Paul Khimasia Morgan // Maintaining CDR
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イギリス・ロンドンの物音作家Matt Atkins主宰レーベルMinimal Resource Manipulationを本邦初入荷しました。
本作は、同国の物音レーベルaural detritus主宰者Paul Khimasia Morganが2021年3月に30部限定でリリースしたアルバムです。ギターと環境音によるエレクトロアコースティック3曲を収録。廃盤です。
レーベルその他作品はこちら /// Click here to see more Minimal Resource Manipulation releases available at Tobira.
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Paul Khimasia Morgan:
“I use an old 1970's electro-acoustic Eko Ranger XII acoustic guitar body. I divorced it from its neck some years ago due to an unfixable neck-block crack which was producing an alarming and uncontrollable escalation in the instrument's string action. The removal of the neck forced me to look at the thing differently, as if it were still an instrument and not just a wooden box. I developed new approaches involving electronics, kinetic and percussive investigations and a feedback loop system. After several years of working exclusively in this way, I feel that I have developed a number of techniques to a point where I can "play" the thing in as expressive a way as if it were a conventional instrument.”
Description by Minimal Resource Manipulation:
"As well as using the guitar body for solo improvisation, Paul Khimasia Morgan has worked collaboratively with Steve Beresford, Blanca Regina and Richard Sanderson, Mark Wastell’s THE SEEN, Cristián Alvear, Daniel Spicer, Charlotte Keefe, Gus Garside, Klaus Janek, Simon Whetham, Dimitra Lazaridou-Chatzigoga, Ryu Hankil and others. He promotes improvised music and sound art projects in Brighton and the South Coast under the banner aural detritus concert series, and is the host of The Archive of Aural Detritus podcast. Paul writes about new music for The Sound Projector."
Artist : Paul Khimasia Morgan
Label : Minimal Resource Manipulation
イギリス・ロンドンの物音作家Matt Atkins主宰レーベルMinimal Resource Manipulationを本邦初入荷しました。
本作は、同国の物音レーベルaural detritus主宰者Paul Khimasia Morganが2021年3月に30部限定でリリースしたアルバムです。ギターと環境音によるエレクトロアコースティック3曲を収録。廃盤です。
レーベルその他作品はこちら /// Click here to see more Minimal Resource Manipulation releases available at Tobira.
--------------------------------
Paul Khimasia Morgan:
“I use an old 1970's electro-acoustic Eko Ranger XII acoustic guitar body. I divorced it from its neck some years ago due to an unfixable neck-block crack which was producing an alarming and uncontrollable escalation in the instrument's string action. The removal of the neck forced me to look at the thing differently, as if it were still an instrument and not just a wooden box. I developed new approaches involving electronics, kinetic and percussive investigations and a feedback loop system. After several years of working exclusively in this way, I feel that I have developed a number of techniques to a point where I can "play" the thing in as expressive a way as if it were a conventional instrument.”
Description by Minimal Resource Manipulation:
"As well as using the guitar body for solo improvisation, Paul Khimasia Morgan has worked collaboratively with Steve Beresford, Blanca Regina and Richard Sanderson, Mark Wastell’s THE SEEN, Cristián Alvear, Daniel Spicer, Charlotte Keefe, Gus Garside, Klaus Janek, Simon Whetham, Dimitra Lazaridou-Chatzigoga, Ryu Hankil and others. He promotes improvised music and sound art projects in Brighton and the South Coast under the banner aural detritus concert series, and is the host of The Archive of Aural Detritus podcast. Paul writes about new music for The Sound Projector."
Artist : Paul Khimasia Morgan
Label : Minimal Resource Manipulation
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