The Vision Reels // Eyes Open LP

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イギリスの実験ドラムンベース〜アンビエントダブレーベルCaptured Vision主宰The Vision Reelsが、2022年6月に香港のKizenからリリースした最新レコードです。

程よい物音が耳心地良いディープリスニング系アンビエントドローン〜アンビエントテクノ8曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Kizen Records releases available at Tobira.

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"A personal journey into one's self, this music was written over a really unpredictable part of my life it's to remind myself to always be true to my own colours and a reminder of how beautiful the world can be when you look at it through a different lens, it helps me see the beauty in everyday life. The album is a very personal thing that I will leave open to the interpretation of others, a welcome invitation into my vision and sound." - Adam O'Hara (The Vision Reels)

Artist : The Vision Reels

Label : Kizen Records

程よい物音が耳心地良いディープリスニング系アンビエントドローン〜アンビエントテクノ8曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Kizen Records releases available at Tobira.

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Label : Kizen Records

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Quadrivium 05:10\u003cbr\u003e2. An Ode To Nothing 05:49\u003cbr\u003e3. Wide Open (In Two Parts) 06:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfume Gloves 04:36\u003cbr\u003e\u003c\/span\u003e5. What Got Us To Our Feet 04:53\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Lonesome Sound 05:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. In Light Of 04:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Palo Verde 03:04\u003cbr\u003e\u003c\/span\u003e9. Promise To Fade 05:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePast Inside The Present:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlmost An Island marks the first collaboration between musician and producer Kenneth James Gibson and the husband-and-wife duo James and Cynthia Bernard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGibson's career is a mosaic of sounds and ideas—so varied it might seem like the work of several artists, yet unmistakably his. From the widescreen psych-folk of Bell Gardens (with the late Brian McBride of Stars of the Lid), to the fractured electronics of Eight Frozen Modules, to intimate solo ambient albums and even a country-leaning project shaped in his Idyllwild mountain retreat, his work defies easy categorization. It's fitting, then, that he found creative kinship in James Bernard, a longtime fixture in the Los Angeles ambient scene, who celebrates 30 years since his debut album Atmospherics in 2024. Cynthia Bernard, known as marine eyes, has been quietly building a world of her own since 2021—pastoral, reverb-washed, and deeply resonant. Together, James and Cynthia also create music as awakened souls, blending ambient, drone, and hints of shoegaze into something uniquely theirs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a trio, they’ve woven something both grounded and expansive. Almost An Island is an ambient journey tinted with Americana, rooted in themes of impermanence and connection. The instrumentation is as eclectic as it is purposeful—guitars, piano, voices, six-string bass, Chapman stick, pedal steel, Taishōgoto harp, and synths—each adding depth to the sonic landscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album leans into restraint. Muted tape hiss, gently swaying guitars, and ghostlike tones drift in and out of focus, creating a space that feels both intimate and cinematic. On “Quadrivium,” looping textures and vaporous vocals evoke time folding in on itself. “Wide Open” and “In Light Of” introduce brushed drums and David Cuetter’s mournful pedal steel, anchoring the record in a soft melancholy. The lead single, “What Got Us To Our Feet,” slowly emerges from the mist, swelling into a gorgeous crescendo where voice, strings, and guitar blur into one emotionally charged moment. The final tracks, “Palo Verde” and “Promise to Fade,” unravel in quiet waves—twinkling guitar, aching strings, and a lingering sense of something left unsaid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlmost An Island doesn’t feel like a conclusion—it feels like the opening chapter of a much longer story. A space has been carved out, and already, new ideas are beginning to take root.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Almost An Island\u003c\/p\u003e\n\u003cp\u003eLabel : Past Inside The Present\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePITP66\u003c\/span\u003e\u003c\/p\u003e"}

アメリカのアンビエント作家Kenneth James Gibsonと夫婦デュオmarine eyesによるトリオAlmost An Islandが、2025年7月に同国インディアナポリスのアンビエントレーベルPast Inside The Presentからリリースしたレコードです。ドリーミーなアンビエント〜アンビエントドローン9曲を収録。緑盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to see...

¥3,770

クイックビュー {"id":8909026885882,"title":"Almost An Island s\/t LP","handle":"almost-an-island-s-t-lp","description":"\u003cp\u003eアメリカのアンビエント作家Kenneth James Gibsonと夫婦デュオmarine eyesによるトリオAlmost An Islandが、2025年7月に同国インディアナポリスのアンビエントレーベルPast Inside The Presentからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエント〜アンビエントドローン9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=149099960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eBlack vinyl edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Quadrivium 05:10\u003cbr\u003e2. An Ode To Nothing 05:49\u003cbr\u003e3. Wide Open (In Two Parts) 06:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfume Gloves 04:36\u003cbr\u003e\u003c\/span\u003e5. What Got Us To Our Feet 04:53\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Lonesome Sound 05:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. In Light Of 04:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Palo Verde 03:04\u003cbr\u003e\u003c\/span\u003e9. Promise To Fade 05:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePast Inside The Present:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlmost An Island marks the first collaboration between musician and producer Kenneth James Gibson and the husband-and-wife duo James and Cynthia Bernard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGibson's career is a mosaic of sounds and ideas—so varied it might seem like the work of several artists, yet unmistakably his. From the widescreen psych-folk of Bell Gardens (with the late Brian McBride of Stars of the Lid), to the fractured electronics of Eight Frozen Modules, to intimate solo ambient albums and even a country-leaning project shaped in his Idyllwild mountain retreat, his work defies easy categorization. It's fitting, then, that he found creative kinship in James Bernard, a longtime fixture in the Los Angeles ambient scene, who celebrates 30 years since his debut album Atmospherics in 2024. Cynthia Bernard, known as marine eyes, has been quietly building a world of her own since 2021—pastoral, reverb-washed, and deeply resonant. Together, James and Cynthia also create music as awakened souls, blending ambient, drone, and hints of shoegaze into something uniquely theirs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a trio, they’ve woven something both grounded and expansive. Almost An Island is an ambient journey tinted with Americana, rooted in themes of impermanence and connection. The instrumentation is as eclectic as it is purposeful—guitars, piano, voices, six-string bass, Chapman stick, pedal steel, Taishōgoto harp, and synths—each adding depth to the sonic landscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album leans into restraint. Muted tape hiss, gently swaying guitars, and ghostlike tones drift in and out of focus, creating a space that feels both intimate and cinematic. On “Quadrivium,” looping textures and vaporous vocals evoke time folding in on itself. “Wide Open” and “In Light Of” introduce brushed drums and David Cuetter’s mournful pedal steel, anchoring the record in a soft melancholy. The lead single, “What Got Us To Our Feet,” slowly emerges from the mist, swelling into a gorgeous crescendo where voice, strings, and guitar blur into one emotionally charged moment. The final tracks, “Palo Verde” and “Promise to Fade,” unravel in quiet waves—twinkling guitar, aching strings, and a lingering sense of something left unsaid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlmost An Island doesn’t feel like a conclusion—it feels like the opening chapter of a much longer story. A space has been carved out, and already, new ideas are beginning to take root.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Almost An Island\u003c\/p\u003e\n\u003cp\u003eLabel : Past Inside The Present\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePITP66\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-30T18:57:44+09:00","created_at":"2025-08-30T17:31:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","Past Inside The Present"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47673896861946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Almost An Island s\/t LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/alm1_5512f462-18eb-40b9-977d-9532f7269d4d.jpg?v=1756542610","\/\/tobirarecords.com\/cdn\/shop\/files\/alm2.jpg?v=1756542610"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm1_5512f462-18eb-40b9-977d-9532f7269d4d.jpg?v=1756542610","options":["Title"],"media":[{"alt":null,"id":36689147298042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm1_5512f462-18eb-40b9-977d-9532f7269d4d.jpg?v=1756542610"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm1_5512f462-18eb-40b9-977d-9532f7269d4d.jpg?v=1756542610","width":700},{"alt":null,"id":36689147330810,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm2.jpg?v=1756542610"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/alm2.jpg?v=1756542610","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアンビエント作家Kenneth James Gibsonと夫婦デュオmarine eyesによるトリオAlmost An Islandが、2025年7月に同国インディアナポリスのアンビエントレーベルPast Inside The Presentからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエント〜アンビエントドローン9曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=149099960\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003cbr\u003eBlack vinyl edition of 200. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Quadrivium 05:10\u003cbr\u003e2. An Ode To Nothing 05:49\u003cbr\u003e3. Wide Open (In Two Parts) 06:58\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Perfume Gloves 04:36\u003cbr\u003e\u003c\/span\u003e5. What Got Us To Our Feet 04:53\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Lonesome Sound 05:01\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. In Light Of 04:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Palo Verde 03:04\u003cbr\u003e\u003c\/span\u003e9. Promise To Fade 05:16\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ePast Inside The Present:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlmost An Island marks the first collaboration between musician and producer Kenneth James Gibson and the husband-and-wife duo James and Cynthia Bernard.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGibson's career is a mosaic of sounds and ideas—so varied it might seem like the work of several artists, yet unmistakably his. From the widescreen psych-folk of Bell Gardens (with the late Brian McBride of Stars of the Lid), to the fractured electronics of Eight Frozen Modules, to intimate solo ambient albums and even a country-leaning project shaped in his Idyllwild mountain retreat, his work defies easy categorization. It's fitting, then, that he found creative kinship in James Bernard, a longtime fixture in the Los Angeles ambient scene, who celebrates 30 years since his debut album Atmospherics in 2024. Cynthia Bernard, known as marine eyes, has been quietly building a world of her own since 2021—pastoral, reverb-washed, and deeply resonant. Together, James and Cynthia also create music as awakened souls, blending ambient, drone, and hints of shoegaze into something uniquely theirs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs a trio, they’ve woven something both grounded and expansive. Almost An Island is an ambient journey tinted with Americana, rooted in themes of impermanence and connection. The instrumentation is as eclectic as it is purposeful—guitars, piano, voices, six-string bass, Chapman stick, pedal steel, Taishōgoto harp, and synths—each adding depth to the sonic landscape.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album leans into restraint. Muted tape hiss, gently swaying guitars, and ghostlike tones drift in and out of focus, creating a space that feels both intimate and cinematic. On “Quadrivium,” looping textures and vaporous vocals evoke time folding in on itself. “Wide Open” and “In Light Of” introduce brushed drums and David Cuetter’s mournful pedal steel, anchoring the record in a soft melancholy. The lead single, “What Got Us To Our Feet,” slowly emerges from the mist, swelling into a gorgeous crescendo where voice, strings, and guitar blur into one emotionally charged moment. The final tracks, “Palo Verde” and “Promise to Fade,” unravel in quiet waves—twinkling guitar, aching strings, and a lingering sense of something left unsaid.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlmost An Island doesn’t feel like a conclusion—it feels like the opening chapter of a much longer story. A space has been carved out, and already, new ideas are beginning to take root.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Almost An Island\u003c\/p\u003e\n\u003cp\u003eLabel : Past Inside The Present\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePITP66\u003c\/span\u003e\u003c\/p\u003e"}