアリスムといえば、潜在意識下の精神状態や夢、悪夢など、私たちの精神の未踏の領域を思い浮かべることが多い。しかし、アフロ・シュルレアリスムはこう主張する。もし、ある人が「夢」と呼ぶものが、別の人にとっては悪夢だとしたら？ある人が「理性的」と呼ぶものが、別の人にとってはまったく根拠のないものだとしたら？そして、何が「普通」なのか、私たちはさまざまな考えを持っているに違いない。偉大なフリーダ・カーロの作品をシュルレアリスムだと考える人は多いが、彼女自身は、自分自身の現実を描いているだけだと語っている。では、誰が、何が、真実性の尺度を決めるのだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「反オペラ」とは、特定のメディアを真っ向から否定することではなく、それに立ち向かう大胆さであり、必要であれば、それを覆し、裏返しにすることである。「colla voce」、文字通り「声とともに」。声とともに動き、声とともに呼吸し、声とともに働く。おそらく、これほど理解され、同時に誤解されている楽器は他にないだろう。私が直接一緒に仕事をする機会に恵まれたことに感謝しなければならない4人の実践者がいる： カンスー、ソフィア、イザベル、フリーデの4人は、この作品に（文字通り）命を吹き込んでくれただけでなく、彼ら自身が超個性的なクリエイターであるため、この音楽を構築するDNAの鎖としての地位を即座に確立してくれた。さらに、タル、マリア、アニル、そして強力な楽器奏者であるモーリッツに感謝の意を表したい。彼らは、自らの内なる声を使って、喉仏にあるコードと木で縛られたコードの重なりを結びつけるために必要なエネルギーと腱を確立した。JACKカルテットには、共鳴と質量を単純に加えるだけでなく、指数関数的に増殖させ、直線的でなく、完全に目に見えるものとして表現できる時間感覚を開発することで、私がさらに別の次元に渡ることを可能にしてくれた。そして、COLLA VOCEのプロデューサーのウェストンには、私と同じ青を見ていて、私が作曲する前からこのコラボレーションの領域に完全に存在していた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCOLLA VOCEは、アコースティックな宇宙からエレクトリックな宇宙へ、ストリングスからスクリームへ、生からプロデュースへ、ニューヨークからベルリンへ、そしてもちろん現実から超現実へと疾走する、ある種の歪んだ物語である。リブレットへの手招きとして、この作品は主に作家からインスピレーションを得ている： オクタヴィア・バトラー、トニ・モリソン、テッド・チャン、リチャード・ヒューゴー、ガブリエル・ガルシア・マルケス。彼らの作品は、架空のもの、詩的なもの、民俗的なものであり、強力な感情的真実性を明らかにする傾向があるジャンルである。果てしなく、多様で、美しい場面ではアフロ・シュルレアルのようでもある、組織化されたサウンドとノイズの世界で、どうすればこのようなことが達成できるのだろうか、と私は自問し続けている。言い換えれば、私が聴くブルースと、あなたが聴くブルースはどう違うのだろうか？\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=563107708\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ova’churr 01:38\u003cbr\u003e2. Designated Antagonist 03:35\u003cbr\u003e3. Pseudocorridor 07:17\u003cbr\u003e4. Blinding, Joyous, Fearful 08:30\u003cbr\u003e5. Fully Turbulent 05:22\u003cbr\u003e6. Lo and Behold 03:59\u003cbr\u003e7. HYDROGEN 00:57\u003cbr\u003e8. ARGON 00:56\u003cbr\u003e9. OXYGEN 01:22\u003cbr\u003e10. Anglo-Adjacent Phonetic Approximations 05:22\u003cbr\u003e11. Nearly Turbulent 05:10\u003cbr\u003e12. A Rolling Wave of Everything 06:29\u003cbr\u003e13. colla voce 09:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eNick Dunston, Chicago, January 8th, 2024\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, COLLA VOCE. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of what is ‘normal’. While many would consider the work of the great Frida Kahlo to be Surrealist, she herself said that she was simply painting her own reality. So who or what gets to determine the measuring stick for verisimilitude?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Anti-Opera’ is not an outright rejection of a particular medium, but an audacity to confront it, and when necessary, to subvert and turn it inside-out. 'colla voce'-literally, ‘with the voice’. Moving with the voice, breathing with the voice, working together with the voice-all voices. Perhaps no other instrument is simultaneously understood and misunderstood as much as this one. There are four practitioners of it to whom I must express gratitude for the opportunity to work with directly: Cansu, Sofia, Isabel, and Friede- who not only (literally) breathed life into this work, but they being\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e hyperpersonal creators in their own rights, immediately established themselves as the strands of DNA around which this music is built. Further gratitude goes to Tal, Maria, Anil, and Moritz-powerful instrumentalists, using their own inner voices to establish the necessary energy and tendons to bind together the overlap of cords and chords, both those in the larynx and those bound by wood. To JACK Quartet, who enabled me to cross even further into other dimensions by not simply adding, but exponentially multiplying resonance and mass, developing a sense of time that can be described as anything but linear, and entirely tangible. And to Weston, the producer of COLLA VOCE who sees the same blue that I see, entirely present in this province of collaboration since before I had even composed anything; no words can qualify their hand in shaping this work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCOLLA VOCE is a warped narrative of sorts, hurtling from acoustic universe to electric universe, string to scream, raw to produced, New York to Berlin, and of course: real to surreal. As a beckoning towards the libretto, it is largely inspired by writers: Octavia Butler, Toni Morrison, Ted Chiang, Richard Hugo, and Gabriel García Márques. Their works are fictitious, poetic, folkloric; genres that tend to uncover a potent emotional veracity. I continue to ask myself, how can we achieve this in the world of organized sound and noise, which is endless, diverse, and on beautiful occasions, Afro-Surreal? In other words-how is the Blues that I hear different from Blues that you hear?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nick Dunston\u003c\/p\u003e\n\u003cp\u003eLabel : Out Of Your Head Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : OOYH027\u003c\/p\u003e","published_at":"2025-01-21T13:23:16+09:00","created_at":"2025-01-20T13:54:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","new","Out Of Your Head Records"],"price":224200,"price_min":224200,"price_max":224200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47064366285050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nick Dunston \/\/ COLLA VOCE CD","public_title":null,"options":["Default Title"],"price":224200,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_d564488e-6d80-4ea5-a6b6-2b78c1231aee.jpg?v=1737348763","\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_cc8dd0cd-d88c-42a8-91a8-f42f742e946c.jpg?v=1737348763"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_d564488e-6d80-4ea5-a6b6-2b78c1231aee.jpg?v=1737348763","options":["Title"],"media":[{"alt":null,"id":35449135431930,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_d564488e-6d80-4ea5-a6b6-2b78c1231aee.jpg?v=1737348763"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll1_d564488e-6d80-4ea5-a6b6-2b78c1231aee.jpg?v=1737348763","width":700},{"alt":null,"id":35449135464698,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_cc8dd0cd-d88c-42a8-91a8-f42f742e946c.jpg?v=1737348763"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/coll2_cc8dd0cd-d88c-42a8-91a8-f42f742e946c.jpg?v=1737348763","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのベーシストNick Dunstonが、2024年8月に同国バージニアのOut Of Your Head RecordsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ〜コンテンポラリー13曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私の見る青が、あなたの見る青と違っていたら？この問いは、私のアフロ・シュルレアリスム・反オペラ『COLLA VOCE』の基盤となっている。シュルレアリスムといえば、潜在意識下の精神状態や夢、悪夢など、私たちの精神の未踏の領域を思い浮かべることが多い。しかし、アフロ・シュルレアリスムはこう主張する。もし、ある人が「夢」と呼ぶものが、別の人にとっては悪夢だとしたら？ある人が「理性的」と呼ぶものが、別の人にとってはまったく根拠のないものだとしたら？そして、何が「普通」なのか、私たちはさまざまな考えを持っているに違いない。偉大なフリーダ・カーロの作品をシュルレアリスムだと考える人は多いが、彼女自身は、自分自身の現実を描いているだけだと語っている。では、誰が、何が、真実性の尺度を決めるのだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「反オペラ」とは、特定のメディアを真っ向から否定することではなく、それに立ち向かう大胆さであり、必要であれば、それを覆し、裏返しにすることである。「colla voce」、文字通り「声とともに」。声とともに動き、声とともに呼吸し、声とともに働く。おそらく、これほど理解され、同時に誤解されている楽器は他にないだろう。私が直接一緒に仕事をする機会に恵まれたことに感謝しなければならない4人の実践者がいる： カンスー、ソフィア、イザベル、フリーデの4人は、この作品に（文字通り）命を吹き込んでくれただけでなく、彼ら自身が超個性的なクリエイターであるため、この音楽を構築するDNAの鎖としての地位を即座に確立してくれた。さらに、タル、マリア、アニル、そして強力な楽器奏者であるモーリッツに感謝の意を表したい。彼らは、自らの内なる声を使って、喉仏にあるコードと木で縛られたコードの重なりを結びつけるために必要なエネルギーと腱を確立した。JACKカルテットには、共鳴と質量を単純に加えるだけでなく、指数関数的に増殖させ、直線的でなく、完全に目に見えるものとして表現できる時間感覚を開発することで、私がさらに別の次元に渡ることを可能にしてくれた。そして、COLLA VOCEのプロデューサーのウェストンには、私と同じ青を見ていて、私が作曲する前からこのコラボレーションの領域に完全に存在していた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCOLLA VOCEは、アコースティックな宇宙からエレクトリックな宇宙へ、ストリングスからスクリームへ、生からプロデュースへ、ニューヨークからベルリンへ、そしてもちろん現実から超現実へと疾走する、ある種の歪んだ物語である。リブレットへの手招きとして、この作品は主に作家からインスピレーションを得ている： オクタヴィア・バトラー、トニ・モリソン、テッド・チャン、リチャード・ヒューゴー、ガブリエル・ガルシア・マルケス。彼らの作品は、架空のもの、詩的なもの、民俗的なものであり、強力な感情的真実性を明らかにする傾向があるジャンルである。果てしなく、多様で、美しい場面ではアフロ・シュルレアルのようでもある、組織化されたサウンドとノイズの世界で、どうすればこのようなことが達成できるのだろうか、と私は自問し続けている。言い換えれば、私が聴くブルースと、あなたが聴くブルースはどう違うのだろうか？\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=563107708\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve. Edition of 500. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ova’churr 01:38\u003cbr\u003e2. Designated Antagonist 03:35\u003cbr\u003e3. Pseudocorridor 07:17\u003cbr\u003e4. Blinding, Joyous, Fearful 08:30\u003cbr\u003e5. Fully Turbulent 05:22\u003cbr\u003e6. Lo and Behold 03:59\u003cbr\u003e7. HYDROGEN 00:57\u003cbr\u003e8. ARGON 00:56\u003cbr\u003e9. OXYGEN 01:22\u003cbr\u003e10. Anglo-Adjacent Phonetic Approximations 05:22\u003cbr\u003e11. Nearly Turbulent 05:10\u003cbr\u003e12. A Rolling Wave of Everything 06:29\u003cbr\u003e13. colla voce 09:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eNick Dunston, Chicago, January 8th, 2024\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"What if the blue that I see is different from the blue that you see? This question is an infrastructure for my Afro-Surrealist Anti-Opera, COLLA VOCE. Often, when we think of Surrealism, we think of subconscious mental states, dreams, nightmares-those unexplored corners of our psyche. But Afro-Surrealism protests: what if that which one calls a ‘dream' is a nightmare to another? What if that which one calls ‘rational' is completely baseless to another? And surely, we must have varying ideas of what is ‘normal’. While many would consider the work of the great Frida Kahlo to be Surrealist, she herself said that she was simply painting her own reality. So who or what gets to determine the measuring stick for verisimilitude?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Anti-Opera’ is not an outright rejection of a particular medium, but an audacity to confront it, and when necessary, to subvert and turn it inside-out. 'colla voce'-literally, ‘with the voice’. Moving with the voice, breathing with the voice, working together with the voice-all voices. Perhaps no other instrument is simultaneously understood and misunderstood as much as this one. There are four practitioners of it to whom I must express gratitude for the opportunity to work with directly: Cansu, Sofia, Isabel, and Friede- who not only (literally) breathed life into this work, but they being\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e hyperpersonal creators in their own rights, immediately established themselves as the strands of DNA around which this music is built. Further gratitude goes to Tal, Maria, Anil, and Moritz-powerful instrumentalists, using their own inner voices to establish the necessary energy and tendons to bind together the overlap of cords and chords, both those in the larynx and those bound by wood. To JACK Quartet, who enabled me to cross even further into other dimensions by not simply adding, but exponentially multiplying resonance and mass, developing a sense of time that can be described as anything but linear, and entirely tangible. And to Weston, the producer of COLLA VOCE who sees the same blue that I see, entirely present in this province of collaboration since before I had even composed anything; no words can qualify their hand in shaping this work.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCOLLA VOCE is a warped narrative of sorts, hurtling from acoustic universe to electric universe, string to scream, raw to produced, New York to Berlin, and of course: real to surreal. As a beckoning towards the libretto, it is largely inspired by writers: Octavia Butler, Toni Morrison, Ted Chiang, Richard Hugo, and Gabriel García Márques. Their works are fictitious, poetic, folkloric; genres that tend to uncover a potent emotional veracity. I continue to ask myself, how can we achieve this in the world of organized sound and noise, which is endless, diverse, and on beautiful occasions, Afro-Surreal? In other words-how is the Blues that I hear different from Blues that you hear?\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nick Dunston\u003c\/p\u003e\n\u003cp\u003eLabel : Out Of Your Head Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : OOYH027\u003c\/p\u003e"}
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アメリカのベーシストNick Dunstonが、2024年8月に同国バージニアのOut Of Your Head RecordsからリリースしたCDです。 実験ジャズ〜コンテンポラリー13曲を収録。 以下、作家本人による解説です。 "私の見る青が、あなたの見る青と違っていたら？この問いは、私のアフロ・シュルレアリスム・反オペラ『COLLA VOCE』の基盤となっている。シュルレアリスムといえば、潜在意識下の精神状態や夢、悪夢など、私たちの精神の未踏の領域を思い浮かべることが多い。しかし、アフロ・シュルレアリスムはこう主張する。もし、ある人が「夢」と呼ぶものが、別の人にとっては悪夢だとしたら？ある人が「理性的」と呼ぶものが、別の人にとってはまったく根拠のないものだとしたら？そして、何が「普通」なのか、私たちはさまざまな考えを持っているに違いない。偉大なフリーダ・カーロの作品をシュルレアリスムだと考える人は多いが、彼女自身は、自分自身の現実を描いているだけだと語っている。では、誰が、何が、真実性の尺度を決めるのだろうか？ 「反オペラ」とは、特定のメディアを真っ向から否定することではなく、それに立ち向かう大胆さであり、必要であれば、それを覆し、裏返しにすることである。「colla voce」、文字通り「声とともに」。声とともに動き、声とともに呼吸し、声とともに働く。おそらく、これほど理解され、同時に誤解されている楽器は他にないだろう。私が直接一緒に仕事をする機会に恵まれたことに感謝しなければならない4人の実践者がいる： カンスー、ソフィア、イザベル、フリーデの4人は、この作品に（文字通り）命を吹き込んでくれただけでなく、彼ら自身が超個性的なクリエイターであるため、この音楽を構築するDNAの鎖としての地位を即座に確立してくれた。さらに、タル、マリア、アニル、そして強力な楽器奏者であるモーリッツに感謝の意を表したい。彼らは、自らの内なる声を使って、喉仏にあるコードと木で縛られたコードの重なりを結びつけるために必要なエネルギーと腱を確立した。JACKカルテットには、共鳴と質量を単純に加えるだけでなく、指数関数的に増殖させ、直線的でなく、完全に目に見えるものとして表現できる時間感覚を開発することで、私がさらに別の次元に渡ることを可能にしてくれた。そして、COLLA VOCEのプロデューサーのウェストンには、私と同じ青を見ていて、私が作曲する前からこのコラボレーションの領域に完全に存在していた。...
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{"id":8704318832890,"title":"Rick Corrigan \/\/ Faustfilm: An Opera LP","handle":"rick-corrigan-faustfilm-an-opera-lp","description":"\u003cp\u003eアメリカの作曲家Rick Corriganが、2025年1月に同国シカゴの実験レーベルPentimentsから160部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験映像作家スタンブラッケージの1987年発表作品『Faustfilm』のサウンドトラックとして制作したミュージックコンクレート2曲を収録。DLコードとインサート付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Pentimentsは、アメリカの作曲家Rick Corriganによる『Faustfilm』のオリジナルサウンドトラックをお届けできることを大変光栄に思う。『Faustfilm』は1987年のスタン・ブラッケージの実験サイコドラマで、めったに公開されない映画作品である。 この卓越した実験映像作家は、写真や手描きの抽象画ではなく、俳優、セットデザイン、サウンドトラック音楽、ゲーテの『ファウスト』の緩やかな脚色を構成要素として用い、これまでの彼の映画とは著しく異なる領域に踏み込んだ。その結果、ブラッケージ、コリガン、主演俳優のジョエル・ヘアトリングがこの時期に存在したユニークな創造的相乗効果を記録した、極めて特異な傑作となり、今日に至るまで実験映画の歴史において比類なき作品となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e実験音楽のファンにとって、このサウンドトラックは忘れがたいものとなるに違いない。プリミティブな手法で作曲され、映像を補完するものと同じ不気味な感覚が蔓延するこの作品は、前衛的な電子音楽とテープベースのミュージックコンクレートの領域を絶えず融合させながら、いくつかのラインと断片をつなぎ合わせている。映画と同様、このサウンドトラックもまた、過去の知られざる実験的作品の愛好家たちが注目すべき、特異な作品である。私たちは、このリリースがこの作品にふさわしい評価を得る機会となることを願っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3878757821\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. Edition of 160. Includes 5\" x 7\" insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reel I 16:46\u003cbr\u003e2. Reel II 24:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003ePentiments:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ePentiments is extremely honored to present American composer Rick Corrigan’s original soundtrack for Faustfilm: An Opera, Stan Brakhage’s seldom-seen 1987 experimental psychodrama. The first of what would come to be a four-part series, Faustfilm: An Opera saw the preeminent experimental filmmaker venturing into territories strikingly different from those previously explored in his films, utilizing actors, set designs, soundtracked music and a loose adaptation of Goethe’s Faust as its constituting elements rather than photographic or hand-painted abstraction. The result is a highly idiosyncratic masterwork that documents the unique creative synergy that existed between Brakhage, Corrigan and lead actor Joel Haertling during this time, and it remains incomparable in the history of experimental cinema to this day.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor fans of experimental music, however, its soundtrack should prove to be no less indelible. Composed in a primitive fashion and with a pervasive sense of the uncanny identical to that of its visual complement, the work threads together several lines and fragments that continually merge the domains of avant-garde electronic music and tape-based musique concrète, marked occasionally by the diegetic playing of Faust’s horn and, most notably, the\u003cspan class=\"bcTruncateMore\"\u003e voice of Brakhage himself narrating Faust’s thoughts and episodes throughout. Like the film itself, the soundtrack stands as a singular achievement that demands the attention of enthusiasts of unsung experimental works of the past. Our hope is that this release will provide it the opportunity to gain the recognition it has always deserved.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Rick Corrigan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003ePEN018\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-19T19:58:44+09:00","created_at":"2025-01-19T14:34:54+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new","Pentiments","recommended"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47062423142650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Rick Corrigan \/\/ Faustfilm: An Opera LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_e89066b9-ad68-4457-858a-84aa7f514cf5.jpg?v=1737264802","\/\/tobirarecords.com\/cdn\/shop\/files\/op2_54528449-8c3f-4db5-b9b4-ba5e90d948a8.jpg?v=1737264803"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_e89066b9-ad68-4457-858a-84aa7f514cf5.jpg?v=1737264802","options":["Title"],"media":[{"alt":null,"id":35446011035898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_e89066b9-ad68-4457-858a-84aa7f514cf5.jpg?v=1737264802"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_e89066b9-ad68-4457-858a-84aa7f514cf5.jpg?v=1737264802","width":700},{"alt":null,"id":35446011068666,"position":2,"preview_image":{"aspect_ratio":1.669,"height":719,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_54528449-8c3f-4db5-b9b4-ba5e90d948a8.jpg?v=1737264803"},"aspect_ratio":1.669,"height":719,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op2_54528449-8c3f-4db5-b9b4-ba5e90d948a8.jpg?v=1737264803","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの作曲家Rick Corriganが、2025年1月に同国シカゴの実験レーベルPentimentsから160部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験映像作家スタンブラッケージの1987年発表作品『Faustfilm』のサウンドトラックとして制作したミュージックコンクレート2曲を収録。DLコードとインサート付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Pentimentsは、アメリカの作曲家Rick Corriganによる『Faustfilm』のオリジナルサウンドトラックをお届けできることを大変光栄に思う。『Faustfilm』は1987年のスタン・ブラッケージの実験サイコドラマで、めったに公開されない映画作品である。 この卓越した実験映像作家は、写真や手描きの抽象画ではなく、俳優、セットデザイン、サウンドトラック音楽、ゲーテの『ファウスト』の緩やかな脚色を構成要素として用い、これまでの彼の映画とは著しく異なる領域に踏み込んだ。その結果、ブラッケージ、コリガン、主演俳優のジョエル・ヘアトリングがこの時期に存在したユニークな創造的相乗効果を記録した、極めて特異な傑作となり、今日に至るまで実験映画の歴史において比類なき作品となっている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e実験音楽のファンにとって、このサウンドトラックは忘れがたいものとなるに違いない。プリミティブな手法で作曲され、映像を補完するものと同じ不気味な感覚が蔓延するこの作品は、前衛的な電子音楽とテープベースのミュージックコンクレートの領域を絶えず融合させながら、いくつかのラインと断片をつなぎ合わせている。映画と同様、このサウンドトラックもまた、過去の知られざる実験的作品の愛好家たちが注目すべき、特異な作品である。私たちは、このリリースがこの作品にふさわしい評価を得る機会となることを願っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3878757821\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pentiments%20\"\u003ehere\u003c\/a\u003e to see more Pentiments releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e 12\" black vinyl. Edition of 160. Includes 5\" x 7\" insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reel I 16:46\u003cbr\u003e2. Reel II 24:35\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003ePentiments:\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003ePentiments is extremely honored to present American composer Rick Corrigan’s original soundtrack for Faustfilm: An Opera, Stan Brakhage’s seldom-seen 1987 experimental psychodrama. The first of what would come to be a four-part series, Faustfilm: An Opera saw the preeminent experimental filmmaker venturing into territories strikingly different from those previously explored in his films, utilizing actors, set designs, soundtracked music and a loose adaptation of Goethe’s Faust as its constituting elements rather than photographic or hand-painted abstraction. The result is a highly idiosyncratic masterwork that documents the unique creative synergy that existed between Brakhage, Corrigan and lead actor Joel Haertling during this time, and it remains incomparable in the history of experimental cinema to this day.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor fans of experimental music, however, its soundtrack should prove to be no less indelible. Composed in a primitive fashion and with a pervasive sense of the uncanny identical to that of its visual complement, the work threads together several lines and fragments that continually merge the domains of avant-garde electronic music and tape-based musique concrète, marked occasionally by the diegetic playing of Faust’s horn and, most notably, the\u003cspan class=\"bcTruncateMore\"\u003e voice of Brakhage himself narrating Faust’s thoughts and episodes throughout. Like the film itself, the soundtrack stands as a singular achievement that demands the attention of enthusiasts of unsung experimental works of the past. Our hope is that this release will provide it the opportunity to gain the recognition it has always deserved.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Rick Corrigan\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Pentiments\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003ePEN018\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの作曲家Rick Corriganが、2025年1月に同国シカゴの実験レーベルPentimentsから160部限定でリリースしたレコードです。 実験映像作家スタンブラッケージの1987年発表作品『Faustfilm』のサウンドトラックとして制作したミュージックコンクレート2曲を収録。DLコードとインサート付属。 以下、レーベルによる解説です。 "Pentimentsは、アメリカの作曲家Rick Corriganによる『Faustfilm』のオリジナルサウンドトラックをお届けできることを大変光栄に思う。『Faustfilm』は1987年のスタン・ブラッケージの実験サイコドラマで、めったに公開されない映画作品である。 この卓越した実験映像作家は、写真や手描きの抽象画ではなく、俳優、セットデザイン、サウンドトラック音楽、ゲーテの『ファウスト』の緩やかな脚色を構成要素として用い、これまでの彼の映画とは著しく異なる領域に踏み込んだ。その結果、ブラッケージ、コリガン、主演俳優のジョエル・ヘアトリングがこの時期に存在したユニークな創造的相乗効果を記録した、極めて特異な傑作となり、今日に至るまで実験映画の歴史において比類なき作品となっている。 実験音楽のファンにとって、このサウンドトラックは忘れがたいものとなるに違いない。プリミティブな手法で作曲され、映像を補完するものと同じ不気味な感覚が蔓延するこの作品は、前衛的な電子音楽とテープベースのミュージックコンクレートの領域を絶えず融合させながら、いくつかのラインと断片をつなぎ合わせている。映画と同様、このサウンドトラックもまた、過去の知られざる実験的作品の愛好家たちが注目すべき、特異な作品である。私たちは、このリリースがこの作品にふさわしい評価を得る機会となることを願っている。" レーベルその他作品はこちら /// Click here to see more Pentiments releases...
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{"id":8695904403706,"title":"Various Artists (enmossed) \/\/ in essence TAPE","handle":"various-artists-in-essence-tape","description":"\u003cp\u003e\u003cspan\u003eアメリカ・ノースカロライナの実験／テクノレーベルEnmossedが、2025年1月に130本限定でリリースしたコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験アンビエント〜ドローン〜サウンドポエトリー〜物音コラージュ18曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、本コンピレーションのキュレーターMarta Núñez Pouzolsによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私たちは同じ物質的な痕跡によってつながれており、最初は感覚を通して、次に経験を蒸留して記憶とその賜物（遠近感、連続性、帰属意識）に刷り込まれる。アナログ写真には、誰が、あるいは何が写っていたのかに触れた光の痕跡がある。水辺は、その場を去ろうが留まろうが、そこにあったものすべてをつなぐものだ。言葉、タロットカード、その他のあらゆるサインは、それらが現れる過去と未来のすべての時間へのポータルである。ギャラリーや家の部屋の壁は、その中で起こったことでコーティングされている。ハープの糸が、私たちの骨に伝わり、相互作用するのと同じ振動で、元素を混乱させる。身体と楽器、声と名前の間の傷を縫合する肖像画と祈り。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1108159534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Enmossed releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------------\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Cassette in norelco case. Edition of 130. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Marta Núñez Pouzols and Glyn Maier - Space Regained\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 tremella and RJ Gitter - asifaflower (reflections)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Secret Boyfriend - Total\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eEclipse (edit)\u003cbr\u003eA4 Lotta Petronella - Somewhere\u003cbr\u003eA5 Tether - Harnesses\u003cbr\u003eA6 Unguent - Entozoon-glossalalia\u003cbr\u003eA7 White Gourd - Last Breaths of the Ovenbird\u003cbr\u003eA8 Virusse - smokedance\u003cbr\u003e\u003cbr\u003eB1 Danielle Vogel - the sacred same\u003cbr\u003eB2 Chaperone - Hypoglycemia For Tivoli Radio\u003cbr\u003eB3 Ana Cristina - Así Se Levantan y Danzan con la Lluvia\u003cbr\u003eB4 Jessika Fancy - let’s go live where wild figs grow\u003cbr\u003eB5 Iruka María Toro - Golden Light Flower\u003cbr\u003eB6 Lily Herman - I have come to you with your names\u003cbr\u003eB7 Yanara Friedland - from planetary rupture\u003cbr\u003eB8 Cornelius F. Van Stafrin III - Resonant Essence Senses\u003cbr\u003eB9 Kelli Frances Corrado feat. M.Sauder on bass - Cry Wild\u003cbr\u003eB10 Liz Migliorelli - The Singing Fir Tree\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eText by participating artist \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMarta Núñez Pouzols:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"𝘪𝘯 𝘦𝘴𝘴𝘦𝘯𝘤𝘦 is an affirmation of communion. An invitation to contemplate that we are threaded by the same material traces, imprinting us —first through our senses, then through the distillation of experience into memory and its gifts: perspective, continuity, belonging. An analog photograph contains traces of the light that touched who or what was pictured. A body of water is the link between anything that was ever in it, no matter whether it leaves or stays. Words, tarot cards, and any other signs are portals to all the previous and future times they emerge. The walls of a room in a gallery or a house are coated with what happened inside it. A harp string disrupts the elements with the same vibration that travels and interacts with our bones. 𝘪𝘯 𝘦𝘴𝘴𝘦𝘯𝘤𝘦 is an invocation of the tangible as encounter, of the shared object as a site that refracts punctual experience into a new kind of collective knowledge. A portrait and a prayer that suture the wound between body and instrument, between voice and name.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : enmossed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003eENxEVP-04\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-09T18:54:29+09:00","created_at":"2025-01-09T17:43:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","enmossed","monooto","new","tape"],"price":248000,"price_min":248000,"price_max":248000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47024228401402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (enmossed) \/\/ in essence TAPE","public_title":null,"options":["Default Title"],"price":248000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ess1_1d0efe14-0b3c-4d98-84cb-42126dbc444f.jpg?v=1736412107","\/\/tobirarecords.com\/cdn\/shop\/files\/ess2_17c02e69-82e6-4512-8d90-9721ef9f0af0.jpg?v=1736412108","\/\/tobirarecords.com\/cdn\/shop\/files\/0038169450_10.jpg?v=1736416218","\/\/tobirarecords.com\/cdn\/shop\/files\/0038169458_10.jpg?v=1736416219"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess1_1d0efe14-0b3c-4d98-84cb-42126dbc444f.jpg?v=1736412107","options":["Title"],"media":[{"alt":null,"id":35396518445306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess1_1d0efe14-0b3c-4d98-84cb-42126dbc444f.jpg?v=1736412107"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess1_1d0efe14-0b3c-4d98-84cb-42126dbc444f.jpg?v=1736412107","width":700},{"alt":null,"id":35396518478074,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess2_17c02e69-82e6-4512-8d90-9721ef9f0af0.jpg?v=1736412108"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ess2_17c02e69-82e6-4512-8d90-9721ef9f0af0.jpg?v=1736412108","width":1200},{"alt":null,"id":35396851335418,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038169450_10.jpg?v=1736416218"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038169450_10.jpg?v=1736416218","width":1200},{"alt":null,"id":35396851400954,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038169458_10.jpg?v=1736416219"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0038169458_10.jpg?v=1736416219","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・ノースカロライナの実験／テクノレーベルEnmossedが、2025年1月に130本限定でリリースしたコンピレーションカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e実験アンビエント〜ドローン〜サウンドポエトリー〜物音コラージュ18曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、本コンピレーションのキュレーターMarta Núñez Pouzolsによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"私たちは同じ物質的な痕跡によってつながれており、最初は感覚を通して、次に経験を蒸留して記憶とその賜物（遠近感、連続性、帰属意識）に刷り込まれる。アナログ写真には、誰が、あるいは何が写っていたのかに触れた光の痕跡がある。水辺は、その場を去ろうが留まろうが、そこにあったものすべてをつなぐものだ。言葉、タロットカード、その他のあらゆるサインは、それらが現れる過去と未来のすべての時間へのポータルである。ギャラリーや家の部屋の壁は、その中で起こったことでコーティングされている。ハープの糸が、私たちの骨に伝わり、相互作用するのと同じ振動で、元素を混乱させる。身体と楽器、声と名前の間の傷を縫合する肖像画と祈り。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1108159534\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/emsd\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Enmossed releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------------------\u003c\/span\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIncludes DL code. Cassette in norelco case. Edition of 130. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1 Marta Núñez Pouzols and Glyn Maier - Space Regained\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2 tremella and RJ Gitter - asifaflower (reflections)\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3 Secret Boyfriend - Total\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003eEclipse (edit)\u003cbr\u003eA4 Lotta Petronella - Somewhere\u003cbr\u003eA5 Tether - Harnesses\u003cbr\u003eA6 Unguent - Entozoon-glossalalia\u003cbr\u003eA7 White Gourd - Last Breaths of the Ovenbird\u003cbr\u003eA8 Virusse - smokedance\u003cbr\u003e\u003cbr\u003eB1 Danielle Vogel - the sacred same\u003cbr\u003eB2 Chaperone - Hypoglycemia For Tivoli Radio\u003cbr\u003eB3 Ana Cristina - Así Se Levantan y Danzan con la Lluvia\u003cbr\u003eB4 Jessika Fancy - let’s go live where wild figs grow\u003cbr\u003eB5 Iruka María Toro - Golden Light Flower\u003cbr\u003eB6 Lily Herman - I have come to you with your names\u003cbr\u003eB7 Yanara Friedland - from planetary rupture\u003cbr\u003eB8 Cornelius F. Van Stafrin III - Resonant Essence Senses\u003cbr\u003eB9 Kelli Frances Corrado feat. M.Sauder on bass - Cry Wild\u003cbr\u003eB10 Liz Migliorelli - The Singing Fir Tree\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eText by participating artist \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMarta Núñez Pouzols:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"𝘪𝘯 𝘦𝘴𝘴𝘦𝘯𝘤𝘦 is an affirmation of communion. An invitation to contemplate that we are threaded by the same material traces, imprinting us —first through our senses, then through the distillation of experience into memory and its gifts: perspective, continuity, belonging. An analog photograph contains traces of the light that touched who or what was pictured. A body of water is the link between anything that was ever in it, no matter whether it leaves or stays. Words, tarot cards, and any other signs are portals to all the previous and future times they emerge. The walls of a room in a gallery or a house are coated with what happened inside it. A harp string disrupts the elements with the same vibration that travels and interacts with our bones. 𝘪𝘯 𝘦𝘴𝘴𝘦𝘯𝘤𝘦 is an invocation of the tangible as encounter, of the shared object as a site that refracts punctual experience into a new kind of collective knowledge. A portrait and a prayer that suture the wound between body and instrument, between voice and name.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Various\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : enmossed\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003eENxEVP-04\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ノースカロライナの実験／テクノレーベルEnmossedが、2025年1月に130本限定でリリースしたコンピレーションカセットです。 実験アンビエント〜ドローン〜サウンドポエトリー〜物音コラージュ18曲を収録。DLコード付属。 以下、本コンピレーションのキュレーターMarta Núñez Pouzolsによる解説です。 "私たちは同じ物質的な痕跡によってつながれており、最初は感覚を通して、次に経験を蒸留して記憶とその賜物（遠近感、連続性、帰属意識）に刷り込まれる。アナログ写真には、誰が、あるいは何が写っていたのかに触れた光の痕跡がある。水辺は、その場を去ろうが留まろうが、そこにあったものすべてをつなぐものだ。言葉、タロットカード、その他のあらゆるサインは、それらが現れる過去と未来のすべての時間へのポータルである。ギャラリーや家の部屋の壁は、その中で起こったことでコーティングされている。ハープの糸が、私たちの骨に伝わり、相互作用するのと同じ振動で、元素を混乱させる。身体と楽器、声と名前の間の傷を縫合する肖像画と祈り。" レーベルその他作品はこちら /// Click here to see more Enmossed releases available...
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{"id":8682349363450,"title":"Ben Vida with Yarn\/Wire and Nina Dante \/\/ The Beat My Head Hit LP","handle":"ben-vida-with-yarn-wire-and-nina-dante-the-beat-my-head-hit-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eYarn\/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eこれまでの作風とは異なり、\u003c\/span\u003eアコースティック・アンビエント色が強く押し出た5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn\/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe beat my head hitを構成する5つの作品は、Vidaが2018年にブルックリンのBAMで行った4つの声とエレクトロニクスのためのパフォーマンス「And So Now」をルーツに、この4年間でYarn\/Wireと共に開発されたものです。2005年に設立されたYarn\/Wireアンサンブルは、設立当初から幅広い実験的作曲家やサウンドアーティストとコラボレーションしており、最近ではサラ・ヘニーズ、アンネア・ロックウッド、キャサリン・ラム、アルヴィン・ルシエなどの作品を上演しています。一方、Vidaは音楽家とヴィジュアル・アーティストの両方の活動を続けており、エレクトロニクスのためのドローン調のソロ作品や、マルティナ・ローゼンフェルド、レア・ベルトゥッチなどのミュージシャンとの即興的なコラボレーションを行っています。VidaにとってYarn\/Wireとの共同作業は、まるでバンドに参加するようなものでした。初期の数回のライブ・パフォーマンスの後、スタジオで素材が何通りにも変化し、その過程でヴィダ、ダンテ、ラッセル・グリーンバーグ、ローラ・バーガーは、ヴィダが「4人の声のブレンドからなるメタ・ヴォイス」と呼ぶものを作り上げました。持続的なプレゼンス（言語がグループをユニゾンで呼吸する場所へと導くこと）は、この作品のバックボーンとなっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその存在感はエンジンでありながら、ネガティブ・スペースと吐息に満ちています。例えば、ヴィーダとダンテの声の距離が必然的に小さくなることで生まれる微妙なハーモニーに、思わず脱力してしまうようなスリリングさがあります。また、\"Drawn Evening \"の地中低音の導入は、息が詰まる？タイトル曲の早口言葉の代わりに、突然アンビエントな静けさが入り込んできたとき、言葉の退避もまた、ある種の呼吸の形なのだと感じます。The Beat My Head Hitは、周辺に起こることに真実や現実を見出すのではなく、ある種の平和を見出すのです。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165056358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn\/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe five pieces that make up The beat my head hit were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e developed with Yarn\/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn\/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn\/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison—becomes the backbone of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat presence is an engine, but it's still full of negative spaces and exhales. It's thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida w\/ Yarn\/Wire and Nina Dante\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP145\u003c\/p\u003e","published_at":"2024-12-16T08:26:42+09:00","created_at":"2024-12-16T08:26:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","shelter press"],"price":457600,"price_min":457600,"price_max":457600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46955171971322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Ben Vida with Yarn\/Wire and Nina Dante \/\/ The Beat My Head Hit LP","public_title":null,"options":["Default Title"],"price":457600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","options":["Title"],"media":[{"alt":null,"id":31999976767738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_a51e9bcc-c40a-4fe1-9bf3-4782c69a7eb5.jpg?v=1684668914","width":700},{"alt":null,"id":31999976800506,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_dc1a465f-c11b-4e37-a968-8da08721bd0d.jpg?v=1684668914","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eYarn\/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eこれまでの作風とは異なり、\u003c\/span\u003eアコースティック・アンビエント色が強く押し出た5曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn\/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eしかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe beat my head hitを構成する5つの作品は、Vidaが2018年にブルックリンのBAMで行った4つの声とエレクトロニクスのためのパフォーマンス「And So Now」をルーツに、この4年間でYarn\/Wireと共に開発されたものです。2005年に設立されたYarn\/Wireアンサンブルは、設立当初から幅広い実験的作曲家やサウンドアーティストとコラボレーションしており、最近ではサラ・ヘニーズ、アンネア・ロックウッド、キャサリン・ラム、アルヴィン・ルシエなどの作品を上演しています。一方、Vidaは音楽家とヴィジュアル・アーティストの両方の活動を続けており、エレクトロニクスのためのドローン調のソロ作品や、マルティナ・ローゼンフェルド、レア・ベルトゥッチなどのミュージシャンとの即興的なコラボレーションを行っています。VidaにとってYarn\/Wireとの共同作業は、まるでバンドに参加するようなものでした。初期の数回のライブ・パフォーマンスの後、スタジオで素材が何通りにも変化し、その過程でヴィダ、ダンテ、ラッセル・グリーンバーグ、ローラ・バーガーは、ヴィダが「4人の声のブレンドからなるメタ・ヴォイス」と呼ぶものを作り上げました。持続的なプレゼンス（言語がグループをユニゾンで呼吸する場所へと導くこと）は、この作品のバックボーンとなっています。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eその存在感はエンジンでありながら、ネガティブ・スペースと吐息に満ちています。例えば、ヴィーダとダンテの声の距離が必然的に小さくなることで生まれる微妙なハーモニーに、思わず脱力してしまうようなスリリングさがあります。また、\"Drawn Evening \"の地中低音の導入は、息が詰まる？タイトル曲の早口言葉の代わりに、突然アンビエントな静けさが入り込んできたとき、言葉の退避もまた、ある種の呼吸の形なのだと感じます。The Beat My Head Hitは、周辺に起こることに真実や現実を見出すのではなく、ある種の平和を見出すのです。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4165056358\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shelter\"\u003ehere\u003c\/a\u003e to see more Shelter Press \/ \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecollection GRM\u003c\/span\u003e \/ Ideologic Organ releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eShelter Press:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhere Ben Vida’s music has previously explored the sound of text at the outer register of electronic composition, here, in collaboration with the Yarn\/Wire quartet and the vocalist Nina Dante, the voice and the words it works to inhabit are placed back at the time-scale of a song. There is a familiarity to this music’s combination of restrained melody and heightened atmosphere. It feels, softly, like it’s made by a band: piano, percussion, voice. A composition kept aloft and even by its four stewards through a simultaneity of effort. The pace, across five pieces, hurries and relaxes but never outruns or distends language. You could find a story in the words being sung, if that’s what you need.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut there are unfamiliar dimensions too. So many threads, so many timelines. A story or a thousand, or a litany of scraps: language complete but raw, language that can or cannot be translated. Singers fused at the breath. Oppositions or dualities—a question and an answer, two sides of a conflict, the sense of being here or over there—are drawn together into a single sentiment, plural with feeling. Voices negotiating in unison how to articulate a stance. Musical cues doling out tension as needed.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe five pieces that make up The beat my head hit were\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e developed with Yarn\/Wire over the last four years, with roots in Vida’s 2018 performance for four voices and electronics “And So Now” at BAM in Brooklyn. The Yarn\/Wire ensemble, founded in 2005, has been collaborating with a broad range of experimental composers and sound artists since its inception: most recently, they have performed work by the likes of Sarah Hennies, Annea Lockwood, Catherine Lamb, and Alvin Lucier. Vida, meanwhile, has maintained a practice as both a musician and a visual artist, which has included drone-leaning solo work for electronics as well as improvisatory collaborations with musicians including Martina Rosenfeld and Lea Bertucci. Working with Yarn\/Wire, for Vida, was something like joining a band. Following a few early live performances, the material was worked through in the studio across many permutations, a process during which Vida, Dante, Russell Greenberg, Laura Barger created what Vida calls “a meta-voice out of the blending of our four voices.” Sustained presence—language bringing a group to the place of breathing in unison—becomes the backbone of the piece.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThat presence is an engine, but it's still full of negative spaces and exhales. It's thrilling, for example, to find oneself disarmed by the subtle harmonies introduced by the inevitable but infinitesimal distance between Vida and Dante’s voices. Or the introduction of subterranean bass on “Drawn Evening”: breath trapped? When ambient stillness steps in out of nowhere to replace fast talk on the title track, the evacuation of language is some other form of breath, too. The beat my head hit finds not just truth or reality in what happens at the periphery, but a kind of peace.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Vida w\/ Yarn\/Wire and Nina Dante\u003c\/p\u003e\n\u003cp\u003eLabel : Shelter Press\u003c\/p\u003e\n\u003cp\u003eCat No : SP145\u003c\/p\u003e"}
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アメリカのエレクトロニック作家Ben Vidaが、2023年5月にフランスの実験レーベルShelter Pressからリリースしたレコードです。 Yarn/WireアンサンブルとボーカリストNina Danteの共作となっており、声とピアノ、パーカッションをメインソースとして使用しております。 これまでの作風とは異なり、アコースティック・アンビエント色が強く押し出た5曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Ben Vidaの音楽は、これまで電子音楽の外側でテキストの響きを探求してきましたが、ここではYarn/WireカルテットとヴォーカリストのNina Dante とのコラボレーションにより、声とそれが宿る言葉が歌の時間軸に戻されます。抑制されたメロディと高められた雰囲気の組み合わせは、この音楽に親しみやすさを感じさせます。ピアノ、パーカッション、声というバンドで作られたような、柔らかな感触があります。4人の執事が同時並行的に努力することで、空中に浮いているような構成になっているます。5つの作品のペースは、急いだり緩んだりしながらも、決して言葉を追い越したり歪ませたりすることはありません。歌われている言葉の中に物語を見出すことができるでしょう、もしそれが必要なら。しかし、そこには見慣れない次元もあります。たくさんの糸、たくさんの時間軸があります。1つの物語、あるいは1000の物語、あるいはスクラップの羅列......完全でありながら生の言語、翻訳できる言語とできない言語。呼吸で融合する歌い手たち。質問と答え、対立の両側、ここにいるのかあそこにいるのかという感覚など、対立や二面性が一つの感情に引き寄せられ、感情とともに複数形になります。声は、あるスタンスをどのように表現するか、一体となって交渉しています。音楽的な合図は、必要に応じて緊張を与えます。The beat my head...
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{"id":8679074398458,"title":"Angelo Paccagnini \/\/ Musica Elettronica allo Studio di Fonologia della RAI di Milano, 1969\/1971 LP","handle":"angelo-paccagnini-musica-elettronica-allo-studio-di-fonologia-della-rai-di-milano-1969-1971-lp","description":"\u003cp\u003eイタリア・ミラノの実験音楽家／教師Angelo Paccagnini（1930-1999）が、2024年10月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie Schachtel\u003c\/span\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレクトロアコースティック3曲を収録。インサート付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"ベリオとマデルナによって1955年に設立されたライのミラノ・スタジオ・ディ・フォノロジア・ムジカーレの1969年からの芸術監督であり、ミラノ音楽院における最初の電子音楽コースの創設者である。パッカニーニは、その多面的な芸術的・職業的キャリアのあらゆる場面で、確かに「独立したユートピアン」であった。作曲家としての彼は、時には頑固に、時には無邪気な素直さをもって、根気強くコミットメントの道を追求したが、激動する抗議の時代でさえも、常に自分の個人的な意見を直接的に非難することは控え、大衆に彼の作品を無限に読み解く可能性のある精巧な鍵盤の権利を残した。\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3578945016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. Includes insert. Edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Flou II 21:20\u003cbr\u003e2. Partner 12:30\u003cbr\u003e3. Underground 11:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cem\u003e\"Winner of the prestigious Prix Italia for Rai in 1964 with Il dio di oro, artistic director since 1969 of Rai’s Milan Studio di Fonologia Musicale founded by Berio and Maderna in 1955, creator of the first course of electronic music at the Milan Conservatory, Paccagnini is one of the least known figures of the original Italian early Electronic Music scene, above all due to the absence – until today – of recordings of his works, notable for their originality and ideological commitment. Paccagnini was certainly an “independent utopian” in every manifestation of his multifaceted artistic and professional career. As a composer he pursued with perseverance, at times even with stubbornness and disarming candour, the path of commitment but, even in the turbulent years of protest, he always kept the direct denunciation of his own personal opinion on the margins, in order to leave the public the right to elaborate keys of potentially infinite reading of his works, of which three of the most significant are presented in this album in the first ever world edition.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Angelo Paccagnini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDS46\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-12-12T14:14:12+09:00","created_at":"2024-12-10T16:09:18+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","Die Schachtel","drone","lp","monooto","new"],"price":438000,"price_min":438000,"price_max":438000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46939625193722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Angelo Paccagnini \/\/ Musica Elettronica allo Studio di Fonologia della RAI di Milano, 1969\/1971 LP","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_d6055da1-165c-4781-95f6-d88a123106df.jpg?v=1733980305"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_d6055da1-165c-4781-95f6-d88a123106df.jpg?v=1733980305","options":["Title"],"media":[{"alt":null,"id":35289109135610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_d6055da1-165c-4781-95f6-d88a123106df.jpg?v=1733980305"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ele2_d6055da1-165c-4781-95f6-d88a123106df.jpg?v=1733980305","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・ミラノの実験音楽家／教師Angelo Paccagnini（1930-1999）が、2024年10月に同国実験レーベル\u003cspan data-mce-fragment=\"1\"\u003e\u003cspan\u003eDie Schachtel\u003c\/span\u003eからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレクトロアコースティック3曲を収録。インサート付属。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"ベリオとマデルナによって1955年に設立されたライのミラノ・スタジオ・ディ・フォノロジア・ムジカーレの1969年からの芸術監督であり、ミラノ音楽院における最初の電子音楽コースの創設者である。パッカニーニは、その多面的な芸術的・職業的キャリアのあらゆる場面で、確かに「独立したユートピアン」であった。作曲家としての彼は、時には頑固に、時には無邪気な素直さをもって、根気強くコミットメントの道を追求したが、激動する抗議の時代でさえも、常に自分の個人的な意見を直接的に非難することは控え、大衆に彼の作品を無限に読み解く可能性のある精巧な鍵盤の権利を残した。\"\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3578945016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" black vinyl. Includes insert. Edition of 200. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Flou II 21:20\u003cbr\u003e2. Partner 12:30\u003cbr\u003e3. Underground 11:49\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003cem\u003e\"Winner of the prestigious Prix Italia for Rai in 1964 with Il dio di oro, artistic director since 1969 of Rai’s Milan Studio di Fonologia Musicale founded by Berio and Maderna in 1955, creator of the first course of electronic music at the Milan Conservatory, Paccagnini is one of the least known figures of the original Italian early Electronic Music scene, above all due to the absence – until today – of recordings of his works, notable for their originality and ideological commitment. Paccagnini was certainly an “independent utopian” in every manifestation of his multifaceted artistic and professional career. As a composer he pursued with perseverance, at times even with stubbornness and disarming candour, the path of commitment but, even in the turbulent years of protest, he always kept the direct denunciation of his own personal opinion on the margins, in order to leave the public the right to elaborate keys of potentially infinite reading of his works, of which three of the most significant are presented in this album in the first ever world edition.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Angelo Paccagnini\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDS46\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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イタリア・ミラノの実験音楽家／教師Angelo Paccagnini（1930-1999）が、2024年10月に同国実験レーベルDie Schachtelからリリースしたレコードです。 エレクトロアコースティック3曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "ベリオとマデルナによって1955年に設立されたライのミラノ・スタジオ・ディ・フォノロジア・ムジカーレの1969年からの芸術監督であり、ミラノ音楽院における最初の電子音楽コースの創設者である。パッカニーニは、その多面的な芸術的・職業的キャリアのあらゆる場面で、確かに「独立したユートピアン」であった。作曲家としての彼は、時には頑固に、時には無邪気な素直さをもって、根気強くコミットメントの道を追求したが、激動する抗議の時代でさえも、常に自分の個人的な意見を直接的に非難することは控え、大衆に彼の作品を無限に読み解く可能性のある精巧な鍵盤の権利を残した。" レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available...
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{"id":8679071973626,"title":"Roland Kayn \/\/ Simultan 3xCD BOX","handle":"roland-kayn-simultan-3xcd-box","description":"\u003cp\u003eドイツの実験音楽家Roland Kayn(1933-2011)が、2024年12月にイタリアの実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした再発3枚組CD BOXです。（オリジナルは1977年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eプログラミングを主軸とした音楽制作スタイル「サイバネティックミュージック」を生み出した天才による最重要作品のひとつです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e和声、旋律、リズムといった作曲ひいては芸術の概念を取っ払った6曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCDのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8pVUeEVeUSI?si=tnOgK3CwxpafVuzV\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sXqje3jp1vI?si=ms9FHh2LSmqKwzTH\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PGusMmbppII?si=kDE1EK0MpDraQyds\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OtTl5AAN8ZY?si=mc3FlNVLtOQY-VI6\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nwpJ1bIiBlM?si=tX5DuaBsZ76rVM4F\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 x CD box set. Edition of 300. Includes illustrated booklet. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCD 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Monostabile 27:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Invarianten 20:18\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD 2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Sources Ergodiques Teil 1 15:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Matrix 29:07\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Sources Ergodiques Teil 2 22:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Logatome 20:40\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA stunning journey in sound and a work of profound and intoxicating \u003c\/em\u003e\u003cem\u003epower, Roland Kayn's “Simultan” stands among the best of all avant-garde \u003c\/em\u003e\u003cem\u003eelectronic works of its era. Die Schachtel, in collaboration with SZ \u003c\/em\u003e\u003cem\u003eSugar, is finally able to make available in CD format - after the \u003c\/em\u003e\u003cem\u003elegendary vinyl-only edition released in 2017 - the first volume in a \u003c\/em\u003e\u003cem\u003eseries of works named “K - Kybernetische Musik”, that documents the \u003c\/em\u003e\u003cem\u003ebirth of Kayn's Cybernetic Music, remastered from the original analog \u003c\/em\u003e\u003cem\u003emaster tapes. The re-emergence of “Simultan” has been long awaited by \u003c\/em\u003e\u003cem\u003emany, and should be celebrated by everyone with the faintest interest in \u003c\/em\u003e\u003cem\u003eelectronic music. This is a blinder. Totally essential and not to be \u003c\/em\u003e\u003cem\u003emissed. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne of the great pioneers of electronic, \u003c\/em\u003e\u003cem\u003ecomputer, and instrumental avant-garde music, for most of his life, the \u003c\/em\u003e\u003cem\u003eGerman composer Roland Kayn (1933 - 2011) remained almost entirely \u003c\/em\u003e\u003cem\u003eunknown, a founding member of the legendary ensemble, Gruppo di \u003c\/em\u003e\u003cem\u003eImprovvisazione Nuova Consonanza, heralded as a singular genius by a \u003c\/em\u003e\u003cem\u003esmall number of figures like Jim O’Rourke, who is currently curating the \u003c\/em\u003e\u003cem\u003earchive of the artist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Kayn might be easily described as a composer of electronic, \u003c\/em\u003e\u003cem\u003eelectro-acoustic, or computer music, the majority of his career was in \u003c\/em\u003e\u003cem\u003efact largely dedicated to the revolutionary sculpting of an entirely new \u003c\/em\u003e\u003cem\u003eterritory of sound: Cybernetic Music, a generative process of \u003c\/em\u003e\u003cem\u003ecomposition through programming. “Simultan” was among the first of the \u003c\/em\u003e\u003cem\u003ecomposer’s works to emerge from this process. Cybernetic Music grew from\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKayn’s longstanding engagement and fascination with data processing \u003c\/em\u003e\u003cem\u003etheory, which far outweighed his interest in the work of other composers \u003c\/em\u003e\u003cem\u003eand the zeitgeists of the day - a fact which contributed to his being \u003c\/em\u003e\u003cem\u003edeclared persona non grata by the avant-garde establishment, and \u003c\/em\u003e\u003cem\u003eultimately his lasting obscurity. This territory of creativity was the \u003c\/em\u003e\u003cem\u003ecomposer’s attempt to allow sound to be self-sufficient, stripping away \u003c\/em\u003e\u003cem\u003enotions of harmony, melody and rhythm, as much as those of the composer \u003c\/em\u003e\u003cem\u003eand art, deploying complex networks of electronic devices - early \u003c\/em\u003e\u003cem\u003ecomputers, to follow his instructions, taking form through a system of \u003c\/em\u003e\u003cem\u003esignals and commands.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated during the period in which Kayn was living in the Netherlands, \u003c\/em\u003e\u003cem\u003eand recorded with the assistance of electronic music legends Jaap Vink \u003c\/em\u003e\u003cem\u003eand Leo Küpper, “Simultan” is a work of astounding beauty - filled with \u003c\/em\u003e\u003cem\u003ea remarkable sense of humanity and touch - a strange incongruity \u003c\/em\u003e\u003cem\u003econsidering the system through which it was made, doubling as an \u003c\/em\u003e\u003cem\u003eindication of the inherent power of sound which Kayn spent his life \u003c\/em\u003e\u003cem\u003efighting to reveal. For fans of avant-garde electronic music, \u003c\/em\u003e\u003cem\u003eparticularly those drawn to the work coming out of Utrecht and Groupe de \u003c\/em\u003e\u003cem\u003eRecherches Musicales (GRM), but who have not yet encountered “Simultan”, \u003c\/em\u003e\u003cem\u003ethe work is likely to represent a towering revolution. It stands among \u003c\/em\u003e\u003cem\u003ethe most striking works from the world of sound. Ranging from seductive \u003c\/em\u003e\u003cem\u003eambiences, grinding swells of atonally and pure textures, to buried tone \u003c\/em\u003e\u003cem\u003eclusters, it does everything Kayn set forth in his ambitious project. It \u003c\/em\u003e\u003cem\u003eis an immersive image of what might be when sound organizes itself, and \u003c\/em\u003e\u003cem\u003ea metaphor for a way of being - the wonders which happen when we \u003c\/em\u003e\u003cem\u003erelinquish ego and control.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA stunning journey in sound and a work of profound and intoxicating \u003c\/em\u003e\u003cem\u003epower, “Simultan” stands among the best of all avant-garde electronic \u003c\/em\u003e\u003cem\u003eworks of its era. Die Schachtel’s lovingly produced boxed edition, which \u003c\/em\u003e\u003cem\u003eincludes a booklet exploring the composer’s work and ideas at length, \u003c\/em\u003e\u003cem\u003ebrings this seminal work back to the public in CD format for the very \u003c\/em\u003e\u003cem\u003efirst time. Its re-emergence has been long awaited by many, and should \u003c\/em\u003e\u003cem\u003ebe celebrated by everyone with the faintest interest in electronic \u003c\/em\u003e\u003cem\u003emusic. Totally essential and not to be missed.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Roland Kayn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDS36\/1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-12-11T06:43:07+09:00","created_at":"2024-12-10T15:51:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Die Schachtel","drone","monooto","new"],"price":638000,"price_min":638000,"price_max":638000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46939604680954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Roland Kayn \/\/ Simultan 3xCD BOX","public_title":null,"options":["Default Title"],"price":638000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rol.jpg?v=1733813410","\/\/tobirarecords.com\/cdn\/shop\/files\/rol1.jpg?v=1733813410","\/\/tobirarecords.com\/cdn\/shop\/files\/rol2.jpg?v=1733813410","\/\/tobirarecords.com\/cdn\/shop\/files\/rol3.jpg?v=1733813410","\/\/tobirarecords.com\/cdn\/shop\/files\/rol4.jpg?v=1733813410"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol.jpg?v=1733813410","options":["Title"],"media":[{"alt":null,"id":35289088098554,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol.jpg?v=1733813410"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol.jpg?v=1733813410","width":700},{"alt":null,"id":35289088131322,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol1.jpg?v=1733813410"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol1.jpg?v=1733813410","width":1200},{"alt":null,"id":35289088164090,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol2.jpg?v=1733813410"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol2.jpg?v=1733813410","width":1200},{"alt":null,"id":35289088196858,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol3.jpg?v=1733813410"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol3.jpg?v=1733813410","width":1200},{"alt":null,"id":35289088229626,"position":5,"preview_image":{"aspect_ratio":1.111,"height":1080,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol4.jpg?v=1733813410"},"aspect_ratio":1.111,"height":1080,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rol4.jpg?v=1733813410","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツの実験音楽家Roland Kayn(1933-2011)が、2024年12月にイタリアの実験レーベル\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtelからリリースした再発3枚組CD BOXです。（オリジナルは1977年リリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eプログラミングを主軸とした音楽制作スタイル「サイバネティックミュージック」を生み出した天才による最重要作品のひとつです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e和声、旋律、リズムといった作曲ひいては芸術の概念を取っ払った6曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCDのみでの発表となります。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/8pVUeEVeUSI?si=tnOgK3CwxpafVuzV\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sXqje3jp1vI?si=ms9FHh2LSmqKwzTH\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/PGusMmbppII?si=kDE1EK0MpDraQyds\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/OtTl5AAN8ZY?si=mc3FlNVLtOQY-VI6\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/nwpJ1bIiBlM?si=tX5DuaBsZ76rVM4F\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\" data-mce-fragment=\"1\"\u003e\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e---------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e3 x CD box set. Edition of 300. Includes illustrated booklet. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eCD 1\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Monostabile 27:58\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Invarianten 20:18\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD 2\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Sources Ergodiques Teil 1 15:12\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Matrix 29:07\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eCD 3\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e01. Sources Ergodiques Teil 2 22:45\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e02. Logatome 20:40\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eDie Schachtel:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA stunning journey in sound and a work of profound and intoxicating \u003c\/em\u003e\u003cem\u003epower, Roland Kayn's “Simultan” stands among the best of all avant-garde \u003c\/em\u003e\u003cem\u003eelectronic works of its era. Die Schachtel, in collaboration with SZ \u003c\/em\u003e\u003cem\u003eSugar, is finally able to make available in CD format - after the \u003c\/em\u003e\u003cem\u003elegendary vinyl-only edition released in 2017 - the first volume in a \u003c\/em\u003e\u003cem\u003eseries of works named “K - Kybernetische Musik”, that documents the \u003c\/em\u003e\u003cem\u003ebirth of Kayn's Cybernetic Music, remastered from the original analog \u003c\/em\u003e\u003cem\u003emaster tapes. The re-emergence of “Simultan” has been long awaited by \u003c\/em\u003e\u003cem\u003emany, and should be celebrated by everyone with the faintest interest in \u003c\/em\u003e\u003cem\u003eelectronic music. This is a blinder. Totally essential and not to be \u003c\/em\u003e\u003cem\u003emissed. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOne of the great pioneers of electronic, \u003c\/em\u003e\u003cem\u003ecomputer, and instrumental avant-garde music, for most of his life, the \u003c\/em\u003e\u003cem\u003eGerman composer Roland Kayn (1933 - 2011) remained almost entirely \u003c\/em\u003e\u003cem\u003eunknown, a founding member of the legendary ensemble, Gruppo di \u003c\/em\u003e\u003cem\u003eImprovvisazione Nuova Consonanza, heralded as a singular genius by a \u003c\/em\u003e\u003cem\u003esmall number of figures like Jim O’Rourke, who is currently curating the \u003c\/em\u003e\u003cem\u003earchive of the artist.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile Kayn might be easily described as a composer of electronic, \u003c\/em\u003e\u003cem\u003eelectro-acoustic, or computer music, the majority of his career was in \u003c\/em\u003e\u003cem\u003efact largely dedicated to the revolutionary sculpting of an entirely new \u003c\/em\u003e\u003cem\u003eterritory of sound: Cybernetic Music, a generative process of \u003c\/em\u003e\u003cem\u003ecomposition through programming. “Simultan” was among the first of the \u003c\/em\u003e\u003cem\u003ecomposer’s works to emerge from this process. Cybernetic Music grew from\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eKayn’s longstanding engagement and fascination with data processing \u003c\/em\u003e\u003cem\u003etheory, which far outweighed his interest in the work of other composers \u003c\/em\u003e\u003cem\u003eand the zeitgeists of the day - a fact which contributed to his being \u003c\/em\u003e\u003cem\u003edeclared persona non grata by the avant-garde establishment, and \u003c\/em\u003e\u003cem\u003eultimately his lasting obscurity. This territory of creativity was the \u003c\/em\u003e\u003cem\u003ecomposer’s attempt to allow sound to be self-sufficient, stripping away \u003c\/em\u003e\u003cem\u003enotions of harmony, melody and rhythm, as much as those of the composer \u003c\/em\u003e\u003cem\u003eand art, deploying complex networks of electronic devices - early \u003c\/em\u003e\u003cem\u003ecomputers, to follow his instructions, taking form through a system of \u003c\/em\u003e\u003cem\u003esignals and commands.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCreated during the period in which Kayn was living in the Netherlands, \u003c\/em\u003e\u003cem\u003eand recorded with the assistance of electronic music legends Jaap Vink \u003c\/em\u003e\u003cem\u003eand Leo Küpper, “Simultan” is a work of astounding beauty - filled with \u003c\/em\u003e\u003cem\u003ea remarkable sense of humanity and touch - a strange incongruity \u003c\/em\u003e\u003cem\u003econsidering the system through which it was made, doubling as an \u003c\/em\u003e\u003cem\u003eindication of the inherent power of sound which Kayn spent his life \u003c\/em\u003e\u003cem\u003efighting to reveal. For fans of avant-garde electronic music, \u003c\/em\u003e\u003cem\u003eparticularly those drawn to the work coming out of Utrecht and Groupe de \u003c\/em\u003e\u003cem\u003eRecherches Musicales (GRM), but who have not yet encountered “Simultan”, \u003c\/em\u003e\u003cem\u003ethe work is likely to represent a towering revolution. It stands among \u003c\/em\u003e\u003cem\u003ethe most striking works from the world of sound. Ranging from seductive \u003c\/em\u003e\u003cem\u003eambiences, grinding swells of atonally and pure textures, to buried tone \u003c\/em\u003e\u003cem\u003eclusters, it does everything Kayn set forth in his ambitious project. It \u003c\/em\u003e\u003cem\u003eis an immersive image of what might be when sound organizes itself, and \u003c\/em\u003e\u003cem\u003ea metaphor for a way of being - the wonders which happen when we \u003c\/em\u003e\u003cem\u003erelinquish ego and control.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA stunning journey in sound and a work of profound and intoxicating \u003c\/em\u003e\u003cem\u003epower, “Simultan” stands among the best of all avant-garde electronic \u003c\/em\u003e\u003cem\u003eworks of its era. Die Schachtel’s lovingly produced boxed edition, which \u003c\/em\u003e\u003cem\u003eincludes a booklet exploring the composer’s work and ideas at length, \u003c\/em\u003e\u003cem\u003ebrings this seminal work back to the public in CD format for the very \u003c\/em\u003e\u003cem\u003efirst time. Its re-emergence has been long awaited by many, and should \u003c\/em\u003e\u003cem\u003ebe celebrated by everyone with the faintest interest in electronic \u003c\/em\u003e\u003cem\u003emusic. Totally essential and not to be missed.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eArtist : Roland Kayn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLabel : Die Schachtel\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDS36\/1\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツの実験音楽家Roland Kayn(1933-2011)が、2024年12月にイタリアの実験レーベルDie Schachtelからリリースした再発3枚組CD BOXです。（オリジナルは1977年リリース） プログラミングを主軸とした音楽制作スタイル「サイバネティックミュージック」を生み出した天才による最重要作品のひとつです。 和声、旋律、リズムといった作曲ひいては芸術の概念を取っ払った6曲を収録。ブックレット付属。 CDのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Die Schachtel releases available...
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{"id":8671065211130,"title":"Daniela Huerta \/\/ Soplo 10\" [BLACK \/ COLOR]","handle":"daniela-huerta-soplo-10","description":"\u003cp\u003eメキシコの実験音楽家Daniela Huertaが、2024年11月にアメリカ・テキサスの実験／ドローンレーベルElevator Bathからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜ドローン〜エレクトロアコースティック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078601798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eElevator Bath releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 10\" black or clear vinyl. Clear vinyl edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Seqvana 03:44\u003cbr\u003e2. Riachuelo 02:18\u003cbr\u003e3. Tres 03:16\u003cbr\u003e4. Coatl 03:22\u003cbr\u003e5. Gloria 02:46\u003cbr\u003e6. Hálito 04:30\u003cbr\u003e7. Fondo 03:36\u003cbr\u003e8. Levitar 02:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eElevator Bath:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eSoplo' is the debut solo album from Berlin-based Mexican multimedia artist, sound designer, and DJ, Daniela Huerta -- and a true thing of beauty it is. A hallucinatory array of vaporous atmospheres, illusory rhythms, vanishing voices, and evocative environmental recordings, \"Soplo\" (Spanish for 'breath') ruminates on the enduring resonance of storytelling.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHuerta places an interest in mythology at the center of her practice, using it as a springboard to explore the origins of consciousness, archetypes, rituals, and collective memory. This approach to sound made Huerta an ideal collaborator for acclaimed Colombian artist and filmmaker Iván Argote, who invited her to score two of his poetic, politically charged short films. This is how \"Soplo\" began, with Huerta re-working and weaving together two soundtracks, creating a fully cohesive statement emphasizing her own idiosyncratic\u003cspan class=\"bcTruncateMore\"\u003e methods. Her subtle sonic treatments and arrangements sketch an impressionistic narrative that highlights the synergy between music and the natural world.\u003cbr\u003e\u003cbr\u003eAs a collection of recordings with disparate origins, “Soplo” is remarkably cogent -- engagingly varied but with a sustained air of mystery (and discovery) throughout. The ethereality of tracks like 'Gloria' and 'Coatl' gives way to the refined musique concrète of 'Seqvana' and especially 'Tres'. Meanwhile, 'Fondo' and 'Levitar' offer surprising juxtapositions while 'Hálito' rolls forward with wheezing instrumental flutters before being drowned by Huerta's disarmingly opaque electronic textures.\u003cbr\u003e\u003cbr\u003e\"Soplo\" is a tremendously satisfying sojourn; an album that rewards patient, deep listening and emphasizes Huerta's tight grasp of audial imagery. It is an emotionally expressive sonic tapestry that unfolds at its own pace, revealing itself hypnotically and enigmatically.\u003cbr\u003e\u003cbr\u003eWith this immersive debut, Huerta entreats the perceptive listener to take a deep breath and plunge in. There is treasure to be found in the river's depths.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniela Huerta\u003c\/p\u003e\n\u003cp\u003eLabel : Elevator Bath\u003cbr\u003e\u003c\/p\u003e","published_at":"2024-11-26T14:04:29+09:00","created_at":"2024-11-26T11:00:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","elevator bath","lp","new"],"price":368600,"price_min":368600,"price_max":399800,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46895319384314,"title":"BLACK","option1":"BLACK","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42711005626618,"product_id":8671065211130,"position":2,"created_at":"2024-11-26T13:59:04+09:00","updated_at":"2024-11-26T13:59:05+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037756635_10.jpg?v=1732597145","variant_ids":[46895319384314]},"available":false,"name":"Daniela Huerta \/\/ Soplo 10\" [BLACK \/ COLOR] - BLACK","public_title":"BLACK","options":["BLACK"],"price":368600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":35232500220154,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037756635_10.jpg?v=1732597145"}},"requires_selling_plan":false,"selling_plan_allocations":[]},{"id":46895319417082,"title":"CLEAR","option1":"CLEAR","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42710415606010,"product_id":8671065211130,"position":3,"created_at":"2024-11-26T10:58:57+09:00","updated_at":"2024-11-26T10:58:58+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_6821c452-1829-40e4-b523-ccc9a549fc4a.jpg?v=1732586338","variant_ids":[46895319417082]},"available":false,"name":"Daniela Huerta \/\/ Soplo 10\" [BLACK \/ COLOR] - CLEAR","public_title":"CLEAR","options":["CLEAR"],"price":399800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":35232058245370,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_6821c452-1829-40e4-b523-ccc9a549fc4a.jpg?v=1732586338"}},"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_e14e2a98-2c37-4de2-86dc-de4bdb6ac26c.jpg?v=1732586338","\/\/tobirarecords.com\/cdn\/shop\/files\/0037756635_10.jpg?v=1732597145","\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_6821c452-1829-40e4-b523-ccc9a549fc4a.jpg?v=1732586338"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_e14e2a98-2c37-4de2-86dc-de4bdb6ac26c.jpg?v=1732586338","options":["COLOR"],"media":[{"alt":null,"id":35232058212602,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_e14e2a98-2c37-4de2-86dc-de4bdb6ac26c.jpg?v=1732586338"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan1_e14e2a98-2c37-4de2-86dc-de4bdb6ac26c.jpg?v=1732586338","width":700},{"alt":null,"id":35232500220154,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037756635_10.jpg?v=1732597145"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037756635_10.jpg?v=1732597145","width":1200},{"alt":null,"id":35232058245370,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_6821c452-1829-40e4-b523-ccc9a549fc4a.jpg?v=1732586338"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dan2_6821c452-1829-40e4-b523-ccc9a549fc4a.jpg?v=1732586338","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコの実験音楽家Daniela Huertaが、2024年11月にアメリカ・テキサスの実験／ドローンレーベルElevator Bathからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜ドローン〜エレクトロアコースティック8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1078601798\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/elevator-bath\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eElevator Bath releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 10\" black or clear vinyl. Clear vinyl edition of 100. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Seqvana 03:44\u003cbr\u003e2. Riachuelo 02:18\u003cbr\u003e3. Tres 03:16\u003cbr\u003e4. Coatl 03:22\u003cbr\u003e5. Gloria 02:46\u003cbr\u003e6. Hálito 04:30\u003cbr\u003e7. Fondo 03:36\u003cbr\u003e8. Levitar 02:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eElevator Bath:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan\u003e\u003cem\u003eSoplo' is the debut solo album from Berlin-based Mexican multimedia artist, sound designer, and DJ, Daniela Huerta -- and a true thing of beauty it is. A hallucinatory array of vaporous atmospheres, illusory rhythms, vanishing voices, and evocative environmental recordings, \"Soplo\" (Spanish for 'breath') ruminates on the enduring resonance of storytelling.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHuerta places an interest in mythology at the center of her practice, using it as a springboard to explore the origins of consciousness, archetypes, rituals, and collective memory. This approach to sound made Huerta an ideal collaborator for acclaimed Colombian artist and filmmaker Iván Argote, who invited her to score two of his poetic, politically charged short films. This is how \"Soplo\" began, with Huerta re-working and weaving together two soundtracks, creating a fully cohesive statement emphasizing her own idiosyncratic\u003cspan class=\"bcTruncateMore\"\u003e methods. Her subtle sonic treatments and arrangements sketch an impressionistic narrative that highlights the synergy between music and the natural world.\u003cbr\u003e\u003cbr\u003eAs a collection of recordings with disparate origins, “Soplo” is remarkably cogent -- engagingly varied but with a sustained air of mystery (and discovery) throughout. The ethereality of tracks like 'Gloria' and 'Coatl' gives way to the refined musique concrète of 'Seqvana' and especially 'Tres'. Meanwhile, 'Fondo' and 'Levitar' offer surprising juxtapositions while 'Hálito' rolls forward with wheezing instrumental flutters before being drowned by Huerta's disarmingly opaque electronic textures.\u003cbr\u003e\u003cbr\u003e\"Soplo\" is a tremendously satisfying sojourn; an album that rewards patient, deep listening and emphasizes Huerta's tight grasp of audial imagery. It is an emotionally expressive sonic tapestry that unfolds at its own pace, revealing itself hypnotically and enigmatically.\u003cbr\u003e\u003cbr\u003eWith this immersive debut, Huerta entreats the perceptive listener to take a deep breath and plunge in. There is treasure to be found in the river's depths.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Daniela Huerta\u003c\/p\u003e\n\u003cp\u003eLabel : Elevator Bath\u003cbr\u003e\u003c\/p\u003e"}
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メキシコの実験音楽家Daniela Huertaが、2024年11月にアメリカ・テキサスの実験／ドローンレーベルElevator Bathからリリースした10"です。 アンビエントドローン〜ドローン〜エレクトロアコースティック8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Elevator Bath releases available at Tobira. -------------------------------------...
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{"id":8648703803642,"title":"Linda Catlin Smith \/\/ Flowers of Emptiness CD","handle":"linda-catlin-smith-flowers-of-emptiness-cd","description":"\u003cp\u003eカナダの作曲家Linda Catlin Smithが、2024年10月にイギリス・シェフィールドのコンテンポラリー・クラシカルレーベル\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたC\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eバイオリン、クラリネット、チェロ、コントラバス、ピアノによる室内楽8曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/linda-catlin-smith-ballad-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3146918674\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Waterlily (2008) 04:29\u003cbr\u003e2. Blackwing (2018) 04:55\u003cbr\u003e3. Flowers of Emptiness (1986) 12:12\u003cbr\u003e4. Lamento (2010) 03:13\u003cbr\u003e5. Das Rosen-Innere (2024) 06:21\u003cbr\u003e6. As you pass a reflective surface (1991) 06:15\u003cbr\u003e7. Nightshade (2021) 12:12\u003cbr\u003e8. String Quartet No.6 (2013) 19:13\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eEight chamber works by Canadian composer Linda Catlin Smith, beautifully performed by Apartment House.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe album is structured around the first recordings of three of Linda's string quartets (tracks 1, 6 and 8), along with a short violin duo, a piece for clarinet, violin, cello and double bass, an early string trio, a very recent work for cello and piano, and a bass clarinet solo written for Apartment House regular Heather Roche.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTogether the pieces present a compelling portrait of the chamber music of one of the leading composers of her generation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sixth CD of Linda Catlin Smith's music released on Another Timbre, following the CD releases of 'Dirt Road', 'Drifter', 'Wanderer', 'Ballad', and 'Among the Tarnished Stars', which was released alongside Messiaen's 'Quatuor pour la fin du temps'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linda Catlin Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2024-11-23T17:39:00+09:00","created_at":"2024-10-22T15:12:12+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","new"],"price":225000,"price_min":225000,"price_max":225000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46774291693818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Linda Catlin Smith \/\/ Flowers of Emptiness CD","public_title":null,"options":["Default Title"],"price":225000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/emp1.jpg?v=1729577436"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/emp1.jpg?v=1729577436","options":["Title"],"media":[{"alt":null,"id":35093985886458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/emp1.jpg?v=1729577436"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/emp1.jpg?v=1729577436","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの作曲家Linda Catlin Smithが、2024年10月にイギリス・シェフィールドのコンテンポラリー・クラシカルレーベル\u003cspan data-mce-fragment=\"1\"\u003eAnother TimbreからリリースしたC\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eバイオリン、クラリネット、チェロ、コントラバス、ピアノによる室内楽8曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eゲートフォルドデジスリーブ、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/linda-catlin-smith-ballad-cd\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3146918674\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eCD in cardstock sleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Waterlily (2008) 04:29\u003cbr\u003e2. Blackwing (2018) 04:55\u003cbr\u003e3. Flowers of Emptiness (1986) 12:12\u003cbr\u003e4. Lamento (2010) 03:13\u003cbr\u003e5. Das Rosen-Innere (2024) 06:21\u003cbr\u003e6. As you pass a reflective surface (1991) 06:15\u003cbr\u003e7. Nightshade (2021) 12:12\u003cbr\u003e8. String Quartet No.6 (2013) 19:13\u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAnother Timbre:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eEight chamber works by Canadian composer Linda Catlin Smith, beautifully performed by Apartment House.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cem\u003eThe album is structured around the first recordings of three of Linda's string quartets (tracks 1, 6 and 8), along with a short violin duo, a piece for clarinet, violin, cello and double bass, an early string trio, a very recent work for cello and piano, and a bass clarinet solo written for Apartment House regular Heather Roche.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTogether the pieces present a compelling portrait of the chamber music of one of the leading composers of her generation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sixth CD of Linda Catlin Smith's music released on Another Timbre, following the CD releases of 'Dirt Road', 'Drifter', 'Wanderer', 'Ballad', and 'Among the Tarnished Stars', which was released alongside Messiaen's 'Quatuor pour la fin du temps'.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linda Catlin Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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カナダの作曲家Linda Catlin Smithが、2024年10月にイギリス・シェフィールドのコンテンポラリー・クラシカルレーベルAnother TimbreからリリースしたCDです。 バイオリン、クラリネット、チェロ、コントラバス、ピアノによる室内楽8曲を収録。ゲートフォルドデジスリーブ、シュリンク仕様です。 前作もオススメです。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available...
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{"id":8646609502458,"title":"Nour Mobarak \/\/ Dafne Phono LP","handle":"nour-mobarak-dafne-phono-lp","description":"\u003cp\u003e\u003cspan\u003eレバノン／アメリカの音響詩人Nour Mobarakが、2024年10月にアメリカの実験／音響詩レーベルRecitalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1598年発表のオペラ作品『Dafne』を再構築した2曲を収録。巨大ポスター付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nour Mobarakの『Dafne Phono』は、1598年にヤコポ・ペリとオッタヴィオ・リヌッチーニによって作曲・書かれた最初のオペラ『ダフネ』の翻案である。オヴィッドの『メタモルフォーゼ』に登場するダフネとアポロの神話を題材に、片思い、家父長的所有、征服、変容の物語を、Mobarakのマルチメディアかつ多種多様な手法で再構築した。英語版やギリシャ語版と並行して、世界で最も音韻の複雑な言語であるアブハズ語、サン・ファン・キアヒヘ語、東チャティノ語、シルボ・ゴメロ語、そして 「Xoon 」に翻訳されている。この過程で、西欧文化の産物である語りは解体され、代謝され、感覚を形成する能力と同様に感覚を形成する乱暴な言葉に変換される。これらの声は、菌糸のような音の彫刻によって物質的な形を与えられ、その根茎のような構成と放送された録音は、時間の経過による言語の形成と変異に似ている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコードのA面には、モバラクの15チャンネルのサウンド・インスタレーション『Dafne Phono』のステレオバージョンが収録されている。B面は、ナミビアで行われたリブレットの翻訳作業の一部を、アーティストがライブ処理した録音を使用している。\" \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1850982510\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e• Limited edition vinyl record of 200pc in full color jacket\u003cbr\u003e• Fold out double-sided 18” x 24” poster\u003cbr\u003e• 9” x 4” card with graphic and credits \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Dafne Phono 21:37\u003cbr\u003e2. Pprroccessssed 19:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRecital:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eNour Mobarak’s Dafne Phono is an adaptation of the first opera, Dafne, composed and written by Jacopo Peri and Ottavio Rinuccini in 1598. Drawing on the myth of Daphne and Apollo from Ovid’s Metamorphoses—a story of unrequited love, patriarchal possession, conquest, and transformation—Mobarak’s multimedia and multispecies reimagining splinters the opera’s Italian libretto. Alongside English and Greek versions, it is translated into some of the world’s most phonetically complex languages—Abkhaz, San Juan Quiahije Eastern Chatino, Silbo Gomero, and !Xoon. In this process, the narrative—and an artifact of Western culture—is dismantled, metabolized, and rendered into unruly utterances that shape the sensorium as much as they do the capacity for sense-making. These voices are given material form by a cast of mycelium sonic sculptures whose rhizomatic compositions and broadcasted recordings resemble the formation and mutation of language over time, reconstituting speech into a new, polyphonic body politic, composed of voices whose striking, poetic utterances transfix and transcend meaning. \u003cbr\u003e\u003cbr\u003eThe A-Side of the record presents a stereo version of Mobarak’s 15-channel sound installation, Dafne Phono. The B-Side uses\u003cspan class=\"bcTruncateMore\"\u003e a recording of a portion of the translation process the libretto underwent in Namibia, live-processed by the artist. Dafne Phono is released in tandem with a book of the same name, published by Wendy’s Subway [https:\/\/www.wendyssubway.com\/]. \"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eNour Pamela Mobarak (Lebanese-American, b. 1985, Cairo, Egypt) lives and works between Los Angeles; Bainbridge Island; and Athens, Greece. Her works have been shown at Sylvia Kouvali (formerly Rodeo), London\/Piraeus; Schinkel Pavillon, Berlin; MIT List Visual Arts Center, Cambridge, MA; Amant, Brooklyn; JOAN, Los Angeles; Kim? Contemporary Art Centre, Riga; Miguel Abreu Gallery, New York; Hakuna Matata, Los Angeles; and Cubitt Gallery, London. Exhibitions at the Museum of Modern Art, New York, and Castello di Tivoli Museo d’Arte Contemporanea, Turin, are forthcoming. She has performed at Western Front, Vancouver; 2220, the Hammer Museum, and LAXART, Los Angeles; Cafe OTO, London; Renaissance Society, Chicago; the Museum of Contemporary Art, San Diego; and elsewhere. Her music has been released by Recital (Los Angeles), Cafe OTO’s TakuRoku (London), and Ultra Eczema (Antwerp), and she has had sessions on BBC Radio 3, NTS Radio, and Dublab Radio. Mobarak’s writing has been published in Triple Canopy, F.R. David, The Claudius App, and the Salzburg Review, and her first catalog, Sphere Studies and Subterranean Bounce was published by Recital (2021). She has held residencies at Denniston Hill, New York and the Institute of Contemporary Art, Los Angeles, and was the recipient of the 2023 FOCA fellowship award. Mobarak was a 2024 faculty at Bard College MFA program.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nour Mobarak\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e\n\u003cp\u003eCat No : R110\u003c\/p\u003e","published_at":"2024-10-18T11:51:37+09:00","created_at":"2024-10-18T11:33:44+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","new","Recital"],"price":475800,"price_min":475800,"price_max":475800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46763442143482,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Nour Mobarak \/\/ Dafne Phono LP","public_title":null,"options":["Default Title"],"price":475800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0892769700_16.jpg?v=1729218987","\/\/tobirarecords.com\/cdn\/shop\/files\/0037165588_10.jpg?v=1729218983","\/\/tobirarecords.com\/cdn\/shop\/files\/0037165584_10.jpg?v=1729218982","\/\/tobirarecords.com\/cdn\/shop\/files\/0037165585_10.jpg?v=1729218980","\/\/tobirarecords.com\/cdn\/shop\/files\/0037165587_10.jpg?v=1729219616"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0892769700_16.jpg?v=1729218987","options":["Title"],"media":[{"alt":null,"id":35075389915386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0892769700_16.jpg?v=1729218987"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0892769700_16.jpg?v=1729218987","width":700},{"alt":null,"id":35075389227258,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037165588_10.jpg?v=1729218983"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037165588_10.jpg?v=1729218983","width":1200},{"alt":null,"id":35075389194490,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037165584_10.jpg?v=1729218982"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037165584_10.jpg?v=1729218982","width":1200},{"alt":null,"id":35075389096186,"position":4,"preview_image":{"aspect_ratio":1.325,"height":906,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037165585_10.jpg?v=1729218980"},"aspect_ratio":1.325,"height":906,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037165585_10.jpg?v=1729218980","width":1200},{"alt":null,"id":35075427598586,"position":5,"preview_image":{"aspect_ratio":1.327,"height":904,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037165587_10.jpg?v=1729219616"},"aspect_ratio":1.327,"height":904,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0037165587_10.jpg?v=1729219616","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eレバノン／アメリカの音響詩人Nour Mobarakが、2024年10月にアメリカの実験／音響詩レーベルRecitalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1598年発表のオペラ作品『Dafne』を再構築した2曲を収録。巨大ポスター付属。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Nour Mobarakの『Dafne Phono』は、1598年にヤコポ・ペリとオッタヴィオ・リヌッチーニによって作曲・書かれた最初のオペラ『ダフネ』の翻案である。オヴィッドの『メタモルフォーゼ』に登場するダフネとアポロの神話を題材に、片思い、家父長的所有、征服、変容の物語を、Mobarakのマルチメディアかつ多種多様な手法で再構築した。英語版やギリシャ語版と並行して、世界で最も音韻の複雑な言語であるアブハズ語、サン・ファン・キアヒヘ語、東チャティノ語、シルボ・ゴメロ語、そして 「Xoon 」に翻訳されている。この過程で、西欧文化の産物である語りは解体され、代謝され、感覚を形成する能力と同様に感覚を形成する乱暴な言葉に変換される。これらの声は、菌糸のような音の彫刻によって物質的な形を与えられ、その根茎のような構成と放送された録音は、時間の経過による言語の形成と変異に似ている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eレコードのA面には、モバラクの15チャンネルのサウンド・インスタレーション『Dafne Phono』のステレオバージョンが収録されている。B面は、ナミビアで行われたリブレットの翻訳作業の一部を、アーティストがライブ処理した録音を使用している。\" \u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1850982510\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e• Limited edition vinyl record of 200pc in full color jacket\u003cbr\u003e• Fold out double-sided 18” x 24” poster\u003cbr\u003e• 9” x 4” card with graphic and credits \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e1. Dafne Phono 21:37\u003cbr\u003e2. Pprroccessssed 19:58\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eRecital:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eNour Mobarak’s Dafne Phono is an adaptation of the first opera, Dafne, composed and written by Jacopo Peri and Ottavio Rinuccini in 1598. Drawing on the myth of Daphne and Apollo from Ovid’s Metamorphoses—a story of unrequited love, patriarchal possession, conquest, and transformation—Mobarak’s multimedia and multispecies reimagining splinters the opera’s Italian libretto. Alongside English and Greek versions, it is translated into some of the world’s most phonetically complex languages—Abkhaz, San Juan Quiahije Eastern Chatino, Silbo Gomero, and !Xoon. In this process, the narrative—and an artifact of Western culture—is dismantled, metabolized, and rendered into unruly utterances that shape the sensorium as much as they do the capacity for sense-making. These voices are given material form by a cast of mycelium sonic sculptures whose rhizomatic compositions and broadcasted recordings resemble the formation and mutation of language over time, reconstituting speech into a new, polyphonic body politic, composed of voices whose striking, poetic utterances transfix and transcend meaning. \u003cbr\u003e\u003cbr\u003eThe A-Side of the record presents a stereo version of Mobarak’s 15-channel sound installation, Dafne Phono. The B-Side uses\u003cspan class=\"bcTruncateMore\"\u003e a recording of a portion of the translation process the libretto underwent in Namibia, live-processed by the artist. Dafne Phono is released in tandem with a book of the same name, published by Wendy’s Subway [https:\/\/www.wendyssubway.com\/]. \"\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio:\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eNour Pamela Mobarak (Lebanese-American, b. 1985, Cairo, Egypt) lives and works between Los Angeles; Bainbridge Island; and Athens, Greece. Her works have been shown at Sylvia Kouvali (formerly Rodeo), London\/Piraeus; Schinkel Pavillon, Berlin; MIT List Visual Arts Center, Cambridge, MA; Amant, Brooklyn; JOAN, Los Angeles; Kim? Contemporary Art Centre, Riga; Miguel Abreu Gallery, New York; Hakuna Matata, Los Angeles; and Cubitt Gallery, London. Exhibitions at the Museum of Modern Art, New York, and Castello di Tivoli Museo d’Arte Contemporanea, Turin, are forthcoming. She has performed at Western Front, Vancouver; 2220, the Hammer Museum, and LAXART, Los Angeles; Cafe OTO, London; Renaissance Society, Chicago; the Museum of Contemporary Art, San Diego; and elsewhere. Her music has been released by Recital (Los Angeles), Cafe OTO’s TakuRoku (London), and Ultra Eczema (Antwerp), and she has had sessions on BBC Radio 3, NTS Radio, and Dublab Radio. Mobarak’s writing has been published in Triple Canopy, F.R. David, The Claudius App, and the Salzburg Review, and her first catalog, Sphere Studies and Subterranean Bounce was published by Recital (2021). She has held residencies at Denniston Hill, New York and the Institute of Contemporary Art, Los Angeles, and was the recipient of the 2023 FOCA fellowship award. Mobarak was a 2024 faculty at Bard College MFA program.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nour Mobarak\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e\n\u003cp\u003eCat No : R110\u003c\/p\u003e"}
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レバノン／アメリカの音響詩人Nour Mobarakが、2024年10月にアメリカの実験／音響詩レーベルRecitalからリリースしたレコードです。 1598年発表のオペラ作品『Dafne』を再構築した2曲を収録。巨大ポスター付属。 以下、レーベルによる解説です。 "Nour Mobarakの『Dafne Phono』は、1598年にヤコポ・ペリとオッタヴィオ・リヌッチーニによって作曲・書かれた最初のオペラ『ダフネ』の翻案である。オヴィッドの『メタモルフォーゼ』に登場するダフネとアポロの神話を題材に、片思い、家父長的所有、征服、変容の物語を、Mobarakのマルチメディアかつ多種多様な手法で再構築した。英語版やギリシャ語版と並行して、世界で最も音韻の複雑な言語であるアブハズ語、サン・ファン・キアヒヘ語、東チャティノ語、シルボ・ゴメロ語、そして 「Xoon 」に翻訳されている。この過程で、西欧文化の産物である語りは解体され、代謝され、感覚を形成する能力と同様に感覚を形成する乱暴な言葉に変換される。これらの声は、菌糸のような音の彫刻によって物質的な形を与えられ、その根茎のような構成と放送された録音は、時間の経過による言語の形成と変異に似ている。 レコードのA面には、モバラクの15チャンネルのサウンド・インスタレーション『Dafne Phono』のステレオバージョンが収録されている。B面は、ナミビアで行われたリブレットの翻訳作業の一部を、アーティストがライブ処理した録音を使用している。" レーベルその他作品はこちら /// Click here to see...
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{"id":8640223772922,"title":"Cop Tears \/\/ Theodor Adorno: Piano Works LP","handle":"cop-tears-theodor-adorno-piano-works-lp","description":"\u003cp\u003e過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baron主宰レーベルReading Group諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツの社会学者／哲学家／作曲家Theodor Adornoが書き残したピアノ作品を、NYのジャズバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノーツとDLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Andrew Wilhite-Hannisdal (double bass)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek Baron (flute)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Kapoor (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Welsh (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5aG0FoQgIjw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eSide A\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eKlavierstück (1921)\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933) 3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003eDrei kurze Klavierstücke (1934, 1945), 1\u003cbr\u003eDrei Klavierstücke (1927, 1945), 2. Die böhmischen Terzen\u003cbr\u003eDrei Klavierstücke (1927, 1945), 1. Adagietto. Hommage à Bizet\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933):\u003cbr\u003e1. Klein-Gavlin kann nur “Ich auch” sagen\u003cbr\u003e2. Ich bin das hüpfende Kleinpferd, ich bin das Hottepferd mit Knopf im Ohr\u003cbr\u003e4. Klein-Gitty und Klein-Gavlin (Variationen aus ihrem Leben),\u003cbr\u003evar. 1 (…und auf dem Bauch)\u003cbr\u003evar. 2 (Ländler)\u003cbr\u003evar. 3 (Gitty und Gavlin als Tristan und Isolde)\u003cbr\u003evar. 4 (Auch Brahms besucht das P.K.B.)\u003cbr\u003evar. 5 Molto vivace e capricioso (quasi\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ePresto) (Bewegte Gruppenszene)\u003cbr\u003e3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003evar. 6 Kleines Feuerwerk zu Ehren Debussys\u003cbr\u003evar. 7 Herztöne\u003cbr\u003evar. 8 Etwas feuerlich (Kanon des Friedens im P.K.B.)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003e******************\u003cbr\u003e\u003cem\u003e\"Cop Tears recorded selections from Theodor Adorno's piano works in Derek's apartment in New York during the winter of 2018.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered by Matt Bachmann.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLiner notes on the vinyl LP by Kylie and Coop.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Cop Tears\u003c\/p\u003e\n\u003cp\u003elabel : Reading Group\u003c\/p\u003e","published_at":"2024-10-11T15:16:41+09:00","created_at":"2024-10-11T15:15:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","new","reading group"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46739651068154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Cop Tears \/\/ Theodor Adorno: Piano Works LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178","options":["Title"],"media":[{"alt":null,"id":22137351307429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1726007643_16.jpg?v=1620972178","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baron主宰レーベルReading Group諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ドイツの社会学者／哲学家／作曲家Theodor Adornoが書き残したピアノ作品を、NYのジャズバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノーツとDLコード付属。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Andrew Wilhite-Hannisdal (double bass)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek Baron (flute)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Kapoor (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Welsh (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5aG0FoQgIjw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rg\"\u003ehere\u003c\/a\u003e to see more Reading Group releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eSide A\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eKlavierstück (1921)\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933) 3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003eDrei kurze Klavierstücke (1934, 1945), 1\u003cbr\u003eDrei Klavierstücke (1927, 1945), 2. Die böhmischen Terzen\u003cbr\u003eDrei Klavierstücke (1927, 1945), 1. Adagietto. Hommage à Bizet\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933):\u003cbr\u003e1. Klein-Gavlin kann nur “Ich auch” sagen\u003cbr\u003e2. Ich bin das hüpfende Kleinpferd, ich bin das Hottepferd mit Knopf im Ohr\u003cbr\u003e4. Klein-Gitty und Klein-Gavlin (Variationen aus ihrem Leben),\u003cbr\u003evar. 1 (…und auf dem Bauch)\u003cbr\u003evar. 2 (Ländler)\u003cbr\u003evar. 3 (Gitty und Gavlin als Tristan und Isolde)\u003cbr\u003evar. 4 (Auch Brahms besucht das P.K.B.)\u003cbr\u003evar. 5 Molto vivace e capricioso (quasi\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ePresto) (Bewegte Gruppenszene)\u003cbr\u003e3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003evar. 6 Kleines Feuerwerk zu Ehren Debussys\u003cbr\u003evar. 7 Herztöne\u003cbr\u003evar. 8 Etwas feuerlich (Kanon des Friedens im P.K.B.)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-credits\"\u003e******************\u003cbr\u003e\u003cem\u003e\"Cop Tears recorded selections from Theodor Adorno's piano works in Derek's apartment in New York during the winter of 2018.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eCop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar).\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eMastered by Matt Bachmann.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLiner notes on the vinyl LP by Kylie and Coop.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Cop Tears\u003c\/p\u003e\n\u003cp\u003elabel : Reading Group\u003c\/p\u003e"}
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過去にRecitalやPentimentsなどから発表しているアメリカ・NYの実験音楽家Derek Baron主宰レーベルReading Group諸作を入荷しました。 本作は、ドイツの社会学者／哲学家／作曲家Theodor Adornoが書き残したピアノ作品を、NYのジャズバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノーツとDLコード付属。廃盤です。 John Andrew Wilhite-Hannisdal (double bass) Derek Baron (flute)...
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