international anthem
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{"id":8718253785338,"title":"Carlos Niño \u0026 Friends \/\/ Placenta TAPE","handle":"carlos-nino-friends-placenta-tape","description":"\u003cp\u003eアメリカ・LAのマルチ奏者／パーカッショニストCarlos Niñoが、2024年5月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003eIasosやNate Mercereau、Sam Gendelなど多数の友人が参加しています。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1895441320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'Placental Purple' vinyl, CD, and TAPE.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. Love to all Doulas! 03:52\u003cbr\u003e2. Some rest for the Midwives . . . 07:19\u003cbr\u003e3. Real Vital Organs 03:57\u003cbr\u003e4. Surges, Expansions 02:43\u003cbr\u003e5. In Appreciation of Chico Hamilton's Vast Influence on the West Coast Sound 02:44\u003cbr\u003e6. Birthworkers Magic, and how we get hear . . . 07:21\u003cbr\u003e7. This \"I\" was not 02:37\u003cbr\u003e8. Placenta, Nourishment, New Home, The Galaxy 09:03\u003cbr\u003e9. Carla's Beads 01:51\u003cbr\u003e10. Moonlight Watsu in Dub 04:34\u003cbr\u003e11. Generous Pelvis 04:26\u003cbr\u003e12. Bi-Location 09:08\u003cbr\u003e13. \"Play Kerri Chandler's RAIN\" 17:32 \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003ePlacenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño \u0026amp; Friends music released on International Anthem in the last four years. It is also the first new music to be released by Carlos Niño \u0026amp; Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, co-creating\/playing, and co-mixing every song.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePlacenta is announced on April 11th, 2024, a date chosen because it is the 1st solar return of Moss Niño (a new being in human form, who Carlos and his partner Annelise are Earth parents of). Their experience of pregnancy, labor and delivery were all profoundly impactful for Carlos. Becoming a father again (a whole 24 years after the birth of Azul Niño, who has become a regular artistic collaborator with Carlos) he felt total Inspiration for this set of recordings, and hence it is perhaps the most conceptually-grounded Carlos Niño \u0026amp; Friends album we've yet to present – fully connected to the spirit of family, birth, and \"how we get here.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Carlos Niño \u0026amp; Friends\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0080\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-02-10T11:12:46+09:00","created_at":"2025-02-10T11:10:59+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","new","tape"],"price":255500,"price_min":255500,"price_max":255500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47116475138298,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Niño \u0026 Friends \/\/ Placenta TAPE","public_title":null,"options":["Default Title"],"price":255500,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993994342","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3331746881_16.jpg?v=1716699798","\/\/tobirarecords.com\/cdn\/shop\/files\/0035666380_10.jpg?v=1716700026","\/\/tobirarecords.com\/cdn\/shop\/files\/0035666382_10.jpg?v=1716700026"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3331746881_16.jpg?v=1716699798","options":["Title"],"media":[{"alt":null,"id":34148546740474,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3331746881_16.jpg?v=1716699798"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3331746881_16.jpg?v=1716699798","width":700},{"alt":null,"id":34148548018426,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035666380_10.jpg?v=1716700026"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035666380_10.jpg?v=1716700026","width":1200},{"alt":null,"id":34148547920122,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035666382_10.jpg?v=1716700026"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035666382_10.jpg?v=1716700026","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者／パーカッショニストCarlos Niñoが、2024年5月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003eIasosやNate Mercereau、Sam Gendelなど多数の友人が参加しています。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1895441320\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'Placental Purple' vinyl, CD, and TAPE.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1. Love to all Doulas! 03:52\u003cbr\u003e2. Some rest for the Midwives . . . 07:19\u003cbr\u003e3. Real Vital Organs 03:57\u003cbr\u003e4. Surges, Expansions 02:43\u003cbr\u003e5. In Appreciation of Chico Hamilton's Vast Influence on the West Coast Sound 02:44\u003cbr\u003e6. Birthworkers Magic, and how we get hear . . . 07:21\u003cbr\u003e7. This \"I\" was not 02:37\u003cbr\u003e8. Placenta, Nourishment, New Home, The Galaxy 09:03\u003cbr\u003e9. Carla's Beads 01:51\u003cbr\u003e10. Moonlight Watsu in Dub 04:34\u003cbr\u003e11. Generous Pelvis 04:26\u003cbr\u003e12. Bi-Location 09:08\u003cbr\u003e13. \"Play Kerri Chandler's RAIN\" 17:32 \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003c\/span\u003ePlacenta is the fourth collection of broadly imaginative and highly collaborative Carlos Niño \u0026amp; Friends music released on International Anthem in the last four years. It is also the first new music to be released by Carlos Niño \u0026amp; Friends following the November 2023 release of André 3000’s New Blue Sun – an album which Carlos produced alongside André, while co-writing, co-creating\/playing, and co-mixing every song.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePlacenta is announced on April 11th, 2024, a date chosen because it is the 1st solar return of Moss Niño (a new being in human form, who Carlos and his partner Annelise are Earth parents of). Their experience of pregnancy, labor and delivery were all profoundly impactful for Carlos. Becoming a father again (a whole 24 years after the birth of Azul Niño, who has become a regular artistic collaborator with Carlos) he felt total Inspiration for this set of recordings, and hence it is perhaps the most conceptually-grounded Carlos Niño \u0026amp; Friends album we've yet to present – fully connected to the spirit of family, birth, and \"how we get here.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Carlos Niño \u0026amp; Friends\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0080\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのマルチ奏者／パーカッショニストCarlos Niñoが、2024年5月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 アンビエント・ジャズ〜スピリチュアル・ジャズ13曲を収録。 IasosやNate Mercereau、Sam Gendelなど多数の友人が参加しています。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem...
¥2,555
![Tomin // A Willed and Conscious Balance LP [COLOR]](http://tobirarecords.com/cdn/shop/files/con1_87c59470-f802-4d65-80dd-e02744a0df8a_medium.jpg?v=1731129835)
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{"id":8660083671290,"title":"Tomin \/\/ A Willed and Conscious Balance LP [COLOR]","handle":"tomin-a-willed-and-conscious-balance-lp-black-color","description":"\u003cp\u003eアメリカ・NYの金管楽器奏者／マルチ奏者Tominが、2024年11月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ10曲を収録。帯とライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2707348856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Untitled Dirge (intro) 00:58\u003cbr\u003e2. Untitled Dirge 05:00\u003cbr\u003e3. Love 05:37\u003cbr\u003e4. 4alto Revisited (interlude) 00:42\u003cbr\u003e5. movement 05:17\u003cbr\u003e6. Life Revisited 03:45\u003cbr\u003e7. Life 03:27\u003cbr\u003e8. 4alto (interlude) 00:48\u003cbr\u003e9. Man of Words 06:26\u003cbr\u003e10. Humility in the Light of the Creator 02:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tomin\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : LP-IARC0088\u003c\/p\u003e","published_at":"2024-11-09T19:26:58+09:00","created_at":"2024-11-09T14:25:43+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":444000,"price_min":444000,"price_max":444000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46841771032826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tomin \/\/ A Willed and Conscious Balance LP [COLOR]","public_title":null,"options":["Default Title"],"price":444000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993994779","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_87c59470-f802-4d65-80dd-e02744a0df8a.jpg?v=1731129835","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_ac247da7-79c6-4573-81b1-c840730bae83.jpg?v=1731129835","\/\/tobirarecords.com\/cdn\/shop\/files\/con3_5880a78f-dd55-4432-bd1b-ee7e25f609f7.jpg?v=1731129835"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_87c59470-f802-4d65-80dd-e02744a0df8a.jpg?v=1731129835","options":["Title"],"media":[{"alt":null,"id":35167547293946,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_87c59470-f802-4d65-80dd-e02744a0df8a.jpg?v=1731129835"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_87c59470-f802-4d65-80dd-e02744a0df8a.jpg?v=1731129835","width":700},{"alt":null,"id":35167547326714,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_ac247da7-79c6-4573-81b1-c840730bae83.jpg?v=1731129835"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_ac247da7-79c6-4573-81b1-c840730bae83.jpg?v=1731129835","width":1200},{"alt":null,"id":35167547359482,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con3_5880a78f-dd55-4432-bd1b-ee7e25f609f7.jpg?v=1731129835"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con3_5880a78f-dd55-4432-bd1b-ee7e25f609f7.jpg?v=1731129835","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYの金管楽器奏者／マルチ奏者Tominが、2024年11月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ10曲を収録。帯とライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2707348856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Untitled Dirge (intro) 00:58\u003cbr\u003e2. Untitled Dirge 05:00\u003cbr\u003e3. Love 05:37\u003cbr\u003e4. 4alto Revisited (interlude) 00:42\u003cbr\u003e5. movement 05:17\u003cbr\u003e6. Life Revisited 03:45\u003cbr\u003e7. Life 03:27\u003cbr\u003e8. 4alto (interlude) 00:48\u003cbr\u003e9. Man of Words 06:26\u003cbr\u003e10. Humility in the Light of the Creator 02:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tomin\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : LP-IARC0088\u003c\/p\u003e"}
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アメリカ・NYの金管楽器奏者／マルチ奏者Tominが、2024年11月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。 スピリチュアル・ジャズ10曲を収録。帯とライナーノーツ付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
¥4,440
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{"id":8641683095802,"title":"Asher Gamedze \u0026 The Black Lungs \/\/ Constitution 2xLP \/ CD","handle":"asher-gamedze-the-black-lungs-constitution-2xlp-cd","description":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e10人編成のアンサンブルThe Black Lungsとコラボレートしたスピリチュアル・ジャズ10曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/asher-gamedze-turbulence-and-pulse-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CzGYx3hphvE?si=hrUJUrsE1oE9MIfM\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. vailable on 2 x 12\" black vinyl in reverse-board sleeve w\/ OBI or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Find Each Other 03:46\u003cbr\u003e2. Determining Facts 16:33\u003cbr\u003e3. Antagonism 01:31\u003cbr\u003e4. Elaboration 03:13\u003cbr\u003e5. Constitution (Pt. 1) 17:40\u003cbr\u003e6. Constitution (Pt. 2) 21:41\u003cbr\u003e7. Destitution 02:00\u003cbr\u003e8. High Land. New Home 04:22\u003cbr\u003e9. Melancholia 07:15\u003cbr\u003e10. Deposition: A Song for the Dialectician 03:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eMembers of the dispossessed, won’t you lend me your ears!”\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze’s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze’s follow-up to 2023’s Turbulence and Pulse (IARC0057\/M3H013), and his first with The Black Lungs, a ten-piece ensemble. The album – recorded in one day at Cape Town’s Sound and Motion Studios – is an elaboration of the possibilities of autonomous constitution in and through polyrhythmic, modal, large ensemble music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze holds down duties on the drum kit, joining with Ru Slayen (percussion), Sean Sanby (bass), and Nobuhle Ashanti (piano) breathing together to cohere in what would otherwise be called a rhythm section. The ensemble is expanded by more breath - horns and voices. Tumi Pheko (cornet), Garth Erasmus (alto saxophone), Jed Petersen (tenor saxophone), Tina Mene (vocals), Athi Ngcaba (trombone) and Fred Moten (words) collectively explore and deconstruct the conceptual, tonal and atonal possibilities of themes which are at once of old and new dreams - curious and instantiative, melancholic and\u003cspan class=\"bcTruncateMore\"\u003e emergent.\u003cbr\u003e\u003cbr\u003eAs Moten puts it, “this polyrhythmic but also always polyphonic critical joining – this re-assemblage of ensemble, this loving violation – lets the nightmares of individuation all unravel.” The Black Lungs join a tradition of sound, struggle and thought that is constituted by this very process of unraveling the isolating questions of isolated philosophers: “Is Socrates happy?”; “Does the dialectician have a sound?” On Constitution, the power of the question, the possibility of an improvised answer and the celebration of being together exists not in the solo but in the group, the ensemble.\u003cbr\u003e\u003cbr\u003eThis is a theme present not just throughout Constitution, but in all of Gamedze’s work. “The ensemble experience of study and struggle is the basis of my thought and everything I try to do in this mad world,” he says in the album’s liner notes. Further situating the sound and the impulse of the ensemble within the multitudinous terrains of the historical and ongoing struggles of the dispossessed, he explains that “The Black Lungs is inspired by the revolutionary thought and practice of the Black Consciousness Movement. In particular, the relationship between antagonism – constituting a united front of all the oppressed against white supremacy and racial capitalism – and the possibilities for resistance and elaboration - the creative militant capacities of those assembled – enabled and unleashed by that process of constitution.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asher Gamedze \u0026amp; The Black Lungs\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0084\u003c\/p\u003e","published_at":"2024-10-15T14:25:07+09:00","created_at":"2024-10-14T10:42:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","lp","new","recommended"],"price":255500,"price_min":255500,"price_max":497300,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46747087274234,"title":"2xLP","option1":"2xLP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42457184436474,"product_id":8641683095802,"position":2,"created_at":"2024-10-14T10:40:01+09:00","updated_at":"2024-10-14T10:40:02+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_ae0fbe60-f20f-4db9-9d81-4a112a40fdc7.jpg?v=1728870002","variant_ids":[46747087274234]},"available":true,"name":"Asher Gamedze \u0026 The Black Lungs \/\/ Constitution 2xLP \/ CD - 2xLP","public_title":"2xLP","options":["2xLP"],"price":497300,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993994526","featured_media":{"alt":null,"id":35045873811706,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_ae0fbe60-f20f-4db9-9d81-4a112a40fdc7.jpg?v=1728870002"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":46747087307002,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":42457184502010,"product_id":8641683095802,"position":4,"created_at":"2024-10-14T10:40:01+09:00","updated_at":"2024-10-14T10:40:02+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con4.jpg?v=1728870002","variant_ids":[46747087307002]},"available":true,"name":"Asher Gamedze \u0026 The Black Lungs \/\/ Constitution 2xLP \/ CD - CD","public_title":"CD","options":["CD"],"price":255500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993994540","featured_media":{"alt":null,"id":35045873877242,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con4.jpg?v=1728870002"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/con1_3294a1a1-cff8-49b6-924a-84315b2ddc84.jpg?v=1728870002","\/\/tobirarecords.com\/cdn\/shop\/files\/con2_ae0fbe60-f20f-4db9-9d81-4a112a40fdc7.jpg?v=1728870002","\/\/tobirarecords.com\/cdn\/shop\/files\/con3_2e7c80e5-3ddf-4f2b-91aa-ad9d4138b92a.jpg?v=1728870002","\/\/tobirarecords.com\/cdn\/shop\/files\/con4.jpg?v=1728870002","\/\/tobirarecords.com\/cdn\/shop\/files\/con5.jpg?v=1728870002"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_3294a1a1-cff8-49b6-924a-84315b2ddc84.jpg?v=1728870002","options":["Format"],"media":[{"alt":null,"id":35045873778938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_3294a1a1-cff8-49b6-924a-84315b2ddc84.jpg?v=1728870002"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con1_3294a1a1-cff8-49b6-924a-84315b2ddc84.jpg?v=1728870002","width":700},{"alt":null,"id":35045873811706,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_ae0fbe60-f20f-4db9-9d81-4a112a40fdc7.jpg?v=1728870002"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con2_ae0fbe60-f20f-4db9-9d81-4a112a40fdc7.jpg?v=1728870002","width":1200},{"alt":null,"id":35045873844474,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con3_2e7c80e5-3ddf-4f2b-91aa-ad9d4138b92a.jpg?v=1728870002"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con3_2e7c80e5-3ddf-4f2b-91aa-ad9d4138b92a.jpg?v=1728870002","width":1200},{"alt":null,"id":35045873877242,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con4.jpg?v=1728870002"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con4.jpg?v=1728870002","width":1200},{"alt":null,"id":35045873910010,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con5.jpg?v=1728870002"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/con5.jpg?v=1728870002","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e10人編成のアンサンブルThe Black Lungsとコラボレートしたスピリチュアル・ジャズ10曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/asher-gamedze-turbulence-and-pulse-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CzGYx3hphvE?si=hrUJUrsE1oE9MIfM\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. vailable on 2 x 12\" black vinyl in reverse-board sleeve w\/ OBI or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Find Each Other 03:46\u003cbr\u003e2. Determining Facts 16:33\u003cbr\u003e3. Antagonism 01:31\u003cbr\u003e4. Elaboration 03:13\u003cbr\u003e5. Constitution (Pt. 1) 17:40\u003cbr\u003e6. Constitution (Pt. 2) 21:41\u003cbr\u003e7. Destitution 02:00\u003cbr\u003e8. High Land. New Home 04:22\u003cbr\u003e9. Melancholia 07:15\u003cbr\u003e10. Deposition: A Song for the Dialectician 03:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eMembers of the dispossessed, won’t you lend me your ears!”\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze’s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze’s follow-up to 2023’s Turbulence and Pulse (IARC0057\/M3H013), and his first with The Black Lungs, a ten-piece ensemble. The album – recorded in one day at Cape Town’s Sound and Motion Studios – is an elaboration of the possibilities of autonomous constitution in and through polyrhythmic, modal, large ensemble music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze holds down duties on the drum kit, joining with Ru Slayen (percussion), Sean Sanby (bass), and Nobuhle Ashanti (piano) breathing together to cohere in what would otherwise be called a rhythm section. The ensemble is expanded by more breath - horns and voices. Tumi Pheko (cornet), Garth Erasmus (alto saxophone), Jed Petersen (tenor saxophone), Tina Mene (vocals), Athi Ngcaba (trombone) and Fred Moten (words) collectively explore and deconstruct the conceptual, tonal and atonal possibilities of themes which are at once of old and new dreams - curious and instantiative, melancholic and\u003cspan class=\"bcTruncateMore\"\u003e emergent.\u003cbr\u003e\u003cbr\u003eAs Moten puts it, “this polyrhythmic but also always polyphonic critical joining – this re-assemblage of ensemble, this loving violation – lets the nightmares of individuation all unravel.” The Black Lungs join a tradition of sound, struggle and thought that is constituted by this very process of unraveling the isolating questions of isolated philosophers: “Is Socrates happy?”; “Does the dialectician have a sound?” On Constitution, the power of the question, the possibility of an improvised answer and the celebration of being together exists not in the solo but in the group, the ensemble.\u003cbr\u003e\u003cbr\u003eThis is a theme present not just throughout Constitution, but in all of Gamedze’s work. “The ensemble experience of study and struggle is the basis of my thought and everything I try to do in this mad world,” he says in the album’s liner notes. Further situating the sound and the impulse of the ensemble within the multitudinous terrains of the historical and ongoing struggles of the dispossessed, he explains that “The Black Lungs is inspired by the revolutionary thought and practice of the Black Consciousness Movement. In particular, the relationship between antagonism – constituting a united front of all the oppressed against white supremacy and racial capitalism – and the possibilities for resistance and elaboration - the creative militant capacities of those assembled – enabled and unleashed by that process of constitution.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asher Gamedze \u0026amp; The Black Lungs\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0084\u003c\/p\u003e"}
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南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。 10人編成のアンサンブルThe Black Lungsとコラボレートしたスピリチュアル・ジャズ10曲を収録。ゲートフォルド仕様です。 前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem...
¥2,555
![Cassie Kinoshi's seed. // gratitude LP [BLACK/COLOR]](http://tobirarecords.com/cdn/shop/files/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272_medium.jpg?v=1712100954)
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{"id":8262417383674,"title":"Cassie Kinoshi's seed. \/\/ gratitude LP [BLACK\/COLOR]","handle":"cassie-kinoshis-seed-gratitude-lp-black-color","description":"\u003cp\u003eイギリスのジャズバンドCassie Kinoshi's seed.が、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2843796319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'Smoke In The Sun' marble red vinyl (editionof 333). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ei 04:58\u003c\/li\u003e\n\u003cli\u003eii 04:03\u003c\/li\u003e\n\u003cli\u003einterlude i 01:40\u003c\/li\u003e\n\u003cli\u003eiii sun through my window 03:41\u003c\/li\u003e\n\u003cli\u003einterlude ii 02:23\u003c\/li\u003e\n\u003cli\u003eiv 04:45\u003c\/li\u003e\n\u003cli\u003eSmoke in the Sun 05:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In March of 2023 composer, arranger \u0026amp; alto saxophonist Cassie Kinoshi premiered a commissioned suite of music in front of a sold out crowd at London’s Southbank Centre. She wrote the piece – gratitude – for her flagship large ensemble seed., in a special augmented formation that also featured turntablist NikNak and the London Contemporary Orchestra (LCO).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowers of UK Jazz know Kinoshi from her previous work with seed. (including the Mercury Prize-nominated album Driftglass, released by jazz re:freshed in 2019), or as a former member of Kokoroko. But her compositional résumé also extends deeply into orchestral work for concert hall, contemporary dance, film, visual art, and theatre, with high profile collaborators including London Sinfonietta, Philharmonia Orchestra, and the London Symphony Orchestra. That depth of experience is on full display on gratitude, with the textural and dynamic flexibility of her large ensemble covering musical ground from groove-focused modal melancholia to anthemic brass and string themes. Striking upon first listen and even richer on repeat visits, gratitude scores the soul of contemporary Black London with philharmonic craftwork in the tradition of legendary jazz arrangers like Mary Lou Williams, Oliver Nelson, and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Carla Bley.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimilar to those keystone writer-arrangers, here Kinoshi wields the power of a large ensemble to convey nuanced human emotion. “gratitude was written as a means of guiding my own healing,” says Kinoshi. “My mother told me that she keeps a gratitude book where she writes one thing, no matter how big or small, every day that helps to re-focus her mind on practicing gratitude. The examples that she gave were seeing the flowers that she'd recently planted in her garden bloom and a kaleidoscope of butterflies that she saw flitting about a tree in her garden.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Cassie Kinoshi's seed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0081LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-03T09:42:24+09:00","created_at":"2024-04-03T08:35:51+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":439200,"price_min":439200,"price_max":457700,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45504389742842,"title":"Black vinyl","option1":"Black vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40844840927482,"product_id":8262417383674,"position":3,"created_at":"2024-04-03T08:35:52+09:00","updated_at":"2024-04-03T08:35:54+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954","variant_ids":[45504389742842]},"available":true,"name":"Cassie Kinoshi's seed. \/\/ gratitude LP [BLACK\/COLOR] - Black vinyl","public_title":"Black vinyl","options":["Black vinyl"],"price":439200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33537243087098,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":45504389775610,"title":"Color vinyl","option1":"Color vinyl","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40844840993018,"product_id":8262417383674,"position":4,"created_at":"2024-04-03T08:35:52+09:00","updated_at":"2024-04-03T08:35:54+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954","variant_ids":[45504389775610]},"available":true,"name":"Cassie Kinoshi's seed. \/\/ gratitude LP [BLACK\/COLOR] - Color vinyl","public_title":"Color vinyl","options":["Color vinyl"],"price":457700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33537243119866,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954","\/\/tobirarecords.com\/cdn\/shop\/files\/cass2_e4e42f80-e5d7-4ac6-85de-172585a48861.jpg?v=1712100953","\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954","\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954","options":["Color"],"media":[{"alt":null,"id":33537242988794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954","width":700},{"alt":null,"id":33537243054330,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass2_e4e42f80-e5d7-4ac6-85de-172585a48861.jpg?v=1712100953"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass2_e4e42f80-e5d7-4ac6-85de-172585a48861.jpg?v=1712100953","width":1200},{"alt":null,"id":33537243087098,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass3.jpg?v=1712100954","width":1200},{"alt":null,"id":33537243119866,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cass4.jpg?v=1712100954","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのジャズバンドCassie Kinoshi's seed.が、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2843796319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'Smoke In The Sun' marble red vinyl (editionof 333). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ei 04:58\u003c\/li\u003e\n\u003cli\u003eii 04:03\u003c\/li\u003e\n\u003cli\u003einterlude i 01:40\u003c\/li\u003e\n\u003cli\u003eiii sun through my window 03:41\u003c\/li\u003e\n\u003cli\u003einterlude ii 02:23\u003c\/li\u003e\n\u003cli\u003eiv 04:45\u003c\/li\u003e\n\u003cli\u003eSmoke in the Sun 05:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In March of 2023 composer, arranger \u0026amp; alto saxophonist Cassie Kinoshi premiered a commissioned suite of music in front of a sold out crowd at London’s Southbank Centre. She wrote the piece – gratitude – for her flagship large ensemble seed., in a special augmented formation that also featured turntablist NikNak and the London Contemporary Orchestra (LCO).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowers of UK Jazz know Kinoshi from her previous work with seed. (including the Mercury Prize-nominated album Driftglass, released by jazz re:freshed in 2019), or as a former member of Kokoroko. But her compositional résumé also extends deeply into orchestral work for concert hall, contemporary dance, film, visual art, and theatre, with high profile collaborators including London Sinfonietta, Philharmonia Orchestra, and the London Symphony Orchestra. That depth of experience is on full display on gratitude, with the textural and dynamic flexibility of her large ensemble covering musical ground from groove-focused modal melancholia to anthemic brass and string themes. Striking upon first listen and even richer on repeat visits, gratitude scores the soul of contemporary Black London with philharmonic craftwork in the tradition of legendary jazz arrangers like Mary Lou Williams, Oliver Nelson, and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Carla Bley.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimilar to those keystone writer-arrangers, here Kinoshi wields the power of a large ensemble to convey nuanced human emotion. “gratitude was written as a means of guiding my own healing,” says Kinoshi. “My mother told me that she keeps a gratitude book where she writes one thing, no matter how big or small, every day that helps to re-focus her mind on practicing gratitude. The examples that she gave were seeing the flowers that she'd recently planted in her garden bloom and a kaleidoscope of butterflies that she saw flitting about a tree in her garden.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Cassie Kinoshi's seed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0081LP\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのジャズバンドCassie Kinoshi's seed.が、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。 スピリチュアル・ジャズ7曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
¥4,392
![Ibelisse Guardia Ferragutti & Frank Rosaly // MESTIZX LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ib1_medium.jpg?v=1712034906)
クイックビュー
{"id":8259234103546,"title":"Ibelisse Guardia Ferragutti \u0026 Frank Rosaly \/\/ MESTIZX LP [COLOR]","handle":"ibelisse-guardia-ferragutti-frank-rosaly-mestizx-lp-color","description":"\u003cp\u003eボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。\u003c\/p\u003e\n\u003cp\u003eラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S9hDU3_LkyQ?si=l87mg4wY15gO_3bl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'red moon' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eINVOCAÇÃO\u003c\/li\u003e\n\u003cli\u003eDESTEJER 04:08\u003c\/li\u003e\n\u003cli\u003eBALADA PARA LA CORPORATOCRACIA\u003c\/li\u003e\n\u003cli\u003eTURBULÊNCIA\u003c\/li\u003e\n\u003cli\u003eMESTIZX\u003c\/li\u003e\n\u003cli\u003eBARRO\u003c\/li\u003e\n\u003cli\u003eSABER DO MAR\u003c\/li\u003e\n\u003cli\u003eBLESS THEE MUNDANE\u003c\/li\u003e\n\u003cli\u003eDESCEND\u003c\/li\u003e\n\u003cli\u003eWRITING WITH KNOTS\u003c\/li\u003e\n\u003cli\u003eSIRINUS\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was produced and recorded primarily at International Anthem Studios in Chicago, where Ferragutti and Rosaly were joined by a community of musicians and beloved friends including Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, and Mikel Patrick Avery, with addditional contributions from Chris Doyle, Guilherme Granado, Viktor Le Givens and Fredy Velásquez.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music creatively infuses Latin rhythmic patterns and oblong swing from pre-and post-colonial Latin America into a collision of avant jazz, art punk, Chicago post-rock, bomba, plena, cumbia, Andean, minimal, electronica, and folk. A wholly original but undeniably universal sound – both of-the-moment and alluringly futuristic - MESTIZX contains points of reference and resonance for fans of Juana Molina, Café Tacvba, Max Roach \u0026amp; Abbey Lincoln, Liquid Liquid, Arto Lindsay, As Mercenarias, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s a vast, vibrant and encompassing spectrum of sounds, but at its core MESTIZX is a lucidly conscious collection of auto-biographical statements from Ferragutti \u0026amp; Rosaly on the deeply personalized effects of colonialism on geography, history, and identity. Despite its heavy subject matter, however, MESTIZX finds a lifeline in communal, celebratory, soul-bearing and movement-inducing music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0079LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-04-02T15:10:16+09:00","created_at":"2024-04-02T14:15:03+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":589200,"price_min":589200,"price_max":589200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45498764263674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ibelisse Guardia Ferragutti \u0026 Frank Rosaly \/\/ MESTIZX LP [COLOR]","public_title":null,"options":["Default Title"],"price":589200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597900064","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906","\/\/tobirarecords.com\/cdn\/shop\/files\/ib3.jpg?v=1712034906"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","options":["Title"],"media":[{"alt":null,"id":33530977190138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib1.jpg?v=1712034906","width":700},{"alt":null,"id":33530977222906,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib2.jpg?v=1712034906","width":1200},{"alt":null,"id":33530977255674,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib3.jpg?v=1712034906"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ib3.jpg?v=1712034906","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。\u003c\/p\u003e\n\u003cp\u003eラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S9hDU3_LkyQ?si=l87mg4wY15gO_3bl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'red moon' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eINVOCAÇÃO\u003c\/li\u003e\n\u003cli\u003eDESTEJER 04:08\u003c\/li\u003e\n\u003cli\u003eBALADA PARA LA CORPORATOCRACIA\u003c\/li\u003e\n\u003cli\u003eTURBULÊNCIA\u003c\/li\u003e\n\u003cli\u003eMESTIZX\u003c\/li\u003e\n\u003cli\u003eBARRO\u003c\/li\u003e\n\u003cli\u003eSABER DO MAR\u003c\/li\u003e\n\u003cli\u003eBLESS THEE MUNDANE\u003c\/li\u003e\n\u003cli\u003eDESCEND\u003c\/li\u003e\n\u003cli\u003eWRITING WITH KNOTS\u003c\/li\u003e\n\u003cli\u003eSIRINUS\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was produced and recorded primarily at International Anthem Studios in Chicago, where Ferragutti and Rosaly were joined by a community of musicians and beloved friends including Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, and Mikel Patrick Avery, with addditional contributions from Chris Doyle, Guilherme Granado, Viktor Le Givens and Fredy Velásquez.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music creatively infuses Latin rhythmic patterns and oblong swing from pre-and post-colonial Latin America into a collision of avant jazz, art punk, Chicago post-rock, bomba, plena, cumbia, Andean, minimal, electronica, and folk. A wholly original but undeniably universal sound – both of-the-moment and alluringly futuristic - MESTIZX contains points of reference and resonance for fans of Juana Molina, Café Tacvba, Max Roach \u0026amp; Abbey Lincoln, Liquid Liquid, Arto Lindsay, As Mercenarias, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s a vast, vibrant and encompassing spectrum of sounds, but at its core MESTIZX is a lucidly conscious collection of auto-biographical statements from Ferragutti \u0026amp; Rosaly on the deeply personalized effects of colonialism on geography, history, and identity. Despite its heavy subject matter, however, MESTIZX finds a lifeline in communal, celebratory, soul-bearing and movement-inducing music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0079LP\u003c\/span\u003e\u003c\/p\u003e"}
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ボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。 ラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。 広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。" レーベルその他作品はこちら /// Click here to see more...
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![Ariel Kalma, Jeremiah Chiu & Marta Sofia Honer // The Closest Thing to Silence LP [BLACK/COLOR] / CD](http://tobirarecords.com/cdn/shop/files/clo1_medium.jpg?v=1708483075)
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{"id":8181362589946,"title":"Ariel Kalma, Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ The Closest Thing to Silence LP [BLACK\/COLOR] \/ CD","handle":"ariel-kalma-jeremiah-chiu-marta-sofia-honer-the-closest-thing-to-silence-lp-black-color-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフランスの4thワールド音楽家Ariel Kalmaと、アメリカ・LAのモジュラー奏者Jeremiah Chiu \u0026amp; Marta Sofia Honerが、2024年2月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年8月、オーストラリアを拠点にフランスで生まれた4thワールド音楽の伝説的作家Ariel Kalmaが、BBCラジオ3の特別コラボレーション番組「レイト・ジャンクション」シリーズに招かれた。この番組では、これまで一緒に仕事をしたことのないアーティストがペアを組み、共同で新しい音楽を創作する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational AnthemのレコーディングアーティストであるJeremiah ChiuとMarta Sofia Honerは、数ヶ月前にデュオデビュー作『Recordings from the Åland Islands』をリリースし高い評価を得ていた。Chiuは以前からKalmaのファンで、エレクトロニックミュージック作曲へのアプローチに大きな影響を与えたとさえ語っていたからだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eレイト・ジャンクションのコラボレーションの基本的な構成は、アーティストが協力して約20分の音楽を創作するというものだった。Kalmaが始めた曲と、ChiuとHonorが始めた曲とが行き来し、それぞれがトラックを追加・編集してから、もう一方のアーティストに返す。音楽は数回行き来しただけで、最終的に完成する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e番組の20分の目標（計4曲）を達成した3人は、発表する内容に満足し、レイト・ジャンクションのプロデューサーに作品を送った。しかし、これで終わりではないのではないかという疑念があった。もう少しで完成しそうだったのに、ラジオ番組に収録するために送られなかった作品がいくつかあったし、完成した作品をさらに洗練させるためのアイデアもたくさんあった。このことを念頭に置いて3人は、音楽をさらに推し進めるために協力し続けることで合意した。生まれたばかりのトリオは、もっと言うべきこと、もっとやるべきことがたくさんあると感じていた。レイト・ジャンクションは2022年9月に放送された。同時に、3人は、放送のために始めた音楽をさらに発展させ始め、数ヶ月間、熱心に音楽制作に取り組んだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品に対する彼らの集団的なアプローチは、即興の中で生まれ、コラージュに基づく編集によって実現された。その結果、時には数十年の時を経て録音された、いくつかの異なる音楽的瞬間が互いに会話を交わし、古い音楽の積み重ねから新しい物語を形成している。各ミュージシャンの即興演奏の断片が、Kalmaが70年代にGRMで録音したものと一緒に編集され、最終的なミックスに入ることになる、Kalmaが自分のアイデアを説明するような音声メモの瞬間さえある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最終的に、この音楽集はChiuとHonorの『Recording from the Åland Islands』で聴かれた文脈への没入と、Kalmaの数十年にわたる作品群に対する世代を超えた敬愛（そして紛れもない存在感）とを絡めながら、3人のミュージシャンの作品を際立たせている。それは、彼をニューエイジと第4世界の音楽における真の超越的なパイオニアであり、賢人のひとりとして決定的に祀り上げた作品である。この敬愛の念は、グループが選んだアルバムタイトル「The Closest Thing to Silence」（静寂に最も近いもの）にも表れている。このタイトルは、RVNG Intlが2014年にリリースしたコンペンディウム／レトロスペクティブ『An Evolutionary Music』のドキュメンタリーに収録されたKalmaの言葉から取られている。おそらく偶然だろうが、Kalmaの言葉は、伝説的なECMレコードのモットーを少し変えたものだった： \"音楽は沈黙に最も近いものである\"。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4067863479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 140gram vinyl, 12\" 'silent grey' 140gram vinyl, or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTen Hour Wave 03:25\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits (Intro) 00:45\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits 05:59\u003c\/li\u003e\n\u003cli\u003eThe Closest Thing To Silence 03:52\u003c\/li\u003e\n\u003cli\u003eDizzy Ditty 04:33\u003c\/li\u003e\n\u003cli\u003eUne Ombre Légère 04:23\u003c\/li\u003e\n\u003cli\u003eNew Air 02:25\u003c\/li\u003e\n\u003cli\u003eÉcoute Au Loin 06:02 video\u003c\/li\u003e\n\u003cli\u003eA Treasure Chest 06:12\u003c\/li\u003e\n\u003cli\u003eStay Centered 02:15\u003c\/li\u003e\n\u003cli\u003eStack Attack 06:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"[...] \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe essential structure of the Late Junction collaboration was that the artists would work together to create around twenty minutes of music. They began passing music back and forth, some that Kalma had started, and some that Honer \u0026amp; Chiu had started, with each adding to or editing the track before returning it to the other. The music would only go back and forth a few times before being finalized.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter meeting their twenty minute goal for the program\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (four pieces total), the three musicians were satisfied in what they would present and sent along their work to the producers of Late Junction. However, there was a nagging suspicion that this wasn’t the end of the story. There were several pieces that they had nearly completed but that weren’t sent for inclusion in the radio program, and there were many ideas for refining those pieces that had. With this in mind Kalma, Chiu and Honer agreed that they would continue to work together to try to push the music further. The freshly minted trio felt like there was much more to be said and more work to be done. The Late Junction program was broadcast in September of 2022. Simultaneously, Kalma, Chiu and Honer began expanding upon the music they had started for the purpose of the broadcast, working diligently on the music for several months.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir collective approach to this work was born in improvisation and realized via collage-based editing. The end result brings several distinct musical moments — recorded sometimes decades apart — into conversation with one another, forming new narratives from building blocks of old ones. There are snippets of improvised playing from each musician, edited together with recordings that Kalma had made in the 70s at GRM, and even moments of audio notes — like Kalma explaining his ideas — that would make it into the final mixes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUltimately, the collection of music highlights the work of all three musicians, intertwining the contextual immersion heard on Chiu \u0026amp; Honer’s 'Recordings from the Åland Islands' with an intergenerational reverence for (and the undeniable presence of) Kalma’s decades-spanning body of work. It is work that has definitively enshrined him as one of the true, transcendent pioneers and sages of new age and fourth-world music. That reverence is affirmed by the album title chosen by the group — \"The Closest Thing to Silence\" — which is taken from a quote by Kalma included in a documentary by RVNG Intl (as part of their release of the 2014 compendium\/retrospective An Evolutionary Music). Perhaps coincidental, Kalma’s quote was a slight modulation of a legendary ECM Records motto, as he said: 'Music is the closest thing to silence.'\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ariel Kalma, Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0077 \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-02-22T09:36:22+09:00","created_at":"2024-02-21T11:37:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","lp","post newage","recommended"],"price":268000,"price_min":268000,"price_max":498000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45212419653882,"title":"LP [black]","option1":"LP 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[black]"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33212670279930,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo4.jpg?v=1708483075"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":45212419686650,"title":"LP [color - grey]","option1":"LP [color - grey]","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40535282483450,"product_id":8181362589946,"position":3,"created_at":"2024-02-21T11:37:53+09:00","updated_at":"2024-02-21T11:37:55+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo3_47ea20cd-1f04-4094-8154-fb270f42e779.jpg?v=1708483075","variant_ids":[45212419686650]},"available":false,"name":"Ariel Kalma, Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ The Closest Thing to Silence LP [BLACK\/COLOR] \/ CD - LP [color - grey]","public_title":"LP [color - grey]","options":["LP [color - grey]"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33212670247162,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo3_47ea20cd-1f04-4094-8154-fb270f42e779.jpg?v=1708483075"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":45212419719418,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40535282516218,"product_id":8181362589946,"position":5,"created_at":"2024-02-21T11:37:53+09:00","updated_at":"2024-02-21T11:37:55+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo5.jpg?v=1708483075","variant_ids":[45212419719418]},"available":true,"name":"Ariel Kalma, Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ The Closest Thing to Silence LP [BLACK\/COLOR] \/ CD - CD","public_title":"CD","options":["CD"],"price":268000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":33212670345466,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo5.jpg?v=1708483075"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/clo1.jpg?v=1708483075","\/\/tobirarecords.com\/cdn\/shop\/files\/clo2_90f72075-0bc2-4ef7-9601-900785082d7f.jpg?v=1708483074","\/\/tobirarecords.com\/cdn\/shop\/files\/clo3_47ea20cd-1f04-4094-8154-fb270f42e779.jpg?v=1708483075","\/\/tobirarecords.com\/cdn\/shop\/files\/clo4.jpg?v=1708483075","\/\/tobirarecords.com\/cdn\/shop\/files\/clo5.jpg?v=1708483075"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1.jpg?v=1708483075","options":["Format"],"media":[{"alt":null,"id":33212670181626,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1.jpg?v=1708483075"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo1.jpg?v=1708483075","width":700},{"alt":null,"id":33212670214394,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo2_90f72075-0bc2-4ef7-9601-900785082d7f.jpg?v=1708483074"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo2_90f72075-0bc2-4ef7-9601-900785082d7f.jpg?v=1708483074","width":1200},{"alt":null,"id":33212670247162,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo3_47ea20cd-1f04-4094-8154-fb270f42e779.jpg?v=1708483075"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo3_47ea20cd-1f04-4094-8154-fb270f42e779.jpg?v=1708483075","width":1200},{"alt":null,"id":33212670279930,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo4.jpg?v=1708483075"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo4.jpg?v=1708483075","width":1200},{"alt":null,"id":33212670345466,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo5.jpg?v=1708483075"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/clo5.jpg?v=1708483075","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eフランスの4thワールド音楽家Ariel Kalmaと、アメリカ・LAのモジュラー奏者Jeremiah Chiu \u0026amp; Marta Sofia Honerが、2024年2月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・アンビエントジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2022年8月、オーストラリアを拠点にフランスで生まれた4thワールド音楽の伝説的作家Ariel Kalmaが、BBCラジオ3の特別コラボレーション番組「レイト・ジャンクション」シリーズに招かれた。この番組では、これまで一緒に仕事をしたことのないアーティストがペアを組み、共同で新しい音楽を創作する。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational AnthemのレコーディングアーティストであるJeremiah ChiuとMarta Sofia Honerは、数ヶ月前にデュオデビュー作『Recordings from the Åland Islands』をリリースし高い評価を得ていた。Chiuは以前からKalmaのファンで、エレクトロニックミュージック作曲へのアプローチに大きな影響を与えたとさえ語っていたからだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eレイト・ジャンクションのコラボレーションの基本的な構成は、アーティストが協力して約20分の音楽を創作するというものだった。Kalmaが始めた曲と、ChiuとHonorが始めた曲とが行き来し、それぞれがトラックを追加・編集してから、もう一方のアーティストに返す。音楽は数回行き来しただけで、最終的に完成する。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e番組の20分の目標（計4曲）を達成した3人は、発表する内容に満足し、レイト・ジャンクションのプロデューサーに作品を送った。しかし、これで終わりではないのではないかという疑念があった。もう少しで完成しそうだったのに、ラジオ番組に収録するために送られなかった作品がいくつかあったし、完成した作品をさらに洗練させるためのアイデアもたくさんあった。このことを念頭に置いて3人は、音楽をさらに推し進めるために協力し続けることで合意した。生まれたばかりのトリオは、もっと言うべきこと、もっとやるべきことがたくさんあると感じていた。レイト・ジャンクションは2022年9月に放送された。同時に、3人は、放送のために始めた音楽をさらに発展させ始め、数ヶ月間、熱心に音楽制作に取り組んだ。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの作品に対する彼らの集団的なアプローチは、即興の中で生まれ、コラージュに基づく編集によって実現された。その結果、時には数十年の時を経て録音された、いくつかの異なる音楽的瞬間が互いに会話を交わし、古い音楽の積み重ねから新しい物語を形成している。各ミュージシャンの即興演奏の断片が、Kalmaが70年代にGRMで録音したものと一緒に編集され、最終的なミックスに入ることになる、Kalmaが自分のアイデアを説明するような音声メモの瞬間さえある。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e最終的に、この音楽集はChiuとHonorの『Recording from the Åland Islands』で聴かれた文脈への没入と、Kalmaの数十年にわたる作品群に対する世代を超えた敬愛（そして紛れもない存在感）とを絡めながら、3人のミュージシャンの作品を際立たせている。それは、彼をニューエイジと第4世界の音楽における真の超越的なパイオニアであり、賢人のひとりとして決定的に祀り上げた作品である。この敬愛の念は、グループが選んだアルバムタイトル「The Closest Thing to Silence」（静寂に最も近いもの）にも表れている。このタイトルは、RVNG Intlが2014年にリリースしたコンペンディウム／レトロスペクティブ『An Evolutionary Music』のドキュメンタリーに収録されたKalmaの言葉から取られている。おそらく偶然だろうが、Kalmaの言葉は、伝説的なECMレコードのモットーを少し変えたものだった： \"音楽は沈黙に最も近いものである\"。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4067863479\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black 140gram vinyl, 12\" 'silent grey' 140gram vinyl, or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTen Hour Wave 03:25\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits (Intro) 00:45\u003c\/li\u003e\n\u003cli\u003eBreathing In Three Orbits 05:59\u003c\/li\u003e\n\u003cli\u003eThe Closest Thing To Silence 03:52\u003c\/li\u003e\n\u003cli\u003eDizzy Ditty 04:33\u003c\/li\u003e\n\u003cli\u003eUne Ombre Légère 04:23\u003c\/li\u003e\n\u003cli\u003eNew Air 02:25\u003c\/li\u003e\n\u003cli\u003eÉcoute Au Loin 06:02 video\u003c\/li\u003e\n\u003cli\u003eA Treasure Chest 06:12\u003c\/li\u003e\n\u003cli\u003eStay Centered 02:15\u003c\/li\u003e\n\u003cli\u003eStack Attack 06:29\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"[...] \u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe essential structure of the Late Junction collaboration was that the artists would work together to create around twenty minutes of music. They began passing music back and forth, some that Kalma had started, and some that Honer \u0026amp; Chiu had started, with each adding to or editing the track before returning it to the other. The music would only go back and forth a few times before being finalized.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter meeting their twenty minute goal for the program\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e (four pieces total), the three musicians were satisfied in what they would present and sent along their work to the producers of Late Junction. However, there was a nagging suspicion that this wasn’t the end of the story. There were several pieces that they had nearly completed but that weren’t sent for inclusion in the radio program, and there were many ideas for refining those pieces that had. With this in mind Kalma, Chiu and Honer agreed that they would continue to work together to try to push the music further. The freshly minted trio felt like there was much more to be said and more work to be done. The Late Junction program was broadcast in September of 2022. Simultaneously, Kalma, Chiu and Honer began expanding upon the music they had started for the purpose of the broadcast, working diligently on the music for several months.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTheir collective approach to this work was born in improvisation and realized via collage-based editing. The end result brings several distinct musical moments — recorded sometimes decades apart — into conversation with one another, forming new narratives from building blocks of old ones. There are snippets of improvised playing from each musician, edited together with recordings that Kalma had made in the 70s at GRM, and even moments of audio notes — like Kalma explaining his ideas — that would make it into the final mixes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eUltimately, the collection of music highlights the work of all three musicians, intertwining the contextual immersion heard on Chiu \u0026amp; Honer’s 'Recordings from the Åland Islands' with an intergenerational reverence for (and the undeniable presence of) Kalma’s decades-spanning body of work. It is work that has definitively enshrined him as one of the true, transcendent pioneers and sages of new age and fourth-world music. That reverence is affirmed by the album title chosen by the group — \"The Closest Thing to Silence\" — which is taken from a quote by Kalma included in a documentary by RVNG Intl (as part of their release of the 2014 compendium\/retrospective An Evolutionary Music). Perhaps coincidental, Kalma’s quote was a slight modulation of a legendary ECM Records motto, as he said: 'Music is the closest thing to silence.'\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ariel Kalma, Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0077 \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e"}
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Ariel Kalma, Jeremiah Chiu & Marta Sofia Honer // The Closest Thing to Silence LP [BLACK/COLOR] / CD
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{"id":8108860932346,"title":"Alabaster DePlume \/\/ Come With Fierce Grace LP \/ CD","handle":"alabaster-deplume-come-with-fierce-grace-lp-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが\u003c\/span\u003e、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2272563853\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSibomandi (feat. Falle Nioke) 02:28\u003c\/li\u003e\n\u003cli\u003eWhat Can It Take 02:16\u003c\/li\u003e\n\u003cli\u003eTo That Voice And Say 02:44\u003c\/li\u003e\n\u003cli\u003eGreek Honey Slick (feat. Tom Skinner) 04:33\u003c\/li\u003e\n\u003cli\u003eGive Me Away 03:13\u003c\/li\u003e\n\u003cli\u003eFall On Flowers 04:53\u003c\/li\u003e\n\u003cli\u003eDid You Know (feat. Momoko Gill, MettaShiba) 03:54\u003c\/li\u003e\n\u003cli\u003eLevels of Human 01:52\u003c\/li\u003e\n\u003cli\u003eNot Even Sobbing 02:46\u003c\/li\u003e\n\u003cli\u003eThe Best Thing In The World 04:40\u003c\/li\u003e\n\u003cli\u003eNaked Like Water (feat. Donna Thompson) 02:54\u003c\/li\u003e\n\u003cli\u003eBroken Again 05:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn order to record the compositions in his critically-acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles in spontaneous composition and development. To allow them to be present, he kept the musicians constantly creating across several weeks of sessions at London creative hub Total Refreshment Centre. This process resulted in an abundance of material, much more than he could fit onto the initial double LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter spending most of 2022 touring in support of GOLD, Alabaster spent much of early 2023 revisiting the additional material from those Total Refreshment Centre sessions – adding, subtracting, producing and arranging – resulting in an entirely new album, Come With Fierce Grace.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCome With Fierce Grace is an album made of authentic and unstipulated – yet welcomed – human interaction. It is for the most part an album of instrumentals, with exception of a few vocal features by Momoko Gill (aka MettaShiba), Falle Nioke, and Donna Thompson. However the instrumentals on this album are much more embryonic and unfiltered than the lush orchestrations heard on Alabaster’s breakout 2020 album To Cy \u0026amp; Lee: Instrumentals Vol. 1. Come With Fierce Grace is perhaps the most raw and candid\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e portrait of Alabaster’s creative compositional process we’ve yet to hear, as he’s captured vividly in the room with his collaborators – stretching, exploring, working to deepen and expand the emotions underlying his melodic and poetic frameworks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the process, Alabaster cites a similarity to how elements in nature contribute to shared work and beauty without a collective motive – a bee’s own motives result in the delivery of pollen. As he says: “The great thing wants to happen, let us allow it to happen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the origin of the album’s name: On his first trip to perform in the US in March 2022, Alabaster collected messages from individuals, as he asked them if there is anything they would like him to share with his audiences. One message (from a person who preferred to remain anonymous) asked Alabaster to encourage people to “come with fierce grace.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-12-10T11:58:28+09:00","created_at":"2023-12-10T10:35:20+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","lp"],"price":268000,"price_min":268000,"price_max":498000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44868824662266,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40163063824634,"product_id":8108860932346,"position":3,"created_at":"2023-12-10T10:35:20+09:00","updated_at":"2023-12-10T10:35:22+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8359334a-2869-4e4c-a357-3910c6852817.jpg?v=1702172122","variant_ids":[44868824662266]},"available":true,"name":"Alabaster DePlume \/\/ Come With Fierce Grace LP \/ CD - LP","public_title":"LP","options":["LP"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32817698799866,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8359334a-2869-4e4c-a357-3910c6852817.jpg?v=1702172122"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":44868824695034,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40163063759098,"product_id":8108860932346,"position":4,"created_at":"2023-12-10T10:35:20+09:00","updated_at":"2023-12-10T10:35:22+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com3_9a24cda3-19c5-4d00-9b10-7cba592b5977.jpg?v=1702172122","variant_ids":[44868824695034]},"available":true,"name":"Alabaster DePlume \/\/ Come With Fierce Grace LP \/ CD - CD","public_title":"CD","options":["CD"],"price":268000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32817698832634,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com3_9a24cda3-19c5-4d00-9b10-7cba592b5977.jpg?v=1702172122"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/com1_118e503a-a622-4cc2-ba3b-d973efe0c24e.jpg?v=1702172122","\/\/tobirarecords.com\/cdn\/shop\/files\/com4_16f4a3f2-fa0a-49c1-b645-87155fddbd32.jpg?v=1702172122","\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8359334a-2869-4e4c-a357-3910c6852817.jpg?v=1702172122","\/\/tobirarecords.com\/cdn\/shop\/files\/com3_9a24cda3-19c5-4d00-9b10-7cba592b5977.jpg?v=1702172122"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_118e503a-a622-4cc2-ba3b-d973efe0c24e.jpg?v=1702172122","options":["Format"],"media":[{"alt":null,"id":32817698734330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_118e503a-a622-4cc2-ba3b-d973efe0c24e.jpg?v=1702172122"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com1_118e503a-a622-4cc2-ba3b-d973efe0c24e.jpg?v=1702172122","width":700},{"alt":null,"id":32817698767098,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com4_16f4a3f2-fa0a-49c1-b645-87155fddbd32.jpg?v=1702172122"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com4_16f4a3f2-fa0a-49c1-b645-87155fddbd32.jpg?v=1702172122","width":1200},{"alt":null,"id":32817698799866,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8359334a-2869-4e4c-a357-3910c6852817.jpg?v=1702172122"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com2_8359334a-2869-4e4c-a357-3910c6852817.jpg?v=1702172122","width":1200},{"alt":null,"id":32817698832634,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com3_9a24cda3-19c5-4d00-9b10-7cba592b5977.jpg?v=1702172122"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/com3_9a24cda3-19c5-4d00-9b10-7cba592b5977.jpg?v=1702172122","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが\u003c\/span\u003e、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2272563853\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSibomandi (feat. Falle Nioke) 02:28\u003c\/li\u003e\n\u003cli\u003eWhat Can It Take 02:16\u003c\/li\u003e\n\u003cli\u003eTo That Voice And Say 02:44\u003c\/li\u003e\n\u003cli\u003eGreek Honey Slick (feat. Tom Skinner) 04:33\u003c\/li\u003e\n\u003cli\u003eGive Me Away 03:13\u003c\/li\u003e\n\u003cli\u003eFall On Flowers 04:53\u003c\/li\u003e\n\u003cli\u003eDid You Know (feat. Momoko Gill, MettaShiba) 03:54\u003c\/li\u003e\n\u003cli\u003eLevels of Human 01:52\u003c\/li\u003e\n\u003cli\u003eNot Even Sobbing 02:46\u003c\/li\u003e\n\u003cli\u003eThe Best Thing In The World 04:40\u003c\/li\u003e\n\u003cli\u003eNaked Like Water (feat. Donna Thompson) 02:54\u003c\/li\u003e\n\u003cli\u003eBroken Again 05:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn order to record the compositions in his critically-acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles in spontaneous composition and development. To allow them to be present, he kept the musicians constantly creating across several weeks of sessions at London creative hub Total Refreshment Centre. This process resulted in an abundance of material, much more than he could fit onto the initial double LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter spending most of 2022 touring in support of GOLD, Alabaster spent much of early 2023 revisiting the additional material from those Total Refreshment Centre sessions – adding, subtracting, producing and arranging – resulting in an entirely new album, Come With Fierce Grace.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCome With Fierce Grace is an album made of authentic and unstipulated – yet welcomed – human interaction. It is for the most part an album of instrumentals, with exception of a few vocal features by Momoko Gill (aka MettaShiba), Falle Nioke, and Donna Thompson. However the instrumentals on this album are much more embryonic and unfiltered than the lush orchestrations heard on Alabaster’s breakout 2020 album To Cy \u0026amp; Lee: Instrumentals Vol. 1. Come With Fierce Grace is perhaps the most raw and candid\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e portrait of Alabaster’s creative compositional process we’ve yet to hear, as he’s captured vividly in the room with his collaborators – stretching, exploring, working to deepen and expand the emotions underlying his melodic and poetic frameworks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the process, Alabaster cites a similarity to how elements in nature contribute to shared work and beauty without a collective motive – a bee’s own motives result in the delivery of pollen. As he says: “The great thing wants to happen, let us allow it to happen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the origin of the album’s name: On his first trip to perform in the US in March 2022, Alabaster collected messages from individuals, as he asked them if there is anything they would like him to share with his audiences. One message (from a person who preferred to remain anonymous) asked Alabaster to encourage people to “come with fierce grace.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 アンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":8098118566138,"title":"Thandi Ntuli with Carlos Niño \/\/ Rainbow Revisited LP \/ CD","handle":"thandi-ntuli-with-carlos-nino-rainbow-revisited-lp-cd","description":"\u003cp\u003e南アフリカのジャズ・ピアニストThandi Ntuliと、アメリカ・LAのパーカッショニストCarlos Niñoが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とピアノを主体としたソウルフルなジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929146464\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or CD in 4-panel digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSunrise (in California) 05:29\u003c\/li\u003e\n\u003cli\u003eRainbow Revisited 07:13\u003c\/li\u003e\n\u003cli\u003eBreath and Synth Experiment 03:38\u003c\/li\u003e\n\u003cli\u003eNomayoyo (Ingoma ka Mkhulu) 05:34\u003c\/li\u003e\n\u003cli\u003ePiano EDIT (Original Mix) 04:22\u003c\/li\u003e\n\u003cli\u003eSunset (in California) 05:51\u003c\/li\u003e\n\u003cli\u003eVoice and Tongo Experiment 02:18\u003c\/li\u003e\n\u003cli\u003eThe One (first part) 04:01\u003c\/li\u003e\n\u003cli\u003eThe One (second part) 04:17\u003c\/li\u003e\n\u003cli\u003eLihlanzekile 05:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Thandi Ntuli :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI travelled to Los Angeles and the USA for the first time in 2019. Although I had not met Carlos in person, we connected via Instagram where he saw a video of me playing a piano motif (titled ‘The One’ in this sequence) that he really liked and expressed a wish to record. This was around 2017. We tried a few times to get me over to Los Angeles, but the timing was always off. Through a performance organised by a creative collective called The Nonsemble at The Ford Theatre we finally got the opportunity to meet, play together and subsequently go into studio to record some improvisations as he guided the recording process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving been aware of some of his work – in particular his collaborative projects as Carlos Niño \u0026amp; Friends, as well as with his friend and long-time collaborator, Miguel Atwood-Ferguson – I knew that, with Carlos as producer, the artistic direction of the album would likely take me to a place I’d never considered going. A fact that had me both curious and terrified (as one tends to be when stepping into the unknown) Lol!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInitially keen to record the song that he had seen\/heard me play on Instagram, our performance a few days before the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e session drew him to the song Rainbow off my sophomore album, Exiled (2018). On that zen-like California afternoon in Andy Kravitz’s cozy studio in Venice Beach, he encouraged me to play around with various iterations of Rainbow. “Try it this way”, “How about adding that?”, “Can you breathe into the mic?”, “What if you focus on the last section?”, and many other explorations that eventually went through a few cuts, edits, yays and nays to become this body of work. Rainbow Revisited was birthed through that session, another session a couple of days later, and a series of many small synchronicities that led up to that moment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA particularly special moment for me was when he invited me to play something from home, which lent itself to me recording a song originally written by my grandfather that we often sing when at family gatherings. The song is called Nomayoyo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo much has happened since that session in late 2019. Many changes in our personal and collective universes. Losses and gains, births and transitions into the next life, Mother Nature’s ever-constant cycles reminding me that through all the chaos there remains, just beneath, this perfect order in Her ebb and flow. And most importantly, reminding me to feel for Her and to listen.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thandi Ntuli with Carlos Niño\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-11-30T20:44:21+09:00","created_at":"2023-11-30T10:35:48+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","lp","recommended"],"price":268000,"price_min":268000,"price_max":498000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44827471249658,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40119072325882,"product_id":8098118566138,"position":3,"created_at":"2023-11-30T10:35:48+09:00","updated_at":"2023-11-30T10:35:50+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150","variant_ids":[44827471249658]},"available":false,"name":"Thandi Ntuli with Carlos Niño \/\/ Rainbow Revisited LP \/ CD - LP","public_title":"LP","options":["LP"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32770465497338,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":44827471282426,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":40119072293114,"product_id":8098118566138,"position":5,"created_at":"2023-11-30T10:35:48+09:00","updated_at":"2023-11-30T10:35:50+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150","variant_ids":[44827471282426]},"available":true,"name":"Thandi Ntuli with Carlos Niño \/\/ Rainbow Revisited LP \/ CD - CD","public_title":"CD","options":["CD"],"price":268000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":32770465562874,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150","\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_89ae9561-8817-4b9b-9012-95714056668a.jpg?v=1701308150","\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150","\/\/tobirarecords.com\/cdn\/shop\/files\/rain4.jpg?v=1701308151","\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150","options":["Format"],"media":[{"alt":null,"id":32770465431802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150","width":700},{"alt":null,"id":32770465464570,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_89ae9561-8817-4b9b-9012-95714056668a.jpg?v=1701308150"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain2_89ae9561-8817-4b9b-9012-95714056668a.jpg?v=1701308150","width":1200},{"alt":null,"id":32770465497338,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain3_26762486-399a-4059-963e-451c9e4036f4.jpg?v=1701308150","width":1200},{"alt":null,"id":32770465530106,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain4.jpg?v=1701308151"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain4.jpg?v=1701308151","width":1200},{"alt":null,"id":32770465562874,"position":5,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rain5.jpg?v=1701308150","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカのジャズ・ピアニストThandi Ntuliと、アメリカ・LAのパーカッショニストCarlos Niñoが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とピアノを主体としたソウルフルなジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929146464\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or CD in 4-panel digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSunrise (in California) 05:29\u003c\/li\u003e\n\u003cli\u003eRainbow Revisited 07:13\u003c\/li\u003e\n\u003cli\u003eBreath and Synth Experiment 03:38\u003c\/li\u003e\n\u003cli\u003eNomayoyo (Ingoma ka Mkhulu) 05:34\u003c\/li\u003e\n\u003cli\u003ePiano EDIT (Original Mix) 04:22\u003c\/li\u003e\n\u003cli\u003eSunset (in California) 05:51\u003c\/li\u003e\n\u003cli\u003eVoice and Tongo Experiment 02:18\u003c\/li\u003e\n\u003cli\u003eThe One (first part) 04:01\u003c\/li\u003e\n\u003cli\u003eThe One (second part) 04:17\u003c\/li\u003e\n\u003cli\u003eLihlanzekile 05:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Thandi Ntuli :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI travelled to Los Angeles and the USA for the first time in 2019. Although I had not met Carlos in person, we connected via Instagram where he saw a video of me playing a piano motif (titled ‘The One’ in this sequence) that he really liked and expressed a wish to record. This was around 2017. We tried a few times to get me over to Los Angeles, but the timing was always off. Through a performance organised by a creative collective called The Nonsemble at The Ford Theatre we finally got the opportunity to meet, play together and subsequently go into studio to record some improvisations as he guided the recording process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving been aware of some of his work – in particular his collaborative projects as Carlos Niño \u0026amp; Friends, as well as with his friend and long-time collaborator, Miguel Atwood-Ferguson – I knew that, with Carlos as producer, the artistic direction of the album would likely take me to a place I’d never considered going. A fact that had me both curious and terrified (as one tends to be when stepping into the unknown) Lol!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInitially keen to record the song that he had seen\/heard me play on Instagram, our performance a few days before the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e session drew him to the song Rainbow off my sophomore album, Exiled (2018). On that zen-like California afternoon in Andy Kravitz’s cozy studio in Venice Beach, he encouraged me to play around with various iterations of Rainbow. “Try it this way”, “How about adding that?”, “Can you breathe into the mic?”, “What if you focus on the last section?”, and many other explorations that eventually went through a few cuts, edits, yays and nays to become this body of work. Rainbow Revisited was birthed through that session, another session a couple of days later, and a series of many small synchronicities that led up to that moment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA particularly special moment for me was when he invited me to play something from home, which lent itself to me recording a song originally written by my grandfather that we often sing when at family gatherings. The song is called Nomayoyo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo much has happened since that session in late 2019. Many changes in our personal and collective universes. Losses and gains, births and transitions into the next life, Mother Nature’s ever-constant cycles reminding me that through all the chaos there remains, just beneath, this perfect order in Her ebb and flow. And most importantly, reminding me to feel for Her and to listen.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thandi Ntuli with Carlos Niño\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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南アフリカのジャズ・ピアニストThandi Ntuliと、アメリカ・LAのパーカッショニストCarlos Niñoが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。 声とピアノを主体としたソウルフルなジャズ10曲を収録。 ※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":8026763362554,"title":"Bex Burch \/\/ There is only love and fear CD","handle":"bex-burch-there-is-only-love-and-fear-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリス・ロンドンのポストロック〜ジャズバンド\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vula-viel\"\u003e Vula Viel\u003c\/a\u003eメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956286718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e CD in digipak.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn blessings 04:50 video\u003c\/li\u003e\n\u003cli\u003eIf I was you, I'd be doing exactly the same\u003c\/li\u003e\n\u003cli\u003eDon't go back to sleep 02:42\u003c\/li\u003e\n\u003cli\u003eFruit smoothie with peanut butter\u003c\/li\u003e\n\u003cli\u003ePardieu\u003c\/li\u003e\n\u003cli\u003eStart before you're ready\u003c\/li\u003e\n\u003cli\u003eYou thought you were free?\u003c\/li\u003e\n\u003cli\u003e\"Joy is not meant to be a crumb\"\u003c\/li\u003e\n\u003cli\u003eOn falling 02:46\u003c\/li\u003e\n\u003cli\u003eFollow me, I make you happy\u003c\/li\u003e\n\u003cli\u003eThis is the sound of one voice\u003c\/li\u003e\n\u003cli\u003eWhen love begins\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner notes by Emma Warren, via International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eOn rare occasions, all the stars align. This is how it was when composer-musician and instrument-maker Bex Burch jumped into her car and drove eight hours across Europe to Utrecht in November 2021. “Mostly life isn’t like that,” she says. “We’re here to figure things out and struggle. But occasionally things just fall into place. Sometimes the world is magical.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe car trip began in Berlin, where she was living after a long stint in London, where she’d made her name in the layers that exist between jazz and improvised experimentalism. The journey ended at Le Guess Who? Festival and an invitation from International Anthem’s Alejandro Ayala. Or perhaps it ended in a ground floor studio in Chicago’s South Side with light streaming through a skylight onto her newly-finished wooden xylophone and a stream of musicians selected by International Anthem’s Scottie McNiece and Dave Vettraino. Or maybe, like a wave travelling across the ocean, the travels continued until Bex Burch finally finished editing thirty-two days of exceptionally tender improvised recording sessions into the forty gossamer minutes of this stunning debut solo record, which oscillates between modes of quiet open-heartedness and powerful\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is only love and fear is the sound of Bex Burch in communion with some of the finest sonic communicators in International Anthem’s extended family. These include woodwind player Rob Frye, who gave Burch a tour of the Illinois Audubon Society’s Gremel Wildlife Sanctuary the day after she arrived in Chicago. Also Tortoise drummer Dan Bitney and Ben LaMar Gay, who both took Burch through her first few days in the studio, tuning into her communicative harmonics and responding with their own. And double bassist Anna Butterss and violinist Macie Stewart, who participated separately but both became key collaborators in the album’s post-production, accenting their respective string improvisations with additional sounds remotely recorded per Burch’s direction. Everyone on this record is highly skillful, a rare talent, but drawn together by Burch they were invited to inhabit something even more extraordinary: their most open selves, requested only to bring the sounds they liked – or even needed – in the moment of recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“What has come through in this album,” she says, “is a more domestic style of music: the simplicity of life and sound-making. The word I’m shy to use is ‘feminine’ but it’s true, and I reclaim it in all its power.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe describes her sound as “messy minimalism.” The twelve tracks evoke variously the sweet kind of zoning-in that allows the listener access to their own feelings; the generative meditations of First Thought, Best Thought-era Arthur Russell; Vivaldi or Laurie Anderson – if they’d been ultra-gentle satellite reflections of Chicago’s minimalist and avant-garde music histories.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBurch has previously released as part of Boing! with Leafcutter John, and with the critically acclaimed Strut-released Flock with Londoners including Sarathy Korwar and The Comet Is Coming’s Danalogue. She also runs the band and label Vula Viel and has collaborated with artists from Peter Zummo to Dame Evelyn Glennie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album also welcomes in the sound of the natural world; ‘hip as fuck’ wood pigeons and resonant nightingales recorded in Berlin parks and forests, dreamy waves lilting onto the sand on the Baltic coast of Rügen Island for the unforgettable closing track ‘When Love Begins’ – and some extreme Chi-Town weather.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There was this ignition moment,” she says of ‘You thought you were free’, the carnival-coloured mid-point of the album. “There was a tornado warning, our phones were all going off: ‘go into the basement’.” The players collectively shrugged their shoulders – until siren sound waves began ghosting through the studio walls. “I turned one of the microphones up to catch the thunder and the rain under the skylight,” she says. “I was properly scared, not just because of the storm, but because I was nervous. I was trying to stay open and be conscious of the fact that I didn’t know what to expect – and that doing so means surrender. That knife edge of presence was really intense. We all just played through.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying through was possible, at least in part because of a 90-day practice Burch calls Dawn blessings, which also provided some of the ‘heard sounds’ that dance around the music generated during these collaborative recordings. The practice refers to a friend called Dawn, not daybreak, although at least one of the Dawn blessings that ended up on There is only love and fear was recorded when the sun came up. The Dawn blessings required Burch to make one piece of music daily, in answer to the question: ‘what sounds do I like today?’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“My intention was to cultivate this feeling of expansion and magic that I felt when I was invited to the US. The music is already there, and I have to let go and allow myself to be in it. The 90-day practice was to strengthen that muscle. You know if you do sit ups, you get a six-pack? Perhaps this was exercising my openness six-pack.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe was also exercising her hand-made xylophone. Burch lived in Ghana for three years, including an 18-month apprenticeship in instrument-making, in the Upper West of Ghana with master gyil player Thomas Sekgura. The new instrument isn’t of a particular tradition, indeed the harmonics are tuned to maximise the resonance and was made in collaboration with Jamie Linwood in Stroud, in the south west of England. “The question ‘what sounds do I like today?’ brought up harmonics, and this is the first instrument I’ve made because of what I want to hear. This record happens to be the first that features it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's quite a christening: a resonant, respectful, super-warm expression of asymmetry, repetitiveness and space. “It’s how the universe works, it’s how we’re all vibrating. We all resonate, literally, with these fundamentals. Tension and release, space, chaos and asymmetry in heard sounds in nature – I love it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe energy sent into the world when Bex Burch turned the ignition key of her car and drove to Utrecht has finally landed on the beach, in the shape of There is only love and fear. “It’s about choosing to act in love and choosing not to put more force or fear into the world,” she says. “Imagine it like I’m swimming: instead of just leaving a wake of love behind me, I’m pushing it ahead of me, and all around me as well, void of hierarchy, it’s beyond the linear and binary. We can lift people up when we do that.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSoak this music up – it will rejuvenate you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Daniel Villarreal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-03T08:57:39+09:00","created_at":"2023-10-02T13:10:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz"],"price":448000,"price_min":448000,"price_max":448000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44776678981882,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bex Burch \/\/ There is only love and fear CD","public_title":null,"options":["Default Title"],"price":448000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857","options":["Title"],"media":[{"alt":null,"id":32516865294586,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリス・ロンドンのポストロック〜ジャズバンド\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vula-viel\"\u003e Vula Viel\u003c\/a\u003eメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956286718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e CD in digipak.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn blessings 04:50 video\u003c\/li\u003e\n\u003cli\u003eIf I was you, I'd be doing exactly the same\u003c\/li\u003e\n\u003cli\u003eDon't go back to sleep 02:42\u003c\/li\u003e\n\u003cli\u003eFruit smoothie with peanut butter\u003c\/li\u003e\n\u003cli\u003ePardieu\u003c\/li\u003e\n\u003cli\u003eStart before you're ready\u003c\/li\u003e\n\u003cli\u003eYou thought you were free?\u003c\/li\u003e\n\u003cli\u003e\"Joy is not meant to be a crumb\"\u003c\/li\u003e\n\u003cli\u003eOn falling 02:46\u003c\/li\u003e\n\u003cli\u003eFollow me, I make you happy\u003c\/li\u003e\n\u003cli\u003eThis is the sound of one voice\u003c\/li\u003e\n\u003cli\u003eWhen love begins\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner notes by Emma Warren, via International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eOn rare occasions, all the stars align. This is how it was when composer-musician and instrument-maker Bex Burch jumped into her car and drove eight hours across Europe to Utrecht in November 2021. “Mostly life isn’t like that,” she says. “We’re here to figure things out and struggle. But occasionally things just fall into place. Sometimes the world is magical.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe car trip began in Berlin, where she was living after a long stint in London, where she’d made her name in the layers that exist between jazz and improvised experimentalism. The journey ended at Le Guess Who? Festival and an invitation from International Anthem’s Alejandro Ayala. Or perhaps it ended in a ground floor studio in Chicago’s South Side with light streaming through a skylight onto her newly-finished wooden xylophone and a stream of musicians selected by International Anthem’s Scottie McNiece and Dave Vettraino. Or maybe, like a wave travelling across the ocean, the travels continued until Bex Burch finally finished editing thirty-two days of exceptionally tender improvised recording sessions into the forty gossamer minutes of this stunning debut solo record, which oscillates between modes of quiet open-heartedness and powerful\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is only love and fear is the sound of Bex Burch in communion with some of the finest sonic communicators in International Anthem’s extended family. These include woodwind player Rob Frye, who gave Burch a tour of the Illinois Audubon Society’s Gremel Wildlife Sanctuary the day after she arrived in Chicago. Also Tortoise drummer Dan Bitney and Ben LaMar Gay, who both took Burch through her first few days in the studio, tuning into her communicative harmonics and responding with their own. And double bassist Anna Butterss and violinist Macie Stewart, who participated separately but both became key collaborators in the album’s post-production, accenting their respective string improvisations with additional sounds remotely recorded per Burch’s direction. Everyone on this record is highly skillful, a rare talent, but drawn together by Burch they were invited to inhabit something even more extraordinary: their most open selves, requested only to bring the sounds they liked – or even needed – in the moment of recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“What has come through in this album,” she says, “is a more domestic style of music: the simplicity of life and sound-making. The word I’m shy to use is ‘feminine’ but it’s true, and I reclaim it in all its power.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe describes her sound as “messy minimalism.” The twelve tracks evoke variously the sweet kind of zoning-in that allows the listener access to their own feelings; the generative meditations of First Thought, Best Thought-era Arthur Russell; Vivaldi or Laurie Anderson – if they’d been ultra-gentle satellite reflections of Chicago’s minimalist and avant-garde music histories.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBurch has previously released as part of Boing! with Leafcutter John, and with the critically acclaimed Strut-released Flock with Londoners including Sarathy Korwar and The Comet Is Coming’s Danalogue. She also runs the band and label Vula Viel and has collaborated with artists from Peter Zummo to Dame Evelyn Glennie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album also welcomes in the sound of the natural world; ‘hip as fuck’ wood pigeons and resonant nightingales recorded in Berlin parks and forests, dreamy waves lilting onto the sand on the Baltic coast of Rügen Island for the unforgettable closing track ‘When Love Begins’ – and some extreme Chi-Town weather.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There was this ignition moment,” she says of ‘You thought you were free’, the carnival-coloured mid-point of the album. “There was a tornado warning, our phones were all going off: ‘go into the basement’.” The players collectively shrugged their shoulders – until siren sound waves began ghosting through the studio walls. “I turned one of the microphones up to catch the thunder and the rain under the skylight,” she says. “I was properly scared, not just because of the storm, but because I was nervous. I was trying to stay open and be conscious of the fact that I didn’t know what to expect – and that doing so means surrender. That knife edge of presence was really intense. We all just played through.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying through was possible, at least in part because of a 90-day practice Burch calls Dawn blessings, which also provided some of the ‘heard sounds’ that dance around the music generated during these collaborative recordings. The practice refers to a friend called Dawn, not daybreak, although at least one of the Dawn blessings that ended up on There is only love and fear was recorded when the sun came up. The Dawn blessings required Burch to make one piece of music daily, in answer to the question: ‘what sounds do I like today?’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“My intention was to cultivate this feeling of expansion and magic that I felt when I was invited to the US. The music is already there, and I have to let go and allow myself to be in it. The 90-day practice was to strengthen that muscle. You know if you do sit ups, you get a six-pack? Perhaps this was exercising my openness six-pack.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe was also exercising her hand-made xylophone. Burch lived in Ghana for three years, including an 18-month apprenticeship in instrument-making, in the Upper West of Ghana with master gyil player Thomas Sekgura. The new instrument isn’t of a particular tradition, indeed the harmonics are tuned to maximise the resonance and was made in collaboration with Jamie Linwood in Stroud, in the south west of England. “The question ‘what sounds do I like today?’ brought up harmonics, and this is the first instrument I’ve made because of what I want to hear. This record happens to be the first that features it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's quite a christening: a resonant, respectful, super-warm expression of asymmetry, repetitiveness and space. “It’s how the universe works, it’s how we’re all vibrating. We all resonate, literally, with these fundamentals. Tension and release, space, chaos and asymmetry in heard sounds in nature – I love it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe energy sent into the world when Bex Burch turned the ignition key of her car and drove to Utrecht has finally landed on the beach, in the shape of There is only love and fear. “It’s about choosing to act in love and choosing not to put more force or fear into the world,” she says. “Imagine it like I’m swimming: instead of just leaving a wake of love behind me, I’m pushing it ahead of me, and all around me as well, void of hierarchy, it’s beyond the linear and binary. We can lift people up when we do that.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSoak this music up – it will rejuvenate you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Daniel Villarreal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのポストロック〜ジャズバンド Vula Vielメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。 西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。デジパック、シュリンク仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":8026761658618,"title":"Asher Gamedze \/\/ Turbulence and Pulse 2xLP","handle":"asher-gamedze-turbulence-and-pulse-lp","description":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3972533475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Physical version includes 3 bonus tracks not included in the digital album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurbulence's Pulse 04:08\u003c\/li\u003e\n\u003cli\u003eWynter Time 09:27 video\u003c\/li\u003e\n\u003cli\u003eLocomotion 04:07\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth 08:13\u003c\/li\u003e\n\u003cli\u003eMelancholia 04:37\u003c\/li\u003e\n\u003cli\u003eAlibama 02:59\u003c\/li\u003e\n\u003cli\u003eCan't See The Sun 05:04\u003c\/li\u003e\n\u003cli\u003eSometimes I Think To Myself 05:20\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim 06:34\u003c\/li\u003e\n\u003cli\u003eUnderground Formation 06:49\u003c\/li\u003e\n\u003cli\u003eMelancholia (Live in Cairo) 04:38\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth (Live in Cairo) 09:52\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim (Live in Cairo) 07:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAtiyyah Khan, via the label:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Cape Town, South Africa-based drummer Asher Gamedze explores relationships of time between music and history on his new album Turbulence and Pulse, out May 5th 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze’s critically-acclaimed debut album Dialectic Soul was released at the height of the Covid-19 pandemic in July 2020. Around the release of that record, with friend and writer Teju Adeleye he organized and participated in a joint online discussion “Poesis,” with historian Robin D.G. Kelley and others. One of the notable comments made in this session was by the poet and scholar Fred Moten, who described Gamedze’s drumming as an “amazing interplay between turbulence and pulse. Pulse is supposed to regulate and also be regular, but the turbulence underneath it and on top of it, it’s just extraordinary.” Moten added that this concept is a fundamental element of the percussive approach in Black music more broadly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurbulence and Pulse takes its title from this moment of synchronicities. Inspired by this description, Gamedze developed the metaphor further, expanding the concept of turbulence and pulse through the lens of history. “Time in music is a metaphor for thinking about time in history and how time moves,” he says. “The way we’re taught history is generally in a way that robs people of\u003cspan class=\"bcTruncateMore\"\u003e agency in imagining themselves as part of history and how it unfolds. It is something that happens to us. I think there's a productive metaphor in that because the sense of time in music is created by musicians playing together. If we can use that to think about history and time in history, you can see that, actually, history is created by people in a whole range of ways. At the heart of it, historical motion is created by people organized and acting together, whether for progressive or reactionary ends.”\u003cbr\u003e\u003cbr\u003eFor Gamedze, the underlying message of Turbulence and Pulse is “to claim a form of historical agency and realize that the future is not a foregone conclusion. As people we can organize, to transform our world in small and big ways.” This concept comes out of Gamedze’s involvement in radical cultural work and political organizing. He adds: “One of the ideas that I've had for a long time is to unsettle the way that people think about culture as something static or as something fixed. There’s this tension in Africa, because of the way that the colonists have constructed visions of African culture, where people speak about this need to conserve culture and document it. I think that's important, but you also have to understand that these things are moving. And we are the people who have to participate in that movement.”\u003cbr\u003e\u003cbr\u003eFor the album artwork, Gamedze extends the visual aesthetic of his previous release with a hand-drawn illustration. “I feel like my drawings represent the inside of my mind. It’s very free and improvisational,” he says. Friend and designer Naadira Patel worked with Gamedze to design the final cover layout, which includes liner notes penned by his sister, writer and artist Thuli Gamedze.\u003cbr\u003e\u003cbr\u003eTurbulence and Pulse comes via the partnership of Chicago-based International Anthem and Johannesburg-based Mushroom Hour Half Hour, as the first collaborative release by the two labels.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Asher Gamedze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-10-03T07:27:29+09:00","created_at":"2023-10-02T13:02:42+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":579000,"price_min":579000,"price_max":579000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44597311078650,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Asher Gamedze \/\/ Turbulence and Pulse 2xLP","public_title":null,"options":["Default Title"],"price":579000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364","\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","options":["Title"],"media":[{"alt":null,"id":32516849795322,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364","width":700},{"alt":null,"id":32516849828090,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d311310-a8a0-4be7-a79d-7c79797813f3.jpg?v=1696219364","width":1200},{"alt":null,"id":32516849860858,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu3_b8357b7c-5428-4024-b367-864e4a7a5f80.jpg?v=1696219364","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3972533475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Physical version includes 3 bonus tracks not included in the digital album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurbulence's Pulse 04:08\u003c\/li\u003e\n\u003cli\u003eWynter Time 09:27 video\u003c\/li\u003e\n\u003cli\u003eLocomotion 04:07\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth 08:13\u003c\/li\u003e\n\u003cli\u003eMelancholia 04:37\u003c\/li\u003e\n\u003cli\u003eAlibama 02:59\u003c\/li\u003e\n\u003cli\u003eCan't See The Sun 05:04\u003c\/li\u003e\n\u003cli\u003eSometimes I Think To Myself 05:20\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim 06:34\u003c\/li\u003e\n\u003cli\u003eUnderground Formation 06:49\u003c\/li\u003e\n\u003cli\u003eMelancholia (Live in Cairo) 04:38\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth (Live in Cairo) 09:52\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim (Live in Cairo) 07:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAtiyyah Khan, via the label:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Cape Town, South Africa-based drummer Asher Gamedze explores relationships of time between music and history on his new album Turbulence and Pulse, out May 5th 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze’s critically-acclaimed debut album Dialectic Soul was released at the height of the Covid-19 pandemic in July 2020. Around the release of that record, with friend and writer Teju Adeleye he organized and participated in a joint online discussion “Poesis,” with historian Robin D.G. Kelley and others. One of the notable comments made in this session was by the poet and scholar Fred Moten, who described Gamedze’s drumming as an “amazing interplay between turbulence and pulse. Pulse is supposed to regulate and also be regular, but the turbulence underneath it and on top of it, it’s just extraordinary.” Moten added that this concept is a fundamental element of the percussive approach in Black music more broadly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurbulence and Pulse takes its title from this moment of synchronicities. Inspired by this description, Gamedze developed the metaphor further, expanding the concept of turbulence and pulse through the lens of history. “Time in music is a metaphor for thinking about time in history and how time moves,” he says. “The way we’re taught history is generally in a way that robs people of\u003cspan class=\"bcTruncateMore\"\u003e agency in imagining themselves as part of history and how it unfolds. It is something that happens to us. I think there's a productive metaphor in that because the sense of time in music is created by musicians playing together. If we can use that to think about history and time in history, you can see that, actually, history is created by people in a whole range of ways. At the heart of it, historical motion is created by people organized and acting together, whether for progressive or reactionary ends.”\u003cbr\u003e\u003cbr\u003eFor Gamedze, the underlying message of Turbulence and Pulse is “to claim a form of historical agency and realize that the future is not a foregone conclusion. As people we can organize, to transform our world in small and big ways.” This concept comes out of Gamedze’s involvement in radical cultural work and political organizing. He adds: “One of the ideas that I've had for a long time is to unsettle the way that people think about culture as something static or as something fixed. There’s this tension in Africa, because of the way that the colonists have constructed visions of African culture, where people speak about this need to conserve culture and document it. I think that's important, but you also have to understand that these things are moving. And we are the people who have to participate in that movement.”\u003cbr\u003e\u003cbr\u003eFor the album artwork, Gamedze extends the visual aesthetic of his previous release with a hand-drawn illustration. “I feel like my drawings represent the inside of my mind. It’s very free and improvisational,” he says. Friend and designer Naadira Patel worked with Gamedze to design the final cover layout, which includes liner notes penned by his sister, writer and artist Thuli Gamedze.\u003cbr\u003e\u003cbr\u003eTurbulence and Pulse comes via the partnership of Chicago-based International Anthem and Johannesburg-based Mushroom Hour Half Hour, as the first collaborative release by the two labels.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Asher Gamedze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。 スピリチュアル・ジャズ13曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":8005111578874,"title":"Damon Locks \u0026 Rob Mazurek \/\/ New Future City Radio LP","handle":"damon-locks-rob-mazurek-new-future-city-radio-lp","description":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon LocksとRob Mazurekが、2023年7月にシカゴのジャズ巣窟International Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e海賊ラジオ局をコンセプトにしており、シームレスに展開していくコラージュ・ジャズヒップホップ18曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"New Future City Radioは、長年のクリエイティブパートナーであるDamon LocksとRob Mazurekの初のデュオ・コラボレーションである。ラジカセのミックステープのような40分、18曲のハイパーアクティブな組曲で、2人の多作なマルチメディア・アーティストは、民衆のための海賊ラジオ局というプログラム形式を通して、コミュニティ、変革、未来について考察している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの2人のアーティストは、90年代後半／00年代前半のシカゴ音楽シーンの絶頂期から現在に至るまで共に活動しており、Loscksは、Mazurekが作曲／プロデュースし、IARCから2020年（Dimensional Stardust）と2023年（Lightning Dreamers）にリリースされ、高い評価を得たエクスプロディング・スター・オーケストラ（ESO）の複数のアルバムでリードヴォーカルを務めている。近年、Locksは革命的で広大な後期ゴスペル／ジャズ・プロジェクト、ブラック・モニュメント・アンサンブル（BME）でも大きな名声を獲得しており、IARCから2枚のアルバムをリリースしている（2019年『Where Future Unfolds』と2021年『NOW』）。New Future City Radioでは、この2つのプロジェクトのサウンドが自然でありながら革新的にブレンドされ、LocksのBMEスタイルのサンプルベースのサウンドコラージュが、ESOでの活動で培ったオーソン・ウェルズのような特徴的なヴォーカルの下に作曲のベッドを作り、MazurekのRoland SPの華やかさと印象的なブラスの即興演奏が並んでいる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音とテキストに基づくテーマはあらかじめ決まっているが、即興が旅をリードする。この2人が考案した音楽は、ある瞬間には激しく、次の瞬間には優しくトランスペアレントで、しばしばその中間のように聴こえるかもしれない。New Future City Radioについて尋ねられると、デュオは声を揃えてこう叫ぶ。レジリエンスと空中浮揚。私は人々のために、美しさと構造的完全性について話しているんだ。物語を語り、教育する光線の話だ。新しい未来を語りたいなら、その話をしよう！\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1239691172\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e Edition of 555.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e5-4-3-2-1 00:22\u003c\/li\u003e\n\u003cli\u003eYes! 02:15\u003c\/li\u003e\n\u003cli\u003eThe Sun Returns 02:27\u003c\/li\u003e\n\u003cli\u003eBreeze Of Time 02:39\u003c\/li\u003e\n\u003cli\u003eYour Name Gonna Ring The Bell 01:07\u003c\/li\u003e\n\u003cli\u003eNew Future 01:07\u003c\/li\u003e\n\u003cli\u003eDroids! 02:18\u003c\/li\u003e\n\u003cli\u003eThe Concord Hour 05:08\u003c\/li\u003e\n\u003cli\u003eFuture City 00:23\u003c\/li\u003e\n\u003cli\u003e10mins Past The Hour 00:17\u003c\/li\u003e\n\u003cli\u003eSupport The Youth (With Sound) 01:19\u003c\/li\u003e\n\u003cli\u003eThe Beat 00:55\u003c\/li\u003e\n\u003cli\u003eLas Niñas Estan Escuchando (The Children Are Listening) 00:19\u003c\/li\u003e\n\u003cli\u003eFlitting Splits Reverb Adage 03:56\u003c\/li\u003e\n\u003cli\u003eTwilight Shimmer 09:53\u003c\/li\u003e\n\u003cli\u003eSuspense In The Grip Of Suspense 03:58\u003c\/li\u003e\n\u003cli\u003ePolaris Radio 01:10\u003c\/li\u003e\n\u003cli\u003eDrop 00:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"New Future City Radio is the first duo collaboration of longtime creative partners Damon Locks \u0026amp; Rob Mazurek. In a hyperactive 40-minute, 18-track suite that runs like a boombox mixtape, the two prolific multi-media artists contemplate community, transformation, and the future through the programmatic format of a pirate radio station for the people.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese two artists have worked together from the peak days of the late 90s \/ early 00s Chicago music scene up through the present day, which has seen Locks featured as lead vocalist of multiple critically-acclaimed Exploding Star Orchestra (ESO) albums composed\/produced by Mazurek and released by International Anthem (IARC) in 2020 (Dimensional Stardust) and 2023 (Lightning Dreamers). In recent years, Locks has also earned great renown from his revolutionary, expansive latter-day gospel\/jazz project Black Monument Ensemble (BME), with which he’s released two albums on IARC (2019’s Where Future Unfolds and 2021’s NOW). New Future City Radio finds the artists creating a natural but innovatively-assembled blend of the sounds of those two projects, with Locks’s BME-style sample-based sound collage creating compositional beds underneath the signature Orson Welles-like vocal\u003cspan class=\"bcTruncateMore\"\u003e delivery he’s developed through his work with ESO, alongside Roland SP flourishes and arresting brass improvisations by Mazurek.\u003cbr\u003e\u003cbr\u003eThemes both sonic and text based were predetermined but improvisation leads the journey. The music these two have devised may sound hyper-charged one moment and gently transportive the next, and often somewhere in between. When asked about New Future City Radio the duo exclaim in one voice: \"I'm talking post, post, post, future. I'm talking resilience and levitation. I'm talking beauty and structural integrity for my people. I'm talking light beams that tell stories and educate. Let's talk about that if you wanna talk new future!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Damon Locks \u0026amp; Rob Mazurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-14T13:48:29+09:00","created_at":"2023-08-14T11:56:42+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp"],"price":449000,"price_min":449000,"price_max":449000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44460667699450,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Damon Locks \u0026 Rob Mazurek \/\/ New Future City Radio LP","public_title":null,"options":["Default Title"],"price":449000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805","\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_d0989319-2b40-4f57-886e-938772c7dccd.jpg?v=1691981804"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805","options":["Title"],"media":[{"alt":null,"id":32325913477370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805","width":700},{"alt":null,"id":32325913510138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_d0989319-2b40-4f57-886e-938772c7dccd.jpg?v=1691981804"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ne2_d0989319-2b40-4f57-886e-938772c7dccd.jpg?v=1691981804","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon LocksとRob Mazurekが、2023年7月にシカゴのジャズ巣窟International Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e海賊ラジオ局をコンセプトにしており、シームレスに展開していくコラージュ・ジャズヒップホップ18曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"New Future City Radioは、長年のクリエイティブパートナーであるDamon LocksとRob Mazurekの初のデュオ・コラボレーションである。ラジカセのミックステープのような40分、18曲のハイパーアクティブな組曲で、2人の多作なマルチメディア・アーティストは、民衆のための海賊ラジオ局というプログラム形式を通して、コミュニティ、変革、未来について考察している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの2人のアーティストは、90年代後半／00年代前半のシカゴ音楽シーンの絶頂期から現在に至るまで共に活動しており、Loscksは、Mazurekが作曲／プロデュースし、IARCから2020年（Dimensional Stardust）と2023年（Lightning Dreamers）にリリースされ、高い評価を得たエクスプロディング・スター・オーケストラ（ESO）の複数のアルバムでリードヴォーカルを務めている。近年、Locksは革命的で広大な後期ゴスペル／ジャズ・プロジェクト、ブラック・モニュメント・アンサンブル（BME）でも大きな名声を獲得しており、IARCから2枚のアルバムをリリースしている（2019年『Where Future Unfolds』と2021年『NOW』）。New Future City Radioでは、この2つのプロジェクトのサウンドが自然でありながら革新的にブレンドされ、LocksのBMEスタイルのサンプルベースのサウンドコラージュが、ESOでの活動で培ったオーソン・ウェルズのような特徴的なヴォーカルの下に作曲のベッドを作り、MazurekのRoland SPの華やかさと印象的なブラスの即興演奏が並んでいる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音とテキストに基づくテーマはあらかじめ決まっているが、即興が旅をリードする。この2人が考案した音楽は、ある瞬間には激しく、次の瞬間には優しくトランスペアレントで、しばしばその中間のように聴こえるかもしれない。New Future City Radioについて尋ねられると、デュオは声を揃えてこう叫ぶ。レジリエンスと空中浮揚。私は人々のために、美しさと構造的完全性について話しているんだ。物語を語り、教育する光線の話だ。新しい未来を語りたいなら、その話をしよう！\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1239691172\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e Edition of 555.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e5-4-3-2-1 00:22\u003c\/li\u003e\n\u003cli\u003eYes! 02:15\u003c\/li\u003e\n\u003cli\u003eThe Sun Returns 02:27\u003c\/li\u003e\n\u003cli\u003eBreeze Of Time 02:39\u003c\/li\u003e\n\u003cli\u003eYour Name Gonna Ring The Bell 01:07\u003c\/li\u003e\n\u003cli\u003eNew Future 01:07\u003c\/li\u003e\n\u003cli\u003eDroids! 02:18\u003c\/li\u003e\n\u003cli\u003eThe Concord Hour 05:08\u003c\/li\u003e\n\u003cli\u003eFuture City 00:23\u003c\/li\u003e\n\u003cli\u003e10mins Past The Hour 00:17\u003c\/li\u003e\n\u003cli\u003eSupport The Youth (With Sound) 01:19\u003c\/li\u003e\n\u003cli\u003eThe Beat 00:55\u003c\/li\u003e\n\u003cli\u003eLas Niñas Estan Escuchando (The Children Are Listening) 00:19\u003c\/li\u003e\n\u003cli\u003eFlitting Splits Reverb Adage 03:56\u003c\/li\u003e\n\u003cli\u003eTwilight Shimmer 09:53\u003c\/li\u003e\n\u003cli\u003eSuspense In The Grip Of Suspense 03:58\u003c\/li\u003e\n\u003cli\u003ePolaris Radio 01:10\u003c\/li\u003e\n\u003cli\u003eDrop 00:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"New Future City Radio is the first duo collaboration of longtime creative partners Damon Locks \u0026amp; Rob Mazurek. In a hyperactive 40-minute, 18-track suite that runs like a boombox mixtape, the two prolific multi-media artists contemplate community, transformation, and the future through the programmatic format of a pirate radio station for the people.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese two artists have worked together from the peak days of the late 90s \/ early 00s Chicago music scene up through the present day, which has seen Locks featured as lead vocalist of multiple critically-acclaimed Exploding Star Orchestra (ESO) albums composed\/produced by Mazurek and released by International Anthem (IARC) in 2020 (Dimensional Stardust) and 2023 (Lightning Dreamers). In recent years, Locks has also earned great renown from his revolutionary, expansive latter-day gospel\/jazz project Black Monument Ensemble (BME), with which he’s released two albums on IARC (2019’s Where Future Unfolds and 2021’s NOW). New Future City Radio finds the artists creating a natural but innovatively-assembled blend of the sounds of those two projects, with Locks’s BME-style sample-based sound collage creating compositional beds underneath the signature Orson Welles-like vocal\u003cspan class=\"bcTruncateMore\"\u003e delivery he’s developed through his work with ESO, alongside Roland SP flourishes and arresting brass improvisations by Mazurek.\u003cbr\u003e\u003cbr\u003eThemes both sonic and text based were predetermined but improvisation leads the journey. The music these two have devised may sound hyper-charged one moment and gently transportive the next, and often somewhere in between. When asked about New Future City Radio the duo exclaim in one voice: \"I'm talking post, post, post, future. I'm talking resilience and levitation. I'm talking beauty and structural integrity for my people. I'm talking light beams that tell stories and educate. Let's talk about that if you wanna talk new future!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Damon Locks \u0026amp; Rob Mazurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのベテランジャズ作家Damon LocksとRob Mazurekが、2023年7月にシカゴのジャズ巣窟International Anthemからリリースした共作レコードです。 海賊ラジオ局をコンセプトにしており、シームレスに展開していくコラージュ・ジャズヒップホップ18曲を収録。 以下、レーベルによる解説です。 "New Future City Radioは、長年のクリエイティブパートナーであるDamon LocksとRob Mazurekの初のデュオ・コラボレーションである。ラジカセのミックステープのような40分、18曲のハイパーアクティブな組曲で、2人の多作なマルチメディア・アーティストは、民衆のための海賊ラジオ局というプログラム形式を通して、コミュニティ、変革、未来について考察している。この2人のアーティストは、90年代後半／00年代前半のシカゴ音楽シーンの絶頂期から現在に至るまで共に活動しており、Loscksは、Mazurekが作曲／プロデュースし、IARCから2020年（Dimensional Stardust）と2023年（Lightning Dreamers）にリリースされ、高い評価を得たエクスプロディング・スター・オーケストラ（ESO）の複数のアルバムでリードヴォーカルを務めている。近年、Locksは革命的で広大な後期ゴスペル／ジャズ・プロジェクト、ブラック・モニュメント・アンサンブル（BME）でも大きな名声を獲得しており、IARCから2枚のアルバムをリリースしている（2019年『Where...
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{"id":8005031887098,"title":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire TAPE","handle":"carlos-nino-friends-im-just-chillin-on-fire-tape","description":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e","published_at":"2023-08-14T07:52:01+09:00","created_at":"2023-08-14T07:34:29+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","tape"],"price":279000,"price_min":279000,"price_max":279000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44596162429178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire TAPE","public_title":null,"options":["Default Title"],"price":279000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","\/\/tobirarecords.com\/cdn\/shop\/files\/0033554709_10.jpg?v=1696146420","\/\/tobirarecords.com\/cdn\/shop\/files\/0033554716_10.jpg?v=1696146420","\/\/tobirarecords.com\/cdn\/shop\/files\/0033554713_10.jpg?v=1696146368"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","options":["Title"],"media":[{"alt":null,"id":32325401772282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","width":700},{"alt":null,"id":32515045097722,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033554709_10.jpg?v=1696146420"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033554709_10.jpg?v=1696146420","width":1200},{"alt":null,"id":32515045064954,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033554716_10.jpg?v=1696146420"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033554716_10.jpg?v=1696146420","width":1200},{"alt":null,"id":32515045228794,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033554713_10.jpg?v=1696146368"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033554713_10.jpg?v=1696146368","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e"}
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過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。 12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャズ全17曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、ジャーナリストMarcus J. Mooreによる解説です。 "ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。...
¥2,790
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{"id":7947114381562,"title":"Angel Bat Dawid \/\/ Requiem for Jazz 2xLP","handle":"angel-bat-dawid-requiem-for-jazz-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2023年3月にリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e映画監督Edward O. Blandが1959年に発表した作品「The Cry of Jazz」にインスパイアされた実験ジャズ24曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1868330999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black vinyl 2xLP, in Gatefold Heavyweight Reverse-Board Jacket, with A2 Poster Insert, IARC OBI strip and dome pattern innersleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Composer, clarinetist, singer and educator Angel Bat Dawid announces the release of a new work, Requiem For Jazz. A 12-movement suite composed, arranged, and inspired in part by dialogue from Edward O. Bland’s 1959 film The Cry of Jazz, the album is a wide-ranging treatise on the African American story from one of its most astute narrators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eItself an incisive critique of racial politics in the USA, The Cry of Jazz draws formal comparisons between the structure of jazz music and the African American experience - as one of freedom and restraint, of joy and suffering - that manifests in the triumph of spirit over the crushing prejudice of daily life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCutting together archive reels from Black neighborhoods in Chicago with live performance footage from Sun Ra and his Arkestra among others, the film remains a radical and prescient evocation of Black pride and its roots in the history of jazz, from spirituals to blues and beyond.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs South African writer Nombuso Mathibela captures in the album’s liner notes:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e[Music is our weapon of struggle]\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethat radiantly holds our positive aspiration\u003cspan class=\"bcTruncateMore\"\u003e, group pride and determination as Black people. Sonics! our beautiful fire that gave light to the world.\u003cbr\u003eAnd a world that gave us blues. The blues that gave us Black in jazz\u003cbr\u003e\u003cbr\u003eDrawing a through line to today’s vibrant avant-garde, Angel Bat Dawid’s Requiem For Jazz picks up the liberation work laid out by Bland’s film, taking the message of joy and suffering within the Black classical tradition into a contemporary setting.\u003cbr\u003e\u003cbr\u003eMusic from the project was originally premiered at the Hyde Park Jazz Festival in Chicago in 2019, where Angel conducted a multigenerational fifteen-piece instrumental ensemble of Black musicians from across Chicago’s creative community, alongside a four-person choir (featuring singers from Black Monument Ensemble) as well as dancers and visual artists.\u003cbr\u003e\u003cbr\u003eRecordings from the performance were then mixed and post-produced by Angel, who added interludes, vocals and additional sounds. As well as transcribing a piece from the film, Requiem For Jazz also alludes to The Cry of Jazz through contributions from the Sun Ra Arkestra’s Marshall Allen and Knoel Scott on the album’s final movement, which were recorded remotely at the historic Arkestral Institute of Sun Ra in Philadelphia in late 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Angel Bat Dawid, Feb 2023 :\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I want us to have this very wonderful conversation that Ed Bland started over 50 years ago and I want to continue the conversation; because this is a loving conversation that we need to have with each other” \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-03-31T14:55:44+09:00","created_at":"2023-03-31T13:52:47+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137387557114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Angel Bat Dawid \/\/ Requiem for Jazz 2xLP","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369","\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_69b7e1ff-765e-4cbc-8bd1-5b41947e054d.jpg?v=1680238369"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369","options":["Title"],"media":[{"alt":null,"id":31758181105914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369","width":700},{"alt":null,"id":31758181138682,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_69b7e1ff-765e-4cbc-8bd1-5b41947e054d.jpg?v=1680238369"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ja2_69b7e1ff-765e-4cbc-8bd1-5b41947e054d.jpg?v=1680238369","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2023年3月にリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e映画監督Edward O. Blandが1959年に発表した作品「The Cry of Jazz」にインスパイアされた実験ジャズ24曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1868330999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black vinyl 2xLP, in Gatefold Heavyweight Reverse-Board Jacket, with A2 Poster Insert, IARC OBI strip and dome pattern innersleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Composer, clarinetist, singer and educator Angel Bat Dawid announces the release of a new work, Requiem For Jazz. A 12-movement suite composed, arranged, and inspired in part by dialogue from Edward O. Bland’s 1959 film The Cry of Jazz, the album is a wide-ranging treatise on the African American story from one of its most astute narrators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eItself an incisive critique of racial politics in the USA, The Cry of Jazz draws formal comparisons between the structure of jazz music and the African American experience - as one of freedom and restraint, of joy and suffering - that manifests in the triumph of spirit over the crushing prejudice of daily life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCutting together archive reels from Black neighborhoods in Chicago with live performance footage from Sun Ra and his Arkestra among others, the film remains a radical and prescient evocation of Black pride and its roots in the history of jazz, from spirituals to blues and beyond.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs South African writer Nombuso Mathibela captures in the album’s liner notes:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e[Music is our weapon of struggle]\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethat radiantly holds our positive aspiration\u003cspan class=\"bcTruncateMore\"\u003e, group pride and determination as Black people. Sonics! our beautiful fire that gave light to the world.\u003cbr\u003eAnd a world that gave us blues. The blues that gave us Black in jazz\u003cbr\u003e\u003cbr\u003eDrawing a through line to today’s vibrant avant-garde, Angel Bat Dawid’s Requiem For Jazz picks up the liberation work laid out by Bland’s film, taking the message of joy and suffering within the Black classical tradition into a contemporary setting.\u003cbr\u003e\u003cbr\u003eMusic from the project was originally premiered at the Hyde Park Jazz Festival in Chicago in 2019, where Angel conducted a multigenerational fifteen-piece instrumental ensemble of Black musicians from across Chicago’s creative community, alongside a four-person choir (featuring singers from Black Monument Ensemble) as well as dancers and visual artists.\u003cbr\u003e\u003cbr\u003eRecordings from the performance were then mixed and post-produced by Angel, who added interludes, vocals and additional sounds. As well as transcribing a piece from the film, Requiem For Jazz also alludes to The Cry of Jazz through contributions from the Sun Ra Arkestra’s Marshall Allen and Knoel Scott on the album’s final movement, which were recorded remotely at the historic Arkestral Institute of Sun Ra in Philadelphia in late 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Angel Bat Dawid, Feb 2023 :\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I want us to have this very wonderful conversation that Ed Bland started over 50 years ago and I want to continue the conversation; because this is a loving conversation that we need to have with each other” \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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International Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2023年3月にリリースした2枚組レコードです。 映画監督Edward O. Blandが1959年に発表した作品「The Cry of Jazz」にインスパイアされた実験ジャズ24曲を収録。 レーベルその他作品はこちら /// Click here to see more...
¥4,980
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{"id":7921577722106,"title":"Ben LaMar Gay \/\/ Certain Reveries TAPE","handle":"ben-lamar-gay-certain-reveries-tape","description":"\u003cp\u003eアメリカのトランペット奏者Ben LaMar Gayが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ストレンジビーツ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3415386951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eC35 Cassette\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn the tradition of toddler crayon scribbles on perfectly painted bedroom walls, multi-freshness composer Ben LaMar Gay expands on the teachings of Alabama star spirits and presents a collection of work involving sound, fabric, movement, rivers, shadows, Lagosian memories, light and listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Certain Reveries' is a long-form composition by Gay, performed in duo with percussionist Tommaso Moretti. It was originally filmed by Chris Strong for EFG London Jazz Fest’s 2020 live-stream program. Gay presented the original Certain Reveries visual program for EFG LJF in three parts, with the live performance portion dissected by a mesmerizing short film (or “revery”) he conceptualized, choreographed, and directed, alone in his Chicago apartment, as a tribute to the late inventor\/composer Eddie Harris. This new album release is the first time the unedited audio from the live performance portion of that program is made available.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-02-20T14:52:10+09:00","created_at":"2023-02-20T14:11:26+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","strange beats","tape"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44007329890554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben LaMar Gay \/\/ Certain Reveries TAPE","public_title":null,"options":["Default Title"],"price":258000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_d1edc14e-c9b2-41e3-abb5-a2f9da67492a.jpg?v=1676869888","\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_0e07c121-57a5-4727-aee5-316a49553a34.jpg?v=1676869887"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_d1edc14e-c9b2-41e3-abb5-a2f9da67492a.jpg?v=1676869888","options":["Title"],"media":[{"alt":null,"id":31553911554298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_d1edc14e-c9b2-41e3-abb5-a2f9da67492a.jpg?v=1676869888"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce1_d1edc14e-c9b2-41e3-abb5-a2f9da67492a.jpg?v=1676869888","width":700},{"alt":null,"id":31553911587066,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_0e07c121-57a5-4727-aee5-316a49553a34.jpg?v=1676869887"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ce2_0e07c121-57a5-4727-aee5-316a49553a34.jpg?v=1676869887","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのトランペット奏者Ben LaMar Gayが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ〜ストレンジビーツ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3415386951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eC35 Cassette\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn the tradition of toddler crayon scribbles on perfectly painted bedroom walls, multi-freshness composer Ben LaMar Gay expands on the teachings of Alabama star spirits and presents a collection of work involving sound, fabric, movement, rivers, shadows, Lagosian memories, light and listening.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Certain Reveries' is a long-form composition by Gay, performed in duo with percussionist Tommaso Moretti. It was originally filmed by Chris Strong for EFG London Jazz Fest’s 2020 live-stream program. Gay presented the original Certain Reveries visual program for EFG LJF in three parts, with the live performance portion dissected by a mesmerizing short film (or “revery”) he conceptualized, choreographed, and directed, alone in his Chicago apartment, as a tribute to the late inventor\/composer Eddie Harris. This new album release is the first time the unedited audio from the live performance portion of that program is made available.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのトランペット奏者Ben LaMar Gayが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたカセットです。 スピリチュアル・ジャズ〜ストレンジビーツ11曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
¥2,580
クイックビュー
{"id":7921577197818,"title":"Rob Mazurek - Exploding Star Orchestra \/\/ Lightning Dreamers LP","handle":"rob-mazurek-exploding-star-orchestra-lightning-dreamers-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズ作家Rob Mazurekが、2023年3月にシカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなスピリチュアル・ジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003eRob Mazurek - director, composer, trumpets, voice, launeddas, electronic treatments\u003cbr\u003eJeff Parker - guitar\u003cbr\u003eCraig Taborn - wurlitzer, moog matriarch\u003cbr\u003eAngelica Sanchez - wurlitzer, piano, moog sub 37\u003cbr\u003eDamon Locks - voice, electronics, samplers, text\u003cbr\u003eGerald Cleaver - drums\u003cbr\u003eMauricio Takara - electronic percussion, percussion\u003cbr\u003eNicole Mitchell - flute, voice\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Future Shaman\" co-produced by Jeff Parker, with additional synth bass played by Cathlene Pineda.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3753553015\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLightning Dreamers is new work by composer, trumpeter, interdisciplinary abstractivist and modern music mogul Rob Mazurek, who wrote the music for a compacted version of his long-running Exploding Star Orchestra. A follow-up to the acclaimed 2020 Mazurek\/ESO release Dimensional Stardust, the album features guitarist Jeff Parker, vocalist Damon Locks, drummer Gerald Cleaver, and pianists Angelica Sanchez and Craig Taborn, among others. It was recorded mostly at the remote Sonic Ranch studios in West Texas, not far from Mazurek’s current home in Marfa, in the days leading up to a debut of the music at Trans Pecos festival in September 2021. Mixing and post-production was headed by Dave Vettraino from IARC studios in Chicago across 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s opener “Future Shaman” was co-produced by Parker and features added percussion by Mazurek’s longtime São Paulo Underground collaborator Mauricio Takara, as well as synth bass from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCathlene Pineda. The track finds Mazurek and ESO where they left off with Dimensional Stardust – deep in a chromatic funk fantasy of outer-space grooves and Bartok-ian riffs. Vocalist\/MC Locks brings the Orson Welles via Deltron 3030 energy while Taborn and Sanchez face-off from behind Wurlitzer pianos and Moog\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e synthesizers. On “Dream Sleeper” Locks’s poetry is swirled in drifting storm clouds of fractured atmospherics, both improvised and composed. “Shape Shifter” finds Mazurek recalling a past life of Isotope 217 – not just for the swinging grooves anchored by Moog basslines, but also in that he returns to the trumpet after years of playing cornet. Once the soaring melodic theme is established the ensemble shifts into On The Corner mode, creating a mangled rhythmic base for Taborn’s Wurlitzer runs and clean guitar soloing from Parker, before shapeshifting yet again under Mazurek’s rising polytonal electronics as Locks’s scattered vocal embellishments take us to the promised land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album’s whole B-side is an immersive trip that spans two tracks – “Black River” and “White River” – for which Mazurek interwove takes from the Sonic Ranch sessions with live material from an expanded ESO performance recorded in February 2022 at Sons d’Hiver in Paris, France. In the liner notes for Lightning Dreamers, Mazurek writes that the music is “an evocation of a theme from the “Black River Suite,” which I have been revisiting and reimagining over time.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe elaborates: “I spent 3 years of my life on the great Rio Negro in Manaus, Brazil, where the Black and White Rivers meet. It is custom and a kind of rebirthing to take a boat to the dividing\/divining line of these 2 great rivers and dive into and through, as an affirmation of the simple premise (although We All Come from Somewhere Else) that we all come from the same place... the stars. The feeling of moving between and through these great bodies of water is etched in my soul forever. The visual and sonic material (both thematic and imagined) evokes the spirits past, present and future along this mighty river. The undercurrents of time, the movement of storm systems in the sky, the gentle sway of a boat moving upriver, the power and intensity when the wind decides to blow and the torrential rains fall. The sound of the electric eels below, the melodies of the inhabitants along the way, the\u003cbr data-mce-fragment=\"1\"\u003eshattering blasts from lightning in the sky. The river flows on and on and on.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the artists featured in the recording from Sons d’Hiver is the late jaimie branch, playing synthesizers \u0026amp; electronics behind the guiding trumpet improvisations of Mazurek (whom she long considered a mentor in multiple mediums). She passed away in August 2022, and her earthly absence has since imbued an otherworldly presence into the chaotic riptide of sound on “Black River.” As production wrapped on the album that Fall, Mazurek was moved to present Lightning Dreamers as a dedication to branch’s memory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rob Mazurek - Exploding Star Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2023-06-14T03:36:26+09:00","created_at":"2023-02-20T14:09:53+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":439000,"price_min":439000,"price_max":439000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44007328874746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rob Mazurek - Exploding Star Orchestra \/\/ Lightning Dreamers LP","public_title":null,"options":["Default Title"],"price":439000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795","\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_b80cdfa6-e80e-4a65-bac6-1f56c3cc62ba.jpg?v=1676869796","\/\/tobirarecords.com\/cdn\/shop\/products\/ro3_3745e38a-0514-4d65-b31d-388515422015.jpg?v=1676869795"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795","options":["Title"],"media":[{"alt":null,"id":31553906802938,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795","width":700},{"alt":null,"id":31553906835706,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_b80cdfa6-e80e-4a65-bac6-1f56c3cc62ba.jpg?v=1676869796"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro2_b80cdfa6-e80e-4a65-bac6-1f56c3cc62ba.jpg?v=1676869796","width":1200},{"alt":null,"id":31553906868474,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro3_3745e38a-0514-4d65-b31d-388515422015.jpg?v=1676869795"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ro3_3745e38a-0514-4d65-b31d-388515422015.jpg?v=1676869795","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズ作家Rob Mazurekが、2023年3月にシカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなスピリチュアル・ジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003eRob Mazurek - director, composer, trumpets, voice, launeddas, electronic treatments\u003cbr\u003eJeff Parker - guitar\u003cbr\u003eCraig Taborn - wurlitzer, moog matriarch\u003cbr\u003eAngelica Sanchez - wurlitzer, piano, moog sub 37\u003cbr\u003eDamon Locks - voice, electronics, samplers, text\u003cbr\u003eGerald Cleaver - drums\u003cbr\u003eMauricio Takara - electronic percussion, percussion\u003cbr\u003eNicole Mitchell - flute, voice\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Future Shaman\" co-produced by Jeff Parker, with additional synth bass played by Cathlene Pineda.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3753553015\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLightning Dreamers is new work by composer, trumpeter, interdisciplinary abstractivist and modern music mogul Rob Mazurek, who wrote the music for a compacted version of his long-running Exploding Star Orchestra. A follow-up to the acclaimed 2020 Mazurek\/ESO release Dimensional Stardust, the album features guitarist Jeff Parker, vocalist Damon Locks, drummer Gerald Cleaver, and pianists Angelica Sanchez and Craig Taborn, among others. It was recorded mostly at the remote Sonic Ranch studios in West Texas, not far from Mazurek’s current home in Marfa, in the days leading up to a debut of the music at Trans Pecos festival in September 2021. Mixing and post-production was headed by Dave Vettraino from IARC studios in Chicago across 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s opener “Future Shaman” was co-produced by Parker and features added percussion by Mazurek’s longtime São Paulo Underground collaborator Mauricio Takara, as well as synth bass from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCathlene Pineda. The track finds Mazurek and ESO where they left off with Dimensional Stardust – deep in a chromatic funk fantasy of outer-space grooves and Bartok-ian riffs. Vocalist\/MC Locks brings the Orson Welles via Deltron 3030 energy while Taborn and Sanchez face-off from behind Wurlitzer pianos and Moog\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e synthesizers. On “Dream Sleeper” Locks’s poetry is swirled in drifting storm clouds of fractured atmospherics, both improvised and composed. “Shape Shifter” finds Mazurek recalling a past life of Isotope 217 – not just for the swinging grooves anchored by Moog basslines, but also in that he returns to the trumpet after years of playing cornet. Once the soaring melodic theme is established the ensemble shifts into On The Corner mode, creating a mangled rhythmic base for Taborn’s Wurlitzer runs and clean guitar soloing from Parker, before shapeshifting yet again under Mazurek’s rising polytonal electronics as Locks’s scattered vocal embellishments take us to the promised land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album’s whole B-side is an immersive trip that spans two tracks – “Black River” and “White River” – for which Mazurek interwove takes from the Sonic Ranch sessions with live material from an expanded ESO performance recorded in February 2022 at Sons d’Hiver in Paris, France. In the liner notes for Lightning Dreamers, Mazurek writes that the music is “an evocation of a theme from the “Black River Suite,” which I have been revisiting and reimagining over time.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe elaborates: “I spent 3 years of my life on the great Rio Negro in Manaus, Brazil, where the Black and White Rivers meet. It is custom and a kind of rebirthing to take a boat to the dividing\/divining line of these 2 great rivers and dive into and through, as an affirmation of the simple premise (although We All Come from Somewhere Else) that we all come from the same place... the stars. The feeling of moving between and through these great bodies of water is etched in my soul forever. The visual and sonic material (both thematic and imagined) evokes the spirits past, present and future along this mighty river. The undercurrents of time, the movement of storm systems in the sky, the gentle sway of a boat moving upriver, the power and intensity when the wind decides to blow and the torrential rains fall. The sound of the electric eels below, the melodies of the inhabitants along the way, the\u003cbr data-mce-fragment=\"1\"\u003eshattering blasts from lightning in the sky. The river flows on and on and on.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the artists featured in the recording from Sons d’Hiver is the late jaimie branch, playing synthesizers \u0026amp; electronics behind the guiding trumpet improvisations of Mazurek (whom she long considered a mentor in multiple mediums). She passed away in August 2022, and her earthly absence has since imbued an otherworldly presence into the chaotic riptide of sound on “Black River.” As production wrapped on the album that Fall, Mazurek was moved to present Lightning Dreamers as a dedication to branch’s memory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rob Mazurek - Exploding Star Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・シカゴのジャズ作家Rob Mazurekが、2023年3月にシカゴのジャズレーベルInternational Anthemからリリースしたレコードです。 エキゾチックなスピリチュアル・ジャズ5曲を収録。 Rob Mazurek - director, composer, trumpets, voice, launeddas, electronic treatmentsJeff...
¥4,390
クイックビュー
{"id":7028872806565,"title":"Angel Bat Dawid \u0026 Tha Brothahood \/\/ Live 2xLP","handle":"angel-bat-dawid-tha-brothahood-live-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawid\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eと彼女のバンドTha Brothahoodによる、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2019年11月1日ドイツ・ベルリンで行われたJazzFest Berlin”Haus der Berliner Festspieleでのライブ録音を収録した2枚組レコード。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eメンバーの不慮の事故に対しての対応や現地に蔓延る人種差別に対する怒りをパフォーマンスを通して表現した圧巻のライブ作品です。ゲートフォールド仕様、ライナーノート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4255861154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLP comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eheavyweight reverse-board *gatefold jacket* with flooded black pockets, IARC obi strip and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccompanying text by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLIVE was mostly recorded on November 1st, 2019, at Haus der Berliner Festspiele in Berlin, Germany, during the 2019 edition of JazzFest Berlin. For Angel Bat Dawid and her band Tha Brothahood – which includes Deacon Otis Cooke, Viktor Le Givens, Xristian Espinoza, Norman W. Long, Dr. Adam Zanolini, and Asher Simiso Gamedze – it was the first stop of their first European tour.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eForty-eight hours before the show, Angel and members of the band were on their way to the airport in Chicago when they received news that Viktor Le Givens had passed out on the street and subsequently woke up in a hospital with all his personal belongings missing. When they arrived in Berlin, the band’s manager Najee-Zaid Searcy reached out to the production staff of JazzFest Berlin to inform them of the situation. Their initial reply: “if you cannot find a substitute, we will have to reduce your fee.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf the cold, insensitive response to Viktor’s unfortunate situation, Angel recalls: “It really put a whole damper on my spirit to have to deal with this a few hours before performing. How the fuck is this response ever acceptable anywhere?!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAngel continues: “I have issues in general about the way artists are treated because I see a difference in how tech folks treat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e women and artist of color… I’m calling it out. A lot of the racism and things I’m talking about are steeped in microaggressions and are so subtle and can go unnoticed. But all those things happen a lot and it was very evident at the festival… Yes I am hyper sensitive to any infraction I ever see, feel or observe when it comes to racism, and I no longer pass it off as an over sensitivity but an opportunity to blow the whistle on intellectual and structural racism that is still a rampant and ugly beast, especially in the European music world.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel and her band had a handful of experiences over their two days in Berlin that contributed to her feelings, including an interaction at The Ellington Hotel (a place that’s named \u0026amp; themed in homage to the famous Black American composer), where the band was staying. The moment was recorded by Angel’s bandmate and she chose to include an excerpt at the beginning of the album’s first track, where she shouts repeatedly: “ever since I’ve been here y’all have treated me like shit!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe full story, from Angel: “The morning at the Duke Ellington Hotel was the result of a buildup of things… The insensitive way the festival dealt with Viktor… to mean stares walking down the street with my Brothers… A man came up to all of us and said he was frightened by our group. I went to another shop and they told me ‘don't go to East Berlin because they don’t like Blacks’... Berlin was leaving me feeling very isolated and angry. So the morning we were leaving this hotel, with its homage to Black musicians in every room… They had a piano in their bar area and I decided to play a tune, sing and praise, to leave on a good note. Deacon Otis was filming it as our way of just walking in love, no matter what. As I was singing someone on the staff runs up to me red face and angry saying ‘ma’am please don't do this in the lobby this is not allowed!’ And I just went the fux off. I had had enough of the reprimands... I just couldn't be my genuine Black self anywhere in Berlin without someone reprimanding me…”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother sound that Angel chose to include in the album is an excerpt from a JazzFest Berlin panel discussion she participated in, which was moderated by writer Emma Warren – a friend of Angel’s – and recorded by Searcy. Angel’s powerful declamations from the panel stage are heard on the album’s last track “HELL,” through a dense layering of effects. “The discussion was led by Emma… so I was feeling very much myself and was going to tell the honest truth about how these festivals and music scenes still operate and support intellectual and structural racism, because they are never challenged,” Angel recalls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite, or perhaps in light of the difficulties Angel and her band faced, they performed a set at Berliner Festspiele that Angel considers to be one of their best ever. “The show was very deep, and really helped me to process all the rage, and uncomfortable things I was feeling... It made me think of all the artists of the past who endured way more than I ever will with this music industry. It was a very freeing and beautiful show… we played our ass off!!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHarlem, NY-based journalist Shannon J. Effinger, who had interviewed Angel for Pitchfork earlier in 2019, was in Berlin to cover the festival and witnessed Angel’s performance. “I had no clue Shannon was there and I was so happy to see her... We had breakfast in the morning together and I was able to vent to her about my frustrations about being in Europe. She shared the same sentiments, because she too was experiencing all the subtle microaggressions that happen over there,” Angel says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after Angel decided to make the Berlin recording into an album, in Summer 2020 she invited Effinger to write liner notes. In her notes for LIVE, Effinger touches on Angel’s mistreatment; but for the most part her attention is paid to the music that Angel \u0026amp; Tha Brothahood made during their performance. An excerpt: \"On Sun Ra’s “Enlightenment,” Dawid’s arpeggiated chords on keys brought us all to our own hush harbor meeting, a once haven for enslaved Blacks to gather in secret and release their hardships through shout and prayer. As Dawid, Cape Town drummer Asher Gamedze and Adam Zanolini on reeds build into a tense crescendo, it is their attempt, through music, to exorcise the generational pain that has plagued Blacks for far too long.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I feel Shannon really captured the moment I was feeling. The story of my unrest with the racist undertones of the music industry isn’t why I want this album out. I want this album out because the Brothahood kicked ass on the music. Because she was there at the actual show, her notes have the purest, most authentic and accurate take on the situation,” says Angel.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother excerpt from Effinger's notes: \"From the unwavering strength of the “Black Family” as told through her clarinet, strong and resolute, to “We Are Starzz” which allowed the members of the Brothahood to dance and explore in their respective constellations over Zanolini’s walking bassline, Dawid strives to reconcile where Black life in America presently stands today—bestrided by a glorious yet troubled past, the disillusioned promise of our future, and a present that has never truly belonged to us.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel Bat Dawid: “I hope that this album will uplift and raise awareness to the world that we are still not in a good place when it comes to the relationship between whites other races. Universities, festivals, organizations etc that were built over 50 years ago, even though they have changed outwardly, have not changed internally, and still uphold the principles of their founders, who were racists. We still got a long way to go. And music is a great place to start in repairing this age old, distorted reality.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid \u0026amp; Tha Brothahood\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-08T12:05:37+09:00","created_at":"2021-09-07T14:28:57+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40745528066213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Angel Bat Dawid \u0026 Tha Brothahood \/\/ Live 2xLP","public_title":null,"options":["Default Title"],"price":389000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539","\/\/tobirarecords.com\/cdn\/shop\/products\/li2_5b0d8c0f-5c3a-49b6-b74c-5c85fec6b2fc.jpg?v=1630992540","\/\/tobirarecords.com\/cdn\/shop\/products\/li3_9ef12383-7124-4e51-9fa1-19870e15499e.jpg?v=1630992540"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539","options":["Title"],"media":[{"alt":null,"id":23632482009253,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539","width":700},{"alt":null,"id":23632482042021,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_5b0d8c0f-5c3a-49b6-b74c-5c85fec6b2fc.jpg?v=1630992540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li2_5b0d8c0f-5c3a-49b6-b74c-5c85fec6b2fc.jpg?v=1630992540","width":1200},{"alt":null,"id":23632482074789,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li3_9ef12383-7124-4e51-9fa1-19870e15499e.jpg?v=1630992540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/li3_9ef12383-7124-4e51-9fa1-19870e15499e.jpg?v=1630992540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawid\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eと彼女のバンドTha Brothahoodによる、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2019年11月1日ドイツ・ベルリンで行われたJazzFest Berlin”Haus der Berliner Festspieleでのライブ録音を収録した2枚組レコード。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eメンバーの不慮の事故に対しての対応や現地に蔓延る人種差別に対する怒りをパフォーマンスを通して表現した圧巻のライブ作品です。ゲートフォールド仕様、ライナーノート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4255861154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLP comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eheavyweight reverse-board *gatefold jacket* with flooded black pockets, IARC obi strip and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccompanying text by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLIVE was mostly recorded on November 1st, 2019, at Haus der Berliner Festspiele in Berlin, Germany, during the 2019 edition of JazzFest Berlin. For Angel Bat Dawid and her band Tha Brothahood – which includes Deacon Otis Cooke, Viktor Le Givens, Xristian Espinoza, Norman W. Long, Dr. Adam Zanolini, and Asher Simiso Gamedze – it was the first stop of their first European tour.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eForty-eight hours before the show, Angel and members of the band were on their way to the airport in Chicago when they received news that Viktor Le Givens had passed out on the street and subsequently woke up in a hospital with all his personal belongings missing. When they arrived in Berlin, the band’s manager Najee-Zaid Searcy reached out to the production staff of JazzFest Berlin to inform them of the situation. Their initial reply: “if you cannot find a substitute, we will have to reduce your fee.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf the cold, insensitive response to Viktor’s unfortunate situation, Angel recalls: “It really put a whole damper on my spirit to have to deal with this a few hours before performing. How the fuck is this response ever acceptable anywhere?!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAngel continues: “I have issues in general about the way artists are treated because I see a difference in how tech folks treat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e women and artist of color… I’m calling it out. A lot of the racism and things I’m talking about are steeped in microaggressions and are so subtle and can go unnoticed. But all those things happen a lot and it was very evident at the festival… Yes I am hyper sensitive to any infraction I ever see, feel or observe when it comes to racism, and I no longer pass it off as an over sensitivity but an opportunity to blow the whistle on intellectual and structural racism that is still a rampant and ugly beast, especially in the European music world.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel and her band had a handful of experiences over their two days in Berlin that contributed to her feelings, including an interaction at The Ellington Hotel (a place that’s named \u0026amp; themed in homage to the famous Black American composer), where the band was staying. The moment was recorded by Angel’s bandmate and she chose to include an excerpt at the beginning of the album’s first track, where she shouts repeatedly: “ever since I’ve been here y’all have treated me like shit!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe full story, from Angel: “The morning at the Duke Ellington Hotel was the result of a buildup of things… The insensitive way the festival dealt with Viktor… to mean stares walking down the street with my Brothers… A man came up to all of us and said he was frightened by our group. I went to another shop and they told me ‘don't go to East Berlin because they don’t like Blacks’... Berlin was leaving me feeling very isolated and angry. So the morning we were leaving this hotel, with its homage to Black musicians in every room… They had a piano in their bar area and I decided to play a tune, sing and praise, to leave on a good note. Deacon Otis was filming it as our way of just walking in love, no matter what. As I was singing someone on the staff runs up to me red face and angry saying ‘ma’am please don't do this in the lobby this is not allowed!’ And I just went the fux off. I had had enough of the reprimands... I just couldn't be my genuine Black self anywhere in Berlin without someone reprimanding me…”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother sound that Angel chose to include in the album is an excerpt from a JazzFest Berlin panel discussion she participated in, which was moderated by writer Emma Warren – a friend of Angel’s – and recorded by Searcy. Angel’s powerful declamations from the panel stage are heard on the album’s last track “HELL,” through a dense layering of effects. “The discussion was led by Emma… so I was feeling very much myself and was going to tell the honest truth about how these festivals and music scenes still operate and support intellectual and structural racism, because they are never challenged,” Angel recalls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite, or perhaps in light of the difficulties Angel and her band faced, they performed a set at Berliner Festspiele that Angel considers to be one of their best ever. “The show was very deep, and really helped me to process all the rage, and uncomfortable things I was feeling... It made me think of all the artists of the past who endured way more than I ever will with this music industry. It was a very freeing and beautiful show… we played our ass off!!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHarlem, NY-based journalist Shannon J. Effinger, who had interviewed Angel for Pitchfork earlier in 2019, was in Berlin to cover the festival and witnessed Angel’s performance. “I had no clue Shannon was there and I was so happy to see her... We had breakfast in the morning together and I was able to vent to her about my frustrations about being in Europe. She shared the same sentiments, because she too was experiencing all the subtle microaggressions that happen over there,” Angel says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after Angel decided to make the Berlin recording into an album, in Summer 2020 she invited Effinger to write liner notes. In her notes for LIVE, Effinger touches on Angel’s mistreatment; but for the most part her attention is paid to the music that Angel \u0026amp; Tha Brothahood made during their performance. An excerpt: \"On Sun Ra’s “Enlightenment,” Dawid’s arpeggiated chords on keys brought us all to our own hush harbor meeting, a once haven for enslaved Blacks to gather in secret and release their hardships through shout and prayer. As Dawid, Cape Town drummer Asher Gamedze and Adam Zanolini on reeds build into a tense crescendo, it is their attempt, through music, to exorcise the generational pain that has plagued Blacks for far too long.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I feel Shannon really captured the moment I was feeling. The story of my unrest with the racist undertones of the music industry isn’t why I want this album out. I want this album out because the Brothahood kicked ass on the music. Because she was there at the actual show, her notes have the purest, most authentic and accurate take on the situation,” says Angel.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother excerpt from Effinger's notes: \"From the unwavering strength of the “Black Family” as told through her clarinet, strong and resolute, to “We Are Starzz” which allowed the members of the Brothahood to dance and explore in their respective constellations over Zanolini’s walking bassline, Dawid strives to reconcile where Black life in America presently stands today—bestrided by a glorious yet troubled past, the disillusioned promise of our future, and a present that has never truly belonged to us.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel Bat Dawid: “I hope that this album will uplift and raise awareness to the world that we are still not in a good place when it comes to the relationship between whites other races. Universities, festivals, organizations etc that were built over 50 years ago, even though they have changed outwardly, have not changed internally, and still uphold the principles of their founders, who were racists. We still got a long way to go. And music is a great place to start in repairing this age old, distorted reality.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid \u0026amp; Tha Brothahood\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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International Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidと彼女のバンドTha Brothahoodによる、2019年11月1日ドイツ・ベルリンで行われたJazzFest Berlin”Haus der Berliner Festspieleでのライブ録音を収録した2枚組レコード。メンバーの不慮の事故に対しての対応や現地に蔓延る人種差別に対する怒りをパフォーマンスを通して表現した圧巻のライブ作品です。ゲートフォールド仕様、ライナーノート付属。 レーベルその他作品はこちら /// Click here to see more International...
¥3,890
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{"id":6578574622885,"title":"Dos Santos \/\/ Logos LP","handle":"dos-santos-logos-lp","description":"\u003cp\u003eシカゴのラテン〜ソウルバンドLogosによる5作目となるフルアルバムが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。インプロとコンポジションの境界線を行く11曲を収録。12ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=544986837\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDos Santos is a quintet just 5 years working in Chicago but already established as one of the city’s most potent, impactful performers. A band known to be at home in a broad spectrum of venues and contexts – as proficient at nailing epic progressive arrangements for summer street festivals in the Latinx culture hub of Pilsen as they are at extended improvisational, experimental cumbia sets on the jazz-centric cabaret stage of the California Clipper, or the Chinook Lounge of The Hideout – Dos Santos’s elasticity \u0026amp; consistency in live performance has earned them an enthusiastic \u0026amp; highly diverse audience in the too-often segregated Chicago music scene...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eWhat’s heard on the ultimate product of this homegrown process (Logos) is Dos Santos laying their voices bare, at once aware of cultural context, informed by aesthetic precursors, and yet fully irreverent to expectations or how any of this might be “appropriately” employed... each composition offers a bridge into a sonic landscape that speaks to histories of migration and arts of living that have been central to everything from house music to blues, Latinx punk to salsa in the City of Chicago. Logos presents an idealized new progressive American music, as rooted in Chicago as it is communicable with the world\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dos Santos\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2021-03-16T11:38:40+09:00","created_at":"2021-03-16T09:35:20+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp"],"price":332700,"price_min":332700,"price_max":332700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39389516300453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dos Santos \/\/ Logos LP","public_title":null,"options":["Default Title"],"price":332700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921","\/\/tobirarecords.com\/cdn\/shop\/products\/do2_1f2ed9cc-d6f4-4f02-8a34-0049ab5d6726.jpg?v=1615854921"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921","options":["Title"],"media":[{"alt":null,"id":20774579208357,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921","width":700},{"alt":null,"id":20774579241125,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_1f2ed9cc-d6f4-4f02-8a34-0049ab5d6726.jpg?v=1615854921"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/do2_1f2ed9cc-d6f4-4f02-8a34-0049ab5d6726.jpg?v=1615854921","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eシカゴのラテン〜ソウルバンドLogosによる5作目となるフルアルバムが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。インプロとコンポジションの境界線を行く11曲を収録。12ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=544986837\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDos Santos is a quintet just 5 years working in Chicago but already established as one of the city’s most potent, impactful performers. A band known to be at home in a broad spectrum of venues and contexts – as proficient at nailing epic progressive arrangements for summer street festivals in the Latinx culture hub of Pilsen as they are at extended improvisational, experimental cumbia sets on the jazz-centric cabaret stage of the California Clipper, or the Chinook Lounge of The Hideout – Dos Santos’s elasticity \u0026amp; consistency in live performance has earned them an enthusiastic \u0026amp; highly diverse audience in the too-often segregated Chicago music scene...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eWhat’s heard on the ultimate product of this homegrown process (Logos) is Dos Santos laying their voices bare, at once aware of cultural context, informed by aesthetic precursors, and yet fully irreverent to expectations or how any of this might be “appropriately” employed... each composition offers a bridge into a sonic landscape that speaks to histories of migration and arts of living that have been central to everything from house music to blues, Latinx punk to salsa in the City of Chicago. Logos presents an idealized new progressive American music, as rooted in Chicago as it is communicable with the world\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dos Santos\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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シカゴのラテン〜ソウルバンドLogosによる5作目となるフルアルバムがInternational Anthemよりリリース。インプロとコンポジションの境界線を行く11曲を収録。12ページのブックレットが付属。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ------------------------------ "Dos...
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{"id":9243631681786,"title":"International Anthem Label T-SHIRT - BLACK - XL","handle":"international-anthem-label-t-shirt-black-xl","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツ(Gildan製)です。\u003c\/p\u003e\n\u003cp\u003eAvailable in XL size. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGildan black tee shirt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-31T10:18:18+09:00","created_at":"2026-05-31T10:16:11+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","jazz","new"],"price":548000,"price_min":548000,"price_max":548000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48946897682682,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"International Anthem Label T-SHIRT - BLACK - XL","public_title":null,"options":["Default Title"],"price":548000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_7200.jpg?v=1780190081"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_7200.jpg?v=1780190081","options":["Title"],"media":[{"alt":null,"id":39532697846010,"position":1,"preview_image":{"aspect_ratio":1.0,"height":4284,"width":4284,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_7200.jpg?v=1780190081"},"aspect_ratio":1.0,"height":4284,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_7200.jpg?v=1780190081","width":4284}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツ(Gildan製)です。\u003c\/p\u003e\n\u003cp\u003eAvailable in XL size. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGildan black tee shirt.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthemのロゴ入り綿100%Tシャツ(Gildan製)です。 Available in XL size. Gildan black tee shirt. ++ レーベルその他作品はこちら /// Click here to see...
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{"id":9205517779194,"title":"Various Artists (International Anthem) \/\/ Gilles Peterson presents International Anthem 2xLP","handle":"various-artists-international-anthem-gilles-peterson-presents-international-anthem-2xlp","description":"\u003cp\u003eイギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が自身の番組で放送したInternational Anthemの音源29曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1929581628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2 x 12\" black vinyl in \u003cmeta charset=\"utf-8\"\u003ea heavyweight ultra gloss jacket, with insert booklet + IARC 2025 obi strip and printed poly-lined printed inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Chicago, January 13th, 2020 - Gilles Peterson 01:11\u003cbr\u003e2. The Jaunt - Makaya McCraven 02:40\u003cbr\u003e3. Asé - Junius Paul 02:51\u003cbr\u003e4. The Creator Has A Master Plan - Dezron Douglas \u0026amp; Brandee Younger 03:15\u003cbr\u003e5. Taking Flight (feat. Brandee Younger) - Resavoir 03:38\u003cbr\u003e6. Open The Gates - Irreversible Entanglements 02:36\u003cbr\u003e7. We Are Starzz - Angel Bat Dawid \u0026amp; Tha Brothahood 04:23\u003cbr\u003e8. Abstract Dark Energy (Parable 9) - Rob Mazurek, Exploding Star Orchestra 02:44\u003cbr\u003e9. The Most Amazing Time - Gilles Peterson 01:06\u003cbr\u003e10. Rebuild A Nation - Damon Locks, Black Monument Ensemble 02:40\u003cbr\u003e11. A Shot in the Dark - Dos Santos 03:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. In\/On - Daniel Villarreal 04:06\u003cbr\u003e\u003c\/span\u003e13. Pokemans - Anna Butterss 03:05\u003cbr\u003e14. Industry - SML 04:27\u003cbr\u003e15. Snåcko - Jeremiah Chiu \u0026amp; Marta Sofia Honer 04:48\u003cbr\u003e16. Cliche - Jeff Parker 04:06\u003cbr\u003e17. And Then The Anointing Fell - Jamire Williams 02:49\u003cbr\u003e18. Please, wake up. - Carlos Niño \u0026amp; Friends 04:06\u003cbr\u003e19. Voice and Tongo Experiment - Thandi Ntuli with Carlos Niño 02:16\u003cbr\u003e20. Quiet as it's Kept - Tom Skinner 04:02\u003cbr\u003e21. Next time I keep my hands down - Ruth Goller 03:43\u003cbr\u003e22. A Gente Acaba (Vento Em Rosa) - Alabaster DePlume 02:44\u003cbr\u003e23. Old Fashioned Chicago Music - Gilles Peterson 01:00\u003cbr\u003e24. theme 001 (live) - jaimie branch 04:44\u003cbr\u003e25. Angela's Angel - Tomin 00:59\u003cbr\u003e26. Melancholia - Asher Gamedze 04:36\u003cbr\u003e27. MESTIZX (Brownswood Basement Live) - Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly 04:17\u003cbr\u003e28. Oh Great Be The Lake - Ben LaMar Gay 03:00\u003cbr\u003e29. Step on Step - Charles Stepney 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGilles Peterson presents International Anthem is a double-LP-length compilation of tracks from Chicago-born record label International Anthem curated by legendary London-based radio host, DJ, label head, and cultural impresario Gilles Peterson.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe twenty-nine tracks on this compilation chronicle Peterson’s long-standing affinity for and connection to International Anthem’s expansive creative music community, and were chosen by an extensive review of playlists from his broadcasts on BBC 6 Music, Worldwide FM, and various syndicated radio programs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe compilation includes a previously unreleased track recorded by Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly at Peterson’s Brownswood Basement studio in London. It also includes several unreleased introductions from a January 2020 Worldwide FM broadcast at Chicago’s Co-Prosperity (also the site of the album cover photo, taken by Carolina Sanchez), where Peterson gave International Anthem “Label of the Year” honors, as part of his 2020 Worldwide Awards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Gilles Peterson:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eFrom the get go I could see it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI could see that International Anthem was the real deal. I could hear it too - more importantly.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA record label with the vision and care that places it in the pantheon of labels where you can pick up any release without knowing what it is and be certain the quality will be there.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA label where the singular attention to every detail - sound, packaging, cover design and branding - shows the respect in which the artists and their music are presented and held.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlso the deep connection to Chicago where the unique crosswinds of Chess Records, Sun Ra’s Saturn and the AACM all intersect with the blues, house music, footwork and post-rock to create a fertile space for creative music to emerge.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational Anthem is more than a record label though. It’s a community that is built on the city’s history but has, over the years, championed the spirit of creative music and pushed it forward with an outlook that reaches out to like minded souls regardless of time and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout the 10 years of their existence we have crossed paths many times. From being in Chicago to celebrate them as label of the year in January 2020 just before the world shut down, to hanging with the crew in London, to playing so much of the label’s output on both on my radio shows and in my DJ sets.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo it is my pleasure to honour our friendship with a selection of tracks that have soundtracked the journey, so far…\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gilles Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC0100\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-25T06:36:15+09:00","created_at":"2026-04-25T06:35:42+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","new","resavoir","tape"],"price":634200,"price_min":634200,"price_max":634200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48760990925050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Various Artists (International Anthem) \/\/ Gilles Peterson presents International Anthem 2xLP","public_title":null,"options":["Default Title"],"price":634200,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457199231","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","options":["Title"],"media":[{"alt":null,"id":36449731805434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill1.jpg?v=1753754214","width":700},{"alt":null,"id":36449731838202,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gill2.jpg?v=1753754214","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。\u003c\/p\u003e\n\u003cp\u003e彼が自身の番組で放送したInternational Anthemの音源29曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1929581628\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2 x 12\" black vinyl in \u003cmeta charset=\"utf-8\"\u003ea heavyweight ultra gloss jacket, with insert booklet + IARC 2025 obi strip and printed poly-lined printed inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Chicago, January 13th, 2020 - Gilles Peterson 01:11\u003cbr\u003e2. The Jaunt - Makaya McCraven 02:40\u003cbr\u003e3. Asé - Junius Paul 02:51\u003cbr\u003e4. The Creator Has A Master Plan - Dezron Douglas \u0026amp; Brandee Younger 03:15\u003cbr\u003e5. Taking Flight (feat. Brandee Younger) - Resavoir 03:38\u003cbr\u003e6. Open The Gates - Irreversible Entanglements 02:36\u003cbr\u003e7. We Are Starzz - Angel Bat Dawid \u0026amp; Tha Brothahood 04:23\u003cbr\u003e8. Abstract Dark Energy (Parable 9) - Rob Mazurek, Exploding Star Orchestra 02:44\u003cbr\u003e9. The Most Amazing Time - Gilles Peterson 01:06\u003cbr\u003e10. Rebuild A Nation - Damon Locks, Black Monument Ensemble 02:40\u003cbr\u003e11. A Shot in the Dark - Dos Santos 03:10\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. In\/On - Daniel Villarreal 04:06\u003cbr\u003e\u003c\/span\u003e13. Pokemans - Anna Butterss 03:05\u003cbr\u003e14. Industry - SML 04:27\u003cbr\u003e15. Snåcko - Jeremiah Chiu \u0026amp; Marta Sofia Honer 04:48\u003cbr\u003e16. Cliche - Jeff Parker 04:06\u003cbr\u003e17. And Then The Anointing Fell - Jamire Williams 02:49\u003cbr\u003e18. Please, wake up. - Carlos Niño \u0026amp; Friends 04:06\u003cbr\u003e19. Voice and Tongo Experiment - Thandi Ntuli with Carlos Niño 02:16\u003cbr\u003e20. Quiet as it's Kept - Tom Skinner 04:02\u003cbr\u003e21. Next time I keep my hands down - Ruth Goller 03:43\u003cbr\u003e22. A Gente Acaba (Vento Em Rosa) - Alabaster DePlume 02:44\u003cbr\u003e23. Old Fashioned Chicago Music - Gilles Peterson 01:00\u003cbr\u003e24. theme 001 (live) - jaimie branch 04:44\u003cbr\u003e25. Angela's Angel - Tomin 00:59\u003cbr\u003e26. Melancholia - Asher Gamedze 04:36\u003cbr\u003e27. MESTIZX (Brownswood Basement Live) - Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly 04:17\u003cbr\u003e28. Oh Great Be The Lake - Ben LaMar Gay 03:00\u003cbr\u003e29. Step on Step - Charles Stepney 04:02\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eGilles Peterson presents International Anthem is a double-LP-length compilation of tracks from Chicago-born record label International Anthem curated by legendary London-based radio host, DJ, label head, and cultural impresario Gilles Peterson.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe twenty-nine tracks on this compilation chronicle Peterson’s long-standing affinity for and connection to International Anthem’s expansive creative music community, and were chosen by an extensive review of playlists from his broadcasts on BBC 6 Music, Worldwide FM, and various syndicated radio programs.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe compilation includes a previously unreleased track recorded by Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly at Peterson’s Brownswood Basement studio in London. It also includes several unreleased introductions from a January 2020 Worldwide FM broadcast at Chicago’s Co-Prosperity (also the site of the album cover photo, taken by Carolina Sanchez), where Peterson gave International Anthem “Label of the Year” honors, as part of his 2020 Worldwide Awards.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom Gilles Peterson:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003c\/span\u003e\u003cem\u003eFrom the get go I could see it.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI could see that International Anthem was the real deal. I could hear it too - more importantly.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA record label with the vision and care that places it in the pantheon of labels where you can pick up any release without knowing what it is and be certain the quality will be there.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA label where the singular attention to every detail - sound, packaging, cover design and branding - shows the respect in which the artists and their music are presented and held.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAlso the deep connection to Chicago where the unique crosswinds of Chess Records, Sun Ra’s Saturn and the AACM all intersect with the blues, house music, footwork and post-rock to create a fertile space for creative music to emerge.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eInternational Anthem is more than a record label though. It’s a community that is built on the city’s history but has, over the years, championed the spirit of creative music and pushed it forward with an outlook that reaches out to like minded souls regardless of time and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThroughout the 10 years of their existence we have crossed paths many times. From being in Chicago to celebrate them as label of the year in January 2020 just before the world shut down, to hanging with the crew in London, to playing so much of the label’s output on both on my radio shows and in my DJ sets.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSo it is my pleasure to honour our friendship with a selection of tracks that have soundtracked the journey, so far…\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Gilles Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC0100\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのラジオホストGilles Petersonが、2025年7月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組コンピレーションレコードです。 彼が自身の番組で放送したInternational Anthemの音源29曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":9175006216442,"title":"Jeff Parker ETA IVtet \/\/ Happy Today LP [COLOR]","handle":"jeff-parker-eta-ivtet-happy-today-lp-color","description":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。日本限定オレンジ盤です。帯が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJapan Edition 12\" orange vinyl with obi. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109LPJP\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e","published_at":"2026-04-02T14:51:07+09:00","created_at":"2026-04-02T09:53:42+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":518500,"price_min":518500,"price_max":518500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595339182330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker ETA IVtet \/\/ Happy Today LP [COLOR]","public_title":null,"options":["Default Title"],"price":518500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"760944511290","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_cee0a98c-a7db-4821-879c-92141180f95a.jpg?v=1775091254","\/\/tobirarecords.com\/cdn\/shop\/files\/jp425_725e9b03-b4fd-4d35-9b99-847d9c3ad1bb.jpg?v=1777077682"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_cee0a98c-a7db-4821-879c-92141180f95a.jpg?v=1775091254","options":["Title"],"media":[{"alt":null,"id":38928967467258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_cee0a98c-a7db-4821-879c-92141180f95a.jpg?v=1775091254"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hap1_cee0a98c-a7db-4821-879c-92141180f95a.jpg?v=1775091254","width":350},{"alt":null,"id":39138130133242,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1500,"width":1500,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp425_725e9b03-b4fd-4d35-9b99-847d9c3ad1bb.jpg?v=1777077682"},"aspect_ratio":1.0,"height":1500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jp425_725e9b03-b4fd-4d35-9b99-847d9c3ad1bb.jpg?v=1777077682","width":1500}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eライブセッション4曲を収録。日本限定オレンジ盤です。帯が付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4248337811\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eJapan Edition 12\" orange vinyl with obi. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Like Swimwear\u003cbr\u003e2. Happy Today\u003cbr\u003e3. Like Swimwear (part one) \u003cbr\u003e4. Like Swimwear (part two)\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHappy Today, the third album from guitarist\/bandleader Jeff Parker’s long-running ETA IVtet, was recorded live at Lodge Room in Los Angeles on August 20, 2025. This fresh entry into the IVtet’s catalog captures Parker and the band – including drummer Jay Bellerose, bassist Anna Butterss, and saxophonist Josh Johnson – on record outside of the now-shuttered Highland Park micro-club ETA for the first time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance also captures a distinctly joyful night of togetherness set against the backdrop of dark times. “2025 was a very difficult year for me and my family,” Parker says. “Dealing with being displaced from the Eaton fires for eight months, and the kind of toll that that instability took on my family’s mental health and general outlook, coupled with Donald Trump being back in office and basically making life miserable for everyone… There was a lot of sadness and despair. But feeling the sense of community that we created with our concert, and later hearing the recording, seeing the beautiful footage that had been shot and the photographs of such joy to be back in that space and to be making music again: It was a very happy moment. So I called the record Happy Today. It’s meant to be a statement\u003cspan class=\"bcTruncateMore\"\u003e of joy.”\u003cbr\u003e\u003cbr\u003eThat joy and camaraderie found in communal space seems to be a major catalyst for the ETA IVtet’s music. The band’s audience is, somehow, an essential part of the formula. Case in point: the show at Lodge Room was actually meant to be the cherry on top of a weekend of studio sessions by the band. Those sessions were intended to be the next album released by the group, its first ever studio record. Upon listening back, though, it was clear to Parker that the Lodge Room performance was the recording that shined brightest and felt most true to the band’s spirit, harkening back to the weekly session the four musicians held at ETA for so many years.\u003cbr\u003e\u003cbr\u003eETA was undoubtedly more than just the namesake of the band. Part laboratory, part low-stakes proving ground, it’s where the language of the IVtet’s sound percolated and coalesced over the course of an almost mythical seven-year-long Monday night residency that yielded two critically-acclaimed records—2022’s Mondays at The Enfield Tennis Academy and 2024’s The Way Out of Easy—and an instantly recognizable group sound.\u003cbr\u003e\u003cbr\u003eHappy Today is that sound—the IVtet's signature syntax built around long-form, minimalist improvisation—expanding confidently into a larger space while creating the same hypnotizing, deeply-tuned listening effect on visibly enraptured audiences. The album contains two sidelong pieces recorded as the band performed in the round at Lodge Room, surrounded by an audience of 400 or so deep listeners...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker ETA IVtet\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0109LPJP\u003c\/p\u003e\n\u003cp\u003eRelease Date : 15th May 2026\u003c\/p\u003e"}
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アメリカのギタリストJeff Parker率いるJeff Parker ETA IVtet (Josh Johnson、Anna Butterss、Jay Bellerose)が、2026年5月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 ライブセッション4曲を収録。日本限定オレンジ盤です。帯が付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to...
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{"id":9076539851002,"title":"Carlos Niño \u0026 Friends \/\/ More Energy Fields, Current LP [COLOR]","handle":"carlos-nino-friends-more-energy-fields-current-lp-color-コピー","description":"\u003cp\u003eLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eSam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作した\u003cspan\u003eアンビエント・ジャズ\u003c\/span\u003e10曲を収録。Water Spiritsカラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1153390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" water spirits color vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore Energy Fields, Current' is a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStarting with the subtle invitation of “Pleasewakeupalittlefaster, please…” (accompanied by the liner note from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.”), a gorgeously-keyed canonic infinity by pianist Jamael Dean articulates an Earth-loving, universalist ethos that imbues the entire 44 minute program. While the sonics shift and evolve, gracefully placed in patient order across subsequent track highlights “Nightswimming” (featuring Dean and Dntel on modular synth), “Thanking the Earth” (featuring multi-instrumentalists Sam Gendel and Nate Mercereau, whom Niño has been working and bonding extensively with in recent years), “Salon Winds”\u003cspan class=\"bcTruncateMore\"\u003e (featuring Jamire Williams on drums and Aaron Shaw on flute), and “Togetherness” (featuring Dean and Devin Daniels on sax), the naturalist sentiments established in the exposition remain potently present.\u003cbr\u003e\u003cbr\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on 'More Energy Fields, Current' than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003cbr\u003e\u003cbr\u003eOn 'More Energy Fields, Current', Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, book-ending piece “Please, Wake Up.” (an extended version of the opening theme with transcendental counterpoint by saxophonist Shabaka Hutchings), it’s like a return, safely to shore.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eCat No : IARC0040LPWS\u003c\/p\u003e","published_at":"2026-02-09T14:06:55+09:00","created_at":"2026-02-09T14:06:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":516200,"price_min":516200,"price_max":516200,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48305041506554,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Carlos Niño \u0026 Friends \/\/ More Energy Fields, Current LP [COLOR]","public_title":null,"options":["Default Title"],"price":516200,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991273","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","options":["Title"],"media":[{"alt":null,"id":33341293789434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo1_295eeb65-3991-4da2-b26d-c5bbd5a5e03d.jpg?v=1709951609","width":700},{"alt":null,"id":33341293822202,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mo2_c688e627-a2f8-4f2c-8df0-fea20d66be6f.jpg?v=1753914422","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eSam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作した\u003cspan\u003eアンビエント・ジャズ\u003c\/span\u003e10曲を収録。Water Spiritsカラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1153390491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" water spirits color vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMore Energy Fields, Current' is a definitive new peak in the recorded continuum of prolific producer\/percussionist Carlos Niño. Featuring heavy contributions from many of the most exciting instrumentalists in the creative music constellation of Los Angeles (of which Niño’s has been a central force for over 2 decades), the album collects 10 pristine gems of collaborative communication helmed by the Southern Californian sage, elegantly presented in his unique “Spiritual, Improvisational, Space Collage” style.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eStarting with the subtle invitation of “Pleasewakeupalittlefaster, please…” (accompanied by the liner note from Niño: “We’re all in this together. I look forward to living in a much higher, much more conscious, harmonious state, here, with You, on this Magical Planet Earth.”), a gorgeously-keyed canonic infinity by pianist Jamael Dean articulates an Earth-loving, universalist ethos that imbues the entire 44 minute program. While the sonics shift and evolve, gracefully placed in patient order across subsequent track highlights “Nightswimming” (featuring Dean and Dntel on modular synth), “Thanking the Earth” (featuring multi-instrumentalists Sam Gendel and Nate Mercereau, whom Niño has been working and bonding extensively with in recent years), “Salon Winds”\u003cspan class=\"bcTruncateMore\"\u003e (featuring Jamire Williams on drums and Aaron Shaw on flute), and “Togetherness” (featuring Dean and Devin Daniels on sax), the naturalist sentiments established in the exposition remain potently present.\u003cbr\u003e\u003cbr\u003eThe album is ripe with “ambient” passages that function like open portals between moments of consonance and clarity. But even in the occasional absence of drums, there is a powerful pulse implicit in the program’s frequency of consciousness. It’s a testament to Niño’s foundations as a DJ. His distinct ability to craft kinetic, cinematic sonic experience from dozens of independent, often rhythmically-ambiguous improvisational archive memories is more fluently displayed on 'More Energy Fields, Current' than anything we’ve heard from him to date. It resonates, lucidly, with the way Niño’s mentor Iasos – who is known to the world as an original founder of New Age music – has described his work: \"Real Time Interactive Imagination, Flow Texturization.\"\u003cbr\u003e\u003cbr\u003eOn 'More Energy Fields, Current', Niño immerses us in the watery depths of his world, spiriting us like a submarine through exotic nether-leagues of untouched sound. And when we arrive at the final, book-ending piece “Please, Wake Up.” (an extended version of the opening theme with transcendental counterpoint by saxophonist Shabaka Hutchings), it’s like a return, safely to shore.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem \u003c\/p\u003e\n\u003cp\u003eCat No : IARC0040LPWS\u003c\/p\u003e"}
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Leaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2021年5月に同国International Anthemからリリースしたレコードです。 Sam GendalやLaraajiといったLeavingでもおなじみの作家たちと共作したアンビエント・ジャズ10曲を収録。Water Spiritsカラー盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem...
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{"id":9065045328122,"title":"Gregory Uhlmann \/\/ Extra Stars CD","handle":"gregory-uhlmann-extra-stars-cd","description":"\u003cp\u003eSMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=906072634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 6th March 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pocket Snail\u003cbr\u003e2. View Above\u003cbr\u003e3. Lucia (feat. Alabaster DePlume) 03:20\u003cbr\u003e4. Like Tea\u003cbr\u003e5. Days\u003cbr\u003e6. Worms Eye\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Burnt Toast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Dottie\u003cbr\u003e\u003c\/span\u003e9. Bristlecone\u003cbr\u003e10. Voice Exchange\u003cbr\u003e11. View Below\u003cbr\u003e12. Back Scratch\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Imprint\u003cbr\u003e\u003c\/span\u003e14. Sugar Water\u003c\/p\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. From the sparse melodies and hushed ambient soundscapes of Small Day, to his much-lauded duo outing Doubles with Meg Duffy, to his perhaps lesser-known but no-less-brilliant duo record Water Map with Dustin Wong, to the lush chamber-jazz interplay of his trio recording with saxophonist Josh Johnson and bassist Sam Wilkes, to the two genre-breaking albums he released as a co-leader of synth-laced trance-jazz quintet SML (2024’s Small Medium Large and 2025’s How You Been), Uhlmann has subtly, if not quietly, established himself as an essential presence in some of the most progressive recordings of our time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExtra Stars encompasses all he’s learned through all\u003cspan class=\"bcTruncateMore\"\u003e the above. A radiant sidereal serenade, the album’s fourteen miniature infinities swirl serendipitous synthesis and measured, melody-rich song into a panoramic menagerie of sound. For a record that seldom incorporates percussion instruments, the music is distinctly rhythm-forward, while Uhlmann also leans heavily into swaths of pastoral beauty. Extra care was clearly poured into the kind of harmonic depth that’s often missing from vibe-only “ambient” music, making for a delightfully refreshing take on the electronic, processing-heavy 'quiet' sound.\u003cbr\u003e\u003cbr\u003eThe compositions and production techniques here reflect Uhlmann’s musicality perfectly, surely the result of him being as much a seasoned practitioner as he is an avid listener. If there is a middle ground between Cluster \u0026amp; Eno, Terry Riley’s Shri Camel, and Yo La Tengo’s There’s a Riot Going On, it’s somewhere nearby. Lofty comparisons aside, Extra Stars seems to look beyond reference or imitation. Even the album’s title indicates as much—inspired by a trip to California’s Ancient Bristlecone Pine Forest, where the reality of the night sky’s starry expanse stretches beyond the boundaries of belief. [...]\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0107\u003c\/p\u003e","published_at":"2026-01-25T07:17:24+09:00","created_at":"2026-01-24T11:39:41+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","new"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48253808345338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Gregory Uhlmann \/\/ Extra Stars CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_ffab9df6-29d7-49e6-ad1b-1830f67093bd.jpg?v=1769222437","\/\/tobirarecords.com\/cdn\/shop\/files\/gre6.jpg?v=1769222449","\/\/tobirarecords.com\/cdn\/shop\/files\/gre5.jpg?v=1769222449"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_ffab9df6-29d7-49e6-ad1b-1830f67093bd.jpg?v=1769222437","options":["Title"],"media":[{"alt":null,"id":38153035219194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_ffab9df6-29d7-49e6-ad1b-1830f67093bd.jpg?v=1769222437"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_ffab9df6-29d7-49e6-ad1b-1830f67093bd.jpg?v=1769222437","width":700},{"alt":null,"id":38153035284730,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre6.jpg?v=1769222449"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre6.jpg?v=1769222449","width":1200},{"alt":null,"id":38153035251962,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre5.jpg?v=1769222449"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre5.jpg?v=1769222449","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=906072634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 6th March 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Pocket Snail\u003cbr\u003e2. View Above\u003cbr\u003e3. Lucia (feat. Alabaster DePlume) 03:20\u003cbr\u003e4. Like Tea\u003cbr\u003e5. Days\u003cbr\u003e6. Worms Eye\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Burnt Toast\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Dottie\u003cbr\u003e\u003c\/span\u003e9. Bristlecone\u003cbr\u003e10. Voice Exchange\u003cbr\u003e11. View Below\u003cbr\u003e12. Back Scratch\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e13. Imprint\u003cbr\u003e\u003c\/span\u003e14. Sugar Water\u003c\/p\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eExtra Stars is a deeply beautiful expression of Gregory Uhlmann’s ever-evolving sound world, and comes at a pivotal juncture in the LA-based composer, producer, guitarist and multi-instrumentalist’s musical journey.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing a long run of supporting work with artists like Perfume Genius, Tasha, and Hand Habits, alongside an eponymous recorded output largely focused on his more singer-songwriter oriented music, Uhlmann has spent the better part of the last couple years trotting out album after album of groundbreaking instrumental modern music. From the sparse melodies and hushed ambient soundscapes of Small Day, to his much-lauded duo outing Doubles with Meg Duffy, to his perhaps lesser-known but no-less-brilliant duo record Water Map with Dustin Wong, to the lush chamber-jazz interplay of his trio recording with saxophonist Josh Johnson and bassist Sam Wilkes, to the two genre-breaking albums he released as a co-leader of synth-laced trance-jazz quintet SML (2024’s Small Medium Large and 2025’s How You Been), Uhlmann has subtly, if not quietly, established himself as an essential presence in some of the most progressive recordings of our time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eExtra Stars encompasses all he’s learned through all\u003cspan class=\"bcTruncateMore\"\u003e the above. A radiant sidereal serenade, the album’s fourteen miniature infinities swirl serendipitous synthesis and measured, melody-rich song into a panoramic menagerie of sound. For a record that seldom incorporates percussion instruments, the music is distinctly rhythm-forward, while Uhlmann also leans heavily into swaths of pastoral beauty. Extra care was clearly poured into the kind of harmonic depth that’s often missing from vibe-only “ambient” music, making for a delightfully refreshing take on the electronic, processing-heavy 'quiet' sound.\u003cbr\u003e\u003cbr\u003eThe compositions and production techniques here reflect Uhlmann’s musicality perfectly, surely the result of him being as much a seasoned practitioner as he is an avid listener. If there is a middle ground between Cluster \u0026amp; Eno, Terry Riley’s Shri Camel, and Yo La Tengo’s There’s a Riot Going On, it’s somewhere nearby. Lofty comparisons aside, Extra Stars seems to look beyond reference or imitation. Even the album’s title indicates as much—inspired by a trip to California’s Ancient Bristlecone Pine Forest, where the reality of the night sky’s starry expanse stretches beyond the boundaries of belief. [...]\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0107\u003c\/p\u003e"}
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SMLのメンバーとしても活動しているアメリカのギタリストGregory Uhlmannが、2026年3月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースするアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ14曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":9058122760442,"title":"Tortoise \/\/ Oganesson Remixes LP","handle":"tortoise-oganesson-remixes-lp","description":"\u003cp\u003eアメリカ・シカゴのジャズバンドTortoiseが、2025年9月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らの音源Oganessonのリミックス集です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3080052266\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oganesson (original version) 03:13\u003cbr\u003e2. Oganesson (Saul Williams Remix) 03:14\u003cbr\u003e3. Oganesson (Heba Kadry Remix) 07:00\u003cbr\u003e4. Oganesson (Patrick Carney Remix) 03:24\u003cbr\u003e5. Oganesson (Broken Social Scene Remix) 05:06\u003cbr\u003e6. Oganesson (Makaya McCraven Remix) 04:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Oganesson Remixes EP follows the March 2025 release of the “Oganesson” digital single, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney, indie music icons Broken Social Scene, and International Anthem labelmate Makaya McCraven. The Oganesson Remixes EP comes ahead of a new album by Tortoise, which will be released this fall via International Anthem and Nonesuch Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise \/ Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCOG99\u003c\/p\u003e","published_at":"2026-01-14T05:42:24+09:00","created_at":"2026-01-14T05:41:54+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":395000,"price_min":395000,"price_max":395000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221674832122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tortoise \/\/ Oganesson Remixes LP","public_title":null,"options":["Default Title"],"price":395000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597895186","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ogan1.jpg?v=1757806261","\/\/tobirarecords.com\/cdn\/shop\/files\/ogan2.jpg?v=1757806260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan1.jpg?v=1757806261","options":["Title"],"media":[{"alt":null,"id":36804891083002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan1.jpg?v=1757806261"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan1.jpg?v=1757806261","width":700},{"alt":null,"id":36804891115770,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan2.jpg?v=1757806260"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ogan2.jpg?v=1757806260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズバンドTortoiseが、2025年9月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e彼らの音源Oganessonのリミックス集です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3080052266\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oganesson (original version) 03:13\u003cbr\u003e2. Oganesson (Saul Williams Remix) 03:14\u003cbr\u003e3. Oganesson (Heba Kadry Remix) 07:00\u003cbr\u003e4. Oganesson (Patrick Carney Remix) 03:24\u003cbr\u003e5. Oganesson (Broken Social Scene Remix) 05:06\u003cbr\u003e6. Oganesson (Makaya McCraven Remix) 04:51\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Oganesson Remixes EP follows the March 2025 release of the “Oganesson” digital single, which was the first new music released by Tortoise since 2016. The EP includes the original version of “Oganesson” alongside five new remixes of the track created by collaborators and friends of the band, including poet and activist Saul Williams, prolific mastering engineer Heba Kadry, Black Keys drummer Patrick Carney, indie music icons Broken Social Scene, and International Anthem labelmate Makaya McCraven. The Oganesson Remixes EP comes ahead of a new album by Tortoise, which will be released this fall via International Anthem and Nonesuch Records.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise \/ Various Artists\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARCOG99\u003c\/p\u003e"}
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アメリカ・シカゴのジャズバンドTortoiseが、2025年9月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 彼らの音源Oganessonのリミックス集です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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![Saul Williams, Carlos Niño & Friends // Saul Williams meets Carlos Niño & Friends at TreePeople 2xLP [COLOR]](http://tobirarecords.com/cdn/shop/files/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718_medium.jpg?v=1753945420)
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{"id":9058122301690,"title":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [COLOR]","handle":"saul-williams-carlos-nino-friends-saul-williams-meets-carlos-nino-friends-at-treepeople-2xlp-color","description":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" 'forest edition' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e","published_at":"2026-01-14T05:41:21+09:00","created_at":"2026-01-14T05:40:43+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","international anthem","jazz","lp","new"],"price":599500,"price_min":599500,"price_max":599500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221673783546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Saul Williams, Carlos Niño \u0026 Friends \/\/ Saul Williams meets Carlos Niño \u0026 Friends at TreePeople 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":599500,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457216679","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","options":["Title"],"media":[{"alt":null,"id":36458594107642,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will1_b49237a9-cd17-4f0d-8f08-bd972ca26718.jpg?v=1753945420","width":700},{"alt":null,"id":36458594140410,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/will3_5c997d06-2ae9-4b42-b289-d5c121c59f01.jpg?v=1753945420","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのラッパーSaul Williamsと当店おなじみCarlos Niño \u0026amp; Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño \u0026amp; Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリビング・アースのノア・クラインが企画し、自然保護団体TreePeopleの敷地内で行われたこのパフォーマンスは、長年の友人でありコラボレーターでもあるWilliamsとNiñoにとって初めての試みだった。ふたりは1997年以来連絡を取り合っており、さまざまなプロジェクトに一緒に取り組んできたが、このような形で発表することに心を動かされたことはなかった。この日のためにNiñoはアンサンブルを組み、ネイト・マーセロー（ギター・シンセサイザー、ミディ・ギターによるライブ・サンプリング、サンプル・ソース）、アーロン・ショウ（フルート、ソプラノ・サックス、ペダルスチール、 テナー・サックス）、アンドレス・レンテリア（ベル、コンガ、エジプシャン・ラトル・ドラム、ハンド・ドラム、パーカッション）、マイア（フルート、ヴィブラフォン、ヴォイス）、フランチェスカ・ハート（コンピューター、コンク・シェル、サウンド・デザイン）、カマシ・ワシントン（テナー・サックス）が参加した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSaul Williamsのインスピレーションに満ちた詩学は、Carlos Niño \u0026amp; Friendsが創り出すエレクトロ・アコースティックのエコシステムにシームレスにフィットし、千里眼のように導く。Williamsとだけでなく、Niñoとレンテリアの相互パーカッションの対話、ワシントンとショーの世代を超えた木管の対位法、ハートのデジタル・デザインと空中共鳴するマイアのヴィブラフォンのホバリング・ハーモニクス。ハートのサウンドはまた、シンセ・ギタリストのネイト・マーセローの美しいアナログでもある。彼のライブ・サンプリングとマニピュレーション・テクニックは、一瞬の音の存在をリアルタイムで音楽的構造に変える。この星座の次元をさらに深めているのは、メルセローとNiñoは、何十もの強力なコラボレーションを生み出してきた共通の音楽的シンパシーを数年前から持っていることで、このレコーディングにおける彼らの特別な相互作用は、微妙で暗黙的であると同時に、スピリチュアルで超越的なものとなっている。そしてもうひとつ、注目すべきつながりがある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eセットの後半、Williamsは、オランダ東インド貿易会社、マナハッタ島の先住民レナペ族、ウォール街の起源、そして帝国の終焉への祈りについての考察を延々と語りながら、アンサンブルの壮大なクレッシェンドを煽る。Williamsが詩人のアジャ・モネにバトンタッチし、彼女のノートから 「The Water Is Rising 」という黙示録的な詩を朗読する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eモネが詩を読み終えて身を引くと、Williamsは彼女の不吉な言葉に続いて、厳粛に希望に満ちた言葉を返す。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3100501460\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE: 28th August 2025 \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" 'forest edition' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Sound then Words 16:03\u003cbr\u003e2. We would lift our Voice . . .\u003cbr\u003e3. We are calling out in this moment . . .\u003cbr\u003e4. The Water is Rising \/ as we surpass the firing squad . . . (with Aja Monet)\u003cbr\u003e5. We have work to do . . . (speaking after the concert)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unadulterated opening statement intoned by Saul Williams three times, as he joins Carlos Niño \u0026amp; Friends in sound ceremony underneath oak and black walnut trees in Coldwater Canyon Park, Los Angeles, on December 18, 2024.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance, which was organized by Noah Klein of Living Earth on the grounds of longstanding conservationist organization TreePeople, was the first of its kind for longtime friends and collaborators Williams and Niño. The two have been in contact since 1997 and have worked on a variety of projects together, but had never been moved to present in this way. For the occasion, Niño assembled and directed an ensemble of frequent collaborators including Nate Mercereau (Guitar Synthesizer, Live Sampling with Midi Guitar, Sample Sources), Aaron Shaw (Flute, Soprano Saxophone with Pedals, Tenor Saxophone), Andres Renteria (Bells, Congas, Egyptian Rattle Drum, Hand Drums, Percussion), Maia (Flute, Vibraphone, Voice), Francesca Heart (Computer, Conch Shell, Sound Design), and Kamasi Washington (Tenor Saxophone).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWilliams’ inspired poetics both fit seamlessly and guide clairvoyantly the electro-acoustic ecosystem created by Niño \u0026amp;\u003cspan class=\"bcTruncateMore\"\u003e Friends – a constellation of deep connections and intersecting linkups from complementary sound makers. There’s the dialogue between not just Niño \u0026amp; Williams but Niño and Renteria’s reciprocal percussions; the intergenerational woodwind counterpoint between Washington and Shaw; the hovering harmonics of Maia’s vibraphone in aerial resonance with Heart’s digital designs. Heart’s sounds also make a beautiful analogue to synth-guitarist Nate Mercereau, whose live sampling and manipulation techniques turn fleeting moments of sonic presence into musical architecture in real time. Deepening the dimensionality of this constellation, Mercereau and Niño are several years into a shared musical simpatico that has yielded dozens of powerful collaborations, making their particular interaction on this recording as spiritual and transcendent as it is subtle and implicit. And there is yet another connection to be highlighted still.\u003cbr\u003e\u003cbr\u003eLate in the set, Williams shares an extended reflection on the Dutch East India Trade Company, the indigenous Lenape people on the island of Manahatta, the origins of Wall Street, and a prayer for the end of empire as he incites an epic crescendo from the ensemble, swirling behind the twin winds of Shaw and Washington, spirited by his repeated call “I’ve seen enough.” The smoke has only begun to clear from this emotional apex as Williams passes the torch to poet Aja Monet, who arrests the atmosphere with a soft apocalyptic reading of a piece from her notebook, “The Water Is Rising.”\u003cbr\u003e\u003cbr\u003eAs Monet finishes her poem and steps aside, Williams follows her foreboding words with a solemnly hopeful return – closing the ceremony with a parable about a firing squad, where one member's dilemma is a \"system of belief\" allowing for humanity in the heart of an oppressor.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Saul Williams, Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0102\u003c\/p\u003e"}
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アメリカのラッパーSaul Williamsと当店おなじみCarlos Niño & Friendsが、2025年8月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作2枚組レコードです。 アンビエント・ジャズ〜スポークンワード5曲を収録。森林カラー盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします "2024年12月18日、ロサンゼルスのコールドウォーター・キャニオン公園で、Saul Williams, Carlos Niño & Friendsとともにオークとブラックウォールナットの木の下で行われたサウンドセレモニー。...
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{"id":9058119647482,"title":"SML \/\/ Small Medium Large LP","handle":"sml-small-medium-large-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2024年6月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pNRpJq3frvE?si=Fp5-Cwo7CEGvI4MY\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/k7A-OXtRZzE?si=WsioDwf16ngOlcnS\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" orange vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rubber Tree Dance\u003cbr\u003e2. Industry 04:27\u003cbr\u003e3. Herbie for Commercials\u003cbr\u003e4. Search Bar Hi Hat\u003cbr\u003e5. Window Sill Song\u003cbr\u003e6. Switchboard Operations\u003cbr\u003e7. Soft Sand\u003cbr\u003e8. Three Over Steel 05:42 video\u003cbr\u003e9. Chasing Brain\u003cbr\u003e10. History of Communication\u003cbr\u003e11. Feed The Birds\u003cbr\u003e12. Greg's Melody\u003cbr\u003e13. Dolphin Language\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir debut album 'Small Medium Large' began as a collection of long form improvisations recorded during two separate two-night stands at beloved Highland Park, Los Angeles venue ETA. Unfortunately, this major development site for the burgeoning new West Coast jazz \u0026amp; improvised music sound closed its doors permanently at the end of 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe venue, perhaps best known outside of LA for Jeff Parker's 2022 album 'Mondays at the Enfield Tennis Academy', was the perfect location for the start of SML, especially given that both bassist Anna Butterss and saxophonist Josh Johnson are part of Parker's quartet that held down a regular gig at ETA since the venue's early days (and hence thoroughly documented, heard on Parker's album). 'Small Medium Large' was engineered and recorded in stereo direct to Nagra by Bryce Gonzales and compiled, arranged, and edited with additional production, recording, and studio composition by SML across their various home studios.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile editing, chopping, and rearranging stereo mixed\u003cspan class=\"bcTruncateMore\"\u003e improvisations is hardly a new idea (for a modern and relevant example we can look to Makaya McCraven's output on IARC) these results are a stunning expansion of the Teo Macero \/ Miles Davis editing concept explored on classics like 'In a Silent Way', 'On The Corner', and 'Get Up With It'. Stylistically though, these recordings have more in common with the proto-trance repetitions of Harmonia, and with Holgar Czukay's re-assembly technique used in his work with Can. Throw in a supremely intuitive utilization of polyrhythmic floating patterns (a la Susumu Yokota), and the result is a truly innovative take on time-clocked electronic rhythms augmented with live instrumentation that never loses that elusive human sway.\u003cbr\u003e\u003cbr\u003e'Small Medium Large' is a sublime assemblage of circulatory grooves and textural anomalies, at different moments recalling the synth-laced improvisations of Herbie Hancock's Sextant, the jagged dance punk of Essential Logic, the rhythmic revelry of Fela Kuti, the low-end elasticity of Parliament\/Funkadelic, or the glitchy dub techno of Pole. Taken in totality, the album captures a euphoric creative synchronicity between some of today's most exciting musicians.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0085\u003c\/p\u003e","published_at":"2026-01-14T05:35:12+09:00","created_at":"2026-01-14T05:34:41+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":488500,"price_min":488500,"price_max":488500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221660184826,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SML \/\/ Small Medium Large LP","public_title":null,"options":["Default Title"],"price":488500,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993994366","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/med1_82de9677-432c-44b9-a4f6-901d5627e71d.jpg?v=1718520274","\/\/tobirarecords.com\/cdn\/shop\/files\/med2_27eb0b9e-135e-4a3f-b0ac-4d63acdd19f2.jpg?v=1718520274"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/med1_82de9677-432c-44b9-a4f6-901d5627e71d.jpg?v=1718520274","options":["Title"],"media":[{"alt":null,"id":34337485193466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/med1_82de9677-432c-44b9-a4f6-901d5627e71d.jpg?v=1718520274"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/med1_82de9677-432c-44b9-a4f6-901d5627e71d.jpg?v=1718520274","width":700},{"alt":null,"id":34337485226234,"position":2,"preview_image":{"aspect_ratio":1.273,"height":943,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/med2_27eb0b9e-135e-4a3f-b0ac-4d63acdd19f2.jpg?v=1718520274"},"aspect_ratio":1.273,"height":943,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/med2_27eb0b9e-135e-4a3f-b0ac-4d63acdd19f2.jpg?v=1718520274","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2024年6月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pNRpJq3frvE?si=Fp5-Cwo7CEGvI4MY\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/k7A-OXtRZzE?si=WsioDwf16ngOlcnS\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or 12\" orange vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Rubber Tree Dance\u003cbr\u003e2. Industry 04:27\u003cbr\u003e3. Herbie for Commercials\u003cbr\u003e4. Search Bar Hi Hat\u003cbr\u003e5. Window Sill Song\u003cbr\u003e6. Switchboard Operations\u003cbr\u003e7. Soft Sand\u003cbr\u003e8. Three Over Steel 05:42 video\u003cbr\u003e9. Chasing Brain\u003cbr\u003e10. History of Communication\u003cbr\u003e11. Feed The Birds\u003cbr\u003e12. Greg's Melody\u003cbr\u003e13. Dolphin Language\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir debut album 'Small Medium Large' began as a collection of long form improvisations recorded during two separate two-night stands at beloved Highland Park, Los Angeles venue ETA. Unfortunately, this major development site for the burgeoning new West Coast jazz \u0026amp; improvised music sound closed its doors permanently at the end of 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe venue, perhaps best known outside of LA for Jeff Parker's 2022 album 'Mondays at the Enfield Tennis Academy', was the perfect location for the start of SML, especially given that both bassist Anna Butterss and saxophonist Josh Johnson are part of Parker's quartet that held down a regular gig at ETA since the venue's early days (and hence thoroughly documented, heard on Parker's album). 'Small Medium Large' was engineered and recorded in stereo direct to Nagra by Bryce Gonzales and compiled, arranged, and edited with additional production, recording, and studio composition by SML across their various home studios.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile editing, chopping, and rearranging stereo mixed\u003cspan class=\"bcTruncateMore\"\u003e improvisations is hardly a new idea (for a modern and relevant example we can look to Makaya McCraven's output on IARC) these results are a stunning expansion of the Teo Macero \/ Miles Davis editing concept explored on classics like 'In a Silent Way', 'On The Corner', and 'Get Up With It'. Stylistically though, these recordings have more in common with the proto-trance repetitions of Harmonia, and with Holgar Czukay's re-assembly technique used in his work with Can. Throw in a supremely intuitive utilization of polyrhythmic floating patterns (a la Susumu Yokota), and the result is a truly innovative take on time-clocked electronic rhythms augmented with live instrumentation that never loses that elusive human sway.\u003cbr\u003e\u003cbr\u003e'Small Medium Large' is a sublime assemblage of circulatory grooves and textural anomalies, at different moments recalling the synth-laced improvisations of Herbie Hancock's Sextant, the jagged dance punk of Essential Logic, the rhythmic revelry of Fela Kuti, the low-end elasticity of Parliament\/Funkadelic, or the glitchy dub techno of Pole. Taken in totality, the album captures a euphoric creative synchronicity between some of today's most exciting musicians.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0085\u003c\/p\u003e"}
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アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2024年6月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International...
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![Daniel Villarreal with Jeff Parker & Anna Butterss // Lados B LP [COLOR]](http://tobirarecords.com/cdn/shop/files/a4049990247_16_medium.jpg?v=1696149838)
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{"id":9058119287034,"title":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP [COLOR]","handle":"daniel-villarreal-with-jeff-parker-anna-butterss-lados-b-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。クリアスモーク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" clear smoke vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-14T05:33:30+09:00","created_at":"2026-01-14T05:32:11+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":542900,"price_min":542900,"price_max":542900,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221659169018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP [COLOR]","public_title":null,"options":["Default Title"],"price":542900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993611","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","options":["Title"],"media":[{"alt":null,"id":32515111878906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","width":700},{"alt":null,"id":32515111944442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。クリアスモーク盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" clear smoke vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。 3人が2020年10月15-16日に行ったスピリチュアル・ジャズセッション9曲を収録。クリアスモーク盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker &...
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{"id":9058119090426,"title":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP [BLACK]","handle":"daniel-villarreal-with-jeff-parker-anna-butterss-lados-b-lp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-01-14T05:31:53+09:00","created_at":"2026-01-14T05:31:02+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":489800,"price_min":489800,"price_max":489800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221658808570,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B LP [BLACK]","public_title":null,"options":["Default Title"],"price":489800,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993710","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","options":["Title"],"media":[{"alt":null,"id":32515111878906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","width":700},{"alt":null,"id":32515111944442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178627_10.jpg?v=1696149840","width":1200},{"alt":null,"id":32515111977210,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033178626_10.jpg?v=1696149843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作レコードです。 3人が2020年10月15-16日に行ったスピリチュアル・ジャズセッション9曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker &...
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{"id":9058116698362,"title":"Photay with Carlos Niño \/\/ An Offering LP [COLOR]","handle":"photay-with-carlos-nino-an-offering-lp-color","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003eレコードは180gクリア重量盤、見開きゲートフォルド仕様です。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2026-01-14T05:27:42+09:00","created_at":"2026-01-14T05:27:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new","post newage"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48221651403002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Photay with Carlos Niño \/\/ An Offering LP [COLOR]","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993992799","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","\/\/tobirarecords.com\/cdn\/shop\/files\/0029880810_10.jpg?v=1723955220"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","options":["Title"],"media":[{"alt":null,"id":30864630743290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of1_a8fd7d97-c9f5-48cb-b6f0-9fdb4c5d6ef9.jpg?v=1666934218","width":700},{"alt":null,"id":30864630776058,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/of2_3790f20a-427b-43e7-b656-4b772cbe236a.jpg?v=1666934218","width":1200},{"alt":null,"id":34726377980154,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029880810_10.jpg?v=1723955220"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0029880810_10.jpg?v=1723955220","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003e心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。\u003c\/p\u003e\n\u003cp\u003eレコードは180gクリア重量盤、見開きゲートフォルド仕様です。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2112855781\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Piotr Orlov, August 2022\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eFlowing water is an essential element of Earthly existence, a living force, a process of nature, a path-making which combines infinite sources mixing imperceptibly into a singular energy. It’s also a potent metaphor. A childlike wonder at flowing water’s presence and power, all the impressions it makes and creative neurons that it fires, happens to be a personality trait shared by Evan Shornstein (aka Photay) and Carlos Niño. The two producers\/musical connectors may have grown up and reside a continent and daily realities apart — Photay in the forest serenity of New York’s Hudson Valley, Niño on Los Angeles’s ocean-adjacent west side — yet this magnetic power of fluidity, its sound, its meaning, what it can teach us about art and circulation, mesmerizes them both.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWater is the spiritual center of their first album-length collaboration, the vast and deep An Offering — from the visual on the cover, to the first sound you hear on the opening “Prelude,” to the underlying themes and images espoused by the poet-philosopher Iasos on the closing “Existence.” More importantly, the image of water-like flow is a continuous reflection of how these two musicians have come to work together and apart, of the way they made An Offering, and how they’re continuing to create, without a beginning and\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e (hopefully) with no end in sight. An infinite flow of sound, from and to every direction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSome of this work directly reflects the relationship between the two men, and of where\/how Photay’s electronic, often-dancefloor-oriented tracks found Niño’s far-reaching world of ambient spirituality and improvised soundscaping. The meeting point is precise: Laraaji, the new age zither legend with whom Niño regularly collaborates, including at a June 2016 show in New York City which Niño played and Shornstein attended. The connection initiated immediately after that performance did not simply find the pair participating in each other’s recording projects — Photay remixing a Niño-produced Laraaji track and involved in Niño \u0026amp; Friends sessions; Carlos showing up on multiple songs of Photay’s 2020 album, Waking Hours, some of which was recorded at Niño’s studio—but in a broad exchange of ideas.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNiño long ago established himself as one of Los Angeles’ great musical conduits, constructing environments that facilitate partnerships between far-flung artists, perpetuating the freedom of working in the present, outside expectations, trusting the work’s destination. When the younger Shornstein met Niño, his own creative process was ”almost too precious, and it was always my goal to break out of that.” Adapting Carlos’ pacing and free-flowing strategies — scenarios such as sharing recorded stems, bringing in old recordings to serendipitously fit new tracks, or mixing organic improvisations with stylized, post-produced rhythms — transformed Evan’s perspective. It made him rethink ideas like “finished,” shedding pressurized over-analysis for a process he calls “fluid” and “healthy.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt also made Shornstein reconsider some music they’d recorded but originally left off Waking Hours, “microscopic moments that were more expansive in my mind — there was so much honesty there.” What may not have made sense within the composed, hyper-stylized beauty of Hours, “felt really good” outside that context. Niño, who describes himself as “very album-oriented,” agreed, suggesting they create a unified body of work to match those moments — but not overthink it, make it quick, easy, productive, present. Which is how the re-imagining of pieces of music that became “Change” and “Exist,” sprung Photay and Carlos Niño into collaborating even more closely, and brought An Offering to the world.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sounds they gathered into an intentional, meditative whole, were made together and apart, and sourced from all over. The two producers made connections between new music and recordings they already had: Shornstein found hours of tape featuring solo playing by Upstate New York harpist Mikaela Davis, which became a central adornment on multiple tracks. Niño sent Shornstein a quartet improvisation he made with tenor saxophonist Aaron Shaw, keyboardist Diego Gaeta and synth-guitarist Nate Mercereau, which became the basis of “Honor.” They brought in trusted partners. The atmospheric blowing of LA-based tenor saxophonist Randal Fisher is a focal point throughout, at times processed by Photay’s machines. Photay’s trombone player Nathaneal Ranson, and Niño’s long-standing LA-based collaborator, vocalist Mia Doi Todd, float in-and-out of the mix. When Niño makes a record, another original “new age” legend, Iasos, is bound to be around, and his strong summation on “Existence” are the only words An Offering submits. The healing energy of Peterskill, a short rocky State Park waterway that ebbs through New York’s Ulster County (and across from Shornstein’s home — “a real environmental inspiration”), flows throughout. “Creating with no constructs,” is how Shornstein describes the process of bringing these elements together. “It was just a feeling, which maybe is what music or creating should always be.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePeterskill was also the source for a long extra track\/outro when An Offering debuted as a Bandcamp-exclusive cassette in October 2021 — and quickly sold out. (A gorgeous Shornstein-directed film accompanied the release as well.) The notion of this music as “offering” came to life in its immediacy (the tape was released only a month and half after the idea for it was seeded) and in its gift-like nature (you can still get the digital version at a price of your own choosing). Scott McNiece of International Anthem found it, and instantly connected with its natural essence, a sound that accompanies one’s movements through difficult moments, the motion of instinctive change, a way to mark the radical period of our time with incremental alterations. Like flowing water affecting an ancient landscape. International Anthem offered to give An Offering a full vinyl release, which is why you are reading this one-sheet right now. And like any current, the interconnectedness between Photay and Carlos Niño, their symbiotic way of informing and influencing each other’s sounds, continues to naturally move forward and shapeshift. They are working on multiple projects together at the moment, and have already completed More Offerings. Flow on!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年10月に同国シカゴのジャズレーベルInternational Anthemからリリースした共作アルバムです。 心地良いポストニューエイジ・アンビエントジャズ9曲を収録。Iasosも参加しています。 レコードは180gクリア重量盤、見開きゲートフォルド仕様です。クリア盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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{"id":9023093768442,"title":"Jeff Parker \/\/ Forfolks LP [BLACK]","handle":"jeff-parker-forfolks-lp-black","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-09T05:55:06+09:00","created_at":"2025-12-09T05:54:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48079955230970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Forfolks LP [BLACK]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597912104","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LP\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9023093440762,"title":"Jeff Parker \/\/ The New Breed (IA11 Edition) LP","handle":"jeff-parker-the-new-breed-ia11-edition-lp","description":"\u003cp\u003eアメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1307492242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally released by Int'l Anthem in 2016 --- this special reissue contains a new 16-page 11x11\" insert booklet with unpublished session photos, new liner notes by album co-producer Paul Bryan, and an in-depth conversation between Jeff Parker and IARC co-founder Scott McNiece.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Executive Life 07:38\u003cbr\u003e2. Para Ha Tay 00:49\u003cbr\u003e3. Here Comes Ezra 03:01\u003cbr\u003e4. Visions 04:21\u003cbr\u003e5. Jrifted 07:45\u003cbr\u003e6. How Fun It Is To Year Whip 04:39\u003cbr\u003e7. Get Dressed 03:48\u003cbr\u003e8. Cliche 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and\u003cspan class=\"bcTruncateMore\"\u003e electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003cbr\u003e\u003cbr\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive.\u003cbr\u003e\u003cbr\u003eThe final presentation is a retrospective tapestry that explores Parker’s past both musically – as a potent compositional tribute to his influences (J Dilla, Thelonious Monk, Charles Stepney)held together by literal fragments of his life’s work – and patrilineally – as a collaboration with his kin held together by clippings from the family photo album. The New Breed is Jeff Parker’s most vibrant and comprehensively personal work yet, appropriately the first in 11 years with only his name in the “lead artist” column.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC009\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-09T05:52:35+09:00","created_at":"2025-12-09T05:51:58+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":449800,"price_min":449800,"price_max":449800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48079950741754,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ The New Breed (IA11 Edition) LP","public_title":null,"options":["Default Title"],"price":449800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457209152","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","options":["Title"],"media":[{"alt":null,"id":36205657424122,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new1_f9fb5e1d-2080-4132-b5c2-b2ebabbc54f4.jpg?v=1750124248","width":700},{"alt":null,"id":36205657456890,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/new2_5b03a634-aad5-4c11-8b77-8952158b8956.jpg?v=1750124248","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1307492242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003eOriginally released by Int'l Anthem in 2016 --- this special reissue contains a new 16-page 11x11\" insert booklet with unpublished session photos, new liner notes by album co-producer Paul Bryan, and an in-depth conversation between Jeff Parker and IARC co-founder Scott McNiece.\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Executive Life 07:38\u003cbr\u003e2. Para Ha Tay 00:49\u003cbr\u003e3. Here Comes Ezra 03:01\u003cbr\u003e4. Visions 04:21\u003cbr\u003e5. Jrifted 07:45\u003cbr\u003e6. How Fun It Is To Year Whip 04:39\u003cbr\u003e7. Get Dressed 03:48\u003cbr\u003e8. Cliche 04:09\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBest known as a multi-instrumental member of Tortoise and a pillar of the Chicago jazz and experimental music scene, Jeff Parker has been incomparably prolific over the last 20+ years while merely producing 5 albums as a “lead artist” (just 2 since 2005, including 2016’s duo recording with Rob Mazurek on Rogue Art). “Lead artist” is in quotes here, because though his name is seldom seen in marquees, his distinctive guitar sound has been essential to every project he’s been part of. It was in that sense that we at International Anthem came to work with Parker during the production of Makaya McCraven’s In The Moment, an album which ultimately showcased said essentialness (of Parker’s “side man” sound) on 9 of its 19 tracks.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOver the course of the In The Moment sessions in 2013 and 2014, Parker was slowly transitioning his personal belongings from Chicago to a new home in Los Angeles. It was when finally settled that he found opportunity to re-open some home recordings and beat projects that had been dormant on his hard drive for years (early versions of some could have been heard in the late ‘00s on his Myspace page). Parker had long been in silent study of vinyl sampling and beat conduction, but perhaps it’s no coincidence that new residence in a city aflame with experimental R\u0026amp;B, jazz and\u003cspan class=\"bcTruncateMore\"\u003e electronic fusers (i.e. L.A., e.g. Brainfeeder, Leaving Records, Low End Theory) spurred him to dig back in to the practice and produce with more purpose.\u003cbr\u003e\u003cbr\u003eBy early 2015 Parker had refined several compositional ideas around his samples, and enlisted local friend Paul Bryan (Aimee Mann, Meshell Ndegeocello) to engineer and play bass guitar in sessions with Chicago ex-pat saxophonist, Thelonious Monk Institute protégé Josh Johnson (Miguel Atwood-Ferguson, Esperanza Spaulding)and drummer Jamire Williams (Robert Glasper, Carlos Niño. The recordings were conducted to capture composed passages as well as free playing that used Parker’s beats and sample suites as improvisational criterion. After completing 7 songs with the band, the last of which with vocals from his daughter Ruby Parker recorded in Chicago by John McEntire, Parker named the project The New Breed (after a clothing store his late father Ernie owned and operated in the ‘70s)and finished the album by stitching the band tracks together with intermittent pieces of beat memories from his archive.\u003cbr\u003e\u003cbr\u003eThe final presentation is a retrospective tapestry that explores Parker’s past both musically – as a potent compositional tribute to his influences (J Dilla, Thelonious Monk, Charles Stepney)held together by literal fragments of his life’s work – and patrilineally – as a collaboration with his kin held together by clippings from the family photo album. The New Breed is Jeff Parker’s most vibrant and comprehensively personal work yet, appropriately the first in 11 years with only his name in the “lead artist” column.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : IARC009\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのギタリストJeff Parkerが、2025年6月にシカゴのジャズレーベルInternational Anthemからリリースした再発レコードです。（オリジナルは2016年リリース） スピリチュアル・ジャズ8曲を収録。ライナーノーツ、ブックレット付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":9020617228538,"title":"Jeff Parker \/\/ Forfolks LP [COLOR]","handle":"jeff-parker-forfolks-lp-color","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" cool mint vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LPCM\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-05T14:54:15+09:00","created_at":"2025-12-05T14:52:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":489000,"price_min":489000,"price_max":489000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48066335703290,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Forfolks LP [COLOR]","public_title":null,"options":["Default Title"],"price":489000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993991969","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","options":["Title"],"media":[{"alt":null,"id":36463102591226,"position":1,"preview_image":{"aspect_ratio":0.993,"height":599,"width":595,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771"},"aspect_ratio":0.993,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21371338-1639662625-9098.jpg?v=1754011771","width":595},{"alt":null,"id":36457416753402,"position":2,"preview_image":{"aspect_ratio":1.003,"height":598,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771"},"aspect_ratio":1.003,"height":598,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/R-21302908-1672515922-9892.jpg?v=1754011771","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" cool mint vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr\u003e\u003cbr\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr\u003e\u003cbr\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr\u003e\u003cbr\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr\u003e\u003cbr\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr\u003e\u003cbr\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCat No : IARC0052LPCM\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。クールミント盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":8958407475450,"title":"Makaya McCraven \/\/ Off the Record 2xLP [BLACK]","handle":"makaya-mccraven-off-the-record-2xlp","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e4枚のEPをコンパイルしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s Mixtape』『Hidden Out!』『PopUp Shop』で構成されている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作は、GRAMMY が「マクレイヴン史上もっとも野心的な作品」と評した2022年の傑作『In These Times』以来の作品であり、マカヤが2015年のデビュー作『In the Moment』で確立し、その後の『Highly Rare』(2017年)、『Where We Come From』(2018年)、『Universal Beings』(2018年)で深めてきた “オーガニック・ビート・ミュージック”の真髄があらためて表現されている。マカヤは彼のライブ音源をシカゴの自宅スタジオで、編集・オーバーダブ・ポストプロダクションを重ねることで、彼独自のサウンド世界へと再構築している。そんな4つのEPまとめた『Off the Record』は、単なる音源集ではなく、創造性と共同性に満ちた、“その場にいた”からこそ生まれた音楽の瞬間を祝福するドキュメント作品でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今の時代、人はスマートフォンやヴァーチャルな世界で容易につながれるようになった。だがその一方で、何が本物で、何が偽物なのか、その境界線はどんどん曖昧になってきている。本当に大切なのは、実際に“そこに居た”ということ。その現場に身を置き、音を体で受け止めたという体験に、勝るものはない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e-マカヤ・マクレイヴン\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e以下各EPに関して:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Techno Logic (feat. Theon Cross \u0026amp; Ben LaMar Gay)』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eベン・ラマー・ゲイとセオン・クロスが参加。2017年のロンドン、2024年のベルリン、そして2025年のニューヨークでのライヴ録音から構成されており、この3人の間に築かれてきた約8年間にわたる音楽的な信頼関係が刻まれている。彼らの最初の出会いは、Worldwide FMのかつてのロンドン北部スタジオでのセッションだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The People's Mixtape』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2025年1月にブルックリンのPublic Recordsで行われたライヴ録音を土台としている。この公演は、マカヤが自身の代表作『In the Moment』の10周年を記念して開催したものであり、同作のセッションを通じて確立した即興言語に、意図的に立ち返る試みでもあった。この特別な夜にマカヤと共演したのは、ベーシストのユニウス・ポールとトランペット奏者のマーキス・ヒル。いずれも『In the Moment』において重要な役割を果たした演奏者たちだ。さらに、『Universal Beings』(2017年)のセッション以来の常連コラボレーターであるヴィブラフォン奏者のジョエル・ロス、そしてマカヤにとって初共演となるアンビエント・ジャズ・プロジェクト、SMLの共同リーダーであり、〈International Anthem〉所属のシンセ奏者、ジェレミア・チウも加わった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Hidden Out!』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2017年6月にマカヤがシカゴのThe Hideoutで行ったレジデンシー企画での録音を基に構成されている。この期間、彼は毎週入れ替わりのメンバーとともに即興演奏を行っており、参加者にはユニウス・ポールに加え、トータスのメンバーであり、〈International Anthem〉のレーベルメイトでもあるギタリスト\/作曲家のジェフ・パーカー、さらに同じくSMLの共同リーダーでありグラミー賞受賞歴を持つアルトサックス奏者\/プロデューサーのジョシュ・ジョンソンが名を連ねている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『PopUp Shop』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2015年にマカヤがロサンゼルスのDel Monte Speakeasyで初めてパフォーマンスを行った際の録音を基に制作された。このとき彼は、シカゴのDJ\/キュレーターであるキング・ヒッポと、サンフランシスコ発の前衛的な音楽プラットフォーム、Grown Kids Radioが企画したイベント「RAWS:LA」に出演し、ギタリストのジェフ・パーカー、ヴィブラフォン奏者のジャステファン、ベーシストのベンジャミン・J・シェパードと即興セッションを行っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2344641602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=177735624\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1068782011\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2497618056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e'OFF THE RECORD' is a compilation of Makaya McCraven's four EPs released October 2025 (Techno Logic, The People's Mixtape, Hidden Out!, and PopUp Shop) in a single physical format.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. YoYoYo Intro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Venice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Imafan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Los Gatos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5. Sweet Stuff\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Battleships\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Dark Parks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Awaze\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5. News Feed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6. Braddas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1. Gnu Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2. Technology\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3. Boom Bapped\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC4. Prime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC5. Strikes Again\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1. Choo Choo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2. The Beat Up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD3. What a Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD4. Lake Shore Drive Five\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0103\u003c\/p\u003e","published_at":"2025-10-17T11:10:41+09:00","created_at":"2025-10-17T10:21:11+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","international anthem","jazz","lp","new"],"price":588400,"price_min":588400,"price_max":588400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47831818141946,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Makaya McCraven \/\/ Off the Record 2xLP [BLACK]","public_title":null,"options":["Default Title"],"price":588400,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597894523","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am.png?v=1760664237","\/\/tobirarecords.com\/cdn\/shop\/files\/off1_8ea8ab38-b980-429b-bbb4-8c9357b29a6b.jpg?v=1760663377","\/\/tobirarecords.com\/cdn\/shop\/files\/off3.jpg?v=1760663377"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am.png?v=1760664237","options":["Title"],"media":[{"alt":null,"id":37125295603962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":510,"width":510,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am.png?v=1760664237"},"aspect_ratio":1.0,"height":510,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-17at10.09.24am.png?v=1760664237","width":510},{"alt":null,"id":37125295505658,"position":2,"preview_image":{"aspect_ratio":1.333,"height":300,"width":400,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/off1_8ea8ab38-b980-429b-bbb4-8c9357b29a6b.jpg?v=1760663377"},"aspect_ratio":1.333,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/off1_8ea8ab38-b980-429b-bbb4-8c9357b29a6b.jpg?v=1760663377","width":400},{"alt":null,"id":37125295571194,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/off3.jpg?v=1760663377"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/off3.jpg?v=1760663377","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e4枚のEPをコンパイルしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s Mixtape』『Hidden Out!』『PopUp Shop』で構成されている。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e本作は、GRAMMY が「マクレイヴン史上もっとも野心的な作品」と評した2022年の傑作『In These Times』以来の作品であり、マカヤが2015年のデビュー作『In the Moment』で確立し、その後の『Highly Rare』(2017年)、『Where We Come From』(2018年)、『Universal Beings』(2018年)で深めてきた “オーガニック・ビート・ミュージック”の真髄があらためて表現されている。マカヤは彼のライブ音源をシカゴの自宅スタジオで、編集・オーバーダブ・ポストプロダクションを重ねることで、彼独自のサウンド世界へと再構築している。そんな4つのEPまとめた『Off the Record』は、単なる音源集ではなく、創造性と共同性に満ちた、“その場にいた”からこそ生まれた音楽の瞬間を祝福するドキュメント作品でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e今の時代、人はスマートフォンやヴァーチャルな世界で容易につながれるようになった。だがその一方で、何が本物で、何が偽物なのか、その境界線はどんどん曖昧になってきている。本当に大切なのは、実際に“そこに居た”ということ。その現場に身を置き、音を体で受け止めたという体験に、勝るものはない。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e-マカヤ・マクレイヴン\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e以下各EPに関して:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Techno Logic (feat. Theon Cross \u0026amp; Ben LaMar Gay)』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eベン・ラマー・ゲイとセオン・クロスが参加。2017年のロンドン、2024年のベルリン、そして2025年のニューヨークでのライヴ録音から構成されており、この3人の間に築かれてきた約8年間にわたる音楽的な信頼関係が刻まれている。彼らの最初の出会いは、Worldwide FMのかつてのロンドン北部スタジオでのセッションだった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『The People's Mixtape』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2025年1月にブルックリンのPublic Recordsで行われたライヴ録音を土台としている。この公演は、マカヤが自身の代表作『In the Moment』の10周年を記念して開催したものであり、同作のセッションを通じて確立した即興言語に、意図的に立ち返る試みでもあった。この特別な夜にマカヤと共演したのは、ベーシストのユニウス・ポールとトランペット奏者のマーキス・ヒル。いずれも『In the Moment』において重要な役割を果たした演奏者たちだ。さらに、『Universal Beings』(2017年)のセッション以来の常連コラボレーターであるヴィブラフォン奏者のジョエル・ロス、そしてマカヤにとって初共演となるアンビエント・ジャズ・プロジェクト、SMLの共同リーダーであり、〈International Anthem〉所属のシンセ奏者、ジェレミア・チウも加わった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Hidden Out!』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2017年6月にマカヤがシカゴのThe Hideoutで行ったレジデンシー企画での録音を基に構成されている。この期間、彼は毎週入れ替わりのメンバーとともに即興演奏を行っており、参加者にはユニウス・ポールに加え、トータスのメンバーであり、〈International Anthem〉のレーベルメイトでもあるギタリスト\/作曲家のジェフ・パーカー、さらに同じくSMLの共同リーダーでありグラミー賞受賞歴を持つアルトサックス奏者\/プロデューサーのジョシュ・ジョンソンが名を連ねている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『PopUp Shop』\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e2015年にマカヤがロサンゼルスのDel Monte Speakeasyで初めてパフォーマンスを行った際の録音を基に制作された。このとき彼は、シカゴのDJ\/キュレーターであるキング・ヒッポと、サンフランシスコ発の前衛的な音楽プラットフォーム、Grown Kids Radioが企画したイベント「RAWS:LA」に出演し、ギタリストのジェフ・パーカー、ヴィブラフォン奏者のジャステファン、ベーシストのベンジャミン・J・シェパードと即興セッションを行っている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2344641602\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=177735624\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1068782011\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2497618056\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e'OFF THE RECORD' is a compilation of Makaya McCraven's four EPs released October 2025 (Techno Logic, The People's Mixtape, Hidden Out!, and PopUp Shop) in a single physical format.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA1. YoYoYo Intro\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA2. Venice\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA3. Imafan\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA4. Los Gatos\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eA5. Sweet Stuff\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB1. Battleships\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB2. Away\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB3. Dark Parks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB4. Awaze\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB5. News Feed\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eB6. Braddas\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC1. Gnu Blue\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC2. Technology\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC3. Boom Bapped\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC4. Prime\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eC5. Strikes Again\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD1. Choo Choo\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD2. The Beat Up\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD3. What a Life\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eD4. Lake Shore Drive Five\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0103\u003c\/p\u003e"}
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アメリカ・シカゴのパーカッショニストMakaya McCravenが、2025年10月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした2枚組レコードです。 4枚のEPをコンパイルしたアルバムです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "現代ジャズを代表するドラマー、コンポーザー、プロデューサーのマカヤ・マクレイヴン。〈International Anthem〉からの諸作、ギル・スコット・ヘロンやブルーノート作品の再構築盤などで一躍名を挙げる、現代ジャズを代表するドラマー、コンポーザー、プロデューサーの彼が、4枚のEPをまとめた作品『Off the Record』を、〈XL Recordings〉〈International Anthem〉〈Nonesuch〉よりリリース。純粋な即興演奏の瞬間、ライヴでのパフォーマンス中に録音された音源が収録され、空間や観客の存在までもが音に反映されている。互いに独立しながらも有機的につながり合う4枚のEP『Techno Logic』『The People’s...
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{"id":8949197046010,"title":"Tortoise \/\/ Touch CD","handle":"tortoise-touch-cd","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/18のリスニングイベントで販売開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e","published_at":"2025-10-07T14:44:39+09:00","created_at":"2025-10-07T14:42:00+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new","recommended"],"price":278000,"price_min":278000,"price_max":278000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800418107642,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tortoise \/\/ Touch CD","public_title":null,"options":["Default Title"],"price":278000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993995875","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","options":["Title"],"media":[{"alt":null,"id":37025637204218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","width":1200},{"alt":null,"id":37025760346362,"position":2,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943642_10.jpg?v=1759815828","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10\/18のリスニングイベントで販売開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e"}
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※10/18のリスニングイベントで販売開始します アメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。デジパック、シュリンク仕様です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now...
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{"id":8949189214458,"title":"Tortoise \/\/ Touch LP [COLOR]","handle":"tortoise-touch-lp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。アキシャルシーマウントカラー盤です。帯付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLimited Edition 'Axial Seamount' color vinyl inside a heavyweight reverse-board jacket with IARC OBI strip \u0026amp; printed poly-lined innersleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e","published_at":"2025-10-07T14:41:42+09:00","created_at":"2025-10-07T14:38:13+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800409948410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tortoise \/\/ Touch LP [COLOR]","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449","\/\/tobirarecords.com\/cdn\/shop\/files\/0040943633_10.jpg?v=1759815524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","options":["Title"],"media":[{"alt":null,"id":37025637204218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2905449829_10_a9d97ab1-57e7-4e43-9a83-47c8eec721cf.jpg?v=1759815406","width":1200},{"alt":null,"id":37025643004154,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041116874_10.jpg?v=1759815449","width":1200},{"alt":null,"id":37025668858106,"position":3,"preview_image":{"aspect_ratio":0.8,"height":1200,"width":960,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943633_10.jpg?v=1759815524"},"aspect_ratio":0.8,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0040943633_10.jpg?v=1759815524","width":960}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。アキシャルシーマウントカラー盤です。帯付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will Never Die』や『TNT』といった画期的な作品で花開いた、薄暗く優雅にねじれたジャズへの探求は依然として存在するが、『Touch』はおそらくTortoiseが堂々と壮大なジェスチャーを受け入れた点で最も注目に値する。空力学的に再構築されたクラウトロック、手回し式のテクノ・レイヴアップ、点描的なスパゲッティウェスタン風のファンファーレ——これら全てに、Tortoise特有の内在的論理が浸透している。それは等しく魅惑的で不可解な、解くよりも味わうべきパズルだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの多様なスタイルは、バンドの現在の活動状況も反映している。メンバーの2人がロサンゼルス、もう1人がポートランドに拠点を移し、故郷シカゴに残るのはわずか2人となったため、1990年代後半にロフトで共同生活しながら、終わりのない共同実験でサウンドを磨き上げた頃とは創作プロセスが大きく変化したのだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eロサンゼルス、ポートランド、シカゴの三都市で録音された『Touch』は、この5人のミュージシャンが意図的に再結集し、サウンドの核を再構築し、新たな活力を吹き込むことで生まれた作品であり、おそらくバンド史上最も多様性に富んだリリースとなっている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1886059748\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=835747164\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLimited Edition 'Axial Seamount' color vinyl inside a heavyweight reverse-board jacket with IARC OBI strip \u0026amp; printed poly-lined innersleeve.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Vexations\u003cbr\u003e2. Layered Presence 03:07\u003cbr\u003e3. Works and Days 04:16\u003cbr\u003e4. Elka\u003cbr\u003e5. Promenade à deux\u003cbr\u003e6. Axial Seamount\u003cbr\u003e7. A Title Comes\u003cbr\u003e8. Rated OG\u003cbr\u003e9. Oganesson\u003cbr\u003e10. Night Gang \u003cbr\u003e\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"With Touch, the Tortoise bandmembers — Jeff Parker, Dan Bitney, Douglas McCombs, John Herndon, and John McEntire — harness their collectivist songwriting approach, a slightly anarchistic but resolutely egalitarian process where ideas triumph over ego towards an abstracted muscularity. While there are still excursions into the dusky, elegantly gnarled jazz ambience that flourished on landmark works like Millions Now Living Will Never Die and TNT, Touch is perhaps most remarkable for Tortoise's unapologetic embrace of grand gesture. Aerodynamically re-engineered Krautrock, hand-cranked techno rave-ups, and pointillist spaghetti western fanfares are all imbued with Tortoise's now-signature internal logic — equally alluring and confounding, a puzzle to be savored rather than solved.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe stylistic diversity is also a reflection of the band's current operating circumstances: With two members now in Los Angeles, another in Portland, and just two remaining in the band's Chicago hometown, their creative process has shifted dramatically from when they lived together in a loft space in the late 1990s, honing their sound over endless hours of collective experimentation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRecorded between the three cities — Los Angeles, Portland, and Chicago — Touch is the result of an intentional effort by these five musicians to reconnect, recenter, and reinvigorate their sound for what is perhaps the group’s most diverse release to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tortoise\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC099\u003c\/p\u003e"}
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アメリカのジャズバンドTortoiseが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ10曲を収録。アキシャルシーマウントカラー盤です。帯付属。 以下、レーベルによる解説です。 "『Touch』において、TortoiseのメンバーJeff ParkerとDan Bitney、Douglas McCombs、 John Herndon、John McEntireは集団的な楽曲制作手法を駆使している。それは幾分無政府主義的でありながら断固として平等主義的なプロセスであり、自我よりもアイデアが優先され、抽象化された力強さへと昇華される。『Millions Now Living Will...
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{"id":8949156446458,"title":"SML \/\/ How You Been LP [COLOR]","handle":"sml-how-you-been-lp-color","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。プランクトングリーン盤です。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Limited Edition \"Plankton\" color vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e","published_at":"2025-10-07T14:05:37+09:00","created_at":"2025-10-07T13:59:18+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended"],"price":537300,"price_min":537300,"price_max":537300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47800304894202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"SML \/\/ How You Been LP [COLOR]","public_title":null,"options":["Default Title"],"price":537300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457224759","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","\/\/tobirarecords.com\/cdn\/shop\/files\/0041081823_10.jpg?v=1759813276"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","options":["Title"],"media":[{"alt":null,"id":37025344487674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a2861032363_10_78f7c4b8-e1b8-40a6-8b2d-e5ef74c8d690.jpg?v=1759812541","width":1200},{"alt":null,"id":37025448296698,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081823_10.jpg?v=1759813276"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0041081823_10.jpg?v=1759813276","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。プランクトングリーン盤です。帯付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1001924392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e140g Limited Edition \"Plankton\" color vinyl inside a heavyweight reverse-board jacket, with IARC OBI strip and poly-lined innersleeve. Pressed at Pallas in Germany with lacquers cut by Daniel K at SST.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gutteral Utterance\u003cbr\u003e2. Chicago Four\u003cbr\u003e3. Taking out the Trash\u003cbr\u003e4. Plankton\u003cbr\u003e5. Chicago Three\u003cbr\u003e6. Daves\u003cbr\u003e7. Old Mytth\u003cbr\u003e8. Stepping In \/ The Loop\u003cbr\u003e9. Brood Board SHROOM\u003cbr\u003e10. Odd Evens\u003cbr\u003e11. How You Been\u003cbr\u003e12. Moving Walkway\u003cbr\u003e13. Mouth Words \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"SML is the quintet of bassist Anna Butterss, synthesist Jeremiah Chiu, saxophonist Josh Johnson, percussionist Booker Stardrum, and guitarist Gregory Uhlmann. Their second album, How You Been, finds the supergroup of prolific composer\/producers pushing ever further into the hyperrealist, collectivist approach to music creation nascently explored on their debut Small Medium Large, which was lauded as “awe-inspiring” by Glide, “exuberant” by the Los Angeles Times, and “an exciting milestone” by Pitchfork. \u003cbr\u003e\u003cbr\u003eHow You Been represents a breakthrough in the musical language of the group. This new work was crafted via extensive post-production of recordings from a handful of shows in a similar fashion to their debut, but whereas Small Medium Large was constructed from analog tapes of the band’s very first (and very modest) shows at bygone Highland Park LA venue ETA, How You Been was built with a higher level of self-awareness and a far deeper pool of source material. \u003cbr\u003e\u003cbr\u003eBehind the thrust of the first album’s success, the band approached every performance in late 2024 and early 2025 as a generative opportunity to hone their sound and document their expansion across a new landscape of audiences, venues, and cities\u003cspan class=\"bcTruncateMore\"\u003e. Despite the premeditation driving their commitment to record every moment, the band started every show without musical direction, improvising intuitively, completely. Within every performance is an impressive display of the band’s total trust in one another and confidence in their own instincts. \u003cbr\u003e\u003cbr\u003eAs SML has evolved and spread out in space-time, their fluencies, both as an improvising unit in performance and as a production team in the studio, have sharpened. At inception the band inspired disparate but distinctive artist comparisons like Essential Logic, Oval, Herbie Hancock’s Sextant, and electric Miles Davis, as well as assorted genre touchpoints like Afrobeat, kosmiche, proto-techno and new-jazz. With How You Been their work manages to both collapse and explode such derivatives, displaying a new, high resolution version of SML, fully-flowered into a new strain of sound, bound to incite its own copycats in due time. \u003cbr\u003e\u003cbr\u003e“SML might signal a new iteration of jazz, or it might not be jazz at all, or it might not matter.” - Pitchfork \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eIt’s important to note that SML’s sound wasn’t created in a vacuum. The band is part of an extensive community of creative musicians who collaborate in a multitude of ways, and that community has proven to be essential to a growing family tree of innovative, genre-expanding music. Los Angeles in the 2020s is a musical Petri dish in the same way that Cologne \u0026amp; Dusseldorf were for the birth of Krautrock; Canterbury for progressive rock in the late 60s; NYC for No Wave \u0026amp; the Downtown sound in the late 70s and 80s; Chicago for genreless, Tortoise-adjacent sounds in the 90s. The musicians of SML represent the core of a new school within the Los Angeles jazz and improvised music scene that seems to breed infinitely overlapping combinations, including Jeff Parker’s ETA IVtet and Expansion Trio, the Uhlmann Johnson Wilkes trio, Anna Butterss’s own band (as heard on 2024’s Mighty Vertebrate), and various other solo and ensemble projects encompassing every single member of the SML, respectively. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003eOn How You Been the curatorial challenge of the capture-cut production employed by SML is met by the delightful happenstance of each member being a seasoned producer on their own merit. Accordingly, SML’s perspective on what is a moment to expand upon with the post-producer’s knife and glue is five-strong. Each member’s proclivities, penchants, and predelections get their chance to filter the always-evolving elements of the group concept. \u003cbr\u003e\u003cbr\u003e“Chicago Four” uses a live recording from treasured Chicago haunt The Empty Bottle as its foundation. It begins with interlocking synth and percussion loops before the entry of Uhlmann’s wobble-effected electric guitar melody and Butterss’s picked bass counterpoint. Stardrum’s swinging traps slide in, catching up to a couple of added percussion layers, before Johnson adds distorted chordal hits that sound like hard horn samples from a golden era Bomb Squad or Rakim beat. It all intertwines perfectly and makes an otherworldly vehicle for Johnson and Chiu’s cascading keyed melody, which soars above and between, complimenting either side of a hypnotically shifting, infectiously repeating modulation. \u003cbr\u003e\u003cbr\u003e“Brood Board SHROOM” is a temporary touchdown on an alien planet where rhythm moves in timeless, breath-like undulations, with repetitions cut from a very different cloth than the lock-step polyrhythmic grooves of “Chicago Four.” The track’s opening lines evoke the soft throbs of the beloved ambient works of Aphex Twin (or perhaps a Robitussen-drenched take on Steve Reich’s Different Trains), before frothy curtains of textured sound drape into the mix, overlaying like distant, minimalist symphonies in a gentle, synthetic recreation of free time — slackening and accelerating as each layer of tonal pulses hovers to front-and-center or retreats into the distance. It’s a gut feeling rather than an academic exercise, and it’s all in the service of forward motion. “Plankton” occupies a similar space albeit in bite-sized form, centering Buterss’s low end melodicism and high-string visitations surrounded by skittering tonal chatter from their bandmates. \u003cbr\u003e\u003cbr\u003eOf course, SML’s experiments with this kind of pulsating freedom are heavily balanced by muscular turns and body mechanics fit for the dancefloor. “Taking Out the Trash” is a perfect pace-setter for How You Been, a punchy nugget encapsulating the essence of SML. Chiu’s percussion synth establishes the groove before Stardrum and Butterss drop in on a heavy breakbeat. Uhlmann comes in with a searing, plucked staccato funk line on his guitar that would give Glenn Branca and Larry Coryell something to high five about. Things eventually trip into a total breakdown, with only the perc synth still looping. When the band explodes back in, the key has changed, and Johnson is letting loose on a wailing, distorted saxophone solo. \u003cbr\u003e\u003cbr\u003e“Is there a way to dim the lights a little more?” Chiu asks at the start of the album’s closer “Mouth Words.” Moments later SML takes us out with a mid-tempo 4\/4 groover dressed in swelling glissandos and punctuated by insistent, rapid-fire phrases from Johnson’s alto. As the final tune dissolves into a layer of arpeggiated chirps and sampled crowd sounds, Chiu’s voice is back again to say what we’re all thinking: “Very good. Thank you.”\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : SML\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No: IARC0105\u003c\/p\u003e"}
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アメリカのベーシストAnna Butterssとシンセ奏者Jeremiah Chiu、サックス奏者Josh Johnson、パーカッショニストBooker Stardrum、ギタリストGregory UhlmannによるバンドSMLが、2025年10月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたアルバムです。 コンテンポラリー・ジャズ〜アンビエント・ジャズ13曲を収録。プランクトングリーン盤です。帯付属。 レーベルその他作品はこちら /// Click here to see more International Anthem...
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{"id":8935077380346,"title":"Resavoir \u0026 Matt Gold \/\/ Horizon CD","handle":"resavoir-matt-gold-horizon-cd","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年7月にシカゴのジャズレーベルInternational Anthemからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜フュージョン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eMacie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2100518563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipak.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Canopy 02:15\u003cbr\u003e2. Memento\u003cbr\u003e3. Dewy 04:05\u003cbr\u003e4. Zero Gravity\u003cbr\u003e5. Diversey Beach (feat. Mei Semones)\u003cbr\u003e6. Ahhh\u003cbr\u003e7. Horizon\u003cbr\u003e8. Hazel Canyon\u003cbr\u003e9. Metropoli\u003cbr\u003e10. Tomorrow\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThe LP took about a year with on-and-off sessions,” says Miller. “The songs benefit from letting them ferment for a couple months, coming back to it, and seeing what sort of new flavors have developed.” Co-produced by Miller and Gold (and mixed by Dave Vettraino), Horizon proudly reflects the artists’ vast artistic community and musical network in Chicago and beyond. Along with Gold, Eddie Burns (Clairo), Peter Mannheim (Tony Glausi), and Carter Lang (SZA, Lil Nas X) provide drums and percussion throughout. On the dreamlike single “Diversey Beach,” New York songwriter Mei Semones lends vocals and along with her band members Noah Leong and Claudius Agrippa, collaborated on a mesmerizingly conversational string arrangement. “We wrote \"Diversey Beach\" on the coldest day of the year watching a blizzard coming down out of the window, where the sounds of the cars driving by sounded like waves crashing on a beach,” says Miller. “I sent it to Mei Semones, who I’ve been a fan of for a long time. She's absolutely incredible and it’s amazing what she did with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorizon is a testament to the feeling of endless possibilities that come from collaboration. It’s a remarkable synthesis of two artists who share musical community and an artist lineage but have carved their own paths in unique ways. Nowhere is this more evident than “Hazel Canyon,” which boasts Gold’s silky pedal steel and a subtly enveloping arrangement that evokes Erasmo Carlos. “Musically, we're always trying to capture a fleeting moment of infinite expanse, feeling the vastness of things while knowing they'll always change,” says Gold. “This record keeps the light reflecting on the water just a little longer -- our collaborative process running through the backbone of these songs and rippling out in so many beautiful directions..”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir \u0026amp; Matt Gold\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0096CD\u003c\/p\u003e","published_at":"2025-09-25T07:35:52+09:00","created_at":"2025-09-25T07:33:52+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new","recommended","resavoir"],"price":261600,"price_min":261600,"price_max":261600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47756173771002,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Resavoir \u0026 Matt Gold \/\/ Horizon CD","public_title":null,"options":["Default Title"],"price":261600,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203419","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500","options":["Title"],"media":[{"alt":null,"id":36011425202426,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_a8206ede-16d5-4ed3-beea-eb7778c774c9.jpg?v=1747006500","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年7月にシカゴのジャズレーベルInternational Anthemからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜フュージョン10曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eMacie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2100518563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipak.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Canopy 02:15\u003cbr\u003e2. Memento\u003cbr\u003e3. Dewy 04:05\u003cbr\u003e4. Zero Gravity\u003cbr\u003e5. Diversey Beach (feat. Mei Semones)\u003cbr\u003e6. Ahhh\u003cbr\u003e7. Horizon\u003cbr\u003e8. Hazel Canyon\u003cbr\u003e9. Metropoli\u003cbr\u003e10. Tomorrow\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThe LP took about a year with on-and-off sessions,” says Miller. “The songs benefit from letting them ferment for a couple months, coming back to it, and seeing what sort of new flavors have developed.” Co-produced by Miller and Gold (and mixed by Dave Vettraino), Horizon proudly reflects the artists’ vast artistic community and musical network in Chicago and beyond. Along with Gold, Eddie Burns (Clairo), Peter Mannheim (Tony Glausi), and Carter Lang (SZA, Lil Nas X) provide drums and percussion throughout. On the dreamlike single “Diversey Beach,” New York songwriter Mei Semones lends vocals and along with her band members Noah Leong and Claudius Agrippa, collaborated on a mesmerizingly conversational string arrangement. “We wrote \"Diversey Beach\" on the coldest day of the year watching a blizzard coming down out of the window, where the sounds of the cars driving by sounded like waves crashing on a beach,” says Miller. “I sent it to Mei Semones, who I’ve been a fan of for a long time. She's absolutely incredible and it’s amazing what she did with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorizon is a testament to the feeling of endless possibilities that come from collaboration. It’s a remarkable synthesis of two artists who share musical community and an artist lineage but have carved their own paths in unique ways. Nowhere is this more evident than “Hazel Canyon,” which boasts Gold’s silky pedal steel and a subtly enveloping arrangement that evokes Erasmo Carlos. “Musically, we're always trying to capture a fleeting moment of infinite expanse, feeling the vastness of things while knowing they'll always change,” says Gold. “This record keeps the light reflecting on the water just a little longer -- our collaborative process running through the backbone of these songs and rippling out in so many beautiful directions..”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir \u0026amp; Matt Gold\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0096CD\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年7月にシカゴのジャズレーベルInternational Anthemからリリースした共作CDです。 アンビエント・ジャズ〜フュージョン10曲を収録。デジパック、シュリンク仕様です。 Macie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ...
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{"id":8922624426234,"title":"Carlos Niño \u0026 Miguel Atwood-Ferguson \/\/ Chicago Waves (IA11 Edition) LP","handle":"carlos-nino-miguel-atwood-ferguson-chicago-waves-ia11-edition-lp","description":"\u003cp\u003eアメリカのジャズ作家Carlos Niño \u0026amp; Miguel Atwood-Fergusonが、2025年6月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・スピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1324208983\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003cbr\u003eThe new IA11 version includes \u003cspan\u003e16-page insert booklet with additional photos and new liner notes written by IARC co-founder Scottie McNiece. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part 1 03:22\u003cbr\u003e2. Part 2 05:31\u003cbr\u003e3. Part 3 05:08\u003cbr\u003e4. Part 4 09:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Part 5 03:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Part 6 - Into Eternity 03:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Part 7 03:31\u003cbr\u003e\u003c\/span\u003e8. Part 8 - Chicago Waves 10:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Parts I-IV (continuous) 23:03\u003cbr\u003e\u003c\/span\u003e10. Parts V-VIII (continuous) 20:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 2018 live performance captured on Carlos Niño \u0026amp; Miguel Atwood-Ferguson’s 'Chicago Waves' marked a beautiful turning point for International Anthem. The moment was recorded at our then-HQ in Chicago, Co-Prosperity, the day after Niño and Atwood-Ferguson performed as part of Makaya McCraven’s ensemble to celebrate the release of 'Universal Beings' and recreate their contributions to that album's “Los Angeles Side.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two musicians were keen to use their time in Chicago to not only support Makaya's music but also create and present fresh sounds of their own to a receptive new community. In many ways this set of improvisational, exploratory conversation between Atwood-Ferguson’s violin\/effects and Niño’s percussion\/soundscapes cemented the growing interchange between International Anthem's bases in LA and the Windy City.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe 2020 release of this recording as 'Chicago Waves' magnified the unmistakable sound of togetherness audible in its grooves in a way that was uniquely cathartic given the difficulties, restrictions, and widespread social isolation of those times. But as that era fades further into the rearview mirror, 'Chicago Waves' maintains its power. It’s not a mystery—this is what togetherness sounds like.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe IA11 Edition LP features our IARC 2025 obi strip, plus a new 16-page 11x11\" insert booklet with additional photos and extensive new liner notes by IARC co-founder Scott McNiece.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Niño \u0026amp; Miguel Atwood-Ferguson\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0033\u003c\/p\u003e","published_at":"2025-09-14T08:47:34+09:00","created_at":"2025-09-14T08:35:50+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":379000,"price_min":379000,"price_max":379000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47718889455866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Carlos Niño \u0026 Miguel Atwood-Ferguson \/\/ Chicago Waves (IA11 Edition) LP","public_title":null,"options":["Default Title"],"price":379000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457209138","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/chic1.jpg?v=1757806418","\/\/tobirarecords.com\/cdn\/shop\/files\/chic2.jpg?v=1757806418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/chic1.jpg?v=1757806418","options":["Title"],"media":[{"alt":null,"id":36804895506682,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chic1.jpg?v=1757806418"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chic1.jpg?v=1757806418","width":700},{"alt":null,"id":36804895539450,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chic2.jpg?v=1757806418"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chic2.jpg?v=1757806418","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのジャズ作家Carlos Niño \u0026amp; Miguel Atwood-Fergusonが、2025年6月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・スピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1324208983\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl. \u003cbr\u003eThe new IA11 version includes \u003cspan\u003e16-page insert booklet with additional photos and new liner notes written by IARC co-founder Scottie McNiece. \u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Part 1 03:22\u003cbr\u003e2. Part 2 05:31\u003cbr\u003e3. Part 3 05:08\u003cbr\u003e4. Part 4 09:01\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Part 5 03:10\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Part 6 - Into Eternity 03:21\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Part 7 03:31\u003cbr\u003e\u003c\/span\u003e8. Part 8 - Chicago Waves 10:00\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Parts I-IV (continuous) 23:03\u003cbr\u003e\u003c\/span\u003e10. Parts V-VIII (continuous) 20:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe 2018 live performance captured on Carlos Niño \u0026amp; Miguel Atwood-Ferguson’s 'Chicago Waves' marked a beautiful turning point for International Anthem. The moment was recorded at our then-HQ in Chicago, Co-Prosperity, the day after Niño and Atwood-Ferguson performed as part of Makaya McCraven’s ensemble to celebrate the release of 'Universal Beings' and recreate their contributions to that album's “Los Angeles Side.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe two musicians were keen to use their time in Chicago to not only support Makaya's music but also create and present fresh sounds of their own to a receptive new community. In many ways this set of improvisational, exploratory conversation between Atwood-Ferguson’s violin\/effects and Niño’s percussion\/soundscapes cemented the growing interchange between International Anthem's bases in LA and the Windy City.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe 2020 release of this recording as 'Chicago Waves' magnified the unmistakable sound of togetherness audible in its grooves in a way that was uniquely cathartic given the difficulties, restrictions, and widespread social isolation of those times. But as that era fades further into the rearview mirror, 'Chicago Waves' maintains its power. It’s not a mystery—this is what togetherness sounds like.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe IA11 Edition LP features our IARC 2025 obi strip, plus a new 16-page 11x11\" insert booklet with additional photos and extensive new liner notes by IARC co-founder Scott McNiece.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Carlos Niño \u0026amp; Miguel Atwood-Ferguson\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0033\u003c\/p\u003e"}
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アメリカのジャズ作家Carlos Niño & Miguel Atwood-Fergusonが、2025年6月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。 ポストニューエイジ・スピリチュアルジャズ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem...
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{"id":8911757771002,"title":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire 2xLP [COLOR]","handle":"carlos-nino-friends-im-just-chillin-on-fire-2xlp-color","description":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。レコードには帯とブックレット付属。ピンク盤です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" pink vinyl. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e","published_at":"2025-09-01T06:58:37+09:00","created_at":"2025-09-01T06:57:35+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":625000,"price_min":625000,"price_max":625000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47678680269050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire 2xLP [COLOR]","public_title":null,"options":["Default Title"],"price":625000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993246","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420","\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404","\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","options":["Title"],"media":[{"alt":null,"id":32325401772282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0903648781_16.jpg?v=1691966082","width":700},{"alt":null,"id":32325401805050,"position":2,"preview_image":{"aspect_ratio":1.282,"height":936,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420"},"aspect_ratio":1.282,"height":936,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0032578946_10.jpg?v=1696146420","width":1200},{"alt":null,"id":32515051553018,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416753_10_0f78330f-effe-4a84-a7bb-7c70cb7378e8.jpg?v=1696146404","width":1200},{"alt":null,"id":32515051618554,"position":4,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0033416749_10.jpg?v=1696146418","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。レコードには帯とブックレット付属。ピンク盤です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. 12\" pink vinyl. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"tralbumData tralbum-about\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e"}
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過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。 12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャズ全17曲を収録。レコードには帯とブックレット付属。ピンク盤です。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、ジャーナリストMarcus J. Mooreによる解説です。 "ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。...
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{"id":8911659106554,"title":"Dezron Douglas \/\/ ATALAYA LP [COLOR]","handle":"dezron-douglas-atalaya-lp-color","description":"\u003cp\u003eアメリカ・コネチカットのベーシストDezron Douglasが、2022年12月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアップテンポからバラードまで10曲を収録。深海盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3561225918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeep Sea color vinyl LP in Heavyweight Reverse-Board Jacket, with IARC OBI strip \u0026amp; dome-pattern inner sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ATALAYA is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative process of Music.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowers of contemporary jazz might recognize Dezron for his bass work behind Pharoah Sanders, Louis Hayes, or Ravi Coltrane. Others might know him as the newest full-time member of the Trey Anastasio Band. Steady International Anthem listeners might remember him from the New York side of Makaya McCraven's Universal Beings. More recently we presented Force Majeure, Dezron’s sublime duo record with harpist Brandee Younger, which compiled the best of livestream performances from their Harlem apartment during the original covid lockdown. That album, which came out in December of 2020, reflected the speed and feeling of the moment while somehow simultaneously distracting from the harsh reality of it. It also captured a very vulnerable, intimate, and real impression of Dezron\u003cspan class=\"bcTruncateMore\"\u003e on double bass, sharing his power and truth without abandon.\u003cbr\u003e\u003cbr\u003eATALAYA, similarly, wasn’t processed in the lab, but rather, captured in the room. The realness factor is once again forefront in the sound; but the difference is in the energy and ambition of the music, which reaches for the stratosphere. Again, let’s defer to Dezron here: “Welcome to the Black Lion rocket ship.”\u003cbr\u003e\u003cbr\u003eWith Emilio Modeste on saxes, George Burton on keys, and Joe Dyson Jr. on drums, Dezron’s crew summons the dynamism of Coltrane’s classic Quartet, or Dave Holland’s Quintet on Prime Directive, or Charles Mingus on Nostalgia In Times Square… swinging virtuosically and firing on all 4 cylinders. But there’s nothing remotely revisionist here – Dezron and his quartet embody poetry, presence, artistic and emotional clarity in every note they play. Free and dissonant, sweet and consonant, sweeping and pure… This is the band you hope is playing every time you walk into a club.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dezron Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2025-09-01T06:31:05+09:00","created_at":"2025-09-01T06:30:26+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":425000,"price_min":425000,"price_max":425000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47678557389050,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dezron Douglas \/\/ ATALAYA LP [COLOR]","public_title":null,"options":["Default Title"],"price":425000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de_54dda656-70a4-4dc1-97aa-1253bdb76a51.jpg?v=1671931474","\/\/tobirarecords.com\/cdn\/shop\/products\/de2_53cc52b9-2361-41f4-a516-b8f6a1b1c613.jpg?v=1671931474"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de_54dda656-70a4-4dc1-97aa-1253bdb76a51.jpg?v=1671931474","options":["Title"],"media":[{"alt":null,"id":31252112736506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de_54dda656-70a4-4dc1-97aa-1253bdb76a51.jpg?v=1671931474"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de_54dda656-70a4-4dc1-97aa-1253bdb76a51.jpg?v=1671931474","width":700},{"alt":null,"id":31252112769274,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_53cc52b9-2361-41f4-a516-b8f6a1b1c613.jpg?v=1671931474"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de2_53cc52b9-2361-41f4-a516-b8f6a1b1c613.jpg?v=1671931474","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・コネチカットのベーシストDezron Douglasが、2022年12月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアップテンポからバラードまで10曲を収録。深海盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3561225918\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDeep Sea color vinyl LP in Heavyweight Reverse-Board Jacket, with IARC OBI strip \u0026amp; dome-pattern inner sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"ATALAYA is new work by bassist Dezron Douglas, and it is alive. That is, ‘alive’ in all the ways that jazz is at its best – as a pure and personal expression of Black Music channeled through time-honored traditions by a group of musicians who practice sonic coherence through musical unity. As Dezron puts it in the opening statement of his liner notes for the album: “Mysticism, Magic, Faith, Love, Power, Discernment! These are words that embody the creative process of Music.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowers of contemporary jazz might recognize Dezron for his bass work behind Pharoah Sanders, Louis Hayes, or Ravi Coltrane. Others might know him as the newest full-time member of the Trey Anastasio Band. Steady International Anthem listeners might remember him from the New York side of Makaya McCraven's Universal Beings. More recently we presented Force Majeure, Dezron’s sublime duo record with harpist Brandee Younger, which compiled the best of livestream performances from their Harlem apartment during the original covid lockdown. That album, which came out in December of 2020, reflected the speed and feeling of the moment while somehow simultaneously distracting from the harsh reality of it. It also captured a very vulnerable, intimate, and real impression of Dezron\u003cspan class=\"bcTruncateMore\"\u003e on double bass, sharing his power and truth without abandon.\u003cbr\u003e\u003cbr\u003eATALAYA, similarly, wasn’t processed in the lab, but rather, captured in the room. The realness factor is once again forefront in the sound; but the difference is in the energy and ambition of the music, which reaches for the stratosphere. Again, let’s defer to Dezron here: “Welcome to the Black Lion rocket ship.”\u003cbr\u003e\u003cbr\u003eWith Emilio Modeste on saxes, George Burton on keys, and Joe Dyson Jr. on drums, Dezron’s crew summons the dynamism of Coltrane’s classic Quartet, or Dave Holland’s Quintet on Prime Directive, or Charles Mingus on Nostalgia In Times Square… swinging virtuosically and firing on all 4 cylinders. But there’s nothing remotely revisionist here – Dezron and his quartet embody poetry, presence, artistic and emotional clarity in every note they play. Free and dissonant, sweet and consonant, sweeping and pure… This is the band you hope is playing every time you walk into a club.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dezron Douglas\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・コネチカットのベーシストDezron Douglasが、2022年12月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 アップテンポからバラードまで10曲を収録。深海盤です。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":8878195998970,"title":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B CD","handle":"daniel-villarreal-with-jeff-parker-anna-butterss-lados-b-cd","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-08-04T06:40:47+09:00","created_at":"2025-08-04T06:40:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","international anthem","jazz","new"],"price":279000,"price_min":279000,"price_max":279000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47579826815226,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Villarreal with Jeff Parker \u0026 Anna Butterss \/\/ Lados B CD","public_title":null,"options":["Default Title"],"price":279000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"789993993628","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","\/\/tobirarecords.com\/cdn\/shop\/files\/0033537900_10.jpg?v=1733372843"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","options":["Title"],"media":[{"alt":null,"id":32515111878906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a4049990247_16.jpg?v=1696149838","width":700},{"alt":null,"id":35265894285562,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033537900_10.jpg?v=1733372843"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033537900_10.jpg?v=1733372843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eパナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作CDです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e3人が2020年10月15-16日に行った\u003c\/span\u003eスピリチュアル・ジャズセッション9曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker \u0026amp; Anna Butterssは、ギタリストの\u003cmeta charset=\"utf-8\"\u003eJeff ParkerとベーシストのAnna Butterssとともに、LAのChicali Outpostの裏庭で午後からレコーディングを行った。3人のミュージシャンにとって、パンデミックによって世界が封鎖されたわずか7ヶ月前以来、初めて直接会ってのアンサンブル・レコーディング・セッションだった。このセッションからいくつかの選りすぐりの瞬間が、絶賛された2022年のVillarrealのアルバム『Panamá 77』に収録されたが、ほとんどの楽曲は未発表のままだった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eこの『Lados B』は、Daniel Villarreal、Jeff Parker、Anna Butterssの3人が2020年の2日間に作り上げたハイレベルな自発的音楽に深く切り込んだ作品だ。Villarrealは、ファニア・レコードのラテン・ファンクやブレイン・レコードの異世界的なヒューマニティ・トランスに影響を受けたような流れで、即興演奏のための様々なリズムモードや構造を通してグループをリードしている。一方、ParkerとButterssは、彼らの自発的なメロディズムのためのハーモニー・ブイを構築するために、（最近リリースされたパーカーの『Mondays at the Enfield Tennis Academy』や、マカヤ・マクレイヴンの2018年LP『Universal Beings』のLAサイドで聴けるように）一緒にフリーで演奏した豊富な経験を活かしている。その結果、歴史上特に豊かな瞬間の文脈、創造性、集団的構成が美しく鮮やかに描かれている。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=503840176\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDaniel Villarreal – drums, percussion\u003cbr\u003eJeff Parker – guitar\u003cbr\u003eAnna Butterss – double bass, electric bass\u003cbr\u003e\u003cbr\u003eRhodes piano on “Salute” by Neal Francis.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eOn October 15th and 16th, 2020, drummer Daniel Villarreal was joined by guitarist Jeff Parker and bassist Anna Butterss for two afternoons of recording in the backyard of Chicali Outpost in Los Angeles. For all three musicians, it was the first ensemble recording session they’d done in-person since the pandemic locked the world down just seven months prior. Some choice moments from these sessions made it onto Villarreal’s critically-acclaimed 2022 album Panamá 77, but most of the music remained unreleased.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLados B is a deep dive into the high-level spontaneous music made by Villarreal, Parker, and Butterss across those two days in 2020. Villarreal is heard leading the group through various rhythmic modes and structures for improvisation – flow as informed by the Latin funk of Fania Records as it is by the otherworldly humanity trance of Brain Records – while Parker and Butterss draw on their extensive experience playing free together (as heard on Parker's recently-released Mondays at the Enfield Tennis Academy, and the LA side of Makaya McCraven's 2018 LP Universal Beings) to build harmonic buoys for their spontaneous melodicism. The result is a beautifully vivid illustration of context, creativity, and collective composition from a particularly rich moment in history.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003eRecorded by Ben Lumsdaine, October 15-16, 2020,\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eat Chicali Outpost, Los Angeles CA.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAdditional Recording by Dave Vettraino.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMixed by Dave Vettraino and Daniel Villarreal.\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMastered by David Allen.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Daniel Villarreal with Jeff Parker \u0026amp; Anna Butterss\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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パナマ出身シカゴ在住のドラマーDaniel Villarrealと盟友Jeff Parker、Anna Butterssが、2023年10月にアメリカ・シカゴのInternational Anthemからリリースした共作CDです。 3人が2020年10月15-16日に行ったスピリチュアル・ジャズセッション9曲を収録。 以下、レーベルによる解説です。 "2020年10月15日と16日、ドラマーのDaniel Villarreal with Jeff Parker & Anna...
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{"id":8878195867898,"title":"Tom Skinner \/\/ Voices of Bishara LP","handle":"tom-skinner-voices-of-bishara-lp","description":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e6つのセッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3960316375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eClassic Black 160g LP in Heavyweight Reverse-Board Jacket, with Glossy Photo Insert Sheet, IARC OBI strip \u0026amp; dome-pattern inner sleeve. 45rpm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album ‘By Myself’, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a classic-sounding record that connects backwards to Skinner’s 2017 Hello Skinny collaboration with American composer and Arthur Russell-collaborator Peter Zummo on ‘Watermelon Sun’. It links sideways to Makaya McCraven’s beat maker-inspired treatments of jazz sessions, and it offers a musical bridge to Sons of Kemet’s most meditative moments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Voices of Bishara’ began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album ‘Life Time’ and the music he and his friends conjured up was so special\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that it inspired Skinner to write an albums-worth of phenomenal new music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSkinner, a cellist, a bass player and two saxophonists recorded the results classic album-style, with everyone in the same room. He took the music home and it was put to the side, occasionally coming out for some attention in between Tom’s many other creative projects. This was a slow burn creation, and gradually, a new album began appearing as he embraced the studio recordings and accentuated their sublime idiosyncrasies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I took a very liberal approach with the scissors and started going really hard into the edits between instruments. It breathed new life into the music. I was taking my cue from the great disco re-edits, people like Theo Parrish chopping up tunes and looping sections. I’m not a purist. I don’t want to get hung up on the past. It was really empowering to fuck it up a bit, to mess around with the music and see what happened. It felt right”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is a tight, hypnotic and unique 31-minutes of music. ‘Voices of Bishara’ is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic – drumming skills that have brought artists from Grace Jones to Jonny Greenwood to request him on their records and tours.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“We’re individual voices, coming together collectively. The idea was that we could collectively bring something more positive to the table. It’s the start of something.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTom Skinner and ‘Voices of Bishara’: bringers of good news.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2025-08-04T06:39:29+09:00","created_at":"2025-08-04T06:39:00+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47579825897722,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Tom Skinner \/\/ Voices of Bishara LP","public_title":null,"options":["Default Title"],"price":468000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597908206","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504","\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","options":["Title"],"media":[{"alt":null,"id":31758188806394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo.jpg?v=1680238504","width":700},{"alt":null,"id":31758188839162,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo2_67c5da55-a4ec-4a12-9c1c-9df9ee7a39fd.jpg?v=1680238504","width":1200},{"alt":null,"id":31758188871930,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/vo3_5f771516-de07-42e9-a41f-b928fe2142bf.jpg?v=1680238504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e6つのセッションを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3960316375\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eClassic Black 160g LP in Heavyweight Reverse-Board Jacket, with Glossy Photo Insert Sheet, IARC OBI strip \u0026amp; dome-pattern inner sleeve. 45rpm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe title of Tom Skinner’s first release under his own name is a reference to cellist Abdul Wadud’s ultra-rare 1978 solo album ‘By Myself’, which Skinner listened to repeatedly during lockdown. Wadud’s album was privately pressed on his own label, Bisharra, and whilst Skinner’s title uses the more conventional spelling of this common Arabic name, they both have the same intention or meaning: it translates as ‘good news’, or ‘the bringer of good news’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is a classic-sounding record that connects backwards to Skinner’s 2017 Hello Skinny collaboration with American composer and Arthur Russell-collaborator Peter Zummo on ‘Watermelon Sun’. It links sideways to Makaya McCraven’s beat maker-inspired treatments of jazz sessions, and it offers a musical bridge to Sons of Kemet’s most meditative moments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Voices of Bishara’ began life when Tom Skinner asked some musician friends to join him for a Played Twice session at London’s Brilliant Corners. The regular event had a simple format: play a classic album in full through their audiophile system and then have an elite ensemble improvise their response. The night in question focused on drummer Tony Williams’ 1964 Blue Note album ‘Life Time’ and the music he and his friends conjured up was so special\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that it inspired Skinner to write an albums-worth of phenomenal new music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSkinner, a cellist, a bass player and two saxophonists recorded the results classic album-style, with everyone in the same room. He took the music home and it was put to the side, occasionally coming out for some attention in between Tom’s many other creative projects. This was a slow burn creation, and gradually, a new album began appearing as he embraced the studio recordings and accentuated their sublime idiosyncrasies.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I took a very liberal approach with the scissors and started going really hard into the edits between instruments. It breathed new life into the music. I was taking my cue from the great disco re-edits, people like Theo Parrish chopping up tunes and looping sections. I’m not a purist. I don’t want to get hung up on the past. It was really empowering to fuck it up a bit, to mess around with the music and see what happened. It felt right”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe result is a tight, hypnotic and unique 31-minutes of music. ‘Voices of Bishara’ is sculpted around timeless and deeply emotional music that contains masses of movement and exceptional harmonic depth and texture. It sweeps and soars through soundworlds, rich in musicality and always anchored by the deep doubling of cello and bass. It also, of course, contains Skinner’s percussive magic – drumming skills that have brought artists from Grace Jones to Jonny Greenwood to request him on their records and tours.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“We’re individual voices, coming together collectively. The idea was that we could collectively bring something more positive to the table. It’s the start of something.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eTom Skinner and ‘Voices of Bishara’: bringers of good news.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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イギリス・ロンドンのパーカッショニストTom Skinnerが、2022年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。 6つのセッションを収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":8873444901114,"title":"Jeff Parker \/\/ Forfolks CD","handle":"jeff-parker-forfolks-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年12月にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-07-31T07:22:45+09:00","created_at":"2025-07-31T07:20:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","jazz","new"],"price":276000,"price_min":276000,"price_max":276000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47565795328250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeff Parker \/\/ Forfolks CD","public_title":null,"options":["Default Title"],"price":276000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"075597912135","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo.jpg?v=1642993064","\/\/tobirarecords.com\/cdn\/shop\/products\/go3.jpg?v=1642993097"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo.jpg?v=1642993064","options":["Title"],"media":[{"alt":null,"id":29050072039674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo.jpg?v=1642993064"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo.jpg?v=1642993064","width":700},{"alt":null,"id":29050073055482,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go3.jpg?v=1642993097"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/go3.jpg?v=1642993097","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\" style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年12月にInternational Anthemからリリースしたアルバム\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1759480046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAlbum liner notes by Matthew Lux:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eYears ago when Jeff and I were in a band together, I always insisted that our records could not have any liner notes. I was enthralled with the idea that imparting any information beyond the music itself was heresy. As if whatever the sound didn't convey needed to be left to the listener. Somehow, I was able to hold this opinion while simultaneously voraciously consuming every record jacket, CD cover, cassette J card and whatever else I could get my hands on regarding any music that interested me. Many years and finally the making of my own album forced me to confront my cognitive dissonance and recognize context can help the audience find their place in the art that they enjoy. That context is especially necessary when the artist is as under-appreciated yet influential as Jeff Parker.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen I met Jeff, he was the first adult (24 years old to my 18) whose musical taste was as broad as mine and my friends. He liked Eric Dolphy, De La Soul, ‘70s Miles, and Donny Hathaway. We first played together in the living room of my parents’ apartment. We agreed to each bring a friend to round out a group. He brought the amazing and criminally under-represented Sara P. Smith on trombone, and I brought my high school band mate Chad Taylor on drums. Chad\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e and I were certainly outclassed that day, but nevertheless we all became fast friends. A few weeks later, at our regular jam session at the Bop Shop, I told my girlfriend (now wife) to pay attention to Jeff. \"He's going to be important,\" I said.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe Chicago that Parker had moved to was ripe with young musicians eager to push at the boundaries. There weren't many venues catering to these new attempts at mixing things up, but slowly a number of great bands coalesced out of a group of like-minded friends, mixing everyone's backgrounds whether punk, disco, jazz or whatever. I clearly remember going to see New Horizons Ensemble at the Hothouse with Jeff, then a few weeks later going to the Empty Bottle to see Tortoise. Within months he'd be in both those bands. He was instrumental in forging a link between players with different styles that helped define the sound of creative music in ‘90s Chicago.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's a particular thing to hear Jeff play solo. He is an unusually selfless improviser, often times laying out and highlighting the contributions of his band mates. He's never been one to play three notes where none would suffice. On this recording however he is by himself, joined only by his own ideas, looped or frozen, to flesh out the music he's creating in his mind. Hearing him craft entire sound worlds on these eight selections gives us an opportunity to really see how Parker orders sound.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe has been ordering sound with an amazingly diverse array of artists and collaborators for the past three decades. While it's common for a professional musician to be versed in many styles, that normally means a succession of genre tropes deployed to ensure the listener knows exactly where they are and what's supposed to be happening. A guitarist, for example, might play a Nile Rogers type rhythm on Disco or Funk, a favorite B.B. King lick on a blues or a Wes Montgomery phrase over a standard. Parker rarely does anything this overt. While perfectly capable (Once, in the studio, at the behest of a musician we were working with, I heard him take a solo that could have been an outtake from a Steely Dan album), he eschews genre playing and chooses a painterly approach to coloring the music, maintaining a deeply personal voice without weighing down the music with obvious stylistic maneuverings. His unique approach fits so well into so many contexts precisely because SOUND is his main focus and concern. One can clearly hear the breadth of Black Music in Parker’s playing. He is part of a continuum of musicians extending back to antiquity.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe structures here challenge our preconceptions of background and foreground. ALL the layers are primary. We are presented with fully integrated sonic developments rather than accompaniment, melody, or \"soloing\". Often times a solo album is an excuse for an artist to display their virtuosity. The idea being, possibly, that unencumbered by other musicians, the soloist is free to ride off on flights of fancy. But a career spent in the practice of subtlety is thankfully apparent in every song here. On Forfolks, a standard of the Great American Songbook fits comfortably next to multi-layered improvisations, a Thelonious Monk tune, and several compositions of Parker’s own, dating back twenty-five years.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMonk, I find to be an apt comparison. Both men were deeply involved in some of the most progressive musical movements of their respective generations, neither gaining much renown at the time, but both kept on doing things in their own quietly iconoclastic ways until the world caught up with them some twenty years later. I was fortunate enough to recognize the first time I heard Jeff Parker thirty years ago that I was witnessing something very special.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e"}
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Tortoiseギタリストとしても活動していたアメリカのジャズギタリストJeff Parkerが、2021年12月にInternational Anthemからリリースしたアルバムです。 ギターをメインソースとしたジャズ〜アンビエント・ジャズ8曲を収録。 レーベルその他作品はこちら /// Click here to see more International Anthem releases available at Tobira. ...
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{"id":8873039331578,"title":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 LP","handle":"alabaster-deplume-to-cy-lee-instrumentals-vol-1-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eロンドンのサックス奏者Alabaster DePlumeが、アメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックな瞑想系ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43264658\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDePlume is a Manchester-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid, Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem’s growing family of progressive musical explorationists. Whilst much of his music contains vocals – often whispered imperatives – this is a collection of instrumentals, drenched in feeling and recorded over four albums and eight earth years in cities across the UK.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music of \"To Cy \u0026amp; Lee: Instrumentals Vol. 1\" contains naturally elegant orchestration wrapped around something visceral and primordial. Swirled inside the 11 pieces are shades of Japanese Min’yo folk, Celtic folk, the Ethio-jazz of saxophonist Getatchew Mekurya and hints of the pan-human ‘ancient music’ that sat underneath Arthur Russell’s melodies on First Thought, Best Thought. The music is filled with space, inspired, he says, by computer games and Japanese animation, particularly Joe Hisaishi’s\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e soundtrack for Studio Ghibli’s Castle In The Sky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record combines new compositions alongside bygone instrumentals and understated lullabies that feel like they’ve been picked from between the cracks of civilisation. These songs were collected from albums \"Copernicus,\" \"The Jester,\" and \"Peach\" – under-the-radar records that preceded his critically acclaimed 2019 release The Corner of a Sphere. The new tunes feature Dan ‘Danalogue’ Leavers of The Comet Is Coming and Sarathy Korwar alongside a host of London’s finest musicians.\"\u003c\/em\u003e\u003cbr\u003e- Emma Warren, music journalist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2025-07-30T09:40:25+09:00","created_at":"2025-07-30T09:39:51+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new"],"price":468000,"price_min":468000,"price_max":468000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47563217174778,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alabaster DePlume \/\/ To Cy \u0026 Lee: Instrumentals Vol. 1 LP","public_title":null,"options":["Default Title"],"price":468000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"603784912295","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cy1.jpg?v=1615855148","\/\/tobirarecords.com\/cdn\/shop\/products\/cy2.jpg?v=1615855148"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy1.jpg?v=1615855148","options":["Title"],"media":[{"alt":null,"id":20774624002213,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy1.jpg?v=1615855148"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy1.jpg?v=1615855148","width":700},{"alt":null,"id":20774624034981,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy2.jpg?v=1615855148"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cy2.jpg?v=1615855148","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eロンドンのサックス奏者Alabaster DePlumeが、アメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックな瞑想系ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=43264658\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDePlume is a Manchester-born, London-based bandleader, composer, saxophonist, activist and orator. He’s a resident at the legendary London creative hub Total Refreshment Centre, a recording artist for the off-grid, Scottish Hebridean island label Lost Map, and now the latest arrival into Chicago-based International Anthem’s growing family of progressive musical explorationists. Whilst much of his music contains vocals – often whispered imperatives – this is a collection of instrumentals, drenched in feeling and recorded over four albums and eight earth years in cities across the UK.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music of \"To Cy \u0026amp; Lee: Instrumentals Vol. 1\" contains naturally elegant orchestration wrapped around something visceral and primordial. Swirled inside the 11 pieces are shades of Japanese Min’yo folk, Celtic folk, the Ethio-jazz of saxophonist Getatchew Mekurya and hints of the pan-human ‘ancient music’ that sat underneath Arthur Russell’s melodies on First Thought, Best Thought. The music is filled with space, inspired, he says, by computer games and Japanese animation, particularly Joe Hisaishi’s\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e soundtrack for Studio Ghibli’s Castle In The Sky.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record combines new compositions alongside bygone instrumentals and understated lullabies that feel like they’ve been picked from between the cracks of civilisation. These songs were collected from albums \"Copernicus,\" \"The Jester,\" and \"Peach\" – under-the-radar records that preceded his critically acclaimed 2019 release The Corner of a Sphere. The new tunes feature Dan ‘Danalogue’ Leavers of The Comet Is Coming and Sarathy Korwar alongside a host of London’s finest musicians.\"\u003c\/em\u003e\u003cbr\u003e- Emma Warren, music journalist\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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ロンドンのサックス奏者Alabaster DePlumeが、アメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。 エキゾチックな瞑想系ジャズ11曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":8834653585658,"title":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Different Rooms LP","handle":"jeremiah-chiu-marta-sofia-honer-different-rooms-lp","description":"\u003cp\u003eアメリカ・LAのシンセ奏者Jeremiah ChiuとバイオリニストMarta Sofia Honerが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、作家たち自身による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Different Rooms』は、2024年の終わりから2025年の初めにかけての数週間に作曲、編集、コラージュした曲や音楽モチーフのコレクションだ。2023年にジェフ・パーカーとジョシュ・ジョンソンと一緒に録音した即興演奏のライヴ・パフォーマンスを除いて、収録曲のほとんどはその編集過程で演奏されたものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちの典型的なプロセスでは、素材の多くはコラージュされ、ライブ・インプロヴィゼーション、フィールドレコーディング、スタジオ内での実験の瞬間を組み合わせている。しかし、このレコードは、スタジオ制作に対する私たちのアプローチの進化を示すものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちのスタジオは横に並んでいる。このアルバムを作っているとき、片方のスタジオではヴィオラのスタックをトラッキングし、もう片方のスタジオではスルー・コンポジションのテーマを書いたり、素材をアレンジしたりしていたかもしれない。グラニュラー・シンセシスとテープ・マニピュレーションは、コンポジションにバリエーションと動きを生み出すために使う重要なツールだ。このプロセスは、しばしば驚くべき結果をもたらし、感情を捉えながらも、それを思いがけない方法で表現する。ちょっとした偶然を受け入れることが不可欠だと感じている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの曲集は、比喩的に言えば回文的な順序で構成されており、ある曲は、しばしば新たな楽器編成で再構築されるモチーフの繰り返しによって（反映される）。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリアルタイムで演奏されたものと、録音され、操作され、コラージュされたものとの間の音と時間の抽象化が、私たちの作品を『Different Rooms』というタイトルで集めようとする意図を強めている。このタイトルは、素材が異なる部屋で録音されたことを文字通り表現していると同時に、私たちが共有する現在の時間の経験もまた、非同期的で、歴史的で、複雑なものであることを思い出させてくれる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2565077275\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mean Solar Time 02:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Long and Short Delays\u003cbr\u003e\u003c\/span\u003e3. Side by Side (feat. Jeff Parker) 02:34\u003cbr\u003e4. One of Eight\u003cbr\u003e5. Before and After Signs\u003cbr\u003e6. Different Rooms (feat. Josh Johnson)\u003cbr\u003e7. Speaking in Parallel\u003cbr\u003e8. Side by Side (reflected)\u003cbr\u003e9. Mind by a Way\u003cbr\u003e10. Mean Solar Time (reflected)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDifferent Rooms is a collection of songs and musical motifs we composed, edited, and collaged in the weeks between late 2024 and early 2025. Most of the recorded material was performed during that editing process, except for live performances taken from improvisations we recorded with Jeff Parker and Josh Johnson some time in 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn our typical process, much of our material is collaged and combines moments of live improvisation, field recordings, and in-studio experimentation. This record, however, marks an evolution in our approach to studio production.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur studios are side-by-side. When we were writing this album, you might have found us tracking viola stacks in one studio while, in the other, we were writing through-composed themes and rearranging the material. Granular synthesis and tape manipulation are key tools we use to create variation and movement in a composition. This process often yields surprising results, capturing the emotion but expressing it in unexpected ways. It feels essential that we embrace a bit of chance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn contrast to our first album, Recordings from the Åland\u003cspan class=\"bcTruncateMore\"\u003e Islands, we wanted this music to feel very present. Where Recordings was intended to transport you to another place, Different Rooms is meant to meet you where you are. It’s a decidedly urban album. The field recordings were captured on train platforms, in city streets, in rooms at home, and intentionally paint a quotidian sonic image, blurring the line between what you hear in your own environment and what is on the record.\u003cbr\u003e\u003cbr\u003eThe song cycle is set in palindromic sequence, figuratively, with certain pieces (reflected) by a reprised or recurring motif that is often reimagined with new instrumentation.\u003cbr\u003e\u003cbr\u003eThe sonic and temporal abstraction between what is performed in real-time versus what is recorded, manipulated, and collaged reinforces our intent to collect the works under the title Different Rooms, which literally expresses the way the material was recorded in different rooms while reminding us that our shared experience of present time is also one that is asynchronous, historied, and complex.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0098\u003c\/p\u003e","published_at":"2025-06-17T15:10:57+09:00","created_at":"2025-06-17T10:34:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","jazz","lp","new"],"price":425500,"price_min":425500,"price_max":425500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47414300541178,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Jeremiah Chiu \u0026 Marta Sofia Honer \/\/ Different Rooms LP","public_title":null,"options":["Default Title"],"price":425500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457208353","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/room1_6e3a5ee1-af4b-45ed-944e-6943d81b0a02.jpg?v=1750123963","\/\/tobirarecords.com\/cdn\/shop\/files\/room2_fe70136c-7294-4327-8821-53855f51e563.jpg?v=1750123963","\/\/tobirarecords.com\/cdn\/shop\/files\/room3.jpg?v=1750123963"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_6e3a5ee1-af4b-45ed-944e-6943d81b0a02.jpg?v=1750123963","options":["Title"],"media":[{"alt":null,"id":36205650182394,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_6e3a5ee1-af4b-45ed-944e-6943d81b0a02.jpg?v=1750123963"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room1_6e3a5ee1-af4b-45ed-944e-6943d81b0a02.jpg?v=1750123963","width":700},{"alt":null,"id":36205650215162,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room2_fe70136c-7294-4327-8821-53855f51e563.jpg?v=1750123963"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room2_fe70136c-7294-4327-8821-53855f51e563.jpg?v=1750123963","width":1200},{"alt":null,"id":36205650247930,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room3.jpg?v=1750123963"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/room3.jpg?v=1750123963","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのシンセ奏者Jeremiah ChiuとバイオリニストMarta Sofia Honerが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、作家たち自身による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Different Rooms』は、2024年の終わりから2025年の初めにかけての数週間に作曲、編集、コラージュした曲や音楽モチーフのコレクションだ。2023年にジェフ・パーカーとジョシュ・ジョンソンと一緒に録音した即興演奏のライヴ・パフォーマンスを除いて、収録曲のほとんどはその編集過程で演奏されたものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちの典型的なプロセスでは、素材の多くはコラージュされ、ライブ・インプロヴィゼーション、フィールドレコーディング、スタジオ内での実験の瞬間を組み合わせている。しかし、このレコードは、スタジオ制作に対する私たちのアプローチの進化を示すものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e私たちのスタジオは横に並んでいる。このアルバムを作っているとき、片方のスタジオではヴィオラのスタックをトラッキングし、もう片方のスタジオではスルー・コンポジションのテーマを書いたり、素材をアレンジしたりしていたかもしれない。グラニュラー・シンセシスとテープ・マニピュレーションは、コンポジションにバリエーションと動きを生み出すために使う重要なツールだ。このプロセスは、しばしば驚くべき結果をもたらし、感情を捉えながらも、それを思いがけない方法で表現する。ちょっとした偶然を受け入れることが不可欠だと感じている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの曲集は、比喩的に言えば回文的な順序で構成されており、ある曲は、しばしば新たな楽器編成で再構築されるモチーフの繰り返しによって（反映される）。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eリアルタイムで演奏されたものと、録音され、操作され、コラージュされたものとの間の音と時間の抽象化が、私たちの作品を『Different Rooms』というタイトルで集めようとする意図を強めている。このタイトルは、素材が異なる部屋で録音されたことを文字通り表現していると同時に、私たちが共有する現在の時間の経験もまた、非同期的で、歴史的で、複雑なものであることを思い出させてくれる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2565077275\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mean Solar Time 02:23\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Long and Short Delays\u003cbr\u003e\u003c\/span\u003e3. Side by Side (feat. Jeff Parker) 02:34\u003cbr\u003e4. One of Eight\u003cbr\u003e5. Before and After Signs\u003cbr\u003e6. Different Rooms (feat. Josh Johnson)\u003cbr\u003e7. Speaking in Parallel\u003cbr\u003e8. Side by Side (reflected)\u003cbr\u003e9. Mind by a Way\u003cbr\u003e10. Mean Solar Time (reflected)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDifferent Rooms is a collection of songs and musical motifs we composed, edited, and collaged in the weeks between late 2024 and early 2025. Most of the recorded material was performed during that editing process, except for live performances taken from improvisations we recorded with Jeff Parker and Josh Johnson some time in 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn our typical process, much of our material is collaged and combines moments of live improvisation, field recordings, and in-studio experimentation. This record, however, marks an evolution in our approach to studio production.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur studios are side-by-side. When we were writing this album, you might have found us tracking viola stacks in one studio while, in the other, we were writing through-composed themes and rearranging the material. Granular synthesis and tape manipulation are key tools we use to create variation and movement in a composition. This process often yields surprising results, capturing the emotion but expressing it in unexpected ways. It feels essential that we embrace a bit of chance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn contrast to our first album, Recordings from the Åland\u003cspan class=\"bcTruncateMore\"\u003e Islands, we wanted this music to feel very present. Where Recordings was intended to transport you to another place, Different Rooms is meant to meet you where you are. It’s a decidedly urban album. The field recordings were captured on train platforms, in city streets, in rooms at home, and intentionally paint a quotidian sonic image, blurring the line between what you hear in your own environment and what is on the record.\u003cbr\u003e\u003cbr\u003eThe song cycle is set in palindromic sequence, figuratively, with certain pieces (reflected) by a reprised or recurring motif that is often reimagined with new instrumentation.\u003cbr\u003e\u003cbr\u003eThe sonic and temporal abstraction between what is performed in real-time versus what is recorded, manipulated, and collaged reinforces our intent to collect the works under the title Different Rooms, which literally expresses the way the material was recorded in different rooms while reminding us that our shared experience of present time is also one that is asynchronous, historied, and complex.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu \u0026amp; Marta Sofia Honer\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0098\u003c\/p\u003e"}
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アメリカ・LAのシンセ奏者Jeremiah ChiuとバイオリニストMarta Sofia Honerが、2025年6月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースした共作レコードです。 アンビエント・ジャズ10曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、作家たち自身による解説です。 "『Different Rooms』は、2024年の終わりから2025年の初めにかけての数週間に作曲、編集、コラージュした曲や音楽モチーフのコレクションだ。2023年にジェフ・パーカーとジョシュ・ジョンソンと一緒に録音した即興演奏のライヴ・パフォーマンスを除いて、収録曲のほとんどはその編集過程で演奏されたものだ。 私たちの典型的なプロセスでは、素材の多くはコラージュされ、ライブ・インプロヴィゼーション、フィールドレコーディング、スタジオ内での実験の瞬間を組み合わせている。しかし、このレコードは、スタジオ制作に対する私たちのアプローチの進化を示すものだ。 私たちのスタジオは横に並んでいる。このアルバムを作っているとき、片方のスタジオではヴィオラのスタックをトラッキングし、もう片方のスタジオではスルー・コンポジションのテーマを書いたり、素材をアレンジしたりしていたかもしれない。グラニュラー・シンセシスとテープ・マニピュレーションは、コンポジションにバリエーションと動きを生み出すために使う重要なツールだ。このプロセスは、しばしば驚くべき結果をもたらし、感情を捉えながらも、それを思いがけない方法で表現する。ちょっとした偶然を受け入れることが不可欠だと感じている。 この曲集は、比喩的に言えば回文的な順序で構成されており、ある曲は、しばしば新たな楽器編成で再構築されるモチーフの繰り返しによって（反映される）。 リアルタイムで演奏されたものと、録音され、操作され、コラージュされたものとの間の音と時間の抽象化が、私たちの作品を『Different...
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{"id":8783909716218,"title":"International Anthem IA11 Lightweight TOTE","handle":"international-anthem-ia11-lightweight-tote","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemが、2025年5月にリリースしたトートバッグです。\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eIA11 logo in shiny gold ink on navy lue lightweight tote.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e15.75 inches high x 15.25 inches wide - approx. 240 cubic inches\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePrinted in Chicago.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2025-05-12T11:33:11+09:00","created_at":"2025-05-12T08:48:05+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","jazz","new"],"price":295000,"price_min":295000,"price_max":295000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47309677920506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"International Anthem IA11 Lightweight TOTE","public_title":null,"options":["Default Title"],"price":295000,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/iarc2.jpg?v=1747017205"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/iarc2.jpg?v=1747017205","options":["Title"],"media":[{"alt":null,"id":36011430281466,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/iarc2.jpg?v=1747017205"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/iarc2.jpg?v=1747017205","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemが、2025年5月にリリースしたトートバッグです。\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eIA11 logo in shiny gold ink on navy lue lightweight tote.\u003cbr\u003e\u003c\/span\u003e\u003cspan\u003e15.75 inches high x 15.25 inches wide - approx. 240 cubic inches\u003c\/span\u003e \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003ePrinted in Chicago.\u003c\/span\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthemが、2025年5月にリリースしたトートバッグです。 IA11 logo in shiny gold ink on navy lue lightweight tote.15.75 inches...
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{"id":8783909683450,"title":"International Anthem IA11 Logo T-SHIRT - M, L, XL","handle":"international-anthem-ia11-logo-t-shirt","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemが、2025年5月にリリースしたTシャツです。Gildan 5000ヘビーコットン仕様です。\u003c\/p\u003e\n\u003cp\u003eM\u003cspan style=\"mso-tab-count: 1;\"\u003e width: \u003c\/span\u003e51cm\u003cspan style=\"mso-tab-count: 1;\"\u003e length: \u003c\/span\u003e74cm\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eL\u003cspan style=\"mso-tab-count: 1;\"\u003e width: \u003c\/span\u003e56cm\u003cspan style=\"mso-tab-count: 1;\"\u003e length: \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e76cm \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eXL\u003cspan style=\"mso-tab-count: 1;\"\u003e width: \u003c\/span\u003e61cm\u003cspan style=\"mso-tab-count: 1;\"\u003e length: \u003c\/span\u003e79cm\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIndigo blue t-shirt with classic International Anthem 'dome logo' on front chest with IA11 Chrysanthemum logo on back. \u003cbr\u003ePrinted in Chicago.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIZING:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eM\u003cspan style=\"mso-tab-count: 1;\"\u003e width: \u003c\/span\u003e20inch\u003cspan style=\"mso-tab-count: 1;\"\u003e length: \u003c\/span\u003e29inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eL\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cmeta charset=\"utf-8\"\u003ewidth: \u003c\/span\u003e22inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cmeta charset=\"utf-8\"\u003elength: \u003c\/span\u003e30inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eXL\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cmeta charset=\"utf-8\"\u003ewidth: \u003c\/span\u003e24inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cmeta charset=\"utf-8\"\u003elength: \u003c\/span\u003e31inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","published_at":"2025-05-12T11:31:57+09:00","created_at":"2025-05-12T08:46:16+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","international anthem","jazz","new"],"price":467600,"price_min":467600,"price_max":467600,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47309676118266,"title":"M","option1":"M","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":43938527379706,"product_id":8783909683450,"position":1,"created_at":"2025-05-12T08:41:12+09:00","updated_at":"2025-05-12T11:21:49+09:00","alt":null,"width":900,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509","variant_ids":[47309676118266,47309676151034,47309676183802]},"available":false,"name":"International Anthem IA11 Logo T-SHIRT - M, L, XL - M","public_title":"M","options":["M"],"price":467600,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":36011426218234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":47309676151034,"title":"L","option1":"L","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":43938527379706,"product_id":8783909683450,"position":1,"created_at":"2025-05-12T08:41:12+09:00","updated_at":"2025-05-12T11:21:49+09:00","alt":null,"width":900,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509","variant_ids":[47309676118266,47309676151034,47309676183802]},"available":false,"name":"International Anthem IA11 Logo T-SHIRT - M, L, XL - L","public_title":"L","options":["L"],"price":467600,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":36011426218234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":47309676183802,"title":"XL","option1":"XL","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":43938527379706,"product_id":8783909683450,"position":1,"created_at":"2025-05-12T08:41:12+09:00","updated_at":"2025-05-12T11:21:49+09:00","alt":null,"width":900,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509","variant_ids":[47309676118266,47309676151034,47309676183802]},"available":false,"name":"International Anthem IA11 Logo T-SHIRT - M, L, XL - XL","public_title":"XL","options":["XL"],"price":467600,"weight":350,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":36011426218234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509","\/\/tobirarecords.com\/cdn\/shop\/files\/in1_30b0d154-72f1-4e17-84bc-f99a2a896f28.jpg?v=1747016525"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509","options":["Size"],"media":[{"alt":null,"id":36011426218234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_542edd83-089c-40e8-bdb4-4ac865239e6a.jpg?v=1747016509","width":900},{"alt":null,"id":36011426185466,"position":2,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_30b0d154-72f1-4e17-84bc-f99a2a896f28.jpg?v=1747016525"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_30b0d154-72f1-4e17-84bc-f99a2a896f28.jpg?v=1747016525","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemが、2025年5月にリリースしたTシャツです。Gildan 5000ヘビーコットン仕様です。\u003c\/p\u003e\n\u003cp\u003eM\u003cspan style=\"mso-tab-count: 1;\"\u003e width: \u003c\/span\u003e51cm\u003cspan style=\"mso-tab-count: 1;\"\u003e length: \u003c\/span\u003e74cm\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eL\u003cspan style=\"mso-tab-count: 1;\"\u003e width: \u003c\/span\u003e56cm\u003cspan style=\"mso-tab-count: 1;\"\u003e length: \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e76cm \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eXL\u003cspan style=\"mso-tab-count: 1;\"\u003e width: \u003c\/span\u003e61cm\u003cspan style=\"mso-tab-count: 1;\"\u003e length: \u003c\/span\u003e79cm\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIndigo blue t-shirt with classic International Anthem 'dome logo' on front chest with IA11 Chrysanthemum logo on back. \u003cbr\u003ePrinted in Chicago.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSIZING:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eM\u003cspan style=\"mso-tab-count: 1;\"\u003e width: \u003c\/span\u003e20inch\u003cspan style=\"mso-tab-count: 1;\"\u003e length: \u003c\/span\u003e29inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eL\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cmeta charset=\"utf-8\"\u003ewidth: \u003c\/span\u003e22inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cmeta charset=\"utf-8\"\u003elength: \u003c\/span\u003e30inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eXL\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cmeta charset=\"utf-8\"\u003ewidth: \u003c\/span\u003e24inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cmeta charset=\"utf-8\"\u003elength: \u003c\/span\u003e31inch\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e"}
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アメリカ・シカゴのジャズレーベルInternational Anthemが、2025年5月にリリースしたTシャツです。Gildan 5000ヘビーコットン仕様です。 M width: 51cm length: 74cm...
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![Resavoir & Matt Gold // Horizon LP [COLOR]](http://tobirarecords.com/cdn/shop/files/ho1_214a7773-92ad-407c-93f1-45f0148732d6_medium.jpg?v=1747006692)
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{"id":8783909028090,"title":"Resavoir \u0026 Matt Gold \/\/ Horizon LP [COLOR]","handle":"resavoir-matt-gold-horizon-lp-color","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年5月にシカゴのジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜フュージョン10曲を収録。クリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003eMacie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2100518563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'lake grass green' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Canopy 02:15\u003cbr\u003e2. Memento\u003cbr\u003e3. Dewy 04:05\u003cbr\u003e4. Zero Gravity\u003cbr\u003e5. Diversey Beach (feat. Mei Semones)\u003cbr\u003e6. Ahhh\u003cbr\u003e7. Horizon\u003cbr\u003e8. Hazel Canyon\u003cbr\u003e9. Metropoli\u003cbr\u003e10. Tomorrow\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThe LP took about a year with on-and-off sessions,” says Miller. “The songs benefit from letting them ferment for a couple months, coming back to it, and seeing what sort of new flavors have developed.” Co-produced by Miller and Gold (and mixed by Dave Vettraino), Horizon proudly reflects the artists’ vast artistic community and musical network in Chicago and beyond. Along with Gold, Eddie Burns (Clairo), Peter Mannheim (Tony Glausi), and Carter Lang (SZA, Lil Nas X) provide drums and percussion throughout. On the dreamlike single “Diversey Beach,” New York songwriter Mei Semones lends vocals and along with her band members Noah Leong and Claudius Agrippa, collaborated on a mesmerizingly conversational string arrangement. “We wrote \"Diversey Beach\" on the coldest day of the year watching a blizzard coming down out of the window, where the sounds of the cars driving by sounded like waves crashing on a beach,” says Miller. “I sent it to Mei Semones, who I’ve been a fan of for a long time. She's absolutely incredible and it’s amazing what she did with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorizon is a testament to the feeling of endless possibilities that come from collaboration. It’s a remarkable synthesis of two artists who share musical community and an artist lineage but have carved their own paths in unique ways. Nowhere is this more evident than “Hazel Canyon,” which boasts Gold’s silky pedal steel and a subtly enveloping arrangement that evokes Erasmo Carlos. “Musically, we're always trying to capture a fleeting moment of infinite expanse, feeling the vastness of things while knowing they'll always change,” says Gold. “This record keeps the light reflecting on the water just a little longer -- our collaborative process running through the backbone of these songs and rippling out in so many beautiful directions..”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir \u0026amp; Matt Gold\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0096\u003c\/p\u003e","published_at":"2025-05-12T11:42:32+09:00","created_at":"2025-05-12T08:37:45+09:00","vendor":"Tobira Records","type":"","tags":["international anthem","jazz","lp","new","recommended","resavoir"],"price":498000,"price_min":498000,"price_max":498000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47309661503738,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Resavoir \u0026 Matt Gold \/\/ Horizon LP [COLOR]","public_title":null,"options":["Default Title"],"price":498000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457203402","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_214a7773-92ad-407c-93f1-45f0148732d6.jpg?v=1747006692","\/\/tobirarecords.com\/cdn\/shop\/files\/ho3_eec12cae-931e-4412-abef-110374101317.jpg?v=1747006692"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_214a7773-92ad-407c-93f1-45f0148732d6.jpg?v=1747006692","options":["Title"],"media":[{"alt":null,"id":36011425399034,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_214a7773-92ad-407c-93f1-45f0148732d6.jpg?v=1747006692"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho1_214a7773-92ad-407c-93f1-45f0148732d6.jpg?v=1747006692","width":700},{"alt":null,"id":36011425431802,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho3_eec12cae-931e-4412-abef-110374101317.jpg?v=1747006692"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ho3_eec12cae-931e-4412-abef-110374101317.jpg?v=1747006692","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年5月にシカゴのジャズレーベルInternational Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜フュージョン10曲を収録。クリアグリーン盤です。\u003c\/p\u003e\n\u003cp\u003eMacie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2100518563\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'lake grass green' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Canopy 02:15\u003cbr\u003e2. Memento\u003cbr\u003e3. Dewy 04:05\u003cbr\u003e4. Zero Gravity\u003cbr\u003e5. Diversey Beach (feat. Mei Semones)\u003cbr\u003e6. Ahhh\u003cbr\u003e7. Horizon\u003cbr\u003e8. Hazel Canyon\u003cbr\u003e9. Metropoli\u003cbr\u003e10. Tomorrow\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eThe LP took about a year with on-and-off sessions,” says Miller. “The songs benefit from letting them ferment for a couple months, coming back to it, and seeing what sort of new flavors have developed.” Co-produced by Miller and Gold (and mixed by Dave Vettraino), Horizon proudly reflects the artists’ vast artistic community and musical network in Chicago and beyond. Along with Gold, Eddie Burns (Clairo), Peter Mannheim (Tony Glausi), and Carter Lang (SZA, Lil Nas X) provide drums and percussion throughout. On the dreamlike single “Diversey Beach,” New York songwriter Mei Semones lends vocals and along with her band members Noah Leong and Claudius Agrippa, collaborated on a mesmerizingly conversational string arrangement. “We wrote \"Diversey Beach\" on the coldest day of the year watching a blizzard coming down out of the window, where the sounds of the cars driving by sounded like waves crashing on a beach,” says Miller. “I sent it to Mei Semones, who I’ve been a fan of for a long time. She's absolutely incredible and it’s amazing what she did with it.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHorizon is a testament to the feeling of endless possibilities that come from collaboration. It’s a remarkable synthesis of two artists who share musical community and an artist lineage but have carved their own paths in unique ways. Nowhere is this more evident than “Hazel Canyon,” which boasts Gold’s silky pedal steel and a subtly enveloping arrangement that evokes Erasmo Carlos. “Musically, we're always trying to capture a fleeting moment of infinite expanse, feeling the vastness of things while knowing they'll always change,” says Gold. “This record keeps the light reflecting on the water just a little longer -- our collaborative process running through the backbone of these songs and rippling out in so many beautiful directions..”\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Resavoir \u0026amp; Matt Gold\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : IARC0096\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者Will Miller aka ResavoirとMatt Goldが、2025年5月にシカゴのジャズレーベルInternational Anthemからリリースした共作レコードです。 アンビエント・ジャズ〜フュージョン10曲を収録。クリアグリーン盤です。 Macie StewartとTim Bennett、Mei Semones、Peter Manheim、Eddie Burnsが参加しています。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ...
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{"id":8758171009274,"title":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole LP","handle":"alabaster-deplume-a-blade-because-a-blade-is-whole-lp","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-07T11:31:55+09:00","created_at":"2025-04-07T09:10:41+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","international anthem","jazz","lp","new"],"price":435300,"price_min":435300,"price_max":435300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241476604154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Alabaster DePlume \/\/ A Blade Because A Blade Is Whole LP","public_title":null,"options":["Default Title"],"price":435300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457198234","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","options":["Title"],"media":[{"alt":null,"id":35844203380986,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl1_476414f6-d9a8-4e95-8067-a2dc3463d9f8.jpg?v=1743984524","width":700},{"alt":null,"id":35844203413754,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bl2_9d851910-3fbe-4046-bd57-dc8bf497c5a2.jpg?v=1743984524","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eフォーク・ジャズ11曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3811618257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Oh My Actual Days 03:47\u003cbr\u003e2. Thank You My Pain 02:59\u003cbr\u003e3. Invincibility 03:07\u003cbr\u003e4. Form A V 03:06\u003cbr\u003e5. A Paper Man 04:53\u003cbr\u003e6. Who Are You Telling, Gus 03:56\u003cbr\u003e7. Prayer For My Sovereign Dignity 04:01\u003cbr\u003e8. Kuzushi 02:40\u003cbr\u003e9. Salty Road Dogs Victory Anthem 03:56\u003cbr\u003e10. Too True 02:34\u003cbr\u003e11. That Was My Garden 07:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAlabaster DePlume often asks a simple question: what do people need? In his work, at his shows, in his collaborations, the Mancunian singer-saxophonist and poet-philosopher poses this to the people around him. What are people looking for? In recent years, the same reply kept coming up: healing, healing, people need healing. But why, and what does it mean to heal, especially in a world where the very idea is often commodified and sold as a luxury? If people were coming to his music for something so mysterious, he ought to figure it out. Maybe he ought to try some healing himself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“For a long time, I've always tried to give responsibility for my value to someone else,” DePlume told me on a recent phone call. It seemed he’d become so caught up in the work of forging connections, and thinking about the effects of his work on others, that he’d lost a sense of himself. “I was working on that,” he explained.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experiment in healing included slowing down, reading, reflecting, and even taking up the practice of jiu-jitsu. DePlume wrote poetry, too, including the book 'Looking for my value: prologue to a blade', seventy pages of verse rooted in its title’s great search, in finding strength of self within a community, alongside\u003cspan class=\"bcTruncateMore\"\u003e meditations on the paradox of the blade. “The blade, that divides, is whole,” he writes in the introduction. “Healing is the forming of a whole, and a whole is singular, more itself, as in more one, as in more alone.” A blade could be used to attack, to shave, to sever, but it could also be used to cut oneself loose—in the process of getting free.\u003cbr\u003e\u003cbr\u003e“What's the opposite of sleep? It’s trying to sleep,” he told me. “And so what's the opposite of looking for my value? It is knowing my value. It simply is there. My dignity is there. I don't need anyone else to know my dignity, or me, to know it. I know it first. I can't seek it from another. I stand for it.”\u003cbr\u003e\u003cbr\u003eSelections from the poetry book ultimately became the lyrics across half of the tracks on 'A Blade Because A Blade Is Whole', DePlume’s latest full-length work for the reliably great International Anthem label: eleven songs of agency and survival and presence; of confronting life’s pains rather than trying to avoid them; of banishing escapism. In sum, it documents his learning of the fact that dignity and self-determination are prerequisites for becoming whole, which is to say, for healing. If a blade were broken it would not serve its purpose; it must be unbroken, it must be whole, to be of use...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0090LP\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ロンドンのサックス奏者Alabaster DePlumeが、2025年3月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。 フォーク・ジャズ11曲を収録。ゲートフォルド仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more International Anthem releases available at...
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{"id":8758164619514,"title":"Macie Stewart \/\/ When the Distance is Blue CD","handle":"macie-stewart-when-the-distance-is-blue-cd","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者／作曲家Macie Stewartが、2025年3月にシカゴのジャズ大巣窟International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント8曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴを拠点に活動するマルチインストゥルメンタリスト、作曲家、即興演奏家である彼女は、この作品集を「合間に過ごす瞬間へのラブレター」と表現している。スチュワートは、プリペアドピアノ、フィールドレコーディング、弦楽四重奏曲のコラージュを通して、印象的で映画的な作品を創り上げた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=459036685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in 4-panel digipack. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Forget How To Remember My Dreams (ft. Lia Kohl) 06:07\u003cbr\u003e2. Tsukiji 00:45\u003cbr\u003e3. Murmuration\/Memorization 07:13\u003cbr\u003e4. Spring Becomes You, Spring Becomes New 06:42\u003cbr\u003e5. Stairwell (Before and After) 06:51\u003cbr\u003e6. What Fills You Up Won’t Leave an Empty Cup 03:37\u003cbr\u003e7. In Between 01:19\u003cbr\u003e8. Disintegration 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e'When the Distance is Blue' is Macie Stewart’s International Anthem debut. The Chicago-based multi-instrumentalist, composer, and improviser describes the collection as “a love letter to the moments we spend in-between”—a letter realized via an intentional return to piano, her first instrument and the origin of her creative expression. Here Stewart creates a striking and cinematic work through collages of prepared piano, field recordings, and string quartet compositions, one that gives shape to a transient universe all its own while tracing the line of her musical past, full circle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLong-heralded in musician circles for her versatility, Stewart stands as a distinguished, go-to collaborator across genre and style, with a collaborative CV that reads like a dream year-end list—performing strings for Makaya McCraven or Japanese Breakfast; singing harmonies with Tweedy; arranging for Alabaster DePlume, Resavoir, Mannequin Pussy, or SZA; co-leading the jagged art-rock experimentation of Finom, her duo with songwriter Sima Cunningham. This varied-yet-distinct sound has led to a name recognition that goes beyond the devoted liner note enthusiast.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0093LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-07T10:53:33+09:00","created_at":"2025-04-07T09:06:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","international anthem","neo classical","new","recommended","resavoir"],"price":239500,"price_min":239500,"price_max":239500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241469788410,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Macie Stewart \/\/ When the Distance is Blue CD","public_title":null,"options":["Default Title"],"price":239500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457198302","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mac1_5504b66a-851b-426b-b153-5ced419316b4.jpg?v=1743984418","\/\/tobirarecords.com\/cdn\/shop\/files\/mac5.jpg?v=1743984418"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac1_5504b66a-851b-426b-b153-5ced419316b4.jpg?v=1743984418","options":["Title"],"media":[{"alt":null,"id":35844202234106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac1_5504b66a-851b-426b-b153-5ced419316b4.jpg?v=1743984418"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac1_5504b66a-851b-426b-b153-5ced419316b4.jpg?v=1743984418","width":700},{"alt":null,"id":35844202266874,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac5.jpg?v=1743984418"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac5.jpg?v=1743984418","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者／作曲家Macie Stewartが、2025年3月にシカゴのジャズ大巣窟International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント8曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴを拠点に活動するマルチインストゥルメンタリスト、作曲家、即興演奏家である彼女は、この作品集を「合間に過ごす瞬間へのラブレター」と表現している。スチュワートは、プリペアドピアノ、フィールドレコーディング、弦楽四重奏曲のコラージュを通して、印象的で映画的な作品を創り上げた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=459036685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003eCD in 4-panel digipack. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Forget How To Remember My Dreams (ft. Lia Kohl) 06:07\u003cbr\u003e2. Tsukiji 00:45\u003cbr\u003e3. Murmuration\/Memorization 07:13\u003cbr\u003e4. Spring Becomes You, Spring Becomes New 06:42\u003cbr\u003e5. Stairwell (Before and After) 06:51\u003cbr\u003e6. What Fills You Up Won’t Leave an Empty Cup 03:37\u003cbr\u003e7. In Between 01:19\u003cbr\u003e8. Disintegration 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e'When the Distance is Blue' is Macie Stewart’s International Anthem debut. The Chicago-based multi-instrumentalist, composer, and improviser describes the collection as “a love letter to the moments we spend in-between”—a letter realized via an intentional return to piano, her first instrument and the origin of her creative expression. Here Stewart creates a striking and cinematic work through collages of prepared piano, field recordings, and string quartet compositions, one that gives shape to a transient universe all its own while tracing the line of her musical past, full circle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLong-heralded in musician circles for her versatility, Stewart stands as a distinguished, go-to collaborator across genre and style, with a collaborative CV that reads like a dream year-end list—performing strings for Makaya McCraven or Japanese Breakfast; singing harmonies with Tweedy; arranging for Alabaster DePlume, Resavoir, Mannequin Pussy, or SZA; co-leading the jagged art-rock experimentation of Finom, her duo with songwriter Sima Cunningham. This varied-yet-distinct sound has led to a name recognition that goes beyond the devoted liner note enthusiast.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0093LP\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者／作曲家Macie Stewartが、2025年3月にシカゴのジャズ大巣窟International Anthemからリリースしたアルバムです。 ネオクラシカル・アンビエント8曲を収録。デジパック、シュリンク仕様です。 以下、レーベルによる解説です。 "シカゴを拠点に活動するマルチインストゥルメンタリスト、作曲家、即興演奏家である彼女は、この作品集を「合間に過ごす瞬間へのラブレター」と表現している。スチュワートは、プリペアドピアノ、フィールドレコーディング、弦楽四重奏曲のコラージュを通して、印象的で映画的な作品を創り上げた。" レーベルその他作品はこちら /// Click here to see more International Anthem releases available...
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![Macie Stewart // When the Distance is Blue LP [COLOR]](http://tobirarecords.com/cdn/shop/files/mac1_baadbba7-dc67-486e-aedb-0e648808917b_medium.jpg?v=1743984368)
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{"id":8758163439866,"title":"Macie Stewart \/\/ When the Distance is Blue LP [COLOR]","handle":"macie-stewart-when-the-distance-is-blue-lp-color","description":"\u003cp\u003eアメリカ・シカゴのマルチ奏者／作曲家Macie Stewartが、2025年3月にシカゴのジャズ大巣窟International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント8曲を収録。グレーシャル・ブルー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/macie-stewart-mouth-full-of-glass-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴを拠点に活動するマルチ・インストゥルメンタリスト、作曲家、即興演奏家である彼女は、この作品集を「合間に過ごす瞬間へのラブレター」と表現している。スチュワートは、プリペアド・ピアノ、フィールド・レコーディング、弦楽四重奏曲のコラージュを通して、印象的で映画的な作品を創り上げた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=459036685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files.\u003cbr\u003e12\" 'glacial blue' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Forget How To Remember My Dreams (ft. Lia Kohl) 06:07\u003cbr\u003e2. Tsukiji 00:45\u003cbr\u003e3. Murmuration\/Memorization 07:13\u003cbr\u003e4. Spring Becomes You, Spring Becomes New 06:42\u003cbr\u003e5. Stairwell (Before and After) 06:51\u003cbr\u003e6. What Fills You Up Won’t Leave an Empty Cup 03:37\u003cbr\u003e7. In Between 01:19\u003cbr\u003e8. Disintegration 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e'When the Distance is Blue' is Macie Stewart’s International Anthem debut. The Chicago-based multi-instrumentalist, composer, and improviser describes the collection as “a love letter to the moments we spend in-between”—a letter realized via an intentional return to piano, her first instrument and the origin of her creative expression. Here Stewart creates a striking and cinematic work through collages of prepared piano, field recordings, and string quartet compositions, one that gives shape to a transient universe all its own while tracing the line of her musical past, full circle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLong-heralded in musician circles for her versatility, Stewart stands as a distinguished, go-to collaborator across genre and style, with a collaborative CV that reads like a dream year-end list—performing strings for Makaya McCraven or Japanese Breakfast; singing harmonies with Tweedy; arranging for Alabaster DePlume, Resavoir, Mannequin Pussy, or SZA; co-leading the jagged art-rock experimentation of Finom, her duo with songwriter Sima Cunningham. This varied-yet-distinct sound has led to a name recognition that goes beyond the devoted liner note enthusiast.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0093LP\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-04-07T10:44:29+09:00","created_at":"2025-04-07T09:05:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","international anthem","lp","neo classical","new","recommended","resavoir"],"price":499300,"price_min":499300,"price_max":499300,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47241468608762,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Macie Stewart \/\/ When the Distance is Blue LP [COLOR]","public_title":null,"options":["Default Title"],"price":499300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"634457198296","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mac1_baadbba7-dc67-486e-aedb-0e648808917b.jpg?v=1743984368","\/\/tobirarecords.com\/cdn\/shop\/files\/mac2_17338d8e-e9cd-4e5d-8c0e-6b10c7bf33a9.jpg?v=1743984367"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac1_baadbba7-dc67-486e-aedb-0e648808917b.jpg?v=1743984368","options":["Title"],"media":[{"alt":null,"id":35844201513210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac1_baadbba7-dc67-486e-aedb-0e648808917b.jpg?v=1743984368"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac1_baadbba7-dc67-486e-aedb-0e648808917b.jpg?v=1743984368","width":700},{"alt":null,"id":35844201545978,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac2_17338d8e-e9cd-4e5d-8c0e-6b10c7bf33a9.jpg?v=1743984367"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mac2_17338d8e-e9cd-4e5d-8c0e-6b10c7bf33a9.jpg?v=1743984367","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのマルチ奏者／作曲家Macie Stewartが、2025年3月にシカゴのジャズ大巣窟International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント8曲を収録。グレーシャル・ブルー盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/macie-stewart-mouth-full-of-glass-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"シカゴを拠点に活動するマルチ・インストゥルメンタリスト、作曲家、即興演奏家である彼女は、この作品集を「合間に過ごす瞬間へのラブレター」と表現している。スチュワートは、プリペアド・ピアノ、フィールド・レコーディング、弦楽四重奏曲のコラージュを通して、印象的で映画的な作品を創り上げた。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=459036685\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eAsk us for digital files.\u003cbr\u003e12\" 'glacial blue' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Forget How To Remember My Dreams (ft. Lia Kohl) 06:07\u003cbr\u003e2. Tsukiji 00:45\u003cbr\u003e3. Murmuration\/Memorization 07:13\u003cbr\u003e4. Spring Becomes You, Spring Becomes New 06:42\u003cbr\u003e5. Stairwell (Before and After) 06:51\u003cbr\u003e6. What Fills You Up Won’t Leave an Empty Cup 03:37\u003cbr\u003e7. In Between 01:19\u003cbr\u003e8. Disintegration 05:24\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e'When the Distance is Blue' is Macie Stewart’s International Anthem debut. The Chicago-based multi-instrumentalist, composer, and improviser describes the collection as “a love letter to the moments we spend in-between”—a letter realized via an intentional return to piano, her first instrument and the origin of her creative expression. Here Stewart creates a striking and cinematic work through collages of prepared piano, field recordings, and string quartet compositions, one that gives shape to a transient universe all its own while tracing the line of her musical past, full circle.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLong-heralded in musician circles for her versatility, Stewart stands as a distinguished, go-to collaborator across genre and style, with a collaborative CV that reads like a dream year-end list—performing strings for Makaya McCraven or Japanese Breakfast; singing harmonies with Tweedy; arranging for Alabaster DePlume, Resavoir, Mannequin Pussy, or SZA; co-leading the jagged art-rock experimentation of Finom, her duo with songwriter Sima Cunningham. This varied-yet-distinct sound has led to a name recognition that goes beyond the devoted liner note enthusiast.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Macie Stewart\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIARC0093LP\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・シカゴのマルチ奏者／作曲家Macie Stewartが、2025年3月にシカゴのジャズ大巣窟International Anthemからリリースしたアルバムです。 ネオクラシカル・アンビエント8曲を収録。グレーシャル・ブルー盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 前作もオススメです。 以下、レーベルによる解説です。 "シカゴを拠点に活動するマルチ・インストゥルメンタリスト、作曲家、即興演奏家である彼女は、この作品集を「合間に過ごす瞬間へのラブレター」と表現している。スチュワートは、プリペアド・ピアノ、フィールド・レコーディング、弦楽四重奏曲のコラージュを通して、印象的で映画的な作品を創り上げた。" レーベルその他作品はこちら /// Click here to see more International Anthem...
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