Orindal Records
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{"id":7647777554682,"title":"TJO \/\/ Dispatches from the Drift TAPE","handle":"tjo-dispatches-from-the-drift-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、カリフォルニアのシンガーソングライターTara Jane O'Neilが、2021年にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼女のこれまでの作品とは異なり、100%アンビエント作品です。スケッチのように録音したギターアンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255809089\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 tracks, 63 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTypically I use voice memos or computer programs to catch ideas and work out the really sticky ones. These pieces were recorded on iPhone or the computer program I use to monitor when I had the presence to press record. They were promptly forgotten. These are not sketches of ideas that may be revisited, these sounds were not looking for a form or seeking to be known. These are complete, traveling pieces that resolve or simply end. At the end of the dismal and seismic year called 2020, I found these improvisations on my phone or my hard drive while looking for those typical fragments of inspiration I could use to make into something else through the ordinary alchemical process of making songs.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat a trick I played on myself! Thinking I hadn’t made much music during the lockdown. Tricked in to thinking that I had to be inspired or productive during the pandemic. Thinking that any previous metric or vocation would be valid during such a time. These recordings are things that got caught in the drift. These are some of what I did in the drift, without thinking.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot playing shows or making a record for the first time since I was 19 has been truly confusing but again the trick is on me during the moments of fret about this. Music is eternal. Music\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e doesn’t need a venue or a contract. What a gift to be able to play with music and what a gift to have it in the year 2020. And what a gift to find these keyboard recordings of sonic meander and repetition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat a gift that music exists and on these recorded occasions I was simply playing with it, for play. Without lyricism or intention these are recordings of sonic meander and repetition rendered by keyboard. The exception is A Sunday 2020, and its preamble. It meets certain criteria for inclusion here as the keyboard and wordless vocals were improvised just like the others. However on this one I did use my old familiar hammer, the guitar for melodic shape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese found ambient pieces were not edited to feel narrative, and weren’t made with sharing in mind. Use them however you like.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TJO\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-26T09:29:34+09:00","created_at":"2022-06-20T14:43:05+09:00","vendor":"Tobira Records","type":"","tags":["ambient","orindal","tape"],"price":168000,"price_min":168000,"price_max":168000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897150148858,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"TJO \/\/ Dispatches from the Drift TAPE","public_title":null,"options":["Default Title"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/di1_22b21d68-3675-436c-ab1a-6230b0f21737.jpg?v=1655703786","\/\/tobirarecords.com\/cdn\/shop\/products\/di2_48e4fb60-087d-4794-a626-85c5c453a6b6.jpg?v=1655703786"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_22b21d68-3675-436c-ab1a-6230b0f21737.jpg?v=1655703786","options":["Title"],"media":[{"alt":null,"id":29933852754170,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_22b21d68-3675-436c-ab1a-6230b0f21737.jpg?v=1655703786"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di1_22b21d68-3675-436c-ab1a-6230b0f21737.jpg?v=1655703786","width":700},{"alt":null,"id":29933852819706,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_48e4fb60-087d-4794-a626-85c5c453a6b6.jpg?v=1655703786"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/di2_48e4fb60-087d-4794-a626-85c5c453a6b6.jpg?v=1655703786","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、カリフォルニアのシンガーソングライターTara Jane O'Neilが、2021年にリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e彼女のこれまでの作品とは異なり、100%アンビエント作品です。スケッチのように録音したギターアンビエント11曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2255809089\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e11 tracks, 63 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist statement:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTypically I use voice memos or computer programs to catch ideas and work out the really sticky ones. These pieces were recorded on iPhone or the computer program I use to monitor when I had the presence to press record. They were promptly forgotten. These are not sketches of ideas that may be revisited, these sounds were not looking for a form or seeking to be known. These are complete, traveling pieces that resolve or simply end. At the end of the dismal and seismic year called 2020, I found these improvisations on my phone or my hard drive while looking for those typical fragments of inspiration I could use to make into something else through the ordinary alchemical process of making songs.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat a trick I played on myself! Thinking I hadn’t made much music during the lockdown. Tricked in to thinking that I had to be inspired or productive during the pandemic. Thinking that any previous metric or vocation would be valid during such a time. These recordings are things that got caught in the drift. These are some of what I did in the drift, without thinking.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNot playing shows or making a record for the first time since I was 19 has been truly confusing but again the trick is on me during the moments of fret about this. Music is eternal. Music\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e doesn’t need a venue or a contract. What a gift to be able to play with music and what a gift to have it in the year 2020. And what a gift to find these keyboard recordings of sonic meander and repetition.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhat a gift that music exists and on these recorded occasions I was simply playing with it, for play. Without lyricism or intention these are recordings of sonic meander and repetition rendered by keyboard. The exception is A Sunday 2020, and its preamble. It meets certain criteria for inclusion here as the keyboard and wordless vocals were improvised just like the others. However on this one I did use my old familiar hammer, the guitar for melodic shape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese found ambient pieces were not edited to feel narrative, and weren’t made with sharing in mind. Use them however you like.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TJO\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。 本作は、カリフォルニアのシンガーソングライターTara Jane O'Neilが、2021年にリリースしたカセットです。 彼女のこれまでの作品とは異なり、100%アンビエント作品です。スケッチのように録音したギターアンビエント11曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available...
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{"id":7647773917434,"title":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE","handle":"wednesday-twin-plagues-lp-cd-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=643357752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3rd tape edition of 100.\u003cbr\u003eCD edition of 500.\u003cbr\u003eCanary yellow LP edition of 500.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 tracks, 34 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHanif Abdurraqib:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I’m not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don’t remember how, or why. They simply arrived, as if we’d been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I’d needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is the trick of nostalgia that I spend a lot of time\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn’t paired with something that approaches a type of rigorous honesty. Which is hard to do, sometimes. My memories flare and fire with only the finest aesthetics of a past that I was certainly in, but I often deem myself as only a secondary character, if even that. Which, of course, lets me off the hook in the name of fluorescence and flourish, in the name of sound and sight.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI love Twin Plagues first for its songs, plainly. If you, listening to Wednesday for the first time around or even the second time around, stumble onto this album, I promise you the songs will be what grab you first, beyond any of my foolish high-level emotional theorizing or projections. Every band that loves the pursuit of their craft the way this band does is one to follow, because getting to sit on the sidelines and watch them level up is a real generosity. Twin Plagues is overflowing with hooks, but what most delighted me about the band from the start has taken a leap: they have managed, somehow, to get even better at structuring their noise from one movement of a song to the next. The idea of the “song” itself is flexible in their hands, so much so that each song holds two, or three songs within. This, again, generosity. “Cody’s Only” is a ballad until it begins to threaten a storm of volume, and then, in its final act, it becomes something else altogether. “One More Last One” is a shoegaze-y trip that swells and swells until it overflows, but it doesn’t stop. It keeps offering and offering and offering. I say “noise,” and never in a dismissive sense. Everything has a place, and so much of its place is to serve the true heart of this album, and the true heart of Wednesday’s music, which is allowing cracks through which tenderness can enter and exit as needed. Tenderness that, it seems to me, is always wrestling underneath whatever else might be happening on a song’s surface.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of “The Burned Down Dairy Queen” when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors – both metaphorical and real – this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. I was desperate for making myself less blurry in my own memories and reckoning with my full, multitudinous self. The self that was once unkind, or less gentle, or less curious than I am now. I needed this album to remind me to embrace the fullness of my unfinished nature, the years I have lived and – with any luck – the years I have to go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when “Birthday Song” gets good and loud and sing-along-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let “Ghost Of A Dog” churn and rattle you to some nighttime realization that you couldn’t have had in silence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T16:33:09+09:00","created_at":"2022-06-20T14:35:16+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","lp","orindal","tape"],"price":168000,"price_min":168000,"price_max":315000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897135599866,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358553334010,"product_id":7647773917434,"position":2,"created_at":"2022-06-20T14:35:16+09:00","updated_at":"2022-06-20T14:35:18+09:00","alt":null,"width":1200,"height":850,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","variant_ids":[42897135599866]},"available":false,"name":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE - LP","public_title":"LP","options":["LP"],"price":315000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933834240250,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897135632634,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358553366778,"product_id":7647773917434,"position":3,"created_at":"2022-06-20T14:35:16+09:00","updated_at":"2022-06-20T14:35:19+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319","variant_ids":[42897135632634]},"available":false,"name":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE - CD","public_title":"CD","options":["CD"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933834273018,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897135665402,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358553268474,"product_id":7647773917434,"position":4,"created_at":"2022-06-20T14:35:16+09:00","updated_at":"2022-06-20T14:35:18+09:00","alt":null,"width":1200,"height":838,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318","variant_ids":[42897135665402]},"available":false,"name":"Wednesday \/\/ Twin Plagues LP \/ CD \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":168000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933834305786,"position":4,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319","\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","options":["format"],"media":[{"alt":null,"id":29933834207482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl1_ab7b00f8-4579-47ea-b361-16cd07a3148d.jpg?v=1655703318","width":700},{"alt":null,"id":29933834240250,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl2_062c8000-d9d1-4aca-82f9-885b2faccd73.jpg?v=1655703318","width":1200},{"alt":null,"id":29933834273018,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl3_6fcf39d9-b694-4ac6-912a-bd9c252c4954.jpg?v=1655703319","width":1200},{"alt":null,"id":29933834305786,"position":4,"preview_image":{"aspect_ratio":1.432,"height":838,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318"},"aspect_ratio":1.432,"height":838,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/pl4_a0e3134d-ef1f-4772-a87f-ff36e54b349f.jpg?v=1655703318","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=643357752\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3rd tape edition of 100.\u003cbr\u003eCD edition of 500.\u003cbr\u003eCanary yellow LP edition of 500.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e12 tracks, 34 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eHanif Abdurraqib:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn a long and emotionally exhausting year of being inside (alone, in my case,) I have found myself thinking about mirrors. How to avoid spending too much time in them, most days. Taking inventory of the real, physical self is difficult work, work that I’m not entirely opposed to but work that became immediately more treacherous for me when I had to witness the very real toll that time, modern anxieties, isolation, and boredom were taking on me. It was easier, it seemed, to spiral into a not-so-distant glorious past, to use memory as a tool of both excitement and healing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, speaking of excitement, I like to stumble towards a band with no agenda, no purpose, uncovering sound almost on accident. This is how I first heard Wednesday. The band came to me and I don’t remember how, or why. They simply arrived, as if we’d been traveling toward each other our whole lives. I Was Trying To Describe You To Someone soaked into my summer of 2020, and in sound, in spirit, in central concerns and the execution of them, it took me back to an era before the current era, which I’d needed at the time. The past can feel less hellish than the present if we are, sometimes, not fully honest with ourselves.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is the trick of nostalgia that I spend a lot of time\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e playing with in my own writing, and somewhat tormented by in my own living. The very real idea that nostalgia is both a useful tool and also a weapon if it isn’t paired with something that approaches a type of rigorous honesty. Which is hard to do, sometimes. My memories flare and fire with only the finest aesthetics of a past that I was certainly in, but I often deem myself as only a secondary character, if even that. Which, of course, lets me off the hook in the name of fluorescence and flourish, in the name of sound and sight.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI love Twin Plagues first for its songs, plainly. If you, listening to Wednesday for the first time around or even the second time around, stumble onto this album, I promise you the songs will be what grab you first, beyond any of my foolish high-level emotional theorizing or projections. Every band that loves the pursuit of their craft the way this band does is one to follow, because getting to sit on the sidelines and watch them level up is a real generosity. Twin Plagues is overflowing with hooks, but what most delighted me about the band from the start has taken a leap: they have managed, somehow, to get even better at structuring their noise from one movement of a song to the next. The idea of the “song” itself is flexible in their hands, so much so that each song holds two, or three songs within. This, again, generosity. “Cody’s Only” is a ballad until it begins to threaten a storm of volume, and then, in its final act, it becomes something else altogether. “One More Last One” is a shoegaze-y trip that swells and swells until it overflows, but it doesn’t stop. It keeps offering and offering and offering. I say “noise,” and never in a dismissive sense. Everything has a place, and so much of its place is to serve the true heart of this album, and the true heart of Wednesday’s music, which is allowing cracks through which tenderness can enter and exit as needed. Tenderness that, it seems to me, is always wrestling underneath whatever else might be happening on a song’s surface.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut if I may go back to all of these ideas of nostalgia and our old, tricky, past selves that are, indeed, a part of the house of bricks that make up our present self, what I also hope you, listener, might adore about this album is the exact moment at the start of “The Burned Down Dairy Queen” when Karly sings I was hiding in a room in my mind \/ and I made me take a look at myself. Because if you, like me, have been avoiding mirrors – both metaphorical and real – this is where the album becomes a lighthouse, echoing bright across the darkness of my otherwise dark and empty chambers. So much of these songs meditate on the past in far less romantic ways than I have found myself meditating on the past, and I was desperate for the recalibration that this album provided. I was desperate for making myself less blurry in my own memories and reckoning with my full, multitudinous self. The self that was once unkind, or less gentle, or less curious than I am now. I needed this album to remind me to embrace the fullness of my unfinished nature, the years I have lived and – with any luck – the years I have to go.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo, yes, the songs are good. You will maybe roll down your windows on a comfortable day on the right stretch of road in a warm season and turn the volume up when “Birthday Song” gets good and loud and sing-along-able. You might sit atop a rooftop at night, closer to the moon than you were on the ground, and let “Ghost Of A Dog” churn and rattle you to some nighttime realization that you couldn’t have had in silence.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBut, even on top of all of this, on top of all the pleasures and the mercies that the sounds on this album might afford. I hope and think, too, that it will remind anyone who listens that we are a collection of many reflections. All of them deserving patience.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2022年2月にリリースしたアルバムです。 カントリー・シューゲイズ12曲を収録。DLコード付属。レコードはカラー盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":7647758975226,"title":"Annie Hart \/\/ Everything Pale Blue TAPE","handle":"annie-hart-everything-pale-blue-lp-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国NYのアンビエント作家Annie Hartが、2021年5月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eあたたかいシンセアンビエント4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3822556957\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTape edition of 150.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 tracks, 37 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEverything Pale Blue is the first collection of ambient music by New York City-based composer and Au Revoir Simone keyboardist Annie Hart. Performed on analog synthesizers and processed through daisy chains of delay, reverb and loop effects, Everything Pale Blue’s warm, sonorous tones and trance-like, minimalist arrangements recall the work of pioneering electronic music composers Wendy Carlos, Éliane Radigue and Brian Eno, as well as German Kosmische Musik groups of the 70’s like Kraftwerk, Cluster and Tangerine Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThroughout Everything Pale Blue, Hart’s gentle arpeggios and playful melodic figures echo the harmonies and rhythms of our natural world, from the cycles of flora, fauna and weather patterns to the orbits of celestial bodies. Everything Pale Blue’s four gorgeously expansive instrumental tracks reward patient listeners seeking calm, melody and meditation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnnie Hart explains:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'I began composing Everything Pale Blue in November 2020 at an artist’s residency near Oneonta, New York called Aunt Karen’s Farm, which was funded through a grant from the Sustainable Arts Foundation, whose mission is to support arts created by people with children. Normally, it’s a hub of activity, but due to COVID, it\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e was just me, and for part of the time, my family, sharing an open, empty farm space; a true retreat. At first I was a bit bored by the same scenery every day in such a gloomy, wet, gray season, but after a while I started seeing the minute daily changes in the nature around me. Every day I went on walks through fallow fields spiked with mown straw, sometimes wet with mud, sometimes caked with snow, and on some magical days, encased in crystalline ice. I started seeing the trees around the farm as individuals, with their own personalities. I saw the leaves change on the ground from yellow and brown, to dry brown blowing ones, to wet, dark brown precursors to soil that would then nurture the same trees they came from. Obviously, in New York City, we see trees every day, but it is incredibly rare to witness their symbioses with each other and the soil and animals. I started noticing the differences in the bird songs of each species and their various moods.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'At the start of my residency, I visited Green Toad Bookstore in Oneonta where I was drawn to the 33 1\/3 book on Another Green World by Geeta Dayal. She’s a great writer and laid Eno’s processes and philosophies out in an incredibly tangible way. I savored that book and bought AGW on iTunes and would listen on repeat while I ate my suppers. I had intended to use my time at the farm to finish recording a pop record, but I soon started sliding out of the typical song structure mentality and sliding into a playing\/listening mentality. And I mean “play” in the childish sense. I brought my Oblique Strategies cards that I got for my birthday and I started just going to the recording studio I’d set up in the farmhouse’s living room and doing wild experiments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'I’d brought along a few of my analog synthesizers (a Minimoog Model D, a Sequential Prophet-6, a Yamaha CP-20) plus some delay, reverb and loop effects. I started to think about just how meditative, playful and creative I could be within small parameters. I composed “Somebody Moves, Nobody Talks” like that, with the idea of how to make my own version of Eno’s studio with tape going around the room, looped on pencils.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'It was incredible to see the shift in my mentality over the time at the farm. To go from gripping and holding to just playing; allowing myself the freedom to create without guilt or responsibility, to see the shifts in my abilities as a composer and musician. It was absolutely magical and I consider that month an incredibly formative one that I am so lucky to have been able to attend and appreciate.'\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annie Hart\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:42:37+09:00","created_at":"2022-06-20T14:26:10+09:00","vendor":"Tobira Records","type":"","tags":["ambient","orindal","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897079402746,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Annie Hart \/\/ Everything Pale Blue TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_96b182af-6ff1-40f3-8cad-0421b00e0fee.jpg?v=1655702772"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","options":["Title"],"media":[{"alt":null,"id":29933800194298,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev1_d39db1a9-5546-4e33-8709-b87abb4dada4.jpg?v=1655702772","width":700},{"alt":null,"id":29933800259834,"position":2,"preview_image":{"aspect_ratio":0.999,"height":1200,"width":1199,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_96b182af-6ff1-40f3-8cad-0421b00e0fee.jpg?v=1655702772"},"aspect_ratio":0.999,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ev3_96b182af-6ff1-40f3-8cad-0421b00e0fee.jpg?v=1655702772","width":1199}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国NYのアンビエント作家Annie Hartが、2021年5月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eあたたかいシンセアンビエント4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3822556957\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTape edition of 150.\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4 tracks, 37 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eEverything Pale Blue is the first collection of ambient music by New York City-based composer and Au Revoir Simone keyboardist Annie Hart. Performed on analog synthesizers and processed through daisy chains of delay, reverb and loop effects, Everything Pale Blue’s warm, sonorous tones and trance-like, minimalist arrangements recall the work of pioneering electronic music composers Wendy Carlos, Éliane Radigue and Brian Eno, as well as German Kosmische Musik groups of the 70’s like Kraftwerk, Cluster and Tangerine Dream.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThroughout Everything Pale Blue, Hart’s gentle arpeggios and playful melodic figures echo the harmonies and rhythms of our natural world, from the cycles of flora, fauna and weather patterns to the orbits of celestial bodies. Everything Pale Blue’s four gorgeously expansive instrumental tracks reward patient listeners seeking calm, melody and meditation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnnie Hart explains:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'I began composing Everything Pale Blue in November 2020 at an artist’s residency near Oneonta, New York called Aunt Karen’s Farm, which was funded through a grant from the Sustainable Arts Foundation, whose mission is to support arts created by people with children. Normally, it’s a hub of activity, but due to COVID, it\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e was just me, and for part of the time, my family, sharing an open, empty farm space; a true retreat. At first I was a bit bored by the same scenery every day in such a gloomy, wet, gray season, but after a while I started seeing the minute daily changes in the nature around me. Every day I went on walks through fallow fields spiked with mown straw, sometimes wet with mud, sometimes caked with snow, and on some magical days, encased in crystalline ice. I started seeing the trees around the farm as individuals, with their own personalities. I saw the leaves change on the ground from yellow and brown, to dry brown blowing ones, to wet, dark brown precursors to soil that would then nurture the same trees they came from. Obviously, in New York City, we see trees every day, but it is incredibly rare to witness their symbioses with each other and the soil and animals. I started noticing the differences in the bird songs of each species and their various moods.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'At the start of my residency, I visited Green Toad Bookstore in Oneonta where I was drawn to the 33 1\/3 book on Another Green World by Geeta Dayal. She’s a great writer and laid Eno’s processes and philosophies out in an incredibly tangible way. I savored that book and bought AGW on iTunes and would listen on repeat while I ate my suppers. I had intended to use my time at the farm to finish recording a pop record, but I soon started sliding out of the typical song structure mentality and sliding into a playing\/listening mentality. And I mean “play” in the childish sense. I brought my Oblique Strategies cards that I got for my birthday and I started just going to the recording studio I’d set up in the farmhouse’s living room and doing wild experiments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'I’d brought along a few of my analog synthesizers (a Minimoog Model D, a Sequential Prophet-6, a Yamaha CP-20) plus some delay, reverb and loop effects. I started to think about just how meditative, playful and creative I could be within small parameters. I composed “Somebody Moves, Nobody Talks” like that, with the idea of how to make my own version of Eno’s studio with tape going around the room, looped on pencils.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'It was incredible to see the shift in my mentality over the time at the farm. To go from gripping and holding to just playing; allowing myself the freedom to create without guilt or responsibility, to see the shifts in my abilities as a composer and musician. It was absolutely magical and I consider that month an incredibly formative one that I am so lucky to have been able to attend and appreciate.'\u003c\/em\u003e\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Annie Hart\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国NYのアンビエント作家Annie Hartが、2021年5月にリリースしたアルバムです。 あたたかいシンセアンビエント4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":7647752126714,"title":"Karima Walker \/\/ Waking the Dreaming Body LP \/ TAPE","handle":"karima-walker-waking-the-dreaming-body-lp-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライターKarima Walkerが、2021年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやアコースティックギターによるシンプルな構成のベッドルームフォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1075340456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 tracks, 40 minutes.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTucson, Arizona interdisciplinary artist Karima Walker walks a line between two worlds. Aside from her long resume of collaborative work with artists in the diverse fields of dance, sculpture, film, photography and creative non-fiction, Walker has long nurtured a duality within her work as a musician, developing her own sonic language as a sound designer in tandem with her craft as a singer\/songwriter. The polarity within Walker’s music has never been so articulately explored, or graced with as much intention, as on her new album, Waking the Dreaming Body.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaking the Dreaming Body was written, performed and engineered entirely by Walker, with the exception of some subtle upright bass from C.J. Boyd on the song “Window I.” Producing the album on her own wasn’t Walker’s original intention, though; after flying to New York in November 2019 to develop some home-recorded tracks with The Blow’s Melissa Dyne, a sudden illness forced Walker to cancel the sessions and return home to Tucson to recover, and soon after, the COVID-19 pandemic ruled out the possibility of a return trip to New York. Instead, Walker decided to finish the album herself in her makeshift home studio. She spent the following months recording, processing and arranging her self-described “messy\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Ableton sessions” into densely harmonic arrangements of synthesizer, guitar, piano, percussion, field recordings, tape loops and her own dulcet singing voice, allowing trial, error and intuition to guide her way. The final result is a 40-minute dream-narrative of her conscious and subconscious minds that oscillates between the rich textures of her ambient compositions (as in the instrumentals “Horizon, Harbor Resonance” and “For Heddi”) and the melody and poetry of her melancholic, Americana-tinged songwriting (as in the lyrics-focused tracks “Reconstellated” and “Waking the Dreaming Body”), their ebb and flow recalling liminal states of half-sleep where images and emotions are recalled and forecasted from the previous night's dreams. Night falls in regular intervals throughout the album, forming a natural dialogue between waking and dreaming.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalker explains:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'I wanted these songs to stand alone as complete worlds, and this required a shift in my usual way of writing. I found myself trying to escape from an excess of interiority by exploring outward, by thinking about the mirroring that happens when you seek connection to others and to the natural world—when you try to bring the outside in. I sought to make arrangements that swell at certain moments and barely hold together at others, moving with my breath and other rhythms connecting my body to the natural world. Ultimately, I was seeking to draw myself out, to reconstruct my personal narrative.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'I see myself as an in between person I guess,” Walker continues. “Though I haven't very explicitly brought my own personal history into my music, I think it's there, and it continues to show up in its own ways and time. I am Arab, half North African\/Tunisian on my mother's side, but was raised in a very white context, with a lot of white passing privilege, especially as I've gotten older. My mom came to California as an immigrant to this country after marrying my dad in the rural village where she grew up. She came to Los Angeles and was working at McDonald’s and different Mediterranean restaurants around the city, and was kind of discovered at one of these jobs. The singer didn't show up one night, so her coworkers told her to sing a couple songs she knew. She only knew three by heart and she sang them over and over again that night. That was the beginning of her career, and she has worked as a singer in Europe and North Africa for over twenty years now. She's like a jukebox for the Arab diaspora and beyond. I didn't grow up with her, though, knew almost nothing about her, except that she was Tunisian and was a singer and that she left when I was little. I think that planted a seed in me, even though what I do is very different from her idea of being a singer. She has this rich full big voice, she listens to my records and then sits me down and says, \"You know Whitney Houston, right? Why don't you sing like her?\" The difference in what we do is laughably different! But my journey into making music was so different. I kept falling in love with musicians and artists for a while before I realized that maybe I wanted to be so close to these people because they were doing something that resonated deeply in me. So there's a way in which making music has been a way for me to overcome divides that I couldn't quite articulate in other ways. Maternal lineage, intimacy and connection, but also, with this record, attempting to overcome my own internal divides.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWaking the Dreaming Body holds a deep connection to the environs in which it was created, and the mountains, rivers and starry skies of Walker’s desert home are referenced in nearly every song she sings on the album, simultaneously grounding the action and imbuing it with a sense of otherworldliness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSonoran sky plays a movie\u003cbr data-mce-fragment=\"1\"\u003eDraw a line to the stars inside of me\u003cbr data-mce-fragment=\"1\"\u003eWrite it down, tell your friends\u003cbr data-mce-fragment=\"1\"\u003eI know where I am but I can’t tell where I started\u003cbr data-mce-fragment=\"1\"\u003e— “Reconstellated”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Tucson is where I grew up, I moved here from California as a kid,” Walker recalls. “And after leaving for school and traveling, I moved back about seven years ago. It's such a distinct and notable place to folks not from the desert, but this is my home. My formative understanding of the natural world, aside from the ocean, comes from here, so it always seems to make its way into my work. I think that porousness would be there regardless of where I was, but I do think that the pandemic forced me back into the desert seasons in a way that I hadn't experienced since I was a kid. We had one of our hottest and driest summers on record, and I usually try to tour when it’s super hot at home. But this year I was kinda stuck, the mountain where everyone runs away from the heat, about an hour away, caught fire and burned for weeks so there really was no escaping it. I started thinking about our rivers- they're called dead rivers or washes, because they don't run usually, and our watershed, all the plants that survive here and the seasons that were still happening even under all the stress of this summer.”\u003cbr data-mce-fragment=\"1\"\u003eThroughout Waking the Dreaming Body, Walker’s uncanny sound design evokes the delicacy, grandeur and terrifying enormity of the American Southwest. Close your eyes while listening to “Horizon, Harbor Resonance,” the thirteen-minute instrumental at the album’s center, and watch the shifting desert landscape in your mind’s eye; from the babble of flash flood runoff to the slow parade of cumulus cloud shadows across the red earth, cactus and creosote, and then, moving backwards in time, the thunderous eruptions of ancient volcanoes that pushed the Tucson Mountains skyward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalker continues:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Waking the Dreaming Body was influenced by my preoccupation with natural sublime phenomena: tsunami videos and the dreams of ocean waves I was having last year, large mountain ranges that can only be seen by a plane or over the course of a day of driving. These images allowed me to think about immense horror and beauty—something that overwhelms but simultaneously is so hard to look away from, something that holds violence but also reflects a better understanding of ourselves in the context of that immensity and scale. Looking out and looking within, and knowing that the divide is false, but feeling the pain of that division nonetheless.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Waking the Dreaming Body became an attempt to break out of my insularity, wrestling with my separation from the natural world. I write about mountains and rivers but all through more of a longing and detachment. Maybe there’s hope in there? I made this whole record almost entirely alone so I’m actually not sure if I make it to the other side.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karima Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:44:53+09:00","created_at":"2022-06-20T14:15:03+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal","tape"],"price":156000,"price_min":156000,"price_max":289000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897037590778,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358495432954,"product_id":7647752126714,"position":2,"created_at":"2022-06-20T14:15:03+09:00","updated_at":"2022-06-20T14:15:05+09:00","alt":null,"width":1200,"height":902,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105","variant_ids":[42897037590778]},"available":false,"name":"Karima Walker \/\/ Waking the Dreaming Body LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933775782138,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897037623546,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358495400186,"product_id":7647752126714,"position":3,"created_at":"2022-06-20T14:15:03+09:00","updated_at":"2022-06-20T14:15:05+09:00","alt":null,"width":1200,"height":895,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105","variant_ids":[42897037623546]},"available":false,"name":"Karima Walker \/\/ Waking the Dreaming Body LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933775814906,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6a49fbc0-4299-40f0-8ccd-669c2e1c6453.jpg?v=1655702105","\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105","\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6a49fbc0-4299-40f0-8ccd-669c2e1c6453.jpg?v=1655702105","options":["format"],"media":[{"alt":null,"id":29933775749370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6a49fbc0-4299-40f0-8ccd-669c2e1c6453.jpg?v=1655702105"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo1_6a49fbc0-4299-40f0-8ccd-669c2e1c6453.jpg?v=1655702105","width":700},{"alt":null,"id":29933775782138,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo2_43f119d2-017d-44c0-95db-35e80d78c39f.jpg?v=1655702105","width":1200},{"alt":null,"id":29933775814906,"position":3,"preview_image":{"aspect_ratio":1.341,"height":895,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105"},"aspect_ratio":1.341,"height":895,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bo3_0e0a6612-e50a-4825-aa27-1be78af6aedf.jpg?v=1655702105","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライターKarima Walkerが、2021年2月にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eピアノやアコースティックギターによるシンプルな構成のベッドルームフォーク8曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1075340456\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e8 tracks, 40 minutes.\u003c\/span\u003e\u003cbr\u003e\u003cspan class=\"lightweightBreak\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eTucson, Arizona interdisciplinary artist Karima Walker walks a line between two worlds. Aside from her long resume of collaborative work with artists in the diverse fields of dance, sculpture, film, photography and creative non-fiction, Walker has long nurtured a duality within her work as a musician, developing her own sonic language as a sound designer in tandem with her craft as a singer\/songwriter. The polarity within Walker’s music has never been so articulately explored, or graced with as much intention, as on her new album, Waking the Dreaming Body.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWaking the Dreaming Body was written, performed and engineered entirely by Walker, with the exception of some subtle upright bass from C.J. Boyd on the song “Window I.” Producing the album on her own wasn’t Walker’s original intention, though; after flying to New York in November 2019 to develop some home-recorded tracks with The Blow’s Melissa Dyne, a sudden illness forced Walker to cancel the sessions and return home to Tucson to recover, and soon after, the COVID-19 pandemic ruled out the possibility of a return trip to New York. Instead, Walker decided to finish the album herself in her makeshift home studio. She spent the following months recording, processing and arranging her self-described “messy\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Ableton sessions” into densely harmonic arrangements of synthesizer, guitar, piano, percussion, field recordings, tape loops and her own dulcet singing voice, allowing trial, error and intuition to guide her way. The final result is a 40-minute dream-narrative of her conscious and subconscious minds that oscillates between the rich textures of her ambient compositions (as in the instrumentals “Horizon, Harbor Resonance” and “For Heddi”) and the melody and poetry of her melancholic, Americana-tinged songwriting (as in the lyrics-focused tracks “Reconstellated” and “Waking the Dreaming Body”), their ebb and flow recalling liminal states of half-sleep where images and emotions are recalled and forecasted from the previous night's dreams. Night falls in regular intervals throughout the album, forming a natural dialogue between waking and dreaming.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalker explains:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'I wanted these songs to stand alone as complete worlds, and this required a shift in my usual way of writing. I found myself trying to escape from an excess of interiority by exploring outward, by thinking about the mirroring that happens when you seek connection to others and to the natural world—when you try to bring the outside in. I sought to make arrangements that swell at certain moments and barely hold together at others, moving with my breath and other rhythms connecting my body to the natural world. Ultimately, I was seeking to draw myself out, to reconstruct my personal narrative.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'I see myself as an in between person I guess,” Walker continues. “Though I haven't very explicitly brought my own personal history into my music, I think it's there, and it continues to show up in its own ways and time. I am Arab, half North African\/Tunisian on my mother's side, but was raised in a very white context, with a lot of white passing privilege, especially as I've gotten older. My mom came to California as an immigrant to this country after marrying my dad in the rural village where she grew up. She came to Los Angeles and was working at McDonald’s and different Mediterranean restaurants around the city, and was kind of discovered at one of these jobs. The singer didn't show up one night, so her coworkers told her to sing a couple songs she knew. She only knew three by heart and she sang them over and over again that night. That was the beginning of her career, and she has worked as a singer in Europe and North Africa for over twenty years now. She's like a jukebox for the Arab diaspora and beyond. I didn't grow up with her, though, knew almost nothing about her, except that she was Tunisian and was a singer and that she left when I was little. I think that planted a seed in me, even though what I do is very different from her idea of being a singer. She has this rich full big voice, she listens to my records and then sits me down and says, \"You know Whitney Houston, right? Why don't you sing like her?\" The difference in what we do is laughably different! But my journey into making music was so different. I kept falling in love with musicians and artists for a while before I realized that maybe I wanted to be so close to these people because they were doing something that resonated deeply in me. So there's a way in which making music has been a way for me to overcome divides that I couldn't quite articulate in other ways. Maternal lineage, intimacy and connection, but also, with this record, attempting to overcome my own internal divides.'\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWaking the Dreaming Body holds a deep connection to the environs in which it was created, and the mountains, rivers and starry skies of Walker’s desert home are referenced in nearly every song she sings on the album, simultaneously grounding the action and imbuing it with a sense of otherworldliness.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSonoran sky plays a movie\u003cbr data-mce-fragment=\"1\"\u003eDraw a line to the stars inside of me\u003cbr data-mce-fragment=\"1\"\u003eWrite it down, tell your friends\u003cbr data-mce-fragment=\"1\"\u003eI know where I am but I can’t tell where I started\u003cbr data-mce-fragment=\"1\"\u003e— “Reconstellated”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Tucson is where I grew up, I moved here from California as a kid,” Walker recalls. “And after leaving for school and traveling, I moved back about seven years ago. It's such a distinct and notable place to folks not from the desert, but this is my home. My formative understanding of the natural world, aside from the ocean, comes from here, so it always seems to make its way into my work. I think that porousness would be there regardless of where I was, but I do think that the pandemic forced me back into the desert seasons in a way that I hadn't experienced since I was a kid. We had one of our hottest and driest summers on record, and I usually try to tour when it’s super hot at home. But this year I was kinda stuck, the mountain where everyone runs away from the heat, about an hour away, caught fire and burned for weeks so there really was no escaping it. I started thinking about our rivers- they're called dead rivers or washes, because they don't run usually, and our watershed, all the plants that survive here and the seasons that were still happening even under all the stress of this summer.”\u003cbr data-mce-fragment=\"1\"\u003eThroughout Waking the Dreaming Body, Walker’s uncanny sound design evokes the delicacy, grandeur and terrifying enormity of the American Southwest. Close your eyes while listening to “Horizon, Harbor Resonance,” the thirteen-minute instrumental at the album’s center, and watch the shifting desert landscape in your mind’s eye; from the babble of flash flood runoff to the slow parade of cumulus cloud shadows across the red earth, cactus and creosote, and then, moving backwards in time, the thunderous eruptions of ancient volcanoes that pushed the Tucson Mountains skyward.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWalker continues:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Waking the Dreaming Body was influenced by my preoccupation with natural sublime phenomena: tsunami videos and the dreams of ocean waves I was having last year, large mountain ranges that can only be seen by a plane or over the course of a day of driving. These images allowed me to think about immense horror and beauty—something that overwhelms but simultaneously is so hard to look away from, something that holds violence but also reflects a better understanding of ourselves in the context of that immensity and scale. Looking out and looking within, and knowing that the divide is false, but feeling the pain of that division nonetheless.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e'Waking the Dreaming Body became an attempt to break out of my insularity, wrestling with my separation from the natural world. I write about mountains and rivers but all through more of a longing and detachment. Maybe there’s hope in there? I made this whole record almost entirely alone so I’m actually not sure if I make it to the other side.'\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karima Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国アリゾナのシンガーソングライターKarima Walkerが、2021年2月にリリースしたアルバムです。 ピアノやアコースティックギターによるシンプルな構成のベッドルームフォーク8曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":7647747899642,"title":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE","handle":"wednesday-i-was-trying-to-describe-you-to-someone-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1533100232\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=694158056\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMetallic silver vinyl ediiton of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, full color photo jackets with Risograph-printed lyric sheet inserts. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e3rd edition of 100 tapes. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally dubbed Super Ferric tapes in light pink shells imprinted with burgundy ink. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eI Was Trying to Describe You to Someone is Wednesday’s second full-length album \u0026amp; first as a full band. The Asheville, NC quintet (guitarist\/vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz \u0026amp; drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman’s bell-clear vocals \u0026amp; wisps of half-recalled memories \u0026amp; literary references that make up her lyrics. I Was Trying to Describe You to Someone’s eight songs meld elements of shoegaze, grunge, indie pop \u0026amp; southern American culture into a uniquely personal style of modern rock music that resonates with power \u0026amp; tenderness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWednesday began as a recording collaboration between Hartzman \u0026amp; Daniel during the winter of 2017, while both students at the University of North Carolina Asheville. While living on campus, the duo recorded a whimsical synth-pop LP entitled Yep, Definitely, influenced heavily by the album Reading, Writing and Arithmetic by English alternative rock group The Sundays (the inspiration for Wednesday’s own band name). The duo recruited Chelmis \u0026amp; Miller (along with original bassist Julien Melissas) to play a party at Karly’s sister’s house, \u0026amp; the full band had an instant chemistry that won over the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e small crowd. With the immediate support of Asheville’s underground music scene, Wednesday quickly became a local staple, appearing often at the band’s favorite Asheville venue, The Mothlight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSchultz replaced Melissas on bass in time for Wednesday’s first tour, \u0026amp; the new line-up recorded a collaborative EP with fellow Ashevillian MJ Lenderman, 2018’s How Do You Let Love into the Heart That Isn't Split Wide Open. The EP began Wednesday’s progression into darker instrumentation \u0026amp; lyrics, which continued on 2019’s Wednesday EP. After graduating from UNCA, Hartzman began writing the songs that would become Wednesday’s second full-length release, I Was Trying to Describe You to Someone. With the band contributing arrangements, the new songs placed more emphasis on the noise \u0026amp; dissonance of Chelmis’s lap steel \u0026amp; Gorham’s lead guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ever-darkening \u0026amp; deepening of Wednesdays’ sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, \u0026amp; their continued collaboration with MJ Lenderman (who lends backing vocals to the songs “Billboard” \u0026amp; “November”). I Was Trying to Describe You to Someone was recorded at Hartzman’s home with engineering assistance from her roommate Colin Miller. The depth \u0026amp; clarity of the recordings balance the distorted volume of Wednesday’s live performances with the intimacy of Hartzman’s voice. Her words hold the center of the chaos, unobscured by the power of the band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHartzman describes her lyrics as “attempts to access old personal memories \u0026amp; do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O’Connor, David Berman \u0026amp; Tom Robbins, \u0026amp; movies like Steel Magnolias.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T14:17:39+09:00","created_at":"2022-06-20T14:05:54+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal","tape"],"price":149000,"price_min":149000,"price_max":298000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897027989754,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358483439866,"product_id":7647747899642,"position":2,"created_at":"2022-06-20T14:05:54+09:00","updated_at":"2022-06-20T14:05:56+09:00","alt":null,"width":1200,"height":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","variant_ids":[42897027989754]},"available":false,"name":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE - LP","public_title":"LP","options":["LP"],"price":298000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933763592442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897028022522,"title":"TAPE","option1":"TAPE","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358483374330,"product_id":7647747899642,"position":3,"created_at":"2022-06-20T14:05:54+09:00","updated_at":"2022-06-20T14:05:56+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556","variant_ids":[42897028022522]},"available":false,"name":"Wednesday \/\/ I Was Trying to Describe You to Someone LP \/ TAPE - TAPE","public_title":"TAPE","options":["TAPE"],"price":149000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933763625210,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","options":["format"],"media":[{"alt":null,"id":29933763559674,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo1_afb35650-a15f-40f7-8e8d-8c44ce3cb3f6.jpg?v=1655701556","width":700},{"alt":null,"id":29933763592442,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo2_ec5e508d-9775-469e-8a48-c39b6c1afda6.jpg?v=1655701556","width":1200},{"alt":null,"id":29933763625210,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/yo3_aa1c45f5-cae1-436d-ba46-35c4e2178cbc.jpg?v=1655701556","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1533100232\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=694158056\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eMetallic silver vinyl ediiton of 300. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, full color photo jackets with Risograph-printed lyric sheet inserts. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e3rd edition of 100 tapes. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally dubbed Super Ferric tapes in light pink shells imprinted with burgundy ink. 8 tracks, 30 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eI Was Trying to Describe You to Someone is Wednesday’s second full-length album \u0026amp; first as a full band. The Asheville, NC quintet (guitarist\/vocalist Karly Hartzman, lead guitarist Daniel Gorham, pedal steel guitarist Xandy Chelmis, bassist Margo Schultz \u0026amp; drummer Alan Miller) maximizes the dark dissonance of a three guitar attack to highlight the emotionality of Hartzman’s bell-clear vocals \u0026amp; wisps of half-recalled memories \u0026amp; literary references that make up her lyrics. I Was Trying to Describe You to Someone’s eight songs meld elements of shoegaze, grunge, indie pop \u0026amp; southern American culture into a uniquely personal style of modern rock music that resonates with power \u0026amp; tenderness.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWednesday began as a recording collaboration between Hartzman \u0026amp; Daniel during the winter of 2017, while both students at the University of North Carolina Asheville. While living on campus, the duo recorded a whimsical synth-pop LP entitled Yep, Definitely, influenced heavily by the album Reading, Writing and Arithmetic by English alternative rock group The Sundays (the inspiration for Wednesday’s own band name). The duo recruited Chelmis \u0026amp; Miller (along with original bassist Julien Melissas) to play a party at Karly’s sister’s house, \u0026amp; the full band had an instant chemistry that won over the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e small crowd. With the immediate support of Asheville’s underground music scene, Wednesday quickly became a local staple, appearing often at the band’s favorite Asheville venue, The Mothlight.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSchultz replaced Melissas on bass in time for Wednesday’s first tour, \u0026amp; the new line-up recorded a collaborative EP with fellow Ashevillian MJ Lenderman, 2018’s How Do You Let Love into the Heart That Isn't Split Wide Open. The EP began Wednesday’s progression into darker instrumentation \u0026amp; lyrics, which continued on 2019’s Wednesday EP. After graduating from UNCA, Hartzman began writing the songs that would become Wednesday’s second full-length release, I Was Trying to Describe You to Someone. With the band contributing arrangements, the new songs placed more emphasis on the noise \u0026amp; dissonance of Chelmis’s lap steel \u0026amp; Gorham’s lead guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe ever-darkening \u0026amp; deepening of Wednesdays’ sound on I Was Trying to Describe You to Someone owes a debt of influence to The Swirlies, Arthur Russell, Red House Painters, Tenniscoats, Ana Roxanne, Acetone, \u0026amp; their continued collaboration with MJ Lenderman (who lends backing vocals to the songs “Billboard” \u0026amp; “November”). I Was Trying to Describe You to Someone was recorded at Hartzman’s home with engineering assistance from her roommate Colin Miller. The depth \u0026amp; clarity of the recordings balance the distorted volume of Wednesday’s live performances with the intimacy of Hartzman’s voice. Her words hold the center of the chaos, unobscured by the power of the band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHartzman describes her lyrics as “attempts to access old personal memories \u0026amp; do them justice through prose, with inspiration from the writings of Richard Brautigan, Flannery O’Connor, David Berman \u0026amp; Tom Robbins, \u0026amp; movies like Steel Magnolias.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Wednesday\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ノースカロライナのシューゲイズバンドWednesdayが、2020年にリリースしたアルバムです。 シューゲイズ・ポップ8曲を収録。DLコード付属。レコードはクリア盤です。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":7647743705338,"title":"Friendship \/\/ Dreamin' LP","handle":"friendship-dreamin-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ペンシルベニアのフォークバンドFriendshipが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリーフォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2435805834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200 black vinyls. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes souvenir postcard \u0026amp; complete album lyrics. 10 songs, 41 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOnstage, bassist Jon Samuels is the only Friendship member who stands up. He is usually swaying back and forth as the songs bear down, pulling together and apart. Friendship’s new record, Dreamin’ (out Nov 8th on Orindal Records) is an exorable wave of motion, endlessly rocking between intimacy and loneliness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe contemplative alt-country songs on Dreamin’ were recorded to tape in July last year with the help of The Low Anthem’s Jeff Prystowsky. The band moved away from the inclusion of digitally programmed drums and rhodes piano for Dreamin’, opting instead for a warmer, more organic aesthetic and a starker performance. Most of the songs on Dreamin’ took shape while Dan Wriggins (vocals and guitar) and Mike Cormier (drums) worked and lived as groundskeepers at a private estate in Swarthmore, Pennsylvania, frequently driving into Philadelphia for shows and friends. The record is set both in the country and the city – community, peacefulness, and isolation can all be heard and felt throughout the superb new record.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFriendship have retained a loyal cult following since their first offering in 2015, You’re Going to Have to Trust Me, which was released on Burst and Bloom Records that year. An EP on Sleeper Records and another record on their current label Orindal Records\u003cspan class=\"bcTruncateMore\"\u003e followed in 2017 – the acclaimed Shock Out of Season, bringing us forward to late 2019; when they will release their wonderful new album Dreamin’ on 8th November again via Orindal Records.\u003cbr\u003e\u003cbr\u003eThe songs of Dreamin’ are immediate yet gentle. They explore human signs and meaning and are as equally driven by moments of love and connection as they are by our total unknowing, even to those closest to us. In Not an Exit, the driver-narrator asks their passenger: “Can you see those cloudy symbols? \/ One for fine, two for miserable \/ three might stand for not insurmountable.” The language is unclear. The message is variable. The characters of Dreamin’ reflect our abiding search for love and understanding.\u003cbr\u003e\u003cbr\u003eElsewhere, lead single Clairvoyant is a thank you note to a friend who offered support during a tough period; “You asked if I’d been crying lately \/ I said “how can you tell?” \/ You said “I’m clairvoyant, baby”\u003cbr\u003e\u003cbr\u003eTalking about the track, Wriggins said: “I wrote “Clairvoyant” a couple days after seeing Willie Nelson perform in Camden, New Jersey at the BB\u0026amp;T Pavilion. My friend Mark had won tickets from a radio station, but had to bail the day before, so he gave me the tickets and I went alone. This is only tangentially represented in the action of the song. But I think it’s pertinent given Willie’s (and one or two others’) creepy ability to read minds.”\u003cbr\u003e\u003cbr\u003eThe lilting Dusky is a moving and shrewd account of the push and pull that occurs between two people figuring out how to be together, framed by the opening lines: “Blessed is the front porch \/ and your six Pabsts.” “My apartment in Philadelphia has a nice porch on a busy street. I love sitting there with a beer and my dog, Roy, and talking with friends, and watching people. There was a guy named Phil who would sit on his porch across the street and sing at the top of his lungs all day long. When people bothered him he would yell “I’m just out here trying to save my life.” Phil’s gone now, I don’t know where he went, I hope he didn’t die. I am generally clueless about what’s going on. The song is about the difficulty and wonder I’ve found in relationships with people with superhuman observational skills.” said Wriggins, reflecting on the song.\u003cbr\u003e\u003cbr\u003eThe lauded songwriter’s lyrics touch on both the smallest and the most significant moments that occur within human interaction. He reflects on those moments with a sharp wit, keenly observing and eloquently putting into words the unimportant twists and turns that over time become important – that become our experiences, our relationships, our lives. Dreamin’ offers hope with one hand and takes it away with the other. Immersed within swathes of lush Americana guitars, keys, soft, expressive drums and the haunting wail of a pedal steel, on Dreamin’, Friendship sounds more like Friendship than ever before.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Friendship\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:54:50+09:00","created_at":"2022-06-20T13:55:17+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":279000,"price_min":279000,"price_max":279000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897015472378,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Friendship \/\/ Dreamin' LP","public_title":null,"options":["Default Title"],"price":279000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_bd961129-94f1-4b42-95d8-880e24c1a813.jpg?v=1655700919","\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_6f8348c3-1383-4a85-ac0c-ab6f0660f807.jpg?v=1655700919"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_bd961129-94f1-4b42-95d8-880e24c1a813.jpg?v=1655700919","options":["Title"],"media":[{"alt":null,"id":29933750780154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_bd961129-94f1-4b42-95d8-880e24c1a813.jpg?v=1655700919"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/fr1_bd961129-94f1-4b42-95d8-880e24c1a813.jpg?v=1655700919","width":700},{"alt":null,"id":29933750812922,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_6f8348c3-1383-4a85-ac0c-ab6f0660f807.jpg?v=1655700919"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/dr2_6f8348c3-1383-4a85-ac0c-ab6f0660f807.jpg?v=1655700919","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国ペンシルベニアのフォークバンドFriendshipが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eカントリーフォーク10曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2435805834\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200 black vinyls. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePackage includes souvenir postcard \u0026amp; complete album lyrics. 10 songs, 41 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOnstage, bassist Jon Samuels is the only Friendship member who stands up. He is usually swaying back and forth as the songs bear down, pulling together and apart. Friendship’s new record, Dreamin’ (out Nov 8th on Orindal Records) is an exorable wave of motion, endlessly rocking between intimacy and loneliness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe contemplative alt-country songs on Dreamin’ were recorded to tape in July last year with the help of The Low Anthem’s Jeff Prystowsky. The band moved away from the inclusion of digitally programmed drums and rhodes piano for Dreamin’, opting instead for a warmer, more organic aesthetic and a starker performance. Most of the songs on Dreamin’ took shape while Dan Wriggins (vocals and guitar) and Mike Cormier (drums) worked and lived as groundskeepers at a private estate in Swarthmore, Pennsylvania, frequently driving into Philadelphia for shows and friends. The record is set both in the country and the city – community, peacefulness, and isolation can all be heard and felt throughout the superb new record.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFriendship have retained a loyal cult following since their first offering in 2015, You’re Going to Have to Trust Me, which was released on Burst and Bloom Records that year. An EP on Sleeper Records and another record on their current label Orindal Records\u003cspan class=\"bcTruncateMore\"\u003e followed in 2017 – the acclaimed Shock Out of Season, bringing us forward to late 2019; when they will release their wonderful new album Dreamin’ on 8th November again via Orindal Records.\u003cbr\u003e\u003cbr\u003eThe songs of Dreamin’ are immediate yet gentle. They explore human signs and meaning and are as equally driven by moments of love and connection as they are by our total unknowing, even to those closest to us. In Not an Exit, the driver-narrator asks their passenger: “Can you see those cloudy symbols? \/ One for fine, two for miserable \/ three might stand for not insurmountable.” The language is unclear. The message is variable. The characters of Dreamin’ reflect our abiding search for love and understanding.\u003cbr\u003e\u003cbr\u003eElsewhere, lead single Clairvoyant is a thank you note to a friend who offered support during a tough period; “You asked if I’d been crying lately \/ I said “how can you tell?” \/ You said “I’m clairvoyant, baby”\u003cbr\u003e\u003cbr\u003eTalking about the track, Wriggins said: “I wrote “Clairvoyant” a couple days after seeing Willie Nelson perform in Camden, New Jersey at the BB\u0026amp;T Pavilion. My friend Mark had won tickets from a radio station, but had to bail the day before, so he gave me the tickets and I went alone. This is only tangentially represented in the action of the song. But I think it’s pertinent given Willie’s (and one or two others’) creepy ability to read minds.”\u003cbr\u003e\u003cbr\u003eThe lilting Dusky is a moving and shrewd account of the push and pull that occurs between two people figuring out how to be together, framed by the opening lines: “Blessed is the front porch \/ and your six Pabsts.” “My apartment in Philadelphia has a nice porch on a busy street. I love sitting there with a beer and my dog, Roy, and talking with friends, and watching people. There was a guy named Phil who would sit on his porch across the street and sing at the top of his lungs all day long. When people bothered him he would yell “I’m just out here trying to save my life.” Phil’s gone now, I don’t know where he went, I hope he didn’t die. I am generally clueless about what’s going on. The song is about the difficulty and wonder I’ve found in relationships with people with superhuman observational skills.” said Wriggins, reflecting on the song.\u003cbr\u003e\u003cbr\u003eThe lauded songwriter’s lyrics touch on both the smallest and the most significant moments that occur within human interaction. He reflects on those moments with a sharp wit, keenly observing and eloquently putting into words the unimportant twists and turns that over time become important – that become our experiences, our relationships, our lives. Dreamin’ offers hope with one hand and takes it away with the other. Immersed within swathes of lush Americana guitars, keys, soft, expressive drums and the haunting wail of a pedal steel, on Dreamin’, Friendship sounds more like Friendship than ever before.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Friendship\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国ペンシルベニアのフォークバンドFriendshipが、2019年にリリースしたアルバムです。 カントリーフォーク10曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira. ...
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{"id":7647741149434,"title":"Matt Bachmann \/\/ Walking Preference TAPE","handle":"matt-bachmann-walking-preference-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYのベッドルームポップ作家Matt Bachmannが、2019年に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eポストニューエイジ・アンビエントフォーク6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e当店おなじみの実験レーベルReading Group主宰Derek Baronも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3419382278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e2nd edition of 50\u003cspan\u003e \u003cbr\u003e6 tracks, 37 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMatt Bachmann (b. 1988, Chicago) is a musician\/composer\/songwriter based in New York. He’s collaborated as a bass plucker with Mega Bog, Hand Habits, Happy You, iji and Ed Askew and has crafted tunes under the monikers Big Eater, Pachanga and his own name. Bachmann’s debut Orindal Release, Unconditional Love, came out in 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalking Preference is Bachmann’s most recent collection of passionate instrumentals, expanding on the sound vs song work previously explored on earlier records. Recorded almost entirely on a Roland JX-3P, a Yamaha digital piano and a D.I. Guitar, Walking Preference inhabits an animated universe inspired by Miyazaki films and Nintendo fantasies — a world both natural and unreal. Air and space have been carefully manufactured. The playful drones and compositions within are full of bubbles and sharp turns while still adhering to the core tenants of Bachmann’s sound— that of beauty and space. Bachmann’s music is more sky than earth. Walking Preference zooms out.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalking Preference is the second tape in Orindal's ongoing series of instrumental Unguided Meditation tapes following Robert Stillman's Portals.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T14:05:54+09:00","created_at":"2022-06-20T13:49:47+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","orindal","post newage","tape"],"price":159000,"price_min":159000,"price_max":159000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897007214842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Matt Bachmann \/\/ Walking Preference TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_b2d800c8-127c-43f6-8476-145211c1ab54.jpg?v=1655700589","\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_514e10fd-e851-47b4-a90b-9c2e174e1594.jpg?v=1655700589"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_b2d800c8-127c-43f6-8476-145211c1ab54.jpg?v=1655700589","options":["Title"],"media":[{"alt":null,"id":29933746061562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_b2d800c8-127c-43f6-8476-145211c1ab54.jpg?v=1655700589"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa1_b2d800c8-127c-43f6-8476-145211c1ab54.jpg?v=1655700589","width":700},{"alt":null,"id":29933746094330,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_514e10fd-e851-47b4-a90b-9c2e174e1594.jpg?v=1655700589"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/wa2_514e10fd-e851-47b4-a90b-9c2e174e1594.jpg?v=1655700589","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、NYのベッドルームポップ作家Matt Bachmannが、2019年に50本限定でリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eポストニューエイジ・アンビエントフォーク6曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e当店おなじみの実験レーベルReading Group主宰Derek Baronも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3419382278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e2nd edition of 50\u003cspan\u003e \u003cbr\u003e6 tracks, 37 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eMatt Bachmann (b. 1988, Chicago) is a musician\/composer\/songwriter based in New York. He’s collaborated as a bass plucker with Mega Bog, Hand Habits, Happy You, iji and Ed Askew and has crafted tunes under the monikers Big Eater, Pachanga and his own name. Bachmann’s debut Orindal Release, Unconditional Love, came out in 2018.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalking Preference is Bachmann’s most recent collection of passionate instrumentals, expanding on the sound vs song work previously explored on earlier records. Recorded almost entirely on a Roland JX-3P, a Yamaha digital piano and a D.I. Guitar, Walking Preference inhabits an animated universe inspired by Miyazaki films and Nintendo fantasies — a world both natural and unreal. Air and space have been carefully manufactured. The playful drones and compositions within are full of bubbles and sharp turns while still adhering to the core tenants of Bachmann’s sound— that of beauty and space. Bachmann’s music is more sky than earth. Walking Preference zooms out.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWalking Preference is the second tape in Orindal's ongoing series of instrumental Unguided Meditation tapes following Robert Stillman's Portals.\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Matt Bachmann\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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{"id":7647740952826,"title":"Ruth Garbus \/\/ Kleinmeister LP \/ CD","handle":"ruth-garbus-kleinmeister-lp-cd","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国バーモントのRuth Garbusが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e独特のコード進行が特徴的なベッドルームフォーク9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1890022230\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD edition of 500:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally replicated discs in black \u0026amp; white, \"eco-wallet\" gatefold sleeves, featuring original artwork by Ruth Garbus. 9 tracks, 36 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 250:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, black \u0026amp; white jackets with original artwork by Ruth Garbus \u0026amp; 11x11 Risograph-printed lyric sheet inserts. 9 tracks, 36 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e******\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"'\u003cem\u003eI go back to Ruth’s music over and over again. She has the best, weirdest chord changes, the catchiest and most exotic melodies and lyrics, distilled over what I imagine to be many months and years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"To me her songs reaffirm the power of music itself and its basic elements - big and small intervals placed just so in time, the play of sound and meaning in words, parts put together without force or artifice. Ruth is one of my favorite singer-songwriters ever.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e- Chris Cohen\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKleinmeister, the new album by Ruth Garbus, is a rarity, the holy wastewater of folk-rock decanted into the Lake of Avalon by a provincial plebe, turned into wine. It is sublime, and absurd, and infused with the green hills, grey cemeteries, and plastic detritus of her Brattleboro, Vermont home.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese compositions come from an odd but familiar world, chiaroscuro silver litter in the beam of a flashlight. In Garbus’s voice, too, the dark and light are combined - even the highest pitches contain pools of undertones, a depth. (She became fully expressed as a mezzo soprano, in both her range and her soul, with the aid of opera singer Jim Anderson, whom she studied with in 2017\/18.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first track of Kleinmeister is “Strash,” a sensual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ode inspired by the book Garbage Land by Elizabeth Royte, with unison singing by Julia Tadlock. This is followed by “Pain,” which builds in size and scope toward a kind of operatic emo-political drama, and achieves levitation with piano played by Travis Laplante (Battle Trance, Subtle Degrees), who also acted as producer, and additional production by Ryan Power, who mixed the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom there, Kleinmeister moves into barer bones, highlighting Garbus's resonant voice, rhythmic guitar, and the impeccable recording quality - it was recorded to two-inch tape at Guilford Sound in Guilford, VT by Dave Snyder. Sparse, skewed harmonies, sometimes sung by Tadlock, lilt throughout. The final track, “Fetty Wah,” features Laplante again, this time on tenor saxophone, with improvised melody lines that uplift but still contain a bit of the sorrow of the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGarbus’s prior solo recordings - 2010's Rendezvous with Rama LP and the EP’s Ruthie's Requests, Joule EP, and Hello Everybody - have been released on Burger Records, Autumn Records, Feeding Tube Records, and OSR Tapes. Currently, in addition to her solo performances, she improvises vocally with an experimental quintet featuring Wendy Eisenberg, Donny Shaw, Neil Young, and Andy Allen. She was previously in the bands Happy Birthday and Feathers\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ruth Garbus\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-23T07:56:55+09:00","created_at":"2022-06-20T13:47:31+09:00","vendor":"Tobira Records","type":"","tags":["cd","folk \/ left-field pop","lp","orindal"],"price":188000,"price_min":188000,"price_max":289000,"available":false,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42897021206778,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358465057018,"product_id":7647740952826,"position":2,"created_at":"2022-06-20T13:47:31+09:00","updated_at":"2022-06-20T13:47:32+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452","variant_ids":[42897021206778]},"available":false,"name":"Ruth Garbus \/\/ Kleinmeister LP \/ CD - CD","public_title":"CD","options":["CD"],"price":188000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933744816378,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}},{"id":42897021239546,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":{"id":37358465089786,"product_id":7647740952826,"position":3,"created_at":"2022-06-20T13:47:31+09:00","updated_at":"2022-06-20T13:47:32+09:00","alt":null,"width":1200,"height":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452","variant_ids":[42897021239546]},"available":false,"name":"Ruth Garbus \/\/ Kleinmeister LP \/ CD - LP","public_title":"LP","options":["LP"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","featured_media":{"alt":null,"id":29933744849146,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452"}},"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/kl1_30873719-0ab2-47ff-8256-aec23812520d.jpg?v=1655700452","\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452","\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl1_30873719-0ab2-47ff-8256-aec23812520d.jpg?v=1655700452","options":["format"],"media":[{"alt":null,"id":29933744783610,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl1_30873719-0ab2-47ff-8256-aec23812520d.jpg?v=1655700452"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl1_30873719-0ab2-47ff-8256-aec23812520d.jpg?v=1655700452","width":700},{"alt":null,"id":29933744816378,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl2_b6fcf5ee-701e-4675-a0e2-223cfe7dec3d.jpg?v=1655700452","width":1200},{"alt":null,"id":29933744849146,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/kl3.jpg?v=1655700452","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国バーモントのRuth Garbusが、2019年にリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e独特のコード進行が特徴的なベッドルームフォーク9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1890022230\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eCD edition of 500:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProfessionally replicated discs in black \u0026amp; white, \"eco-wallet\" gatefold sleeves, featuring original artwork by Ruth Garbus. 9 tracks, 36 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBlack vinyl edition of 250:\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eHigh quality, 160g LPs in extra heavyweight, black \u0026amp; white jackets with original artwork by Ruth Garbus \u0026amp; 11x11 Risograph-printed lyric sheet inserts. 9 tracks, 36 minutes.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e******\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eText by Orindal Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"'\u003cem\u003eI go back to Ruth’s music over and over again. She has the best, weirdest chord changes, the catchiest and most exotic melodies and lyrics, distilled over what I imagine to be many months and years.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"To me her songs reaffirm the power of music itself and its basic elements - big and small intervals placed just so in time, the play of sound and meaning in words, parts put together without force or artifice. Ruth is one of my favorite singer-songwriters ever.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e- Chris Cohen\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKleinmeister, the new album by Ruth Garbus, is a rarity, the holy wastewater of folk-rock decanted into the Lake of Avalon by a provincial plebe, turned into wine. It is sublime, and absurd, and infused with the green hills, grey cemeteries, and plastic detritus of her Brattleboro, Vermont home.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThese compositions come from an odd but familiar world, chiaroscuro silver litter in the beam of a flashlight. In Garbus’s voice, too, the dark and light are combined - even the highest pitches contain pools of undertones, a depth. (She became fully expressed as a mezzo soprano, in both her range and her soul, with the aid of opera singer Jim Anderson, whom she studied with in 2017\/18.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe first track of Kleinmeister is “Strash,” a sensual\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ode inspired by the book Garbage Land by Elizabeth Royte, with unison singing by Julia Tadlock. This is followed by “Pain,” which builds in size and scope toward a kind of operatic emo-political drama, and achieves levitation with piano played by Travis Laplante (Battle Trance, Subtle Degrees), who also acted as producer, and additional production by Ryan Power, who mixed the album.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFrom there, Kleinmeister moves into barer bones, highlighting Garbus's resonant voice, rhythmic guitar, and the impeccable recording quality - it was recorded to two-inch tape at Guilford Sound in Guilford, VT by Dave Snyder. Sparse, skewed harmonies, sometimes sung by Tadlock, lilt throughout. The final track, “Fetty Wah,” features Laplante again, this time on tenor saxophone, with improvised melody lines that uplift but still contain a bit of the sorrow of the world.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGarbus’s prior solo recordings - 2010's Rendezvous with Rama LP and the EP’s Ruthie's Requests, Joule EP, and Hello Everybody - have been released on Burger Records, Autumn Records, Feeding Tube Records, and OSR Tapes. Currently, in addition to her solo performances, she improvises vocally with an experimental quintet featuring Wendy Eisenberg, Donny Shaw, Neil Young, and Andy Allen. She was previously in the bands Happy Birthday and Feathers\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ruth Garbus\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。 本作は、同国バーモントのRuth Garbusが、2019年にリリースしたアルバムです。 独特のコード進行が特徴的なベッドルームフォーク9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":7647249170682,"title":"Dear Nora \/\/ Skulls Example LP","handle":"dear-nora-skulls-example-lp","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代から活動している\u003c\/span\u003eカリフォルニアのシンガーソングライターDear Noraが、2018年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e爽やかなインディーポップ14曲を収録。歌詞カードとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3163536435\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Songwriter Katy Davidson (preferred pronoun: they\/them) revived the band Dear Nora in January 2017 when Orindal Records reissued the thirteen-year-old album Mountain Rock on vinyl. The reissue received great acclaim and the band toured the west and east coasts last year. Spurred by the momentum, Davidson decided to create the first album of new Dear Nora material in a decade, Skulls Example.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist statement:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I wrote the songs on Skulls Example between 2009 and 2017, and recorded most of them during the latter half of 2017. \"Skulls Example\" is a name I once chose for myself during a party by closing my eyes and picking two words at random from a book of magic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI tracked most of the basic instruments for each song with my bandmates Zach Burba (bass\/synth), Greg Campanile (drums), and Jessica Jones (guitar) at a studio in Portland, Oregon. We used nice microphones, ran audio into a Mackie mixer, then ran stereo audio out of the mixer to a Tascam 4-track cassette recorder. Then I bounced the individual instrument tracks from cassette to Ableton Live on my laptop. Zach overdubbed a lot of the bass and synth tracks remotely from his house in Seattle. I tracked all the vocals and recorded some guitar overdubs in a reverberant empty bedroom in\u003cspan class=\"bcTruncateMore\"\u003e my house in Portland. Engineer Tim Shrout expertly mixed the album on ProTools while I micromanaged.\u003cbr\u003e\u003cbr\u003eIt has been a decade since I have released new material under the name Dear Nora. The last time I released an album of new material was in 2011 – that was called California Lite and it was under the band name Key Losers. Thematically, California Lite makes sense as an early warm-up to Skulls Example. It’s about freeways, the internet, human connections (and broken connections), and wilderness.\u003cbr\u003e\u003cbr\u003eSkulls Example is about how our weird, techno-futuristic present (VR, self-driving cars, drones, Tinder dates, reality TV show government, Starbucks ubiquity, iPhone as extension of human body, Blade Runner -esque income inequality, cryptocurrency “utopias\", etc.) juxtaposes so absurdly against the never-ending backdrop of inexorable, ancient elements (fire, ice, wind, storms, mountains, rocks, human instinct, etc) . It’s like we live in multiple realities at once: Now Reality layered upon Ancient Reality, Virtual Reality layered upon Now Reality. The palimpsest creates the illusion of collapsed time.\u003cbr\u003e\u003cbr\u003eThe album is specifically about humanity. Our capacities and feats are so incredible – we’re godlike – and yet we're scrounging for happiness and basic survival, we're heavily addicted, we just want love, we want family. We’re simultaneously so brilliant and so basic. To me, this feels like the worst and best time to be alive. I experience some level of horror and bliss on a daily basis.\u003cbr\u003e\u003cbr\u003eOne of the reasons I “retired” Dear Nora ten years ago was because I couldn’t figure out how to navigate financial stability as a full-time songwriter and touring musician. And for the last three years, I’ve worked as a commercial music producer. I enjoy my work, but I constantly think about how I’m contributing to the Massive Capitalistic Garbage Dump of Life. When Trump got elected, I knew it was time to make a new album.\u003cbr\u003e\u003cbr\u003eI derived a ton of lyrical inspiration from several recent visits to Oaxaca and Mexico City. I’m fairly obsessed with Mexico’s culture, music, and attitude towards death. I also derived inspiration from the Mojave desert and Oregon’s high desert, places where there are creosote or juniper trees, and fields of ancient lava rock. To me there’s nothing like letting go of my thoughts and being in the dusty, sensual wilderness. Living on Earth feels like pure magic to me and I tried to bring that feeling to this album.\u003cbr\u003e\u003cbr\u003eStylistically, I tried to channel all my favorite songs by Billy Bragg, Leonard Cohen, Gang of Four, Prince, Frank Ocean, Young Marble Giants, Lou Reid, Vangelis, Joni Mitchell, and Enya.\u003cbr\u003e\u003cbr\u003eThis album would not exist without the extraordinary contributions of my immensely talented collaborators. Thank you\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dear Nora\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T08:52:50+09:00","created_at":"2022-06-19T12:25:12+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","orindal"],"price":268000,"price_min":268000,"price_max":268000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42894923792634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Dear Nora \/\/ Skulls Example LP","public_title":null,"options":["Default Title"],"price":268000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/sk1_4d90cb81-9145-4994-a6c2-4cbcbd632180.jpg?v=1655609115","\/\/tobirarecords.com\/cdn\/shop\/products\/sk2_da2ace1c-5829-46f3-aad2-c53072519364.jpg?v=1655609114"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk1_4d90cb81-9145-4994-a6c2-4cbcbd632180.jpg?v=1655609115","options":["Title"],"media":[{"alt":null,"id":29930163273978,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk1_4d90cb81-9145-4994-a6c2-4cbcbd632180.jpg?v=1655609115"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk1_4d90cb81-9145-4994-a6c2-4cbcbd632180.jpg?v=1655609115","width":700},{"alt":null,"id":29930163306746,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk2_da2ace1c-5829-46f3-aad2-c53072519364.jpg?v=1655609114"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/sk2_da2ace1c-5829-46f3-aad2-c53072519364.jpg?v=1655609114","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1990年代から活動している\u003c\/span\u003eカリフォルニアのシンガーソングライターDear Noraが、2018年にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e爽やかなインディーポップ14曲を収録。歌詞カードとDLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3163536435\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eOrindal Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Songwriter Katy Davidson (preferred pronoun: they\/them) revived the band Dear Nora in January 2017 when Orindal Records reissued the thirteen-year-old album Mountain Rock on vinyl. The reissue received great acclaim and the band toured the west and east coasts last year. Spurred by the momentum, Davidson decided to create the first album of new Dear Nora material in a decade, Skulls Example.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist statement:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"I wrote the songs on Skulls Example between 2009 and 2017, and recorded most of them during the latter half of 2017. \"Skulls Example\" is a name I once chose for myself during a party by closing my eyes and picking two words at random from a book of magic.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI tracked most of the basic instruments for each song with my bandmates Zach Burba (bass\/synth), Greg Campanile (drums), and Jessica Jones (guitar) at a studio in Portland, Oregon. We used nice microphones, ran audio into a Mackie mixer, then ran stereo audio out of the mixer to a Tascam 4-track cassette recorder. Then I bounced the individual instrument tracks from cassette to Ableton Live on my laptop. Zach overdubbed a lot of the bass and synth tracks remotely from his house in Seattle. I tracked all the vocals and recorded some guitar overdubs in a reverberant empty bedroom in\u003cspan class=\"bcTruncateMore\"\u003e my house in Portland. Engineer Tim Shrout expertly mixed the album on ProTools while I micromanaged.\u003cbr\u003e\u003cbr\u003eIt has been a decade since I have released new material under the name Dear Nora. The last time I released an album of new material was in 2011 – that was called California Lite and it was under the band name Key Losers. Thematically, California Lite makes sense as an early warm-up to Skulls Example. It’s about freeways, the internet, human connections (and broken connections), and wilderness.\u003cbr\u003e\u003cbr\u003eSkulls Example is about how our weird, techno-futuristic present (VR, self-driving cars, drones, Tinder dates, reality TV show government, Starbucks ubiquity, iPhone as extension of human body, Blade Runner -esque income inequality, cryptocurrency “utopias\", etc.) juxtaposes so absurdly against the never-ending backdrop of inexorable, ancient elements (fire, ice, wind, storms, mountains, rocks, human instinct, etc) . It’s like we live in multiple realities at once: Now Reality layered upon Ancient Reality, Virtual Reality layered upon Now Reality. The palimpsest creates the illusion of collapsed time.\u003cbr\u003e\u003cbr\u003eThe album is specifically about humanity. Our capacities and feats are so incredible – we’re godlike – and yet we're scrounging for happiness and basic survival, we're heavily addicted, we just want love, we want family. We’re simultaneously so brilliant and so basic. To me, this feels like the worst and best time to be alive. I experience some level of horror and bliss on a daily basis.\u003cbr\u003e\u003cbr\u003eOne of the reasons I “retired” Dear Nora ten years ago was because I couldn’t figure out how to navigate financial stability as a full-time songwriter and touring musician. And for the last three years, I’ve worked as a commercial music producer. I enjoy my work, but I constantly think about how I’m contributing to the Massive Capitalistic Garbage Dump of Life. When Trump got elected, I knew it was time to make a new album.\u003cbr\u003e\u003cbr\u003eI derived a ton of lyrical inspiration from several recent visits to Oaxaca and Mexico City. I’m fairly obsessed with Mexico’s culture, music, and attitude towards death. I also derived inspiration from the Mojave desert and Oregon’s high desert, places where there are creosote or juniper trees, and fields of ancient lava rock. To me there’s nothing like letting go of my thoughts and being in the dusty, sensual wilderness. Living on Earth feels like pure magic to me and I tried to bring that feeling to this album.\u003cbr\u003e\u003cbr\u003eStylistically, I tried to channel all my favorite songs by Billy Bragg, Leonard Cohen, Gang of Four, Prince, Frank Ocean, Young Marble Giants, Lou Reid, Vangelis, Joni Mitchell, and Enya.\u003cbr\u003e\u003cbr\u003eThis album would not exist without the extraordinary contributions of my immensely talented collaborators. Thank you\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dear Nora\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e"}
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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordsから大量入荷しました。 本作は、1990年代から活動しているカリフォルニアのシンガーソングライターDear Noraが、2018年にリリースしたレコードです。 爽やかなインディーポップ14曲を収録。歌詞カードとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at...
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{"id":7647248679162,"title":"Karima Walker \/\/ Hands in Our Names TAPE","handle":"karima-walker-hands-in-our-names-tape","description":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライター作家Karima Walkerが、2017年に135本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン・ポップ12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3649996278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e135 copies. 12 tracks, 40 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eHands in Our Names, the first full-length album from Tucson, Arizona experimental musician Karima Walker, is a hypnotizing patchwork of drone, folk, psychedelia, field recordings and tape loops. Equal parts gorgeous and abrasive, comforting and confounding, Hands in Our Names builds abstract song-collages from disparate sonic components, isolating and harmonizing a wild array of instruments and textures across the span of twelve interwoven tracks. Hands in Our Names is dizzyingly abstract at moments, but taken as a whole, the album moves like a half-remembered travelogue, with Walker's understated, measured and beautiful singing voice acting as a compassionate tour guide through a wrecked landscape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe Orindal edition of Hands in Our Names is a remixed, resequenced and remastered version of a self-released 2016 cassette that went out of print almost immediately, but not before grabbing the attention of discerning music blogs like Yab Yum West, Raised by Gypsies and Wake the Deaf, who named Hands in Our Names one of their favorite albums of 2016.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Karima Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Orindal Records\u003c\/p\u003e","published_at":"2022-06-20T18:38:36+09:00","created_at":"2022-06-19T12:18:01+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","orindal","tape"],"price":165000,"price_min":165000,"price_max":165000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42894916485370,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Karima Walker \/\/ Hands in Our Names TAPE","public_title":null,"options":["Default Title"],"price":165000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a60774b9-abe1-4b9d-804d-cbc09072064b.jpg?v=1655608682","\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_5c64dd4f-9b06-4c42-a323-a7221ba9f169.jpg?v=1655608682"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a60774b9-abe1-4b9d-804d-cbc09072064b.jpg?v=1655608682","options":["Title"],"media":[{"alt":null,"id":29930155704570,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a60774b9-abe1-4b9d-804d-cbc09072064b.jpg?v=1655608682"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha1_a60774b9-abe1-4b9d-804d-cbc09072064b.jpg?v=1655608682","width":700},{"alt":null,"id":29930155737338,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_5c64dd4f-9b06-4c42-a323-a7221ba9f169.jpg?v=1655608682"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/ha2_5c64dd4f-9b06-4c42-a323-a7221ba9f169.jpg?v=1655608682","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国アリゾナのシンガーソングライター作家Karima Walkerが、2017年に135本限定でリリースしたデビューカセットです。\u003c\/p\u003e\n\u003cp\u003eアンビエントドローン・ポップ12曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3649996278\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orindal\"\u003ehere\u003c\/a\u003e to see more Orindal Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e135 copies. 12 tracks, 40 minutes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOrindal:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eHands in Our Names, the first full-length album from Tucson, Arizona experimental musician Karima Walker, is a hypnotizing patchwork of drone, folk, psychedelia, field recordings and tape loops. 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