Fabio Orsi // Il Ricordo Improvviso Dell'Assoluto Stupore 12" PICTURE DISC
Fabio Orsi // Il Ricordo Improvviso Dell'Assoluto Stupore 12" PICTURE DISC
¥3,342
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イタリアのアンビエント作家Fabio Orsiが、2017年に同国Backwards Recordsからリリースしたピクチャーレコードです。
朧げなアンビエントドローン1曲を収録。
Silentesその他作品はこちら /// Click here to see more Silentes / 13 / Dissipatio releases available at Tobira.
-------------------------
One-sided 12" picture disc vinyl. Edition of 200.
Tracklist:
- Il Ricordo Improvviso Dell'Assoluto Stupore 19:12
Artist : Fabio Orsi
Label : Silentes
イタリアのアンビエント作家Fabio Orsiが、2017年に同国Backwards Recordsからリリースしたピクチャーレコードです。
朧げなアンビエントドローン1曲を収録。
Silentesその他作品はこちら /// Click here to see more Silentes / 13 / Dissipatio releases available at Tobira.
-------------------------
One-sided 12" picture disc vinyl. Edition of 200.
Tracklist:
- Il Ricordo Improvviso Dell'Assoluto Stupore 19:12
Artist : Fabio Orsi
Label : Silentes
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{"id":9036782436602,"title":"Jas Shaw \/\/ Between The Seed And The Timber LP","handle":"jas-shaw-between-the-seed-and-the-timber-lp","description":"\u003cp\u003eイギリス・ロンドンのアンビエント・テクノ作家Jas Shawが、2025年8月にロンドンのレフトフィールド・ダンスレーベル\u003cspan\u003eTeeth\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・トライバルテクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1295134523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1295134523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2955716408\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Passing By A Factory 06:04\u003cbr\u003e2. The Electric Carillon 03:32\u003cbr\u003e3. A Vague Anchor 06:25\u003cbr\u003e4. Between Two Rooms 04:14\u003cbr\u003e5. The Stick That Pokes The Fire 06:13\u003cbr\u003e6. The Town Lit Up 06:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTeeth:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBetween The Seed And The Timber is a cycle of six songs exploring ritual and mystical aspects of the modern age. At times both noir and psychedelic, the tracks evoke a strong sense of nostalgia for a disappearing world. In contrast to industrial music’s dystopian cliché, Jas Shaw challenges us to hear sounds inspired by machinery, electricity and mechanisation in a new light.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I made the synth parts for a Swans gig,” says Shaw. “As SMD we’d supported Swans. James was away doing some production, but I didn’t want to pass it up. So I offered to open solo. It turned out the gig was sooner than expected so I made all these synth things to do live.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHe put the tracks to one side and forgot about them, only returning to them years later. “You know when you’ve changed as a person and you listen back to something from a different angle? I suddenly could hear what I had been after. It reminded me of experiences I’d had at Swans gigs. I wanted to achieve that energy and charge.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen it came to commit the tracks to the record, Shaw pushed his studio to the limit. “I set up a few synths on a table and had my mixer running loads of auxes back into the desk so it was all on the edge of feeding back. At some point I realised that if I put a mic\u003cspan class=\"bcTruncateMore\"\u003e into the desk I’d have an extra feedback route. I found a setting where I could get it to build when I pointed the mic at the monitors but then turning it away you could put the brakes on the regen.”\u003cbr\u003e\u003cbr\u003eThere’s a strong sense of order to the six songs, such that it’s hard to talk about each one in isolation. In order to experience the euphoric release of The Town Lit Up, it’s also necessary to encounter The Electric Carillon’s gothic, stepping trance. Shaw guides the listener through visceral, physical spaces in search of a new perspective.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jas Shaw\u003c\/p\u003e\n\u003cp\u003eLabel : Teeth\u003c\/p\u003e\n\u003cp\u003ecat no : TEETH005\u003c\/p\u003e","published_at":"2025-12-21T15:29:49+09:00","created_at":"2025-12-21T15:29:08+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house","teeth"],"price":447200,"price_min":447200,"price_max":447200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48144338092282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jas Shaw \/\/ Between The Seed And The Timber LP","public_title":null,"options":["Default Title"],"price":447200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/be1_c4170d13-823a-4e41-a147-17352f6fc8e9.jpg?v=1755920012","\/\/tobirarecords.com\/cdn\/shop\/files\/be2_d893c224-38aa-4e11-b509-30f85a8738db.jpg?v=1755920012"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_c4170d13-823a-4e41-a147-17352f6fc8e9.jpg?v=1755920012","options":["Title"],"media":[{"alt":null,"id":36623779528954,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_c4170d13-823a-4e41-a147-17352f6fc8e9.jpg?v=1755920012"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be1_c4170d13-823a-4e41-a147-17352f6fc8e9.jpg?v=1755920012","width":700},{"alt":null,"id":36623779561722,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_d893c224-38aa-4e11-b509-30f85a8738db.jpg?v=1755920012"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/be2_d893c224-38aa-4e11-b509-30f85a8738db.jpg?v=1755920012","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのアンビエント・テクノ作家Jas Shawが、2025年8月にロンドンのレフトフィールド・ダンスレーベル\u003cspan\u003eTeeth\u003c\/span\u003eからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・トライバルテクノ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1295134523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1295134523\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2955716408\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Passing By A Factory 06:04\u003cbr\u003e2. The Electric Carillon 03:32\u003cbr\u003e3. A Vague Anchor 06:25\u003cbr\u003e4. Between Two Rooms 04:14\u003cbr\u003e5. The Stick That Pokes The Fire 06:13\u003cbr\u003e6. The Town Lit Up 06:42\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eTeeth:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eBetween The Seed And The Timber is a cycle of six songs exploring ritual and mystical aspects of the modern age. At times both noir and psychedelic, the tracks evoke a strong sense of nostalgia for a disappearing world. In contrast to industrial music’s dystopian cliché, Jas Shaw challenges us to hear sounds inspired by machinery, electricity and mechanisation in a new light.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I made the synth parts for a Swans gig,” says Shaw. “As SMD we’d supported Swans. James was away doing some production, but I didn’t want to pass it up. So I offered to open solo. It turned out the gig was sooner than expected so I made all these synth things to do live.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHe put the tracks to one side and forgot about them, only returning to them years later. “You know when you’ve changed as a person and you listen back to something from a different angle? I suddenly could hear what I had been after. It reminded me of experiences I’d had at Swans gigs. I wanted to achieve that energy and charge.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen it came to commit the tracks to the record, Shaw pushed his studio to the limit. “I set up a few synths on a table and had my mixer running loads of auxes back into the desk so it was all on the edge of feeding back. At some point I realised that if I put a mic\u003cspan class=\"bcTruncateMore\"\u003e into the desk I’d have an extra feedback route. I found a setting where I could get it to build when I pointed the mic at the monitors but then turning it away you could put the brakes on the regen.”\u003cbr\u003e\u003cbr\u003eThere’s a strong sense of order to the six songs, such that it’s hard to talk about each one in isolation. In order to experience the euphoric release of The Town Lit Up, it’s also necessary to encounter The Electric Carillon’s gothic, stepping trance. Shaw guides the listener through visceral, physical spaces in search of a new perspective.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jas Shaw\u003c\/p\u003e\n\u003cp\u003eLabel : Teeth\u003c\/p\u003e\n\u003cp\u003ecat no : TEETH005\u003c\/p\u003e"}
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イギリス・ロンドンのアンビエント・テクノ作家Jas Shawが、2025年8月にロンドンのレフトフィールド・ダンスレーベルTeethからリリースしたレコードです。 レフトフィールド・トライバルテクノ6曲を収録。 --------------------------------------------- 12" black vinyl. Tracklist: 1. Passing By A Factory 06:042....
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{"id":9036660965626,"title":"Lia Kohl \/\/ Various Small Whistles and a Song 10inch","handle":"lia-kohl-various-small-whistles-and-a-song-lp","description":"\u003cp\u003e\u003cspan\u003e当店おなじみアメリカ・シカゴの\u003c\/span\u003e\u003cspan\u003eアンビエント作家Lia Kohlが、2025年11月にベルギーのアンビエントレーベルdauwからリリースした10\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコラージュ・アンビエント16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴを拠点とするアーティストLia Kohlの新作アルバム『Various Small Whistles and a Song』は、空間、社会関係、ユーモアの概念を取り入れている。タイトルが示す通り、このアルバムはEd Ruschaの1964年の写真芸術書『Various Small Fires and Milk』への応答であり、Lia Kohlはこれを平凡さの驚異的な賛歌と捉えている。そこにはEd Ruschaのトレードマークである無表情なユーモアと深みが表れている。その出版物の精神を受け継ぎ、Lia Kohlは自身の音響的短編シリーズを制作。クレア・ルセイ、メイシー・スチュワート、パトリック・シロイシら親しい共同制作者たちがゲスト参加し、同様のユーモアと日常性を反映している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムの構成——16曲の1分間トラック——は、火の写真を15枚と牛乳のグラスを1枚収めたEd Ruschaの書籍を直接反映している。Ed Ruschaの「小さな火」はここでは口笛の録音で表現されている——主に人間の口笛で、時折列車の汽笛、緊急警笛、そして中国広州の路上でペニーホイッスルを売る女性の声が現れる。この素材の選択についてKohlはこう記す： 「私は常に口笛に魅了されてきた。それは音楽的でありながらしばしば無意識的で、通常は独奏だが公共の場で行われることが多い。誰かが口笛を吹くのを聞くことには、心のさまよう音を聞くことの社会的に許容された形とも言える、どこか優しい人間味がある」と。Ed Ruschaの写真と同様、これらの口笛はランダムなスナップショットではなく、社会的状況や物語、空間への窓なのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルの「ミルク」——Ed Ruschaの書籍における16枚目の写真——はここでは単一の録音として解釈される：バルセロナで元旦の朝6時頃、Airbnbの床越しに捉えられた人々の合唱だ。Kohlはこれを、口笛の孤独な性質とは対照的な社会的・集団的な音と描写する。この歌は均衡を取る役割を果たす——共有された経験への静かな祝祭として。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2696843056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw \/ Blickwinkel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e10\" black vinyl.\u003cbr\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Voting Line, Downtown Chicago 01:00\u003cbr\u003e2. Penny Whistle Seller, Guangzhou 01:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Sullivan’s Island Beach, Charleston 01:00\u003cbr\u003e\u003c\/span\u003e4. Basketball Court, feat. Macie Stewart 01:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Walking Home, Los Angeles, feat. Patrick Shiroishi 01:00\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. My Kitchen, Chicago 01:00\u003cbr\u003e\u003c\/span\u003e7. Outside, Arrington, feat. Colin Held 01:00\u003cbr\u003e8. Midewin National Tallgrass Prairie, Illinois, feat. Corey Smith, Ellie Mejía, and Anna Fox 01:00\u003cbr\u003e9. Train, Antwerp to Amsterdam 01:00\u003cbr\u003e10. Belzec Extermination Camp, feat. Jesse Perlstein 01:00\u003cbr\u003e11. Home, Los Angeles, feat. claire rousay 01:00\u003cbr\u003e12. Amtrak, Hudson Valley 01:00\u003cbr\u003e13. Home, Portland, feat. Steve Rosborough 01:00\u003cbr\u003e14. Walking Home, Chicago 01:00\u003cbr\u003e15. Antwerp Central Train Station, Antwerp 01:00\u003cbr\u003e16. Barcelona (6:13 am, January 1st) 01:00\u003c\/p\u003e\n\u003cp\u003eDauw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVarious Small Whistles and a Song, the new album by Chicago-based artist Lia Kohl, incorporates notions of space, social relations, and humor. As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes, with guest appearances from her close community of collaborators including claire rousay, Macie Stewart, Patrick Shiroishi, and others, reflecting the same sense of humor and mundanity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable\u003cspan class=\"bcTruncateMore\"\u003e version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces.\u003cbr\u003e\u003cbr\u003eThe “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lia Kohl\u003c\/p\u003e\n\u003cp\u003eLabel : Dauw\u003c\/p\u003e\n\u003cp\u003ecat no : DAUW078\u003c\/p\u003e\n\u003cp\u003eRelease date : 14th November 2025\u003c\/p\u003e","published_at":"2025-12-22T20:26:02+09:00","created_at":"2025-12-21T09:53:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","dauw","lp","monooto","new"],"price":488000,"price_min":488000,"price_max":488000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48143914565882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lia Kohl \/\/ Various Small Whistles and a Song 10inch","public_title":null,"options":["Default Title"],"price":488000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/small1.jpg?v=1766278321","\/\/tobirarecords.com\/cdn\/shop\/files\/small2.jpg?v=1766278321","\/\/tobirarecords.com\/cdn\/shop\/files\/small3.jpg?v=1766278321"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/small1.jpg?v=1766278321","options":["Title"],"media":[{"alt":null,"id":37861914968314,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/small1.jpg?v=1766278321"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/small1.jpg?v=1766278321","width":700},{"alt":null,"id":37861915001082,"position":2,"preview_image":{"aspect_ratio":0.99,"height":1200,"width":1188,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/small2.jpg?v=1766278321"},"aspect_ratio":0.99,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/small2.jpg?v=1766278321","width":1188},{"alt":null,"id":37861915033850,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/small3.jpg?v=1766278321"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/small3.jpg?v=1766278321","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e当店おなじみアメリカ・シカゴの\u003c\/span\u003e\u003cspan\u003eアンビエント作家Lia Kohlが、2025年11月にベルギーのアンビエントレーベルdauwからリリースした10\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコラージュ・アンビエント16曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴを拠点とするアーティストLia Kohlの新作アルバム『Various Small Whistles and a Song』は、空間、社会関係、ユーモアの概念を取り入れている。タイトルが示す通り、このアルバムはEd Ruschaの1964年の写真芸術書『Various Small Fires and Milk』への応答であり、Lia Kohlはこれを平凡さの驚異的な賛歌と捉えている。そこにはEd Ruschaのトレードマークである無表情なユーモアと深みが表れている。その出版物の精神を受け継ぎ、Lia Kohlは自身の音響的短編シリーズを制作。クレア・ルセイ、メイシー・スチュワート、パトリック・シロイシら親しい共同制作者たちがゲスト参加し、同様のユーモアと日常性を反映している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバムの構成——16曲の1分間トラック——は、火の写真を15枚と牛乳のグラスを1枚収めたEd Ruschaの書籍を直接反映している。Ed Ruschaの「小さな火」はここでは口笛の録音で表現されている——主に人間の口笛で、時折列車の汽笛、緊急警笛、そして中国広州の路上でペニーホイッスルを売る女性の声が現れる。この素材の選択についてKohlはこう記す： 「私は常に口笛に魅了されてきた。それは音楽的でありながらしばしば無意識的で、通常は独奏だが公共の場で行われることが多い。誰かが口笛を吹くのを聞くことには、心のさまよう音を聞くことの社会的に許容された形とも言える、どこか優しい人間味がある」と。Ed Ruschaの写真と同様、これらの口笛はランダムなスナップショットではなく、社会的状況や物語、空間への窓なのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eタイトルの「ミルク」——Ed Ruschaの書籍における16枚目の写真——はここでは単一の録音として解釈される：バルセロナで元旦の朝6時頃、Airbnbの床越しに捉えられた人々の合唱だ。Kohlはこれを、口笛の孤独な性質とは対照的な社会的・集団的な音と描写する。この歌は均衡を取る役割を果たす——共有された経験への静かな祝祭として。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2696843056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dauw\"\u003ehere\u003c\/a\u003e to see more Dauw \/ Blickwinkel releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e10\" black vinyl.\u003cbr\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Voting Line, Downtown Chicago 01:00\u003cbr\u003e2. Penny Whistle Seller, Guangzhou 01:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Sullivan’s Island Beach, Charleston 01:00\u003cbr\u003e\u003c\/span\u003e4. Basketball Court, feat. Macie Stewart 01:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Walking Home, Los Angeles, feat. Patrick Shiroishi 01:00\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. My Kitchen, Chicago 01:00\u003cbr\u003e\u003c\/span\u003e7. Outside, Arrington, feat. Colin Held 01:00\u003cbr\u003e8. Midewin National Tallgrass Prairie, Illinois, feat. Corey Smith, Ellie Mejía, and Anna Fox 01:00\u003cbr\u003e9. Train, Antwerp to Amsterdam 01:00\u003cbr\u003e10. Belzec Extermination Camp, feat. Jesse Perlstein 01:00\u003cbr\u003e11. Home, Los Angeles, feat. claire rousay 01:00\u003cbr\u003e12. Amtrak, Hudson Valley 01:00\u003cbr\u003e13. Home, Portland, feat. Steve Rosborough 01:00\u003cbr\u003e14. Walking Home, Chicago 01:00\u003cbr\u003e15. Antwerp Central Train Station, Antwerp 01:00\u003cbr\u003e16. Barcelona (6:13 am, January 1st) 01:00\u003c\/p\u003e\n\u003cp\u003eDauw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVarious Small Whistles and a Song, the new album by Chicago-based artist Lia Kohl, incorporates notions of space, social relations, and humor. As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes, with guest appearances from her close community of collaborators including claire rousay, Macie Stewart, Patrick Shiroishi, and others, reflecting the same sense of humor and mundanity.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable\u003cspan class=\"bcTruncateMore\"\u003e version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces.\u003cbr\u003e\u003cbr\u003eThe “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lia Kohl\u003c\/p\u003e\n\u003cp\u003eLabel : Dauw\u003c\/p\u003e\n\u003cp\u003ecat no : DAUW078\u003c\/p\u003e\n\u003cp\u003eRelease date : 14th November 2025\u003c\/p\u003e"}
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当店おなじみアメリカ・シカゴのアンビエント作家Lia Kohlが、2025年11月にベルギーのアンビエントレーベルdauwからリリースした10"です。 コラージュ・アンビエント16曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "シカゴを拠点とするアーティストLia Kohlの新作アルバム『Various Small Whistles and a Song』は、空間、社会関係、ユーモアの概念を取り入れている。タイトルが示す通り、このアルバムはEd Ruschaの1964年の写真芸術書『Various Small...
¥4,880