クイックビュー
{"id":7771077476602,"title":"Midori Takada \/\/ Cutting Branches For A Temporary Shelter LP","handle":"midori-takada-cutting-branches-for-a-temporary-shelter-lp","description":"\u003cp\u003e日本のパーカッショニスト高田みどりが、2022年6月にWRWTFWW Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eジンバブエ・\u003c\/span\u003e\u003cspan\u003eショナ族の伝統ムビラ音楽「Nhemamusasa」を演奏したライブ録音盤です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eレコードは180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2534547414\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl \u003cspan data-mce-fragment=\"1\"\u003ehoused in a 350gsm sleeve, with OBI, and liner notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRecorded in a live setting and played with instruments conserved in the collections of the MEG Museum, Cutting Branches For A Temporary Shelter is Midori Takada’s very own rendition of \"Nhemamusasa\", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe, well known worldwide, thanks notably to its version by Paul F. Berliner included on the famed 1973 album The Soul of Mbira.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe choice of this title by Midori Takada evokes the links between traditional African and contemporary music which are the foundation of this work, and it also translates the resolutely multicultural vision of the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e artist.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMidori Takada explains: \"African music is remarkable for its polyrhythms. Not only are there simultaneously several rhythmic motifs, sometimes as many as ten, but furthermore it may be that the part played by each musician has its own starting point and its own pace, all combining to form a cycle. All the cycles progress at the same time according to a single metrical structure which functions as a reference point, but which is not played by any one person from beginning to end. The structure emerges out of the multi-level parts, all different. With the Shona, the musical system is based on the polymelody: one performs simultaneously several melodic lines which are superimposed, each having its own rhythmic organization. It is truly captivating. In Western classical music, one four-beat rhythm induces some precise temporal framework and regular reference points, which come on the strong beats 1 and 3. But in the logic of the Shona musical system, and in other African music, the melody can begin in the very middle of the cycle and be continued up to some other place in an autonomous manner, as if it had its own personality. It’s very rich.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album comes with in-depth liner notes that include an interview with Midori Takada, a point of view by Zimbabwean scholar, musician and activist Forward Mazuruse, and background information on the project by Isabel Garcia Gomez and Madeleine Leclair from MEG Museum.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sleeve features an artwork by celebrated Zimbabwean painter Portia Zvavahera.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePart of the budget for the album was donated to Forward Mazuruse’s Music For Development Foundation whose aim is to identify, nurture, and record young but underprivileged musicians in Zimbabwe.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Midori Takada\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWRWTFWW Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-09-27T14:16:42+09:00","created_at":"2022-09-26T18:27:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","post newage","WRWTFWW Records"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":43436892848378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Midori Takada \/\/ Cutting Branches For A Temporary Shelter LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cu2_6eade562-0e9b-46e1-8f42-f948ff444b5f.jpg?v=1664184428","\/\/tobirarecords.com\/cdn\/shop\/products\/cu3_7b775120-8a9a-4593-a50f-31a815739135.jpg?v=1664184429"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu2_6eade562-0e9b-46e1-8f42-f948ff444b5f.jpg?v=1664184428","options":["Title"],"media":[{"alt":null,"id":30576440541434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu2_6eade562-0e9b-46e1-8f42-f948ff444b5f.jpg?v=1664184428"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu2_6eade562-0e9b-46e1-8f42-f948ff444b5f.jpg?v=1664184428","width":700},{"alt":null,"id":30576440574202,"position":2,"preview_image":{"aspect_ratio":1.009,"height":1189,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu3_7b775120-8a9a-4593-a50f-31a815739135.jpg?v=1664184429"},"aspect_ratio":1.009,"height":1189,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cu3_7b775120-8a9a-4593-a50f-31a815739135.jpg?v=1664184429","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e日本のパーカッショニスト高田みどりが、2022年6月にWRWTFWW Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eジンバブエ・\u003c\/span\u003e\u003cspan\u003eショナ族の伝統ムビラ音楽「Nhemamusasa」を演奏したライブ録音盤です。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eレコードは180g重量盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2534547414\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrwtfww\"\u003ehere\u003c\/a\u003e to see more\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" vinyl \u003cspan data-mce-fragment=\"1\"\u003ehoused in a 350gsm sleeve, with OBI, and liner notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eWRWTFWW Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eRecorded in a live setting and played with instruments conserved in the collections of the MEG Museum, Cutting Branches For A Temporary Shelter is Midori Takada’s very own rendition of \"Nhemamusasa\", a traditional work emblematic of the musical repertoire for mbira of the Shona of Zimbabwe, well known worldwide, thanks notably to its version by Paul F. Berliner included on the famed 1973 album The Soul of Mbira.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe choice of this title by Midori Takada evokes the links between traditional African and contemporary music which are the foundation of this work, and it also translates the resolutely multicultural vision of the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e artist.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eMidori Takada explains: \"African music is remarkable for its polyrhythms. Not only are there simultaneously several rhythmic motifs, sometimes as many as ten, but furthermore it may be that the part played by each musician has its own starting point and its own pace, all combining to form a cycle. All the cycles progress at the same time according to a single metrical structure which functions as a reference point, but which is not played by any one person from beginning to end. The structure emerges out of the multi-level parts, all different. With the Shona, the musical system is based on the polymelody: one performs simultaneously several melodic lines which are superimposed, each having its own rhythmic organization. It is truly captivating. In Western classical music, one four-beat rhythm induces some precise temporal framework and regular reference points, which come on the strong beats 1 and 3. But in the logic of the Shona musical system, and in other African music, the melody can begin in the very middle of the cycle and be continued up to some other place in an autonomous manner, as if it had its own personality. It’s very rich.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album comes with in-depth liner notes that include an interview with Midori Takada, a point of view by Zimbabwean scholar, musician and activist Forward Mazuruse, and background information on the project by Isabel Garcia Gomez and Madeleine Leclair from MEG Museum.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe sleeve features an artwork by celebrated Zimbabwean painter Portia Zvavahera.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePart of the budget for the album was donated to Forward Mazuruse’s Music For Development Foundation whose aim is to identify, nurture, and record young but underprivileged musicians in Zimbabwe.\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Midori Takada\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWRWTFWW Records\u003c\/span\u003e\u003c\/p\u003e"}