drone

クイックビュー {"id":9026022080762,"title":"Mattie Barbier \/\/ Is This The Land I Wish Death To Find Me CD","handle":"mattie-barbier-is-this-the-land-i-wish-death-to-find-me-cd","description":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのトロンボーン奏者Mattie Barbier\u003c\/span\u003eが、2025年12月にウェールズの実験レーベルDiscreet Archiveから50部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eトロンボーンとジオフォンを用いたロングフォームなドローン〜物音ドローン2曲を収録。デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/mattie-barbier-paper-blown-between-the-spaces-in-my-ribs-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1418363146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003ehere\u003c\/a\u003e to see more Discreet Archive releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 50 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Is This The Land I Wish Death To Find Me (Solo) 17:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Teeth Of The Second Range\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscreet Archive:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"is this the land i wish death to find me (solo) was recorded on June 26, 2024 at the Tank Center for Sonic Arts in Rangely, Colorado. The recording is based on a slowly shifting set of ascending just minor thirds: 6:5, 7:6, and 13:11. Magnetic geophones were attached directly to the Tank’s steel exterior, allowing the performance to be captured through the physical resonance of the structure itself. Only a minimal amount of the microphones inside the building were mixed in for clarity. The work draws inspiration from exploratory archaeoacoustics research into how spaces hold residual sound of past action and how resonance interacts with material over time. In practice, the trombone activates the Tan and allows the resonant response to become the primary sonic material. The track explores that interaction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTeeth of the Second Range was recorded at home in Culver City, California in December 2024 and January 2025. It extends Barbier’s long-term interest in sonifying spaces, referencing iterative room-resonance processes such as I am Sitting in a Room. Alto, tenor, and bass trombones were recorded and re-recorded to build a choir of unplayed or “phantom” brass instruments. The resulting piece is constructed from the acoustic reality of the instruments\u003cspan class=\"bcTruncateMore\"\u003e when allowed to resonate without human input. Teeth of the Second Range traces a simple I–IV–V–I progression in Bb major, a tonal center associated with the trombone, but the spectral content produced by spatial playback diverges significantly from familiar brass harmony. The effect highlights a tension between functional, performance-based acoustics and the inherent sonic profile of the instruments themselves. The title refers to an early poetic name for the Organ of Corti, taken from Veit Erlmann’s Reason and Resonance.\u003cbr\u003e\u003cbr\u003eAcross both recordings, Barbier examines the relationship between instruments and the environments they inhabit. Space becomes transducer, collaborator, and archive.\u003cbr\u003e\u003cbr\u003eBy foregrounding physical resonance rather than traditional breath articulation, Barbier’s work asks how instruments sound when freed from performance convention. The recordings emphasize vibration as a fundamental condition of matter and hearing. They propose listening as a method for revealing latent acoustics and structural memory. What emerges is not a portrait of the trombone alone but a study in how sound shapes and is shaped by the places where it occurs.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mattie Barbier\u003c\/p\u003e\n\u003cp\u003eLabel : Discreet Archive\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th December 2025\u003c\/p\u003e","published_at":"2025-12-13T07:36:17+09:00","created_at":"2025-12-11T11:21:40+09:00","vendor":"Tobira Records","type":"","tags":["cd","discreet archive","drone","monooto","new"],"price":248000,"price_min":248000,"price_max":248000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48095626297594,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mattie Barbier \/\/ Is This The Land I Wish Death To Find Me CD","public_title":null,"options":["Default Title"],"price":248000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/barb1.jpg?v=1765419614","\/\/tobirarecords.com\/cdn\/shop\/files\/barb2.jpg?v=1765419613"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/barb1.jpg?v=1765419614","options":["Title"],"media":[{"alt":null,"id":37752423252218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/barb1.jpg?v=1765419614"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/barb1.jpg?v=1765419614","width":700},{"alt":null,"id":37752423284986,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/barb2.jpg?v=1765419613"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/barb2.jpg?v=1765419613","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカ・LAのトロンボーン奏者Mattie Barbier\u003c\/span\u003eが、2025年12月にウェールズの実験レーベルDiscreet Archiveから50部限定でリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eトロンボーンとジオフォンを用いたロングフォームなドローン〜物音ドローン2曲を収録。デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/mattie-barbier-paper-blown-between-the-spaces-in-my-ribs-tape\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1418363146\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/diar\"\u003ehere\u003c\/a\u003e to see more Discreet Archive releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCD in digipack.\u003cbr\u003eEdition of 50 copies.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Is This The Land I Wish Death To Find Me (Solo) 17:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Teeth Of The Second Range\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eDiscreet Archive:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"is this the land i wish death to find me (solo) was recorded on June 26, 2024 at the Tank Center for Sonic Arts in Rangely, Colorado. The recording is based on a slowly shifting set of ascending just minor thirds: 6:5, 7:6, and 13:11. Magnetic geophones were attached directly to the Tank’s steel exterior, allowing the performance to be captured through the physical resonance of the structure itself. Only a minimal amount of the microphones inside the building were mixed in for clarity. The work draws inspiration from exploratory archaeoacoustics research into how spaces hold residual sound of past action and how resonance interacts with material over time. In practice, the trombone activates the Tan and allows the resonant response to become the primary sonic material. The track explores that interaction.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTeeth of the Second Range was recorded at home in Culver City, California in December 2024 and January 2025. It extends Barbier’s long-term interest in sonifying spaces, referencing iterative room-resonance processes such as I am Sitting in a Room. Alto, tenor, and bass trombones were recorded and re-recorded to build a choir of unplayed or “phantom” brass instruments. The resulting piece is constructed from the acoustic reality of the instruments\u003cspan class=\"bcTruncateMore\"\u003e when allowed to resonate without human input. Teeth of the Second Range traces a simple I–IV–V–I progression in Bb major, a tonal center associated with the trombone, but the spectral content produced by spatial playback diverges significantly from familiar brass harmony. The effect highlights a tension between functional, performance-based acoustics and the inherent sonic profile of the instruments themselves. The title refers to an early poetic name for the Organ of Corti, taken from Veit Erlmann’s Reason and Resonance.\u003cbr\u003e\u003cbr\u003eAcross both recordings, Barbier examines the relationship between instruments and the environments they inhabit. Space becomes transducer, collaborator, and archive.\u003cbr\u003e\u003cbr\u003eBy foregrounding physical resonance rather than traditional breath articulation, Barbier’s work asks how instruments sound when freed from performance convention. The recordings emphasize vibration as a fundamental condition of matter and hearing. They propose listening as a method for revealing latent acoustics and structural memory. What emerges is not a portrait of the trombone alone but a study in how sound shapes and is shaped by the places where it occurs.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mattie Barbier\u003c\/p\u003e\n\u003cp\u003eLabel : Discreet Archive\u003c\/p\u003e\n\u003cp\u003eRelease date : 12th December 2025\u003c\/p\u003e"}