Recital
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{"id":5768676966565,"title":"Derek Baron \/\/ Curtain LP","handle":"pre-order-derek-baron-curtain-lp","description":"\u003cp\u003eDerek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657682245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/curtain\"\u003eCurtain by Derek Baron\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDerek Baron is a composer, musician, and artist. Curtain is a diary. Both in musical and non-musical situations, they attribute a filmic quality to their journal-like aural self-documentation. Dreams turn real then dissolve. Single phrases and events arrive and leave, abruptly. Yet, the overall sense of place that Baron creates is understood.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpening Curtain is the eponymous piece. A 21-minute live chamber work for quintet recorded in 2018. A musical assemblage of glued-together fragments and scraps of sheet music from Baron’s past. Compositions wrote in the small margins and folds of paper; illustrated in the art booklet included with the LP. The flute, violin, guitar, keyboard, and bass clarinet phrases saunter at a pre-sleep pace, until a subdued, yet ecstatic Mass theme ushers in periodically. Delivering the warmth of life… it is a slow beauty. It brings me such happiness listening to this piece. Its continuity is cut with scissors and pasted about oddly… all soaked in a certain malaise; a resigned grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next piece and other side of the LP, “Chancel,” is rather different. An audio journal flipped through, dropped on the ground, picked up and opened to another page. A confusing montage of world-ized musical snatches: car radios, church choirs emanating to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe streets, moldy organs, domestic piano recordings. Similarly, machine vibrations, bodega conversations, and other environmental observations segue the harmony and disharmony of this listening experience. I’ll finish with some of Derek’s notes from the booklet: “Co-opting new achievements \/ Thank you for this incredible demonstration \/ This theatre of procedures \/ This consoling play of recognitions \/ No theatre but “what’s that”, \/ Nowhere for the silver ball to roll to. \/ How are we so in love.”\u003cbr\u003e\u003cbr\u003e-Sean McCann (July 2020)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","published_at":"2020-10-10T06:10:50+09:00","created_at":"2020-10-10T06:10:49+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","monooto","neo classical","recital","sound poetry"],"price":371800,"price_min":371800,"price_max":371800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":36649838739621,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Derek Baron \/\/ Curtain LP","public_title":null,"options":["Default Title"],"price":371800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","options":["Title"],"media":[{"alt":null,"id":12028918792357,"position":1,"preview_image":{"aspect_ratio":1.005,"height":1019,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850"},"aspect_ratio":1.005,"height":1019,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R78cover-1024x1019.png?v=1602277850","width":1024},{"alt":null,"id":12028918825125,"position":2,"preview_image":{"aspect_ratio":1.255,"height":956,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850"},"aspect_ratio":1.255,"height":956,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0021026584_10.jpg?v=1602277850","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eDerek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1657682245\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003ca href=\"https:\/\/recitalprogram.bandcamp.com\/album\/curtain\"\u003eCurtain by Derek Baron\u003c\/a\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDerek Baron is a composer, musician, and artist. Curtain is a diary. Both in musical and non-musical situations, they attribute a filmic quality to their journal-like aural self-documentation. Dreams turn real then dissolve. Single phrases and events arrive and leave, abruptly. Yet, the overall sense of place that Baron creates is understood.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eOpening Curtain is the eponymous piece. A 21-minute live chamber work for quintet recorded in 2018. A musical assemblage of glued-together fragments and scraps of sheet music from Baron’s past. Compositions wrote in the small margins and folds of paper; illustrated in the art booklet included with the LP. The flute, violin, guitar, keyboard, and bass clarinet phrases saunter at a pre-sleep pace, until a subdued, yet ecstatic Mass theme ushers in periodically. Delivering the warmth of life… it is a slow beauty. It brings me such happiness listening to this piece. Its continuity is cut with scissors and pasted about oddly… all soaked in a certain malaise; a resigned grace.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe next piece and other side of the LP, “Chancel,” is rather different. An audio journal flipped through, dropped on the ground, picked up and opened to another page. A confusing montage of world-ized musical snatches: car radios, church choirs emanating to\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ethe streets, moldy organs, domestic piano recordings. Similarly, machine vibrations, bodega conversations, and other environmental observations segue the harmony and disharmony of this listening experience. I’ll finish with some of Derek’s notes from the booklet: “Co-opting new achievements \/ Thank you for this incredible demonstration \/ This theatre of procedures \/ This consoling play of recognitions \/ No theatre but “what’s that”, \/ Nowhere for the silver ball to roll to. \/ How are we so in love.”\u003cbr\u003e\u003cbr\u003e-Sean McCann (July 2020)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e"}
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Derek Baronの新作がSean McCann主宰Recitalより150部限定でリリース。過去作とは異なり、本作は日記のような作風で、断片的なメロディやフレーズが現れては消えていきます。それらの書き留められた楽譜やメモが16ページのブックレットにイラスト付きで掲載されています。2020年8月出版、既に廃盤です。 Curtain by Derek Baron Derek Baron is a composer, musician, and...
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{"id":4878225506436,"title":"Sean McCann \/\/ Puck LP","handle":"sean-mccann-puck-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003ePuck is here.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMusic for Public Ensemble, my previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnd three years before that was Private Ensemble.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePuck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching, Puck balances on the rooftop, tipping side to side in the fog.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:46:44+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","drone","lp","neo classical","Recital","recommended","sound poetry"],"price":316800,"price_min":316800,"price_max":316800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563807154308,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sean McCann \/\/ Puck LP","public_title":null,"options":["Default Title"],"price":316800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","options":["Title"],"media":[{"alt":null,"id":7816559329412,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R69CoverSmall-1024x1024.jpg?v=1587854806","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Sean McCann\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5WWccvo6nYU\" frameborder=\"0\" allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e\"\u003c\/i\u003e\u003cem\u003ePuck is here.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eMusic for Public Ensemble, my previous album, was released three years ago.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnd three years before that was Private Ensemble.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003ePuck is both public and private in nature. A smear of chamber works from Stockholm, Moscow, New York, and Kansas. Three aged personal recordings from 2008, 2009, and 2010 are also poured in the batter: a bedroom violin trio, ambient music, and a sad plucked guitar piece. A marbled blend of new chamber works and older, boisterous recordings from the late-2000s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThe first side is subtitled “Folded Portraits” – a three part suite: Nightfall, Broth, and Damals: German for “back then…” (or Remember When: the lowest form of conversation).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe spine of it is an informal rehearsal session of Portraits of Friars (2018).\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eRecorded at the fabled Fylkingen in Stockholm, the 10-person text and chamber piece grows and shrinks.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eFalse starts and stops and tests are outlined with the black ink of editing.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLittle moments become big moments.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNailed above that spine is Folded Rose (2018), a piece for piano and humming.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA dainty march out of context, immersed in recordings of me gagging and yowling in my car.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eSound artist Lia Mazzari shared the titular spoken piece with me. “Puck,” a duet for dialogue about eggs and jewelry, premiered at Café OTO in 2018.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI recorded my text in a dark bathtub in Toronto on my 30th birthday last year.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe text is a mold growing on top of a quintet I wrote called Vilon (2017), sweetly performed by the Russian Kymatic Ensemble.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eJackson Graham, skilled American percussionist, is a rod bolted through the album. He commissioned a work by me called Violet Fat (2017), which is spliced across both sides, hammered and bent to fit in place.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eA fusion of jubilation and gut clenching, Puck balances on the rooftop, tipping side to side in the fog.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 500\u003c\/i\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003e12-page “Puck” pamphlet\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\u003ci\u003eTwo art cards with program notes\u003c\/i\u003e\u003c\/li\u003e\n\u003c\/ul\u003e"}
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artist : Sean McCannlabel : Recital レーベルその他作品はこちら /// Click here to see more Recital releases available at...
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{"id":4878189035652,"title":"Daniel Schmidt \/\/ Abies Firma CD","handle":"daniel-schmidt-abies-firma-lp","description":"\u003cp\u003eアメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=710372385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=966270246\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eRecital:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAbies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Unempins to Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e","published_at":"2020-04-26T07:05:05+09:00","created_at":"2020-04-26T07:27:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Recital","sound poetry"],"price":228000,"price_min":228000,"price_max":228000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33563702231172,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Daniel Schmidt \/\/ Abies Firma CD","public_title":null,"options":["Default Title"],"price":228000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","options":["Title"],"media":[{"alt":null,"id":7816394834052,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R70Coversmall-1024x1024.jpg?v=1587853677","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=710372385\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=966270246\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eRecital:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e\"The second album by the American Gamelan composer and instrument builder, Daniel Schmidt, following In My Arms, Many Flowers, his majestic debut on Recital.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAbies Firma lies next chronologically, collecting works from 1976 to 1991, considered the second phase of his compositional form.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003e“We were like children playing with new toys,” Daniel recalls of the early days of American Gamelan music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Though, as we moved into the 1980s, I moved away from Javanese traditional formalism completely, no longer using a constant stream of notes.”\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel became a father twice over in the early 80s, transforming his compositional voice, finding himself open to new affects.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eNotably, the Sierra fir species, ‘abies firma’ … “These trees gave me a sense of rising and rising, all their branches reaching toward sun and sky.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eLooking at them across open spaces, I felt myself part of their upward striving.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eThe tall mountain trees became rising themes and arpeggios, sometimes even sweeping across the six octaves of the gamelan.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eThis album holds a variety of recordings including an especially immersive tape-delay piece for the rebab, a bowed Javanese instrument.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA sort of Eastern Frippertronics weaving the stereo field.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eAnother standout is a semi-improvised flute and gamelan work, ebbing in slowly like a night’s wind.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Accumulation” and “Abies Magnifica,” the spirited opening pieces, exemplify the precision and dexterity of Daniel’s group, The Berkeley Gamelan, who at this time were constantly performing around North America.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eTwo pieces on the album were co-composed by Schmidt and the late Lou Harrison, who helped conceive of the American style of gamelan and enjoyed a similarly long and varied musical career.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e“Unempins to Sociseknum” is based on arranging Harrison’s social security number against Schmidt’s unemployment insurance number.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA window into the cooperative spirit and experimentation of the late 70s.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003e\u003cspan class=\"s1\"\u003eWith each LP comes a CD including the addition of “One White Crow,” a three-part tapestry of melodic fragments which epitomizes the second phase of Schmidt’s composing; a divergence from both Javanese and European music.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eDaniel states, “William James once said that one white crow would suffice to overturn science’s assertion that all crows are black.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eI felt myself to be ‘one white crow’ amidst the prominent, established musical styles.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p2\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eby Sean McCann, September 2019\u003c\/i\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003ci\u003eEdition of 1000\u003c\/i\u003e\u003c\/li\u003e\n\u003cli\u003eComplimentary CD version with additional 20-minute suite\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eartist : Daniel Schmidt\u003c\/p\u003e\n\u003cp\u003elabel : Recital \u003c\/p\u003e"}
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アメリカのガムラン奏者Daniel Schmidtが、2019年にリリースしたCDです。 ガムランやバイオリンによるエキゾチック・アンビエント10曲を収録。廃盤です。 Recital: "The second album by the American Gamelan composer and instrument...
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{"id":4849380655236,"title":"Sarah Davachi \/\/ Let Night Come On Bells End The Day LP","handle":"sarah-davachi-let-night-come-on-bells-end-the-day-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSarah DavachiがRecitalよりリリースした名作をデッドストック入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/425275314\u0026amp;color=731319\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r45-sarah-davachi-buhrstone\" title=\"R45 Sarah Davachi -\" end=\"\" style=\"color: #cccccc; text-decoration: none;\" buhrstone=\"\" from=\"\" let=\"\" night=\"\" come=\"\" on=\"\" bells=\"\" the=\"\" day=\"\" lp=\"\" w=\"\" cd=\"\" target=\"_blank\"\u003eR45 Sarah Davachi - \"Buhrstone\" from Let Night Come On Bells End The Day LP w\/ CD\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRecital is joyed to publish the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you’ve never been there, doesn’t really scream “Avant-Garde” (Calgary is the rodeo capital of the world).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eFrom a young age, Sarah was a driven pianist (and figure-skater, although that’s a story for a different time). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology not taken the wheel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSarah is a considered person. I find few people that have the diligence and resolve to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003etake their time\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith music… especially in a live context.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI respect that about her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe first time I saw Sarah perform, I presumptuously told her that her music reminded me of my favorite Mirror albums (the exceptional project of Andrew Chalk and Christoph Heemann).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSarah was not familiar with Mirror, so the compliment was initially lost on her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eYears back I was in the same situation when a review compared my music to Andrew Chalk, who was unknown to me at the time.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSo I felt a kinship in our magnetic drift towards unspoken and clustered beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efollows the release of her “sound-wheel” LP\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll My Circles Run,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewhich examines the isolation of different instruments\u003ci\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLet Night Come On…,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003erecorded mainly with a Mellotron and electronic organ,\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efeels like a return to the nest.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eBurrowed in the studio, Davachi was the only performer on this album.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe both splays her compositional architecture and re-contextualizes the essence of her early output.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe chiseled careful and shadowed hymns; anchors of emotion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo pillars of this album are “Mordents”, which to my ears drops hints of her love for Progressive rock music – and “Buhrstone,” comparable to a sombre funeral march of piano and flutes. These two examine punctuations of early music, gently plucking melodies and movements.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe three other compositions are tonal works, blowing slow jets of lapping harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWriting this description now, I find it hard to separate “At Hand” from filmmaker Paul Clipson, who made a melancholic film for this piece of Sarah’s.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA fitting title for Sarah and Paul’s relationship – frequently working in orbit of each other, meticulous and tactile.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI cherish this track as a memory of Paul.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is a lovely album to fill an evening living room with. A blanket, a cup of wine, a dim bulb, a wide window.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree beautiful photo-prints by Davachi are included with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003c\/i\u003e. Frames are not included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e-Sean McCann \/ Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSecond Edition of 500 LPs\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThree art prints of photographs by the artist\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDigital download coupon, containing extended final track\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eartist : Sarah Davachi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e","published_at":"2020-04-20T15:30:12+09:00","created_at":"2020-04-20T15:35:01+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","Recital"],"price":283800,"price_min":283800,"price_max":283800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33462511992964,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Sarah Davachi \/\/ Let Night Come On Bells End The Day LP","public_title":null,"options":["Default Title"],"price":283800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426","options":["Title"],"media":[{"alt":null,"id":7816345419908,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1024,"width":1024,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426"},"aspect_ratio":1.0,"height":1024,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/R45_cover_sm-1024x1024.jpg?v=1587853426","width":1024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eSarah DavachiがRecitalよりリリースした名作をデッドストック入荷しました。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"166\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/425275314\u0026amp;color=731319\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\" title=\"Recital\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRecital\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/recitalprogram\/r45-sarah-davachi-buhrstone\" title=\"R45 Sarah Davachi -\" end=\"\" style=\"color: #cccccc; text-decoration: none;\" buhrstone=\"\" from=\"\" let=\"\" night=\"\" come=\"\" on=\"\" bells=\"\" the=\"\" day=\"\" lp=\"\" w=\"\" cd=\"\" target=\"_blank\"\u003eR45 Sarah Davachi - \"Buhrstone\" from Let Night Come On Bells End The Day LP w\/ CD\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eRecital is joyed to publish the newest record by Canadian composer Sarah Davachi. Currently working on her PhD in Musicology at UCLA, her trajectory has been unorthodox. Hailing from Calgary, Alberta, which, if you’ve never been there, doesn’t really scream “Avant-Garde” (Calgary is the rodeo capital of the world).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eFrom a young age, Sarah was a driven pianist (and figure-skater, although that’s a story for a different time). It is important and interesting that she chose to study esoteric music; as Sarah could have easily been a cowgirl or a concert pianist had her ingrained love of synthesis and sonic phenomenology not taken the wheel.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eSarah is a considered person. I find few people that have the diligence and resolve to\u003cspan\u003e \u003c\/span\u003e\u003ci\u003etake their time\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ewith music… especially in a live context.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI respect that about her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe first time I saw Sarah perform, I presumptuously told her that her music reminded me of my favorite Mirror albums (the exceptional project of Andrew Chalk and Christoph Heemann).\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSarah was not familiar with Mirror, so the compliment was initially lost on her.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eYears back I was in the same situation when a review compared my music to Andrew Chalk, who was unknown to me at the time.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eSo I felt a kinship in our magnetic drift towards unspoken and clustered beauty.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efollows the release of her “sound-wheel” LP\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eAll My Circles Run,\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003ewhich examines the isolation of different instruments\u003ci\u003e.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eLet Night Come On…,\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003erecorded mainly with a Mellotron and electronic organ,\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003efeels like a return to the nest.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eBurrowed in the studio, Davachi was the only performer on this album.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe both splays her compositional architecture and re-contextualizes the essence of her early output.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eShe chiseled careful and shadowed hymns; anchors of emotion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eTwo pillars of this album are “Mordents”, which to my ears drops hints of her love for Progressive rock music – and “Buhrstone,” comparable to a sombre funeral march of piano and flutes. These two examine punctuations of early music, gently plucking melodies and movements.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eThe three other compositions are tonal works, blowing slow jets of lapping harmonics.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eWriting this description now, I find it hard to separate “At Hand” from filmmaker Paul Clipson, who made a melancholic film for this piece of Sarah’s.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eA fitting title for Sarah and Paul’s relationship – frequently working in orbit of each other, meticulous and tactile.\u003cspan class=\"Apple-converted-space\"\u003e \u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eI cherish this track as a memory of Paul.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThis is a lovely album to fill an evening living room with. A blanket, a cup of wine, a dim bulb, a wide window.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003eThree beautiful photo-prints by Davachi are included with\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eLet Night Come On Bells End The Day\u003c\/i\u003e. Frames are not included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cspan class=\"s1\"\u003e-Sean McCann \/ Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cem\u003eSecond Edition of 500 LPs\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan class=\"s1\"\u003e\u003ci\u003eThree art prints of photographs by the artist\u003c\/i\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eDigital download coupon, containing extended final track\u003c\/em\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cspan\u003eartist : Sarah Davachi\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e"}
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Sarah DavachiがRecitalよりリリースした名作をデッドストック入荷しました。 Recital · R45 Sarah Davachi - "Buhrstone" from Let Night Come On...
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{"id":4849278910596,"title":"Charlie Morrow \/\/ Toot! Too LP","handle":"charlie-morrow-toot-too-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Charlie Morrow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427443486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2957281593\/transparent=true\/\" seamless=\"\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427443486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3725311552\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/toot-too\"\u003eToot! Too by Charlie Morrow\u003c\/a\u003e\u003c\/iframe\u003e","published_at":"2020-04-20T13:37:16+09:00","created_at":"2020-04-20T14:41:56+09:00","vendor":"Tobira Records","type":"","tags":["lp","Recital","sound art"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33462038790276,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Charlie Morrow \/\/ Toot! Too LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/cm.jpg?v=1587361318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/cm.jpg?v=1587361318","options":["Title"],"media":[{"alt":null,"id":7717854150788,"position":1,"preview_image":{"aspect_ratio":1.008,"height":594,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cm.jpg?v=1587361318"},"aspect_ratio":1.008,"height":594,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/cm.jpg?v=1587361318","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : Charlie Morrow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427443486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2957281593\/transparent=true\/\" seamless=\"\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3427443486\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3725311552\/transparent=true\/\" seamless\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/toot-too\"\u003eToot! Too by Charlie Morrow\u003c\/a\u003e\u003c\/iframe\u003e"}
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artist : Charlie Morrowlabel : Recital
Toot! Too by Charlie Morrow
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{"id":4849216356484,"title":"Simple Affections \/\/ Simple Affections LP","handle":"simple-affections-simple-affections-lp","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n","published_at":"2020-04-20T13:37:16+09:00","created_at":"2020-04-20T13:49:55+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","Recital","sound poetry"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33461837660292,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Simple Affections \/\/ Simple Affections LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197","options":["Title"],"media":[{"alt":null,"id":7717469716612,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/SA.jpg?v=1587358197","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eartist : \u003c\/span\u003e\u003cspan\u003eSimple Affections\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003elabel : Recital\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=494820930\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=343692677\/transparent=true\/\" seamless=\"\"\u003e\u003ca href=\"http:\/\/recitalprogram.bandcamp.com\/album\/simple-affections\"\u003eSimple Affections by Simple Affections\u003c\/a\u003e\u003c\/iframe\u003e\n"}
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artist : Simple Affectionslabel : Recital
Simple Affections by Simple Affections
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{"id":4849165369476,"title":"Matthew Sullivan \/\/ Matthew LP","handle":"matthew-sullivan-matthew","description":"\u003cp\u003e2007-2012年のアメリカ西海岸アンビエントシーンで活躍したカセットレーベルEkheinの主宰者であり、Earnなどの名義でリリースを重ねてきたMatthew Sullivanによるソロ名義がRecitalよりリリース。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2919241372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatthew is nailed together with driftwood from around the world. The waters of Italy, the pubs of London, birds of Japan, a phone call in Los Angeles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSullivan moved from California to London in 2016. Living in London was a pivotal time for Matt, as I see it. This record digests that time. Each sound on Matthew means something very specific to the artist. Locales and memories focus to mind as passages rise and sink. Us listeners cannot know what transpires across the speakers, however. Our own narrative is quietly built. I like records that don’t concern the audience, ones that make you invest yourself; this is one of those records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFans of Sullivan’s music know that he never gives an inch more or an inch less than he needs to. Bold and looming with few extraneous elements. Ekhein, Matt’s former cassette label, and his new label, as of yet without name, also carry this motif.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo side-long pieces, expertly woven, constitute this album. I admire Matt’s ability to play with proximity and depth of field: fading sirens, ripping waters, and digitized breath. Like an hallucinating Bill Fontana, the two works are sensory travels folding into themselves. Matt is once again living in Los Angeles, and thus the nostalgic mist that forms within Matthew is all the more meaningful.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSean McCann, February 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Matthew Sullivan\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","published_at":"2020-04-20T11:29:10+09:00","created_at":"2020-04-20T13:22:21+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","lp","Recital"],"price":272800,"price_min":272800,"price_max":272800,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":33461660418180,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Matthew Sullivan \/\/ Matthew LP","public_title":null,"options":["Default Title"],"price":272800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/matthew.jpg?v=1587356542"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/matthew.jpg?v=1587356542","options":["Title"],"media":[{"alt":null,"id":7717268717700,"position":1,"preview_image":{"aspect_ratio":1.003,"height":597,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/matthew.jpg?v=1587356542"},"aspect_ratio":1.003,"height":597,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/matthew.jpg?v=1587356542","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2007-2012年のアメリカ西海岸アンビエントシーンで活躍したカセットレーベルEkheinの主宰者であり、Earnなどの名義でリリースを重ねてきたMatthew Sullivanによるソロ名義がRecitalよりリリース。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2919241372\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp class=\"p1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 250.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMatthew is nailed together with driftwood from around the world. The waters of Italy, the pubs of London, birds of Japan, a phone call in Los Angeles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSullivan moved from California to London in 2016. Living in London was a pivotal time for Matt, as I see it. This record digests that time. Each sound on Matthew means something very specific to the artist. Locales and memories focus to mind as passages rise and sink. Us listeners cannot know what transpires across the speakers, however. Our own narrative is quietly built. I like records that don’t concern the audience, ones that make you invest yourself; this is one of those records.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFans of Sullivan’s music know that he never gives an inch more or an inch less than he needs to. Bold and looming with few extraneous elements. Ekhein, Matt’s former cassette label, and his new label, as of yet without name, also carry this motif.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTwo side-long pieces, expertly woven, constitute this album. I admire Matt’s ability to play with proximity and depth of field: fading sirens, ripping waters, and digitized breath. Like an hallucinating Bill Fontana, the two works are sensory travels folding into themselves. Matt is once again living in Los Angeles, and thus the nostalgic mist that forms within Matthew is all the more meaningful.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSean McCann, February 2019\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Matthew Sullivan\u003c\/p\u003e\n\u003cp\u003elabel : Recital\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e"}
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2007-2012年のアメリカ西海岸アンビエントシーンで活躍したカセットレーベルEkheinの主宰者であり、Earnなどの名義でリリースを重ねてきたMatthew Sullivanによるソロ名義がRecitalよりリリース。 レーベルその他作品はこちら /// Click here to see more Recital releases available at Tobira. -------------------------- Edition of...
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