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{"id":8032549634298,"title":"We Jazz Magazine \/\/ Fall 2023 \"Oisters\" MAGAZINE","handle":"we-jazz-magazine-fall-2023-oisters-magazine","description":"\u003cp\u003eWe Jazz Magazineの2023年秋号です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe ninth issue of We Jazz Magazine, \"Oisters\" \u003cmeta charset=\"utf-8\"\u003efor Petter Eldh.\u003c\/span\u003e\u003cbr\u003e128 pages. \u003cbr\u003e170 x 240 mm.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers.\u003c\/span\u003e\u003cbr\u003eAll articles are in english.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePetter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel 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Jazz Magazineの2023年秋号です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe ninth issue of We Jazz Magazine, \"Oisters\" \u003cmeta charset=\"utf-8\"\u003efor Petter Eldh.\u003c\/span\u003e\u003cbr\u003e128 pages. \u003cbr\u003e170 x 240 mm.\u003cbr\u003e\u003cspan data-mce-fragment=\"1\"\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers.\u003c\/span\u003e\u003cbr\u003eAll articles are in english.\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePetter Eldh by Peter Margasak, Oren Ambarchi by Daryl Worthington, Sven Wunder by Markus Karlqvist, Robyn Steward by Dave Waller, Jason Moran by Rui Miguel Abreu, Darius Jones by Stewart Smith, Carlos Garnett by Andy Thomas, Discaholic column by Mats Gustafsson, Black Fire by Danny Veekens, reviews, plus 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We Jazz Magazineの2023年秋号です。 The ninth issue of We Jazz Magazine, "Oisters" for Petter Eldh.128...
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{"id":8943703785722,"title":"We Jazz Magazine \/\/ Fall 2025 \"Thembi\" MAGAZINE","handle":"we-jazz-magazine-fall-2025-thembi-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年秋号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe 16th issue of We Jazz Magazine, \"Thembi\" for \u003cmeta charset=\"utf-8\"\u003ePharoah Sanders. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePhilip Arneill, Henry Boon, Pierre Crépon, Tony Higgins, Arsi Keva, Patrick Preziosi, Andy Thomas, Seymour Wright.\u003cbr\u003e+\u003cbr\u003eTomoki Sanders by Tej Adeleye, Don Cherry by Magnus Nygren, Sinsuke Fujieda by Rui Miguel Abreu, Jameszoo by Rob Garratt, Tony Purrone by Wolfgang Mowrey, Reco's Mini LP Covers, Discaholic column by Mats Gustafsson, album reviews, live reviews, photo essay \u0026amp; 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more. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : WJMAG12\u003c\/p\u003e"}
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{"id":9009655742714,"title":"We Jazz Magazine \/\/ Spring 2022 \"Tetragon\" MAGAZINE","handle":"we-jazz-magazine-summer-2024-worldwide-magazine-copy","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe third issue of We Jazz Magazine, \u003cmeta charset=\"utf-8\"\u003e\"Tetragon\" for Joe Henderson.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoe Henderson by Daniel Spicer, 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MAGAZINE","public_title":null,"options":["Default Title"],"price":389000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tetra1_b2e7b4c3-af39-4b46-8368-225cc34d6f14.jpg?v=1763858635","\/\/tobirarecords.com\/cdn\/shop\/files\/tetra2_eb29fdfc-1dfc-4233-bee1-df5776a5dcb9.jpg?v=1763858635","\/\/tobirarecords.com\/cdn\/shop\/files\/tetra3_7457ac8a-974e-4edf-a31b-35e52c5303af.jpg?v=1763858635"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra1_b2e7b4c3-af39-4b46-8368-225cc34d6f14.jpg?v=1763858635","options":["Title"],"media":[{"alt":null,"id":37589942534394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra1_b2e7b4c3-af39-4b46-8368-225cc34d6f14.jpg?v=1763858635"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra1_b2e7b4c3-af39-4b46-8368-225cc34d6f14.jpg?v=1763858635","width":1200},{"alt":null,"id":37589942567162,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra2_eb29fdfc-1dfc-4233-bee1-df5776a5dcb9.jpg?v=1763858635"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra2_eb29fdfc-1dfc-4233-bee1-df5776a5dcb9.jpg?v=1763858635","width":1200},{"alt":null,"id":37589942599930,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra3_7457ac8a-974e-4edf-a31b-35e52c5303af.jpg?v=1763858635"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tetra3_7457ac8a-974e-4edf-a31b-35e52c5303af.jpg?v=1763858635","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe third issue of We Jazz Magazine, \u003cmeta charset=\"utf-8\"\u003e\"Tetragon\" for Joe Henderson.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJoe Henderson by Daniel Spicer, International Anthem by Tina Edwards, Tokyo Jazz Joints by Philip Arneill, The Lisbon Scene by Rui Miguel Abreu, plus many more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9009657053434,"title":"We Jazz Magazine \/\/ Spring 2023 \"Universal Beings\" MAGAZINE","handle":"we-jazz-magazine-spring-2023-universal-beings-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe seventh issue of We Jazz Magazine, \"Universal Beings\" for Makaya McCraven. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMakaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pressing plant photo essay by Mathias Foster, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-23T12:55:42+09:00","created_at":"2025-11-23T09:49:46+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998061019386,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Spring 2023 \"Universal Beings\" MAGAZINE","public_title":null,"options":["Default Title"],"price":389000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_db09ace3-cab1-462c-ab04-18f164e17f7a.jpg?v=1765598257"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_db09ace3-cab1-462c-ab04-18f164e17f7a.jpg?v=1765598257","options":["Title"],"media":[{"alt":null,"id":37589983396090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_db09ace3-cab1-462c-ab04-18f164e17f7a.jpg?v=1765598257"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_db09ace3-cab1-462c-ab04-18f164e17f7a.jpg?v=1765598257","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe seventh issue of We Jazz Magazine, \"Universal Beings\" for Makaya McCraven. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMakaya McCraven by Ayana Contreras, Sonny Rollins by Ashley Kahn, Amina Claudine Myers by Seymour Wright, Adolphe Sax by Harry Eddy, Ronald Snijders by Mike Bindraban, introducing our new columnist Mats Gustafsson, Puristamo Helsinki pressing plant photo essay by Mathias Foster, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年春号です。 ほぼフルカラーの全文英語128ページです。 The seventh issue of We Jazz Magazine, "Universal Beings" for...
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{"id":8641679687930,"title":"We Jazz Magazine \/\/ Spring 2024 \"Oni Puladi\" MAGAZINE","handle":"we-jazz-magazine-spring-2024-oni-puladi-magazine-1","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe eleventh issue of We Jazz Magazine, \"Oni Puladi\" for Carla Bley. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCarla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon \/ David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album \u0026amp; live reviews, plus more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT No : WJMAG11\u003c\/p\u003e","published_at":"2024-10-15T14:27:47+09:00","created_at":"2024-10-14T10:27:01+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46747066138874,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Spring 2024 \"Oni Puladi\" MAGAZINE","public_title":null,"options":["Default Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/oni1.jpg?v=1713491927"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/oni1.jpg?v=1713491927","options":["Title"],"media":[{"alt":null,"id":33784207016186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oni1.jpg?v=1713491927"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/oni1.jpg?v=1713491927","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe eleventh issue of We Jazz Magazine, \"Oni Puladi\" for Carla Bley. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCarla Bley by Stewart Smith, Gondwana Records by Debra Richards, [Ahmed] by Seymour Wright, Amirtha Kidambi by Ayana Contreras, Ruth Goller by Daryl Worthington, Abdul Wadud by Pierre Crépon \/ David Neil Lee, François Jeanneau by Bret Sjerven, Mette Henriette by Debra Richards, Nduduzo Makhathini by Rob Garratt, Discaholic column by Mats Gustafsson, We Jazz Festival 2023 photo essay by Julius Töyrylä, album \u0026amp; live reviews, plus more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT No : WJMAG11\u003c\/p\u003e"}
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{"id":8787313262842,"title":"We Jazz Magazine \/\/ Spring 2025 \"Cosmos\" MAGAZINE","handle":"we-jazz-magazine-spring-2025-cosmos-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 14 \/ Spring 2025 \"Cosmos\" for Sun Ra.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003eA collection of Sun Ra pieces by Francis Gooding, Mats Gustafsson, Rui Miguel Abreu, Stewart Smith and Joshua Lane, rare Sun Ra Arkestra photos by Guy Stevens, Larry Stabbins by Dave Waller, Angélique Kidjo by Rob Garratt, Heli Hartikainen by Wif Stenger, Alan Wilkinson by Daniel Spicer, Black Artists Group by David Mittleman, Mike Stern by Rob Garratt, album reviews, book reviews, live reviews, photo essay \u0026amp; more.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e","published_at":"2025-05-18T09:26:14+09:00","created_at":"2025-05-16T15:53:49+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47319584801018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Spring 2025 \"Cosmos\" MAGAZINE","public_title":null,"options":["Default Title"],"price":389000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cos1.jpg?v=1747527988","\/\/tobirarecords.com\/cdn\/shop\/files\/cos2.jpg?v=1747378545"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cos1.jpg?v=1747527988","options":["Title"],"media":[{"alt":null,"id":36042080157946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cos1.jpg?v=1747527988"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cos1.jpg?v=1747527988","width":300},{"alt":null,"id":36042080125178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cos2.jpg?v=1747378545"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cos2.jpg?v=1747378545","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 14 \/ Spring 2025 \"Cosmos\" for Sun Ra.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003eA collection of Sun Ra pieces by Francis Gooding, Mats Gustafsson, Rui Miguel Abreu, Stewart Smith and Joshua Lane, rare Sun Ra Arkestra photos by Guy Stevens, Larry Stabbins by Dave Waller, Angélique Kidjo by Rob Garratt, Heli Hartikainen by Wif Stenger, Alan Wilkinson by Daniel Spicer, Black Artists Group by David Mittleman, Mike Stern by Rob Garratt, album reviews, book reviews, live reviews, photo essay \u0026amp; more.\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e"}
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{"id":9177702105338,"title":"We Jazz Magazine \/\/ Spring 2026 \"Space Time\" MAGAZINE","handle":"we-jazz-magazine-spring-2026-space-time-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2026年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 14 \/ Spring 2026 \"Space Time\" for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShabaka\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShabaka by Tina Edwards, Booker Stardrum by Clifford Allen, Aurora Nealand by Bennett Kirschner, Jazz Now Jazz by Rui Miguel Abreu, The Space Book by Patrick Preziosi, XT by XT (Paul Abbott \u0026amp; Seymour Wright), Naïssam Jalal by Florent Servia, Craig Taborn by Bret Sjerven, the term \"Free Jazz\" by Pierre Crépon, Alexander Hawkins by Kevin Le Gendre Alan Braufman by Andy Beta, Discaholic column by Mats Gustafsson, album reviews, live reviews, Big Ears Festival photo essay \u0026amp; more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJMAG18\u003c\/p\u003e","published_at":"2026-04-04T14:47:45+09:00","created_at":"2026-04-04T10:39:07+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48606246076666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Spring 2026 \"Space Time\" MAGAZINE","public_title":null,"options":["Default Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_97e9b670-064c-4a1d-baf7-beae5174c93a.jpg?v=1775266896"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_97e9b670-064c-4a1d-baf7-beae5174c93a.jpg?v=1775266896","options":["Title"],"media":[{"alt":null,"id":38948362060026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":985,"width":985,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_97e9b670-064c-4a1d-baf7-beae5174c93a.jpg?v=1775266896"},"aspect_ratio":1.0,"height":985,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jazz1_97e9b670-064c-4a1d-baf7-beae5174c93a.jpg?v=1775266896","width":985}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2026年春号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 14 \/ Spring 2026 \"Space Time\" for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShabaka\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eShabaka by Tina Edwards, Booker Stardrum by Clifford Allen, Aurora Nealand by Bennett Kirschner, Jazz Now Jazz by Rui Miguel Abreu, The Space Book by Patrick Preziosi, XT by XT (Paul Abbott \u0026amp; Seymour Wright), Naïssam Jalal by Florent Servia, Craig Taborn by Bret Sjerven, the term \"Free Jazz\" by Pierre Crépon, Alexander Hawkins by Kevin Le Gendre Alan Braufman by Andy Beta, Discaholic column by Mats Gustafsson, album reviews, live reviews, Big Ears Festival photo essay \u0026amp; more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJMAG18\u003c\/p\u003e"}
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{"id":8341650931962,"title":"We Jazz Magazine \/\/ Summer 2021 \"World Galaxy\" MAGAZINE","handle":"we-jazz-magazine-summer-2021-world-galaxy-magazine-1","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2021年夏号です。（2022年リプレス）\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2022 reprint.\u003cbr\u003e128 pages\u003cbr\u003esize: 174 x 250 mm \u003cbr\u003eLanguage: English\u003cbr\u003e\u003cspan\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Peter Margasak, Scatter by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more.\u003c\/p\u003e\n\u003cp\u003eThis is a magazine put together by a quality cast of writers and illustrators\/photographers with references such as The Wire, The Quietus, Deutschlankfunk Kultur, Jazzwise, etc. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e","published_at":"2024-04-19T11:01:47+09:00","created_at":"2024-04-19T10:32:45+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45725757866234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"We Jazz Magazine \/\/ Summer 2021 \"World Galaxy\" MAGAZINE","public_title":null,"options":["Default Title"],"price":368000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/s684141036804096603_p1801_i1_w912.webp?v=1713601606","\/\/tobirarecords.com\/cdn\/shop\/files\/we1_81d40932-ff6c-4bb5-bad9-d12fa861bf30.jpg?v=1713601606"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/s684141036804096603_p1801_i1_w912.webp?v=1713601606","options":["Title"],"media":[{"alt":null,"id":33794475950330,"position":1,"preview_image":{"aspect_ratio":0.887,"height":1028,"width":912,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/s684141036804096603_p1801_i1_w912.webp?v=1713601606"},"aspect_ratio":0.887,"height":1028,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/s684141036804096603_p1801_i1_w912.webp?v=1713601606","width":912},{"alt":null,"id":33784146100474,"position":2,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_81d40932-ff6c-4bb5-bad9-d12fa861bf30.jpg?v=1713601606"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_81d40932-ff6c-4bb5-bad9-d12fa861bf30.jpg?v=1713601606","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2021年夏号です。（2022年リプレス）\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e2022 reprint.\u003cbr\u003e128 pages\u003cbr\u003esize: 174 x 250 mm \u003cbr\u003eLanguage: English\u003cbr\u003e\u003cspan\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlice Coltrane by Ashley Kahn, Sun Ra by Daniel Spicer, Berlin report by Debra Richards, Corbett by Peter Margasak, Scatter by Stewart Smith, Andreas Müller on Lockdown Listening, Alan Braufman talking to Nabil Ayers, plus more.\u003c\/p\u003e\n\u003cp\u003eThis is a magazine put together by a quality cast of writers and illustrators\/photographers with references such as The Wire, The Quietus, Deutschlankfunk Kultur, Jazzwise, etc. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2021年夏号です。（2022年リプレス） ほぼフルカラーの全文英語128ページです。 2022 reprint.128 pagessize: 174 x 250 mm Language: EnglishPrinted on 140g...
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{"id":9009656824058,"title":"We Jazz Magazine \/\/ Summer 2023 \"Shadow Shapes\" MAGAZINE","handle":"we-jazz-magazine-summer-2023-shadow-shapes-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe eighth issue of We Jazz Magazine, \"Shadow Shapes\" for Dorothy Ashby.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose \u0026amp; the Voices Of Creation by Samuel Lamontagne, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-11-23T12:56:20+09:00","created_at":"2025-11-23T09:48:09+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47998059806970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Summer 2023 \"Shadow Shapes\" MAGAZINE","public_title":null,"options":["Default Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sha_9f3bac3f-8234-4f12-9f98-cf7c0b87a913.jpg?v=1763858947"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sha_9f3bac3f-8234-4f12-9f98-cf7c0b87a913.jpg?v=1763858947","options":["Title"],"media":[{"alt":null,"id":37589972222202,"position":1,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sha_9f3bac3f-8234-4f12-9f98-cf7c0b87a913.jpg?v=1763858947"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sha_9f3bac3f-8234-4f12-9f98-cf7c0b87a913.jpg?v=1763858947","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe eighth issue of We Jazz Magazine, \"Shadow Shapes\" for Dorothy Ashby.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose \u0026amp; the Voices Of Creation by Samuel Lamontagne, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG03\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年夏号です。 ほぼフルカラーの全文英語128ページです。 The eighth issue of We Jazz Magazine, "Shadow Shapes" for...
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{"id":8641678934266,"title":"We Jazz Magazine \/\/ Summer 2024 \"Worldwide\" MAGAZINE","handle":"we-jazz-magazine-summer-2024-worldwide-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe twelfth issue of We Jazz Magazine, \"Worldwide\" for Gilles Peterson. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word \/ Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : WJMAG12\u003c\/p\u003e","published_at":"2025-01-16T06:26:26+09:00","created_at":"2024-10-14T10:25:11+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","we jazz records"],"price":389000,"price_min":389000,"price_max":389000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46747056931066,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"We Jazz Magazine \/\/ Summer 2024 \"Worldwide\" MAGAZINE","public_title":null,"options":["Default Title"],"price":389000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/world1.jpg?v=1728869174"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1.jpg?v=1728869174","options":["Title"],"media":[{"alt":null,"id":35045833408762,"position":1,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1.jpg?v=1728869174"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/world1.jpg?v=1728869174","width":400}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe twelfth issue of We Jazz Magazine, \"Worldwide\" for Gilles Peterson. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGilles Peterson by Anton Spice, Ingrid Laubrock by Stewart Smith, Hannibal Lokumbe by Bret Sjerven, Universal Folks Sounds by Magnus Nygren, Spoken Word \/ Free Jazz by Alex Coles, Dutch Jazz Archive by Danny Veekens, Takuya Kuroda by Rob Garratt, Jan Roder and Michael Griener of Die Enttäuschung by Bill Meyer, divr by Daryl Worthington, Astro Can Caravan by Wif Stenger, Discaholic Column by Mats Gustafsson, J Jazz 1955-88 by Tony Higgins + album reviews \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : WJMAG12\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年夏号です。 ほぼフルカラーの全文英語128ページです。 The twelfth issue of We Jazz Magazine, "Worldwide" for Gilles...
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{"id":8903388659962,"title":"We Jazz Magazine \/\/ Summer 2025 \"Forfolks, Dedicated To Jeff Parker\" MAGAZINE","handle":"we-jazz-magazine-summer-2025-forfolks-dedicated-to-jeff-parker-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe 15th issue of We Jazz Magazine, \"Forfolks\" for Jeff Parker. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJeff Parker by Andy Beta, Peter Margasak \u0026amp; Scott McNiece, Elaine Brown by Pierre Crépon, David Murray by Bret Sjerven, Adele Sauros by Wif Stenger, Rafael Toral by HT Nuotio, Lush Life by Seymour Wright, The Connection by Patrick Preziosi, Nels Cline by Bret Sjerven, Discaholic Column by Mats Gustafsson, album reviews, book reviews, live reviews, photo essay \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG15\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-27T05:56:55+09:00","created_at":"2025-08-26T16:35:34+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47652443095290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Summer 2025 \"Forfolks, Dedicated To Jeff Parker\" MAGAZINE","public_title":null,"options":["Default Title"],"price":389000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wejazz1_02b8efb8-e3cf-4769-9e16-f92129373ca8.jpg?v=1756193891"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wejazz1_02b8efb8-e3cf-4769-9e16-f92129373ca8.jpg?v=1756193891","options":["Title"],"media":[{"alt":null,"id":36651537400058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wejazz1_02b8efb8-e3cf-4769-9e16-f92129373ca8.jpg?v=1756193891"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wejazz1_02b8efb8-e3cf-4769-9e16-f92129373ca8.jpg?v=1756193891","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年夏号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe 15th issue of We Jazz Magazine, \"Forfolks\" for Jeff Parker. \u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJeff Parker by Andy Beta, Peter Margasak \u0026amp; Scott McNiece, Elaine Brown by Pierre Crépon, David Murray by Bret Sjerven, Adele Sauros by Wif Stenger, Rafael Toral by HT Nuotio, Lush Life by Seymour Wright, The Connection by Patrick Preziosi, Nels Cline by Bret Sjerven, Discaholic Column by Mats Gustafsson, album reviews, book reviews, live reviews, photo essay \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG15\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":9212582985978,"title":"We Jazz Magazine \/\/ Winter 2022 \"Revelation\" MAGAZINE","handle":"we-jazz-magazine-winter-2022-revelation-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 6 \/ Winter 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRevelation\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah \/ Jazz Composers Orchestra by Seymour Wright, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG06\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-03T06:34:37+09:00","created_at":"2026-05-01T11:29:39+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48810358407418,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Winter 2022 \"Revelation\" MAGAZINE","public_title":null,"options":["Default Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653","options":["Title"],"media":[{"alt":null,"id":39215796224250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rev1_f68f4f0b-24f4-4c9b-87e7-65f66b5c26d8.jpg?v=1777602653","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eWe Jazz Magazine, Issue 6 \/ Winter 2022 \"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRevelation\"\u003c\/span\u003e for \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records\u003c\/span\u003e.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah \/ Jazz Composers Orchestra by Seymour Wright, reviews, plus more.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG06\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2022年冬号です。 ほぼフルカラーの全文英語128ページです。 We Jazz Magazine, Issue 6 / Winter 2022 "Revelation" for...
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{"id":8341650800890,"title":"We Jazz Magazine \/\/ Winter 2023 \"Dominoes\" MAGAZINE","handle":"we-jazz-magazine-fall-2023-oisters-magazine-1","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tenth issue of We Jazz Magazine, \"Dominoes\" for Donald Byrd. \u003cbr\u003e128 pages,\u003cbr\u003e170 x 240 mm\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDonald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar \u0026amp; Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e","published_at":"2024-04-19T11:02:59+09:00","created_at":"2024-04-19T10:30:17+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45725757505786,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":false,"name":"We Jazz Magazine \/\/ Winter 2023 \"Dominoes\" MAGAZINE","public_title":null,"options":["Default Title"],"price":368000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/dom1.jpg?v=1713490260","\/\/tobirarecords.com\/cdn\/shop\/files\/dom2.jpg?v=1713490259","\/\/tobirarecords.com\/cdn\/shop\/files\/dom3_73c971c6-a39c-488b-85fb-58426df58e23.jpg?v=1713490260","\/\/tobirarecords.com\/cdn\/shop\/files\/dom4.jpg?v=1713490260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom1.jpg?v=1713490260","options":["Title"],"media":[{"alt":null,"id":33784144068858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom1.jpg?v=1713490260"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom1.jpg?v=1713490260","width":1200},{"alt":null,"id":33784144101626,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom2.jpg?v=1713490259"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom2.jpg?v=1713490259","width":1200},{"alt":null,"id":33784144134394,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom3_73c971c6-a39c-488b-85fb-58426df58e23.jpg?v=1713490260"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom3_73c971c6-a39c-488b-85fb-58426df58e23.jpg?v=1713490260","width":1200},{"alt":null,"id":33784144167162,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom4.jpg?v=1713490260"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/dom4.jpg?v=1713490260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2023年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe tenth issue of We Jazz Magazine, \"Dominoes\" for Donald Byrd. \u003cbr\u003e128 pages,\u003cbr\u003e170 x 240 mm\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented IN ENGLISH. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDonald Byrd by Andy Beta, Lonnie Liston Smith by Anton Spice, Charles Gayle by Seymour Wright, Anoushka Shankar \u0026amp; Arooj Aftab in conversation by Debra Richards, Billy Harper by Bret Sjerven, Anni Kiviniemi by Wif Stenger, Kenneth Jimenez by Andrey Henkin, Sun Ra by Francis Gooding, Muffins by Marc Medwin, Discaholic column by Mats Gustafsson, Vogel Records by Lander Lenaerts + reviews \u0026amp; more.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e"}
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{"id":8690168594682,"title":"We Jazz Magazine \/\/ Winter 2024 \"Zoning\" MAGAZINE","handle":"we-jazz-magazine-winter-2024-zoning-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe 13th issue of We Jazz Magazine, \"Zoning\" \u003cmeta charset=\"utf-8\"\u003efor \u003cmeta charset=\"utf-8\"\u003eMary Lou Williams.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMary Lou Williams by Anton Spice, Tomeka Reid by Michael Mikesell, Horace Silver by Seymour Wright, Wind Up \u0026amp; Julius Eastman by Marc Medwin, Esmond Edwars at Prestige by Francis Gooding, Contemporary Ethio-Jazz by Nathan Hamelberg, Ivo Perelman \u0026amp; Matthew Shipp by Phil Freeman, Arooj Aftab by Rob Garratt, John Surman by Bret Sjerven, Punk Jazz with Benjamin Herman by Danny Veekens, Discaholic Column by Mats Gustafsson, Odysseus Festival 2024 photo report, reviews and more.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e","published_at":"2024-12-29T06:58:56+09:00","created_at":"2024-12-28T12:13:05+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46988679741690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Winter 2024 \"Zoning\" MAGAZINE","public_title":null,"options":["Default Title"],"price":389000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/zon1_b7c2ac5e-f4e2-4135-a76e-2fb6bfd27089.jpg?v=1735429021"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/zon1_b7c2ac5e-f4e2-4135-a76e-2fb6bfd27089.jpg?v=1735429021","options":["Title"],"media":[{"alt":null,"id":35357777592570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zon1_b7c2ac5e-f4e2-4135-a76e-2fb6bfd27089.jpg?v=1735429021"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/zon1_b7c2ac5e-f4e2-4135-a76e-2fb6bfd27089.jpg?v=1735429021","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2024年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe 13th issue of We Jazz Magazine, \"Zoning\" \u003cmeta charset=\"utf-8\"\u003efor \u003cmeta charset=\"utf-8\"\u003eMary Lou Williams.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e128 pages.\u003cbr\u003e170 x 240 mm in size.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles presented in English. \u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeatures the following articles:\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMary Lou Williams by Anton Spice, Tomeka Reid by Michael Mikesell, Horace Silver by Seymour Wright, Wind Up \u0026amp; Julius Eastman by Marc Medwin, Esmond Edwars at Prestige by Francis Gooding, Contemporary Ethio-Jazz by Nathan Hamelberg, Ivo Perelman \u0026amp; Matthew Shipp by Phil Freeman, Arooj Aftab by Rob Garratt, John Surman by Bret Sjerven, Punk Jazz with Benjamin Herman by Danny Veekens, Discaholic Column by Mats Gustafsson, Odysseus Festival 2024 photo report, reviews and more.\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e"}
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{"id":9026483454202,"title":"We Jazz Magazine \/\/ Winter 2025 \"Weathering\" MAGAZINE","handle":"we-jazz-magazine-winter-2025-weathering-magazine","description":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe third issue of We Jazz Magazine, \u003cmeta charset=\"utf-8\"\u003eIssue 17 \/ Winter 2025 \"Weathering\" for aja monet.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles in ENGLISH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaja monet by Ayana Contreras, Azymuth by Ben Lee, Henry Threadgill by Bret Sjerven, Sven-Åke Johansson by Magnus Nygren, Anna Webber by Stewart Smith, Rafiq Bhatia by Florent Servia, Steph Richards \u0026amp; Qasim Naqvi by Andy Cush, Ganavya by Tina Edwards, Cosmic Tones Research Trio by Blake Gillespie, Quincy Jones by Rob Garratt, Devin Daniels by Samuel Lamontagne, album design essay by Alex Coles, Discaholic column by Mats Gustafsson \u003cbr\u003e+ album reviews, live reviews, photo essay \u0026amp; more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG17\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-12T11:56:43+09:00","created_at":"2025-12-12T10:37:40+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","jazz","new","we jazz records"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48100253237498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":false,"featured_image":null,"available":true,"name":"We Jazz Magazine \/\/ Winter 2025 \"Weathering\" MAGAZINE","public_title":null,"options":["Default Title"],"price":398000,"weight":180,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/we1_9b472e49-5b53-4e28-9ab3-2031a3e858fa.jpg?v=1765503669","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-12at10.40.28am.png?v=1765503669"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_9b472e49-5b53-4e28-9ab3-2031a3e858fa.jpg?v=1765503669","options":["Title"],"media":[{"alt":null,"id":37760849936634,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_9b472e49-5b53-4e28-9ab3-2031a3e858fa.jpg?v=1765503669"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/we1_9b472e49-5b53-4e28-9ab3-2031a3e858fa.jpg?v=1765503669","width":1200},{"alt":null,"id":37760849903866,"position":2,"preview_image":{"aspect_ratio":1.0,"height":522,"width":522,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-12at10.40.28am.png?v=1765503669"},"aspect_ratio":1.0,"height":522,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-12at10.40.28am.png?v=1765503669","width":522}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年冬号です。\u003c\/p\u003e\n\u003cp\u003eほぼフルカラーの全文英語128ページです。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe third issue of We Jazz Magazine, \u003cmeta charset=\"utf-8\"\u003eIssue 17 \/ Winter 2025 \"Weathering\" for aja monet.\u003cbr\u003e128 pages.\u003cbr\u003e170 x 240 mm.\u003cbr\u003ePrinted on 140g Edixion paper with laminated 300g Invercote covers. \u003cbr\u003eAll articles in ENGLISH.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan style=\"text-decoration: underline;\"\u003eFeaturing the following articles:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eaja monet by Ayana Contreras, Azymuth by Ben Lee, Henry Threadgill by Bret Sjerven, Sven-Åke Johansson by Magnus Nygren, Anna Webber by Stewart Smith, Rafiq Bhatia by Florent Servia, Steph Richards \u0026amp; Qasim Naqvi by Andy Cush, Ganavya by Tina Edwards, Cosmic Tones Research Trio by Blake Gillespie, Quincy Jones by Rob Garratt, Devin Daniels by Samuel Lamontagne, album design essay by Alex Coles, Discaholic column by Mats Gustafsson \u003cbr\u003e+ album reviews, live reviews, photo essay \u0026amp; more.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : We Jazz Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWJMAG17\u003c\/span\u003e\u003c\/p\u003e"}
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フィンランド・ヘルシンキのジャズレーベルWe Jazzによる季刊誌の2025年冬号です。 ほぼフルカラーの全文英語128ページです。 The third issue of We Jazz Magazine, Issue 17 /...
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{"id":7878876365050,"title":"We Smile | Various Artists \/\/ Remixes (by JD Twitch, Tentenko, Mense Reents) LP","handle":"we-smile-various-artists-remixes-by-jd-twitch-tentenko-mense-reents-lp","description":"\u003cp\u003e 90年代に活動していたインディーバンドWe Smileのリミックスアルバムです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zcQMhxuHHD0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eText via The Ransom Note [\u003ca href=\"https:\/\/www.theransomnote.com\/music\/premieres\/premiere-we-smile-sack-voll-drogen-jd-twitch\/\"\u003elink\u003c\/a\u003e]:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"30 years after the release of their album Für Die Anderen, the Hamburger Schule band share a batch of new remixes from contemporary artists...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e...Active during the early 90s, We Smile were a three-piece band who were part of the Hamburger Schule, a musical movement that took cues from Neue Deutsche Welle and married them with punk, grunge, pop and witty lyricism. We Smile’s own take on the sound flirted with the traditions of pop but used brittle guitars and commanding vocals sung in German and English.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1: Sack Voll Drogen (A JD Twitch Version) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2: 31 24 42 (Tentenko Mixdown 1) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1: Can't Resist (Popmusiker Sind Auch Künstler-Version) (Mense Reents Remix) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2: 31 24 42 (Tentenko Mixdown 2) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3: Kind Und Kegel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : We Smile \/ Various\u003c\/p\u003e\n\u003cp\u003eLabel : Couldn't Care More\u003c\/p\u003e","published_at":"2023-01-11T14:45:44+09:00","created_at":"2022-12-27T14:12:30+09:00","vendor":"Tobira Records","type":"","tags":["techno \/ house"],"price":208000,"price_min":208000,"price_max":208000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43819043422458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"We Smile | Various Artists \/\/ Remixes (by JD Twitch, Tentenko, Mense Reents) LP","public_title":null,"options":["Default Title"],"price":208000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/1008590844.jpg?v=1673415921"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/1008590844.jpg?v=1673415921","options":["Title"],"media":[{"alt":null,"id":31352939806970,"position":1,"preview_image":{"aspect_ratio":1.0,"height":500,"width":500,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/1008590844.jpg?v=1673415921"},"aspect_ratio":1.0,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/1008590844.jpg?v=1673415921","width":500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e 90年代に活動していたインディーバンドWe Smileのリミックスアルバムです。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/zcQMhxuHHD0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eText via The Ransom Note [\u003ca href=\"https:\/\/www.theransomnote.com\/music\/premieres\/premiere-we-smile-sack-voll-drogen-jd-twitch\/\"\u003elink\u003c\/a\u003e]:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"30 years after the release of their album Für Die Anderen, the Hamburger Schule band share a batch of new remixes from contemporary artists...\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e...Active during the early 90s, We Smile were a three-piece band who were part of the Hamburger Schule, a musical movement that took cues from Neue Deutsche Welle and married them with punk, grunge, pop and witty lyricism. We Smile’s own take on the sound flirted with the traditions of pop but used brittle guitars and commanding vocals sung in German and English.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTRACKLIST:\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eA1: Sack Voll Drogen (A JD Twitch Version) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2: 31 24 42 (Tentenko Mixdown 1) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1: Can't Resist (Popmusiker Sind Auch Künstler-Version) (Mense Reents Remix) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2: 31 24 42 (Tentenko Mixdown 2) \u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3: Kind Und Kegel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : We Smile \/ Various\u003c\/p\u003e\n\u003cp\u003eLabel : Couldn't Care More\u003c\/p\u003e"}
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90年代に活動していたインディーバンドWe Smileのリミックスアルバムです。 ------------------------------------- Text via The Ransom Note [link]: "30 years after the release...
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{"id":8690669715706,"title":"weareforests \/\/ thresholding \/\/ local flora TAPE","handle":"weareforests-thresholding-local-flora-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・コロラドのアンビエント作家weareforestsが、2024年1月にドイツ・フランクフルトのアンビエントレーベルSeilから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとピアノ、シンセによる穏やかなアンビエント10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e読書のお供にもぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=39578795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3358125231\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=39578795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1854750380\/transparent=true\/\"\u003e\u003c\/iframe\u003e Seil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more Seil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. perforate 04:20\u003cbr\u003e2. your song ! the radish 05:16\u003cbr\u003e3. sub_divisions 04:21\u003cbr\u003e4. concavity 03:27\u003cbr\u003e5. thresholding 03:54\u003cbr\u003e6. local flora 05:12\u003cbr\u003e7. temporarity 01:24\u003cbr\u003e8. milkweed in the soft blue 08:28\u003cbr\u003e9. astigmata 04:20\u003cbr\u003e10. batts above the ballfield 01:25\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003eas if to enter a portal, there is magic right beneath the cupboard. a small chain rattles in the wind, the memory of a summer sunset again. do you recall the window was open ? we traced the movement of a small caterpillar, climbing up the JUNO. the roommates are home, and maybe we'll all eat supper together, what delight. projects and prophecies are all the same in this strange town. the neighbor says that charlie should stop polishing his stones, but the noise absolutely delights. absolute delight. \u003cbr\u003e\u003cbr\u003eand one musn't forget the batts above the ballfield..\u003ci\u003e\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : weareforests\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e","published_at":"2024-12-30T06:30:13+09:00","created_at":"2024-12-30T06:29:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","recommended","seil records","tape"],"price":263500,"price_min":263500,"price_max":263500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46992351723770,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"weareforests \/\/ thresholding \/\/ local flora TAPE","public_title":null,"options":["Default Title"],"price":263500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4040900413_16.jpg?v=1705828357","\/\/tobirarecords.com\/cdn\/shop\/files\/0034681141_10.jpg?v=1705828358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4040900413_16.jpg?v=1705828357","options":["Title"],"media":[{"alt":null,"id":33020969976058,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4040900413_16.jpg?v=1705828357"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4040900413_16.jpg?v=1705828357","width":700},{"alt":null,"id":33020970303738,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034681141_10.jpg?v=1705828358"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034681141_10.jpg?v=1705828358","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・コロラドのアンビエント作家weareforestsが、2024年1月にドイツ・フランクフルトのアンビエントレーベルSeilから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとピアノ、シンセによる穏やかなアンビエント10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e読書のお供にもぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=39578795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3358125231\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=39578795\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1854750380\/transparent=true\/\"\u003e\u003c\/iframe\u003e Seil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more Seil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. perforate 04:20\u003cbr\u003e2. your song ! the radish 05:16\u003cbr\u003e3. sub_divisions 04:21\u003cbr\u003e4. concavity 03:27\u003cbr\u003e5. thresholding 03:54\u003cbr\u003e6. local flora 05:12\u003cbr\u003e7. temporarity 01:24\u003cbr\u003e8. milkweed in the soft blue 08:28\u003cbr\u003e9. astigmata 04:20\u003cbr\u003e10. batts above the ballfield 01:25\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003eas if to enter a portal, there is magic right beneath the cupboard. a small chain rattles in the wind, the memory of a summer sunset again. do you recall the window was open ? we traced the movement of a small caterpillar, climbing up the JUNO. the roommates are home, and maybe we'll all eat supper together, what delight. projects and prophecies are all the same in this strange town. the neighbor says that charlie should stop polishing his stones, but the noise absolutely delights. absolute delight. \u003cbr\u003e\u003cbr\u003eand one musn't forget the batts above the ballfield..\u003ci\u003e\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : weareforests\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e"}
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アメリカ・コロラドのアンビエント作家weareforestsが、2024年1月にドイツ・フランクフルトのアンビエントレーベルSeilから100本限定でリリースしたカセットです。 フィールドレコーディングとピアノ、シンセによる穏やかなアンビエント10曲を収録。DLコード付属。 読書のお供にもぜひ。 Seil Records その他作品はこちら /// Click here to see more Seil Records releases available at Tobira. ...
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{"id":8849883758842,"title":"weareforests \/\/ a letter, a number TAPE","handle":"weareforests-a-letter-a-number-tape","description":"\u003cp\u003eアメリカ・コロラドのアンビエント作家weareforestsが、2025年5月にドイツ・フランクフルトのアンビエントレーベルSeilから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとピアノ、シンセによる微睡系アンビエント8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e読書のお供にもぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/weareforests-thresholding-local-flora-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2564380062\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------- \u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 309 MAPLE ST 03:02\u003cbr\u003e2. dogwood 05:54\u003cbr\u003e3. holding 04:00\u003cbr\u003e4. barton springs (11.42) 03:43\u003cbr\u003e5. dogwood 2 02:17\u003cbr\u003e6. the ponds (3.52) 04:47\u003cbr\u003e7. PERSEIDS (SILSBEE, TX) 10:04\u003cbr\u003e8. lubbock (1.12.24.2) 04:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ea letter, a number, a place catches my eye again. some small fabrication of home, she clinks the plates, a frittata in the oven. the taste isn't everything, but the stillness in all of us is. the heat at barton springs, the birds in lubbock. i don't need texas, but i want it at times, flittering softly through my memory. i guess it's all just little words and worries and shade and sunshine and stars glistening so bright through the swamp-heat that we all melt down like their frazzled wonder.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eit is all a wonder, a letter, a number\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : weareforests\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e\n\u003cp\u003ecat no : SEIL 065\u003c\/p\u003e","published_at":"2025-07-03T10:54:13+09:00","created_at":"2025-07-03T07:58:32+09:00","vendor":"Tobira Records","type":"","tags":["ambient","new","post newage","recommended","seil records","tape"],"price":263500,"price_min":263500,"price_max":263500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47474127569146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"weareforests \/\/ a letter, a number TAPE","public_title":null,"options":["Default Title"],"price":263500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/let1_c1570125-bc76-4906-89cf-5aa42a4599fd.jpg?v=1751497019","\/\/tobirarecords.com\/cdn\/shop\/files\/let2_cb99ba6f-ba94-48ed-95b2-a2939519e243.jpg?v=1751497019"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/let1_c1570125-bc76-4906-89cf-5aa42a4599fd.jpg?v=1751497019","options":["Title"],"media":[{"alt":null,"id":36311179723002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/let1_c1570125-bc76-4906-89cf-5aa42a4599fd.jpg?v=1751497019"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/let1_c1570125-bc76-4906-89cf-5aa42a4599fd.jpg?v=1751497019","width":700},{"alt":null,"id":36311179821306,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/let2_cb99ba6f-ba94-48ed-95b2-a2939519e243.jpg?v=1751497019"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/let2_cb99ba6f-ba94-48ed-95b2-a2939519e243.jpg?v=1751497019","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コロラドのアンビエント作家weareforestsが、2025年5月にドイツ・フランクフルトのアンビエントレーベルSeilから100本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとピアノ、シンセによる微睡系アンビエント8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e読書のお供にもぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/weareforests-thresholding-local-flora-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2564380062\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------- \u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 309 MAPLE ST 03:02\u003cbr\u003e2. dogwood 05:54\u003cbr\u003e3. holding 04:00\u003cbr\u003e4. barton springs (11.42) 03:43\u003cbr\u003e5. dogwood 2 02:17\u003cbr\u003e6. the ponds (3.52) 04:47\u003cbr\u003e7. PERSEIDS (SILSBEE, TX) 10:04\u003cbr\u003e8. lubbock (1.12.24.2) 04:26\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ea letter, a number, a place catches my eye again. some small fabrication of home, she clinks the plates, a frittata in the oven. the taste isn't everything, but the stillness in all of us is. the heat at barton springs, the birds in lubbock. i don't need texas, but i want it at times, flittering softly through my memory. i guess it's all just little words and worries and shade and sunshine and stars glistening so bright through the swamp-heat that we all melt down like their frazzled wonder.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eit is all a wonder, a letter, a number\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : weareforests\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e\n\u003cp\u003ecat no : SEIL 065\u003c\/p\u003e"}
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アメリカ・コロラドのアンビエント作家weareforestsが、2025年5月にドイツ・フランクフルトのアンビエントレーベルSeilから100本限定でリリースしたカセットです。 フィールドレコーディングとピアノ、シンセによる微睡系アンビエント8曲を収録。DLコード付属。 読書のお供にもぜひ。 前作もオススメです。 Seil Records その他作品はこちら /// Click here to see more Seil Records releases available at...
¥2,635
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{"id":8775128842490,"title":"weareforests \/\/ Where There Is No Ending TAPE","handle":"weareforests-where-there-is-no-ending-tape","description":"\u003cp\u003eアメリカ・コロラドのアンビエント作家weareforestsが、2023年1月にドイツ・フランクフルトのアンビエントレーベルSeilから120本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとピアノ、シンセによる微睡系アンビエント8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e読書のお供にもぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2553849874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2392318490\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2553849874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=191008051\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 120. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewater, water, water, a single loud grasshopper, loose tape flapping, sexually frustrated sea lions, quite the ruckus about boats, a dog not so well behaved, birds (always birds), she laughed, she took the picture, and of course there are s_o_u_n_d_s in here.\u003ci\u003e\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : weareforests\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e","published_at":"2025-04-29T06:42:28+09:00","created_at":"2025-04-29T06:41:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","neo classical","new","seil records","tape"],"price":263500,"price_min":263500,"price_max":263500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47284018905338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"weareforests \/\/ Where There Is No Ending TAPE","public_title":null,"options":["Default Title"],"price":263500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1744131813_16.jpg?v=1675046084","\/\/tobirarecords.com\/cdn\/shop\/products\/0031083036_10.jpg?v=1675046084"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1744131813_16.jpg?v=1675046084","options":["Title"],"media":[{"alt":null,"id":31452646310138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1744131813_16.jpg?v=1675046084"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1744131813_16.jpg?v=1675046084","width":700},{"alt":null,"id":31452646277370,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031083036_10.jpg?v=1675046084"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0031083036_10.jpg?v=1675046084","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コロラドのアンビエント作家weareforestsが、2023年1月にドイツ・フランクフルトのアンビエントレーベルSeilから120本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングとピアノ、シンセによる微睡系アンビエント8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e読書のお供にもぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2553849874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2392318490\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2553849874\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=191008051\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eSeil Records その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/seil\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eSeil Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 120. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewater, water, water, a single loud grasshopper, loose tape flapping, sexually frustrated sea lions, quite the ruckus about boats, a dog not so well behaved, birds (always birds), she laughed, she took the picture, and of course there are s_o_u_n_d_s in here.\u003ci\u003e\"\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : weareforests\u003c\/p\u003e\n\u003cp\u003eLabel : Seil Records\u003c\/p\u003e"}
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{"id":9048641667322,"title":"WEB \/\/ Another Perspective EP 12inch","handle":"web-another-perspective-ep-12","description":"\u003cp\u003e90年代から活動している日本のダンス作家\u003cspan data-mce-fragment=\"1\"\u003eTakuya Sugimoto aka WEBが、2022年9月にドイツのAcidoからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1316948836\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"dynamo dreesen\" href=\"https:\/\/soundcloud.com\/dynamo-dreesen\" target=\"_blank\"\u003edynamo dreesen\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Acido 035 A1 1644 Mstr Mmm DIGITAL SNIPPET\" href=\"https:\/\/soundcloud.com\/dynamo-dreesen\/acido-035-a1-1644-mstr-mmm\" target=\"_blank\"\u003eAcido 035 A1 1644 Mstr Mmm DIGITAL SNIPPET\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1316948824\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"dynamo dreesen\" href=\"https:\/\/soundcloud.com\/dynamo-dreesen\" target=\"_blank\"\u003edynamo dreesen\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Acido 035 B1 1644 Mstr Mmm DIGITAL SNIPPET\" href=\"https:\/\/soundcloud.com\/dynamo-dreesen\/acido-035-b1-1644-mstr-mmm\" target=\"_blank\"\u003eAcido 035 B1 1644 Mstr Mmm DIGITAL SNIPPET\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Acido Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI believe its some kind of Japanese spiritual techno music. It has a profound effect on me. I can hear Larry Heard and Herbie Hancock jamming with the Yellow Magic Orchestra . The musical expression ranges from romantic ambient over to mellow blue electro, wild drum \u0026amp; bass and early trance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis 4 track ep is a continuation of “The Sound There”. A double album released on acido in 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePlus a re-issued track that appeared on a Syzygy release in 1995 in japan, under WEB s monika Dja-zz, on the Eva ep.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Web\u003c\/p\u003e\n\u003cp\u003eLabel : Acido Records\u003c\/p\u003e","published_at":"2026-01-07T08:12:47+09:00","created_at":"2026-01-07T08:12:03+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","techno \/ house"],"price":235000,"price_min":235000,"price_max":235000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48192219021562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"WEB \/\/ Another Perspective EP 12inch","public_title":null,"options":["Default Title"],"price":235000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/we1_81ffc2cf-89f0-4093-8180-86ce92ee3df8.jpg?v=1664526187","\/\/tobirarecords.com\/cdn\/shop\/products\/we3_072b1016-ed86-4094-8db7-a6de0961a214.jpg?v=1664526187"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_81ffc2cf-89f0-4093-8180-86ce92ee3df8.jpg?v=1664526187","options":["Title"],"media":[{"alt":null,"id":30608995123450,"position":1,"preview_image":{"aspect_ratio":1.0,"height":240,"width":240,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_81ffc2cf-89f0-4093-8180-86ce92ee3df8.jpg?v=1664526187"},"aspect_ratio":1.0,"height":240,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we1_81ffc2cf-89f0-4093-8180-86ce92ee3df8.jpg?v=1664526187","width":240},{"alt":null,"id":30608995156218,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we3_072b1016-ed86-4094-8db7-a6de0961a214.jpg?v=1664526187"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we3_072b1016-ed86-4094-8db7-a6de0961a214.jpg?v=1664526187","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e90年代から活動している日本のダンス作家\u003cspan data-mce-fragment=\"1\"\u003eTakuya Sugimoto aka WEBが、2022年9月にドイツのAcidoからリリースした12\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1316948836\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"dynamo dreesen\" href=\"https:\/\/soundcloud.com\/dynamo-dreesen\" target=\"_blank\"\u003edynamo dreesen\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Acido 035 A1 1644 Mstr Mmm DIGITAL SNIPPET\" href=\"https:\/\/soundcloud.com\/dynamo-dreesen\/acido-035-a1-1644-mstr-mmm\" target=\"_blank\"\u003eAcido 035 A1 1644 Mstr Mmm DIGITAL SNIPPET\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1316948824\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"dynamo dreesen\" href=\"https:\/\/soundcloud.com\/dynamo-dreesen\" target=\"_blank\"\u003edynamo dreesen\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Acido 035 B1 1644 Mstr Mmm DIGITAL SNIPPET\" href=\"https:\/\/soundcloud.com\/dynamo-dreesen\/acido-035-b1-1644-mstr-mmm\" target=\"_blank\"\u003eAcido 035 B1 1644 Mstr Mmm DIGITAL SNIPPET\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eText by Acido Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI believe its some kind of Japanese spiritual techno music. It has a profound effect on me. I can hear Larry Heard and Herbie Hancock jamming with the Yellow Magic Orchestra . The musical expression ranges from romantic ambient over to mellow blue electro, wild drum \u0026amp; bass and early trance.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis 4 track ep is a continuation of “The Sound There”. A double album released on acido in 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePlus a re-issued track that appeared on a Syzygy release in 1995 in japan, under WEB s monika Dja-zz, on the Eva ep.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Web\u003c\/p\u003e\n\u003cp\u003eLabel : Acido Records\u003c\/p\u003e"}
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90年代から活動している日本のダンス作家Takuya Sugimoto aka WEBが、2022年9月にドイツのAcidoからリリースした12"です。 dynamo dreesen · Acido 035 A1 1644 Mstr Mmm DIGITAL...
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{"id":6626647998629,"title":"Web of Sunsets \/\/ Chaos Waltz TAPE","handle":"web-of-sunsets-chaos-waltz-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2009年に始動し、大量のサイケアンビエントを出版しているポートランドのレーベルMoon Glyph諸作を本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、ミネアポリスのサイケフォークトリオWeb of Sunsetsによる4作目のフルアルバムです。牧歌的なサイケフォーク〜アシッドカントリー9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2505675764\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"im\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003ehere\u003c\/a\u003e to see more Moon Glyph releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e------------------------------\u003cwbr\u003e---------\u003c\/wbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eEdition of 150. Includes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erisograph insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eWeb of Sunsets is a trio crafting pastoral psychedelic folk and wistful acid country tunes. Their sonics aptly compare to sepia-soaked memories or the final golden hour of sunlight. Webs is a uniquely collaborative project in that all three members (Sara Bischoff, Sarah Nienaber and Chris Rose) split duties between penning songs, playing guitar and singing across their catalog. Writing their fourth album, “Chaos Waltz”, the band was geographically split between Portland and Minneapolis, giving each songwriter even more autonomy and freedom to hone their particular vision. Blending and coalescing these three minds resulted in “Chaos Waltz”, a beautiful album of their distinctly dreamy and emotive power.\"\u003c\/em\u003e\u003cbr\u003e- Moon Glyph\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Web of Sunsets\u003c\/p\u003e\n\u003cp\u003eLabel : Moon Glyph\u003c\/p\u003e","published_at":"2021-04-15T11:39:58+09:00","created_at":"2021-04-05T10:04:38+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","moon glyph","tape"],"price":135000,"price_min":135000,"price_max":135000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39556576051365,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Web of Sunsets \/\/ Chaos Waltz TAPE","public_title":null,"options":["Default Title"],"price":135000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/os1.jpg?v=1617584679","\/\/tobirarecords.com\/cdn\/shop\/products\/os2.jpg?v=1617584680"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/os1.jpg?v=1617584679","options":["Title"],"media":[{"alt":null,"id":21031271563429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/os1.jpg?v=1617584679"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/os1.jpg?v=1617584679","width":700},{"alt":null,"id":21031271596197,"position":2,"preview_image":{"aspect_ratio":1.389,"height":864,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/os2.jpg?v=1617584680"},"aspect_ratio":1.389,"height":864,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/os2.jpg?v=1617584680","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e2009年に始動し、大量のサイケアンビエントを出版しているポートランドのレーベルMoon Glyph諸作を本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、ミネアポリスのサイケフォークトリオWeb of Sunsetsによる4作目のフルアルバムです。牧歌的なサイケフォーク〜アシッドカントリー9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2505675764\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"im\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mogl\"\u003ehere\u003c\/a\u003e to see more Moon Glyph releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv\u003e------------------------------\u003cwbr\u003e---------\u003c\/wbr\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cp\u003eEdition of 150. Includes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erisograph insert. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eWeb of Sunsets is a trio crafting pastoral psychedelic folk and wistful acid country tunes. Their sonics aptly compare to sepia-soaked memories or the final golden hour of sunlight. Webs is a uniquely collaborative project in that all three members (Sara Bischoff, Sarah Nienaber and Chris Rose) split duties between penning songs, playing guitar and singing across their catalog. Writing their fourth album, “Chaos Waltz”, the band was geographically split between Portland and Minneapolis, giving each songwriter even more autonomy and freedom to hone their particular vision. Blending and coalescing these three minds resulted in “Chaos Waltz”, a beautiful album of their distinctly dreamy and emotive power.\"\u003c\/em\u003e\u003cbr\u003e- Moon Glyph\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Web of Sunsets\u003c\/p\u003e\n\u003cp\u003eLabel : Moon Glyph\u003c\/p\u003e"}
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2009年に始動し、大量のサイケアンビエントを出版しているポートランドのレーベルMoon Glyph諸作を本邦初入荷しました。 本作は、ミネアポリスのサイケフォークトリオWeb of Sunsetsによる4作目のフルアルバムです。牧歌的なサイケフォーク〜アシッドカントリー9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Moon Glyph releases available...
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{"id":7837381099770,"title":"Webb Crawford \/\/ Joiners TAPE","handle":"webb-crawford-joiners-tape","description":"\u003cp\u003eアメリカのギタリスト／木工職人／楽器製作者Webb Crawfordが、2022年9月に同国マサチューセッツの実験／ジャズレーベルTripticks Tapesから100本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eエレキギターやアコースティックギターによるインプロ13曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3358856835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3358856835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1635378339\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GOuQaAWmo4E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e Edition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHenry Mermer, July 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A joiner is an artisan, a fine craftsperson who works in the tradition of ‘joinery,’ or the process of cutting pieces of wood so that they fit tightly together without the use of glue or other adhesives; a joiner pieces wood together to create something that is (hopefully) synergistic; a joiner forges, if not by some kind-of magic, a distance between the lumber they use and the trees that it comes from, blurring the line between what is natural and crafted.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Joiners’ is the debut release from guitarist, improviser, and instrument builder Webb Crawford. It is a collection of solo guitar improvisations that draw upon the unique instrumental language they have been developing over the past few years, a portrait of the singular creative voice they have honed thus far. It is an essentially ‘guitaristic’ work, not one that is anxious to be comprehensive or impressive in any ‘technical’ capacity, but one that is fundamentally centered around the guitar, that begins with the instrument itself as its object of inquiry. It is a line of inquiry that isn’t just historico-aesthetic in scope, aiming to trace something of a cultural lineage of the instrument, but more fundamentally one that is concerned with its materiality—the guitar as a living and breathing technology, itself a joined and wooden\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e machinery.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWebb’s experience as a luthier and woodworker is a fact that leaves its trace embedded in all aspects of their work. On the most visible level, the track titles on ‘Joiners’ all make reference to various technical and historical aspects of joinery that fascinate Webb. “Hakluyt” is an address of its eponymous figure, Richard Hakluyt, an English propagandist who advocated for the colonization of North America, mostly as a means to accumulate natural resources, and in doing so, helped solidify the relationship between ecocide and the American lumber industry. “Free of Heart Center” refers to lumber that has been processed to remove its pith (i.e., its “heart center”), which is structurally the weakest part of the board, despite it being the original stem, the point from which the tree first started growing. (The piece which remains after FOHC boards have been milled is called ‘boxed heart’ lumber, which is made up of the pith and its surrounding materials, and which tends to be sold at a lower price for this reason.) “Four Quarter” is one example of the specialized language used in a lumberyard, in this case referring to a measurement adding up to ‘four quarter inches,’ or one inch.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Joiners’ is the product of a veritable fascination and genuine engagement with the guitar and the craft of joinery. In Webb’s own words: “I feel love when I hold my instrument. I marvel at the complexity of its existence and its creation. An instrument’s existence is a reflection of the joinery which unites all things.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt bears mentioning a fundamental principle of sound: sound does not disappear—it resonates, it lingers. It is never ‘one,’ but ‘more than one,’ always only existing in dialogue with another, its desire being not only to sound, but to re-sound. ‘Joiners’ is, architecturally, a constellation of sounds that shift from foreground to background, that opt for the amorphous and contemplative rather than the teleological. It proffers, like sound itself, that the possibility of multiplicity, generosity, and togetherness is one worth striving towards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eWebb Crawford is an improviser, woodworker and instrument-builder. They like playing free-improvised music, Piedmont-style fingerpicking, and percussive\/noisy stuff. They have built stringed instruments ranging from electric guitars, basses and mandolins to modern reconstructions of historical instruments and instruments made from recycled materials or found objects. They apprenticed with Mamie Minch \u0026amp; Chloe Swantner at the Brooklyn Lutherie, and built electric guitars and basses at Subway Guitars in Berkeley, CA. In 2017, they worked with the Massachusetts Museum of Contemporary Art to restore the instruments of Gunnar Schonbeck as part of a playable interactive exhibit. They completed an MA in Experimental Music\/Composition at Wesleyan University in June, 2021. 'Joiners' marks their debut solo release.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Webb Crawford\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e","published_at":"2022-11-13T15:37:16+09:00","created_at":"2022-11-13T11:40:49+09:00","vendor":"Tobira Records","type":"","tags":["drone","jazz","tape","tripticks tapes"],"price":218000,"price_min":218000,"price_max":218000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43644568207610,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Webb Crawford \/\/ Joiners TAPE","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_7a64083c-746c-44f7-aad8-db8f83750f28.jpg?v=1668307250","\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_371477d9-300e-4090-9720-bca9a1aa7ce5.jpg?v=1668307251"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_7a64083c-746c-44f7-aad8-db8f83750f28.jpg?v=1668307250","options":["Title"],"media":[{"alt":null,"id":30987081253114,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_7a64083c-746c-44f7-aad8-db8f83750f28.jpg?v=1668307250"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_7a64083c-746c-44f7-aad8-db8f83750f28.jpg?v=1668307250","width":700},{"alt":null,"id":30987081285882,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_371477d9-300e-4090-9720-bca9a1aa7ce5.jpg?v=1668307251"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_371477d9-300e-4090-9720-bca9a1aa7ce5.jpg?v=1668307251","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリスト／木工職人／楽器製作者Webb Crawfordが、2022年9月に同国マサチューセッツの実験／ジャズレーベルTripticks Tapesから100本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eエレキギターやアコースティックギターによるインプロ13曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3358856835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3358856835\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1635378339\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GOuQaAWmo4E\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ttt\"\u003ehere\u003c\/a\u003e to see more Tripticks Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003e Edition of 100. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHenry Mermer, July 2022:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A joiner is an artisan, a fine craftsperson who works in the tradition of ‘joinery,’ or the process of cutting pieces of wood so that they fit tightly together without the use of glue or other adhesives; a joiner pieces wood together to create something that is (hopefully) synergistic; a joiner forges, if not by some kind-of magic, a distance between the lumber they use and the trees that it comes from, blurring the line between what is natural and crafted.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Joiners’ is the debut release from guitarist, improviser, and instrument builder Webb Crawford. It is a collection of solo guitar improvisations that draw upon the unique instrumental language they have been developing over the past few years, a portrait of the singular creative voice they have honed thus far. It is an essentially ‘guitaristic’ work, not one that is anxious to be comprehensive or impressive in any ‘technical’ capacity, but one that is fundamentally centered around the guitar, that begins with the instrument itself as its object of inquiry. It is a line of inquiry that isn’t just historico-aesthetic in scope, aiming to trace something of a cultural lineage of the instrument, but more fundamentally one that is concerned with its materiality—the guitar as a living and breathing technology, itself a joined and wooden\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e machinery.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWebb’s experience as a luthier and woodworker is a fact that leaves its trace embedded in all aspects of their work. On the most visible level, the track titles on ‘Joiners’ all make reference to various technical and historical aspects of joinery that fascinate Webb. “Hakluyt” is an address of its eponymous figure, Richard Hakluyt, an English propagandist who advocated for the colonization of North America, mostly as a means to accumulate natural resources, and in doing so, helped solidify the relationship between ecocide and the American lumber industry. “Free of Heart Center” refers to lumber that has been processed to remove its pith (i.e., its “heart center”), which is structurally the weakest part of the board, despite it being the original stem, the point from which the tree first started growing. (The piece which remains after FOHC boards have been milled is called ‘boxed heart’ lumber, which is made up of the pith and its surrounding materials, and which tends to be sold at a lower price for this reason.) “Four Quarter” is one example of the specialized language used in a lumberyard, in this case referring to a measurement adding up to ‘four quarter inches,’ or one inch.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e‘Joiners’ is the product of a veritable fascination and genuine engagement with the guitar and the craft of joinery. In Webb’s own words: “I feel love when I hold my instrument. I marvel at the complexity of its existence and its creation. An instrument’s existence is a reflection of the joinery which unites all things.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt bears mentioning a fundamental principle of sound: sound does not disappear—it resonates, it lingers. It is never ‘one,’ but ‘more than one,’ always only existing in dialogue with another, its desire being not only to sound, but to re-sound. ‘Joiners’ is, architecturally, a constellation of sounds that shift from foreground to background, that opt for the amorphous and contemplative rather than the teleological. It proffers, like sound itself, that the possibility of multiplicity, generosity, and togetherness is one worth striving towards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eArtist bio (via the label):\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\"\u003cem\u003eWebb Crawford is an improviser, woodworker and instrument-builder. They like playing free-improvised music, Piedmont-style fingerpicking, and percussive\/noisy stuff. They have built stringed instruments ranging from electric guitars, basses and mandolins to modern reconstructions of historical instruments and instruments made from recycled materials or found objects. They apprenticed with Mamie Minch \u0026amp; Chloe Swantner at the Brooklyn Lutherie, and built electric guitars and basses at Subway Guitars in Berkeley, CA. In 2017, they worked with the Massachusetts Museum of Contemporary Art to restore the instruments of Gunnar Schonbeck as part of a playable interactive exhibit. They completed an MA in Experimental Music\/Composition at Wesleyan University in June, 2021. 'Joiners' marks their debut solo release.\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Webb Crawford\u003c\/p\u003e\n\u003cp\u003eLabel : Tripticks Tapes\u003c\/p\u003e"}
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アメリカのギタリスト／木工職人／楽器製作者Webb Crawfordが、2022年9月に同国マサチューセッツの実験／ジャズレーベルTripticks Tapesから100本限定でリリースしたデビューカセットです。 エレキギターやアコースティックギターによるインプロ13曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Tripticks Tapes releases available at Tobira. ...
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{"id":8530339823866,"title":"Webbed Wing \/\/ Vol. III LP [COLOR]","handle":"webbed-wing-vol-iii-lp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・ペンシルベニアのインディーロック3ピースバンドWebbed Wingが、2024年7月にペンシルベニアのインディーレーベルMemory Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eノスタルジックなオルタナロック10曲を収録。青渦巻き盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WXsGiUzdJ0w?si=39hpj7xVdOEGHtLy\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DwndGm70N9k?si=s9P4zMC5jCHPpyCZ\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BB3upqAXQJ4?si=f_v9-DRxG4fIZ-VO\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/memm\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/omr\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/memm\"\u003ehere\u003c\/a\u003e to see more Memory Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" blue swirl vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Further 03:03\u003cbr\u003e2. Tortuga\u003cbr\u003e3. Burn It Down 03:17\u003cbr\u003e4. So It Goes\u003cbr\u003e5. Hero's Death\u003cbr\u003e6. Change Me\u003cbr\u003e7. I Shared a Cell\u003cbr\u003e8. Take It From Me\u003cbr\u003e9. Where Mortal Men Dare Not Tread\u003cbr\u003e10. My Front Door 03:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Webbed Wing\u003c\/p\u003e\n\u003cp\u003eLabel : Memory Music\u003c\/p\u003e\n\u003cp\u003eCAT No : MM041\u003c\/p\u003e","published_at":"2024-06-27T07:44:39+09:00","created_at":"2024-06-26T19:12:56+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","memory music"],"price":349000,"price_min":349000,"price_max":349000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46289750851834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Webbed Wing \/\/ Vol. III LP [COLOR]","public_title":null,"options":["Default Title"],"price":349000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/web1_d7df7edb-5df7-47a9-b83f-c5ab6c58ed94.jpg?v=1719396638","\/\/tobirarecords.com\/cdn\/shop\/files\/web1.webp?v=1719396638"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/web1_d7df7edb-5df7-47a9-b83f-c5ab6c58ed94.jpg?v=1719396638","options":["Title"],"media":[{"alt":null,"id":34408906522874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/web1_d7df7edb-5df7-47a9-b83f-c5ab6c58ed94.jpg?v=1719396638"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/web1_d7df7edb-5df7-47a9-b83f-c5ab6c58ed94.jpg?v=1719396638","width":700},{"alt":null,"id":34408906555642,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1445,"width":1445,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/web1.webp?v=1719396638"},"aspect_ratio":1.0,"height":1445,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/web1.webp?v=1719396638","width":1445}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・ペンシルベニアのインディーロック3ピースバンドWebbed Wingが、2024年7月にペンシルベニアのインディーレーベルMemory Musicからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eノスタルジックなオルタナロック10曲を収録。青渦巻き盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/WXsGiUzdJ0w?si=39hpj7xVdOEGHtLy\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DwndGm70N9k?si=s9P4zMC5jCHPpyCZ\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/BB3upqAXQJ4?si=f_v9-DRxG4fIZ-VO\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/memm\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/omr\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/memm\"\u003ehere\u003c\/a\u003e to see more Memory Music releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" blue swirl vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Further 03:03\u003cbr\u003e2. Tortuga\u003cbr\u003e3. Burn It Down 03:17\u003cbr\u003e4. So It Goes\u003cbr\u003e5. Hero's Death\u003cbr\u003e6. Change Me\u003cbr\u003e7. I Shared a Cell\u003cbr\u003e8. Take It From Me\u003cbr\u003e9. Where Mortal Men Dare Not Tread\u003cbr\u003e10. My Front Door 03:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Webbed Wing\u003c\/p\u003e\n\u003cp\u003eLabel : Memory Music\u003c\/p\u003e\n\u003cp\u003eCAT No : MM041\u003c\/p\u003e"}
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{"id":8660088193274,"title":"Webster Lewis Live at Club7 4xLP BOX SET","handle":"webster-lewis-live-at-club7-4xlp-box-set","description":"\u003cp\u003eアメリカのジャズキーボード奏者Webster Lewisが、2024年11月にフィンランド・ヘルシンキのジャズレーベル\u003cspan data-mce-fragment=\"1\"\u003eJazzaggressionからリリースした4枚組レコードボックスセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1972年にリリースしたライブアルバムにボーナストラックを追加した22曲を収録。ブックレットとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1946478579\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jazzaggression\" title=\"Jazzaggression\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eJazzaggression\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/jazzaggression\/websterlewis\" title=\"Live at Club 7 box Snippets\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eLive at Club 7 box Snippets\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jazzagg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jazzagg\"\u003ehere\u003c\/a\u003e to see more Jazzaggression releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl featuring Webster Lewis' '\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLive at Club7' \u003c\/em\u003e+ \u003cem\u003e'Club7 Live Tapes'.\u003cbr\u003e\u003c\/em\u003eIncludes \u003cspan\u003ean 8-page booklet with rare photos, updated liner notes, four tip-on sleeves in a custom box. Edition of 500. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eLive at Club7 Tracklist:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eDo You Believe\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e21:45\u003cbr\u003eSaturday Night Evening\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:48\u003cbr\u003eMr. Knotts\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:18\u003cbr\u003eSpace Rock\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:23\u003cbr\u003eQvote - Unqvote\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:27\u003cbr\u003eDear Sister\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:33\u003cbr\u003eIt's Your Thing\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e10:13\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eClub7 Live Tapes Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eDo You Believe\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e20:32\u003cbr\u003eSaturday Night Opening\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:47\u003cbr\u003eMr. Knots\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:16\u003cbr\u003eSpace Rock\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:28\u003cbr\u003eQvote-Unqvote\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:09\u003cbr\u003eDear Sister\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:23\u003cbr\u003eIt's Your Thing\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e8:39\u003cbr\u003eSilent Lights\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:13\u003cbr\u003eUp On The Roof\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:13\u003cbr\u003eClub 7 Latin\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e8:22\u003cbr\u003eDo You Believe (Alternative Version)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e17:15\u003cbr\u003eFor Arne\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e14:57\u003cbr\u003eIt's Your Thing (Alternative Version)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e8:34\u003cbr\u003eIntermezzo\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e11:05\u003cbr\u003eTwelve Gates To The City\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eJazzaggression:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe complete set: the original 1972 Live at Club7 album and Club7 Live Tapes from 2007— together in a box as 4 LPs!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs Jazzaggression celebrates its 20th anniversary, we knew we had to do something special. So, we went back to our very first release and thought: How can we make it even better? The answer was to bundle the original Live at Club7 release from ’72 with previously unreleased material, giving you, for the first time, the entire session as one complete experience. We returned to the master tapes for fresh transfers and had new lacquers cut by Jukka Sarapaa of Timmion fame. Plus, we dove into the photo archives to include previously unseen photos from the session.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMuch has already been written about this Boston-based band, handpicked by George Russell and touring Norway in the early seventies, as well as the series of coincidences that led to its recording by engineer Jan Erik Kongshaug (later known for his work with ECM) in 1971. The story is well-covered in the liner notes of the 8-page booklet that accompanies the box set. To keep it brief here: this music embodies the best of both worlds for rare groove fans—soulful jazz with a killer backbone. But it’s more than that; there’s an esoteric, free-flowing energy in the jazz tracks that resonates even more today than when we first released the Club7 tapes two decades ago.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe music reflects the vision of a nonconformist Webster Lewis in his late 20s, backed by a powerhouse lineup. Tenor Judd Watkins brings an “Isaac Hayes” style to the vocals, while the extraordinary drummer Jimmy Hopps anchors the rhythm with force, alongside Bobby Greene on alto sax and Stan Strickland on tenor sax and flute. Together, they form a quintet with an eclectic selection of songs and a scale of sound that remains unmatched to this day.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOr as Webster himself said back then: “We’ve only just begun.” It’s The Post-Pop, Space Rock, Be-Bop, Gospel Tabernacle Chorus and Orchestra, BABY!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Webster Lewis\u003c\/p\u003e\n\u003cp\u003eLabel : Jazzaggression\u003c\/p\u003e","published_at":"2024-11-10T11:57:37+09:00","created_at":"2024-11-09T15:21:21+09:00","vendor":"Tobira Records","type":"","tags":["jazz","jazzaggression","lp","new"],"price":1598000,"price_min":1598000,"price_max":1598000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46841838239994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Webster Lewis Live at Club7 4xLP BOX SET","public_title":null,"options":["Default Title"],"price":1598000,"weight":1600,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.13.41pm.png?v=1731132939","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.13.52pm.png?v=1731132940","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.10pm.png?v=1731132939","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.17pm.png?v=1731132939","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.24pm.png?v=1731132939"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.13.41pm.png?v=1731132939","options":["Title"],"media":[{"alt":null,"id":35167679021306,"position":1,"preview_image":{"aspect_ratio":1.007,"height":698,"width":703,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.13.41pm.png?v=1731132939"},"aspect_ratio":1.007,"height":698,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.13.41pm.png?v=1731132939","width":703},{"alt":null,"id":35167679054074,"position":2,"preview_image":{"aspect_ratio":1.0,"height":698,"width":698,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.13.52pm.png?v=1731132940"},"aspect_ratio":1.0,"height":698,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.13.52pm.png?v=1731132940","width":698},{"alt":null,"id":35167679086842,"position":3,"preview_image":{"aspect_ratio":1.003,"height":697,"width":699,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.10pm.png?v=1731132939"},"aspect_ratio":1.003,"height":697,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.10pm.png?v=1731132939","width":699},{"alt":null,"id":35167679119610,"position":4,"preview_image":{"aspect_ratio":0.999,"height":699,"width":698,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.17pm.png?v=1731132939"},"aspect_ratio":0.999,"height":699,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.17pm.png?v=1731132939","width":698},{"alt":null,"id":35167679152378,"position":5,"preview_image":{"aspect_ratio":0.996,"height":698,"width":695,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.24pm.png?v=1731132939"},"aspect_ratio":0.996,"height":698,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2024-11-09at3.14.24pm.png?v=1731132939","width":695}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズキーボード奏者Webster Lewisが、2024年11月にフィンランド・ヘルシンキのジャズレーベル\u003cspan data-mce-fragment=\"1\"\u003eJazzaggressionからリリースした4枚組レコードボックスセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1972年にリリースしたライブアルバムにボーナストラックを追加した22曲を収録。ブックレットとDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1946478579\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/jazzaggression\" title=\"Jazzaggression\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eJazzaggression\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/jazzaggression\/websterlewis\" title=\"Live at Club 7 box Snippets\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eLive at Club 7 box Snippets\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/jazzagg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/jazzagg\"\u003ehere\u003c\/a\u003e to see more Jazzaggression releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl featuring Webster Lewis' '\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLive at Club7' \u003c\/em\u003e+ \u003cem\u003e'Club7 Live Tapes'.\u003cbr\u003e\u003c\/em\u003eIncludes \u003cspan\u003ean 8-page booklet with rare photos, updated liner notes, four tip-on sleeves in a custom box. Edition of 500. Includes DL code.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eLive at Club7 Tracklist:\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eDo You Believe\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e21:45\u003cbr\u003eSaturday Night Evening\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:48\u003cbr\u003eMr. Knotts\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:18\u003cbr\u003eSpace Rock\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:23\u003cbr\u003eQvote - Unqvote\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:27\u003cbr\u003eDear Sister\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e3:33\u003cbr\u003eIt's Your Thing\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e10:13\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cstrong\u003eClub7 Live Tapes Tracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eDo You Believe\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e20:32\u003cbr\u003eSaturday Night Opening\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:47\u003cbr\u003eMr. Knots\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e9:16\u003cbr\u003eSpace Rock\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e15:28\u003cbr\u003eQvote-Unqvote\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:09\u003cbr\u003eDear Sister\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:23\u003cbr\u003eIt's Your Thing\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e8:39\u003cbr\u003eSilent Lights\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:13\u003cbr\u003eUp On The Roof\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:13\u003cbr\u003eClub 7 Latin\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e8:22\u003cbr\u003eDo You Believe (Alternative Version)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e17:15\u003cbr\u003eFor Arne\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e14:57\u003cbr\u003eIt's Your Thing (Alternative Version)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e8:34\u003cbr\u003eIntermezzo\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e11:05\u003cbr\u003eTwelve Gates To The City\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eJazzaggression:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe complete set: the original 1972 Live at Club7 album and Club7 Live Tapes from 2007— together in a box as 4 LPs!\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs Jazzaggression celebrates its 20th anniversary, we knew we had to do something special. So, we went back to our very first release and thought: How can we make it even better? The answer was to bundle the original Live at Club7 release from ’72 with previously unreleased material, giving you, for the first time, the entire session as one complete experience. We returned to the master tapes for fresh transfers and had new lacquers cut by Jukka Sarapaa of Timmion fame. Plus, we dove into the photo archives to include previously unseen photos from the session.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMuch has already been written about this Boston-based band, handpicked by George Russell and touring Norway in the early seventies, as well as the series of coincidences that led to its recording by engineer Jan Erik Kongshaug (later known for his work with ECM) in 1971. The story is well-covered in the liner notes of the 8-page booklet that accompanies the box set. To keep it brief here: this music embodies the best of both worlds for rare groove fans—soulful jazz with a killer backbone. But it’s more than that; there’s an esoteric, free-flowing energy in the jazz tracks that resonates even more today than when we first released the Club7 tapes two decades ago.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe music reflects the vision of a nonconformist Webster Lewis in his late 20s, backed by a powerhouse lineup. Tenor Judd Watkins brings an “Isaac Hayes” style to the vocals, while the extraordinary drummer Jimmy Hopps anchors the rhythm with force, alongside Bobby Greene on alto sax and Stan Strickland on tenor sax and flute. Together, they form a quintet with an eclectic selection of songs and a scale of sound that remains unmatched to this day.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOr as Webster himself said back then: “We’ve only just begun.” It’s The Post-Pop, Space Rock, Be-Bop, Gospel Tabernacle Chorus and Orchestra, BABY!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Webster Lewis\u003c\/p\u003e\n\u003cp\u003eLabel : Jazzaggression\u003c\/p\u003e"}
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アメリカのジャズキーボード奏者Webster Lewisが、2024年11月にフィンランド・ヘルシンキのジャズレーベルJazzaggressionからリリースした4枚組レコードボックスセットです。 1972年にリリースしたライブアルバムにボーナストラックを追加した22曲を収録。ブックレットとDLコード付属。 Jazzaggression · Live at Club 7 box Snippets レーベルその他作品はこちら /// Click here to see...
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{"id":7647747899642,"title":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE","handle":"wednesday-i-was-trying-to-describe-you-to-someone-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1533100232\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=694158056\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMetallic silver vinyl ediiton of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, full color photo jackets with Risograph-printed lyric sheet inserts. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e3rd edition of 100 tapes. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally dubbed Super Ferric tapes in light pink shells imprinted with burgundy ink. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eI Was Trying to Describe You to Someone is Wednesday’s second full-length album \u0026amp; first as a full band. The Asheville, NC quintet (guitarist\/vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz \u0026amp; drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman’s bell-clear vocals \u0026amp; wisps of half-recalled memories \u0026amp; literary references that make up her lyrics. I Was Trying to Describe You to Someone’s eight songs meld elements of shoegaze, grunge, indie pop \u0026amp; southern American culture into a uniquely personal style of modern rock music that resonates with power \u0026amp; tenderness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWednesday began as a recording collaboration between Hartzman \u0026amp; Daniel during the winter of 2017, while both students at the University of North Carolina Asheville. While living on campus, the duo recorded a whimsical synth-pop LP entitled Yep, Definitely, influenced heavily by the album Reading, Writing and Arithmetic by English alternative rock group The Sundays (the inspiration for Wednesday’s own band name). The duo recruited Chelmis \u0026amp; Miller (along with original bassist Julien Melissas) to play a party at Karly’s sister’s house, \u0026amp; the full band had an instant chemistry that won over the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e small crowd. With the immediate support of Asheville’s underground music scene, Wednesday quickly became a local staple, appearing often at the band’s favorite Asheville venue, The Mothlight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSchultz replaced Melissas on bass in time for Wednesday’s first tour, \u0026amp; the new line-up recorded a collaborative EP with fellow Ashevillian MJ Lenderman, 2018’s How Do You Let Love into the Heart That Isn't Split Wide Open. The EP began Wednesday’s progression into darker instrumentation \u0026amp; lyrics, which continued on 2019’s Wednesday EP. After graduating from UNCA, Hartzman began writing the songs that would become Wednesday’s second full-length release, I Was Trying to Describe You to Someone. With the band contributing arrangements, the new songs placed more emphasis on the noise \u0026amp; dissonance of Chelmis’s lap steel \u0026amp; Gorham’s lead guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ever-darkening \u0026amp; deepening of Wednesdays’ sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, \u0026amp; their continued collaboration with MJ Lenderman (who lends backing vocals to the songs “Billboard” \u0026amp; “November”). I Was Trying to Describe You to Someone was recorded at Hartzman’s home with engineering assistance from her roommate Colin Miller. The depth \u0026amp; clarity of the recordings balance the distorted volume of Wednesday’s live performances with the intimacy of Hartzman’s voice. Her words hold the center of the chaos, unobscured by the power of the band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHartzman describes her lyrics as “attempts to access old personal memories \u0026amp; do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O’Connor, David Berman \u0026amp; Tom Robbins, \u0026amp; movies like Steel Magnolias.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T14:17:39+09:00","created_at":"2022-06-20T14:05:54+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal","tape"],"price":149000,"price_min":149000,"price_max":298000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897027989754,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358483439866,"product_id":7647747899642,"position":2,"created_at":"2022-06-20T14:05:54+09:00","updated_at":"2022-06-20T14:05:56+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","variant_ids":[42897027989754]},"available":false,"name":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933763592442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897028022522,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358483374330,"product_id":7647747899642,"position":3,"created_at":"2022-06-20T14:05:54+09:00","updated_at":"2022-06-20T14:05:56+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556","variant_ids":[42897028022522]},"available":false,"name":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":149000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933763625210,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","options":["format"],"media":[{"alt":null,"id":29933763559674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","width":700},{"alt":null,"id":29933763592442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","width":1200},{"alt":null,"id":29933763625210,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1533100232\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=694158056\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMetallic silver vinyl ediiton of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, full color photo jackets with Risograph-printed lyric sheet inserts. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e3rd edition of 100 tapes. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally dubbed Super Ferric tapes in light pink shells imprinted with burgundy ink. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eI Was Trying to Describe You to Someone is Wednesday’s second full-length album \u0026amp; first as a full band. The Asheville, NC quintet (guitarist\/vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz \u0026amp; drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman’s bell-clear vocals \u0026amp; wisps of half-recalled memories \u0026amp; literary references that make up her lyrics. I Was Trying to Describe You to Someone’s eight songs meld elements of shoegaze, grunge, indie pop \u0026amp; southern American culture into a uniquely personal style of modern rock music that resonates with power \u0026amp; tenderness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWednesday began as a recording collaboration between Hartzman \u0026amp; Daniel during the winter of 2017, while both students at the University of North Carolina Asheville. While living on campus, the duo recorded a whimsical synth-pop LP entitled Yep, Definitely, influenced heavily by the album Reading, Writing and Arithmetic by English alternative rock group The Sundays (the inspiration for Wednesday’s own band name). The duo recruited Chelmis \u0026amp; Miller (along with original bassist Julien Melissas) to play a party at Karly’s sister’s house, \u0026amp; the full band had an instant chemistry that won over the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e small crowd. With the immediate support of Asheville’s underground music scene, Wednesday quickly became a local staple, appearing often at the band’s favorite Asheville venue, The Mothlight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSchultz replaced Melissas on bass in time for Wednesday’s first tour, \u0026amp; the new line-up recorded a collaborative EP with fellow Ashevillian MJ Lenderman, 2018’s How Do You Let Love into the Heart That Isn't Split Wide Open. The EP began Wednesday’s progression into darker instrumentation \u0026amp; lyrics, which continued on 2019’s Wednesday EP. After graduating from UNCA, Hartzman began writing the songs that would become Wednesday’s second full-length release, I Was Trying to Describe You to Someone. With the band contributing arrangements, the new songs placed more emphasis on the noise \u0026amp; dissonance of Chelmis’s lap steel \u0026amp; Gorham’s lead guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ever-darkening \u0026amp; deepening of Wednesdays’ sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, \u0026amp; their continued collaboration with MJ Lenderman (who lends backing vocals to the songs “Billboard” \u0026amp; “November”). I Was Trying to Describe You to Someone was recorded at Hartzman’s home with engineering assistance from her roommate Colin Miller. The depth \u0026amp; clarity of the recordings balance the distorted volume of Wednesday’s live performances with the intimacy of Hartzman’s voice. Her words hold the center of the chaos, unobscured by the power of the band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHartzman describes her lyrics as “attempts to access old personal memories \u0026amp; do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O’Connor, David Berman \u0026amp; Tom Robbins, \u0026amp; movies like Steel Magnolias.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。 シューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":8924974055674,"title":"Wednesday \/\/ Bleeds LP","handle":"wednesday-bleeds-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※9月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・ノースカロライナのインディーバンドWednesdayが、2025年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーロック12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1173127828\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reality TV Argument Bleeds\u003cbr\u003e2. Townies\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Wound Up Here (By Holdin On) \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Elderberry Wine \u003cbr\u003e\u003c\/span\u003e5. Phish Pepsi\u003cbr\u003e6. Candy Breath\u003cbr\u003e7. The Way Love Goes\u003cbr\u003e8. Pick Up That Knife \u003cbr\u003e9. Wasp\u003cbr\u003e10. Bitter Everyday\u003cbr\u003e11. Carolina Murder Suicide\u003cbr\u003e12. Gary’s II\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDead Oceans:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCan a self-portrait be a collage? Can empathy be autobiographical? What’s the point of living if we’re not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday’s new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that—like many of the most arresting passages from the North Carolina band’s highlight reel so far—thoughtfully explores the vivid link between curiosity and confession.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBleeds is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both rewarding and relentless. “Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential ‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they’ve refined the formula that makes them one of the most interesting rock bands of their generation. “This is what Wednesday songs are\u003cspan class=\"bcTruncateMore\"\u003e supposed to sound like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”\u003cbr\u003e\u003cbr\u003eJust like Rat Saw God, one of the defining rock \u0026amp; roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who’s been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates—Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake “M.J.” Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman’s masterfully subjective approach to detail selection.\u003cbr\u003e\u003cbr\u003eEvery image or scene is filtered through Hartzman’s agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman’s specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else’s.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003eDOC428lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-09-17T06:33:58+09:00","created_at":"2025-09-17T06:33:17+09:00","vendor":"Tobira Records","type":"","tags":["dead oceans","folk \/ left-field pop","lp","new"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47725486801146,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wednesday \/\/ Bleeds LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605172811","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_9c25d743-6f73-4e70-af6e-2c8d663dd618.jpg?v=1756432803"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_9c25d743-6f73-4e70-af6e-2c8d663dd618.jpg?v=1756432803","options":["Title"],"media":[{"alt":null,"id":36676544168186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_9c25d743-6f73-4e70-af6e-2c8d663dd618.jpg?v=1756432803"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_9c25d743-6f73-4e70-af6e-2c8d663dd618.jpg?v=1756432803","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※9月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・ノースカロライナのインディーバンドWednesdayが、2025年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーロック12曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1173127828\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reality TV Argument Bleeds\u003cbr\u003e2. Townies\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Wound Up Here (By Holdin On) \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Elderberry Wine \u003cbr\u003e\u003c\/span\u003e5. Phish Pepsi\u003cbr\u003e6. Candy Breath\u003cbr\u003e7. The Way Love Goes\u003cbr\u003e8. Pick Up That Knife \u003cbr\u003e9. Wasp\u003cbr\u003e10. Bitter Everyday\u003cbr\u003e11. Carolina Murder Suicide\u003cbr\u003e12. Gary’s II\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDead Oceans:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCan a self-portrait be a collage? Can empathy be autobiographical? What’s the point of living if we’re not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday’s new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that—like many of the most arresting passages from the North Carolina band’s highlight reel so far—thoughtfully explores the vivid link between curiosity and confession.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBleeds is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both rewarding and relentless. “Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential ‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they’ve refined the formula that makes them one of the most interesting rock bands of their generation. “This is what Wednesday songs are\u003cspan class=\"bcTruncateMore\"\u003e supposed to sound like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”\u003cbr\u003e\u003cbr\u003eJust like Rat Saw God, one of the defining rock \u0026amp; roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who’s been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates—Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake “M.J.” Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman’s masterfully subjective approach to detail selection.\u003cbr\u003e\u003cbr\u003eEvery image or scene is filtered through Hartzman’s agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman’s specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else’s.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cspan\u003eDOC428lp\u003c\/span\u003e\u003c\/p\u003e"}
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※9月下旬再入荷後発送します アメリカ・ノースカロライナのインディーバンドWednesdayが、2025年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。 インディーロック12曲を収録。 レーベルその他作品はこちら /// Click here to see more Dead Oceans releases...
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{"id":8907037081850,"title":"Wednesday \/\/ Bleeds LP [COLOR]","handle":"wednesday-bleeds-lp-color","description":"\u003cp\u003eアメリカ・ノースカロライナのインディーバンドWednesdayが、2025年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーロック12曲を収録。一点一点異なるリサイクルカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1173127828\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" eco mix color vinyl. Colors are all random. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reality TV Argument Bleeds\u003cbr\u003e2. Townies\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Wound Up Here (By Holdin On) \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Elderberry Wine \u003cbr\u003e\u003c\/span\u003e5. Phish Pepsi\u003cbr\u003e6. Candy Breath\u003cbr\u003e7. The Way Love Goes\u003cbr\u003e8. Pick Up That Knife \u003cbr\u003e9. Wasp\u003cbr\u003e10. Bitter Everyday\u003cbr\u003e11. Carolina Murder Suicide\u003cbr\u003e12. Gary’s II\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDead Oceans:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCan a self-portrait be a collage? Can empathy be autobiographical? What’s the point of living if we’re not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday’s new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that—like many of the most arresting passages from the North Carolina band’s highlight reel so far—thoughtfully explores the vivid link between curiosity and confession.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBleeds is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both rewarding and relentless. “Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential ‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they’ve refined the formula that makes them one of the most interesting rock bands of their generation. “This is what Wednesday songs are\u003cspan class=\"bcTruncateMore\"\u003e supposed to sound like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”\u003cbr\u003e\u003cbr\u003eJust like Rat Saw God, one of the defining rock \u0026amp; roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who’s been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates—Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake “M.J.” Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman’s masterfully subjective approach to detail selection.\u003cbr\u003e\u003cbr\u003eEvery image or scene is filtered through Hartzman’s agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman’s specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else’s.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDOC428lp-C1 \u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-30T10:40:55+09:00","created_at":"2025-08-29T11:03:39+09:00","vendor":"Tobira Records","type":"","tags":["dead oceans","folk \/ left-field pop","lp","new"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47666206015738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wednesday \/\/ Bleeds LP [COLOR]","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"656605172835","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_9c25d743-6f73-4e70-af6e-2c8d663dd618.jpg?v=1756432803"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_9c25d743-6f73-4e70-af6e-2c8d663dd618.jpg?v=1756432803","options":["Title"],"media":[{"alt":null,"id":36676544168186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_9c25d743-6f73-4e70-af6e-2c8d663dd618.jpg?v=1756432803"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_9c25d743-6f73-4e70-af6e-2c8d663dd618.jpg?v=1756432803","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ノースカロライナのインディーバンドWednesdayが、2025年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eインディーロック12曲を収録。一点一点異なるリサイクルカラー盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1173127828\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ddoc\"\u003ehere\u003c\/a\u003e to see more Dead Oceans releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" eco mix color vinyl. Colors are all random. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reality TV Argument Bleeds\u003cbr\u003e2. Townies\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Wound Up Here (By Holdin On) \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Elderberry Wine \u003cbr\u003e\u003c\/span\u003e5. Phish Pepsi\u003cbr\u003e6. Candy Breath\u003cbr\u003e7. The Way Love Goes\u003cbr\u003e8. Pick Up That Knife \u003cbr\u003e9. Wasp\u003cbr\u003e10. Bitter Everyday\u003cbr\u003e11. Carolina Murder Suicide\u003cbr\u003e12. Gary’s II\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDead Oceans:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eCan a self-portrait be a collage? Can empathy be autobiographical? What’s the point of living if we’re not trying to understand all the horror and humor that surrounds everything? These are a few of the questions lurking under the bleachers of Wednesday’s new album Bleeds, an intoxicating collection of narrative-heavy Southern rock that—like many of the most arresting passages from the North Carolina band’s highlight reel so far—thoughtfully explores the vivid link between curiosity and confession.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBleeds is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise. Karly Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both rewarding and relentless. “Bleeds is the spiritual successor to Rat Saw God, and I think the quintessential ‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they’ve refined the formula that makes them one of the most interesting rock bands of their generation. “This is what Wednesday songs are\u003cspan class=\"bcTruncateMore\"\u003e supposed to sound like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”\u003cbr\u003e\u003cbr\u003eJust like Rat Saw God, one of the defining rock \u0026amp; roll records of the 2020s so far, Bleeds came together at Drop of Sun in Asheville and was produced by Alex Farrar, who’s been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates—Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake “M.J.” Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman’s masterfully subjective approach to detail selection.\u003cbr\u003e\u003cbr\u003eEvery image or scene is filtered through Hartzman’s agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman’s specific obsessions and vulnerabilities, about the fragmented way she processes the world. Maybe sometimes the best way to locate truth or pain or dignity within your own life story, Bleeds suggests, is by crawling into someone else’s.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Oceans\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDOC428lp-C1 \u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ノースカロライナのインディーバンドWednesdayが、2025年9月に同国インディアナのインディーレーベルDead Oceansからリリースしたレコードです。 インディーロック12曲を収録。一点一点異なるリサイクルカラー盤です。 レーベルその他作品はこちら /// Click here to see more Dead Oceans releases available...
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{"id":7990442295546,"title":"Wednesday \/\/ Mowing the Leaves Instead of Piling 'em Up LP","handle":"wednesday-mowing-the-leaves-instead-of-piling-em-up-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年3月にリリースしたカバーアルバムです。\u003c\/p\u003e\n\u003cp\u003eGary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコードとインサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2188391421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2986422593\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eKarly Hartzman\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI mean… c'mon!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-06-30T07:57:39+09:00","created_at":"2023-06-30T07:57:39+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44306310430970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wednesday \/\/ Mowing the Leaves Instead of Piling 'em Up LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4046635587_16_63e651a4-3a7a-44aa-820a-d5d024d626a4.jpg?v=1688079464","\/\/tobirarecords.com\/cdn\/shop\/files\/0031345494_10.jpg?v=1688079484","\/\/tobirarecords.com\/cdn\/shop\/files\/0031345492_10.jpg?v=1688079486"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4046635587_16_63e651a4-3a7a-44aa-820a-d5d024d626a4.jpg?v=1688079464","options":["Title"],"media":[{"alt":null,"id":32169868493050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4046635587_16_63e651a4-3a7a-44aa-820a-d5d024d626a4.jpg?v=1688079464"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4046635587_16_63e651a4-3a7a-44aa-820a-d5d024d626a4.jpg?v=1688079464","width":700},{"alt":null,"id":32169868853498,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031345494_10.jpg?v=1688079484"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031345494_10.jpg?v=1688079484","width":1200},{"alt":null,"id":32169868886266,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031345492_10.jpg?v=1688079486"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0031345492_10.jpg?v=1688079486","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年3月にリリースしたカバーアルバムです。\u003c\/p\u003e\n\u003cp\u003eGary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコードとインサート付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2188391421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2986422593\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eKarly Hartzman\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI mean… c'mon!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年3月にリリースしたカバーアルバムです。 Gary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコードとインサート付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records...
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{"id":7910159286522,"title":"Wednesday \/\/ Mowing the Leaves Instead of Piling 'em Up TAPE","handle":"wednesday-mowing-the-leaves-instead-of-piling-em-up-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年2月にリリースするカバーアルバムです。\u003c\/p\u003e\n\u003cp\u003eGary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2188391421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eKarly Hartzman\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI mean… c'mon!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2023-02-01T16:39:03+09:00","created_at":"2023-02-01T16:39:04+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","orindal","tape"],"price":188000,"price_min":188000,"price_max":188000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43955243286778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wednesday \/\/ Mowing the Leaves Instead of Piling 'em Up TAPE","public_title":null,"options":["Default Title"],"price":188000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a4046635587_16.jpg?v=1675237166","\/\/tobirarecords.com\/cdn\/shop\/products\/0028488379_10.jpg?v=1675237166"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4046635587_16.jpg?v=1675237166","options":["Title"],"media":[{"alt":null,"id":31463001784570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4046635587_16.jpg?v=1675237166"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4046635587_16.jpg?v=1675237166","width":700},{"alt":null,"id":31463001817338,"position":2,"preview_image":{"aspect_ratio":1.001,"height":1199,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028488379_10.jpg?v=1675237166"},"aspect_ratio":1.001,"height":1199,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0028488379_10.jpg?v=1675237166","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年2月にリリースするカバーアルバムです。\u003c\/p\u003e\n\u003cp\u003eGary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2188391421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eKarly Hartzman\u003c\/span\u003e\u003cspan\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWednesday owes so much to our musical influences. The music we love is a big part of what brought us together. My bandmates Margo and Xandy both had infamous Asheville house show venues, Jake was in like a billion different bands which often played in their muggy basements and Alan was usually the one who brought the PA. Our immersion in music predated us trying to make songs together ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur common interests in noisey ‘90s guitars, good lyrics, and country music was quickly what permeated into our voice as a band. Most decisions in our songs are made by an amalgamation of all five of our inputs, which happens pretty naturally because of this thread of influences that ties us together.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo when we got an opportunity for some recording time with Alli Rogers at Betty’s studio in Durham, NC we decided to record covers, and hopefully repay in part the huge debt we are in to the artists who contributed so much to the music we write ourselves.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I was thinking if there was anything that these songs have in common, the main thing I found recurring was the combination of sadness and humor. It’s effective as hell to combine the two emotions, making each other more intense by the\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e contrast. Some of the masters of this included on this album of course are: Roger Miller, Vic Chesnutt, Gary Stewart and Drive-By Truckers.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSonically, Medicine opened a world of sound to me: a soft voice paired with unrelenting industrial noise. And if you listen to Wednesday’s original music it goes without saying that the Pumpkins discography (at least ‘til 1998) is a sound we reference often and tether ourselves to.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eChris Bell is the master of the perfect musical “moment”. There are few lines in any song that hit me as hard as:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Just when I was starting to feel okay, you’re on the phone. I never wanna be alone”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI mean… c'mon!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere’s just one cover from a band we are lucky to call our peers and for the record I just wanna say Hotline TNT is one of the best bands out there. We stayed real true to the original song for that one… cause it’s pretty perfect as-is.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe later half of the album is songs recorded with my partner and frequent collaborator MJ Lenderman (the thing is… I love him!!) His music is probably my biggest influence out of anyone and I owe him a lot a lot a lot.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnyways, if for whatever reason you're reading this and haven’t heard the original songs, I encourage you to look ‘em up! We tried our best to pay our respects but at the end of the day you can’t exactly replicate the magic of any of these tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMaking music (and hopefully living off it sometime soon) has been a dream come true for us. So thank you a million times to all the artists that paved the way for us…. Music rocks!!! Wow!!!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2023年2月にリリースするカバーアルバムです。 Gary StewartやChris Bellなどのカントリーフォーク作家からSmashing Pumpkinsなどのロックバンドの曲をシューゲイズ風にアレンジした9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records...
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{"id":7647773917434,"title":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE","handle":"wednesday-twin-plagues-lp-cd-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=643357752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3rd tape edition of 100.\u003cbr\u003eCD edition of 500.\u003cbr\u003eCanary yellow LP edition of 500.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 tracks, 34 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHanif Abdurraqib:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I’m not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don’t remember how, or why. They simply arrived, as if we’d been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I’d needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is the trick of nostalgia that I spend a lot of time\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn’t paired with something that approaches a type of rigorous honesty. Which is hard to do, sometimes. My memories flare and fire with only the finest aesthetics of a past that I was certainly in, but I often deem myself as only a secondary character, if even that. Which, of course, lets me off the hook in the name of fluorescence and flourish, in the name of sound and sight.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI love Twin Plagues first for its songs, plainly. If you, listening to Wednesday for the first time around or even the second time around, stumble onto this album, I promise you the songs will be what grab you first, beyond any of my foolish high-level emotional theorizing or projections. Every band that loves the pursuit of their craft the way this band does is one to follow, because getting to sit on the sidelines and watch them level up is a real generosity. Twin Plagues is overflowing with hooks, but what most delighted me about the band from the start has taken a leap: they have managed, somehow, to get even better at structuring their noise from one movement of a song to the next. The idea of the “song” itself is flexible in their hands, so much so that each song holds two, or three songs within. This, again, generosity. “Cody’s Only” is a ballad until it begins to threaten a storm of volume, and then, in its final act, it becomes something else altogether. “One More Last One” is a shoegaze-y trip that swells and swells until it overflows, but it doesn’t stop. It keeps offering and offering and offering. I say “noise,” and never in a dismissive sense. Everything has a place, and so much of its place is to serve the true heart of this album, and the true heart of Wednesday’s music, which is allowing cracks through which tenderness can enter and exit as needed. Tenderness that, it seems to me, is always wrestling underneath whatever else might be happening on a song’s surface.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of “The Burned Down Dairy Queen” when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors – both metaphorical and real – this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. I was desperate for making myself less blurry in my own memories and reckoning with my full, multitudinous self. The self that was once unkind, or less gentle, or less curious than I am now. I needed this album to remind me to embrace the fullness of my unfinished nature, the years I have lived and – with any luck – the years I have to go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when “Birthday Song” gets good and loud and sing-along-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let “Ghost Of A Dog” churn and rattle you to some nighttime realization that you couldn’t have had in silence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T16:33:09+09:00","created_at":"2022-06-20T14:35:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","lp","orindal","tape"],"price":168000,"price_min":168000,"price_max":315000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897135599866,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358553334010,"product_id":7647773917434,"position":2,"created_at":"2022-06-20T14:35:16+09:00","updated_at":"2022-06-20T14:35:18+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","variant_ids":[42897135599866]},"available":false,"name":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE - 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CD","public_title":"CD","options":["CD"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933834273018,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897135665402,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358553268474,"product_id":7647773917434,"position":4,"created_at":"2022-06-20T14:35:16+09:00","updated_at":"2022-06-20T14:35:18+09:00","alt":null,"width":1200,"height":838,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318","variant_ids":[42897135665402]},"available":false,"name":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933834305786,"position":4,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319","\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","options":["format"],"media":[{"alt":null,"id":29933834207482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","width":700},{"alt":null,"id":29933834240250,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","width":1200},{"alt":null,"id":29933834273018,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319","width":1200},{"alt":null,"id":29933834305786,"position":4,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"},"aspect_ratio":1.432,"height":838,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=643357752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3rd tape edition of 100.\u003cbr\u003eCD edition of 500.\u003cbr\u003eCanary yellow LP edition of 500.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 tracks, 34 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHanif Abdurraqib:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I’m not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don’t remember how, or why. They simply arrived, as if we’d been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I’d needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is the trick of nostalgia that I spend a lot of time\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn’t paired with something that approaches a type of rigorous honesty. Which is hard to do, sometimes. My memories flare and fire with only the finest aesthetics of a past that I was certainly in, but I often deem myself as only a secondary character, if even that. Which, of course, lets me off the hook in the name of fluorescence and flourish, in the name of sound and sight.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI love Twin Plagues first for its songs, plainly. If you, listening to Wednesday for the first time around or even the second time around, stumble onto this album, I promise you the songs will be what grab you first, beyond any of my foolish high-level emotional theorizing or projections. Every band that loves the pursuit of their craft the way this band does is one to follow, because getting to sit on the sidelines and watch them level up is a real generosity. Twin Plagues is overflowing with hooks, but what most delighted me about the band from the start has taken a leap: they have managed, somehow, to get even better at structuring their noise from one movement of a song to the next. The idea of the “song” itself is flexible in their hands, so much so that each song holds two, or three songs within. This, again, generosity. “Cody’s Only” is a ballad until it begins to threaten a storm of volume, and then, in its final act, it becomes something else altogether. “One More Last One” is a shoegaze-y trip that swells and swells until it overflows, but it doesn’t stop. It keeps offering and offering and offering. I say “noise,” and never in a dismissive sense. Everything has a place, and so much of its place is to serve the true heart of this album, and the true heart of Wednesday’s music, which is allowing cracks through which tenderness can enter and exit as needed. Tenderness that, it seems to me, is always wrestling underneath whatever else might be happening on a song’s surface.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of “The Burned Down Dairy Queen” when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors – both metaphorical and real – this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. I was desperate for making myself less blurry in my own memories and reckoning with my full, multitudinous self. The self that was once unkind, or less gentle, or less curious than I am now. I needed this album to remind me to embrace the fullness of my unfinished nature, the years I have lived and – with any luck – the years I have to go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when “Birthday Song” gets good and loud and sing-along-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let “Ghost Of A Dog” churn and rattle you to some nighttime realization that you couldn’t have had in silence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。 カントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":8693819638010,"title":"Weeks Island \/\/ Droste (2025 Reissue) LP","handle":"weisd","description":"\u003cp\u003eアメリカのペダルスチール奏者Weeks Islandが、2025年1月に同国NYのDFAからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eペダルスチールによる穏やかな牧歌アメリカーナ・アンビエントドローン8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"窓から差し込む太陽の光に照らされた埃のように、レコードが余韻を残すことがある。 \u003c\/em\u003e\u003cem\u003eWeeks Islandの『Droste』はそんなレコードのひとつで、ペダルスティールによるディープなアンビエント・パッセージのコレクションだ。表向きはそう始まり、そして終わるのだが、実際には潮の満ち引きのように感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここはウィークス・アイランドが存在するルイジアナ州南部のバイユーだ。しかし、Drosteのトラックは、もはや地元の地図には載っていない水域の名前が付けられている。諸行無常へのオマージュにふさわしい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWeeks Islandは、グラミー賞受賞のケイジャングループLost Bayou Ramblersのギタリストとしての本業の合間を縫って、ジョニー・カンポスがニューオーリンズにあるバンドメイトの家を訪れ、午後2回にわたってこの音楽の大部分を録音したことから、2018年に始まった音楽プロジェクトだ。 \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e彼はそのバンドメイト、カークランド・ミドルトンにケインズのチキン・ストリップで支払いを済ませたのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eドロステは当初、2020年にヌーヴォー・エレクトリック・レコードという地元のレーベルからリリースされた。私たちは、かつてLost Bayou RamblersのメンバーだったLCDのコリー・リチーからこのレコードのことを聞き、レコードにカットするために数年にわたるプロセスを開始した。何度も試行錯誤を重ね、3曲の新曲を加えた後、ボブ・ウェストンは彼らしく美しい音色のカットを完成させ、バージニア州アレクサンドリアにあるファーネス・レコード・プレスの優しい手に渡した。(いつも仕事が細かい) \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3124258456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Point Fortuna\u003cbr\u003e2. Raccoon Island\u003cbr\u003e3. Fleur Pond\u003cbr\u003e4. Bayou La Chute 04:12\u003cbr\u003e5. Cyprien Bay\u003cbr\u003e6. Yellow Cotton Bay\u003cbr\u003e7. Locust Pond\u003cbr\u003e8. Grace Pond\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDFA Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSometimes records linger, hanging in the air like dust caught by the sun coming in from the window. Weeks Island’s Droste is one of those records, a collection of deep ambient pedal-steel passages that ostensibly begin and end, yes, but actually feel more like tides rolling in and back out, your brain lulled, hardly aware of the progress until it’s over and you’re left thinking, “Where am I?”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou are in the bayous of Southern Louisiana, where Weeks Island the place exists. The tracks on Droste, however, are named for bodies of water that no longer appear on local maps, their names wiped thanks to the area’s disintegrating shorelines. Fitting tribute to the impermanence of, uh, everything.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWeeks Island the musical project began in 2018 when Jonny Campos, on a break from his main gig playing guitar for the Grammy-winning Cajun group Lost Bayou Ramblers, ventured to his bandmate’s house in New Orleans and recorded the bulk of this music across two afternoons. It wasn’t all heavy: he paid that bandmate, Kirkland Middleton, in Cane’s chicken strips.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDroste originally appeared in 2020 on a local label named Nouveau Electric Records. We heard about it through LCD’s Korey Richey, an erstwhile Lost Bayou member, and began a years-long process\u003cspan class=\"bcTruncateMore\"\u003e to cut the record to vinyl, a task made difficult by the sharp crests of harmonic distortion that dot the record. After more than a few tries and the addition of three brand new tracks, Bob Weston, as he does, sank a beautiful sounding cut, and then passed it to the gentle hands at Furnace Record Pressing in Alexandria, VA. (Always sweat the details.)\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weeks Island\u003c\/p\u003e\n\u003cp\u003eLabel : DFA Records\u003c\/p\u003e\n\u003cp\u003eCAT No : DFA2689lp\u003c\/p\u003e","published_at":"2025-01-08T20:20:00+09:00","created_at":"2025-01-06T12:13:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new"],"price":377000,"price_min":377000,"price_max":377000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47012424253690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Weeks Island \/\/ Droste (2025 Reissue) LP","public_title":null,"options":["Default Title"],"price":377000,"weight":0,"compare_at_price":null,"inventory_management":"shopify","barcode":"829732000146","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/week1.jpg?v=1736133118","\/\/tobirarecords.com\/cdn\/shop\/files\/week2.jpg?v=1736133118"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/week1.jpg?v=1736133118","options":["Title"],"media":[{"alt":null,"id":35382594207994,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/week1.jpg?v=1736133118"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/week1.jpg?v=1736133118","width":700},{"alt":null,"id":35382594240762,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/week2.jpg?v=1736133118"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/week2.jpg?v=1736133118","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのペダルスチール奏者Weeks Islandが、2025年1月に同国NYのDFAからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eペダルスチールによる穏やかな牧歌アメリカーナ・アンビエントドローン8曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"窓から差し込む太陽の光に照らされた埃のように、レコードが余韻を残すことがある。 \u003c\/em\u003e\u003cem\u003eWeeks Islandの『Droste』はそんなレコードのひとつで、ペダルスティールによるディープなアンビエント・パッセージのコレクションだ。表向きはそう始まり、そして終わるのだが、実際には潮の満ち引きのように感じられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eここはウィークス・アイランドが存在するルイジアナ州南部のバイユーだ。しかし、Drosteのトラックは、もはや地元の地図には載っていない水域の名前が付けられている。諸行無常へのオマージュにふさわしい。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWeeks Islandは、グラミー賞受賞のケイジャングループLost Bayou Ramblersのギタリストとしての本業の合間を縫って、ジョニー・カンポスがニューオーリンズにあるバンドメイトの家を訪れ、午後2回にわたってこの音楽の大部分を録音したことから、2018年に始まった音楽プロジェクトだ。 \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e彼はそのバンドメイト、カークランド・ミドルトンにケインズのチキン・ストリップで支払いを済ませたのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eドロステは当初、2020年にヌーヴォー・エレクトリック・レコードという地元のレーベルからリリースされた。私たちは、かつてLost Bayou RamblersのメンバーだったLCDのコリー・リチーからこのレコードのことを聞き、レコードにカットするために数年にわたるプロセスを開始した。何度も試行錯誤を重ね、3曲の新曲を加えた後、ボブ・ウェストンは彼らしく美しい音色のカットを完成させ、バージニア州アレクサンドリアにあるファーネス・レコード・プレスの優しい手に渡した。(いつも仕事が細かい) \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3124258456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Point Fortuna\u003cbr\u003e2. Raccoon Island\u003cbr\u003e3. Fleur Pond\u003cbr\u003e4. Bayou La Chute 04:12\u003cbr\u003e5. Cyprien Bay\u003cbr\u003e6. Yellow Cotton Bay\u003cbr\u003e7. Locust Pond\u003cbr\u003e8. Grace Pond\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eDFA Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSometimes records linger, hanging in the air like dust caught by the sun coming in from the window. Weeks Island’s Droste is one of those records, a collection of deep ambient pedal-steel passages that ostensibly begin and end, yes, but actually feel more like tides rolling in and back out, your brain lulled, hardly aware of the progress until it’s over and you’re left thinking, “Where am I?”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYou are in the bayous of Southern Louisiana, where Weeks Island the place exists. The tracks on Droste, however, are named for bodies of water that no longer appear on local maps, their names wiped thanks to the area’s disintegrating shorelines. Fitting tribute to the impermanence of, uh, everything.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWeeks Island the musical project began in 2018 when Jonny Campos, on a break from his main gig playing guitar for the Grammy-winning Cajun group Lost Bayou Ramblers, ventured to his bandmate’s house in New Orleans and recorded the bulk of this music across two afternoons. It wasn’t all heavy: he paid that bandmate, Kirkland Middleton, in Cane’s chicken strips.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDroste originally appeared in 2020 on a local label named Nouveau Electric Records. We heard about it through LCD’s Korey Richey, an erstwhile Lost Bayou member, and began a years-long process\u003cspan class=\"bcTruncateMore\"\u003e to cut the record to vinyl, a task made difficult by the sharp crests of harmonic distortion that dot the record. After more than a few tries and the addition of three brand new tracks, Bob Weston, as he does, sank a beautiful sounding cut, and then passed it to the gentle hands at Furnace Record Pressing in Alexandria, VA. (Always sweat the details.)\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weeks Island\u003c\/p\u003e\n\u003cp\u003eLabel : DFA Records\u003c\/p\u003e\n\u003cp\u003eCAT No : DFA2689lp\u003c\/p\u003e"}
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アメリカのペダルスチール奏者Weeks Islandが、2025年1月に同国NYのDFAからリリースしたレコードです。 ペダルスチールによる穏やかな牧歌アメリカーナ・アンビエントドローン8曲を収録。 以下、レーベルによる解説です。 "窓から差し込む太陽の光に照らされた埃のように、レコードが余韻を残すことがある。 Weeks Islandの『Droste』はそんなレコードのひとつで、ペダルスティールによるディープなアンビエント・パッセージのコレクションだ。表向きはそう始まり、そして終わるのだが、実際には潮の満ち引きのように感じられる。 ここはウィークス・アイランドが存在するルイジアナ州南部のバイユーだ。しかし、Drosteのトラックは、もはや地元の地図には載っていない水域の名前が付けられている。諸行無常へのオマージュにふさわしい。 Weeks Islandは、グラミー賞受賞のケイジャングループLost Bayou Ramblersのギタリストとしての本業の合間を縫って、ジョニー・カンポスがニューオーリンズにあるバンドメイトの家を訪れ、午後2回にわたってこの音楽の大部分を録音したことから、2018年に始まった音楽プロジェクトだ。 彼はそのバンドメイト、カークランド・ミドルトンにケインズのチキン・ストリップで支払いを済ませたのだ。 ドロステは当初、2020年にヌーヴォー・エレクトリック・レコードという地元のレーベルからリリースされた。私たちは、かつてLost Bayou...
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{"id":6782092116133,"title":"Weiches Loch \/\/ Live at Hokage 20210306 TAPE","handle":"weiches-loch-live-at-hokage-20210306-tape","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e関西の3ピース打楽器バンドWeiches Lochが兵庫県のレーベル\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eadvaita recordsから2021年5月にリリースしたカセット。既に廃盤です。以下、レーベル解説です。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eadvaita recordsはWeiches Lochの2021年3月6日に心斎橋Hokageで行われたラ\u003cwbr data-mce-fragment=\"1\"\u003eイブを、デビューカセットテープとしてリリースいたします。 \u003c\/wbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eWeiches Lochは大阪で活発にライブ活動を行う３人のメタルパーカッシ\u003cwbr data-mce-fragment=\"1\"\u003eョニスト（Tamon Sin、Sano Atsushi、Jere Kilpinen）によるバンドで、\u003cwbr data-mce-fragment=\"1\"\u003eメタルパーカッションのみを使用するサウンドは、\u003cwbr data-mce-fragment=\"1\"\u003eORGANUMの金属音による音響的な奥行きや、Test DeptやCrash Worshipのパワフルなメタルパーカッションを受け継ぎつつ\u003cwbr data-mce-fragment=\"1\"\u003eも、\u003cwbr data-mce-fragment=\"1\"\u003e日本に古来から伝わる和太鼓などによるリズム感覚を強く感じ、\u003cwbr data-mce-fragment=\"1\"\u003eそれでいて非常に洗練された曲の構成を持っていることがユニーク\u003cwbr data-mce-fragment=\"1\"\u003eです。 \u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eこれは金属に魅せられた３人のメタルパーカッショニストによる祝\u003cwbr data-mce-fragment=\"1\"\u003e祭の記録であり、\u003cwbr data-mce-fragment=\"1\"\u003e最新の日本のアンダーグラウンドなインダストリアル・\u003cwbr data-mce-fragment=\"1\"\u003eノイズを探る上で興味深いテープとなるでしょう。 \u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2522612955\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eadvaita records will release a debut cassette tape of Weiches Loch's live performance at Shinsaibashi Hokage on March 6, 2021. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eWeiches Loch is a band of three metal percussionists (Tamon Sin, Sano Atsushi, and Jere Kilpinen) who are actively performing in Osaka. While inheriting the acoustic depth of ORGANUM's metal sound and the powerful metal percussion of Test Dept and Crash Worship, the sound of using only metal percussion is unique in that it has a strong sense of rhythm from traditional Japanese drums, which has been handed down from ancient times in Japan, but still is a very sophisticated composition. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a festive record of three metal percussionists fascinated by metal and will be an interesting tape to explore the latest underground industrial noise in Japan. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eartist : Weiches Loch\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003elabel : \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eadvaita records\u003c\/span\u003e\n\u003c\/div\u003e","published_at":"2021-05-25T18:24:54+09:00","created_at":"2021-05-25T18:24:53+09:00","vendor":"Tobira Records","type":"","tags":["advaita records","asia","noise","strange beats"],"price":100000,"price_min":100000,"price_max":100000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39965485858981,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Weiches Loch \/\/ Live at Hokage 20210306 TAPE","public_title":null,"options":["Default Title"],"price":100000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a1255660425_16.jpg?v=1621934804"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1255660425_16.jpg?v=1621934804","options":["Title"],"media":[{"alt":null,"id":22264880201893,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1255660425_16.jpg?v=1621934804"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a1255660425_16.jpg?v=1621934804","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e関西の3ピース打楽器バンドWeiches Lochが兵庫県のレーベル\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eadvaita recordsから2021年5月にリリースしたカセット。既に廃盤です。以下、レーベル解説です。\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eadvaita recordsはWeiches Lochの2021年3月6日に心斎橋Hokageで行われたラ\u003cwbr data-mce-fragment=\"1\"\u003eイブを、デビューカセットテープとしてリリースいたします。 \u003c\/wbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eWeiches Lochは大阪で活発にライブ活動を行う３人のメタルパーカッシ\u003cwbr data-mce-fragment=\"1\"\u003eョニスト（Tamon Sin、Sano Atsushi、Jere Kilpinen）によるバンドで、\u003cwbr data-mce-fragment=\"1\"\u003eメタルパーカッションのみを使用するサウンドは、\u003cwbr data-mce-fragment=\"1\"\u003eORGANUMの金属音による音響的な奥行きや、Test DeptやCrash Worshipのパワフルなメタルパーカッションを受け継ぎつつ\u003cwbr data-mce-fragment=\"1\"\u003eも、\u003cwbr data-mce-fragment=\"1\"\u003e日本に古来から伝わる和太鼓などによるリズム感覚を強く感じ、\u003cwbr data-mce-fragment=\"1\"\u003eそれでいて非常に洗練された曲の構成を持っていることがユニーク\u003cwbr data-mce-fragment=\"1\"\u003eです。 \u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eこれは金属に魅せられた３人のメタルパーカッショニストによる祝\u003cwbr data-mce-fragment=\"1\"\u003e祭の記録であり、\u003cwbr data-mce-fragment=\"1\"\u003e最新の日本のアンダーグラウンドなインダストリアル・\u003cwbr data-mce-fragment=\"1\"\u003eノイズを探る上で興味深いテープとなるでしょう。 \u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2522612955\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eadvaita records will release a debut cassette tape of Weiches Loch's live performance at Shinsaibashi Hokage on March 6, 2021. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eWeiches Loch is a band of three metal percussionists (Tamon Sin, Sano Atsushi, and Jere Kilpinen) who are actively performing in Osaka. While inheriting the acoustic depth of ORGANUM's metal sound and the powerful metal percussion of Test Dept and Crash Worship, the sound of using only metal percussion is unique in that it has a strong sense of rhythm from traditional Japanese drums, which has been handed down from ancient times in Japan, but still is a very sophisticated composition. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a festive record of three metal percussionists fascinated by metal and will be an interesting tape to explore the latest underground industrial noise in Japan. \u003c\/em\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\u003cbr\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003e\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003eartist : Weiches Loch\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\"\u003elabel : \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eadvaita records\u003c\/span\u003e\n\u003c\/div\u003e"}
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関西の3ピース打楽器バンドWeiches Lochが兵庫県のレーベル advaita recordsから2021年5月にリリースしたカセット。既に廃盤です。以下、レーベル解説です。 advaita recordsはWeiches Lochの2021年3月6日に心斎橋Hokageで行われたライブを、デビューカセットテープとしてリリースいたします。 Weiches Lochは大阪で活発にライブ活動を行う３人のメタルパーカッショニスト（Tamon Sin、Sano Atsushi、Jere Kilpinen）によるバンドで、メタルパーカッションのみを使用するサウンドは、ORGANUMの金属音による音響的な奥行きや、Test DeptやCrash Worshipのパワフルなメタルパーカッションを受け継ぎつつも、日本に古来から伝わる和太鼓などによるリズム感覚を強く感じ、それでいて非常に洗練された曲の構成を持っていることがユニークです。 ...
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{"id":7534229782778,"title":"Weights \u0026 Measures \/\/ Discography 2xLP","handle":"weights-measures-discography-2xlp","description":"\u003cp\u003e2000年代初期に活動していたスローコア〜マスロックバンドWeights \u0026amp; Measuresのコンプリートディスコグラフィー2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e色褪せない22曲を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3762771520\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1057364919\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 175. Download code included. Weights \u0026amp; Measures for the first time on vinyl. \u003c\/p\u003e\n\u003cp\u003eArtist : Weights \u0026amp; Measures\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOscarson\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-17T20:01:01+09:00","created_at":"2022-02-07T13:48:17+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","oscarson"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42399596675322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Weights \u0026 Measures \/\/ Discography 2xLP","public_title":null,"options":["Default Title"],"price":398000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/di1_3c2cadd4-3318-48a5-acfe-6817c54da48e.jpg?v=1644209299","\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c1affd7d-e2be-45aa-ad04-0f27af5da9d3.jpg?v=1644209300","\/\/tobirarecords.com\/cdn\/shop\/products\/di3_c48cb563-5972-47b2-ad6f-7f58c51db4eb.jpg?v=1644209300","\/\/tobirarecords.com\/cdn\/shop\/products\/di4.jpg?v=1644209299"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_3c2cadd4-3318-48a5-acfe-6817c54da48e.jpg?v=1644209299","options":["Title"],"media":[{"alt":null,"id":29116054438138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_3c2cadd4-3318-48a5-acfe-6817c54da48e.jpg?v=1644209299"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_3c2cadd4-3318-48a5-acfe-6817c54da48e.jpg?v=1644209299","width":700},{"alt":null,"id":29116054470906,"position":2,"preview_image":{"aspect_ratio":1.326,"height":905,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c1affd7d-e2be-45aa-ad04-0f27af5da9d3.jpg?v=1644209300"},"aspect_ratio":1.326,"height":905,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_c1affd7d-e2be-45aa-ad04-0f27af5da9d3.jpg?v=1644209300","width":1200},{"alt":null,"id":29116054503674,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di3_c48cb563-5972-47b2-ad6f-7f58c51db4eb.jpg?v=1644209300"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di3_c48cb563-5972-47b2-ad6f-7f58c51db4eb.jpg?v=1644209300","width":1200},{"alt":null,"id":29116054536442,"position":4,"preview_image":{"aspect_ratio":1.504,"height":798,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di4.jpg?v=1644209299"},"aspect_ratio":1.504,"height":798,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di4.jpg?v=1644209299","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2000年代初期に活動していたスローコア〜マスロックバンドWeights \u0026amp; Measuresのコンプリートディスコグラフィー2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e色褪せない22曲を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3762771520\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1057364919\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oscarson\"\u003ehere\u003c\/a\u003e to see more Oscarson releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 175. Download code included. Weights \u0026amp; Measures for the first time on vinyl. \u003c\/p\u003e\n\u003cp\u003eArtist : Weights \u0026amp; Measures\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOscarson\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":6821237293221,"title":"Weiland \/\/ Perruche 7\"","handle":"weiland-perruche-7","description":"\u003cp\u003eベルギーの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/knwi\"\u003eKnotwilg Records\u003c\/a\u003eを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ストレンジビーツ作家Weilandが2018年にリリースした7\"です。Don't DJリスナーの方にもおすすめです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=783193462\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eKnotwilg Recordsその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/knwi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/knwi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ \u003c\/span\u003e\u003cspan\u003eClick \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/knwi\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/knwi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/knwi\"\u003eKnotwilg Records\u003c\/a\u003e\u003cspan\u003e releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKnotwilg Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTwo playfull tracks for at home and on the dancefloor (if you are a bit daring). 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For fans of Durian Brothers, Kubin, Rosas Danst Rosas, Don't DJ\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weiland\u003c\/p\u003e\n\u003cp\u003eLabel : \u003ca href=\"https:\/\/tobirarecords.com\/collections\/knwi\"\u003eKnotwilg Records\u003c\/a\u003e\u003c\/p\u003e"}
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{"id":8950984114426,"title":"Weirs \/\/ Diamond Grove LP","handle":"weirs-diamond-grove-lp","description":"\u003cp\u003eアメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3389696467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Want to Die Easy 02:48\u003cbr\u003e2. Lord Randall 09:14\u003cbr\u003e3. Everlasting 03:51\u003cbr\u003e4. Edward 07:14\u003cbr\u003e5. Doxology (I) 01:12\u003cbr\u003e6. (A Still, Small Voice) 02:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lord Bateman 20:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Doxology (II) 00:35\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dear Life:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003eWeirs is an experimental collective grown out of central North Carolina’s music scene––one that is equal parts old-time and DIY noise. Non-hierarchical in form, past Weirs performances have included anywhere from two to twelve people. In September 2023, nine traveled up US-58 to pack into the living and\u003cspan class=\"bcTruncateMore\"\u003e dining rooms of the dairy farm main house, still in the family of band member and organizer Oliver Child-Lanning, whose relatives have been there for centuries. This Weirs lineup—neither definitive nor precious—includes Child-Lanning; Justin Morris and Libby Rodenbough (his collaborators in Sluice); Evan Morgan, Courtney Werner, and Mike DeVito of Magic Tuber Stringband; and stalwarts Andy McLeod, Alli Rogers, and Oriana Messer who played deep into those late-summer evenings. What resulted are the nine tracks of Diamond Grove, recorded with an ad hoc signal chain assembled from a greater-community’s worth of borrowed gear.\u003cbr\u003e\u003cbr\u003eThe Weirs project began as tape experiments on traditional tunes Child-Lanning made under the name Pluviôse in winter 2019. This evolved into the first Weirs record, Prepare to Meet God, which was self-released in July 2020 and was a collaboration between Child-Lanning and Morris during COVID. The strange conditions of that debut—a communal tradition of live songs recorded apart in isolation—are undone by Diamond Grove, a record rooted in the unrepeatable convergence of people, place, and time. On the new record, Weirs continue their search for how best to forward, uphold, and unshackle so-called “traditional” music. They are songcatchers, gathering tunes on the verge of obscure death. Their wild, centuries-spanning repertoire plays like an avant-call-the-tune session—a kind of Real Book for a scene fluent in porch jams, Big Blood, Amps for Christ, and Jean Ritchie. Weirs catch songs whose interpretive canon still feels ajar—open enough to stand next to but never above those who’ve sung them before. These aren’t attempts at definitive versions. The recordings on Diamond Grove feel like visitations rather than revisions. And the question Weirs asks on this record is not how to simply continue the tradition of their forebears, but how traditional music could sound today.\u003cbr\u003e\u003cbr\u003eFor Weirs, the history of this tradition could be taken less from the folk revival than from musique concrète; less from pristine old master recordings than something like The Shadow Ring if they’d come from the evangelical South. One listen to “(A Still, Small Voice)” and you’ll hear the power of the hymn give way to its equal: the floorboards, fire crackle, dinners made and eaten. This tension between preservation and degradation is the inner light of Diamond Grove. Take “Doxology I”: the melody of “Old Hundred”, a hymn from the Sacred Harp tradition, is converted to MIDI, played through iPhone speakers, and re-recorded in the September air. To some revivalists, this hymn sung with all the glory of fake auto-tuned voices might sound sacreligious. But ears attuned, say, to the hyperpop production of the last few decades will immediately understand the tense beauty of hearing digitally-artifacted shape-note singing. This same tension animates “I Want to Die Easy.” Weirs’ version draws from A Golden Ring of Gospel’s recording, monumentalized in the Folkways collection Sharon Mountain Harmony. The melodies, words, structure are largely unchanged. But the “pure” clarity of voice in the early recording is gone. In its place, we hear the distancing sound of the dairy farm silo where Weirs recorded their version, its natural two-second reverb replacing pristine proximity. In this way, the sound of the recording site itself becomes equal to the traditional performance. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weirs\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLR064lp\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-11T10:11:27+09:00","created_at":"2025-10-09T09:53:54+09:00","vendor":"Tobira Records","type":"","tags":["dear life records","field recording","folk \/ left-field pop","lp","new"],"price":306000,"price_min":306000,"price_max":306000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47805554262266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Weirs \/\/ Diamond Grove LP","public_title":null,"options":["Default Title"],"price":306000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"617308104349","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","options":["Title"],"media":[{"alt":null,"id":37042463179002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir1.jpg?v=1759971102","width":700},{"alt":null,"id":37042463211770,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/weir2.jpg?v=1759971102","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eトラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3389696467\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/delire\"\u003ehere\u003c\/a\u003e to see more Dear Life releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Want to Die Easy 02:48\u003cbr\u003e2. Lord Randall 09:14\u003cbr\u003e3. Everlasting 03:51\u003cbr\u003e4. Edward 07:14\u003cbr\u003e5. Doxology (I) 01:12\u003cbr\u003e6. (A Still, Small Voice) 02:57\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Lord Bateman 20:45\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Doxology (II) 00:35\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by Dear Life:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003eWeirs is an experimental collective grown out of central North Carolina’s music scene––one that is equal parts old-time and DIY noise. Non-hierarchical in form, past Weirs performances have included anywhere from two to twelve people. In September 2023, nine traveled up US-58 to pack into the living and\u003cspan class=\"bcTruncateMore\"\u003e dining rooms of the dairy farm main house, still in the family of band member and organizer Oliver Child-Lanning, whose relatives have been there for centuries. This Weirs lineup—neither definitive nor precious—includes Child-Lanning; Justin Morris and Libby Rodenbough (his collaborators in Sluice); Evan Morgan, Courtney Werner, and Mike DeVito of Magic Tuber Stringband; and stalwarts Andy McLeod, Alli Rogers, and Oriana Messer who played deep into those late-summer evenings. What resulted are the nine tracks of Diamond Grove, recorded with an ad hoc signal chain assembled from a greater-community’s worth of borrowed gear.\u003cbr\u003e\u003cbr\u003eThe Weirs project began as tape experiments on traditional tunes Child-Lanning made under the name Pluviôse in winter 2019. This evolved into the first Weirs record, Prepare to Meet God, which was self-released in July 2020 and was a collaboration between Child-Lanning and Morris during COVID. The strange conditions of that debut—a communal tradition of live songs recorded apart in isolation—are undone by Diamond Grove, a record rooted in the unrepeatable convergence of people, place, and time. On the new record, Weirs continue their search for how best to forward, uphold, and unshackle so-called “traditional” music. They are songcatchers, gathering tunes on the verge of obscure death. Their wild, centuries-spanning repertoire plays like an avant-call-the-tune session—a kind of Real Book for a scene fluent in porch jams, Big Blood, Amps for Christ, and Jean Ritchie. Weirs catch songs whose interpretive canon still feels ajar—open enough to stand next to but never above those who’ve sung them before. These aren’t attempts at definitive versions. The recordings on Diamond Grove feel like visitations rather than revisions. And the question Weirs asks on this record is not how to simply continue the tradition of their forebears, but how traditional music could sound today.\u003cbr\u003e\u003cbr\u003eFor Weirs, the history of this tradition could be taken less from the folk revival than from musique concrète; less from pristine old master recordings than something like The Shadow Ring if they’d come from the evangelical South. One listen to “(A Still, Small Voice)” and you’ll hear the power of the hymn give way to its equal: the floorboards, fire crackle, dinners made and eaten. This tension between preservation and degradation is the inner light of Diamond Grove. Take “Doxology I”: the melody of “Old Hundred”, a hymn from the Sacred Harp tradition, is converted to MIDI, played through iPhone speakers, and re-recorded in the September air. To some revivalists, this hymn sung with all the glory of fake auto-tuned voices might sound sacreligious. But ears attuned, say, to the hyperpop production of the last few decades will immediately understand the tense beauty of hearing digitally-artifacted shape-note singing. This same tension animates “I Want to Die Easy.” Weirs’ version draws from A Golden Ring of Gospel’s recording, monumentalized in the Folkways collection Sharon Mountain Harmony. The melodies, words, structure are largely unchanged. But the “pure” clarity of voice in the early recording is gone. In its place, we hear the distancing sound of the dairy farm silo where Weirs recorded their version, its natural two-second reverb replacing pristine proximity. In this way, the sound of the recording site itself becomes equal to the traditional performance. [...]\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weirs\u003c\/p\u003e\n\u003cp\u003eLabel : Dear Life\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDLR064lp\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・ノースカロライナの実験フォークバンドWeirsが、2025年10月に同国フォークレーベルDeal Lifeからリリースしたレコードです。 トラディショナル・フォーク〜アメリカーナ〜讃美歌8曲を収録。 レーベルその他作品はこちら /// Click here to see more Dear Life releases available at Tobira. ----------------------------------------------...
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{"id":8756599292154,"title":"Weirs and Magic Tuber Stringband \/\/ The Crozet Tunnel TAPE","handle":"weirs-and-magic-tuber-stringband-the-crozet-tunnel-tape","description":"\u003cp\u003eアメリカ・ノースカロライナの実験フォークデュオWeirsとMagic Tuber Stringbandが、2024年12月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eバンジョーやフィドル、ゴングなどによるアメリカーナ・ドローン〜インプロ2曲73分を収録。版元即完のためお見逃しなく。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3736920966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003cbr\u003eEdition of 100.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tunnel 37:08\u003cbr\u003e2. Tunnel Dub 36:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe collaboration between these two North Carolina projects feels, upon listening, almost inevitable. Magic Tuber Stringband (Evan Morgan and Courtney Werner) is an instrumental duo often employing traditional Appalachian-style playing within contemporary drone and song-oriented contexts to create undulating, cathartic, organic compositions. Weirs (Justin Morris and Oliver Child-Lanning) is a bit more stylistically diverse, but very much rooted in the fascinating crossover of traditional and contemporary music which is recently abundant in the mid and south-Atlantic states.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded live with field recorders inside Virginia’s pitch-black Crozet Tunnel, the album presents four individuals experiencing the beautiful and intense sonics of both interior and exterior space, and their own forms of communication with one another. The singing in particular is powerful. Flat, strong broad voices without vibrato evoke a sense of the tragic or stern, notable in opener “Bright Morning Star” (originally a Masonic hymn which entered the American folk lexicon)—as if things might at any moment descend into dissonant sadness—but then become gentle and anodyne, trafficking not in freak-folk innocence but authentic connection to their sources. As potentially radical as the old music is, the solidly unhurried pacing\u003cspan class=\"bcTruncateMore\"\u003e of both the “song sections” and “drones” allows each word of each line, each vocal plait, each scrape of echoed object, to ring with surprise.\u003cbr\u003e\u003cbr\u003eThe performances emphasize the distinctively rich reverb of the physical space, using the acoustics to re-situate the art in the heart of the land. Side B is an entrancing altered playback of the music from Side A, re-recorded under a dome behind a science museum in which the surrounding ambience layers seamlessly with the music: bird and insect sounds, shuffling movements, a child’s voice. Far from feeling performative or even conceptual, this feels earned and intimate, teaching the listener about the interplay between the music and the site of its creation. That the musicians semi-jokingly refer to this side as a “dub version” reflects the depth and breadth of their vision.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weirs and Magic Tuber Stringband\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : NTR088\u003c\/p\u003e","published_at":"2025-04-04T13:57:49+09:00","created_at":"2025-04-04T09:44:13+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","jazz","monooto","new","notice recordings","recommended","tape"],"price":212000,"price_min":212000,"price_max":212000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47236335075578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Weirs and Magic Tuber Stringband \/\/ The Crozet Tunnel TAPE","public_title":null,"options":["Default Title"],"price":212000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wei1_4e09899f-1462-4453-9df9-0f49fb0666e6.jpg?v=1743727331","\/\/tobirarecords.com\/cdn\/shop\/files\/wei2_60889962-1d4a-4abe-97a0-592f7f5cfb1c.jpg?v=1743727331"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei1_4e09899f-1462-4453-9df9-0f49fb0666e6.jpg?v=1743727331","options":["Title"],"media":[{"alt":null,"id":35832962777338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei1_4e09899f-1462-4453-9df9-0f49fb0666e6.jpg?v=1743727331"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei1_4e09899f-1462-4453-9df9-0f49fb0666e6.jpg?v=1743727331","width":700},{"alt":null,"id":35832962810106,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei2_60889962-1d4a-4abe-97a0-592f7f5cfb1c.jpg?v=1743727331"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wei2_60889962-1d4a-4abe-97a0-592f7f5cfb1c.jpg?v=1743727331","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ノースカロライナの実験フォークデュオWeirsとMagic Tuber Stringbandが、2024年12月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eバンジョーやフィドル、ゴングなどによるアメリカーナ・ドローン〜インプロ2曲73分を収録。版元即完のためお見逃しなく。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3736920966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/noticerecs\"\u003ehere\u003c\/a\u003e to see more Notice Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003cbr\u003eEdition of 100.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tunnel 37:08\u003cbr\u003e2. Tunnel Dub 36:50\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNotice Recordings:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe collaboration between these two North Carolina projects feels, upon listening, almost inevitable. Magic Tuber Stringband (Evan Morgan and Courtney Werner) is an instrumental duo often employing traditional Appalachian-style playing within contemporary drone and song-oriented contexts to create undulating, cathartic, organic compositions. Weirs (Justin Morris and Oliver Child-Lanning) is a bit more stylistically diverse, but very much rooted in the fascinating crossover of traditional and contemporary music which is recently abundant in the mid and south-Atlantic states.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRecorded live with field recorders inside Virginia’s pitch-black Crozet Tunnel, the album presents four individuals experiencing the beautiful and intense sonics of both interior and exterior space, and their own forms of communication with one another. The singing in particular is powerful. Flat, strong broad voices without vibrato evoke a sense of the tragic or stern, notable in opener “Bright Morning Star” (originally a Masonic hymn which entered the American folk lexicon)—as if things might at any moment descend into dissonant sadness—but then become gentle and anodyne, trafficking not in freak-folk innocence but authentic connection to their sources. As potentially radical as the old music is, the solidly unhurried pacing\u003cspan class=\"bcTruncateMore\"\u003e of both the “song sections” and “drones” allows each word of each line, each vocal plait, each scrape of echoed object, to ring with surprise.\u003cbr\u003e\u003cbr\u003eThe performances emphasize the distinctively rich reverb of the physical space, using the acoustics to re-situate the art in the heart of the land. Side B is an entrancing altered playback of the music from Side A, re-recorded under a dome behind a science museum in which the surrounding ambience layers seamlessly with the music: bird and insect sounds, shuffling movements, a child’s voice. Far from feeling performative or even conceptual, this feels earned and intimate, teaching the listener about the interplay between the music and the site of its creation. That the musicians semi-jokingly refer to this side as a “dub version” reflects the depth and breadth of their vision.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Weirs and Magic Tuber Stringband\u003c\/p\u003e\n\u003cp\u003eLabel : Notice Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : NTR088\u003c\/p\u003e"}
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アメリカ・ノースカロライナの実験フォークデュオWeirsとMagic Tuber Stringbandが、2024年12月に同国NYの実験レーベルNotice Recordingsから100本限定でリリースした共作カセットです。 バンジョーやフィドル、ゴングなどによるアメリカーナ・ドローン〜インプロ2曲73分を収録。版元即完のためお見逃しなく。 マスタリングはGiuseppe Ielashiが担当しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Notice Recordings...
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{"id":8230494634234,"title":"welcome買い物客 \/\/ これは私たちの e x p e r i e n c e TAPE","handle":"welcomeshopexperience","description":"\u003cp\u003eアメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ユタのヴェイパーウェーブ作家welcome買い物客が、2023年12月に25本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eヴェイパーウェーブ〜ヴェイパー・ジャングル14曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※リサイクルテープ\u0026amp;ケース仕様のため多少のキズや汚れがございます\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3403952801\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2231554584\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=977856217\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=704947031\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003ehere\u003c\/a\u003e to see more Illuminated Paths releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eRecycled cassette in recycled norelco case with sticker seal. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eハイパースピード 03:24\u003c\/li\u003e\n\u003cli\u003e復活 03:26\u003c\/li\u003e\n\u003cli\u003eディスコレコード 02:43\u003c\/li\u003e\n\u003cli\u003eこれは私たちの e x p e r i e n c e 03:46\u003c\/li\u003e\n\u003cli\u003e新しい深さ 04:49\u003c\/li\u003e\n\u003cli\u003eLOSTショッピングモールで 02:00\u003c\/li\u003e\n\u003cli\u003e時間の老化 01:41\u003c\/li\u003e\n\u003cli\u003e長い間会っていません 02:08\u003c\/li\u003e\n\u003cli\u003e薬局は7番通路沿いにあります 04:07\u003c\/li\u003e\n\u003cli\u003e死と愛 l o v e \/ d e a t h 01:35\u003c\/li\u003e\n\u003cli\u003eあまりにも早くなくなって 02:08\u003c\/li\u003e\n\u003cli\u003e老齢 01:33\u003c\/li\u003e\n\u003cli\u003e未来の記憶 03:07\u003c\/li\u003e\n\u003cli\u003e未来の結末 04:07\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eIlluminated Paths:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e仮想のユートピア体験、犯罪、暴力、憎しみのない雰囲気。これは私たちの周囲での純粋にポジティブな経験、私たちの経験、これは私たちの e x p e r i e n c e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e(A virtual utopian experience, an atmosphere free of crime, violence and hatred. This is a purely positive experience around us, our experience, this is our e x p e r i e n c e)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : w e l c o m e 買い物客\u003c\/p\u003e\n\u003cp\u003eLabel : Illuminated Paths\u003c\/p\u003e","published_at":"2024-03-22T18:53:59+09:00","created_at":"2024-03-19T15:47:04+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","illuminated paths","tape"],"price":179000,"price_min":179000,"price_max":179000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45370420199674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"welcome買い物客 \/\/ これは私たちの e x p e r i e n c e TAPE","public_title":null,"options":["Default Title"],"price":179000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kore1.jpg?v=1710830826"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kore1.jpg?v=1710830826","options":["Title"],"media":[{"alt":null,"id":33413979275514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kore1.jpg?v=1710830826"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kore1.jpg?v=1710830826","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ユタのヴェイパーウェーブ作家welcome買い物客が、2023年12月に25本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eヴェイパーウェーブ〜ヴェイパー・ジャングル14曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e※リサイクルテープ\u0026amp;ケース仕様のため多少のキズや汚れがございます\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3403952801\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2231554584\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=977856217\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=704947031\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3792379563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/illpat\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/illpat\"\u003ehere\u003c\/a\u003e to see more Illuminated Paths releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eRecycled cassette in recycled norelco case with sticker seal. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eハイパースピード 03:24\u003c\/li\u003e\n\u003cli\u003e復活 03:26\u003c\/li\u003e\n\u003cli\u003eディスコレコード 02:43\u003c\/li\u003e\n\u003cli\u003eこれは私たちの e x p e r i e n c e 03:46\u003c\/li\u003e\n\u003cli\u003e新しい深さ 04:49\u003c\/li\u003e\n\u003cli\u003eLOSTショッピングモールで 02:00\u003c\/li\u003e\n\u003cli\u003e時間の老化 01:41\u003c\/li\u003e\n\u003cli\u003e長い間会っていません 02:08\u003c\/li\u003e\n\u003cli\u003e薬局は7番通路沿いにあります 04:07\u003c\/li\u003e\n\u003cli\u003e死と愛 l o v e \/ d e a t h 01:35\u003c\/li\u003e\n\u003cli\u003eあまりにも早くなくなって 02:08\u003c\/li\u003e\n\u003cli\u003e老齢 01:33\u003c\/li\u003e\n\u003cli\u003e未来の記憶 03:07\u003c\/li\u003e\n\u003cli\u003e未来の結末 04:07\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eIlluminated Paths:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e仮想のユートピア体験、犯罪、暴力、憎しみのない雰囲気。これは私たちの周囲での純粋にポジティブな経験、私たちの経験、これは私たちの e x p e r i e n c e\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e(A virtual utopian experience, an atmosphere free of crime, violence and hatred. This is a purely positive experience around us, our experience, this is our e x p e r i e n c e)\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : w e l c o m e 買い物客\u003c\/p\u003e\n\u003cp\u003eLabel : Illuminated Paths\u003c\/p\u003e"}
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アメリカ・フロリダのヒップホップ〜ヴェイパーウェーブレーベルIlluminated Pathsを大量入荷しました。 本作は、同国ユタのヴェイパーウェーブ作家welcome買い物客が、2023年12月に25本限定でリリースしたカセットです。 ヴェイパーウェーブ〜ヴェイパー・ジャングル14曲を収録。廃盤です。 ※リサイクルテープ&ケース仕様のため多少のキズや汚れがございます レーベルその他作品はこちら /// Click here to see more Illuminated Paths releases available at...
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{"id":7684004806906,"title":"Wellness Regime \/\/ Down TAPE","handle":"wellness-regime-down-tape","description":"\u003cp\u003eイギリス・ロンドンのコラージュ作家Wellness Regimeが、2022年7月に同国実験レーベルShound Holesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eコラージュ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3102477314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\"\u003ehere\u003c\/a\u003e to see more Sound Holes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eEmpty cans rolling down a pavement, drunken night bus chat, Steps (the band), broken extractor fans, toy kettles, sounds jammed together like incomplete jigsaw sets shook up in a box or Steptoe and Son play Yellow Swans.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWellness Regime\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Sound Holes\u003c\/p\u003e","published_at":"2022-07-22T16:28:15+09:00","created_at":"2022-07-22T11:20:00+09:00","vendor":"Tobira Records","type":"","tags":["monooto","sound holes","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43030527836410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wellness Regime \/\/ Down TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_ea805def-f462-464a-a828-324669fa98a5.jpg?v=1658456402"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_ea805def-f462-464a-a828-324669fa98a5.jpg?v=1658456402","options":["Title"],"media":[{"alt":null,"id":30162699944186,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_ea805def-f462-464a-a828-324669fa98a5.jpg?v=1658456402"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_ea805def-f462-464a-a828-324669fa98a5.jpg?v=1658456402","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのコラージュ作家Wellness Regimeが、2022年7月に同国実験レーベルShound Holesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eコラージュ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3102477314\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/sound-holes\"\u003ehere\u003c\/a\u003e to see more Sound Holes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eEmpty cans rolling down a pavement, drunken night bus chat, Steps (the band), broken extractor fans, toy kettles, sounds jammed together like incomplete jigsaw sets shook up in a box or Steptoe and Son play Yellow Swans.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWellness Regime\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Sound Holes\u003c\/p\u003e"}
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イギリス・ロンドンのコラージュ作家Wellness Regimeが、2022年7月に同国実験レーベルShound Holesからリリースしたカセットです。 コラージュ16曲を収録。 レーベルその他作品はこちら /// Click here to see more Sound Holes releases available at Tobira. ...
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{"id":6629414109349,"title":"Wendy Eisenberg \/\/ Cellini's Halo TAPE","handle":"wendy-eisenberg-cellinis-halo-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eジョージア州のフォークレーベルGarden Portalが2021年3月末にリリースした最新バッチを本邦初入荷しました。125本限定ですが既に廃盤となっております。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、ボストンの即興ギタリストWendy Eisenbergによる6曲入りカセットです。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=92279749\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 125. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes an insert card with liner notes from Wendy on one side and the cover photo by Richard Lenz on the other\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eCellini’s Halo was recorded alongside my record, Dehiscence, in late December 2019. I had set out for Long Island for a solo recording session at my cousin Russell Fine’s house, following a certain rupture in my personal life. It was important for me to decompress, to get back to the material realities of my life. I wanted to know better who I was outside of Western Mass, when I wasn’t touring, when I am alone. I was teaching myself to eat, to think. This was of musical concern as much as it was about lifestyle\/habits, because for me and so many others, music and life\/style inform each other.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"In my sojourn I figured out some certain musical techniques that I wanted to look at, isolated. Void (0), Presence (1), Singularity (Dot), Cluster, Line and Melody. Rather than trying to make a static musical “definition” of each, I wanted to play my relationships to them and what they suggested. The cluster called itself “fragmented,” and I was too, at that point. Looking at these pieces with a kind of renewed purity in my solitude, I felt like I could approach them as friends, not merely tools.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Cellini’s Halo, by the way, is a light that can appear around the shadow of an observer’s head when the sun is low in the sky and there is dew or dust on the ground. It is also called\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Heiligenschein. This light-in-shadow is how I felt about these pieces, and how my relationship to these musical devices bloomed as in that trick of the light, like a glory, that defined and could’ve only happened in that particular shadow. Benvenuto Cellini was a great 16th century artist who described this effect in his memoirs as a vision. The cover photo was taken in 2017 by the great subversive Richard Lenz, an anti-photographer, outside his home.\"\u003c\/em\u003e\u003cbr\u003e- Wendy Eisenberg (2021)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wendy Eisenberg\u003c\/p\u003e\n\u003cp\u003eLabel : Garden Portal\u003c\/p\u003e","published_at":"2021-04-08T11:55:54+09:00","created_at":"2021-04-06T09:33:32+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","garden portal","jazz","tape"],"price":216500,"price_min":216500,"price_max":216500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39568396320933,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wendy Eisenberg \/\/ Cellini's Halo TAPE","public_title":null,"options":["Default Title"],"price":216500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ce1.jpg?v=1617669214","\/\/tobirarecords.com\/cdn\/shop\/products\/ce2.jpg?v=1617669215"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1.jpg?v=1617669214","options":["Title"],"media":[{"alt":null,"id":21043007881381,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1.jpg?v=1617669214"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1.jpg?v=1617669214","width":700},{"alt":null,"id":21043007914149,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce2.jpg?v=1617669215"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce2.jpg?v=1617669215","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eジョージア州のフォークレーベルGarden Portalが2021年3月末にリリースした最新バッチを本邦初入荷しました。125本限定ですが既に廃盤となっております。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、ボストンの即興ギタリストWendy Eisenbergによる6曲入りカセットです。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=92279749\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 125. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes an insert card with liner notes from Wendy on one side and the cover photo by Richard Lenz on the other\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eCellini’s Halo was recorded alongside my record, Dehiscence, in late December 2019. I had set out for Long Island for a solo recording session at my cousin Russell Fine’s house, following a certain rupture in my personal life. It was important for me to decompress, to get back to the material realities of my life. I wanted to know better who I was outside of Western Mass, when I wasn’t touring, when I am alone. I was teaching myself to eat, to think. This was of musical concern as much as it was about lifestyle\/habits, because for me and so many others, music and life\/style inform each other.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"In my sojourn I figured out some certain musical techniques that I wanted to look at, isolated. Void (0), Presence (1), Singularity (Dot), Cluster, Line and Melody. Rather than trying to make a static musical “definition” of each, I wanted to play my relationships to them and what they suggested. The cluster called itself “fragmented,” and I was too, at that point. Looking at these pieces with a kind of renewed purity in my solitude, I felt like I could approach them as friends, not merely tools.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Cellini’s Halo, by the way, is a light that can appear around the shadow of an observer’s head when the sun is low in the sky and there is dew or dust on the ground. It is also called\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e Heiligenschein. This light-in-shadow is how I felt about these pieces, and how my relationship to these musical devices bloomed as in that trick of the light, like a glory, that defined and could’ve only happened in that particular shadow. Benvenuto Cellini was a great 16th century artist who described this effect in his memoirs as a vision. The cover photo was taken in 2017 by the great subversive Richard Lenz, an anti-photographer, outside his home.\"\u003c\/em\u003e\u003cbr\u003e- Wendy Eisenberg (2021)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wendy Eisenberg\u003c\/p\u003e\n\u003cp\u003eLabel : Garden Portal\u003c\/p\u003e"}
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ジョージア州のフォークレーベルGarden Portalが2021年3月末にリリースした最新バッチを本邦初入荷しました。125本限定ですが既に廃盤となっております。 本作は、ボストンの即興ギタリストWendy Eisenbergによる6曲入りカセットです。DLコード付属。 Edition of 125. Includes an insert card with liner notes from...
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{"id":7609919996154,"title":"Wendy Eisenberg \/\/ Cellini's Halo TAPE","handle":"wendy-eisenberg-cellinis-halo-tape-1","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ地下フォークレーベルGarden Portal諸作をデッドストック入荷しました。 \u003cmeta charset=\"utf-8\"\u003eDLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=92279749\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gapo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gapo\"\u003ehere\u003c\/a\u003e to see more Garden Portal releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDEAD STOCK \/ SOLD OUT AT SOURCE\u003c\/p\u003e\n\u003cp\u003eEdition of 125. \u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eWendy Eisenberg (2021):\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eCellini’s Halo' was recorded alongside my record, Dehiscence, in late December 2019. I had set out for Long Island for a solo recording session at my cousin Russell Fine’s house, following a certain rupture in my personal life. It was important for me to decompress, to get back to the material realities of my life. I wanted to know better who I was outside of Western Mass, when I wasn’t touring, when I am alone. I was teaching myself to eat, to think. This was of musical concern as much as it was about lifestyle\/habits, because for me and so many others, music and life\/style inform each other.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"In my sojourn I figured out some certain musical techniques that I wanted to look at, isolated. Void (0), Presence (1), Singularity (Dot), Cluster, Line and Melody. Rather than trying to make a static musical “definition” of each, I wanted to play my relationships to them and what they suggested. The cluster called itself “fragmented,” and I was too, at that point. Looking at these pieces with a kind of renewed purity in my solitude, I felt like I could approach them as friends, not merely tools.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Cellini’s Halo, by the way, is a light that can appear around the shadow of an observer’s head when the sun is low in the sky and there is dew or dust on the ground. It is also called\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Heiligenschein. This light-in-shadow is how I felt about these pieces, and how my relationship to these musical devices bloomed as in that trick of the light, like a glory, that defined and could’ve only happened in that particular shadow. Benvenuto Cellini was a great 16th century artist who described this effect in his memoirs as a vision. The cover photo was taken in 2017 by the great subversive Richard Lenz, an anti-photographer, outside his home.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wendy Eisenberg\u003c\/p\u003e\n\u003cp\u003eLabel : Garden Portal\u003c\/p\u003e","published_at":"2022-05-13T13:24:04+09:00","created_at":"2022-05-13T10:30:01+09:00","vendor":"Tobira Records","type":"","tags":["garden portal","jazz","tape"],"price":216500,"price_min":216500,"price_max":216500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42752780370170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Wendy Eisenberg \/\/ Cellini's Halo TAPE","public_title":null,"options":["Default Title"],"price":216500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a915bb0a-2103-4c94-b1d1-554565ce1370.jpg?v=1652405402","\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_160c20d9-a338-4f44-a8ee-797b742be95a.jpg?v=1652405404"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a915bb0a-2103-4c94-b1d1-554565ce1370.jpg?v=1652405402","options":["Title"],"media":[{"alt":null,"id":29707619991802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a915bb0a-2103-4c94-b1d1-554565ce1370.jpg?v=1652405402"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a915bb0a-2103-4c94-b1d1-554565ce1370.jpg?v=1652405402","width":700},{"alt":null,"id":29707620024570,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_160c20d9-a338-4f44-a8ee-797b742be95a.jpg?v=1652405404"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_160c20d9-a338-4f44-a8ee-797b742be95a.jpg?v=1652405404","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ地下フォークレーベルGarden Portal諸作をデッドストック入荷しました。 \u003cmeta charset=\"utf-8\"\u003eDLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=92279749\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/gapo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/gapo\"\u003ehere\u003c\/a\u003e to see more Garden Portal releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDEAD STOCK \/ SOLD OUT AT SOURCE\u003c\/p\u003e\n\u003cp\u003eEdition of 125. \u003c\/p\u003e\n\u003cp\u003eArtist statement by \u003cmeta charset=\"utf-8\"\u003eWendy Eisenberg (2021):\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eCellini’s Halo' was recorded alongside my record, Dehiscence, in late December 2019. I had set out for Long Island for a solo recording session at my cousin Russell Fine’s house, following a certain rupture in my personal life. It was important for me to decompress, to get back to the material realities of my life. I wanted to know better who I was outside of Western Mass, when I wasn’t touring, when I am alone. I was teaching myself to eat, to think. This was of musical concern as much as it was about lifestyle\/habits, because for me and so many others, music and life\/style inform each other.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"In my sojourn I figured out some certain musical techniques that I wanted to look at, isolated. Void (0), Presence (1), Singularity (Dot), Cluster, Line and Melody. Rather than trying to make a static musical “definition” of each, I wanted to play my relationships to them and what they suggested. The cluster called itself “fragmented,” and I was too, at that point. Looking at these pieces with a kind of renewed purity in my solitude, I felt like I could approach them as friends, not merely tools.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Cellini’s Halo, by the way, is a light that can appear around the shadow of an observer’s head when the sun is low in the sky and there is dew or dust on the ground. It is also called\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e Heiligenschein. This light-in-shadow is how I felt about these pieces, and how my relationship to these musical devices bloomed as in that trick of the light, like a glory, that defined and could’ve only happened in that particular shadow. Benvenuto Cellini was a great 16th century artist who described this effect in his memoirs as a vision. The cover photo was taken in 2017 by the great subversive Richard Lenz, an anti-photographer, outside his home.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wendy Eisenberg\u003c\/p\u003e\n\u003cp\u003eLabel : Garden Portal\u003c\/p\u003e"}
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{"id":7741235331322,"title":"Wera Hoff \/\/ [FAM068] Whenever You're Ready TAPE","handle":"wera-hoff-fam068-whenever-youre-ready-tape","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3599744019\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fame\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fame\"\u003ehere\u003c\/a\u003e to see more Fallen Metropolis releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePressed on recycled cassettes (each case is unique and may have scuff marks or scraches) - artwork is acrylic paint on recycled paper.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eEdition of 10.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFallen Metropolis presents the debut EP from Warszawa based musician, Wera Hoff.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wera Hoff\u003c\/p\u003e\n\u003cp\u003eLabel : Fallen Metropolis\u003c\/p\u003e","published_at":"2022-09-12T11:40:15+09:00","created_at":"2022-09-07T16:25:51+09:00","vendor":"Tobira Records","type":"","tags":["Fallen Metropolis","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43251839172858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wera Hoff \/\/ [FAM068] Whenever You're Ready TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/we_32542c7d-4f67-4c36-aa91-029e62d382ac.jpg?v=1662535553","\/\/tobirarecords.com\/cdn\/shop\/products\/we2_76d31279-94f1-4e38-86ee-52cac0466384.jpg?v=1662535553"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/we_32542c7d-4f67-4c36-aa91-029e62d382ac.jpg?v=1662535553","options":["Title"],"media":[{"alt":null,"id":30443488215290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we_32542c7d-4f67-4c36-aa91-029e62d382ac.jpg?v=1662535553"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we_32542c7d-4f67-4c36-aa91-029e62d382ac.jpg?v=1662535553","width":700},{"alt":null,"id":30443488248058,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we2_76d31279-94f1-4e38-86ee-52cac0466384.jpg?v=1662535553"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/we2_76d31279-94f1-4e38-86ee-52cac0466384.jpg?v=1662535553","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3599744019\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fame\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fame\"\u003ehere\u003c\/a\u003e to see more Fallen Metropolis releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003ePressed on recycled cassettes (each case is unique and may have scuff marks or scraches) - artwork is acrylic paint on recycled paper.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003eEdition of 10.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFallen Metropolis presents the debut EP from Warszawa based musician, Wera Hoff.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wera Hoff\u003c\/p\u003e\n\u003cp\u003eLabel : Fallen Metropolis\u003c\/p\u003e"}
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{"id":7978898456826,"title":"Werk \/\/ Angirú TAPE","handle":"copy-of-werk-angiru-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンの密林系作家Pablo Picco aka Bardo Todol主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBolinga Everest Records諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、イランのアンビエント作家Werkが、2022年2月にリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハープとスポークンワードによる日記のような作品です。DLコード付属。一点一点異なるアートワークです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※リサイクルテープを使用しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1444356983\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBolinga Everest Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eBolinga Everest:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Werk is Mariano Sandoval accompained by Iván Tovi and Alejandro Coll.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn \"Angirú\", his first album we listen to the captivating sound centered on the Arpa Paraguaya, instrument that Mariano uses to introduce ourselves in the day and night of the fauna and flora from Formosa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving in the Nortest part of Argentina that limits with Paraguay, the projects draws not only from their acustic and electric instruments: they use field recording voices of some integrants of Qom, Pilagea and Wichei communities. This voices, repetitive and tireless in loop, complete the journey into the deepest and magestic parts of this wet lands.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werk\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBolinga Everest Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-05-26T13:33:00+09:00","created_at":"2023-05-26T13:14:00+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Bolinga Everest Records","contemporary \/ sound poetry","field recording","monooto","tape"],"price":184800,"price_min":184800,"price_max":184800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44253120594170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Werk \/\/ Angirú TAPE","public_title":null,"options":["Default Title"],"price":184800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1106386021_16_ae1502f0-157c-40b2-8f86-b8eb265825ef.jpg?v=1685074442"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1106386021_16_ae1502f0-157c-40b2-8f86-b8eb265825ef.jpg?v=1685074442","options":["Title"],"media":[{"alt":null,"id":32018649841914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1106386021_16_ae1502f0-157c-40b2-8f86-b8eb265825ef.jpg?v=1685074442"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1106386021_16_ae1502f0-157c-40b2-8f86-b8eb265825ef.jpg?v=1685074442","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアルゼンチンの密林系作家Pablo Picco aka Bardo Todol主宰レーベル\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBolinga Everest Records諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、イランのアンビエント作家Werkが、2022年2月にリリースしたデビューカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eハープとスポークンワードによる日記のような作品です。DLコード付属。一点一点異なるアートワークです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※リサイクルテープを使用しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1444356983\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ber\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eBolinga Everest Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003eBolinga Everest:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Werk is Mariano Sandoval accompained by Iván Tovi and Alejandro Coll.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn \"Angirú\", his first album we listen to the captivating sound centered on the Arpa Paraguaya, instrument that Mariano uses to introduce ourselves in the day and night of the fauna and flora from Formosa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLiving in the Nortest part of Argentina that limits with Paraguay, the projects draws not only from their acustic and electric instruments: they use field recording voices of some integrants of Qom, Pilagea and Wichei communities. This voices, repetitive and tireless in loop, complete the journey into the deepest and magestic parts of this wet lands.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werk\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBolinga Everest Records\u003c\/span\u003e\u003c\/p\u003e"}
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アルゼンチンの密林系作家Pablo Picco aka Bardo Todol主宰レーベルBolinga Everest Records諸作を入荷しました。 本作は、イランのアンビエント作家Werkが、2022年2月にリリースしたデビューカセットです。 ハープとスポークンワードによる日記のような作品です。DLコード付属。一点一点異なるアートワークです。 ※リサイクルテープを使用しています。 レーベルその他作品はこちら /// Click here to see more Bolinga...
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{"id":7996642263290,"title":"Werner Dafeldecker \u0026 Valerio Tricoli \/\/ Der Krater TAPE","handle":"werner-dafeldecker-valerio-tricoli-der-krater-tape","description":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerとイタリアの実験音楽家Valerio Tricoliが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eコントラバスと自作楽器によるドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268078386\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDer Krater #1 \u003cem\u003e16:06\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e2. Der Krater #2 \u003cem\u003e16:07\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eA Note From Valerio Tricoli:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up…for once.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English - asking for a 'press sheet', a very weird, but apparently necessary form of literature in which you (me, in this case) have to say something about the record, and this something will then be taken up by those who will eventually write about the record in fanzines specialising in avant-garde or electronic music, so that this text - this miserable text that stinks so much of an exercise in style and that you are unfortunately reading and I'm unfortunately writing - will be repeated, again and again, in different forms for as long (generally not very long) as someone else writes about it (the record? Or perhaps only this wretched text in italo-english?). And so happens that all those tales of more or less real influences and half-read epiphanic books; of networks of poetic and political references and offhand quotations from Mark Fisher will be repeated ad libitum while the\u003cspan class=\"bcTruncateMore\"\u003e music is hiding in shame from the paper (or from the screen-paper-simulacrum or whatever we might call that thing).\u003cbr\u003e\u003cbr\u003eWe have a special word in italian for this stuff: supercazzola. If I think about all the supercazzole I wrote, this one included, I want to hang myself. And yet, I'll have to write more.\u003cbr\u003e\u003cbr\u003eAnd so, dear listeners of the avant-garde, I say what's there's to say: all that matters to me in that elusive fact we call music, hear hear, is its unspeakable. What digs a crater in my soul, and settles somewhere in the neuronal circuit, is a nameless spirit.\u003cbr\u003e\u003cbr\u003eAnyway. That dreaded moment, the press-sheet-request moment, took the form of a message from Werner: 'Lawrence needs a press sheet. I am full with work. Can you write something about our nightmares?\" Yes Werner, I can: I don't want to, but I can. And by the way, you've already done all the work. Thanks and bis bald.\u003cbr\u003e\u003cbr\u003eAnd so I leave you, dear listeners, with Der Krater, recorded live in an improvised fashion and then re-composed in the Bavarian autumn: two nightmares - Werner says - for double bass, synthesiser and live-manipulated Revox tape recorder, which we hope you'll enjoy as much as we do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker \u0026amp; Valerio Tricoli\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-20T19:26:41+09:00","created_at":"2023-07-20T15:13:45+09:00","vendor":"Tobira Records","type":"","tags":["drone","room40","tape"],"price":215000,"price_min":215000,"price_max":215000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361109668090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Werner Dafeldecker \u0026 Valerio Tricoli \/\/ Der Krater TAPE","public_title":null,"options":["Default Title"],"price":215000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","options":["Title"],"media":[{"alt":null,"id":32245406466298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de1_4d9ab794-7ca4-49f9-a336-9119806ad1f6.jpg?v=1689833627","width":700},{"alt":null,"id":32245406499066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/de2_d524095e-f742-4872-9c86-b6bbb529528e.jpg?v=1689833627","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerとイタリアの実験音楽家Valerio Tricoliが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003eコントラバスと自作楽器によるドローン2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡ください\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4268078386\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in soft poly case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eDer Krater #1 \u003cem\u003e16:06\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e2. Der Krater #2 \u003cem\u003e16:07\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eA Note From Valerio Tricoli:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"It is always very, very difficult for me to write about the music I was personally involved in making. As a matter of fact, a good reason for me to make music is precisely that I don't want to be a writer, and also to be able to shut up…for once.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eYet, once a record is finished, invariably arrives the request from the publisher - in this case the great Lawrence English - asking for a 'press sheet', a very weird, but apparently necessary form of literature in which you (me, in this case) have to say something about the record, and this something will then be taken up by those who will eventually write about the record in fanzines specialising in avant-garde or electronic music, so that this text - this miserable text that stinks so much of an exercise in style and that you are unfortunately reading and I'm unfortunately writing - will be repeated, again and again, in different forms for as long (generally not very long) as someone else writes about it (the record? Or perhaps only this wretched text in italo-english?). And so happens that all those tales of more or less real influences and half-read epiphanic books; of networks of poetic and political references and offhand quotations from Mark Fisher will be repeated ad libitum while the\u003cspan class=\"bcTruncateMore\"\u003e music is hiding in shame from the paper (or from the screen-paper-simulacrum or whatever we might call that thing).\u003cbr\u003e\u003cbr\u003eWe have a special word in italian for this stuff: supercazzola. If I think about all the supercazzole I wrote, this one included, I want to hang myself. And yet, I'll have to write more.\u003cbr\u003e\u003cbr\u003eAnd so, dear listeners of the avant-garde, I say what's there's to say: all that matters to me in that elusive fact we call music, hear hear, is its unspeakable. What digs a crater in my soul, and settles somewhere in the neuronal circuit, is a nameless spirit.\u003cbr\u003e\u003cbr\u003eAnyway. That dreaded moment, the press-sheet-request moment, took the form of a message from Werner: 'Lawrence needs a press sheet. I am full with work. Can you write something about our nightmares?\" Yes Werner, I can: I don't want to, but I can. And by the way, you've already done all the work. Thanks and bis bald.\u003cbr\u003e\u003cbr\u003eAnd so I leave you, dear listeners, with Der Krater, recorded live in an improvised fashion and then re-composed in the Bavarian autumn: two nightmares - Werner says - for double bass, synthesiser and live-manipulated Revox tape recorder, which we hope you'll enjoy as much as we do.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker \u0026amp; Valerio Tricoli\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerとイタリアの実験音楽家Valerio Tricoliが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースした共作カセットです。 コントラバスと自作楽器によるドローン2曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡ください レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira....
¥2,150
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{"id":7996643082490,"title":"Werner Dafeldecker \/\/ Neural CD","handle":"werner-dafeldecker-neural-cd","description":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロやコントラバス、クラリネットによるアコースティック・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2240564671\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeural \u003cem\u003e28:11\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTape 231 \u003cem\u003e27:59 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Werner Dafeldecker:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For whatever reason, I have always found the idea of using alien material as the structuring element of an artistic process exciting. That doesn’t mean the elements always stay, but rather I often remove them right at the end of the creative process. This working method creates areas of tension that reflect the artistic process on a different emotional level. It reduces the sense of creation and moves more toward accomplishment. This method applies to both pieces of this phonogram in a similar way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„Neural“ places sound surfaces as its central focus and is inspired by the idea that neural networks develop a memory when they repeatedly send information. The ensemble focuses on vibrations and rhythmic variations of the overtones, which are caused by dynamics and pitch shifts in the microtonal range. With the passage of time and performance practice, spherical, acoustic stamps become established, caused by the conscious perception of when rhythm changes into sound sensation and vice versa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor „Tape 231“ I re-discovered a long-forgotten music cassette in my archive which contained peculiar percussive electronic sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Lucio and I worked on the recordings of his elongated\u003cspan class=\"bcTruncateMore\"\u003e tones and multi-phonics I again was drawn to the idea to use the tape sounds primarily as a structuring element for the piece, (time, density, dynamics) only to be left out afterwards.\u003cbr\u003e\u003cbr\u003eThe targeted handling of hidden structures evokes a somewhat stubborn emotionality when dealing with creative processes, I like that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2023-07-20T19:30:12+09:00","created_at":"2023-07-20T15:19:40+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","room40"],"price":215000,"price_min":215000,"price_max":215000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44361131688186,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Werner Dafeldecker \/\/ Neural CD","public_title":null,"options":["Default Title"],"price":215000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","options":["Title"],"media":[{"alt":null,"id":32245438349562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne1_6fb4db36-0781-49ff-9a6a-f92d58b5a1b6.jpg?v=1689833982","width":700},{"alt":null,"id":32245438382330,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_b05c644d-2aaf-4358-a617-b97112a57b6e.jpg?v=1689833982","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eチェロやコントラバス、クラリネットによるアコースティック・ドローン2曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2240564671\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD in matte laminate case.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eNeural \u003cem\u003e28:11\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eTape 231 \u003cem\u003e27:59 \u003c\/em\u003e \u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eArtist statement by Werner Dafeldecker:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"For whatever reason, I have always found the idea of using alien material as the structuring element of an artistic process exciting. That doesn’t mean the elements always stay, but rather I often remove them right at the end of the creative process. This working method creates areas of tension that reflect the artistic process on a different emotional level. It reduces the sense of creation and moves more toward accomplishment. This method applies to both pieces of this phonogram in a similar way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e„Neural“ places sound surfaces as its central focus and is inspired by the idea that neural networks develop a memory when they repeatedly send information. The ensemble focuses on vibrations and rhythmic variations of the overtones, which are caused by dynamics and pitch shifts in the microtonal range. With the passage of time and performance practice, spherical, acoustic stamps become established, caused by the conscious perception of when rhythm changes into sound sensation and vice versa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFor „Tape 231“ I re-discovered a long-forgotten music cassette in my archive which contained peculiar percussive electronic sounds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Lucio and I worked on the recordings of his elongated\u003cspan class=\"bcTruncateMore\"\u003e tones and multi-phonics I again was drawn to the idea to use the tape sounds primarily as a structuring element for the piece, (time, density, dynamics) only to be left out afterwards.\u003cbr\u003e\u003cbr\u003eThe targeted handling of hidden structures evokes a somewhat stubborn emotionality when dealing with creative processes, I like that.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Dafeldecker\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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オーストリア・ウィーンのコントラバス奏者Werner Dafeldeckerが、2023年6月にオーストラリア・ブリスベンの実験レーベルroom40からリリースしたCDです。 チェロやコントラバス、クラリネットによるアコースティック・ドローン2曲を収録。 レーベルその他作品はこちら /// Click here to see more Room40 releases available at Tobira. ---------------------------- CD...
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{"id":9195012718842,"title":"Werner Durand \u0026 John Krausbauer \/\/ Black Seraphim CD","handle":"werner-durand-john-krausbauer-black-seraphim-cd","description":"\u003cp\u003eドイツのWerner DurandとアメリカのJohn Krausbauerが、2026年2月にオランダのドローンレーベルMoving Furnitureからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e自作吹奏楽器とバイオリンによるアコースティック・ドローン2作品です。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1704791457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003cbr\u003eEdition of 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Black Seraphim 27:28\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSeparated by an ocean and a generation apart, German reedsman, Werner Durand and American stringsman, John Krausbauer, have both been devotees of the cosmic ur-drone for many decades. Their new recording on Moving Furniture Records, “Black Seraphim”, brings together for the first time their singular vision and approach in a half hour droning dirge. The setup finds Krausbauer on his oft-employed violin, while Durand continues to explore the possibilities of his self-invented reed instruments. The same foundations that lie at the heart of their musics: (electro)-acoustic instrumentation, long durations, alternate tuning systems, all can be found on the harmonically dense and rich offering. An unrelenting, buzzing choir of harmonics and overtones begets a timewarped hallucinatory trip into the black ooze of trance’d consciousness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWerner Durand has been active as a saxophone player since the late 1970s. After studies of both indian as well as persian flutes, he has created his own unique wind instruments since the mid 80s, based on just intonation. He has collaborated with numerous composers and performers, including Amelia Cuni, David Behrman, Henning Christiansen, Catherine Christer Hennix, Arnold Dreyblatt\u003cspan class=\"bcTruncateMore\"\u003e and many others. Currently he performs as FLOCKS- a duo with multi-Instrumentalist Ulrich Hohmann as well as with singer Anna Clementi as ARTIFICIAL HIPSTERS. Together with Anna Clementi and Luciano Chessa he performs in the trio EFNI - performing on replicas of the Intona Rumori - futurist instruments invented by Luigi Russolo in early 20th century, Grants and residencies include Cité des Arts, Paris, 1989; Podewil, Berlin 1999; Worpswede artist colony, Germany 2004\/5; AIR –Krems (Austria), 2011 \u0026amp; Civitella Ranieri (Italy)2013. He has curated festivals of traditional as well as avantgarde music in Berlin like \"Urban und Aboriginal“, \"Pipeline“ , \"USArts“ , \"Minimalisms\" and \"Intonations“ and \"Musiksalon Berlin\" at the Ethnological Museum.\u003cbr\u003e\u003cbr\u003eJohn Krausbauer is an American musician, artist, and brend practitioner. As a tireless pursuer of the sonic arts for nearly 30 years, he’s had numerous recordings published, performed his musics in North America, Europe, and Asia, and has instigated and participated in countless musical group configurations. Since 2020 his wide ranging interests have led him to pursue critical writing and visual art as his primary activities, while occasionally engaging in solo and group musics. He has shown his A\/V work around the globe and had his writings published in the US and New Zealand.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Durand \u0026amp; John Krausbauer\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMFR120\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 21st February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-19T07:25:46+09:00","created_at":"2026-04-18T12:11:20+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","moving furniture records","new","noise"],"price":233400,"price_min":233400,"price_max":233400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48694451011834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Werner Durand \u0026 John Krausbauer \/\/ Black Seraphim CD","public_title":null,"options":["Default Title"],"price":233400,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"199806144527","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wern1.jpg?v=1776481774","\/\/tobirarecords.com\/cdn\/shop\/files\/wern2.jpg?v=1776481774"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wern1.jpg?v=1776481774","options":["Title"],"media":[{"alt":null,"id":39077222777082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wern1.jpg?v=1776481774"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wern1.jpg?v=1776481774","width":350},{"alt":null,"id":39077222809850,"position":2,"preview_image":{"aspect_ratio":1.402,"height":856,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wern2.jpg?v=1776481774"},"aspect_ratio":1.402,"height":856,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wern2.jpg?v=1776481774","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのWerner DurandとアメリカのJohn Krausbauerが、2026年2月にオランダのドローンレーベルMoving Furnitureからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e自作吹奏楽器とバイオリンによるアコースティック・ドローン2作品です。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1704791457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD.\u003cbr\u003eEdition of 150 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Black Seraphim 27:28\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSeparated by an ocean and a generation apart, German reedsman, Werner Durand and American stringsman, John Krausbauer, have both been devotees of the cosmic ur-drone for many decades. Their new recording on Moving Furniture Records, “Black Seraphim”, brings together for the first time their singular vision and approach in a half hour droning dirge. The setup finds Krausbauer on his oft-employed violin, while Durand continues to explore the possibilities of his self-invented reed instruments. The same foundations that lie at the heart of their musics: (electro)-acoustic instrumentation, long durations, alternate tuning systems, all can be found on the harmonically dense and rich offering. An unrelenting, buzzing choir of harmonics and overtones begets a timewarped hallucinatory trip into the black ooze of trance’d consciousness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist bio from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWerner Durand has been active as a saxophone player since the late 1970s. After studies of both indian as well as persian flutes, he has created his own unique wind instruments since the mid 80s, based on just intonation. He has collaborated with numerous composers and performers, including Amelia Cuni, David Behrman, Henning Christiansen, Catherine Christer Hennix, Arnold Dreyblatt\u003cspan class=\"bcTruncateMore\"\u003e and many others. Currently he performs as FLOCKS- a duo with multi-Instrumentalist Ulrich Hohmann as well as with singer Anna Clementi as ARTIFICIAL HIPSTERS. Together with Anna Clementi and Luciano Chessa he performs in the trio EFNI - performing on replicas of the Intona Rumori - futurist instruments invented by Luigi Russolo in early 20th century, Grants and residencies include Cité des Arts, Paris, 1989; Podewil, Berlin 1999; Worpswede artist colony, Germany 2004\/5; AIR –Krems (Austria), 2011 \u0026amp; Civitella Ranieri (Italy)2013. He has curated festivals of traditional as well as avantgarde music in Berlin like \"Urban und Aboriginal“, \"Pipeline“ , \"USArts“ , \"Minimalisms\" and \"Intonations“ and \"Musiksalon Berlin\" at the Ethnological Museum.\u003cbr\u003e\u003cbr\u003eJohn Krausbauer is an American musician, artist, and brend practitioner. As a tireless pursuer of the sonic arts for nearly 30 years, he’s had numerous recordings published, performed his musics in North America, Europe, and Asia, and has instigated and participated in countless musical group configurations. Since 2020 his wide ranging interests have led him to pursue critical writing and visual art as his primary activities, while occasionally engaging in solo and group musics. He has shown his A\/V work around the globe and had his writings published in the US and New Zealand.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Werner Durand \u0026amp; John Krausbauer\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMFR120\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 21st February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツのWerner DurandとアメリカのJohn Krausbauerが、2026年2月にオランダのドローンレーベルMoving Furnitureからリリースした共作CDです。 自作吹奏楽器とバイオリンによるアコースティック・ドローン2作品です。デジスリーブ、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Moving Furniture Records releases available...
¥2,334
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{"id":8009509568762,"title":"werner durand with amelia cuni and victor meertens \/\/ processions 2xLP","handle":"werner-durand-with-amelia-cuni-and-victor-meertens-processions-2x12","description":"\u003cp\u003eドイツ・ベルリンの実験音楽家／楽器製作者werner durandが、2019年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e自作の管楽器やリード楽器、サロード、ミルリトン、バイ（ベトナムのフリーリード楽器）、トランペット、打ち込みのエレキギターを用いたロングフォームなアコースティック・ドローン〜実験アンビエント4曲を収録。DLコード付属。 \u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527728225\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more Besom Presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ecaressing the air 17:20\u003c\/li\u003e\n\u003cli\u003eprocession 12:48\u003c\/li\u003e\n\u003cli\u003esandal 21:00\u003c\/li\u003e\n\u003cli\u003ekhus 18:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBesom Presse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ebesom presse is pleased to announce the release of \"processions,\" a double lp by composer, performer, and instrument-maker werner durand, with amelia cuni and victor meertens. recorded and mixed in his home studio in berlin from 2012-16, durand offers four just-intoned drone works distilling global influence into compositions of singular beauty. the pieces presented here are rooted in durand’s past work with meertens (an australian visual artist), a partnership that dates back to the early 90’s. performed on an unlikely array of instruments including various self-made wind and reed instruments, sarod, mirliton, bi (a vietnamese free reed instrument), trumpet, and hammered electric guitar, the result is narcotic.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eeach piece is a rich tapestry woven by timbral combinations that cut clearly defined swaths of the spectral field, yet cradle each other with mandala-like elegance. processions opens with meertens’ hammered guitar percolating within the glacial flow of durand’s omnipresent hum—like an embryonic dreyblatt excitation set adrift in the bardo of lamonte young’s eternal music. dhrupad singer amelia cuni’s voice enters, beckoning like an oneiric shepherd. as the record proceeds, durand doubles down on his elemental sound—before long the listener, without realizing it, sits straddling a borderline in a hypnagogic state of fleeting consciousness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : werner durand \/ amelia cuni \/ victor meertens\u003c\/p\u003e\n\u003cp\u003eLabel : Besom Presse\u003c\/p\u003e","published_at":"2023-08-23T12:21:20+09:00","created_at":"2023-08-22T16:16:36+09:00","vendor":"Tobira Records","type":"","tags":["ambient","besom presse","drone","lp"],"price":578000,"price_min":578000,"price_max":578000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44508061925626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"werner durand with amelia cuni and victor meertens \/\/ processions 2xLP","public_title":null,"options":["Default Title"],"price":578000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pro1.jpg?v=1692688598","\/\/tobirarecords.com\/cdn\/shop\/files\/pro2.jpg?v=1692688598"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1.jpg?v=1692688598","options":["Title"],"media":[{"alt":null,"id":32359461028090,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1.jpg?v=1692688598"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro1.jpg?v=1692688598","width":700},{"alt":null,"id":32359461060858,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro2.jpg?v=1692688598"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pro2.jpg?v=1692688598","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンの実験音楽家／楽器製作者werner durandが、2019年にアメリカ・LAの実験／ドローンレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBesom Presseからリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e自作の管楽器やリード楽器、サロード、ミルリトン、バイ（ベトナムのフリーリード楽器）、トランペット、打ち込みのエレキギターを用いたロングフォームなアコースティック・ドローン〜実験アンビエント4曲を収録。DLコード付属。 \u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=527728225\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/besom\"\u003ehere\u003c\/a\u003e to see more Besom Presse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. 2x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ecaressing the air 17:20\u003c\/li\u003e\n\u003cli\u003eprocession 12:48\u003c\/li\u003e\n\u003cli\u003esandal 21:00\u003c\/li\u003e\n\u003cli\u003ekhus 18:28\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBesom Presse:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ebesom presse is pleased to announce the release of \"processions,\" a double lp by composer, performer, and instrument-maker werner durand, with amelia cuni and victor meertens. recorded and mixed in his home studio in berlin from 2012-16, durand offers four just-intoned drone works distilling global influence into compositions of singular beauty. the pieces presented here are rooted in durand’s past work with meertens (an australian visual artist), a partnership that dates back to the early 90’s. performed on an unlikely array of instruments including various self-made wind and reed instruments, sarod, mirliton, bi (a vietnamese free reed instrument), trumpet, and hammered electric guitar, the result is narcotic.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eeach piece is a rich tapestry woven by timbral combinations that cut clearly defined swaths of the spectral field, yet cradle each other with mandala-like elegance. processions opens with meertens’ hammered guitar percolating within the glacial flow of durand’s omnipresent hum—like an embryonic dreyblatt excitation set adrift in the bardo of lamonte young’s eternal music. dhrupad singer amelia cuni’s voice enters, beckoning like an oneiric shepherd. as the record proceeds, durand doubles down on his elemental sound—before long the listener, without realizing it, sits straddling a borderline in a hypnagogic state of fleeting consciousness.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : werner durand \/ amelia cuni \/ victor meertens\u003c\/p\u003e\n\u003cp\u003eLabel : Besom Presse\u003c\/p\u003e"}
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ドイツ・ベルリンの実験音楽家／楽器製作者werner durandが、2019年にアメリカ・LAの実験／ドローンレーベルBesom Presseからリリースした2枚組レコードです。 自作の管楽器やリード楽器、サロード、ミルリトン、バイ（ベトナムのフリーリード楽器）、トランペット、打ち込みのエレキギターを用いたロングフォームなアコースティック・ドローン〜実験アンビエント4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Besom Presse releases available at Tobira....
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{"id":9068271730938,"title":"Wertham \u0026 Strom.ec \u0026 Josh Lay \/\/ St Valentine's Day LP","handle":"wertham-strom-ec-josh-lay-st-valentines-day-lp","description":"\u003cp\u003eイタリアのWerthamとフィンランドのStrom.ec、アメリカのJosh Layパワーエレクトロニクスユニット3組が、2025年10月にオーストラリア・タスマニアのノイズレーベルCipher Productionsからリリースした3-wayスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eパワーエレクトロクス〜リズミック・ノイズ〜ハーシュノイズ8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2005年、私は『聖バルトロメオの虐殺』を発表した。4組のアーティストによるダブルカセットで、各アーティストは1572年にフランスで起きた宗教的虐殺を独自の芸術表現で描く任務を負った。そしてついに20年後、『聖バレンタインの虐殺』が誕生する。狂気じみた不可解な暴力の歴史的指標を、禁酒法時代のシカゴの街へと転写した作品だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e各アーティストは、自身のスタイルやテーマ的関心と本作の主題が交差するよう慎重に選定された。それぞれの独自性を活かしつつ、共通するスタイルのエネルギーで結ばれた作品を実現したかったのだ。その結果生まれたのが、この待望のLPだ。私はこの作品に非常に誇りを持っている。宗教的懺悔、容赦ない流血、陰謀的な陰謀、政治的崩壊といった要素が、与えられたテーマから滲み出ている。各アーティストは、細部へのこだわり、構成の深み、力強さ、そして深紅の色彩に富んだ、痛ましいパワーエレクトロニクスの楽曲群を届けている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664232307\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cpr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cpr\"\u003ehere\u003c\/a\u003e to see more Cipher Productions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wertham - Blond Alibi 08:04\u003cbr\u003e2. Strom.ec - Accountants Of Death 04:01\u003cbr\u003e3. Josh Lay - Blood Covered Walls 03:14\u003cbr\u003e4. Josh Lay - Turf War 05:14\u003cbr\u003e5. Josh Lay - Fear Was In The Air 05:23\u003cbr\u003e6. Strom.ec - Ascending Torso 03:22\u003cbr\u003e7. Strom.ec - Hibernating Herd 06:09\u003cbr\u003e8. Wertham - Madonna Mia 04:52\u003c\/p\u003e\n\u003cp\u003eCipher Productions:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn 2005 I released ‘St Bartholomew’s Day’, a four artist double cassette, each act tasked with finding their own artistic expression of the French religious massacre of 1572. Finally, 20 years later, comes ‘St Valentine’s Day’: another historical lodestar of unhinged and inexplicable violence, updated to the Prohibition-era streets of Chicago.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach artist was carefully selected with a view to intersecting their own stylistic and thematic interests with the subject matter of the release, and wanting to realise a release which harnessed the uniqueness of each while linking a shared stylistic energy. The result is this long-overdue LP of which I am incredibly proud: threads of religious penance, unapologetic bloodshed, conspiratorial intrigue and political collapse all leech from the given theme, and each act delivers a harrowing set of power electronics compositions rich in detail, compositional depth, potency and crimson.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wertham \u0026amp; Strom.ec \u0026amp; Josh Lay\u003c\/p\u003e\n\u003cp\u003eLabel : Cipher Productions\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esic 122\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : October 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-02-07T07:21:02+09:00","created_at":"2026-01-31T17:10:16+09:00","vendor":"Tobira Records","type":"","tags":["cipher productions","lp","new","noise"],"price":486600,"price_min":486600,"price_max":486600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48270609547514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wertham \u0026 Strom.ec \u0026 Josh Lay \/\/ St Valentine's Day LP","public_title":null,"options":["Default Title"],"price":486600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/day1_d99dd825-e16e-4b57-97d3-892f76dff843.jpg?v=1769846898"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_d99dd825-e16e-4b57-97d3-892f76dff843.jpg?v=1769846898","options":["Title"],"media":[{"alt":null,"id":38203211677946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_d99dd825-e16e-4b57-97d3-892f76dff843.jpg?v=1769846898"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/day1_d99dd825-e16e-4b57-97d3-892f76dff843.jpg?v=1769846898","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアのWerthamとフィンランドのStrom.ec、アメリカのJosh Layパワーエレクトロニクスユニット3組が、2025年10月にオーストラリア・タスマニアのノイズレーベルCipher Productionsからリリースした3-wayスプリットレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eパワーエレクトロクス〜リズミック・ノイズ〜ハーシュノイズ8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2005年、私は『聖バルトロメオの虐殺』を発表した。4組のアーティストによるダブルカセットで、各アーティストは1572年にフランスで起きた宗教的虐殺を独自の芸術表現で描く任務を負った。そしてついに20年後、『聖バレンタインの虐殺』が誕生する。狂気じみた不可解な暴力の歴史的指標を、禁酒法時代のシカゴの街へと転写した作品だ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e各アーティストは、自身のスタイルやテーマ的関心と本作の主題が交差するよう慎重に選定された。それぞれの独自性を活かしつつ、共通するスタイルのエネルギーで結ばれた作品を実現したかったのだ。その結果生まれたのが、この待望のLPだ。私はこの作品に非常に誇りを持っている。宗教的懺悔、容赦ない流血、陰謀的な陰謀、政治的崩壊といった要素が、与えられたテーマから滲み出ている。各アーティストは、細部へのこだわり、構成の深み、力強さ、そして深紅の色彩に富んだ、痛ましいパワーエレクトロニクスの楽曲群を届けている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2664232307\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cpr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cpr\"\u003ehere\u003c\/a\u003e to see more Cipher Productions releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Wertham - Blond Alibi 08:04\u003cbr\u003e2. Strom.ec - Accountants Of Death 04:01\u003cbr\u003e3. Josh Lay - Blood Covered Walls 03:14\u003cbr\u003e4. Josh Lay - Turf War 05:14\u003cbr\u003e5. Josh Lay - Fear Was In The Air 05:23\u003cbr\u003e6. Strom.ec - Ascending Torso 03:22\u003cbr\u003e7. Strom.ec - Hibernating Herd 06:09\u003cbr\u003e8. Wertham - Madonna Mia 04:52\u003c\/p\u003e\n\u003cp\u003eCipher Productions:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIn 2005 I released ‘St Bartholomew’s Day’, a four artist double cassette, each act tasked with finding their own artistic expression of the French religious massacre of 1572. Finally, 20 years later, comes ‘St Valentine’s Day’: another historical lodestar of unhinged and inexplicable violence, updated to the Prohibition-era streets of Chicago.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach artist was carefully selected with a view to intersecting their own stylistic and thematic interests with the subject matter of the release, and wanting to realise a release which harnessed the uniqueness of each while linking a shared stylistic energy. The result is this long-overdue LP of which I am incredibly proud: threads of religious penance, unapologetic bloodshed, conspiratorial intrigue and political collapse all leech from the given theme, and each act delivers a harrowing set of power electronics compositions rich in detail, compositional depth, potency and crimson.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wertham \u0026amp; Strom.ec \u0026amp; Josh Lay\u003c\/p\u003e\n\u003cp\u003eLabel : Cipher Productions\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003esic 122\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : October 2025\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアのWerthamとフィンランドのStrom.ec、アメリカのJosh Layパワーエレクトロニクスユニット3組が、2025年10月にオーストラリア・タスマニアのノイズレーベルCipher Productionsからリリースした3-wayスプリットレコードです。 パワーエレクトロクス〜リズミック・ノイズ〜ハーシュノイズ8曲を収録。インサート付属。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "2005年、私は『聖バルトロメオの虐殺』を発表した。4組のアーティストによるダブルカセットで、各アーティストは1572年にフランスで起きた宗教的虐殺を独自の芸術表現で描く任務を負った。そしてついに20年後、『聖バレンタインの虐殺』が誕生する。狂気じみた不可解な暴力の歴史的指標を、禁酒法時代のシカゴの街へと転写した作品だ。 各アーティストは、自身のスタイルやテーマ的関心と本作の主題が交差するよう慎重に選定された。それぞれの独自性を活かしつつ、共通するスタイルのエネルギーで結ばれた作品を実現したかったのだ。その結果生まれたのが、この待望のLPだ。私はこの作品に非常に誇りを持っている。宗教的懺悔、容赦ない流血、陰謀的な陰謀、政治的崩壊といった要素が、与えられたテーマから滲み出ている。各アーティストは、細部へのこだわり、構成の深み、力強さ、そして深紅の色彩に富んだ、痛ましいパワーエレクトロニクスの楽曲群を届けている。" レーベルその他作品はこちら /// Click here to see more Cipher Productions...
¥4,866
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{"id":7934282301690,"title":"Wes Tirey \/\/ No Winners in the Blues LP","handle":"wes-tirey-no-winners-in-the-blues-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ノースカロライナのカントリーフォーク作家Wes Tirey\u003c\/span\u003eが、2023年1月に同国実験レーベルFull Spectrumからリリースした再発レコードです。（オリジナルは2019年にカセットでリリース）\u003c\/p\u003e\n\u003cp\u003e程よく\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eウイスキーに\u003c\/span\u003e漬け込んだカントリーフォーク〜アメリカーナ8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1857398650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=109528978\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1857398650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3808922582\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1857398650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=132402908\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1857398650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300.\u003c\/p\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA new year beckons, and Full Spectrum Records is fixing to kick off 2023 with a hard shot of melancholia and a deluxe vinyl reissue of Wes Tirey’s whiskey-soaked folk opus, ‘No Winners In the blues.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf course, this isn’t Tirey’s first Full Spectrum rodeo. He published the decidedly more lo-fi ‘O, Annihilator’ with us in 2014 – a release that we still reach for when the sun hangs low – before moving on to record ‘Black Wind’ for Scissor Tail a couple of years later. ‘No Winners In the Blues’ collects a series of lowdown stories that began life around that same time period, though expands the tonal palette into a psychedelia-tinged zone, thanks to Shane Parish’s guitar and production flourishes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released way back in the halcyon days of 2019 as a small cassette edition with accompanying lyric chapbook via M. Sage’s now-defunct Patient Sounds Intl. imprint, ‘No Winners in the Blues’ is indeed an overtly bleak album – as the title might suggest – and an ideal addition to one’s winter soundtrack. It would perhaps have ended up differently if the musicians Tirey initially planned to guest on these tracks were available; but when scheduling conflicts began to pile up, Tirey pivoted towards the sort of work he’d been doing with Parish during their semi-improvised performances on\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e tour between 2016-18.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe end result is a suite of billowing ballads that are resplendent in their gloom, reflecting deeply on loss, hardship, vice, and the grinding march of time. Tirey’s baritone voice is front and center in the mix, with his dusty guitar playing laying down raggedy lines for Parish’s Frippertronics-esque playing to flicker across.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is honest music for those moments when the night towers over the desert, as the dawn gathers faintly at the horizon: raw blues from the hands of a true master of his craft, now given fresh life with a new edition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wes Tirey\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e","published_at":"2023-03-10T15:48:58+09:00","created_at":"2023-03-10T13:08:18+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Full Spectrum Records","lp"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44062668095738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Wes Tirey \/\/ No Winners in the Blues LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/no1_3f196a06-f362-4b7c-a7a2-3cb1a382ffc9.jpg?v=1678421300","\/\/tobirarecords.com\/cdn\/shop\/products\/no2_3ed0b731-97b1-4c35-8b41-02ddf627fa4e.jpg?v=1678421299"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_3f196a06-f362-4b7c-a7a2-3cb1a382ffc9.jpg?v=1678421300","options":["Title"],"media":[{"alt":null,"id":31657631219962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_3f196a06-f362-4b7c-a7a2-3cb1a382ffc9.jpg?v=1678421300"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_3f196a06-f362-4b7c-a7a2-3cb1a382ffc9.jpg?v=1678421300","width":700},{"alt":null,"id":31657631252730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_3ed0b731-97b1-4c35-8b41-02ddf627fa4e.jpg?v=1678421299"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_3ed0b731-97b1-4c35-8b41-02ddf627fa4e.jpg?v=1678421299","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・ノースカロライナのカントリーフォーク作家Wes Tirey\u003c\/span\u003eが、2023年1月に同国実験レーベルFull Spectrumからリリースした再発レコードです。（オリジナルは2019年にカセットでリリース）\u003c\/p\u003e\n\u003cp\u003e程よく\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eウイスキーに\u003c\/span\u003e漬け込んだカントリーフォーク〜アメリカーナ8曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1857398650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=109528978\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1857398650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3808922582\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1857398650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=132402908\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1857398650\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Edition of 300.\u003c\/p\u003e\n\u003cp\u003eFull Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA new year beckons, and Full Spectrum Records is fixing to kick off 2023 with a hard shot of melancholia and a deluxe vinyl reissue of Wes Tirey’s whiskey-soaked folk opus, ‘No Winners In the blues.’\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf course, this isn’t Tirey’s first Full Spectrum rodeo. He published the decidedly more lo-fi ‘O, Annihilator’ with us in 2014 – a release that we still reach for when the sun hangs low – before moving on to record ‘Black Wind’ for Scissor Tail a couple of years later. ‘No Winners In the Blues’ collects a series of lowdown stories that began life around that same time period, though expands the tonal palette into a psychedelia-tinged zone, thanks to Shane Parish’s guitar and production flourishes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally released way back in the halcyon days of 2019 as a small cassette edition with accompanying lyric chapbook via M. Sage’s now-defunct Patient Sounds Intl. imprint, ‘No Winners in the Blues’ is indeed an overtly bleak album – as the title might suggest – and an ideal addition to one’s winter soundtrack. It would perhaps have ended up differently if the musicians Tirey initially planned to guest on these tracks were available; but when scheduling conflicts began to pile up, Tirey pivoted towards the sort of work he’d been doing with Parish during their semi-improvised performances on\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e tour between 2016-18.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe end result is a suite of billowing ballads that are resplendent in their gloom, reflecting deeply on loss, hardship, vice, and the grinding march of time. Tirey’s baritone voice is front and center in the mix, with his dusty guitar playing laying down raggedy lines for Parish’s Frippertronics-esque playing to flicker across.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis is honest music for those moments when the night towers over the desert, as the dawn gathers faintly at the horizon: raw blues from the hands of a true master of his craft, now given fresh life with a new edition.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wes Tirey\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e"}
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アメリカ・ノースカロライナのカントリーフォーク作家Wes Tireyが、2023年1月に同国実験レーベルFull Spectrumからリリースした再発レコードです。（オリジナルは2019年にカセットでリリース） 程よくウイスキーに漬け込んだカントリーフォーク〜アメリカーナ8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available at...
¥3,780
![Westbound Train // Sing The Ghost Away LP [COLOR]](http://tobirarecords.com/cdn/shop/files/sing1_medium.jpg?v=1766455289)
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{"id":9038222426362,"title":"Westbound Train \/\/ Sing The Ghost Away LP [COLOR]","handle":"westbound-train-sing-the-ghost-away-lp-color","description":"\u003cp\u003eアメリカ・ボストンのスカバンドWestbound Trainが、2025年11月に同国Org Musicからリリースした再発CDです。（オリジナルは2013年リリース）\u003c\/p\u003e\n\u003cp\u003eソウル〜ロックステディ〜レゲエ〜スカ10曲を収録。ブラッドオレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3776606709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'blood orange' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Slippery Slope 04:52\u003cbr\u003e2. Meet Me at the Metro 04:50\u003cbr\u003e3. L.M.A. 04:09\u003cbr\u003e4. Miss Reason 03:31\u003cbr\u003e5. Hold the Line 04:13\u003cbr\u003e6. A Lonely Heart is an Open Door 03:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Like a Sunset Over Water 04:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. We All Need Rescue (Relic Room Version) 04:43\u003cbr\u003e\u003c\/span\u003e9. Keeper From the Start 03:41\u003cbr\u003e10. Gasoline (Don't Say Your Goodbyes) 06:01\u003c\/p\u003e\n\u003cp\u003eOrg Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWestbound Train return with their most dynamic and soulful album to date, a bold evolution that stays rooted in the band’s signature blend of ska, rocksteady, and classic soul. Produced by frontman Obi Fernandez and drummer Eric Novod, the record pairs warm, analog textures with inventive arrangements and nuanced mixing choices, offering a fresh perspective on a sound they've spent years perfecting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStandout tracks like “L.M.A.,” “Keeper From the Start,” and “Slippery Slope” highlight the band’s sharpened songwriting and expanded sonic range, while a newly recorded version of “We All Need Rescue” breathes new life into a deeper cut from their 2022 release. It’s a confident, emotionally resonant collection that captures Westbound Train at a new creative peak.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Westbound Train\u003c\/p\u003e\n\u003cp\u003eLabel : Org Music\u003c\/p\u003e\n\u003cp\u003ecat no : ORGM2342lp-C1\u003c\/p\u003e\n\u003cp\u003eRelease date : 7th November 2025\u003c\/p\u003e","published_at":"2025-12-24T06:57:18+09:00","created_at":"2025-12-23T11:03:27+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","lp","new","org music"],"price":419800,"price_min":419800,"price_max":419800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48148948418810,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Westbound Train \/\/ Sing The Ghost Away LP [COLOR]","public_title":null,"options":["Default Title"],"price":419800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"711574970117","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/sing1.jpg?v=1766455289","\/\/tobirarecords.com\/cdn\/shop\/files\/sing2.jpg?v=1766455289"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/sing1.jpg?v=1766455289","options":["Title"],"media":[{"alt":null,"id":37877489500410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sing1.jpg?v=1766455289"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sing1.jpg?v=1766455289","width":700},{"alt":null,"id":37877489533178,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sing2.jpg?v=1766455289"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/sing2.jpg?v=1766455289","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ボストンのスカバンドWestbound Trainが、2025年11月に同国Org Musicからリリースした再発CDです。（オリジナルは2013年リリース）\u003c\/p\u003e\n\u003cp\u003eソウル〜ロックステディ〜レゲエ〜スカ10曲を収録。ブラッドオレンジ盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3776606709\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'blood orange' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Slippery Slope 04:52\u003cbr\u003e2. Meet Me at the Metro 04:50\u003cbr\u003e3. L.M.A. 04:09\u003cbr\u003e4. Miss Reason 03:31\u003cbr\u003e5. Hold the Line 04:13\u003cbr\u003e6. A Lonely Heart is an Open Door 03:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Like a Sunset Over Water 04:34\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. We All Need Rescue (Relic Room Version) 04:43\u003cbr\u003e\u003c\/span\u003e9. Keeper From the Start 03:41\u003cbr\u003e10. Gasoline (Don't Say Your Goodbyes) 06:01\u003c\/p\u003e\n\u003cp\u003eOrg Music:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWestbound Train return with their most dynamic and soulful album to date, a bold evolution that stays rooted in the band’s signature blend of ska, rocksteady, and classic soul. Produced by frontman Obi Fernandez and drummer Eric Novod, the record pairs warm, analog textures with inventive arrangements and nuanced mixing choices, offering a fresh perspective on a sound they've spent years perfecting.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStandout tracks like “L.M.A.,” “Keeper From the Start,” and “Slippery Slope” highlight the band’s sharpened songwriting and expanded sonic range, while a newly recorded version of “We All Need Rescue” breathes new life into a deeper cut from their 2022 release. It’s a confident, emotionally resonant collection that captures Westbound Train at a new creative peak.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Westbound Train\u003c\/p\u003e\n\u003cp\u003eLabel : Org Music\u003c\/p\u003e\n\u003cp\u003ecat no : ORGM2342lp-C1\u003c\/p\u003e\n\u003cp\u003eRelease date : 7th November 2025\u003c\/p\u003e"}
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アメリカ・ボストンのスカバンドWestbound Trainが、2025年11月に同国Org Musicからリリースした再発CDです。（オリジナルは2013年リリース） ソウル〜ロックステディ〜レゲエ〜スカ10曲を収録。ブラッドオレンジ盤です。 --------------------------------------------------- 12" 'blood orange' color vinyl. Tracklist: 1. Slippery Slope...
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{"id":6621651796133,"title":"Westerhalf \/\/ The First Gospel of the Holy Blasphemy of Westerhalf TAPE","handle":"westerhalf-the-first-gospel-of-the-holy-blasphemy-of-westerhalf-tape","description":"\u003cp\u003eノースカロライナ州のノイズ\/実験レーベルTribe Tapes諸作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ノイズデュオWesterhalfの2020年12月リリースの最新作です。ノイズコラージュ10曲を収録。20部限定、DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4097174759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベル\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 20. White cassette \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003epackaged in a 4\" x 6\" zip-loc bag\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Westerhalf\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e","published_at":"2021-04-02T11:56:31+09:00","created_at":"2021-04-02T08:21:06+09:00","vendor":"Tobira Records","type":"","tags":["noise","tape","tribe tapes"],"price":125000,"price_min":125000,"price_max":125000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39538730762405,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Westerhalf \/\/ The First Gospel of the Holy Blasphemy of Westerhalf TAPE","public_title":null,"options":["Default Title"],"price":125000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/th1_453860a5-d51b-4e9e-b04b-6ad56844b48c.jpg?v=1617319268","\/\/tobirarecords.com\/cdn\/shop\/products\/th2_33925a71-0654-46ac-ac00-883f53c7b328.jpg?v=1617319268"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_453860a5-d51b-4e9e-b04b-6ad56844b48c.jpg?v=1617319268","options":["Title"],"media":[{"alt":null,"id":21003903860901,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_453860a5-d51b-4e9e-b04b-6ad56844b48c.jpg?v=1617319268"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th1_453860a5-d51b-4e9e-b04b-6ad56844b48c.jpg?v=1617319268","width":700},{"alt":null,"id":21003903893669,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_33925a71-0654-46ac-ac00-883f53c7b328.jpg?v=1617319268"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/th2_33925a71-0654-46ac-ac00-883f53c7b328.jpg?v=1617319268","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノースカロライナ州のノイズ\/実験レーベルTribe Tapes諸作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ノイズデュオWesterhalfの2020年12月リリースの最新作です。ノイズコラージュ10曲を収録。20部限定、DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4097174759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベル\u003c\/span\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tribe\"\u003ehere\u003c\/a\u003e to see more Tribe Tapes releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 20. White cassette \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003epackaged in a 4\" x 6\" zip-loc bag\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Westerhalf\u003c\/p\u003e\n\u003cp\u003eLabel : Tribe Tapes\u003c\/p\u003e"}
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