Mellow Ginger // Opløsning TAPE
![Damian Dalla Torre // People Pleaser LP [COLOR]](//tobirarecords.com/cdn/shop/files/peo1_c53258e6-8bec-4e8e-bb68-d4a68cceb9f5_medium.jpg?v=1781831773)
![Damian Dalla Torre // People Pleaser LP [BLACK]](//tobirarecords.com/cdn/shop/files/peo1_81c783b4-6b5a-415f-9e33-653c32f95252_medium.jpg?v=1781831540)
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Mellow Ginger // Opløsning TAPE
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デンマーク・コペンハーゲンのアンビエント作家Franciska主宰レーベルForlaget Kornmod諸作を入荷しました。
本作は、デンマークのアンビエント作家Mellow Gingerが2021年11月にリリースしたカセットです。
シンセアンビエント2曲を収録。DLコード付属。廃盤です。
レーベルその他作品はこちら /// Click here to see more Forlaget Kornmod releases available at Tobira.
---------------------------
Final release from this project.
Artist : Mellow Ginger
Label : Forlaget Kornmod
デンマーク・コペンハーゲンのアンビエント作家Franciska主宰レーベルForlaget Kornmod諸作を入荷しました。
本作は、デンマークのアンビエント作家Mellow Gingerが2021年11月にリリースしたカセットです。
シンセアンビエント2曲を収録。DLコード付属。廃盤です。
レーベルその他作品はこちら /// Click here to see more Forlaget Kornmod releases available at Tobira.
---------------------------
Final release from this project.
Artist : Mellow Ginger
Label : Forlaget Kornmod
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![Damian Dalla Torre // People Pleaser LP [COLOR]](http://tobirarecords.com/cdn/shop/files/peo1_c53258e6-8bec-4e8e-bb68-d4a68cceb9f5_medium.jpg?v=1781831773)
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{"id":9268911177978,"title":"Damian Dalla Torre \/\/ People Pleaser LP [COLOR]","handle":"damian-dalla-torre-people-pleaser-lp-color","description":"\u003cp\u003e※2026\/10\/17のTobiraインストアショーケースに出演します\u003c\/p\u003e\n\u003cp\u003eTobiraインストアショーケースでも素敵なライブを披露してくれたドイツ・ライプツィヒのサックス奏者Damian Dalla Torreが、2026年6月に同国ミュンヘンのSquamaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e穏やかなアンビエント・ジャズ8曲を収録。180g重量星雲グリーン盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4060799076\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003ehere\u003c\/a\u003e to see more Squama releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" nebular green 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Intro \/ Sprouts 03:00 \u003cbr\u003e2. Longitude 07:28 \u003cbr\u003e3. Nacre 01:58 \u003cbr\u003e4. Chives 06:20 \u003cbr\u003e5. Bupi 02:07 \u003cbr\u003e6. Slant 04:15 \u003cbr\u003e7. Loops 01:52 \u003cbr\u003e8. Tenki Ame ft. Manami Kakudo 04:35\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003ePeople Pleaser begins in that quiet shift of confidence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title stayed with him for months before he committed to it. “It was a working title for a long time,” he says. “I didn’t actually think I would use it. But this term also felt somehow relevant in connection with the phase of self-negotiation during the development\u003cspan class=\"bcTruncateMore\"\u003e process. Some aspects are related to pressure, others are positive.” The ambiguity felt right. Rather than presenting it as a statement, Dalla Torre leaves it open, an invitation rather than a confession. \u003cbr\u003e\u003cbr\u003eHe began writing the album in December 2024, shortly after completing his previous record. Finishing an album, for Dalla Torre, is a process of release, “you get really into it, maybe too detailed, you might try to please. In the end, I learned to be at ease with my own way of expression. The moment you release your album, it takes on many different bodies of perception, a life of its own, so that it can simultaneously meet or break expectations, and I learned to sympathize with the loss of control over it.“\u003cbr\u003e\u003cbr\u003eAt the centre of People Pleaser is collaboration. Guitarist Bertram Burkert, whose playing stretches from classical delicacy to electric abstraction, joined Dalla Torre in the studio for an intensive three-day session, recording a wide palette of textures that would become the backbone of the album. Vocalist Laura Zöschg, a key live collaborator, harpist Babett Niclas, organist Felix Römer, tape experimentalist Markus Rom, marimba and vibraphonist Volker Heuken and Japanese artist Manami Kakudo also contribute, creating a sound that feels intimate yet expansive.\u003cbr\u003e\u003cbr\u003eDalla Torre’s process remains distinctive. “I have a quite chaotic archive,” he admits. “All the recordings I do, I internalise. Sometimes I have a sketch and I remember another recording somewhere and I feel like, okay, that could be the same tonality, the same vibe.” Rather than composing in straight lines, he assembles. Fragments, field recordings and live performances are layered gradually into something cohesive over time. “It’s more like archive work.”\u003cbr\u003e\u003cbr\u003eGeography continues to shape his sound world. Birds recorded in Leipzig sit alongside rain captured in Kobe, Japan. During a summer residency high in the Italian mountains at 2,500 metres above sea level, he and his collaborators recorded surrounded by elemental sound. “There was just a stove where you had to make fire to cook,” he recalls, “on one track you can hear the fire crackling in the background.” Rather than removing ambience, he integrates it. “I really got into field recording. The power of integrating ambience into the music is huge. My phone is always on record. I go through life just listening.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damian Dalla Torre\u003c\/p\u003e\n\u003cp\u003eLabel : Squama\u003c\/p\u003e\n\u003cp\u003ecat no : SQM039G\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th June 2026\u003c\/p\u003e","published_at":"2026-06-19T10:51:40+09:00","created_at":"2026-06-19T10:14:45+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","Squama"],"price":598000,"price_min":598000,"price_max":598000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49029042929914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Damian Dalla Torre \/\/ People Pleaser LP [COLOR]","public_title":null,"options":["Default Title"],"price":598000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804189460","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/peo1_c53258e6-8bec-4e8e-bb68-d4a68cceb9f5.jpg?v=1781831773","\/\/tobirarecords.com\/cdn\/shop\/files\/0044313160_10.jpg?v=1781831773"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1_c53258e6-8bec-4e8e-bb68-d4a68cceb9f5.jpg?v=1781831773","options":["Title"],"media":[{"alt":null,"id":39748891214074,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1_c53258e6-8bec-4e8e-bb68-d4a68cceb9f5.jpg?v=1781831773"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1_c53258e6-8bec-4e8e-bb68-d4a68cceb9f5.jpg?v=1781831773","width":350},{"alt":null,"id":39748891181306,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0044313160_10.jpg?v=1781831773"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0044313160_10.jpg?v=1781831773","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※2026\/10\/17のTobiraインストアショーケースに出演します\u003c\/p\u003e\n\u003cp\u003eTobiraインストアショーケースでも素敵なライブを披露してくれたドイツ・ライプツィヒのサックス奏者Damian Dalla Torreが、2026年6月に同国ミュンヘンのSquamaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e穏やかなアンビエント・ジャズ8曲を収録。180g重量星雲グリーン盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4060799076\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003ehere\u003c\/a\u003e to see more Squama releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" nebular green 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Intro \/ Sprouts 03:00 \u003cbr\u003e2. Longitude 07:28 \u003cbr\u003e3. Nacre 01:58 \u003cbr\u003e4. Chives 06:20 \u003cbr\u003e5. Bupi 02:07 \u003cbr\u003e6. Slant 04:15 \u003cbr\u003e7. Loops 01:52 \u003cbr\u003e8. Tenki Ame ft. Manami Kakudo 04:35\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003ePeople Pleaser begins in that quiet shift of confidence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title stayed with him for months before he committed to it. “It was a working title for a long time,” he says. “I didn’t actually think I would use it. But this term also felt somehow relevant in connection with the phase of self-negotiation during the development\u003cspan class=\"bcTruncateMore\"\u003e process. Some aspects are related to pressure, others are positive.” The ambiguity felt right. Rather than presenting it as a statement, Dalla Torre leaves it open, an invitation rather than a confession. \u003cbr\u003e\u003cbr\u003eHe began writing the album in December 2024, shortly after completing his previous record. Finishing an album, for Dalla Torre, is a process of release, “you get really into it, maybe too detailed, you might try to please. In the end, I learned to be at ease with my own way of expression. The moment you release your album, it takes on many different bodies of perception, a life of its own, so that it can simultaneously meet or break expectations, and I learned to sympathize with the loss of control over it.“\u003cbr\u003e\u003cbr\u003eAt the centre of People Pleaser is collaboration. Guitarist Bertram Burkert, whose playing stretches from classical delicacy to electric abstraction, joined Dalla Torre in the studio for an intensive three-day session, recording a wide palette of textures that would become the backbone of the album. Vocalist Laura Zöschg, a key live collaborator, harpist Babett Niclas, organist Felix Römer, tape experimentalist Markus Rom, marimba and vibraphonist Volker Heuken and Japanese artist Manami Kakudo also contribute, creating a sound that feels intimate yet expansive.\u003cbr\u003e\u003cbr\u003eDalla Torre’s process remains distinctive. “I have a quite chaotic archive,” he admits. “All the recordings I do, I internalise. Sometimes I have a sketch and I remember another recording somewhere and I feel like, okay, that could be the same tonality, the same vibe.” Rather than composing in straight lines, he assembles. Fragments, field recordings and live performances are layered gradually into something cohesive over time. “It’s more like archive work.”\u003cbr\u003e\u003cbr\u003eGeography continues to shape his sound world. Birds recorded in Leipzig sit alongside rain captured in Kobe, Japan. During a summer residency high in the Italian mountains at 2,500 metres above sea level, he and his collaborators recorded surrounded by elemental sound. “There was just a stove where you had to make fire to cook,” he recalls, “on one track you can hear the fire crackling in the background.” Rather than removing ambience, he integrates it. “I really got into field recording. The power of integrating ambience into the music is huge. My phone is always on record. I go through life just listening.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damian Dalla Torre\u003c\/p\u003e\n\u003cp\u003eLabel : Squama\u003c\/p\u003e\n\u003cp\u003ecat no : SQM039G\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th June 2026\u003c\/p\u003e"}
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{"id":9268910457082,"title":"Damian Dalla Torre \/\/ People Pleaser LP [BLACK]","handle":"damian-dalla-torre-people-pleaser-lp-black","description":"\u003cp\u003e※2026\/10\/17のTobiraインストアショーケースに出演します\u003c\/p\u003e\n\u003cp\u003eTobiraインストアショーケースでも素敵なライブを披露してくれたドイツ・ライプツィヒのサックス奏者Damian Dalla Torreが、2026年6月に同国ミュンヘンのSquamaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e穏やかなアンビエント・ジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4060799076\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003ehere\u003c\/a\u003e to see more Squama releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Intro \/ Sprouts 03:00 \u003cbr\u003e2. Longitude 07:28 \u003cbr\u003e3. Nacre 01:58 \u003cbr\u003e4. Chives 06:20 \u003cbr\u003e5. Bupi 02:07 \u003cbr\u003e6. Slant 04:15 \u003cbr\u003e7. Loops 01:52 \u003cbr\u003e8. Tenki Ame ft. Manami Kakudo 04:35\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003ePeople Pleaser begins in that quiet shift of confidence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title stayed with him for months before he committed to it. “It was a working title for a long time,” he says. “I didn’t actually think I would use it. But this term also felt somehow relevant in connection with the phase of self-negotiation during the development\u003cspan class=\"bcTruncateMore\"\u003e process. Some aspects are related to pressure, others are positive.” The ambiguity felt right. Rather than presenting it as a statement, Dalla Torre leaves it open, an invitation rather than a confession. \u003cbr\u003e\u003cbr\u003eHe began writing the album in December 2024, shortly after completing his previous record. Finishing an album, for Dalla Torre, is a process of release, “you get really into it, maybe too detailed, you might try to please. In the end, I learned to be at ease with my own way of expression. The moment you release your album, it takes on many different bodies of perception, a life of its own, so that it can simultaneously meet or break expectations, and I learned to sympathize with the loss of control over it.“\u003cbr\u003e\u003cbr\u003eAt the centre of People Pleaser is collaboration. Guitarist Bertram Burkert, whose playing stretches from classical delicacy to electric abstraction, joined Dalla Torre in the studio for an intensive three-day session, recording a wide palette of textures that would become the backbone of the album. Vocalist Laura Zöschg, a key live collaborator, harpist Babett Niclas, organist Felix Römer, tape experimentalist Markus Rom, marimba and vibraphonist Volker Heuken and Japanese artist Manami Kakudo also contribute, creating a sound that feels intimate yet expansive.\u003cbr\u003e\u003cbr\u003eDalla Torre’s process remains distinctive. “I have a quite chaotic archive,” he admits. “All the recordings I do, I internalise. Sometimes I have a sketch and I remember another recording somewhere and I feel like, okay, that could be the same tonality, the same vibe.” Rather than composing in straight lines, he assembles. Fragments, field recordings and live performances are layered gradually into something cohesive over time. “It’s more like archive work.”\u003cbr\u003e\u003cbr\u003eGeography continues to shape his sound world. Birds recorded in Leipzig sit alongside rain captured in Kobe, Japan. During a summer residency high in the Italian mountains at 2,500 metres above sea level, he and his collaborators recorded surrounded by elemental sound. “There was just a stove where you had to make fire to cook,” he recalls, “on one track you can hear the fire crackling in the background.” Rather than removing ambience, he integrates it. “I really got into field recording. The power of integrating ambience into the music is huge. My phone is always on record. I go through life just listening.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damian Dalla Torre\u003c\/p\u003e\n\u003cp\u003eLabel : Squama\u003c\/p\u003e\n\u003cp\u003ecat no : SQM039\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th June 2026\u003c\/p\u003e","published_at":"2026-06-19T10:48:19+09:00","created_at":"2026-06-19T10:14:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","Squama"],"price":548000,"price_min":548000,"price_max":548000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49029042209018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Damian Dalla Torre \/\/ People Pleaser LP [BLACK]","public_title":null,"options":["Default Title"],"price":548000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804189453","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/peo1_81c783b4-6b5a-415f-9e33-653c32f95252.jpg?v=1781831540","\/\/tobirarecords.com\/cdn\/shop\/files\/peo2_59ade648-3f25-4ee5-aecb-07550a3effc6.jpg?v=1781831540"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1_81c783b4-6b5a-415f-9e33-653c32f95252.jpg?v=1781831540","options":["Title"],"media":[{"alt":null,"id":39748860936442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1_81c783b4-6b5a-415f-9e33-653c32f95252.jpg?v=1781831540"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo1_81c783b4-6b5a-415f-9e33-653c32f95252.jpg?v=1781831540","width":350},{"alt":null,"id":39748860969210,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo2_59ade648-3f25-4ee5-aecb-07550a3effc6.jpg?v=1781831540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/peo2_59ade648-3f25-4ee5-aecb-07550a3effc6.jpg?v=1781831540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※2026\/10\/17のTobiraインストアショーケースに出演します\u003c\/p\u003e\n\u003cp\u003eTobiraインストアショーケースでも素敵なライブを披露してくれたドイツ・ライプツィヒのサックス奏者Damian Dalla Torreが、2026年6月に同国ミュンヘンのSquamaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e穏やかなアンビエント・ジャズ8曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4060799076\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003ehere\u003c\/a\u003e to see more Squama releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Intro \/ Sprouts 03:00 \u003cbr\u003e2. Longitude 07:28 \u003cbr\u003e3. Nacre 01:58 \u003cbr\u003e4. Chives 06:20 \u003cbr\u003e5. Bupi 02:07 \u003cbr\u003e6. Slant 04:15 \u003cbr\u003e7. Loops 01:52 \u003cbr\u003e8. Tenki Ame ft. Manami Kakudo 04:35\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\".\u003cem\u003e..\u003cmeta charset=\"utf-8\"\u003ePeople Pleaser begins in that quiet shift of confidence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe title stayed with him for months before he committed to it. “It was a working title for a long time,” he says. “I didn’t actually think I would use it. But this term also felt somehow relevant in connection with the phase of self-negotiation during the development\u003cspan class=\"bcTruncateMore\"\u003e process. Some aspects are related to pressure, others are positive.” The ambiguity felt right. Rather than presenting it as a statement, Dalla Torre leaves it open, an invitation rather than a confession. \u003cbr\u003e\u003cbr\u003eHe began writing the album in December 2024, shortly after completing his previous record. Finishing an album, for Dalla Torre, is a process of release, “you get really into it, maybe too detailed, you might try to please. In the end, I learned to be at ease with my own way of expression. The moment you release your album, it takes on many different bodies of perception, a life of its own, so that it can simultaneously meet or break expectations, and I learned to sympathize with the loss of control over it.“\u003cbr\u003e\u003cbr\u003eAt the centre of People Pleaser is collaboration. Guitarist Bertram Burkert, whose playing stretches from classical delicacy to electric abstraction, joined Dalla Torre in the studio for an intensive three-day session, recording a wide palette of textures that would become the backbone of the album. Vocalist Laura Zöschg, a key live collaborator, harpist Babett Niclas, organist Felix Römer, tape experimentalist Markus Rom, marimba and vibraphonist Volker Heuken and Japanese artist Manami Kakudo also contribute, creating a sound that feels intimate yet expansive.\u003cbr\u003e\u003cbr\u003eDalla Torre’s process remains distinctive. “I have a quite chaotic archive,” he admits. “All the recordings I do, I internalise. Sometimes I have a sketch and I remember another recording somewhere and I feel like, okay, that could be the same tonality, the same vibe.” Rather than composing in straight lines, he assembles. Fragments, field recordings and live performances are layered gradually into something cohesive over time. “It’s more like archive work.”\u003cbr\u003e\u003cbr\u003eGeography continues to shape his sound world. Birds recorded in Leipzig sit alongside rain captured in Kobe, Japan. During a summer residency high in the Italian mountains at 2,500 metres above sea level, he and his collaborators recorded surrounded by elemental sound. “There was just a stove where you had to make fire to cook,” he recalls, “on one track you can hear the fire crackling in the background.” Rather than removing ambience, he integrates it. “I really got into field recording. The power of integrating ambience into the music is huge. My phone is always on record. I go through life just listening.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damian Dalla Torre\u003c\/p\u003e\n\u003cp\u003eLabel : Squama\u003c\/p\u003e\n\u003cp\u003ecat no : SQM039\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th June 2026\u003c\/p\u003e"}
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※2026/10/17のTobiraインストアショーケースに出演します Tobiraインストアショーケースでも素敵なライブを披露してくれたドイツ・ライプツィヒのサックス奏者Damian Dalla Torreが、2026年6月に同国ミュンヘンのSquamaからリリースしたレコードです。 穏やかなアンビエント・ジャズ8曲を収録。180g重量盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Squama...
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{"id":9264749805818,"title":"Resavoir s\/t CD","handle":"resavoir-s-t-cd","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2019年にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜ニュージャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276148849\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in 6-panel digipack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro 01:24\u003cbr\u003e2. Resavoir 05:46\u003cbr\u003e3. Taking Flight (feat. Brandee Younger) 03:37\u003cbr\u003e4. Plantasy 04:20\u003cbr\u003e5. Clouds 01:11\u003cbr\u003e6. Woah 04:09\u003cbr\u003e7. Illusion 02:49\u003cbr\u003e8. Escalator (feat. Sen Morimoto) 04:05\u003cbr\u003e9. LML 02:26\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRiding the ripples of their debut single “Escalator” (which BBC’s Gilles Peterson called “a winner,” and Supreme Standards’ Tina Edwards likened to “Radiohead on a Jazz trip”), Chicago collective Resavoir return with their first full length effort. The self-titled album presents a juicy suite of elegantly-orchestrated lo-fi jazz instrumentals germinated from home recording experiments by the group’s producer\/arranger Will Miller.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eApplying a compositional approach attributable to his experience producing hip-hop beats as much as his studies at Oberlin Conservatory, Miller built melodic sketches on foundations of samples \u0026amp; loops before bringing pieces to the group for collective development. After integrating recordings of the full band into his home-produced impressions (not unlike IARC predecessors Jeff Parker and Makaya McCraven), he over-dubbed another dozen friends into the mix (including Brandee Younger, Sen Morimoto, Carter Lang, Knox Fortune and Macie Stewart) before finalizing the arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Miller’s modest editing room, Resavoir grew from experiment into epic opus recalling the lush, psychedelic soul jazz orchestrations of David Axelrod \u0026amp; Charles Stepney… but in the sampled-laden style of Yesterday’s New Quintet, Broadcast, or Thundercat, with a lyrical affinity for minimalism \u0026amp; texturalism, like trumpeter\/composers Jon Hassell \u0026amp; Justin Walter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0026\u003c\/p\u003e\n\u003cp\u003eRelease date : 28th June 2019\u003c\/p\u003e","published_at":"2026-06-17T12:30:05+09:00","created_at":"2026-06-17T12:29:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","new"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49018683621626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Resavoir s\/t CD","public_title":null,"options":["Default Title"],"price":268000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/resa1.jpg?v=1774573892"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/resa1.jpg?v=1774573892","options":["Title"],"media":[{"alt":null,"id":38878142464250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/resa1.jpg?v=1774573892"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/resa1.jpg?v=1774573892","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2019年にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜ニュージャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=276148849\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in 6-panel digipack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Intro 01:24\u003cbr\u003e2. Resavoir 05:46\u003cbr\u003e3. Taking Flight (feat. Brandee Younger) 03:37\u003cbr\u003e4. Plantasy 04:20\u003cbr\u003e5. Clouds 01:11\u003cbr\u003e6. Woah 04:09\u003cbr\u003e7. Illusion 02:49\u003cbr\u003e8. Escalator (feat. Sen Morimoto) 04:05\u003cbr\u003e9. LML 02:26\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRiding the ripples of their debut single “Escalator” (which BBC’s Gilles Peterson called “a winner,” and Supreme Standards’ Tina Edwards likened to “Radiohead on a Jazz trip”), Chicago collective Resavoir return with their first full length effort. The self-titled album presents a juicy suite of elegantly-orchestrated lo-fi jazz instrumentals germinated from home recording experiments by the group’s producer\/arranger Will Miller.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eApplying a compositional approach attributable to his experience producing hip-hop beats as much as his studies at Oberlin Conservatory, Miller built melodic sketches on foundations of samples \u0026amp; loops before bringing pieces to the group for collective development. After integrating recordings of the full band into his home-produced impressions (not unlike IARC predecessors Jeff Parker and Makaya McCraven), he over-dubbed another dozen friends into the mix (including Brandee Younger, Sen Morimoto, Carter Lang, Knox Fortune and Macie Stewart) before finalizing the arrangements.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn Miller’s modest editing room, Resavoir grew from experiment into epic opus recalling the lush, psychedelic soul jazz orchestrations of David Axelrod \u0026amp; Charles Stepney… but in the sampled-laden style of Yesterday’s New Quintet, Broadcast, or Thundercat, with a lyrical affinity for minimalism \u0026amp; texturalism, like trumpeter\/composers Jon Hassell \u0026amp; Justin Walter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0026\u003c\/p\u003e\n\u003cp\u003eRelease date : 28th June 2019\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka Resavoirが、2019年にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 アンビエント・ジャズ〜ニュージャズ9曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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![Kalia Vandever // Mana LP [COLOR]](http://tobirarecords.com/cdn/shop/files/mana2_ba156446-59b9-47f5-90ed-72583d90860d_medium.jpg?v=1781738311)
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{"id":9264428777722,"title":"Kalia Vandever \/\/ Mana LP [COLOR]","handle":"kalia-vandever-mana-lp","description":"\u003cp\u003eアメリカのトロンボーン奏者Kalia Vandeverが、2026年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ7曲を収録。ハイビスカスカラー盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Mana』は、作曲家、トロンボーン奏者、ボーカリストであるKalia Vandeverによる、インターナショナル・アンセムからのデビュー作だ。この新作フルアルバムは、初のソロアルバム『We Fell In Turn』に見られた広大で夢幻的な精神を受け継ぎつつ、余白の効いた楽曲作りの新たな境地を切り開いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKalia Vandeverの音楽は、そのスタイルを一言で定義するのが一貫して難しいにもかかわらず、ここ数年で急速かつ広く支持を集めている。その作曲の幅は、カルテット作品に見られる映画的なモダン・ジャズから、ソロ作品に見られるシンセティックでガーゼのようなドローン・アンビエンスまで多岐にわたる。『Mana』は後者の拡張に重点を置いている。きめ細かく調整されたペダルボードを通し、ライブで操作されたソロ・トロンボーンが、坂本龍一の晩年の作品のような簡素なピアノと組み合わされている。この電気音響的な相互作用は、Kalia Vandeverの憂いを帯びた金管演奏が織りなす長音符の旋律性を反映しつつも変容させている。そして、そのサウンド全体は、率直で曖昧さのない、深く個人的な歌詞の歌唱によって感情的に強化されており、これは作曲家にとって特に斬新な試みだ。この巧みな手腕は見逃されておらず、『The Wire』誌は「Kalia Vandeverがこれほど確信に満ち、自身の多くの強みを自在に操っているように聞こえたことはかつてない」と評している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「好奇心から生まれたものだ」と、Kalia Vandeverはこの新作について語る。「ソロという文脈で演奏を探求したいという思いと、自分の音と対話したいという思いの両方から生まれた。また、『どうすれば、個人的な感覚を持ちつつも、これまでに見たものとは異なる形でこれを実現できるか』といった問いも自分自身に投げかけていた。これにより、楽器との関係、そして音全般との関わりをより深く掘り下げることができたのだ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその成長における転機は、Kalia Vandeverがジャズ界の枠を超えて演奏する機会を増やし始めた時に訪れた。その中には、ポップスター（ハリー・スタイルズ）やインディー・ロックの重鎮（ジャパニーズ・ブレックファスト）のバックバンドとして参加する機会もあったが、Kalia Vandever自身のサウンドの個性を真に探求できたのは、ジャンルを気にしない新しい聴衆を前にソロで演奏した時だった。特に、フォークシンガーのヘイリー・ヘインデリックスとのツアーでオープニングアクトを務めたことが、何かを解き放ったようだ。観客からの暗黙の期待に応えるためにジャズの伝統に触れなければならないという感覚が、おそらく薄れていた。つまり、感じられる堅苦しさが減り、その結果、演奏の仕方に臆病さがなくなったのだ。Kalia Vandeverにとって、ヘインデリックスの前座を務め、毎晩ステージから全く異なるタイプの観客を目の当たりにすることは、より親密で歌詞中心の楽曲を披露するという勇気を確固たるものにする助けとなった。「観客は言葉の方により惹かれるのではないかと思っていた」とKalia Vandeverは語る。「だから、これまで作り続けてきたものの、披露するには少し緊張していたかもしれないこれらの曲を試してみようと思ったんだ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「ヘイリーの前座を始めた頃、彼女の観客は本当に寛容で、どんなものでも受け入れてくれる雰囲気だった」と彼らは続ける。「だからこれらの曲を試してみたら、歌詞が観客の心に深く響いたように感じた。アルバムに収録することが重要だと感じたんだ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここで共鳴するのは、歌詞だけではない。『Mana』には、歌詞が登場するたびに、それらが息づく深遠な世界を築き上げる音響的な広がりがある。リバーブに包まれ、ポリフォニックなピッチシフトが施された重厚なトロンボーンが、『Mana』のオープニングトラック「Hubbard Road」を導き入れる。Kalia Vandeverの頼もしい金管楽器は、自信に満ちた温かさと柔らかな力強さを響かせ、音域を上下に動き回る。やがて、この曲の主要テーマである、2つの繰り返されるグランドピアノの三和音が加わる。それは静かに張り詰めた音楽的モチーフであり、Kalia Vandeverの魂をさらけ出すようなホルンの即興演奏によって、ゆっくりと解きほぐされていく……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2194823511\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" \u003cspan style=\"font-family: trebuchet ms,lucida grande,lucida sans unicode,lucida sans,tahoma,sans-serif;\"\u003eHibiscus\u003c\/span\u003e vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Hubbard Road 02:52 \u003cbr\u003e2. Murmuray 04:19 \u003cbr\u003e3. Waiting 06:33 \u003cbr\u003e4. Tough Play 02:46 \u003cbr\u003e5. In The Folds 02:07 \u003cbr\u003e6. Your Fault 04:26 \u003cbr\u003e7. Holding 04:01\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Mana is the International Anthem debut by composer, trombonist and vocalist Kalia Vandever. This new full length carries on the expansive and dazed spirit of their first solo album, We Fell In Turn, while entering a new landscape of spacious songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVandever’s music has quickly and widely gained traction in the last few years despite the fact that their style has been consistently difficult to pin down, boasting a compositional scope ranging from the cinematic modern jazz of their quartet work to the synthetic, gauze-like droning ambience of their solo material. Mana leans into the expansion of the latter: solo trombone filtered through a well-dialed pedalboard and manipulated live, paired with spare piano à la late-career work of Ryuichi Sakamoto. The electroacoustic interplay simultaneously echoes and transforms the long-note melodicism of Vandever’s melancholic brass work; and the whole sound is emotively augmented with head-on, unambiguous, and deeply personal sung lyrics—a particularly fresh move for the composer. This dexterity has not gone unnoticed, with The Wire asserting, “Vandever has never sounded more assured and in control of their many strengths.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It was born out of curiosity,” says Vandever of the new record. “Of wanting to explore playing in a solo context, but also\u003cspan class=\"bcTruncateMore\"\u003e wanting to interact with my own sound. I was also asking myself things like ‘how can I do this in a way that feels personal, but different from what I've seen?’ It's allowed me to go deeper into my relationship with the instrument and with sound in general.”\u003cbr\u003e\u003cbr\u003eA turning point in that development came when Vandever began to get more opportunities to play outside of the context of the jazz world. Some of those opportunities came in the form of playing a part in backing groups for pop stars (Harry Styles) or indie-rock mainstays (Japanese Breakfast), but the true exploration of Vandever’s own sound personality came while performing solo to new audiences unconcerned with genre. In particular, an opening slot on a tour with folksinger Haley Heynderickx seemed to knock something loose. There was, perhaps, less of a feeling that they needed to touch on jazz traditions in order to satisfy some kind of unspoken expectation from the audience—less perceived rigidity and, thus, less shyness about how to present. For Vandever, warming up the stage for Heynderickx and seeing a very different kind of crowd from the stage night after night helped to cement a sort of bravery about sharing a number of more intimate, lyric-centered pieces. “I was considering that they might gravitate more toward words,” says Vandever. “So I thought I could try these songs that I had been developing, that maybe I was feeling a little nervous to share.\"\u003cbr\u003e\u003cbr\u003e“When I started opening for Haley, her audiences were just so giving and really open to receiving anything,” they continue. “So I started trying these songs and I feel like the words really resonated with audiences. It felt important to include them on the record.”\u003cbr\u003e\u003cbr\u003eIt’s more than just the words that resonate here. There’s a sonic scope on Mana which tees up a deep world for these lyrics to live in whenever they appear. A full-bodied trombone awash in reverberation and polyphonic pitch-shifting introduces “Hubbard Road,” Mana’s opening track. Vandever’s trusty brass axe rings out with confident warmth and soft power, ascending and descending in register, before being joined by the song’s primary theme—two repeating grand piano triads. It’s a quietly tense musical figure that is slowly unwound by Vandever’s soul-bearing horn improvisations...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kalia Vandever\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0111LPI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th June 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-17T15:59:16+09:00","created_at":"2026-06-17T08:07:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":478000,"price_min":478000,"price_max":478000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49017172721914,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kalia Vandever \/\/ Mana LP [COLOR]","public_title":null,"options":["Default Title"],"price":478000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457247307","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mana2_ba156446-59b9-47f5-90ed-72583d90860d.jpg?v=1781738311","\/\/tobirarecords.com\/cdn\/shop\/files\/hibiscus.jpg?v=1781738292"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mana2_ba156446-59b9-47f5-90ed-72583d90860d.jpg?v=1781738311","options":["Title"],"media":[{"alt":null,"id":39708030566650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mana2_ba156446-59b9-47f5-90ed-72583d90860d.jpg?v=1781738311"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mana2_ba156446-59b9-47f5-90ed-72583d90860d.jpg?v=1781738311","width":900},{"alt":null,"id":39729517265146,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hibiscus.jpg?v=1781738292"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hibiscus.jpg?v=1781738292","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトロンボーン奏者Kalia Vandeverが、2026年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ7曲を収録。ハイビスカスカラー盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説の抜粋です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Mana』は、作曲家、トロンボーン奏者、ボーカリストであるKalia Vandeverによる、インターナショナル・アンセムからのデビュー作だ。この新作フルアルバムは、初のソロアルバム『We Fell In Turn』に見られた広大で夢幻的な精神を受け継ぎつつ、余白の効いた楽曲作りの新たな境地を切り開いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eKalia Vandeverの音楽は、そのスタイルを一言で定義するのが一貫して難しいにもかかわらず、ここ数年で急速かつ広く支持を集めている。その作曲の幅は、カルテット作品に見られる映画的なモダン・ジャズから、ソロ作品に見られるシンセティックでガーゼのようなドローン・アンビエンスまで多岐にわたる。『Mana』は後者の拡張に重点を置いている。きめ細かく調整されたペダルボードを通し、ライブで操作されたソロ・トロンボーンが、坂本龍一の晩年の作品のような簡素なピアノと組み合わされている。この電気音響的な相互作用は、Kalia Vandeverの憂いを帯びた金管演奏が織りなす長音符の旋律性を反映しつつも変容させている。そして、そのサウンド全体は、率直で曖昧さのない、深く個人的な歌詞の歌唱によって感情的に強化されており、これは作曲家にとって特に斬新な試みだ。この巧みな手腕は見逃されておらず、『The Wire』誌は「Kalia Vandeverがこれほど確信に満ち、自身の多くの強みを自在に操っているように聞こえたことはかつてない」と評している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「好奇心から生まれたものだ」と、Kalia Vandeverはこの新作について語る。「ソロという文脈で演奏を探求したいという思いと、自分の音と対話したいという思いの両方から生まれた。また、『どうすれば、個人的な感覚を持ちつつも、これまでに見たものとは異なる形でこれを実現できるか』といった問いも自分自身に投げかけていた。これにより、楽器との関係、そして音全般との関わりをより深く掘り下げることができたのだ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその成長における転機は、Kalia Vandeverがジャズ界の枠を超えて演奏する機会を増やし始めた時に訪れた。その中には、ポップスター（ハリー・スタイルズ）やインディー・ロックの重鎮（ジャパニーズ・ブレックファスト）のバックバンドとして参加する機会もあったが、Kalia Vandever自身のサウンドの個性を真に探求できたのは、ジャンルを気にしない新しい聴衆を前にソロで演奏した時だった。特に、フォークシンガーのヘイリー・ヘインデリックスとのツアーでオープニングアクトを務めたことが、何かを解き放ったようだ。観客からの暗黙の期待に応えるためにジャズの伝統に触れなければならないという感覚が、おそらく薄れていた。つまり、感じられる堅苦しさが減り、その結果、演奏の仕方に臆病さがなくなったのだ。Kalia Vandeverにとって、ヘインデリックスの前座を務め、毎晩ステージから全く異なるタイプの観客を目の当たりにすることは、より親密で歌詞中心の楽曲を披露するという勇気を確固たるものにする助けとなった。「観客は言葉の方により惹かれるのではないかと思っていた」とKalia Vandeverは語る。「だから、これまで作り続けてきたものの、披露するには少し緊張していたかもしれないこれらの曲を試してみようと思ったんだ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「ヘイリーの前座を始めた頃、彼女の観客は本当に寛容で、どんなものでも受け入れてくれる雰囲気だった」と彼らは続ける。「だからこれらの曲を試してみたら、歌詞が観客の心に深く響いたように感じた。アルバムに収録することが重要だと感じたんだ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここで共鳴するのは、歌詞だけではない。『Mana』には、歌詞が登場するたびに、それらが息づく深遠な世界を築き上げる音響的な広がりがある。リバーブに包まれ、ポリフォニックなピッチシフトが施された重厚なトロンボーンが、『Mana』のオープニングトラック「Hubbard Road」を導き入れる。Kalia Vandeverの頼もしい金管楽器は、自信に満ちた温かさと柔らかな力強さを響かせ、音域を上下に動き回る。やがて、この曲の主要テーマである、2つの繰り返されるグランドピアノの三和音が加わる。それは静かに張り詰めた音楽的モチーフであり、Kalia Vandeverの魂をさらけ出すようなホルンの即興演奏によって、ゆっくりと解きほぐされていく……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2194823511\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" \u003cspan style=\"font-family: trebuchet ms,lucida grande,lucida sans unicode,lucida sans,tahoma,sans-serif;\"\u003eHibiscus\u003c\/span\u003e vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Hubbard Road 02:52 \u003cbr\u003e2. Murmuray 04:19 \u003cbr\u003e3. Waiting 06:33 \u003cbr\u003e4. Tough Play 02:46 \u003cbr\u003e5. In The Folds 02:07 \u003cbr\u003e6. Your Fault 04:26 \u003cbr\u003e7. Holding 04:01\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Mana is the International Anthem debut by composer, trombonist and vocalist Kalia Vandever. This new full length carries on the expansive and dazed spirit of their first solo album, We Fell In Turn, while entering a new landscape of spacious songwriting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVandever’s music has quickly and widely gained traction in the last few years despite the fact that their style has been consistently difficult to pin down, boasting a compositional scope ranging from the cinematic modern jazz of their quartet work to the synthetic, gauze-like droning ambience of their solo material. Mana leans into the expansion of the latter: solo trombone filtered through a well-dialed pedalboard and manipulated live, paired with spare piano à la late-career work of Ryuichi Sakamoto. The electroacoustic interplay simultaneously echoes and transforms the long-note melodicism of Vandever’s melancholic brass work; and the whole sound is emotively augmented with head-on, unambiguous, and deeply personal sung lyrics—a particularly fresh move for the composer. This dexterity has not gone unnoticed, with The Wire asserting, “Vandever has never sounded more assured and in control of their many strengths.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“It was born out of curiosity,” says Vandever of the new record. “Of wanting to explore playing in a solo context, but also\u003cspan class=\"bcTruncateMore\"\u003e wanting to interact with my own sound. I was also asking myself things like ‘how can I do this in a way that feels personal, but different from what I've seen?’ It's allowed me to go deeper into my relationship with the instrument and with sound in general.”\u003cbr\u003e\u003cbr\u003eA turning point in that development came when Vandever began to get more opportunities to play outside of the context of the jazz world. Some of those opportunities came in the form of playing a part in backing groups for pop stars (Harry Styles) or indie-rock mainstays (Japanese Breakfast), but the true exploration of Vandever’s own sound personality came while performing solo to new audiences unconcerned with genre. In particular, an opening slot on a tour with folksinger Haley Heynderickx seemed to knock something loose. There was, perhaps, less of a feeling that they needed to touch on jazz traditions in order to satisfy some kind of unspoken expectation from the audience—less perceived rigidity and, thus, less shyness about how to present. For Vandever, warming up the stage for Heynderickx and seeing a very different kind of crowd from the stage night after night helped to cement a sort of bravery about sharing a number of more intimate, lyric-centered pieces. “I was considering that they might gravitate more toward words,” says Vandever. “So I thought I could try these songs that I had been developing, that maybe I was feeling a little nervous to share.\"\u003cbr\u003e\u003cbr\u003e“When I started opening for Haley, her audiences were just so giving and really open to receiving anything,” they continue. “So I started trying these songs and I feel like the words really resonated with audiences. It felt important to include them on the record.”\u003cbr\u003e\u003cbr\u003eIt’s more than just the words that resonate here. There’s a sonic scope on Mana which tees up a deep world for these lyrics to live in whenever they appear. A full-bodied trombone awash in reverberation and polyphonic pitch-shifting introduces “Hubbard Road,” Mana’s opening track. Vandever’s trusty brass axe rings out with confident warmth and soft power, ascending and descending in register, before being joined by the song’s primary theme—two repeating grand piano triads. It’s a quietly tense musical figure that is slowly unwound by Vandever’s soul-bearing horn improvisations...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kalia Vandever\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0111LPI\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 12th June 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのトロンボーン奏者Kalia Vandeverが、2026年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 アンビエント・ジャズ7曲を収録。ハイビスカスカラー盤です。 以下、レーベルによる解説の抜粋です。 "『Mana』は、作曲家、トロンボーン奏者、ボーカリストであるKalia Vandeverによる、インターナショナル・アンセムからのデビュー作だ。この新作フルアルバムは、初のソロアルバム『We Fell In Turn』に見られた広大で夢幻的な精神を受け継ぎつつ、余白の効いた楽曲作りの新たな境地を切り開いている。 Kalia Vandeverの音楽は、そのスタイルを一言で定義するのが一貫して難しいにもかかわらず、ここ数年で急速かつ広く支持を集めている。その作曲の幅は、カルテット作品に見られる映画的なモダン・ジャズから、ソロ作品に見られるシンセティックでガーゼのようなドローン・アンビエンスまで多岐にわたる。『Mana』は後者の拡張に重点を置いている。きめ細かく調整されたペダルボードを通し、ライブで操作されたソロ・トロンボーンが、坂本龍一の晩年の作品のような簡素なピアノと組み合わされている。この電気音響的な相互作用は、Kalia Vandeverの憂いを帯びた金管演奏が織りなす長音符の旋律性を反映しつつも変容させている。そして、そのサウンド全体は、率直で曖昧さのない、深く個人的な歌詞の歌唱によって感情的に強化されており、これは作曲家にとって特に斬新な試みだ。この巧みな手腕は見逃されておらず、『The Wire』誌は「Kalia...
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