Morkebla // Reluctance TAPE
Morkebla // Reluctance TAPE
¥1,843
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イタリアの実験テクノ作家Morkeblaが、2024年6月にアメリカ・CAのレフトフィールド・テクノレーベルEmerging Technologyから50本限定でリリースしたカセットです。
深すぎて踊れない実験テクノ〜ブロークンビーツ5曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Emerging Technology releases available at Tobira.
----------------------
Includes DL code. Cassette in norelco case. Edition of 50.
Tracklist:
1. Blu Scuro 04:37
2. Nether Spirit 06:56
3. Kevlar Skin 05:12
4. Broken Shell 08:48
5. Vena 05:44
Emerging Technology:
"Illuminating synths scan through gloomy recesses. Thundering rain hammers as fragments of speech emerge in the dark, standing like ruins amid a smoggy dystopian atmosphere.
Morkebla clears a looking glass just enough for smudged glimpses into a disquieting world. Dark electronica strives through, wounded and hunkered by heavy percussive onslaughts, sliced through by emotive speech."
Artist : Morkebla
Label : Emerging Technology
CAT No : ET002
イタリアの実験テクノ作家Morkeblaが、2024年6月にアメリカ・CAのレフトフィールド・テクノレーベルEmerging Technologyから50本限定でリリースしたカセットです。
深すぎて踊れない実験テクノ〜ブロークンビーツ5曲を収録。DLコード付属。
レーベルその他作品はこちら /// Click here to see more Emerging Technology releases available at Tobira.
----------------------
Includes DL code. Cassette in norelco case. Edition of 50.
Tracklist:
1. Blu Scuro 04:37
2. Nether Spirit 06:56
3. Kevlar Skin 05:12
4. Broken Shell 08:48
5. Vena 05:44
Emerging Technology:
"Illuminating synths scan through gloomy recesses. Thundering rain hammers as fragments of speech emerge in the dark, standing like ruins amid a smoggy dystopian atmosphere.
Morkebla clears a looking glass just enough for smudged glimpses into a disquieting world. Dark electronica strives through, wounded and hunkered by heavy percussive onslaughts, sliced through by emotive speech."
Artist : Morkebla
Label : Emerging Technology
CAT No : ET002
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{"id":8671271616762,"title":"Charles \"Poppy Bob\" Walker \/\/ Dirt Bike Vacation LP","handle":"charles-poppy-bob-walker-dirt-bike-vacation-lp","description":"\u003cp\u003eアメリカ・アリゾナのアマチュアギタリストCharles \"Poppy Bob\" Walkerが、2024年10月にイギリス・リバプールのフォークレーベルWorried Songsからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1980年半ばに人知れず日記のようにシングルテイクで録音したLo-Fiアンビエント・ブルース15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJon Collinが好きな方にオススメします。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=755312045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=755312045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2950974461\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\"\u003ehere\u003c\/a\u003e to see more Worried Songs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes A4 booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. High Above 01:26\u003cbr\u003e2. Baby Bird 01:29\u003cbr\u003e3. Backyard Soliloquy 01:23\u003cbr\u003e4. Driving to Town 01:03\u003cbr\u003e5. Continuation to Moon Doctor 01:11\u003cbr\u003e6. Airbase Blues 02:14\u003cbr\u003e7. Goodbye YMCA 01:21\u003cbr\u003e8. Train Over Main Span 01:07\u003cbr\u003e9. Signs for Ehrenberg 01:23\u003cbr\u003e10. In with the Grackles 01:54\u003cbr\u003e11. Granite Bluffs 01:07\u003cbr\u003e12. Back to the Foothills 00:54\u003cbr\u003e13. On the Couch with Bernie 01:30\u003cbr\u003e14. Sunset in the Gilas 02:28\u003cbr\u003e15. Walking at Night 01:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWorried Songs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDirt Bike Vacation—for Worried Songs Records—explores the sonic world of the late amateur guitar player, Charles ‘Poppy Bob’ Walker, through a captivating set of instrumental songs made in the mid-1980s. Recorded on a single-track, Marantz field recorder, the project is a transportive document of Walker’s days spent as a meatpacking employee in Yuma, Arizona and the dailiness of that existence: driving to work, sitting in his backyard, walking around drunkenly, unwinding on the couch with a friend. These sketches, showing an experimental tendency, are surprisingly ahead of their time; some exhibit ad hoc tape delay (“Granite Bluffs,” “Goodbye YMCA”), while others make use of primitive overdubbing (“Continuation to Moon Doctor”). Not dissimilar to works such as Bruce Langhorne’s The Hired Hand soundtrack, Walker’s guitar playing is melodic, texturally rich and beautifully sober.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn a musical tour from Nashville to Los Angeles, musician-archivist, Cameron Knowler, uncovered these songs from a series of dusty cassette tapes housed at a branch of the Yuma County\u003cspan class=\"bcTruncateMore\"\u003e Library. Originally tipped off by cryptic metadata entries found through an online finding aid, Knowler requested a sound sample and was immediately drawn in by their eerie, yet hopeful nature: “I didn’t care what they sounded like at first, but once I heard just a few seconds, I had to find out everything I could about Charles, who he was, and if he was still alive.” As it turns out, the two had miraculously crossed paths over 20 years prior when Cameron was a young boy accompanying his mother, a gem trader, on a biyearly sojourn to Quartzsite, a town 80 miles north of Yuma:\u003cbr\u003e\u003cbr\u003e“Charles, sitting down and smoking in a recliner, withdrawn, held what I now understand to be a mid-1990s Martin D-28 guitar. Unlike other old-timers, his instrument was sharply tuned and had a nice sound, even to my young and uncalibrated ears. Though his left hand showed signs of highly developed arthritis, his musical ideas were animated by a palpably deep understanding of fretboard anatomy, arrangement and harmony.”\u003cbr\u003e\u003cbr\u003eSorting through the index cards associated with these tapes, Knowler was able to gain a detailed sense of most recording’s provenance, whereabouts and time: Walker’s Datsun pickup truck chugging along boiling hot Interstate 80, the Marine Corps Air Station parking lot, the Eastern Wetlands on the banks of the Colorado River, a fishing trip to Martinez Lake. Trying to reduce the amount of his own subjectivities coloring the work, Cameron constructed titles and track sequences by borrowing information gleaned from Charles’ handwritten notes: “I tried to organize everything by time of day, giving the listener the sense of how a Yuma day might sound and feel like, and each song title—even the record itself—is borrowed from his own words.” This proved no small task, as many notecards had to be deciphered and then coupled with their native tapes which needed extensive restoration treatments.\u003cbr\u003e\u003cbr\u003eThe result is a project very much out of the blue, and one that is intensely personal to Knowler, having grown up in the same town under similar circumstances. “It feels like a part of my own journey as a guitarist reckoning with the defining marks of a gothic border town,” he remarks. “At the time I would’ve met Walker, I didn’t have much outside influence, but he has been in there all the while.” In their current form, the tracks combine to create a sonic journey that boldly contributes to the traditions of acoustic guitar soli, archival digs and field recordings all the same; most importantly, it is a creative document which shows a day-in-the-life of a man grappling with the human experience under a ubiquitous Yuma sun.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Charles \"Poppy Bob\" Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Worried Songs\u003c\/p\u003e","published_at":"2024-11-27T06:55:37+09:00","created_at":"2024-11-26T17:03:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","worried songs"],"price":468700,"price_min":468700,"price_max":468700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46895827288314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles \"Poppy Bob\" Walker \/\/ Dirt Bike Vacation LP","public_title":null,"options":["Default Title"],"price":468700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bike1.jpg?v=1732608098","\/\/tobirarecords.com\/cdn\/shop\/files\/bike2.jpg?v=1732608098"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike1.jpg?v=1732608098","options":["Title"],"media":[{"alt":null,"id":35233143161082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike1.jpg?v=1732608098"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike1.jpg?v=1732608098","width":700},{"alt":null,"id":35233143193850,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike2.jpg?v=1732608098"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike2.jpg?v=1732608098","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・アリゾナのアマチュアギタリストCharles \"Poppy Bob\" Walkerが、2024年10月にイギリス・リバプールのフォークレーベルWorried Songsからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1980年半ばに人知れず日記のようにシングルテイクで録音したLo-Fiアンビエント・ブルース15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJon Collinが好きな方にオススメします。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=755312045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=755312045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2950974461\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\"\u003ehere\u003c\/a\u003e to see more Worried Songs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes A4 booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. High Above 01:26\u003cbr\u003e2. Baby Bird 01:29\u003cbr\u003e3. Backyard Soliloquy 01:23\u003cbr\u003e4. Driving to Town 01:03\u003cbr\u003e5. Continuation to Moon Doctor 01:11\u003cbr\u003e6. Airbase Blues 02:14\u003cbr\u003e7. Goodbye YMCA 01:21\u003cbr\u003e8. Train Over Main Span 01:07\u003cbr\u003e9. Signs for Ehrenberg 01:23\u003cbr\u003e10. In with the Grackles 01:54\u003cbr\u003e11. Granite Bluffs 01:07\u003cbr\u003e12. Back to the Foothills 00:54\u003cbr\u003e13. On the Couch with Bernie 01:30\u003cbr\u003e14. Sunset in the Gilas 02:28\u003cbr\u003e15. Walking at Night 01:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWorried Songs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDirt Bike Vacation—for Worried Songs Records—explores the sonic world of the late amateur guitar player, Charles ‘Poppy Bob’ Walker, through a captivating set of instrumental songs made in the mid-1980s. Recorded on a single-track, Marantz field recorder, the project is a transportive document of Walker’s days spent as a meatpacking employee in Yuma, Arizona and the dailiness of that existence: driving to work, sitting in his backyard, walking around drunkenly, unwinding on the couch with a friend. These sketches, showing an experimental tendency, are surprisingly ahead of their time; some exhibit ad hoc tape delay (“Granite Bluffs,” “Goodbye YMCA”), while others make use of primitive overdubbing (“Continuation to Moon Doctor”). Not dissimilar to works such as Bruce Langhorne’s The Hired Hand soundtrack, Walker’s guitar playing is melodic, texturally rich and beautifully sober.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn a musical tour from Nashville to Los Angeles, musician-archivist, Cameron Knowler, uncovered these songs from a series of dusty cassette tapes housed at a branch of the Yuma County\u003cspan class=\"bcTruncateMore\"\u003e Library. Originally tipped off by cryptic metadata entries found through an online finding aid, Knowler requested a sound sample and was immediately drawn in by their eerie, yet hopeful nature: “I didn’t care what they sounded like at first, but once I heard just a few seconds, I had to find out everything I could about Charles, who he was, and if he was still alive.” As it turns out, the two had miraculously crossed paths over 20 years prior when Cameron was a young boy accompanying his mother, a gem trader, on a biyearly sojourn to Quartzsite, a town 80 miles north of Yuma:\u003cbr\u003e\u003cbr\u003e“Charles, sitting down and smoking in a recliner, withdrawn, held what I now understand to be a mid-1990s Martin D-28 guitar. Unlike other old-timers, his instrument was sharply tuned and had a nice sound, even to my young and uncalibrated ears. Though his left hand showed signs of highly developed arthritis, his musical ideas were animated by a palpably deep understanding of fretboard anatomy, arrangement and harmony.”\u003cbr\u003e\u003cbr\u003eSorting through the index cards associated with these tapes, Knowler was able to gain a detailed sense of most recording’s provenance, whereabouts and time: Walker’s Datsun pickup truck chugging along boiling hot Interstate 80, the Marine Corps Air Station parking lot, the Eastern Wetlands on the banks of the Colorado River, a fishing trip to Martinez Lake. Trying to reduce the amount of his own subjectivities coloring the work, Cameron constructed titles and track sequences by borrowing information gleaned from Charles’ handwritten notes: “I tried to organize everything by time of day, giving the listener the sense of how a Yuma day might sound and feel like, and each song title—even the record itself—is borrowed from his own words.” This proved no small task, as many notecards had to be deciphered and then coupled with their native tapes which needed extensive restoration treatments.\u003cbr\u003e\u003cbr\u003eThe result is a project very much out of the blue, and one that is intensely personal to Knowler, having grown up in the same town under similar circumstances. “It feels like a part of my own journey as a guitarist reckoning with the defining marks of a gothic border town,” he remarks. “At the time I would’ve met Walker, I didn’t have much outside influence, but he has been in there all the while.” In their current form, the tracks combine to create a sonic journey that boldly contributes to the traditions of acoustic guitar soli, archival digs and field recordings all the same; most importantly, it is a creative document which shows a day-in-the-life of a man grappling with the human experience under a ubiquitous Yuma sun.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Charles \"Poppy Bob\" Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Worried Songs\u003c\/p\u003e"}
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アメリカ・アリゾナのアマチュアギタリストCharles "Poppy Bob" Walkerが、2024年10月にイギリス・リバプールのフォークレーベルWorried Songsからリリースしたレコードです。 1980年半ばに人知れず日記のようにシングルテイクで録音したLo-Fiアンビエント・ブルース15曲を収録。 Jon Collinが好きな方にオススメします。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to...
¥4,687
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{"id":8671098765562,"title":"Germ Lattice \/\/ Gipping Through the Ages LP","handle":"germ-lattice-gipping-through-the-ages-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのストレンジビーツトリオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGerm Lattice が、\u003c\/span\u003e2024年11月に同国実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスカム・ノーウェーブ〜コラージュ・ドローン12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2957699964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=515075831\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2957699964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Judas Gap 06:37\u003cbr\u003e2. Misprint Maker 04:54\u003cbr\u003e3. Gipping 03:30\u003cbr\u003e4. Flat Track 05:12\u003cbr\u003e5. Ousehouseband 04:02\u003cbr\u003e6. Possible Triptych 04:46\u003cbr\u003e7. Quag-time 03:53\u003cbr\u003e8. Ground Truth 05:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis Norwich-based trio hit our radar earlier this year when we caught their third live performance in London. Gipping Through the Ages is their debut release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJoe Barton, Mickey Donnelly, and Louie Rice met in London during the 2000’s but it wasn’t until they had relocated to Norwich in recent years that they rented a studio in a condemned brutalist shopping centre and the Germ Lattice sound was formed. They began by agreeing what they didn’t want the project to be: no improvising or jamming, no overdubs, keep the tracks short etc..\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGipping Through the Ages presents the band’s structured, repetitive \u0026amp; linear tracks built around drums, bass, and synth with deliberately abstract vocals, which draw as much from folk traditions and the broader east Anglian landscape as they do from our fragmented modern world. Their novel use of microphones and live tape processing add a dynamism to the music where elements mask each other or the overdriven meters suggest the whole thing is on the brink of collapse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagine this record as a palimpsest, rooted in place but spanning time, layering ephemeral traces of Mark E Smith, WG Sebald, and Laura Oldfield Ford. Musical references to Mosquitoes, Tools You Can Trust, Dome or Metabolist do not mislead.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Germ Lattice\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e","published_at":"2024-11-27T06:40:03+09:00","created_at":"2024-11-26T11:42:22+09:00","vendor":"Tobira Records","type":"","tags":["drone","horn of plenty","lp","new","noise","strange beats"],"price":468700,"price_min":468700,"price_max":468700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46894892318970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Germ Lattice \/\/ Gipping Through the Ages LP","public_title":null,"options":["Default Title"],"price":468700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gipp1.jpg?v=1732588853","\/\/tobirarecords.com\/cdn\/shop\/files\/gipp2.jpg?v=1732588853","\/\/tobirarecords.com\/cdn\/shop\/files\/gipp3.jpg?v=1732588853"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp1.jpg?v=1732588853","options":["Title"],"media":[{"alt":null,"id":35232187515130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp1.jpg?v=1732588853"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp1.jpg?v=1732588853","width":700},{"alt":null,"id":35232187547898,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp2.jpg?v=1732588853"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp2.jpg?v=1732588853","width":900},{"alt":null,"id":35232187580666,"position":3,"preview_image":{"aspect_ratio":0.843,"height":1200,"width":1012,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp3.jpg?v=1732588853"},"aspect_ratio":0.843,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp3.jpg?v=1732588853","width":1012}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのストレンジビーツトリオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGerm Lattice が、\u003c\/span\u003e2024年11月に同国実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスカム・ノーウェーブ〜コラージュ・ドローン12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2957699964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=515075831\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2957699964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Judas Gap 06:37\u003cbr\u003e2. Misprint Maker 04:54\u003cbr\u003e3. Gipping 03:30\u003cbr\u003e4. Flat Track 05:12\u003cbr\u003e5. Ousehouseband 04:02\u003cbr\u003e6. Possible Triptych 04:46\u003cbr\u003e7. Quag-time 03:53\u003cbr\u003e8. Ground Truth 05:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis Norwich-based trio hit our radar earlier this year when we caught their third live performance in London. Gipping Through the Ages is their debut release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJoe Barton, Mickey Donnelly, and Louie Rice met in London during the 2000’s but it wasn’t until they had relocated to Norwich in recent years that they rented a studio in a condemned brutalist shopping centre and the Germ Lattice sound was formed. They began by agreeing what they didn’t want the project to be: no improvising or jamming, no overdubs, keep the tracks short etc..\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGipping Through the Ages presents the band’s structured, repetitive \u0026amp; linear tracks built around drums, bass, and synth with deliberately abstract vocals, which draw as much from folk traditions and the broader east Anglian landscape as they do from our fragmented modern world. Their novel use of microphones and live tape processing add a dynamism to the music where elements mask each other or the overdriven meters suggest the whole thing is on the brink of collapse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagine this record as a palimpsest, rooted in place but spanning time, layering ephemeral traces of Mark E Smith, WG Sebald, and Laura Oldfield Ford. Musical references to Mosquitoes, Tools You Can Trust, Dome or Metabolist do not mislead.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Germ Lattice\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e"}
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イギリスのストレンジビーツトリオGerm Lattice が、2024年11月に同国実験レーベルHorn of Plentyからリリースしたレコードです。 スカム・ノーウェーブ〜コラージュ・ドローン12曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Horn of Plenty releases...
¥4,687
クイックビュー
{"id":8671109611770,"title":"Last Light \/\/ A Bridge Over The Lagoon LP","handle":"last-light-a-bridge-over-the-lagoon-lp","description":"\u003cp\u003eイギリスのAotearoa、ニュージーランドのLittle SkullとBen SpiersによるトリオLast Lightが、2024年11月にCarbon Records \/ What Lies Beneathからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターのフィードバックが鳴り響くサイケデリックなノイズ・ドローン〜ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=984652344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Yellow Star Thistle\u003cbr\u003e2. A Gulf Of Lions 05:02\u003cbr\u003e3. Average Of Nothing\u003cbr\u003e4. Hills Turn Black 04:20\u003cbr\u003e5. Coruscations\u003cbr\u003e6. The Toroa Feather\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCarbon Records: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLast Light is the glorious confluence of the UK-based and Aotearoa\/NZ born Dean Brown and Ben Spiers - names that might be familiar to anyone who has followed the post-Corpus Hermeticum school of hiss and klang as it's spread out across the world to coalesce in little pools here and there. Their album A Bridge Over The Lagoon is the latest stop on a trajectory set flowing out of small town Aotearoa, hastened by the fire lit by Le Jazz Non.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDean Brown is best known as Little Skull. A basement Florian Fricke, creating grainy chamber miniatures with the same latticework intricacy as the delicate handmade dioramas that serve as the covers of his records. He was (is?) also a member of Nova Scotia, purveyors of reed-heavy skree clouds - a band whose existence feels more like a rumor than a fact and one of the final acts on Peter Stapleton's Metonymic label.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBen Spiers mostly performs solo and has produced a spartan architecture of lonely electricity since the late 90s. He offset the romanticism of his contemporaries in Wellington (Campbell Kneale, Antony Milton, Bill Wood) with a skeletal directness. His guitar: hard edges hidden in gray shadow. Wood and metal ringing out\u003cspan class=\"bcTruncateMore\"\u003e into a void, the air charged and alive. He is also a member of ecstatic free maximalists Glory Fckn Sun and a number of duos (Seen Through, Tea Dust etc) imbued with the same dark intimacy as his solo work. He moved to the UK where his solo voice became further and further refined, taking on a melancholic halo – late night semaphores floating on winter sleet.\u003cbr\u003e\u003cbr\u003eLast Light shines differently from it's members' respective pasts – it is not the earth rending blaze of Glory Fckn Sun, nor the candlelight glow of Little Skull. There are hints of the burnt out star cinders of Total or the rumbling flow of Flies Inside The Sun, but with much more of a sense of optimism than those comparisons would imply. The first side is a travelogue of movements over which the spirit of Peter Stapleton hangs heavy – long rolls of low percussion creating fields over which the guitar crackles and hangs suspended, carving the air.\u003cbr\u003e\u003cbr\u003eMuch is written about alienation and isolation as being foundational to the underground arts originating in Aotearoa\/New Zealand, but A Bridge Over The Lagoon is a testament to optimism and connection. A testament to acceptance and patience. This is the sound of two bottom-of-the-worlders, now decades deep into their own respective sound rivers and hemispheres away from their homes striking a vein of triumphant unity again and again and again.\u003cbr\u003e\u003cbr\u003eA guitar and amp producing sounds that sit like hard facts smoldering in space. Instruments pass by, continuously re-contextualizing each other – a series of silhouettes in grainy half-light.\u003cbr\u003e\u003cbr\u003eLet this last light billow out from your speakers into the darkness of this horrendous year. Let guitars and drums and electricity tumble gracefully.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Last Light\u003c\/p\u003e\n\u003cp\u003eLabel : Carbon Records x What Lies Beneath\u003c\/p\u003e","published_at":"2024-11-27T06:35:11+09:00","created_at":"2024-11-26T11:53:17+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","new","noise","strange beats"],"price":468700,"price_min":468700,"price_max":468700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46894939832570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Last Light \/\/ A Bridge Over The Lagoon LP","public_title":null,"options":["Default Title"],"price":468700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/over1.jpg?v=1732589518","\/\/tobirarecords.com\/cdn\/shop\/files\/over2.jpg?v=1732589517"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/over1.jpg?v=1732589518","options":["Title"],"media":[{"alt":null,"id":35232216908026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/over1.jpg?v=1732589518"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/over1.jpg?v=1732589518","width":700},{"alt":null,"id":35232216940794,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/over2.jpg?v=1732589517"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/over2.jpg?v=1732589517","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのAotearoa、ニュージーランドのLittle SkullとBen SpiersによるトリオLast Lightが、2024年11月にCarbon Records \/ What Lies Beneathからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターのフィードバックが鳴り響くサイケデリックなノイズ・ドローン〜ストレンジビーツ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=984652344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Yellow Star Thistle\u003cbr\u003e2. A Gulf Of Lions 05:02\u003cbr\u003e3. Average Of Nothing\u003cbr\u003e4. Hills Turn Black 04:20\u003cbr\u003e5. Coruscations\u003cbr\u003e6. The Toroa Feather\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCarbon Records: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLast Light is the glorious confluence of the UK-based and Aotearoa\/NZ born Dean Brown and Ben Spiers - names that might be familiar to anyone who has followed the post-Corpus Hermeticum school of hiss and klang as it's spread out across the world to coalesce in little pools here and there. Their album A Bridge Over The Lagoon is the latest stop on a trajectory set flowing out of small town Aotearoa, hastened by the fire lit by Le Jazz Non.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDean Brown is best known as Little Skull. A basement Florian Fricke, creating grainy chamber miniatures with the same latticework intricacy as the delicate handmade dioramas that serve as the covers of his records. He was (is?) also a member of Nova Scotia, purveyors of reed-heavy skree clouds - a band whose existence feels more like a rumor than a fact and one of the final acts on Peter Stapleton's Metonymic label.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBen Spiers mostly performs solo and has produced a spartan architecture of lonely electricity since the late 90s. He offset the romanticism of his contemporaries in Wellington (Campbell Kneale, Antony Milton, Bill Wood) with a skeletal directness. His guitar: hard edges hidden in gray shadow. Wood and metal ringing out\u003cspan class=\"bcTruncateMore\"\u003e into a void, the air charged and alive. He is also a member of ecstatic free maximalists Glory Fckn Sun and a number of duos (Seen Through, Tea Dust etc) imbued with the same dark intimacy as his solo work. He moved to the UK where his solo voice became further and further refined, taking on a melancholic halo – late night semaphores floating on winter sleet.\u003cbr\u003e\u003cbr\u003eLast Light shines differently from it's members' respective pasts – it is not the earth rending blaze of Glory Fckn Sun, nor the candlelight glow of Little Skull. There are hints of the burnt out star cinders of Total or the rumbling flow of Flies Inside The Sun, but with much more of a sense of optimism than those comparisons would imply. The first side is a travelogue of movements over which the spirit of Peter Stapleton hangs heavy – long rolls of low percussion creating fields over which the guitar crackles and hangs suspended, carving the air.\u003cbr\u003e\u003cbr\u003eMuch is written about alienation and isolation as being foundational to the underground arts originating in Aotearoa\/New Zealand, but A Bridge Over The Lagoon is a testament to optimism and connection. A testament to acceptance and patience. This is the sound of two bottom-of-the-worlders, now decades deep into their own respective sound rivers and hemispheres away from their homes striking a vein of triumphant unity again and again and again.\u003cbr\u003e\u003cbr\u003eA guitar and amp producing sounds that sit like hard facts smoldering in space. Instruments pass by, continuously re-contextualizing each other – a series of silhouettes in grainy half-light.\u003cbr\u003e\u003cbr\u003eLet this last light billow out from your speakers into the darkness of this horrendous year. Let guitars and drums and electricity tumble gracefully.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Last Light\u003c\/p\u003e\n\u003cp\u003eLabel : Carbon Records x What Lies Beneath\u003c\/p\u003e"}
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イギリスのAotearoa、ニュージーランドのLittle SkullとBen SpiersによるトリオLast Lightが、2024年11月にCarbon Records / What Lies Beneathからリリースしたレコードです。 ギターのフィードバックが鳴り響くサイケデリックなノイズ・ドローン〜ストレンジビーツ6曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ------------------------------------------- 12" black...
¥4,687
クイックビュー
{"id":8671106138362,"title":"Kumio Kurachi \/\/ Open Today LP","handle":"kumio-kurachi-open-today-lp","description":"\u003cp\u003e福岡のマルチ奏者／シンガーソングライターKumio Kurachiが、2024年12月にイギリスの実験レーベルbisonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e全ての楽器を一人で演奏・録音したフォーク〜ポストニューエイジ・アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=869678836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=328289794\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=869678836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bison\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bison\"\u003ehere\u003c\/a\u003e to see more bison releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl with OBI. Edition of 150. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kitaro Rides a Boat\u003cbr\u003e2. Daily Hotel\u003cbr\u003e3. Slowly Walking\u003cbr\u003e4. Piggyback 03:35\u003cbr\u003e5. Castle Ruins 04:33\u003cbr\u003e6. In the Can\u003cbr\u003e7. Came to Sell Water Meter by Measure\u003cbr\u003e8. Eiji Mitooka's Arrangements\u003cbr\u003e9. Cheap Flat\u003cbr\u003e10. Year One and Public\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ebison:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKumio Kurachi is a Japanese singer-songwriter who has been active since the 1980's. This is his 11th solo album and only the second to be released outside of Japan following ‘Sound of Turning Earth’ (2018) on bison.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough his songs are written and performed primarily on guitar, “Open Today” is a return to Kurachi’s full, multi-instrumental recording style - featuring drums, bass, strings, keys and Kurachi’s rich, distinctive vocals in multiple voicings. Incredibly, all instrumental performances and arrangements were performed and recorded by Kurachi himself - marking a brilliant return to the fully fleshed out visionary world we fell in love with on Supermarket Chitose (Enban, 2006).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe super fine detail and dense landscapes of ‘Open Today’ should come as no surprise really - Kurachi is an illustrator by trade and it bleeds right through to his music. Even to the non-native speaker Kurachi’s vocals hold centre stage - at times enormous and thundering over urgent guitar and toms, then switching to softly spoken words amongst keys. Frequently Kurachi multiplies, whether multitracking himself or summoning voices for the characters he writes from sightings on train platforms or supermarkets\u003cspan class=\"bcTruncateMore\"\u003e. His lyrics - translated to English for both formats - are more like poetry, and though written about the mundane they quickly become surreal, bringing the quality of dreams into the everyday. The hours spent on buses, trains or walking home towards a cheap flat - familiar to us all - are catalysts for microcosms of detail. Again, we shouldn’t be surprised - Kurachi is well known in Japan for winning the national championship of NHK's \"Poetry Boxing\" in 2002, which also might explain his amazing Discogs photo.\u003cbr\u003e\u003cbr\u003ePoet, illustrator, multi-instrumentalist - Kurachi is thought of by many as a genius. He’s worked with Jim O’Rourke, Tori Kudo, Eiko Ishibashi and Taku Unami (who did the mastering on this LP). There are lines to be drawn between Kurachi and Kazuki Tomokawa or Kan Mikami, but also Francis Plagne and Fairport Convention. Ultimately though there is nothing else like it - it’s a brand of strange songcraft that’s totally captivating.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kumio Kurachi\u003c\/p\u003e\n\u003cp\u003eLabel : bison x enban\u003c\/p\u003e","published_at":"2024-11-27T06:23:13+09:00","created_at":"2024-11-26T11:49:47+09:00","vendor":"Tobira Records","type":"","tags":["bison","folk \/ left-field pop","lp","new","post newage"],"price":499600,"price_min":499600,"price_max":499600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46894925775098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kumio Kurachi \/\/ Open Today LP","public_title":null,"options":["Default Title"],"price":499600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/open1_de969d85-2038-44f7-bbf3-a42870ab3b17.jpg?v=1732589246","\/\/tobirarecords.com\/cdn\/shop\/files\/open2_f42ff923-ff1c-4f95-bc65-e51d5a5184c2.jpg?v=1732589246"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/open1_de969d85-2038-44f7-bbf3-a42870ab3b17.jpg?v=1732589246","options":["Title"],"media":[{"alt":null,"id":35232204357882,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/open1_de969d85-2038-44f7-bbf3-a42870ab3b17.jpg?v=1732589246"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/open1_de969d85-2038-44f7-bbf3-a42870ab3b17.jpg?v=1732589246","width":700},{"alt":null,"id":35232204390650,"position":2,"preview_image":{"aspect_ratio":0.933,"height":1200,"width":1119,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/open2_f42ff923-ff1c-4f95-bc65-e51d5a5184c2.jpg?v=1732589246"},"aspect_ratio":0.933,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/open2_f42ff923-ff1c-4f95-bc65-e51d5a5184c2.jpg?v=1732589246","width":1119}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e福岡のマルチ奏者／シンガーソングライターKumio Kurachiが、2024年12月にイギリスの実験レーベルbisonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e全ての楽器を一人で演奏・録音したフォーク〜ポストニューエイジ・アンビエント10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=869678836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=328289794\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=869678836\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/bison\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/bison\"\u003ehere\u003c\/a\u003e to see more bison releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl with OBI. Edition of 150. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kitaro Rides a Boat\u003cbr\u003e2. Daily Hotel\u003cbr\u003e3. Slowly Walking\u003cbr\u003e4. Piggyback 03:35\u003cbr\u003e5. Castle Ruins 04:33\u003cbr\u003e6. In the Can\u003cbr\u003e7. Came to Sell Water Meter by Measure\u003cbr\u003e8. Eiji Mitooka's Arrangements\u003cbr\u003e9. Cheap Flat\u003cbr\u003e10. Year One and Public\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003ebison:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eKumio Kurachi is a Japanese singer-songwriter who has been active since the 1980's. This is his 11th solo album and only the second to be released outside of Japan following ‘Sound of Turning Earth’ (2018) on bison.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThough his songs are written and performed primarily on guitar, “Open Today” is a return to Kurachi’s full, multi-instrumental recording style - featuring drums, bass, strings, keys and Kurachi’s rich, distinctive vocals in multiple voicings. Incredibly, all instrumental performances and arrangements were performed and recorded by Kurachi himself - marking a brilliant return to the fully fleshed out visionary world we fell in love with on Supermarket Chitose (Enban, 2006).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe super fine detail and dense landscapes of ‘Open Today’ should come as no surprise really - Kurachi is an illustrator by trade and it bleeds right through to his music. Even to the non-native speaker Kurachi’s vocals hold centre stage - at times enormous and thundering over urgent guitar and toms, then switching to softly spoken words amongst keys. Frequently Kurachi multiplies, whether multitracking himself or summoning voices for the characters he writes from sightings on train platforms or supermarkets\u003cspan class=\"bcTruncateMore\"\u003e. His lyrics - translated to English for both formats - are more like poetry, and though written about the mundane they quickly become surreal, bringing the quality of dreams into the everyday. The hours spent on buses, trains or walking home towards a cheap flat - familiar to us all - are catalysts for microcosms of detail. Again, we shouldn’t be surprised - Kurachi is well known in Japan for winning the national championship of NHK's \"Poetry Boxing\" in 2002, which also might explain his amazing Discogs photo.\u003cbr\u003e\u003cbr\u003ePoet, illustrator, multi-instrumentalist - Kurachi is thought of by many as a genius. He’s worked with Jim O’Rourke, Tori Kudo, Eiko Ishibashi and Taku Unami (who did the mastering on this LP). There are lines to be drawn between Kurachi and Kazuki Tomokawa or Kan Mikami, but also Francis Plagne and Fairport Convention. Ultimately though there is nothing else like it - it’s a brand of strange songcraft that’s totally captivating.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kumio Kurachi\u003c\/p\u003e\n\u003cp\u003eLabel : bison x enban\u003c\/p\u003e"}
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福岡のマルチ奏者／シンガーソングライターKumio Kurachiが、2024年12月にイギリスの実験レーベルbisonからリリースしたレコードです。 全ての楽器を一人で演奏・録音したフォーク〜ポストニューエイジ・アンビエント10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more bison releases available...
¥4,996