Unknown // Untitled 3&4 12inch
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![Fuubutsushi (live) // Columbia Deluxe LP [COLOR] [PRE-ORDER]](//tobirarecords.com/cdn/shop/files/col1_d848f0f8-97f9-4ecc-ab93-c06276cf5e45_medium.jpg?v=1747009609)
![Fuubutsushi (live) // Columbia Deluxe LP [PRE-ORDER]](//tobirarecords.com/cdn/shop/files/col1_add40885-cb85-40c3-9036-053df720d8e8_medium.jpg?v=1747009433)
Unknown // Untitled 3&4 12inch
¥2,688
- Item no:
- Availability:
正体不明ダブテクノ作家Unknownが、2025年4月にドイツ・ケルンのダンスレーベルMinimood Extraからリリースした12"です。
燻銀ミニマル・ダブテクノ2曲を収録。
レコードのみでの発表となります。
---------------------------------------------
12" black vinyl.
Tracklist:
1. Untitled 3 15:37
2. Untitled 4 10:02
Artist : Unknown
Label : Minimood Extra
cat no : minimoodextra013
正体不明ダブテクノ作家Unknownが、2025年4月にドイツ・ケルンのダンスレーベルMinimood Extraからリリースした12"です。
燻銀ミニマル・ダブテクノ2曲を収録。
レコードのみでの発表となります。
---------------------------------------------
12" black vinyl.
Tracklist:
1. Untitled 3 15:37
2. Untitled 4 10:02
Artist : Unknown
Label : Minimood Extra
cat no : minimoodextra013
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![Moon Mullins // Hotel Paradiso LP [PRE-ORDER]](http://tobirarecords.com/cdn/shop/files/para1_ce99fe05-156d-4495-96e1-095514cf88c9_medium.jpg?v=1747009873)
クイックビュー
{"id":8783912272122,"title":"Moon Mullins \/\/ Hotel Paradiso LP [PRE-ORDER]","handle":"moon-mullins-hotel-paradiso-lp-pre-order","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/22発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e当店おなじみアメリカ・NYの地下ラウンジ作家Moon Mullinsが、2025年5月にNYのインディーレーベルRuination Record Coからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e架空のホテルをコンセプトにした常夏ラウンジ〜\u003cspan\u003eチルアウト・\u003c\/span\u003eフュージョン10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/mm10\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"コンパクトな高級オープンカーがHotel Paradiso前のロータリーに入った。洒落た紳士がエンジンを止め、縁石に乗り上げ、薄く、しかし愛想の良い笑みを浮かべる。彼はキーを係に渡し、オフホワイトの帽子を脱いでほこりを払い、満足そうに目を閉じた。アールデコ調のロビーは、前回滞在したときと同じように豪華で細部にまでこだわっている。建築様式はミニマリズムとバロック様式が絶妙なバランスで融合している。宿泊客はそれぞれの 「今 」からやってきて、悩みや、おそらくはアイデンティティの虚飾から逃れて週末やひと月を楽しむ。無名の紳士は、口ひげの端をしばらくこすりながら考え込んだ後、スーツを着替え、街で高級シーフードディナーを予約し、午後の最初のマティーニを混ぜるのが最善の行動だと判断する。部屋の漆喰のバルコニーからマリーナと柑橘類の木々を一望し、やがてプールへ、そしてそこからラウンジへと向かうに違いない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作曲家でありヴィンテージキーボードの巨匠であるMoon Mullinsは、『Hotel Paradiso』（ルイネイション・レコードのプログラム・エキゾチカの最新作）を、脈絡のない孤独な旅行者の視点から書いた。彼らの目線から、私たちはパラディソを見、聞き、感じる。Mullinsは、合成音とアコースティックサウンドを丹念に混ぜ合わせた独特のサウンドでイメージを作り上げる。このシナリオは、ブルックリンを拠点とするこのミュージシャンがこれまでにリリースした中で最も野心的で、オーケストラ的な志向を持つ作曲作品群にインスピレーションを与えている。前作『Water Your Flowers』は、より点描的で包括的なエレクトロニック・ミュージックで、ユートピアのティキ・バー、盆栽園、遠い惑星のビーチなどをイメージさせる。Hotel Paradisoのパレットはさらに万華鏡のようで、日本のアンビエントミュージックやヘンリー・マンシーニの初期のムードLP、モーリス・ラヴェルの幽玄なハーモニーを思い起こさせるような、超越的な雰囲気の瞬間を生み出している...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678899690\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678899690\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1481664971\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping starts on the 22nd of May.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Valet 01:24\u003cbr\u003e2. Lobby Music 03:36\u003cbr\u003e3. Checking In? 03:06\u003cbr\u003e4. Sandpearl 02:54\u003cbr\u003e5. The Paradise Lounge 02:02\u003cbr\u003e6. Lucky Penny 04:11\u003cbr\u003e7. Flamingo 03:11\u003cbr\u003e8. Tini Town 03:35\u003cbr\u003e9. Lobby at 3 02:13\u003cbr\u003e10. Waterbed 02:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinston Cook-Wilson, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A compact luxury convertible pulls into the roundabout in front of the Hotel Paradiso. A dapper gentleman kills the engine and pulls himself up onto the curb, cracking a thin but affable smile. He hands his keys to the valet, removing and dusting off his woven, off-white hat and closing his eyes for a moment in satisfaction. He stops to marvel briefly at the art-deco lobby, as luxurious and finely detailed as he remembers from his last stay. The architecture is minimalist and Baroque in all the right places; everything feels in balance at this palatial estate at the edge of the world. Guests come from their own respective Nowheres to enjoy a weekend or month away from their troubles and, perhaps, the vain trappings of their identity. After rubbing the edges of his mustache for a moment in contemplation, the unknown gentleman decides that his best course of action is to change his suit, make a reservation for a fine seafood dinner in town, and mix his first martini of the afternoon. He takes in a bird’s eye view of the marina and the citrus trees from his room’s stucco balcony; eventually, he will no doubt make his way down to the pool, and from there, to the lounge.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt may not be this particular man, but composer and vintage keyboard maestro Moon Mullins wrote Hotel Paradiso—his newest work of programmatic exotica for Ruination Records—from the perspective of some lone, context-free traveler. They are at loose ends, eager for a few days in another open-ended, simpler life; from their vantage, we see, hear, and feel Paradiso. Mullins creates his imagery through a singular, meticulously blended combination of synthetic and acoustic sounds, played largely by him with help of friends like whistler Molly Lewis, guitarist Sam Owens (Sam Evian), and strings player Oliver Hill. The scenario inspires the most ambitious and orchestrally-minded set of compositions the Brooklyn-based musician has yet released. Its predecessor, Water Your Flowers, felt more pointillistic and comprehensively electronic, conjuring images of utopian tiki bars, bonsai gardens, beaches on distant planets, and more. The palette of Hotel Paradiso is even more kaleidoscopic, creating moments of transcendent atmosphere that recall, at turns, Japanese ambient music, the early mood LPs of Henry Mancini, and the ethereal harmonies of Maurice Ravel...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moon Mullins\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e","published_at":"2025-05-12T19:12:25+09:00","created_at":"2025-05-12T09:33:56+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","lp","new","recommended","ruination record co."],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47309685424378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Moon Mullins \/\/ Hotel Paradiso LP [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/para1_ce99fe05-156d-4495-96e1-095514cf88c9.jpg?v=1747009873","\/\/tobirarecords.com\/cdn\/shop\/files\/para2_4dce2718-652a-49d6-ac68-605e4894c7dd.jpg?v=1747009873"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_ce99fe05-156d-4495-96e1-095514cf88c9.jpg?v=1747009873","options":["Title"],"media":[{"alt":null,"id":36011441160442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_ce99fe05-156d-4495-96e1-095514cf88c9.jpg?v=1747009873"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para1_ce99fe05-156d-4495-96e1-095514cf88c9.jpg?v=1747009873","width":700},{"alt":null,"id":36011441193210,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para2_4dce2718-652a-49d6-ac68-605e4894c7dd.jpg?v=1747009873"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/para2_4dce2718-652a-49d6-ac68-605e4894c7dd.jpg?v=1747009873","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5\/22発送開始します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e当店おなじみアメリカ・NYの地下ラウンジ作家Moon Mullinsが、2025年5月にNYのインディーレーベルRuination Record Coからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e架空のホテルをコンセプトにした常夏ラウンジ〜\u003cspan\u003eチルアウト・\u003c\/span\u003eフュージョン10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/mm10\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"コンパクトな高級オープンカーがHotel Paradiso前のロータリーに入った。洒落た紳士がエンジンを止め、縁石に乗り上げ、薄く、しかし愛想の良い笑みを浮かべる。彼はキーを係に渡し、オフホワイトの帽子を脱いでほこりを払い、満足そうに目を閉じた。アールデコ調のロビーは、前回滞在したときと同じように豪華で細部にまでこだわっている。建築様式はミニマリズムとバロック様式が絶妙なバランスで融合している。宿泊客はそれぞれの 「今 」からやってきて、悩みや、おそらくはアイデンティティの虚飾から逃れて週末やひと月を楽しむ。無名の紳士は、口ひげの端をしばらくこすりながら考え込んだ後、スーツを着替え、街で高級シーフードディナーを予約し、午後の最初のマティーニを混ぜるのが最善の行動だと判断する。部屋の漆喰のバルコニーからマリーナと柑橘類の木々を一望し、やがてプールへ、そしてそこからラウンジへと向かうに違いない。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e作曲家でありヴィンテージキーボードの巨匠であるMoon Mullinsは、『Hotel Paradiso』（ルイネイション・レコードのプログラム・エキゾチカの最新作）を、脈絡のない孤独な旅行者の視点から書いた。彼らの目線から、私たちはパラディソを見、聞き、感じる。Mullinsは、合成音とアコースティックサウンドを丹念に混ぜ合わせた独特のサウンドでイメージを作り上げる。このシナリオは、ブルックリンを拠点とするこのミュージシャンがこれまでにリリースした中で最も野心的で、オーケストラ的な志向を持つ作曲作品群にインスピレーションを与えている。前作『Water Your Flowers』は、より点描的で包括的なエレクトロニック・ミュージックで、ユートピアのティキ・バー、盆栽園、遠い惑星のビーチなどをイメージさせる。Hotel Paradisoのパレットはさらに万華鏡のようで、日本のアンビエントミュージックやヘンリー・マンシーニの初期のムードLP、モーリス・ラヴェルの幽玄なハーモニーを思い起こさせるような、超越的な雰囲気の瞬間を生み出している...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678899690\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=678899690\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1481664971\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003ch3\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003eShipping starts on the 22nd of May.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Valet 01:24\u003cbr\u003e2. Lobby Music 03:36\u003cbr\u003e3. Checking In? 03:06\u003cbr\u003e4. Sandpearl 02:54\u003cbr\u003e5. The Paradise Lounge 02:02\u003cbr\u003e6. Lucky Penny 04:11\u003cbr\u003e7. Flamingo 03:11\u003cbr\u003e8. Tini Town 03:35\u003cbr\u003e9. Lobby at 3 02:13\u003cbr\u003e10. Waterbed 02:59\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWinston Cook-Wilson, via the label: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A compact luxury convertible pulls into the roundabout in front of the Hotel Paradiso. A dapper gentleman kills the engine and pulls himself up onto the curb, cracking a thin but affable smile. He hands his keys to the valet, removing and dusting off his woven, off-white hat and closing his eyes for a moment in satisfaction. He stops to marvel briefly at the art-deco lobby, as luxurious and finely detailed as he remembers from his last stay. The architecture is minimalist and Baroque in all the right places; everything feels in balance at this palatial estate at the edge of the world. Guests come from their own respective Nowheres to enjoy a weekend or month away from their troubles and, perhaps, the vain trappings of their identity. After rubbing the edges of his mustache for a moment in contemplation, the unknown gentleman decides that his best course of action is to change his suit, make a reservation for a fine seafood dinner in town, and mix his first martini of the afternoon. He takes in a bird’s eye view of the marina and the citrus trees from his room’s stucco balcony; eventually, he will no doubt make his way down to the pool, and from there, to the lounge.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt may not be this particular man, but composer and vintage keyboard maestro Moon Mullins wrote Hotel Paradiso—his newest work of programmatic exotica for Ruination Records—from the perspective of some lone, context-free traveler. They are at loose ends, eager for a few days in another open-ended, simpler life; from their vantage, we see, hear, and feel Paradiso. Mullins creates his imagery through a singular, meticulously blended combination of synthetic and acoustic sounds, played largely by him with help of friends like whistler Molly Lewis, guitarist Sam Owens (Sam Evian), and strings player Oliver Hill. The scenario inspires the most ambitious and orchestrally-minded set of compositions the Brooklyn-based musician has yet released. Its predecessor, Water Your Flowers, felt more pointillistic and comprehensively electronic, conjuring images of utopian tiki bars, bonsai gardens, beaches on distant planets, and more. The palette of Hotel Paradiso is even more kaleidoscopic, creating moments of transcendent atmosphere that recall, at turns, Japanese ambient music, the early mood LPs of Henry Mancini, and the ethereal harmonies of Maurice Ravel...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Moon Mullins\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e"}
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※5/22発送開始します 当店おなじみアメリカ・NYの地下ラウンジ作家Moon Mullinsが、2025年5月にNYのインディーレーベルRuination Record Coからリリースしたレコードです。 架空のホテルをコンセプトにした常夏ラウンジ〜チルアウト・フュージョン10曲を収録。DLコード付属。 前作もオススメです。 以下、レーベルによる解説です。 "コンパクトな高級オープンカーがHotel Paradiso前のロータリーに入った。洒落た紳士がエンジンを止め、縁石に乗り上げ、薄く、しかし愛想の良い笑みを浮かべる。彼はキーを係に渡し、オフホワイトの帽子を脱いでほこりを払い、満足そうに目を閉じた。アールデコ調のロビーは、前回滞在したときと同じように豪華で細部にまでこだわっている。建築様式はミニマリズムとバロック様式が絶妙なバランスで融合している。宿泊客はそれぞれの 「今 」からやってきて、悩みや、おそらくはアイデンティティの虚飾から逃れて週末やひと月を楽しむ。無名の紳士は、口ひげの端をしばらくこすりながら考え込んだ後、スーツを着替え、街で高級シーフードディナーを予約し、午後の最初のマティーニを混ぜるのが最善の行動だと判断する。部屋の漆喰のバルコニーからマリーナと柑橘類の木々を一望し、やがてプールへ、そしてそこからラウンジへと向かうに違いない。 作曲家でありヴィンテージキーボードの巨匠であるMoon Mullinsは、『Hotel...
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![Fuubutsushi (live) // Columbia Deluxe LP [COLOR] [PRE-ORDER]](http://tobirarecords.com/cdn/shop/files/col1_d848f0f8-97f9-4ecc-ab93-c06276cf5e45_medium.jpg?v=1747009609)
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{"id":8783911715066,"title":"Fuubutsushi (live) \/\/ Columbia Deluxe LP [COLOR] [PRE-ORDER]","handle":"fuubutsushi-live-columbia-deluxe-lp-color-pre-order","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7\/11リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家Chris Juselと\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2025年7月に同国American Dreamsからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColumbia Experimental Music Festival 2021でのライブ録音5曲を収録。\u003c\/span\u003eDLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2029907538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003ehere\u003c\/a\u003e to see more American Dreams releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases July 11, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" 'bare bone' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bolted Orange\u003cbr\u003e2. Loop Trail \u003cbr\u003e3. Shepherd's Stroll\u003cbr\u003e4. Mistral\u003cbr\u003e5. I Hold Dearly (for Miles)\u003cbr\u003e6. Light in the Annex\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAmerican Dreams:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eColumbia Deluxe imbues Fuubutsushi’s music with the electricity of playing for a crowd. Borne of the lockdown of the COVID-19 pandemic, the group prepared countless releases remotely from around the country. Columbia Deluxe expands compositions collected from across the band’s body of work, from their earliest releases to their 2024 LP Meridians, translating their careful arrangements into live performance. All four time zones of the continental US are represented in the group's membership: Patrick Shiroishi (Los Angeles), Chris Jusell (Raleigh), Matthew Sage (Colorado Front Range), and Chaz Prymek (Salt Lake City). It’s fitting given the musical landscapes that it surveys, which are dynamic, warm, and both energetic and rewarding of patience. The band has heightened these qualities on Columbia Deluxe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The music of Fuubutsushi,” Prymek says, “started as a recording project that turned into deep friendships.” After composing music remotely for their acclaimed cycle of four albums for each of the four seasons, the quartet transformed the music in concert at the Columbia Experimental Music Festival (to this day Fuubutsushi’s only live appearance): Shiroishi on saxophones and field recordings, Jusell on violin, Sage on piano and synthesizer, and Prymek on guitar\u003cspan class=\"bcTruncateMore\"\u003e and bass, sharing bells, voice and electronics as a group. “I think we were all pretty nervous about it,” says Shiroishi, “but the audience was with us the entire time and really gave us an incredible amount of energy.” “Part of the thrill,” says Sage, “was that we knew the songs separately, kind of on our own terms. And how it felt to finally turn this music, which we made in such a physically isolated way, to finally come into being in person, for a really receptive audience in a really beautiful room.”\u003cbr\u003e\u003cbr\u003eThere’s a punk ethos at the music’s heart that refracts the group’s stylistic diversity. Jusell has a foundation in classical music, chamber music and pop. As a solo artist and member of The Armed, Shiroishi is rooted in jazz, heavy music, and the places where they intersect. Prymek’s chordal fingerstyle guitar vocabulary, and Sage’s openness to experimentation in music and intermedia art, ground the compositions while giving them room for the band to lift off. As Prymek says, “we’re influenced by everything, but especially by each other.”\u003cbr\u003e\u003cbr\u003e“Now,” says Prymek, “what you hear out of us is that energy spilling back into our music.” It flows seamlessly from one song to the next, giving the band room to range while maintaining structure. “Bolted Orange” runs just over three minutes on the band’s self-titled debut album: here the band expands it to ten, blossoming, like the first half of the album, around Prymek’s winding, circular guitar lines. Guitar introduces that song and “Shepherd’s Stroll,” followed by declarative piano from Sage. Saxophone and violin either outline the chordal instruments’ color or push them in new directions. In keeping with past releases, the band incorporates field recordings of Japanese Americans talking about their experience in American internment camps during WWII into the music, inviting listeners to confront the past, present and future.\u003cbr\u003e\u003cbr\u003eColumbia Deluxe is intimate on the surface, and shot through with the thrill of creative risk-taking. Midway through “Shepherd’s Stroll,” with no warning, after developing the composition with dusky, spacious fingerstyle guitar, Prymek moves to bass guitar, pulling out a lumberjack riff. In response, Jusell’s violin soars, repeating a striking, elliptical double-stopped melody. The music swells even more with Shiroishi’s saxophone, as if time-traveling from Western soundtracks to impressions of French court music to—on “Mistral”—gospel time-stretched and zoomed-in. Sage oscillates the song between gigantic chords and rubato arpeggios, during which the song’s structure threatens to give way. Through barely perceptible differences in pitch and tonality, Shiroishi and Jusell keep it together by controlling the chaos.\u003cbr\u003e\u003cbr\u003eThe energy Prymek describes is nearly palpable here, and the music transformed: a “pure manifestation” (Jusell) of unfolding “joy, stumbles, getting up and pushing forward together” (Shiroishi). As Prymek says, “we are making something forever blooming anew,” and it continues to bloom.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fuubutsushi \u003c\/p\u003e\n\u003cp\u003eLabel : American Dreams\u003c\/p\u003e","published_at":"2025-05-12T11:12:14+09:00","created_at":"2025-05-12T09:26:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","american dreams","folk \/ left-field pop","jazz","lp","neo classical","new","recommended"],"price":358000,"price_min":358000,"price_max":358000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47309684277498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fuubutsushi (live) \/\/ Columbia Deluxe LP [COLOR] [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":358000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/col1_d848f0f8-97f9-4ecc-ab93-c06276cf5e45.jpg?v=1747009609","\/\/tobirarecords.com\/cdn\/shop\/files\/del3_d839a5fa-d99c-4bfa-be37-7fbb7c1dfe11.jpg?v=1747009609"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_d848f0f8-97f9-4ecc-ab93-c06276cf5e45.jpg?v=1747009609","options":["Title"],"media":[{"alt":null,"id":36011439522042,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_d848f0f8-97f9-4ecc-ab93-c06276cf5e45.jpg?v=1747009609"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_d848f0f8-97f9-4ecc-ab93-c06276cf5e45.jpg?v=1747009609","width":700},{"alt":null,"id":36011439554810,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del3_d839a5fa-d99c-4bfa-be37-7fbb7c1dfe11.jpg?v=1747009609"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del3_d839a5fa-d99c-4bfa-be37-7fbb7c1dfe11.jpg?v=1747009609","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7\/11リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家Chris Juselと\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2025年7月に同国American Dreamsからリリースするレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColumbia Experimental Music Festival 2021でのライブ録音5曲を収録。\u003c\/span\u003eDLコード付属。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2029907538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003ehere\u003c\/a\u003e to see more American Dreams releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases July 11, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" 'bare bone' color vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bolted Orange\u003cbr\u003e2. Loop Trail \u003cbr\u003e3. Shepherd's Stroll\u003cbr\u003e4. Mistral\u003cbr\u003e5. I Hold Dearly (for Miles)\u003cbr\u003e6. Light in the Annex\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAmerican Dreams:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eColumbia Deluxe imbues Fuubutsushi’s music with the electricity of playing for a crowd. Borne of the lockdown of the COVID-19 pandemic, the group prepared countless releases remotely from around the country. Columbia Deluxe expands compositions collected from across the band’s body of work, from their earliest releases to their 2024 LP Meridians, translating their careful arrangements into live performance. All four time zones of the continental US are represented in the group's membership: Patrick Shiroishi (Los Angeles), Chris Jusell (Raleigh), Matthew Sage (Colorado Front Range), and Chaz Prymek (Salt Lake City). It’s fitting given the musical landscapes that it surveys, which are dynamic, warm, and both energetic and rewarding of patience. The band has heightened these qualities on Columbia Deluxe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The music of Fuubutsushi,” Prymek says, “started as a recording project that turned into deep friendships.” After composing music remotely for their acclaimed cycle of four albums for each of the four seasons, the quartet transformed the music in concert at the Columbia Experimental Music Festival (to this day Fuubutsushi’s only live appearance): Shiroishi on saxophones and field recordings, Jusell on violin, Sage on piano and synthesizer, and Prymek on guitar\u003cspan class=\"bcTruncateMore\"\u003e and bass, sharing bells, voice and electronics as a group. “I think we were all pretty nervous about it,” says Shiroishi, “but the audience was with us the entire time and really gave us an incredible amount of energy.” “Part of the thrill,” says Sage, “was that we knew the songs separately, kind of on our own terms. And how it felt to finally turn this music, which we made in such a physically isolated way, to finally come into being in person, for a really receptive audience in a really beautiful room.”\u003cbr\u003e\u003cbr\u003eThere’s a punk ethos at the music’s heart that refracts the group’s stylistic diversity. Jusell has a foundation in classical music, chamber music and pop. As a solo artist and member of The Armed, Shiroishi is rooted in jazz, heavy music, and the places where they intersect. Prymek’s chordal fingerstyle guitar vocabulary, and Sage’s openness to experimentation in music and intermedia art, ground the compositions while giving them room for the band to lift off. As Prymek says, “we’re influenced by everything, but especially by each other.”\u003cbr\u003e\u003cbr\u003e“Now,” says Prymek, “what you hear out of us is that energy spilling back into our music.” It flows seamlessly from one song to the next, giving the band room to range while maintaining structure. “Bolted Orange” runs just over three minutes on the band’s self-titled debut album: here the band expands it to ten, blossoming, like the first half of the album, around Prymek’s winding, circular guitar lines. Guitar introduces that song and “Shepherd’s Stroll,” followed by declarative piano from Sage. Saxophone and violin either outline the chordal instruments’ color or push them in new directions. In keeping with past releases, the band incorporates field recordings of Japanese Americans talking about their experience in American internment camps during WWII into the music, inviting listeners to confront the past, present and future.\u003cbr\u003e\u003cbr\u003eColumbia Deluxe is intimate on the surface, and shot through with the thrill of creative risk-taking. Midway through “Shepherd’s Stroll,” with no warning, after developing the composition with dusky, spacious fingerstyle guitar, Prymek moves to bass guitar, pulling out a lumberjack riff. In response, Jusell’s violin soars, repeating a striking, elliptical double-stopped melody. The music swells even more with Shiroishi’s saxophone, as if time-traveling from Western soundtracks to impressions of French court music to—on “Mistral”—gospel time-stretched and zoomed-in. Sage oscillates the song between gigantic chords and rubato arpeggios, during which the song’s structure threatens to give way. Through barely perceptible differences in pitch and tonality, Shiroishi and Jusell keep it together by controlling the chaos.\u003cbr\u003e\u003cbr\u003eThe energy Prymek describes is nearly palpable here, and the music transformed: a “pure manifestation” (Jusell) of unfolding “joy, stumbles, getting up and pushing forward together” (Shiroishi). As Prymek says, “we are making something forever blooming anew,” and it continues to bloom.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fuubutsushi \u003c\/p\u003e\n\u003cp\u003eLabel : American Dreams\u003c\/p\u003e"}
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※7/11リリースです アメリカのアンビエント作家Chris JuselとChaz Prymek、Matthew Sage 、Patrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2025年7月に同国American Dreamsからリリースするレコードです。 Columbia Experimental Music Festival 2021でのライブ録音5曲を収録。DLコード付属。白盤です。 レーベルその他作品はこちら...
¥3,580
![Fuubutsushi (live) // Columbia Deluxe LP [PRE-ORDER]](http://tobirarecords.com/cdn/shop/files/col1_add40885-cb85-40c3-9036-053df720d8e8_medium.jpg?v=1747009433)
クイックビュー
{"id":8783911649530,"title":"Fuubutsushi (live) \/\/ Columbia Deluxe LP [PRE-ORDER]","handle":"fuubutsushi-live-columbia-deluxe-lp-pre-order","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7\/11リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家Chris Juselと\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2025年7月に同国American Dreamsからリリースするレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColumbia Experimental Music Festival 2021での\u003cspan\u003eライブ録音\u003c\/span\u003e5曲を収録。\u003c\/span\u003eDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2029907538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003ehere\u003c\/a\u003e to see more American Dreams releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases July 11, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bolted Orange\u003cbr\u003e2. Loop Trail \u003cbr\u003e3. Shepherd's Stroll\u003cbr\u003e4. Mistral\u003cbr\u003e5. I Hold Dearly (for Miles)\u003cbr\u003e6. Light in the Annex\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAmerican Dreams:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eColumbia Deluxe imbues Fuubutsushi’s music with the electricity of playing for a crowd. Borne of the lockdown of the COVID-19 pandemic, the group prepared countless releases remotely from around the country. Columbia Deluxe expands compositions collected from across the band’s body of work, from their earliest releases to their 2024 LP Meridians, translating their careful arrangements into live performance. All four time zones of the continental US are represented in the group's membership: Patrick Shiroishi (Los Angeles), Chris Jusell (Raleigh), Matthew Sage (Colorado Front Range), and Chaz Prymek (Salt Lake City). It’s fitting given the musical landscapes that it surveys, which are dynamic, warm, and both energetic and rewarding of patience. The band has heightened these qualities on Columbia Deluxe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The music of Fuubutsushi,” Prymek says, “started as a recording project that turned into deep friendships.” After composing music remotely for their acclaimed cycle of four albums for each of the four seasons, the quartet transformed the music in concert at the Columbia Experimental Music Festival (to this day Fuubutsushi’s only live appearance): Shiroishi on saxophones and field recordings, Jusell on violin, Sage on piano and synthesizer, and Prymek on guitar\u003cspan class=\"bcTruncateMore\"\u003e and bass, sharing bells, voice and electronics as a group. “I think we were all pretty nervous about it,” says Shiroishi, “but the audience was with us the entire time and really gave us an incredible amount of energy.” “Part of the thrill,” says Sage, “was that we knew the songs separately, kind of on our own terms. And how it felt to finally turn this music, which we made in such a physically isolated way, to finally come into being in person, for a really receptive audience in a really beautiful room.”\u003cbr\u003e\u003cbr\u003eThere’s a punk ethos at the music’s heart that refracts the group’s stylistic diversity. Jusell has a foundation in classical music, chamber music and pop. As a solo artist and member of The Armed, Shiroishi is rooted in jazz, heavy music, and the places where they intersect. Prymek’s chordal fingerstyle guitar vocabulary, and Sage’s openness to experimentation in music and intermedia art, ground the compositions while giving them room for the band to lift off. As Prymek says, “we’re influenced by everything, but especially by each other.”\u003cbr\u003e\u003cbr\u003e“Now,” says Prymek, “what you hear out of us is that energy spilling back into our music.” It flows seamlessly from one song to the next, giving the band room to range while maintaining structure. “Bolted Orange” runs just over three minutes on the band’s self-titled debut album: here the band expands it to ten, blossoming, like the first half of the album, around Prymek’s winding, circular guitar lines. Guitar introduces that song and “Shepherd’s Stroll,” followed by declarative piano from Sage. Saxophone and violin either outline the chordal instruments’ color or push them in new directions. In keeping with past releases, the band incorporates field recordings of Japanese Americans talking about their experience in American internment camps during WWII into the music, inviting listeners to confront the past, present and future.\u003cbr\u003e\u003cbr\u003eColumbia Deluxe is intimate on the surface, and shot through with the thrill of creative risk-taking. Midway through “Shepherd’s Stroll,” with no warning, after developing the composition with dusky, spacious fingerstyle guitar, Prymek moves to bass guitar, pulling out a lumberjack riff. In response, Jusell’s violin soars, repeating a striking, elliptical double-stopped melody. The music swells even more with Shiroishi’s saxophone, as if time-traveling from Western soundtracks to impressions of French court music to—on “Mistral”—gospel time-stretched and zoomed-in. Sage oscillates the song between gigantic chords and rubato arpeggios, during which the song’s structure threatens to give way. Through barely perceptible differences in pitch and tonality, Shiroishi and Jusell keep it together by controlling the chaos.\u003cbr\u003e\u003cbr\u003eThe energy Prymek describes is nearly palpable here, and the music transformed: a “pure manifestation” (Jusell) of unfolding “joy, stumbles, getting up and pushing forward together” (Shiroishi). As Prymek says, “we are making something forever blooming anew,” and it continues to bloom.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fuubutsushi \u003c\/p\u003e\n\u003cp\u003eLabel : American Dreams\u003c\/p\u003e","published_at":"2025-05-12T11:11:00+09:00","created_at":"2025-05-12T09:26:11+09:00","vendor":"Tobira Records","type":"","tags":["ambient","american dreams","folk \/ left-field pop","jazz","lp","neo classical","new","recommended"],"price":328000,"price_min":328000,"price_max":328000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47309684211962,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fuubutsushi (live) \/\/ Columbia Deluxe LP [PRE-ORDER]","public_title":null,"options":["Default Title"],"price":328000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/col1_add40885-cb85-40c3-9036-053df720d8e8.jpg?v=1747009433","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_1bc6c7a9-d6c3-443c-8d66-a21d44389cc1.jpg?v=1747009433"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_add40885-cb85-40c3-9036-053df720d8e8.jpg?v=1747009433","options":["Title"],"media":[{"alt":null,"id":36011439423738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_add40885-cb85-40c3-9036-053df720d8e8.jpg?v=1747009433"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/col1_add40885-cb85-40c3-9036-053df720d8e8.jpg?v=1747009433","width":700},{"alt":null,"id":36011439456506,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_1bc6c7a9-d6c3-443c-8d66-a21d44389cc1.jpg?v=1747009433"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_1bc6c7a9-d6c3-443c-8d66-a21d44389cc1.jpg?v=1747009433","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※7\/11リリースです\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカのアンビエント作家Chris Juselと\u003c\/span\u003e\u003cspan\u003eChaz Prymek、\u003c\/span\u003e\u003cspan\u003eMatthew Sage 、\u003c\/span\u003e\u003cspan\u003ePatrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2025年7月に同国American Dreamsからリリースするレコードです。\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eColumbia Experimental Music Festival 2021での\u003cspan\u003eライブ録音\u003c\/span\u003e5曲を収録。\u003c\/span\u003eDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2029907538\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/amdrm\"\u003ehere\u003c\/a\u003e to see more American Dreams releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003ereleases July 11, 2025\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Bolted Orange\u003cbr\u003e2. Loop Trail \u003cbr\u003e3. Shepherd's Stroll\u003cbr\u003e4. Mistral\u003cbr\u003e5. I Hold Dearly (for Miles)\u003cbr\u003e6. Light in the Annex\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eAmerican Dreams:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eColumbia Deluxe imbues Fuubutsushi’s music with the electricity of playing for a crowd. Borne of the lockdown of the COVID-19 pandemic, the group prepared countless releases remotely from around the country. Columbia Deluxe expands compositions collected from across the band’s body of work, from their earliest releases to their 2024 LP Meridians, translating their careful arrangements into live performance. All four time zones of the continental US are represented in the group's membership: Patrick Shiroishi (Los Angeles), Chris Jusell (Raleigh), Matthew Sage (Colorado Front Range), and Chaz Prymek (Salt Lake City). It’s fitting given the musical landscapes that it surveys, which are dynamic, warm, and both energetic and rewarding of patience. The band has heightened these qualities on Columbia Deluxe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The music of Fuubutsushi,” Prymek says, “started as a recording project that turned into deep friendships.” After composing music remotely for their acclaimed cycle of four albums for each of the four seasons, the quartet transformed the music in concert at the Columbia Experimental Music Festival (to this day Fuubutsushi’s only live appearance): Shiroishi on saxophones and field recordings, Jusell on violin, Sage on piano and synthesizer, and Prymek on guitar\u003cspan class=\"bcTruncateMore\"\u003e and bass, sharing bells, voice and electronics as a group. “I think we were all pretty nervous about it,” says Shiroishi, “but the audience was with us the entire time and really gave us an incredible amount of energy.” “Part of the thrill,” says Sage, “was that we knew the songs separately, kind of on our own terms. And how it felt to finally turn this music, which we made in such a physically isolated way, to finally come into being in person, for a really receptive audience in a really beautiful room.”\u003cbr\u003e\u003cbr\u003eThere’s a punk ethos at the music’s heart that refracts the group’s stylistic diversity. Jusell has a foundation in classical music, chamber music and pop. As a solo artist and member of The Armed, Shiroishi is rooted in jazz, heavy music, and the places where they intersect. Prymek’s chordal fingerstyle guitar vocabulary, and Sage’s openness to experimentation in music and intermedia art, ground the compositions while giving them room for the band to lift off. As Prymek says, “we’re influenced by everything, but especially by each other.”\u003cbr\u003e\u003cbr\u003e“Now,” says Prymek, “what you hear out of us is that energy spilling back into our music.” It flows seamlessly from one song to the next, giving the band room to range while maintaining structure. “Bolted Orange” runs just over three minutes on the band’s self-titled debut album: here the band expands it to ten, blossoming, like the first half of the album, around Prymek’s winding, circular guitar lines. Guitar introduces that song and “Shepherd’s Stroll,” followed by declarative piano from Sage. Saxophone and violin either outline the chordal instruments’ color or push them in new directions. In keeping with past releases, the band incorporates field recordings of Japanese Americans talking about their experience in American internment camps during WWII into the music, inviting listeners to confront the past, present and future.\u003cbr\u003e\u003cbr\u003eColumbia Deluxe is intimate on the surface, and shot through with the thrill of creative risk-taking. Midway through “Shepherd’s Stroll,” with no warning, after developing the composition with dusky, spacious fingerstyle guitar, Prymek moves to bass guitar, pulling out a lumberjack riff. In response, Jusell’s violin soars, repeating a striking, elliptical double-stopped melody. The music swells even more with Shiroishi’s saxophone, as if time-traveling from Western soundtracks to impressions of French court music to—on “Mistral”—gospel time-stretched and zoomed-in. Sage oscillates the song between gigantic chords and rubato arpeggios, during which the song’s structure threatens to give way. Through barely perceptible differences in pitch and tonality, Shiroishi and Jusell keep it together by controlling the chaos.\u003cbr\u003e\u003cbr\u003eThe energy Prymek describes is nearly palpable here, and the music transformed: a “pure manifestation” (Jusell) of unfolding “joy, stumbles, getting up and pushing forward together” (Shiroishi). As Prymek says, “we are making something forever blooming anew,” and it continues to bloom.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fuubutsushi \u003c\/p\u003e\n\u003cp\u003eLabel : American Dreams\u003c\/p\u003e"}
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※7/11リリースです アメリカのアンビエント作家Chris JuselとChaz Prymek、Matthew Sage 、Patrick Shiroishiによるアンビエント・ジャズバンドFuubutsushiが、2025年7月に同国American Dreamsからリリースするレコードです。 Columbia Experimental Music Festival 2021でのライブ録音5曲を収録。DLコード付属。 レーベルその他作品はこちら...
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{"id":8783911026938,"title":"orchid mantis \/\/ Possession Pact TAPE","handle":"orchid-mantis-possession-pact-tape","description":"\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年5月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eロードトリップをテーマにした90'sスローコア12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e毎回異なる作風のリリースで驚かせてくれます。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"アトランタを拠点に活動するアーティストトーマス・ハワードは、10年以上にわたって、ノスタルジアをあらゆる痛烈で多様な形で捉えることを専門としてきた。『Possession Pact』は、Low、Bedhead、Codeineといったバンドが開拓した陰鬱な90年代スローコアサウンドを徹底的に追求した、彼のカタログの新たな展開を象徴する作品だ。前作までのアナログのワーブルやシンセティックな音色は、骨格のように曲がりくねったギターとミニマルなドラムのレイヤーに取って代わられ、その間の空間は、ささやき声とシャウトで語るハワードのこれまでで最も明瞭なヴォーカルによって支配されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAsleep On A Greyhound のような勢いのある瞑想は、アルバムのミッションステートメントのような役割を果たしている。ハワードは、内省的な歌詞と長編の中心的な作品を通して、このアルバムを 「ロードトリップ 」レコードにしようと考えた。Firestarterのような曲は、私たちが静止状態からカタルシスへと至る過程で、私たちの中で共鳴する移り変わる感情の音色をとらえるために、このアプローチを利用している。orchid mantisの他のリリース同様、『Possession Pact』は極めて個人的な瞬間を抽象的な感情の物語に再構築している。すべての音は憧れを帯びており、あるいは答えのない疑問が常に浮かんでいて、解決策が手の届かないところにあるような感覚を覚える。虚無主義的な感情から、意味の肯定まで、矛盾の中で踊っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eorchid mantisは、2010年代半ばにZ Tapesからリリースした一連のベッドルーム・ポップアルバムで初めて支持を得た。その膨大かつ多様なディスコグラフィーの過程で、彼はひとつのジャンルに落ち着いたことはない。アンビエント作品であれ、インディーポップに傾倒した作品であれ、彼は一貫して夢のような状態、半ば忘れ去られた記憶、テープが朽ちていくほろ苦い音の美しさに焦点を当てている。インストゥルメンタルのアレンジは落胆に満ちているが、『Possession Pact』は最終的に悪魔祓いのような役割を果たす。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2881823982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3630418753\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2881823982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4123394656\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spirit Circle 02:49\u003cbr\u003e2. Transformer 02:36\u003cbr\u003e3. Thin Light 03:13\u003cbr\u003e4. All The Passing Days 03:35\u003cbr\u003e5. Asleep On A Greyhound 04:03\u003cbr\u003e6. Leaving Tonight 02:38\u003cbr\u003e7. Distant, Without 01:55\u003cbr\u003e8. Night Sky Dozing 01:57\u003cbr\u003e9. Possession Pact 02:11\u003cbr\u003e10. My Epithet 02:17\u003cbr\u003e11. Winding, Unwinding 02:23\u003cbr\u003e12. Firestarter 04:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eConor Ryan \u0026amp; Thomas Howard:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"For over ten years now, Atlanta-based artist Thomas Howard has specialized in capturing nostalgia in all its biting and varied forms. Possession Pact represents a new outgrowth in his catalogue, thoroughly exploring the gloomy 90s slowcore sound pioneered by bands like Low, Bedhead and Codeine. The analog warbles and synthetic tones of previous releases have been replaced by skeletal, winding layers of guitar and minimalist drums, the space in-between commanded by Howard's clearest vocals to date, speaking in whispers and shouts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis world is one that’s always in motion - whether dreaming or awake - and meditations on momentum like “Asleep On A Greyhound” serve as a mission statement for the album. Through its reflective lyrical contemplations and long-form centerpieces, Howard conceived this to be a “road trip” record. Songs like “Firestarter” utilize this approach to capture the shifting emotional timbres that resonate within us as we build from stasis to catharsis. Like every Orchid Mantis release, Possession Pact reframes extremely personal moments into an abstract emotional narrative. Every note is tinged with yearning - or the feeling that there’s an unanswered question always floating, with a resolution just out of reach. They dance within contradiction\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, from nihilist sentiment - \"it's hollow underneath \/ no answers for anything\" - to affirmation of meaning: \"a cipher in there \/ an answer to despair \/ a container to hold \/ and let it all go.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOrchid Mantis first gained a following through a string of bedroom-pop albums released via Z Tapes in the mid-2010s. Over the course of his vast and varied discography, he’s never settled on one genre. Whether it's his ambient works or his more indie pop-indebted releases, he focuses consistently on the beauty of dreamlike states, half-forgotten memories, and the bittersweet warble of tape decay. Although the instrumental arrangements here linger on despondent notes, Possession Pact ultimately acts as an exorcism - tucking away the past while ruminating on rebirth.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T048\u003c\/p\u003e","published_at":"2025-05-12T12:18:50+09:00","created_at":"2025-05-12T09:11:41+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","recommended","start-track","tape"],"price":227700,"price_min":227700,"price_max":227700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":47309681033466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"orchid mantis \/\/ Possession Pact TAPE","public_title":null,"options":["Default Title"],"price":227700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/po1_69cb9a47-4573-49c8-9419-aa11c5712f4f.jpg?v=1747008611","\/\/tobirarecords.com\/cdn\/shop\/files\/po2_b63c3983-56f8-482c-949b-58a0d2a9e2f8.jpg?v=1747008610"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_69cb9a47-4573-49c8-9419-aa11c5712f4f.jpg?v=1747008611","options":["Title"],"media":[{"alt":null,"id":36011434836218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_69cb9a47-4573-49c8-9419-aa11c5712f4f.jpg?v=1747008611"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po1_69cb9a47-4573-49c8-9419-aa11c5712f4f.jpg?v=1747008611","width":700},{"alt":null,"id":36011434868986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_b63c3983-56f8-482c-949b-58a0d2a9e2f8.jpg?v=1747008610"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/po2_b63c3983-56f8-482c-949b-58a0d2a9e2f8.jpg?v=1747008610","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・アトランタのドリームポップ作家orchid mantisが、2025年5月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eロードトリップをテーマにした90'sスローコア12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e毎回異なる作風のリリースで驚かせてくれます。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"アトランタを拠点に活動するアーティストトーマス・ハワードは、10年以上にわたって、ノスタルジアをあらゆる痛烈で多様な形で捉えることを専門としてきた。『Possession Pact』は、Low、Bedhead、Codeineといったバンドが開拓した陰鬱な90年代スローコアサウンドを徹底的に追求した、彼のカタログの新たな展開を象徴する作品だ。前作までのアナログのワーブルやシンセティックな音色は、骨格のように曲がりくねったギターとミニマルなドラムのレイヤーに取って代わられ、その間の空間は、ささやき声とシャウトで語るハワードのこれまでで最も明瞭なヴォーカルによって支配されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAsleep On A Greyhound のような勢いのある瞑想は、アルバムのミッションステートメントのような役割を果たしている。ハワードは、内省的な歌詞と長編の中心的な作品を通して、このアルバムを 「ロードトリップ 」レコードにしようと考えた。Firestarterのような曲は、私たちが静止状態からカタルシスへと至る過程で、私たちの中で共鳴する移り変わる感情の音色をとらえるために、このアプローチを利用している。orchid mantisの他のリリース同様、『Possession Pact』は極めて個人的な瞬間を抽象的な感情の物語に再構築している。すべての音は憧れを帯びており、あるいは答えのない疑問が常に浮かんでいて、解決策が手の届かないところにあるような感覚を覚える。虚無主義的な感情から、意味の肯定まで、矛盾の中で踊っている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eorchid mantisは、2010年代半ばにZ Tapesからリリースした一連のベッドルーム・ポップアルバムで初めて支持を得た。その膨大かつ多様なディスコグラフィーの過程で、彼はひとつのジャンルに落ち着いたことはない。アンビエント作品であれ、インディーポップに傾倒した作品であれ、彼は一貫して夢のような状態、半ば忘れ去られた記憶、テープが朽ちていくほろ苦い音の美しさに焦点を当てている。インストゥルメンタルのアレンジは落胆に満ちているが、『Possession Pact』は最終的に悪魔祓いのような役割を果たす。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2881823982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3630418753\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2881823982\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4123394656\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/sttr\"\u003ehere\u003c\/a\u003e to see more Start-track.com releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003eCassette in norelco case.\u003cbr\u003eCassette edition of 100.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spirit Circle 02:49\u003cbr\u003e2. Transformer 02:36\u003cbr\u003e3. Thin Light 03:13\u003cbr\u003e4. All The Passing Days 03:35\u003cbr\u003e5. Asleep On A Greyhound 04:03\u003cbr\u003e6. Leaving Tonight 02:38\u003cbr\u003e7. Distant, Without 01:55\u003cbr\u003e8. Night Sky Dozing 01:57\u003cbr\u003e9. Possession Pact 02:11\u003cbr\u003e10. My Epithet 02:17\u003cbr\u003e11. Winding, Unwinding 02:23\u003cbr\u003e12. Firestarter 04:14\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText written by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eConor Ryan \u0026amp; Thomas Howard:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"For over ten years now, Atlanta-based artist Thomas Howard has specialized in capturing nostalgia in all its biting and varied forms. Possession Pact represents a new outgrowth in his catalogue, thoroughly exploring the gloomy 90s slowcore sound pioneered by bands like Low, Bedhead and Codeine. The analog warbles and synthetic tones of previous releases have been replaced by skeletal, winding layers of guitar and minimalist drums, the space in-between commanded by Howard's clearest vocals to date, speaking in whispers and shouts.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis world is one that’s always in motion - whether dreaming or awake - and meditations on momentum like “Asleep On A Greyhound” serve as a mission statement for the album. Through its reflective lyrical contemplations and long-form centerpieces, Howard conceived this to be a “road trip” record. Songs like “Firestarter” utilize this approach to capture the shifting emotional timbres that resonate within us as we build from stasis to catharsis. Like every Orchid Mantis release, Possession Pact reframes extremely personal moments into an abstract emotional narrative. Every note is tinged with yearning - or the feeling that there’s an unanswered question always floating, with a resolution just out of reach. They dance within contradiction\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, from nihilist sentiment - \"it's hollow underneath \/ no answers for anything\" - to affirmation of meaning: \"a cipher in there \/ an answer to despair \/ a container to hold \/ and let it all go.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOrchid Mantis first gained a following through a string of bedroom-pop albums released via Z Tapes in the mid-2010s. Over the course of his vast and varied discography, he’s never settled on one genre. Whether it's his ambient works or his more indie pop-indebted releases, he focuses consistently on the beauty of dreamlike states, half-forgotten memories, and the bittersweet warble of tape decay. Although the instrumental arrangements here linger on despondent notes, Possession Pact ultimately acts as an exorcism - tucking away the past while ruminating on rebirth.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : orchid mantis\u003c\/p\u003e\n\u003cp\u003eLabel : Start-track\u003c\/p\u003e\n\u003cp\u003ecat no : S-T048\u003c\/p\u003e"}
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アメリカ・アトランタのドリームポップ作家orchid mantisが、2025年5月にスロバキア・ブラティスラバのインディーレーベルStart-trackから100本限定でリリースしたカセットです。 ロードトリップをテーマにした90'sスローコア12曲を収録。DLコード付属。 毎回異なる作風のリリースで驚かせてくれます。 以下、レーベルによる解説です。 "アトランタを拠点に活動するアーティストトーマス・ハワードは、10年以上にわたって、ノスタルジアをあらゆる痛烈で多様な形で捉えることを専門としてきた。『Possession Pact』は、Low、Bedhead、Codeineといったバンドが開拓した陰鬱な90年代スローコアサウンドを徹底的に追求した、彼のカタログの新たな展開を象徴する作品だ。前作までのアナログのワーブルやシンセティックな音色は、骨格のように曲がりくねったギターとミニマルなドラムのレイヤーに取って代わられ、その間の空間は、ささやき声とシャウトで語るハワードのこれまでで最も明瞭なヴォーカルによって支配されている。 Asleep On A Greyhound のような勢いのある瞑想は、アルバムのミッションステートメントのような役割を果たしている。ハワードは、内省的な歌詞と長編の中心的な作品を通して、このアルバムを 「ロードトリップ 」レコードにしようと考えた。Firestarterのような曲は、私たちが静止状態からカタルシスへと至る過程で、私たちの中で共鳴する移り変わる感情の音色をとらえるために、このアプローチを利用している。orchid...
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