MK.06 // HANDLUNG003 12"

¥2,974

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オーストリア・ウィーンのテクノ作家MK.06 aka Morton Bが、2023年8月にドイツのテクノレーベルWandlungからリリースした12"です。

ミニマル・ダブテクノ4曲を収録。DLコード付属。

-----------------------------------------

12" black vinyl. Includes DL code.

Tracklist:

a1 Tactics (08:36)
a2 Zweite Luft (04:14)
b1 3-5-2 (05:12)
b2 Reconcile (07:23)

Artist : MK.06

Label : Wandlung

Quantity

+ -

オーストリア・ウィーンのテクノ作家MK.06 aka Morton Bが、2023年8月にドイツのテクノレーベルWandlungからリリースした12"です。

ミニマル・ダブテクノ4曲を収録。DLコード付属。

-----------------------------------------

12" black vinyl. Includes DL code.

Tracklist:

a1 Tactics (08:36)
a2 Zweite Luft (04:14)
b1 3-5-2 (05:12)
b2 Reconcile (07:23)

Artist : MK.06

Label : Wandlung

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クイックビュー {"id":8671271616762,"title":"Charles \"Poppy Bob\" Walker \/\/ Dirt Bike Vacation LP","handle":"charles-poppy-bob-walker-dirt-bike-vacation-lp","description":"\u003cp\u003eアメリカ・アリゾナのアマチュアギタリストCharles \"Poppy Bob\" Walkerが、2024年10月にイギリス・リバプールのフォークレーベルWorried Songsからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1980年半ばに人知れず日記のようにシングルテイクで録音したLo-Fiアンビエント・ブルース15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJon Collinが好きな方にオススメします。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=755312045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=755312045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2950974461\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\"\u003ehere\u003c\/a\u003e to see more Worried Songs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes A4 booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. High Above 01:26\u003cbr\u003e2. Baby Bird 01:29\u003cbr\u003e3. Backyard Soliloquy 01:23\u003cbr\u003e4. Driving to Town 01:03\u003cbr\u003e5. Continuation to Moon Doctor 01:11\u003cbr\u003e6. Airbase Blues 02:14\u003cbr\u003e7. Goodbye YMCA 01:21\u003cbr\u003e8. Train Over Main Span 01:07\u003cbr\u003e9. Signs for Ehrenberg 01:23\u003cbr\u003e10. In with the Grackles 01:54\u003cbr\u003e11. Granite Bluffs 01:07\u003cbr\u003e12. Back to the Foothills 00:54\u003cbr\u003e13. On the Couch with Bernie 01:30\u003cbr\u003e14. Sunset in the Gilas 02:28\u003cbr\u003e15. Walking at Night 01:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWorried Songs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDirt Bike Vacation—for Worried Songs Records—explores the sonic world of the late amateur guitar player, Charles ‘Poppy Bob’ Walker, through a captivating set of instrumental songs made in the mid-1980s. Recorded on a single-track, Marantz field recorder, the project is a transportive document of Walker’s days spent as a meatpacking employee in Yuma, Arizona and the dailiness of that existence: driving to work, sitting in his backyard, walking around drunkenly, unwinding on the couch with a friend. These sketches, showing an experimental tendency, are surprisingly ahead of their time; some exhibit ad hoc tape delay (“Granite Bluffs,” “Goodbye YMCA”), while others make use of primitive overdubbing (“Continuation to Moon Doctor”). Not dissimilar to works such as Bruce Langhorne’s The Hired Hand soundtrack, Walker’s guitar playing is melodic, texturally rich and beautifully sober.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn a musical tour from Nashville to Los Angeles, musician-archivist, Cameron Knowler, uncovered these songs from a series of dusty cassette tapes housed at a branch of the Yuma County\u003cspan class=\"bcTruncateMore\"\u003e Library. Originally tipped off by cryptic metadata entries found through an online finding aid, Knowler requested a sound sample and was immediately drawn in by their eerie, yet hopeful nature: “I didn’t care what they sounded like at first, but once I heard just a few seconds, I had to find out everything I could about Charles, who he was, and if he was still alive.” As it turns out, the two had miraculously crossed paths over 20 years prior when Cameron was a young boy accompanying his mother, a gem trader, on a biyearly sojourn to Quartzsite, a town 80 miles north of Yuma:\u003cbr\u003e\u003cbr\u003e“Charles, sitting down and smoking in a recliner, withdrawn, held what I now understand to be a mid-1990s Martin D-28 guitar. Unlike other old-timers, his instrument was sharply tuned and had a nice sound, even to my young and uncalibrated ears. Though his left hand showed signs of highly developed arthritis, his musical ideas were animated by a palpably deep understanding of fretboard anatomy, arrangement and harmony.”\u003cbr\u003e\u003cbr\u003eSorting through the index cards associated with these tapes, Knowler was able to gain a detailed sense of most recording’s provenance, whereabouts and time: Walker’s Datsun pickup truck chugging along boiling hot Interstate 80, the Marine Corps Air Station parking lot, the Eastern Wetlands on the banks of the Colorado River, a fishing trip to Martinez Lake. Trying to reduce the amount of his own subjectivities coloring the work, Cameron constructed titles and track sequences by borrowing information gleaned from Charles’ handwritten notes: “I tried to organize everything by time of day, giving the listener the sense of how a Yuma day might sound and feel like, and each song title—even the record itself—is borrowed from his own words.” This proved no small task, as many notecards had to be deciphered and then coupled with their native tapes which needed extensive restoration treatments.\u003cbr\u003e\u003cbr\u003eThe result is a project very much out of the blue, and one that is intensely personal to Knowler, having grown up in the same town under similar circumstances. “It feels like a part of my own journey as a guitarist reckoning with the defining marks of a gothic border town,” he remarks. “At the time I would’ve met Walker, I didn’t have much outside influence, but he has been in there all the while.” In their current form, the tracks combine to create a sonic journey that boldly contributes to the traditions of acoustic guitar soli, archival digs and field recordings all the same; most importantly, it is a creative document which shows a day-in-the-life of a man grappling with the human experience under a ubiquitous Yuma sun.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Charles \"Poppy Bob\" Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Worried Songs\u003c\/p\u003e","published_at":"2024-11-27T06:55:37+09:00","created_at":"2024-11-26T17:03:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","folk \/ left-field pop","jazz","lp","new","worried songs"],"price":468700,"price_min":468700,"price_max":468700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46895827288314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Charles \"Poppy Bob\" Walker \/\/ Dirt Bike Vacation LP","public_title":null,"options":["Default Title"],"price":468700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bike1.jpg?v=1732608098","\/\/tobirarecords.com\/cdn\/shop\/files\/bike2.jpg?v=1732608098"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike1.jpg?v=1732608098","options":["Title"],"media":[{"alt":null,"id":35233143161082,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike1.jpg?v=1732608098"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike1.jpg?v=1732608098","width":700},{"alt":null,"id":35233143193850,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike2.jpg?v=1732608098"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bike2.jpg?v=1732608098","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・アリゾナのアマチュアギタリストCharles \"Poppy Bob\" Walkerが、2024年10月にイギリス・リバプールのフォークレーベルWorried Songsからリリースしたレコードです。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1980年半ばに人知れず日記のようにシングルテイクで録音したLo-Fiアンビエント・ブルース15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eJon Collinが好きな方にオススメします。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=755312045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=755312045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2950974461\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/wrdsns\"\u003ehere\u003c\/a\u003e to see more Worried Songs releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Includes A4 booklet. \u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. High Above 01:26\u003cbr\u003e2. Baby Bird 01:29\u003cbr\u003e3. Backyard Soliloquy 01:23\u003cbr\u003e4. Driving to Town 01:03\u003cbr\u003e5. Continuation to Moon Doctor 01:11\u003cbr\u003e6. Airbase Blues 02:14\u003cbr\u003e7. Goodbye YMCA 01:21\u003cbr\u003e8. Train Over Main Span 01:07\u003cbr\u003e9. Signs for Ehrenberg 01:23\u003cbr\u003e10. In with the Grackles 01:54\u003cbr\u003e11. Granite Bluffs 01:07\u003cbr\u003e12. Back to the Foothills 00:54\u003cbr\u003e13. On the Couch with Bernie 01:30\u003cbr\u003e14. Sunset in the Gilas 02:28\u003cbr\u003e15. Walking at Night 01:15\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eWorried Songs:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDirt Bike Vacation—for Worried Songs Records—explores the sonic world of the late amateur guitar player, Charles ‘Poppy Bob’ Walker, through a captivating set of instrumental songs made in the mid-1980s. Recorded on a single-track, Marantz field recorder, the project is a transportive document of Walker’s days spent as a meatpacking employee in Yuma, Arizona and the dailiness of that existence: driving to work, sitting in his backyard, walking around drunkenly, unwinding on the couch with a friend. These sketches, showing an experimental tendency, are surprisingly ahead of their time; some exhibit ad hoc tape delay (“Granite Bluffs,” “Goodbye YMCA”), while others make use of primitive overdubbing (“Continuation to Moon Doctor”). Not dissimilar to works such as Bruce Langhorne’s The Hired Hand soundtrack, Walker’s guitar playing is melodic, texturally rich and beautifully sober.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn a musical tour from Nashville to Los Angeles, musician-archivist, Cameron Knowler, uncovered these songs from a series of dusty cassette tapes housed at a branch of the Yuma County\u003cspan class=\"bcTruncateMore\"\u003e Library. Originally tipped off by cryptic metadata entries found through an online finding aid, Knowler requested a sound sample and was immediately drawn in by their eerie, yet hopeful nature: “I didn’t care what they sounded like at first, but once I heard just a few seconds, I had to find out everything I could about Charles, who he was, and if he was still alive.” As it turns out, the two had miraculously crossed paths over 20 years prior when Cameron was a young boy accompanying his mother, a gem trader, on a biyearly sojourn to Quartzsite, a town 80 miles north of Yuma:\u003cbr\u003e\u003cbr\u003e“Charles, sitting down and smoking in a recliner, withdrawn, held what I now understand to be a mid-1990s Martin D-28 guitar. Unlike other old-timers, his instrument was sharply tuned and had a nice sound, even to my young and uncalibrated ears. Though his left hand showed signs of highly developed arthritis, his musical ideas were animated by a palpably deep understanding of fretboard anatomy, arrangement and harmony.”\u003cbr\u003e\u003cbr\u003eSorting through the index cards associated with these tapes, Knowler was able to gain a detailed sense of most recording’s provenance, whereabouts and time: Walker’s Datsun pickup truck chugging along boiling hot Interstate 80, the Marine Corps Air Station parking lot, the Eastern Wetlands on the banks of the Colorado River, a fishing trip to Martinez Lake. Trying to reduce the amount of his own subjectivities coloring the work, Cameron constructed titles and track sequences by borrowing information gleaned from Charles’ handwritten notes: “I tried to organize everything by time of day, giving the listener the sense of how a Yuma day might sound and feel like, and each song title—even the record itself—is borrowed from his own words.” This proved no small task, as many notecards had to be deciphered and then coupled with their native tapes which needed extensive restoration treatments.\u003cbr\u003e\u003cbr\u003eThe result is a project very much out of the blue, and one that is intensely personal to Knowler, having grown up in the same town under similar circumstances. “It feels like a part of my own journey as a guitarist reckoning with the defining marks of a gothic border town,” he remarks. “At the time I would’ve met Walker, I didn’t have much outside influence, but he has been in there all the while.” In their current form, the tracks combine to create a sonic journey that boldly contributes to the traditions of acoustic guitar soli, archival digs and field recordings all the same; most importantly, it is a creative document which shows a day-in-the-life of a man grappling with the human experience under a ubiquitous Yuma sun.\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e\u003cem\u003e \"\u003c\/em\u003e\u003ca\u003e\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Charles \"Poppy Bob\" Walker\u003c\/p\u003e\n\u003cp\u003eLabel : Worried Songs\u003c\/p\u003e"}

アメリカ・アリゾナのアマチュアギタリストCharles "Poppy Bob" Walkerが、2024年10月にイギリス・リバプールのフォークレーベルWorried Songsからリリースしたレコードです。 1980年半ばに人知れず日記のようにシングルテイクで録音したLo-Fiアンビエント・ブルース15曲を収録。 Jon Collinが好きな方にオススメします。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませレーベルその他作品はこちら /// Click here to...

¥4,687

クイックビュー {"id":8671098765562,"title":"Germ Lattice \/\/ Gipping Through the Ages LP","handle":"germ-lattice-gipping-through-the-ages-lp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのストレンジビーツトリオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGerm Lattice が、\u003c\/span\u003e2024年11月に同国実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスカム・ノーウェーブ〜コラージュ・ドローン12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2957699964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=515075831\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2957699964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Judas Gap 06:37\u003cbr\u003e2. Misprint Maker 04:54\u003cbr\u003e3. Gipping 03:30\u003cbr\u003e4. Flat Track 05:12\u003cbr\u003e5. Ousehouseband 04:02\u003cbr\u003e6. Possible Triptych 04:46\u003cbr\u003e7. Quag-time 03:53\u003cbr\u003e8. Ground Truth 05:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis Norwich-based trio hit our radar earlier this year when we caught their third live performance in London. Gipping Through the Ages is their debut release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJoe Barton, Mickey Donnelly, and Louie Rice met in London during the 2000’s but it wasn’t until they had relocated to Norwich in recent years that they rented a studio in a condemned brutalist shopping centre and the Germ Lattice sound was formed. They began by agreeing what they didn’t want the project to be: no improvising or jamming, no overdubs, keep the tracks short etc..\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGipping Through the Ages presents the band’s structured, repetitive \u0026amp; linear tracks built around drums, bass, and synth with deliberately abstract vocals, which draw as much from folk traditions and the broader east Anglian landscape as they do from our fragmented modern world. Their novel use of microphones and live tape processing add a dynamism to the music where elements mask each other or the overdriven meters suggest the whole thing is on the brink of collapse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagine this record as a palimpsest, rooted in place but spanning time, layering ephemeral traces of Mark E Smith, WG Sebald, and Laura Oldfield Ford. Musical references to Mosquitoes, Tools You Can Trust, Dome or Metabolist do not mislead.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Germ Lattice\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e","published_at":"2024-11-27T06:40:03+09:00","created_at":"2024-11-26T11:42:22+09:00","vendor":"Tobira Records","type":"","tags":["drone","horn of plenty","lp","new","noise","strange beats"],"price":468700,"price_min":468700,"price_max":468700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46894892318970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Germ Lattice \/\/ Gipping Through the Ages LP","public_title":null,"options":["Default Title"],"price":468700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gipp1.jpg?v=1732588853","\/\/tobirarecords.com\/cdn\/shop\/files\/gipp2.jpg?v=1732588853","\/\/tobirarecords.com\/cdn\/shop\/files\/gipp3.jpg?v=1732588853"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp1.jpg?v=1732588853","options":["Title"],"media":[{"alt":null,"id":35232187515130,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp1.jpg?v=1732588853"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp1.jpg?v=1732588853","width":700},{"alt":null,"id":35232187547898,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp2.jpg?v=1732588853"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp2.jpg?v=1732588853","width":900},{"alt":null,"id":35232187580666,"position":3,"preview_image":{"aspect_ratio":0.843,"height":1200,"width":1012,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp3.jpg?v=1732588853"},"aspect_ratio":0.843,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gipp3.jpg?v=1732588853","width":1012}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリスのストレンジビーツトリオ\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eGerm Lattice が、\u003c\/span\u003e2024年11月に同国実験レーベルHorn of Plentyからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスカム・ノーウェーブ〜コラージュ・ドローン12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2957699964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=515075831\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2957699964\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/horn-of-plenty\"\u003ehere\u003c\/a\u003e to see more Horn of Plenty releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Judas Gap 06:37\u003cbr\u003e2. Misprint Maker 04:54\u003cbr\u003e3. Gipping 03:30\u003cbr\u003e4. Flat Track 05:12\u003cbr\u003e5. Ousehouseband 04:02\u003cbr\u003e6. Possible Triptych 04:46\u003cbr\u003e7. Quag-time 03:53\u003cbr\u003e8. Ground Truth 05:38\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHorn of Plenty:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis Norwich-based trio hit our radar earlier this year when we caught their third live performance in London. Gipping Through the Ages is their debut release.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eJoe Barton, Mickey Donnelly, and Louie Rice met in London during the 2000’s but it wasn’t until they had relocated to Norwich in recent years that they rented a studio in a condemned brutalist shopping centre and the Germ Lattice sound was formed. They began by agreeing what they didn’t want the project to be: no improvising or jamming, no overdubs, keep the tracks short etc..\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGipping Through the Ages presents the band’s structured, repetitive \u0026amp; linear tracks built around drums, bass, and synth with deliberately abstract vocals, which draw as much from folk traditions and the broader east Anglian landscape as they do from our fragmented modern world. Their novel use of microphones and live tape processing add a dynamism to the music where elements mask each other or the overdriven meters suggest the whole thing is on the brink of collapse.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eImagine this record as a palimpsest, rooted in place but spanning time, layering ephemeral traces of Mark E Smith, WG Sebald, and Laura Oldfield Ford. Musical references to Mosquitoes, Tools You Can Trust, Dome or Metabolist do not mislead.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Germ Lattice\u003c\/p\u003e\n\u003cp\u003eLabel : Horn of Plenty\u003c\/p\u003e"}