X°=1 // "The Art of K7" vol.#2 TAPE

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フランス・パリの4人組コンクレートグループX°=1が、2024年5月にギリシャ・アテネの実験レーベルCoherent Statesから50本限定でリリースしたカセットです。

Lo-Fiコンクレート7曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Coherent States releases available at Tobira.

------------------------

Includes DL code. Cassette in norelco case.

Tracklist:

1. La Paradoxe De La Modernité 03:14
2. Sudoku Trouvé 04:36
3. Laisser à Présent 03:18
4. Fiction 03:35
5. Véritable Histoire 07:41
6. On ne peut plus être sûr d’unité dans le cas où ce putain de variable disparaît (Pour Les Touristes) 11:29
7. Suite Alléluia 10:19

Coherent States:

"According to the general rule of exponents, any number raised to the power of 0 equals 1, with the exception of 0 raised to the power of 0, which is an indeterminate form. The expression 0 raised to the power of 0 arises when we have no quantity to multiply by itself zero times. In simpler terms, it represents the empty product. The empty / nullary / vacuous product refers to the result you get when you multiply no numbers. But apart from 0, any number raised to the power of 0 equals 1. Any number you can think of! Make it double and it equals 2. Now imagine one large table. 4 people are sitting next to each other. A trillion of walkmen and cassettes make a tower of magnetic tape. The 4 people almost cannot see each other. Suddenly they move. Cassettes are playing simultaneously. Walkman's clicks and clacks. Some French women. Distortion. Rewind. Strange broken fiction music. Forth. A piano? Pause. Mumbling. Wrong speed. History lessons. Some little noises. Various speeches. Lou Ottens. Tape music. Music from tapes. Demagnetized. Altered. Spread. Raised to the power of 0. Equals 1! Harold Schellinx, Emmanuel Rébus, Blenno Die Wurstbrücke & Anton Mobin playing cassettes. Again!

"The Art of K7 - vol.#2", out now on Coherent States, is the second installment on cassette by the tape music supergroup X°=1. The first volume was released on Steep Gloss label a few years ago. Harold Schellinx and Emmanuel Rébus made extensive use of their dictaphones in Diktat's "Tour De Force" cassette (CS-7) for Coherent States back in 2016, while Harold's "Histoire de l’Art" cdr (CS-44) was released on Coherent States in 2022. Anton Mobin is a brilliant improviser and instrument builder, creative force of the now dormant H.A.K. Lo-Fi Records (cassette) label and producer of adventurous independent radio shows since the early 2000´s. He currently lives in Orléans, France. Blenno Wurstbrücke made the Art of K7 cover collages. He roams the world performing with his colorful DIY Povera Sound Systems, and quite generally practices his life in the powerful ‘arte povera’ style that his sound and other works continue to breath. "

Artist : X°=1

Label : Coherent States

CAT No: CS-48

Quantity

+ -

Lo-Fiコンクレート7曲を収録。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Coherent States releases available at Tobira.

------------------------

Includes DL code. Cassette in norelco case.

Tracklist:

1. La Paradoxe De La Modernité 03:14
2. Sudoku Trouvé 04:36
3. Laisser à Présent 03:18
4. Fiction 03:35
5. Véritable Histoire 07:41
6. On ne peut plus être sûr d’unité dans le cas où ce putain de variable disparaît (Pour Les Touristes) 11:29
7. Suite Alléluia 10:19

Coherent States:

Artist : X°=1

Label : Coherent States

CAT No: CS-48

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CD in jewel case w\/ small booklet of photos. Edition of 100. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. A Period of Psychic Distress 08:27\u003cbr\u003e2. Locust Motel 00:43\u003cbr\u003e3. Before the Party 03:28\u003cbr\u003e4. Fluid Karma 07:34\u003cbr\u003e5. Action Figures 04:32\u003cbr\u003e6. Product of My Environment 02:12\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eNo Rent Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNew music from Jacob Winans. A follow-up to 2021 release “There’s Something In The Backyard,” “Halcyon Days” is a continuation of Winans’ exploration of an extreme juxtaposition of synthetic and organic sound. For fans of existential dread, sleep debt, nostalgia.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jacob Winans\u003c\/p\u003e\n\u003cp\u003eLabel : No Rent Records\u003c\/p\u003e\n\u003cp\u003eCAT NO : NRR200\u003c\/p\u003e"}

過去にIndustrial CoastやFlag Day等から発表しているアメリカのノイズ作家Jacob Winansが、2024年11月に同国フィラデルフィアの実験／ノイズレーベルNo Rentから100部限定でリリースしたCDです。カットアップ・コラージュノイズ〜ドローン6曲を収録。ジュエルケース仕様、ブックレット付属。前作もオススメです。レーベルその他作品はこちら /// Click here to see more No Rent Records...

¥2,130

クイックビュー {"id":8666368868602,"title":"Mariam Rezaei \/\/ BOWN TAPE","handle":"mariam-rezaei-bown-tape","description":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e","published_at":"2024-11-21T07:47:25+09:00","created_at":"2024-11-16T15:43:06+09:00","vendor":"Tobira Records","type":"","tags":["heat crimes","jazz","monooto","new","strange beats","tape"],"price":213700,"price_min":213700,"price_max":213700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":46864904454394,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mariam Rezaei \/\/ BOWN TAPE","public_title":null,"options":["Default Title"],"price":213700,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","options":["Title"],"media":[{"alt":null,"id":35195321712890,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo1_808ca210-5bd5-48c8-9e47-ac4ac1e1e9ea.jpg?v=1731739282","width":700},{"alt":null,"id":35195321745658,"position":2,"preview_image":{"aspect_ratio":0.865,"height":1200,"width":1038,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282"},"aspect_ratio":0.865,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bo2_98e0e2fc-c9ae-4a31-a1c7-49c35da50ee2.jpg?v=1731739282","width":1038}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験DJ Mariam Rezaeiが、2023年9月にウガンダ・カンパリのレフトフィールド・ダンスレーベルNyege Nyege Tapes傘下Heat Crimesからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e巧みなターンテーブル捌きによるコラージュ・ジャズ〜ストレンジビーツ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2981004240\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3662678697\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=861035946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/heatc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/heatc\"\u003ehere\u003c\/a\u003e to see more Heat Crimes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003eCassette in norelco case. Edition of 90. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. HMMM 04:23\u003cbr\u003e2. GEORDIE SPICE (ft. Gwilly Edmondez) 05:51\u003cbr\u003e3. GLASS BASTARD (ft. Teresa Winter \u0026amp; Bobby Glew) 09:48\u003cbr\u003e4. it COULD be jazz (ft. Bobby Glew) 03:18\u003cbr\u003e5. BURNING LIKE FUCK 03:40\u003cbr\u003e6. MARIAMBA (ft. Lukas Koenig) 04:41\u003cbr\u003e7. IDIOTIS MUSIC PEOPLE CUNTS 01:38\u003cbr\u003e8. I WANT U 2 (ft. Alya-Al-Sultani) 04:32\u003cbr\u003e9. SHORTIE SHORTS 02:10\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eHeat Crimes:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAward-winning composer, turntablist and performer Mariam Rezaei approaches turntablism with an openness that's not just progressive, it's surprisingly optimistic. On 'BOWN', the central part of a triptych alongside 'BLUD' and 'SKEEN' (both released on Graham Dunning's Fractal Meat Cuts imprint), Rezaei reconsiders the established logic of turntable-based music, blurring expectations and persistently reaching into the unknown. In her capable hands the decks become chameleonic, imitating an arsenal of instruments that she subsequently bends into uncanny forms. Rezaei sees turntablism as a continuum rather than a fixed style, and she invites a carefully picked crew of collaborators - Theresa Winter, Luka Koenig, Alya Al-Sultani, Bobby Glue and Gwily Edmondez - to help distort genre hallmarks until they're completely unrecognizable; vocals become sputtering oscillators, drums are turned into walls of sheet noise and acidic electronics mutate into unstable, foggy drones.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRezaei started DJing when she was just 15 years old, developing her skills in the competitive and male-dominated hip-hop battle arena. She began to realize that even in this fast-paced environment, the turntable was too often used as a vehicle to exercise a sequence of customary tropes. Inspired by art from across the\u003cspan class=\"bcTruncateMore\"\u003e genre spectrum, she developed her own unique language with the instrument, bringing in ideas from free improv and extreme noise to extend her palette. So she doesn't ask a question on 'it COULD be jazz', but makes a statement, replying tersely to a colleague's barbed comment after a performance at London Jazz Festival last year. Transforming wild horn squeaks into time-stretched gasps and scrubbed, chattering voices, and garbling drums from Guttersnipe's Bobby Glue into ratcheting whirrs, she assures listeners that jazz too is far more than a predetermined set of aphorisms. \"How can I make the turntable sound as extreme as Roscoe Mitchell or Peter Brötzmann?\" she wondered during an interview with Wire magazine in April.\u003cbr\u003e\u003cbr\u003eYEAH YOU's Gwily Edmondez throws his self-styled \"wild pop\" vocalizations into Rezaei's continuum on 'GEORDIE SPICE', so she replies by juxtaposing his insectoid rasps with garbled West Asian chants and microscopic radio pop bleeps and beats. And traces of Grouper's vaporous articulations hang gently over unstable dancefloor vibrations on 'BURNING LIKE FUCK', situating the track a few steps from the club, outside in the smoking area or a nearby restroom. On 'I WANT U 2' meanwhile, Rezaei taps London-based soprano Alya Al-Sultani, scratching her operatic cries until they become chirps and cutting them into an abstracted conversation about the role of women in civilization. 'BOWN' is a confident, fervid statement from Rezaei that doesn't just burn up turntablism's presumed rulebook, it points a weary finger at an avant-garde landscape that still ignores the work countless women have put in to guide its progress. This is never more evident than on the tongue-in-cheek 'IDIOTIC MUSIC PEOPLE CUNTS', one-and-a-half minutes of garbled noise that throws a middle finger up to the industry, extending a warm embrace to the real ones.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mariam Rezaei\u003c\/p\u003e\n\u003cp\u003eLabel : Heat Crimes\u003c\/p\u003e"}