Produkter
クイックビュー
{"id":9067846140154,"title":"John Carroll Kirby \/\/ Conflict LP","handle":"john-carroll-kirby-conflict-lp","description":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2020年にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3428106908\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------ \u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eAbsorb the pain and react smoothly… don’t become distracted by the white noise of possibilities… experience a flow-like state, even an Ultra Instinct' — Platinum Mike Perry\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe collection of instrumental piano-based pieces, Kirby says, is the outcome of “trying to accept the duality of the world, and through that find peace”. Though he recorded Conflict about a year ago, Kirby decided to spontaneously release it in response to the escalating global crisis, with the hope that it might help fortify the listener and induce inner calm.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2026-01-30T15:37:21+09:00","created_at":"2026-01-30T15:30:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","stones throw"],"price":399800,"price_min":399800,"price_max":399800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48267857527034,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Conflict LP","public_title":null,"options":["Default Title"],"price":399800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"659457244118","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_e176dbba-b6c9-411c-ae72-85b99868f5e6.jpg?v=1642311595","\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_e00a28df-84f3-4af0-8f83-6ec2bb81edb7.jpg?v=1642311595"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_e176dbba-b6c9-411c-ae72-85b99868f5e6.jpg?v=1642311595","options":["Title"],"media":[{"alt":null,"id":29012394541306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_e176dbba-b6c9-411c-ae72-85b99868f5e6.jpg?v=1642311595"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_e176dbba-b6c9-411c-ae72-85b99868f5e6.jpg?v=1642311595","width":700},{"alt":null,"id":29012394574074,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_e00a28df-84f3-4af0-8f83-6ec2bb81edb7.jpg?v=1642311595"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_e00a28df-84f3-4af0-8f83-6ec2bb81edb7.jpg?v=1642311595","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2020年にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3428106908\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------ \u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"'\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eAbsorb the pain and react smoothly… don’t become distracted by the white noise of possibilities… experience a flow-like state, even an Ultra Instinct' — Platinum Mike Perry\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe collection of instrumental piano-based pieces, Kirby says, is the outcome of “trying to accept the duality of the world, and through that find peace”. Though he recorded Conflict about a year ago, Kirby decided to spontaneously release it in response to the escalating global crisis, with the hope that it might help fortify the listener and induce inner calm.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
You may also like:
アメリカ・LAのキーボード奏者John Carroll Kirbyが、2020年にStones Throwからリリースしたレコードです。 ネオクラシカル・アンビエント8曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
Sold Out
クイックビュー
{"id":7517172826362,"title":"John Carroll Kirby \/\/ Cryptozoo: Original Motion Picture Soundtrack LP","handle":"john-carroll-kirby-cryptozoo-original-motion-picture-soundtrack-lp","description":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2021年8月にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e長編アニメーションのサウンドトラックとして制作した9曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sMk2K_x956M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=708814500\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------ \u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCryptozoo is an animated feature-film drama, written and directed by Dash Shaw, featuring the voices of Lake Bell, Zoe Kazan, Michael Cera and Louisa Krause. The film won the NEXT Innovator Award at Sundance, and premiered internationally at the 2021 Berlinale. It will be released on August 20 in theaters and on demand.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is John Carroll Kirby’s first time bringing his talents as a composer and producer to film scoring. His score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music, and makes for a perfect match with artist and filmmaker Dash Shaw’s vibrant animated feature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2022-01-17T16:20:11+09:00","created_at":"2022-01-16T14:43:31+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","post newage","stones throw"],"price":348000,"price_min":348000,"price_max":348000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42324974960890,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Carroll Kirby \/\/ Cryptozoo: Original Motion Picture Soundtrack LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_1a07bff4-b2b2-46f7-a5f4-27b83c7f7df6.jpg?v=1642311813"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_1a07bff4-b2b2-46f7-a5f4-27b83c7f7df6.jpg?v=1642311813","options":["Title"],"media":[{"alt":null,"id":29012405420282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_1a07bff4-b2b2-46f7-a5f4-27b83c7f7df6.jpg?v=1642311813"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cr1_1a07bff4-b2b2-46f7-a5f4-27b83c7f7df6.jpg?v=1642311813","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2021年8月にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e長編アニメーションのサウンドトラックとして制作した9曲を収録。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/sMk2K_x956M\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=708814500\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------ \u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eCryptozoo is an animated feature-film drama, written and directed by Dash Shaw, featuring the voices of Lake Bell, Zoe Kazan, Michael Cera and Louisa Krause. The film won the NEXT Innovator Award at Sundance, and premiered internationally at the 2021 Berlinale. It will be released on August 20 in theaters and on demand.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis is John Carroll Kirby’s first time bringing his talents as a composer and producer to film scoring. His score resists easy genre classification, melding together sounds from New Age, exotica, library music, and the sweeter side of electronic music, and makes for a perfect match with artist and filmmaker Dash Shaw’s vibrant animated feature.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
You may also like:
アメリカ・LAのキーボード奏者John Carroll Kirbyが、2021年8月にStones Throwからリリースしたレコードです。 長編アニメーションのサウンドトラックとして制作した9曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
¥3,480
クイックビュー
{"id":7998169809146,"title":"John Carroll Kirby \/\/ Dance Ancestral LP","handle":"john-carroll-kirby-dance-ancestral-lpのコピー","description":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2022年7月にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ジャズフュージョン9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3694828424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDance Ancestral is the latest addition to producer and keyboardist John Carroll Kirby’s fast-growing and distinctive body of work. Dance Ancestral sees the acclaimed solo artist teaming up with Canadian producer Yu Su for an album whose central theme is the “intuitive dance” we perform throughout our lives. More electronically focused than Kirby’s previous albums, the result is a vividly imagined yet eminently listenable instrumental record.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2023-07-24T19:07:21+09:00","created_at":"2023-07-24T19:06:26+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","post newage","stones throw"],"price":368000,"price_min":368000,"price_max":368000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44378040336634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Dance Ancestral LP","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","options":["Title"],"media":[{"alt":null,"id":32259199467770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da1_99a1402a-dced-481c-aa32-87d59521ed2a.jpg?v=1690193189","width":700},{"alt":null,"id":32259199533306,"position":2,"preview_image":{"aspect_ratio":1.181,"height":1016,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189"},"aspect_ratio":1.181,"height":1016,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/da2_14d39b72-5f4d-42e0-ba5e-aca2d991c1cf.jpg?v=1690193189","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2022年7月にStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eポストニューエイジ・ジャズフュージョン9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3694828424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDance Ancestral is the latest addition to producer and keyboardist John Carroll Kirby’s fast-growing and distinctive body of work. Dance Ancestral sees the acclaimed solo artist teaming up with Canadian producer Yu Su for an album whose central theme is the “intuitive dance” we perform throughout our lives. More electronically focused than Kirby’s previous albums, the result is a vividly imagined yet eminently listenable instrumental record.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
You may also like:
アメリカ・LAのキーボード奏者John Carroll Kirbyが、2022年7月にStones Throwからリリースしたレコードです。 ポストニューエイジ・ジャズフュージョン9曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
Sold Out
クイックビュー
{"id":7989959590138,"title":"John Carroll Kirby \/\/ My Garden LP","handle":"john-carroll-kirby-my-garden-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベルStones Throwからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eバレアリックな風を纏ったスピリチュアルジャズ9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1270660623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePianist, producer and composer John Carroll Kirby will release My Garden, his first solo album for Stones Throw, on April 24.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Garden, a collection of songs written, recorded and produced entirely by Kirby, is a pure distillation of his sound — soulful, spiritual, and evocative. Demonstrating perfectly why Kirby is the go-to collaborator for artists ranging from experimental auteurs Bat for Lashes and Connan Mockasin to pop megastars Harry Styles and Kali Uchis, and R\u0026amp;B innovators Solange and Frank Ocean, My Garden is also a testament to the clarity and singularity of Kirby's vision.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e","published_at":"2023-06-28T14:37:38+09:00","created_at":"2023-06-28T14:00:32+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","post newage","stones throw"],"price":378000,"price_min":378000,"price_max":378000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44302415692026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ My Garden LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","options":["Title"],"media":[{"alt":null,"id":32163414671610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga1_560b459c-970e-4b58-adcc-1572c9a23f46.jpg?v=1687928433","width":700},{"alt":null,"id":32163414704378,"position":2,"preview_image":{"aspect_ratio":1.271,"height":944,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434"},"aspect_ratio":1.271,"height":944,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ga2_27143059-a6fd-4d18-8a08-d149f3a7fa6d.jpg?v=1687928434","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベルStones Throwからリリースした再発レコードです。（オリジナルは2020年リリース）\u003c\/p\u003e\n\u003cp\u003eバレアリックな風を纏ったスピリチュアルジャズ9曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1270660623\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePianist, producer and composer John Carroll Kirby will release My Garden, his first solo album for Stones Throw, on April 24.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy Garden, a collection of songs written, recorded and produced entirely by Kirby, is a pure distillation of his sound — soulful, spiritual, and evocative. Demonstrating perfectly why Kirby is the go-to collaborator for artists ranging from experimental auteurs Bat for Lashes and Connan Mockasin to pop megastars Harry Styles and Kali Uchis, and R\u0026amp;B innovators Solange and Frank Ocean, My Garden is also a testament to the clarity and singularity of Kirby's vision.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e"}
You may also like:
アメリカ・LAのマルチ奏者John Carroll Kirbyが、2023年6月にLAの老舗レーベルStones Throwからリリースした再発レコードです。（オリジナルは2020年リリース） バレアリックな風を纏ったスピリチュアルジャズ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available...
Sold Out
クイックビュー
{"id":7965942743290,"title":"John Carroll Kirby \/\/ Septet 2xLP","handle":"john-carroll-kirby-septet-2xlpのコピー","description":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2021年6月にStones Throwからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ8曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2449815274\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eClash:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat ‘Septet’ really does well is show how accomplished Kirby has become in his writing. The music is fun, with a joyous bounce, but also hints at a deep melancholy. It’s not sad, but it’s also not happy. Which, if we choose to admit it, is what the past 18 months have been... It truly is a product of its time, but instead of focusing on the negativity Kirby concentrates on those little moments that bring happiness. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stone's Throw\u003c\/p\u003e","published_at":"2023-04-28T15:26:58+09:00","created_at":"2023-04-28T15:26:10+09:00","vendor":"Tobira Records","type":"","tags":["jazz","leaving records","lp"],"price":428000,"price_min":428000,"price_max":428000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44198465569018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Septet 2xLP","public_title":null,"options":["Default Title"],"price":428000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172","options":["Title"],"media":[{"alt":null,"id":31891253559546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/se1_f5cb027a-b8fe-4148-a746-3f11a34bb6dc.jpg?v=1682663172","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者John Carroll Kirbyが、2021年6月にStones Throwからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ8曲を収録。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2449815274\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eClash:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhat ‘Septet’ really does well is show how accomplished Kirby has become in his writing. The music is fun, with a joyous bounce, but also hints at a deep melancholy. It’s not sad, but it’s also not happy. Which, if we choose to admit it, is what the past 18 months have been... It truly is a product of its time, but instead of focusing on the negativity Kirby concentrates on those little moments that bring happiness. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stone's Throw\u003c\/p\u003e"}
You may also like:
アメリカ・LAのマルチ奏者John Carroll Kirbyが、2021年6月にStones Throwからリリースした2枚組レコードです。 コンテンポラリー・ジャズ8曲を収録。 Clash: "What ‘Septet’ really does well is show how...
Sold Out
クイックビュー
{"id":9022066688250,"title":"John Carroll Kirby \/\/ The Luckiest Man in America OST LP","handle":"john-carroll-kirby-the-luckiest-man-in-america-ost-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカのシンガーソングライター／プロデューサーJohn Carroll Kirbyが、2025年9月にLAの老舗ヒップホップレーベルStones Throwからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e映画『The Luckiest Man in America』のサウンドトラック\u003c\/span\u003e\u003cspan\u003e14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3267642243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eOriginal soundtrack for the film 'The Luckiest Man in America' (2024), directed by \u003cmeta charset=\"utf-8\"\u003eSamir Oliveros.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Luckiest Man 01:01\u003cbr\u003e2. Sewing a Button 03:19\u003cbr\u003e3. Board of Desire 02:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Lot Tour 03:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Meeting Peter 02:00\u003cbr\u003e\u003c\/span\u003e6. Michael Winning 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Michael Losing 02:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Detective Chuck 03:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Chuck Sad 01:45\u003cbr\u003e\u003c\/span\u003e10. Michael Giving Up 01:25\u003cbr\u003e11. Bill’s Bargain 02:33\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Patricia’s Theme 02:07\u003cbr\u003e\u003c\/span\u003e13. Patricia’s Theme Reprise 02:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. The Whammy 05:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJohn Carroll Kirby soundtracks The Luckiest Man in America. The film was directed by Samir Oliveros and stars Paul Walter Hauser, Johnny Knoxville, Patti Harrison, Maisie Williams and Walter Goggins. It tells the true story of Michael Larson's appearance on the game show \"Press Your Luck\".\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTH2510\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2nd May 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-12-08T11:12:07+09:00","created_at":"2025-12-07T10:30:52+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","jazz","lp","new","stones throw"],"price":437500,"price_min":437500,"price_max":437500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48073701949690,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Carroll Kirby \/\/ The Luckiest Man in America OST LP","public_title":null,"options":["Default Title"],"price":437500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/luc_b45c37c9-ef67-4614-9a43-e452a3845bf0.jpg?v=1765070825","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-07at10.26.07am.png?v=1765070825"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/luc_b45c37c9-ef67-4614-9a43-e452a3845bf0.jpg?v=1765070825","options":["Title"],"media":[{"alt":null,"id":37719259119866,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/luc_b45c37c9-ef67-4614-9a43-e452a3845bf0.jpg?v=1765070825"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/luc_b45c37c9-ef67-4614-9a43-e452a3845bf0.jpg?v=1765070825","width":700},{"alt":null,"id":37719259152634,"position":2,"preview_image":{"aspect_ratio":1.0,"height":456,"width":456,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-07at10.26.07am.png?v=1765070825"},"aspect_ratio":1.0,"height":456,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-12-07at10.26.07am.png?v=1765070825","width":456}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカのシンガーソングライター／プロデューサーJohn Carroll Kirbyが、2025年9月にLAの老舗ヒップホップレーベルStones Throwからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e映画『The Luckiest Man in America』のサウンドトラック\u003c\/span\u003e\u003cspan\u003e14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3267642243\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eOriginal soundtrack for the film 'The Luckiest Man in America' (2024), directed by \u003cmeta charset=\"utf-8\"\u003eSamir Oliveros.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. The Luckiest Man 01:01\u003cbr\u003e2. Sewing a Button 03:19\u003cbr\u003e3. Board of Desire 02:51\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Lot Tour 03:17\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Meeting Peter 02:00\u003cbr\u003e\u003c\/span\u003e6. Michael Winning 03:40\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Michael Losing 02:29\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Detective Chuck 03:05\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Chuck Sad 01:45\u003cbr\u003e\u003c\/span\u003e10. Michael Giving Up 01:25\u003cbr\u003e11. Bill’s Bargain 02:33\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e12. Patricia’s Theme 02:07\u003cbr\u003e\u003c\/span\u003e13. Patricia’s Theme Reprise 02:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e14. The Whammy 05:30\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eStones Throw:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJohn Carroll Kirby soundtracks The Luckiest Man in America. The film was directed by Samir Oliveros and stars Paul Walter Hauser, Johnny Knoxville, Patti Harrison, Maisie Williams and Walter Goggins. It tells the true story of Michael Larson's appearance on the game show \"Press Your Luck\".\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Stones Throw\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSTH2510\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2nd May 2025\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカのシンガーソングライター／プロデューサーJohn Carroll Kirbyが、2025年9月にLAの老舗ヒップホップレーベルStones Throwからリリースしたレコードです。 映画『The Luckiest Man in America』のサウンドトラック14曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving...
¥4,375
クイックビュー
{"id":7947288412410,"title":"John Carroll Kirby \/\/ Tuscany LP","handle":"john-carroll-kirby-tuscany-lp","description":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2023年3月に同国NYのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePatience \/ Impatienceからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノのみによる瞑想的なミニマル・アンビエント曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはRashad Beckerが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=981749371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eLos Angeles based pianist, producer, and songwriter John Carroll Kirby traveled to Pietrasanta, Italy in the summer of 2018 on a self-imposed writing trip. During his stay he composed Tuscany, a two side-long solo piano exploration of this particular geographical envelope, a place where nature is shaped into form.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKirby would cycle 12 kilometers each day to Cascata di Malbacco, a waterfall with jade pools and silver stone, and the inspiration for Side A of Tuscany. His own Cascata di Malbacco tumbles and shimmers along the piano as a gorgeous eighteen-minute-long improvised piece, some of it polished and some moments left raw.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn a ride to Sant’Anna, twenty-something kilometers away, Kirby took a wrong turn and got lost among the hills, where he encountered several monuments memorializing the victims of the Sant’Anna di Stazzema massacre. The dark history of an abandoned mill house served as the inspiration for the album’s haunting Side B, a eulogy for all of those forgotten by time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough Side A is inspired by the natural beauty of a waterfall, and Side B by the cruelty that people can inflict upon others, both pieces revolve around the same seven-note bassline. The idea Kirby is iterating on is the realization that darkness exists inside\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e light, and vice versa; Tuscany is an inquiry into this duality and its consequences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJohn Carroll Kirby has recently released music on Leaving Records, Outside Insight and Pinchy \u0026amp; Friends. In the studio and on the road, he’s produced and\/or played with Connan Mockasin, Blood Orange, Sebastian Tellier, Shabazz Palaces and Solange.\u003c\/span\u003e\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e","published_at":"2023-03-31T18:05:51+09:00","created_at":"2023-03-31T18:05:51+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","patience impatience","post newage"],"price":348000,"price_min":348000,"price_max":348000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137879240954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Carroll Kirby \/\/ Tuscany LP","public_title":null,"options":["Default Title"],"price":348000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3410528650_16.jpg?v=1680253688"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3410528650_16.jpg?v=1680253688","options":["Title"],"media":[{"alt":null,"id":31759746171130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3410528650_16.jpg?v=1680253688"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3410528650_16.jpg?v=1680253688","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのキーボード奏者John Carroll Kirbyが、2023年3月に同国NYのレフトフィールド・ダンスレーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePatience \/ Impatienceからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eピアノのみによる瞑想的なミニマル・アンビエント曲を収録。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはRashad Beckerが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=981749371\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/patience-impatience\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Patience \/ Impatience releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003ePatience \/ Impatience:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eLos Angeles based pianist, producer, and songwriter John Carroll Kirby traveled to Pietrasanta, Italy in the summer of 2018 on a self-imposed writing trip. During his stay he composed Tuscany, a two side-long solo piano exploration of this particular geographical envelope, a place where nature is shaped into form.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKirby would cycle 12 kilometers each day to Cascata di Malbacco, a waterfall with jade pools and silver stone, and the inspiration for Side A of Tuscany. His own Cascata di Malbacco tumbles and shimmers along the piano as a gorgeous eighteen-minute-long improvised piece, some of it polished and some moments left raw.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOn a ride to Sant’Anna, twenty-something kilometers away, Kirby took a wrong turn and got lost among the hills, where he encountered several monuments memorializing the victims of the Sant’Anna di Stazzema massacre. The dark history of an abandoned mill house served as the inspiration for the album’s haunting Side B, a eulogy for all of those forgotten by time.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlthough Side A is inspired by the natural beauty of a waterfall, and Side B by the cruelty that people can inflict upon others, both pieces revolve around the same seven-note bassline. The idea Kirby is iterating on is the realization that darkness exists inside\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e light, and vice versa; Tuscany is an inquiry into this duality and its consequences.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eJohn Carroll Kirby has recently released music on Leaving Records, Outside Insight and Pinchy \u0026amp; Friends. In the studio and on the road, he’s produced and\/or played with Connan Mockasin, Blood Orange, Sebastian Tellier, Shabazz Palaces and Solange.\u003c\/span\u003e\" \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Carroll Kirby\u003c\/p\u003e\n\u003cp\u003eLabel : Patience \/ Impatience\u003c\/p\u003e"}
You may also like:
アメリカ・LAのキーボード奏者John Carroll Kirbyが、2023年3月に同国NYのレフトフィールド・ダンスレーベルPatience / Impatienceからリリースした再発レコードです。 ピアノのみによる瞑想的なミニマル・アンビエント曲を収録。DLコード付属。 マスタリングはRashad Beckerが担当しています。 レーベルその他作品はこちら /// Click here to see more Patience /...
Sold Out
![John Collins McCormick // .com / Poseur 7" [LATHE CUT]](http://tobirarecords.com/cdn/shop/products/jo1_e8e3d3bd-fbfe-4357-93ca-fa9d04df7e81_medium.webp?v=1680239314)
クイックビュー
{"id":7947122442490,"title":"John Collins McCormick \/\/ .com \/ Poseur 7\" [LATHE CUT]","handle":"john-collins-mccormick-com-poseur-7-lathe-cut","description":"\u003cp\u003eアメリカ・インディアナポリスの自作楽器奏者／物音作家John Collins McCormickが、2023年2月に同国NYのノイズ作家Kjostad主宰レーベルNew Forcesから50部限定でリリースしたレースカット7\"です。\u003c\/p\u003e\n\u003cp\u003e聴くたびに発見がある物音2曲を収録。\u003c\/p\u003e\n\u003cp\u003e7\"のみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nefo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nefo\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nefo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nefo\"\u003ehere\u003c\/a\u003e to see more New Forces releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eJohn Collins McCormick \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : New Forces\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-04-05T14:07:24+09:00","created_at":"2023-03-31T14:08:33+09:00","vendor":"Tobira Records","type":"","tags":["lp","monooto","new forces"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44137428058362,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Collins McCormick \/\/ .com \/ Poseur 7\" [LATHE CUT]","public_title":null,"options":["Default Title"],"price":298000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_e8e3d3bd-fbfe-4357-93ca-fa9d04df7e81.webp?v=1680239314","\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2023-03-31at2.07.07pm.png?v=1680239314"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_e8e3d3bd-fbfe-4357-93ca-fa9d04df7e81.webp?v=1680239314","options":["Title"],"media":[{"alt":null,"id":31758232486138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":900,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_e8e3d3bd-fbfe-4357-93ca-fa9d04df7e81.webp?v=1680239314"},"aspect_ratio":1.0,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_e8e3d3bd-fbfe-4357-93ca-fa9d04df7e81.webp?v=1680239314","width":900},{"alt":null,"id":31758232518906,"position":2,"preview_image":{"aspect_ratio":1.009,"height":666,"width":672,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2023-03-31at2.07.07pm.png?v=1680239314"},"aspect_ratio":1.009,"height":666,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2023-03-31at2.07.07pm.png?v=1680239314","width":672}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・インディアナポリスの自作楽器奏者／物音作家John Collins McCormickが、2023年2月に同国NYのノイズ作家Kjostad主宰レーベルNew Forcesから50部限定でリリースしたレースカット7\"です。\u003c\/p\u003e\n\u003cp\u003e聴くたびに発見がある物音2曲を収録。\u003c\/p\u003e\n\u003cp\u003e7\"のみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/nefo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nefo\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/nefo\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/nefo\"\u003ehere\u003c\/a\u003e to see more New Forces releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : \u003cmeta charset=\"utf-8\"\u003eJohn Collins McCormick \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : New Forces\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ・インディアナポリスの自作楽器奏者／物音作家John Collins McCormickが、2023年2月に同国NYのノイズ作家Kjostad主宰レーベルNew Forcesから50部限定でリリースしたレースカット7"です。 聴くたびに発見がある物音2曲を収録。 7"のみでの発表となります。 レーベルその他作品はこちら /// Click here to see more New Forces releases...
¥2,980
クイックビュー
{"id":7999543410938,"title":"John Coltrane \/\/ Meditations LP","handle":"john-coltrane-meditations-lp","description":"\u003cp\u003eアメリカのサックス奏者John Coltrane（1926 – 1967）が、1966年にリリースした作品の2023年再発盤です。\u003c\/p\u003e\n\u003cp\u003eフリージャズ5曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Coltrane – tenor saxophone, percussion, band leader\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePharoah Sanders – tenor saxophone, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMcCoy Tyner – piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJimmy Garrison – double bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eElvin Jones – drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRashied Ali – drums\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ttq-Z2MixJQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 2023 repress by Audio Clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Father And The Son And The Holy Ghost\u003cbr\u003eA2 Serenity\u003cbr\u003eB1 Love\u003cbr\u003eB2 Joy (Bonus Track)\u003c\/p\u003e\n\u003cp\u003eArtist : John Coltrane\u003c\/p\u003e\n\u003cp\u003eLabel : Audio Clarity\u003c\/p\u003e","published_at":"2023-07-29T19:48:08+09:00","created_at":"2023-07-28T15:01:15+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44394875617530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Coltrane \/\/ Meditations LP","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/me1_dbc62439-4607-42c6-9018-7da089d83e0e.jpg?v=1690524077","\/\/tobirarecords.com\/cdn\/shop\/files\/me2_95de6f74-bb6d-43c1-908b-413d3fcad133.jpg?v=1690524077","\/\/tobirarecords.com\/cdn\/shop\/files\/me3_c91c4e19-10c0-40cb-b718-63e2af58412b.jpg?v=1690524077"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_dbc62439-4607-42c6-9018-7da089d83e0e.jpg?v=1690524077","options":["Title"],"media":[{"alt":null,"id":32274022793466,"position":1,"preview_image":{"aspect_ratio":0.998,"height":600,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_dbc62439-4607-42c6-9018-7da089d83e0e.jpg?v=1690524077"},"aspect_ratio":0.998,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me1_dbc62439-4607-42c6-9018-7da089d83e0e.jpg?v=1690524077","width":599},{"alt":null,"id":32274022826234,"position":2,"preview_image":{"aspect_ratio":0.997,"height":600,"width":598,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_95de6f74-bb6d-43c1-908b-413d3fcad133.jpg?v=1690524077"},"aspect_ratio":0.997,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me2_95de6f74-bb6d-43c1-908b-413d3fcad133.jpg?v=1690524077","width":598},{"alt":null,"id":32274022859002,"position":3,"preview_image":{"aspect_ratio":0.985,"height":599,"width":590,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me3_c91c4e19-10c0-40cb-b718-63e2af58412b.jpg?v=1690524077"},"aspect_ratio":0.985,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/me3_c91c4e19-10c0-40cb-b718-63e2af58412b.jpg?v=1690524077","width":590}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのサックス奏者John Coltrane（1926 – 1967）が、1966年にリリースした作品の2023年再発盤です。\u003c\/p\u003e\n\u003cp\u003eフリージャズ5曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Coltrane – tenor saxophone, percussion, band leader\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003ePharoah Sanders – tenor saxophone, percussion\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eMcCoy Tyner – piano\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eJimmy Garrison – double bass\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eElvin Jones – drums\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eRashied Ali – drums\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ttq-Z2MixJQ\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 2023 repress by Audio Clarity.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA1 The Father And The Son And The Holy Ghost\u003cbr\u003eA2 Serenity\u003cbr\u003eB1 Love\u003cbr\u003eB2 Joy (Bonus Track)\u003c\/p\u003e\n\u003cp\u003eArtist : John Coltrane\u003c\/p\u003e\n\u003cp\u003eLabel : Audio Clarity\u003c\/p\u003e"}
You may also like:
アメリカのサックス奏者John Coltrane（1926 – 1967）が、1966年にリリースした作品の2023年再発盤です。 フリージャズ5曲を収録。180g重量盤です。 John Coltrane – tenor saxophone, percussion, band leaderPharoah Sanders...
¥3,280
クイックビュー
{"id":8088415076602,"title":"John Coxon \/\/ Real Magic Vol.1 LP","handle":"john-coxon-real-magic-vol-1-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eSpiritualizedやSpring Heel Jackメンバーとしても活動していたイギリスの音楽家John Coxonが、2023年11月に自身が運営に携わるレーベルTreaderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターとパーカッション、ターンテーブルとCDJのみを用いて1年かけて制作した日記のようなインプロ〜ストレンジビーツ〜アンビエント・ブルース11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Treaderは、レーベル設立者であるJohn Coxonの初のソロリリースを発表できることを誇りに思う。スプリング・ヒール・ジャックやスピリチュアライズドでの活動で知られ、J.スペースマン、エヴァン・パーカー、チャールズ・ヘイワード、ハン・ベニンク、ペドロ・レイエスらとの広範なコラボレーションワークでも知られるJohn Coxonが、最近になって単独で実験的な試みをするスペースと時間を得たのは必然だったのかもしれない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e『Real Magic Vol.1』は、John Coxonが新しく手に入れた真空管マイクで演奏し、慢性的な耳鳴りと闘いながら、2021年にロンドン東部のスタジオで早朝に録音した1年分の成果である。最小限の楽器（ギター、パーカッション、CDJとターンテーブル）を使ったJohn Coxonの遊び心と探究心に溢れたアプローチはモノラルレコーディング、限られたオーバーダブとポストプロダクションといった自らに課したパラメーターのおかげで、その瞬間に音楽を作ることに集中し、自分の道を踏み外すことはなかった。ルートノートと2コードのブルースパターンに支えられてはいるが、ゆるやかな即興と非回帰的なこの音楽は、非常に個人的な独自の空間を持ち、音楽を作るという行為についての考察であると同時に、オウリップ的な音の実験でもある。この『リアル・マジック』は、「（音楽とは）果てしなく魅力的で魔法のようなものだが、いまだに理解できない」というJohn Coxonの気持ちを反映している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eミケル・アコスタが編纂した『リアル・マジック Vol.1』は、アーティストの人生の特定の時点における、親密で日記的な作品を完璧に捉えている。アコスタの選曲とシークエンスは、リスナーに足がかりを提供し、その作品をより魅力的なものに変えていく。\u003c\/em\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035302457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3712531545\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035302457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3484641772\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035302457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRM#1 04:16\u003c\/li\u003e\n\u003cli\u003eRM#2 03:45\u003c\/li\u003e\n\u003cli\u003eRM#3 04:07\u003c\/li\u003e\n\u003cli\u003eRM#4 05:23\u003c\/li\u003e\n\u003cli\u003eRM#5 05:21\u003c\/li\u003e\n\u003cli\u003eRM#6 02:24\u003c\/li\u003e\n\u003cli\u003eRM#7 05:24\u003c\/li\u003e\n\u003cli\u003eRM#8 03:53\u003c\/li\u003e\n\u003cli\u003eRM#9 02:56\u003c\/li\u003e\n\u003cli\u003eRM#10 04:55\u003c\/li\u003e\n\u003cli\u003eRM#11 04:49\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eTreader:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eTreader is proud to announce the first solo release from label-founder John Coxon. Best known for his work in Spring Heel Jack and Spiritualized, as well as extensive collaborative work with J. Spaceman, Evan Parker, Charles Hayward, Han Bennink and Pedro Reyes to name a few, it was perhaps inevitable that recent times allowed Coxon the space and time to experiment on his own.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReal Magic Vol. 1 is the result of a year’s worth of early morning recordings made during 2021 in Coxon’s east London studio while he played with a newly acquired tube mic and grappled with chronic tinnitus. Coxon’s playful and inquisitive approach to working with minimal instrumentation (guitar, percussion, CDJ \u0026amp; turntable) was\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eby self-imposed parameters (mono recordings, limited overdubs and post-production) allowing him to focus on making the music in the moment and staying out of his own way. Loosely improvised and non-recursive although anchored to root notes and two chord blues patterns, the music inhabits its own, very personal, space and reads as both a reflection on the act of making music and an Oulipian experiment with sound. Real Magic, knowingly oxymoronic, reflects Coxon’s feeling that ‘(music is) ...an endlessly fascinating and magical thing that I still don’t\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e understand’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCompiled by Mikel Acosta, Real Magic Vol. 1 perfectly captures these intimate and diaristic works of a specific point in an artists’ life. Acosta’s selection and sequencing provide a foothold for the listener, transforming the sketches into a surprisingly vivid and expressive suite of perfectly unbalanced meta-music. Perhaps the Sibelius quote ‘where language ends music begins’ captures the spirit of Real Magic Vol. 1 most accurately.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Coxon\u003c\/p\u003e\n\u003cp\u003eLabel : Treader\u003c\/p\u003e","published_at":"2023-11-23T14:01:43+09:00","created_at":"2023-11-21T18:18:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","monooto"],"price":417800,"price_min":417800,"price_max":417800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44793687507194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Coxon \/\/ Real Magic Vol.1 LP","public_title":null,"options":["Default Title"],"price":417800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mag1.jpg?v=1700558297","\/\/tobirarecords.com\/cdn\/shop\/files\/mag2.jpg?v=1700558297"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1.jpg?v=1700558297","options":["Title"],"media":[{"alt":null,"id":32722851889402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1.jpg?v=1700558297"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag1.jpg?v=1700558297","width":700},{"alt":null,"id":32722851922170,"position":2,"preview_image":{"aspect_ratio":1.002,"height":1198,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag2.jpg?v=1700558297"},"aspect_ratio":1.002,"height":1198,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mag2.jpg?v=1700558297","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eSpiritualizedやSpring Heel Jackメンバーとしても活動していたイギリスの音楽家John Coxonが、2023年11月に自身が運営に携わるレーベルTreaderからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eギターとパーカッション、ターンテーブルとCDJのみを用いて1年かけて制作した日記のようなインプロ〜ストレンジビーツ〜アンビエント・ブルース11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Treaderは、レーベル設立者であるJohn Coxonの初のソロリリースを発表できることを誇りに思う。スプリング・ヒール・ジャックやスピリチュアライズドでの活動で知られ、J.スペースマン、エヴァン・パーカー、チャールズ・ヘイワード、ハン・ベニンク、ペドロ・レイエスらとの広範なコラボレーションワークでも知られるJohn Coxonが、最近になって単独で実験的な試みをするスペースと時間を得たのは必然だったのかもしれない。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e『Real Magic Vol.1』は、John Coxonが新しく手に入れた真空管マイクで演奏し、慢性的な耳鳴りと闘いながら、2021年にロンドン東部のスタジオで早朝に録音した1年分の成果である。最小限の楽器（ギター、パーカッション、CDJとターンテーブル）を使ったJohn Coxonの遊び心と探究心に溢れたアプローチはモノラルレコーディング、限られたオーバーダブとポストプロダクションといった自らに課したパラメーターのおかげで、その瞬間に音楽を作ることに集中し、自分の道を踏み外すことはなかった。ルートノートと2コードのブルースパターンに支えられてはいるが、ゆるやかな即興と非回帰的なこの音楽は、非常に個人的な独自の空間を持ち、音楽を作るという行為についての考察であると同時に、オウリップ的な音の実験でもある。この『リアル・マジック』は、「（音楽とは）果てしなく魅力的で魔法のようなものだが、いまだに理解できない」というJohn Coxonの気持ちを反映している。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eミケル・アコスタが編纂した『リアル・マジック Vol.1』は、アーティストの人生の特定の時点における、親密で日記的な作品を完璧に捉えている。アコスタの選曲とシークエンスは、リスナーに足がかりを提供し、その作品をより魅力的なものに変えていく。\u003c\/em\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035302457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3712531545\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035302457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3484641772\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3035302457\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" black vinyl. Edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eRM#1 04:16\u003c\/li\u003e\n\u003cli\u003eRM#2 03:45\u003c\/li\u003e\n\u003cli\u003eRM#3 04:07\u003c\/li\u003e\n\u003cli\u003eRM#4 05:23\u003c\/li\u003e\n\u003cli\u003eRM#5 05:21\u003c\/li\u003e\n\u003cli\u003eRM#6 02:24\u003c\/li\u003e\n\u003cli\u003eRM#7 05:24\u003c\/li\u003e\n\u003cli\u003eRM#8 03:53\u003c\/li\u003e\n\u003cli\u003eRM#9 02:56\u003c\/li\u003e\n\u003cli\u003eRM#10 04:55\u003c\/li\u003e\n\u003cli\u003eRM#11 04:49\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eTreader:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eTreader is proud to announce the first solo release from label-founder John Coxon. Best known for his work in Spring Heel Jack and Spiritualized, as well as extensive collaborative work with J. Spaceman, Evan Parker, Charles Hayward, Han Bennink and Pedro Reyes to name a few, it was perhaps inevitable that recent times allowed Coxon the space and time to experiment on his own.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eReal Magic Vol. 1 is the result of a year’s worth of early morning recordings made during 2021 in Coxon’s east London studio while he played with a newly acquired tube mic and grappled with chronic tinnitus. Coxon’s playful and inquisitive approach to working with minimal instrumentation (guitar, percussion, CDJ \u0026amp; turntable) was\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eby self-imposed parameters (mono recordings, limited overdubs and post-production) allowing him to focus on making the music in the moment and staying out of his own way. Loosely improvised and non-recursive although anchored to root notes and two chord blues patterns, the music inhabits its own, very personal, space and reads as both a reflection on the act of making music and an Oulipian experiment with sound. Real Magic, knowingly oxymoronic, reflects Coxon’s feeling that ‘(music is) ...an endlessly fascinating and magical thing that I still don’t\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e understand’.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCompiled by Mikel Acosta, Real Magic Vol. 1 perfectly captures these intimate and diaristic works of a specific point in an artists’ life. Acosta’s selection and sequencing provide a foothold for the listener, transforming the sketches into a surprisingly vivid and expressive suite of perfectly unbalanced meta-music. Perhaps the Sibelius quote ‘where language ends music begins’ captures the spirit of Real Magic Vol. 1 most accurately.\"\u003c\/span\u003e\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Coxon\u003c\/p\u003e\n\u003cp\u003eLabel : Treader\u003c\/p\u003e"}
You may also like:
SpiritualizedやSpring Heel Jackメンバーとしても活動していたイギリスの音楽家John Coxonが、2023年11月に自身が運営に携わるレーベルTreaderからリリースしたレコードです。 ギターとパーカッション、ターンテーブルとCDJのみを用いて1年かけて制作した日記のようなインプロ〜ストレンジビーツ〜アンビエント・ブルース11曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします 以下、レーベルによる解説です。 "Treaderは、レーベル設立者であるJohn Coxonの初のソロリリースを発表できることを誇りに思う。スプリング・ヒール・ジャックやスピリチュアライズドでの活動で知られ、J.スペースマン、エヴァン・パーカー、チャールズ・ヘイワード、ハン・ベニンク、ペドロ・レイエスらとの広範なコラボレーションワークでも知られるJohn Coxonが、最近になって単独で実験的な試みをするスペースと時間を得たのは必然だったのかもしれない。『Real Magic Vol.1』は、John Coxonが新しく手に入れた真空管マイクで演奏し、慢性的な耳鳴りと闘いながら、2021年にロンドン東部のスタジオで早朝に録音した1年分の成果である。最小限の楽器（ギター、パーカッション、CDJとターンテーブル）を使ったJohn Coxonの遊び心と探究心に溢れたアプローチはモノラルレコーディング、限られたオーバーダブとポストプロダクションといった自らに課したパラメーターのおかげで、その瞬間に音楽を作ることに集中し、自分の道を踏み外すことはなかった。ルートノートと2コードのブルースパターンに支えられてはいるが、ゆるやかな即興と非回帰的なこの音楽は、非常に個人的な独自の空間を持ち、音楽を作るという行為についての考察であると同時に、オウリップ的な音の実験でもある。この『リアル・マジック』は、「（音楽とは）果てしなく魅力的で魔法のようなものだが、いまだに理解できない」というJohn...
Sold Out
クイックビュー
{"id":7339679547642,"title":"John D. Murphy \/\/ Composition 1960 #7 TAPE","handle":"john-d-murphy-composition-1960-7-tape","description":"\u003cp\u003eテクノ作家John D. Murphyが、2020年にドイツダンスレーベルGLYKからリリースしたカセット。La Monte Youngばりのミニマルドローンテクノとミニマルドローンを収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=445927104\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glyk\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click here to see more GLYK releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 60.\u003c\/p\u003e\n\u003cp\u003eText by Glyk:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Eternity divided by time. Everything else is experience. New York based artist John D. Murphy merges the ephemeral stasis of La Monte Young's infamous piece Composition 1960 #7 with the basic elements of Techno music. The repetitiveness of a four quarter beat compliments two synthesizers in different keys creating a mesmerizing meditation. On his second variation Murphy gives his machines more room to breath opening much more subtle sonic spaces to dive in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John D. Murphy\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGLYK\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-25T10:53:19+09:00","created_at":"2021-10-19T15:19:52+09:00","vendor":"Tobira Records","type":"","tags":["drone","glyk","tape","techno \/ house"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":41901025460474,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John D. Murphy \/\/ Composition 1960 #7 TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/co1_61808edf-c580-4f6f-a57f-f0004d13cfc7.jpg?v=1634624394","\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b34ae9f8-8f78-4aec-b2fa-ef1b8f103258.jpg?v=1634624394"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_61808edf-c580-4f6f-a57f-f0004d13cfc7.jpg?v=1634624394","options":["Title"],"media":[{"alt":null,"id":25320414576890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_61808edf-c580-4f6f-a57f-f0004d13cfc7.jpg?v=1634624394"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co1_61808edf-c580-4f6f-a57f-f0004d13cfc7.jpg?v=1634624394","width":700},{"alt":null,"id":25320414609658,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b34ae9f8-8f78-4aec-b2fa-ef1b8f103258.jpg?v=1634624394"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/co2_b34ae9f8-8f78-4aec-b2fa-ef1b8f103258.jpg?v=1634624394","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eテクノ作家John D. Murphyが、2020年にドイツダンスレーベルGLYKからリリースしたカセット。La Monte Youngばりのミニマルドローンテクノとミニマルドローンを収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=445927104\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/glyk\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click here to see more GLYK releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 60.\u003c\/p\u003e\n\u003cp\u003eText by Glyk:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Eternity divided by time. Everything else is experience. New York based artist John D. Murphy merges the ephemeral stasis of La Monte Young's infamous piece Composition 1960 #7 with the basic elements of Techno music. The repetitiveness of a four quarter beat compliments two synthesizers in different keys creating a mesmerizing meditation. On his second variation Murphy gives his machines more room to breath opening much more subtle sonic spaces to dive in.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John D. Murphy\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGLYK\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
テクノ作家John D. Murphyが、2020年にドイツダンスレーベルGLYKからリリースしたカセット。La Monte Youngばりのミニマルドローンテクノとミニマルドローンを収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more GLYK releases available at Tobira. ...
¥1,680
クイックビュー
{"id":7503026487546,"title":"John Dole \u0026 Axuta \/ Neocia \u0026 Spell Token \/\/ Split TAPE","handle":"john-dole-axuta-neocia-spell-token-split-tape","description":"\u003cp\u003eイギリスのLo-Fiヒップホップ〜ベッドルームポップレーベルNorthern Tapes諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国作家2組による50本限定のスプリットカセットです。 IDM〜ネオクラシカル・インストヒップホップ〜ベッドルームポップ11曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=210660490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------- \u003c\/p\u003e\n\u003cp\u003eArtist : John Dole \u0026amp; Axuta \/ Neocia \u0026amp; Spell Token\u003c\/p\u003e\n\u003cp\u003eLabel : Northern Tape\u003c\/p\u003e","published_at":"2021-12-27T13:39:53+09:00","created_at":"2021-12-27T11:18:01+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","house","neo classical","northern tape","sale22","tape"],"price":156000,"price_min":156000,"price_max":156000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42248260485370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Dole \u0026 Axuta \/ Neocia \u0026 Spell Token \/\/ Split TAPE","public_title":null,"options":["Default Title"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/no1_1f42f686-6591-4ae2-9350-9f1ef1fa97fd.jpg?v=1640571483","\/\/tobirarecords.com\/cdn\/shop\/products\/no2_11d65126-2c0f-4fda-b929-87607cb4834f.jpg?v=1640571483"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_1f42f686-6591-4ae2-9350-9f1ef1fa97fd.jpg?v=1640571483","options":["Title"],"media":[{"alt":null,"id":28928514556154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_1f42f686-6591-4ae2-9350-9f1ef1fa97fd.jpg?v=1640571483"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no1_1f42f686-6591-4ae2-9350-9f1ef1fa97fd.jpg?v=1640571483","width":700},{"alt":null,"id":28928514588922,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_11d65126-2c0f-4fda-b929-87607cb4834f.jpg?v=1640571483"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/no2_11d65126-2c0f-4fda-b929-87607cb4834f.jpg?v=1640571483","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのLo-Fiヒップホップ〜ベッドルームポップレーベルNorthern Tapes諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国作家2組による50本限定のスプリットカセットです。 IDM〜ネオクラシカル・インストヒップホップ〜ベッドルームポップ11曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=210660490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------- \u003c\/p\u003e\n\u003cp\u003eArtist : John Dole \u0026amp; Axuta \/ Neocia \u0026amp; Spell Token\u003c\/p\u003e\n\u003cp\u003eLabel : Northern Tape\u003c\/p\u003e"}
You may also like:
イギリスのLo-Fiヒップホップ〜ベッドルームポップレーベルNorthern Tapes諸作を入荷しました。 本作は、同国作家2組による50本限定のスプリットカセットです。 IDM〜ネオクラシカル・インストヒップホップ〜ベッドルームポップ11曲を収録。DLコード付属。廃盤です。 ------------------------------- Artist : John Dole & Axuta / Neocia & Spell...
¥1,560
クイックビュー
{"id":9045944664314,"title":"John Driscoll \/\/ Ghostly Agents 2xLP","handle":"john-driscoll-ghostly-agents-2xlp","description":"\u003cp\u003eDavid TudorのRainforest Vにも参加しているアメリカの実験音楽家John Driscollが、2023年にオランダの実験レーベルSlowscanからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン4曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/t3GrO8KtyVo?si=PbT1FHPnRWuhsKGX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSlowscan\u003c\/span\u003e\u003cspan\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003ehere\u003c\/a\u003e to see more Slowscan releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"MuiTypography-root MuiTypography-bodySmall css-1vjnjdl\"\u003eRegular edition of 350 copies on double black vinyl in a gatefold sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUS composer, sound artist, performer and producer, born 1947 in Philadelphia, PA.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eJohn\u003c\/b\u003e is an American composer who is a founding member of Composers Inside Electronics (CIE) and collaborated on David Tudor’s Rainforest V starting in 1973. He has toured extensively in the U.S. and Europe with CIE, David Tudor, Phil Edelstein, Douglas Dunn \u0026amp; Dancers, Maida Withers \u0026amp; the Dance Construction Co. and as a solo performer. His work has focused on robotic instruments, music for dance and compositions and sound installations for unique architectural spaces. He’s exhibited his sound installations at the Fridman Gallery (NY), the Museum of Modern Art (NY), Museum of Modern Art (Warsaw), Museum der Moderne (Salzburg), Lyon Biennale, Subtropics (Miami), Univ. of Maryland (College Park).\u003c\/p\u003e\n\u003cp class=\"\"\u003eDriscoll has collaborated with Phil Edelstein on numerous works including their recent sound installation Cluster Fields. His collaboration with Edelstein on Rainforest V (variations 1-4) has resulted in acquisitions in the collections of Museum of Modern Art (NY), Museum der Moderne (Salzburg), Arter Museum (Istanbul) and Musée d’art Contemporain (Lyon).\u003c\/p\u003e\n\u003cp class=\"\"\u003eFor the first time on vinyl, this essential release includes four key audio works spanning an era from 1979 to 2018: \u003cem\u003eSpeaking in Tongues\u003c\/em\u003e (2018), \u003cem\u003eEbers \u0026amp; Mole, Part 2\u003c\/em\u003e (1979), \u003cem\u003eStall\u003c\/em\u003e (1981) and \u003cem\u003eWafer Flats\u003c\/em\u003e (1985).\u003c\/p\u003e\n\u003cp\u003eArtist : John Driscoll\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan \u003c\/p\u003e","published_at":"2026-01-04T06:02:17+09:00","created_at":"2026-01-04T06:01:39+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new","Slowscan"],"price":579000,"price_min":579000,"price_max":579000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48183169351930,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Driscoll \/\/ Ghostly Agents 2xLP","public_title":null,"options":["Default Title"],"price":579000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ghostly.jpg?v=1601087577","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15576300-1593934630-4336_jpeg.jpg?v=1603533179","\/\/tobirarecords.com\/cdn\/shop\/products\/R-15576300-1593934630-8935_jpeg.jpg?v=1603533179"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ghostly.jpg?v=1601087577","options":["Title"],"media":[{"alt":null,"id":11442138251429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":300,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ghostly.jpg?v=1601087577"},"aspect_ratio":1.0,"height":300,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ghostly.jpg?v=1601087577","width":300},{"alt":null,"id":12743049052325,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15576300-1593934630-4336_jpeg.jpg?v=1603533179"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15576300-1593934630-4336_jpeg.jpg?v=1603533179","width":600},{"alt":null,"id":12743049085093,"position":3,"preview_image":{"aspect_ratio":1.777,"height":337,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15576300-1593934630-8935_jpeg.jpg?v=1603533179"},"aspect_ratio":1.777,"height":337,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R-15576300-1593934630-8935_jpeg.jpg?v=1603533179","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDavid TudorのRainforest Vにも参加しているアメリカの実験音楽家John Driscollが、2023年にオランダの実験レーベルSlowscanからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e物音ドローン4曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/t3GrO8KtyVo?si=PbT1FHPnRWuhsKGX\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSlowscan\u003c\/span\u003e\u003cspan\u003eその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/slowscan\"\u003ehere\u003c\/a\u003e to see more Slowscan releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"MuiTypography-root MuiTypography-bodySmall css-1vjnjdl\"\u003eRegular edition of 350 copies on double black vinyl in a gatefold sleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eUS composer, sound artist, performer and producer, born 1947 in Philadelphia, PA.\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp class=\"\"\u003e\u003cb\u003eJohn\u003c\/b\u003e is an American composer who is a founding member of Composers Inside Electronics (CIE) and collaborated on David Tudor’s Rainforest V starting in 1973. He has toured extensively in the U.S. and Europe with CIE, David Tudor, Phil Edelstein, Douglas Dunn \u0026amp; Dancers, Maida Withers \u0026amp; the Dance Construction Co. and as a solo performer. His work has focused on robotic instruments, music for dance and compositions and sound installations for unique architectural spaces. He’s exhibited his sound installations at the Fridman Gallery (NY), the Museum of Modern Art (NY), Museum of Modern Art (Warsaw), Museum der Moderne (Salzburg), Lyon Biennale, Subtropics (Miami), Univ. of Maryland (College Park).\u003c\/p\u003e\n\u003cp class=\"\"\u003eDriscoll has collaborated with Phil Edelstein on numerous works including their recent sound installation Cluster Fields. His collaboration with Edelstein on Rainforest V (variations 1-4) has resulted in acquisitions in the collections of Museum of Modern Art (NY), Museum der Moderne (Salzburg), Arter Museum (Istanbul) and Musée d’art Contemporain (Lyon).\u003c\/p\u003e\n\u003cp class=\"\"\u003eFor the first time on vinyl, this essential release includes four key audio works spanning an era from 1979 to 2018: \u003cem\u003eSpeaking in Tongues\u003c\/em\u003e (2018), \u003cem\u003eEbers \u0026amp; Mole, Part 2\u003c\/em\u003e (1979), \u003cem\u003eStall\u003c\/em\u003e (1981) and \u003cem\u003eWafer Flats\u003c\/em\u003e (1985).\u003c\/p\u003e\n\u003cp\u003eArtist : John Driscoll\u003c\/p\u003e\n\u003cp\u003eLabel : Slowscan \u003c\/p\u003e"}
You may also like:
David TudorのRainforest Vにも参加しているアメリカの実験音楽家John Driscollが、2023年にオランダの実験レーベルSlowscanからリリースした2枚組レコードです。 物音ドローン4曲を収録。ゲートフォルド仕様です。 レコードのみでの発表となります。 Slowscanその他作品はこちら /// Click here to see more Slowscan releases available at Tobira. ...
¥5,790
クイックビュー
{"id":6724437147813,"title":"John Duncan \u0026 Carl Michael von Hausswolff \/\/ Our Telluric Conversation CD","handle":"john-duncan-carl-michael-von-hausswolff-our-telluric-conversation-cd","description":"\u003cp\u003eイタリアの大御所作家John Duncanとスウェーデンの大御所作家Carl Michael von Hausswolffによる共作CD。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD held in a J-card case with 40-page booklet, featuring an interview between John Duncan and CM von Hausswolff, and packaged in a braille embossed O-case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e23five Incorporated proudly presents Our Telluric Conversation - the second collaborative album from John Duncan and Carl Michael von Hausswolff. This is an album which Duncan describes as having been galvanized by magnetism. In a semantic sleight of hand, Duncan and Hausswolff reveal magnetism through a duality of meanings. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne on hand, they speak of the physical phenomenon of charged objects that exert an attraction or repulsion upon other objects; yet on the other, magnetism can be defined the psychological influence wielded by charismatic individuals. Our Telluric Conversation maps out the complexities that emerged through the collaborative pursuits of these venerated sound artists.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe tools that the two employed for Our Telluric Conversation are common to their respective catalogues of recordings, with Duncan bringing his shortwave, data streams, and uncanny use of the human voice while Hausswolff employed oscillators, sonar, and wire tapping microphones. The album opens with the mechanical rotation of modulated sonar, providing a hypnotic pulse which slowly submits to an obstinate surge of rumbling noise, that in turn collapses into focused white-noise turbulence and tone-bent SSB transmissions. All of this abruptly detours with a protracted spoken narrative from Hausswolff who whispers a Pynchonesque text about a maggot-infested individual who seeks to remedy his affliction by communing with cobras and geckoes. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfterwards, Duncan and Hausswolff entertain the seduction of the long-form drone constructions; however, their sublime minimalism is so brilliant in its beauty as to be piercingly acute through the purity of honed sinewaves. The final entry from their Conversation is the perfect marriage of the established Duncan and Hausswolff aesthetics, with a spare low-frequency hum deadening the sonic architecture before a static charge of crackled ether supplements the auditory smoldering. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOur Telluric Conversation stands as a bold, expressive piece of sound art, confident in its multiplicity of perspectives caught in a constant flux of attraction and repulsion. The recording comes with a 40 page booklet with an interview between Duncan and Hausswolff about their histories, ideas, and methodologies; furthermore, the packaging is completed by a curiously tactile O-card, which has been embossed with braille and covered with a rubbery coating. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor almost a quarter century, John Duncan has constructed a radical body of sonic provocation through noise, field recordings, installation, and perhaps most notably shortwave. His interests have long been grounded in the psychological implications of sound, and how it has the ability to bring ecstasy, hostility, empathy, abjection, etc. to the listener. Always questioning himself and the world around him, Duncan remains one of the most dynamic artists of the contemporary era.Carl Michael von Hausswolff is a Swedish composer currently working in Stockholm. His work involves studies of electricity, frequency, intonation and even paranormal activities within the framework of a challenging conceptual ideology of sound. Hausswolff's audiovisual installations have been shown at biennials in Istanbul and Johannesburg, and his music has been performed throughout Europe and North America. He is also co-monarch (with Leif Elggren) of the Kingdoms of Elgaland-Vargaland.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Duncan \u0026amp; Carl Michael von Hausswolff\u003c\/p\u003e\n\u003cp\u003eLabel : 23five\u003c\/p\u003e","published_at":"2021-05-06T10:51:03+09:00","created_at":"2021-05-05T21:12:54+09:00","vendor":"Tobira Records","type":"","tags":["23five","cd","drone","Misanthropic Agenda","monooto"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39809432322213,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Duncan \u0026 Carl Michael von Hausswolff \/\/ Our Telluric Conversation CD","public_title":null,"options":["Default Title"],"price":158000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_27fd8677-5ae8-4ebc-ab1f-291dea49bdb9.jpg?v=1620216775"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_27fd8677-5ae8-4ebc-ab1f-291dea49bdb9.jpg?v=1620216775","options":["Title"],"media":[{"alt":null,"id":22023595229349,"position":1,"preview_image":{"aspect_ratio":1.128,"height":266,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_27fd8677-5ae8-4ebc-ab1f-291dea49bdb9.jpg?v=1620216775"},"aspect_ratio":1.128,"height":266,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_27fd8677-5ae8-4ebc-ab1f-291dea49bdb9.jpg?v=1620216775","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの大御所作家John Duncanとスウェーデンの大御所作家Carl Michael von Hausswolffによる共作CD。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCD held in a J-card case with 40-page booklet, featuring an interview between John Duncan and CM von Hausswolff, and packaged in a braille embossed O-case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e23five Incorporated proudly presents Our Telluric Conversation - the second collaborative album from John Duncan and Carl Michael von Hausswolff. This is an album which Duncan describes as having been galvanized by magnetism. In a semantic sleight of hand, Duncan and Hausswolff reveal magnetism through a duality of meanings. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne on hand, they speak of the physical phenomenon of charged objects that exert an attraction or repulsion upon other objects; yet on the other, magnetism can be defined the psychological influence wielded by charismatic individuals. Our Telluric Conversation maps out the complexities that emerged through the collaborative pursuits of these venerated sound artists.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe tools that the two employed for Our Telluric Conversation are common to their respective catalogues of recordings, with Duncan bringing his shortwave, data streams, and uncanny use of the human voice while Hausswolff employed oscillators, sonar, and wire tapping microphones. The album opens with the mechanical rotation of modulated sonar, providing a hypnotic pulse which slowly submits to an obstinate surge of rumbling noise, that in turn collapses into focused white-noise turbulence and tone-bent SSB transmissions. All of this abruptly detours with a protracted spoken narrative from Hausswolff who whispers a Pynchonesque text about a maggot-infested individual who seeks to remedy his affliction by communing with cobras and geckoes. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAfterwards, Duncan and Hausswolff entertain the seduction of the long-form drone constructions; however, their sublime minimalism is so brilliant in its beauty as to be piercingly acute through the purity of honed sinewaves. The final entry from their Conversation is the perfect marriage of the established Duncan and Hausswolff aesthetics, with a spare low-frequency hum deadening the sonic architecture before a static charge of crackled ether supplements the auditory smoldering. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOur Telluric Conversation stands as a bold, expressive piece of sound art, confident in its multiplicity of perspectives caught in a constant flux of attraction and repulsion. The recording comes with a 40 page booklet with an interview between Duncan and Hausswolff about their histories, ideas, and methodologies; furthermore, the packaging is completed by a curiously tactile O-card, which has been embossed with braille and covered with a rubbery coating. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor almost a quarter century, John Duncan has constructed a radical body of sonic provocation through noise, field recordings, installation, and perhaps most notably shortwave. His interests have long been grounded in the psychological implications of sound, and how it has the ability to bring ecstasy, hostility, empathy, abjection, etc. to the listener. Always questioning himself and the world around him, Duncan remains one of the most dynamic artists of the contemporary era.Carl Michael von Hausswolff is a Swedish composer currently working in Stockholm. His work involves studies of electricity, frequency, intonation and even paranormal activities within the framework of a challenging conceptual ideology of sound. Hausswolff's audiovisual installations have been shown at biennials in Istanbul and Johannesburg, and his music has been performed throughout Europe and North America. He is also co-monarch (with Leif Elggren) of the Kingdoms of Elgaland-Vargaland.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Duncan \u0026amp; Carl Michael von Hausswolff\u003c\/p\u003e\n\u003cp\u003eLabel : 23five\u003c\/p\u003e"}
You may also like:
イタリアの大御所作家John Duncanとスウェーデンの大御所作家Carl Michael von Hausswolffによる共作CD。 CD held in a J-card case with 40-page booklet,...
Sold Out
クイックビュー
{"id":7526880936186,"title":"John Duncan \u0026 TR. Kirstein \/\/ st CD","handle":"john-duncan-tr-kirstein-st-cd","description":"\u003cp\u003eデンマークとアメリカの音響作家John DuncanとTR. Kirsteinが、2021年12月にオランダMoving Furnitureからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eミニマルドローン〜スポークンワード2曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3345162911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn May 31st, 2019, the day Roky Erickson from 13th Elevators died (I later found out), I woke up from a dream of sound and text. I dreamt that John Duncan kept repeating the words YOU ARE SAFE entangled with sine waves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo I instantly shot him a message asking if it was too weird to do exactly that. He replied: \"not too weird\".\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e-- Tobias R. Kirstein --\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYOU ARE SAFE and COME TO ME are the first two collaborative tracks by Danish composer\/artist Tobias R. Kirstein and American composer\/artist John Duncan.\u003c\/em\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Duncan \u0026amp; TR. Kirstein\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture Records\u003c\/p\u003e","published_at":"2022-01-27T16:13:15+09:00","created_at":"2022-01-27T16:13:15+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","drone","moving furniture records"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42369401127162,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Duncan \u0026 TR. Kirstein \/\/ st CD","public_title":null,"options":["Default Title"],"price":158000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a3313823561_16.jpg?v=1643267773"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3313823561_16.jpg?v=1643267773","options":["Title"],"media":[{"alt":null,"id":29068045123834,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3313823561_16.jpg?v=1643267773"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a3313823561_16.jpg?v=1643267773","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークとアメリカの音響作家John DuncanとTR. Kirsteinが、2021年12月にオランダMoving Furnitureからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eミニマルドローン〜スポークンワード2曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3345162911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mfr\"\u003ehere\u003c\/a\u003e to see more Moving Furniture Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn May 31st, 2019, the day Roky Erickson from 13th Elevators died (I later found out), I woke up from a dream of sound and text. I dreamt that John Duncan kept repeating the words YOU ARE SAFE entangled with sine waves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo I instantly shot him a message asking if it was too weird to do exactly that. He replied: \"not too weird\".\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e-- Tobias R. Kirstein --\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eYOU ARE SAFE and COME TO ME are the first two collaborative tracks by Danish composer\/artist Tobias R. Kirstein and American composer\/artist John Duncan.\u003c\/em\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Duncan \u0026amp; TR. Kirstein\u003c\/p\u003e\n\u003cp\u003eLabel : Moving Furniture Records\u003c\/p\u003e"}
You may also like:
デンマークとアメリカの音響作家John DuncanとTR. Kirsteinが、2021年12月にオランダMoving Furnitureからリリースした共作アルバムです。 ミニマルドローン〜スポークンワード2曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Moving Furniture Records releases available...
Sold Out
クイックビュー
{"id":5870662156453,"title":"John Duncan \/\/ MMXX - 02 : PANIC @ 11000 FEET LP","handle":"john-duncan-mmxx-02-panic-11000-feet-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatière Mémoireが始動した、片面に20分の楽曲、もう片面には作家のアートワークをレーザー彫刻で刻むというクリアヴァイナルシリーズMMXX。2作目はLAFM周辺での活動でおなじみJohn Duncan\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eの登場です。500部限定。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1685224028\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mame\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mame\"\u003ehere\u003c\/a\u003e to see more Matiere Memoire releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : John Duncan\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatiere Memoire\u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-11-09T13:53:19+09:00","created_at":"2020-11-09T13:53:17+09:00","vendor":"Tobira Records","type":"","tags":["drone","lp","Matiere Memoire"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37044141981861,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Duncan \/\/ MMXX - 02 : PANIC @ 11000 FEET LP","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a0375276995_10.jpg?v=1604897601"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0375276995_10.jpg?v=1604897601","options":["Title"],"media":[{"alt":null,"id":13134784266405,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0375276995_10.jpg?v=1604897601"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a0375276995_10.jpg?v=1604897601","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eベルギー\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatière Mémoireが始動した、片面に20分の楽曲、もう片面には作家のアートワークをレーザー彫刻で刻むというクリアヴァイナルシリーズMMXX。2作目はLAFM周辺での活動でおなじみJohn Duncan\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eの登場です。500部限定。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1685224028\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mame\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mame\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mame\"\u003ehere\u003c\/a\u003e to see more Matiere Memoire releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eartist : John Duncan\u003c\/p\u003e\n\u003cp\u003elabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMatiere Memoire\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
ベルギーMatière Mémoireが始動した、片面に20分の楽曲、もう片面には作家のアートワークをレーザー彫刻で刻むというクリアヴァイナルシリーズMMXX。2作目はLAFM周辺での活動でおなじみJohn Duncanの登場です。500部限定。 レーベルその他作品はこちら /// Click here to see more Matiere Memoire releases available at Tobira. artist...
¥3,880
クイックビュー
{"id":6856859517093,"title":"John Edwards \/ Andrew Lisle \/ Dirk Serries \/ Colin Webster \/\/ Peck and Fleet LP","handle":"john-edwards-andrew-lisle-dirk-serries-colin-webster-peck-and-fleet-lp","description":"\u003cp\u003eイギリスのサックス奏者Colin Websterが主宰するフリージャズ・物音レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raw-tonk\"\u003eRaw Tonk\u003c\/a\u003eが2021年5月にリリースした最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス実験音楽家4名による共作レコードです。20分以上の即興演奏2セットを収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2400923581\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raw-tonk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raw-tonk\"\u003ehere\u003c\/a\u003e to see more Raw Tonk releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eJohn Edwards : double bass\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAndrew Lisle : percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDirk Serries : acoustic guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eColin Webster : alto sax\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at the Dave Hunt Studio, London on February 8th 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Edwards \/ Andrew Lisle \/ Dirk Serries \/ Colin Webster\u003c\/p\u003e\n\u003cp\u003eLabel : Raw Tonk Records\u003c\/p\u003e","published_at":"2021-06-19T14:27:53+09:00","created_at":"2021-06-19T14:27:53+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","monooto","Raw Tonk","strange beats"],"price":268000,"price_min":268000,"price_max":268000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40188826353829,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Edwards \/ Andrew Lisle \/ Dirk Serries \/ Colin Webster \/\/ Peck and Fleet LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/a4105094378_16.jpg?v=1624080487"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4105094378_16.jpg?v=1624080487","options":["Title"],"media":[{"alt":null,"id":22665944301733,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4105094378_16.jpg?v=1624080487"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/a4105094378_16.jpg?v=1624080487","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのサックス奏者Colin Websterが主宰するフリージャズ・物音レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raw-tonk\"\u003eRaw Tonk\u003c\/a\u003eが2021年5月にリリースした最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、イギリス実験音楽家4名による共作レコードです。20分以上の即興演奏2セットを収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2400923581\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/raw-tonk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/raw-tonk\"\u003ehere\u003c\/a\u003e to see more Raw Tonk releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003eJohn Edwards : double bass\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eAndrew Lisle : percussion\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDirk Serries : acoustic guitar\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eColin Webster : alto sax\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eRecorded at the Dave Hunt Studio, London on February 8th 2020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Edwards \/ Andrew Lisle \/ Dirk Serries \/ Colin Webster\u003c\/p\u003e\n\u003cp\u003eLabel : Raw Tonk Records\u003c\/p\u003e"}
You may also like:
イギリスのサックス奏者Colin Websterが主宰するフリージャズ・物音レーベルRaw Tonkが2021年5月にリリースした最新作を本邦初入荷しました。 本作は、イギリス実験音楽家4名による共作レコードです。20分以上の即興演奏2セットを収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Raw Tonk releases available at...
¥2,680
クイックビュー
{"id":7720699429114,"title":"John Fahey \/\/ How Bluegrass Music Destroyed My Life BOOK","handle":"john-fahey-how-bluegrass-music-destroyed-my-life-book","description":"\u003cp\u003e大御所フォーク作家John Faheyによる小説です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003ehere\u003c\/a\u003e to see more Drag City releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.portlandmercury.com\/books\/2000\/08\/03\/22598\/how-bluegrass-music-destroyed-my-life\"\u003eReview\u003c\/a\u003e by Doug Spangle @ Portland Mercury :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Over the past 40 years, John Fahey has, in his own words, \"skyrocketed to world-wide obscurity;\" How Bluegrass Music Destroyed My Life describes how he achieved this feat.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFahey, as an early indie record producer, wrote his own liner notes, which were typically hilarious, ranty, or fantastical. Drag City's publisher avers that when he asked Fahey to send some of his musical memoirs, the guitarist obligingly dug a bunch of writings he had just thrown away out of his garbage and Fed Ex-ed them complete with stains, and that was the genesis of this book.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA large, socially awkward, profoundly odd person, Fahey took up guitar (to impress girls) as the Folk Boom hit in the '50s. He wandered into the lives of other profoundly odd people in the process of discovering Blues, Country, and other music. His unique career turns as musician and producer later influenced all sorts of troubadours from Sonic Youth to Windham Hill.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFahey's personal oddness consists, in part, of being able to live simultaneously on several different planes of reality--the everyday as well as others where cat-people leap through the air at night and spirits appear, offering cryptic advice. At one point, he tells of a visitation of the spirit of Hank Williams. Fahey says, \"Who's that? I can't quite see you.\" The answer comes back, \"It's just Hank. Hank Williams.\" Fahey has a unique sensibility that turns his stories; his literary talents are nearly as ample as his musical gifts.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrowing up in the suburbs of Washington DC during and after World War II was weird for him; He tells the story of his adventures with the \"Dead Dog Guy\" when he was eight or nine. According to Fahey's story, the Dead Dog Guy said, \"...I'm going down there with songs about dead dogs, all kinds of dead dogs, not just little black ones, Johnny, no, no just little black ones, but all kindsa dead dogs and I don't care what you think I'll show you I'm not crazy because I'm gonna make all kindsa money. And anyone who makes all kindsa money isn't crazy and I'm not crazy, I just love dead dogs, I just love dead dogs because when they're dead--THEY CAN'T BARK ANYMORE! HA! HA! HA!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFahey says this was Fred Rose, who wrote \"Old Shep\" and \"Little Buddy\" and \"all kindsa songs about dead animals and the public loved it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIs Fahey making this up? Who knows. The book's high point may be when he punches out Michelangelo Antonioni during the filming of Zabriskie Point, but it's hardly the only high point. Monster fish, trains, space and aliens also figure in How Bluegrass Music Destroyed My Life. And Richard Meltzer is the only other music writer I know of who can throw around references to philosophy with as much abandon as John Fahey.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eText via Goodreads:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA collection of fictional but semi-autobiographical stories, this work comes from one of the most influential guitarists in music history. The tales are recalled in a conversational, feverish tone, following the musician in his childhood and young adulthood in post-World War II suburbia, pausing along the way for moments of clarity and introspection. The stories resist categorization—part memoir, part personal essay, part fiction, and part manifesto they simply stand alone, having their own logic, religious dogma, and mythological history.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Fahey\u003c\/p\u003e\n\u003cp\u003eLabel : Drag City\u003c\/p\u003e","published_at":"2022-09-11T14:26:34+09:00","created_at":"2022-08-29T16:47:04+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","drag city"],"price":299000,"price_min":299000,"price_max":299000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43172818682106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Fahey \/\/ How Bluegrass Music Destroyed My Life BOOK","public_title":null,"options":["Default Title"],"price":299000,"weight":300,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/de1_ee9b6dda-dca2-4e5d-8abf-886d017128ce.jpg?v=1661759236"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_ee9b6dda-dca2-4e5d-8abf-886d017128ce.jpg?v=1661759236","options":["Title"],"media":[{"alt":null,"id":30372897554682,"position":1,"preview_image":{"aspect_ratio":0.636,"height":500,"width":318,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_ee9b6dda-dca2-4e5d-8abf-886d017128ce.jpg?v=1661759236"},"aspect_ratio":0.636,"height":500,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/de1_ee9b6dda-dca2-4e5d-8abf-886d017128ce.jpg?v=1661759236","width":318}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大御所フォーク作家John Faheyによる小説です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003ehere\u003c\/a\u003e to see more Drag City releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/www.portlandmercury.com\/books\/2000\/08\/03\/22598\/how-bluegrass-music-destroyed-my-life\"\u003eReview\u003c\/a\u003e by Doug Spangle @ Portland Mercury :\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Over the past 40 years, John Fahey has, in his own words, \"skyrocketed to world-wide obscurity;\" How Bluegrass Music Destroyed My Life describes how he achieved this feat.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFahey, as an early indie record producer, wrote his own liner notes, which were typically hilarious, ranty, or fantastical. Drag City's publisher avers that when he asked Fahey to send some of his musical memoirs, the guitarist obligingly dug a bunch of writings he had just thrown away out of his garbage and Fed Ex-ed them complete with stains, and that was the genesis of this book.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eA large, socially awkward, profoundly odd person, Fahey took up guitar (to impress girls) as the Folk Boom hit in the '50s. He wandered into the lives of other profoundly odd people in the process of discovering Blues, Country, and other music. His unique career turns as musician and producer later influenced all sorts of troubadours from Sonic Youth to Windham Hill.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFahey's personal oddness consists, in part, of being able to live simultaneously on several different planes of reality--the everyday as well as others where cat-people leap through the air at night and spirits appear, offering cryptic advice. At one point, he tells of a visitation of the spirit of Hank Williams. Fahey says, \"Who's that? I can't quite see you.\" The answer comes back, \"It's just Hank. Hank Williams.\" Fahey has a unique sensibility that turns his stories; his literary talents are nearly as ample as his musical gifts.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGrowing up in the suburbs of Washington DC during and after World War II was weird for him; He tells the story of his adventures with the \"Dead Dog Guy\" when he was eight or nine. According to Fahey's story, the Dead Dog Guy said, \"...I'm going down there with songs about dead dogs, all kinds of dead dogs, not just little black ones, Johnny, no, no just little black ones, but all kindsa dead dogs and I don't care what you think I'll show you I'm not crazy because I'm gonna make all kindsa money. And anyone who makes all kindsa money isn't crazy and I'm not crazy, I just love dead dogs, I just love dead dogs because when they're dead--THEY CAN'T BARK ANYMORE! HA! HA! HA!\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFahey says this was Fred Rose, who wrote \"Old Shep\" and \"Little Buddy\" and \"all kindsa songs about dead animals and the public loved it.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIs Fahey making this up? Who knows. The book's high point may be when he punches out Michelangelo Antonioni during the filming of Zabriskie Point, but it's hardly the only high point. Monster fish, trains, space and aliens also figure in How Bluegrass Music Destroyed My Life. And Richard Meltzer is the only other music writer I know of who can throw around references to philosophy with as much abandon as John Fahey.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e***\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eText via Goodreads:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA collection of fictional but semi-autobiographical stories, this work comes from one of the most influential guitarists in music history. The tales are recalled in a conversational, feverish tone, following the musician in his childhood and young adulthood in post-World War II suburbia, pausing along the way for moments of clarity and introspection. The stories resist categorization—part memoir, part personal essay, part fiction, and part manifesto they simply stand alone, having their own logic, religious dogma, and mythological history.'\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Fahey\u003c\/p\u003e\n\u003cp\u003eLabel : Drag City\u003c\/p\u003e"}
You may also like:
大御所フォーク作家John Faheyによる小説です。 レーベルその他作品はこちら /// Click here to see more Drag City releases available at Tobira. ---------------------------...
Sold Out
クイックビュー
{"id":8510483398906,"title":"John Fahey \/\/ Proofs \u0026 Refutations LP","handle":"john-fahey-proofs-refutations-lp","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのギタリストJohn Fahey(1939-2001)が、2023年に同国老舗インディーレーベルDrag Cityからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1995-1996年に自宅で録音した実験フォーク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Bp3WUSx_f4c?si=RmZZME2mXjG8qIiu\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gRACjWGhKLE?si=Y72oChlwfPWbOvbT\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pcA7pt9Jq9A?si=FsLH1L7KWQa-MFT-\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SAhG_ctd0vE?si=QFApqG-sh60Fs8OQ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9LzXvNk-vPA?si=rgDpSrbq9DkUesvw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3HYhPo4NJOw?si=ZTbb62NfZklg97qG\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003ehere\u003c\/a\u003e to see more Drag City releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAll The Rains\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:43\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eF For Fake\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:58\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMorning (Pt. 1)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:13\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMorning (Pt. 2)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:30\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFor LMC 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:00\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEvening, Not Night (Pt. 1)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:19\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEvening, Not Night (Pt. 2)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:38\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUntitled (w\/o Rain)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : John Fahey\u003c\/p\u003e\n\u003cp\u003eLabel : Drag City\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDC759\u003c\/span\u003e\u003c\/p\u003e","published_at":"2024-06-12T15:38:26+09:00","created_at":"2024-06-12T12:26:52+09:00","vendor":"Tobira Records","type":"","tags":["drag city","folk \/ left-field pop","lp"],"price":378000,"price_min":378000,"price_max":378000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46222192869626,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Fahey \/\/ Proofs \u0026 Refutations LP","public_title":null,"options":["Default Title"],"price":378000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"781484075912","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/fah1.jpg?v=1718162595","\/\/tobirarecords.com\/cdn\/shop\/files\/fah2.jpg?v=1718162595","\/\/tobirarecords.com\/cdn\/shop\/files\/fah3.jpg?v=1718162594"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/fah1.jpg?v=1718162595","options":["Title"],"media":[{"alt":null,"id":34311435845882,"position":1,"preview_image":{"aspect_ratio":1.008,"height":595,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fah1.jpg?v=1718162595"},"aspect_ratio":1.008,"height":595,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fah1.jpg?v=1718162595","width":600},{"alt":null,"id":34311435878650,"position":2,"preview_image":{"aspect_ratio":1.007,"height":596,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fah2.jpg?v=1718162595"},"aspect_ratio":1.007,"height":596,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fah2.jpg?v=1718162595","width":600},{"alt":null,"id":34311435911418,"position":3,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fah3.jpg?v=1718162594"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/fah3.jpg?v=1718162594","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカのギタリストJohn Fahey(1939-2001)が、2023年に同国老舗インディーレーベルDrag Cityからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1995-1996年に自宅で録音した実験フォーク8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/Bp3WUSx_f4c?si=RmZZME2mXjG8qIiu\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/gRACjWGhKLE?si=Y72oChlwfPWbOvbT\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/pcA7pt9Jq9A?si=FsLH1L7KWQa-MFT-\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/SAhG_ctd0vE?si=QFApqG-sh60Fs8OQ\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/9LzXvNk-vPA?si=rgDpSrbq9DkUesvw\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/3HYhPo4NJOw?si=ZTbb62NfZklg97qG\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/drci\"\u003ehere\u003c\/a\u003e to see more Drag City releases available at Tobira.\u003c\/span\u003e \u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eAll The Rains\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:43\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eF For Fake\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:58\u003cbr\u003eA3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMorning (Pt. 1)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:13\u003cbr\u003eA4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eMorning (Pt. 2)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:30\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFor LMC 2\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:00\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEvening, Not Night (Pt. 1)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e5:19\u003cbr\u003eB3\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eEvening, Not Night (Pt. 2)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e4:38\u003cbr\u003eB4\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eUntitled (w\/o Rain)\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e7:04\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : John Fahey\u003c\/p\u003e\n\u003cp\u003eLabel : Drag City\u003c\/p\u003e\n\u003cp\u003eCAT No: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDC759\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカのギタリストJohn Fahey(1939-2001)が、2023年に同国老舗インディーレーベルDrag Cityからリリースしたレコードです。 1995-1996年に自宅で録音した実験フォーク8曲を収録。 レーベルその他作品はこちら /// Click here to see more Drag City releases available at Tobira. ...
¥3,780
クイックビュー
{"id":8877440991482,"title":"John Galm \/\/ River of Blood LP","handle":"john-galm-river-of-blood-lp","description":"\u003cp\u003eアメリカ・ミシガンのエモバンドEmpire! Empire! (I Was A Lonely Estate)主宰レーベルCount Your Lucky Stars諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・ペンシルベニアのエモバンドSnowingのフロントマンとしても活動していたJohn Galmが、2025年5月にリリースしたソロレコードです。\u003c\/p\u003e\n\u003cp\u003eエモ・フォーク9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3712546989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1686272079\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3712546989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cylsr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cylsr\"\u003ehere\u003c\/a\u003e to see more Count Your Lucky Stars Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. River of Blood 07:42\u003cbr\u003e2. Fear it All 03:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. lmlu 02:57\u003cbr\u003e\u003c\/span\u003e4. Hokey Bridge 02:48\u003cbr\u003e5. Let Me Fall 03:24\u003cbr\u003e6. Summer After Work 03:21\u003cbr\u003e7. Into the Fire 06:10\u003cbr\u003e8. Darktown 03:42\u003cbr\u003e9. Stand by Me 05:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCount Your Lucky Stars:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt’s harder to begin again when everyone already knows who you were. John Galm is best known for fronting one of the most popular emo-revival bands Snowing in the early 2010’s, whose punk-rock ethos and chaotic melodies had kids crammed into DIY venues and basements all across the country. Since then, he has tried his hand in several bands, ranging in genres from stripped down acoustic to psychedelic and shoegaze. The latter band, Mt. Worry stalled as they were just getting started when other members moved out of state.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinding himself having to start again amid a sudden surplus of time, Galm holed up in his mother's Lehigh Valley home and began working on what would become “River of Blood”- his first solo LP since 2014.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album finds Galm struggling with the big questions in life and the small connective tissues that make up everything else. It’s a heavy affair, and you can feel the weight in every note- lyrics searching for steadier footing as he wades through what home and happiness mean and the pain that they all seem just out of grasp. Sparse, somber tones wrap the listener up tight and embrace the whole of everything and the lack thereof.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s not all bleak- “River of Blood” celebrates the small victories too. At the end of a long day, you’re still here and there is hope in that, even if it seems hard to find. The search continues.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Galm\u003c\/p\u003e\n\u003cp\u003eLabel : Count Your Lucky Stars\u003c\/p\u003e","published_at":"2025-08-03T14:11:26+09:00","created_at":"2025-08-02T11:02:27+09:00","vendor":"Tobira Records","type":"","tags":["count your lucky stars","folk \/ left-field pop","lp","new"],"price":388700,"price_min":388700,"price_max":388700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47576163844346,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Galm \/\/ River of Blood LP","public_title":null,"options":["Default Title"],"price":388700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bloo1_341e7524-992a-4d2e-86c7-7db8178775ec.jpg?v=1754100043","\/\/tobirarecords.com\/cdn\/shop\/files\/bloo2_a61c58c2-b7c8-44fb-bdda-1714e8d9d897.jpg?v=1754100043"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bloo1_341e7524-992a-4d2e-86c7-7db8178775ec.jpg?v=1754100043","options":["Title"],"media":[{"alt":null,"id":36467682771194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bloo1_341e7524-992a-4d2e-86c7-7db8178775ec.jpg?v=1754100043"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bloo1_341e7524-992a-4d2e-86c7-7db8178775ec.jpg?v=1754100043","width":700},{"alt":null,"id":36467682803962,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bloo2_a61c58c2-b7c8-44fb-bdda-1714e8d9d897.jpg?v=1754100043"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bloo2_a61c58c2-b7c8-44fb-bdda-1714e8d9d897.jpg?v=1754100043","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ミシガンのエモバンドEmpire! Empire! (I Was A Lonely Estate)主宰レーベルCount Your Lucky Stars諸作を入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、アメリカ・ペンシルベニアのエモバンドSnowingのフロントマンとしても活動していたJohn Galmが、2025年5月にリリースしたソロレコードです。\u003c\/p\u003e\n\u003cp\u003eエモ・フォーク9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3712546989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1686272079\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3712546989\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cylsr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cylsr\"\u003ehere\u003c\/a\u003e to see more Count Your Lucky Stars Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. River of Blood 07:42\u003cbr\u003e2. Fear it All 03:24\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. lmlu 02:57\u003cbr\u003e\u003c\/span\u003e4. Hokey Bridge 02:48\u003cbr\u003e5. Let Me Fall 03:24\u003cbr\u003e6. Summer After Work 03:21\u003cbr\u003e7. Into the Fire 06:10\u003cbr\u003e8. Darktown 03:42\u003cbr\u003e9. Stand by Me 05:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eCount Your Lucky Stars:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eIt’s harder to begin again when everyone already knows who you were. John Galm is best known for fronting one of the most popular emo-revival bands Snowing in the early 2010’s, whose punk-rock ethos and chaotic melodies had kids crammed into DIY venues and basements all across the country. Since then, he has tried his hand in several bands, ranging in genres from stripped down acoustic to psychedelic and shoegaze. The latter band, Mt. Worry stalled as they were just getting started when other members moved out of state.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFinding himself having to start again amid a sudden surplus of time, Galm holed up in his mother's Lehigh Valley home and began working on what would become “River of Blood”- his first solo LP since 2014.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album finds Galm struggling with the big questions in life and the small connective tissues that make up everything else. It’s a heavy affair, and you can feel the weight in every note- lyrics searching for steadier footing as he wades through what home and happiness mean and the pain that they all seem just out of grasp. Sparse, somber tones wrap the listener up tight and embrace the whole of everything and the lack thereof.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt’s not all bleak- “River of Blood” celebrates the small victories too. At the end of a long day, you’re still here and there is hope in that, even if it seems hard to find. The search continues.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Galm\u003c\/p\u003e\n\u003cp\u003eLabel : Count Your Lucky Stars\u003c\/p\u003e"}
You may also like:
アメリカ・ミシガンのエモバンドEmpire! Empire! (I Was A Lonely Estate)主宰レーベルCount Your Lucky Stars諸作を入荷しました。 本作は、アメリカ・ペンシルベニアのエモバンドSnowingのフロントマンとしても活動していたJohn Galmが、2025年5月にリリースしたソロレコードです。 エモ・フォーク9曲を収録。DLコード付属。 レーベルその他作品はこちら...
¥3,887
クイックビュー
{"id":8976034038010,"title":"John Grzinich \/\/ Ice Tectonics CD","handle":"john-grzinich-ice-tectonics-cd","description":"\u003cp\u003eエストニアのフィールドレコーディング作家John Grzinichが、2024年10月にポーランドのフィールドレコーディングレーベルsaamlengから100部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eエストニアの湖の氷に焦点を当てたフィールドレコーディング5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"20年前にエストニアに移住して以来、私は氷に魅了されるようになった。凍ったバルト海の上を歩き、静まり返った寒い夜に地元の湖から大きな 「声 」を聞いたこれらの経験は、凍った水域に対する私の考え方を一変させた。固い静的な存在とはかけ離れた、この大きな凍った平面は生きていて、地殻と同じような振る舞いをする。微妙な変化から激しい噴火まで、氷の地殻変動のような動きは、ダイナミックでドラマチックな音のイベントになりうる。しかし、このような現象を目撃し、とらえることは容易ではない。私の経験では、タイミングがすべてだ。湖のそばや海のすぐそばに住んでいなければ、戦略的なレコーディングセッションは難しい。時期、風速と風向き、気温と気圧、水流と塩分濃度、月の周期などは、氷の形成の特徴や挙動に影響を与える要因のほんの一部に過ぎない。これらの要素を注意深く観察し、たまたま水域の近くに住んでいない限り、ドラマチックな氷の発生を体験し、写真に収めることは、めったにない偶然の出会いにすぎないかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年の春、私は、いや私たちは幸運に恵まれた。気候変動の基準からすると良い冬だったが、突然の暖かさで雪が溶け、凍った湖の硬直が緩和された。日中は晴天が続き、夜は冷え込んだ。私は1週間、東の境界をなす大きな湖、ペイプシを含む4つの湖を回った。このようなコンディションにもかかわらず、ライブレコーディングとオーバーナイト・ドロップ・リグの両方において当たり外れがあった。その結果、季節の移り変わりが氷にとってどのような意味を持つのか、そしてそこに現れる様々な音を明らかにする選りすぐりの録音を集めた『Ice Tectonics』が完成した。何時間もの録音にもかかわらず、その体験はつかの間のものだ。数週間もしないうちに氷は消え、氷の音を何時間も聴き続けた後に遭遇する、荒涼とした風景や傷つきやすい孤独感のイメージも消えてしまった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1591127369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel gatefold sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Long Night, Laho Forest Lake 08:47\u003cbr\u003e2. Large Fissure, Lake Peipsi 08:18\u003cbr\u003e3. Another Long Night, Laho Forest Lake 09:31\u003cbr\u003e4. Converging Cracks, Lake Peipsi 07:08\u003cbr\u003e5. Unstable Edge, Lake Peipsi 10:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement by John Grzinich:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since moving to Estonia 20 years ago, I’ve become fascinated by ice. After walking on the frozen Baltic Sea and hearing loud 'voices' from a local lake one still and cold night, these experiences have transformed the way I think about frozen bodies of water. Far from solid static entities, these great frozen planes are alive and behave in ways not unlike the crust of the earth. From subtle shifts to violent eruptions the tectonic-like movements of ice can become dynamic and dramatic sonic events. But witnessing and capturing these events is far from easy. In my experience, it’s all about timing. If you don’t live next to a lake or right on the sea, strategic recording sessions are a challenge. The time of year, wind speed and direction, air temperature and pressure, water currents and salinity and moon cycles are but a few of the factors that influence the character and behaviour of ice formations. Unless one is following these factors closely and happens to live near a body of water, experiencing and capturing dramatic ice occurrences may come down to a rare chance encounter.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the spring of 2024 I, or we, got lucky. It had been a good winter (by climate change standards), but a sudden warm spell melted the snow and eased up the rigid tension of the frozen lakes. A week of sunny days and clear cold nights sparked good conditions for the ice\u003cspan class=\"bcTruncateMore\"\u003e to shift and deform. I circulated among four lakes in my area for a week including the large lake Peipsi that forms the eastern border. Despite the conditions, it was still hit or miss with both live recording and using overnight drop rigs. The outcome of my explorations has resulted in ‘Ice Tectonics’, a collection of select recordings that reveals what a seasonal transition means for ice and the varied sounds that emerge. Despite hours of recorded material, the experiences are fleeting. Within a few weeks the ice was gone and with it the image of those stark landscapes and feelings of vulnerable isolation that one may encounter after spending hours listening to ice.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Grzinich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003esaamleng\u003c\/p\u003e","published_at":"2025-10-30T06:02:49+09:00","created_at":"2025-10-30T06:02:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","field recording","monooto","new","saamleng"],"price":238000,"price_min":238000,"price_max":238000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47882400268538,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Grzinich \/\/ Ice Tectonics CD","public_title":null,"options":["Default Title"],"price":238000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ice_a41fb20d-8aa4-4897-9fe3-c4269cabb591.jpg?v=1728625710","\/\/tobirarecords.com\/cdn\/shop\/files\/ice2_5266d579-7d9f-426c-a3b3-82f785c4f9ee.jpg?v=1728625710"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice_a41fb20d-8aa4-4897-9fe3-c4269cabb591.jpg?v=1728625710","options":["Title"],"media":[{"alt":null,"id":35033566576890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice_a41fb20d-8aa4-4897-9fe3-c4269cabb591.jpg?v=1728625710"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice_a41fb20d-8aa4-4897-9fe3-c4269cabb591.jpg?v=1728625710","width":700},{"alt":null,"id":35033566609658,"position":2,"preview_image":{"aspect_ratio":1.399,"height":858,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice2_5266d579-7d9f-426c-a3b3-82f785c4f9ee.jpg?v=1728625710"},"aspect_ratio":1.399,"height":858,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ice2_5266d579-7d9f-426c-a3b3-82f785c4f9ee.jpg?v=1728625710","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eエストニアのフィールドレコーディング作家John Grzinichが、2024年10月にポーランドのフィールドレコーディングレーベルsaamlengから100部限定でリリースしたCDです。\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eエストニアの湖の氷に焦点を当てたフィールドレコーディング5曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"20年前にエストニアに移住して以来、私は氷に魅了されるようになった。凍ったバルト海の上を歩き、静まり返った寒い夜に地元の湖から大きな 「声 」を聞いたこれらの経験は、凍った水域に対する私の考え方を一変させた。固い静的な存在とはかけ離れた、この大きな凍った平面は生きていて、地殻と同じような振る舞いをする。微妙な変化から激しい噴火まで、氷の地殻変動のような動きは、ダイナミックでドラマチックな音のイベントになりうる。しかし、このような現象を目撃し、とらえることは容易ではない。私の経験では、タイミングがすべてだ。湖のそばや海のすぐそばに住んでいなければ、戦略的なレコーディングセッションは難しい。時期、風速と風向き、気温と気圧、水流と塩分濃度、月の周期などは、氷の形成の特徴や挙動に影響を与える要因のほんの一部に過ぎない。これらの要素を注意深く観察し、たまたま水域の近くに住んでいない限り、ドラマチックな氷の発生を体験し、写真に収めることは、めったにない偶然の出会いにすぎないかもしれない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2024年の春、私は、いや私たちは幸運に恵まれた。気候変動の基準からすると良い冬だったが、突然の暖かさで雪が溶け、凍った湖の硬直が緩和された。日中は晴天が続き、夜は冷え込んだ。私は1週間、東の境界をなす大きな湖、ペイプシを含む4つの湖を回った。このようなコンディションにもかかわらず、ライブレコーディングとオーバーナイト・ドロップ・リグの両方において当たり外れがあった。その結果、季節の移り変わりが氷にとってどのような意味を持つのか、そしてそこに現れる様々な音を明らかにする選りすぐりの録音を集めた『Ice Tectonics』が完成した。何時間もの録音にもかかわらず、その体験はつかの間のものだ。数週間もしないうちに氷は消え、氷の音を何時間も聴き続けた後に遭遇する、荒涼とした風景や傷つきやすい孤独感のイメージも消えてしまった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1591127369\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smlg\"\u003ehere\u003c\/a\u003e to see more saamleng releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCD in 6-panel gatefold sleeve. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Long Night, Laho Forest Lake 08:47\u003cbr\u003e2. Large Fissure, Lake Peipsi 08:18\u003cbr\u003e3. Another Long Night, Laho Forest Lake 09:31\u003cbr\u003e4. Converging Cracks, Lake Peipsi 07:08\u003cbr\u003e5. Unstable Edge, Lake Peipsi 10:05\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eArtist statement by John Grzinich:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Since moving to Estonia 20 years ago, I’ve become fascinated by ice. After walking on the frozen Baltic Sea and hearing loud 'voices' from a local lake one still and cold night, these experiences have transformed the way I think about frozen bodies of water. Far from solid static entities, these great frozen planes are alive and behave in ways not unlike the crust of the earth. From subtle shifts to violent eruptions the tectonic-like movements of ice can become dynamic and dramatic sonic events. But witnessing and capturing these events is far from easy. In my experience, it’s all about timing. If you don’t live next to a lake or right on the sea, strategic recording sessions are a challenge. The time of year, wind speed and direction, air temperature and pressure, water currents and salinity and moon cycles are but a few of the factors that influence the character and behaviour of ice formations. Unless one is following these factors closely and happens to live near a body of water, experiencing and capturing dramatic ice occurrences may come down to a rare chance encounter.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn the spring of 2024 I, or we, got lucky. It had been a good winter (by climate change standards), but a sudden warm spell melted the snow and eased up the rigid tension of the frozen lakes. A week of sunny days and clear cold nights sparked good conditions for the ice\u003cspan class=\"bcTruncateMore\"\u003e to shift and deform. I circulated among four lakes in my area for a week including the large lake Peipsi that forms the eastern border. Despite the conditions, it was still hit or miss with both live recording and using overnight drop rigs. The outcome of my explorations has resulted in ‘Ice Tectonics’, a collection of select recordings that reveals what a seasonal transition means for ice and the varied sounds that emerge. Despite hours of recorded material, the experiences are fleeting. Within a few weeks the ice was gone and with it the image of those stark landscapes and feelings of vulnerable isolation that one may encounter after spending hours listening to ice.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Grzinich\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003esaamleng\u003c\/p\u003e"}
You may also like:
エストニアのフィールドレコーディング作家John Grzinichが、2024年10月にポーランドのフィールドレコーディングレーベルsaamlengから100部限定でリリースしたCDです。 エストニアの湖の氷に焦点を当てたフィールドレコーディング5曲を収録。6面デジパック、シュリンク仕様です。 以下、作家本人による解説です。 "20年前にエストニアに移住して以来、私は氷に魅了されるようになった。凍ったバルト海の上を歩き、静まり返った寒い夜に地元の湖から大きな 「声 」を聞いたこれらの経験は、凍った水域に対する私の考え方を一変させた。固い静的な存在とはかけ離れた、この大きな凍った平面は生きていて、地殻と同じような振る舞いをする。微妙な変化から激しい噴火まで、氷の地殻変動のような動きは、ダイナミックでドラマチックな音のイベントになりうる。しかし、このような現象を目撃し、とらえることは容易ではない。私の経験では、タイミングがすべてだ。湖のそばや海のすぐそばに住んでいなければ、戦略的なレコーディングセッションは難しい。時期、風速と風向き、気温と気圧、水流と塩分濃度、月の周期などは、氷の形成の特徴や挙動に影響を与える要因のほんの一部に過ぎない。これらの要素を注意深く観察し、たまたま水域の近くに住んでいない限り、ドラマチックな氷の発生を体験し、写真に収めることは、めったにない偶然の出会いにすぎないかもしれない。 2024年の春、私は、いや私たちは幸運に恵まれた。気候変動の基準からすると良い冬だったが、突然の暖かさで雪が溶け、凍った湖の硬直が緩和された。日中は晴天が続き、夜は冷え込んだ。私は1週間、東の境界をなす大きな湖、ペイプシを含む4つの湖を回った。このようなコンディションにもかかわらず、ライブレコーディングとオーバーナイト・ドロップ・リグの両方において当たり外れがあった。その結果、季節の移り変わりが氷にとってどのような意味を持つのか、そしてそこに現れる様々な音を明らかにする選りすぐりの録音を集めた『Ice Tectonics』が完成した。何時間もの録音にもかかわらず、その体験はつかの間のものだ。数週間もしないうちに氷は消え、氷の音を何時間も聴き続けた後に遭遇する、荒涼とした風景や傷つきやすい孤独感のイメージも消えてしまった。" レーベルその他作品はこちら /// Click here to...
Sold Out
クイックビュー
{"id":9182481645818,"title":"John Hudak and Miguel Angel Tolosa \/\/ Garten CD","handle":"john-hudak-and-miguel-angel-tolosa-garten-cd","description":"\u003cp\u003e実験音楽家John HudakとMiguel Angel Tolosaが、アメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e物音〜ドローン3曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003eWinds Measure Recordingsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWinds Measure Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eArtist : John Hudak and Miguel Angel Tolosa\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Winds Measure Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-09T10:45:42+09:00","created_at":"2026-04-09T10:44:05+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","monooto","new","winds measure recordings"],"price":236800,"price_min":236800,"price_max":236800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48628131922170,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Hudak and Miguel Angel Tolosa \/\/ Garten CD","public_title":null,"options":["Default Title"],"price":236800,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wm38-lg.jpg?v=1599448839","\/\/tobirarecords.com\/cdn\/shop\/products\/0012814796_10.jpg?v=1605833501","\/\/tobirarecords.com\/cdn\/shop\/products\/0012814797_10.jpg?v=1605833501"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wm38-lg.jpg?v=1599448839","options":["Title"],"media":[{"alt":null,"id":11024796123301,"position":1,"preview_image":{"aspect_ratio":0.995,"height":407,"width":405,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wm38-lg.jpg?v=1599448839"},"aspect_ratio":0.995,"height":407,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wm38-lg.jpg?v=1599448839","width":405},{"alt":null,"id":13811262029989,"position":2,"preview_image":{"aspect_ratio":1.354,"height":886,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0012814796_10.jpg?v=1605833501"},"aspect_ratio":1.354,"height":886,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0012814796_10.jpg?v=1605833501","width":1200},{"alt":null,"id":13811262128293,"position":3,"preview_image":{"aspect_ratio":1.279,"height":938,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0012814797_10.jpg?v=1605833501"},"aspect_ratio":1.279,"height":938,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0012814797_10.jpg?v=1605833501","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家John HudakとMiguel Angel Tolosaが、アメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003e物音〜ドローン3曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003eマスタリングはGiuseppe Ielashiが担当しています。\u003c\/p\u003e\n\u003cp\u003eWinds Measure Recordingsその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/winds-measure-recordings\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eWinds Measure Recordings releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eArtist : John Hudak and Miguel Angel Tolosa\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Winds Measure Recordings\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
実験音楽家John HudakとMiguel Angel Tolosaが、アメリカ・NYの実験レーベルWinds Measureからリリースした共作CDです。 物音〜ドローン3曲を収録。廃盤です。 マスタリングはGiuseppe Ielashiが担当しています。 Winds Measure Recordingsその他作品はこちら /// Click here to see more Winds...
Sold Out
クイックビュー
{"id":7462777651450,"title":"John Hulburt \/\/ Opus III (Reissue) LP","handle":"john-hulburt-opus-iii-reissue-lp","description":"\u003cp\u003eシカゴの無名アメリカンプリミティブ作家John Hulburt\u003cmeta charset=\"utf-8\"\u003e(1947-2012) が、1972年にひっそりと自主リリースした幻のアルバムを、同国爪弾きギター専門レーベルTomkins Squareが再発。\u003c\/p\u003e\n\u003cp\u003eカントリーフォーク〜ブルース20曲を収録。John Faheyが好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=317007131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTompkins Square その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTompkins Square releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eTompkins Square:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGuitarist and singer-songwriter Ryley Walker discovered John Hulburt's 1972 private press LP in a Chicago record store, loved what he heard, and teamed with Tompkins Square to produce the reissue.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJohn Hulburt (1947-2012) was a member of legendary mid-60's Chicago garage rock band The Knaves, whose records were recently reissued by Sundazed. Opus III showcases his exceptional talent on the acoustic guitar, proving somewhat of an anomaly in a city not known for its solo guitar recordings during this era.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalker writes in his liner notes, \"Solo acoustic guitar music was adopted by several in the Berkeley school and the ever expansive roots fanatics in the South, but here in the middle of the country with harsh winters and the landlocked prison of corn fields, it was almost destiny that the amplifier assault of electric blues and controlled chaos of dance music came from the South Side.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOpus III has another notable Chicago connection : It's one of the earliest studio credits for Styx and Ohio Players engineer \/ producer Barry Mraz. Styx's debut album would also be released in 1972.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Hulburt\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTompkins Square\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-23T16:56:22+09:00","created_at":"2021-11-22T12:57:28+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","tompkins square"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42093628489978,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Hulburt \/\/ Opus III (Reissue) LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/op1_ec8c2ae5-6c8f-4cbf-a6c3-68c0b1097fde.jpg?v=1637553450"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_ec8c2ae5-6c8f-4cbf-a6c3-68c0b1097fde.jpg?v=1637553450","options":["Title"],"media":[{"alt":null,"id":28716463718650,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_ec8c2ae5-6c8f-4cbf-a6c3-68c0b1097fde.jpg?v=1637553450"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/op1_ec8c2ae5-6c8f-4cbf-a6c3-68c0b1097fde.jpg?v=1637553450","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eシカゴの無名アメリカンプリミティブ作家John Hulburt\u003cmeta charset=\"utf-8\"\u003e(1947-2012) が、1972年にひっそりと自主リリースした幻のアルバムを、同国爪弾きギター専門レーベルTomkins Squareが再発。\u003c\/p\u003e\n\u003cp\u003eカントリーフォーク〜ブルース20曲を収録。John Faheyが好きな方にもおすすめします。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=317007131\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTompkins Square その他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tosq\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTompkins Square releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eTompkins Square:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eGuitarist and singer-songwriter Ryley Walker discovered John Hulburt's 1972 private press LP in a Chicago record store, loved what he heard, and teamed with Tompkins Square to produce the reissue.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eJohn Hulburt (1947-2012) was a member of legendary mid-60's Chicago garage rock band The Knaves, whose records were recently reissued by Sundazed. Opus III showcases his exceptional talent on the acoustic guitar, proving somewhat of an anomaly in a city not known for its solo guitar recordings during this era.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalker writes in his liner notes, \"Solo acoustic guitar music was adopted by several in the Berkeley school and the ever expansive roots fanatics in the South, but here in the middle of the country with harsh winters and the landlocked prison of corn fields, it was almost destiny that the amplifier assault of electric blues and controlled chaos of dance music came from the South Side.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOpus III has another notable Chicago connection : It's one of the earliest studio credits for Styx and Ohio Players engineer \/ producer Barry Mraz. Styx's debut album would also be released in 1972.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Hulburt\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTompkins Square\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
シカゴの無名アメリカンプリミティブ作家John Hulburt(1947-2012) が、1972年にひっそりと自主リリースした幻のアルバムを、同国爪弾きギター専門レーベルTomkins Squareが再発。 カントリーフォーク〜ブルース20曲を収録。John Faheyが好きな方にもおすすめします。 Tompkins Square その他作品はこちら /// Click here to see more Tompkins Square releases available...
Sold Out
クイックビュー
{"id":7689741041914,"title":"John Lely \/ Apartment House \/\/ Meander Selection CD","handle":"john-lely-apartment-house-meander-selection-cd","description":"\u003cp\u003eイギリスの実験音楽家John Lelyの\u003cspan data-mce-fragment=\"1\"\u003e作品をApartment Houseが演奏したアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e弦楽四重奏4曲、ピアノ独奏2曲、エレクトロニクス1曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eApartment House:\u003cbr\u003eMira Benjamin \u0026amp; Gordon MacKay, violins\u003cbr\u003eBridget Carey \u0026amp; Chihiro Ono, violas\u003cbr\u003eAnton Lukoszevieze, cello\u003cbr\u003eMark Knoop, piano\u003cbr\u003eJohn Lely, electronics\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1666860904\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eSeven recent chamber pieces by John Lely: four string quartets, two solo piano works and one short electronics piece. All performed by Apartment House.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Lely \/ Apartment House\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2022-07-26T14:18:09+09:00","created_at":"2022-07-26T13:11:51+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43047694926074,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Lely \/ Apartment House \/\/ Meander Selection CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1_2176fc8a-ec5b-4f0d-8f7b-0e968364d0a7.jpg?v=1658808713","\/\/tobirarecords.com\/cdn\/shop\/products\/me2_fe015533-5209-471c-ba64-63198464f455.jpg?v=1658808881"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_2176fc8a-ec5b-4f0d-8f7b-0e968364d0a7.jpg?v=1658808713","options":["Title"],"media":[{"alt":null,"id":30187218436346,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_2176fc8a-ec5b-4f0d-8f7b-0e968364d0a7.jpg?v=1658808713"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1_2176fc8a-ec5b-4f0d-8f7b-0e968364d0a7.jpg?v=1658808713","width":700},{"alt":null,"id":30187227283706,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_fe015533-5209-471c-ba64-63198464f455.jpg?v=1658808881"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2_fe015533-5209-471c-ba64-63198464f455.jpg?v=1658808881","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家John Lelyの\u003cspan data-mce-fragment=\"1\"\u003e作品をApartment Houseが演奏したアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e弦楽四重奏4曲、ピアノ独奏2曲、エレクトロニクス1曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eApartment House:\u003cbr\u003eMira Benjamin \u0026amp; Gordon MacKay, violins\u003cbr\u003eBridget Carey \u0026amp; Chihiro Ono, violas\u003cbr\u003eAnton Lukoszevieze, cello\u003cbr\u003eMark Knoop, piano\u003cbr\u003eJohn Lely, electronics\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1666860904\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003eSeven recent chamber pieces by John Lely: four string quartets, two solo piano works and one short electronics piece. All performed by Apartment House.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Lely \/ Apartment House\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
You may also like:
イギリスの実験音楽家John Lelyの作品をApartment Houseが演奏したアルバムです。 弦楽四重奏4曲、ピアノ独奏2曲、エレクトロニクス1曲を収録。 Apartment House:Mira Benjamin & Gordon MacKay, violinsBridget Carey & Chihiro...
¥2,280
クイックビュー
{"id":6019825860773,"title":"John Macedo \/\/ Left Behind TAPE","handle":"john-macedo-left-behind-tape","description":"\u003cp\u003e※1月初旬再入荷します\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e英国老舗音響レーベルTouchのカセットラインTapeworm諸作を多数入荷しました。本作は、\u003c\/span\u003eThe Black Plume主宰のロンドンのサウンドアート作家John Macedoによる7曲入り、1時間10分のアンビエントドローンアルバムです。廃盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950479381\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"John Macedo \/\/ Left Behind 1\" href=\"https:\/\/soundcloud.com\/user-198195096\/john-macedo-left-behind-1\" target=\"_blank\"\u003eJohn Macedo \/\/ Left Behind 1\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950479675\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"John Macedo \/\/ Left Behind 2\" href=\"https:\/\/soundcloud.com\/user-198195096\/2-1a\" target=\"_blank\"\u003eJohn Macedo \/\/ Left Behind 2\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950480050\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"John Macedo \/\/ Left Behind 3\" href=\"https:\/\/soundcloud.com\/user-198195096\/john-macedo-left-behind-33\" target=\"_blank\"\u003eJohn Macedo \/\/ Left Behind 3\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950480140\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJohn Macedo is a sound artist and performer from London. He has incorporated everything from acoustic instruments and environmental sound to analogue and computer synthesis into recorded works, live performances, film, and sound installations. He has a pluralistic approach which explores and reveals the hidden potential in all sounds, environments and technologies, often in intimate, immersive and intuitive ways.\u003cbr\u003e-\u003c\/em\u003e The Tapeworm\u003c\/p\u003e\n\u003cp\u003eArtist : John Macedo\u003c\/p\u003e\n\u003cp\u003eLabel : The Tapeworm\u003c\/p\u003e","published_at":"2020-12-19T14:48:51+09:00","created_at":"2020-12-19T13:29:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","tape","the tapeworm"],"price":175000,"price_min":175000,"price_max":175000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37484526108837,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Macedo \/\/ Left Behind TAPE","public_title":null,"options":["Default Title"],"price":175000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/left.gif?v=1608352172"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/left.gif?v=1608352172","options":["Title"],"media":[{"alt":null,"id":15280689938597,"position":1,"preview_image":{"aspect_ratio":0.641,"height":468,"width":300,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/left.gif?v=1608352172"},"aspect_ratio":0.641,"height":468,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/left.gif?v=1608352172","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※1月初旬再入荷します\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e英国老舗音響レーベルTouchのカセットラインTapeworm諸作を多数入荷しました。本作は、\u003c\/span\u003eThe Black Plume主宰のロンドンのサウンドアート作家John Macedoによる7曲入り、1時間10分のアンビエントドローンアルバムです。廃盤です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950479381\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"John Macedo \/\/ Left Behind 1\" href=\"https:\/\/soundcloud.com\/user-198195096\/john-macedo-left-behind-1\" target=\"_blank\"\u003eJohn Macedo \/\/ Left Behind 1\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950479675\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"John Macedo \/\/ Left Behind 2\" href=\"https:\/\/soundcloud.com\/user-198195096\/2-1a\" target=\"_blank\"\u003eJohn Macedo \/\/ Left Behind 2\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950480050\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs\" href=\"https:\/\/soundcloud.com\/user-198195096\" target=\"_blank\"\u003etobirarecs\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"John Macedo \/\/ Left Behind 3\" href=\"https:\/\/soundcloud.com\/user-198195096\/john-macedo-left-behind-33\" target=\"_blank\"\u003eJohn Macedo \/\/ Left Behind 3\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/950480140\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cbr\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eEdition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eJohn Macedo is a sound artist and performer from London. He has incorporated everything from acoustic instruments and environmental sound to analogue and computer synthesis into recorded works, live performances, film, and sound installations. He has a pluralistic approach which explores and reveals the hidden potential in all sounds, environments and technologies, often in intimate, immersive and intuitive ways.\u003cbr\u003e-\u003c\/em\u003e The Tapeworm\u003c\/p\u003e\n\u003cp\u003eArtist : John Macedo\u003c\/p\u003e\n\u003cp\u003eLabel : The Tapeworm\u003c\/p\u003e"}
You may also like:
※1月初旬再入荷します 英国老舗音響レーベルTouchのカセットラインTapeworm諸作を多数入荷しました。本作は、The Black Plume主宰のロンドンのサウンドアート作家John Macedoによる7曲入り、1時間10分のアンビエントドローンアルバムです。廃盤です。 tobirarecs · John Macedo // Left Behind 1 tobirarecs...
Sold Out
クイックビュー
{"id":8606808572154,"title":"John Manhard \/\/ Who Stole My Key EP 12\"","handle":"john-manhard-who-stole-my-key-ep-12","description":"\u003cp\u003eアメリカのハウス作家John Manhardが、2024年8月にベルギーのハウスレーベルSous:solからリリースした再発12\"です。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eフロアフレンドリーなディープハウス〜ミニマルハウス4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2inUJOb_fVY?si=0yQwY_AaY8ZEj1qx\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NkWMgNHQrVU?si=W6eA1EMiI8lI3YYM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Es8HOh9LCQA?si=eH_oNbnkwj6SUDh7\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oHEEFQ68IQc?si=LbXiGHFZu4imYEFp\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFacist Dictators Throw Good Parties 7:58\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKey Tones\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:31\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFacist Dictators Throw Good Parties (Huerta Rework) 5:24\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFacist Dictators Throw Good Parties (Tom Ellis Rework) 6:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : John Manhard\u003c\/p\u003e\n\u003cp\u003eLabel : Sous:sol \u003c\/p\u003e\n\u003cp\u003eCAT No : SOS005\u003c\/p\u003e","published_at":"2024-08-26T11:12:46+09:00","created_at":"2024-08-25T20:48:21+09:00","vendor":"Tobira Records","type":"","tags":["house","lp"],"price":287000,"price_min":287000,"price_max":287000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46604502270202,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Manhard \/\/ Who Stole My Key EP 12\"","public_title":null,"options":["Default Title"],"price":287000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/man2_50dba04c-f967-4685-8c19-43a05fea4add.jpg?v=1724586367","\/\/tobirarecords.com\/cdn\/shop\/files\/man1_d2a69082-595d-4c6b-b3f5-19b8fc43fd33.jpg?v=1724586368"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/man2_50dba04c-f967-4685-8c19-43a05fea4add.jpg?v=1724586367","options":["Title"],"media":[{"alt":null,"id":34776250450170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/man2_50dba04c-f967-4685-8c19-43a05fea4add.jpg?v=1724586367"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/man2_50dba04c-f967-4685-8c19-43a05fea4add.jpg?v=1724586367","width":600},{"alt":null,"id":34776250417402,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/man1_d2a69082-595d-4c6b-b3f5-19b8fc43fd33.jpg?v=1724586368"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/man1_d2a69082-595d-4c6b-b3f5-19b8fc43fd33.jpg?v=1724586368","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのハウス作家John Manhardが、2024年8月にベルギーのハウスレーベルSous:solからリリースした再発12\"です。（オリジナルは2021年リリース）\u003c\/p\u003e\n\u003cp\u003eフロアフレンドリーなディープハウス〜ミニマルハウス4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2inUJOb_fVY?si=0yQwY_AaY8ZEj1qx\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/NkWMgNHQrVU?si=W6eA1EMiI8lI3YYM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Es8HOh9LCQA?si=eH_oNbnkwj6SUDh7\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/oHEEFQ68IQc?si=LbXiGHFZu4imYEFp\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003eA1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFacist Dictators Throw Good Parties 7:58\u003cbr\u003eA2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eKey Tones\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003c\/span\u003e6:31\u003cbr\u003eB1\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFacist Dictators Throw Good Parties (Huerta Rework) 5:24\u003cbr\u003eB2\u003cspan style=\"mso-tab-count: 2;\"\u003e \u003c\/span\u003eFacist Dictators Throw Good Parties (Tom Ellis Rework) 6:37\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : John Manhard\u003c\/p\u003e\n\u003cp\u003eLabel : Sous:sol \u003c\/p\u003e\n\u003cp\u003eCAT No : SOS005\u003c\/p\u003e"}
You may also like:
アメリカのハウス作家John Manhardが、2024年8月にベルギーのハウスレーベルSous:solからリリースした再発12"です。（オリジナルは2021年リリース） フロアフレンドリーなディープハウス〜ミニマルハウス4曲を収録。 ------------------------------------------ 12" black vinyl. Tracklist: A1 Facist Dictators Throw Good Parties...
Sold Out
クイックビュー
{"id":7785769894138,"title":"John McCowen \/\/ Models of Duration LP","handle":"john-mccowen-models-of-duration-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にInternational Anthemなどから発表しているアメリカ・NYのクラリネット奏者John McCowen\u003c\/span\u003eが、2022年9月に同国実験／物音レーベル\u003cspan data-mce-fragment=\"1\"\u003eDinzu ArtefactsとジャズレーベルAstoral Spiritsから500部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e超ハードコアなアコースティック・\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3075079270\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Black vinyl edition of 400.\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe latest from the uncompromising John McCowen is a split release between Dinzu Artefacts and Astral Spirits. Models of Duration follows the same trajectory as McCowen's other amazing solo releases - Solo Contra (International Anthem, 2017), 4 Chairs in 3 Dimensons (Astral Spirits, 2018), Mundanas I - V (Editions Wandelweiser, 2018) but is also a whole world beyond those. McCowen continues to focus on extended possibilities of the clarinet family as well as acoustic phenomena (as with all his previous releases, there is no amplification or electronically generated sounds here) and it all shines through more dramatically than ever on Models of Duration. \"Duration I\" \u0026amp; \"Duration II\" bookend the record with similarly sustained and rhythmic drones that prepare us for what is to come \u0026amp; also bring us back into the real world at the end of the record. \"Foggd\" and \"Hoskin\" both traverse new levels of intensity that McCowen hasn't hit before. Just when you get settled into any of the four tracks on the album and think you know what's coming next, McCowen subtly shifts tones and sounds enough to surprise, while still maintaining a steady through line.While Models of Duration is technically a solo release, you will notice that Randall Dunn (Sunn O))), Master Musicians of Bukkake, Eyvind Kang, Oren Ambarchi, Earth, Anna Von Hausswolff, Six\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Organs of Admittance, Marissa Nadler, Boris, etc) is credited and also plays a major role on the record. The overall arc of the album is in large part due to Dunn's deft recording and mixing. \"Hoskin\" should win an award for most intense clarinet recording ever made. Every time I listen the walls of my house shake and I couldn't be happier. Rather than imposing his sound onto the album, Dunn helps bring out the aural magic in McCowen's playing and compositions, a true collaborator in every sense.Models of Duration also marks McCowen's first vinyl release, a co-release between Dinzu Artefacts and Astral Spirits. The physical \u0026amp; aural space that this record takes up while listening is truly stunning, an acoustic phenomena all on its own. While not a particularly easy listen, the album is also not entirely harsh either, an enveloping world that I don't want to leave when the record ends.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McCowen\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e","published_at":"2022-10-01T09:26:48+09:00","created_at":"2022-10-01T07:37:00+09:00","vendor":"Tobira Records","type":"","tags":["dinzu artefacts","drone","lp"],"price":458000,"price_min":458000,"price_max":458000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43465914384634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John McCowen \/\/ Models of Duration LP","public_title":null,"options":["Default Title"],"price":458000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/du1_c14465de-f178-4128-ac7d-69327db10f5a.jpg?v=1664577421","\/\/tobirarecords.com\/cdn\/shop\/products\/du2_72b719e8-0d0e-4e00-bcfc-af99eea7f995.jpg?v=1664577422"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_c14465de-f178-4128-ac7d-69327db10f5a.jpg?v=1664577421","options":["Title"],"media":[{"alt":null,"id":30613616918778,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_c14465de-f178-4128-ac7d-69327db10f5a.jpg?v=1664577421"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_c14465de-f178-4128-ac7d-69327db10f5a.jpg?v=1664577421","width":700},{"alt":null,"id":30613616951546,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du2_72b719e8-0d0e-4e00-bcfc-af99eea7f995.jpg?v=1664577422"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du2_72b719e8-0d0e-4e00-bcfc-af99eea7f995.jpg?v=1664577422","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e過去にInternational Anthemなどから発表しているアメリカ・NYのクラリネット奏者John McCowen\u003c\/span\u003eが、2022年9月に同国実験／物音レーベル\u003cspan data-mce-fragment=\"1\"\u003eDinzu ArtefactsとジャズレーベルAstoral Spiritsから500部限定でリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e超ハードコアなアコースティック・\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eミニマルドローン4曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3075079270\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/da\"\u003ehere\u003c\/a\u003e to see more Dinzu Artefacts releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Black vinyl edition of 400.\u003c\/p\u003e\n\u003cp\u003eDinzu Artefacts:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe latest from the uncompromising John McCowen is a split release between Dinzu Artefacts and Astral Spirits. Models of Duration follows the same trajectory as McCowen's other amazing solo releases - Solo Contra (International Anthem, 2017), 4 Chairs in 3 Dimensons (Astral Spirits, 2018), Mundanas I - V (Editions Wandelweiser, 2018) but is also a whole world beyond those. McCowen continues to focus on extended possibilities of the clarinet family as well as acoustic phenomena (as with all his previous releases, there is no amplification or electronically generated sounds here) and it all shines through more dramatically than ever on Models of Duration. \"Duration I\" \u0026amp; \"Duration II\" bookend the record with similarly sustained and rhythmic drones that prepare us for what is to come \u0026amp; also bring us back into the real world at the end of the record. \"Foggd\" and \"Hoskin\" both traverse new levels of intensity that McCowen hasn't hit before. Just when you get settled into any of the four tracks on the album and think you know what's coming next, McCowen subtly shifts tones and sounds enough to surprise, while still maintaining a steady through line.While Models of Duration is technically a solo release, you will notice that Randall Dunn (Sunn O))), Master Musicians of Bukkake, Eyvind Kang, Oren Ambarchi, Earth, Anna Von Hausswolff, Six\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e Organs of Admittance, Marissa Nadler, Boris, etc) is credited and also plays a major role on the record. The overall arc of the album is in large part due to Dunn's deft recording and mixing. \"Hoskin\" should win an award for most intense clarinet recording ever made. Every time I listen the walls of my house shake and I couldn't be happier. Rather than imposing his sound onto the album, Dunn helps bring out the aural magic in McCowen's playing and compositions, a true collaborator in every sense.Models of Duration also marks McCowen's first vinyl release, a co-release between Dinzu Artefacts and Astral Spirits. The physical \u0026amp; aural space that this record takes up while listening is truly stunning, an acoustic phenomena all on its own. While not a particularly easy listen, the album is also not entirely harsh either, an enveloping world that I don't want to leave when the record ends.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McCowen\u003c\/p\u003e\n\u003cp\u003eLabel : Dinzu Artefacts\u003c\/p\u003e"}
You may also like:
過去にInternational Anthemなどから発表しているアメリカ・NYのクラリネット奏者John McCowenが、2022年9月に同国実験／物音レーベルDinzu ArtefactsとジャズレーベルAstoral Spiritsから500部限定でリリースしたレコードです。 超ハードコアなアコースティック・ミニマルドローン4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Dinzu Artefacts releases available...
Sold Out
クイックビュー
{"id":9139486982394,"title":"John McGuire \/\/ Double String Trios CD","handle":"john-mcguire-double-string-trios-cd","description":"\u003cp\u003eアメリカの大御所ミニマル作家John McGuireが、2026年3月に同国Unseen WorldsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント3曲を収録。20ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Double String Trios』は、John McGuireが2009年から2019年にかけて作曲し、アクセル・リンドナーが指揮を務めた、2つの弦楽トリオのための3つの主要作品を集めたアルバムである。本作の制作は、ウォルター・ツィマーマンが、イニシアティブ・ムジーク・ウント・インフォマティク・ケルン（GIMIK e.V.）のベルント・ハープファーに対し、John McGuireの80歳の誕生日を記念してコンサート初演を企画するよう依頼したことから始まった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn McGuireの音楽的ルーツは、戦後のケルンの電子音楽スタジオにあり、カールハインツ・シュトックハウゼンやクリストフ・ペンデレツキに師事することで形成され、ヨーロッパのセリエリズムの伝統に根ざしている。1秒間に最大1,800パルスを出力可能なシンセサイザーを用いて、彼は美しく調和のとれた、水晶のように澄んだ音楽を創り出し、それを耳で聴き取りながら、ある一点から次の点へと流れるような連続性の世界へと形作っていった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその世界が弦楽器に移されると、人間の演奏者やその音響技術がもたらす豊かさと不純さが滲み込み、無限に複雑なものとなる。向かい合う2つの弦楽三重奏団が対位法的な対話を行うという構想のもと、この音楽はスタジオにおける空間的思考と、古くからの分割アンサンブルの伝統を結びつけ、フィボナッチ比、回転するテンポ、変化する拍子、そして絶え間ない和声の転調を通じて展開していく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2489222830\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 20th March 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eCD in gatefold sleeve.\u003cbr\u003eIncludes 20-page booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jump Cuts 21:48\u003cbr\u003e2. Double Bars 22:52\u003cbr\u003e3. Playground 18:04\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDouble String Trios presents three major works for two string trios, composed by John McGuire between 2009 and 2019 and conducted by Axel Lindner. This release began with Walter Zimmermann asking Bernd Härpfer of Initiative Musik und Informatik Köln – GIMIK e.V. to arrange a concert premiere in celebration of McGuire’s 80th birthday.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMcGuire’s musical roots lie in the electronic studios of postwar Cologne, shaped through studies with Karlheinz Stockhausen and Krzysztof Penderecki, and grounded in the traditions of European serialism. Working with synthesizers capable of generating up to 1,800 pulses per second, he developed a beautifully harmonious, crystalline music shaped by the ear into a world of flowing continuities between one point and the next.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTransferred to stringed instruments, that world becomes infinitely more complex — suffused with the richness and impurities of human players and their acoustic technologies. Conceived as two facing string trios in antiphonal dialogue, the music links studio spatial thinking with older split-ensemble traditions, unfolding through Fibonacci proportions, rotating tempi, shifting meters, and continual harmonic transposition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUW063cd\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-03-18T09:28:02+09:00","created_at":"2026-03-16T11:22:17+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","neo classical","new","unseen worlds"],"price":197500,"price_min":197500,"price_max":197500,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48473290965242,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John McGuire \/\/ Double String Trios CD","public_title":null,"options":["Default Title"],"price":197500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"769256796777","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/doubl1.jpg?v=1773627600","\/\/tobirarecords.com\/cdn\/shop\/files\/doubl2.jpg?v=1773627600"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/doubl1.jpg?v=1773627600","options":["Title"],"media":[{"alt":null,"id":38734866055418,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doubl1.jpg?v=1773627600"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doubl1.jpg?v=1773627600","width":700},{"alt":null,"id":38734866088186,"position":2,"preview_image":{"aspect_ratio":1.429,"height":840,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doubl2.jpg?v=1773627600"},"aspect_ratio":1.429,"height":840,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/doubl2.jpg?v=1773627600","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所ミニマル作家John McGuireが、2026年3月に同国Unseen WorldsからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント3曲を収録。20ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Double String Trios』は、John McGuireが2009年から2019年にかけて作曲し、アクセル・リンドナーが指揮を務めた、2つの弦楽トリオのための3つの主要作品を集めたアルバムである。本作の制作は、ウォルター・ツィマーマンが、イニシアティブ・ムジーク・ウント・インフォマティク・ケルン（GIMIK e.V.）のベルント・ハープファーに対し、John McGuireの80歳の誕生日を記念してコンサート初演を企画するよう依頼したことから始まった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn McGuireの音楽的ルーツは、戦後のケルンの電子音楽スタジオにあり、カールハインツ・シュトックハウゼンやクリストフ・ペンデレツキに師事することで形成され、ヨーロッパのセリエリズムの伝統に根ざしている。1秒間に最大1,800パルスを出力可能なシンセサイザーを用いて、彼は美しく調和のとれた、水晶のように澄んだ音楽を創り出し、それを耳で聴き取りながら、ある一点から次の点へと流れるような連続性の世界へと形作っていった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその世界が弦楽器に移されると、人間の演奏者やその音響技術がもたらす豊かさと不純さが滲み込み、無限に複雑なものとなる。向かい合う2つの弦楽三重奏団が対位法的な対話を行うという構想のもと、この音楽はスタジオにおける空間的思考と、古くからの分割アンサンブルの伝統を結びつけ、フィボナッチ比、回転するテンポ、変化する拍子、そして絶え間ない和声の転調を通じて展開していく。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2489222830\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eRELEASE DATE : 20th March 2026\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eCD in gatefold sleeve.\u003cbr\u003eIncludes 20-page booklet. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Jump Cuts 21:48\u003cbr\u003e2. Double Bars 22:52\u003cbr\u003e3. Playground 18:04\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDouble String Trios presents three major works for two string trios, composed by John McGuire between 2009 and 2019 and conducted by Axel Lindner. This release began with Walter Zimmermann asking Bernd Härpfer of Initiative Musik und Informatik Köln – GIMIK e.V. to arrange a concert premiere in celebration of McGuire’s 80th birthday.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMcGuire’s musical roots lie in the electronic studios of postwar Cologne, shaped through studies with Karlheinz Stockhausen and Krzysztof Penderecki, and grounded in the traditions of European serialism. Working with synthesizers capable of generating up to 1,800 pulses per second, he developed a beautifully harmonious, crystalline music shaped by the ear into a world of flowing continuities between one point and the next.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTransferred to stringed instruments, that world becomes infinitely more complex — suffused with the richness and impurities of human players and their acoustic technologies. Conceived as two facing string trios in antiphonal dialogue, the music links studio spatial thinking with older split-ensemble traditions, unfolding through Fibonacci proportions, rotating tempi, shifting meters, and continual harmonic transposition.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eUW063cd\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカの大御所ミニマル作家John McGuireが、2026年3月に同国Unseen WorldsからリリースしたCDです。 ネオクラシカル・アンビエント3曲を収録。20ページのブックレット付属。 以下、レーベルによる解説です。 "『Double String Trios』は、John McGuireが2009年から2019年にかけて作曲し、アクセル・リンドナーが指揮を務めた、2つの弦楽トリオのための3つの主要作品を集めたアルバムである。本作の制作は、ウォルター・ツィマーマンが、イニシアティブ・ムジーク・ウント・インフォマティク・ケルン（GIMIK e.V.）のベルント・ハープファーに対し、John McGuireの80歳の誕生日を記念してコンサート初演を企画するよう依頼したことから始まった。 John McGuireの音楽的ルーツは、戦後のケルンの電子音楽スタジオにあり、カールハインツ・シュトックハウゼンやクリストフ・ペンデレツキに師事することで形成され、ヨーロッパのセリエリズムの伝統に根ざしている。1秒間に最大1,800パルスを出力可能なシンセサイザーを用いて、彼は美しく調和のとれた、水晶のように澄んだ音楽を創り出し、それを耳で聴き取りながら、ある一点から次の点へと流れるような連続性の世界へと形作っていった。 その世界が弦楽器に移されると、人間の演奏者やその音響技術がもたらす豊かさと不純さが滲み込み、無限に複雑なものとなる。向かい合う2つの弦楽三重奏団が対位法的な対話を行うという構想のもと、この音楽はスタジオにおける空間的思考と、古くからの分割アンサンブルの伝統を結びつけ、フィボナッチ比、回転するテンポ、変化する拍子、そして絶え間ない和声の転調を通じて展開していく。"...
Sold Out
クイックビュー
{"id":7864838914298,"title":"John McGuire \/\/ Pulse Music 2xLP","handle":"john-mcguire-pulse-music-2xlp","description":"\u003cp\u003eアメリカの大御所音楽家John McGuireが、2022年12月にリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼が1975-1979年に制作したPulse Musicシリーズ4作を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2811726568\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePresented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock serialism’s warped geometries onto an evenly spaced grid, perfectly preserving serial music’s multi-dimensionality while smoothing its wildest disjunctures and sharpest angles. If serialism is Montreal’s Habitat 67 modular housing complex, McGuire’s Pulse Music compositions are the primary-colored grids of Le Corbusier’s L’Habitation apartment complex — an exuberant expression of the same materials and principles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery layer of pulses is made distinct through its timbre, register, and tempo. We hear them as a plurality, organized like stars in the sky. Every so often the sky rotates and the stars appear in a different arrangement. Our ear naturally starts to draw connections and, as it sweeps between one layer and another, what was discrete becomes continuous. Pulses become flows; quantitative\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e reality becomes qualitative experience.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMcGuire’s pulse pieces were realized electronically, in the newly built Studio for Electronic Music at the State University of Cologne and WDR, but Pulse Music II adapted his ideas to an orchestral canvas. Commissioned retrospectively by the composer and radio producer Hans Otte for his Pro Musica Nova festival at Radio Bremen. Alongside the Bremen orchestra, conducted by Klaus Bernbacher, were four pianists—Christoph Delz, Herbert Henck, Deborah Richards, Doris Thomsen—and McGuire himself playing a series of twelve drone-like chords on the organ. The techniques of the electronic Pulse Music pieces required a speed and precision too great for live musicians, so for Pulse Music II McGuire adapted his method to an expanding progression of durations; this had the advantage of being much slower and requiring none of the carefully calibrated tempo changes of Pulse Music I or III. It was still based, says the composer, “on what seemed to me an interesting foray into a completely different kind of time structure. Complex time structures had, by 1975, become a condition for me in two senses: a compositional requirement and maybe an illness.” The present recording was made by Radio Bremen at the work’s first and only performance, and has been held in their archive until now. “108 Pulses” – originally composed a proof-of-concept piece and realized as a single, repeating loop in a 20 minute tableau – is also presented here for the first time.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e","published_at":"2022-12-12T11:57:40+09:00","created_at":"2022-12-11T15:35:27+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","unseen worlds"],"price":558000,"price_min":558000,"price_max":558000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43760230662394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John McGuire \/\/ Pulse Music 2xLP","public_title":null,"options":["Default Title"],"price":558000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pu1_10a76b9c-b68d-4195-9c6c-28b24f126db8.jpg?v=1670740529","\/\/tobirarecords.com\/cdn\/shop\/products\/pu2_161df549-a25f-417a-8247-6c12152e2925.jpg?v=1670740529"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pu1_10a76b9c-b68d-4195-9c6c-28b24f126db8.jpg?v=1670740529","options":["Title"],"media":[{"alt":null,"id":31172652237050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pu1_10a76b9c-b68d-4195-9c6c-28b24f126db8.jpg?v=1670740529"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pu1_10a76b9c-b68d-4195-9c6c-28b24f126db8.jpg?v=1670740529","width":700},{"alt":null,"id":31172652269818,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pu2_161df549-a25f-417a-8247-6c12152e2925.jpg?v=1670740529"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pu2_161df549-a25f-417a-8247-6c12152e2925.jpg?v=1670740529","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所音楽家John McGuireが、2022年12月にリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e彼が1975-1979年に制作したPulse Musicシリーズ4作を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2811726568\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePresented together for the first time, American composer John McGuire’s Pulse Music series (1975-1979) blurs the popular narrative that Minimalism was a reaction against Europe’s angular, intellectual, inscrutable high-modernism. McGuire, born in California, studied at Occidental College in Los Angeles and UC Berkeley before going to Europe to study with Karlheinz Stockhausen, Krzysztof Penderecki, and Gottfried Michael Koenig. His compositions lock serialism’s warped geometries onto an evenly spaced grid, perfectly preserving serial music’s multi-dimensionality while smoothing its wildest disjunctures and sharpest angles. If serialism is Montreal’s Habitat 67 modular housing complex, McGuire’s Pulse Music compositions are the primary-colored grids of Le Corbusier’s L’Habitation apartment complex — an exuberant expression of the same materials and principles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEvery layer of pulses is made distinct through its timbre, register, and tempo. We hear them as a plurality, organized like stars in the sky. Every so often the sky rotates and the stars appear in a different arrangement. Our ear naturally starts to draw connections and, as it sweeps between one layer and another, what was discrete becomes continuous. Pulses become flows; quantitative\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e reality becomes qualitative experience.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMcGuire’s pulse pieces were realized electronically, in the newly built Studio for Electronic Music at the State University of Cologne and WDR, but Pulse Music II adapted his ideas to an orchestral canvas. Commissioned retrospectively by the composer and radio producer Hans Otte for his Pro Musica Nova festival at Radio Bremen. Alongside the Bremen orchestra, conducted by Klaus Bernbacher, were four pianists—Christoph Delz, Herbert Henck, Deborah Richards, Doris Thomsen—and McGuire himself playing a series of twelve drone-like chords on the organ. The techniques of the electronic Pulse Music pieces required a speed and precision too great for live musicians, so for Pulse Music II McGuire adapted his method to an expanding progression of durations; this had the advantage of being much slower and requiring none of the carefully calibrated tempo changes of Pulse Music I or III. It was still based, says the composer, “on what seemed to me an interesting foray into a completely different kind of time structure. Complex time structures had, by 1975, become a condition for me in two senses: a compositional requirement and maybe an illness.” The present recording was made by Radio Bremen at the work’s first and only performance, and has been held in their archive until now. “108 Pulses” – originally composed a proof-of-concept piece and realized as a single, repeating loop in a 20 minute tableau – is also presented here for the first time.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : Unseen Worlds\u003c\/p\u003e"}
You may also like:
アメリカの大御所音楽家John McGuireが、2022年12月にリリースした2枚組レコードです。 彼が1975-1979年に制作したPulse Musicシリーズ4作を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Unseen Worlds releases available at Tobira. ...
Sold Out
クイックビュー
{"id":8065901625594,"title":"John McGuire \/\/ Vanishing Points \/ A Cappella LP","handle":"john-mcguire-vanishing-points-a-cappella-lp","description":"\u003cp\u003eアメリカの大御所ミニマル作家John McGuireが、2023年10月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』（1985-1988）と『\u003cmeta charset=\"utf-8\"\u003eA Cappella』（1990-1997）の2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"1970年代半ばに作曲したPulse Musicにおいて、作曲家John McGuireはヨーロッパ・シリアリズムのユニークな解釈を打ち出した。カールハインツ・シュトックハウゼン、クシシュトフ・ペンデレツキ、ゴットフリート・ミヒャエル・ケーニッヒの弟子であったJohn McGuireは、1970年にドイツのケルンに移り、ケルンの西ドイツ放送（WDR）にある世界最先端の電子音楽スタジオと関わるようになった。シュトックハウゼンと同様、John McGuireもまた、自分の音楽的想像力が、利用可能なテクノロジーによって制約されると同時に、インスパイアされていることに気づいたのである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彫刻家ハンス・カール・ブルゲフとの会話が、John McGuireを地平線の彼方、無限の空間へと向かわせた。『Vanishing Points』（1985-1988）では、John McGuireは初めて完全なデジタルセットアップを使用した。デジタルシーケンサー、8台のヤマハDX-7シンセサイザー、スチューダー24トラック・デジタル・テープレコーダーである。この作品は、『パルス・ミュージック』シリーズの「続編」として構想されたが、同時に『パルス・ミュージック』シリーズからの一歩でもあった。パルス・ミュージック』シリーズが安定したパルスの流れを採用していたのに対し、\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』』ではパルスのレイヤーが互いに加速したり減速したりすることで、リズムの複雑さが格段に増している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1983年に録音されたモートン・フェルドマンの『Three Voices』で知られる妻でソプラノ歌手のベス・グリフィスのために書かれた『A Cappella』（1990-1997）でも、\u003cmeta charset=\"utf-8\"\u003eJohn McGuireの音楽技術の探求は続いている。サンプルを使って4声の合唱団を作り、相互作用するパートにアレンジした。シンセサイザー音の精密さに比べ、人間の声は有機的であるため、作曲は難題に直面した。このプロセスには、徹底的な編集と、\"素材 \"と \"オリジナルの構想 \"との間の交渉が必要だった。このような交渉は、一曲の作曲にも、20年にわたる作品にも当てはまる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=964751723\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVanishing Points 26:00\u003c\/li\u003e\n\u003cli\u003eA Cappella 23:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology that was available to him.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA conversation with sculptor Hans Karl Burgeff led McGuire to think beyond the horizon and into limitless space. For “Vanishing Points” (1985–1988), McGuire used an entirely digital set-up for the first time: a digital sequencer, eight Yamaha DX-7 synthesizers and a Studer 24-track digital tape recorder. The piece was conceived as a “sequel” to the Pulse Music series, but also a step forward from it. Whereas the Pulse Music pieces had employed steady streams of pulses, with Vanishing Points McGuire employed pulse layers that accelerate or decelerate against one another, vastly increasing the resulting rhythmic complexity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMcGuire's exploration of music technology continued in “A Cappella” (1990–1997), written for his wife, the soprano Beth\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griffith, known for her recording of Morton Feldman’s “Three Voices” made in 1983. Using samples, he created a four-voice choir of voice samples and arranged them into interacting parts. The composition faced challenges due to the organic nature of the human voice compared to the precision of synthesized sounds. This process involved extensive editing and a negotiation between the \"material\" and the \"original conception\". This sort of negotiation applies as much to the composition of a single piece as it does to the work of two decades.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-11-06T15:38:00+09:00","created_at":"2023-11-04T18:44:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","unseen worlds"],"price":368800,"price_min":368800,"price_max":368800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44728757289210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John McGuire \/\/ Vanishing Points \/ A Cappella LP","public_title":null,"options":["Default Title"],"price":368800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","options":["Title"],"media":[{"alt":null,"id":32642191851770,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap1.jpg?v=1699091052","width":700},{"alt":null,"id":32642191884538,"position":2,"preview_image":{"aspect_ratio":1.425,"height":842,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052"},"aspect_ratio":1.425,"height":842,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cap2.jpg?v=1699091052","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの大御所ミニマル作家John McGuireが、2023年10月にリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』（1985-1988）と『\u003cmeta charset=\"utf-8\"\u003eA Cappella』（1990-1997）の2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"1970年代半ばに作曲したPulse Musicにおいて、作曲家John McGuireはヨーロッパ・シリアリズムのユニークな解釈を打ち出した。カールハインツ・シュトックハウゼン、クシシュトフ・ペンデレツキ、ゴットフリート・ミヒャエル・ケーニッヒの弟子であったJohn McGuireは、1970年にドイツのケルンに移り、ケルンの西ドイツ放送（WDR）にある世界最先端の電子音楽スタジオと関わるようになった。シュトックハウゼンと同様、John McGuireもまた、自分の音楽的想像力が、利用可能なテクノロジーによって制約されると同時に、インスパイアされていることに気づいたのである。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e彫刻家ハンス・カール・ブルゲフとの会話が、John McGuireを地平線の彼方、無限の空間へと向かわせた。『Vanishing Points』（1985-1988）では、John McGuireは初めて完全なデジタルセットアップを使用した。デジタルシーケンサー、8台のヤマハDX-7シンセサイザー、スチューダー24トラック・デジタル・テープレコーダーである。この作品は、『パルス・ミュージック』シリーズの「続編」として構想されたが、同時に『パルス・ミュージック』シリーズからの一歩でもあった。パルス・ミュージック』シリーズが安定したパルスの流れを採用していたのに対し、\u003cmeta charset=\"utf-8\"\u003e『Vanishing Points』』ではパルスのレイヤーが互いに加速したり減速したりすることで、リズムの複雑さが格段に増している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e1983年に録音されたモートン・フェルドマンの『Three Voices』で知られる妻でソプラノ歌手のベス・グリフィスのために書かれた『A Cappella』（1990-1997）でも、\u003cmeta charset=\"utf-8\"\u003eJohn McGuireの音楽技術の探求は続いている。サンプルを使って4声の合唱団を作り、相互作用するパートにアレンジした。シンセサイザー音の精密さに比べ、人間の声は有機的であるため、作曲は難題に直面した。このプロセスには、徹底的な編集と、\"素材 \"と \"オリジナルの構想 \"との間の交渉が必要だった。このような交渉は、一曲の作曲にも、20年にわたる作品にも当てはまる。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=964751723\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/unwo\"\u003ehere\u003c\/a\u003e to see more Unseen Worlds releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVanishing Points 26:00\u003c\/li\u003e\n\u003cli\u003eA Cappella 23:30\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eUnseen Worlds:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn his “Pulse Music” compositions of the mid-1970s, composer John McGuire forged a unique interpretation of European serialism. A student of Karlheinz Stockhausen, Krzysztof Penderecki and Gottfried Michael Koenig, McGuire moved to Cologne, Germany in 1970, where he become associated with the world-leading Studio for Electronic Music at Westdeutscher Rundfunk (WDR) in Cologne. Like Stockhausen, McGuire found his musical imagination both constrained and inspired by the technology that was available to him.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA conversation with sculptor Hans Karl Burgeff led McGuire to think beyond the horizon and into limitless space. For “Vanishing Points” (1985–1988), McGuire used an entirely digital set-up for the first time: a digital sequencer, eight Yamaha DX-7 synthesizers and a Studer 24-track digital tape recorder. The piece was conceived as a “sequel” to the Pulse Music series, but also a step forward from it. Whereas the Pulse Music pieces had employed steady streams of pulses, with Vanishing Points McGuire employed pulse layers that accelerate or decelerate against one another, vastly increasing the resulting rhythmic complexity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMcGuire's exploration of music technology continued in “A Cappella” (1990–1997), written for his wife, the soprano Beth\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Griffith, known for her recording of Morton Feldman’s “Three Voices” made in 1983. Using samples, he created a four-voice choir of voice samples and arranged them into interacting parts. The composition faced challenges due to the organic nature of the human voice compared to the precision of synthesized sounds. This process involved extensive editing and a negotiation between the \"material\" and the \"original conception\". This sort of negotiation applies as much to the composition of a single piece as it does to the work of two decades.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John McGuire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eUnseen Worlds\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカの大御所ミニマル作家John McGuireが、2023年10月にリリースした再発レコードです。 『Vanishing Points』（1985-1988）と『A Cappella』（1990-1997）の2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "1970年代半ばに作曲したPulse Musicにおいて、作曲家John McGuireはヨーロッパ・シリアリズムのユニークな解釈を打ち出した。カールハインツ・シュトックハウゼン、クシシュトフ・ペンデレツキ、ゴットフリート・ミヒャエル・ケーニッヒの弟子であったJohn McGuireは、1970年にドイツのケルンに移り、ケルンの西ドイツ放送（WDR）にある世界最先端の電子音楽スタジオと関わるようになった。シュトックハウゼンと同様、John McGuireもまた、自分の音楽的想像力が、利用可能なテクノロジーによって制約されると同時に、インスパイアされていることに気づいたのである。彫刻家ハンス・カール・ブルゲフとの会話が、John McGuireを地平線の彼方、無限の空間へと向かわせた。『Vanishing Points』（1985-1988）では、John McGuireは初めて完全なデジタルセットアップを使用した。デジタルシーケンサー、8台のヤマハDX-7シンセサイザー、スチューダー24トラック・デジタル・テープレコーダーである。この作品は、『パルス・ミュージック』シリーズの「続編」として構想されたが、同時に『パルス・ミュージック』シリーズからの一歩でもあった。パルス・ミュージック』シリーズが安定したパルスの流れを採用していたのに対し、『Vanishing...
¥3,688
クイックビュー
{"id":7529014198522,"title":"John O'Neill \/\/ Cine \/ Hollywood Tow TAPE","handle":"john-oneill-cine-hollywood-tow-tape","description":"\u003cp\u003eアメリカの音響作家John O'Neillが、2022年1月に同国Secret Boyfriend主宰レーベルHot Releasesからリリースした最新アルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜コラージュ・ノイズ3曲を収録。DLコード付属。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGlyn Maierが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2922881200\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hot\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hot\"\u003ehere\u003c\/a\u003e to see more Hot Releases releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eHot Releases:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter years of receiving many of his excellent recordings in my inbox, I'm excited to finally be involved in the materialization of the first proper release by Los Angeles-based artist John O'Neill. I first met him in North Carolina during his youthful harsh noise genesis, and his approach has since developed into improvisation with a solitary, meditative quality that incorporates multiple palettes and approaches. \"Cine \/ Hollywood Tow\" provides three examples of such. \"Backyard at Zoey and Craig's\" comprises the entire A-side, a perfectly measured piece of environmental ambient that is one of the most beautiful pieces of music I've ever heard. Playing it loud over the PA while lingering around the firepit late night on Halloween 2021 was a wonderful way to experience it, perfectly meshing with the sounds of the dark woods. The B side follows with the cold, penetrating system electronics of '69.100.01' and the warmer, static crash whiplash of 'Station to Station (AM Band)' whose squelched voices and interferences find themselves in conversation around a droning, synthetic beat. A satisfying survey of moments alone and inspired.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John O'Neill\u003c\/p\u003e\n\u003cp\u003eLabel : Hot Releases\u003c\/p\u003e","published_at":"2022-02-02T16:18:34+09:00","created_at":"2022-01-31T13:13:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","Hot Releases","monooto","noise","sale22","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42379803361530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John O'Neill \/\/ Cine \/ Hollywood Tow TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ci1_d11001e4-3c94-4217-bef3-09dd0c932841.jpg?v=1643602386","\/\/tobirarecords.com\/cdn\/shop\/products\/ci2_c58a0f75-fcf8-45ea-8526-da2e87c08d8a.jpg?v=1643602386"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ci1_d11001e4-3c94-4217-bef3-09dd0c932841.jpg?v=1643602386","options":["Title"],"media":[{"alt":null,"id":29083986821370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ci1_d11001e4-3c94-4217-bef3-09dd0c932841.jpg?v=1643602386"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ci1_d11001e4-3c94-4217-bef3-09dd0c932841.jpg?v=1643602386","width":700},{"alt":null,"id":29083986854138,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ci2_c58a0f75-fcf8-45ea-8526-da2e87c08d8a.jpg?v=1643602386"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ci2_c58a0f75-fcf8-45ea-8526-da2e87c08d8a.jpg?v=1643602386","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの音響作家John O'Neillが、2022年1月に同国Secret Boyfriend主宰レーベルHot Releasesからリリースした最新アルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン〜コラージュ・ノイズ3曲を収録。DLコード付属。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eマスタリングはGlyn Maierが担当しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2922881200\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hot\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hot\"\u003ehere\u003c\/a\u003e to see more Hot Releases releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eHot Releases:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter years of receiving many of his excellent recordings in my inbox, I'm excited to finally be involved in the materialization of the first proper release by Los Angeles-based artist John O'Neill. I first met him in North Carolina during his youthful harsh noise genesis, and his approach has since developed into improvisation with a solitary, meditative quality that incorporates multiple palettes and approaches. \"Cine \/ Hollywood Tow\" provides three examples of such. \"Backyard at Zoey and Craig's\" comprises the entire A-side, a perfectly measured piece of environmental ambient that is one of the most beautiful pieces of music I've ever heard. Playing it loud over the PA while lingering around the firepit late night on Halloween 2021 was a wonderful way to experience it, perfectly meshing with the sounds of the dark woods. The B side follows with the cold, penetrating system electronics of '69.100.01' and the warmer, static crash whiplash of 'Station to Station (AM Band)' whose squelched voices and interferences find themselves in conversation around a droning, synthetic beat. A satisfying survey of moments alone and inspired.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John O'Neill\u003c\/p\u003e\n\u003cp\u003eLabel : Hot Releases\u003c\/p\u003e"}
You may also like:
アメリカの音響作家John O'Neillが、2022年1月に同国Secret Boyfriend主宰レーベルHot Releasesからリリースした最新アルバムです。 アンビエントドローン〜コラージュ・ノイズ3曲を収録。DLコード付属。マスタリングはGlyn Maierが担当しています。 レーベルその他作品はこちら /// Click here to see more Hot Releases releases available...
¥1,680
クイックビュー
{"id":9174998352122,"title":"John O'Neill \/\/ Optical Soundtracks Vol I (2016 - 2024) TAPE","handle":"john-oneill-optical-soundtracks-vol-i-2016-2024-tape","description":"\u003cp\u003e\u003cspan\u003eイギリスの実験音楽家John O'Neill が、2025年11月に同国実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコラージュ〜ドローン〜ノイズ15\u003c\/span\u003e\u003cspan\u003e曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"以下のテキストのPDFやスキャン画像から作成された楽譜：エレイン・ルイ著『Living With Textiles』、マイケル・タウシグ著『My Cocaine Museum』、セス・キム＝コーエン著『In The Blink Of An Ear』、スタン・ブラッヘイジ作「The Stars Are Beautiful」、および「モートン・フェルドマンの作品一覧」（ウィキペディア）； 写真：ジョシュ＆ジンのコリアタウンの天井（2016年大晦日）；テントの壁越しに写るキャンプファイヤー（エメラルド湖、2017年）；窓の網戸（ファウンテン＆ポインセチア・アパートメント、2016年）；その他\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAEO-Lightによる楽譜の演奏（サウスカロライナ大学がトミー・アッシェンバッハと緊密に協力して開発。本プロジェクトは全米人文科学基金の寛大な支援により実現しました）\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eピアノ編曲および演奏：MuseScore3（ヴェルナー・シュヴェール開発）\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの作品において、[プログラミング／本人の知らないところでの資金提供／技術的サポート／画面内または画面外での出演]をしてくれた、ニール・“クローカ”・ヤング、ライアン・マーティン、スティーブ・カド、ジョシュ・リム、ジン・ニウ、セリーナ・チャピン、エミリー・メイ、ハンナ・ジョンソン、UCLA GSEIS Labに深く感謝する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『オプティカル・サウンドトラック』は、遊び心あふれる誤訳の断片であり、「AI」が普及する以前の「機械の作者性」に対する問いかけである。これは、意味のある対象から疑わしい意味を、無意味なものから虚偽の意味を抽出するコンピュータ処理である。個人の写真、テキストのPDF、減法混色プリントの詳細スキャンが「スコア」として組み立てられ、AEO-Light（フィルムプリントのスキャンから光学サウンドトラックを実用的な同期音声WAVファイルに変換するために設計されたオープンソースのアーカイブソフトウェア）に入力される。これらの画像の連なりは（AEO-Lightによれば、その質感やコントラスト値において）、クリック音やハム音、そしてその恣意性に抗うかのようにうねり、吠え立てる愚かなメロディーでエンコードされている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eジョン・オニールは、過激な水平主義的対話型フリー・インプロヴィゼーション・ストリート・ギャング・ソーシャル・クラブ「ロサンゼルス・ウッドウィンド・スキル・シェア（LAWWSS）」のメンバーであり、ニール・ヤング・アーカイブスのアーカイブ・ディレクターである。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=35344759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 142 Photographs of the Campfire by Emerald Lake, CA 02:40\u003cbr\u003e2. 147 Photographs Facing Northwest 00:52\u003cbr\u003e3. Complete Works of Morton Feldman 01:20\u003cbr\u003e4. Ink Tracing of a Sonogram 06:49\u003cbr\u003e5. In the Blink of an Ear 01:28\u003cbr\u003e6. Living With Textiles 1 01:00\u003cbr\u003e7. Living With Textiles 2 01:03\u003cbr\u003e8. Living With Textiles 3 01:04\u003cbr\u003e9. Living With Textiles 4 01:00\u003cbr\u003e10. Living With Textiles 5 01:03\u003cbr\u003e11. Living With Textiles 6 01:02\u003cbr\u003e12. Roof Access (Koreatown) 00:30\u003cbr\u003e13. My Cocaine Museum, I 01:00\u003cbr\u003e14. My Cocaine Museum, II 09:23\u003cbr\u003e15. Three Gradient Squares 12:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eScores assembled from PDFs and scans of the following texts: Living With Textiles by Elaine Louie, My Cocaine Museum by Michael Taussig, In The Blink Of An Ear by Seth Kim-Cohen, “The Stars Are Beautiful” by Stan Brakhage, “List of compositions by Morton Feldman” (Wikipedia); Photographs of: Josh \u0026amp; Jing’s Koreatown ceiling, New Years Eve 2016; campfire through a tent wall, Emerald Lake, 2017; window screen, Fountain \u0026amp; Poinsettia apartment, 2016; \u0026amp; misc.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScores performed by AEO-Light (developed by the University of South Carolina in close cooperation with Tommy Aschenbach; the project is made possible by the generous support of the National Endowment for the Humanities)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePiano interpretations transcribed and performed by MuseScore3 (developed by Werner Schweer)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks to Neil “Cloaca” Young, Ryan Martin, Steve Kado, Josh Lim, Jing Niu, Celina Chapin, Emily May, Hannah Johnson, UCLA GSEIS Lab for [programming \/ funding without their knowledge \/ providing technical support \/ appearing in or just out of frame of] these compositions\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Optical Soundtracks are pieces of playful\u003cspan class=\"bcTruncateMore\"\u003e mistranslation, interrogations of “machine authorship” before the widespread use of “AI,” a computer process for extracting suspect meanings from meaningful objects and spurious meanings from meaningless ones. Personal photographs, PDFs of texts, detail scans of subtractive color prints are assembled into “scores” and fed to AEO-Light, an open-source archival software designed to translate optical soundtracks on film print scans into usable sync-sound wav files. These sequences of images are encoded (in their textures and contrast values, according to AEO-Light) with clicks and hums and idiot melodies that writhe and yowl against their arbitrariness.\u003cbr\u003e\u003cbr\u003eJohn O’Neill is a member of the radically horizontal conversational free improv street gang social club the Los Angeles Woodwind Skill Share (LAWWSS) and archives director at Neil Young Archives. ''\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John O'Neill\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e\n\u003cp\u003eRelease date : November 2025\u003c\/p\u003e","published_at":"2026-04-04T07:15:14+09:00","created_at":"2026-04-02T09:20:49+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","industrial coast","monooto","new","noise","tape"],"price":236600,"price_min":236600,"price_max":236600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48595283214586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John O'Neill \/\/ Optical Soundtracks Vol I (2016 - 2024) TAPE","public_title":null,"options":["Default Title"],"price":236600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/op1_23af052a-65c3-4133-bd9a-34328f7744d4.jpg?v=1775089132"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_23af052a-65c3-4133-bd9a-34328f7744d4.jpg?v=1775089132","options":["Title"],"media":[{"alt":null,"id":38928850419962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_23af052a-65c3-4133-bd9a-34328f7744d4.jpg?v=1775089132"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/op1_23af052a-65c3-4133-bd9a-34328f7744d4.jpg?v=1775089132","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリスの実験音楽家John O'Neill が、2025年11月に同国実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eコラージュ〜ドローン〜ノイズ15\u003c\/span\u003e\u003cspan\u003e曲を収録。廃盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e以下、レーベルによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"以下のテキストのPDFやスキャン画像から作成された楽譜：エレイン・ルイ著『Living With Textiles』、マイケル・タウシグ著『My Cocaine Museum』、セス・キム＝コーエン著『In The Blink Of An Ear』、スタン・ブラッヘイジ作「The Stars Are Beautiful」、および「モートン・フェルドマンの作品一覧」（ウィキペディア）； 写真：ジョシュ＆ジンのコリアタウンの天井（2016年大晦日）；テントの壁越しに写るキャンプファイヤー（エメラルド湖、2017年）；窓の網戸（ファウンテン＆ポインセチア・アパートメント、2016年）；その他\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAEO-Lightによる楽譜の演奏（サウスカロライナ大学がトミー・アッシェンバッハと緊密に協力して開発。本プロジェクトは全米人文科学基金の寛大な支援により実現しました）\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eピアノ編曲および演奏：MuseScore3（ヴェルナー・シュヴェール開発）\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの作品において、[プログラミング／本人の知らないところでの資金提供／技術的サポート／画面内または画面外での出演]をしてくれた、ニール・“クローカ”・ヤング、ライアン・マーティン、スティーブ・カド、ジョシュ・リム、ジン・ニウ、セリーナ・チャピン、エミリー・メイ、ハンナ・ジョンソン、UCLA GSEIS Labに深く感謝する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『オプティカル・サウンドトラック』は、遊び心あふれる誤訳の断片であり、「AI」が普及する以前の「機械の作者性」に対する問いかけである。これは、意味のある対象から疑わしい意味を、無意味なものから虚偽の意味を抽出するコンピュータ処理である。個人の写真、テキストのPDF、減法混色プリントの詳細スキャンが「スコア」として組み立てられ、AEO-Light（フィルムプリントのスキャンから光学サウンドトラックを実用的な同期音声WAVファイルに変換するために設計されたオープンソースのアーカイブソフトウェア）に入力される。これらの画像の連なりは（AEO-Lightによれば、その質感やコントラスト値において）、クリック音やハム音、そしてその恣意性に抗うかのようにうねり、吠え立てる愚かなメロディーでエンコードされている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eジョン・オニールは、過激な水平主義的対話型フリー・インプロヴィゼーション・ストリート・ギャング・ソーシャル・クラブ「ロサンゼルス・ウッドウィンド・スキル・シェア（LAWWSS）」のメンバーであり、ニール・ヤング・アーカイブスのアーカイブ・ディレクターである。\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=35344759\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. 142 Photographs of the Campfire by Emerald Lake, CA 02:40\u003cbr\u003e2. 147 Photographs Facing Northwest 00:52\u003cbr\u003e3. Complete Works of Morton Feldman 01:20\u003cbr\u003e4. Ink Tracing of a Sonogram 06:49\u003cbr\u003e5. In the Blink of an Ear 01:28\u003cbr\u003e6. Living With Textiles 1 01:00\u003cbr\u003e7. Living With Textiles 2 01:03\u003cbr\u003e8. Living With Textiles 3 01:04\u003cbr\u003e9. Living With Textiles 4 01:00\u003cbr\u003e10. Living With Textiles 5 01:03\u003cbr\u003e11. Living With Textiles 6 01:02\u003cbr\u003e12. Roof Access (Koreatown) 00:30\u003cbr\u003e13. My Cocaine Museum, I 01:00\u003cbr\u003e14. My Cocaine Museum, II 09:23\u003cbr\u003e15. Three Gradient Squares 12:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eScores assembled from PDFs and scans of the following texts: Living With Textiles by Elaine Louie, My Cocaine Museum by Michael Taussig, In The Blink Of An Ear by Seth Kim-Cohen, “The Stars Are Beautiful” by Stan Brakhage, “List of compositions by Morton Feldman” (Wikipedia); Photographs of: Josh \u0026amp; Jing’s Koreatown ceiling, New Years Eve 2016; campfire through a tent wall, Emerald Lake, 2017; window screen, Fountain \u0026amp; Poinsettia apartment, 2016; \u0026amp; misc.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eScores performed by AEO-Light (developed by the University of South Carolina in close cooperation with Tommy Aschenbach; the project is made possible by the generous support of the National Endowment for the Humanities)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003ePiano interpretations transcribed and performed by MuseScore3 (developed by Werner Schweer)\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMany thanks to Neil “Cloaca” Young, Ryan Martin, Steve Kado, Josh Lim, Jing Niu, Celina Chapin, Emily May, Hannah Johnson, UCLA GSEIS Lab for [programming \/ funding without their knowledge \/ providing technical support \/ appearing in or just out of frame of] these compositions\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'Optical Soundtracks are pieces of playful\u003cspan class=\"bcTruncateMore\"\u003e mistranslation, interrogations of “machine authorship” before the widespread use of “AI,” a computer process for extracting suspect meanings from meaningful objects and spurious meanings from meaningless ones. Personal photographs, PDFs of texts, detail scans of subtractive color prints are assembled into “scores” and fed to AEO-Light, an open-source archival software designed to translate optical soundtracks on film print scans into usable sync-sound wav files. These sequences of images are encoded (in their textures and contrast values, according to AEO-Light) with clicks and hums and idiot melodies that writhe and yowl against their arbitrariness.\u003cbr\u003e\u003cbr\u003eJohn O’Neill is a member of the radically horizontal conversational free improv street gang social club the Los Angeles Woodwind Skill Share (LAWWSS) and archives director at Neil Young Archives. ''\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John O'Neill\u003c\/p\u003e\n\u003cp\u003eLabel : Industrial Coast\u003c\/p\u003e\n\u003cp\u003eRelease date : November 2025\u003c\/p\u003e"}
You may also like:
イギリスの実験音楽家John O'Neill が、2025年11月に同国実験／ノイズレーベルIndustrial Coastからリリースしたカセットです。 コラージュ〜ドローン〜ノイズ15曲を収録。廃盤です。 以下、レーベルによる解説です。 "以下のテキストのPDFやスキャン画像から作成された楽譜：エレイン・ルイ著『Living With Textiles』、マイケル・タウシグ著『My Cocaine Museum』、セス・キム＝コーエン著『In The Blink Of...
¥2,366
クイックビュー
{"id":8570368164090,"title":"John Olsen \/\/ Open Cave Mouth CD","handle":"john-olsen-open-cave-mouth-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代から活動しているアメリカ・デトロイトの実験音楽家\u003c\/span\u003eJohn Olsenが、2024年7月にイギリスのノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eInput Error\u003c\/span\u003eからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e友人から譲り受けたチューニングされていないソプラノサックスを中心としたLo-Fiノイズ・ドローン〜インプロ4曲、35分を収録。デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1485747805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/iner\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/iner\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/iner\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/iner\"\u003ehere\u003c\/a\u003e to see more \u003cspan data-mce-fragment=\"1\"\u003eInput Error\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira. \u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e-------------------------------\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eCD in digipack. No digital - CD only.\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp dir=\"ltr\"\u003e1. Untitled\u003cbr\u003e2. Untitled\u003cbr\u003e3. Untitled\u003cbr\u003e4. Untitled\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp dir=\"ltr\"\u003eJohn Olsen:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\"While the Cave might still be creaking open, the grey memories of the two sessions from the 19-tape run of the GRAVE PROG sub-series, from which “Open Cave Mouth” lurked, are fading fast. A couple of standout points from that period include: \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFerndale Life, the first Woodland House after the move from Lansing, right next to where Meg from Gories' brother lived. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTransition from Dunn Blueprinting on Eight Mile (where the cover images for both tapes were drawn and printed on the clock) to an uber-stressed Global Crossing Repair job. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePost Y2K Detroit Life. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePeak of the Basket Case Era. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAn untuned, unbranded cheap Soprano given to me by Speedy Tee’s Keith for $60. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePsycho Neighbor (opposite of Gories' bro), which meant loud jams were few and far between but still had parties, so \"Open Cave Mouth\" was probably recorded directly to a portable cassette recorder one overcast afternoon, for both editions. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA killer dollar store up the street that sold phone tape loop cassettes ten to thirty seconds long, so there was most likely another boombox recording the soprano sax and spitting it out to\u003cspan class=\"bcTruncateMore\"\u003e the other. \u003cbr\u003eEdition of 9 or 11 because there were 5 fans, and the leftovers were to creep through the mail system to another outlander. I believe this was early Grux material packs, so the short tapes were probably direct from him in SF. \u003cbr\u003e\u003cbr\u003eAnd that’s about all from the memory folder. Glad to say, over two decades later, I still have a soprano (now a nice Beuscher with a cheap, uber-bright metal knock-off MP) within claw distance at all times. While the EQ might be better, it’s still trim and grim. Very excited to have it be horribly reborn on the best label overseas, INPUT ERROR, among such TKO label jam company, and even more excited that the low-tech, low-edition audio of Michigan open space and closed mood dampness will continue for another 20,000,000 years.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eArtist : John Olsen\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eLabel : Input Error\u003c\/p\u003e","published_at":"2024-07-27T09:01:14+09:00","created_at":"2024-07-24T17:29:37+09:00","vendor":"Tobira Records","type":"","tags":["cd","drone","input error","noise"],"price":219000,"price_min":219000,"price_max":219000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46452767260922,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Olsen \/\/ Open Cave Mouth CD","public_title":null,"options":["Default Title"],"price":219000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/JohnOlson-OpenCaveMouth.png?v=1721809728","\/\/tobirarecords.com\/cdn\/shop\/files\/0036636976_10.jpg?v=1722037848","\/\/tobirarecords.com\/cdn\/shop\/files\/0036636977_10.jpg?v=1722037849"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/JohnOlson-OpenCaveMouth.png?v=1721809728","options":["Title"],"media":[{"alt":null,"id":34600086929658,"position":1,"preview_image":{"aspect_ratio":1.128,"height":686,"width":774,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JohnOlson-OpenCaveMouth.png?v=1721809728"},"aspect_ratio":1.128,"height":686,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/JohnOlson-OpenCaveMouth.png?v=1721809728","width":774},{"alt":null,"id":34614618882298,"position":2,"preview_image":{"aspect_ratio":0.753,"height":1200,"width":904,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036636976_10.jpg?v=1722037848"},"aspect_ratio":0.753,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036636976_10.jpg?v=1722037848","width":904},{"alt":null,"id":34614618980602,"position":3,"preview_image":{"aspect_ratio":1.327,"height":904,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036636977_10.jpg?v=1722037849"},"aspect_ratio":1.327,"height":904,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0036636977_10.jpg?v=1722037849","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代から活動しているアメリカ・デトロイトの実験音楽家\u003c\/span\u003eJohn Olsenが、2024年7月にイギリスのノイズレーベル\u003cspan data-mce-fragment=\"1\"\u003eInput Error\u003c\/span\u003eからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003e友人から譲り受けたチューニングされていないソプラノサックスを中心としたLo-Fiノイズ・ドローン〜インプロ4曲、35分を収録。デジパック仕様です。\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1485747805\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv dir=\"ltr\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/iner\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/iner\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/iner\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/iner\"\u003ehere\u003c\/a\u003e to see more \u003cspan data-mce-fragment=\"1\"\u003eInput Error\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira. \u003c\/div\u003e\n\u003cdiv dir=\"ltr\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp dir=\"ltr\"\u003e-------------------------------\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eCD in digipack. No digital - CD only.\u003cbr\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp dir=\"ltr\"\u003e1. Untitled\u003cbr\u003e2. Untitled\u003cbr\u003e3. Untitled\u003cbr\u003e4. Untitled\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp dir=\"ltr\"\u003eJohn Olsen:\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cem\u003e\"While the Cave might still be creaking open, the grey memories of the two sessions from the 19-tape run of the GRAVE PROG sub-series, from which “Open Cave Mouth” lurked, are fading fast. A couple of standout points from that period include: \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFerndale Life, the first Woodland House after the move from Lansing, right next to where Meg from Gories' brother lived. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTransition from Dunn Blueprinting on Eight Mile (where the cover images for both tapes were drawn and printed on the clock) to an uber-stressed Global Crossing Repair job. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePost Y2K Detroit Life. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePeak of the Basket Case Era. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAn untuned, unbranded cheap Soprano given to me by Speedy Tee’s Keith for $60. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePsycho Neighbor (opposite of Gories' bro), which meant loud jams were few and far between but still had parties, so \"Open Cave Mouth\" was probably recorded directly to a portable cassette recorder one overcast afternoon, for both editions. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eA killer dollar store up the street that sold phone tape loop cassettes ten to thirty seconds long, so there was most likely another boombox recording the soprano sax and spitting it out to\u003cspan class=\"bcTruncateMore\"\u003e the other. \u003cbr\u003eEdition of 9 or 11 because there were 5 fans, and the leftovers were to creep through the mail system to another outlander. I believe this was early Grux material packs, so the short tapes were probably direct from him in SF. \u003cbr\u003e\u003cbr\u003eAnd that’s about all from the memory folder. Glad to say, over two decades later, I still have a soprano (now a nice Beuscher with a cheap, uber-bright metal knock-off MP) within claw distance at all times. While the EQ might be better, it’s still trim and grim. Very excited to have it be horribly reborn on the best label overseas, INPUT ERROR, among such TKO label jam company, and even more excited that the low-tech, low-edition audio of Michigan open space and closed mood dampness will continue for another 20,000,000 years.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eArtist : John Olsen\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003eLabel : Input Error\u003c\/p\u003e"}
You may also like:
1990年代から活動しているアメリカ・デトロイトの実験音楽家John Olsenが、2024年7月にイギリスのノイズレーベルInput ErrorからリリースしたCDです。 友人から譲り受けたチューニングされていないソプラノサックスを中心としたLo-Fiノイズ・ドローン〜インプロ4曲、35分を収録。デジパック仕様です。 CDのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Input Error releases available at Tobira. ...
¥2,190
クイックビュー
{"id":7533835354362,"title":"John Patton \/\/ Soul Connection LP","handle":"john-patton-soul-connection-lp","description":"\u003cp\u003e60年代に活躍したオルガン奏者John Pattonが、1983年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3256529210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJazz Room Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most influential and underground Hammond organists of the 1960's was \"Big\" John Patton as he was then known. If it was the groove that you wanted Patton was your Man and he made several albums for the legendary Blue Note label, many of which went on to sell for eye watering prices. As his style went out of favor, some of the recordings never saw the light of day until almost 20 years later and at the same time Patton slipped into the background. He resurfaced in the 1980s and went into the studio. Among his albums Soul Connection, originally released in 1983 on Nilva Records has now been re-released on what many consider to be the Re-Issue Label of these times; Jazz Room Records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePatton had a strong band with him on this record. Avant Garde trombonist Grachan Moncur III fits in just nicely with some funky lines and solo's. Acid jazz Guitar Hero Melvin Sparks rides in the all important funk grooves but the revelation has to be saxophonist Grant Reed, who you may know from the Jazz Room Release of \"Shamek Farrah \u0026amp; Folks\" and who was a mainstay of the Mongo Santamaria set up. Jazz Exile Alvin Queen has been part of the sound set ups of Junior Mance, Stanley Turrentine and Charles Tolliver, among others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe whole album sounds as if it was laid down in a Rudy Van Gelder session in the mid 60's and then languished in a vault somewhere, waiting until the fan base had returned. That time is now, this is a Funky Organ Groove with a Spiritual Soul Swing!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Patton\u003c\/p\u003e\n\u003cp\u003eLabel : Jazz Room Records\u003c\/p\u003e","published_at":"2022-04-30T08:59:28+09:00","created_at":"2022-02-06T12:25:00+09:00","vendor":"Tobira Records","type":"","tags":["jazz","jazz room records","lp"],"price":308000,"price_min":308000,"price_max":308000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42397921280250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Patton \/\/ Soul Connection LP","public_title":null,"options":["Default Title"],"price":308000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/con1_8557ca8c-23fe-41cf-bba9-77d42d645c48.jpg?v=1644117902"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_8557ca8c-23fe-41cf-bba9-77d42d645c48.jpg?v=1644117902","options":["Title"],"media":[{"alt":null,"id":29112935809274,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_8557ca8c-23fe-41cf-bba9-77d42d645c48.jpg?v=1644117902"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/con1_8557ca8c-23fe-41cf-bba9-77d42d645c48.jpg?v=1644117902","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e60年代に活躍したオルガン奏者John Pattonが、1983年にリリースしたアルバムの再発盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3256529210\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJazz Room Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the most influential and underground Hammond organists of the 1960's was \"Big\" John Patton as he was then known. If it was the groove that you wanted Patton was your Man and he made several albums for the legendary Blue Note label, many of which went on to sell for eye watering prices. As his style went out of favor, some of the recordings never saw the light of day until almost 20 years later and at the same time Patton slipped into the background. He resurfaced in the 1980s and went into the studio. Among his albums Soul Connection, originally released in 1983 on Nilva Records has now been re-released on what many consider to be the Re-Issue Label of these times; Jazz Room Records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ePatton had a strong band with him on this record. Avant Garde trombonist Grachan Moncur III fits in just nicely with some funky lines and solo's. Acid jazz Guitar Hero Melvin Sparks rides in the all important funk grooves but the revelation has to be saxophonist Grant Reed, who you may know from the Jazz Room Release of \"Shamek Farrah \u0026amp; Folks\" and who was a mainstay of the Mongo Santamaria set up. Jazz Exile Alvin Queen has been part of the sound set ups of Junior Mance, Stanley Turrentine and Charles Tolliver, among others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe whole album sounds as if it was laid down in a Rudy Van Gelder session in the mid 60's and then languished in a vault somewhere, waiting until the fan base had returned. That time is now, this is a Funky Organ Groove with a Spiritual Soul Swing!\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Patton\u003c\/p\u003e\n\u003cp\u003eLabel : Jazz Room Records\u003c\/p\u003e"}
You may also like:
60年代に活躍したオルガン奏者John Pattonが、1983年にリリースしたアルバムの再発盤です。 ----------------------------- Jazz Room Records: "One of the most influential and underground Hammond...
Sold Out
クイックビュー
{"id":8005754192122,"title":"John Paul Bohon \/\/ Scheele's Green TAPE","handle":"john-paul-bohon-scheeles-green-tape","description":"\u003cp\u003eアメリカ・NYのアンビエント作家John Paul Bohon が、2023年5月に同国テキサスのアンビエントレーベルAural Canyonからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eミニマルなポストニューエイジ・アンビエントドローン7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1778755738\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003ehere\u003c\/a\u003e to see more Aural Canyon releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. Cassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLaurie 07:43\u003c\/li\u003e\n\u003cli\u003eSaviors 06:09\u003c\/li\u003e\n\u003cli\u003eMMM (Mononymous) 05:53\u003c\/li\u003e\n\u003cli\u003eStanding Waves 08:18\u003c\/li\u003e\n\u003cli\u003eHarissa 05:51\u003c\/li\u003e\n\u003cli\u003eLE$$ 06:06\u003c\/li\u003e\n\u003cli\u003eARK 03:19\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eChad Van Wagner via Aural Canyon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"All genres have their dangers. Electronic music makes it easy to be too precise or bloodless, and it’s no coincidence that many of its earliest pioneers embraced the element of chance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJohn Paul Bohon builds his music from layers of chance. What starts as a blur of raw sounds and ideas is refined over time, often several months, to create brilliantly structured capsules of atmosphere and mood: all told, it took three years to develop these seven tracks.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBohon’s debut album, Scheele’s Green, is ambient music—but with a clear sense of purpose and direction. Each song is long enough to establish its own world, yet succinct enough that it never wears out its welcome. No one track lets you know what you’re in for next. Scheele’s Green is music to fall into, but it’s not a passive listening experience. This is an album in the classic sense of the world. It starts somewhere specific and takes you on a journey.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : John Paul Bohon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Aural Canyon\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-08-19T18:13:27+09:00","created_at":"2023-08-16T15:59:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","aural canyon","post newage","tape"],"price":269400,"price_min":269400,"price_max":269400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44469866201338,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Paul Bohon \/\/ Scheele's Green TAPE","public_title":null,"options":["Default Title"],"price":269400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_8f938c86-b2ba-4a87-8b25-f5c603a58df0.jpg?v=1692169152","\/\/tobirarecords.com\/cdn\/shop\/files\/gre2.jpg?v=1692169152"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_8f938c86-b2ba-4a87-8b25-f5c603a58df0.jpg?v=1692169152","options":["Title"],"media":[{"alt":null,"id":32331755192570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_8f938c86-b2ba-4a87-8b25-f5c603a58df0.jpg?v=1692169152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre1_8f938c86-b2ba-4a87-8b25-f5c603a58df0.jpg?v=1692169152","width":700},{"alt":null,"id":32331755225338,"position":2,"preview_image":{"aspect_ratio":0.753,"height":1200,"width":904,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre2.jpg?v=1692169152"},"aspect_ratio":0.753,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gre2.jpg?v=1692169152","width":904}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのアンビエント作家John Paul Bohon が、2023年5月に同国テキサスのアンビエントレーベルAural Canyonからリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eミニマルなポストニューエイジ・アンビエントドローン7曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1778755738\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003ehere\u003c\/a\u003e to see more Aural Canyon releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code. Cassette in norelco case. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eLaurie 07:43\u003c\/li\u003e\n\u003cli\u003eSaviors 06:09\u003c\/li\u003e\n\u003cli\u003eMMM (Mononymous) 05:53\u003c\/li\u003e\n\u003cli\u003eStanding Waves 08:18\u003c\/li\u003e\n\u003cli\u003eHarissa 05:51\u003c\/li\u003e\n\u003cli\u003eLE$$ 06:06\u003c\/li\u003e\n\u003cli\u003eARK 03:19\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003eChad Van Wagner via Aural Canyon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"All genres have their dangers. Electronic music makes it easy to be too precise or bloodless, and it’s no coincidence that many of its earliest pioneers embraced the element of chance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJohn Paul Bohon builds his music from layers of chance. What starts as a blur of raw sounds and ideas is refined over time, often several months, to create brilliantly structured capsules of atmosphere and mood: all told, it took three years to develop these seven tracks.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBohon’s debut album, Scheele’s Green, is ambient music—but with a clear sense of purpose and direction. Each song is long enough to establish its own world, yet succinct enough that it never wears out its welcome. No one track lets you know what you’re in for next. Scheele’s Green is music to fall into, but it’s not a passive listening experience. This is an album in the classic sense of the world. It starts somewhere specific and takes you on a journey.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : John Paul Bohon\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Aural Canyon\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
アメリカ・NYのアンビエント作家John Paul Bohon が、2023年5月に同国テキサスのアンビエントレーベルAural Canyonからリリースしたデビューカセットです。 ミニマルなポストニューエイジ・アンビエントドローン7曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Aural Canyon releases available at...
¥2,694
クイックビュー
{"id":9394142839034,"title":"John Reed \u0026 The Automatics \/\/ Funky Driver b\/w Jungle 7inch","handle":"john-reed-the-automatics-funky-driver-b-w-jungle-7inch","description":"\u003cp\u003e\u003cspan\u003eドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年7月にアメリカのジャズレーベルFunk Night Recordsからリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ・ファンク2曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EgP8VSi7uBU?si=YUC0zgQBoW-VW8l4\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vN8V6sI3e7w?si=-EnO8T8_GF_34-Hg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA Funky Driver \u003cbr\u003eB Jungle\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Reed \u0026amp; The Automatics\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : FNR-233\u003c\/p\u003e\n\u003cp\u003eRelease date : July 2026\u003c\/p\u003e","published_at":"2026-09-02T06:29:38+09:00","created_at":"2026-08-31T10:45:39+09:00","vendor":"Tobira Records","type":"","tags":["funk night","hiphop \/ funk","lp","new"],"price":288000,"price_min":288000,"price_max":288000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50200554635514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Reed \u0026 The Automatics \/\/ Funky Driver b\/w Jungle 7inch","public_title":null,"options":["Default Title"],"price":288000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/funk1_fc9e8924-0506-47fc-8327-79da6967515b.jpg?v=1788140651","\/\/tobirarecords.com\/cdn\/shop\/files\/funk2_55fa91bf-0dbd-48ef-b802-82cd61b2a7d0.jpg?v=1788140651"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/funk1_fc9e8924-0506-47fc-8327-79da6967515b.jpg?v=1788140651","options":["Title"],"media":[{"alt":null,"id":40811081695482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/funk1_fc9e8924-0506-47fc-8327-79da6967515b.jpg?v=1788140651"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/funk1_fc9e8924-0506-47fc-8327-79da6967515b.jpg?v=1788140651","width":599},{"alt":null,"id":40811081728250,"position":2,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/funk2_55fa91bf-0dbd-48ef-b802-82cd61b2a7d0.jpg?v=1788140651"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/funk2_55fa91bf-0dbd-48ef-b802-82cd61b2a7d0.jpg?v=1788140651","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年7月にアメリカのジャズレーベルFunk Night Recordsからリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ・ファンク2曲を収録。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/EgP8VSi7uBU?si=YUC0zgQBoW-VW8l4\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/vN8V6sI3e7w?si=-EnO8T8_GF_34-Hg\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA Funky Driver \u003cbr\u003eB Jungle\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Reed \u0026amp; The Automatics\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : FNR-233\u003c\/p\u003e\n\u003cp\u003eRelease date : July 2026\u003c\/p\u003e"}
You may also like:
ドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年7月にアメリカのジャズレーベルFunk Night Recordsからリリースした7"です。 ジャズ・ファンク2曲を収録。 レーベルその他作品はこちら /// Click here to see more Funk Night releases...
Sold Out
クイックビュー
{"id":9394147524858,"title":"John Reed \u0026 The Automatics \/\/ Hardbeat b\/w Psychout Lockdown 7inch","handle":"john-reed-the-automatics-hardbeat-b-w-psychout-lockdown-7inch","description":"\u003cp\u003e\u003cspan\u003eドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年8月にアメリカのジャズレーベルFunk Night Recordsからリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ・ファンク〜マフィア・ラウンジ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wpGaN4QqZNA?si=dlCuxanIbgP_4-WA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/upduJNl0mJ8?si=oikPYGaLgDI7lQoq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA Hardbeat \u003cbr\u003eB Psychout Lockdown\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Reed \u0026amp; The Automatics\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : FNR-272\u003c\/p\u003e\n\u003cp\u003eRelease date : August 2026\u003c\/p\u003e","published_at":"2026-09-02T06:42:41+09:00","created_at":"2026-08-31T11:05:14+09:00","vendor":"Tobira Records","type":"","tags":["funk night","hiphop \/ funk","jazz","lp","new"],"price":288000,"price_min":288000,"price_max":288000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50200602968314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Reed \u0026 The Automatics \/\/ Hardbeat b\/w Psychout Lockdown 7inch","public_title":null,"options":["Default Title"],"price":288000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_49688ac2-8f2e-4475-ba3a-762a727525c7.jpg?v=1788141848","\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_dfc6bf83-2402-4265-aae7-ef94502f6083.jpg?v=1788141848"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_49688ac2-8f2e-4475-ba3a-762a727525c7.jpg?v=1788141848","options":["Title"],"media":[{"alt":null,"id":40811128520954,"position":1,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_49688ac2-8f2e-4475-ba3a-762a727525c7.jpg?v=1788141848"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon1_49688ac2-8f2e-4475-ba3a-762a727525c7.jpg?v=1788141848","width":600},{"alt":null,"id":40811128553722,"position":2,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_dfc6bf83-2402-4265-aae7-ef94502f6083.jpg?v=1788141848"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_dfc6bf83-2402-4265-aae7-ef94502f6083.jpg?v=1788141848","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年8月にアメリカのジャズレーベルFunk Night Recordsからリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ・ファンク〜マフィア・ラウンジ2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wpGaN4QqZNA?si=dlCuxanIbgP_4-WA\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/upduJNl0mJ8?si=oikPYGaLgDI7lQoq\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA Hardbeat \u003cbr\u003eB Psychout Lockdown\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Reed \u0026amp; The Automatics\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : FNR-272\u003c\/p\u003e\n\u003cp\u003eRelease date : August 2026\u003c\/p\u003e"}
You may also like:
ドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年8月にアメリカのジャズレーベルFunk Night Recordsからリリースした7"です。 ジャズ・ファンク〜マフィア・ラウンジ2曲を収録。 レーベルその他作品はこちら /// Click here to see more Funk Night releases...
¥2,880
クイックビュー
{"id":9394147754234,"title":"John Reed \u0026 The Automatics \/\/ Knight Rost b\/w The Glim 7inch","handle":"john-reed-the-automatics-knight-rost-b-w-the-glim-7inch","description":"\u003cp\u003e\u003cspan\u003eドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年8月にアメリカのジャズレーベルFunk Night Recordsからリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ・ファンク2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/R3G131xm9Og?si=ufIzccWfnkLc0HDG\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T13CqgGEdFY?si=dziN3ySsS7nyx7ap\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA Knight Rost \u003cbr\u003eB The Glim\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Reed \u0026amp; The Automatics\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : FNR-273\u003c\/p\u003e\n\u003cp\u003eRelease date : August 2026\u003c\/p\u003e","published_at":"2026-09-02T06:43:16+09:00","created_at":"2026-08-31T11:08:19+09:00","vendor":"Tobira Records","type":"","tags":["funk night","hiphop \/ funk","jazz","lp","new"],"price":288000,"price_min":288000,"price_max":288000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50200609128698,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Reed \u0026 The Automatics \/\/ Knight Rost b\/w The Glim 7inch","public_title":null,"options":["Default Title"],"price":288000,"weight":230,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kni1.jpg?v=1788142020","\/\/tobirarecords.com\/cdn\/shop\/files\/kni2.jpg?v=1788142021"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kni1.jpg?v=1788142020","options":["Title"],"media":[{"alt":null,"id":40811133501690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kni1.jpg?v=1788142020"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kni1.jpg?v=1788142020","width":599},{"alt":null,"id":40811133534458,"position":2,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kni2.jpg?v=1788142021"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kni2.jpg?v=1788142021","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年8月にアメリカのジャズレーベルFunk Night Recordsからリリースした7\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eジャズ・ファンク2曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/R3G131xm9Og?si=ufIzccWfnkLc0HDG\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/T13CqgGEdFY?si=dziN3ySsS7nyx7ap\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/unjenesaisquoi\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/funi\"\u003ehere\u003c\/a\u003e to see more Funk Night releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e7\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003eA Knight Rost \u003cbr\u003eB The Glim\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : John Reed \u0026amp; The Automatics\u003c\/p\u003e\n\u003cp\u003eLabel : Funk Night\u003c\/p\u003e\n\u003cp\u003ecat no : FNR-273\u003c\/p\u003e\n\u003cp\u003eRelease date : August 2026\u003c\/p\u003e"}
You may also like:
ドイツのマルチ奏者John Reed率いるThe Automaticsが、2026年8月にアメリカのジャズレーベルFunk Night Recordsからリリースした7"です。 ジャズ・ファンク2曲を収録。 レーベルその他作品はこちら /// Click here to see more Funk Night releases...
¥2,880
クイックビュー
{"id":7534156906746,"title":"John Sellekaers \/\/ Folium TAPE","handle":"john-sellekaers-folium-tape","description":"\u003cp\u003eメキシコの実験ダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eoreille gardée諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、カナダの音響作家John Sellekaersが、2021年11月にリリースしたカセットです。フィールドレコーディングを加工した物音ドローン6曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2910753712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oreillegardee\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oreillegardee\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eoreille gardée releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRisograph print, Orange tape, white case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eoreille gardée:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJohn Sellekaers repeats the effort of Residual Broadcast with two delicate and fascinating tapes sides of field-recording. He has an inexplicable ability to transform environmental sound as weightless music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe leaf referred to the title, gives a direction to the listener of towards a sound exploration of nature and elements, following natural grooves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhere between BJ Nilsen enveloping field-recording and Autechre\/Hafler Trio intense collaboration, this album is a blissful, evocative, thought-enfolding listening.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Sellekaers\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eoreille gardée\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-02-11T14:00:43+09:00","created_at":"2022-02-07T10:37:42+09:00","vendor":"Tobira Records","type":"","tags":["drone","monooto","oreille gardee","tape"],"price":132000,"price_min":132000,"price_max":132000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42399258673402,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Sellekaers \/\/ Folium TAPE","public_title":null,"options":["Default Title"],"price":132000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_7470c013-befe-420f-86c8-f3f4a50301e2.jpg?v=1644197864","\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_7d68ad64-d850-403d-9713-c0b4c547ea63.jpg?v=1644197866"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_7470c013-befe-420f-86c8-f3f4a50301e2.jpg?v=1644197864","options":["Title"],"media":[{"alt":null,"id":29115658993914,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_7470c013-befe-420f-86c8-f3f4a50301e2.jpg?v=1644197864"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo1_7470c013-befe-420f-86c8-f3f4a50301e2.jpg?v=1644197864","width":700},{"alt":null,"id":29115659026682,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_7d68ad64-d850-403d-9713-c0b4c547ea63.jpg?v=1644197866"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fo2_7d68ad64-d850-403d-9713-c0b4c547ea63.jpg?v=1644197866","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコの実験ダンスレーベル\u003cspan data-mce-fragment=\"1\"\u003eoreille gardée諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、カナダの音響作家John Sellekaersが、2021年11月にリリースしたカセットです。フィールドレコーディングを加工した物音ドローン6曲を収録。DLコード付属。\u003c\/span\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2910753712\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/oreillegardee\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/oreillegardee\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eoreille gardée releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRisograph print, Orange tape, white case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eoreille gardée:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eJohn Sellekaers repeats the effort of Residual Broadcast with two delicate and fascinating tapes sides of field-recording. He has an inexplicable ability to transform environmental sound as weightless music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe leaf referred to the title, gives a direction to the listener of towards a sound exploration of nature and elements, following natural grooves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSomewhere between BJ Nilsen enveloping field-recording and Autechre\/Hafler Trio intense collaboration, this album is a blissful, evocative, thought-enfolding listening.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Sellekaers\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eoreille gardée\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
メキシコの実験ダンスレーベルoreille gardée諸作を入荷しました。 本作は、カナダの音響作家John Sellekaersが、2021年11月にリリースしたカセットです。フィールドレコーディングを加工した物音ドローン6曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more oreille gardée releases available at Tobira. ...
Sold Out
クイックビュー
{"id":6845083025573,"title":"John Taylor \/\/ Pause, And Think Again LP","handle":"john-taylor-pause-and-think-again-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eイギリス・マンチェスターのジャズピアノスト\u003c\/span\u003e\u003cspan\u003eJohn Taylorが1971年にリリースしたデビューアルバムの再発レコード。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hFIxN2NAFS0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOriginally released in 1971 this is pianist John Taylor’s debut album. \"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eA great example of the fine art of British Jazz in its marvelous original gatefold cover. A precious object from an unrepeatable era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Taylor\u003c\/p\u003e\n\u003cp\u003eLabel : Eargong Records\u003c\/p\u003e","published_at":"2021-06-18T17:57:23+09:00","created_at":"2021-06-17T18:18:15+09:00","vendor":"Tobira Records","type":"","tags":["eargong records","jazz","lp"],"price":285000,"price_min":285000,"price_max":285000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40168261386405,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Taylor \/\/ Pause, And Think Again LP","public_title":null,"options":["Default Title"],"price":285000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_873359db-6e83-404d-8f17-5bcb2af9d582.jpg?v=1623921497","\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f14723ec-b8c1-413d-a810-ba13e411f44f.jpg?v=1623921497"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_873359db-6e83-404d-8f17-5bcb2af9d582.jpg?v=1623921497","options":["Title"],"media":[{"alt":null,"id":22608689856677,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_873359db-6e83-404d-8f17-5bcb2af9d582.jpg?v=1623921497"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa1_873359db-6e83-404d-8f17-5bcb2af9d582.jpg?v=1623921497","width":700},{"alt":null,"id":22608689889445,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f14723ec-b8c1-413d-a810-ba13e411f44f.jpg?v=1623921497"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pa2_f14723ec-b8c1-413d-a810-ba13e411f44f.jpg?v=1623921497","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eイギリス・マンチェスターのジャズピアノスト\u003c\/span\u003e\u003cspan\u003eJohn Taylorが1971年にリリースしたデビューアルバムの再発レコード。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hFIxN2NAFS0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOriginally released in 1971 this is pianist John Taylor’s debut album. \"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eA great example of the fine art of British Jazz in its marvelous original gatefold cover. A precious object from an unrepeatable era.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Taylor\u003c\/p\u003e\n\u003cp\u003eLabel : Eargong Records\u003c\/p\u003e"}
You may also like:
イギリス・マンチェスターのジャズピアノストJohn Taylorが1971年にリリースしたデビューアルバムの再発レコード。 Originally released in 1971 this is pianist John Taylor’s debut album. "...
Sold Out
クイックビュー
{"id":9186427142394,"title":"John Tchicai Quintet \/ Tchicai Kowald Duo \/\/ I.C.P. \/ Jutto-Ku Kyoto LP","handle":"john-tchicai-quintet-tchicai-kowald-duo-i-c-p-jutto-ku-kyoto-lp","description":"\u003cp\u003eデンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドJohn Tchicai QuintetとTchicai Kowald Duoが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1968年に1983年に行ったライブ録音5曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e1969年9月下旬から10月上旬にかけて、John Tchicaiは特別なクインテットを率いてデンマーク各地をツアーした。この国際色豊かなバンドは注目に値するもので、デンマークとオランダ出身のミュージシャンが集結しており、彼らの持つ音楽的価値観の共通点と同様に、その概念的な相違点もまた重要な要素となっていた。John Tchicaiと、彼と最も親密な関係にあった2人のデンマーク人共演者——トランペット奏者のヒュー・スタインメッツとギタリストのピエール・ドージェ——は、アフリカ音楽、現代クラシック、ジャズといった広範な影響を取り入れつつ、クールでありながら遊び心と喜びに満ちた現代性を体現する国際的な視点を掲げていた。このクインテットでは、オランダの「インスタント・コンポーザーズ・プール」の二大巨頭であるピアニストのミーシャ・メンゲルベルクとハン・ベニンクと共演した。皮肉と反逆の精神に満ちた彼らは、あらゆる既成概念を打ち破ろうとする意欲、いや、むしろ熱意さえも示していた。John Tchicai同様、彼らもまたジャズとクラシックの伝統を熟知していたが、その基盤を爆破し、瓦礫の中から何が現れるかを見ることを楽しんでいた。秩序と混沌、皮肉と誠実、連続性と断絶の間のダイナミックな緊張は、彼らの音楽に計り知れない不確実性と曖昧さを生み出し、彼らは皆、それを楽しんでいるようだった。1969年10月9日、コペンハーゲンのデンマーク放送スタジオ11で録音されたこのLPに収録されている音楽は、直前に終了したツアーで演奏された楽曲に加え、グループによる即興演奏で構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Tchicaiのマントラのような「Babaji Smiles」において、メンゲルバーグは、独特でぎこちない躊躇や不協和音を用いて、テーマを形作り、再構築していく。残りのメンバーは、チベットの角笛やモロッコのトランペット、その他様々な楽器を奏で、一見無関係に見える音のタペストリーを紡ぎ出す。それは、まるで霧笛同士が対決するかのように互いに呼び合うホーンの音、昆虫のようなブーンという音や口笛、そしてランダムなガタガタという音で織り上げられている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eグループ即興演奏「No Enthusiasm」は、バンド内の創造的な緊張感が、いかにして驚きと必然性を併せ持つ音楽へと融合し得るかを示す、魅力的な一例である。Tchicaiは、穏やかで直線的なフレーズ作りの砦であり、強烈な集中力を備えたヨギだ。ベニンクは、狂乱的なカチカチと響くスティックワークや、激しく打ち鳴らされるシンバル、雷鳴のようなバスドラムの爆発を挟み込み、道化のような存在であり、わがままな子供に扮した音楽の天才だ。メンゲルバーグは多くの役割を演じ、常にいたずら心とユーモアを帯びている。彼の安定したコードがビートを定義し、きらめくようなランがバンドメンバーのフレーズを彩り、密度の高い音の塊が前進する流れを遮る。ドージェは楽器の間を滑るように駆け巡り、緊張感あふれるバックグラウンドの擦音から花火のような音の爆発まで、すべてを結びつける音を生み出す。ステインメッツは、その磨き抜かれた音色で、Tchicaiと同様に熟考を重ねたメロディストであることを証明しているが、常に独自の声で表現している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eメンゲルバーグの反逆的な奇想天外な曲「Is Is Is a Question」は、極めて不安定なテンポと絶えず戦わなければならないワルツだ。その効果は滑稽であると同時に哀愁を帯びている。しかし、この曲は統一感へと融合することを拒む、いくつかの異質な要素の一つに過ぎない。とはいえ、その断絶や倒錯は、なぜか聴く者を満足させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Broken T」の大半でTchicaiはソロ演奏を披露し、音色、旋律のテーマと変奏、そして音符の配置に対する彼の卓越した操りぶりを示している。しかし、このバンドは不連続性と断絶を糧としていたため、必然的にベニンクが華々しい登場を果たし、最後の数分間を騒々しいグループ即興へと導いていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eもちろん、Tchicaiの国際的なコラボレーションは隣国オランダにとどまらなかった。彼は極めて国際的なミュージシャンであり、アメリカ、アジア、アフリカ、ヨーロッパのミュージシャンたちと共演し、レコーディングを行っていた。意外に思われるかもしれないが、彼の最も意気投合したヨーロッパのパートナーの一人は、ドイツのベーシスト、ペーター・コヴァルトであった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicaiは、ドイツの即興シーンと確かに音楽的な親和性を共有していた。コヴァルトや、ピーター・ブロッツマン、アレクサンダー・フォン・シュリッペンバッハといった同胞たちが、フリー・ジャズ、とりわけアルバート・アイラーのカタルシス的なエネルギーと集団即興からインスピレーションを得ていたのと同様に。もちろん、Tchicaiはアイラーと共演し、1964年には彼と共に画期的なアルバム『ニューヨーク・アイ・アンド・イヤー・コントロール』を録音している。したがって、彼はドイツの即興シーンに多大な影響を与えた人物への直接的な架け橋であった。ジョン・コルトレーンの『アセンション』への参加も、ハード・ブロウイングを信条とするドイツ人ミュージシャンたちからの尊敬を勝ち得る要因となったはずだ。Tchicaiとコヴァルトは、異文化の音やフリー・インプロヴィゼーションに対する相互の開放性によって非常に相性が良かったため、彼らの共演が記録されたのが本作のみであるというのは、ある種の衝撃である。1983年、この二人の即興演奏家は日本を訪れ、このLPのB面に収録されている驚異的なデュオを録音した。京都での彼らの即興演奏は、驚くほど創意に富んだ対話であり、「ワールド・ミュージック」とは程遠い即興の形態だ。新たな音響的質感が彼らの音楽的語彙を広げ、新たなアイデアを生み出すことを可能にした。こうした資質こそが、Tchicaiをこれほど多様な環境で花開かせたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e25分間にわたるデュオの即興演奏は、広々としていながらも容赦なく、サックスとフルートが弓奏と撥奏のベースと対峙する。互いに深く共鳴し合い、相手の動きが起きる前に予見しているかのような二人のミュージシャン。魅惑的で、圧倒的であり、そして悲劇的なことに、これが彼らの唯一の録音された共演である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen \/ Formalibera releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith photos from the John Tchicai \u003c\/span\u003e\u003cspan\u003eQuintet sessions with portraits of Tchicai, Bennink, Mengelberg, \u003c\/span\u003e\u003cspan\u003eSteinmetz and Dørge, plus liner notes by Ed Hazell.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI. C. P.:\u003cbr\u003eA1. John Tchicai Quintet, I.C.P. - Babaji Smiles 2:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. John Tchicai Quintet, I.C.P. - No Enthusiasm 9:03\u003cbr\u003e\u003c\/span\u003eA3. John Tchicai Quintet, I.C.P. - Is Is Is A Question 10:12\u003cbr\u003eA4. John Tchicai Quintet, I.C.P. - Broken T 6:03\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eJutto-Ku, Kyoto:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eB. John Tchicai - Peter Kowald Duo - Jutto-Ku, Kyoto 24:55\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn late September and early October 1969, John Tchicai toured \u003c\/em\u003e\u003cem\u003ethroughout Denmark with a special quintet. The international band was \u003c\/em\u003e\u003cem\u003ea notable one, bringing together musicians from Denmark and Holland \u003c\/em\u003e\u003cem\u003ewhose conceptual differences were as important as the musical values \u003c\/em\u003e\u003cem\u003ethey held in common. Tchicai and two of his closest Danish \u003c\/em\u003e\u003cem\u003ecollaborators—trumpeter Hugh Steinmetz and guitarist Pierre \u003c\/em\u003e\u003cem\u003eDørge—embraced an international perspective that incorporated far \u003c\/em\u003e\u003cem\u003eflung influences from African music, contemporary classical, and jazz \u003c\/em\u003e\u003cem\u003einto a cool, yet playful and joyous, modernity. In this quintet they \u003c\/em\u003e\u003cem\u003eworked with two pillars of the Dutch Instant Composer’s Pool, pianist \u003c\/em\u003e\u003cem\u003eMisha Mengelberg and Han Bennink. Ironic and subversive, they \u003c\/em\u003e\u003cem\u003edisplayed a willingness, you might even say an eagerness, to disrupt \u003c\/em\u003e\u003cem\u003eaccepted conventions of any kind. Like Tchicai, they, too, knew their \u003c\/em\u003e\u003cem\u003ejazz and classical heritage, but they enjoyed dynamiting the \u003c\/em\u003e\u003cem\u003efoundations to see what might emerge from the rubble. The dynamic \u003c\/em\u003e\u003cem\u003etension between order and chaos, between irony and sincerity, between \u003c\/em\u003e\u003cem\u003econtinuity and disruption created enormous unpredictability and \u003c\/em\u003e\u003cem\u003eambiguity in their music, which they all seemed to enjoy. The music on \u003c\/em\u003e\u003cem\u003ethis LP, recorded on October 9, 1969, at Danish Radio Studio 11 in \u003c\/em\u003e\u003cem\u003eCopenhagen, consists of compositions they’d played on the recently \u003c\/em\u003e\u003cem\u003econcluded tour plus a group improvisation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Tchicai’s mantra-like “Babaji Smiles,” Mengelberg shapes and \u003c\/em\u003e\u003cem\u003ereshapes the theme using idiosyncratic, awkward hesitations and \u003c\/em\u003e\u003cem\u003edissonant harmonies. The remainder of the band, playing Tibetan horn, \u003c\/em\u003e\u003cem\u003eMoroccan trumpet, and assorted other instruments create a seemingly \u003c\/em\u003e\u003cem\u003eunrelated tapestry of sound, woven of horns calling to each other like \u003c\/em\u003e\u003cem\u003edueling fog horns, insectivorous buzzing and whistles, and random \u003c\/em\u003e\u003cem\u003eclattering.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe group improvisation “No Enthusiasm” is a fascinating example \u003c\/em\u003e\u003cem\u003eof how the creative tensions within the band could coalesce into music \u003c\/em\u003e\u003cem\u003ethat is both surprising and inevitable. Tchicai is a bastion of calm \u003c\/em\u003e\u003cem\u003elinear phrasing, a yogi of intensity and focus. Bennink, interjecting \u003c\/em\u003e\u003cem\u003efrantic, clickety-clack stick work and outbursts of thrashing cymbals \u003c\/em\u003e\u003cem\u003eand thundering bass drum, is an antic presence, a musical genius \u003c\/em\u003e\u003cem\u003edisguised as a willful child. Mengelberg plays many roles, always with \u003c\/em\u003e\u003cem\u003ea sense of mischief and humor. His steady chords define a beat, \u003c\/em\u003e\u003cem\u003esparkling runs embellish a bandmember’s phrasing, and dense note \u003c\/em\u003e\u003cem\u003eclusters interrupt forward movement. Dørge slips and skitters among \u003c\/em\u003e\u003cem\u003ethe instruments, making sounds that hold everything together, from \u003c\/em\u003e\u003cem\u003etense background scraping to fireworks bursts of sound. Steinmetz, \u003c\/em\u003e\u003cem\u003ewith his burnished tone, proves himself to be a deliberate melodicist \u003c\/em\u003e\u003cem\u003elike Tchicai, although always in his own unique voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Mengelberg’s subversive bit of whimsey, “Is Is Is a Question,” is \u003c\/em\u003e\u003cem\u003ea waltz that has to keep fighting against a highly unreliable tempo. \u003c\/em\u003e\u003cem\u003eThe effect is both funny and melancholy. But the tune is just one of \u003c\/em\u003e\u003cem\u003eseveral disparate parts that defy coalescing into a unity, although \u003c\/em\u003e\u003cem\u003eits disconnections and perversities somehow satisfy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicai performs alone for most of “Broken T,” showcasing his \u003c\/em\u003e\u003cem\u003emasterful manipulation of timbre, melodic theme and variation, and \u003c\/em\u003e\u003cem\u003enote placement. But this was a band that thrived on discontinuity and \u003c\/em\u003e\u003cem\u003edislocation, so inevitably Bennink makes one of his grand entrances \u003c\/em\u003e\u003cem\u003eand ushers in a clamorous group improvisation for the final minutes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOf course, Tchicai’s international collaborations extended beyond \u003c\/em\u003e\u003cem\u003eneighboring Holland. He was a most cosmopolitan musician, performing \u003c\/em\u003e\u003cem\u003eand recording with musicians in the U.S., Asia, Africa, and Europe. \u003c\/em\u003e\u003cem\u003ePerhaps surprisingly, one of his most sympathetic European partners \u003c\/em\u003e\u003cem\u003ewas German bassist Peter Kowald.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTchicai’s did share some musical affinities with the German \u003c\/em\u003e\u003cem\u003eimprovising scene. As Kowald and his compatriots, such as Peter \u003c\/em\u003e\u003cem\u003eBrötzmann and Alexander von Schlippenbach, took inspiration from the \u003c\/em\u003e\u003cem\u003ecathartic energy and the collective improvisation of free jazz, \u003c\/em\u003e\u003cem\u003eespecially Albert Ayler. Tchicai, of course, had played with Ayler and r\u003c\/em\u003e\u003cem\u003eecorded the landmark “New York Eye and Ear Control” with him in 1964. \u003c\/em\u003e\u003cem\u003eThus he was a direct link to one of the largest influences on the \u003c\/em\u003e\u003cem\u003eGerman improv scene. His appearance on John Coltrane’s “Ascension”, \u003c\/em\u003e\u003cem\u003ewould have also earned him respect among the hard-blowing Germans. \u003c\/em\u003e\u003cem\u003eTchicai and Kowald mutual openness to the sounds of other cultures and \u003c\/em\u003e\u003cem\u003efree improvisation made them quite compatible, so it’s something of a \u003c\/em\u003e\u003cem\u003eshock that this is the only documentation of their work together. The \u003c\/em\u003e\u003cem\u003etwo improvisors found themselves in Japan in 1983, when they recorded \u003c\/em\u003e\u003cem\u003ethe astonishing duet contained on the second side of this LP. Their \u003c\/em\u003e\u003cem\u003eimprovisation in Kyoto is an amazingly resourceful conversation a kind \u003c\/em\u003e\u003cem\u003eof improvisation which remains far from “world music,” and with new \u003c\/em\u003e\u003cem\u003etextures expanding their musical vocabularies and allowing them to \u003c\/em\u003e\u003cem\u003edevelop new ideas; qualities that allowed Tchicai to flourish in so \u003c\/em\u003e\u003cem\u003emany different settings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwenty-fice minutes of duo improvisation, spacious yet relentless, \u003c\/em\u003e\u003cem\u003esaxophone and flute against bowed and plucked bass, two musicians so \u003c\/em\u003e\u003cem\u003edeeply attuned to each other they seem to anticipate every move before \u003c\/em\u003e\u003cem\u003eit happens. Engrossing, mind-blowing and tragically their only \u003c\/em\u003e\u003cem\u003erecorded encounter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai Quintet \/ Tchicai Kowald Duo \u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e5FFJT185\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-14T14:12:40+09:00","created_at":"2026-04-12T12:24:45+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new","recommended"],"price":518000,"price_min":518000,"price_max":518000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48647474774266,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tchicai Quintet \/ Tchicai Kowald Duo \/\/ I.C.P. \/ Jutto-Ku Kyoto LP","public_title":null,"options":["Default Title"],"price":518000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.16.54pm.png?v=1775963847","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.17.11pm.png?v=1775963847"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.16.54pm.png?v=1775963847","options":["Title"],"media":[{"alt":null,"id":39024082518266,"position":1,"preview_image":{"aspect_ratio":1.002,"height":599,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.16.54pm.png?v=1775963847"},"aspect_ratio":1.002,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.16.54pm.png?v=1775963847","width":600},{"alt":null,"id":39024082551034,"position":2,"preview_image":{"aspect_ratio":1.0,"height":699,"width":699,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.17.11pm.png?v=1775963847"},"aspect_ratio":1.0,"height":699,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-12at12.17.11pm.png?v=1775963847","width":699}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドJohn Tchicai QuintetとTchicai Kowald Duoが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1968年に1983年に行ったライブ録音5曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e1969年9月下旬から10月上旬にかけて、John Tchicaiは特別なクインテットを率いてデンマーク各地をツアーした。この国際色豊かなバンドは注目に値するもので、デンマークとオランダ出身のミュージシャンが集結しており、彼らの持つ音楽的価値観の共通点と同様に、その概念的な相違点もまた重要な要素となっていた。John Tchicaiと、彼と最も親密な関係にあった2人のデンマーク人共演者——トランペット奏者のヒュー・スタインメッツとギタリストのピエール・ドージェ——は、アフリカ音楽、現代クラシック、ジャズといった広範な影響を取り入れつつ、クールでありながら遊び心と喜びに満ちた現代性を体現する国際的な視点を掲げていた。このクインテットでは、オランダの「インスタント・コンポーザーズ・プール」の二大巨頭であるピアニストのミーシャ・メンゲルベルクとハン・ベニンクと共演した。皮肉と反逆の精神に満ちた彼らは、あらゆる既成概念を打ち破ろうとする意欲、いや、むしろ熱意さえも示していた。John Tchicai同様、彼らもまたジャズとクラシックの伝統を熟知していたが、その基盤を爆破し、瓦礫の中から何が現れるかを見ることを楽しんでいた。秩序と混沌、皮肉と誠実、連続性と断絶の間のダイナミックな緊張は、彼らの音楽に計り知れない不確実性と曖昧さを生み出し、彼らは皆、それを楽しんでいるようだった。1969年10月9日、コペンハーゲンのデンマーク放送スタジオ11で録音されたこのLPに収録されている音楽は、直前に終了したツアーで演奏された楽曲に加え、グループによる即興演奏で構成されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eJohn Tchicaiのマントラのような「Babaji Smiles」において、メンゲルバーグは、独特でぎこちない躊躇や不協和音を用いて、テーマを形作り、再構築していく。残りのメンバーは、チベットの角笛やモロッコのトランペット、その他様々な楽器を奏で、一見無関係に見える音のタペストリーを紡ぎ出す。それは、まるで霧笛同士が対決するかのように互いに呼び合うホーンの音、昆虫のようなブーンという音や口笛、そしてランダムなガタガタという音で織り上げられている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eグループ即興演奏「No Enthusiasm」は、バンド内の創造的な緊張感が、いかにして驚きと必然性を併せ持つ音楽へと融合し得るかを示す、魅力的な一例である。Tchicaiは、穏やかで直線的なフレーズ作りの砦であり、強烈な集中力を備えたヨギだ。ベニンクは、狂乱的なカチカチと響くスティックワークや、激しく打ち鳴らされるシンバル、雷鳴のようなバスドラムの爆発を挟み込み、道化のような存在であり、わがままな子供に扮した音楽の天才だ。メンゲルバーグは多くの役割を演じ、常にいたずら心とユーモアを帯びている。彼の安定したコードがビートを定義し、きらめくようなランがバンドメンバーのフレーズを彩り、密度の高い音の塊が前進する流れを遮る。ドージェは楽器の間を滑るように駆け巡り、緊張感あふれるバックグラウンドの擦音から花火のような音の爆発まで、すべてを結びつける音を生み出す。ステインメッツは、その磨き抜かれた音色で、Tchicaiと同様に熟考を重ねたメロディストであることを証明しているが、常に独自の声で表現している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eメンゲルバーグの反逆的な奇想天外な曲「Is Is Is a Question」は、極めて不安定なテンポと絶えず戦わなければならないワルツだ。その効果は滑稽であると同時に哀愁を帯びている。しかし、この曲は統一感へと融合することを拒む、いくつかの異質な要素の一つに過ぎない。とはいえ、その断絶や倒錯は、なぜか聴く者を満足させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「Broken T」の大半でTchicaiはソロ演奏を披露し、音色、旋律のテーマと変奏、そして音符の配置に対する彼の卓越した操りぶりを示している。しかし、このバンドは不連続性と断絶を糧としていたため、必然的にベニンクが華々しい登場を果たし、最後の数分間を騒々しいグループ即興へと導いていく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eもちろん、Tchicaiの国際的なコラボレーションは隣国オランダにとどまらなかった。彼は極めて国際的なミュージシャンであり、アメリカ、アジア、アフリカ、ヨーロッパのミュージシャンたちと共演し、レコーディングを行っていた。意外に思われるかもしれないが、彼の最も意気投合したヨーロッパのパートナーの一人は、ドイツのベーシスト、ペーター・コヴァルトであった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicaiは、ドイツの即興シーンと確かに音楽的な親和性を共有していた。コヴァルトや、ピーター・ブロッツマン、アレクサンダー・フォン・シュリッペンバッハといった同胞たちが、フリー・ジャズ、とりわけアルバート・アイラーのカタルシス的なエネルギーと集団即興からインスピレーションを得ていたのと同様に。もちろん、Tchicaiはアイラーと共演し、1964年には彼と共に画期的なアルバム『ニューヨーク・アイ・アンド・イヤー・コントロール』を録音している。したがって、彼はドイツの即興シーンに多大な影響を与えた人物への直接的な架け橋であった。ジョン・コルトレーンの『アセンション』への参加も、ハード・ブロウイングを信条とするドイツ人ミュージシャンたちからの尊敬を勝ち得る要因となったはずだ。Tchicaiとコヴァルトは、異文化の音やフリー・インプロヴィゼーションに対する相互の開放性によって非常に相性が良かったため、彼らの共演が記録されたのが本作のみであるというのは、ある種の衝撃である。1983年、この二人の即興演奏家は日本を訪れ、このLPのB面に収録されている驚異的なデュオを録音した。京都での彼らの即興演奏は、驚くほど創意に富んだ対話であり、「ワールド・ミュージック」とは程遠い即興の形態だ。新たな音響的質感が彼らの音楽的語彙を広げ、新たなアイデアを生み出すことを可能にした。こうした資質こそが、Tchicaiをこれほど多様な環境で花開かせたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e25分間にわたるデュオの即興演奏は、広々としていながらも容赦なく、サックスとフルートが弓奏と撥奏のベースと対峙する。互いに深く共鳴し合い、相手の動きが起きる前に予見しているかのような二人のミュージシャン。魅惑的で、圧倒的であり、そして悲劇的なことに、これが彼らの唯一の録音された共演である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen \/ Formalibera releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith photos from the John Tchicai \u003c\/span\u003e\u003cspan\u003eQuintet sessions with portraits of Tchicai, Bennink, Mengelberg, \u003c\/span\u003e\u003cspan\u003eSteinmetz and Dørge, plus liner notes by Ed Hazell.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eI. C. P.:\u003cbr\u003eA1. John Tchicai Quintet, I.C.P. - Babaji Smiles 2:25\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA2. John Tchicai Quintet, I.C.P. - No Enthusiasm 9:03\u003cbr\u003e\u003c\/span\u003eA3. John Tchicai Quintet, I.C.P. - Is Is Is A Question 10:12\u003cbr\u003eA4. John Tchicai Quintet, I.C.P. - Broken T 6:03\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eJutto-Ku, Kyoto:\u003cspan style=\"mso-tab-count: 1;\"\u003e \u003cbr\u003e\u003c\/span\u003eB. John Tchicai - Peter Kowald Duo - Jutto-Ku, Kyoto 24:55\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn late September and early October 1969, John Tchicai toured \u003c\/em\u003e\u003cem\u003ethroughout Denmark with a special quintet. The international band was \u003c\/em\u003e\u003cem\u003ea notable one, bringing together musicians from Denmark and Holland \u003c\/em\u003e\u003cem\u003ewhose conceptual differences were as important as the musical values \u003c\/em\u003e\u003cem\u003ethey held in common. Tchicai and two of his closest Danish \u003c\/em\u003e\u003cem\u003ecollaborators—trumpeter Hugh Steinmetz and guitarist Pierre \u003c\/em\u003e\u003cem\u003eDørge—embraced an international perspective that incorporated far \u003c\/em\u003e\u003cem\u003eflung influences from African music, contemporary classical, and jazz \u003c\/em\u003e\u003cem\u003einto a cool, yet playful and joyous, modernity. In this quintet they \u003c\/em\u003e\u003cem\u003eworked with two pillars of the Dutch Instant Composer’s Pool, pianist \u003c\/em\u003e\u003cem\u003eMisha Mengelberg and Han Bennink. Ironic and subversive, they \u003c\/em\u003e\u003cem\u003edisplayed a willingness, you might even say an eagerness, to disrupt \u003c\/em\u003e\u003cem\u003eaccepted conventions of any kind. Like Tchicai, they, too, knew their \u003c\/em\u003e\u003cem\u003ejazz and classical heritage, but they enjoyed dynamiting the \u003c\/em\u003e\u003cem\u003efoundations to see what might emerge from the rubble. The dynamic \u003c\/em\u003e\u003cem\u003etension between order and chaos, between irony and sincerity, between \u003c\/em\u003e\u003cem\u003econtinuity and disruption created enormous unpredictability and \u003c\/em\u003e\u003cem\u003eambiguity in their music, which they all seemed to enjoy. The music on \u003c\/em\u003e\u003cem\u003ethis LP, recorded on October 9, 1969, at Danish Radio Studio 11 in \u003c\/em\u003e\u003cem\u003eCopenhagen, consists of compositions they’d played on the recently \u003c\/em\u003e\u003cem\u003econcluded tour plus a group improvisation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn Tchicai’s mantra-like “Babaji Smiles,” Mengelberg shapes and \u003c\/em\u003e\u003cem\u003ereshapes the theme using idiosyncratic, awkward hesitations and \u003c\/em\u003e\u003cem\u003edissonant harmonies. The remainder of the band, playing Tibetan horn, \u003c\/em\u003e\u003cem\u003eMoroccan trumpet, and assorted other instruments create a seemingly \u003c\/em\u003e\u003cem\u003eunrelated tapestry of sound, woven of horns calling to each other like \u003c\/em\u003e\u003cem\u003edueling fog horns, insectivorous buzzing and whistles, and random \u003c\/em\u003e\u003cem\u003eclattering.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe group improvisation “No Enthusiasm” is a fascinating example \u003c\/em\u003e\u003cem\u003eof how the creative tensions within the band could coalesce into music \u003c\/em\u003e\u003cem\u003ethat is both surprising and inevitable. Tchicai is a bastion of calm \u003c\/em\u003e\u003cem\u003elinear phrasing, a yogi of intensity and focus. Bennink, interjecting \u003c\/em\u003e\u003cem\u003efrantic, clickety-clack stick work and outbursts of thrashing cymbals \u003c\/em\u003e\u003cem\u003eand thundering bass drum, is an antic presence, a musical genius \u003c\/em\u003e\u003cem\u003edisguised as a willful child. Mengelberg plays many roles, always with \u003c\/em\u003e\u003cem\u003ea sense of mischief and humor. His steady chords define a beat, \u003c\/em\u003e\u003cem\u003esparkling runs embellish a bandmember’s phrasing, and dense note \u003c\/em\u003e\u003cem\u003eclusters interrupt forward movement. Dørge slips and skitters among \u003c\/em\u003e\u003cem\u003ethe instruments, making sounds that hold everything together, from \u003c\/em\u003e\u003cem\u003etense background scraping to fireworks bursts of sound. Steinmetz, \u003c\/em\u003e\u003cem\u003ewith his burnished tone, proves himself to be a deliberate melodicist \u003c\/em\u003e\u003cem\u003elike Tchicai, although always in his own unique voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Mengelberg’s subversive bit of whimsey, “Is Is Is a Question,” is \u003c\/em\u003e\u003cem\u003ea waltz that has to keep fighting against a highly unreliable tempo. \u003c\/em\u003e\u003cem\u003eThe effect is both funny and melancholy. But the tune is just one of \u003c\/em\u003e\u003cem\u003eseveral disparate parts that defy coalescing into a unity, although \u003c\/em\u003e\u003cem\u003eits disconnections and perversities somehow satisfy.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicai performs alone for most of “Broken T,” showcasing his \u003c\/em\u003e\u003cem\u003emasterful manipulation of timbre, melodic theme and variation, and \u003c\/em\u003e\u003cem\u003enote placement. But this was a band that thrived on discontinuity and \u003c\/em\u003e\u003cem\u003edislocation, so inevitably Bennink makes one of his grand entrances \u003c\/em\u003e\u003cem\u003eand ushers in a clamorous group improvisation for the final minutes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOf course, Tchicai’s international collaborations extended beyond \u003c\/em\u003e\u003cem\u003eneighboring Holland. He was a most cosmopolitan musician, performing \u003c\/em\u003e\u003cem\u003eand recording with musicians in the U.S., Asia, Africa, and Europe. \u003c\/em\u003e\u003cem\u003ePerhaps surprisingly, one of his most sympathetic European partners \u003c\/em\u003e\u003cem\u003ewas German bassist Peter Kowald.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTchicai’s did share some musical affinities with the German \u003c\/em\u003e\u003cem\u003eimprovising scene. As Kowald and his compatriots, such as Peter \u003c\/em\u003e\u003cem\u003eBrötzmann and Alexander von Schlippenbach, took inspiration from the \u003c\/em\u003e\u003cem\u003ecathartic energy and the collective improvisation of free jazz, \u003c\/em\u003e\u003cem\u003eespecially Albert Ayler. Tchicai, of course, had played with Ayler and r\u003c\/em\u003e\u003cem\u003eecorded the landmark “New York Eye and Ear Control” with him in 1964. \u003c\/em\u003e\u003cem\u003eThus he was a direct link to one of the largest influences on the \u003c\/em\u003e\u003cem\u003eGerman improv scene. His appearance on John Coltrane’s “Ascension”, \u003c\/em\u003e\u003cem\u003ewould have also earned him respect among the hard-blowing Germans. \u003c\/em\u003e\u003cem\u003eTchicai and Kowald mutual openness to the sounds of other cultures and \u003c\/em\u003e\u003cem\u003efree improvisation made them quite compatible, so it’s something of a \u003c\/em\u003e\u003cem\u003eshock that this is the only documentation of their work together. The \u003c\/em\u003e\u003cem\u003etwo improvisors found themselves in Japan in 1983, when they recorded \u003c\/em\u003e\u003cem\u003ethe astonishing duet contained on the second side of this LP. Their \u003c\/em\u003e\u003cem\u003eimprovisation in Kyoto is an amazingly resourceful conversation a kind \u003c\/em\u003e\u003cem\u003eof improvisation which remains far from “world music,” and with new \u003c\/em\u003e\u003cem\u003etextures expanding their musical vocabularies and allowing them to \u003c\/em\u003e\u003cem\u003edevelop new ideas; qualities that allowed Tchicai to flourish in so \u003c\/em\u003e\u003cem\u003emany different settings.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTwenty-fice minutes of duo improvisation, spacious yet relentless, \u003c\/em\u003e\u003cem\u003esaxophone and flute against bowed and plucked bass, two musicians so \u003c\/em\u003e\u003cem\u003edeeply attuned to each other they seem to anticipate every move before \u003c\/em\u003e\u003cem\u003eit happens. Engrossing, mind-blowing and tragically their only \u003c\/em\u003e\u003cem\u003erecorded encounter.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai Quintet \/ Tchicai Kowald Duo \u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e5FFJT185\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
デンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドJohn Tchicai QuintetとTchicai Kowald Duoが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。 1968年に1983年に行ったライブ録音5曲を収録。インサート付属。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "1969年9月下旬から10月上旬にかけて、John Tchicaiは特別なクインテットを率いてデンマーク各地をツアーした。この国際色豊かなバンドは注目に値するもので、デンマークとオランダ出身のミュージシャンが集結しており、彼らの持つ音楽的価値観の共通点と同様に、その概念的な相違点もまた重要な要素となっていた。John Tchicaiと、彼と最も親密な関係にあった2人のデンマーク人共演者——トランペット奏者のヒュー・スタインメッツとギタリストのピエール・ドージェ——は、アフリカ音楽、現代クラシック、ジャズといった広範な影響を取り入れつつ、クールでありながら遊び心と喜びに満ちた現代性を体現する国際的な視点を掲げていた。このクインテットでは、オランダの「インスタント・コンポーザーズ・プール」の二大巨頭であるピアニストのミーシャ・メンゲルベルクとハン・ベニンクと共演した。皮肉と反逆の精神に満ちた彼らは、あらゆる既成概念を打ち破ろうとする意欲、いや、むしろ熱意さえも示していた。John Tchicai同様、彼らもまたジャズとクラシックの伝統を熟知していたが、その基盤を爆破し、瓦礫の中から何が現れるかを見ることを楽しんでいた。秩序と混沌、皮肉と誠実、連続性と断絶の間のダイナミックな緊張は、彼らの音楽に計り知れない不確実性と曖昧さを生み出し、彼らは皆、それを楽しんでいるようだった。1969年10月9日、コペンハーゲンのデンマーク放送スタジオ11で録音されたこのLPに収録されている音楽は、直前に終了したツアーで演奏された楽曲に加え、グループによる即興演奏で構成されている。...
¥5,180
クイックビュー
{"id":8692133200122,"title":"John Tchicai, Cadentia Nova Danica \/\/ Mc Gub Gub \/ Ode to Skt. John \/ Pladepip LP","handle":"john-tchicai-cadentia-nova-danica-mc-gub-gub-ode-to-skt-john-pladepip-lp","description":"\u003cp\u003eデンマークのサックス奏者John Tchicai（1936-2012）率いるフリージャズバンドCadentia Nova Danicaが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスプリチュアル・ジャズ〜フリージャズ3曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Mc Gub Gub \u003cbr\u003e2. Ode to Skt. John \u003cbr\u003e3. Pladepip \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"This revelatory album positions John Tchicai’s large ensemble, Cadentia Nova Danica (CND), in the broad context of international new music activity. All previous releases by the group presented them as a free jazz unit. There were only three—their self-titled release on Polydor (1968); “Afrodisiaca” (MPS, 1969); and “Live at Jazzhus Montmartre” (Storyville), recorded in 1967 but not released until 2016. They are all on jazz labels, so the bias is perhaps understandable.\u003c\/p\u003e\n\u003cp\u003e CND was a great free jazz group, to be sure. But the band and its leader were willing to experiment with a wide range of musical developments outside of jazz and incorporate them into their music. This LP encompasses a collaboration with classical composer Svend Erik Werner, an experiment with taped sound collage, and a remarkable sui generis composition by Tchicai. With the addition of this album to CND’s discography, a broader and deeper portrait of the band’s courageous spirit begins to emerge.\u003c\/p\u003e\n\u003cp\u003e Tchicai formed the group just after returning to his native Denmark in 1966 after four highly productive years in New York. Upon his return to Copenhagen he immediately sought out musicians with whom he could form a band. He was soon working with an ensemble that included trumpeter Hugh Steinmetz and altoist Karsten Vogel. By late 1966 they became Cadentia Nova Danica (New Danish Cadence). They made their Danish debut at Café Montmartre and quickly developed a reputation as one of the most creative bands in Europe. They remained together until 1971, when Tchicai entered the ashram of Swami Narayanananda for an extended period of meditation during which he didn’t publicly perform.\u003c\/p\u003e\n\u003cp\u003e Tchicai was absorbing new ideas from all directions. Even in New York, he drew inspiration from other art forms. Ayler’s “New York Eye and Ear Control”, in which he took part, was improvised to a film by Michael Snow. Some concerts had a theatrical aspect with Tchicai appearing in face paint or costume. He also composed and performed “Scandinavian Discoveries”, an extended composition for jazz quartet and string quartet that used both standard and graphic notation. The return to Europe gave him access to influences from classical and non-Western musics that would have been unavailable to him in the US. In Denmark, Tchicai crossed paths with other musicians, photographers, filmmakers, and artists willing to exchange ideas and work together. As a result, performances by CND began to reflect influences from other media and other cultures. Tchicai for example absorbed African influences directly from the African musicians living in Europe and made them a permanent part of CND.\u003c\/p\u003e\n\u003cp\u003e To a greater extent than in the U.S., classical composers and improvising musicians in Europe took an interest in each other’s work, and CND sometimes collaborated with classical composers who were looking for experimental settings to explore. One situation found them performing in a subway station where the chimes that signaled the train doors were closing were used as cues to play a line of the composition. They once performed on a spinning carousel at a fairground, where the music was captured getting louder and softer as the musicians passed by fixed mics. There was also a noteworthy collaboration with the improvising composers of Musica Electronica Viva.\u003c\/p\u003e\n\u003cp\u003e The cryptically, if absurdly, titled “Mc Gub Gub, (I–VIII)” is a stunning example of the creative ways Tchicai used ostinatos to structure his compositions and provide a supporting trellis for improvisation. Recorded during a Danish Avantgarde Jazz concert that also included the Contemporary Jazz Quintet, the piece opens with the band loosely repeating a phrase. There’s a constant interchange between composition and improvisation. The written passages also function as transitions between improvised sections, in one case setting up a piano solo whose fluidity contrasts starkly with the angular writing. Many of the transitions are abrupt jump cuts. But in one case the written phrase gradually dissolves as more and more players abandon it to begin improvising. Tchicai and his ensemble explore many relationships between written and improvised on a piece that’s both urgent and playful.\u003c\/p\u003e\n\u003cp\u003e Danish composer Svend Erik Werner, the producer of CND broadcasts during the band’s extended residency at the Danish Broadcasting Corporation in 1969 and 1970, was among those who took an interest in writing for the group. “Ode to St. John” is contemporary in form and outlook but based on methods taken from Gregorian music. It also makes room for improvisation from members of Cadentia Nova Danica. Although vividly contrasting, the two modes of musicmaking speak to one another. The alto saxophone and trumpet duet has a songlike, vocal quality in keeping with the spirit, if not the form, of Gregorian music. It’s a rewarding meeting—and sometimes clash—between ancient and modern.\u003c\/p\u003e\n\u003cp\u003e “Pladepip,” Tchicai’s foray into musique concréte, another modern classical genre, is unlike anything else in Tchicai’s recorded canon. Two full-band improvisations bookend a remarkable audio tape created by Tchicai. At the time, he was a collector of 78s and he took several of them and gouged their surfaces so they would skip and create repeated phrases, much like the ostinatos in his improvising and composing. He then assembled the patterns into a sound collage. The tape is jittery and discontinuous, all hard angles and abrupt phrases. The group improvisations, on the other hand, are soft-edged clouds of sound that develop with a slow pulsing flow. The extreme contrast between sections creates the piece’s surreal drama.\u003c\/p\u003e\n\u003cp\u003e The wide-open borders between musics, the band’s palpable joy in exploration, and their bon homie make this an important addition to Cadentia Nova Danica’s recorded legacy. \"\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai, Cadentia Nova Danica\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2FFCND177\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-01-02T14:31:50+09:00","created_at":"2025-01-02T12:46:22+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":417000,"price_min":417000,"price_max":417000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47001378849018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tchicai, Cadentia Nova Danica \/\/ Mc Gub Gub \/ Ode to Skt. John \/ Pladepip LP","public_title":null,"options":["Default Title"],"price":417000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791987050","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/cad.jpg?v=1735789566"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/cad.jpg?v=1735789566","options":["Title"],"media":[{"alt":null,"id":35370700636410,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cad.jpg?v=1735789566"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/cad.jpg?v=1735789566","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマークのサックス奏者John Tchicai（1936-2012）率いるフリージャズバンドCadentia Nova Danicaが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスプリチュアル・ジャズ〜フリージャズ3曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Mc Gub Gub \u003cbr\u003e2. Ode to Skt. John \u003cbr\u003e3. Pladepip \u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAlga Marghen:\u003c\/p\u003e\n\u003cp\u003e\"This revelatory album positions John Tchicai’s large ensemble, Cadentia Nova Danica (CND), in the broad context of international new music activity. All previous releases by the group presented them as a free jazz unit. There were only three—their self-titled release on Polydor (1968); “Afrodisiaca” (MPS, 1969); and “Live at Jazzhus Montmartre” (Storyville), recorded in 1967 but not released until 2016. They are all on jazz labels, so the bias is perhaps understandable.\u003c\/p\u003e\n\u003cp\u003e CND was a great free jazz group, to be sure. But the band and its leader were willing to experiment with a wide range of musical developments outside of jazz and incorporate them into their music. This LP encompasses a collaboration with classical composer Svend Erik Werner, an experiment with taped sound collage, and a remarkable sui generis composition by Tchicai. With the addition of this album to CND’s discography, a broader and deeper portrait of the band’s courageous spirit begins to emerge.\u003c\/p\u003e\n\u003cp\u003e Tchicai formed the group just after returning to his native Denmark in 1966 after four highly productive years in New York. Upon his return to Copenhagen he immediately sought out musicians with whom he could form a band. He was soon working with an ensemble that included trumpeter Hugh Steinmetz and altoist Karsten Vogel. By late 1966 they became Cadentia Nova Danica (New Danish Cadence). They made their Danish debut at Café Montmartre and quickly developed a reputation as one of the most creative bands in Europe. They remained together until 1971, when Tchicai entered the ashram of Swami Narayanananda for an extended period of meditation during which he didn’t publicly perform.\u003c\/p\u003e\n\u003cp\u003e Tchicai was absorbing new ideas from all directions. Even in New York, he drew inspiration from other art forms. Ayler’s “New York Eye and Ear Control”, in which he took part, was improvised to a film by Michael Snow. Some concerts had a theatrical aspect with Tchicai appearing in face paint or costume. He also composed and performed “Scandinavian Discoveries”, an extended composition for jazz quartet and string quartet that used both standard and graphic notation. The return to Europe gave him access to influences from classical and non-Western musics that would have been unavailable to him in the US. In Denmark, Tchicai crossed paths with other musicians, photographers, filmmakers, and artists willing to exchange ideas and work together. As a result, performances by CND began to reflect influences from other media and other cultures. Tchicai for example absorbed African influences directly from the African musicians living in Europe and made them a permanent part of CND.\u003c\/p\u003e\n\u003cp\u003e To a greater extent than in the U.S., classical composers and improvising musicians in Europe took an interest in each other’s work, and CND sometimes collaborated with classical composers who were looking for experimental settings to explore. One situation found them performing in a subway station where the chimes that signaled the train doors were closing were used as cues to play a line of the composition. They once performed on a spinning carousel at a fairground, where the music was captured getting louder and softer as the musicians passed by fixed mics. There was also a noteworthy collaboration with the improvising composers of Musica Electronica Viva.\u003c\/p\u003e\n\u003cp\u003e The cryptically, if absurdly, titled “Mc Gub Gub, (I–VIII)” is a stunning example of the creative ways Tchicai used ostinatos to structure his compositions and provide a supporting trellis for improvisation. Recorded during a Danish Avantgarde Jazz concert that also included the Contemporary Jazz Quintet, the piece opens with the band loosely repeating a phrase. There’s a constant interchange between composition and improvisation. The written passages also function as transitions between improvised sections, in one case setting up a piano solo whose fluidity contrasts starkly with the angular writing. Many of the transitions are abrupt jump cuts. But in one case the written phrase gradually dissolves as more and more players abandon it to begin improvising. Tchicai and his ensemble explore many relationships between written and improvised on a piece that’s both urgent and playful.\u003c\/p\u003e\n\u003cp\u003e Danish composer Svend Erik Werner, the producer of CND broadcasts during the band’s extended residency at the Danish Broadcasting Corporation in 1969 and 1970, was among those who took an interest in writing for the group. “Ode to St. John” is contemporary in form and outlook but based on methods taken from Gregorian music. It also makes room for improvisation from members of Cadentia Nova Danica. Although vividly contrasting, the two modes of musicmaking speak to one another. The alto saxophone and trumpet duet has a songlike, vocal quality in keeping with the spirit, if not the form, of Gregorian music. It’s a rewarding meeting—and sometimes clash—between ancient and modern.\u003c\/p\u003e\n\u003cp\u003e “Pladepip,” Tchicai’s foray into musique concréte, another modern classical genre, is unlike anything else in Tchicai’s recorded canon. Two full-band improvisations bookend a remarkable audio tape created by Tchicai. At the time, he was a collector of 78s and he took several of them and gouged their surfaces so they would skip and create repeated phrases, much like the ostinatos in his improvising and composing. He then assembled the patterns into a sound collage. The tape is jittery and discontinuous, all hard angles and abrupt phrases. The group improvisations, on the other hand, are soft-edged clouds of sound that develop with a slow pulsing flow. The extreme contrast between sections creates the piece’s surreal drama.\u003c\/p\u003e\n\u003cp\u003e The wide-open borders between musics, the band’s palpable joy in exploration, and their bon homie make this an important addition to Cadentia Nova Danica’s recorded legacy. \"\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai, Cadentia Nova Danica\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2FFCND177\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
デンマークのサックス奏者John Tchicai（1936-2012）率いるフリージャズバンドCadentia Nova Danicaが、2024年12月にイタリアの実験レーベルAlga Marghenから300部限定でリリースしたレコードです。 スプリチュアル・ジャズ〜フリージャズ3曲を収録。インサート付属。 レーベルその他作品はこちら /// Click here to see more Alga Marghen releases available...
¥4,170
クイックビュー
{"id":9185248674042,"title":"John Tchicai, Cadentia Nova Danica \/\/ Wigmore Hall 1968 LP","handle":"john-tchicai-cadentia-nova-danica-wigmore-hall-1968-lp","description":"\u003cp\u003eデンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドCadentia Nova Danicaが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1968年にロンドンのWigmore Hallで行ったインプロ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan style=\"font-family: Arial;\"\u003eAnthony Barnettと\u003c\/span\u003eレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e知る限り、John TchicaiとCadentia Nova Danicaによるこの公演は、ロンドンの由緒あるリサイタルホール、ウィグモア・ホールで初めて開催されたジャズあるいは即興演奏のコンサートであった。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eでは、この会場としては異例となるコンサートは、どのようにして実現したのだろうか？1968年は、デンマークによる英国での大規模な文化交流プログラムが展開された年であり、その一環として10月2日にマンチェスターのフリー・トレード・ホールで\u003ci\u003eCadentia Nova Danica\u003c\/i\u003e（CND）のコンサートが開催されたが、観客はまばらで、録音も残されていない。ニューヨーク・コンテンポラリー・ファイブ、ニューヨーク・アート・カルテット、そしてコルトレーンの『アセンション』で知られるTchicaiによるコンサートが、これだけで終わってしまうというのは、あまりにも馬鹿げた話だったため、アンソニー・バーネットはロンドンでのコンサート開催に奔走した。彼は利用可能な会場を探して首都中を歩き回ったが、なかなか見つからなかった。そして、もはや成功するとは思っていなかったが、ウィグモア・ホールに入ってみた。驚いたことに、ほとんど質問もされずに、彼らは承諾してくれた。その後、就労ビザの問題があった。バーネットは関係する事務所を訪ねたが、そこでも承諾された。おそらく、マンチェスターでのコンサートにデンマーク王立大使館とデンマーク文化省が関与していたためだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長話を省略すると、コンサート直前の夜、私はクイーン・エリザベス・ホール、あるいはパーセル・ルーム（これらは同じサウス・バンク・コンプレックス内にある）の外に立ち、ジョー・ハリオットのリサイタルを終えたばかりの人々にチラシを配っていた。それがウィグモア・ホールの定員約450人を埋めるのに一役買ったのだろうが、別の事情がそれを台無しにする可能性も十分にあった。バーネットは『ガーディアン』紙に、コンサートのプレビュー記事を執筆できないか打診していた。同紙側は、コンサート翌日に掲載するレビュー記事として執筆するよう提案した。しかし実際には、コンサート当日に誤って掲載されてしまった。つまり、まだ開催されていないコンサートのレビューが、その日に掲載されてしまったのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eデンマーク放送（DR）は、BBCに対し、同局に代わってコンサートを録音するよう依頼した。取り決めでは、バーネットは少額の報酬とテープの完全なセットを受け取る予定だった。その後、BBCがテープを編集し、放送されたもの（今回、それ以来初めて公開される）をデンマーク放送に送っていたことが判明した。悲しいことに、そしてまさにBBCらしいことだが、残りの部分は消去されていた。そして、残っていたテープを取り戻すために、アンソニー・バーネットは苦労を強いられた。これは、独立して活動する際に物事がいかに困難になり得るかを示しているのかもしれない。アンソニー・バーネットが述べたように、「順風満帆な場所はほとんどない。我々はそうあることを求めてはいない。そこは混沌としたジャングルであり、その中でいくつかのものは耐え抜き、生き残るのだ」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e全盛期のCadentia Nova Danica。激しく、豊かで、密度の高い演奏は、フリーフォームの即興とアフリカの要素を行き来し、やがて白熱したフリー・インプロヴィゼーションへと爆発する。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen \/ Formalibera releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026 vinyl reissue - originally recorded on October 1st, 1968, by BBC mobile unit for Danish Radio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. The Education Of An Amphibian 13:24\u003cbr\u003eB. Llanto Del Indio \/ Piece For Percussion And Flutes \/ Amphius 18:08\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo the best of anyone’s knowledge this performance by John Tchicai and Cadentia Nova Danica was the first ever jazz- or improvisation-type concert held at London’s hallowed recital room Wigmore Hall.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo how did the concert, unique for the venue, come about? 1968 was a year of Denmark’s extensive cultural programme in Britain, which included a poorly attended CND concert, not recorded, on 2nd October at Manchester’s Free Trade Hall. That this was to be the sole concert by Tchicai—of New York Contemporary Five, New York Art Quartet, Coltrane’s “Ascension” fame—was stupefyingly ridiculous so Anthony Barnett set about trying to organize a London concert. He traipsed the capital in search of an available venue without luck until, with no thought of a positive outcome, he entered Wigmore Hall. To his astonishment, with few questions asked, they said Yes. Following that, there was the matter of work permits. Barnett visited the relevant office and they too said Yes, probably because of the involvement of The Royal Danish Embassy and the Danish Cultural Ministry with the Manchester concert.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo cut many a long story short, on an evening shortly before the concert I stood outside Queen Elizabeth Hall or Purcell Room (they are in the same South Bank complex) handing out flyers to those who had just attended a Joe Harriot recital. That probably helped Wigmore Hall reach its capacity audience of some 450, though another matter could easily have put the jinx on that. Barnett had approached The Guardian newspaper about the possibility of writing a preview of the concert. They suggested he write it as a review which they would print the day after the concert. But what in fact happened was that it accidentally appeared on the day of the concert: a review of a concert that had yet to take place.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDanmarks Radio asked the BBC to record the concert on its behalf. The arrangement was that Barnett would receive a small fee and a complete set of the tapes. Afterwards, it turned out that the BBC had edited the tapes down to what it sent to Danmarks Radio, as broadcast and now heard here for the first time since. Sadly, and quite true to form, the BBC had wiped the rest. And it was a struggle for Anthony Barnett to get back the tape that did remain. Possibly it shows how difficult things can be when one acts independently. As Anthony Barnett put it, “Almost nowhere is it easy sailing. We do not ask that it is. It is a disordered jungle in which some things do endure and survive”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCadentia Nova Danica at the absolute peak of their powers; furious, rich and dense, moving between freeform improvisation and African touchstones before erupting into incandescent free \u003c\/em\u003e\u003cspan\u003e\u003cem\u003eimprovisation.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai, Cadentia Nova Danica\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e6FFCND186\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-04-11T15:03:53+09:00","created_at":"2026-04-11T08:21:34+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":518000,"price_min":518000,"price_max":518000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48639056543994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tchicai, Cadentia Nova Danica \/\/ Wigmore Hall 1968 LP","public_title":null,"options":["Default Title"],"price":518000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-11at8.14.06am.png?v=1775862963","\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_a613a5ff-291a-4ee5-bf99-0c535bfb8a60.jpg?v=1775862963","\/\/tobirarecords.com\/cdn\/shop\/files\/jon3_b5d6ca1b-efad-4cbe-8098-9edcf2c84ffb.jpg?v=1775862964","\/\/tobirarecords.com\/cdn\/shop\/files\/jon4.jpg?v=1775862963"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-11at8.14.06am.png?v=1775862963","options":["Title"],"media":[{"alt":null,"id":39014401212666,"position":1,"preview_image":{"aspect_ratio":1.002,"height":601,"width":602,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-11at8.14.06am.png?v=1775862963"},"aspect_ratio":1.002,"height":601,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-04-11at8.14.06am.png?v=1775862963","width":602},{"alt":null,"id":39014401114362,"position":2,"preview_image":{"aspect_ratio":1.003,"height":598,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_a613a5ff-291a-4ee5-bf99-0c535bfb8a60.jpg?v=1775862963"},"aspect_ratio":1.003,"height":598,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon2_a613a5ff-291a-4ee5-bf99-0c535bfb8a60.jpg?v=1775862963","width":600},{"alt":null,"id":39014401147130,"position":3,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon3_b5d6ca1b-efad-4cbe-8098-9edcf2c84ffb.jpg?v=1775862964"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon3_b5d6ca1b-efad-4cbe-8098-9edcf2c84ffb.jpg?v=1775862964","width":600},{"alt":null,"id":39014401179898,"position":4,"preview_image":{"aspect_ratio":0.853,"height":599,"width":511,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon4.jpg?v=1775862963"},"aspect_ratio":0.853,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jon4.jpg?v=1775862963","width":511}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eデンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドCadentia Nova Danicaが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1968年にロンドンのWigmore Hallで行ったインプロ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、\u003cspan style=\"font-family: Arial;\"\u003eAnthony Barnettと\u003c\/span\u003eレーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e知る限り、John TchicaiとCadentia Nova Danicaによるこの公演は、ロンドンの由緒あるリサイタルホール、ウィグモア・ホールで初めて開催されたジャズあるいは即興演奏のコンサートであった。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eでは、この会場としては異例となるコンサートは、どのようにして実現したのだろうか？1968年は、デンマークによる英国での大規模な文化交流プログラムが展開された年であり、その一環として10月2日にマンチェスターのフリー・トレード・ホールで\u003ci\u003eCadentia Nova Danica\u003c\/i\u003e（CND）のコンサートが開催されたが、観客はまばらで、録音も残されていない。ニューヨーク・コンテンポラリー・ファイブ、ニューヨーク・アート・カルテット、そしてコルトレーンの『アセンション』で知られるTchicaiによるコンサートが、これだけで終わってしまうというのは、あまりにも馬鹿げた話だったため、アンソニー・バーネットはロンドンでのコンサート開催に奔走した。彼は利用可能な会場を探して首都中を歩き回ったが、なかなか見つからなかった。そして、もはや成功するとは思っていなかったが、ウィグモア・ホールに入ってみた。驚いたことに、ほとんど質問もされずに、彼らは承諾してくれた。その後、就労ビザの問題があった。バーネットは関係する事務所を訪ねたが、そこでも承諾された。おそらく、マンチェスターでのコンサートにデンマーク王立大使館とデンマーク文化省が関与していたためだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e長話を省略すると、コンサート直前の夜、私はクイーン・エリザベス・ホール、あるいはパーセル・ルーム（これらは同じサウス・バンク・コンプレックス内にある）の外に立ち、ジョー・ハリオットのリサイタルを終えたばかりの人々にチラシを配っていた。それがウィグモア・ホールの定員約450人を埋めるのに一役買ったのだろうが、別の事情がそれを台無しにする可能性も十分にあった。バーネットは『ガーディアン』紙に、コンサートのプレビュー記事を執筆できないか打診していた。同紙側は、コンサート翌日に掲載するレビュー記事として執筆するよう提案した。しかし実際には、コンサート当日に誤って掲載されてしまった。つまり、まだ開催されていないコンサートのレビューが、その日に掲載されてしまったのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eデンマーク放送（DR）は、BBCに対し、同局に代わってコンサートを録音するよう依頼した。取り決めでは、バーネットは少額の報酬とテープの完全なセットを受け取る予定だった。その後、BBCがテープを編集し、放送されたもの（今回、それ以来初めて公開される）をデンマーク放送に送っていたことが判明した。悲しいことに、そしてまさにBBCらしいことだが、残りの部分は消去されていた。そして、残っていたテープを取り戻すために、アンソニー・バーネットは苦労を強いられた。これは、独立して活動する際に物事がいかに困難になり得るかを示しているのかもしれない。アンソニー・バーネットが述べたように、「順風満帆な場所はほとんどない。我々はそうあることを求めてはいない。そこは混沌としたジャングルであり、その中でいくつかのものは耐え抜き、生き残るのだ」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e全盛期のCadentia Nova Danica。激しく、豊かで、密度の高い演奏は、フリーフォームの即興とアフリカの要素を行き来し、やがて白熱したフリー・インプロヴィゼーションへと爆発する。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen \/ Formalibera releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2026 vinyl reissue - originally recorded on October 1st, 1968, by BBC mobile unit for Danish Radio.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. The Education Of An Amphibian 13:24\u003cbr\u003eB. Llanto Del Indio \/ Piece For Percussion And Flutes \/ Amphius 18:08\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTo the best of anyone’s knowledge this performance by John Tchicai and Cadentia Nova Danica was the first ever jazz- or improvisation-type concert held at London’s hallowed recital room Wigmore Hall.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo how did the concert, unique for the venue, come about? 1968 was a year of Denmark’s extensive cultural programme in Britain, which included a poorly attended CND concert, not recorded, on 2nd October at Manchester’s Free Trade Hall. That this was to be the sole concert by Tchicai—of New York Contemporary Five, New York Art Quartet, Coltrane’s “Ascension” fame—was stupefyingly ridiculous so Anthony Barnett set about trying to organize a London concert. He traipsed the capital in search of an available venue without luck until, with no thought of a positive outcome, he entered Wigmore Hall. To his astonishment, with few questions asked, they said Yes. Following that, there was the matter of work permits. Barnett visited the relevant office and they too said Yes, probably because of the involvement of The Royal Danish Embassy and the Danish Cultural Ministry with the Manchester concert.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTo cut many a long story short, on an evening shortly before the concert I stood outside Queen Elizabeth Hall or Purcell Room (they are in the same South Bank complex) handing out flyers to those who had just attended a Joe Harriot recital. That probably helped Wigmore Hall reach its capacity audience of some 450, though another matter could easily have put the jinx on that. Barnett had approached The Guardian newspaper about the possibility of writing a preview of the concert. They suggested he write it as a review which they would print the day after the concert. But what in fact happened was that it accidentally appeared on the day of the concert: a review of a concert that had yet to take place.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDanmarks Radio asked the BBC to record the concert on its behalf. The arrangement was that Barnett would receive a small fee and a complete set of the tapes. Afterwards, it turned out that the BBC had edited the tapes down to what it sent to Danmarks Radio, as broadcast and now heard here for the first time since. Sadly, and quite true to form, the BBC had wiped the rest. And it was a struggle for Anthony Barnett to get back the tape that did remain. Possibly it shows how difficult things can be when one acts independently. As Anthony Barnett put it, “Almost nowhere is it easy sailing. We do not ask that it is. It is a disordered jungle in which some things do endure and survive”.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCadentia Nova Danica at the absolute peak of their powers; furious, rich and dense, moving between freeform improvisation and African touchstones before erupting into incandescent free \u003c\/em\u003e\u003cspan\u003e\u003cem\u003eimprovisation.\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tchicai, Cadentia Nova Danica\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e6FFCND186\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : March 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
デンマーク／コンゴのサックス奏者John Tchicai(1936-2012)率いるバンドCadentia Nova Danicaが、2026年3月にイタリアの実験レーベルAlga Marghen傘下Formaliberaからリリースしたレコードです。 1968年にロンドンのWigmore Hallで行ったインプロ2曲を収録。インサート付属。 レコードのみでの発表となります。 以下、Anthony Barnettとレーベルによる解説です。 "知る限り、John TchicaiとCadentia Nova Danicaによるこの公演は、ロンドンの由緒あるリサイタルホール、ウィグモア・ホールで初めて開催されたジャズあるいは即興演奏のコンサートであった。...
¥5,180
クイックビュー
{"id":9311378538746,"title":"John Tchicai, Don Cherry, Sahib Shihab \/\/ Beautiful United Harmony Happening \/ The Education of an Amphibian LP","handle":"john-tchicai-don-cherry-sahib-shihab-beautiful-united-harmony-happening-the-education-of-an-amphibian-lp","description":"\u003cp\u003eジャズ作家John TchicaiとDon Cherry、Sahib Shihabが、2026年7月にイタリアの実験レーベルAlga Marghenから150部限定でリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eスプリチュアル・ジャズ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Alga marghen \/ formaliberaは、デンマークの作曲家、マルチ・インストゥルメンタリストJohn Tchicaiの作品を記録したシリーズの第一弾を発表できることを大変嬉しく思う。この新しいLPは、ドン・チェリーとの 「Beautiful United Harmony Happening 」とサヒブ・シーハブとの 「Education Of An Amphibian 」という2つの未発表音源を収録している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicaiはニューヨークで目覚ましい4年間を過ごした後、1966年7月に母国デンマークに戻った。その短い期間に、彼はニューヨーク・アート・カルテットやニューヨーク・コンテンポラリー・ファイヴといった小さなフリージャズ・アンサンブルや、アルバート・アイラーとの 「New York Eye and Ear Control 」やジョン・コルトレーンの 「Ascension 」といったアルバムで、ソロ、集団即興、作曲の関係を再定義し、拡大することに貢献した。どのアーティストのキャリアにおいても、最も肥沃な時期のひとつであったことは間違いない。しかし、ヨーロッパに戻ると、Tchicaiは主に（それだけではないが）大編成のアンサンブル音楽に目を向けた。ニューヨークでのブレークスルーは失われることなく、大編成の文脈に移され、さらなる探求の道が開かれた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicai八重奏団による 「The Education of an Amphibian 」は、「Komponist Udøver Ensemble」、すなわち 「Composing Improvisers Orchestra 」の最初の試みであり、即興と作曲の境界をさらに曖昧にするアプローチである。1966年10月に録音されたこの作品では、Tchicaiが作曲家であり、指導者であり、サウンドのオーガナイザーであり、現代クラシックとアフリカの影響から引き出された幅広い音楽的ボキャブラリーの探求者であることが示されている。Tchicaiはこのバンドを集団として構想したが、彼の感性が色濃く反映されている。バンドメンバーが演奏する緩やかな枠組みは彼が決めた。彼が作曲したテーマは、最も抽象的なフレーズでさえ叙情的に感じさせる。これらの簡潔で反復的なメロディーは、演奏を区切り、構成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作品の多くは、まさに即興の作曲である。演奏の冒頭を飾る緊密な声のハーモニー、メロディーを供給するドラムのモチーフ、ソリストを支える繊細な背景素材は、作品を終結へと導く要素として機能する自発的な創作である。各楽器が織り成す高次の対位法に参加するエネルギッシュなグループ即興は、コンサートのハイライトである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個々のソリストも、オクテットの緊密な即興アンサンブル・ワークも、グループのユニークなサウンドに等しく貢献している。トランペッターのヒュー・スタインメッツは、この時期Tchicaiと頻繁に共演しており、バンドに強いジャズ・センスをもたらしている（彼はこのレコーディングの年にデンマーク・ジャズ・アカデミーからデンマークの年間最優秀ジャズ・ミュージシャンに選ばれている）。1964年にコペンハーゲンに移住したアフリカ系アメリカ人のサックス・フルート奏者シャヒブ・シャハブは、バップを取り入れたクレプスキュラーなフルート・ソロを聴かせる。ジャズではほとんど耳にしたことのないクラシック楽器、ハープシコードのピエト・クイテルスの爆発的なソロは、作品に驚くべき新しい音色を挿入している。打楽器奏者たちは、従来のジャズとは全く異なる機能を果たしており、「スウィング」する義務はなく、アンサンブルのパッセージでメロディックに、あるいはテクスチャー的に機能することが多い。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『ビューティフル・ユナイテッド・ハーモニー・ハプニング』は、それとは異なるものであり、学際的な演奏の新しい様式を取り入れる機会なのだ。デンマークに戻った当初から、Tchicaiは音楽家だけでなく、あらゆる芸術形態のアーティストを探し、ハプニングを企画し始めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカデンティア・ノヴァ・ダニカのメンバーが参加した最後の公演のひとつだが、彼らは、スワミ・ナラヤナンダの弟子たちによる5人の合唱団（チカイはこのヨギのアシュラムに住み、自ら合唱団を組織していた）、ダイアン・ブラック・ダンス・シアター、そしてトランペッターでマルチ・インストゥルメンタリストのドン・チェリーという、まさにカテゴリーを超えたアンサンブルの構成要素のひとつに過ぎない（そして、それが中心とは言い難い）。Tchicaiとチェリーは、ジャズ・ミュージシャンとして出発し、伝統的な音楽と実験的な音楽、そして演奏に耳を傾けながら、その枠を広げていった。両者とも、真摯な精神的求道者であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのマルチメディア・イベントは、実験的な現代アートと儀式主義的な宗教的／瞑想的実践との関係を問うものである。当時、Tchicaiはこう書いている。「私は、自分自身の中にある本物の生命の源と、本物の音楽の源を見つけることに興味があります。この2つの事柄は非常に密接に結びついていると思う。私は人間についてある種のスピリチュアルな信念を持っているが、こうした音楽の源泉を見つけるには、ヨガや禅の教えを調べるのが一番だ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの演奏から間もなく、Tchicaiは精神的な研究に専念するために音楽制作をやめた。これは、彼が4年後にステージに復帰するまでの見送りにふさわしいものだった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert. \u003cbr\u003e2024 reissue - \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSide A recorded July 25, 1971 @ Horsens Multi-Musik Festival 71 \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSide B recorded October 20, 1966 @ Danish Radio House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Beautiful United Harmony Happening\u003cbr\u003e2. The Education of an Amphibian\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Alga marghen \/ formalibera is very pleased to present the first of a series of released documenting the work of Danish composer and multi-instrumentalist John Tchicai. This new LP features two previously unpublished recordings, “Beautiful United Harmony Happening” with Don Cherry and “Education Of An Amphibian” with Sahib Shihab.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Tchicai returned to his native Denmark in July 1966 after spending a remarkable four years in New York City. In that short span, he helped redefine and expand the relationship between soloing, collective improvisation, and composition in small free jazz ensembles such as the New York Art Quartet, the New York Contemporary Five, and on albums such as “New York Eye and Ear Control” with Albert Ayler and John Coltrane’s “Ascension”. It certainly counts as one of the most fertile periods in any artist’s career. Yet when he returned to Europe, Tchicai turned his attention primarily (although not exclusively) to large ensemble music. The breakthroughs made in New York were not lost, but transferred to a large group context, opening up further avenues of exploration.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e “The Education of an Amphibian” by the John Tchicai Octet represents a first try at “Komponist Udøver Ensemble,” or “Composing Improvisers Orchestra,” an approach that further blurred boundaries between improvisation and composition. Recorded in October 1966, the piece presents Tchicai as composer and guiding presence; an organizer of sounds; and an explorer of a widening musical vocabulary drawn from contemporary classical and African influences. Tchicai conceived of the band as a collective, yet it very much reflects his sensibilities. He determined the loose framework within which the band members play. His composed themes that make even the most abstract phrases seem lyrical. These concise, repetitive melodies punctuate and structure the performance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Much of the piece is truly an improvised composition. The closely voiced harmonies that open the performance, the drum motifs that supply a melody, the subtle background material supporting soloists are spontaneous creations that function as elements advancing the piece toward its conclusion. An energized group improvisation, with each instrument participating in an interwoven, higher-order counterpoint, is a highlight of the concert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Individual soloists, as well as the octet’s closely attuned improvised ensemble work, contribute equally to the group’s unique sound. Trumpeter Hugh Steinmetz, a frequent Tchicai collaborator during this period, brings a strong jazz sensibility to the band (he was elected Danish Jazz Musician of the Year by the Danish Jazz Academy the year of this recording). Saxophonist-flutist Shahib Shahab, an African American ex-pat who moved to Copenhagen in 1964, takes a crepuscular, bop-inflected flute solo. Piet Kuiters’ explosive solo on harpsichord, a classical instrument nearly unheard of in jazz interjects startling new timbres into the piece. The percussionists function quite differently than in conventional jazz, they are not obligated to “swing” and often function melodically or texturally in ensemble passages.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e “Beautiful United Harmony Happening” is something different—an opportunity to embrace new modes of interdisciplinary performance. From the beginning of his return to Denmark, Tchicai sought out not only musicians, but artists in all artforms and began to organize happenings.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Although rarely noted, ideas linked to Fluxus, performance art, and happenings were a large influence of Tchicai’s thinking at this time. All these related movements sought to blur or erase boundaries between media and set up juxtapositions between styles and artforms that disrupted received ideas of “high” and “low” art. Participation by non-artists introduced elements that challenged ideas about virtuosity and legitimate expression. Random elements were embraced, and non-Western music and concepts were welcome. Tchicai quite often used many these revolutionary ideas with Cadentia Nova Danica and in happenings he organized at this time. This performance, heard here in an excerpt from the full two-hour performance, is very much in this vein.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e It is one of the last performances involving members of Cadentia Nova Danica, but they are only one component (and hardly the focus) of an ensemble that included a five-member chorus of disciples of the Swami Narayanananda (Tchicai lived at the yogi’s ashram and had organized the choir himself), the Diane Black Dance Theatre, and Don Cherry, a trumpeter and multi-instrumentalist truly beyond category. Tchicai and Cherry followed similar paths through music, starting as jazz musicians and broadening their frames of reference with an ear for traditional and experimental forms of music and performance as they evolved. Both were earnest spiritual seekers.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The multimedia event interrogates the relationship between experimental contemporary art and ritualist religious\/meditative practice. At the time, Tchicai wrote, “I’m interested in finding the genuine source of life in myself and the genuine source of music. I think those two considerations are tied up very much. I have certain spiritual beliefs about human beings, and the best place to find these sources of music are to look into the yoga and Zen teachings.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Not long after this performance, Tchicai stopped music making to devote himself to his spiritual studies. This was a fitting send off until his return to the stage four years later.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: John Tchicai, Don Cherry, Sahib Shihab\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1FFJT176\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2024 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-07-15T06:26:00+09:00","created_at":"2026-07-15T06:25:21+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","jazz","lp","new"],"price":499500,"price_min":499500,"price_max":499500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":49698144387322,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tchicai, Don Cherry, Sahib Shihab \/\/ Beautiful United Harmony Happening \/ The Education of an Amphibian LP","public_title":null,"options":["Default Title"],"price":499500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"769791987043","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/john1.jpg?v=1735788458"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1.jpg?v=1735788458","options":["Title"],"media":[{"alt":null,"id":35370627105018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1.jpg?v=1735788458"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/john1.jpg?v=1735788458","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジャズ作家John TchicaiとDon Cherry、Sahib Shihabが、2026年7月にイタリアの実験レーベルAlga Marghenから150部限定でリリースした再発レコードです。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eスプリチュアル・ジャズ2曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Alga marghen \/ formaliberaは、デンマークの作曲家、マルチ・インストゥルメンタリストJohn Tchicaiの作品を記録したシリーズの第一弾を発表できることを大変嬉しく思う。この新しいLPは、ドン・チェリーとの 「Beautiful United Harmony Happening 」とサヒブ・シーハブとの 「Education Of An Amphibian 」という2つの未発表音源を収録している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicaiはニューヨークで目覚ましい4年間を過ごした後、1966年7月に母国デンマークに戻った。その短い期間に、彼はニューヨーク・アート・カルテットやニューヨーク・コンテンポラリー・ファイヴといった小さなフリージャズ・アンサンブルや、アルバート・アイラーとの 「New York Eye and Ear Control 」やジョン・コルトレーンの 「Ascension 」といったアルバムで、ソロ、集団即興、作曲の関係を再定義し、拡大することに貢献した。どのアーティストのキャリアにおいても、最も肥沃な時期のひとつであったことは間違いない。しかし、ヨーロッパに戻ると、Tchicaiは主に（それだけではないが）大編成のアンサンブル音楽に目を向けた。ニューヨークでのブレークスルーは失われることなく、大編成の文脈に移され、さらなる探求の道が開かれた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTchicai八重奏団による 「The Education of an Amphibian 」は、「Komponist Udøver Ensemble」、すなわち 「Composing Improvisers Orchestra 」の最初の試みであり、即興と作曲の境界をさらに曖昧にするアプローチである。1966年10月に録音されたこの作品では、Tchicaiが作曲家であり、指導者であり、サウンドのオーガナイザーであり、現代クラシックとアフリカの影響から引き出された幅広い音楽的ボキャブラリーの探求者であることが示されている。Tchicaiはこのバンドを集団として構想したが、彼の感性が色濃く反映されている。バンドメンバーが演奏する緩やかな枠組みは彼が決めた。彼が作曲したテーマは、最も抽象的なフレーズでさえ叙情的に感じさせる。これらの簡潔で反復的なメロディーは、演奏を区切り、構成する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作品の多くは、まさに即興の作曲である。演奏の冒頭を飾る緊密な声のハーモニー、メロディーを供給するドラムのモチーフ、ソリストを支える繊細な背景素材は、作品を終結へと導く要素として機能する自発的な創作である。各楽器が織り成す高次の対位法に参加するエネルギッシュなグループ即興は、コンサートのハイライトである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e個々のソリストも、オクテットの緊密な即興アンサンブル・ワークも、グループのユニークなサウンドに等しく貢献している。トランペッターのヒュー・スタインメッツは、この時期Tchicaiと頻繁に共演しており、バンドに強いジャズ・センスをもたらしている（彼はこのレコーディングの年にデンマーク・ジャズ・アカデミーからデンマークの年間最優秀ジャズ・ミュージシャンに選ばれている）。1964年にコペンハーゲンに移住したアフリカ系アメリカ人のサックス・フルート奏者シャヒブ・シャハブは、バップを取り入れたクレプスキュラーなフルート・ソロを聴かせる。ジャズではほとんど耳にしたことのないクラシック楽器、ハープシコードのピエト・クイテルスの爆発的なソロは、作品に驚くべき新しい音色を挿入している。打楽器奏者たちは、従来のジャズとは全く異なる機能を果たしており、「スウィング」する義務はなく、アンサンブルのパッセージでメロディックに、あるいはテクスチャー的に機能することが多い。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『ビューティフル・ユナイテッド・ハーモニー・ハプニング』は、それとは異なるものであり、学際的な演奏の新しい様式を取り入れる機会なのだ。デンマークに戻った当初から、Tchicaiは音楽家だけでなく、あらゆる芸術形態のアーティストを探し、ハプニングを企画し始めた。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eカデンティア・ノヴァ・ダニカのメンバーが参加した最後の公演のひとつだが、彼らは、スワミ・ナラヤナンダの弟子たちによる5人の合唱団（チカイはこのヨギのアシュラムに住み、自ら合唱団を組織していた）、ダイアン・ブラック・ダンス・シアター、そしてトランペッターでマルチ・インストゥルメンタリストのドン・チェリーという、まさにカテゴリーを超えたアンサンブルの構成要素のひとつに過ぎない（そして、それが中心とは言い難い）。Tchicaiとチェリーは、ジャズ・ミュージシャンとして出発し、伝統的な音楽と実験的な音楽、そして演奏に耳を傾けながら、その枠を広げていった。両者とも、真摯な精神的求道者であった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのマルチメディア・イベントは、実験的な現代アートと儀式主義的な宗教的／瞑想的実践との関係を問うものである。当時、Tchicaiはこう書いている。「私は、自分自身の中にある本物の生命の源と、本物の音楽の源を見つけることに興味があります。この2つの事柄は非常に密接に結びついていると思う。私は人間についてある種のスピリチュアルな信念を持っているが、こうした音楽の源泉を見つけるには、ヨガや禅の教えを調べるのが一番だ。」\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの演奏から間もなく、Tchicaiは精神的な研究に専念するために音楽制作をやめた。これは、彼が4年後にステージに復帰するまでの見送りにふさわしいものだった。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eIncludes insert. \u003cbr\u003e2024 reissue - \u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSide A recorded July 25, 1971 @ Horsens Multi-Musik Festival 71 \u003cbr\u003e\u003c\/span\u003e\u003cspan\u003eSide B recorded October 20, 1966 @ Danish Radio House\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Beautiful United Harmony Happening\u003cbr\u003e2. The Education of an Amphibian\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Alga marghen \/ formalibera is very pleased to present the first of a series of released documenting the work of Danish composer and multi-instrumentalist John Tchicai. This new LP features two previously unpublished recordings, “Beautiful United Harmony Happening” with Don Cherry and “Education Of An Amphibian” with Sahib Shihab.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Tchicai returned to his native Denmark in July 1966 after spending a remarkable four years in New York City. In that short span, he helped redefine and expand the relationship between soloing, collective improvisation, and composition in small free jazz ensembles such as the New York Art Quartet, the New York Contemporary Five, and on albums such as “New York Eye and Ear Control” with Albert Ayler and John Coltrane’s “Ascension”. It certainly counts as one of the most fertile periods in any artist’s career. Yet when he returned to Europe, Tchicai turned his attention primarily (although not exclusively) to large ensemble music. The breakthroughs made in New York were not lost, but transferred to a large group context, opening up further avenues of exploration.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e “The Education of an Amphibian” by the John Tchicai Octet represents a first try at “Komponist Udøver Ensemble,” or “Composing Improvisers Orchestra,” an approach that further blurred boundaries between improvisation and composition. Recorded in October 1966, the piece presents Tchicai as composer and guiding presence; an organizer of sounds; and an explorer of a widening musical vocabulary drawn from contemporary classical and African influences. Tchicai conceived of the band as a collective, yet it very much reflects his sensibilities. He determined the loose framework within which the band members play. His composed themes that make even the most abstract phrases seem lyrical. These concise, repetitive melodies punctuate and structure the performance.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Much of the piece is truly an improvised composition. The closely voiced harmonies that open the performance, the drum motifs that supply a melody, the subtle background material supporting soloists are spontaneous creations that function as elements advancing the piece toward its conclusion. An energized group improvisation, with each instrument participating in an interwoven, higher-order counterpoint, is a highlight of the concert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Individual soloists, as well as the octet’s closely attuned improvised ensemble work, contribute equally to the group’s unique sound. Trumpeter Hugh Steinmetz, a frequent Tchicai collaborator during this period, brings a strong jazz sensibility to the band (he was elected Danish Jazz Musician of the Year by the Danish Jazz Academy the year of this recording). Saxophonist-flutist Shahib Shahab, an African American ex-pat who moved to Copenhagen in 1964, takes a crepuscular, bop-inflected flute solo. Piet Kuiters’ explosive solo on harpsichord, a classical instrument nearly unheard of in jazz interjects startling new timbres into the piece. The percussionists function quite differently than in conventional jazz, they are not obligated to “swing” and often function melodically or texturally in ensemble passages.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e “Beautiful United Harmony Happening” is something different—an opportunity to embrace new modes of interdisciplinary performance. From the beginning of his return to Denmark, Tchicai sought out not only musicians, but artists in all artforms and began to organize happenings.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Although rarely noted, ideas linked to Fluxus, performance art, and happenings were a large influence of Tchicai’s thinking at this time. All these related movements sought to blur or erase boundaries between media and set up juxtapositions between styles and artforms that disrupted received ideas of “high” and “low” art. Participation by non-artists introduced elements that challenged ideas about virtuosity and legitimate expression. Random elements were embraced, and non-Western music and concepts were welcome. Tchicai quite often used many these revolutionary ideas with Cadentia Nova Danica and in happenings he organized at this time. This performance, heard here in an excerpt from the full two-hour performance, is very much in this vein.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e It is one of the last performances involving members of Cadentia Nova Danica, but they are only one component (and hardly the focus) of an ensemble that included a five-member chorus of disciples of the Swami Narayanananda (Tchicai lived at the yogi’s ashram and had organized the choir himself), the Diane Black Dance Theatre, and Don Cherry, a trumpeter and multi-instrumentalist truly beyond category. Tchicai and Cherry followed similar paths through music, starting as jazz musicians and broadening their frames of reference with an ear for traditional and experimental forms of music and performance as they evolved. Both were earnest spiritual seekers.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The multimedia event interrogates the relationship between experimental contemporary art and ritualist religious\/meditative practice. At the time, Tchicai wrote, “I’m interested in finding the genuine source of life in myself and the genuine source of music. I think those two considerations are tied up very much. I have certain spiritual beliefs about human beings, and the best place to find these sources of music are to look into the yoga and Zen teachings.”\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e Not long after this performance, Tchicai stopped music making to devote himself to his spiritual studies. This was a fitting send off until his return to the stage four years later.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist: John Tchicai, Don Cherry, Sahib Shihab\u003c\/p\u003e\n\u003cp\u003eLabel : Formalibera (Alga Marghen)\u003c\/p\u003e\n\u003cp\u003eCAT No : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1FFJT176\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2024 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
ジャズ作家John TchicaiとDon Cherry、Sahib Shihabが、2026年7月にイタリアの実験レーベルAlga Marghenから150部限定でリリースした再発レコードです。（オリジナルは2024年リリース） スプリチュアル・ジャズ2曲を収録。インサート付属。 以下、レーベルによる解説です。 "Alga marghen / formaliberaは、デンマークの作曲家、マルチ・インストゥルメンタリストJohn Tchicaiの作品を記録したシリーズの第一弾を発表できることを大変嬉しく思う。この新しいLPは、ドン・チェリーとの 「Beautiful United...
¥4,995
クイックビュー
{"id":6126455783589,"title":"John Thayer \u0026 Craig Schenker \/\/ Mountain Rumors TAPE","handle":"john-thayer-craig-schenker-mountain-rumors-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eテキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、新人作家2名による\u003c\/span\u003e2020年リリースのデビューカセット。アルトサックスやフルート、エレクトロニクスを用いたアンビエントドローン5曲、約30分を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1365874070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3970202988\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/auralcanyonmusic.bandcamp.com\/album\/mountain-rumors\"\u003eMountain Rumors by John Thayer \u0026amp; Craig Schenker\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFive compositions influenced by a desire for tranquility and solitude and in reverence to Mother Earth who remains such a gracious host despite our own failings.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Thayer - Tape Loops, Moog Opus, Laptop \u0026amp; Electronics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCraig Schenker - Alto Sax, Flute, Electronics\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : John Thayer \u0026amp; Craig Schenker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003elabel : aural canyon\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","published_at":"2021-01-26T10:04:56+09:00","created_at":"2021-01-26T10:04:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","aural canyon","drone","post newage","tape"],"price":209800,"price_min":209800,"price_max":209800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":37777805639845,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Thayer \u0026 Craig Schenker \/\/ Mountain Rumors TAPE","public_title":null,"options":["Default Title"],"price":209800,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/0022413088_10.jpg?v=1611623260"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/0022413088_10.jpg?v=1611623260","options":["Title"],"media":[{"alt":null,"id":16244680589477,"position":1,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0022413088_10.jpg?v=1611623260"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0022413088_10.jpg?v=1611623260","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eテキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、新人作家2名による\u003c\/span\u003e2020年リリースのデビューカセット。アルトサックスやフルート、エレクトロニクスを用いたアンビエントドローン5曲、約30分を収録。DLコード付属。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1365874070\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3970202988\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/auralcanyonmusic.bandcamp.com\/album\/mountain-rumors\"\u003eMountain Rumors by John Thayer \u0026amp; Craig Schenker\u003c\/a\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFive compositions influenced by a desire for tranquility and solitude and in reverence to Mother Earth who remains such a gracious host despite our own failings.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJohn Thayer - Tape Loops, Moog Opus, Laptop \u0026amp; Electronics\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCraig Schenker - Alto Sax, Flute, Electronics\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eartist : John Thayer \u0026amp; Craig Schenker\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003elabel : aural canyon\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e"}
You may also like:
テキサスのポストニューエイジ・アンビエントカセットレーベルAural Canyon諸作を本邦初入荷。本作は、新人作家2名による2020年リリースのデビューカセット。アルトサックスやフルート、エレクトロニクスを用いたアンビエントドローン5曲、約30分を収録。DLコード付属。Mountain Rumors by John Thayer & Craig Schenker Five compositions influenced by...
Sold Out
クイックビュー
{"id":7462853181690,"title":"John Thayer \/\/ Supermundane LP","handle":"john-thayer-supermundane-lp","description":"\u003cp\u003e過去にAural Canyonから発表しているアメリカ・NYのパーカッショニストJohn Thayerが、2021年11月に同国マサチューセッツのエレクトロニックレーベルMoon Villainからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンピューターによる躍動感のあるアンビエント〜ポストニューエイジ・IDM〜アンビエントドローン9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4196047461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/movi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/movi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/movi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/movi\"\u003ehere\u003c\/a\u003e to see more Moon Villain releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWritten and recorded by John Thayer in Kyoto, Maui, and Brooklyn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : John Thayer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eMoon Villain\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-11-22T14:45:32+09:00","created_at":"2021-11-22T13:41:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","house","lp","Moon Villain","post newage"],"price":338000,"price_min":338000,"price_max":338000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42093964198138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Thayer \/\/ Supermundane LP","public_title":null,"options":["Default Title"],"price":338000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/su1_e2ce3503-9d89-46f6-913e-94dbd935c63e.jpg?v=1637556090","\/\/tobirarecords.com\/cdn\/shop\/products\/su2_c8d8b13f-efdf-4807-abac-99b36be2cafd.jpg?v=1637556090"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/su1_e2ce3503-9d89-46f6-913e-94dbd935c63e.jpg?v=1637556090","options":["Title"],"media":[{"alt":null,"id":28716785434874,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/su1_e2ce3503-9d89-46f6-913e-94dbd935c63e.jpg?v=1637556090"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/su1_e2ce3503-9d89-46f6-913e-94dbd935c63e.jpg?v=1637556090","width":700},{"alt":null,"id":28716785467642,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/su2_c8d8b13f-efdf-4807-abac-99b36be2cafd.jpg?v=1637556090"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/su2_c8d8b13f-efdf-4807-abac-99b36be2cafd.jpg?v=1637556090","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にAural Canyonから発表しているアメリカ・NYのパーカッショニストJohn Thayerが、2021年11月に同国マサチューセッツのエレクトロニックレーベルMoon Villainからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコンピューターによる躍動感のあるアンビエント〜ポストニューエイジ・IDM〜アンビエントドローン9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4196047461\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/movi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/movi\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/movi\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/movi\"\u003ehere\u003c\/a\u003e to see more Moon Villain releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e--------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWritten and recorded by John Thayer in Kyoto, Maui, and Brooklyn\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : John Thayer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eMoon Villain\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
過去にAural Canyonから発表しているアメリカ・NYのパーカッショニストJohn Thayerが、2021年11月に同国マサチューセッツのエレクトロニックレーベルMoon Villainからリリースしたレコードです。 コンピューターによる躍動感のあるアンビエント〜ポストニューエイジ・IDM〜アンビエントドローン9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Moon Villain releases available at...
Sold Out
クイックビュー
{"id":8942712094970,"title":"John Thayer \/\/ Winds Gate TAPE","handle":"john-thayer-winds-gate-tape","description":"\u003cp\u003eKasai Rooftop Partyで素晴らしいライブを披露してくれたアメリカのアンビエント作家John Thayerが、2025年10月にテキサスのアンビエントレーベルAural Canyonからリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e穏やかな時間を約束するポストニューエイジ・アンビエント10曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3069808574\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003ehere\u003c\/a\u003e to see more Aural Canyon releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. River Manitou\u003cbr\u003e2. Tidal Memory\u003cbr\u003e3. Tuning Brook\u003cbr\u003e4. Moon Ridge\u003cbr\u003e5. Spirit Ladder\u003cbr\u003e6. Beginner's Mind 02:22\u003cbr\u003e7. Depths Unseen\u003cbr\u003e8. Twice Tides 03:18\u003cbr\u003e9. Winds Gate\u003cbr\u003e10. Submarine Canyon\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by Aural Canyon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWinds Gate finds John Thayer at this very riverside, pointing a field recorder and a modular rig right at the churn of the water, as if the Hudson River School painters traded their oils for Ableton. Sweet, weathered educational-film synth tones and drones\u003cspan class=\"bcTruncateMore\"\u003e fade into light over burbling, textural capture of forest transmissions, creaturely chatter, and riparian current while enigmatic audio processing pushes cycling white noise and chopped up samples from one speaker to the next and back again - a picture-perfect sonic representation of the river-as-crossroads. Impossibly huge sky above, an impenetrably deep canyon plunging below the surface, and near the margins a single human figure, reckoning with a terrible, liberating truth: we control not the tides, it’s all slipping away, boats against the current, borne back ceaselessly into the past.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : John Thayer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Aural Canyon\u003c\/span\u003e\u003c\/p\u003e","published_at":"2025-10-01T13:54:42+09:00","created_at":"2025-10-01T12:07:39+09:00","vendor":"Tobira Records","type":"","tags":["ambient","aural canyon","new","post newage","tape"],"price":279400,"price_min":279400,"price_max":279400,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47783689519354,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Thayer \/\/ Winds Gate TAPE","public_title":null,"options":["Default Title"],"price":279400,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/win1_6e5a7c50-928a-4dbb-9fc0-9bbee2ad8ee0.jpg?v=1759287933","\/\/tobirarecords.com\/cdn\/shop\/files\/win2_788d13ca-c7a1-42e7-877a-2b11ccd08958.jpg?v=1759287933"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_6e5a7c50-928a-4dbb-9fc0-9bbee2ad8ee0.jpg?v=1759287933","options":["Title"],"media":[{"alt":null,"id":36962266808570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_6e5a7c50-928a-4dbb-9fc0-9bbee2ad8ee0.jpg?v=1759287933"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win1_6e5a7c50-928a-4dbb-9fc0-9bbee2ad8ee0.jpg?v=1759287933","width":700},{"alt":null,"id":36962266841338,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_788d13ca-c7a1-42e7-877a-2b11ccd08958.jpg?v=1759287933"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/win2_788d13ca-c7a1-42e7-877a-2b11ccd08958.jpg?v=1759287933","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKasai Rooftop Partyで素晴らしいライブを披露してくれたアメリカのアンビエント作家John Thayerが、2025年10月にテキサスのアンビエントレーベルAural Canyonからリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e穏やかな時間を約束するポストニューエイジ・アンビエント10曲を収録。DLコード付属。廃盤です。\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3069808574\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/auralc\"\u003ehere\u003c\/a\u003e to see more Aural Canyon releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIncludes DL code.\u003cbr\u003eCassette in norelco case.\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. River Manitou\u003cbr\u003e2. Tidal Memory\u003cbr\u003e3. Tuning Brook\u003cbr\u003e4. Moon Ridge\u003cbr\u003e5. Spirit Ladder\u003cbr\u003e6. Beginner's Mind 02:22\u003cbr\u003e7. Depths Unseen\u003cbr\u003e8. Twice Tides 03:18\u003cbr\u003e9. Winds Gate\u003cbr\u003e10. Submarine Canyon\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by Aural Canyon:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eWinds Gate finds John Thayer at this very riverside, pointing a field recorder and a modular rig right at the churn of the water, as if the Hudson River School painters traded their oils for Ableton. Sweet, weathered educational-film synth tones and drones\u003cspan class=\"bcTruncateMore\"\u003e fade into light over burbling, textural capture of forest transmissions, creaturely chatter, and riparian current while enigmatic audio processing pushes cycling white noise and chopped up samples from one speaker to the next and back again - a picture-perfect sonic representation of the river-as-crossroads. Impossibly huge sky above, an impenetrably deep canyon plunging below the surface, and near the margins a single human figure, reckoning with a terrible, liberating truth: we control not the tides, it’s all slipping away, boats against the current, borne back ceaselessly into the past.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : John Thayer\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Aural Canyon\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
Kasai Rooftop Partyで素晴らしいライブを披露してくれたアメリカのアンビエント作家John Thayerが、2025年10月にテキサスのアンビエントレーベルAural Canyonからリリースしたカセットです。 穏やかな時間を約束するポストニューエイジ・アンビエント10曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Aural Canyon releases available...
Sold Out
クイックビュー
{"id":7853581730042,"title":"John Thomas \/\/ The Revolution Is Coming 12\"","handle":"john-thomas-the-revolution-is-coming-12","description":"\u003cp\u003eポルトガルのハウス作家John Thomasが、2020年に自身主宰レーベルGingaからリリースした12\"です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/p8wsN5tS_co\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bbJf9hG3H3E\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003evia Yoyaku Distribution:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBack after ten years out of the radar, John Thomas presents GINGA Music ! The first release of his new label sticks to the DJ producer’s touch: tasty and funky. The Revolution Is Coming EP, which should delight house music lovers is announced for December 2019 in partnership with YYDistribution.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Ginga Music\u003c\/p\u003e","published_at":"2023-02-09T07:22:05+09:00","created_at":"2022-11-29T20:20:16+09:00","vendor":"Tobira Records","type":"","tags":["house","lp"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43708125610234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"John Thomas \/\/ The Revolution Is Coming 12\"","public_title":null,"options":["Default Title"],"price":168000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-11-29at8.18.30pm.png?v=1669720817","\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-11-29at8.18.36pm.png?v=1669720817"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-11-29at8.18.30pm.png?v=1669720817","options":["Title"],"media":[{"alt":null,"id":31098925252858,"position":1,"preview_image":{"aspect_ratio":0.997,"height":644,"width":642,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-11-29at8.18.30pm.png?v=1669720817"},"aspect_ratio":0.997,"height":644,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-11-29at8.18.30pm.png?v=1669720817","width":642},{"alt":null,"id":31098925285626,"position":2,"preview_image":{"aspect_ratio":0.997,"height":644,"width":642,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-11-29at8.18.36pm.png?v=1669720817"},"aspect_ratio":0.997,"height":644,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ScreenShot2022-11-29at8.18.36pm.png?v=1669720817","width":642}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポルトガルのハウス作家John Thomasが、2020年に自身主宰レーベルGingaからリリースした12\"です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/p8wsN5tS_co\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/bbJf9hG3H3E\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003evia Yoyaku Distribution:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBack after ten years out of the radar, John Thomas presents GINGA Music ! The first release of his new label sticks to the DJ producer’s touch: tasty and funky. The Revolution Is Coming EP, which should delight house music lovers is announced for December 2019 in partnership with YYDistribution.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Ginga Music\u003c\/p\u003e"}
You may also like:
ポルトガルのハウス作家John Thomasが、2020年に自身主宰レーベルGingaからリリースした12"です。 ------------------------------------ via Yoyaku Distribution: "Back after ten years out of the radar,...
Sold Out
クイックビュー
{"id":6739590709413,"title":"John Thumb \/\/ John Thumb CD","handle":"john-thumb-john-thumb-cd","description":"\u003cp\u003eカナダ・ハミルトンのフォーク作家Scott Orr主宰Other Songsを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ハミルトンのインディーフォーク作家John Thumbのデビューアルバムです。フォークポップ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2454987678\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2359498224\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/otso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/otso\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/otso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/otso\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Other Songs releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Thumb \u003c\/p\u003e\n\u003cp\u003eLabel : Other Songs\u003c\/p\u003e","published_at":"2021-05-11T09:57:36+09:00","created_at":"2021-05-10T15:41:27+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","other songs"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39859111067813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Thumb \/\/ John Thumb CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_605c4328-0ca5-46e5-9156-32687c865aed.jpg?v=1620628889","\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_9d201a0c-6df6-4e87-b6ae-fae93188b1e7.jpg?v=1620628889"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_605c4328-0ca5-46e5-9156-32687c865aed.jpg?v=1620628889","options":["Title"],"media":[{"alt":null,"id":22077356114085,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_605c4328-0ca5-46e5-9156-32687c865aed.jpg?v=1620628889"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo1_605c4328-0ca5-46e5-9156-32687c865aed.jpg?v=1620628889","width":700},{"alt":null,"id":22077356146853,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_9d201a0c-6df6-4e87-b6ae-fae93188b1e7.jpg?v=1620628889"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/jo2_9d201a0c-6df6-4e87-b6ae-fae93188b1e7.jpg?v=1620628889","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・ハミルトンのフォーク作家Scott Orr主宰Other Songsを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、ハミルトンのインディーフォーク作家John Thumbのデビューアルバムです。フォークポップ9曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2454987678\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2359498224\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/otso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/otso\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/otso\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/otso\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Other Songs releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Thumb \u003c\/p\u003e\n\u003cp\u003eLabel : Other Songs\u003c\/p\u003e"}
You may also like:
カナダ・ハミルトンのフォーク作家Scott Orr主宰Other Songsを本邦初入荷しました。 本作は、ハミルトンのインディーフォーク作家John Thumbのデビューアルバムです。フォークポップ9曲を収録。 レーベルその他作品はこちら /// Click here to see more Other Songs releases available at...
¥1,890
クイックビュー
{"id":9384388886778,"title":"John Tilbury \/\/ At home 4xCD BOX","handle":"john-tilbury-at-home-4xcd-box","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eイギリスのピアニストJohn Tilburyが、2026年7月にシェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした4枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e彼のキャリア集大成32曲を収録。20ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2018年、John Tilburyはこれ以上コンサートを引き受けることに消極的になっていった。彼はロンドンから80マイル離れたケント海岸のディールに住んでおり、車も持っていない。そのため、演奏家として依然として需要はあったものの、82歳という年齢を機に、演奏活動を終えることを決めた。この話を聞いた時、私が彼のところへ伺えば、自宅で録音させてくれるかどうか尋ねてみた。彼は快諾してくれた。それ以来、2026年の春に至るまで、私は6か月か9か月ごとにディールを訪れ、ジョンと妻のジャニスが暮らすテラスハウスの裏手にある増築部分で、彼がピアノやクラヴィコードを演奏する様子を録音した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその都度、ジョンが弾きたいと望む曲を録音したため、エリザベス朝時代の歌集に収められた曲から、スクラッチ・オーケストラ時代の旧友たちが送ってくれた新作に至るまで、ユニークでバラエティに富んだ録音コレクションが揃った。ジョンが疲れていたり痛みを訴えたりする時は、あまり録音できず、訪問はレコーディング・セッションというより社交の場のようなものになった。ジョンやジャニスと音楽や政治について語り合い、ジョンの過去や数多くの音楽仲間たちの話を聞くのは、いつもとても楽しかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2026年の初め――彼の90歳の誕生日頃――ジョンは、このまま長く続けていけば、自分が演奏する音楽にふさわしい演奏ができなくなってしまうだろうと判断し、やめるべきだと決めた。当初の構想――もしそれがあったとすれば――は、録音した音源の中から選りすぐりをアルバムとしてリリースすることだったが、すべての録音を聴き直してみると、ジョンは1970年代にまで遡るアーカイブ音源も収録すべきだと提案した。こうして議論が始まり、収録候補として挙がった数多くの楽曲を絞り込み、最終的にこのボックスセットに収められた4枚のCDの内容に合意に至った。このボックスセットは、事実上、ジョンのレコーディング・キャリアの終焉を告げるものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eJohn Tilburyは、英国のみならず世界中で、現代音楽、即興音楽、実験音楽の歴史において巨人の一人だ。このユニークなプロジェクトで彼と共に仕事できたことは、光栄であり喜びでもあった。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=764661997\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e4 x CD in individual cardstock sleeves + outer box. \u003cbr\u003eIncludes 20-page booklet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1-1 Four Pieces 5:03 \u003cbr\u003e1-2 Bishopsgate 2:25 \u003cbr\u003e1-3 Piece In Old Style 1:32 \u003cbr\u003e1-4 Potters Bar 1:10 \u003cbr\u003e1-5 Ageless In Langham 1:36 \u003cbr\u003e1-6 Deal 0:52 \u003cbr\u003e1-7 Oblique Piece 25 3:18 \u003cbr\u003e1-8 Three Short Piano Pieces 2:35 \u003cbr\u003e1-9 Poire 4:39 \u003cbr\u003e1-10 For Pianist 11:05 \u003cbr\u003e1-11 Sycamore 41:39 \u003cbr\u003e2-1 Piece For Four Pianos 12:10 \u003cbr\u003e2-2 Volo Solo 11:55 \u003cbr\u003e2-3 J.T. Bagatelle 1:55 \u003cbr\u003e2-4 Five Pieces For Clavichord 11:53 \u003cbr\u003e2-5 Endgame 2:00 Five Nocturnes (37:51) \u003cbr\u003e2-6 - \u003cbr\u003e2-7 - \u003cbr\u003e2-8 - \u003cbr\u003e2-9 - \u003cbr\u003e2-10 - \u003cbr\u003e3-1 December 22 2:08 \u003cbr\u003e3-2 Al Contrario 34:03 \u003cbr\u003e3-3 O'Hara Improvisations 8:09 \u003cbr\u003e3-4 Bun No. 2 For Orchestra 9:00 \u003cbr\u003e3-5 Dust And Piano 16:15 \u003cbr\u003e3-6 Madame Press Died Last Week At Ninety 7:31 \u003cbr\u003e4-1 What Is The Word 6:53 \u003cbr\u003e4-2 Untitled Improvisation 28:09 \u003cbr\u003e4-3 For Samuel Beckett 28:59 \u003cbr\u003e4-4 Pour Rien 11:32 \u003cbr\u003e4-5 Salient 4:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA 4-CD box set of domestic and archive recordings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe domestic recordings cover the period from 2018 (when John Tilbury stopped doing concerts) to his 90th birthday in 2026 (when John decided to end his recording career) and were recorded at John's home in Deal, Kent.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJohn Tilbury on piano, clavichord \u0026amp; organ - with friends on various of the archive tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eText written by \u003cmeta charset=\"utf-8\"\u003eSimon Reynell, from the foreword to the booklet:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"In 2018 John Tilbury became reluctant to take on more concerts. He lives in Deal on the Kent coast, 80 miles from London, and doesn’t have a car, so, although he was still in demand as a performer, at the age of 82, he decided to end his performing career. When I heard this, I asked whether - if I came to him - he would still be happy to be recorded at home. He said yes, and from then until spring 2026 I travelled to Deal every 6 or 9 months to record John playing piano and clavichord in the lean-to extension at the back of the terrace house where he and his wife Janice live.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe recorded whatever John wanted to play at the time, and so assembled an unusual and varied collection of recordings ranging from pieces from Elizabethan songbooks to new compositions sent by old friends from Scratch Orchestra days. Sometimes, if John was tired or in pain, we didn’t record very much, and the visits became as much a social thing as a recording session - and it was always very enjoyable to talk with John and Janice about music and politics, and hear stories about John’s past and his many musical friends.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn early 2026 – around the time of his 90th birthday - John decided that if we carried on much longer, he’d no longer be able to do justice to the music he was playing, and that we should stop. The original idea – insofar as we had one - was to release a selection of what we’d recorded as an album, but once we started listening back to everything, John suggested that we also include some archive recordings, dating from as far back as the 1970’s. So began a process of discussion, whittling down the many things we could have included, until we agreed on the contents of the four CDs in this box set, which effectively marks the end of John’s recording career.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJohn Tilbury is a giant in the history of contemporary, improvised and experimental music, not just in the UK, but worldwide. It has been a privilege and a joy to work with him on this unique project.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tilbury\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat257x4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 21st July 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-08-25T07:47:08+09:00","created_at":"2026-08-24T11:49:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","jazz","neo classical","new"],"price":860000,"price_min":860000,"price_max":860000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":50154023158010,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Tilbury \/\/ At home 4xCD BOX","public_title":null,"options":["Default Title"],"price":860000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hom2_e268b99b-11c4-4d8a-a553-cb9042b6177a.jpg?v=1787539583","\/\/tobirarecords.com\/cdn\/shop\/files\/hom1_e5e17047-1ffb-4671-bf41-57dfc7bcfacc.jpg?v=1787539583"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hom2_e268b99b-11c4-4d8a-a553-cb9042b6177a.jpg?v=1787539583","options":["Title"],"media":[{"alt":null,"id":40716236456186,"position":1,"preview_image":{"aspect_ratio":1.014,"height":1183,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hom2_e268b99b-11c4-4d8a-a553-cb9042b6177a.jpg?v=1787539583"},"aspect_ratio":1.014,"height":1183,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hom2_e268b99b-11c4-4d8a-a553-cb9042b6177a.jpg?v=1787539583","width":1200},{"alt":null,"id":40716236423418,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hom1_e5e17047-1ffb-4671-bf41-57dfc7bcfacc.jpg?v=1787539583"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hom1_e5e17047-1ffb-4671-bf41-57dfc7bcfacc.jpg?v=1787539583","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eイギリスのピアニストJohn Tilburyが、2026年7月にシェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした4枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003e彼のキャリア集大成32曲を収録。20ページのブックレット付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2018年、John Tilburyはこれ以上コンサートを引き受けることに消極的になっていった。彼はロンドンから80マイル離れたケント海岸のディールに住んでおり、車も持っていない。そのため、演奏家として依然として需要はあったものの、82歳という年齢を機に、演奏活動を終えることを決めた。この話を聞いた時、私が彼のところへ伺えば、自宅で録音させてくれるかどうか尋ねてみた。彼は快諾してくれた。それ以来、2026年の春に至るまで、私は6か月か9か月ごとにディールを訪れ、ジョンと妻のジャニスが暮らすテラスハウスの裏手にある増築部分で、彼がピアノやクラヴィコードを演奏する様子を録音した。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその都度、ジョンが弾きたいと望む曲を録音したため、エリザベス朝時代の歌集に収められた曲から、スクラッチ・オーケストラ時代の旧友たちが送ってくれた新作に至るまで、ユニークでバラエティに富んだ録音コレクションが揃った。ジョンが疲れていたり痛みを訴えたりする時は、あまり録音できず、訪問はレコーディング・セッションというより社交の場のようなものになった。ジョンやジャニスと音楽や政治について語り合い、ジョンの過去や数多くの音楽仲間たちの話を聞くのは、いつもとても楽しかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2026年の初め――彼の90歳の誕生日頃――ジョンは、このまま長く続けていけば、自分が演奏する音楽にふさわしい演奏ができなくなってしまうだろうと判断し、やめるべきだと決めた。当初の構想――もしそれがあったとすれば――は、録音した音源の中から選りすぐりをアルバムとしてリリースすることだったが、すべての録音を聴き直してみると、ジョンは1970年代にまで遡るアーカイブ音源も収録すべきだと提案した。こうして議論が始まり、収録候補として挙がった数多くの楽曲を絞り込み、最終的にこのボックスセットに収められた4枚のCDの内容に合意に至った。このボックスセットは、事実上、ジョンのレコーディング・キャリアの終焉を告げるものだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003eJohn Tilburyは、英国のみならず世界中で、現代音楽、即興音楽、実験音楽の歴史において巨人の一人だ。このユニークなプロジェクトで彼と共に仕事できたことは、光栄であり喜びでもあった。\u003c\/i\u003e\"\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=764661997\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e4 x CD in individual cardstock sleeves + outer box. \u003cbr\u003eIncludes 20-page booklet.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1-1 Four Pieces 5:03 \u003cbr\u003e1-2 Bishopsgate 2:25 \u003cbr\u003e1-3 Piece In Old Style 1:32 \u003cbr\u003e1-4 Potters Bar 1:10 \u003cbr\u003e1-5 Ageless In Langham 1:36 \u003cbr\u003e1-6 Deal 0:52 \u003cbr\u003e1-7 Oblique Piece 25 3:18 \u003cbr\u003e1-8 Three Short Piano Pieces 2:35 \u003cbr\u003e1-9 Poire 4:39 \u003cbr\u003e1-10 For Pianist 11:05 \u003cbr\u003e1-11 Sycamore 41:39 \u003cbr\u003e2-1 Piece For Four Pianos 12:10 \u003cbr\u003e2-2 Volo Solo 11:55 \u003cbr\u003e2-3 J.T. Bagatelle 1:55 \u003cbr\u003e2-4 Five Pieces For Clavichord 11:53 \u003cbr\u003e2-5 Endgame 2:00 Five Nocturnes (37:51) \u003cbr\u003e2-6 - \u003cbr\u003e2-7 - \u003cbr\u003e2-8 - \u003cbr\u003e2-9 - \u003cbr\u003e2-10 - \u003cbr\u003e3-1 December 22 2:08 \u003cbr\u003e3-2 Al Contrario 34:03 \u003cbr\u003e3-3 O'Hara Improvisations 8:09 \u003cbr\u003e3-4 Bun No. 2 For Orchestra 9:00 \u003cbr\u003e3-5 Dust And Piano 16:15 \u003cbr\u003e3-6 Madame Press Died Last Week At Ninety 7:31 \u003cbr\u003e4-1 What Is The Word 6:53 \u003cbr\u003e4-2 Untitled Improvisation 28:09 \u003cbr\u003e4-3 For Samuel Beckett 28:59 \u003cbr\u003e4-4 Pour Rien 11:32 \u003cbr\u003e4-5 Salient 4:38\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eA 4-CD box set of domestic and archive recordings.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe domestic recordings cover the period from 2018 (when John Tilbury stopped doing concerts) to his 90th birthday in 2026 (when John decided to end his recording career) and were recorded at John's home in Deal, Kent.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJohn Tilbury on piano, clavichord \u0026amp; organ - with friends on various of the archive tracks.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eText written by \u003cmeta charset=\"utf-8\"\u003eSimon Reynell, from the foreword to the booklet:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"In 2018 John Tilbury became reluctant to take on more concerts. He lives in Deal on the Kent coast, 80 miles from London, and doesn’t have a car, so, although he was still in demand as a performer, at the age of 82, he decided to end his performing career. When I heard this, I asked whether - if I came to him - he would still be happy to be recorded at home. He said yes, and from then until spring 2026 I travelled to Deal every 6 or 9 months to record John playing piano and clavichord in the lean-to extension at the back of the terrace house where he and his wife Janice live.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWe recorded whatever John wanted to play at the time, and so assembled an unusual and varied collection of recordings ranging from pieces from Elizabethan songbooks to new compositions sent by old friends from Scratch Orchestra days. Sometimes, if John was tired or in pain, we didn’t record very much, and the visits became as much a social thing as a recording session - and it was always very enjoyable to talk with John and Janice about music and politics, and hear stories about John’s past and his many musical friends.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eIn early 2026 – around the time of his 90th birthday - John decided that if we carried on much longer, he’d no longer be able to do justice to the music he was playing, and that we should stop. The original idea – insofar as we had one - was to release a selection of what we’d recorded as an album, but once we started listening back to everything, John suggested that we also include some archive recordings, dating from as far back as the 1970’s. So began a process of discussion, whittling down the many things we could have included, until we agreed on the contents of the four CDs in this box set, which effectively marks the end of John’s recording career.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eJohn Tilbury is a giant in the history of contemporary, improvised and experimental music, not just in the UK, but worldwide. It has been a privilege and a joy to work with him on this unique project.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Tilbury\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eat257x4\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 21st July 2026\u003c\/span\u003e\u003c\/p\u003e"}
You may also like:
※10月下旬再入荷後発送します イギリスのピアニストJohn Tilburyが、2026年7月にシェフィールドのコンテンポラリー・クラシックレーベルAnother Timbreからリリースした4枚組CD BOXです。 彼のキャリア集大成32曲を収録。20ページのブックレット付属。 以下、レーベルによる解説です。 "2018年、John Tilburyはこれ以上コンサートを引き受けることに消極的になっていった。彼はロンドンから80マイル離れたケント海岸のディールに住んでおり、車も持っていない。そのため、演奏家として依然として需要はあったものの、82歳という年齢を機に、演奏活動を終えることを決めた。この話を聞いた時、私が彼のところへ伺えば、自宅で録音させてくれるかどうか尋ねてみた。彼は快諾してくれた。それ以来、2026年の春に至るまで、私は6か月か9か月ごとにディールを訪れ、ジョンと妻のジャニスが暮らすテラスハウスの裏手にある増築部分で、彼がピアノやクラヴィコードを演奏する様子を録音した。 その都度、ジョンが弾きたいと望む曲を録音したため、エリザベス朝時代の歌集に収められた曲から、スクラッチ・オーケストラ時代の旧友たちが送ってくれた新作に至るまで、ユニークでバラエティに富んだ録音コレクションが揃った。ジョンが疲れていたり痛みを訴えたりする時は、あまり録音できず、訪問はレコーディング・セッションというより社交の場のようなものになった。ジョンやジャニスと音楽や政治について語り合い、ジョンの過去や数多くの音楽仲間たちの話を聞くのは、いつもとても楽しかった。 2026年の初め――彼の90歳の誕生日頃――ジョンは、このまま長く続けていけば、自分が演奏する音楽にふさわしい演奏ができなくなってしまうだろうと判断し、やめるべきだと決めた。当初の構想――もしそれがあったとすれば――は、録音した音源の中から選りすぐりをアルバムとしてリリースすることだったが、すべての録音を聴き直してみると、ジョンは1970年代にまで遡るアーカイブ音源も収録すべきだと提案した。こうして議論が始まり、収録候補として挙がった数多くの楽曲を絞り込み、最終的にこのボックスセットに収められた4枚のCDの内容に合意に至った。このボックスセットは、事実上、ジョンのレコーディング・キャリアの終焉を告げるものだ。 John Tilburyは、英国のみならず世界中で、現代音楽、即興音楽、実験音楽の歴史において巨人の一人だ。このユニークなプロジェクトで彼と共に仕事できたことは、光栄であり喜びでもあった。" レーベルその他作品はこちら ///...
¥8,600