VINYL
クイックビュー
{"id":9226963091706,"title":"Vladislav Delay Quintet \/\/ vd5 LP","handle":"vladislav-delay-quintet-vd5-lp","description":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2559861354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. two 03:22 \u003cbr\u003e2. twelve 04:22 \u003cbr\u003e3. nineteen 04:45 \u003cbr\u003e4. nine 04:37 \u003cbr\u003e5. fourteen 05:31 \u003cbr\u003e6. thirteen 06:24 \u003cbr\u003e7. twenty 03:39 \u003cbr\u003e8. fifteen 04:28 \u003cbr\u003e9. ten 03:40 \u003cbr\u003e10. three 04:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing \"vd5\" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBased in Hailuoto in Northern Finland, Vladislav Delay has never fit into any preset mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What \"jazz\" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of \"jazz\"? Whatever came before is a springboard, not a limitation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Vladislav Delay Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP88\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th April 2026\u003c\/p\u003e","published_at":"2026-05-15T15:03:54+09:00","created_at":"2026-05-15T12:17:24+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","we jazz records"],"price":498500,"price_min":498500,"price_max":498500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891262894330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Vladislav Delay Quintet \/\/ vd5 LP","public_title":null,"options":["Default Title"],"price":498500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548136548","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","options":["Title"],"media":[{"alt":null,"id":39377747149050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del1_6a9fe01e-6eab-41dc-a0f5-0d4107ecd686.jpg?v=1778814955","width":350},{"alt":null,"id":39377747181818,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/del2_0683053f-f3be-4616-9018-1b5a5baade49.jpg?v=1778814955","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e実験ジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2559861354\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wjzz\"\u003ehere\u003c\/a\u003e to see more We Jazz Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. two 03:22 \u003cbr\u003e2. twelve 04:22 \u003cbr\u003e3. nineteen 04:45 \u003cbr\u003e4. nine 04:37 \u003cbr\u003e5. fourteen 05:31 \u003cbr\u003e6. thirteen 06:24 \u003cbr\u003e7. twenty 03:39 \u003cbr\u003e8. fifteen 04:28 \u003cbr\u003e9. ten 03:40 \u003cbr\u003e10. three 04:00\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVladislav Delay, primarily known as a highly regarded electronic music innovator, steps ahead with his acoustic jazz quintet, releasing \"vd5\" on We Jazz Records, 8th May. Echoing the forward-looking vd musical vision always ahead of the curve, the new album does not fit into any specific category, forging a path of its own across the 10 tracks. Recorded at Candybomber Studio in Berlin, the album brings vd together with Maria Bertel, Lucio Capece, Derek Shirley and Max Loderbauer. This is shape-shifting, elastic music that exists left of any given timeline.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBased in Hailuoto in Northern Finland, Vladislav Delay has never fit into any preset mould as an artist. His prolific, at times mythical output has elevated him to a veritable legend status in all music cycles appreciating a unique artistic voice. Be it his forward-reaching recent releases as Vladislav Delay on his own Rajaton imprint, his Ripatti alias, or playing metallic percussion with the Moritz Von Oswald Trio, Vladislav Delay always has A SOUND. And that sound is ever-evolving, as his new jazz album shows. What \"jazz\" is this? There are certainly liquid elements there in the mix, not unlike the ones heard on previous vd productions. Then again, this is acoustic quintet music by and large, but not any specific kind we have ever heard before. Isn't that the whole point of \"jazz\"? Whatever came before is a springboard, not a limitation.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Vladislav Delay Quintet\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eWe Jazz Records\u003c\/p\u003e\n\u003cp\u003ecat no : WJLP88\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th April 2026\u003c\/p\u003e"}
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フィンランドのエレクトロニック作家Vladislav Delay率いるVladislav Delay Quintetが、2026年5月に同国ジャズレーベルWe Jazzからリリースしたレコードです。 実験ジャズ10曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more...
¥4,985
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{"id":9226918985978,"title":"Lori Vambe \/\/ Space-Time Dreamtime: The Four-Dimensional Music Of Lori Vambe 2xLP","handle":"lori-vambe-space-time-dreamtime-lp","description":"\u003cp\u003eジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrut\u003cspan\u003eからリリースした再発2枚組レコードです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2909219867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003ehere\u003c\/a\u003e to see more Strut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMGITA SOLO\u003c\/strong\u003e\u003cbr\u003eA1. INTRO 3.30\u003cbr\u003eA2. DRUMGITA 8.14\u003cbr\u003eA3. ANCIENT BOOGIE (MANTRA) 1.56\u003cbr\u003eA4. ARTNAM 1.00\u003cbr\u003eA5. MANTRA 1.53\u003cbr\u003eA6. (ONE) BOOGIE HOME GOING 4.11\u003cbr\u003eB1. GOING HOME BOOGIE (ONE) 5.38\u003cbr\u003eB2. UN MINUTO (ONE) 1.00\u003cbr\u003eB3. UN MINUTO (TWO) 1.21\u003cbr\u003eB4. GOING HOME BOOGIE (TWO) 5.48\u003cbr\u003eB5. GOING HOME BOOGIE (THREE) 2.49\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMLAND DREAMLAND (PART ONE)\u003c\/strong\u003e\u003cbr\u003eC1. DRUMSONG (ONE) 6.49\u003cbr\u003eC2. DRUMSONG (TWO) 7.49\u003cbr\u003eC3. DRUMSONG (THREE) 2.13\u003cbr\u003eC4. STRUMELODY 4.12\u003cbr\u003eD1. DRUMELODY (ONE) 4.08\u003cbr\u003eD2. DRUMELODY (TWO) 5.27\u003cbr\u003eD3. YDOLEMURD 3.28\u003cbr\u003eD4. HUM DRUM DRING (ONE) 1.35\u003cbr\u003eD5. HUM DRUM DRING (TWO) (THE FREEDRUM SONG) 5.41\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOccasionally, you find music outside the commercial mainstream, outside of everything – the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew on Strut, the first ever reissue of Vambe’s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Lori Vambe is a unique figure in British music. Creator of his own instrument, the drumgita (pronounced ‘drum-guitar’) or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVambe was born in Harare, Zimbabwe and his father, Lawrence Vambe, was a noted Zimbabwean journalist and author. Moving to London in 1959, Vambe immersed himself in the Brixton squat movement of the early 1970s, teaching himself to drum and creating a short-lived performance group, The Healing Drums of Brixton (Vambe, the sculptor Alexander Sokolov and outsider musician Michael O’Shea). Vambe later had a dream-vision involving a feeling of ecstasy while playing an unknown instrument that extended from his own umbilical cord; the instrument would manifest\u003cspan class=\"bcTruncateMore\"\u003e itself as the drumgita. In 1982, he privately produced a pair of home recordings, the diptych set Drumgita Solo and Drumland Dreamland, releasing them on his own label Drumony. On these records, he rejected any commercial aesthetic and employed tape effects, temporal shifts, reversed sound and overdubbing to investigate space-time and access the fourth dimension. Combining layered drums with the rhythmic throb of the drumgita and, on Drumland Dreamland, an improvised piano performance by Brazilian concert pianist Rafael Dos Santos, the albums are both hypnotic and perturbing.\u003cbr\u003e\u003cbr\u003eBoth albums were cut at Portland Studios by Chas Chandler and stand as a concealed monument of Black British experimental music. 500 copies of each record were originally pressed, and both were released together. The albums were never performed live.\u003cbr\u003e\u003cbr\u003eFor this first ever reissue of Drumland Drumland and Drumgita Solo, Strut presents the two albums in their original artwork, housed in a deluxe slipcase including an additional 8-page 12”-sized booklet featuring unseen photos, liner notes and an interview with Lori Vambe by The Wire magazine writer Francis Gooding. Both albums are fully remastered by The Carvery.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lori Vambe\u003c\/p\u003e\n\u003cp\u003eLabel : Strut\u003c\/p\u003e\n\u003cp\u003ecat no : STRUT340LPB\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th September 2023\u003c\/p\u003e","published_at":"2026-05-17T05:22:02+09:00","created_at":"2026-05-15T11:42:13+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","strange beats","strut"],"price":787900,"price_min":787900,"price_max":787900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48891007009018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lori Vambe \/\/ Space-Time Dreamtime: The Four-Dimensional Music Of Lori Vambe 2xLP","public_title":null,"options":["Default Title"],"price":787900,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548064445","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","options":["Title"],"media":[{"alt":null,"id":39377301569786,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space1_8ab32d68-ee07-4ceb-baab-6deca8e173fb.jpg?v=1778813065","width":350},{"alt":null,"id":39377301602554,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/space3.jpg?v=1778813065","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrut\u003cspan\u003eからリリースした再発2枚組レコードです。（オリジナルは1982年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2909219867\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/strut\"\u003ehere\u003c\/a\u003e to see more Strut releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMGITA SOLO\u003c\/strong\u003e\u003cbr\u003eA1. INTRO 3.30\u003cbr\u003eA2. DRUMGITA 8.14\u003cbr\u003eA3. ANCIENT BOOGIE (MANTRA) 1.56\u003cbr\u003eA4. ARTNAM 1.00\u003cbr\u003eA5. MANTRA 1.53\u003cbr\u003eA6. (ONE) BOOGIE HOME GOING 4.11\u003cbr\u003eB1. GOING HOME BOOGIE (ONE) 5.38\u003cbr\u003eB2. UN MINUTO (ONE) 1.00\u003cbr\u003eB3. UN MINUTO (TWO) 1.21\u003cbr\u003eB4. GOING HOME BOOGIE (TWO) 5.48\u003cbr\u003eB5. GOING HOME BOOGIE (THREE) 2.49\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003eDRUMLAND DREAMLAND (PART ONE)\u003c\/strong\u003e\u003cbr\u003eC1. DRUMSONG (ONE) 6.49\u003cbr\u003eC2. DRUMSONG (TWO) 7.49\u003cbr\u003eC3. DRUMSONG (THREE) 2.13\u003cbr\u003eC4. STRUMELODY 4.12\u003cbr\u003eD1. DRUMELODY (ONE) 4.08\u003cbr\u003eD2. DRUMELODY (TWO) 5.27\u003cbr\u003eD3. YDOLEMURD 3.28\u003cbr\u003eD4. HUM DRUM DRING (ONE) 1.35\u003cbr\u003eD5. HUM DRUM DRING (TWO) (THE FREEDRUM SONG) 5.41\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOccasionally, you find music outside the commercial mainstream, outside of everything – the music of visionaries, eccentrics, inventors, loners, the keepers of secrets, the path-finders. Moondog, Daphne Oram, Harry Partch are from this mould. And so too is Lori Vambe.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eNew on Strut, the first ever reissue of Vambe’s privately pressed original albums from 1982, Drumland Dreamland and Drumgita Solo. A self-taught drummer, inventor, and sonic experimentalist, Lori Vambe is a unique figure in British music. Creator of his own instrument, the drumgita (pronounced ‘drum-guitar’) or string-drum, Vambe intended to create a kind of music that had never been made in order to pursue access to the fourth dimension.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eVambe was born in Harare, Zimbabwe and his father, Lawrence Vambe, was a noted Zimbabwean journalist and author. Moving to London in 1959, Vambe immersed himself in the Brixton squat movement of the early 1970s, teaching himself to drum and creating a short-lived performance group, The Healing Drums of Brixton (Vambe, the sculptor Alexander Sokolov and outsider musician Michael O’Shea). Vambe later had a dream-vision involving a feeling of ecstasy while playing an unknown instrument that extended from his own umbilical cord; the instrument would manifest\u003cspan class=\"bcTruncateMore\"\u003e itself as the drumgita. In 1982, he privately produced a pair of home recordings, the diptych set Drumgita Solo and Drumland Dreamland, releasing them on his own label Drumony. On these records, he rejected any commercial aesthetic and employed tape effects, temporal shifts, reversed sound and overdubbing to investigate space-time and access the fourth dimension. Combining layered drums with the rhythmic throb of the drumgita and, on Drumland Dreamland, an improvised piano performance by Brazilian concert pianist Rafael Dos Santos, the albums are both hypnotic and perturbing.\u003cbr\u003e\u003cbr\u003eBoth albums were cut at Portland Studios by Chas Chandler and stand as a concealed monument of Black British experimental music. 500 copies of each record were originally pressed, and both were released together. The albums were never performed live.\u003cbr\u003e\u003cbr\u003eFor this first ever reissue of Drumland Drumland and Drumgita Solo, Strut presents the two albums in their original artwork, housed in a deluxe slipcase including an additional 8-page 12”-sized booklet featuring unseen photos, liner notes and an interview with Lori Vambe by The Wire magazine writer Francis Gooding. Both albums are fully remastered by The Carvery.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lori Vambe\u003c\/p\u003e\n\u003cp\u003eLabel : Strut\u003c\/p\u003e\n\u003cp\u003ecat no : STRUT340LPB\u003c\/p\u003e\n\u003cp\u003eRelease date : 29th September 2023\u003c\/p\u003e"}
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ジンバブエ出身のアウトサイダー作家／自作楽器奏者Lori Vambeが、2023年にStrutからリリースした再発2枚組レコードです。（オリジナルは1982年リリース） 自作楽器ドラムギターとピアノによるスピリチュアル・ジャズ〜ストレンジビーツ20曲を収録。ブックレット付属。 レーベルその他作品はこちら /// Click here to see more Strut releases available at...
¥7,879
![Elder Island // Hello Baby Okay LP [COLOR]](http://tobirarecords.com/cdn/shop/files/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444_medium.jpg?v=1778812815)
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{"id":9226918527226,"title":"Elder Island \/\/ Hello Baby Okay LP [COLOR]","handle":"elder-island-hello-baby-okay-lp-1","description":"\u003cp\u003eイギリスのファンクトリオElder Islandが、2026年5月に自主リリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eファンク・ポップ10曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178606040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=482112480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178606040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Ordinary Love 05:33 \u003cbr\u003e2. Pink Lemon 03:15 \u003cbr\u003e3. Bang 03:10 \u003cbr\u003e4. White Corridor 03:50 \u003cbr\u003e5. Snapshot 04:19 \u003cbr\u003e6. Faster Faster 03:55 \u003cbr\u003e7. Broken Melody 03:37 \u003cbr\u003e8. Letters 04:10 \u003cbr\u003e9. Bigger Than Us 04:55 \u003cbr\u003e10. The Inner Light 05:48\u003c\/p\u003e\n\u003cp\u003ePress release excerpt:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Elder Island went into the studio to record the followup to their critically acclaimed 2021 album, Swimming Static, they were determined to “turn everything on its head”. The trio are celebrated for their brooding indie-electronica that draws on their Bristol roots, creating vastly detailed and immersive soundscapes. But Hello Baby Okay marks a new era for the band, fuelled by a longing for transcendence and euphoria. An effervescent counterpoint to the current times, their new music is threaded through with a liberated energy, lilting funk-pop guitars, danceable beats and a renewed sense of play. “We wanted the joy to shine through,” they say.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElder Island’s Katy Sargent (vocals, cello), Luke Thornton (bass, beat-making) and David Havard (guitar, synths, programming) have spent the past decade building a dedicated fanbase on both sides of the Atlantic, with over 375 million streams worldwide. They’re firm festival favourites who’ve played at prestigious venues from London’s Roundhouse to New York’s Bowery Ballroom and who hold the unique ability to straddle both the live and club worlds: in 2022, they pricked the ears of superstar DJs like Solomun, who personally invited them to spin at his Printworks takeover. Across two studio albums and myriad EPs, they’ve crafted a genre-blurring\u003cspan class=\"bcTruncateMore\"\u003e sound world that draws on a sublime combination of strings, far-flung percussion, intricate loops and abstract lyrics...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elder Island\u003c\/p\u003e\n\u003cp\u003eLabel : Elder Island\u003c\/p\u003e\n\u003cp\u003ecat no : EIHBO-LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 8th May 2026\u003c\/p\u003e","published_at":"2026-05-17T05:17:53+09:00","created_at":"2026-05-15T11:39:12+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","hiphop \/ funk","lp","new"],"price":499800,"price_min":499800,"price_max":499800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890992558330,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Elder Island \/\/ Hello Baby Okay LP [COLOR]","public_title":null,"options":["Default Title"],"price":499800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548130010","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444.jpg?v=1778812815","\/\/tobirarecords.com\/cdn\/shop\/files\/hell3_da1b9324-a70a-4cd2-839d-e4074adefce5.jpg?v=1778812815"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444.jpg?v=1778812815","options":["Title"],"media":[{"alt":null,"id":39377281876218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444.jpg?v=1778812815"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell1_0495be1d-5571-49f2-ab26-74f45b2cb444.jpg?v=1778812815","width":350},{"alt":null,"id":39377281908986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell3_da1b9324-a70a-4cd2-839d-e4074adefce5.jpg?v=1778812815"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hell3_da1b9324-a70a-4cd2-839d-e4074adefce5.jpg?v=1778812815","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのファンクトリオElder Islandが、2026年5月に自主リリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eファンク・ポップ10曲を収録。クリア盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178606040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=482112480\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1178606040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Ordinary Love 05:33 \u003cbr\u003e2. Pink Lemon 03:15 \u003cbr\u003e3. Bang 03:10 \u003cbr\u003e4. White Corridor 03:50 \u003cbr\u003e5. Snapshot 04:19 \u003cbr\u003e6. Faster Faster 03:55 \u003cbr\u003e7. Broken Melody 03:37 \u003cbr\u003e8. Letters 04:10 \u003cbr\u003e9. Bigger Than Us 04:55 \u003cbr\u003e10. The Inner Light 05:48\u003c\/p\u003e\n\u003cp\u003ePress release excerpt:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eWhen Elder Island went into the studio to record the followup to their critically acclaimed 2021 album, Swimming Static, they were determined to “turn everything on its head”. The trio are celebrated for their brooding indie-electronica that draws on their Bristol roots, creating vastly detailed and immersive soundscapes. But Hello Baby Okay marks a new era for the band, fuelled by a longing for transcendence and euphoria. An effervescent counterpoint to the current times, their new music is threaded through with a liberated energy, lilting funk-pop guitars, danceable beats and a renewed sense of play. “We wanted the joy to shine through,” they say.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eElder Island’s Katy Sargent (vocals, cello), Luke Thornton (bass, beat-making) and David Havard (guitar, synths, programming) have spent the past decade building a dedicated fanbase on both sides of the Atlantic, with over 375 million streams worldwide. They’re firm festival favourites who’ve played at prestigious venues from London’s Roundhouse to New York’s Bowery Ballroom and who hold the unique ability to straddle both the live and club worlds: in 2022, they pricked the ears of superstar DJs like Solomun, who personally invited them to spin at his Printworks takeover. Across two studio albums and myriad EPs, they’ve crafted a genre-blurring\u003cspan class=\"bcTruncateMore\"\u003e sound world that draws on a sublime combination of strings, far-flung percussion, intricate loops and abstract lyrics...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Elder Island\u003c\/p\u003e\n\u003cp\u003eLabel : Elder Island\u003c\/p\u003e\n\u003cp\u003ecat no : EIHBO-LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 8th May 2026\u003c\/p\u003e"}
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¥4,998
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{"id":9226918363386,"title":"Bolbec \/\/ Foutu Félin LP","handle":"bolbec-foutu-felin-lp","description":"\u003cp\u003eフランスのジャズデュオBolbecが、2026年5月にBatov Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシネマティックなラウンジ〜フュージョン〜ジャズ・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eMoon Mullinsが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2536158410\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1792652052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Café Frappé 03:03\u003cbr\u003e2. Le Prof de Gong 02:06\u003cbr\u003e3. Fanny 03:14\u003cbr\u003e4. Foutu Félin 03:20\u003cbr\u003e5. Ponto Final 03:23\u003cbr\u003e6. Machine Arrière 02:42\u003cbr\u003e7. En Voiture 04:37\u003cbr\u003e8. Fanny au Phare 03:56\u003cbr\u003e9. Le Fou-Rire 02:06\u003cbr\u003e10. Terrassée 04:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing directly from their debut Victime De L’aube, Foutu Félin feels like a continuation rather than a departure, a second reel instead of a reset. Axel Concato and Barth Corbelet each wrote five pieces independently, deliberately exploring as instinctively and introspectively as possible before reshaping their embryonic ideas together into bigger, brighter compositions, uncovering hidden humour along the way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCinema remains Bolbec’s primary language. \"We always think in movie scenes”,, they explain. Barth points to Alberto Iglesias as a key influence, while Axel draws inspiration from the melodic logic of film scores from the 60s to the 80s, where characters carried themes and melody mattered as much as atmosphere. In\u003cspan class=\"bcTruncateMore\"\u003e contrast to contemporary soundtrack trends that prioritise texture over tune, Bolbec consciously foreground melody, harmony and rhythm in search of a personal musical signature.\u003cbr\u003e\u003cbr\u003eThat philosophy extends to the album’s French-language titles, which act as scene headings rather than explanations. Often playful and sometimes absurd, names such as ‘Café Frappé’, ‘Foutu Félin’ and ‘Le Prof de Gong’ sound like fragments of half-remembered films, inviting listeners to project their own narratives.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolbec\u003c\/p\u003e\n\u003cp\u003eLabel : Batov Records\u003c\/p\u003e\n\u003cp\u003ecat no : BTR136LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st May 2026\u003c\/p\u003e","published_at":"2026-05-17T06:55:59+09:00","created_at":"2026-05-15T11:38:14+09:00","vendor":"Tobira Records","type":"","tags":["Batov Records","folk \/ left-field pop","jazz","lp","new"],"price":449000,"price_min":449000,"price_max":449000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890992394490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bolbec \/\/ Foutu Félin LP","public_title":null,"options":["Default Title"],"price":449000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4062548136586","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","options":["Title"],"media":[{"alt":null,"id":39377274208506,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol1_69502ad1-dedb-4731-be6c-8e1f1cf7b37c.jpg?v=1778812577","width":350},{"alt":null,"id":39377274241274,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/bol2.jpg?v=1778812577","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスのジャズデュオBolbecが、2026年5月にBatov Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eシネマティックなラウンジ〜フュージョン〜ジャズ・ポップ10曲を収録。\u003c\/p\u003e\n\u003cp\u003eMoon Mullinsが好きな方にオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2536158410\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1792652052\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=229925016\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Café Frappé 03:03\u003cbr\u003e2. Le Prof de Gong 02:06\u003cbr\u003e3. Fanny 03:14\u003cbr\u003e4. Foutu Félin 03:20\u003cbr\u003e5. Ponto Final 03:23\u003cbr\u003e6. Machine Arrière 02:42\u003cbr\u003e7. En Voiture 04:37\u003cbr\u003e8. Fanny au Phare 03:56\u003cbr\u003e9. Le Fou-Rire 02:06\u003cbr\u003e10. Terrassée 04:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe Bolbec duo return with their sophomore album Foutu Félin, a richly cinematic collection of instrumental music that unfolds like an imaginary soundtrack, melodic, tactile and transportive. The record is inspired as much by the cut-and-paste production techniques of Portishead and the Beastie Boys as by the legendary composers of le cinéma français and il cinema italiano.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFollowing directly from their debut Victime De L’aube, Foutu Félin feels like a continuation rather than a departure, a second reel instead of a reset. Axel Concato and Barth Corbelet each wrote five pieces independently, deliberately exploring as instinctively and introspectively as possible before reshaping their embryonic ideas together into bigger, brighter compositions, uncovering hidden humour along the way.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCinema remains Bolbec’s primary language. \"We always think in movie scenes”,, they explain. Barth points to Alberto Iglesias as a key influence, while Axel draws inspiration from the melodic logic of film scores from the 60s to the 80s, where characters carried themes and melody mattered as much as atmosphere. In\u003cspan class=\"bcTruncateMore\"\u003e contrast to contemporary soundtrack trends that prioritise texture over tune, Bolbec consciously foreground melody, harmony and rhythm in search of a personal musical signature.\u003cbr\u003e\u003cbr\u003eThat philosophy extends to the album’s French-language titles, which act as scene headings rather than explanations. Often playful and sometimes absurd, names such as ‘Café Frappé’, ‘Foutu Félin’ and ‘Le Prof de Gong’ sound like fragments of half-remembered films, inviting listeners to project their own narratives.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bolbec\u003c\/p\u003e\n\u003cp\u003eLabel : Batov Records\u003c\/p\u003e\n\u003cp\u003ecat no : BTR136LP\u003c\/p\u003e\n\u003cp\u003eRelease date : 1st May 2026\u003c\/p\u003e"}
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¥4,490
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{"id":9226857447674,"title":"Mark Fell \u0026 Pat Thomas \/\/ Reality Is Not A Theory LP","handle":"mark-fell-pat-thomas-reality-is-not-a-theory-lp","description":"\u003cp\u003eイギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eシェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell \u0026amp; Pat Thomasの初のコラボレーション作品である。1990年代以降の英国実験音楽界を代表する二人であるフェルとトーマスは、根本的に異なる背景と視点から厳格な実践を発展させてきた。フェルの独創的な合成抽象表現がシェフィールドの電子音楽アンダーグラウンドから生まれたのに対し、トーマスはジャズと現代芸術音楽に深く根ざした即興演奏の達人であり、同時に数十年にわたりサンプラーベースの電子音楽も手がけてきた。本作の学術的な副題が示す通り、ここでは「コンピューターとピアノのためのアルゴリズム的かつ即興的な音楽」の二面性が提示され、両プレイヤーが新たな（時に居心地の悪い）演奏状況を探求し続ける飽くなき姿勢が体現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e演奏はフェルの電子音がアコースティック打楽器の音色に近づくところから始まる。木、金属、あるいはガラスを思わせるアタックが速いパルスに沿って紡がれる一方、トーマスはピアノの最低音域に集中し、弦の響きを消していく。フェルの電子音が響き渡り和声的空間を占めるにつれ、トーマスは広範な反復クラスターへと移行し、それが徐々に和音のパターンへと展開していく。近年のソロ録音やジョエル・グリップ、アントン・ジェルバルとのトリオ活動と同様、トーマスの演奏は極限の不協和音と深い叙情性を併せ持つ。フェルの作品は次第にドラム音へと焦点が移り、ここ数十年彼の創作を特徴づけてきた微細な時間的プロセスを駆使する。トーマスの探求的なピアノと共鳴するコンピューター音は、ポール・ローヴェンスやトニー・オクスリーといった即興ドラマーの「音色（クランファルベン）」的戯れを予期せぬ形で想起させる。後半にかけて音楽はますます狂乱を極め、トーマスが高速で不規則に反復されるフレーズと高音域の美しく酸っぱい和音を響かせる一方、フェルの打楽器は角張ったパンパイプ風のフィードバックとグリッサンドの波へと発展する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフェルとトーマスは、大きな自信と忍耐をもって、しばしばそれぞれの演奏をリズム的に明確に区別し、同期させないままにしておく。そうすることで、予期せぬ呼応や偶然が音楽の発展を導くのだ。シェフィールドの鉄鋼メーカーであり、マスター・カトラー（刃物職人組合長）でもあったマーク・ファースに因んで名付けられたホールで録音された本作は、フェルとトーマスの相互作用を理解する一つのモデルを示唆しているかもしれない。同じ工房で働く二人の職人が、それぞれ生産工程の異なる部分に没頭しているように。マーク・フェルによる印象的なジャケットデザイン、フランシス・プラニュのライナーノーツを伴って到着した『Reality Is Not A Theory』は、現代音楽の異端児二人の邂逅を活き活きと記録した作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1785922087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mark Fell \u0026amp; Pat Thomas - set two, part one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003cmeta charset=\"utf-8\"\u003eMark Fell \u0026amp; Pat Thomas - set two, part two 22:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in concert at the University of Sheffield in March 2025, Reality Is Not A Theory is the first collaboration between Mark Fell and Pat Thomas. Major figures in British experimental music since the 1990s, Fell and Thomas have developed their rigorous practices from radically different backgrounds and perspectives: where Fell’s singular take on synthetic abstraction emerged from Sheffield’s electronic underground, Thomas is a virtuoso improvising pianist steeped in jazz and modernist art music who has simultaneously worked with sampler-based electronics for decades. As the record’s wonderfully academic subtitle explains, we are presented here with two sides of ‘algorithmic and improvised music for computer and piano’, exemplifying both players’ insatiable search for new (and sometimes uncomfortable) playing situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance begins with Fell’s electronics close to the timbres of acoustic percussion, attacks that suggest wood, metal or glass threaded along a rapid pulse while Thomas focuses on the lowest registers of the piano, deadening the strings. As Fell’s electronics start to ring out and occupy more harmonic space, Thomas turns to wide, repeated clusters, which slowly expand into patterns of chords. Like in his recent solo recordings and his trio work\u003cspan class=\"bcTruncateMore\"\u003e with Joel Grip and Anton Gerbal, Thomas’ playing combines extreme dissonance with a deep lyrical sense. Fell’s work gradually shifts its focus toward drum sounds, drawing on the microtemporal processes that have characterized his practice in recent decades. Heard together with Thomas’ probing piano, the computer sounds call up unexpected associations with the klangfarben antics of improv drummers like Paul Lovens or Tony Oxley. Throughout its second half, the music grows increasingly frenetic, as Thomas sounds out rapid, irregularly repeated figures and beautifully sour chords in the upper register, while Fell’s percussion develops into angular pan-pipe-like feedback and waves of glissandi.\u003cbr\u003e\u003cbr\u003eWith great confidence and patience, Fell and Thomas often let their individual contributions remain rhythmically distinct and unsynchronised, allowing unexpected correspondence and coincidence to guide the music’s development. Recorded in a hall named after Sheffield steel manufacturer and Master Cutler Mark Firth, the location might suggest a model for understanding how Fell and Thomas interact here: two workers in the same workshop, each immersed in their own part of the production process. Arriving in a striking sleeve designed by Mark Fell, with liner notes by Francis Plagne, Reality Is Not A Theory is an invigorating document of the meeting of two mavericks of contemporary music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Fell \u0026amp; Pat Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 137\u003c\/p\u003e","published_at":"2026-05-15T07:21:11+09:00","created_at":"2026-05-15T07:20:46+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","contemporary \/ sound poetry","jazz","lp","new","recommended","strange beats"],"price":532700,"price_min":532700,"price_max":532700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890741948666,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mark Fell \u0026 Pat Thomas \/\/ Reality Is Not A Theory LP","public_title":null,"options":["Default Title"],"price":532700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101489839","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","options":["Title"],"media":[{"alt":null,"id":37502634393850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not1_3152313a-0183-4b1a-ad57-88c04c7b0cff.jpg?v=1763092283","width":700},{"alt":null,"id":37502634426618,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/not2_652a711d-52cf-4551-bb92-67d6c45a23aa.jpg?v=1763092283","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eシェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell \u0026amp; Pat Thomasの初のコラボレーション作品である。1990年代以降の英国実験音楽界を代表する二人であるフェルとトーマスは、根本的に異なる背景と視点から厳格な実践を発展させてきた。フェルの独創的な合成抽象表現がシェフィールドの電子音楽アンダーグラウンドから生まれたのに対し、トーマスはジャズと現代芸術音楽に深く根ざした即興演奏の達人であり、同時に数十年にわたりサンプラーベースの電子音楽も手がけてきた。本作の学術的な副題が示す通り、ここでは「コンピューターとピアノのためのアルゴリズム的かつ即興的な音楽」の二面性が提示され、両プレイヤーが新たな（時に居心地の悪い）演奏状況を探求し続ける飽くなき姿勢が体現されている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e演奏はフェルの電子音がアコースティック打楽器の音色に近づくところから始まる。木、金属、あるいはガラスを思わせるアタックが速いパルスに沿って紡がれる一方、トーマスはピアノの最低音域に集中し、弦の響きを消していく。フェルの電子音が響き渡り和声的空間を占めるにつれ、トーマスは広範な反復クラスターへと移行し、それが徐々に和音のパターンへと展開していく。近年のソロ録音やジョエル・グリップ、アントン・ジェルバルとのトリオ活動と同様、トーマスの演奏は極限の不協和音と深い叙情性を併せ持つ。フェルの作品は次第にドラム音へと焦点が移り、ここ数十年彼の創作を特徴づけてきた微細な時間的プロセスを駆使する。トーマスの探求的なピアノと共鳴するコンピューター音は、ポール・ローヴェンスやトニー・オクスリーといった即興ドラマーの「音色（クランファルベン）」的戯れを予期せぬ形で想起させる。後半にかけて音楽はますます狂乱を極め、トーマスが高速で不規則に反復されるフレーズと高音域の美しく酸っぱい和音を響かせる一方、フェルの打楽器は角張ったパンパイプ風のフィードバックとグリッサンドの波へと発展する。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eフェルとトーマスは、大きな自信と忍耐をもって、しばしばそれぞれの演奏をリズム的に明確に区別し、同期させないままにしておく。そうすることで、予期せぬ呼応や偶然が音楽の発展を導くのだ。シェフィールドの鉄鋼メーカーであり、マスター・カトラー（刃物職人組合長）でもあったマーク・ファースに因んで名付けられたホールで録音された本作は、フェルとトーマスの相互作用を理解する一つのモデルを示唆しているかもしれない。同じ工房で働く二人の職人が、それぞれ生産工程の異なる部分に没頭しているように。マーク・フェルによる印象的なジャケットデザイン、フランシス・プラニュのライナーノーツを伴って到着した『Reality Is Not A Theory』は、現代音楽の異端児二人の邂逅を活き活きと記録した作品である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1785922087\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Mark Fell \u0026amp; Pat Thomas - set two, part one\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. \u003cmeta charset=\"utf-8\"\u003eMark Fell \u0026amp; Pat Thomas - set two, part two 22:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eRecorded in concert at the University of Sheffield in March 2025, Reality Is Not A Theory is the first collaboration between Mark Fell and Pat Thomas. Major figures in British experimental music since the 1990s, Fell and Thomas have developed their rigorous practices from radically different backgrounds and perspectives: where Fell’s singular take on synthetic abstraction emerged from Sheffield’s electronic underground, Thomas is a virtuoso improvising pianist steeped in jazz and modernist art music who has simultaneously worked with sampler-based electronics for decades. As the record’s wonderfully academic subtitle explains, we are presented here with two sides of ‘algorithmic and improvised music for computer and piano’, exemplifying both players’ insatiable search for new (and sometimes uncomfortable) playing situations.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe performance begins with Fell’s electronics close to the timbres of acoustic percussion, attacks that suggest wood, metal or glass threaded along a rapid pulse while Thomas focuses on the lowest registers of the piano, deadening the strings. As Fell’s electronics start to ring out and occupy more harmonic space, Thomas turns to wide, repeated clusters, which slowly expand into patterns of chords. Like in his recent solo recordings and his trio work\u003cspan class=\"bcTruncateMore\"\u003e with Joel Grip and Anton Gerbal, Thomas’ playing combines extreme dissonance with a deep lyrical sense. Fell’s work gradually shifts its focus toward drum sounds, drawing on the microtemporal processes that have characterized his practice in recent decades. Heard together with Thomas’ probing piano, the computer sounds call up unexpected associations with the klangfarben antics of improv drummers like Paul Lovens or Tony Oxley. Throughout its second half, the music grows increasingly frenetic, as Thomas sounds out rapid, irregularly repeated figures and beautifully sour chords in the upper register, while Fell’s percussion develops into angular pan-pipe-like feedback and waves of glissandi.\u003cbr\u003e\u003cbr\u003eWith great confidence and patience, Fell and Thomas often let their individual contributions remain rhythmically distinct and unsynchronised, allowing unexpected correspondence and coincidence to guide the music’s development. Recorded in a hall named after Sheffield steel manufacturer and Master Cutler Mark Firth, the location might suggest a model for understanding how Fell and Thomas interact here: two workers in the same workshop, each immersed in their own part of the production process. Arriving in a striking sleeve designed by Mark Fell, with liner notes by Francis Plagne, Reality Is Not A Theory is an invigorating document of the meeting of two mavericks of contemporary music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mark Fell \u0026amp; Pat Thomas\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 137\u003c\/p\u003e"}
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イギリスの実験音楽家Mark Fellとジャズ・ピアニストPat Thomasが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。 シェフィールド大学のコンサートホールで録音したインプロ2曲を収録。DLコード付属。 以下、レーベルによる解説です。 "2025年3月、シェフィールド大学でのコンサートにて録音された『Reality Is Not A Theory』は、Mark Fell & Pat...
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{"id":9226857152762,"title":"Léo Dupleix with Asterales \/\/ Round Sky LP","handle":"leo-dupleix-with-asterales-round-sky-lp","description":"\u003cp\u003eフランスの作曲家Léo Dupleixが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e純正律にフォーカスした3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Léo Dupleixが魅惑的な『Resonant Trees』（BT119）に続き、『Round Sky』でブラック・トリュフに帰還。本作では作曲家自身がアナログシンセサイザー、チェンバロ、スピネットを演奏。彼は「Asterales」の一員として参加している。このグループは、純正律を扱う国際的な音楽家コミュニティにおける四人の重要人物——デュプレ、ジョン・ハイルブロン（コントラバス）、レベッカ・レーン（クォータートーン・フルート）、フレドリック・ラステン（ギター）——を結集したものである。四重奏団はDupleixの近作3曲を演奏。いずれも静謐な風景を異なる視点から捉えた作品で、純正律がもたらす独特の和声的出来事が、水面に揺らめく光のように旋律と和声の間にきらめく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 第一面は『ポエム・デール』に捧げられている。Dupleixが14世紀アルス・ノヴァの作曲家兼詩人ギヨーム・ド・マショーの音楽に没頭していた時期に作曲された作品だ。「純正律における低音域の音響的可能性」を追求した持続的な研究であり、ハイルブロンのベースによる長くうなるような音程で始まり、間もなく作曲者自身のシンセサイザーによるオルガンを思わせる音色が加わる。この作品は循環する和音の連鎖で構成され、各和音は数分間繰り返された後、単一の和音で凍結するか、次のエピソードが始まる前に静寂の休止を挟む。初期の構造はベースとシンセサイザーが主導し、レーンの純粋なビブラートのないフルート音色と、ラステンのピッキングによるハーモニクスが色彩の閃光を加える。曲が進むにつれ、フルートとギターがより顕著になり、ベースは高音域へと上昇する。展開は15分頃に見事なエピソードで頂点に達し、テクスチャーが薄れ、レーンのクォータートーン・フルートが奏でる不気味な響きを活かした旋律的モチーフにスポットライトが当たる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面では、より短い2曲が聴ける。これらは『Resonant Trees』のサウンドに近く、チェンバロとスピネットが再び前面に押し出されている。『Ghost』は、繰り返しの中でゆっくりと広がっていくチェンバロの旋律を中心に据えている。幽玄な6音のモチーフから始まり、次第に形を捉えにくくなる流れるような音の連なりへと成長していく。この旋律の発展と並行して、低音部、フルート、Eボウで演奏されるギター、シンセサイザーによる長い音色が、揺れる和声の雲の中でチェンバロの旋律を浮かび上がらせながら、ますます豊潤な伴奏が育っていく。Dupleixによれば、終曲「Round Sky」は春の田園で書かれたという。この背景は、穏やかなシンセサイザーのドローンから花が開くように、心地よいスピネットのアルペジオが現れる楽曲の印象に無関係ではないようだ。ラステンとのデュオとして演奏され、両楽器奏者も歌っているこのタイトル曲は、Dupleixの音楽がなぜそれほどユニークであるかを体現している。厳格な純正律の原則に基づいていながら、ハロルド・バッドやアンドルー・チョークのように、複雑ではなく直感的な美の体験に開かれている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1295881305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Poème d'Air 19:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ghosts 11:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Round Sky 06:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLéo Dupleix return to Black Truffle with Round Sky, following the enchanting Resonant Trees (BT119). The composer here performs on analogue synthesizer, harpsichord and spinet as one member of Asterales, a group that brings together four important figures in the international community of musicians working with just intonation: Dupleix, Jon Heilbron (double bass), Rebecca Lane (quarter-tone flute) and Fredrik Rasten (guitars). The quartet perform three recent pieces by Dupleix, each of which is like a different view on the same landscape of unruffled calm, where the unique harmonic events made possible by just intonation flicker across melodies and harmonies like light on the surface of water.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first side is dedicated to ‘Poème d’air’, composed while Dupleix was immersed in the music of 14thcentury ars nova composer-poet Guillaume de Machaut. A sustained study of the ‘sonic possibilities of low-pitched sounds in just intonation’, it begins with a long, rumbling pitch from Heilbron’s bass, soon joined by the organ-like tones of the composer on synthesizer. The piece is made up of cycling sequences of chords, each of which is repeated for several minutes before the music either freezes on a single harmony or silently pauses before the next episode begins. These structures are initially\u003cspan class=\"bcTruncateMore\"\u003e dominated by the bass and synthesizer, with Lane’s pure vibrato-less flute tone and Rasten picked harmonics adding flashes of colour. As the piece develops, flute and guitar become more prominent and the bass climbs to higher registers. The development culminates in a stunning episode around fifteen minutes in where the texture thins out, casting a spotlight on a melodic figure exploiting the uncanny sound of Lane’s quarter-tone flute.\u003cbr\u003e\u003cbr\u003eOn the second side we are treated to two briefer pieces, closer to the sound of Resonant Trees as they return harpsichord and spinet to the foreground. ‘Ghosts’ centres on a harpsichord melody that slowly expands as it repeats, growing from a haunting six-note cell to a flowing succession of notes whose shape become increasingly difficult to perceive. Alongside this melodic development, an increasingly lush accompaniment grows, with long tones from bass, flute, e-bowed guitar and synthesizer holding notes picked out the harpsichord melody in a swaying harmonic cloud. Dupleix notes that the concluding ‘Round Sky’ was written in the countryside in spring, a circumstance that seems far from irrelevant to the impression the piece makes when its euphonous spinet arpeggios emerge from a gentle synthesizer drone like a flower from a bud. Performed as a duo with Rasten, with both instrumentalists also singing, this title piece exemplifies what makes Dupleix’s music so unique: grounded in a rigorous application of just intonation principles yet as open as Harold Budd or Andrew Chalk to an uncomplicated, intuitive experience of beauty.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Léo Dupleix with Asterales\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 136\u003c\/p\u003e","published_at":"2026-05-15T07:19:44+09:00","created_at":"2026-05-15T07:19:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","contemporary \/ sound poetry","lp","new"],"price":532700,"price_min":532700,"price_max":532700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890741358842,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Léo Dupleix with Asterales \/\/ Round Sky LP","public_title":null,"options":["Default Title"],"price":532700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101488696","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/leo1_b67c8144-c755-48e9-82c1-fab8b51159a1.jpg?v=1763092128","\/\/tobirarecords.com\/cdn\/shop\/files\/leo2_738c7dd0-b457-4c37-93de-33a11c76b0d1.jpg?v=1763092128"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo1_b67c8144-c755-48e9-82c1-fab8b51159a1.jpg?v=1763092128","options":["Title"],"media":[{"alt":null,"id":37502605885690,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo1_b67c8144-c755-48e9-82c1-fab8b51159a1.jpg?v=1763092128"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo1_b67c8144-c755-48e9-82c1-fab8b51159a1.jpg?v=1763092128","width":700},{"alt":null,"id":37502605918458,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo2_738c7dd0-b457-4c37-93de-33a11c76b0d1.jpg?v=1763092128"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/leo2_738c7dd0-b457-4c37-93de-33a11c76b0d1.jpg?v=1763092128","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの作曲家Léo Dupleixが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e純正律にフォーカスした3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Léo Dupleixが魅惑的な『Resonant Trees』（BT119）に続き、『Round Sky』でブラック・トリュフに帰還。本作では作曲家自身がアナログシンセサイザー、チェンバロ、スピネットを演奏。彼は「Asterales」の一員として参加している。このグループは、純正律を扱う国際的な音楽家コミュニティにおける四人の重要人物——デュプレ、ジョン・ハイルブロン（コントラバス）、レベッカ・レーン（クォータートーン・フルート）、フレドリック・ラステン（ギター）——を結集したものである。四重奏団はDupleixの近作3曲を演奏。いずれも静謐な風景を異なる視点から捉えた作品で、純正律がもたらす独特の和声的出来事が、水面に揺らめく光のように旋律と和声の間にきらめく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e 第一面は『ポエム・デール』に捧げられている。Dupleixが14世紀アルス・ノヴァの作曲家兼詩人ギヨーム・ド・マショーの音楽に没頭していた時期に作曲された作品だ。「純正律における低音域の音響的可能性」を追求した持続的な研究であり、ハイルブロンのベースによる長くうなるような音程で始まり、間もなく作曲者自身のシンセサイザーによるオルガンを思わせる音色が加わる。この作品は循環する和音の連鎖で構成され、各和音は数分間繰り返された後、単一の和音で凍結するか、次のエピソードが始まる前に静寂の休止を挟む。初期の構造はベースとシンセサイザーが主導し、レーンの純粋なビブラートのないフルート音色と、ラステンのピッキングによるハーモニクスが色彩の閃光を加える。曲が進むにつれ、フルートとギターがより顕著になり、ベースは高音域へと上昇する。展開は15分頃に見事なエピソードで頂点に達し、テクスチャーが薄れ、レーンのクォータートーン・フルートが奏でる不気味な響きを活かした旋律的モチーフにスポットライトが当たる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面では、より短い2曲が聴ける。これらは『Resonant Trees』のサウンドに近く、チェンバロとスピネットが再び前面に押し出されている。『Ghost』は、繰り返しの中でゆっくりと広がっていくチェンバロの旋律を中心に据えている。幽玄な6音のモチーフから始まり、次第に形を捉えにくくなる流れるような音の連なりへと成長していく。この旋律の発展と並行して、低音部、フルート、Eボウで演奏されるギター、シンセサイザーによる長い音色が、揺れる和声の雲の中でチェンバロの旋律を浮かび上がらせながら、ますます豊潤な伴奏が育っていく。Dupleixによれば、終曲「Round Sky」は春の田園で書かれたという。この背景は、穏やかなシンセサイザーのドローンから花が開くように、心地よいスピネットのアルペジオが現れる楽曲の印象に無関係ではないようだ。ラステンとのデュオとして演奏され、両楽器奏者も歌っているこのタイトル曲は、Dupleixの音楽がなぜそれほどユニークであるかを体現している。厳格な純正律の原則に基づいていながら、ハロルド・バッドやアンドルー・チョークのように、複雑ではなく直感的な美の体験に開かれている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1295881305\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Poème d'Air 19:35\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Ghosts 11:27\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Round Sky 06:42\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLéo Dupleix return to Black Truffle with Round Sky, following the enchanting Resonant Trees (BT119). The composer here performs on analogue synthesizer, harpsichord and spinet as one member of Asterales, a group that brings together four important figures in the international community of musicians working with just intonation: Dupleix, Jon Heilbron (double bass), Rebecca Lane (quarter-tone flute) and Fredrik Rasten (guitars). The quartet perform three recent pieces by Dupleix, each of which is like a different view on the same landscape of unruffled calm, where the unique harmonic events made possible by just intonation flicker across melodies and harmonies like light on the surface of water.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe first side is dedicated to ‘Poème d’air’, composed while Dupleix was immersed in the music of 14thcentury ars nova composer-poet Guillaume de Machaut. A sustained study of the ‘sonic possibilities of low-pitched sounds in just intonation’, it begins with a long, rumbling pitch from Heilbron’s bass, soon joined by the organ-like tones of the composer on synthesizer. The piece is made up of cycling sequences of chords, each of which is repeated for several minutes before the music either freezes on a single harmony or silently pauses before the next episode begins. These structures are initially\u003cspan class=\"bcTruncateMore\"\u003e dominated by the bass and synthesizer, with Lane’s pure vibrato-less flute tone and Rasten picked harmonics adding flashes of colour. As the piece develops, flute and guitar become more prominent and the bass climbs to higher registers. The development culminates in a stunning episode around fifteen minutes in where the texture thins out, casting a spotlight on a melodic figure exploiting the uncanny sound of Lane’s quarter-tone flute.\u003cbr\u003e\u003cbr\u003eOn the second side we are treated to two briefer pieces, closer to the sound of Resonant Trees as they return harpsichord and spinet to the foreground. ‘Ghosts’ centres on a harpsichord melody that slowly expands as it repeats, growing from a haunting six-note cell to a flowing succession of notes whose shape become increasingly difficult to perceive. Alongside this melodic development, an increasingly lush accompaniment grows, with long tones from bass, flute, e-bowed guitar and synthesizer holding notes picked out the harpsichord melody in a swaying harmonic cloud. Dupleix notes that the concluding ‘Round Sky’ was written in the countryside in spring, a circumstance that seems far from irrelevant to the impression the piece makes when its euphonous spinet arpeggios emerge from a gentle synthesizer drone like a flower from a bud. Performed as a duo with Rasten, with both instrumentalists also singing, this title piece exemplifies what makes Dupleix’s music so unique: grounded in a rigorous application of just intonation principles yet as open as Harold Budd or Andrew Chalk to an uncomplicated, intuitive experience of beauty.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Léo Dupleix with Asterales\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 136\u003c\/p\u003e"}
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フランスの作曲家Léo Dupleixが、2025年11月にオーストラリアの実験レーベルBlack Truffleからリリースした共作レコードです。 純正律にフォーカスした3曲を収録。DLコード付属。 以下、レーベルによる解説です。 "Léo Dupleixが魅惑的な『Resonant Trees』（BT119）に続き、『Round Sky』でブラック・トリュフに帰還。本作では作曲家自身がアナログシンセサイザー、チェンバロ、スピネットを演奏。彼は「Asterales」の一員として参加している。このグループは、純正律を扱う国際的な音楽家コミュニティにおける四人の重要人物——デュプレ、ジョン・ハイルブロン（コントラバス）、レベッカ・レーン（クォータートーン・フルート）、フレドリック・ラステン（ギター）——を結集したものである。四重奏団はDupleixの近作3曲を演奏。いずれも静謐な風景を異なる視点から捉えた作品で、純正律がもたらす独特の和声的出来事が、水面に揺らめく光のように旋律と和声の間にきらめく。 第一面は『ポエム・デール』に捧げられている。Dupleixが14世紀アルス・ノヴァの作曲家兼詩人ギヨーム・ド・マショーの音楽に没頭していた時期に作曲された作品だ。「純正律における低音域の音響的可能性」を追求した持続的な研究であり、ハイルブロンのベースによる長くうなるような音程で始まり、間もなく作曲者自身のシンセサイザーによるオルガンを思わせる音色が加わる。この作品は循環する和音の連鎖で構成され、各和音は数分間繰り返された後、単一の和音で凍結するか、次のエピソードが始まる前に静寂の休止を挟む。初期の構造はベースとシンセサイザーが主導し、レーンの純粋なビブラートのないフルート音色と、ラステンのピッキングによるハーモニクスが色彩の閃光を加える。曲が進むにつれ、フルートとギターがより顕著になり、ベースは高音域へと上昇する。展開は15分頃に見事なエピソードで頂点に達し、テクスチャーが薄れ、レーンのクォータートーン・フルートが奏でる不気味な響きを活かした旋律的モチーフにスポットライトが当たる。 B面では、より短い2曲が聴ける。これらは『Resonant Trees』のサウンドに近く、チェンバロとスピネットが再び前面に押し出されている。『Ghost』は、繰り返しの中でゆっくりと広がっていくチェンバロの旋律を中心に据えている。幽玄な6音のモチーフから始まり、次第に形を捉えにくくなる流れるような音の連なりへと成長していく。この旋律の発展と並行して、低音部、フルート、Eボウで演奏されるギター、シンセサイザーによる長い音色が、揺れる和声の雲の中でチェンバロの旋律を浮かび上がらせながら、ますます豊潤な伴奏が育っていく。Dupleixによれば、終曲「Round Sky」は春の田園で書かれたという。この背景は、穏やかなシンセサイザーのドローンから花が開くように、心地よいスピネットのアルペジオが現れる楽曲の印象に無関係ではないようだ。ラステンとのデュオとして演奏され、両楽器奏者も歌っているこのタイトル曲は、Dupleixの音楽がなぜそれほどユニークであるかを体現している。厳格な純正律の原則に基づいていながら、ハロルド・バッドやアンドルー・チョークのように、複雑ではなく直感的な美の体験に開かれている。" レーベルその他作品はこちら ///...
¥5,327
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{"id":9226855547130,"title":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","handle":"nijiumu-when-i-sing","description":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e","published_at":"2026-05-15T07:14:41+09:00","created_at":"2026-05-15T07:13:55+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new","noise"],"price":787000,"price_min":787000,"price_max":787000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890735558906,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nijiumu \/\/ When I sing, I slip into the microphone. Into that void... 2xLP","public_title":null,"options":["Default Title"],"price":787000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101486524","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","options":["Title"],"media":[{"alt":null,"id":37502565581050,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in1_6cad967e-4341-48a8-b8d8-d897bad011b7.jpg?v=1763091941","width":700},{"alt":null,"id":37502565613818,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/in2_b34bb3ec-f8a2-4687-86f0-19533b5c4c22.jpg?v=1763091942","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース）\u003c\/p\u003e\n\u003cp\u003e未発表音源を含む4曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=315755393\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e2 x 12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part I 03:10\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e2. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part II 49:38\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e3. When I sing, I slip into the microphone. Into that void, I bring comrade \"prayers\", then, turning to face the outside, together we explode. Part III 12:29\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e4. 4th Movement: The kotodama that attempts to take back all energy into itself 26:36\u003c\/p\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAmong the true Keiji Haino devotees, Nijiumu’s Era of Sad Wings (released on P.S.F. in 1993) has always held a special place in the pantheon. Operating for only a few years in the early 90s and apparently only performing a handful of shows, Nijiumu operated at the opposite end of the dynamic spectrum to Haino’s famed power trio Fushitsusha, dwelling in a hushed, meditative realm of mysterious droning sonorities and free-floating melodies that occasionally erupts into violence. Black Truffle is pleased to announce a new double-LP edition of a lesser-known 1994 Nijiumu recording, When I sing, I slip into the microphone. Into that void, I bring comrade “prayers”, then, turning to face the outside, together we explode. Here, Nijiumu is the trio of Haino, Tetuzi Akiyama and the obscure Takashi Matsuoka, the three performing on a wide variety of string, wind and percussion instruments, as well as electric guitar and bass, and Haino’s unmistakeable voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike on the early solo Haino album that shares the group’s name (released on P.S.F. in 1990), the instrumentation swims in reverb (the use of which Akiyama recalls as ‘a kind of point of the band’), often obscuring the instrumental sources. On the short opening piece, a distant reed instrument arcs long buzzing\u003cspan class=\"bcTruncateMore\"\u003e melodies over a bed of cymbals and gongs, like a psychedelic take on Tibetan music. The epic second part, occupying almost 50 minutes, begins as a splayed, near-formless cloud of electric guitar and bass, shadowed by bowed and plucked strings, the three elements working through twisting atonal shapes. At various points in the recording, we hear what seems to be the sounds of musicians moving between instruments, their shuffling and bumps fitting seamlessly into this radically open music. Eventually, what sounds like electric guitar moves closer to the foreground, fixing on a repeated melodic cell around which hover mysterious clouds of long tones and a sporadic shaker. At the half-hour mark, the music begins to build to a violently emotive climax, Haino’s impassioned vocal cries punctuating a lumbering, bass-heavy murk, contrasted at points by what sounds like a tin whistle. Suddenly, the volume drops to a near-whisper, opening the way for the stunning final moments, which touch on the slow-motion balladry of Haino’s classic Affection, here given an eccentric twist by an occasional woodblock hit.\u003cbr\u003e\u003cbr\u003eThe third piece opens with a hazy trio of rumbling bass, bowed strings and abstracted slide guitar, the latter calling to mind some of Akiyama’s later solo work. Eventually joined by Haino’s voice, its fragile, haunted tone might remind the listener of the man in black’s documented love of the madrigals of the murderous Count Gesualdo, before the recording abruptly breaks off mid-note. In this new edition, the Nijiumu trio recording is supplemented by a piece recorded solo by Haino in 1973, a bracing electronic blowout stretching almost half an hour. Using a homemade electronics setup to unleash a barrage of crunching distortion and shuddering harmonic fuzz, it takes its place in the canon of extreme live electronics next to Robert Ashley’s Wolfman and Walter Marchetti’s Osmanthus fragrans, looking forward to extreme noise years before Merzbow. Taken as a whole, these four sides of music are a stunning document of some of the lesser-known waystations of Haino’s singular creative path.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nijiumu\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 135\u003c\/p\u003e"}
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灰野敬二率いるNijiumuが、2025年10月にオーストラリアの実験レーベルBlack Truffleからリリースした再発2枚組レコードです。（オリジナルは1990年にCDリリース） 未発表音源を含む4曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ----------------------------...
¥7,870
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{"id":9226854498554,"title":"ENSEMBLE NIST-NAH \/\/ Spilla LP","handle":"ensemble-nist-nah-spilla-lp","description":"\u003cp\u003eオーストラリア出身フランス在住のドラマーWill Guthrie率いる打楽器集団ENSEMBLE NIST-NAHが、2025年6月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e世界中のあらゆる民族打楽器を駆使したサイケデリックなストレンジビーツ〜トライバル・テクノ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3488443981\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gerak Maju 02:16\u003cbr\u003e2. Strollabout 02:54\u003cbr\u003e3. Bleed 06:03\u003cbr\u003e4. Pasang 05:20\u003cbr\u003e5. Spilla 05:12\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Snakelike 05:00\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Ghosty Klang 05:13\u003cbr\u003e\u003c\/span\u003e8. Frogzit 03:46\u003cbr\u003e9. Uncle 12:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Spilla, the second album from Nantes-based Ensemble Nist-Nah, 48 minutes of music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings that will surely count as one of the most electrifying records you hear this year. Founded by the Australian drummer\/percussionist Will Guthrie in 2019, continuing the explorations begun in solo form on Nist-Nah (Black Truffle, 2020), the ensemble (eight or nine core members with occasional guests) has been consistently active in the half-decade since: composing, rehearsing, recording and touring Europe (with a mass of equipment in tow) to great acclaim. Spilla tracks the continuing evolution of the project since the recording of their first album, Elders (Black Truffle, 2022). The two sides of this record document two different iterations of the group, and the members' compositional input has increased: each side contains one piece by a member other than Guthrie. It has become clearer than ever that Ensemble Nist-Nah is not an attempt at a European Gamelan ensemble but rather a hybrid percussion ensemble that uses instruments from a Javanese Gamelan alongside other percussion to perform original music informed by a variety of South East Asian music but also by everything from free jazz to\u003cspan class=\"bcTruncateMore\"\u003e contemporary hip-hop: while Nist-Nah and Elders both featured traditional Javanese pieces, on Spilla the only tune not generated by a member of the group is by Guthrie’s long-time musical hero and occasional collaborator Roscoe Mitchell.\u003cbr\u003e\u003cbr\u003eThe two short pieces that open the record could almost be the two sides of a wild 7” selected to show off what the Ensemble can do. On opener ‘Gerak Maju’, intricately skittering open-snare patterns bounce over clanging metal, chiming bell-like tones and deep gong hits, adapting the rhythm-register connections heard in traditional Gamelan musics—where the lowest pitched sounds are heard least frequently—to a cut-up breakbeat straight off Feed Me Weird Things. ‘Strollabout’ then moves into an entirely different realm of meditative repeating patterns, performed entirely on Chinese, Javanese and Vietnamese gongs. The remaining seven pieces, ranging from three to twelve minutes, offer up a wealth of different percussive, compositional and arrangement possibilities. On ‘Ghostly Klang’, two drumkits mirror each other’s moves, bouncing hats and snares across the stereo field in a way that recalls On the Corner and the jittering hi hat patterns of trap, while slow moving melodies on the tuned instruments add a sense of majesty contrasted by scurrying details in resonant wood. The epic closing track presents a take on Roscoe Mitchell’s ‘Uncle’, performed by the Art Ensemble of Chicago on their classic Urban Bushmen live album. Where the Art Ensemble used Mitchell’s dirge-like melody as a jumping off point for virtuosic improvisational flights, Ensemble Nist-Nah rethink the piece as a near-static dialogue between the monumental, slow-moving sequence of unison tuned percussion notes and a textural cloud that grows in richness and intensity from whispering cymbal rolls into a mass of gong overtones and bowed metal.\u003cbr\u003e\u003cbr\u003eBeautifully recorded and mixed, Spilla arrives in a sleeve decorated with core member Charles Dubois’ drawings of cymbals and gongs. Against the backdrop of a wider musical landscape dominated by over-produced electronic slop and bland harmonic wallpaper, Ensemble Nist-Nah stands out as a reminder, vital and unpretentious, of the joys and possibilities of human beings playing instruments together.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ENSEMBLE NIST-NAH\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 130\u003c\/p\u003e","published_at":"2026-05-15T07:11:05+09:00","created_at":"2026-05-15T07:10:23+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","lp","new","strange beats","techno \/ house"],"price":546300,"price_min":546300,"price_max":546300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890731790586,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"ENSEMBLE NIST-NAH \/\/ Spilla LP","public_title":null,"options":["Default Title"],"price":546300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101481741","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/nis1.jpg?v=1751849929","\/\/tobirarecords.com\/cdn\/shop\/files\/nis2.jpg?v=1751849929"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis1.jpg?v=1751849929","options":["Title"],"media":[{"alt":null,"id":36329553559802,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis1.jpg?v=1751849929"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis1.jpg?v=1751849929","width":700},{"alt":null,"id":36329553592570,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis2.jpg?v=1751849929"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/nis2.jpg?v=1751849929","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア出身フランス在住のドラマーWill Guthrie率いる打楽器集団ENSEMBLE NIST-NAHが、2025年6月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e世界中のあらゆる民族打楽器を駆使したサイケデリックなストレンジビーツ〜トライバル・テクノ9曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3488443981\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Gerak Maju 02:16\u003cbr\u003e2. Strollabout 02:54\u003cbr\u003e3. Bleed 06:03\u003cbr\u003e4. Pasang 05:20\u003cbr\u003e5. Spilla 05:12\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Snakelike 05:00\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Ghosty Klang 05:13\u003cbr\u003e\u003c\/span\u003e8. Frogzit 03:46\u003cbr\u003e9. Uncle 12:23\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBlack Truffle is thrilled to announce Spilla, the second album from Nantes-based Ensemble Nist-Nah, 48 minutes of music for Gamelan, drum kits, wood and metal percussion instruments, and plucked strings that will surely count as one of the most electrifying records you hear this year. Founded by the Australian drummer\/percussionist Will Guthrie in 2019, continuing the explorations begun in solo form on Nist-Nah (Black Truffle, 2020), the ensemble (eight or nine core members with occasional guests) has been consistently active in the half-decade since: composing, rehearsing, recording and touring Europe (with a mass of equipment in tow) to great acclaim. Spilla tracks the continuing evolution of the project since the recording of their first album, Elders (Black Truffle, 2022). The two sides of this record document two different iterations of the group, and the members' compositional input has increased: each side contains one piece by a member other than Guthrie. It has become clearer than ever that Ensemble Nist-Nah is not an attempt at a European Gamelan ensemble but rather a hybrid percussion ensemble that uses instruments from a Javanese Gamelan alongside other percussion to perform original music informed by a variety of South East Asian music but also by everything from free jazz to\u003cspan class=\"bcTruncateMore\"\u003e contemporary hip-hop: while Nist-Nah and Elders both featured traditional Javanese pieces, on Spilla the only tune not generated by a member of the group is by Guthrie’s long-time musical hero and occasional collaborator Roscoe Mitchell.\u003cbr\u003e\u003cbr\u003eThe two short pieces that open the record could almost be the two sides of a wild 7” selected to show off what the Ensemble can do. On opener ‘Gerak Maju’, intricately skittering open-snare patterns bounce over clanging metal, chiming bell-like tones and deep gong hits, adapting the rhythm-register connections heard in traditional Gamelan musics—where the lowest pitched sounds are heard least frequently—to a cut-up breakbeat straight off Feed Me Weird Things. ‘Strollabout’ then moves into an entirely different realm of meditative repeating patterns, performed entirely on Chinese, Javanese and Vietnamese gongs. The remaining seven pieces, ranging from three to twelve minutes, offer up a wealth of different percussive, compositional and arrangement possibilities. On ‘Ghostly Klang’, two drumkits mirror each other’s moves, bouncing hats and snares across the stereo field in a way that recalls On the Corner and the jittering hi hat patterns of trap, while slow moving melodies on the tuned instruments add a sense of majesty contrasted by scurrying details in resonant wood. The epic closing track presents a take on Roscoe Mitchell’s ‘Uncle’, performed by the Art Ensemble of Chicago on their classic Urban Bushmen live album. Where the Art Ensemble used Mitchell’s dirge-like melody as a jumping off point for virtuosic improvisational flights, Ensemble Nist-Nah rethink the piece as a near-static dialogue between the monumental, slow-moving sequence of unison tuned percussion notes and a textural cloud that grows in richness and intensity from whispering cymbal rolls into a mass of gong overtones and bowed metal.\u003cbr\u003e\u003cbr\u003eBeautifully recorded and mixed, Spilla arrives in a sleeve decorated with core member Charles Dubois’ drawings of cymbals and gongs. Against the backdrop of a wider musical landscape dominated by over-produced electronic slop and bland harmonic wallpaper, Ensemble Nist-Nah stands out as a reminder, vital and unpretentious, of the joys and possibilities of human beings playing instruments together.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : ENSEMBLE NIST-NAH\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : Black Truffle 130\u003c\/p\u003e"}
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オーストラリア出身フランス在住のドラマーWill Guthrie率いる打楽器集団ENSEMBLE NIST-NAHが、2025年6月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 世界中のあらゆる民族打楽器を駆使したサイケデリックなストレンジビーツ〜トライバル・テクノ9曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at...
¥5,463
クイックビュー
{"id":9226854400250,"title":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","handle":"keiji-haino-jim-orourke-oren-ambarchi-with-pats-on-the-head-just-one-too-few-is-evil-one-too-many-is-good-thats-all-it-is-3xlp","description":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e","published_at":"2026-05-15T07:09:56+09:00","created_at":"2026-05-15T07:09:25+09:00","vendor":"Tobira Records","type":"","tags":["black truffle","drone","jazz","lp","new"],"price":836900,"price_min":836900,"price_max":836900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48890731561210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Keiji Haino \/ Jim O'Rourke \/ Oren Ambarchi \/\/ With pats on the head, just one too few is evil one too many is good that's all it is 3xLP","public_title":null,"options":["Default Title"],"price":836900,"weight":730,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101461378","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","options":["Title"],"media":[{"alt":null,"id":33040456646906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat1.jpg?v=1706077101","width":700},{"alt":null,"id":33040456679674,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat2.jpg?v=1706077101","width":1200},{"alt":null,"id":33040456712442,"position":3,"preview_image":{"aspect_ratio":2.065,"height":581,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101"},"aspect_ratio":2.065,"height":581,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pat3.jpg?v=1706077101","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eKeiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/9qYQ1MuTzJw?si=iFjY99sFVjc5Ra5Q\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e3x12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMy “Watashi Dake?” is definitely not included in this unequal treaty, is it? 13:13\u003c\/li\u003e\n\u003cli\u003eRight brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these? 09:57\u003c\/li\u003e\n\u003cli\u003e“Critical consciousness?” That’s been abandoned in corner of a shower room in a 53-storey apartment building inhabited by extra-terrestrial lifeforms….. 11:17\u003c\/li\u003e\n\u003cli\u003eI thought I had pulverized it summarily but there are just too many who lack reality or who are cowards so I cannot change a thing 15:17\u003c\/li\u003e\n\u003cli\u003eStill divided into pieces? Let’s reconnect them Recognise that you are a point And the longest line Let it become light 22:41\u003c\/li\u003e\n\u003cli\u003eI can no longer sense that sacred feeling of expression Just the loitering of vulgar vibrations that can only be described as a half-hearted class reunion Will you consent to this? 23:33\u003c\/li\u003e\n\u003cli\u003eThere are always things I wish to say but I can only convey them in this language August 6 August 9 16:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eBlack Truffle:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe heavyweight trio of Keiji Haino, Jim O’Rourke and Oren Ambarchi return with their 12th and most epic release to date, the triple LP With pats on the head, just one too few is evil one too many is good that's all it is. Documenting the entirety of their final performance at the dearly departed Roppongi home of Tokyo underground institution SuperDeluxe in November 2018, the music spread across these six sides splits the difference between the guitar-bass-drums power trio moves and experiments with novel instrumentation that have defined the trio’s decade of working together. Containing some of the most delicate music the three have committed to wax since the gorgeous 12-string acoustic guitar and dulcimer tones of Only wanting to melt beautifully away is it a lack of contentment that stirs affection for those things said to be as of yet unseen (BT011), this wide-ranging release also offers up some of their most blistering free rock performances yet.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe side-long opening piece finds Haino on a single snare drum in duet with O’Rourke on unamplified electric guitar, playing in the lovely post-Bailey vein heard on his classic 90s recordings with Henry Kaiser and Mats Gustafsson. Spiky dissonance and ringing harmonics interweave with flowing melodic fragments as Haino\u003cspan class=\"bcTruncateMore\"\u003e single-mindedly explores the resonance of the snare like an untutored Han Bennink. On ‘Right brain, left brain; right, left; right wing, left wing. Just how many combinations can be made from these?’, O’Rourke moves to synth and electronics, joined by Ambarchi on drums, who at first focuses on sizzle cymbals before hypnotic cycles of gentle tom rhythms combine with electronic burbles and flutters to suggest a dream collaboration between Masahiko Togashi and Jean Schwarz. Ambarchi’s percussion is then joined by Haino on wandering, overblown flute, before the man in black switches back to the snare for a bizarre, stuttering drum duet.\u003cbr\u003e\u003cbr\u003eFor the first trio performance, Haino makes another new addition to his seemingly infinite catalogue of instruments, this time a homemade contraption he refers to as ‘Strings of Dubious Reputation’. Joined by O’Rourke on increasingly spaced-out electric guitar and Ambarchi on skittering percussion, Haino’s wonky, slack strings adds a definite ‘musique brut’ edge to this side-long performance, certainly one of the most enchantingly odd in the trio’s discography. When the group reconvene for the second set, spread out across the final three sides, they seem ready to breathe fire from the first instant. O’Rourke slashes distorted chords on the six-string bass, Ambarchi breaks into his signature irregular caveman thump, and Haino squeals and squawks on heavily delayed oboe before unleashing an overpowering electrical storm when he first picks up the guitar. For over half an hour, the trio pound out one of their most relentless performances, a constantly rearranging kaleidoscope of tortured fuzz guitar, insanely busy bass riffing and propulsive, tumbling drums. A hushed atmosphere initially reigns on the final long piece, given the mournful title ‘There are always things I wish to say but I can only convey them in this language August 6 August 9’. Haino’s clean guitar strumming calls up the shimmering tones of his PSF classic Affection, gradually building to a surging wall of sound, bass and drums lumbering through a roar of jet-engine guitar.\u003cbr\u003e\u003cbr\u003eArriving in a deluxe trifold package with photos by Lasse Marhaug alongside inner sleeves with extensive live images, this epic release is perhaps the most remarkable document yet of this unique trio’s stamina and continuing inventiveness.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003eCat No : Black Truffle113\u003c\/p\u003e"}
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Keiji HainoとJim O'Rourke、Oren Ambarchiが、2018年11月にスーパーデラックスで行ったライブ録音です。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
¥8,369
![Pavement // Perfect Sound Forever 10inch [COLOR]](http://tobirarecords.com/cdn/shop/files/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47_medium.jpg?v=1778715481)
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{"id":9225228419322,"title":"Pavement \/\/ Perfect Sound Forever 10inch [COLOR]","handle":"pavement-perfect-sound-forever-lp-color","description":"\u003cp\u003eアメリカのインディーバンドPavementが、2026年4月にリリースした再発10\"です。（オリジナルは1991年リリース）\u003c\/p\u003e\n\u003cp\u003eインディーロック7曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X73Vpkq2kxU?si=fEGvubS4uhwz9nCi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" white vinyl. \u003cbr\u003e2026 reissue celebrating the album's 35th anniversary - originally released in 1991. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Heckler Spray 01:06 \u003cbr\u003e2. From Now On 02:03 \u003cbr\u003e3. Angel Carver Blues\/Mellow Jazz Docent 02:30 \u003cbr\u003e4. Drive-By-Fader 00:28 \u003cbr\u003e5. Debris Slide 01:56 \u003cbr\u003e6. Home 02:23 \u003cbr\u003e7. Krell Vid-User 01:26\u003c\/p\u003e\n\u003cp\u003eArtist : Pavement\u003c\/p\u003e\n\u003cp\u003eLabel : Matador x Record Store Day\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOLE2163TNE \/ \u003cmeta charset=\"utf-8\"\u003eRSD2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-16T05:41:01+09:00","created_at":"2026-05-14T08:42:30+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new"],"price":456000,"price_min":456000,"price_max":456000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883579551994,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Pavement \/\/ Perfect Sound Forever 10inch [COLOR]","public_title":null,"options":["Default Title"],"price":456000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"191401216319","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47.jpg?v=1778715481","\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_46e1adfb-5878-4f8b-b186-423fd9c00bc1.jpg?v=1778715479","\/\/tobirarecords.com\/cdn\/shop\/files\/pe3_58938988-b7b2-4625-ae04-8b84c90ec424.jpg?v=1778715479"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47.jpg?v=1778715481","options":["Title"],"media":[{"alt":null,"id":39363072557306,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47.jpg?v=1778715481"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe1_d5678815-1565-48c5-98c0-1a24fbe0ba47.jpg?v=1778715481","width":350},{"alt":null,"id":39363072590074,"position":2,"preview_image":{"aspect_ratio":1.008,"height":594,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_46e1adfb-5878-4f8b-b186-423fd9c00bc1.jpg?v=1778715479"},"aspect_ratio":1.008,"height":594,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe2_46e1adfb-5878-4f8b-b186-423fd9c00bc1.jpg?v=1778715479","width":599},{"alt":null,"id":39363072622842,"position":3,"preview_image":{"aspect_ratio":0.978,"height":599,"width":586,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe3_58938988-b7b2-4625-ae04-8b84c90ec424.jpg?v=1778715479"},"aspect_ratio":0.978,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pe3_58938988-b7b2-4625-ae04-8b84c90ec424.jpg?v=1778715479","width":586}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのインディーバンドPavementが、2026年4月にリリースした再発10\"です。（オリジナルは1991年リリース）\u003c\/p\u003e\n\u003cp\u003eインディーロック7曲を収録。白盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/X73Vpkq2kxU?si=fEGvubS4uhwz9nCi\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" white vinyl. \u003cbr\u003e2026 reissue celebrating the album's 35th anniversary - originally released in 1991. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Heckler Spray 01:06 \u003cbr\u003e2. From Now On 02:03 \u003cbr\u003e3. Angel Carver Blues\/Mellow Jazz Docent 02:30 \u003cbr\u003e4. Drive-By-Fader 00:28 \u003cbr\u003e5. Debris Slide 01:56 \u003cbr\u003e6. Home 02:23 \u003cbr\u003e7. Krell Vid-User 01:26\u003c\/p\u003e\n\u003cp\u003eArtist : Pavement\u003c\/p\u003e\n\u003cp\u003eLabel : Matador x Record Store Day\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOLE2163TNE \/ \u003cmeta charset=\"utf-8\"\u003eRSD2026\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 15th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのインディーバンドPavementが、2026年4月にリリースした再発10"です。（オリジナルは1991年リリース） インディーロック7曲を収録。白盤です。 ------------------------------------------- 10" white vinyl. 2026 reissue celebrating the album's 35th anniversary - originally...
¥4,560
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{"id":9225221210362,"title":"Ben Kaczor \/\/ Sirene LP","handle":"ben-kaczor-sirene-lp","description":"\u003cp\u003e先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、\u003ca href=\"https:\/\/tobirarecords.com\/products\/lb-honne-present-future-here-there-lp\"\u003eデビュー作品\u003c\/a\u003eが当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、Ben Kaczorが2026年2月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜実験アンビエントドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2259315044\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"St. Odes\" href=\"https:\/\/soundcloud.com\/st_odes\" target=\"_blank\"\u003eSt. Odes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"ben kaczor - sirene [SO004]\" href=\"https:\/\/soundcloud.com\/st_odes\/ben-kaczor-sirene\" target=\"_blank\"\u003eben kaczor - sirene [SO004]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Sirene\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Green Sleep\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Phantom Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Pink Snow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Amusement Impressions\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Oval Waves\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBen Kaczor debuts his first LP on St. Odes.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSirene showcases a more experimental and cinematic approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTracks such as Amusement Impressions and Phantom Blues emerged from his fine art studies, while Sirene and Oval Waves reflect his work with the Buchla Easel. The artwork features a photograph by the artist himself, making the record one of his most personal works to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Kaczor\u003c\/p\u003e\n\u003cp\u003eLabel : St. Odes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSO004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T07:05:42+09:00","created_at":"2026-05-14T08:35:33+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","monooto","new"],"price":466900,"price_min":466900,"price_max":466900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883564970234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Kaczor \/\/ Sirene LP","public_title":null,"options":["Default Title"],"price":466900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101491689","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_ecca79e5-e29c-4244-9c20-4d4f09f79881.jpg?v=1778715263","\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_36ecd391-1ad3-4b2d-b6b4-955bbe744872.jpg?v=1778715263"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_ecca79e5-e29c-4244-9c20-4d4f09f79881.jpg?v=1778715263","options":["Title"],"media":[{"alt":null,"id":39363041591546,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_ecca79e5-e29c-4244-9c20-4d4f09f79881.jpg?v=1778715263"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben1_ecca79e5-e29c-4244-9c20-4d4f09f79881.jpg?v=1778715263","width":350},{"alt":null,"id":39363041624314,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_36ecd391-1ad3-4b2d-b6b4-955bbe744872.jpg?v=1778715263"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ben2_36ecd391-1ad3-4b2d-b6b4-955bbe744872.jpg?v=1778715263","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、\u003ca href=\"https:\/\/tobirarecords.com\/products\/lb-honne-present-future-here-there-lp\"\u003eデビュー作品\u003c\/a\u003eが当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。\u003c\/p\u003e\n\u003cp\u003e本作は、Ben Kaczorが2026年2月にリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコラージュ〜実験アンビエントドローン6曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2259315044\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"St. Odes\" href=\"https:\/\/soundcloud.com\/st_odes\" target=\"_blank\"\u003eSt. Odes\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"ben kaczor - sirene [SO004]\" href=\"https:\/\/soundcloud.com\/st_odes\/ben-kaczor-sirene\" target=\"_blank\"\u003eben kaczor - sirene [SO004]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1. Sirene\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e2. Green Sleep\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e3. Phantom Blues\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e4. Pink Snow\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e5. Amusement Impressions\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e6. Oval Waves\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBen Kaczor debuts his first LP on St. Odes.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSirene showcases a more experimental and cinematic approach to sound.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eTracks such as Amusement Impressions and Phantom Blues emerged from his fine art studies, while Sirene and Oval Waves reflect his work with the Buchla Easel. The artwork features a photograph by the artist himself, making the record one of his most personal works to date.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Kaczor\u003c\/p\u003e\n\u003cp\u003eLabel : St. Odes\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSO004\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 3rd February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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先日のTobiraインストアでも素晴らしいライブを披露してくれたスイスのエレクトロニック作家Ben Kaczorと、デビュー作品が当店でも大人気だったLb Honneが、2024年12月に立ち上げたディープハウスとダブテクノを軸にしたレーベルSt. Odesの最新作です。 本作は、Ben Kaczorが2026年2月にリリースしたレコードです。 コラージュ〜実験アンビエントドローン6曲を収録。 レコードのみでの発表となります。 St. Odes · ben kaczor -...
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{"id":9225218949370,"title":"Quelza \/\/ Above The Clouds I Finally Found Peace LP","handle":"quelza-above-the-clouds-i-finally-found-peace-lp","description":"\u003cp\u003eドイツ・ベルリンのテクノ作家Quelzaが、2026年1月にベルリンのテクノレーベル Ostgut Tonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ディープテクノ〜アンビエント・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/quelza-la-danse-de-lalbatros-ep-12\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2183048462\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/ostgutton-official\" title=\"Ostgut Ton | A-TON | unterton\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eOstgut Ton | A-TON | unterton\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/ostgutton-official\/sets\/quelza-above-the-clouds-i\" title=\"Quelza | Above The Clouds I Finally Found Peace | Ostgut Ton 129\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eQuelza | Above The Clouds I Finally Found Peace | Ostgut Ton 129\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. One Thought Responds To Another 07:45 \u003cbr\u003e2. Argo Voa 06:10 \u003cbr\u003e3. Les Vagues Danses Avec Le Étoiles 06:52 \u003cbr\u003e4. Above The Clouds I Finally Found Peace 06:17 \u003cbr\u003e5. Nuage En F Mineur 05:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eAbove The Clouds I Finally Found Peace', the latest work from French artist Quelza (Leo Naït Aïssa) on Ostgut Ton, feels like a homecoming.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA testament to introspection and self-awareness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRather than adhering strictly to a club-focused approach, the EP marks a step forward in freedom of expression, breaking away from a purely club-based format and instead leading into a broader listening territory. It unfolds as a personal musical journal shaped by perception, memory, and emotion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs its title suggests, the record carries a spiritual undercurrent. It stands as a sincere sonic statement from a young artist, driven by a clear intention: to express vulnerability and honesty through sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP invites the listener to let go of expectations formed by previous releases, while preserving the emotional intensity and distinctive sonic identity that have come to define this work in recent years.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Quelza\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOstgut Ton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eO-TON 129\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T07:25:53+09:00","created_at":"2026-05-14T08:33:22+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":367200,"price_min":367200,"price_max":367200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883562512634,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Quelza \/\/ Above The Clouds I Finally Found Peace LP","public_title":null,"options":["Default Title"],"price":367200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101494376","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_2675edff-0d52-41e1-880b-bbc2cb9b1b05.jpg?v=1778715108","\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_444738ae-4fba-4975-bb54-f5b7c571c90c.jpg?v=1778715108"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_2675edff-0d52-41e1-880b-bbc2cb9b1b05.jpg?v=1778715108","options":["Title"],"media":[{"alt":null,"id":39363021766906,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_2675edff-0d52-41e1-880b-bbc2cb9b1b05.jpg?v=1778715108"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo1_2675edff-0d52-41e1-880b-bbc2cb9b1b05.jpg?v=1778715108","width":350},{"alt":null,"id":39363021799674,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_444738ae-4fba-4975-bb54-f5b7c571c90c.jpg?v=1778715108"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/abo2_444738ae-4fba-4975-bb54-f5b7c571c90c.jpg?v=1778715108","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのテクノ作家Quelzaが、2026年1月にベルリンのテクノレーベル Ostgut Tonからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eレフトフィールド・ディープテクノ〜アンビエント・テクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/quelza-la-danse-de-lalbatros-ep-12\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2183048462\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/ostgutton-official\" title=\"Ostgut Ton | A-TON | unterton\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eOstgut Ton | A-TON | unterton\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/ostgutton-official\/sets\/quelza-above-the-clouds-i\" title=\"Quelza | Above The Clouds I Finally Found Peace | Ostgut Ton 129\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eQuelza | Above The Clouds I Finally Found Peace | Ostgut Ton 129\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. One Thought Responds To Another 07:45 \u003cbr\u003e2. Argo Voa 06:10 \u003cbr\u003e3. Les Vagues Danses Avec Le Étoiles 06:52 \u003cbr\u003e4. Above The Clouds I Finally Found Peace 06:17 \u003cbr\u003e5. Nuage En F Mineur 05:17\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan\u003e\u003cem\u003eAbove The Clouds I Finally Found Peace', the latest work from French artist Quelza (Leo Naït Aïssa) on Ostgut Ton, feels like a homecoming.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA testament to introspection and self-awareness.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRather than adhering strictly to a club-focused approach, the EP marks a step forward in freedom of expression, breaking away from a purely club-based format and instead leading into a broader listening territory. It unfolds as a personal musical journal shaped by perception, memory, and emotion.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs its title suggests, the record carries a spiritual undercurrent. It stands as a sincere sonic statement from a young artist, driven by a clear intention: to express vulnerability and honesty through sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe EP invites the listener to let go of expectations formed by previous releases, while preserving the emotional intensity and distinctive sonic identity that have come to define this work in recent years.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Quelza\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOstgut Ton\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eO-TON 129\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th January 2026\u003c\/span\u003e\u003c\/p\u003e"}
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ドイツ・ベルリンのテクノ作家Quelzaが、2026年1月にベルリンのテクノレーベル Ostgut Tonからリリースしたレコードです。 レフトフィールド・ディープテクノ〜アンビエント・テクノ5曲を収録。 前作もオススメです。 Ostgut Ton | A-TON | unterton · Quelza |...
¥3,672
クイックビュー
{"id":9225214460154,"title":"Oren Ambarchi \/\/ Hubris (10th Anniversary Remaster) LP","handle":"oren-ambarchi-hubris-10th-anniversary-remaster-lp","description":"\u003cp\u003eオーストラリアの実験音楽家Oren Ambarchiが、2026年4月に自身主宰レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003e反復ミニマル・アンビエント〜ストレンジビーツ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eリマスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1248426794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl. \u003cbr\u003e2026 reissue and remaster - originally released in 2016. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Hubris Part 1 (10th Anniversary Remaster) 21:47 \u003cbr\u003e2. Hubris Part 2 (10th Anniversary Remaster) 01:53 \u003cbr\u003e3. Hubris Part 3 (10th Anniversary Remaster) 16:34\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNewly remastered version of Oren Ambarchi’s long out-of-print classic Hubris originally released on Editions Mego in 2016. Expertly remastered by audio wizard Joe Talia who worked with the original mixes, highlighting the myriad details of the audio with forensic precision, previously unheard up until now.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the 2016 press release:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHubris continues the exploration of relentless, driving rhythms heard on Ambarchi’s Sagittarian Domain (2012) and Quixotism (2014). Where those records looked to Krautrock and techno for their starting points, the sidelong opening track here begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi’s love of Wang Chung’s soundtrack to William Friedkin’s To Live and Die in L.A. Leaving behind the song-forms of these reference points, Ambarchi weaves a sustained and pulsating web of layered palm-muted guitars from which individual voices rise up and recede, eventually setting the stage for some lush guitar synth from Jim O’Rourke. Arnold Dreyblatt collaborator Konrad Sprenger contributes overtone-rich motorized guitar, pushing the piece into a satisfying intersection of shimmering minimalism and rhythmic drive that smoothly builds up until the entrance of Mark Fell’s\u003cspan class=\"bcTruncateMore\"\u003e electronic percussion in its final section.\u003cbr\u003e\u003cbr\u003eAfter a short second part, in which Ambarchi, O’Rourke and crys cole pay tribute to the skewed harmonic sense of Albert Marcoeur with a track built from layered guitar figures and abstracted speech, the long final piece pushes the concept of the first side into darker and denser areas. Joined by electronics from Ricardo Villalobos and the twin drums of Will Guthrie and Joe Talia, the layered guitars of the first piece are transformed into a raw and tumbling fusion-funk groove that calls to mind early Weather Report or even the first Golden Palominos LP. As this stellar rhythm section rides a single repeated chord change into oblivion, a series of spectacular events emerge in the foreground: first, aleatoric synthesizer burbles from Keith Fullerton Whitman, then slashing skronk guitar from Arto Lindsay, until finally Ambarchi’s own fuzzed-out harmonics take center stage as the piece builds to an ecstatic frenzy. Few artists could hope to include such an incredible variety of collaborators on one record and still hope for it to have a unique identity, but Ambarchi manages to do just that, crafting three pieces that emerge directly out of his previous work while also pushing ahead into new dimensions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 141 LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026 (reissue \/ remaster)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T07:38:59+09:00","created_at":"2026-05-14T08:20:07+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","lp","new","strange beats"],"price":532700,"price_min":532700,"price_max":532700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883554648314,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Oren Ambarchi \/\/ Hubris (10th Anniversary Remaster) LP","public_title":null,"options":["Default Title"],"price":532700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101493799","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hub1_95cfa8d7-a0cf-4b0a-988b-985e7dbc43e0.jpg?v=1778714459","\/\/tobirarecords.com\/cdn\/shop\/files\/hub3.jpg?v=1778714459"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub1_95cfa8d7-a0cf-4b0a-988b-985e7dbc43e0.jpg?v=1778714459","options":["Title"],"media":[{"alt":null,"id":39362970321146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub1_95cfa8d7-a0cf-4b0a-988b-985e7dbc43e0.jpg?v=1778714459"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub1_95cfa8d7-a0cf-4b0a-988b-985e7dbc43e0.jpg?v=1778714459","width":350},{"alt":null,"id":39362970353914,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub3.jpg?v=1778714459"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hub3.jpg?v=1778714459","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの実験音楽家Oren Ambarchiが、2026年4月に自身主宰レーベルBlack Truffleからリリースした再発レコードです。（オリジナルは2016年リリース）\u003c\/p\u003e\n\u003cp\u003e反復ミニマル・アンビエント〜ストレンジビーツ3曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003eリマスタリングはJoe Taliaが担当しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1248426794\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl. \u003cbr\u003e2026 reissue and remaster - originally released in 2016. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Hubris Part 1 (10th Anniversary Remaster) 21:47 \u003cbr\u003e2. Hubris Part 2 (10th Anniversary Remaster) 01:53 \u003cbr\u003e3. Hubris Part 3 (10th Anniversary Remaster) 16:34\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eNewly remastered version of Oren Ambarchi’s long out-of-print classic Hubris originally released on Editions Mego in 2016. Expertly remastered by audio wizard Joe Talia who worked with the original mixes, highlighting the myriad details of the audio with forensic precision, previously unheard up until now.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFrom the 2016 press release:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHubris continues the exploration of relentless, driving rhythms heard on Ambarchi’s Sagittarian Domain (2012) and Quixotism (2014). Where those records looked to Krautrock and techno for their starting points, the sidelong opening track here begins from the perhaps unlikely inspirations of disco and new wave, drawing particularly from Ambarchi’s love of Wang Chung’s soundtrack to William Friedkin’s To Live and Die in L.A. Leaving behind the song-forms of these reference points, Ambarchi weaves a sustained and pulsating web of layered palm-muted guitars from which individual voices rise up and recede, eventually setting the stage for some lush guitar synth from Jim O’Rourke. Arnold Dreyblatt collaborator Konrad Sprenger contributes overtone-rich motorized guitar, pushing the piece into a satisfying intersection of shimmering minimalism and rhythmic drive that smoothly builds up until the entrance of Mark Fell’s\u003cspan class=\"bcTruncateMore\"\u003e electronic percussion in its final section.\u003cbr\u003e\u003cbr\u003eAfter a short second part, in which Ambarchi, O’Rourke and crys cole pay tribute to the skewed harmonic sense of Albert Marcoeur with a track built from layered guitar figures and abstracted speech, the long final piece pushes the concept of the first side into darker and denser areas. Joined by electronics from Ricardo Villalobos and the twin drums of Will Guthrie and Joe Talia, the layered guitars of the first piece are transformed into a raw and tumbling fusion-funk groove that calls to mind early Weather Report or even the first Golden Palominos LP. As this stellar rhythm section rides a single repeated chord change into oblivion, a series of spectacular events emerge in the foreground: first, aleatoric synthesizer burbles from Keith Fullerton Whitman, then slashing skronk guitar from Arto Lindsay, until finally Ambarchi’s own fuzzed-out harmonics take center stage as the piece builds to an ecstatic frenzy. Few artists could hope to include such an incredible variety of collaborators on one record and still hope for it to have a unique identity, but Ambarchi manages to do just that, crafting three pieces that emerge directly out of his previous work while also pushing ahead into new dimensions.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Oren Ambarchi\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 141 LP\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 24th April 2026 (reissue \/ remaster)\u003c\/span\u003e\u003c\/p\u003e"}
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¥5,327
クイックビュー
{"id":9225213477114,"title":"Richard Youngs \/\/ Hidden LP","handle":"richard-youngs-hidden-lp","description":"\u003cp\u003eスコットランド・グラスゴーの実験音楽家Richard Youngsが、2025年12月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアルペジオを軸にしたミニマル・シンセアンビエント2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2053046969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Hidden I 17:39 \u003cbr\u003e2. Hidden II 17:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe inimitable Richard Youngs returns to Black Truffle with this third full-length for the label, Hidden. Like CXXI and Modern Sorrow, Hidden unfolds across two side-long pieces at once eminently listenable and possessed of the ‘bloody-minded’ dedication to ‘having an idea and sticking with it’ that Youngs himself has identified as one of the key qualities of his work. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAt the core of both pieces are rapid, randomised arpeggios generated with a Moog Grandmother, hypnotic patterns that wouldn’t be out of place on a Berlin School classic. Alongside these arpeggios, across the seventeen minutes of the first side-long piece Youngs builds an airy structure of shakers, synthetic handclaps and a brief, repeated sample, impossible to identify but sounding like a glitched foghorn. Over the top we hear his unmistakable voice, repeating single syllables—Ha, Ho—with a slow delay, something like a lonely one-man-band take on Anthony Moore’s Pieces from the Cloudland Ballroom or a more musical elaboration of the hypnotically overlapping delayed phonemes of Anton Bruhin’s Rotomotor. Like much of Youngs' work, the arrangement of sounds is sparse, each layer punctuated by spaces that allow others to shine\u003cspan class=\"bcTruncateMore\"\u003e through, in a way that seems to have more to do with dub or early hip-hop than high-brow models of musical reductionism.\u003cbr\u003e \u003cbr\u003eOn the flipside, the arpeggios return, now accompanied by ringing, filtered guitar chords and long flute tones. The use of a similar ground layer across the two pieces with strikingly different overdubs calls up Youngs' first solo record, the classic Advent, reminding us of how consistent ‘theme and variations’ is as an approach in his enormous body of work. Joined by handclaps and a chiming sound, the piece almost feels like it is about to achieve dance-floor lift-off at times, only for the percussion to disappear and leave the listener once again floating among the guitar and flute, now joined by occasional cut-off vocal snippets, like a radio turned quickly on and off. The suspension of these disparate elements over the steady foundation of the Moog arpeggios might remind some listeners of the free-form studio explorations of Moebius \u0026amp; Plank and Holger Czukay or even give a nod to Youngs’ formative encounter with Cabaret Voltaire.\u003cbr\u003e \u003cbr\u003eLike some of Youngs’ much-loved work with Simon Wickham-Smith, Hidden approaches relatively familiar sounds and instruments from skewed angles, delighting in loose structures of interaction that border on gleeful incoherence while remaining outwardly beautiful. Coming up to almost four decades of persistent activity, like little else in contemporary music Youngs’ work beams with the simple joys of exploration and experiment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richard Youngs\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 138\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th December 2025\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-15T07:34:47+09:00","created_at":"2026-05-14T08:16:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black truffle","lp","new","strange beats"],"price":532700,"price_min":532700,"price_max":532700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883550159098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Richard Youngs \/\/ Hidden LP","public_title":null,"options":["Default Title"],"price":532700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4250101489846","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hi1_6e7eb8d0-d965-430b-9ad1-501b264d9902.jpg?v=1778714121","\/\/tobirarecords.com\/cdn\/shop\/files\/hi2_1bcf26b4-ae17-4db1-bfce-773415386cf0.jpg?v=1778714121"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hi1_6e7eb8d0-d965-430b-9ad1-501b264d9902.jpg?v=1778714121","options":["Title"],"media":[{"alt":null,"id":39362917269754,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hi1_6e7eb8d0-d965-430b-9ad1-501b264d9902.jpg?v=1778714121"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hi1_6e7eb8d0-d965-430b-9ad1-501b264d9902.jpg?v=1778714121","width":350},{"alt":null,"id":39362917302522,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hi2_1bcf26b4-ae17-4db1-bfce-773415386cf0.jpg?v=1778714121"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hi2_1bcf26b4-ae17-4db1-bfce-773415386cf0.jpg?v=1778714121","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスコットランド・グラスゴーの実験音楽家Richard Youngsが、2025年12月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアルペジオを軸にしたミニマル・シンセアンビエント2曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2053046969\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/black-truffle\"\u003ehere\u003c\/a\u003e to see more Black Truffle releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Hidden I 17:39 \u003cbr\u003e2. Hidden II 17:50\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe inimitable Richard Youngs returns to Black Truffle with this third full-length for the label, Hidden. Like CXXI and Modern Sorrow, Hidden unfolds across two side-long pieces at once eminently listenable and possessed of the ‘bloody-minded’ dedication to ‘having an idea and sticking with it’ that Youngs himself has identified as one of the key qualities of his work. \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e \u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAt the core of both pieces are rapid, randomised arpeggios generated with a Moog Grandmother, hypnotic patterns that wouldn’t be out of place on a Berlin School classic. Alongside these arpeggios, across the seventeen minutes of the first side-long piece Youngs builds an airy structure of shakers, synthetic handclaps and a brief, repeated sample, impossible to identify but sounding like a glitched foghorn. Over the top we hear his unmistakable voice, repeating single syllables—Ha, Ho—with a slow delay, something like a lonely one-man-band take on Anthony Moore’s Pieces from the Cloudland Ballroom or a more musical elaboration of the hypnotically overlapping delayed phonemes of Anton Bruhin’s Rotomotor. Like much of Youngs' work, the arrangement of sounds is sparse, each layer punctuated by spaces that allow others to shine\u003cspan class=\"bcTruncateMore\"\u003e through, in a way that seems to have more to do with dub or early hip-hop than high-brow models of musical reductionism.\u003cbr\u003e \u003cbr\u003eOn the flipside, the arpeggios return, now accompanied by ringing, filtered guitar chords and long flute tones. The use of a similar ground layer across the two pieces with strikingly different overdubs calls up Youngs' first solo record, the classic Advent, reminding us of how consistent ‘theme and variations’ is as an approach in his enormous body of work. Joined by handclaps and a chiming sound, the piece almost feels like it is about to achieve dance-floor lift-off at times, only for the percussion to disappear and leave the listener once again floating among the guitar and flute, now joined by occasional cut-off vocal snippets, like a radio turned quickly on and off. The suspension of these disparate elements over the steady foundation of the Moog arpeggios might remind some listeners of the free-form studio explorations of Moebius \u0026amp; Plank and Holger Czukay or even give a nod to Youngs’ formative encounter with Cabaret Voltaire.\u003cbr\u003e \u003cbr\u003eLike some of Youngs’ much-loved work with Simon Wickham-Smith, Hidden approaches relatively familiar sounds and instruments from skewed angles, delighting in loose structures of interaction that border on gleeful incoherence while remaining outwardly beautiful. Coming up to almost four decades of persistent activity, like little else in contemporary music Youngs’ work beams with the simple joys of exploration and experiment.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Richard Youngs\u003c\/p\u003e\n\u003cp\u003eLabel : Black Truffle\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBlack Truffle 138\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 5th December 2025\u003c\/span\u003e\u003c\/p\u003e"}
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スコットランド・グラスゴーの実験音楽家Richard Youngsが、2025年12月にオーストラリアの実験レーベルBlack Truffleからリリースしたレコードです。 アルペジオを軸にしたミニマル・シンセアンビエント2曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Black Truffle releases available at Tobira. ...
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![Heimito Künst // Vol.3 LP [COLOR]](http://tobirarecords.com/cdn/shop/files/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8_medium.jpg?v=1778713298)
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{"id":9225210822906,"title":"Heimito Künst \/\/ Vol.3 LP [COLOR]","handle":"heimito-kunst-vol-3-lp-color","description":"\u003cp\u003eイタリアの実験／アンビエントデュオHeimito Künstが、2026年4月にイタリアの実験レーベルDissipatioからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコズミックなシンセ・アンビエント〜ストレンジビーツ〜ノーウェーブ8曲を収録。白盤、ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『Vol. 3』は、謎めいたアーティストHeimito Künstによる待望の3枚目のソロアルバムであり、デニス・カラッチとのコラボレーション作『First Light』が絶賛された後にリリースされた。この新たな章において、Heimito Künstは自身の音の世界を完全に再構築し、雰囲気重視のドローンサウンドから、強烈な身体性とリズム主導の領域へと移行している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムの起源は、トーマス・ベルンハルトの文学と、19世紀の臨床技術である「ウルバンチッチ法」に深く根ざしている。これは、音を執拗に反復させることで、聴覚障害者の「残存聴力」を呼び覚ますために用いられた手法だ。Heimito Künstはこの概念を、リスナーのための魅惑的な聴覚的エクササイズへと昇華させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼特有の、歪みとアシッドな響きを帯びたクラウトロックの雰囲気は、今や重厚なアナログハードウェアの兵器群によって推進されている。渦巻くムーグ、コルグ、メロトロン、ファーフィサのシンセサイザーが万華鏡のようなサウンドスケープを創り出し、そのすべてが、ドンドンと響く催眠的なドラムマシンの骨格によって支えられている。これは、聴き手を音の世界に完全に没入させるために設計された、深くサイケデリックで没入感のある旅だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2865487225\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2865487225\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003ehere\u003c\/a\u003e to see more Dissipatio releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl in gatefold sleeve. \u003cbr\u003eEdition of 200 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Entropie 05:47 \u003cbr\u003e2. I fall from the shadows and burn 03:48 \u003cbr\u003e3. Put the mask and go out 02:38 \u003cbr\u003e4. We are two, maybe more 04:58 \u003cbr\u003e5. Mirror game 05:02 \u003cbr\u003e6. Aurora 02:46 \u003cbr\u003e7. The strange case of the Architect S. 04:16 \u003cbr\u003e8. Turn off the light 05:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVol. 3 is the highly anticipated third solo album by the enigmatic Heimito Künst, arriving after his acclaimed collaboration First Light with Dennis Callaci. In this new chapter, Heimito completely reshapes his sonic universe, moving away from atmospheric drones into intensely physical, rhythm-driven territory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe genesis of the album is deeply rooted in Thomas Bernhard’s literature and the Urbantschitsch method—a 19th-century clinical technique used to wake up \"residual hearing\" in the deaf through the obsessive repetition of sound. Heimito translates this concept into a mesmerizing auditory exercise for the listener.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis signature crooked, acid-tinged kraut atmospheres are now propelled by a heavy arsenal of analog hardware. Swirling Moog, Korg, Mellotron, and Farfisa synthesizers create kaleidoscopic soundscapes, all anchored by a pounding, hypnotic drum machine backbone. It’s a deeply psychedelic, immersive trip designed to make you completely lose yourself in the sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA visceral, unconventional experience, compelling down to its very last breath.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Heimito Künst\u003c\/p\u003e\n\u003cp\u003eLabel : Dissipatio\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDISS034\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th April 2026\u003c\/p\u003e","published_at":"2026-05-18T15:15:28+09:00","created_at":"2026-05-14T08:03:54+09:00","vendor":"Tobira Records","type":"","tags":["ambient","dissipatio","drone","lp","new","strange beats"],"price":452300,"price_min":452300,"price_max":452300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48883540132090,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Heimito Künst \/\/ Vol.3 LP [COLOR]","public_title":null,"options":["Default Title"],"price":452300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8.jpg?v=1778713298","\/\/tobirarecords.com\/cdn\/shop\/files\/hel2_6aef5139-b340-49f2-8116-b53293510277.jpg?v=1778713298"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8.jpg?v=1778713298","options":["Title"],"media":[{"alt":null,"id":39362805793018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8.jpg?v=1778713298"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel1_74e35091-fc62-40f5-abff-fdeb297a0bb8.jpg?v=1778713298","width":350},{"alt":null,"id":39362805825786,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel2_6aef5139-b340-49f2-8116-b53293510277.jpg?v=1778713298"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hel2_6aef5139-b340-49f2-8116-b53293510277.jpg?v=1778713298","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの実験／アンビエントデュオHeimito Künstが、2026年4月にイタリアの実験レーベルDissipatioからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eコズミックなシンセ・アンビエント〜ストレンジビーツ〜ノーウェーブ8曲を収録。白盤、ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『Vol. 3』は、謎めいたアーティストHeimito Künstによる待望の3枚目のソロアルバムであり、デニス・カラッチとのコラボレーション作『First Light』が絶賛された後にリリースされた。この新たな章において、Heimito Künstは自身の音の世界を完全に再構築し、雰囲気重視のドローンサウンドから、強烈な身体性とリズム主導の領域へと移行している。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムの起源は、トーマス・ベルンハルトの文学と、19世紀の臨床技術である「ウルバンチッチ法」に深く根ざしている。これは、音を執拗に反復させることで、聴覚障害者の「残存聴力」を呼び覚ますために用いられた手法だ。Heimito Künstはこの概念を、リスナーのための魅惑的な聴覚的エクササイズへと昇華させている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e彼特有の、歪みとアシッドな響きを帯びたクラウトロックの雰囲気は、今や重厚なアナログハードウェアの兵器群によって推進されている。渦巻くムーグ、コルグ、メロトロン、ファーフィサのシンセサイザーが万華鏡のようなサウンドスケープを創り出し、そのすべてが、ドンドンと響く催眠的なドラムマシンの骨格によって支えられている。これは、聴き手を音の世界に完全に没入させるために設計された、深くサイケデリックで没入感のある旅だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2865487225\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3909970672\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2865487225\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/dspto\"\u003ehere\u003c\/a\u003e to see more Dissipatio releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" white vinyl in gatefold sleeve. \u003cbr\u003eEdition of 200 copies. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Entropie 05:47 \u003cbr\u003e2. I fall from the shadows and burn 03:48 \u003cbr\u003e3. Put the mask and go out 02:38 \u003cbr\u003e4. We are two, maybe more 04:58 \u003cbr\u003e5. Mirror game 05:02 \u003cbr\u003e6. Aurora 02:46 \u003cbr\u003e7. The strange case of the Architect S. 04:16 \u003cbr\u003e8. Turn off the light 05:37\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eVol. 3 is the highly anticipated third solo album by the enigmatic Heimito Künst, arriving after his acclaimed collaboration First Light with Dennis Callaci. In this new chapter, Heimito completely reshapes his sonic universe, moving away from atmospheric drones into intensely physical, rhythm-driven territory.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe genesis of the album is deeply rooted in Thomas Bernhard’s literature and the Urbantschitsch method—a 19th-century clinical technique used to wake up \"residual hearing\" in the deaf through the obsessive repetition of sound. Heimito translates this concept into a mesmerizing auditory exercise for the listener.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eHis signature crooked, acid-tinged kraut atmospheres are now propelled by a heavy arsenal of analog hardware. Swirling Moog, Korg, Mellotron, and Farfisa synthesizers create kaleidoscopic soundscapes, all anchored by a pounding, hypnotic drum machine backbone. It’s a deeply psychedelic, immersive trip designed to make you completely lose yourself in the sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eA visceral, unconventional experience, compelling down to its very last breath.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Heimito Künst\u003c\/p\u003e\n\u003cp\u003eLabel : Dissipatio\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDISS034\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th April 2026\u003c\/p\u003e"}
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イタリアの実験／アンビエントデュオHeimito Künstが、2026年4月にイタリアの実験レーベルDissipatioからリリースしたレコードです。 コズミックなシンセ・アンビエント〜ストレンジビーツ〜ノーウェーブ8曲を収録。白盤、ゲートフォルド仕様です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "『Vol. 3』は、謎めいたアーティストHeimito Künstによる待望の3枚目のソロアルバムであり、デニス・カラッチとのコラボレーション作『First Light』が絶賛された後にリリースされた。この新たな章において、Heimito Künstは自身の音の世界を完全に再構築し、雰囲気重視のドローンサウンドから、強烈な身体性とリズム主導の領域へと移行している。 このアルバムの起源は、トーマス・ベルンハルトの文学と、19世紀の臨床技術である「ウルバンチッチ法」に深く根ざしている。これは、音を執拗に反復させることで、聴覚障害者の「残存聴力」を呼び覚ますために用いられた手法だ。Heimito Künstはこの概念を、リスナーのための魅惑的な聴覚的エクササイズへと昇華させている。 彼特有の、歪みとアシッドな響きを帯びたクラウトロックの雰囲気は、今や重厚なアナログハードウェアの兵器群によって推進されている。渦巻くムーグ、コルグ、メロトロン、ファーフィサのシンセサイザーが万華鏡のようなサウンドスケープを創り出し、そのすべてが、ドンドンと響く催眠的なドラムマシンの骨格によって支えられている。これは、聴き手を音の世界に完全に没入させるために設計された、深くサイケデリックで没入感のある旅だ。" レーベルその他作品はこちら...
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{"id":9222523715834,"title":"Scorn \/\/ Anamnesis+ 4xLP","handle":"scorn-anamnesis-4xlp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※8月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eイギリスのポストインダストリアル・ダブ作家Scorn aka Mick Harris (ex-Napalm Death)が、2026年6月にオーストリアの実験／コンテンポラリーレーベルGODからリリーした再発4枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eヘビーベースとクラッシュビーツによるポストインダストリアル・ダブ30曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2314935077\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD Records\" href=\"https:\/\/soundcloud.com\/godrec\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD 80 - SCORN - Anamnesis+, excerpts\" href=\"https:\/\/soundcloud.com\/godrec\/god-80-scorn-anamnesis-1\" target=\"_blank\"\u003eGOD 80 - SCORN - Anamnesis+, excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl.\u003cbr\u003eExpanded reissue - originally recorded between 1994-97 and released in 1999. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYou’ve likely heard Mick Harris (Napalm Death, Painkiller, Lull) utter this sentence several times over the years, but now it seems final. The legendary project was laid to rest in 2021. For those who crave heavy beats, abstract bass, and dark atmospheres,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGOD Records is releasing the definitive edition of the iconic Scorn compilation, Anamnesis (GOD 80).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to the newly remastered original tracks, this ultimate reissue features bonus compositions previously scattered across various era-specific compilations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSpanning a four-vinyl set, this is almost certainly\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe final Scorn release to ever see the light of day.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Mr. Harris himself put it: \"There is nothing left in the vault.\"\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scorn\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGOD 80\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-17T06:33:26+09:00","created_at":"2026-05-11T20:40:21+09:00","vendor":"Tobira Records","type":"","tags":["god records","hiphop \/ funk","lp","new","noise","techno \/ house"],"price":1466600,"price_min":1466600,"price_max":1466600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48872939946234,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scorn \/\/ Anamnesis+ 4xLP","public_title":null,"options":["Default Title"],"price":1466600,"weight":800,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.37.14pm.png?v=1778499447","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.36.28pm.png?v=1778499447"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.37.14pm.png?v=1778499447","options":["Title"],"media":[{"alt":null,"id":39338794025210,"position":1,"preview_image":{"aspect_ratio":1.0,"height":514,"width":514,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.37.14pm.png?v=1778499447"},"aspect_ratio":1.0,"height":514,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.37.14pm.png?v=1778499447","width":514},{"alt":null,"id":39338793992442,"position":2,"preview_image":{"aspect_ratio":1.737,"height":228,"width":396,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.36.28pm.png?v=1778499447"},"aspect_ratio":1.737,"height":228,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-11at8.36.28pm.png?v=1778499447","width":396}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※8月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eイギリスのポストインダストリアル・ダブ作家Scorn aka Mick Harris (ex-Napalm Death)が、2026年6月にオーストリアの実験／コンテンポラリーレーベルGODからリリーした再発4枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eヘビーベースとクラッシュビーツによるポストインダストリアル・ダブ30曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。 \u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2314935077\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD Records\" href=\"https:\/\/soundcloud.com\/godrec\" target=\"_blank\"\u003eGOD Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"GOD 80 - SCORN - Anamnesis+, excerpts\" href=\"https:\/\/soundcloud.com\/godrec\/god-80-scorn-anamnesis-1\" target=\"_blank\"\u003eGOD 80 - SCORN - Anamnesis+, excerpts\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/godrecs\"\u003ehere\u003c\/a\u003e to see more God Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e4 x 12\" black vinyl.\u003cbr\u003eExpanded reissue - originally recorded between 1994-97 and released in 1999. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eYou’ve likely heard Mick Harris (Napalm Death, Painkiller, Lull) utter this sentence several times over the years, but now it seems final. The legendary project was laid to rest in 2021. For those who crave heavy beats, abstract bass, and dark atmospheres,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eGOD Records is releasing the definitive edition of the iconic Scorn compilation, Anamnesis (GOD 80).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn addition to the newly remastered original tracks, this ultimate reissue features bonus compositions previously scattered across various era-specific compilations.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSpanning a four-vinyl set, this is almost certainly\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethe final Scorn release to ever see the light of day.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs Mr. Harris himself put it: \"There is nothing left in the vault.\"\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Scorn\u003c\/p\u003e\n\u003cp\u003eLabel : God Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGOD 80\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
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※8月中旬再入荷後発送します イギリスのポストインダストリアル・ダブ作家Scorn aka Mick Harris (ex-Napalm Death)が、2026年6月にオーストリアの実験／コンテンポラリーレーベルGODからリリーした再発4枚組レコードです。 ヘビーベースとクラッシュビーツによるポストインダストリアル・ダブ30曲を収録。 レコードのみでの発表となります。 GOD Records · GOD 80...
¥14,666
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{"id":9222521356538,"title":"Helen Franzmann and Nick Huggins \/\/ public holiday at you yangs regional park LP","handle":"helen-franzmann-and-nick-huggins-public-holiday-at-you-yangs-regional-park-lp","description":"\u003cp\u003eオーストラリアの白昼夢フォークデュオHelen Franzmann (aka Mess Esque) and Nick Hugginsが、2026年6月に同国アンビエントレーベルBrierfield Flood Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e朧げなアンビエント・フォーク7曲を収録。DLコード付属。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102894407\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102894407\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3327562519\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102894407\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3040771593\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003ehere\u003c\/a\u003e to see more Brierfield Flood Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. a glass of water\u003cbr\u003e2. arc angle\u003cbr\u003e3. for hansie\u003cbr\u003e4. slow moving waters\u003cbr\u003e5. what you've got, i've got\u003cbr\u003e6. sleaping musick\u003cbr\u003e7. pulse free scene\u003c\/p\u003e\n\u003cp\u003eArtist : Helen Franzmann and Nick Huggins\u003c\/p\u003e\n\u003cp\u003eLabel : Brierfield Flood Press\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th June 2026\u003c\/p\u003e","published_at":"2026-05-15T07:47:38+09:00","created_at":"2026-05-11T20:26:18+09:00","vendor":"Tobira Records","type":"","tags":["ambient","brierfield flood press","folk \/ left-field pop","lp","new","recommended"],"price":472700,"price_min":472700,"price_max":472700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48872919433466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Helen Franzmann and Nick Huggins \/\/ public holiday at you yangs regional park LP","public_title":null,"options":["Default Title"],"price":472700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_39b41cdd-009e-4801-9008-68d3b4a378df.jpg?v=1778498719","\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d8e4758-e7af-4984-8e01-df6e01b58ad1.jpg?v=1778498719"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_39b41cdd-009e-4801-9008-68d3b4a378df.jpg?v=1778498719","options":["Title"],"media":[{"alt":null,"id":39338756014330,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_39b41cdd-009e-4801-9008-68d3b4a378df.jpg?v=1778498719"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu1_39b41cdd-009e-4801-9008-68d3b4a378df.jpg?v=1778498719","width":350},{"alt":null,"id":39338756047098,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d8e4758-e7af-4984-8e01-df6e01b58ad1.jpg?v=1778498719"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pu2_6d8e4758-e7af-4984-8e01-df6e01b58ad1.jpg?v=1778498719","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリアの白昼夢フォークデュオHelen Franzmann (aka Mess Esque) and Nick Hugginsが、2026年6月に同国アンビエントレーベルBrierfield Flood Pressからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e朧げなアンビエント・フォーク7曲を収録。DLコード付属。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102894407\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102894407\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3327562519\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102894407\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3040771593\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/briflpr\"\u003ehere\u003c\/a\u003e to see more Brierfield Flood Press releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. a glass of water\u003cbr\u003e2. arc angle\u003cbr\u003e3. for hansie\u003cbr\u003e4. slow moving waters\u003cbr\u003e5. what you've got, i've got\u003cbr\u003e6. sleaping musick\u003cbr\u003e7. pulse free scene\u003c\/p\u003e\n\u003cp\u003eArtist : Helen Franzmann and Nick Huggins\u003c\/p\u003e\n\u003cp\u003eLabel : Brierfield Flood Press\u003c\/p\u003e\n\u003cp\u003eRelease date : 26th June 2026\u003c\/p\u003e"}
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オーストラリアの白昼夢フォークデュオHelen Franzmann (aka Mess Esque) and Nick Hugginsが、2026年6月に同国アンビエントレーベルBrierfield Flood Pressからリリースしたレコードです。 朧げなアンビエント・フォーク7曲を収録。DLコード付属。180g重量盤です。 レーベルその他作品はこちら /// Click...
¥4,727
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{"id":9221944967418,"title":"Giuseppe Chiari \/\/ Intervalli LP","handle":"giuseppe-chiari-intervalli-lp","description":"\u003cp\u003eフルクサス初期メンバーとしても活動していたイタリアの実験音楽家Giuseppe Chiariが、2026年4月に同国実験レーベルAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1950-1956年に制作したコンセプチュアルな楽曲12曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"alga marghenは、Giuseppe Chiariによる歴史的な作品『Intervalli』を誇りを持って発表する。レイニエ・ファン・ホウトによる優雅な演奏と録音で綴られる、1950年から56年にかけてのこの時代を超越した作品は、ミニマリズムを10年先取りし、コンセプチュアル・コンポジションやシステムベース・コンポジションの先駆けとなる一方で、Chiariが1962年に参加することになるグループ「フルクサス」によってまもなく展開される視点とも交差している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiuseppe Chiariのピアノのための『Intervalli』は、歴史的文脈に照らして考察したとしても、今なお「発見」の魅力を失っていない。1950年代前半の全期間にわたって作曲されたこれらの作品は、数学的・合理的な根拠に基づく音楽的パラメータの徹底的な削減という作曲概念の早熟さにおいて際立っている。Intervalliの初期作品が、音楽的素材の構成においてこれほど厳格な論理的アプローチを採っていることに驚かされるかもしれない。特に、その後の彼の作品の方向性を踏まえるとなおさらである。彼はネオ・アヴァンギャルドにおいて、いかなる教条や構造的制約からも自由なジャンルであるジェスチャー・ミュージックの、最も断固として決意に満ちた代表者として確立されたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Intervalli』において、Chiariは、音程的特徴と持続時間によって定義される変異形または不変形の反復という、多かれ少なかれ制御されたシステムを通じて、音の連なりやその同時性を合理的に「配置」するという概念に焦点を当てている。このシステムは、与えられた限られた可能性の範囲内で機能するため、多かれ少なかれ制御されたものであり、この要因が音楽的パラメータの急激な狭窄をもたらしている。『Intervalli』の連作を構成する12の作品は、すべて二つのアプローチを中心に構築されている。すなわち、厳格な垂直的・和声的な音の連なり（第1、2、5番にのみ採用）か、あるいは水平的・線的な配置（連作の残りの全作品の特徴）である。その展開において、垂直的／和声的および水平的／線形的指針は、周期的に繰り返される不変項の体系を通じて構築された、類似の結合原理を採用している。すなわち、和音と線的配列の開始点の両方を特徴づける基軸となる音が常に特定され、それを基に、自由な、あるいは数学的・数値的意義によって規定された音程関係の配列が交互に適用される。一方、この枢要な音は不変のまま留まることもあれば（第2番のように、各和音の全音程構造が全編を通じて繰り返される中心のCを軸に構築されている例が挙げられる）、あるいは変容を遂げつつも、特定の定数を再現する数値的・音程的構造を支え続けることもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音楽的パラメータを限定し反復するという体系的なプロセスは、類推すれば、後に音楽的ミニマリズムの誕生とともに前面に出てくる要素となるだろう。しかし、Chiariの『Intervalli』を、この潮流の出現と確立に直接的な影響を与える原動力と見なすのは、無理があるだろう。ミニマル・ミュージックがパラメータの体系的な削減と反復を用いて、漸進的なプロセスとしての単方向的な展開を導くのに対し、Chiariの『Intervalli』は、「音楽から連続性の言説的力を剥ぎ取る」ために、「時間的な階層性を一切持たない音の関係性を探求する」という対極的な概念へと向かっている。これは、音の統語的同型性を解体することを目的とした、客観的かつほぼ原子論的な音概念の明確な表れである。ゆえに、その概念的意義はミニマリズムの正統的な潮流とは同列に扱えない。このニュアンスこそが、後にChiariを演奏的ジェスチャーに対する形式にとらわれない開放性へと導くことになる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして『Intervalli』の連作は、Chiariにとって最初の到達点であると同時に、もはや後戻りできない分岐点でもあった――ただし、創作活動の最後の10年間を除いては。その時期、音楽的書法への驚くべき新たなアプローチが、まさにジェスチャー的な直感性によって媒介されたのである。これら両極端の間において、まさに『Intervalli』で積み重ねられた経験をアーカイブ化した後の、ジェスチャーへの啓示こそが、Chiariにとって音楽的伝統によって受け継がれてきた規範の脱構築的コードとなり、それによって彼の創作思想において新たかつ決定的な一章を切り開くことになるのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Intervalli』全曲集の初版には、ガブリエレ・ボノモによるライナーノーツに加え、原譜の一部ページの複製も収録されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ShH9sJrzugs?si=zvLIrHP8sAwJhwUk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"alga marghen proudly presents the historical “Intervalli” by \u003c\/em\u003e\u003cem\u003eGiuseppe Chiari, a world premiere of the compete cycle of 12 \u003c\/em\u003e\u003cem\u003e“Intervalli”. Elegantly performed and recorded by Reinier Van Houdt, \u003c\/em\u003e\u003cem\u003ethis timeless composition from 1950-56 anticipates Minimalist by a \u003c\/em\u003e\u003cem\u003edecade as well as Concetual and Sytems-Based-Composition while \u003c\/em\u003e\u003cem\u003eintersecting the perspectives that would soon be delevoped by Fluxus, \u003c\/em\u003e\u003cem\u003ethe group Chiari would join in 1962.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Giuseppe Chiari’s “Intervalli” for piano still retain the charm of \u003c\/em\u003e\u003cem\u003ea discovery, even when considered in the context of their historical \u003c\/em\u003e\u003cem\u003eperspective. Composed within a time frame that extends throughout the \u003c\/em\u003e\u003cem\u003eentire first half of the 1950s, they are striking for the precocity of \u003c\/em\u003e\u003cem\u003etheir compositional conception based on a radical reduction of musical \u003c\/em\u003e\u003cem\u003eparameters on mathematical and rational grounds. One might also be \u003c\/em\u003e\u003cem\u003esurprised to discover that Chiari’s early compositions follow such a \u003c\/em\u003e\u003cem\u003erigorous logical approach in the organisation of musical material, \u003c\/em\u003e\u003cem\u003eparticularly in light of the subsequent direction his work took, which \u003c\/em\u003e\u003cem\u003eestablished him, within the Neo-Avant-Garde, as the most resolute and \u003c\/em\u003e\u003cem\u003edetermined exponent of gestural music—a genre thus free from any dogma \u003c\/em\u003e\u003cem\u003eor structural constraints.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In “Intervalli” Chiari focuses on the idea of a rational \u003c\/em\u003e\u003cem\u003e‘arrangement’ of the sequence of sounds and\/or their simultaneity \u003c\/em\u003e\u003cem\u003ethrough a more or less controlled system of repetitions of variants or \u003c\/em\u003e\u003cem\u003einvariants, defined by their interval features and duration. A system \u003c\/em\u003e\u003cem\u003ethat is more or less controlled, as it operates within a limited set \u003c\/em\u003e\u003cem\u003eof given possibilities, a factor that leads to a radical narrowing of \u003c\/em\u003e\u003cem\u003ethe musical parameters. The twelve pieces comprising the “Intervalli” \u003c\/em\u003e\u003cem\u003ecycle are entirely structured around a dual approach: a rigorous \u003c\/em\u003e\u003cem\u003evertical and harmonic sequence of sounds (adopted exclusively in Nos. \u003c\/em\u003e\u003cem\u003e1, 2 and 5) or their horizontal and linear arrangement (which \u003c\/em\u003e\u003cem\u003echaracterises all the remaining pieces in the cycle). In their \u003c\/em\u003e\u003cem\u003esequential development, the vertical\/chordal and horizontal\/linear \u003c\/em\u003e\u003cem\u003edirectives adopt a similar principle of conjugation, constructed \u003c\/em\u003e\u003cem\u003ethrough a system of invariants that repeats cyclically: a pivotal \u003c\/em\u003e\u003cem\u003esound is always identified—one that characterises both the chord and \u003c\/em\u003e\u003cem\u003ethe start of a linear sequence—on the basis of which a sequence of \u003c\/em\u003e\u003cem\u003einterval relationships, either free or governed by their mathematical \u003c\/em\u003e\u003cem\u003eand numerical significance, is applied alternately. In turn, this \u003c\/em\u003e\u003cem\u003epivotal sound may remain invariant (as exemplified by No. 2, where the \u003c\/em\u003e\u003cem\u003eentire interval structure of each chord is built around a central C \u003c\/em\u003e\u003cem\u003erepeated throughout), or it may be subject to variation whilst still \u003c\/em\u003e\u003cem\u003eunderpinning a numerical-interval structure that replicates certain \u003c\/em\u003e\u003cem\u003econstants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The systematic processes of limiting and repeating musical \u003c\/em\u003e\u003cem\u003eparameters will be elements that, by analogy, will later come to the \u003c\/em\u003e\u003cem\u003efore with the birth of musical minimalism. It would, however, be a \u003c\/em\u003e\u003cem\u003estretch to regard Chiari's “Intervalli” as a driving force that will \u003c\/em\u003e\u003cem\u003ehave a direct impact on the emergence and establishment of this \u003c\/em\u003e\u003cem\u003ecurrent. Whilst minimal music employs the systematic reduction of \u003c\/em\u003e\u003cem\u003eparameters and their repetition to guide unidirectional development as \u003c\/em\u003e\u003cem\u003ea gradual process, Chiari's “Intervalli” move towards an opposing \u003c\/em\u003e\u003cem\u003econcept that “explores the relationships between sounds without any \u003c\/em\u003e\u003cem\u003etemporal hierarchy” in order to achieve “music that strips succession \u003c\/em\u003e\u003cem\u003eof its discursive power”. A clear indication of an objective, almost \u003c\/em\u003e\u003cem\u003eatomistic conception of sound, aimed at deconstructing its syntactic \u003c\/em\u003e\u003cem\u003ehomologation. Hence its conceptual relevance, which cannot be equated \u003c\/em\u003e\u003cem\u003ewith the canonical currents of minimalism: a nuance that would \u003c\/em\u003e\u003cem\u003esubsequently predispose Chiari to an informal openness towards the \u003c\/em\u003e\u003cem\u003eperformative gesture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The “Intervalli” cycle thus marked Chiari’s first point of \u003c\/em\u003e\u003cem\u003earrival, but also a point of no return—save for the final decade of \u003c\/em\u003e\u003cem\u003ehis creative career, when a still surprising new recourse to musical \u003c\/em\u003e\u003cem\u003ewriting was mediated precisely by a gestural instinctiveness. Between \u003c\/em\u003e\u003cem\u003ethese two extremes, it is precisely the epiphany of the gesture—after \u003c\/em\u003e\u003cem\u003earchiving the experience carried out with “Intervalli”—that will \u003c\/em\u003e\u003cem\u003erepresent, for Chiari, the deconstructive code of the canons handed \u003c\/em\u003e\u003cem\u003edown by musical tradition, thereby opening a new and decisive chapter \u003c\/em\u003e\u003cem\u003ein his creative thinking.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e This first edition of complete “Intervalli” also includes liner \u003c\/em\u003e\u003cem\u003enotes by Gabriele Bonomo as well as the reproduction of some of the \u003c\/em\u003e\u003cem\u003epages from the original score.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Chiari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-P 58NMN187\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-11T12:00:42+09:00","created_at":"2026-05-10T09:04:47+09:00","vendor":"Tobira Records","type":"","tags":["Alga Marghen","contemporary \/ sound poetry","lp","new","recommended"],"price":482900,"price_min":482900,"price_max":482900,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48869099962618,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giuseppe Chiari \/\/ Intervalli LP","public_title":null,"options":["Default Title"],"price":482900,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ChiariBACK.jpg?v=1778371263","\/\/tobirarecords.com\/cdn\/shop\/files\/ChiariFRONT.jpg?v=1778371263"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ChiariBACK.jpg?v=1778371263","options":["Title"],"media":[{"alt":null,"id":39322184089850,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1772,"width":1772,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ChiariBACK.jpg?v=1778371263"},"aspect_ratio":1.0,"height":1772,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ChiariBACK.jpg?v=1778371263","width":1772},{"alt":null,"id":39322184122618,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1772,"width":1772,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ChiariFRONT.jpg?v=1778371263"},"aspect_ratio":1.0,"height":1772,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ChiariFRONT.jpg?v=1778371263","width":1772}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフルクサス初期メンバーとしても活動していたイタリアの実験音楽家Giuseppe Chiariが、2026年4月に同国実験レーベルAlga Marghenからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e1950-1956年に制作したコンセプチュアルな楽曲12曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"alga marghenは、Giuseppe Chiariによる歴史的な作品『Intervalli』を誇りを持って発表する。レイニエ・ファン・ホウトによる優雅な演奏と録音で綴られる、1950年から56年にかけてのこの時代を超越した作品は、ミニマリズムを10年先取りし、コンセプチュアル・コンポジションやシステムベース・コンポジションの先駆けとなる一方で、Chiariが1962年に参加することになるグループ「フルクサス」によってまもなく展開される視点とも交差している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGiuseppe Chiariのピアノのための『Intervalli』は、歴史的文脈に照らして考察したとしても、今なお「発見」の魅力を失っていない。1950年代前半の全期間にわたって作曲されたこれらの作品は、数学的・合理的な根拠に基づく音楽的パラメータの徹底的な削減という作曲概念の早熟さにおいて際立っている。Intervalliの初期作品が、音楽的素材の構成においてこれほど厳格な論理的アプローチを採っていることに驚かされるかもしれない。特に、その後の彼の作品の方向性を踏まえるとなおさらである。彼はネオ・アヴァンギャルドにおいて、いかなる教条や構造的制約からも自由なジャンルであるジェスチャー・ミュージックの、最も断固として決意に満ちた代表者として確立されたのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Intervalli』において、Chiariは、音程的特徴と持続時間によって定義される変異形または不変形の反復という、多かれ少なかれ制御されたシステムを通じて、音の連なりやその同時性を合理的に「配置」するという概念に焦点を当てている。このシステムは、与えられた限られた可能性の範囲内で機能するため、多かれ少なかれ制御されたものであり、この要因が音楽的パラメータの急激な狭窄をもたらしている。『Intervalli』の連作を構成する12の作品は、すべて二つのアプローチを中心に構築されている。すなわち、厳格な垂直的・和声的な音の連なり（第1、2、5番にのみ採用）か、あるいは水平的・線的な配置（連作の残りの全作品の特徴）である。その展開において、垂直的／和声的および水平的／線形的指針は、周期的に繰り返される不変項の体系を通じて構築された、類似の結合原理を採用している。すなわち、和音と線的配列の開始点の両方を特徴づける基軸となる音が常に特定され、それを基に、自由な、あるいは数学的・数値的意義によって規定された音程関係の配列が交互に適用される。一方、この枢要な音は不変のまま留まることもあれば（第2番のように、各和音の全音程構造が全編を通じて繰り返される中心のCを軸に構築されている例が挙げられる）、あるいは変容を遂げつつも、特定の定数を再現する数値的・音程的構造を支え続けることもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e音楽的パラメータを限定し反復するという体系的なプロセスは、類推すれば、後に音楽的ミニマリズムの誕生とともに前面に出てくる要素となるだろう。しかし、Chiariの『Intervalli』を、この潮流の出現と確立に直接的な影響を与える原動力と見なすのは、無理があるだろう。ミニマル・ミュージックがパラメータの体系的な削減と反復を用いて、漸進的なプロセスとしての単方向的な展開を導くのに対し、Chiariの『Intervalli』は、「音楽から連続性の言説的力を剥ぎ取る」ために、「時間的な階層性を一切持たない音の関係性を探求する」という対極的な概念へと向かっている。これは、音の統語的同型性を解体することを目的とした、客観的かつほぼ原子論的な音概念の明確な表れである。ゆえに、その概念的意義はミニマリズムの正統的な潮流とは同列に扱えない。このニュアンスこそが、後にChiariを演奏的ジェスチャーに対する形式にとらわれない開放性へと導くことになる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこうして『Intervalli』の連作は、Chiariにとって最初の到達点であると同時に、もはや後戻りできない分岐点でもあった――ただし、創作活動の最後の10年間を除いては。その時期、音楽的書法への驚くべき新たなアプローチが、まさにジェスチャー的な直感性によって媒介されたのである。これら両極端の間において、まさに『Intervalli』で積み重ねられた経験をアーカイブ化した後の、ジェスチャーへの啓示こそが、Chiariにとって音楽的伝統によって受け継がれてきた規範の脱構築的コードとなり、それによって彼の創作思想において新たかつ決定的な一章を切り開くことになるのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこの『Intervalli』全曲集の初版には、ガブリエレ・ボノモによるライナーノーツに加え、原譜の一部ページの複製も収録されている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ShH9sJrzugs?si=zvLIrHP8sAwJhwUk\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/alga-marghen\"\u003ehere\u003c\/a\u003e to see more Alga Marghen releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies. \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"alga marghen proudly presents the historical “Intervalli” by \u003c\/em\u003e\u003cem\u003eGiuseppe Chiari, a world premiere of the compete cycle of 12 \u003c\/em\u003e\u003cem\u003e“Intervalli”. Elegantly performed and recorded by Reinier Van Houdt, \u003c\/em\u003e\u003cem\u003ethis timeless composition from 1950-56 anticipates Minimalist by a \u003c\/em\u003e\u003cem\u003edecade as well as Concetual and Sytems-Based-Composition while \u003c\/em\u003e\u003cem\u003eintersecting the perspectives that would soon be delevoped by Fluxus, \u003c\/em\u003e\u003cem\u003ethe group Chiari would join in 1962.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e Giuseppe Chiari’s “Intervalli” for piano still retain the charm of \u003c\/em\u003e\u003cem\u003ea discovery, even when considered in the context of their historical \u003c\/em\u003e\u003cem\u003eperspective. Composed within a time frame that extends throughout the \u003c\/em\u003e\u003cem\u003eentire first half of the 1950s, they are striking for the precocity of \u003c\/em\u003e\u003cem\u003etheir compositional conception based on a radical reduction of musical \u003c\/em\u003e\u003cem\u003eparameters on mathematical and rational grounds. One might also be \u003c\/em\u003e\u003cem\u003esurprised to discover that Chiari’s early compositions follow such a \u003c\/em\u003e\u003cem\u003erigorous logical approach in the organisation of musical material, \u003c\/em\u003e\u003cem\u003eparticularly in light of the subsequent direction his work took, which \u003c\/em\u003e\u003cem\u003eestablished him, within the Neo-Avant-Garde, as the most resolute and \u003c\/em\u003e\u003cem\u003edetermined exponent of gestural music—a genre thus free from any dogma \u003c\/em\u003e\u003cem\u003eor structural constraints.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e In “Intervalli” Chiari focuses on the idea of a rational \u003c\/em\u003e\u003cem\u003e‘arrangement’ of the sequence of sounds and\/or their simultaneity \u003c\/em\u003e\u003cem\u003ethrough a more or less controlled system of repetitions of variants or \u003c\/em\u003e\u003cem\u003einvariants, defined by their interval features and duration. A system \u003c\/em\u003e\u003cem\u003ethat is more or less controlled, as it operates within a limited set \u003c\/em\u003e\u003cem\u003eof given possibilities, a factor that leads to a radical narrowing of \u003c\/em\u003e\u003cem\u003ethe musical parameters. The twelve pieces comprising the “Intervalli” \u003c\/em\u003e\u003cem\u003ecycle are entirely structured around a dual approach: a rigorous \u003c\/em\u003e\u003cem\u003evertical and harmonic sequence of sounds (adopted exclusively in Nos. \u003c\/em\u003e\u003cem\u003e1, 2 and 5) or their horizontal and linear arrangement (which \u003c\/em\u003e\u003cem\u003echaracterises all the remaining pieces in the cycle). In their \u003c\/em\u003e\u003cem\u003esequential development, the vertical\/chordal and horizontal\/linear \u003c\/em\u003e\u003cem\u003edirectives adopt a similar principle of conjugation, constructed \u003c\/em\u003e\u003cem\u003ethrough a system of invariants that repeats cyclically: a pivotal \u003c\/em\u003e\u003cem\u003esound is always identified—one that characterises both the chord and \u003c\/em\u003e\u003cem\u003ethe start of a linear sequence—on the basis of which a sequence of \u003c\/em\u003e\u003cem\u003einterval relationships, either free or governed by their mathematical \u003c\/em\u003e\u003cem\u003eand numerical significance, is applied alternately. In turn, this \u003c\/em\u003e\u003cem\u003epivotal sound may remain invariant (as exemplified by No. 2, where the \u003c\/em\u003e\u003cem\u003eentire interval structure of each chord is built around a central C \u003c\/em\u003e\u003cem\u003erepeated throughout), or it may be subject to variation whilst still \u003c\/em\u003e\u003cem\u003eunderpinning a numerical-interval structure that replicates certain \u003c\/em\u003e\u003cem\u003econstants.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e The systematic processes of limiting and repeating musical \u003c\/em\u003e\u003cem\u003eparameters will be elements that, by analogy, will later come to the \u003c\/em\u003e\u003cem\u003efore with the birth of musical minimalism. It would, however, be a \u003c\/em\u003e\u003cem\u003estretch to regard Chiari's “Intervalli” as a driving force that will \u003c\/em\u003e\u003cem\u003ehave a direct impact on the emergence and establishment of this \u003c\/em\u003e\u003cem\u003ecurrent. Whilst minimal music employs the systematic reduction of \u003c\/em\u003e\u003cem\u003eparameters and their repetition to guide unidirectional development as \u003c\/em\u003e\u003cem\u003ea gradual process, Chiari's “Intervalli” move towards an opposing \u003c\/em\u003e\u003cem\u003econcept that “explores the relationships between sounds without any \u003c\/em\u003e\u003cem\u003etemporal hierarchy” in order to achieve “music that strips succession \u003c\/em\u003e\u003cem\u003eof its discursive power”. A clear indication of an objective, almost \u003c\/em\u003e\u003cem\u003eatomistic conception of sound, aimed at deconstructing its syntactic \u003c\/em\u003e\u003cem\u003ehomologation. Hence its conceptual relevance, which cannot be equated \u003c\/em\u003e\u003cem\u003ewith the canonical currents of minimalism: a nuance that would \u003c\/em\u003e\u003cem\u003esubsequently predispose Chiari to an informal openness towards the \u003c\/em\u003e\u003cem\u003eperformative gesture.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e The “Intervalli” cycle thus marked Chiari’s first point of \u003c\/em\u003e\u003cem\u003earrival, but also a point of no return—save for the final decade of \u003c\/em\u003e\u003cem\u003ehis creative career, when a still surprising new recourse to musical \u003c\/em\u003e\u003cem\u003ewriting was mediated precisely by a gestural instinctiveness. Between \u003c\/em\u003e\u003cem\u003ethese two extremes, it is precisely the epiphany of the gesture—after \u003c\/em\u003e\u003cem\u003earchiving the experience carried out with “Intervalli”—that will \u003c\/em\u003e\u003cem\u003erepresent, for Chiari, the deconstructive code of the canons handed \u003c\/em\u003e\u003cem\u003edown by musical tradition, thereby opening a new and decisive chapter \u003c\/em\u003e\u003cem\u003ein his creative thinking.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e This first edition of complete “Intervalli” also includes liner \u003c\/em\u003e\u003cem\u003enotes by Gabriele Bonomo as well as the reproduction of some of the \u003c\/em\u003e\u003cem\u003epages from the original score.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Giuseppe Chiari\u003c\/p\u003e\n\u003cp\u003eLabel : Alga Marghen\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eplana-P 58NMN187\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026\u003c\/span\u003e\u003c\/p\u003e"}
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フルクサス初期メンバーとしても活動していたイタリアの実験音楽家Giuseppe Chiariが、2026年4月に同国実験レーベルAlga Marghenからリリースしたレコードです。 1950-1956年に制作したコンセプチュアルな楽曲12曲を収録。インサート付属。 レコードのみでの発表となります。 以下、レーベルによる解説です。 "alga marghenは、Giuseppe Chiariによる歴史的な作品『Intervalli』を誇りを持って発表する。レイニエ・ファン・ホウトによる優雅な演奏と録音で綴られる、1950年から56年にかけてのこの時代を超越した作品は、ミニマリズムを10年先取りし、コンセプチュアル・コンポジションやシステムベース・コンポジションの先駆けとなる一方で、Chiariが1962年に参加することになるグループ「フルクサス」によってまもなく展開される視点とも交差している。 Giuseppe Chiariのピアノのための『Intervalli』は、歴史的文脈に照らして考察したとしても、今なお「発見」の魅力を失っていない。1950年代前半の全期間にわたって作曲されたこれらの作品は、数学的・合理的な根拠に基づく音楽的パラメータの徹底的な削減という作曲概念の早熟さにおいて際立っている。Intervalliの初期作品が、音楽的素材の構成においてこれほど厳格な論理的アプローチを採っていることに驚かされるかもしれない。特に、その後の彼の作品の方向性を踏まえるとなおさらである。彼はネオ・アヴァンギャルドにおいて、いかなる教条や構造的制約からも自由なジャンルであるジェスチャー・ミュージックの、最も断固として決意に満ちた代表者として確立されたのである。 『Intervalli』において、Chiariは、音程的特徴と持続時間によって定義される変異形または不変形の反復という、多かれ少なかれ制御されたシステムを通じて、音の連なりやその同時性を合理的に「配置」するという概念に焦点を当てている。このシステムは、与えられた限られた可能性の範囲内で機能するため、多かれ少なかれ制御されたものであり、この要因が音楽的パラメータの急激な狭窄をもたらしている。『Intervalli』の連作を構成する12の作品は、すべて二つのアプローチを中心に構築されている。すなわち、厳格な垂直的・和声的な音の連なり（第1、2、5番にのみ採用）か、あるいは水平的・線的な配置（連作の残りの全作品の特徴）である。その展開において、垂直的／和声的および水平的／線形的指針は、周期的に繰り返される不変項の体系を通じて構築された、類似の結合原理を採用している。すなわち、和音と線的配列の開始点の両方を特徴づける基軸となる音が常に特定され、それを基に、自由な、あるいは数学的・数値的意義によって規定された音程関係の配列が交互に適用される。一方、この枢要な音は不変のまま留まることもあれば（第2番のように、各和音の全音程構造が全編を通じて繰り返される中心のCを軸に構築されている例が挙げられる）、あるいは変容を遂げつつも、特定の定数を再現する数値的・音程的構造を支え続けることもある。 音楽的パラメータを限定し反復するという体系的なプロセスは、類推すれば、後に音楽的ミニマリズムの誕生とともに前面に出てくる要素となるだろう。しかし、Chiariの『Intervalli』を、この潮流の出現と確立に直接的な影響を与える原動力と見なすのは、無理があるだろう。ミニマル・ミュージックがパラメータの体系的な削減と反復を用いて、漸進的なプロセスとしての単方向的な展開を導くのに対し、Chiariの『Intervalli』は、「音楽から連続性の言説的力を剥ぎ取る」ために、「時間的な階層性を一切持たない音の関係性を探求する」という対極的な概念へと向かっている。これは、音の統語的同型性を解体することを目的とした、客観的かつほぼ原子論的な音概念の明確な表れである。ゆえに、その概念的意義はミニマリズムの正統的な潮流とは同列に扱えない。このニュアンスこそが、後にChiariを演奏的ジェスチャーに対する形式にとらわれない開放性へと導くことになる。 こうして『Intervalli』の連作は、Chiariにとって最初の到達点であると同時に、もはや後戻りできない分岐点でもあった――ただし、創作活動の最後の10年間を除いては。その時期、音楽的書法への驚くべき新たなアプローチが、まさにジェスチャー的な直感性によって媒介されたのである。これら両極端の間において、まさに『Intervalli』で積み重ねられた経験をアーカイブ化した後の、ジェスチャーへの啓示こそが、Chiariにとって音楽的伝統によって受け継がれてきた規範の脱構築的コードとなり、それによって彼の創作思想において新たかつ決定的な一章を切り開くことになるのである。...
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{"id":9221939986682,"title":"Rumil Vildanov \/\/ Kino Variants 1967-1986 2xLP","handle":"rumil-vildanov-kino-variants-1967-1986-2xlp","description":"\u003cp\u003eウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1967-1986年に制作した映画音楽82曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003e2026 vinyl reissue of the work of\u003cspan\u003e 20th century Uzbek composer \u003c\/span\u003eRumil Vildano. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Abstract Variants\u003cbr\u003eB. Orchestral Variants\u003cbr\u003eC. Rubab Variants\u003cbr\u003eD. Titles Variants\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double LP - complete with printed inner sleeves and issued in highly limited edition of 300 copies on black vinyl - provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the \"Ennio Morricone of Central Asia\". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts - all created to accompany moving image - totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents, which have, until now, remained almost entirely unheard beyond the time and place within which he worked - contributes a significant historical counterpoint to standing perceptions connected to artistic expression under Soviet rule, placing the composer's engrossing contribution to post-war music within the broader context it deserves.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRumil Vildanov was born into an intellectual family in Bishkek, Uzbekistan, in 1939. His musical education began early, eventually leading him to the Tashkent conservatory, where he studied composition. For the entirety of Vildanov's life, Uzbekistan made up an important part of the Soviet Union, representing one of its most diverse regions, being an ethnic and cultural melting pot at the axis between Europe, the Middle East, and Asia. While often subtle, all of these elements - working within a context of Soviet state control, and the influences of numerous cultural touchstones - offered a guiding undercurrent to the sprawling body of work that Vildanov produced between the early 1960s and his death in 1987. While he taught for most of his professional life - first at the conservatory between 1962 and 68, then at a prominent music school for children 1968 and 1981, before returning to the conservatory during the last years of his life - playing a significant role in shaping subsequent generations of Uzbek artists - his career as a composer was widely celebrated in his own time, winning him the Republican state prize for his sprawling body of chamber and symphonic works, as well for his efforts working in musical theatre, ballet, children's puppet theater, and eventually film. It was arguably in the latter form, that the composer found his greatest vehicle for expression. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became \"obsessed with making music for cinema\" and remained deeply connected to the field for the rest of his life - collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov - contributing to some of the most significant and highly regarded soundtrack works - acclaimed for their richness and diversity - of Soviet and Uzbek cinema during the second half of the 20th Century.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones across its 82 pieces. Curated thematically rather than strictly chronologically - offering track information and pointing toward the associated film and scene of each in the album's liner notes - the collection begins with 29 Abstract Variations of various durations, rendered on a range of instruments - synthesizer, harp, harpsichord, and timpani, among numerous others - in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. Rather than simple fragments or short passages intended to add dramatic effect through their association with moving image, Vildanov's \"abstractions\" stand autonomously as impactful sonic miniatures, revealing particularly singular sensibilities for structure, attack, and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second side of the collection offers an immersion into Vildanov's Orchestral Variations, which move between constrained and encompassing scales of instrumental combination. Traversing a remarkable range of sonic expressiveness and creative vision - continuously defying expectation, individually and collectively, as they unfold - these variations offer further illumination of the composer's talent and versatility. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities, becoming particularly striking in instances where the inner conversations and conjunctions are bent and twisted through the composer's striking combinations of synthesizers and orchestral instruments, having few parallels, before or since.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, Rubab Variations and Titles Variations. The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia, similar to the Indian Sarod, that has strong presence in Uzbekistan. The instrument's sound and cultural plurality presents a perfect mirror to the diversity and cultural multiplicity of the composer's home. Ranging from solo pieces, imbued with an aching sense of poetry, to more complex multi-instrumental arguments and various electronic interventions - each standing among the most authentic and distinct musical hybrids composed during the 20th Century - as the instrument's percussive tonality dances in space, Vildanov's Rubab Variations bend time and place, seeding experimentalism with the richness of ancient tradition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTitles Variations, the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. A fitting conclusion, distilling decades spent traversing the multifaceted possibilities of organized sound, as well as the radical possibilities activated through its combination with film, this grouping encompasses moving orchestral pieces, minimal gestures, meditative passages, and subtle sonic experiments, each packing a powerful punch - creatively as much as emotively - into the relatively discreet scale.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOffering a social, cultural, and historical revelation, casting light upon one of the most unique and overlooked composers working behind the Iron Curtain during the 1960s, '70s, and '80s, Rumil Vildanov's Kino Variants 1967-1986, issued by Von as a deluxe 2LP set in highly limited edition of 300 copies on black vinyl - complete with printed inner sleeves, providing extensive information on the 82 pieces comprised across its four sides - is nothing short of a towering accomplishment, immersing the ear in truly visionary sounds that upend longstanding perceptions of the nature of 20th Century sounds. Curated and researched by Carlos Casas and Saodat Ismailova, meticolous audio restoration and mastering by Andrea Marutti give these archival recordings the presence and clarity they deserve. Truly incredible and not to be missed. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rumil Vildanov\u003c\/p\u003e\n\u003cp\u003eLabel : Von\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVON 020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-12T05:17:58+09:00","created_at":"2026-05-10T08:47:08+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","new","strange beats"],"price":634000,"price_min":634000,"price_max":634000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48869067784442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rumil Vildanov \/\/ Kino Variants 1967-1986 2xLP","public_title":null,"options":["Default Title"],"price":634000,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","options":["Title"],"media":[{"alt":null,"id":39322129563898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":357,"width":357,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190"},"aspect_ratio":1.0,"height":357,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-10at8.42.08am.png?v=1778370190","width":357},{"alt":null,"id":39322129531130,"position":2,"preview_image":{"aspect_ratio":1.0,"height":599,"width":599,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190"},"aspect_ratio":1.0,"height":599,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/rum1_4566404d-d74e-4f0f-bb7a-b706658bd0f9.jpg?v=1778370190","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e1967-1986年に制作した映画音楽82曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e2 x 12\" black vinyl.\u003cbr\u003e2026 vinyl reissue of the work of\u003cspan\u003e 20th century Uzbek composer \u003c\/span\u003eRumil Vildano. \u003cbr\u003eEdition of 300 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA. Abstract Variants\u003cbr\u003eB. Orchestral Variants\u003cbr\u003eC. Rubab Variants\u003cbr\u003eD. Titles Variants\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Continuing their longstanding explorations of unexpected and adventurous territories of sound, Von - the imprint run by filmmaker and sound artist Carlos Casas and cofounded with Nico Vascellari - is pleased to present Kino Variants 1967-1986, the first-ever collection to illuminate the vast body of work created by the Uzbek composer Rumil Vildanov during the second half of the 20th Century. Offering a rare glimpse of liberated creative spirit operating behind the Iron Curtain, this engrossing double LP - complete with printed inner sleeves and issued in highly limited edition of 300 copies on black vinyl - provides an unprecedented immersion into the work of one of the most celebrated composers from Uzbekistan, often described as the \"Ennio Morricone of Central Asia\". Comprising a startling range of electronic and electroacoustic experiments, evocative chamber works and orchestral works, and more discrete instrumental efforts - all created to accompany moving image - totaling an incredible 82 pieces in total, this remarkable sonic journey into Vildanov's inner world and towering talents, which have, until now, remained almost entirely unheard beyond the time and place within which he worked - contributes a significant historical counterpoint to standing perceptions connected to artistic expression under Soviet rule, placing the composer's engrossing contribution to post-war music within the broader context it deserves.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eRumil Vildanov was born into an intellectual family in Bishkek, Uzbekistan, in 1939. His musical education began early, eventually leading him to the Tashkent conservatory, where he studied composition. For the entirety of Vildanov's life, Uzbekistan made up an important part of the Soviet Union, representing one of its most diverse regions, being an ethnic and cultural melting pot at the axis between Europe, the Middle East, and Asia. While often subtle, all of these elements - working within a context of Soviet state control, and the influences of numerous cultural touchstones - offered a guiding undercurrent to the sprawling body of work that Vildanov produced between the early 1960s and his death in 1987. While he taught for most of his professional life - first at the conservatory between 1962 and 68, then at a prominent music school for children 1968 and 1981, before returning to the conservatory during the last years of his life - playing a significant role in shaping subsequent generations of Uzbek artists - his career as a composer was widely celebrated in his own time, winning him the Republican state prize for his sprawling body of chamber and symphonic works, as well for his efforts working in musical theatre, ballet, children's puppet theater, and eventually film. It was arguably in the latter form, that the composer found his greatest vehicle for expression. Beginning in 1964, when he was first asked by the director, Elyor Ishmuhamedov, to compose the music for one of his films, Vildanov became \"obsessed with making music for cinema\" and remained deeply connected to the field for the rest of his life - collaborating with prominent filmmakers, including Eldor Urazbaev, Ali Khamraev, and Shukhrat Abbasov - contributing to some of the most significant and highly regarded soundtrack works - acclaimed for their richness and diversity - of Soviet and Uzbek cinema during the second half of the 20th Century.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eIt is Vildanov's sonic contributions to film, around which Kino Variants 1967-1986 narrows its focus, illuminating the composer's striking range and diverse touchstones across its 82 pieces. Curated thematically rather than strictly chronologically - offering track information and pointing toward the associated film and scene of each in the album's liner notes - the collection begins with 29 Abstract Variations of various durations, rendered on a range of instruments - synthesizer, harp, harpsichord, and timpani, among numerous others - in solo and multi-instrumental combinations, utilizing both purely acoustic and electroacoustic approaches. Rather than simple fragments or short passages intended to add dramatic effect through their association with moving image, Vildanov's \"abstractions\" stand autonomously as impactful sonic miniatures, revealing particularly singular sensibilities for structure, attack, and space.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second side of the collection offers an immersion into Vildanov's Orchestral Variations, which move between constrained and encompassing scales of instrumental combination. Traversing a remarkable range of sonic expressiveness and creative vision - continuously defying expectation, individually and collectively, as they unfold - these variations offer further illumination of the composer's talent and versatility. Retaining a strong sense of cohesive vision within their diversity, Vildanov elegantly moves between the use of avant-garde tonal dissonance and lush melodic sensibilities, becoming particularly striking in instances where the inner conversations and conjunctions are bent and twisted through the composer's striking combinations of synthesizers and orchestral instruments, having few parallels, before or since.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe second LP of Kino Variants 1967-1986 is dedicated to two thematic groupings, Rubab Variations and Titles Variations. The first stands among the most culturally revealing bodies of work in the collection; centering the focus upon Vildanov's compositions for the rubab, a lute-like stringed instrument played in parts of Central and South Asia, similar to the Indian Sarod, that has strong presence in Uzbekistan. The instrument's sound and cultural plurality presents a perfect mirror to the diversity and cultural multiplicity of the composer's home. Ranging from solo pieces, imbued with an aching sense of poetry, to more complex multi-instrumental arguments and various electronic interventions - each standing among the most authentic and distinct musical hybrids composed during the 20th Century - as the instrument's percussive tonality dances in space, Vildanov's Rubab Variations bend time and place, seeding experimentalism with the richness of ancient tradition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTitles Variations, the collection's fourth and final side, comprises 19 pieces that expand and further illuminate the range of Vildanov's musical explorations, the majority of which date from the final decade of the composer's life. A fitting conclusion, distilling decades spent traversing the multifaceted possibilities of organized sound, as well as the radical possibilities activated through its combination with film, this grouping encompasses moving orchestral pieces, minimal gestures, meditative passages, and subtle sonic experiments, each packing a powerful punch - creatively as much as emotively - into the relatively discreet scale.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOffering a social, cultural, and historical revelation, casting light upon one of the most unique and overlooked composers working behind the Iron Curtain during the 1960s, '70s, and '80s, Rumil Vildanov's Kino Variants 1967-1986, issued by Von as a deluxe 2LP set in highly limited edition of 300 copies on black vinyl - complete with printed inner sleeves, providing extensive information on the 82 pieces comprised across its four sides - is nothing short of a towering accomplishment, immersing the ear in truly visionary sounds that upend longstanding perceptions of the nature of 20th Century sounds. Curated and researched by Carlos Casas and Saodat Ismailova, meticolous audio restoration and mastering by Andrea Marutti give these archival recordings the presence and clarity they deserve. Truly incredible and not to be missed. \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rumil Vildanov\u003c\/p\u003e\n\u003cp\u003eLabel : Von\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVON 020\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2026 (reissue)\u003c\/span\u003e\u003c\/p\u003e"}
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ウズベキスタンの作曲家Rumil Vildanovが、2026年4月にイタリアのVONからリリースした2枚組レコードです。 1967-1986年に制作した映画音楽82曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ----------------------------------------------------- Ask us for digital files. 2 x 12" black vinyl.2026...
¥6,340
クイックビュー
{"id":9221938807034,"title":"Pino Musi, Paolo Spaccamonti \/\/ Border Soundscapes II LP+PHOTOBOOK","handle":"pino-musi-paolo-spaccamonti-border-soundscapes-ii-lp","description":"\u003cp\u003eイタリアの写真家Pino MusiとギタリストPaolo Spaccamontiが、2026年4月に同国実験レーベル\u003cspan\u003eDie Schachtel\u003c\/span\u003eからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン〜アンビエントドローン2曲を収録。3.5メートルのアコーディオン型写真集と直筆サインが付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"実験的なサウンドの現代的な風景への、近年の驚くべき没入を土台として、Die Schachtelは、これまでで最も印象的なリリースの一つとなる『Border Soundscapes II』を携えて帰ってきた。本作は、学際的な実践の境界において長年にわたり積み重ねてきた彼らの取り組みを、深い達成感と優雅さをもって凝縮したものである。レーベル所属のブルーノ・ストゥッキが企画・監修を務め、グラフィックデザインも手掛けたこの非常に特別なヴァイナル限定アート・エディションは、ギタリスト兼作曲家のPaolo Spaccamontiが、著名な写真家Pino Musiとの幽玄なコラボレーションを展開している。アーティストが厳選した24枚の画像は、本作に付属する全長3.5メートルのレポレロ（アコーディオン式）ブックとして刊行され、アルバムの両面に広がる、細部と雰囲気に満ちた抽象的な音響の楽譜として機能している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサレルノ生まれで現在はパリを拠点とするPino Musiの写真は、世界中で広く展示され、ヴェネチア・ビエンナーレでも紹介されている。現代建築、古代遺跡、製鉄所、農村の建築、都市の景観などを題材とし、純粋な形態と構図の抽象性に焦点を当てている。トリノを拠点とするギタリスト兼作曲家のPaolo Spaccamontiは、20年以上にわたり、数多くの創造的分野でサウンドを扱い、アインシュトゥルツェンデ・ノイバウテンのヨッヘン・アーバイトから、ステファノ・ピリア、リッカルド・シニガリア、ジム・ホワイトといった作曲家たちに至るまで、幅広いアーティストと密接なコラボレーションを行ってきた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusiの写真の根底にある要素を映し出すような、深い抽象性と空間感覚に満ちたPaolo Spaccamontiのギターによる演奏は、しばしばギターとは認識できないほど変容し、アルバムの両面にわたって驚くべき幅広さで展開される。そこには、インダストリアルな響きを帯びた金属音や擦れる音、吸収された音色、濃厚なディストーションのパッセージ、重なり合い変化するドローン、絶えず聴き手を驚かせる音高や音色のアクセント、そして解体されたメロディが、これらすべての要素を単一のまとまりある世界へと結びつける広大なアンビエンスの中に埋め込まれている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2127502197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in silkscreened cover. \u003cbr\u003eIncludes insert + 3.60m long leporello (accordion-style) photo book.\u003cbr\u003eEdition of 200 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Border Soundscapes II - Side A 20:00\u003cbr\u003e2. Border Soundscapes II - Side B 20:00\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBuilding upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated and curated by the label's own Bruno Stucchi, who also contributed the release's graphic design, this very special vinyl only art edition encounters the guitarist and composer, Paolo Spaccamonti, operating in spectral collaboration with the renowned photographs of Pino Musi: utilizing 24 images selected by the artist, published as a three and a half meter long leporello (accordion style) book that accompanies the edition, as the score for the detail and ambience laden abstractions that sprawl across the album's two sides.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn in Salerno, but currently based in Paris, Pino Musi's photographs, exhibited widely across the globe and featured in the Venice Biennale, utilize modern architecture, classical ruins, steel mills, rural architecture, and urban cityscapes as their subjects, focused on pure form and compositional abstraction. Paolo Spaccamonti is a Turin-based guitarist and\u003cspan class=\"bcTruncateMore\"\u003e composer who, for more than two decades, has worked with sound across numerous creative disciplines, bringing him into intimate collaboration with everyone from Jochen Arbeit of Einstürzende Neubauten, to composers like Stefano Pilia, Riccardo Sinigaglia, Jim White, and numerous others.\u003cbr\u003e\u003cbr\u003eImbued with a deep sense of abstraction and space that mirrors the foundational elements of Musi's photographs, Spaccamonti's work on guitar, often unrecognizable as such, unfurls across the album's two sides with a striking degree of range, embracing a palette of industrially tinged clangs and scrapes, subsumed tones, passages of dense distortion, overlapping and shifting drones, endlessly surprising tonal and timbral punctuations, and deconstructed melodies, embedded within the sprawling ambiences that bind these actions within a single, cohesive world.\u003cbr\u003e\u003cbr\u003eIssued as a very special vinyl only art edition, limited to 200 copies, housed in a silkscreened sleeve, hand-signed by Musi, Spaccamonti, and Stucchi, accompanied by a three and a half meter long leporello book comprising Musi's 24 photographs. Truly amazing and not to be missed.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Pino Musi, Paolo Spaccamonti\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eZEIT 21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-12T05:14:19+09:00","created_at":"2026-05-10T08:40:30+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Die Schachtel","drone","lp","new"],"price":1150000,"price_min":1150000,"price_max":1150000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48869064573178,"title":"Default Title","option1":"Default 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Title"],"price":1150000,"weight":630,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_42c981ac-0b34-428d-966f-8d688dfa51ef.jpg?v=1778369905","\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_4aad68a4-8cb0-47b4-9d26-5e83d9d2e8ae.jpg?v=1778369905","\/\/tobirarecords.com\/cdn\/shop\/files\/pi3_f2f3bd65-329f-47a7-85d5-2ee043ae1378.jpg?v=1778369905","\/\/tobirarecords.com\/cdn\/shop\/files\/pi4.jpg?v=1778369905","\/\/tobirarecords.com\/cdn\/shop\/files\/di5.jpg?v=1778369905"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_42c981ac-0b34-428d-966f-8d688dfa51ef.jpg?v=1778369905","options":["Title"],"media":[{"alt":null,"id":39322122092794,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_42c981ac-0b34-428d-966f-8d688dfa51ef.jpg?v=1778369905"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi1_42c981ac-0b34-428d-966f-8d688dfa51ef.jpg?v=1778369905","width":350},{"alt":null,"id":39322122125562,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_4aad68a4-8cb0-47b4-9d26-5e83d9d2e8ae.jpg?v=1778369905"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi2_4aad68a4-8cb0-47b4-9d26-5e83d9d2e8ae.jpg?v=1778369905","width":1200},{"alt":null,"id":39322122158330,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi3_f2f3bd65-329f-47a7-85d5-2ee043ae1378.jpg?v=1778369905"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi3_f2f3bd65-329f-47a7-85d5-2ee043ae1378.jpg?v=1778369905","width":1200},{"alt":null,"id":39322122191098,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi4.jpg?v=1778369905"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pi4.jpg?v=1778369905","width":1200},{"alt":null,"id":39322122060026,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di5.jpg?v=1778369905"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/di5.jpg?v=1778369905","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリアの写真家Pino MusiとギタリストPaolo Spaccamontiが、2026年4月に同国実験レーベル\u003cspan\u003eDie Schachtel\u003c\/span\u003eからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eロングフォームなドローン〜アンビエントドローン2曲を収録。3.5メートルのアコーディオン型写真集と直筆サインが付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"実験的なサウンドの現代的な風景への、近年の驚くべき没入を土台として、Die Schachtelは、これまでで最も印象的なリリースの一つとなる『Border Soundscapes II』を携えて帰ってきた。本作は、学際的な実践の境界において長年にわたり積み重ねてきた彼らの取り組みを、深い達成感と優雅さをもって凝縮したものである。レーベル所属のブルーノ・ストゥッキが企画・監修を務め、グラフィックデザインも手掛けたこの非常に特別なヴァイナル限定アート・エディションは、ギタリスト兼作曲家のPaolo Spaccamontiが、著名な写真家Pino Musiとの幽玄なコラボレーションを展開している。アーティストが厳選した24枚の画像は、本作に付属する全長3.5メートルのレポレロ（アコーディオン式）ブックとして刊行され、アルバムの両面に広がる、細部と雰囲気に満ちた抽象的な音響の楽譜として機能している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサレルノ生まれで現在はパリを拠点とするPino Musiの写真は、世界中で広く展示され、ヴェネチア・ビエンナーレでも紹介されている。現代建築、古代遺跡、製鉄所、農村の建築、都市の景観などを題材とし、純粋な形態と構図の抽象性に焦点を当てている。トリノを拠点とするギタリスト兼作曲家のPaolo Spaccamontiは、20年以上にわたり、数多くの創造的分野でサウンドを扱い、アインシュトゥルツェンデ・ノイバウテンのヨッヘン・アーバイトから、ステファノ・ピリア、リッカルド・シニガリア、ジム・ホワイトといった作曲家たちに至るまで、幅広いアーティストと密接なコラボレーションを行ってきた。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMusiの写真の根底にある要素を映し出すような、深い抽象性と空間感覚に満ちたPaolo Spaccamontiのギターによる演奏は、しばしばギターとは認識できないほど変容し、アルバムの両面にわたって驚くべき幅広さで展開される。そこには、インダストリアルな響きを帯びた金属音や擦れる音、吸収された音色、濃厚なディストーションのパッセージ、重なり合い変化するドローン、絶えず聴き手を驚かせる音高や音色のアクセント、そして解体されたメロディが、これらすべての要素を単一のまとまりある世界へと結びつける広大なアンビエンスの中に埋め込まれている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2127502197\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eDie Schachtel releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl in silkscreened cover. \u003cbr\u003eIncludes insert + 3.60m long leporello (accordion-style) photo book.\u003cbr\u003eEdition of 200 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Border Soundscapes II - Side A 20:00\u003cbr\u003e2. Border Soundscapes II - Side B 20:00\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eBuilding upon their recent, incredible immersions into the contemporary landscape of experimental sound, Die Schachtel returns with one of their most striking releases to date, Border Soundscapes II, distilling their longstanding efforts at the borders of interdisciplinary practice with a profound sense of accomplishment and grace. Instigated and curated by the label's own Bruno Stucchi, who also contributed the release's graphic design, this very special vinyl only art edition encounters the guitarist and composer, Paolo Spaccamonti, operating in spectral collaboration with the renowned photographs of Pino Musi: utilizing 24 images selected by the artist, published as a three and a half meter long leporello (accordion style) book that accompanies the edition, as the score for the detail and ambience laden abstractions that sprawl across the album's two sides.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBorn in Salerno, but currently based in Paris, Pino Musi's photographs, exhibited widely across the globe and featured in the Venice Biennale, utilize modern architecture, classical ruins, steel mills, rural architecture, and urban cityscapes as their subjects, focused on pure form and compositional abstraction. Paolo Spaccamonti is a Turin-based guitarist and\u003cspan class=\"bcTruncateMore\"\u003e composer who, for more than two decades, has worked with sound across numerous creative disciplines, bringing him into intimate collaboration with everyone from Jochen Arbeit of Einstürzende Neubauten, to composers like Stefano Pilia, Riccardo Sinigaglia, Jim White, and numerous others.\u003cbr\u003e\u003cbr\u003eImbued with a deep sense of abstraction and space that mirrors the foundational elements of Musi's photographs, Spaccamonti's work on guitar, often unrecognizable as such, unfurls across the album's two sides with a striking degree of range, embracing a palette of industrially tinged clangs and scrapes, subsumed tones, passages of dense distortion, overlapping and shifting drones, endlessly surprising tonal and timbral punctuations, and deconstructed melodies, embedded within the sprawling ambiences that bind these actions within a single, cohesive world.\u003cbr\u003e\u003cbr\u003eIssued as a very special vinyl only art edition, limited to 200 copies, housed in a silkscreened sleeve, hand-signed by Musi, Spaccamonti, and Stucchi, accompanied by a three and a half meter long leporello book comprising Musi's 24 photographs. Truly amazing and not to be missed.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Pino Musi, Paolo Spaccamonti\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Die Schachtel\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eZEIT 21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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イタリアの写真家Pino MusiとギタリストPaolo Spaccamontiが、2026年4月に同国実験レーベルDie Schachtelからリリースした共作レコードです。 ロングフォームなドローン〜アンビエントドローン2曲を収録。3.5メートルのアコーディオン型写真集と直筆サインが付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "実験的なサウンドの現代的な風景への、近年の驚くべき没入を土台として、Die Schachtelは、これまでで最も印象的なリリースの一つとなる『Border Soundscapes II』を携えて帰ってきた。本作は、学際的な実践の境界において長年にわたり積み重ねてきた彼らの取り組みを、深い達成感と優雅さをもって凝縮したものである。レーベル所属のブルーノ・ストゥッキが企画・監修を務め、グラフィックデザインも手掛けたこの非常に特別なヴァイナル限定アート・エディションは、ギタリスト兼作曲家のPaolo Spaccamontiが、著名な写真家Pino Musiとの幽玄なコラボレーションを展開している。アーティストが厳選した24枚の画像は、本作に付属する全長3.5メートルのレポレロ（アコーディオン式）ブックとして刊行され、アルバムの両面に広がる、細部と雰囲気に満ちた抽象的な音響の楽譜として機能している。 サレルノ生まれで現在はパリを拠点とするPino...
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{"id":9221247959290,"title":"Aaron Shaw \/\/ And So It Is LP","handle":"aaron-shaw-and-so-it-is-lp","description":"\u003cp\u003eアメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Waxをはじめ、LAのジャズ、ヒップホップ、ラップ、エレクトロニック、実験音楽シーンにおいて、名だたるベテランから新進気鋭、アンダーグラウンドのアーティストに至るまで、数多くのアーティストと共演している。ラデラ・ハイツで生まれ育った彼は、フェルナンド・プラム・コミュニティ・アーツ・センターやLAカウンティ・ハイスクール・フォー・ザ・アーツ（LACHSA）で腕を磨き、やがてカマシ・ワシントンの指導を受けるようになった。2025年リリースの『Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople』では、全編にわたりカマシ・ワシントンとの音楽的な対話を繰り広げている。長年の研鑽、献身、そしてライブ活動を経て、初のフルアルバムリリースへの道のりは険しいものとなっ\u003c\/em\u003e\u003cem\u003eた。2月13日にLeaving Recordsよりリリースされる『And So It Is』は、すでに並外れた才能を持つ彼に突きつけられた、肉体的、音楽的、そして精神的な変容を記録した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年、27歳の時、数ヶ月にわたる不穏な症状と医療上の行き詰まりを経て、Shawは骨髄不全と診断された。彼はこの状況を「厳しい」と簡潔に表現している。そのような診断に伴う疎外感、疲労、恐怖――果てしない検査や治療プロトコルは言うまでもなく――6年生以来、意識的に人生を捧げてきた音楽という技芸そのものを奏でるShawの能力が、突如として根本から覆された。核心となったのはShawの赤血球数と、十分な酸素を供給できない状態だった。管楽器の原動力である「息」が、今や不足していたのだ。かつてはごく普通のライブだったものが、医療的な賭け事へと変わった。ステージまで何段の階段があるか？標高の高いアイディルワイルドで演奏できるだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその後の受容のプロセスは（重大な健康上の試練がそうであるように）困難で、直線的ではなかった。感情的な消耗（泣き崩れる時期、社会的孤立）の時期と、自身の限界を克服しようとする勇敢な試み（新しいマウスピースやリードの試行、姿勢の変更）が交錯していた。当初、音色の変化に苛立ちを覚えたShawだったが、それを乗り越えた。音楽を奏でることが、依然として彼にとって最大の慰めだったのだ。この自己療法と、新たな演奏スタイルという制約の中で、楽曲は徐々に形を成していった。「And So It Is（そういうことなのだ）」——Shawが教会音楽に浸っていた幼少期に遡るこの言葉は、この創作期間のマントラとなり、やがてアルバムタイトルとなった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLeaving Recordsの関連アーティストであるカルロス・ニーニョ（パーカッショニストであり、特にアンドレ3000の『New Blue Sun』のプロデューサーとしても知られる）の温かい見守りの下、『And So It Is』は徐々に形を成していった。これは、絶望と孤立の深淵、そして自らの死と向き合うことから生まれる奇妙な明晰さを掘り下げる、8曲からなる連作である。その名にふさわしい1曲目「Soul Journey」が、リスナーをその世界へと導く。最初は不協和で、物思いにふけり、まるで雨に打たれたような動きが、より集中し推進力のある中間部へと移行する（ここには、前進への意欲を感じさせる粘り強さがある）。そして徐々に、チェロとハープの響きの上に落ち着いていく。『And So It Is』は全編を通じて内省的な視点を保ちつつ、超越的な瞬間も存在する。それは、Shawを悩ませていた個人的な懸念が、音楽形式の発見と表現における純粋な喜びへと道を譲るかのような瞬間である……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1718169522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soul Journey 04:31\u003cbr\u003e2. Heart of a Phoenix 09:27\u003cbr\u003e3. Windows to the Soul 05:01\u003cbr\u003e4. The Path to Clarity 03:48\u003cbr\u003e5. Echoes of the Heart 02:52\u003cbr\u003e6. Jubilant Voyage 05:10\u003cbr\u003e7. Inner Compass 04:41\u003cbr\u003e8. Never Catch Me Out of Alignment 06:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert Park, Shaw has collaborated with everyone from Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, to Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Wax and many more less well known OG, established, emerging, and underground Artists in the LA Jazz, Hip-Hop, Rap, Electronic, and Experimental Music scenes. Born and raised in Ladera Heights, he cut his teeth at the Fernando Pullum Community Arts Center and the LA County High School for the Arts (LACHSA) before eventually entering the tutelage of Kamasi Washington, who he is featured with in tandem Musical conversation on the entirety of the 2025 release Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople. After years of study, dedication, and gig-work, the path to his first full\u003cspan class=\"bcTruncateMore\"\u003e-length release proved to be a perilous one. And So It Is, out February 13th on Leaving Records, documents the physical, musical, and spiritual transformation thrust upon an already extraordinary talent.\u003cbr\u003e\u003cbr\u003eIn 2023, at age 27, and after months of troubling symptoms and medical dead-ends, Shaw was diagnosed with bone marrow failure—a state of affairs he succinctly describes as “grim.” To say nothing of the alienation, exhaustion, and fear that accompanies such a diagnosis—the endless testing and treatment protocols—Shaw’s very capacity to play music, the craft to which he had consciously dedicated his life since the sixth grade, was suddenly, radically altered. The key matter was Shaw’s red blood cell count, and his incapacity to produce sufficient oxygen. Breath, the activating force of the wind instrument, was now in short supply. A once-normal gig became a medical gamble. How many stairs to the stage? Could he play in Idyllwild’s higher altitude?\u003cbr\u003e\u003cbr\u003eThe subsequent process of acceptance was fraught and non-linear (as major health journeys tend to be), characterized by periods of emotional exhaustion (crying spells, social isolation), as well as brave attempts to troubleshoot his limitations (experimenting with new mouthpieces and reeds, changing his posture). Initially frustrated by the resultant changes to his sound, Shaw pushed through. Playing music was still his primary source of solace. Through this self-therapy, and within the constraints of a new playing style, songs began to coalesce. “And So It Is,” a saying Shaw traces back to a childhood immersed in church music, became the mantra for this creative period, and eventually the collection’s title.\u003cbr\u003e\u003cbr\u003eUnder the nurturing eye of Leaving Record’s affiliate Carlos Niño (percussionist and, notably, the Producer for Andre 3000’s New Blue Sun) And So It Is slowly took shape—An eight song cycle that plums the depths of despair and isolation, as well as the strange clarity that comes from confronting one’s mortality. The aptly-titled first track, “Soul Journey” orients the listener. An initially off-kilter, ruminative, almost rainswept movement gives way to a more focused and propulsive mid-section (one senses grit here, a desire for forward momentum), before gradually laying down to a bed of cello and harp. And So It Is retains an inward focus throughout, and there are moments of transcendence, when the individual concerns plaguing Shaw seem to give way to pure delight in the discovery and expression of musical forms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aaron Shaw\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLR297\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th February 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-09T15:01:59+09:00","created_at":"2026-05-09T10:01:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new"],"price":449500,"price_min":449500,"price_max":449500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48866125807866,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aaron Shaw \/\/ And So It Is LP","public_title":null,"options":["Default Title"],"price":449500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"198704743085","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","options":["Title"],"media":[{"alt":null,"id":39310060126458,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa1.jpg?v=1778288359","width":350},{"alt":null,"id":39310060159226,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/aa2.jpg?v=1778288358","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ8曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Waxをはじめ、LAのジャズ、ヒップホップ、ラップ、エレクトロニック、実験音楽シーンにおいて、名だたるベテランから新進気鋭、アンダーグラウンドのアーティストに至るまで、数多くのアーティストと共演している。ラデラ・ハイツで生まれ育った彼は、フェルナンド・プラム・コミュニティ・アーツ・センターやLAカウンティ・ハイスクール・フォー・ザ・アーツ（LACHSA）で腕を磨き、やがてカマシ・ワシントンの指導を受けるようになった。2025年リリースの『Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople』では、全編にわたりカマシ・ワシントンとの音楽的な対話を繰り広げている。長年の研鑽、献身、そしてライブ活動を経て、初のフルアルバムリリースへの道のりは険しいものとなっ\u003c\/em\u003e\u003cem\u003eた。2月13日にLeaving Recordsよりリリースされる『And So It Is』は、すでに並外れた才能を持つ彼に突きつけられた、肉体的、音楽的、そして精神的な変容を記録した作品である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年、27歳の時、数ヶ月にわたる不穏な症状と医療上の行き詰まりを経て、Shawは骨髄不全と診断された。彼はこの状況を「厳しい」と簡潔に表現している。そのような診断に伴う疎外感、疲労、恐怖――果てしない検査や治療プロトコルは言うまでもなく――6年生以来、意識的に人生を捧げてきた音楽という技芸そのものを奏でるShawの能力が、突如として根本から覆された。核心となったのはShawの赤血球数と、十分な酸素を供給できない状態だった。管楽器の原動力である「息」が、今や不足していたのだ。かつてはごく普通のライブだったものが、医療的な賭け事へと変わった。ステージまで何段の階段があるか？標高の高いアイディルワイルドで演奏できるだろうか？\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eその後の受容のプロセスは（重大な健康上の試練がそうであるように）困難で、直線的ではなかった。感情的な消耗（泣き崩れる時期、社会的孤立）の時期と、自身の限界を克服しようとする勇敢な試み（新しいマウスピースやリードの試行、姿勢の変更）が交錯していた。当初、音色の変化に苛立ちを覚えたShawだったが、それを乗り越えた。音楽を奏でることが、依然として彼にとって最大の慰めだったのだ。この自己療法と、新たな演奏スタイルという制約の中で、楽曲は徐々に形を成していった。「And So It Is（そういうことなのだ）」——Shawが教会音楽に浸っていた幼少期に遡るこの言葉は、この創作期間のマントラとなり、やがてアルバムタイトルとなった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLeaving Recordsの関連アーティストであるカルロス・ニーニョ（パーカッショニストであり、特にアンドレ3000の『New Blue Sun』のプロデューサーとしても知られる）の温かい見守りの下、『And So It Is』は徐々に形を成していった。これは、絶望と孤立の深淵、そして自らの死と向き合うことから生まれる奇妙な明晰さを掘り下げる、8曲からなる連作である。その名にふさわしい1曲目「Soul Journey」が、リスナーをその世界へと導く。最初は不協和で、物思いにふけり、まるで雨に打たれたような動きが、より集中し推進力のある中間部へと移行する（ここには、前進への意欲を感じさせる粘り強さがある）。そして徐々に、チェロとハープの響きの上に落ち着いていく。『And So It Is』は全編を通じて内省的な視点を保ちつつ、超越的な瞬間も存在する。それは、Shawを悩ませていた個人的な懸念が、音楽形式の発見と表現における純粋な喜びへと道を譲るかのような瞬間である……\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1718169522\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eIncludes insert.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Soul Journey 04:31\u003cbr\u003e2. Heart of a Phoenix 09:27\u003cbr\u003e3. Windows to the Soul 05:01\u003cbr\u003e4. The Path to Clarity 03:48\u003cbr\u003e5. Echoes of the Heart 02:52\u003cbr\u003e6. Jubilant Voyage 05:10\u003cbr\u003e7. Inner Compass 04:41\u003cbr\u003e8. Never Catch Me Out of Alignment 06:46\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eBy no means a secret, (and in steady demand,) but certainly in the category of IYKYK, multi-instrumentalist Aaron Shaw is one of Los Angeles’s brightest young Composers, Producers, Arrangers, Band Leaders, and Music Directors. In his Home Studio that he shares with his older Brother, Lawrence (together making up the group Black Nile), Shaw can be found playing Saxophones, Clarinets, Flutes, Keyboards, Drum Machines, and also Engineering Sessions. A frequent fixture at The World Stage in Leimert Park, Shaw has collaborated with everyone from Pan Afrikan Peoples Arkestra, Phil Ranelin, Herbie Hancock, and Miguel Atwood-Ferguson, to Mary J. Blige, Dave Chapelle, Tyler, The Creator, Anderson .Paak, Nightmares on Wax and many more less well known OG, established, emerging, and underground Artists in the LA Jazz, Hip-Hop, Rap, Electronic, and Experimental Music scenes. Born and raised in Ladera Heights, he cut his teeth at the Fernando Pullum Community Arts Center and the LA County High School for the Arts (LACHSA) before eventually entering the tutelage of Kamasi Washington, who he is featured with in tandem Musical conversation on the entirety of the 2025 release Saul Williams meets Carlos Niño \u0026amp; Friends at TreePeople. After years of study, dedication, and gig-work, the path to his first full\u003cspan class=\"bcTruncateMore\"\u003e-length release proved to be a perilous one. And So It Is, out February 13th on Leaving Records, documents the physical, musical, and spiritual transformation thrust upon an already extraordinary talent.\u003cbr\u003e\u003cbr\u003eIn 2023, at age 27, and after months of troubling symptoms and medical dead-ends, Shaw was diagnosed with bone marrow failure—a state of affairs he succinctly describes as “grim.” To say nothing of the alienation, exhaustion, and fear that accompanies such a diagnosis—the endless testing and treatment protocols—Shaw’s very capacity to play music, the craft to which he had consciously dedicated his life since the sixth grade, was suddenly, radically altered. The key matter was Shaw’s red blood cell count, and his incapacity to produce sufficient oxygen. Breath, the activating force of the wind instrument, was now in short supply. A once-normal gig became a medical gamble. How many stairs to the stage? Could he play in Idyllwild’s higher altitude?\u003cbr\u003e\u003cbr\u003eThe subsequent process of acceptance was fraught and non-linear (as major health journeys tend to be), characterized by periods of emotional exhaustion (crying spells, social isolation), as well as brave attempts to troubleshoot his limitations (experimenting with new mouthpieces and reeds, changing his posture). Initially frustrated by the resultant changes to his sound, Shaw pushed through. Playing music was still his primary source of solace. Through this self-therapy, and within the constraints of a new playing style, songs began to coalesce. “And So It Is,” a saying Shaw traces back to a childhood immersed in church music, became the mantra for this creative period, and eventually the collection’s title.\u003cbr\u003e\u003cbr\u003eUnder the nurturing eye of Leaving Record’s affiliate Carlos Niño (percussionist and, notably, the Producer for Andre 3000’s New Blue Sun) And So It Is slowly took shape—An eight song cycle that plums the depths of despair and isolation, as well as the strange clarity that comes from confronting one’s mortality. The aptly-titled first track, “Soul Journey” orients the listener. An initially off-kilter, ruminative, almost rainswept movement gives way to a more focused and propulsive mid-section (one senses grit here, a desire for forward momentum), before gradually laying down to a bed of cello and harp. And So It Is retains an inward focus throughout, and there are moments of transcendence, when the individual concerns plaguing Shaw seem to give way to pure delight in the discovery and expression of musical forms...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aaron Shaw\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLR297\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 13th February 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカ・LAのマルチ奏者Aaron Shawが、2026年2月にLAの老舗レーベルStones Throwからリリースしたレコードです。 スピリチュアル・アンビエントジャズ8曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "決して秘密というわけではなく（需要も絶えない）、しかし間違いなく「知る人ぞ知る」存在であるマルチ・インストゥルメンタリストAaron Shawは、ロサンゼルスで最も注目すべき若手作曲家、プロデューサー、編曲家、バンドリーダー、そして音楽監督の一人だ。兄のローレンス（二人でグループ「ブラック・ナイル」を結成）と共有するホームスタジオでは、Aaron Shawがサックス、クラリネット、フルート、キーボード、ドラムマシンを演奏したり、レコーディングのエンジニアリングを手掛けたりする姿が見られる。ライマート・パークの「ザ・ワールド・ステージ」の常連であるAaron Shawは、Pan Afrikan Peoples Arkestra, Phil...
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{"id":9221231444218,"title":"Fumitake Tamura \/\/ Mijin LP","handle":"fumitake-tamura-mijin-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれた東京の異端ビートメイカー／マスタリングエンジニアFumitake Tamuraが、2026年4月にアメリカ・LAの老舗レーベルLeaving Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e没入感のある実験ヒップホップ〜グリッチIDM〜アンビエント10曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音は無音の 間 にたいして、表現上（この言葉はきわめて一般的な意味として受けとってほしい）の優位にたつものではない。 \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e—— 武満徹『音、沈黙と測りあえるほどに』（新潮社、1971年）\u003cspan class=\"bcTruncateMore\"\u003e、196–197頁 \u003cbr\u003e\u003cbr\u003eアルバムのタイトル「微塵（Mijin）」は、非常に細かい粒を意味する日本語に由来しています。 \u003cbr\u003e“微塵な音”を集めていき、空間の中で響かせながら、それらのあいだに生じるわずかな動きを見つめていくと、やがて全体のバランスが形づくられていきます。 \u003cbr\u003eそういった関係性と、そこで生じる緊張のなかで「沈黙」と「音」が、どのような共鳴を起こすのかを探りました。 \u003cbr\u003eアルバムは、録音されたピアノの最小限の和音から始まり、断片的な声やパーカッション、Rhodesやシンセサイザー、そしてジャズやソウルの残響を再構築しながら展開していきます。 \u003cbr\u003e音は空気中に漂う粒のように存在し、それぞれがゆるやかに響き合いながら構成をつくっていきます。 \u003cbr\u003eその配置によって生まれる「間」や「沈黙」が、音と同じくらいの存在感をもって現れてくれることを願っています。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743269046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4131747923\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743269046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743269046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1337721282\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743269046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2313225684\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl + OBI with English and Japanese. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Interstice 03:17\u003cbr\u003e2. Ostinato (feat. Sam Gendel) 05:22\u003cbr\u003e3. Duration 05:04\u003cbr\u003e4. Resonance (feat. Saul Williams) 03:43\u003cbr\u003e5. Modulation 04:35\u003cbr\u003e6. Reduction 03:47\u003cbr\u003e7. Suspension 02:52\u003cbr\u003e8. Particles 04:35\u003cbr\u003e9. Offset 06:28\u003cbr\u003e10. Oscillation 03:58\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe title “Mijin” comes from a Japanese word meaning very fine particles.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe album gathers particle-like sounds and lets them resonate in space.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs I watch the movements that arise between them a balance gradually takes shape.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWithin those relationships and the quiet tension between them I explored how silence can resonate with sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album begins with the most minimal piano chords then develops by reconstructing fragments of voice and percussion, Rhodes and synths along with traces of jazz and soul.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach sound exists like a particle drifting in air gently resonating with the others to form the structure.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eI hope that the spaces and silences created by this placement will appear with a presence equal to the sounds themselves.\u003c\/em\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fumitake Tamura\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLR294\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-09T15:21:46+09:00","created_at":"2026-05-09T09:17:04+09:00","vendor":"Tobira Records","type":"","tags":["ambient","hiphop \/ funk","house","leaving records","lp","new","recommended"],"price":499400,"price_min":499400,"price_max":499400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48866040807674,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Fumitake Tamura \/\/ Mijin LP","public_title":null,"options":["Default Title"],"price":499400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"198704662973","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mij1.jpg?v=1778285712","\/\/tobirarecords.com\/cdn\/shop\/files\/mij2.jpg?v=1778285712"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mij1.jpg?v=1778285712","options":["Title"],"media":[{"alt":null,"id":39309796311290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mij1.jpg?v=1778285712"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mij1.jpg?v=1778285712","width":350},{"alt":null,"id":39309796344058,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mij2.jpg?v=1778285712"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mij2.jpg?v=1778285712","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eTobiraインストアショーケースでも素晴らしいライブを披露してくれた東京の異端ビートメイカー／マスタリングエンジニアFumitake Tamuraが、2026年4月にアメリカ・LAの老舗レーベルLeaving Recordsからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e没入感のある実験ヒップホップ〜グリッチIDM〜アンビエント10曲を収録。インサート付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"音は無音の 間 にたいして、表現上（この言葉はきわめて一般的な意味として受けとってほしい）の優位にたつものではない。 \u003c\/em\u003e\u003cbr\u003e\u003cem\u003e—— 武満徹『音、沈黙と測りあえるほどに』（新潮社、1971年）\u003cspan class=\"bcTruncateMore\"\u003e、196–197頁 \u003cbr\u003e\u003cbr\u003eアルバムのタイトル「微塵（Mijin）」は、非常に細かい粒を意味する日本語に由来しています。 \u003cbr\u003e“微塵な音”を集めていき、空間の中で響かせながら、それらのあいだに生じるわずかな動きを見つめていくと、やがて全体のバランスが形づくられていきます。 \u003cbr\u003eそういった関係性と、そこで生じる緊張のなかで「沈黙」と「音」が、どのような共鳴を起こすのかを探りました。 \u003cbr\u003eアルバムは、録音されたピアノの最小限の和音から始まり、断片的な声やパーカッション、Rhodesやシンセサイザー、そしてジャズやソウルの残響を再構築しながら展開していきます。 \u003cbr\u003e音は空気中に漂う粒のように存在し、それぞれがゆるやかに響き合いながら構成をつくっていきます。 \u003cbr\u003eその配置によって生まれる「間」や「沈黙」が、音と同じくらいの存在感をもって現れてくれることを願っています。\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743269046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4131747923\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743269046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743269046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1337721282\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3743269046\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2313225684\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl + OBI with English and Japanese. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Interstice 03:17\u003cbr\u003e2. Ostinato (feat. Sam Gendel) 05:22\u003cbr\u003e3. Duration 05:04\u003cbr\u003e4. Resonance (feat. Saul Williams) 03:43\u003cbr\u003e5. Modulation 04:35\u003cbr\u003e6. Reduction 03:47\u003cbr\u003e7. Suspension 02:52\u003cbr\u003e8. Particles 04:35\u003cbr\u003e9. Offset 06:28\u003cbr\u003e10. Oscillation 03:58\u003c\/p\u003e\n\u003cp\u003eFrom the artist:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe title “Mijin” comes from a Japanese word meaning very fine particles.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe album gathers particle-like sounds and lets them resonate in space.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs I watch the movements that arise between them a balance gradually takes shape.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eWithin those relationships and the quiet tension between them I explored how silence can resonate with sound.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe album begins with the most minimal piano chords then develops by reconstructing fragments of voice and percussion, Rhodes and synths along with traces of jazz and soul.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eEach sound exists like a particle drifting in air gently resonating with the others to form the structure.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eI hope that the spaces and silences created by this placement will appear with a presence equal to the sounds themselves.\u003c\/em\u003e\"\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Fumitake Tamura\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLR294\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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※10月中旬再入荷後発送します Tobiraインストアショーケースでも素晴らしいライブを披露してくれた東京の異端ビートメイカー／マスタリングエンジニアFumitake Tamuraが、2026年4月にアメリカ・LAの老舗レーベルLeaving Recordsからリリースしたレコードです。 没入感のある実験ヒップホップ〜グリッチIDM〜アンビエント10曲を収録。インサート付属。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、作家本人による解説です。 "音は無音の 間 にたいして、表現上（この言葉はきわめて一般的な意味として受けとってほしい）の優位にたつものではない。 —— 武満徹『音、沈黙と測りあえるほどに』（新潮社、1971年）、196–197頁 アルバムのタイトル「微塵（Mijin）」は、非常に細かい粒を意味する日本語に由来しています。 “微塵な音”を集めていき、空間の中で響かせながら、それらのあいだに生じるわずかな動きを見つめていくと、やがて全体のバランスが形づくられていきます。...
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{"id":9221154013434,"title":"Sam Wilkes \/\/ Wilkes LP","handle":"sam-wilkes-wilkes-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1909343724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Sam Wilkes and\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003elabelmate Carlos Niño: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eListening to WILKES numerous times, considering \u003c\/em\u003e\u003cem\u003ewhat I might write about it for a Press Release, (which I \u003c\/em\u003e\u003cem\u003eagreed to do because I'm a fan of his Music and his \u003c\/em\u003e\u003cem\u003ecollaborations with Sam Gendel and Louis Cole \/ Knower,) \u003c\/em\u003e\u003cem\u003eI was growing in enthusiasm, looking forward to my \u003c\/em\u003e\u003cem\u003enext radio show or DJ set including the song \"Today\" \u003c\/em\u003e\u003cem\u003eso I could hear it bump in a nice system. I was hyped \u003c\/em\u003e\u003cem\u003ethe more I took in this 6 song offering. I thought to ask \u003c\/em\u003e\u003cem\u003eSam about his new record and use his answers as aid \u003c\/em\u003e\u003cem\u003eto illustrate some of my feelings, but when I read his \u003c\/em\u003e\u003cem\u003ereply I thought you should too. It's so descriptive \u003c\/em\u003e\u003cem\u003eand visual, perfect to pull from and quote.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e.................................\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWhat does your last name Wilkes mean?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI actually just found that It means Wolf in Lithuanian. Which is \u003c\/em\u003e\u003cem\u003ecrazy because It was changed from Wolff to Wilkes upon immigration \u003c\/em\u003e\u003cem\u003eto the U.S. due to fear of a Judaic last name inhibiting my\u003cspan class=\"bcTruncateMore\"\u003e families ability to get work here. My heritage is a mix of Romanian, Russian, Polish, Liuthanian, and Austrian\/German I believe.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your last name Wilkes mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's vast. It provokes a different sentiment in me in different situations. I.e my dad's side of the family is one, while my immediate family is another, and within my musical community in Los Angeles and elsewhere it's also another. The latter is the sentiment \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eI'm really coming from on this record. Myself within the context of my beautiful community. This record does not exist without that community. My friend and collaborator, Sam Gendel calls me Wilkes and our friendship and musical relationship began to take a new form when I started to record him playing these songs of mine. Sam and my other dearest friends beginning to call me \"Wilkes\" (especially with humor) more and more coincided with a new era for me, which was the start of this record\/chapter.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your new record WILKES mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt is the first part of a two part chapter.\u003cbr\u003eIt's the product of realizing that I HAD to make my own art, instead of just working with\/for other projects (as I had done up until this point). Upon jumping into that pool and then swimming on my own for the first time, I realized that I could compose and produce the music that I want to hear; which I got VERY excited about. I have a pretty belligerent need to create and once I began, working on my own music became a daily necessity for fulfillment and to deal with what I was going through at the time.\u003cbr\u003eI expressed this through composition, production, sonics, and creating and curating an environment for Sam Gendel's, Brian Green's, Louis Cole's, and Christian Euman's genius to be heard and featured (i.e featuring personal cornerstones of that community I was talking about.) this, rather than, say, making music for the sake of making a \"bass record\", was the outlet I needed; it wasn't really an option, this was just the vehicle for my observations, experience, philosophy, love . . .\u003cbr\u003eIt's a snapshot, one that I worked so hard on, of who and where I was from 2015-2017.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDo you have visions about how this record may affect people?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI can't really articulate it.\u003cbr\u003eBut:\u003cbr\u003eI think Sam Gendel is the greatest saxophone player alive.\u003cbr\u003eI hope it makes some people feel that way too. This music was made to be played by him.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat were your biggest inspirations while making this record?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Coltrane\u003cbr\u003ePharaoh Sanders\u003cbr\u003eMiles Davis\u003cbr\u003eJoe Zawinul\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eDaniel Lanois\u003cbr\u003eMilton Nascimento\u003cbr\u003eRahsaan Roland Kirk\u003cbr\u003eQuincy Jones\u003cbr\u003eBrian Eno\u003cbr\u003eJames \"J Dilla\" Yancey\u003cbr\u003ePete Rock\u003cbr\u003eRudy Van Gelder\u003cbr\u003eJoseph Campbell\u003cbr\u003eGenevieve Artadi\u003cbr\u003eAlice Coltrane\u003cbr\u003eChanting\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat are your biggest general inspirations?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is infinite but, a short list:\u003cbr\u003eMy parents\u003cbr\u003eMy whole family\u003cbr\u003eHerman Hesse\u003cbr\u003ePatrice Rushen\u003cbr\u003eNdugu Chancler\u003cbr\u003eAlphonso Johnson\u003cbr\u003eJohn Daversa\u003cbr\u003eMichael Jordan\u003cbr\u003eDaniel Lanois\u003cbr\u003eQuincy Jones\u003cbr\u003eRay Brown\u003cbr\u003eStefan Sagmeister\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eBrian Green\u003cbr\u003eMythology\u003cbr\u003eJackson Pollack\u003cbr\u003eErnst Barlach\u003cbr\u003eWilliam Shakespeare\u003cbr\u003eRainer Maria Rilke\u003cbr\u003e\u003cbr\u003eand From my childhood -\u003cbr\u003ePhish\u003cbr\u003eThe Grateful Dead\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow would you describe the sound of your Bass, what do you see \/ envision when you're playing?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI would describe the sound of my bass as: Sam Wilkes.\u003cbr\u003eFor seeing and envisioning, It depends on the feeling I'm trying to express. Sometimes it's just colors or an image, but something I've gone back to a bit for whatever reason in some sessions as of late is the feeling of seeing fireworks and having a hot dog on the fourth of July as a kid, knowing that I didn't have to go to school the next day because it was summer and I was free, and just being happy and excited and full of love for my family and my best friends (kind of like that scene in that movie \"The Sandlot\"), and the feeling of knowing that I could go home and play or listen to CDs in my room and dance.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records \/ Stones Throw\u003c\/p\u003e","published_at":"2026-05-09T06:56:35+09:00","created_at":"2026-05-09T06:56:08+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","jazz","leaving records","lp","new","recommended"],"price":513800,"price_min":513800,"price_max":513800,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48865784365306,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Sam Wilkes \/\/ Wilkes LP","public_title":null,"options":["Default Title"],"price":513800,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"659457525118","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a3565543305_16_8f94166c-696b-4c9c-83b9-aeacedc308cf.jpg?v=1697586228","\/\/tobirarecords.com\/cdn\/shop\/files\/0014404780_10_3b88b10e-d8f0-4827-a424-7755fef996a6.jpg?v=1697586228"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3565543305_16_8f94166c-696b-4c9c-83b9-aeacedc308cf.jpg?v=1697586228","options":["Title"],"media":[{"alt":null,"id":32571747336442,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3565543305_16_8f94166c-696b-4c9c-83b9-aeacedc308cf.jpg?v=1697586228"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a3565543305_16_8f94166c-696b-4c9c-83b9-aeacedc308cf.jpg?v=1697586228","width":700},{"alt":null,"id":32571747369210,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0014404780_10_3b88b10e-d8f0-4827-a424-7755fef996a6.jpg?v=1697586228"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0014404780_10_3b88b10e-d8f0-4827-a424-7755fef996a6.jpg?v=1697586228","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース）\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1909343724\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 500. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInterview with Sam Wilkes and\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003elabelmate Carlos Niño: \u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eListening to WILKES numerous times, considering \u003c\/em\u003e\u003cem\u003ewhat I might write about it for a Press Release, (which I \u003c\/em\u003e\u003cem\u003eagreed to do because I'm a fan of his Music and his \u003c\/em\u003e\u003cem\u003ecollaborations with Sam Gendel and Louis Cole \/ Knower,) \u003c\/em\u003e\u003cem\u003eI was growing in enthusiasm, looking forward to my \u003c\/em\u003e\u003cem\u003enext radio show or DJ set including the song \"Today\" \u003c\/em\u003e\u003cem\u003eso I could hear it bump in a nice system. I was hyped \u003c\/em\u003e\u003cem\u003ethe more I took in this 6 song offering. I thought to ask \u003c\/em\u003e\u003cem\u003eSam about his new record and use his answers as aid \u003c\/em\u003e\u003cem\u003eto illustrate some of my feelings, but when I read his \u003c\/em\u003e\u003cem\u003ereply I thought you should too. It's so descriptive \u003c\/em\u003e\u003cem\u003eand visual, perfect to pull from and quote.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e.................................\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cem\u003eWhat does your last name Wilkes mean?\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI actually just found that It means Wolf in Lithuanian. Which is \u003c\/em\u003e\u003cem\u003ecrazy because It was changed from Wolff to Wilkes upon immigration \u003c\/em\u003e\u003cem\u003eto the U.S. due to fear of a Judaic last name inhibiting my\u003cspan class=\"bcTruncateMore\"\u003e families ability to get work here. My heritage is a mix of Romanian, Russian, Polish, Liuthanian, and Austrian\/German I believe.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your last name Wilkes mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt's vast. It provokes a different sentiment in me in different situations. I.e my dad's side of the family is one, while my immediate family is another, and within my musical community in Los Angeles and elsewhere it's also another. The latter is the sentiment \u003c\/span\u003e\u003c\/em\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eI'm really coming from on this record. Myself within the context of my beautiful community. This record does not exist without that community. My friend and collaborator, Sam Gendel calls me Wilkes and our friendship and musical relationship began to take a new form when I started to record him playing these songs of mine. Sam and my other dearest friends beginning to call me \"Wilkes\" (especially with humor) more and more coincided with a new era for me, which was the start of this record\/chapter.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat does your new record WILKES mean to you?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eIt is the first part of a two part chapter.\u003cbr\u003eIt's the product of realizing that I HAD to make my own art, instead of just working with\/for other projects (as I had done up until this point). Upon jumping into that pool and then swimming on my own for the first time, I realized that I could compose and produce the music that I want to hear; which I got VERY excited about. I have a pretty belligerent need to create and once I began, working on my own music became a daily necessity for fulfillment and to deal with what I was going through at the time.\u003cbr\u003eI expressed this through composition, production, sonics, and creating and curating an environment for Sam Gendel's, Brian Green's, Louis Cole's, and Christian Euman's genius to be heard and featured (i.e featuring personal cornerstones of that community I was talking about.) this, rather than, say, making music for the sake of making a \"bass record\", was the outlet I needed; it wasn't really an option, this was just the vehicle for my observations, experience, philosophy, love . . .\u003cbr\u003eIt's a snapshot, one that I worked so hard on, of who and where I was from 2015-2017.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eDo you have visions about how this record may affect people?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI can't really articulate it.\u003cbr\u003eBut:\u003cbr\u003eI think Sam Gendel is the greatest saxophone player alive.\u003cbr\u003eI hope it makes some people feel that way too. This music was made to be played by him.\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat were your biggest inspirations while making this record?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eJohn Coltrane\u003cbr\u003ePharaoh Sanders\u003cbr\u003eMiles Davis\u003cbr\u003eJoe Zawinul\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eDaniel Lanois\u003cbr\u003eMilton Nascimento\u003cbr\u003eRahsaan Roland Kirk\u003cbr\u003eQuincy Jones\u003cbr\u003eBrian Eno\u003cbr\u003eJames \"J Dilla\" Yancey\u003cbr\u003ePete Rock\u003cbr\u003eRudy Van Gelder\u003cbr\u003eJoseph Campbell\u003cbr\u003eGenevieve Artadi\u003cbr\u003eAlice Coltrane\u003cbr\u003eChanting\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eWhat are your biggest general inspirations?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eThis is infinite but, a short list:\u003cbr\u003eMy parents\u003cbr\u003eMy whole family\u003cbr\u003eHerman Hesse\u003cbr\u003ePatrice Rushen\u003cbr\u003eNdugu Chancler\u003cbr\u003eAlphonso Johnson\u003cbr\u003eJohn Daversa\u003cbr\u003eMichael Jordan\u003cbr\u003eDaniel Lanois\u003cbr\u003eQuincy Jones\u003cbr\u003eRay Brown\u003cbr\u003eStefan Sagmeister\u003cbr\u003eSam Gendel\u003cbr\u003eLouis Cole\u003cbr\u003eBrian Green\u003cbr\u003eMythology\u003cbr\u003eJackson Pollack\u003cbr\u003eErnst Barlach\u003cbr\u003eWilliam Shakespeare\u003cbr\u003eRainer Maria Rilke\u003cbr\u003e\u003cbr\u003eand From my childhood -\u003cbr\u003ePhish\u003cbr\u003eThe Grateful Dead\u003cbr\u003e~\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eHow would you describe the sound of your Bass, what do you see \/ envision when you're playing?\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003eI would describe the sound of my bass as: Sam Wilkes.\u003cbr\u003eFor seeing and envisioning, It depends on the feeling I'm trying to express. Sometimes it's just colors or an image, but something I've gone back to a bit for whatever reason in some sessions as of late is the feeling of seeing fireworks and having a hot dog on the fourth of July as a kid, knowing that I didn't have to go to school the next day because it was summer and I was free, and just being happy and excited and full of love for my family and my best friends (kind of like that scene in that movie \"The Sandlot\"), and the feeling of knowing that I could go home and play or listen to CDs in my room and dance.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records \/ Stones Throw\u003c\/p\u003e"}
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アメリカ・LAのベーシストSam Wilkesが、2023年5月にLAの老舗レーベルStones Throwからリリースした再発レコードです。(オリジナルは2018年にリリース） スピリチュアル・アンビエントジャズ〜ジャズ・ヒップホップ6曲を収録。 レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases available at...
¥5,138
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{"id":9221153652986,"title":"Time Wharp \/\/ Spiro World LP","handle":"time-wharp-spiro-world-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・NY\u003c\/span\u003e\u003cspan\u003eのマルチ奏者Time Wharpが、2022年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eほぼ全ての楽器を一人で演奏したアンビエント〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2159575615\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3345276452\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEast River Dusk 02:47\u003c\/li\u003e\n\u003cli\u003eLupron 04:01\u003c\/li\u003e\n\u003cli\u003eTOTP 01:59\u003c\/li\u003e\n\u003cli\u003eMixo World 04:46\u003c\/li\u003e\n\u003cli\u003eNo Furniture\/Tanagra 08:25\u003c\/li\u003e\n\u003cli\u003eTezeta 06:06\u003c\/li\u003e\n\u003cli\u003eSpiro World 04:38\u003c\/li\u003e\n\u003cli\u003eDelay I 06:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSpiro World (or One Must First Become Aware Of The Body) is the definitive Time Wharp full-length coming of age collection. Unhinged to any particular music scene, Spiro’s (in reference to prescription drug spironolactone) unabashed yet vulnerable all genre album story by its Brooklyn-based artist Kaye Loggins describes somatically profound personal experiences of derealization, the endocrinological mixolydian heaven \u0026amp; pharma hell on earth, and love letters to New York.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Time Wharp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-09T06:55:57+09:00","created_at":"2026-05-09T06:55:31+09:00","vendor":"Tobira Records","type":"","tags":["ambient","jazz","leaving records","lp","new"],"price":485200,"price_min":485200,"price_max":485200,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48865782825210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Time Wharp \/\/ Spiro World LP","public_title":null,"options":["Default Title"],"price":485200,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"669158566419","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_0f91a3c9-7851-4415-a3df-d4530f2cc479.jpg?v=1698988142","\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_71da3541-f86f-4a2b-b8ef-a7dc70427baf.jpg?v=1698988142"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_0f91a3c9-7851-4415-a3df-d4530f2cc479.jpg?v=1698988142","options":["Title"],"media":[{"alt":null,"id":32637322199290,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_0f91a3c9-7851-4415-a3df-d4530f2cc479.jpg?v=1698988142"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo1_0f91a3c9-7851-4415-a3df-d4530f2cc479.jpg?v=1698988142","width":700},{"alt":null,"id":32637322232058,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_71da3541-f86f-4a2b-b8ef-a7dc70427baf.jpg?v=1698988142"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/wo2_71da3541-f86f-4a2b-b8ef-a7dc70427baf.jpg?v=1698988142","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月中旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eアメリカ・NY\u003c\/span\u003e\u003cspan\u003eのマルチ奏者Time Wharpが、2022年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eほぼ全ての楽器を一人で演奏したアンビエント〜アンビエント・ジャズ8曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2159575615\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3451609423\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3345276452\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. 12\" black vinyl \u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eEast River Dusk 02:47\u003c\/li\u003e\n\u003cli\u003eLupron 04:01\u003c\/li\u003e\n\u003cli\u003eTOTP 01:59\u003c\/li\u003e\n\u003cli\u003eMixo World 04:46\u003c\/li\u003e\n\u003cli\u003eNo Furniture\/Tanagra 08:25\u003c\/li\u003e\n\u003cli\u003eTezeta 06:06\u003c\/li\u003e\n\u003cli\u003eSpiro World 04:38\u003c\/li\u003e\n\u003cli\u003eDelay I 06:06\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eLeaving Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eSpiro World (or One Must First Become Aware Of The Body) is the definitive Time Wharp full-length coming of age collection. Unhinged to any particular music scene, Spiro’s (in reference to prescription drug spironolactone) unabashed yet vulnerable all genre album story by its Brooklyn-based artist Kaye Loggins describes somatically profound personal experiences of derealization, the endocrinological mixolydian heaven \u0026amp; pharma hell on earth, and love letters to New York.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Time Wharp\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Leaving Records\u003c\/span\u003e\u003c\/p\u003e"}
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※10月中旬再入荷後発送します アメリカ・NYのマルチ奏者Time Wharpが、2022年6月に同国LAの老舗オールジャンルレーベルLeaving Recordsからリリースしたアルバムです。 ほぼ全ての楽器を一人で演奏したアンビエント〜アンビエント・ジャズ8曲を収録。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします レーベルその他作品はこちら /// Click here to see more Leaving Records/Stones Throw releases...
¥4,852
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{"id":9221135499514,"title":"Green-House \/\/ Six Songs for Invisible Gardens LP","handle":"green-house-six-songs-for-invisible-gardens-lp","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのポストニューエイジデュオ\u003cspan\u003eGreen-Houseが、2023年12月にLAの老舗レーベルLeaving Recordsからリリースした再発アルバムです。（オリジナルは2020年にカセットリリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e植物に良い影響を与えそうな柔らかいポストニューエイジ・アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nqCTPxdW9tQ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeperomia Seedling 03:43\u003c\/li\u003e\n\u003cli\u003eSansevieria 04:24\u003c\/li\u003e\n\u003cli\u003eParlor Palm 05:35\u003c\/li\u003e\n\u003cli\u003ePerennial Bloom 02:43\u003c\/li\u003e\n\u003cli\u003eSoft Meadow 05:28\u003c\/li\u003e\n\u003cli\u003eXylem 05:21\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Green-House is the project of Los Angeles based artist Olive Ardizoni.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eApproaching the project with an intentional naivety, they craft songs that find freedom through simplicity. As a non-binary artist, they hope to create a space with fewer barriers as both a performer and a listener.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir first release as Green-House, “Six songs for Invisible Gardens” (out Jan 15, 2020) was written with the intention of transforming the listening environment and augmenting domestic space. The music is designed as a communication with both plant life and the people who care for them.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Green-House\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e","published_at":"2026-05-09T06:43:25+09:00","created_at":"2026-05-09T06:42:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","leaving records","lp","new","post newage","stones throw"],"price":489400,"price_min":489400,"price_max":489400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48865748451578,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Green-House \/\/ Six Songs for Invisible Gardens LP","public_title":null,"options":["Default Title"],"price":489400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"659457528218","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/six1_94eed23a-e4f3-4742-84c7-03de9fc1bb4d.jpg?v=1703564653","\/\/tobirarecords.com\/cdn\/shop\/files\/six3_1198205b-cf07-4ce9-8a99-e185807a1b9f.jpg?v=1703564653"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/six1_94eed23a-e4f3-4742-84c7-03de9fc1bb4d.jpg?v=1703564653","options":["Title"],"media":[{"alt":null,"id":32879111635194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/six1_94eed23a-e4f3-4742-84c7-03de9fc1bb4d.jpg?v=1703564653"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/six1_94eed23a-e4f3-4742-84c7-03de9fc1bb4d.jpg?v=1703564653","width":700},{"alt":null,"id":32879111667962,"position":2,"preview_image":{"aspect_ratio":1.25,"height":960,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/six3_1198205b-cf07-4ce9-8a99-e185807a1b9f.jpg?v=1703564653"},"aspect_ratio":1.25,"height":960,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/six3_1198205b-cf07-4ce9-8a99-e185807a1b9f.jpg?v=1703564653","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※10月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003eアメリカ・LAのポストニューエイジデュオ\u003cspan\u003eGreen-Houseが、2023年12月にLAの老舗レーベルLeaving Recordsからリリースした再発アルバムです。（オリジナルは2020年にカセットリリース）\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e植物に良い影響を与えそうな柔らかいポストニューエイジ・アンビエント6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nqCTPxdW9tQ\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/leaving\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Leaving Records\/Stones Throw releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e---------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ePeperomia Seedling 03:43\u003c\/li\u003e\n\u003cli\u003eSansevieria 04:24\u003c\/li\u003e\n\u003cli\u003eParlor Palm 05:35\u003c\/li\u003e\n\u003cli\u003ePerennial Bloom 02:43\u003c\/li\u003e\n\u003cli\u003eSoft Meadow 05:28\u003c\/li\u003e\n\u003cli\u003eXylem 05:21\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eLeaving Records:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Green-House is the project of Los Angeles based artist Olive Ardizoni.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eApproaching the project with an intentional naivety, they craft songs that find freedom through simplicity. As a non-binary artist, they hope to create a space with fewer barriers as both a performer and a listener.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTheir first release as Green-House, “Six songs for Invisible Gardens” (out Jan 15, 2020) was written with the intention of transforming the listening environment and augmenting domestic space. The music is designed as a communication with both plant life and the people who care for them.\"\u003cbr\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Green-House\u003c\/p\u003e\n\u003cp\u003eLabel : Leaving Records\u003c\/p\u003e"}
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![zakè & City of Dawn // Frizzell & Duque: A Sorrow Unrequited LP [COLOR]](http://tobirarecords.com/cdn/shop/products/du1_8d7d58d9-cb91-4da3-9a90-6706f6b9b65a_medium.jpg?v=1634605864)
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{"id":9220501242106,"title":"zakè \u0026 City of Dawn \/\/ Frizzell \u0026 Duque: A Sorrow Unrequited LP [COLOR]","handle":"zake-city-of-dawn-frizzell-duque-a-sorrow-unrequited-lp","description":"\u003cp\u003eアメリカのアンビエントドローンレーベルPast Inside the Present主宰zakèとネオクラシカル作家City of Dawnの共作レコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント5曲を収録。色はランダムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1758852485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------- \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" random color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWe Once Believed We Owned The Sky 09:10\u003c\/li\u003e\n\u003cli\u003eFragile Dreaming In A Fragile Mind 08:28\u003c\/li\u003e\n\u003cli\u003eA Sorrow Unrequited 04:33\u003c\/li\u003e\n\u003cli\u003eCloser, Always Closer 04:57\u003c\/li\u003e\n\u003cli\u003eThe Sparrow's Flight 06:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHeadphone Commute review:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e“Fans of slow-evolving orchestral ambience will absolutely love this new collaboration between the Past Inside The Present label owner, Zach Frizzell and Damien Duque, also known as zakè and City of Dawn, for which they drop their project monikers and team up as simply Frizzell \u0026amp; Duque.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn these five, slowly evolving pieces of A Sorrow Unrequited, the duo manipulate chamber instruments alongside reverb saturated pads and swelling bass to compose a symphony of ebbing music. Unlike some undertakings, where artists would sample their classical records and loop through the passages sculpting the sound, the modern classical elements of this record appear to be cleaner and pure.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI praise this pristine production, where every each instrument finds a home, in a wonderful fusion of ambient, neo-classical, and meditation music. In a closer listening session, intricate layers of sonics blanket the surface of wave-kissing shores; while in a passive attention-softening seance, A Sorrow Unrequited comforts and lulls.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe release is an interpretation of a poem by the same name, written by Julia Frizzell. Here’s a quote of the first stanza, “Fragile dreams while we are growing old \/ For we once believed we owned the sky \/ Spread endlessly before us \/ Lie shallow at our feet \/\/”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eI’ve played this on repeat consecutive times, and I keep coming back to the album, as I’m sure you will too. I recommend that you grab this on vinyl.\u003c\/em\u003e” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè \u0026amp; City of Dawn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZakè Drone Recordings\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-08T13:27:49+09:00","created_at":"2026-05-08T13:27:20+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","neo classical","new","Past Inside The Present"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48862463951098,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"zakè \u0026 City of Dawn \/\/ Frizzell \u0026 Duque: A Sorrow Unrequited LP [COLOR]","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/du1_8d7d58d9-cb91-4da3-9a90-6706f6b9b65a.jpg?v=1634605864"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_8d7d58d9-cb91-4da3-9a90-6706f6b9b65a.jpg?v=1634605864","options":["Title"],"media":[{"alt":null,"id":25319880589562,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_8d7d58d9-cb91-4da3-9a90-6706f6b9b65a.jpg?v=1634605864"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/du1_8d7d58d9-cb91-4da3-9a90-6706f6b9b65a.jpg?v=1634605864","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアンビエントドローンレーベルPast Inside the Present主宰zakèとネオクラシカル作家City of Dawnの共作レコードです。\u003c\/p\u003e\n\u003cp\u003eネオクラシカル・アンビエント5曲を収録。色はランダムです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1758852485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-------------------------------- \u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" random color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eWe Once Believed We Owned The Sky 09:10\u003c\/li\u003e\n\u003cli\u003eFragile Dreaming In A Fragile Mind 08:28\u003c\/li\u003e\n\u003cli\u003eA Sorrow Unrequited 04:33\u003c\/li\u003e\n\u003cli\u003eCloser, Always Closer 04:57\u003c\/li\u003e\n\u003cli\u003eThe Sparrow's Flight 06:25\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eHeadphone Commute review:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e“Fans of slow-evolving orchestral ambience will absolutely love this new collaboration between the Past Inside The Present label owner, Zach Frizzell and Damien Duque, also known as zakè and City of Dawn, for which they drop their project monikers and team up as simply Frizzell \u0026amp; Duque.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn these five, slowly evolving pieces of A Sorrow Unrequited, the duo manipulate chamber instruments alongside reverb saturated pads and swelling bass to compose a symphony of ebbing music. Unlike some undertakings, where artists would sample their classical records and loop through the passages sculpting the sound, the modern classical elements of this record appear to be cleaner and pure.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI praise this pristine production, where every each instrument finds a home, in a wonderful fusion of ambient, neo-classical, and meditation music. In a closer listening session, intricate layers of sonics blanket the surface of wave-kissing shores; while in a passive attention-softening seance, A Sorrow Unrequited comforts and lulls.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe release is an interpretation of a poem by the same name, written by Julia Frizzell. Here’s a quote of the first stanza, “Fragile dreams while we are growing old \/ For we once believed we owned the sky \/ Spread endlessly before us \/ Lie shallow at our feet \/\/”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003cem\u003eI’ve played this on repeat consecutive times, and I keep coming back to the album, as I’m sure you will too. I recommend that you grab this on vinyl.\u003c\/em\u003e” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè \u0026amp; City of Dawn\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZakè Drone Recordings\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのアンビエントドローンレーベルPast Inside the Present主宰zakèとネオクラシカル作家City of Dawnの共作レコードです。 ネオクラシカル・アンビエント5曲を収録。色はランダムです。 ※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします -------------------------------- Ask us for digital files....
¥3,980
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{"id":9220498948346,"title":"Jackie West \/\/ Close To The Mystery LP","handle":"jackie-west-close-to-the-mystery-lp","description":"\u003cp\u003eアメリカ・NYのシンガーソングライターJackie Westが、2024年4月にNYのインディーポップレーベルRuination Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズやボサノヴァ、クラシックR\u0026amp;Bの要素を持ち合わせたインディーフォーク12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tI39HORIQCo?si=mKU2rq7cdWtcalvu\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3726421695\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1610931342\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eArtist : Jackie West \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e","published_at":"2026-05-08T13:09:14+09:00","created_at":"2026-05-08T13:08:38+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","ruination record co."],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48862447304954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jackie West \/\/ Close To The Mystery LP","public_title":null,"options":["Default Title"],"price":398000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a1151546755_16.jpg?v=1711774558","\/\/tobirarecords.com\/cdn\/shop\/files\/0035365820_10.jpg?v=1716417780"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1151546755_16.jpg?v=1711774558","options":["Title"],"media":[{"alt":null,"id":33498547355898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1151546755_16.jpg?v=1711774558"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a1151546755_16.jpg?v=1711774558","width":700},{"alt":null,"id":34110995923194,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035365820_10.jpg?v=1716417780"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0035365820_10.jpg?v=1716417780","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・NYのシンガーソングライターJackie Westが、2024年4月にNYのインディーポップレーベルRuination Recordsからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eシューゲイズやボサノヴァ、クラシックR\u0026amp;Bの要素を持ち合わせたインディーフォーク12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/tI39HORIQCo?si=mKU2rq7cdWtcalvu\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3726421695\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1610931342\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ruire\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ruination Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003c\/p\u003e\n\u003cp\u003eArtist : Jackie West \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Ruination Records\u003c\/p\u003e"}
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{"id":9220496097530,"title":"zakè \u0026 rhubiqs \/\/ Hild LP","handle":"zake-rhubiqs-hild-lp","description":"\u003cp\u003e\u003cspan\u003eアメリカのzakèとイギリスのrhubiqsアンビエント作家2名が、\u003c\/span\u003e2026年5月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエントドローン4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2825045907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present \/ Healing Sound Propagandist \/ Zakè Drone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ealdor 08:59\u003cbr\u003e2. Cearu 08:35\u003cbr\u003e3. Hild 10:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Nieve 15:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHild is the first full-length collaboration between zakè (Zach Frizzell) and UK-based rhubiqs (Tom Squires), whose transcontinental dialogue yields an avalanche of deep drone, spacious piano, and immersive texture, alternately colossal and weightless. Both artists have released solo works with Germany’s Affin label (headed by Joachim Spieth and Markus Guentner), where their kinship found its footing in naturally-inspired environments full of rich harmony and understated elegance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of Hild’s four movements arose from sketches crafted by Squires and passed to Frizzell; across several weeks, ideas were modified and recombined through a prolific exchange, during which the artists found a rare wavelength. “I am drawn to sounds that already contain history and identity,” Frizzell notes, “those that feel like they have been waiting patiently for their moment.” Squires follows, “Once we got things running, it all came together quite fluidly; we were both dialed in, focusing exclusively on this record during a very intense phase of composition.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè \u0026amp; rhubiqs\u003c\/p\u003e\n\u003cp\u003eLabel : Zakè Drone Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZD-043\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-08T13:05:14+09:00","created_at":"2026-05-08T13:02:15+09:00","vendor":"Tobira Records","type":"","tags":["ambient","lp","new","Past Inside The Present"],"price":399500,"price_min":399500,"price_max":399500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48862440161530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"zakè \u0026 rhubiqs \/\/ Hild LP","public_title":null,"options":["Default Title"],"price":399500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/hild1.jpg?v=1776647432"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/hild1.jpg?v=1776647432","options":["Title"],"media":[{"alt":null,"id":39087832236282,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hild1.jpg?v=1776647432"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/hild1.jpg?v=1776647432","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eアメリカのzakèとイギリスのrhubiqsアンビエント作家2名が、\u003c\/span\u003e2026年5月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eアンビエントドローン4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2825045907\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/pitp\"\u003ehere\u003c\/a\u003e to see more Past Inside The Present \/ Healing Sound Propagandist \/ Zakè Drone Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ealdor 08:59\u003cbr\u003e2. Cearu 08:35\u003cbr\u003e3. Hild 10:41\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Nieve 15:32\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt from the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHild is the first full-length collaboration between zakè (Zach Frizzell) and UK-based rhubiqs (Tom Squires), whose transcontinental dialogue yields an avalanche of deep drone, spacious piano, and immersive texture, alternately colossal and weightless. Both artists have released solo works with Germany’s Affin label (headed by Joachim Spieth and Markus Guentner), where their kinship found its footing in naturally-inspired environments full of rich harmony and understated elegance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eEach of Hild’s four movements arose from sketches crafted by Squires and passed to Frizzell; across several weeks, ideas were modified and recombined through a prolific exchange, during which the artists found a rare wavelength. “I am drawn to sounds that already contain history and identity,” Frizzell notes, “those that feel like they have been waiting patiently for their moment.” Squires follows, “Once we got things running, it all came together quite fluidly; we were both dialed in, focusing exclusively on this record during a very intense phase of composition.”\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : zakè \u0026amp; rhubiqs\u003c\/p\u003e\n\u003cp\u003eLabel : Zakè Drone Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eZD-043\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのzakèとイギリスのrhubiqsアンビエント作家2名が、2026年5月にアメリカ・インディアナポリスのアンビエントレーベルPast Inside The Present傘下Zake Drone Recordingsからリリースした共作レコードです。 アンビエントドローン4曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ レーベルその他作品はこちら /// Click here to see more Past...
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{"id":9220286251258,"title":"Kieran Daly \u0026 Sam Weinberg \/\/ Live Unison and Unison Continued LP","handle":"kieran-daly-sam-weinberg-live-unison-and-unison-continued-lp","description":"\u003cp\u003eアメリカの実験音楽家Kieran Daly \u0026amp; Sam Weinbergが、2026年5月にNYのStern Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eStern Recordsは、アメリカの作曲家兼演奏家であるKieran Daly \u0026amp; Sam Weinbergによる最新のコラボレーション作品『Live Unison』および『Unison Continued』のリリースを発表できることを大変嬉しく思う。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Unison』は、2022年以降にこのデュオがリリースした4作目のアルバムであり、本作は2回目のライブ録音によるパフォーマンスを収録したものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『DEMO』（2023年）や『FOUR IMPROVISATIONS』（2024年）に見られるように、『Unison』は即興的行為を組織化する第一原理として機能し、この単純なテクスチャの原理から、複雑に重なり合うパターンの形態が生み出される。「互いに何を演奏するかわからないまま、一斉に演奏する」というのが、この実践を初めて知る人への簡潔な説明となるだろう。即興のテクスチャーは、音域、音域帯、基本的なリズムの細分化（4分音符、2分音符、8分音符）について事前に相互合意することでさらに決定されるが、演奏の過程では、音程、パルス、移調などについて、その定義が流動的であることから生じる対立が浮上することもある。こうして、奇妙な「リーダーに従うゲーム」が展開される。リーダーはいつ何時でも予期せず交代させられ、時には不気味なほど偶然の一致によるテッセレーションによって無力化されることもある。この音楽は、徹底的に「ずれた」手法によって、偶然の一致を促進する。まるでポーラとブリジット・パワーズが、40分間、クラリネットとギターで微分音階を共演しているかのようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e2025年9月15日、ニューヨークの「Ear Inn」にて演奏・録音\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1320560188\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stern\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stern\"\u003ehere\u003c\/a\u003e to see more Stern Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Live Unison and Unison Continued (36'53\", recorded by Callahan) 36:53\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStern Records is thrilled to announce Live Unison and Unison Continued, the latest collaborative effort from American composer-performers Kieran Daly and Sam Weinberg.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnison marks the fourth album released by the duo since 2022 with this release documenting the second live recorded performance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs shown in DEMO (2023) and FOUR IMPROVISATIONS (2024), Unison functions as a first principle for the organization of improvisational behavior, allowing for complex overlapping pattern morphologies to result from this simple textural principle. \"Play together in unison but without knowing what each other will play\" might be the pithy version of describing this practice to the uninitiated. The improvisational texture is further determined through prior mutual agreement on pitch range, register, and basic rhythmic subdivisions (quarter, half, eighth), though conflicts about their possibly-shifting definitions of intonation, pulse, transposition, etc. may emerge throughout performance. Thus, a strange game of follow the leader; the leader is unexpectedly supplanted at any moment and sometimes neutralized by an eerily coincidental tessellation. The music facilitates coincidence by way of the rigorously awry. It's almost as if Paula and Bridgette Powers played microtonal scales\u003cspan class=\"bcTruncateMore\"\u003e together on clarinet and guitar for forty minutes.\u003cbr\u003ePerformed and recorded at the Ear Inn, NYC on September 15th, 2025\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kieran Daly \u0026amp; Sam Weinberg\u003c\/p\u003e\n\u003cp\u003eLabel : Stern Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMS-5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 22nd May 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-22T07:19:42+09:00","created_at":"2026-05-08T11:37:29+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","new","stern records"],"price":424600,"price_min":424600,"price_max":424600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48861996744954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kieran Daly \u0026 Sam Weinberg \/\/ Live Unison and Unison Continued LP","public_title":null,"options":["Default Title"],"price":424600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/live1_0b8925b7-4e56-45f0-8fd2-ee7a4c304623.jpg?v=1778207555","\/\/tobirarecords.com\/cdn\/shop\/files\/live2_f9fb3c83-114d-4a32-8378-ef6b96596eb3.jpg?v=1778207555"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_0b8925b7-4e56-45f0-8fd2-ee7a4c304623.jpg?v=1778207555","options":["Title"],"media":[{"alt":null,"id":39297822097658,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_0b8925b7-4e56-45f0-8fd2-ee7a4c304623.jpg?v=1778207555"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live1_0b8925b7-4e56-45f0-8fd2-ee7a4c304623.jpg?v=1778207555","width":350},{"alt":null,"id":39297822130426,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_f9fb3c83-114d-4a32-8378-ef6b96596eb3.jpg?v=1778207555"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/live2_f9fb3c83-114d-4a32-8378-ef6b96596eb3.jpg?v=1778207555","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Kieran Daly \u0026amp; Sam Weinbergが、2026年5月にNYのStern Recordsからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003eインプロ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003eStern Recordsは、アメリカの作曲家兼演奏家であるKieran Daly \u0026amp; Sam Weinbergによる最新のコラボレーション作品『Live Unison』および『Unison Continued』のリリースを発表できることを大変嬉しく思う。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Unison』は、2022年以降にこのデュオがリリースした4作目のアルバムであり、本作は2回目のライブ録音によるパフォーマンスを収録したものである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『DEMO』（2023年）や『FOUR IMPROVISATIONS』（2024年）に見られるように、『Unison』は即興的行為を組織化する第一原理として機能し、この単純なテクスチャの原理から、複雑に重なり合うパターンの形態が生み出される。「互いに何を演奏するかわからないまま、一斉に演奏する」というのが、この実践を初めて知る人への簡潔な説明となるだろう。即興のテクスチャーは、音域、音域帯、基本的なリズムの細分化（4分音符、2分音符、8分音符）について事前に相互合意することでさらに決定されるが、演奏の過程では、音程、パルス、移調などについて、その定義が流動的であることから生じる対立が浮上することもある。こうして、奇妙な「リーダーに従うゲーム」が展開される。リーダーはいつ何時でも予期せず交代させられ、時には不気味なほど偶然の一致によるテッセレーションによって無力化されることもある。この音楽は、徹底的に「ずれた」手法によって、偶然の一致を促進する。まるでポーラとブリジット・パワーズが、40分間、クラリネットとギターで微分音階を共演しているかのようだ。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e2025年9月15日、ニューヨークの「Ear Inn」にて演奏・録音\"\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1320560188\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/stern\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/stern\"\u003ehere\u003c\/a\u003e to see more Stern Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files.\u003cbr\u003e12\" black vinyl.\u003cbr\u003eEdition of 200 copies. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Live Unison and Unison Continued (36'53\", recorded by Callahan) 36:53\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eStern Records is thrilled to announce Live Unison and Unison Continued, the latest collaborative effort from American composer-performers Kieran Daly and Sam Weinberg.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eUnison marks the fourth album released by the duo since 2022 with this release documenting the second live recorded performance.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAs shown in DEMO (2023) and FOUR IMPROVISATIONS (2024), Unison functions as a first principle for the organization of improvisational behavior, allowing for complex overlapping pattern morphologies to result from this simple textural principle. \"Play together in unison but without knowing what each other will play\" might be the pithy version of describing this practice to the uninitiated. The improvisational texture is further determined through prior mutual agreement on pitch range, register, and basic rhythmic subdivisions (quarter, half, eighth), though conflicts about their possibly-shifting definitions of intonation, pulse, transposition, etc. may emerge throughout performance. Thus, a strange game of follow the leader; the leader is unexpectedly supplanted at any moment and sometimes neutralized by an eerily coincidental tessellation. The music facilitates coincidence by way of the rigorously awry. It's almost as if Paula and Bridgette Powers played microtonal scales\u003cspan class=\"bcTruncateMore\"\u003e together on clarinet and guitar for forty minutes.\u003cbr\u003ePerformed and recorded at the Ear Inn, NYC on September 15th, 2025\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kieran Daly \u0026amp; Sam Weinberg\u003c\/p\u003e\n\u003cp\u003eLabel : Stern Records\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAMS-5\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 22nd May 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Kieran Daly & Sam Weinbergが、2026年5月にNYのStern Recordsからリリースした共作レコードです。 インプロ2曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "Stern Recordsは、アメリカの作曲家兼演奏家であるKieran Daly & Sam...
¥4,246
![JK Flesh, Monrella // Shouting The Odds LP [COLOR]](http://tobirarecords.com/cdn/shop/files/mon_medium.jpg?v=1778207312)
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{"id":9220261970170,"title":"JK Flesh, Monrella \/\/ Shouting The Odds LP [COLOR]","handle":"jk-flesh-monrella-shouting-the-odds-lp-color","description":"\u003cp\u003eイギリスのテクノ作家JK FleshとMonrella aka Mick Harrisが、2026年5月にGIVE\/TAKE x Avalanche Recordingsからリリースしたスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003e暴走機関車のようなインダストリアル・テクノ8曲を収録。マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319111807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319111807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1515039330\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" marble color vinyl.\u003cbr\u003eVinyl edition of 500 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. JK FLESH - CONDITIONAL 06:07\u003cbr\u003e2. JK FLESH - TRANSACTIONAL 05:16\u003cbr\u003e3. JK FLESH - DISAGREEABLE 05:09\u003cbr\u003e4. JK FLESH - USED \/ USER 05:40\u003cbr\u003e5. MONRELLA - NIGHT BEFORE RAKE 04:53\u003cbr\u003e6. MONRELLA - SLIGHTLY OVER 04:42\u003cbr\u003e7. MONRELLA - DOUBLE RED 04:03\u003cbr\u003e8. MONRELLA - SHELF 04:39\u003c\/p\u003e\n\u003cp\u003eArtist : JK Flesh, Monrella \u003c\/p\u003e\n\u003cp\u003eLabel : GIVE\/TAKE x Avalanche Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGT078 \/ \u003cmeta charset=\"utf-8\"\u003eAREC086\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-08T15:00:31+09:00","created_at":"2026-05-08T11:29:58+09:00","vendor":"Tobira Records","type":"","tags":["GIVE\/TAKE","lp","Mick Harris","new","techno \/ house"],"price":489000,"price_min":489000,"price_max":489000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48861941760250,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"JK Flesh, Monrella \/\/ Shouting The Odds LP [COLOR]","public_title":null,"options":["Default Title"],"price":489000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mon.jpg?v=1778207312","\/\/tobirarecords.com\/cdn\/shop\/files\/mon1_6a137666-f285-42ed-b55c-08d8ae9e91d0.jpg?v=1778207310"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon.jpg?v=1778207312","options":["Title"],"media":[{"alt":null,"id":39297711603962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon.jpg?v=1778207312"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon.jpg?v=1778207312","width":350},{"alt":null,"id":39297711636730,"position":2,"preview_image":{"aspect_ratio":1.412,"height":850,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon1_6a137666-f285-42ed-b55c-08d8ae9e91d0.jpg?v=1778207310"},"aspect_ratio":1.412,"height":850,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mon1_6a137666-f285-42ed-b55c-08d8ae9e91d0.jpg?v=1778207310","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのテクノ作家JK FleshとMonrella aka Mick Harrisが、2026年5月にGIVE\/TAKE x Avalanche Recordingsからリリースしたスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003e暴走機関車のようなインダストリアル・テクノ8曲を収録。マーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319111807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2319111807\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1515039330\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" marble color vinyl.\u003cbr\u003eVinyl edition of 500 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. JK FLESH - CONDITIONAL 06:07\u003cbr\u003e2. JK FLESH - TRANSACTIONAL 05:16\u003cbr\u003e3. JK FLESH - DISAGREEABLE 05:09\u003cbr\u003e4. JK FLESH - USED \/ USER 05:40\u003cbr\u003e5. MONRELLA - NIGHT BEFORE RAKE 04:53\u003cbr\u003e6. MONRELLA - SLIGHTLY OVER 04:42\u003cbr\u003e7. MONRELLA - DOUBLE RED 04:03\u003cbr\u003e8. MONRELLA - SHELF 04:39\u003c\/p\u003e\n\u003cp\u003eArtist : JK Flesh, Monrella \u003c\/p\u003e\n\u003cp\u003eLabel : GIVE\/TAKE x Avalanche Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGT078 \/ \u003cmeta charset=\"utf-8\"\u003eAREC086\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 10th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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¥4,890
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{"id":9218953642234,"title":"Normal Community High School Experimental Ensemble \/\/ A Moment of Yet LP","handle":"normal-community-high-school-experimental-ensemble-a-moment-of-yet-lp","description":"\u003cp\u003eアメリカ・イリノイにあるノーマル高校の生徒8名によるアンサンブルNormal Community High School Experimental Ensembleが、2026年4月にイリノイのBlack Flag Bonsai Clubから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜ドローン・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1555997675\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3080476631\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A Moment of Yet 03:21 \u003cbr\u003e2. To Listen 05:23 \u003cbr\u003e3. Track 14 02:52 \u003cbr\u003e4. Fragments of It 05:26 \u003cbr\u003e5. A Moment to Breathe 03:40 \u003cbr\u003e6. SLOW DOWN! The Fall 08:31 \u003cbr\u003e7. Return 05:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We're stoked to bring to you the fourth release from the world's most rad high school band, Normal Community High School Experimental Ensemble. And we're going big with an LP! Stock will be limited, so don't sleep on this.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music on this LP is really incredible. Nuanced, thoughtful, emotional, occasionally humorous, and polished while simultaneously maintaining a rawness that pushes but doesn't alienate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music here was composed and recorded throughout January and February of 2026 in an unconventional classroom at NCHS.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Community High School Experimental Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Black Flag Bonsai Club\u003c\/p\u003e\n\u003cp\u003ecat no : BFBC #002\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th April 2026\u003c\/p\u003e","published_at":"2026-05-07T15:37:30+09:00","created_at":"2026-05-07T13:33:37+09:00","vendor":"Tobira Records","type":"","tags":["ambient","black flag bonsai club","drone","jazz","lp","new"],"price":469600,"price_min":469600,"price_max":469600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48856508924154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Normal Community High School Experimental Ensemble \/\/ A Moment of Yet LP","public_title":null,"options":["Default Title"],"price":469600,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_e680c483-a6ad-4649-83de-7006f9c7a4cb.jpg?v=1778128409","\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_ddd50b53-9ca8-4603-bca1-37b3b997de39.jpg?v=1778128409"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_e680c483-a6ad-4649-83de-7006f9c7a4cb.jpg?v=1778128409","options":["Title"],"media":[{"alt":null,"id":39283809190138,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_e680c483-a6ad-4649-83de-7006f9c7a4cb.jpg?v=1778128409"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom1_e680c483-a6ad-4649-83de-7006f9c7a4cb.jpg?v=1778128409","width":350},{"alt":null,"id":39283809222906,"position":2,"preview_image":{"aspect_ratio":0.997,"height":1200,"width":1196,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_ddd50b53-9ca8-4603-bca1-37b3b997de39.jpg?v=1778128409"},"aspect_ratio":0.997,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mom2_ddd50b53-9ca8-4603-bca1-37b3b997de39.jpg?v=1778128409","width":1196}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・イリノイにあるノーマル高校の生徒8名によるアンサンブルNormal Community High School Experimental Ensembleが、2026年4月にイリノイのBlack Flag Bonsai Clubから100部限定でリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜ドローン・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1555997675\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2572690649\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3080476631\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. A Moment of Yet 03:21 \u003cbr\u003e2. To Listen 05:23 \u003cbr\u003e3. Track 14 02:52 \u003cbr\u003e4. Fragments of It 05:26 \u003cbr\u003e5. A Moment to Breathe 03:40 \u003cbr\u003e6. SLOW DOWN! The Fall 08:31 \u003cbr\u003e7. Return 05:48\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"We're stoked to bring to you the fourth release from the world's most rad high school band, Normal Community High School Experimental Ensemble. And we're going big with an LP! Stock will be limited, so don't sleep on this.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music on this LP is really incredible. Nuanced, thoughtful, emotional, occasionally humorous, and polished while simultaneously maintaining a rawness that pushes but doesn't alienate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music here was composed and recorded throughout January and February of 2026 in an unconventional classroom at NCHS.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Normal Community High School Experimental Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : Black Flag Bonsai Club\u003c\/p\u003e\n\u003cp\u003ecat no : BFBC #002\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th April 2026\u003c\/p\u003e"}
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アメリカ・イリノイにあるノーマル高校の生徒8名によるアンサンブルNormal Community High School Experimental Ensembleが、2026年4月にイリノイのBlack Flag Bonsai Clubから100部限定でリリースしたレコードです。 アンビエント・ジャズ〜ドローン・ジャズ7曲を収録。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ ------------------------------------------------ 12" black...
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{"id":9218052391162,"title":"Juho Toivonen \/\/ Kuun Sininen Rinki LP","handle":"juho-toivonen-kuun-sininen-rinki-lp","description":"\u003cp\u003e\u003cspan\u003e過去にUltraääniやSatatuhattaなどから発表しており、実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003eAkti Records\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e主宰者でもあるフィンランドのアンビエント作家Juho Toivonenが、2026年4月にイギリスの再発専門レーベルInfinite Expanseからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノとテープマニピュレーションによるLo-Fiミニマル・アンビエント4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/juho-toivonen-lapsikuninkaan-fanfaari-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"活躍中のミニマル・コンポーザーJuho Toivonenが、近年の作品における2つの異なる時期の録音をまとめた4曲入りLP『Kuun Sininen Rinki（『月の青い輪』）』で帰ってきた。Infinite Expanseよりリリースされる本作は、未発表音源に加え、極めて限定されたCDrで初登場した楽曲を収録しており、Juho Toivonenのピアノ演奏が発展していく初期の段階を垣間見ることができる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年のLP『Kasveille ja eläimille』を聴いたことがある人なら、A面は、あの霞んだ世界へとさらに深く踏み込んだような感覚を覚えるだろう。同じセッション中に録音されたこれらの楽曲は、ピアノが彼の作品の中心に据えられて間もない時期の瞬間を捉えている。小さな旋律のモチーフが、倍音が残響し消えゆく中、広々とした空間を忍耐強く巡る。表題曲はゆっくりと催眠的な循環を描き出す一方、『Nuclear Boy Scout』は、厚みのあるシンセサイザーの音色と衝突するフィールドレコーディングで構築された、はるかに密度の高い領域へと踏み込み、ピアノはかろうじて感知できるほどの痕跡へと後退していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面には、2024年にスウェーデンのレーベルFörfallからCDr『Sellikehä』として限定リリースされた2つの録音が収録されている。このレーベルはDiscreet Musicの周辺に位置しており、同レーベルからはJuho Toivonenの最新LP『Sisarusten Toistuva Uni』（2024年）や『Lapsikuninkaan Fanfaari』（2025年）もリリースされている。この2曲は当初、エディス・セーデルグレンの詩からゆるやかに着想を得た、長尺の習作として同作に収録されていた。本作ではその展開がさらに広がっている。「Mitä on tapahtunut sadussa, on tapahtuva minullekin」は、空中に漂うような間隔の広い和音を通じて展開し、最後の「Punaista ja keltaista ja kaikki toiset värit」は、移り変わる音色の世界の中をゆっくりと進んでいく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム全体を通して、素材は極めて簡素なままである。短い旋律的モチーフが開放的な空間をゆっくりと巡り、ピアノのサスティーンが長い余韻の軌跡をたどる一方で、微細な和声の変容が静かに雰囲気を再構築していく。解決へと突き進むというよりは、楽曲はそこに漂い続けることに満足しているかのようで、時間が伸びて落ち着くのを許している。ここには、シャルルマーニュ・パレスティンが探求した共鳴するピアノ・ミニマリズムや、ヨシ・ワダの忍耐強い音色の漂流が遠くに響き渡っている一方で、ぼやけた輪郭やテープ処理によって柔らかくされた雰囲気は、ウィリアム・バシンスキーやグルーパーのような記憶に囚われたアンビエンスを時折想起させる。ミニマル・ミュージックやアンビエント・ミュージックのこの領域に馴染みのある人なら、その地平を認識するだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの録音は、全体としてJuho Toivonenのピアノ作品の初期段階を写し出したスナップショットとなっている。今になって聴き返すと、彼はここに収められた瞬間を再び再現することはもはやできないと振り返り、この作品を自身の創作活動と音との関係における特定の段階を記録したものと捉えている。その意味で、このレコードは彼の演奏におけるある特定の瞬間を捉えているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1251991347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1251991347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=909145701\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kuun sininen rinki 09:20\u003cbr\u003e2. Nuclear Boy Scout 09:41\u003cbr\u003e3. Mitä on tapahtunut sadussa, on tapahtuva minullekin 14:35\u003cbr\u003e4. Punaista ja keltaista ja kaikki toiset värit 05:05\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFlourishing minimal composer Juho Toivonen returns with Kuun Sininen Rinki (‘Blue Circle of the Moon’), a four-track LP assembling recordings from two distinct moments in his recent work. Issued by Infinite Expanse, the release gathers previously unreleased material alongside pieces that first appeared in extremely limited CDr form, offering a glimpse into an early phase of Toivonen’s developing piano practice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf you’ve spent time with Toivonen’s 2023 LP Kasveille ja eläimille, the A-side will feel like stepping further into the same hazy world. Recorded during the same sessions, these pieces capture a moment when the piano had only recently entered the centre of his work. Small melodic figures circle patiently through open space while overtones linger and dissolve. The title piece moves in slow, hypnotic cycles, while ‘Nuclear Boy Scout’ moves into far denser terrain, built from thick synthesizer tones and colliding field recordings, with the piano receding to a barely perceptible trace.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe B-side turns to two recordings originally issued in small numbers on the 2024 CDr Sellikehä, released through the Swedish imprint Förfall, part of the wider orbit around Discreet Music - which also released Toivonen’s most recent LPs, Sisarusten Toistuva\u003cspan class=\"bcTruncateMore\"\u003e Uni (2024) and Lapsikuninkaan Fanfaari (2025). The two pieces originally appeared there as extended studies loosely informed by the poetry of Edith Södergran. Here the pacing stretches further still: ‘Mitä on tapahtunut sadussa, on tapahtuva minullekin’ unfolds through widely spaced chords that hang in the air, while the closing ‘Punaista ja keltaista ja kaikki toiset värit’ moves slowly through shifting tonal colour.\u003cbr\u003e\u003cbr\u003eAcross the record the materials remain spare. Short melodic figures circle slowly through open space, the piano’s sustain carrying long trails of resonance while small harmonic shifts quietly reshape the atmosphere. Rather than pushing toward resolution, the pieces seem content to hover there, allowing time to stretch and settle. There are distant echoes here of the resonant piano minimalism explored by Charlemagne Palestine and the patient tonal drift of Yoshi Wada, while the blurred edges and tape-softened atmosphere occasionally recall the memory-haunted ambience associated with William Basinski or Grouper. Those familiar with this corner of minimal and ambient music will recognise the terrain.\u003cbr\u003e\u003cbr\u003eTaken together, the recordings offer a snapshot of an early stage in Toivonen’s piano work. Listening back now, he reflects that he would no longer be able to recreate the moments captured here, hearing the release instead as a document of a particular phase in his practice and relationship with sound. In that sense, the record captures a particular moment in his playing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juho Toivonen\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIE19\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th April 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-07T07:58:55+09:00","created_at":"2026-05-06T10:41:24+09:00","vendor":"Tobira Records","type":"","tags":["ambient","Infinite Expanse","lp","neo classical","new"],"price":567000,"price_min":567000,"price_max":567000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48853612232954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Juho Toivonen \/\/ Kuun Sininen Rinki LP","public_title":null,"options":["Default Title"],"price":567000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/kuu1.jpg?v=1778031598","\/\/tobirarecords.com\/cdn\/shop\/files\/kuu2.jpg?v=1778031598"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/kuu1.jpg?v=1778031598","options":["Title"],"media":[{"alt":null,"id":39272950235386,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kuu1.jpg?v=1778031598"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kuu1.jpg?v=1778031598","width":350},{"alt":null,"id":39272950268154,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kuu2.jpg?v=1778031598"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/kuu2.jpg?v=1778031598","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003e過去にUltraääniやSatatuhattaなどから発表しており、実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/akti\"\u003eAkti Records\u003c\/a\u003e\u003c\/span\u003e\u003cspan\u003e主宰者でもあるフィンランドのアンビエント作家Juho Toivonenが、2026年4月にイギリスの再発専門レーベルInfinite Expanseからリリースした再発レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eピアノとテープマニピュレーションによるLo-Fiミニマル・アンビエント4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/juho-toivonen-lapsikuninkaan-fanfaari-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"活躍中のミニマル・コンポーザーJuho Toivonenが、近年の作品における2つの異なる時期の録音をまとめた4曲入りLP『Kuun Sininen Rinki（『月の青い輪』）』で帰ってきた。Infinite Expanseよりリリースされる本作は、未発表音源に加え、極めて限定されたCDrで初登場した楽曲を収録しており、Juho Toivonenのピアノ演奏が発展していく初期の段階を垣間見ることができる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e2023年のLP『Kasveille ja eläimille』を聴いたことがある人なら、A面は、あの霞んだ世界へとさらに深く踏み込んだような感覚を覚えるだろう。同じセッション中に録音されたこれらの楽曲は、ピアノが彼の作品の中心に据えられて間もない時期の瞬間を捉えている。小さな旋律のモチーフが、倍音が残響し消えゆく中、広々とした空間を忍耐強く巡る。表題曲はゆっくりと催眠的な循環を描き出す一方、『Nuclear Boy Scout』は、厚みのあるシンセサイザーの音色と衝突するフィールドレコーディングで構築された、はるかに密度の高い領域へと踏み込み、ピアノはかろうじて感知できるほどの痕跡へと後退していく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eB面には、2024年にスウェーデンのレーベルFörfallからCDr『Sellikehä』として限定リリースされた2つの録音が収録されている。このレーベルはDiscreet Musicの周辺に位置しており、同レーベルからはJuho Toivonenの最新LP『Sisarusten Toistuva Uni』（2024年）や『Lapsikuninkaan Fanfaari』（2025年）もリリースされている。この2曲は当初、エディス・セーデルグレンの詩からゆるやかに着想を得た、長尺の習作として同作に収録されていた。本作ではその展開がさらに広がっている。「Mitä on tapahtunut sadussa, on tapahtuva minullekin」は、空中に漂うような間隔の広い和音を通じて展開し、最後の「Punaista ja keltaista ja kaikki toiset värit」は、移り変わる音色の世界の中をゆっくりと進んでいく。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム全体を通して、素材は極めて簡素なままである。短い旋律的モチーフが開放的な空間をゆっくりと巡り、ピアノのサスティーンが長い余韻の軌跡をたどる一方で、微細な和声の変容が静かに雰囲気を再構築していく。解決へと突き進むというよりは、楽曲はそこに漂い続けることに満足しているかのようで、時間が伸びて落ち着くのを許している。ここには、シャルルマーニュ・パレスティンが探求した共鳴するピアノ・ミニマリズムや、ヨシ・ワダの忍耐強い音色の漂流が遠くに響き渡っている一方で、ぼやけた輪郭やテープ処理によって柔らかくされた雰囲気は、ウィリアム・バシンスキーやグルーパーのような記憶に囚われたアンビエンスを時折想起させる。ミニマル・ミュージックやアンビエント・ミュージックのこの領域に馴染みのある人なら、その地平を認識するだろう。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこれらの録音は、全体としてJuho Toivonenのピアノ作品の初期段階を写し出したスナップショットとなっている。今になって聴き返すと、彼はここに収められた瞬間を再び再現することはもはやできないと振り返り、この作品を自身の創作活動と音との関係における特定の段階を記録したものと捉えている。その意味で、このレコードは彼の演奏におけるある特定の瞬間を捉えているのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1251991347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1251991347\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=909145701\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inex\"\u003ehere\u003c\/a\u003e to see more Infinite Expanse releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. \u003cbr\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Kuun sininen rinki 09:20\u003cbr\u003e2. Nuclear Boy Scout 09:41\u003cbr\u003e3. Mitä on tapahtunut sadussa, on tapahtuva minullekin 14:35\u003cbr\u003e4. Punaista ja keltaista ja kaikki toiset värit 05:05\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFlourishing minimal composer Juho Toivonen returns with Kuun Sininen Rinki (‘Blue Circle of the Moon’), a four-track LP assembling recordings from two distinct moments in his recent work. Issued by Infinite Expanse, the release gathers previously unreleased material alongside pieces that first appeared in extremely limited CDr form, offering a glimpse into an early phase of Toivonen’s developing piano practice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIf you’ve spent time with Toivonen’s 2023 LP Kasveille ja eläimille, the A-side will feel like stepping further into the same hazy world. Recorded during the same sessions, these pieces capture a moment when the piano had only recently entered the centre of his work. Small melodic figures circle patiently through open space while overtones linger and dissolve. The title piece moves in slow, hypnotic cycles, while ‘Nuclear Boy Scout’ moves into far denser terrain, built from thick synthesizer tones and colliding field recordings, with the piano receding to a barely perceptible trace.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe B-side turns to two recordings originally issued in small numbers on the 2024 CDr Sellikehä, released through the Swedish imprint Förfall, part of the wider orbit around Discreet Music - which also released Toivonen’s most recent LPs, Sisarusten Toistuva\u003cspan class=\"bcTruncateMore\"\u003e Uni (2024) and Lapsikuninkaan Fanfaari (2025). The two pieces originally appeared there as extended studies loosely informed by the poetry of Edith Södergran. Here the pacing stretches further still: ‘Mitä on tapahtunut sadussa, on tapahtuva minullekin’ unfolds through widely spaced chords that hang in the air, while the closing ‘Punaista ja keltaista ja kaikki toiset värit’ moves slowly through shifting tonal colour.\u003cbr\u003e\u003cbr\u003eAcross the record the materials remain spare. Short melodic figures circle slowly through open space, the piano’s sustain carrying long trails of resonance while small harmonic shifts quietly reshape the atmosphere. Rather than pushing toward resolution, the pieces seem content to hover there, allowing time to stretch and settle. There are distant echoes here of the resonant piano minimalism explored by Charlemagne Palestine and the patient tonal drift of Yoshi Wada, while the blurred edges and tape-softened atmosphere occasionally recall the memory-haunted ambience associated with William Basinski or Grouper. Those familiar with this corner of minimal and ambient music will recognise the terrain.\u003cbr\u003e\u003cbr\u003eTaken together, the recordings offer a snapshot of an early stage in Toivonen’s piano work. Listening back now, he reflects that he would no longer be able to recreate the moments captured here, hearing the release instead as a document of a particular phase in his practice and relationship with sound. In that sense, the record captures a particular moment in his playing.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Juho Toivonen\u003c\/p\u003e\n\u003cp\u003eLabel : Infinite Expanse\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIE19\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 30th April 2026\u003c\/span\u003e\u003c\/p\u003e"}
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過去にUltraääniやSatatuhattaなどから発表しており、実験レーベルAkti Records主宰者でもあるフィンランドのアンビエント作家Juho Toivonenが、2026年4月にイギリスの再発専門レーベルInfinite Expanseからリリースした再発レコードです。 ピアノとテープマニピュレーションによるLo-Fiミニマル・アンビエント4曲を収録。 前作もオススメです。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "活躍中のミニマル・コンポーザーJuho Toivonenが、近年の作品における2つの異なる時期の録音をまとめた4曲入りLP『Kuun Sininen Rinki（『月の青い輪』）』で帰ってきた。Infinite Expanseよりリリースされる本作は、未発表音源に加え、極めて限定されたCDrで初登場した楽曲を収録しており、Juho Toivonenのピアノ演奏が発展していく初期の段階を垣間見ることができる。...
¥5,670
![Mads Emil Nielsen + Chromacolor // Constellation 10inch [COLOR]](http://tobirarecords.com/cdn/shop/files/a0935536364_16_1c829f2d-7722-41ec-a1cb-98c468c3589d_medium.jpg?v=1715162000)
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{"id":9217855160570,"title":"Mads Emil Nielsen + Chromacolor \/\/ Constellation 10inch [COLOR]","handle":"mads-emil-nielsen-chromacolor-constellation-10inch","description":"\u003cp\u003e\u003cspan\u003eデンマークのMads Emil Nielsenと\u003c\/span\u003e\u003cspan\u003eドイツのChromacolor\u003cmeta charset=\"utf-8\"\u003e実験音楽家2名が、2022年に\u003cmeta charset=\"utf-8\"\u003eMads Emil Nielsen主宰レーベルArbitraryからリリースした共作10\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエント2曲を収録。45回転\u003c\/span\u003e\u003cspan\u003eクリア盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2647298489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2002077573\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. 10\" vinyl, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e45 rpm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMads Emil Nielsen - Constellation 03:48\u003c\/li\u003e\n\u003cli\u003eChromacolor - Constellation Chromacolor Remix 06:24\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003earbitrary:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"a\u003cmeta charset=\"utf-8\"\u003erbitrary presents the first in a series of remix collaborations and releases by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.\u003cbr\u003e\u003cbr\u003eMads Emil Nielsen’s Constellation (side A) was created by combining several granulations and textures based on a single short recording, extracted from improvisations made with the Buchla synthesizer at EMS, Stockholm – combined with randomly looping orchestral samples, edited and produced in his studio in Copenhagen.\u003cbr\u003e\u003cbr\u003eAfter having heard Nielsen’s live performance in Berlin in 2017, Hanno Leichtmann suggested remixing various of his tracks including Constellation (Remix – side B). For this rework, Leichtmann provides an ambient feel by working with various sources, all of which generate sound using vibrating metal plates in different sizes – including a Premier Vibraphone, a Fender Rhodes and a Hohner Guitaret.\u003cbr\u003e\u003cbr\u003eConstellation (arbitrary12) is now published on 10” vinyl + DL.\u003c\/em\u003e\u003cem\u003e\"\u003cbr\u003e\u003c\/em\u003e- \u003cmeta charset=\"utf-8\"\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen + Chromacolor\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2026-05-06T07:53:55+09:00","created_at":"2026-05-06T07:53:26+09:00","vendor":"Tobira Records","type":"","tags":["ambient","arbitrary","lp","new"],"price":299700,"price_min":299700,"price_max":299700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48853239333114,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mads Emil Nielsen + Chromacolor \/\/ Constellation 10inch [COLOR]","public_title":null,"options":["Default Title"],"price":299700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/a0935536364_16_1c829f2d-7722-41ec-a1cb-98c468c3589d.jpg?v=1715162000","\/\/tobirarecords.com\/cdn\/shop\/files\/0028232497_10_bddca4c2-617f-4499-b5e4-8fb165030e25.jpg?v=1715162000"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0935536364_16_1c829f2d-7722-41ec-a1cb-98c468c3589d.jpg?v=1715162000","options":["Title"],"media":[{"alt":null,"id":33961693905146,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0935536364_16_1c829f2d-7722-41ec-a1cb-98c468c3589d.jpg?v=1715162000"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/a0935536364_16_1c829f2d-7722-41ec-a1cb-98c468c3589d.jpg?v=1715162000","width":700},{"alt":null,"id":33961693937914,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028232497_10_bddca4c2-617f-4499-b5e4-8fb165030e25.jpg?v=1715162000"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0028232497_10_bddca4c2-617f-4499-b5e4-8fb165030e25.jpg?v=1715162000","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークのMads Emil Nielsenと\u003c\/span\u003e\u003cspan\u003eドイツのChromacolor\u003cmeta charset=\"utf-8\"\u003e実験音楽家2名が、2022年に\u003cmeta charset=\"utf-8\"\u003eMads Emil Nielsen主宰レーベルArbitraryからリリースした共作10\"です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eドリーミーなアンビエント2曲を収録。45回転\u003c\/span\u003e\u003cspan\u003eクリア盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2647298489\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2002077573\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 500. 10\" vinyl, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e45 rpm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMads Emil Nielsen - Constellation 03:48\u003c\/li\u003e\n\u003cli\u003eChromacolor - Constellation Chromacolor Remix 06:24\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003earbitrary:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"a\u003cmeta charset=\"utf-8\"\u003erbitrary presents the first in a series of remix collaborations and releases by Mads Emil Nielsen and Chromacolor, a project from the German sound artist and producer Hanno Leichtmann.\u003cbr\u003e\u003cbr\u003eMads Emil Nielsen’s Constellation (side A) was created by combining several granulations and textures based on a single short recording, extracted from improvisations made with the Buchla synthesizer at EMS, Stockholm – combined with randomly looping orchestral samples, edited and produced in his studio in Copenhagen.\u003cbr\u003e\u003cbr\u003eAfter having heard Nielsen’s live performance in Berlin in 2017, Hanno Leichtmann suggested remixing various of his tracks including Constellation (Remix – side B). For this rework, Leichtmann provides an ambient feel by working with various sources, all of which generate sound using vibrating metal plates in different sizes – including a Premier Vibraphone, a Fender Rhodes and a Hohner Guitaret.\u003cbr\u003e\u003cbr\u003eConstellation (arbitrary12) is now published on 10” vinyl + DL.\u003c\/em\u003e\u003cem\u003e\"\u003cbr\u003e\u003c\/em\u003e- \u003cmeta charset=\"utf-8\"\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen + Chromacolor\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
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デンマークのMads Emil NielsenとドイツのChromacolor実験音楽家2名が、2022年にMads Emil Nielsen主宰レーベルArbitraryからリリースした共作10"です。 ドリーミーなアンビエント2曲を収録。45回転クリア盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Arbitrary releases available at...
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{"id":9217853718778,"title":"Mads Emil Nielsen + V.A. \/\/ Framework 2 2x10inch+ PRINTS","handle":"mads-emil-nielsen-v-a-framework-2-2x10inch-prints","description":"\u003cp\u003e\u003cspan\u003eデンマークの実験音楽家Mads Emil Nielsen主宰レーベルArbitrary諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、Madsによる\u003c\/span\u003e\u003cspan\u003e手書きのグラフィックスコアをもとに演奏するFrameworkシリーズ第2弾です。グラフィックスコアプリントとDLコード付属。クリア盤です。45rpmです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAndrea Neumann、Jan Jelinek、Hideki Umezawaも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2446258392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 2 x 10\" vinyl, \u003cspan\u003e45 rpm, white + transparent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDanish musician\/composer Mads Emil Nielsen continues his Framework series; a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen’s own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations – in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFramework 2 consists of printed scores and recordings, released on 2 x 10” vinyl + DL. Circles (Disc1: side A) is a dense, 03:45 collage of synthesizer recordings made during a residency at EMS (Elektronmusikstudion), Stockholm. The first graphic score is an illustration in three parts, based on sketches and drawings made intuitively while listening during and after the\u003cspan class=\"bcTruncateMore\"\u003e recording process.\u003cbr\u003eFramework Fragments (Disc1: side B) created in collaboration with Andrea Neumann is derived from live recordings made with electronics and inside piano, and is based on the second score. The piece was made by the two musicians improvising from the seven graphic score fragments, sequenced using individual timecodes and then edited by Nielsen into a more complex collage, following closely the structure of the original recording. Originally a 4-channel composition, Framework Fragments was presented as part of the two artists’ “Creepage Current” sound installation in Berlin, Copenhagen and Milan, 2018 \u0026amp; 2019.\u003cbr\u003e\u003cbr\u003eNielsen then invited two artists to interpret the notation \u0026amp; score – electronic musician Jan Jelinek and sound artist Hideki Umezawa. These recordings are included on Disc 2 (on transparent vinyl). Jelinek chose to focus on the second part of the Circles score – following its structure \/ timeline and translating the elements into three separated loops blending in and out, one after another, surrounded by additional sounds and random textures.\u003cbr\u003eUmezawa interpreted the Framework Fragments score. Various recordings based on his improvisations made with the Serge synthesizer – once again during a residency at EMS (2019) – were organised to ensure the sound material correspond to each element \/ score fragment. Finally, the material was re-arranged in detail and edited into the 9 min. composition.\u003cbr\u003e\u003cbr\u003e1 - Mads Emil Nielsen: Circles\u003cbr\u003e2 - Mads Emil Nielsen + Andrea Neumann: Framework Fragments\u003cbr\u003e3 - Jan Jelinek: Circles - 2\u003cbr\u003e4 - Hideki Umezawa: Framework Fragments - 2\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen, Andrea Neumann, Jan Jelinek, Hideki Umezawa \u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2026-05-06T07:52:43+09:00","created_at":"2026-05-06T07:52:17+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","books \/ clothing \/ others","contemporary \/ sound poetry","lp","monooto","new"],"price":398000,"price_min":398000,"price_max":398000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48853236646138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mads Emil Nielsen + V.A. \/\/ Framework 2 2x10inch+ PRINTS","public_title":null,"options":["Default Title"],"price":398000,"weight":550,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707","\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","options":["Title"],"media":[{"alt":null,"id":16378912768165,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me1.jpg?v=1612576706","width":700},{"alt":null,"id":16378912800933,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me2.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912833701,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me3.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912866469,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me4.jpg?v=1612576707","width":1200},{"alt":null,"id":16378912899237,"position":5,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/me5.jpg?v=1612576707","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークの実験音楽家Mads Emil Nielsen主宰レーベルArbitrary諸作を入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e本作は、Madsによる\u003c\/span\u003e\u003cspan\u003e手書きのグラフィックスコアをもとに演奏するFrameworkシリーズ第2弾です。グラフィックスコアプリントとDLコード付属。クリア盤です。45rpmです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAndrea Neumann、Jan Jelinek、Hideki Umezawaも参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2446258392\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300. 2 x 10\" vinyl, \u003cspan\u003e45 rpm, white + transparent.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDanish musician\/composer Mads Emil Nielsen continues his Framework series; a collection of open, hand-drawn graphic scores and recordings. The series includes Nielsen’s own subjective translations of the visual material and sound pieces accompanied by visual notations, and collaborations – in this case with Andrea Neumann, Jan Jelinek and Hideki Umezawa.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFramework 2 consists of printed scores and recordings, released on 2 x 10” vinyl + DL. Circles (Disc1: side A) is a dense, 03:45 collage of synthesizer recordings made during a residency at EMS (Elektronmusikstudion), Stockholm. The first graphic score is an illustration in three parts, based on sketches and drawings made intuitively while listening during and after the\u003cspan class=\"bcTruncateMore\"\u003e recording process.\u003cbr\u003eFramework Fragments (Disc1: side B) created in collaboration with Andrea Neumann is derived from live recordings made with electronics and inside piano, and is based on the second score. The piece was made by the two musicians improvising from the seven graphic score fragments, sequenced using individual timecodes and then edited by Nielsen into a more complex collage, following closely the structure of the original recording. Originally a 4-channel composition, Framework Fragments was presented as part of the two artists’ “Creepage Current” sound installation in Berlin, Copenhagen and Milan, 2018 \u0026amp; 2019.\u003cbr\u003e\u003cbr\u003eNielsen then invited two artists to interpret the notation \u0026amp; score – electronic musician Jan Jelinek and sound artist Hideki Umezawa. These recordings are included on Disc 2 (on transparent vinyl). Jelinek chose to focus on the second part of the Circles score – following its structure \/ timeline and translating the elements into three separated loops blending in and out, one after another, surrounded by additional sounds and random textures.\u003cbr\u003eUmezawa interpreted the Framework Fragments score. Various recordings based on his improvisations made with the Serge synthesizer – once again during a residency at EMS (2019) – were organised to ensure the sound material correspond to each element \/ score fragment. Finally, the material was re-arranged in detail and edited into the 9 min. composition.\u003cbr\u003e\u003cbr\u003e1 - Mads Emil Nielsen: Circles\u003cbr\u003e2 - Mads Emil Nielsen + Andrea Neumann: Framework Fragments\u003cbr\u003e3 - Jan Jelinek: Circles - 2\u003cbr\u003e4 - Hideki Umezawa: Framework Fragments - 2\u003c\/span\u003e \"\u003cbr\u003e- \u003c\/em\u003eArbitrary\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen, Andrea Neumann, Jan Jelinek, Hideki Umezawa \u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
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![Mads Emil Nielsen // Black Box 3 LP [COLOR]](http://tobirarecords.com/cdn/shop/products/bl1_3989e315-4ed2-465f-9b24-0e2ee804eae0_medium.jpg?v=1671412628)
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{"id":9217842315514,"title":"Mads Emil Nielsen \/\/ Black Box 3 LP [COLOR]","handle":"mads-emil-nielsen-black-box-3-lp-color","description":"\u003cp\u003e\u003cspan\u003eデンマークの音響作家Mads Emil Nielsenが、2022年12月に自身主宰レーベルArbitraryからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2021年にデンマークで行われたダンス・パフォーマンス\u0026amp;インスタレーション『Sprækker(Cracks)』のために制作した楽曲をベースに、再構築を行なった作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフロア棒立ち系物音ドローン・テクノ6曲を収録。クリアブルー盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3391914277\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2386906551\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" BLUE transparent vinyl edition of 500. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003earbitrary:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003earbitrary presents the third in the Black Box series of releases by Mads Emil Nielsen. The release, which showcases a more sample- and grid-based side of the Danish musician\/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBlack Box 3 is based on sound pieces produced for Sprækker (Cracks), a dance performance \u0026amp; installation in Denmark, 2021. The starting points for these pieces are improvisations recorded with contemporary dancers, in which Nielsen guides the listener through a corpus of synthesizer recordings, everyday sounds and radio archives. These original recordings were reworked for this LP and edited into the six tracks in early 2022 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e","published_at":"2026-05-06T07:42:27+09:00","created_at":"2026-05-06T07:42:00+09:00","vendor":"Tobira Records","type":"","tags":["arbitrary","drone","lp","monooto","new","recommended","techno \/ house"],"price":388000,"price_min":388000,"price_max":388000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48853220491514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mads Emil Nielsen \/\/ Black Box 3 LP [COLOR]","public_title":null,"options":["Default Title"],"price":388000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_3989e315-4ed2-465f-9b24-0e2ee804eae0.jpg?v=1671412628","\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_76c1ba27-76ea-4b2e-bfeb-65fa3dac2ebd.jpg?v=1671412628","\/\/tobirarecords.com\/cdn\/shop\/products\/bl3_523cd77a-1236-4a5a-880c-72bcaeb92131.jpg?v=1671412628"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_3989e315-4ed2-465f-9b24-0e2ee804eae0.jpg?v=1671412628","options":["Title"],"media":[{"alt":null,"id":31220391903482,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_3989e315-4ed2-465f-9b24-0e2ee804eae0.jpg?v=1671412628"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl1_3989e315-4ed2-465f-9b24-0e2ee804eae0.jpg?v=1671412628","width":700},{"alt":null,"id":31220391936250,"position":2,"preview_image":{"aspect_ratio":1.335,"height":899,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_76c1ba27-76ea-4b2e-bfeb-65fa3dac2ebd.jpg?v=1671412628"},"aspect_ratio":1.335,"height":899,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl2_76c1ba27-76ea-4b2e-bfeb-65fa3dac2ebd.jpg?v=1671412628","width":1200},{"alt":null,"id":31220391969018,"position":3,"preview_image":{"aspect_ratio":1.335,"height":899,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl3_523cd77a-1236-4a5a-880c-72bcaeb92131.jpg?v=1671412628"},"aspect_ratio":1.335,"height":899,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/bl3_523cd77a-1236-4a5a-880c-72bcaeb92131.jpg?v=1671412628","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eデンマークの音響作家Mads Emil Nielsenが、2022年12月に自身主宰レーベルArbitraryからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2021年にデンマークで行われたダンス・パフォーマンス\u0026amp;インスタレーション『Sprækker(Cracks)』のために制作した楽曲をベースに、再構築を行なった作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eフロア棒立ち系物音ドローン・テクノ6曲を収録。クリアブルー盤です。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3391914277\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2386906551\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/arbitrary\"\u003ehere\u003c\/a\u003e to see more Arbitrary releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" BLUE transparent vinyl edition of 500. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003earbitrary:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003earbitrary presents the third in the Black Box series of releases by Mads Emil Nielsen. The release, which showcases a more sample- and grid-based side of the Danish musician\/composer’s work, is part of a sequence of publications with music and audio originally made for theatre, radio soundtracks and more.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBlack Box 3 is based on sound pieces produced for Sprækker (Cracks), a dance performance \u0026amp; installation in Denmark, 2021. The starting points for these pieces are improvisations recorded with contemporary dancers, in which Nielsen guides the listener through a corpus of synthesizer recordings, everyday sounds and radio archives. These original recordings were reworked for this LP and edited into the six tracks in early 2022 \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mads Emil Nielsen\u003c\/p\u003e\n\u003cp\u003eLabel : Arbitrary\u003c\/p\u003e"}
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デンマークの音響作家Mads Emil Nielsenが、2022年12月に自身主宰レーベルArbitraryからリリースしたアルバムです。 2021年にデンマークで行われたダンス・パフォーマンス&インスタレーション『Sprækker(Cracks)』のために制作した楽曲をベースに、再構築を行なった作品です。 フロア棒立ち系物音ドローン・テクノ6曲を収録。クリアブルー盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Arbitrary releases available at Tobira....
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![Obeka // A World No More LP [COLOR]](http://tobirarecords.com/cdn/shop/files/no1_8d625655-26f9-4188-a2a3-f689b2ba5335_medium.jpg?v=1777856304)
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{"id":9215240405242,"title":"Obeka \/\/ A World No More LP [COLOR]","handle":"obeka-a-world-no-more-lp-color","description":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eバミューダ出身イギリス・マンチェスター在住のベース作家Obekaが、2026年4月に\u003c\/span\u003eチェコのレフトフィールド・ベースレーベルYUKUから100部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・アフロフューチャリズム13曲を収録。オレンジマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルと作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『A World No More』のリズミカルなダイナミクスと情感あふれる表現は、Obekaのルーツに息づくサウンドシステム・カルチャーの濃密さを捉えている。YUKUは、ネオコロニアルなディストピア、抗議、そしてアフロ・フューチャリズムを、暗い過去と今日なお根強く残るその不満が織りなす朽ちゆく音響構造を通じて極限まで拡張させた、このバミューダ人アーティストのデビューアルバムを提示する。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e英国およびヨーロッパの植民地体制という壁の中で大人へと成長したことは、新しい国での疎外感と迷いによって、幼い頃から私を世界から隔絶させてしまった。ロンドンの広大で文化的に活気ある移民コミュニティとは異なり、工業都市ストックポートでは、バミューダから移住して最初の1年間に、他国からの人々に対する冷たさを経験した。その理由が理解できなかった。私に向けられた冷たい言葉であれ、私と同じような外見の人々に対する行為であれ、それは治療法のない、破滅的な社会的ウイルスであることが明らかになった。最も安らぎを見出せたのは、慣れ親しんだもの――故郷のドラムとリズミカルな精神性――を通じてだった。そこは安全な避難所であり、怒りと混乱を吐き出す場所だった。移住してから15年が経ち、私のサウンドが進化するにつれ、階級差別、人種差別、抑圧、そして少数民族に対する社会的統制はさらに悪化しているように思える――今やそれらはより合法化され、常態化さえしている。オグン（怒り、正義、戦争を司る強力なヨルバの神）は、このレコードのオープニング・シーケンスであり、その象徴として機能している。歪んだ低音域と、失われた者たちの生々しいサンプリングされた幽霊のような声に浸された、解体されたレゲエ・ダブを使用している。この音響的試みは『Drillaman』にも応用されており、インダストリアルな骨格と金属的な楽器の暴走が、陰鬱なダンスホールのMCプレイの上に展開され、繭の中で進化する二つの平行世界を拡大している。大西洋を横断するアフリカの文化とアイデンティティの復活は、決して沈黙させられたわけではない。むしろ、奴隷貿易のルートを通じて他所へと運ばれてきたのだ。これは、初めて故郷のカリブ海に戻り、本作を制作・完成させる上で極めて重要な要素となった。自らのルーツと再接続した後、世界の何が間違っているのかという、かつてはぼやけていた視界が、はっきりと鮮明になった。空虚な平原での導きは、痛みの中を貫いて真実を求める――詩的な最終トラック『A World No More』に表現された、自己発見の宣言である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Fawohodie』（アルバムカバーに刻印された、独立・自由・解放を象徴する西アフリカのアディンクラのシンボル）において、動機と雰囲気は変化し始める。個人の相互接続性とコミュニティの重要性を強調する哲学的概念であり、しばしば西洋の個人主義と対比されるアフロ・カリブ海の理想主義が、新たな宇宙の中で形を成し始める。我々は共存できるのだ。楽曲の骨格には、我々の制御が及ばない周波数を形成する機械主導のソフトウェアが用いられ、それを分解されたサウンドスケープ、散りばめられたハンドドラム、そして人間が作り出した支配の武器を通じて操作している。これにより、世代を超えて受け継がれてきた隠された格差を露呈させつつ、平等と平和に向けた希望に満ちた音楽的基盤とのバランスを取っている。『Pressure』と『Kuduro!』における楽曲の方向性は、人々を目覚めさせようとするものだ。過去のプロジェクトのような落ち着いたアプローチに甘んじるのではなく、むしろその正反対を志向している。生来の音への意識を呼び起こすため、抗議の声を解体し、鎖や歯車、モーター駆動のハーモニーを用いて侵食されたようなパーカッションを、私の快適ゾーンをはるかに超えた挑戦的な抽象的な振る舞いで彫刻した。人々に感じてほしい直接的な荒々しさと重みがありつつ、魅惑的なコーラスと催眠的なベースラインが完全な同期で織りなす希望と安らぎを見出せるように。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「音の純粋さは、最も予期しない瞬間に現れる。ほんの小さな記憶や感情が、種から育ち、あなただけが解釈し、世界へと解き放つことのできる音響言語となるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2740078278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=969260537\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003ehere\u003c\/a\u003e to see more Yuku releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" orange marble vinyl.\u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ogun 04:07\u003cbr\u003e2. Drillaman 02:11\u003cbr\u003e3. Tundra 02:58\u003cbr\u003e4. Pon Ya Head ft. WOST 03:45\u003cbr\u003e5. Ghost Rhythm 03:48\u003cbr\u003e6. Fawohodie ft. Frederic 06:42\u003cbr\u003e7. Pressure ft. Entrañas 03:12\u003cbr\u003e8. Ready for the Soundman ft. BIG DRECO 02:39\u003cbr\u003e9. Kuduro! ft. Yemi Bolatiwa 03:25 video\u003cbr\u003e10. Ubuntu 03:21\u003cbr\u003e11. A World No More 02:59\u003cbr\u003e12. Ready for the Soundman ft. BIG DRECO (Metrodome Remix) 04:38\u003cbr\u003e13. Ready for the Soundman ft. BIG DRECO (Frederic Remix) 02:06\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe rhythmic dynamics and emotive attitudes of A World No More captures the density of soundsystem culture in Obeka’s ancestral roots. YUKU presents the Bermudians debut album capturing a Neo-Colonial dystopia, protest and Afro-Futurism hyperextended through decaying sonic structures of a dark past and its grievances which very much exist today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrowing into adulthood within the walls of British and European Colonial systems meant the disconnection and lostness in a new country hid me from the world at a young age. Unlike London’s vast and culturally engaging migrant communities, the industrial milling town of Stockport introduced a coldness towards people from other countries I experienced in my first year after relocating from Bermuda. I couldn’t understand why. Whether cold words thrown towards me or actions upon other people who look like me, it has shown to be a dooming societal virus with no cure. The most comfort was found through what was familiar - drums and rhythmic spirituality of my homeland. It was a safe-haven, a place to empty the anger and confusion. It’s been 15 years since relocating and as my sound evolved, it seems classism, racism, oppression and civil control of ethnic peoples has become worse - even now more\u003cspan class=\"bcTruncateMore\"\u003e legalised and normalised. Ogun (a powerful Yoruba deity associated with anger, justice and war) acts as the opening sequence of the record and its symbolism. Using distorted bass frequencies and dissected Regga-Dub immersed in live-sampled ghostly voices of the lost ones. This sonic exercising is also applied in Drillaman - a stampede of industrial framework and metallic instruments wielded over moody Dancehall MC’ing, magnifying two parallel worlds in cocooned evolution. The resurrection of Transatlantic African cultures and identity have never been silenced, rather carried elsewhere through trade routes of enslavement, which was pivotal when composing and completing the album upon returning home to the Caribbean for the first time ever. After reconnecting with my heritage my blurred vision of what's wrong in the world became so clear. Guidance in empty plains seek truth throughout the pain - A statement of finding oneself expressed on the poetic closing track A World No More.\u003cbr\u003e\u003cbr\u003eOn Fawohodie (A West African Adinkra symbol that represents independence, freedom, and emancipation stamped on the album cover) the motive and atmosphere begins to change. Afro-Caribbean idealism which refers to the philosophical concept that emphasizes the interconnectedness of individuals and the importance of community, often contrasting with Western individualism, begins to take shape in a new universe. We can co-exist. The track framework uses machine-led software forming frequencies we have no control over, then manipulated through decomposing soundscapes, scattered hand-drums and human-made weapons of control - exposing the hidden disparity that’s been carried over generations whilst balancing hopeful and musical foundations towards equality and peace. On Pressure and Kuduro! the writing direction attempts to wake people up. Not settling for a composed approach like in past projects, quite the opposite. A call for native sonic awareness, dismantled vocals of protests, eroded percussion using chains, gears and motorised harmonies sculpted in challenging abstract behaviors far outside my comfort zone. A direct abrasiveness and weight I want people to feel, whilst finding hope and solace through enchanting choirs and hypnotic basslines in complete synchrony.\u003cbr\u003e\u003cbr\u003e“Purity in sound manifests when you least expect it. The smallest memory or feeling grows from a seed into a sonic language that you, and only you can interpret and release back into the world.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Obeka\u003c\/p\u003e\n\u003cp\u003eLabel : Yuku\u003c\/p\u003e\n\u003cp\u003ecat no : YUKU048\u003c\/p\u003e\n\u003cp\u003eRelease date : April 2026\u003c\/p\u003e","published_at":"2026-05-10T05:39:02+09:00","created_at":"2026-05-04T10:05:02+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","strange beats","techno \/ house","yuku"],"price":531400,"price_min":531400,"price_max":531400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48836098654458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Obeka \/\/ A World No More LP [COLOR]","public_title":null,"options":["Default Title"],"price":531400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8d625655-26f9-4188-a2a3-f689b2ba5335.jpg?v=1777856304","\/\/tobirarecords.com\/cdn\/shop\/files\/no2_e0beaeec-7cbb-4e72-a8b4-f39702beb4ec.jpg?v=1777856304"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8d625655-26f9-4188-a2a3-f689b2ba5335.jpg?v=1777856304","options":["Title"],"media":[{"alt":null,"id":39245818298618,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8d625655-26f9-4188-a2a3-f689b2ba5335.jpg?v=1777856304"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no1_8d625655-26f9-4188-a2a3-f689b2ba5335.jpg?v=1777856304","width":350},{"alt":null,"id":39245818331386,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_e0beaeec-7cbb-4e72-a8b4-f39702beb4ec.jpg?v=1777856304"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/no2_e0beaeec-7cbb-4e72-a8b4-f39702beb4ec.jpg?v=1777856304","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003ch2\u003e\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e※5月下旬再入荷後発送します\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e\u003cspan\u003eバミューダ出身イギリス・マンチェスター在住のベース作家Obekaが、2026年4月に\u003c\/span\u003eチェコのレフトフィールド・ベースレーベルYUKUから100部限定でリリースしたデビューレコードです。\u003c\/p\u003e\n\u003cp\u003eポストインダストリアル・アフロフューチャリズム13曲を収録。オレンジマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルと作家本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\"\u003ci\u003e『A World No More』のリズミカルなダイナミクスと情感あふれる表現は、Obekaのルーツに息づくサウンドシステム・カルチャーの濃密さを捉えている。YUKUは、ネオコロニアルなディストピア、抗議、そしてアフロ・フューチャリズムを、暗い過去と今日なお根強く残るその不満が織りなす朽ちゆく音響構造を通じて極限まで拡張させた、このバミューダ人アーティストのデビューアルバムを提示する。\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e英国およびヨーロッパの植民地体制という壁の中で大人へと成長したことは、新しい国での疎外感と迷いによって、幼い頃から私を世界から隔絶させてしまった。ロンドンの広大で文化的に活気ある移民コミュニティとは異なり、工業都市ストックポートでは、バミューダから移住して最初の1年間に、他国からの人々に対する冷たさを経験した。その理由が理解できなかった。私に向けられた冷たい言葉であれ、私と同じような外見の人々に対する行為であれ、それは治療法のない、破滅的な社会的ウイルスであることが明らかになった。最も安らぎを見出せたのは、慣れ親しんだもの――故郷のドラムとリズミカルな精神性――を通じてだった。そこは安全な避難所であり、怒りと混乱を吐き出す場所だった。移住してから15年が経ち、私のサウンドが進化するにつれ、階級差別、人種差別、抑圧、そして少数民族に対する社会的統制はさらに悪化しているように思える――今やそれらはより合法化され、常態化さえしている。オグン（怒り、正義、戦争を司る強力なヨルバの神）は、このレコードのオープニング・シーケンスであり、その象徴として機能している。歪んだ低音域と、失われた者たちの生々しいサンプリングされた幽霊のような声に浸された、解体されたレゲエ・ダブを使用している。この音響的試みは『Drillaman』にも応用されており、インダストリアルな骨格と金属的な楽器の暴走が、陰鬱なダンスホールのMCプレイの上に展開され、繭の中で進化する二つの平行世界を拡大している。大西洋を横断するアフリカの文化とアイデンティティの復活は、決して沈黙させられたわけではない。むしろ、奴隷貿易のルートを通じて他所へと運ばれてきたのだ。これは、初めて故郷のカリブ海に戻り、本作を制作・完成させる上で極めて重要な要素となった。自らのルーツと再接続した後、世界の何が間違っているのかという、かつてはぼやけていた視界が、はっきりと鮮明になった。空虚な平原での導きは、痛みの中を貫いて真実を求める――詩的な最終トラック『A World No More』に表現された、自己発見の宣言である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Fawohodie』（アルバムカバーに刻印された、独立・自由・解放を象徴する西アフリカのアディンクラのシンボル）において、動機と雰囲気は変化し始める。個人の相互接続性とコミュニティの重要性を強調する哲学的概念であり、しばしば西洋の個人主義と対比されるアフロ・カリブ海の理想主義が、新たな宇宙の中で形を成し始める。我々は共存できるのだ。楽曲の骨格には、我々の制御が及ばない周波数を形成する機械主導のソフトウェアが用いられ、それを分解されたサウンドスケープ、散りばめられたハンドドラム、そして人間が作り出した支配の武器を通じて操作している。これにより、世代を超えて受け継がれてきた隠された格差を露呈させつつ、平等と平和に向けた希望に満ちた音楽的基盤とのバランスを取っている。『Pressure』と『Kuduro!』における楽曲の方向性は、人々を目覚めさせようとするものだ。過去のプロジェクトのような落ち着いたアプローチに甘んじるのではなく、むしろその正反対を志向している。生来の音への意識を呼び起こすため、抗議の声を解体し、鎖や歯車、モーター駆動のハーモニーを用いて侵食されたようなパーカッションを、私の快適ゾーンをはるかに超えた挑戦的な抽象的な振る舞いで彫刻した。人々に感じてほしい直接的な荒々しさと重みがありつつ、魅惑的なコーラスと催眠的なベースラインが完全な同期で織りなす希望と安らぎを見出せるように。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e「音の純粋さは、最も予期しない瞬間に現れる。ほんの小さな記憶や感情が、種から育ち、あなただけが解釈し、世界へと解き放つことのできる音響言語となるのだ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2740078278\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1930006965\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=969260537\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/yuku\"\u003ehere\u003c\/a\u003e to see more Yuku releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e12\" orange marble vinyl.\u003cbr\u003eEdition of 100 copies. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Ogun 04:07\u003cbr\u003e2. Drillaman 02:11\u003cbr\u003e3. Tundra 02:58\u003cbr\u003e4. Pon Ya Head ft. WOST 03:45\u003cbr\u003e5. Ghost Rhythm 03:48\u003cbr\u003e6. Fawohodie ft. Frederic 06:42\u003cbr\u003e7. Pressure ft. Entrañas 03:12\u003cbr\u003e8. Ready for the Soundman ft. BIG DRECO 02:39\u003cbr\u003e9. Kuduro! ft. Yemi Bolatiwa 03:25 video\u003cbr\u003e10. Ubuntu 03:21\u003cbr\u003e11. A World No More 02:59\u003cbr\u003e12. Ready for the Soundman ft. BIG DRECO (Metrodome Remix) 04:38\u003cbr\u003e13. Ready for the Soundman ft. BIG DRECO (Frederic Remix) 02:06\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe rhythmic dynamics and emotive attitudes of A World No More captures the density of soundsystem culture in Obeka’s ancestral roots. YUKU presents the Bermudians debut album capturing a Neo-Colonial dystopia, protest and Afro-Futurism hyperextended through decaying sonic structures of a dark past and its grievances which very much exist today.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGrowing into adulthood within the walls of British and European Colonial systems meant the disconnection and lostness in a new country hid me from the world at a young age. Unlike London’s vast and culturally engaging migrant communities, the industrial milling town of Stockport introduced a coldness towards people from other countries I experienced in my first year after relocating from Bermuda. I couldn’t understand why. Whether cold words thrown towards me or actions upon other people who look like me, it has shown to be a dooming societal virus with no cure. The most comfort was found through what was familiar - drums and rhythmic spirituality of my homeland. It was a safe-haven, a place to empty the anger and confusion. It’s been 15 years since relocating and as my sound evolved, it seems classism, racism, oppression and civil control of ethnic peoples has become worse - even now more\u003cspan class=\"bcTruncateMore\"\u003e legalised and normalised. Ogun (a powerful Yoruba deity associated with anger, justice and war) acts as the opening sequence of the record and its symbolism. Using distorted bass frequencies and dissected Regga-Dub immersed in live-sampled ghostly voices of the lost ones. This sonic exercising is also applied in Drillaman - a stampede of industrial framework and metallic instruments wielded over moody Dancehall MC’ing, magnifying two parallel worlds in cocooned evolution. The resurrection of Transatlantic African cultures and identity have never been silenced, rather carried elsewhere through trade routes of enslavement, which was pivotal when composing and completing the album upon returning home to the Caribbean for the first time ever. After reconnecting with my heritage my blurred vision of what's wrong in the world became so clear. Guidance in empty plains seek truth throughout the pain - A statement of finding oneself expressed on the poetic closing track A World No More.\u003cbr\u003e\u003cbr\u003eOn Fawohodie (A West African Adinkra symbol that represents independence, freedom, and emancipation stamped on the album cover) the motive and atmosphere begins to change. Afro-Caribbean idealism which refers to the philosophical concept that emphasizes the interconnectedness of individuals and the importance of community, often contrasting with Western individualism, begins to take shape in a new universe. We can co-exist. The track framework uses machine-led software forming frequencies we have no control over, then manipulated through decomposing soundscapes, scattered hand-drums and human-made weapons of control - exposing the hidden disparity that’s been carried over generations whilst balancing hopeful and musical foundations towards equality and peace. On Pressure and Kuduro! the writing direction attempts to wake people up. Not settling for a composed approach like in past projects, quite the opposite. A call for native sonic awareness, dismantled vocals of protests, eroded percussion using chains, gears and motorised harmonies sculpted in challenging abstract behaviors far outside my comfort zone. A direct abrasiveness and weight I want people to feel, whilst finding hope and solace through enchanting choirs and hypnotic basslines in complete synchrony.\u003cbr\u003e\u003cbr\u003e“Purity in sound manifests when you least expect it. The smallest memory or feeling grows from a seed into a sonic language that you, and only you can interpret and release back into the world.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Obeka\u003c\/p\u003e\n\u003cp\u003eLabel : Yuku\u003c\/p\u003e\n\u003cp\u003ecat no : YUKU048\u003c\/p\u003e\n\u003cp\u003eRelease date : April 2026\u003c\/p\u003e"}
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※5月下旬再入荷後発送します バミューダ出身イギリス・マンチェスター在住のベース作家Obekaが、2026年4月にチェコのレフトフィールド・ベースレーベルYUKUから100部限定でリリースしたデビューレコードです。 ポストインダストリアル・アフロフューチャリズム13曲を収録。オレンジマーブル盤です。 以下、レーベルと作家本人による解説です。 "『A World No More』のリズミカルなダイナミクスと情感あふれる表現は、Obekaのルーツに息づくサウンドシステム・カルチャーの濃密さを捉えている。YUKUは、ネオコロニアルなディストピア、抗議、そしてアフロ・フューチャリズムを、暗い過去と今日なお根強く残るその不満が織りなす朽ちゆく音響構造を通じて極限まで拡張させた、このバミューダ人アーティストのデビューアルバムを提示する。 英国およびヨーロッパの植民地体制という壁の中で大人へと成長したことは、新しい国での疎外感と迷いによって、幼い頃から私を世界から隔絶させてしまった。ロンドンの広大で文化的に活気ある移民コミュニティとは異なり、工業都市ストックポートでは、バミューダから移住して最初の1年間に、他国からの人々に対する冷たさを経験した。その理由が理解できなかった。私に向けられた冷たい言葉であれ、私と同じような外見の人々に対する行為であれ、それは治療法のない、破滅的な社会的ウイルスであることが明らかになった。最も安らぎを見出せたのは、慣れ親しんだもの――故郷のドラムとリズミカルな精神性――を通じてだった。そこは安全な避難所であり、怒りと混乱を吐き出す場所だった。移住してから15年が経ち、私のサウンドが進化するにつれ、階級差別、人種差別、抑圧、そして少数民族に対する社会的統制はさらに悪化しているように思える――今やそれらはより合法化され、常態化さえしている。オグン（怒り、正義、戦争を司る強力なヨルバの神）は、このレコードのオープニング・シーケンスであり、その象徴として機能している。歪んだ低音域と、失われた者たちの生々しいサンプリングされた幽霊のような声に浸された、解体されたレゲエ・ダブを使用している。この音響的試みは『Drillaman』にも応用されており、インダストリアルな骨格と金属的な楽器の暴走が、陰鬱なダンスホールのMCプレイの上に展開され、繭の中で進化する二つの平行世界を拡大している。大西洋を横断するアフリカの文化とアイデンティティの復活は、決して沈黙させられたわけではない。むしろ、奴隷貿易のルートを通じて他所へと運ばれてきたのだ。これは、初めて故郷のカリブ海に戻り、本作を制作・完成させる上で極めて重要な要素となった。自らのルーツと再接続した後、世界の何が間違っているのかという、かつてはぼやけていた視界が、はっきりと鮮明になった。空虚な平原での導きは、痛みの中を貫いて真実を求める――詩的な最終トラック『A World No More』に表現された、自己発見の宣言である。 『Fawohodie』（アルバムカバーに刻印された、独立・自由・解放を象徴する西アフリカのアディンクラのシンボル）において、動機と雰囲気は変化し始める。個人の相互接続性とコミュニティの重要性を強調する哲学的概念であり、しばしば西洋の個人主義と対比されるアフロ・カリブ海の理想主義が、新たな宇宙の中で形を成し始める。我々は共存できるのだ。楽曲の骨格には、我々の制御が及ばない周波数を形成する機械主導のソフトウェアが用いられ、それを分解されたサウンドスケープ、散りばめられたハンドドラム、そして人間が作り出した支配の武器を通じて操作している。これにより、世代を超えて受け継がれてきた隠された格差を露呈させつつ、平等と平和に向けた希望に満ちた音楽的基盤とのバランスを取っている。『Pressure』と『Kuduro!』における楽曲の方向性は、人々を目覚めさせようとするものだ。過去のプロジェクトのような落ち着いたアプローチに甘んじるのではなく、むしろその正反対を志向している。生来の音への意識を呼び起こすため、抗議の声を解体し、鎖や歯車、モーター駆動のハーモニーを用いて侵食されたようなパーカッションを、私の快適ゾーンをはるかに超えた挑戦的な抽象的な振る舞いで彫刻した。人々に感じてほしい直接的な荒々しさと重みがありつつ、魅惑的なコーラスと催眠的なベースラインが完全な同期で織りなす希望と安らぎを見出せるように。 「音の純粋さは、最も予期しない瞬間に現れる。ほんの小さな記憶や感情が、種から育ち、あなただけが解釈し、世界へと解き放つことのできる音響言語となるのだ。"...
¥5,314
![Tim & Coco // Tim & Coco's Lack Of Pies 12inch [COLOR]](http://tobirarecords.com/cdn/shop/files/lack2_fed5ff6d-c482-4eff-869e-f4060a1b5f81_medium.jpg?v=1777855977)
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{"id":9215210750202,"title":"Tim \u0026 Coco \/\/ Tim \u0026 Coco's Lack Of Pies 12inch [COLOR]","handle":"tim-coco-tim-cocos-lack-of-pies-12inch-color","description":"\u003cp\u003eジャングル作家Tim ReaperとCoco Bryceが、2026年4月にオランダのMyorからリリースした再発スプリット12\"です。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003ednb〜ジャングル2曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2681622242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" red vinyl.\u003cbr\u003e2026 color vinyl repress - originally released in 2024. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tim Reaper - Lucky Go Happy 05:12\u003cbr\u003e2. Coco Bryce - Down The Way 04:58\u003c\/p\u003e\n\u003cp\u003eArtist : Tim \u0026amp; Coco\u003c\/p\u003e\n\u003cp\u003eLabel : Myor\u003c\/p\u003e\n\u003cp\u003ecat no : TCPL02\u003c\/p\u003e\n\u003cp\u003eRelease date : April 2026 (repress) \u003c\/p\u003e","published_at":"2026-05-10T05:27:58+09:00","created_at":"2026-05-04T09:54:49+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":294500,"price_min":294500,"price_max":294500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835922657530,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Tim \u0026 Coco \/\/ Tim \u0026 Coco's Lack Of Pies 12inch [COLOR]","public_title":null,"options":["Default Title"],"price":294500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lack2_fed5ff6d-c482-4eff-869e-f4060a1b5f81.jpg?v=1777855977"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lack2_fed5ff6d-c482-4eff-869e-f4060a1b5f81.jpg?v=1777855977","options":["Title"],"media":[{"alt":null,"id":39245751615738,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lack2_fed5ff6d-c482-4eff-869e-f4060a1b5f81.jpg?v=1777855977"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lack2_fed5ff6d-c482-4eff-869e-f4060a1b5f81.jpg?v=1777855977","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eジャングル作家Tim ReaperとCoco Bryceが、2026年4月にオランダのMyorからリリースした再発スプリット12\"です。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003ednb〜ジャングル2曲を収録。赤盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2681622242\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" red vinyl.\u003cbr\u003e2026 color vinyl repress - originally released in 2024. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Tim Reaper - Lucky Go Happy 05:12\u003cbr\u003e2. Coco Bryce - Down The Way 04:58\u003c\/p\u003e\n\u003cp\u003eArtist : Tim \u0026amp; Coco\u003c\/p\u003e\n\u003cp\u003eLabel : Myor\u003c\/p\u003e\n\u003cp\u003ecat no : TCPL02\u003c\/p\u003e\n\u003cp\u003eRelease date : April 2026 (repress) \u003c\/p\u003e"}
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ジャングル作家Tim ReaperとCoco Bryceが、2026年4月にオランダのMyorからリリースした再発スプリット12"です。（オリジナルは2024年リリース） dnb〜ジャングル2曲を収録。赤盤です。 --------------------------------------------------- 12" red vinyl.2026 color vinyl repress - originally released...
¥2,945
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{"id":9215206228218,"title":"STL \/\/ Spice 12inch","handle":"stl-spice-12inch","description":"\u003cp\u003eドイツのダンスレーベルsomething主宰STLが、2018年にイギリスの Solar Phenomena Musicからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eミニマルテクノ〜ミニマルハウス3曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A443580333\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Solar Phenomena Music\" href=\"https:\/\/soundcloud.com\/solarphenomenamusic\" target=\"_blank\"\u003eSolar Phenomena Music\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"STL - Spice (SOLAR09)\" href=\"https:\/\/soundcloud.com\/solarphenomenamusic\/sets\/solar09-stl-spice\" target=\"_blank\"\u003eSTL - Spice (SOLAR09)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Spice\u003cbr\u003eA2. Weed Detective\u003cbr\u003eB1. Scubbu Babe\u003c\/p\u003e\n\u003cp\u003eArtist : STL\u003c\/p\u003e\n\u003cp\u003eLabel : Solar Phenomena\u003c\/p\u003e\n\u003cp\u003ecat no : SOLAR09\u003c\/p\u003e\n\u003cp\u003eRelease date : June 2018\u003c\/p\u003e","published_at":"2026-05-05T12:39:07+09:00","created_at":"2026-05-04T09:50:33+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","techno \/ house"],"price":255000,"price_min":255000,"price_max":255000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835914334458,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"STL \/\/ Spice 12inch","public_title":null,"options":["Default Title"],"price":255000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-04at9.49.40am.png?v=1777855794"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-04at9.49.40am.png?v=1777855794","options":["Title"],"media":[{"alt":null,"id":39245738082554,"position":1,"preview_image":{"aspect_ratio":1.004,"height":512,"width":514,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-04at9.49.40am.png?v=1777855794"},"aspect_ratio":1.004,"height":512,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-04at9.49.40am.png?v=1777855794","width":514}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツのダンスレーベルsomething主宰STLが、2018年にイギリスの Solar Phenomena Musicからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eミニマルテクノ〜ミニマルハウス3曲を収録。180g重量盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A443580333\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Solar Phenomena Music\" href=\"https:\/\/soundcloud.com\/solarphenomenamusic\" target=\"_blank\"\u003eSolar Phenomena Music\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"STL - Spice (SOLAR09)\" href=\"https:\/\/soundcloud.com\/solarphenomenamusic\/sets\/solar09-stl-spice\" target=\"_blank\"\u003eSTL - Spice (SOLAR09)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e---------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black 180gram vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Spice\u003cbr\u003eA2. Weed Detective\u003cbr\u003eB1. Scubbu Babe\u003c\/p\u003e\n\u003cp\u003eArtist : STL\u003c\/p\u003e\n\u003cp\u003eLabel : Solar Phenomena\u003c\/p\u003e\n\u003cp\u003ecat no : SOLAR09\u003c\/p\u003e\n\u003cp\u003eRelease date : June 2018\u003c\/p\u003e"}
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ドイツのダンスレーベルsomething主宰STLが、2018年にイギリスの Solar Phenomena Musicからリリースした12"です。 ミニマルテクノ〜ミニマルハウス3曲を収録。180g重量盤です。 Solar Phenomena Music · STL - Spice (SOLAR09) ---------------------------------------------------...
¥2,550
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{"id":9215201804538,"title":"Mike Parker \/\/ Spaceship Galliot \/ Saber-tooth Animal 10inch","handle":"mike-parker-spaceship-galliot-saber-tooth-animal-10inch","description":"\u003cp\u003eアメリカのdnb作家Mike Parkerが、2026年5月にドイツ・ベルリンのレフトフィールド・ダンスレーベルHoro \/ Samuraiからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eヒプノティックdnb2曲を収録。45RPMです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2978721262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smrimsc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smrimsc\"\u003ehere\u003c\/a\u003e to see more Samurai Music \/ Horo releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spaceship Galliot 05:19\u003cbr\u003e2. Saber-tooth Animal 05:07\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Samurai Music\u003c\/p\u003e\n\u003cp\u003ecat no : SMDE55\u003c\/p\u003e\n\u003cp\u003eRelease date : May 2026\u003c\/p\u003e","published_at":"2026-05-04T15:44:04+09:00","created_at":"2026-05-04T09:46:29+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","samurai music","techno \/ house"],"price":368000,"price_min":368000,"price_max":368000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835907027194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mike Parker \/\/ Spaceship Galliot \/ Saber-tooth Animal 10inch","public_title":null,"options":["Default Title"],"price":368000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/gall1_52336e37-b114-4cae-ba42-cd9000febae0.jpg?v=1777855465","\/\/tobirarecords.com\/cdn\/shop\/files\/gall3_fa3e788d-aee4-4466-9662-7e605c84450f.jpg?v=1777855466"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/gall1_52336e37-b114-4cae-ba42-cd9000febae0.jpg?v=1777855465","options":["Title"],"media":[{"alt":null,"id":39245705249018,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gall1_52336e37-b114-4cae-ba42-cd9000febae0.jpg?v=1777855465"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gall1_52336e37-b114-4cae-ba42-cd9000febae0.jpg?v=1777855465","width":350},{"alt":null,"id":39245705314554,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gall3_fa3e788d-aee4-4466-9662-7e605c84450f.jpg?v=1777855466"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/gall3_fa3e788d-aee4-4466-9662-7e605c84450f.jpg?v=1777855466","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのdnb作家Mike Parkerが、2026年5月にドイツ・ベルリンのレフトフィールド・ダンスレーベルHoro \/ Samuraiからリリースした10\"です。\u003c\/p\u003e\n\u003cp\u003eヒプノティックdnb2曲を収録。45RPMです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2978721262\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/smrimsc\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/smrimsc\"\u003ehere\u003c\/a\u003e to see more Samurai Music \/ Horo releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e10\" vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Spaceship Galliot 05:19\u003cbr\u003e2. Saber-tooth Animal 05:07\u003c\/p\u003e\n\u003cp\u003eArtist : Mike Parker\u003c\/p\u003e\n\u003cp\u003eLabel : Samurai Music\u003c\/p\u003e\n\u003cp\u003ecat no : SMDE55\u003c\/p\u003e\n\u003cp\u003eRelease date : May 2026\u003c\/p\u003e"}
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¥3,680
![Radikal Guru // Dread Commandments (Remastered) 12inch [COLOR]](http://tobirarecords.com/cdn/shop/files/comm1_4a39051a-6e4e-4068-affb-6270db461aa4_medium.jpg?v=1777855127)
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{"id":9215195807994,"title":"Radikal Guru \/\/ Dread Commandments (Remastered) 12inch [COLOR]","handle":"radikal-guru-dread-commandments-remastered-12inch-color","description":"\u003cp\u003eポーランドのダブ作家Radikal Guruが、2026年4月に同国ダブレーベル\u003cspan\u003eMoonshineからリリースした再発12\"です。（オリジナルは2012年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eダブステップ〜コンテンポラリー・ダブ4曲を収録。オレンジマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e版元即完のためこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=613853447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moshr\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/moshr\"\u003ehere\u003c\/a\u003e to see more Moonshine Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" orange marble vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dread Commandments (Remastered) 05:46\u003cbr\u003e2. Dread Commandments (Dubbing Sun Remix) 04:05\u003cbr\u003e3. Dread Commandments (Killawatt Remix) 05:58\u003cbr\u003e4. Dread Commandments (VIP) 05:50\u003c\/p\u003e\n\u003cp\u003eArtist : Radikal Guru\u003c\/p\u003e\n\u003cp\u003eLabel : Moonshine Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : MS081\u003c\/p\u003e\n\u003cp\u003eRelease date : 10th April 2026\u003c\/p\u003e","published_at":"2026-05-04T12:03:22+09:00","created_at":"2026-05-04T09:41:10+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","moonshine recordings","new"],"price":307000,"price_min":307000,"price_max":307000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835897852154,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Radikal Guru \/\/ Dread Commandments (Remastered) 12inch [COLOR]","public_title":null,"options":["Default Title"],"price":307000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/comm1_4a39051a-6e4e-4068-affb-6270db461aa4.jpg?v=1777855127","\/\/tobirarecords.com\/cdn\/shop\/files\/comm2_7a21112a-ac25-40ca-a307-5e746e94829a.jpg?v=1777855127"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1_4a39051a-6e4e-4068-affb-6270db461aa4.jpg?v=1777855127","options":["Title"],"media":[{"alt":null,"id":39245678379258,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1_4a39051a-6e4e-4068-affb-6270db461aa4.jpg?v=1777855127"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm1_4a39051a-6e4e-4068-affb-6270db461aa4.jpg?v=1777855127","width":350},{"alt":null,"id":39245678412026,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm2_7a21112a-ac25-40ca-a307-5e746e94829a.jpg?v=1777855127"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/comm2_7a21112a-ac25-40ca-a307-5e746e94829a.jpg?v=1777855127","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eポーランドのダブ作家Radikal Guruが、2026年4月に同国ダブレーベル\u003cspan\u003eMoonshineからリリースした再発12\"です。（オリジナルは2012年リリース）\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eダブステップ〜コンテンポラリー・ダブ4曲を収録。オレンジマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e版元即完のためこの機会をお見逃しなく。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=613853447\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moshr\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mysci\"\u003e\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/moshr\"\u003ehere\u003c\/a\u003e to see more Moonshine Recordings releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" orange marble vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Dread Commandments (Remastered) 05:46\u003cbr\u003e2. Dread Commandments (Dubbing Sun Remix) 04:05\u003cbr\u003e3. Dread Commandments (Killawatt Remix) 05:58\u003cbr\u003e4. Dread Commandments (VIP) 05:50\u003c\/p\u003e\n\u003cp\u003eArtist : Radikal Guru\u003c\/p\u003e\n\u003cp\u003eLabel : Moonshine Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : MS081\u003c\/p\u003e\n\u003cp\u003eRelease date : 10th April 2026\u003c\/p\u003e"}
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クイックビュー
{"id":9215189647610,"title":"Regent vs. Chontane \/\/ Versus 001 LP","handle":"regent-vs-chontane-versus-001-lp","description":"\u003cp\u003eドイツ・ベルリンのテクノ作家RegentとChontaneが、2026年4月にベルリンのテクノレーベルMutual Rytmからリリースしたスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003eディープテクノ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2222452994\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/shdw-mutual-rytm\" title=\"SHDW | Mutual Rytm\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eSHDW | Mutual Rytm\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/shdw-mutual-rytm\/sets\/regent-vs-chontane-versus-1\" title=\"Regent vs. Chontane - Versus 001 [MRV001]\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRegent vs. Chontane - Versus 001 [MRV001]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mtlrtm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mtlrtm\"\u003ehere\u003c\/a\u003e to see more Mutual Rytm releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Regent - Ephemera 05:00\u003cbr\u003e2. Regent - Slow Burn 05:14\u003cbr\u003e3. Regent - Afterglow 05:15\u003cbr\u003e4. Chontane - Plaxaric 04:10\u003cbr\u003e5. Chontane - Grounding Factor 04:55\u003cbr\u003e6. Chontane - Mental Lab 06:06\u003cbr\u003e7. Regent - Control Room 05:31\u003cbr\u003e8. Regent - Rarely Enough 05:40\u003cbr\u003e9. Chontane - Escore 05:14\u003cbr\u003e10. Chontane - Outside In 06:04\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMutual Rytm spawns new sub-label ‘Versus’ with debut EP from longtime techno associates Regent and Chontane.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContinuing to expand its creative world, SHDW’s Mutual Rytm imprint now introduces ‘Versus’ - a new sub-label crafted for creative symbiosis between two artists across one shared release. Opening the series with authority, Regent and Chontane man the debut offering - two close friends and native Berliners who have been shaping techno for more than 15 years. Both long-standing members of the Mutual Rytm family, having\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ereleased multiple times here before, the pair have always created music informed by life immersed in their local scene. Having both mutually influenced one another over the years, here they present their shared\u003c\/em\u003e\u003cbr\u003e\u003cem\u003einterpretation of techno with individual artistic DNA, forming a unified sound that represents the best of both worlds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRegent goes first, leaning towards functional, anthemic, dance-floor-focused techno. ‘Ephemera’ is tight, minimal but forceful; ‘Slow Burn’ has synth tension rising through the dark, next to glitchy percussion; and ‘Afterglow’ lets in more light, bringing otherworldly synths that hang above the groove and consume\u003cspan class=\"bcTruncateMore\"\u003e your focus.\u003cbr\u003e\u003cbr\u003eChontane then explores a more musical and unconventional approach. ‘Plaxaric’ is supple, warm, and deep techno that tunnels into an abyss. ‘Grounding Factor’ is just as economical in design, but with introverted funk and evolving layers of sound. ‘Mental Lab’ spins out into complex rhythms inspired equally by IDM, jungle, and techno. It’s a mental workout as well as a physical one.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Regent vs. Chontane\u003c\/p\u003e\n\u003cp\u003eLabel : Mutual Rytm\u003c\/p\u003e\n\u003cp\u003ecat no : MRV001\u003c\/p\u003e\n\u003cp\u003eRelease date : 24th April 2026\u003c\/p\u003e","published_at":"2026-05-05T12:43:58+09:00","created_at":"2026-05-04T09:36:46+09:00","vendor":"Tobira Records","type":"","tags":["lp","mutual rytm","new","techno \/ house"],"price":351400,"price_min":351400,"price_max":351400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835859808506,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Regent vs. Chontane \/\/ Versus 001 LP","public_title":null,"options":["Default Title"],"price":351400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/chon1.jpg?v=1777854897","\/\/tobirarecords.com\/cdn\/shop\/files\/chon2_93e72ae5-59e4-4988-a8de-73c4a6cd572e.jpg?v=1777854896"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/chon1.jpg?v=1777854897","options":["Title"],"media":[{"alt":null,"id":39245659865338,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chon1.jpg?v=1777854897"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chon1.jpg?v=1777854897","width":350},{"alt":null,"id":39245659898106,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chon2_93e72ae5-59e4-4988-a8de-73c4a6cd572e.jpg?v=1777854896"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/chon2_93e72ae5-59e4-4988-a8de-73c4a6cd572e.jpg?v=1777854896","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ベルリンのテクノ作家RegentとChontaneが、2026年4月にベルリンのテクノレーベルMutual Rytmからリリースしたスプリットレコードです。\u003c\/p\u003e\n\u003cp\u003eディープテクノ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2222452994\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca href=\"https:\/\/soundcloud.com\/shdw-mutual-rytm\" title=\"SHDW | Mutual Rytm\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eSHDW | Mutual Rytm\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/shdw-mutual-rytm\/sets\/regent-vs-chontane-versus-1\" title=\"Regent vs. Chontane - Versus 001 [MRV001]\" style=\"color: #cccccc; text-decoration: none;\" target=\"_blank\"\u003eRegent vs. Chontane - Versus 001 [MRV001]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mtlrtm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mtlrtm\"\u003ehere\u003c\/a\u003e to see more Mutual Rytm releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Regent - Ephemera 05:00\u003cbr\u003e2. Regent - Slow Burn 05:14\u003cbr\u003e3. Regent - Afterglow 05:15\u003cbr\u003e4. Chontane - Plaxaric 04:10\u003cbr\u003e5. Chontane - Grounding Factor 04:55\u003cbr\u003e6. Chontane - Mental Lab 06:06\u003cbr\u003e7. Regent - Control Room 05:31\u003cbr\u003e8. Regent - Rarely Enough 05:40\u003cbr\u003e9. Chontane - Escore 05:14\u003cbr\u003e10. Chontane - Outside In 06:04\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMutual Rytm spawns new sub-label ‘Versus’ with debut EP from longtime techno associates Regent and Chontane.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eContinuing to expand its creative world, SHDW’s Mutual Rytm imprint now introduces ‘Versus’ - a new sub-label crafted for creative symbiosis between two artists across one shared release. Opening the series with authority, Regent and Chontane man the debut offering - two close friends and native Berliners who have been shaping techno for more than 15 years. Both long-standing members of the Mutual Rytm family, having\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ereleased multiple times here before, the pair have always created music informed by life immersed in their local scene. Having both mutually influenced one another over the years, here they present their shared\u003c\/em\u003e\u003cbr\u003e\u003cem\u003einterpretation of techno with individual artistic DNA, forming a unified sound that represents the best of both worlds.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eRegent goes first, leaning towards functional, anthemic, dance-floor-focused techno. ‘Ephemera’ is tight, minimal but forceful; ‘Slow Burn’ has synth tension rising through the dark, next to glitchy percussion; and ‘Afterglow’ lets in more light, bringing otherworldly synths that hang above the groove and consume\u003cspan class=\"bcTruncateMore\"\u003e your focus.\u003cbr\u003e\u003cbr\u003eChontane then explores a more musical and unconventional approach. ‘Plaxaric’ is supple, warm, and deep techno that tunnels into an abyss. ‘Grounding Factor’ is just as economical in design, but with introverted funk and evolving layers of sound. ‘Mental Lab’ spins out into complex rhythms inspired equally by IDM, jungle, and techno. It’s a mental workout as well as a physical one.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Regent vs. Chontane\u003c\/p\u003e\n\u003cp\u003eLabel : Mutual Rytm\u003c\/p\u003e\n\u003cp\u003ecat no : MRV001\u003c\/p\u003e\n\u003cp\u003eRelease date : 24th April 2026\u003c\/p\u003e"}
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ドイツ・ベルリンのテクノ作家RegentとChontaneが、2026年4月にベルリンのテクノレーベルMutual Rytmからリリースしたスプリットレコードです。 ディープテクノ10曲を収録。 SHDW | Mutual Rytm · Regent vs. Chontane - Versus 001...
¥3,514
クイックビュー
{"id":9215185420538,"title":"APRS \/\/ Drift 12inch","handle":"aprs-drift-12inch","description":"\u003cp\u003e\u003cspan\u003eドイツのテクノ作家APRSが、2026年4月にベルリンの\u003c\/span\u003eLowpassからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eアトモスフェリックなディープテクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2197003004\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"APRS\" href=\"https:\/\/soundcloud.com\/apresberlin\" target=\"_blank\"\u003eAPRS\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"APRS - Drift [Lowpass]\" href=\"https:\/\/soundcloud.com\/apresberlin\/sets\/aprs-drift-lowpass\" target=\"_blank\"\u003eAPRS - Drift [Lowpass]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Les Lucioles S'envolent\u003cbr\u003eA2. Equanimity\u003cbr\u003eA3. Peace\u003cbr\u003eB1. It Was Just a Dream\u003cbr\u003eB2. Les Lucioles S'envolent (Andy Martin Remix)\u003c\/p\u003e\n\u003cp\u003eArtist : APRS\u003c\/p\u003e\n\u003cp\u003eLabel : Lowpass\u003c\/p\u003e\n\u003cp\u003ecat no : LWP001\u003c\/p\u003e\n\u003cp\u003eRelease date : 20th April 2026\u003c\/p\u003e","published_at":"2026-05-10T05:22:13+09:00","created_at":"2026-05-04T09:32:45+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":347500,"price_min":347500,"price_max":347500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835853484282,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"APRS \/\/ Drift 12inch","public_title":null,"options":["Default Title"],"price":347500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/apr2.jpg?v=1777854651"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/apr2.jpg?v=1777854651","options":["Title"],"media":[{"alt":null,"id":39245642236154,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/apr2.jpg?v=1777854651"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/apr2.jpg?v=1777854651","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eドイツのテクノ作家APRSが、2026年4月にベルリンの\u003c\/span\u003eLowpassからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eアトモスフェリックなディープテクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/soundcloud%253Aplaylists%253A2197003004\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"APRS\" href=\"https:\/\/soundcloud.com\/apresberlin\" target=\"_blank\"\u003eAPRS\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"APRS - Drift [Lowpass]\" href=\"https:\/\/soundcloud.com\/apresberlin\/sets\/aprs-drift-lowpass\" target=\"_blank\"\u003eAPRS - Drift [Lowpass]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Les Lucioles S'envolent\u003cbr\u003eA2. Equanimity\u003cbr\u003eA3. Peace\u003cbr\u003eB1. It Was Just a Dream\u003cbr\u003eB2. Les Lucioles S'envolent (Andy Martin Remix)\u003c\/p\u003e\n\u003cp\u003eArtist : APRS\u003c\/p\u003e\n\u003cp\u003eLabel : Lowpass\u003c\/p\u003e\n\u003cp\u003ecat no : LWP001\u003c\/p\u003e\n\u003cp\u003eRelease date : 20th April 2026\u003c\/p\u003e"}
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{"id":9215181193466,"title":"Khan \/\/ Super - 8.9 12inch","handle":"khan-super-8-9-12inch","description":"\u003cp\u003e\u003cspan\u003eドイツのダンス作家Kabayが、\u003c\/span\u003e2026年4月にオランダのDaro Recordingsからリリースした再発12\"です。（オリジナルは2011年リリース）\u003c\/p\u003e\n\u003cp\u003eミニマルハウス〜ミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/icIEpNMk5mQ?si=CS-JU3d8wGC0RPqs\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lFQs-LmtYzY?si=99XAfma7Xl6xr0WF\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vpDvWESPYlY?si=ObYMS1lfGyqBqfMd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/apluv9sFsX0?si=dfV200NuoteBI7Z8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 2026 repress.\u003c\/p\u003e\n\u003cp\u003eVINYL ONLY.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Leni Double Crossed\u003cbr\u003eA2. Super-8.5\u003cbr\u003eB1. Wind In My Head\u003cbr\u003eB2. Silent Movie Part 2\u003c\/p\u003e\n\u003cp\u003eArtist : Khan\u003c\/p\u003e\n\u003cp\u003eLabel : Daro Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : DARO005\u003c\/p\u003e\n\u003cp\u003eRelease date : 23rd July 2021\u003c\/p\u003e","published_at":"2026-05-10T05:15:26+09:00","created_at":"2026-05-04T09:28:44+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new","techno \/ house"],"price":326000,"price_min":326000,"price_max":326000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835847094522,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Khan \/\/ Super - 8.9 12inch","public_title":null,"options":["Default Title"],"price":326000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/daro1_7bb6e245-a1d3-4d0a-9d52-ceb4dabf129f.jpg?v=1777854448","\/\/tobirarecords.com\/cdn\/shop\/files\/daro.jpg?v=1777854447"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/daro1_7bb6e245-a1d3-4d0a-9d52-ceb4dabf129f.jpg?v=1777854448","options":["Title"],"media":[{"alt":null,"id":39245626245370,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/daro1_7bb6e245-a1d3-4d0a-9d52-ceb4dabf129f.jpg?v=1777854448"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/daro1_7bb6e245-a1d3-4d0a-9d52-ceb4dabf129f.jpg?v=1777854448","width":600},{"alt":null,"id":39245626212602,"position":2,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/daro.jpg?v=1777854447"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/daro.jpg?v=1777854447","width":350}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eドイツのダンス作家Kabayが、\u003c\/span\u003e2026年4月にオランダのDaro Recordingsからリリースした再発12\"です。（オリジナルは2011年リリース）\u003c\/p\u003e\n\u003cp\u003eミニマルハウス〜ミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/icIEpNMk5mQ?si=CS-JU3d8wGC0RPqs\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lFQs-LmtYzY?si=99XAfma7Xl6xr0WF\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/vpDvWESPYlY?si=ObYMS1lfGyqBqfMd\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/apluv9sFsX0?si=dfV200NuoteBI7Z8\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 2026 repress.\u003c\/p\u003e\n\u003cp\u003eVINYL ONLY.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Leni Double Crossed\u003cbr\u003eA2. Super-8.5\u003cbr\u003eB1. Wind In My Head\u003cbr\u003eB2. Silent Movie Part 2\u003c\/p\u003e\n\u003cp\u003eArtist : Khan\u003c\/p\u003e\n\u003cp\u003eLabel : Daro Recordings\u003c\/p\u003e\n\u003cp\u003ecat no : DARO005\u003c\/p\u003e\n\u003cp\u003eRelease date : 23rd July 2021\u003c\/p\u003e"}
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¥3,260
クイックビュー
{"id":9215171166458,"title":"Kabay \/\/ Tribe of Liberation EP 12inch","handle":"kabay-tribe-of-liberation-ep-12inch","description":"\u003cp\u003e\u003cspan\u003eイギリスのテクノ作家Kabayが、\u003c\/span\u003e2026年1月にマンチェスターのテクノレーベルClergyからリリースした再発12\"です。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eミニマルテクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A1832920470\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"ᴄʟᴇʀɢʏ\" href=\"https:\/\/soundcloud.com\/clergyrecords\" target=\"_blank\"\u003eᴄʟᴇʀɢʏ\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Kabay | Tribe of Liberation EP [CRG033]\" href=\"https:\/\/soundcloud.com\/clergyrecords\/kabay-tribe-of-liberation-ep-crg033\" target=\"_blank\"\u003eKabay | Tribe of Liberation EP [CRG033]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrgy\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrgy\"\u003ehere\u003c\/a\u003e to see more Clergy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 2026 repress.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Amnesia [rework] 05:24\u003cbr\u003e2. Dukkha 05:23\u003cbr\u003e3. Tribe of Liberation 05:13\u003cbr\u003e4. All in 05:09\u003cbr\u003e5. Breakdown Ritual 04:54\u003c\/p\u003e\n\u003cp\u003eArtist : Kabay\u003c\/p\u003e\n\u003cp\u003eLabel : Clergy Records\u003c\/p\u003e\n\u003cp\u003ecat no : CRG033\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th May 2024\u003c\/p\u003e","published_at":"2026-05-05T14:05:46+09:00","created_at":"2026-05-04T09:21:51+09:00","vendor":"Tobira Records","type":"","tags":["clergy","lp","new","techno \/ house"],"price":305400,"price_min":305400,"price_max":305400,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835788243194,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Kabay \/\/ Tribe of Liberation EP 12inch","public_title":null,"options":["Default Title"],"price":305400,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lib1_2d826d25-fac2-4715-b212-a1d4854a6379.jpg?v=1777853987","\/\/tobirarecords.com\/cdn\/shop\/files\/lib2_55e64a04-188b-40fe-b764-11b46ba02a9d.jpg?v=1777853987"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lib1_2d826d25-fac2-4715-b212-a1d4854a6379.jpg?v=1777853987","options":["Title"],"media":[{"alt":null,"id":39245575389434,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lib1_2d826d25-fac2-4715-b212-a1d4854a6379.jpg?v=1777853987"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lib1_2d826d25-fac2-4715-b212-a1d4854a6379.jpg?v=1777853987","width":350},{"alt":null,"id":39245575422202,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lib2_55e64a04-188b-40fe-b764-11b46ba02a9d.jpg?v=1777853987"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lib2_55e64a04-188b-40fe-b764-11b46ba02a9d.jpg?v=1777853987","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eイギリスのテクノ作家Kabayが、\u003c\/span\u003e2026年1月にマンチェスターのテクノレーベルClergyからリリースした再発12\"です。（オリジナルは2024年リリース）\u003c\/p\u003e\n\u003cp\u003eミニマルテクノ5曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A1832920470\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"ᴄʟᴇʀɢʏ\" href=\"https:\/\/soundcloud.com\/clergyrecords\" target=\"_blank\"\u003eᴄʟᴇʀɢʏ\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Kabay | Tribe of Liberation EP [CRG033]\" href=\"https:\/\/soundcloud.com\/clergyrecords\/kabay-tribe-of-liberation-ep-crg033\" target=\"_blank\"\u003eKabay | Tribe of Liberation EP [CRG033]\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrgy\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/clrgy\"\u003ehere\u003c\/a\u003e to see more Clergy Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. 2026 repress.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Amnesia [rework] 05:24\u003cbr\u003e2. Dukkha 05:23\u003cbr\u003e3. Tribe of Liberation 05:13\u003cbr\u003e4. All in 05:09\u003cbr\u003e5. Breakdown Ritual 04:54\u003c\/p\u003e\n\u003cp\u003eArtist : Kabay\u003c\/p\u003e\n\u003cp\u003eLabel : Clergy Records\u003c\/p\u003e\n\u003cp\u003ecat no : CRG033\u003c\/p\u003e\n\u003cp\u003eRelease date : 17th May 2024\u003c\/p\u003e"}
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イギリスのテクノ作家Kabayが、2026年1月にマンチェスターのテクノレーベルClergyからリリースした再発12"です。（オリジナルは2024年リリース） ミニマルテクノ5曲を収録。 ᴄʟᴇʀɢʏ · Kabay | Tribe of Liberation EP [CRG033] レーベルその他作品はこちら /// Click...
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{"id":9215169528058,"title":"DJ Junk \/\/ Breaker Breaks Vol 1 LP","handle":"dj-junk-breaker-breaks-vol-1-lp","description":"\u003cp\u003eイギリスのDJ Junkが、1997年にリリースしたサンプリング\u0026amp;スクラッチネタ集の再発盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3819595404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3819595404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=49981294\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2025 reissue - originally released in 1997. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 The Brain\u003cbr\u003eA2 Damaged Brain\u003cbr\u003eA3 Scratch This\u003cbr\u003eA4 Thats Fresh\u003cbr\u003eA5 Scratch These\u003cbr\u003eA6 B-boy Style\u003cbr\u003eB1 These Are The Breaks\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2 To Be Scratched\u003cbr\u003e\u003c\/span\u003eB3 Breaks Of Death\u003cbr\u003eB4 Scratches\u003cbr\u003eB5 Scum Cuts\u003cbr\u003eB6 Turntable Torture\u003cbr\u003eB7 Star Cuts\u003cbr\u003eB8 Scratches \u0026amp; Cuts\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Junk\u003c\/p\u003e\n\u003cp\u003eLabel : Second To None\u003c\/p\u003e\n\u003cp\u003ecat no : BRK001V\u003c\/p\u003e\n\u003cp\u003eRelease date : May 2025 (reissue)\u003c\/p\u003e","published_at":"2026-05-10T05:04:37+09:00","created_at":"2026-05-04T09:15:59+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","lp","new"],"price":329000,"price_min":329000,"price_max":329000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835783721210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"DJ Junk \/\/ Breaker Breaks Vol 1 LP","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jun1_625545e2-c0cb-491f-b3e4-d469c5a7534a.jpg?v=1777853615","\/\/tobirarecords.com\/cdn\/shop\/files\/jun2_019aba44-7b98-484c-93a0-8863d8c469fd.jpg?v=1777853614"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jun1_625545e2-c0cb-491f-b3e4-d469c5a7534a.jpg?v=1777853615","options":["Title"],"media":[{"alt":null,"id":39245550027002,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jun1_625545e2-c0cb-491f-b3e4-d469c5a7534a.jpg?v=1777853615"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jun1_625545e2-c0cb-491f-b3e4-d469c5a7534a.jpg?v=1777853615","width":350},{"alt":null,"id":39245550059770,"position":2,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jun2_019aba44-7b98-484c-93a0-8863d8c469fd.jpg?v=1777853614"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jun2_019aba44-7b98-484c-93a0-8863d8c469fd.jpg?v=1777853614","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのDJ Junkが、1997年にリリースしたサンプリング\u0026amp;スクラッチネタ集の再発盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3819595404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3819595404\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=49981294\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003cbr\u003e2025 reissue - originally released in 1997. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1 The Brain\u003cbr\u003eA2 Damaged Brain\u003cbr\u003eA3 Scratch This\u003cbr\u003eA4 Thats Fresh\u003cbr\u003eA5 Scratch These\u003cbr\u003eA6 B-boy Style\u003cbr\u003eB1 These Are The Breaks\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eB2 To Be Scratched\u003cbr\u003e\u003c\/span\u003eB3 Breaks Of Death\u003cbr\u003eB4 Scratches\u003cbr\u003eB5 Scum Cuts\u003cbr\u003eB6 Turntable Torture\u003cbr\u003eB7 Star Cuts\u003cbr\u003eB8 Scratches \u0026amp; Cuts\u003c\/p\u003e\n\u003cp\u003eArtist : DJ Junk\u003c\/p\u003e\n\u003cp\u003eLabel : Second To None\u003c\/p\u003e\n\u003cp\u003ecat no : BRK001V\u003c\/p\u003e\n\u003cp\u003eRelease date : May 2025 (reissue)\u003c\/p\u003e"}
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{"id":9215168741626,"title":"Mandy Smith \/\/ I Just Can't Wait (Holmes Price Remix) 12inch","handle":"mandy-smith-i-just-cant-wait-holmes-price-remix-12inch","description":"\u003cp\u003eイギリスのシンセポップ作家Mandy Smithの1987年発表作品『I Just Can't Wait』のハウスリミックスです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2278635548\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Balearic London\" href=\"https:\/\/soundcloud.com\/baleariclondon\" target=\"_blank\"\u003eBalearic London\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Mandy Smith - I Just Can't Wait (Holmes Price Remix)\" href=\"https:\/\/soundcloud.com\/baleariclondon\/mandy-smith-i-just-cant-wait-holmes-price-remix-1\" target=\"_blank\"\u003eMandy Smith - I Just Can't Wait (Holmes Price Remix)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Just Can’t Wait (Holmes Price Remix)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e7:20\u003c\/p\u003e\n\u003cp\u003e2.\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_loyWF\"\u003eI Just Can't Wait (The Cool And Breezy Jazz Mix)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the all-time Balearic greats gets an official re-rub by friend of Balearic London, Holmes Price. Taking the charms of the classic Cool \u0026amp; Breezy Jazz Version - produced by Pete Waterman's in-house team at his '80s powerhouse PWL Records - and adding a meatier contemporary house groove, it's the perfect update for the modern dancefloor that we hope will also introduce the timeless 'original' mix to some new ears. The classic version is also included on the 12\", given a whole side for the first time since its original release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mandy Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Balearic London\u003c\/p\u003e\n\u003cp\u003ecat no : BLDN004\u003c\/p\u003e\n\u003cp\u003eRelease date : 22nd April 2026\u003c\/p\u003e","published_at":"2026-05-04T15:49:00+09:00","created_at":"2026-05-04T09:10:13+09:00","vendor":"Tobira Records","type":"","tags":["house","lp","new"],"price":329000,"price_min":329000,"price_max":329000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835778380026,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mandy Smith \/\/ I Just Can't Wait (Holmes Price Remix) 12inch","public_title":null,"options":["Default Title"],"price":329000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/man1_783f5759-b875-4525-99e4-041b58401b3c.jpg?v=1777853292","\/\/tobirarecords.com\/cdn\/shop\/files\/man2_66868375-391e-4d0f-a674-738b37425102.jpg?v=1777853292"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/man1_783f5759-b875-4525-99e4-041b58401b3c.jpg?v=1777853292","options":["Title"],"media":[{"alt":null,"id":39245524992250,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/man1_783f5759-b875-4525-99e4-041b58401b3c.jpg?v=1777853292"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/man1_783f5759-b875-4525-99e4-041b58401b3c.jpg?v=1777853292","width":350},{"alt":null,"id":39245525025018,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/man2_66868375-391e-4d0f-a674-738b37425102.jpg?v=1777853292"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/man2_66868375-391e-4d0f-a674-738b37425102.jpg?v=1777853292","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのシンセポップ作家Mandy Smithの1987年発表作品『I Just Can't Wait』のハウスリミックスです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2278635548\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Balearic London\" href=\"https:\/\/soundcloud.com\/baleariclondon\" target=\"_blank\"\u003eBalearic London\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Mandy Smith - I Just Can't Wait (Holmes Price Remix)\" href=\"https:\/\/soundcloud.com\/baleariclondon\/mandy-smith-i-just-cant-wait-holmes-price-remix-1\" target=\"_blank\"\u003eMandy Smith - I Just Can't Wait (Holmes Price Remix)\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. I Just Can’t Wait (Holmes Price Remix)\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e7:20\u003c\/p\u003e\n\u003cp\u003e2.\u003cspan class=\"MuiTypography-root MuiTypography-labelSmall css-1kybk0l\"\u003e\u003cspan class=\"trackTitle_loyWF\"\u003eI Just Can't Wait (The Cool And Breezy Jazz Mix)\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFrom the label:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOne of the all-time Balearic greats gets an official re-rub by friend of Balearic London, Holmes Price. Taking the charms of the classic Cool \u0026amp; Breezy Jazz Version - produced by Pete Waterman's in-house team at his '80s powerhouse PWL Records - and adding a meatier contemporary house groove, it's the perfect update for the modern dancefloor that we hope will also introduce the timeless 'original' mix to some new ears. The classic version is also included on the 12\", given a whole side for the first time since its original release.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Mandy Smith\u003c\/p\u003e\n\u003cp\u003eLabel : Balearic London\u003c\/p\u003e\n\u003cp\u003ecat no : BLDN004\u003c\/p\u003e\n\u003cp\u003eRelease date : 22nd April 2026\u003c\/p\u003e"}
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イギリスのシンセポップ作家Mandy Smithの1987年発表作品『I Just Can't Wait』のハウスリミックスです。 Balearic London · Mandy Smith - I Just Can't...
¥3,290
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{"id":9215167922426,"title":"Mike.D \/\/ Voce Della Coscienza (incl. BAL Remix) 12inch","handle":"mike-d-voce-della-coscienza-incl-bal-remix-12inch","description":"\u003cp\u003eメキシコのテクノ作家Mike.Dが、2021年にオランダのBALからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A1129808377\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Memoria Records\" href=\"https:\/\/soundcloud.com\/memoriarecords\" target=\"_blank\"\u003eMemoria Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Mike.D - Voce Della Coscienza Incl. BAL Remix \/\/ BAL007\" href=\"https:\/\/soundcloud.com\/memoriarecords\/miked-voce-della-coscienza-incl-bal-remix-bal007\" target=\"_blank\"\u003eMike.D - Voce Della Coscienza Incl. BAL Remix \/\/ BAL007\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Voce Della Coscienza\u003cbr\u003eA2. Penisola Deserta\u003cbr\u003eB1. Notte Dei Pensieri\u003cbr\u003eB2. Notte Dei Pensieri (BAL Remix)\u003c\/p\u003e\n\u003cp\u003eArtist : Mike.D \u003c\/p\u003e\n\u003cp\u003eLabel : BAL\u003c\/p\u003e\n\u003cp\u003ecat no : BAL007\u003c\/p\u003e\n\u003cp\u003eRelease date : October 2021\u003c\/p\u003e","published_at":"2026-05-05T13:59:18+09:00","created_at":"2026-05-04T09:07:04+09:00","vendor":"Tobira Records","type":"","tags":["lp","new","techno \/ house"],"price":312300,"price_min":312300,"price_max":312300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835763208442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mike.D \/\/ Voce Della Coscienza (incl. BAL Remix) 12inch","public_title":null,"options":["Default Title"],"price":312300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_6f5840c9-3040-4c80-a5ff-8b55cc1260cb.jpg?v=1777853113"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_6f5840c9-3040-4c80-a5ff-8b55cc1260cb.jpg?v=1777853113","options":["Title"],"media":[{"alt":null,"id":39245498188026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_6f5840c9-3040-4c80-a5ff-8b55cc1260cb.jpg?v=1777853113"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/mik1_6f5840c9-3040-4c80-a5ff-8b55cc1260cb.jpg?v=1777853113","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eメキシコのテクノ作家Mike.Dが、2021年にオランダのBALからリリースした12\"です。\u003c\/p\u003e\n\u003cp\u003eミニマルテクノ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A1129808377\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" height=\"300\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Memoria Records\" href=\"https:\/\/soundcloud.com\/memoriarecords\" target=\"_blank\"\u003eMemoria Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Mike.D - Voce Della Coscienza Incl. BAL Remix \/\/ BAL007\" href=\"https:\/\/soundcloud.com\/memoriarecords\/miked-voce-della-coscienza-incl-bal-remix-bal007\" target=\"_blank\"\u003eMike.D - Voce Della Coscienza Incl. BAL Remix \/\/ BAL007\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e--------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Voce Della Coscienza\u003cbr\u003eA2. Penisola Deserta\u003cbr\u003eB1. Notte Dei Pensieri\u003cbr\u003eB2. Notte Dei Pensieri (BAL Remix)\u003c\/p\u003e\n\u003cp\u003eArtist : Mike.D \u003c\/p\u003e\n\u003cp\u003eLabel : BAL\u003c\/p\u003e\n\u003cp\u003ecat no : BAL007\u003c\/p\u003e\n\u003cp\u003eRelease date : October 2021\u003c\/p\u003e"}
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メキシコのテクノ作家Mike.Dが、2021年にオランダのBALからリリースした12"です。 ミニマルテクノ4曲を収録。 Memoria Records · Mike.D - Voce Della Coscienza Incl. BAL Remix //...
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Hain 03:42\u003cbr\u003e2. OiOOiOiiOi\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. High High Low\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e02:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Birkenschlag\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e03:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Awen\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e02:33\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Wallride\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e02:07\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Powidl\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e03:07\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Nonnegative\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e03:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Eggplant\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e02:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Derecho\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e03:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Before All Else\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e04:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Squama:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eDespite the technical precision and percussive detail, there is nothing rigid or academic in Trio. The album is filled with a global spirit, venerated not only with the traditional beating of drumheads, but wood blocks, singing bowls, tuned gongs, temple bells, metal pipes, tongue drums and piezo-amplified electronic textures.\u003cbr\u003e\u003cbr\u003eThe use of electronics and processing throughout the record adds a subtle shimmer. Echo, delay and saturation are used not to distance the listener but to deepen the atmosphere. These effects serve as a kind of golden thread, binding the natural and synthetic, the ancient and the modern, the individual and the collective. Like in Kintsugi, what might have remained separate is made whole, its joins not hidden but celebrated.\u003cbr\u003e\u003cbr\u003eThe album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with our voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. This sits at the core of what it means to express our humanity. That is the spirit of Trio. A celebration of rhythm as both a shared human memory and an audible expression of close bonds.\u003cbr\u003e\u003cbr\u003eIn the end, Trio is not just an album about drums. It is an album about connection. About the joy of collaboration, the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Popp\u003c\/p\u003e\n\u003cp\u003eLabel : Squama\u003c\/p\u003e\n\u003cp\u003ecat no : SQM036G\u003c\/p\u003e","published_at":"2026-05-04T07:19:11+09:00","created_at":"2026-05-04T07:18:45+09:00","vendor":"Tobira Records","type":"","tags":["jazz","lp","new","Squama","strange beats"],"price":586000,"price_min":586000,"price_max":586000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48835258679546,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Simon Popp \/\/ Trio LP [COLOR]","public_title":null,"options":["Default Title"],"price":586000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"4251804187732","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/pop4.jpg?v=1761353744","\/\/tobirarecords.com\/cdn\/shop\/files\/popp3.jpg?v=1761353498"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/pop4.jpg?v=1761353744","options":["Title"],"media":[{"alt":null,"id":37257527034106,"position":1,"preview_image":{"aspect_ratio":1.0,"height":854,"width":854,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pop4.jpg?v=1761353744"},"aspect_ratio":1.0,"height":854,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/pop4.jpg?v=1761353744","width":854},{"alt":null,"id":37257527066874,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/popp3.jpg?v=1761353498"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/popp3.jpg?v=1761353498","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eドイツ・ミュンヘンのパーカッショニストSimon Poppが、2025年10月にミュンヘンのSquamaからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eドラマー3名によるインプロ・ストレンジビーツ11曲を収録。180g重量ゴールド盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"技術的な精密さと打楽器の細部描写にもかかわらず、『Trio』には硬直した学術的な要素は一切ない。このアルバムは世界的な精神に満ちており、伝統的なドラムヘッドの打撃だけでなく、ウッドブロック、シンギングボウル、調律されたゴング、寺院の鐘、金属パイプ、タンドラム、ピエゾ増幅された電子テクスチャーによっても崇められている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e全編にわたる電子機器と加工技術の活用が、繊細な輝きを加えている。エコー、ディレイ、サチュレーションは聴き手を遠ざけるためではなく、雰囲気を深めるために用いられる。これらの効果は一種の黄金の糸として機能し、自然と人工、古代と現代、個人と集団を結びつける。金継ぎのように、分離したままだったものが一体となり、その継ぎ目は隠されることなく称賛されるのである。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eこのアルバムは音色、質感、タッチを称えるものであり、その音のパレットは大陸と伝統を超えて引き出されている。あらゆる時代、あらゆる文化、あらゆる大陸において、人類は音楽を用いて祝賀し、哀悼し、崇拝し、絆を深めてきた。声と共に、身体でリズムを創り出す。手を叩き、足を踏み鳴らし、棒で打つ。これこそが人間性を表現する本質である。それがトリオの精神だ。共有された人類の記憶として、そして緊密な絆の聴覚的表現として、リズムを称えるもの。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e結局のところ、トリオは単なるドラムのアルバムではない。繋がりについてのアルバムだ。協働の喜び、不完全さの美しさ、そして共有された人類の力としてのリズムの永遠の引力についてのアルバムである。ひび割れは隠されていない。それらは黄金で満たされている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/6Vfg3eSqaBY?si=-vQDSEonldhQHX6R\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/squama\"\u003ehere\u003c\/a\u003e to see more Squama releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" gold 180gram vinyl in PVC sleeve.\u003cbr\u003eGold vinyl edition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Hain 03:42\u003cbr\u003e2. OiOOiOiiOi\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e03:21\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. High High Low\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e02:20\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Birkenschlag\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e03:53\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e5. Awen\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e02:33\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e6. Wallride\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e02:07\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e7. Powidl\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e03:07\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8. Nonnegative\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e03:47\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e9. Eggplant\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e02:51\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e10. Derecho\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e03:52\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e11. Before All Else\u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e04:18\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText excerpt by Squama:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e[...] \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\"\u003eDespite the technical precision and percussive detail, there is nothing rigid or academic in Trio. The album is filled with a global spirit, venerated not only with the traditional beating of drumheads, but wood blocks, singing bowls, tuned gongs, temple bells, metal pipes, tongue drums and piezo-amplified electronic textures.\u003cbr\u003e\u003cbr\u003eThe use of electronics and processing throughout the record adds a subtle shimmer. Echo, delay and saturation are used not to distance the listener but to deepen the atmosphere. These effects serve as a kind of golden thread, binding the natural and synthetic, the ancient and the modern, the individual and the collective. Like in Kintsugi, what might have remained separate is made whole, its joins not hidden but celebrated.\u003cbr\u003e\u003cbr\u003eThe album is a celebration of timbre, texture, and touch, its sound palette drawn from across continents and traditions. Human beings at all points of time, across all cultures and continents have used music to celebrate, mourn, worship and bond. Along with our voices, creating rhythm with our bodies. Clapping, stomping, hitting with sticks. This sits at the core of what it means to express our humanity. That is the spirit of Trio. A celebration of rhythm as both a shared human memory and an audible expression of close bonds.\u003cbr\u003e\u003cbr\u003eIn the end, Trio is not just an album about drums. It is an album about connection. About the joy of collaboration, the beauty of imperfection and the timeless pull of rhythm as a shared human force. The cracks are not hidden. They are filled with gold.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Simon Popp\u003c\/p\u003e\n\u003cp\u003eLabel : Squama\u003c\/p\u003e\n\u003cp\u003ecat no : SQM036G\u003c\/p\u003e"}
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ドイツ・ミュンヘンのパーカッショニストSimon Poppが、2025年10月にミュンヘンのSquamaからリリースしたレコードです。 ドラマー3名によるインプロ・ストレンジビーツ11曲を収録。180g重量ゴールド盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ 以下、レーベルによる解説です。 "技術的な精密さと打楽器の細部描写にもかかわらず、『Trio』には硬直した学術的な要素は一切ない。このアルバムは世界的な精神に満ちており、伝統的なドラムヘッドの打撃だけでなく、ウッドブロック、シンギングボウル、調律されたゴング、寺院の鐘、金属パイプ、タンドラム、ピエゾ増幅された電子テクスチャーによっても崇められている。 全編にわたる電子機器と加工技術の活用が、繊細な輝きを加えている。エコー、ディレイ、サチュレーションは聴き手を遠ざけるためではなく、雰囲気を深めるために用いられる。これらの効果は一種の黄金の糸として機能し、自然と人工、古代と現代、個人と集団を結びつける。金継ぎのように、分離したままだったものが一体となり、その継ぎ目は隠されることなく称賛されるのである。 このアルバムは音色、質感、タッチを称えるものであり、その音のパレットは大陸と伝統を超えて引き出されている。あらゆる時代、あらゆる文化、あらゆる大陸において、人類は音楽を用いて祝賀し、哀悼し、崇拝し、絆を深めてきた。声と共に、身体でリズムを創り出す。手を叩き、足を踏み鳴らし、棒で打つ。これこそが人間性を表現する本質である。それがトリオの精神だ。共有された人類の記憶として、そして緊密な絆の聴覚的表現として、リズムを称えるもの。 結局のところ、トリオは単なるドラムのアルバムではない。繋がりについてのアルバムだ。協働の喜び、不完全さの美しさ、そして共有された人類の力としてのリズムの永遠の引力についてのアルバムである。ひび割れは隠されていない。それらは黄金で満たされている。" レーベルその他作品はこちら /// Click here to...
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![David Lavoie & Carson Tworow // Teardown LP [COLOR]](http://tobirarecords.com/cdn/shop/files/tear1_0542f85e-995a-4e02-b96e-0dc517101145_medium.jpg?v=1729156038)
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{"id":9214918721786,"title":"David Lavoie \u0026 Carson Tworow \/\/ Teardown LP [COLOR]","handle":"david-lavoie-carson-tworow-teardown-lp-color","description":"\u003cp\u003e\u003cspan\u003eカナダ・アルベルタのトランペット奏者David LavoieとバンクーバーのパーカッショニストCarson Tworowが、2024年10月に\u003c\/span\u003e\u003cspan\u003eカルガリーのLo-Fi\u003c\/span\u003e\u003cspan\u003eヒップホップレーベルInner Oceanからリリースした共作アルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo-Fiジャズ・ヒップホップ10曲を収録。クリーム盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1882871963\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Inner Ocean Records\" href=\"https:\/\/soundcloud.com\/inneroceanrecords\" target=\"_blank\"\u003eInner Ocean Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Teardown\" href=\"https:\/\/soundcloud.com\/inneroceanrecords\/sets\/teardown\" target=\"_blank\"\u003eTeardown\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInner Ocean Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on 12\" cream\/grey vinyl (edition of 100) or cassette in norelco case (edition of 150). Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eden 03:20\u003cbr\u003e2. Blindside 02:44\u003cbr\u003e3. Where Are You Going 04:23\u003cbr\u003e4. Cypress 03:32\u003cbr\u003e5. Mantra 03:16\u003cbr\u003e6. Hot Commodity 02:45\u003cbr\u003e7. Refraction 03:15\u003cbr\u003e8. Unbothered 02:49\u003cbr\u003e9. Maybe It's Overrated 03:23\u003cbr\u003e10. The Slabs 04:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInner Ocean Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe second full length album by Canada based pals David Lavoie and Carson Tworow. Forging ahead in the world of jazz today, \"Teardown\" is a clear evolutionary path forward from their debut effort \"Urban Repurpose\". Inspired by the urban landscape of Western Canada, where heritage homes are rarely preserved but instead \"torn down\" to be replaced by the brand new and shiny. Our urban space is changing at a rapid pace, let Lavoie and Tworow present a provocative musical commentary on a complex topic.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lavoie \u0026amp; Carson Tworow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Inner Ocean Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-05-04T05:06:04+09:00","created_at":"2026-05-04T05:05:35+09:00","vendor":"Tobira Records","type":"","tags":["hiphop \/ funk","inner ocean records","jazz","lp","new"],"price":598300,"price_min":598300,"price_max":598300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48834696478970,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Lavoie \u0026 Carson Tworow \/\/ Teardown LP [COLOR]","public_title":null,"options":["Default Title"],"price":598300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/tear1_0542f85e-995a-4e02-b96e-0dc517101145.jpg?v=1729156038","\/\/tobirarecords.com\/cdn\/shop\/files\/tear2_833e6b31-0788-4a9b-9870-286de9f4f6de.jpg?v=1729156038"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear1_0542f85e-995a-4e02-b96e-0dc517101145.jpg?v=1729156038","options":["Title"],"media":[{"alt":null,"id":35069976772858,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear1_0542f85e-995a-4e02-b96e-0dc517101145.jpg?v=1729156038"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear1_0542f85e-995a-4e02-b96e-0dc517101145.jpg?v=1729156038","width":700},{"alt":null,"id":35069976805626,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear2_833e6b31-0788-4a9b-9870-286de9f4f6de.jpg?v=1729156038"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/tear2_833e6b31-0788-4a9b-9870-286de9f4f6de.jpg?v=1729156038","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan\u003eカナダ・アルベルタのトランペット奏者David LavoieとバンクーバーのパーカッショニストCarson Tworowが、2024年10月に\u003c\/span\u003e\u003cspan\u003eカルガリーのLo-Fi\u003c\/span\u003e\u003cspan\u003eヒップホップレーベルInner Oceanからリリースした共作アルバム\u003c\/span\u003e\u003cspan\u003eです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLo-Fiジャズ・ヒップホップ10曲を収録。クリーム盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1882871963\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"450\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Inner Ocean Records\" href=\"https:\/\/soundcloud.com\/inneroceanrecords\" target=\"_blank\"\u003eInner Ocean Records\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"Teardown\" href=\"https:\/\/soundcloud.com\/inneroceanrecords\/sets\/teardown\" target=\"_blank\"\u003eTeardown\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ior\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInner Ocean Records releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAvailable on 12\" cream\/grey vinyl (edition of 100) or cassette in norelco case (edition of 150). Ask us for digital files.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Eden 03:20\u003cbr\u003e2. Blindside 02:44\u003cbr\u003e3. Where Are You Going 04:23\u003cbr\u003e4. Cypress 03:32\u003cbr\u003e5. Mantra 03:16\u003cbr\u003e6. Hot Commodity 02:45\u003cbr\u003e7. Refraction 03:15\u003cbr\u003e8. Unbothered 02:49\u003cbr\u003e9. Maybe It's Overrated 03:23\u003cbr\u003e10. The Slabs 04:13\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003e\u003cspan\u003eInner Ocean Records:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eThe second full length album by Canada based pals David Lavoie and Carson Tworow. Forging ahead in the world of jazz today, \"Teardown\" is a clear evolutionary path forward from their debut effort \"Urban Repurpose\". Inspired by the urban landscape of Western Canada, where heritage homes are rarely preserved but instead \"torn down\" to be replaced by the brand new and shiny. Our urban space is changing at a rapid pace, let Lavoie and Tworow present a provocative musical commentary on a complex topic.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : David Lavoie \u0026amp; Carson Tworow\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Inner Ocean Records\u003c\/span\u003e\u003c\/p\u003e"}
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カナダ・アルベルタのトランペット奏者David LavoieとバンクーバーのパーカッショニストCarson Tworowが、2024年10月にカルガリーのLo-FiヒップホップレーベルInner Oceanからリリースした共作アルバムです。 Lo-Fiジャズ・ヒップホップ10曲を収録。クリーム盤です。 ※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ Inner Ocean Records · Teardown レーベルその他作品はこちら /// Click here to see...
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