Sissy Spacek // Prismatic Parameter 2CD
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{"id":9244820996346,"title":"Joe Potts\/John Wiese \/\/ Violent Semi-Abstract CD","handle":"joe-potts-john-wiese-violent-semi-abstract-cd","description":"\u003cp\u003eアメリカの実験音楽家Joe PottsとJohn Wieseが、2024年にJohn Wiese主宰レーベルHelicopterからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ノイズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=935066487\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in digipack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Man From Xerox 04:38 \u003cbr\u003e2. Shape of Mysterious Origin 12:19 \u003cbr\u003e3. Catalog Voice 04:16 \u003cbr\u003e4. Full Glam 09:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDebut duo recording of LAFMS-founder and Airway maestro Joe Potts and John Wiese. Recorded during the Joe \u0026amp; Joe\/John Wiese mid-west tour of 2018. Melting\/sweating tape music\/chopped optigan.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joe Potts\/John Wiese\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helicopter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHEL 42011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : June 2024\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-02T13:20:02+09:00","created_at":"2026-06-02T10:25:44+09:00","vendor":"Tobira Records","type":"","tags":["cd","Helicopter","monooto","new","noise"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48951250059514,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Joe Potts\/John Wiese \/\/ Violent Semi-Abstract CD","public_title":null,"options":["Default Title"],"price":249000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_5cb47f84-57ec-47eb-99c0-1ee22a6ef4bb.jpg?v=1780363486","\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_bbcbb2dd-1d95-4221-9903-f4f05666f9a4.jpg?v=1780363487"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_5cb47f84-57ec-47eb-99c0-1ee22a6ef4bb.jpg?v=1780363486","options":["Title"],"media":[{"alt":null,"id":39547858387194,"position":1,"preview_image":{"aspect_ratio":1.0,"height":350,"width":350,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_5cb47f84-57ec-47eb-99c0-1ee22a6ef4bb.jpg?v=1780363486"},"aspect_ratio":1.0,"height":350,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo1_5cb47f84-57ec-47eb-99c0-1ee22a6ef4bb.jpg?v=1780363486","width":350},{"alt":null,"id":39547858419962,"position":2,"preview_image":{"aspect_ratio":1.3,"height":923,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_bbcbb2dd-1d95-4221-9903-f4f05666f9a4.jpg?v=1780363487"},"aspect_ratio":1.3,"height":923,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/jo2_bbcbb2dd-1d95-4221-9903-f4f05666f9a4.jpg?v=1780363487","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Joe PottsとJohn Wieseが、2024年にJohn Wiese主宰レーベルHelicopterからリリースした共作CDです。\u003c\/p\u003e\n\u003cp\u003eコラージュ・ノイズ4曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=935066487\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in digipack.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Man From Xerox 04:38 \u003cbr\u003e2. Shape of Mysterious Origin 12:19 \u003cbr\u003e3. Catalog Voice 04:16 \u003cbr\u003e4. Full Glam 09:35\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDebut duo recording of LAFMS-founder and Airway maestro Joe Potts and John Wiese. Recorded during the Joe \u0026amp; Joe\/John Wiese mid-west tour of 2018. Melting\/sweating tape music\/chopped optigan.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Joe Potts\/John Wiese\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helicopter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHEL 42011\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : June 2024\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Joe PottsとJohn Wieseが、2024年にJohn Wiese主宰レーベルHelicopterからリリースした共作CDです。 コラージュ・ノイズ4曲を収録。 レーベルその他作品はこちら /// Click here to see more Helicopter releases available at Tobira. ...
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{"id":9244042920186,"title":"Merzbow\/John Wiese \/\/ Akashaplexia 4xCD","handle":"merzbow-john-wiese-akashaplexia-4xcd","description":"\u003cp\u003eMerzbowとJohn Wieseが、2025年11月にリリースした共作4枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4 x CD in casewrap slipcase with ribbon.\u003cbr\u003e'Akashaplexia' is the debut full-length studio collaboration between Merzbow and John Wiese, spread across \u003cmeta charset=\"utf-8\"\u003efour album-length CDs. \u003cbr\u003eR\u003c\/span\u003e\u003cspan\u003eecorded together in December 2024 at Sound Studio Noah, Tokyo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Garden Path Sentence (45:44)\u003cbr\u003e2. Bleskam (Action Sphere\/Maya) (47:03)\u003cbr\u003e3. Glass Has Vanished (46:43)\u003cbr\u003e4. Higashiikebukoro Boquet Divisions (43:07)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDisc\/album breakdown written by Orlando Laman, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eDisc 1: Garden Path Sentence\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eStarting off with a barrage of widely panned shrapnel mixed with layers of percussive loops, Merzbow and Wiese are blasting off straight away on Garden Path Sentence. Mayhem enters quickly, piercing through the atmospheric loops with a relentless stream of electronic screeching, warped tones, and absolutely destroyed sound. A thrilling start. A blizzard follows, mixing musique concrète-styled broken glass with hazy, biting sonic snow. An interesting aspect of this piece is the immersive manner Merzbow and Wiese are letting the piece move from phase to phase, bringing us into new situations in a smooth manner. It’s like an ever-developing narrative that never meanders into random abstraction. The low end is nicely treated through humming and rumbling sub-frequency layers that thicken the mechanical, at times incomprehensible, textures. Sheets of sheer white electronics are utilized nicely too, but what is surprising is that the piece even features rhythmic elements, adding a bass line after some time, shaping the piece up into some of both artists’ most musical moments. The piece has a great sense of space in its mix, allowing you to carefully distinguish all layers out of the stream of sound. There’s no haziness of layers in here, but instead, there’s a captivating sense of sonic surrealism with recognizably human sound recordings whispering to us like voices in a cloud of nightmarish dreams backed by wasteland destruction. At times, tape loops in the piece are rhythmic and technical, building a great contrast with the wildly varying fuzz flying on top of them. Different shades add depth to the various layers in a stacked sonic experience. The less distorted, squelchy psychedelic elements that pop in at times add a nice quirkiness to the piece, which gives the composition a very personal touch of both artists.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc 2: Bleskam (Action Sphere\/Maya)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eBleskam (Action Sphere\/Maya) begins with a darker, more foreboding ambiance with bass and warbled sounds creating a certain sense of mysterious dread. Screeching noise soon enters but is temporarily overtaken by jumbled drum recordings, segwaying into a sparseness of the density of the layers, with recording hiss accentuating some lovely pumping low end. Contrasting the first, this second disc from Akashaplexia finds Merzbow and Wiese in a relatively more laid-back mode, though not without some excellently executed fiery textures consisting of electric shocks and demented tape\/electronic manipulations. Rhythmic repetition can be heard in this piece as well as some great use of reverb, which transforms it into a very futuristic kind of cinematic sound. This piece features some great new sonic manipulations, such as a glassy, widely panned cloud floating over the violence, as well as some warbling of what seems like musical recordings, causing a quite drunken feel at some point, which is only made more bizarre by it being combined with electronics suddenly blasting through. It’s noticeable how in this piece there’s more space to let the repeating tape loops slowly develop into new shapes, letting some more quiet moments seep in compared to Garden Path Sentence. Another noticeable progression in approach on disc 2 is the usage of an irregular but still recognizable kind of beat consisting of a kick drum but sounding like a rhythm backing the sounds. It keeps the piece new and sets the scene for yet another exciting phase. Crumbling electronics late into the piece also gives it a unique contemporary sound, one that doesn’t sound cold and calculated but fragile and unpredictable, a moment of calmness and introspection in a different way. Disc 2 lays bare both Merzbow and Wiese’s layers in some moments, creating some nice solos that add a nice sense of variation to the composition. A remarkable quality of Akashaplexia is the way Merzbow and Wiese found a way to mix earsplitting layers with calculated, introspective, and abstract sound design, and how they composed the pieces in such unpredictable ways that they always stay engaging. The inclusion of manipulated drum recordings into a tumbling and creaky cloud barrage of sound near the end of the piece is some very inspired work. In fact, it only seems like the piece is evolving further into an even more futuristic cinematic soundtrack afterwards, with more squelchy effects and very open sound manipulations that create an eerie atmosphere.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc 3: Glass Has Vanished\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eGlass Has Vanished starts off in a dark heavy sound with a bass drone adding a lot of atmosphere to the piece as it begins. Soon, lovely rhythmic and very catchy percussive loops enter. In fact, the rhythm of this piece, while not constant all the time, creates some very engaging work within the set. As I mentioned, a personal touch. This piece has got some particularly great violent and extreme noise action. The hollow booms and metallic clattering fading into reverb add some really great industrial touches to this piece. The distorted layers in the foreground eventually grow more organic, squelchy like tiny birds and full of syrupy movements. Metallic sounds backed with organic effects remains a theme of this third disc of Akashaplexia as the piece moves forward. Warbling sounds feature in the piece but are strongly mixed with the metallic screeches. Gradual developments of the piece move it forward rather than faster change-ups, a piece you can swim into in terms of its textural flow. Late into the piece, you can even hear what sounds like a recording of an organ becoming totally electrocuted by diffuse manipulations; this section also features, for a short time, one of the few uses of continuous feedback on the album. The droning tones that follow in the last few minutes are a great touch, creative an atmosphere that is almost meditative.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc 4: Higashiikebukuro Bouquet Divisions\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eWith a frantically wild start, filled with shock-infused squeals, hiss, mechanical sounds, and other sonic mayhem, the piece is bound for an explosive finale to this album. You can’t help but crank this up and immerse yourself, the richness of the piece is just too good. Many layers of thick frequencies are blended together to create the sense of blasting forwards. Examining the mix of the piece, you can also notice how the center of the stereo image houses the most extreme sounds, while the sides change into lovely stereo-panned crunching tape loop shrapnel. Some of the sounds are like heavily distorted drum loops, but this only highlights the absolute skill and inventiveness of these artists in sculpting sounds to their own imagination. Changing up the piece with a section of old-school noise works really well and is followed by some exciting choppy electronics that feel like a reference back to the cinematic nature of Bleskam (Action Sphere\/Maya). Mangled sounds and voice soon turn the piece into a nightmarish drunken dream. The imagery conjured up by this album is at times very surreal. It sounds more violent in its intensity, but also varies more from low to high frequency usage, creating intensely varying sonic streams that blast, buzz, and are as earsplitting as noiseheads love, while mixing in an avant-garde sensibility with tape manipulations, the piece finds itself jumping out from multiple dimensions. In fact, the duo is so well playing into each other’s sounds that the album is very cohesive, a sum of parts much greater than combining their two approaches. Merzbow and John Wiese become a solid unit that keeps moving forward both in performance and in approach.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Merzbow\/John Wiese\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helicopter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : HEL 81011\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-01T07:14:11+09:00","created_at":"2026-06-01T07:13:46+09:00","vendor":"Tobira Records","type":"","tags":["cd","Helicopter","merzbow","new","noise"],"price":798500,"price_min":798500,"price_max":798500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48948518125818,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Merzbow\/John Wiese \/\/ Akashaplexia 4xCD","public_title":null,"options":["Default Title"],"price":798500,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.10.13am_cdc50917-c42b-442d-bdc6-41bd03e90a84.png?v=1761178604","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.08am.png?v=1761178604","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.14am.png?v=1761178604","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.19am.png?v=1761178604","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.26am.png?v=1761178604","\/\/tobirarecords.com\/cdn\/shop\/files\/Screen_Shot_2025-10-23_at_9.16.31_am.png?v=1761178621"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.10.13am_cdc50917-c42b-442d-bdc6-41bd03e90a84.png?v=1761178604","options":["Title"],"media":[{"alt":null,"id":37204677099770,"position":1,"preview_image":{"aspect_ratio":0.998,"height":637,"width":636,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.10.13am_cdc50917-c42b-442d-bdc6-41bd03e90a84.png?v=1761178604"},"aspect_ratio":0.998,"height":637,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.10.13am_cdc50917-c42b-442d-bdc6-41bd03e90a84.png?v=1761178604","width":636},{"alt":null,"id":37204677132538,"position":2,"preview_image":{"aspect_ratio":1.02,"height":700,"width":714,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.08am.png?v=1761178604"},"aspect_ratio":1.02,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.08am.png?v=1761178604","width":714},{"alt":null,"id":37204677165306,"position":3,"preview_image":{"aspect_ratio":1.02,"height":700,"width":714,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.14am.png?v=1761178604"},"aspect_ratio":1.02,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.14am.png?v=1761178604","width":714},{"alt":null,"id":37204677198074,"position":4,"preview_image":{"aspect_ratio":1.02,"height":700,"width":714,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.19am.png?v=1761178604"},"aspect_ratio":1.02,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.19am.png?v=1761178604","width":714},{"alt":null,"id":37204677230842,"position":5,"preview_image":{"aspect_ratio":1.02,"height":700,"width":714,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.26am.png?v=1761178604"},"aspect_ratio":1.02,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-10-23at9.16.26am.png?v=1761178604","width":714},{"alt":null,"id":37204677886202,"position":6,"preview_image":{"aspect_ratio":1.02,"height":700,"width":714,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Screen_Shot_2025-10-23_at_9.16.31_am.png?v=1761178621"},"aspect_ratio":1.02,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/Screen_Shot_2025-10-23_at_9.16.31_am.png?v=1761178621","width":714}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eMerzbowとJohn Wieseが、2025年11月にリリースした共作4枚組CD BOXです。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e4 x CD in casewrap slipcase with ribbon.\u003cbr\u003e'Akashaplexia' is the debut full-length studio collaboration between Merzbow and John Wiese, spread across \u003cmeta charset=\"utf-8\"\u003efour album-length CDs. \u003cbr\u003eR\u003c\/span\u003e\u003cspan\u003eecorded together in December 2024 at Sound Studio Noah, Tokyo.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e1. Garden Path Sentence (45:44)\u003cbr\u003e2. Bleskam (Action Sphere\/Maya) (47:03)\u003cbr\u003e3. Glass Has Vanished (46:43)\u003cbr\u003e4. Higashiikebukoro Boquet Divisions (43:07)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDisc\/album breakdown written by Orlando Laman, via the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cstrong\u003e\u003cem\u003eDisc 1: Garden Path Sentence\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eStarting off with a barrage of widely panned shrapnel mixed with layers of percussive loops, Merzbow and Wiese are blasting off straight away on Garden Path Sentence. Mayhem enters quickly, piercing through the atmospheric loops with a relentless stream of electronic screeching, warped tones, and absolutely destroyed sound. A thrilling start. A blizzard follows, mixing musique concrète-styled broken glass with hazy, biting sonic snow. An interesting aspect of this piece is the immersive manner Merzbow and Wiese are letting the piece move from phase to phase, bringing us into new situations in a smooth manner. It’s like an ever-developing narrative that never meanders into random abstraction. The low end is nicely treated through humming and rumbling sub-frequency layers that thicken the mechanical, at times incomprehensible, textures. Sheets of sheer white electronics are utilized nicely too, but what is surprising is that the piece even features rhythmic elements, adding a bass line after some time, shaping the piece up into some of both artists’ most musical moments. The piece has a great sense of space in its mix, allowing you to carefully distinguish all layers out of the stream of sound. There’s no haziness of layers in here, but instead, there’s a captivating sense of sonic surrealism with recognizably human sound recordings whispering to us like voices in a cloud of nightmarish dreams backed by wasteland destruction. At times, tape loops in the piece are rhythmic and technical, building a great contrast with the wildly varying fuzz flying on top of them. Different shades add depth to the various layers in a stacked sonic experience. The less distorted, squelchy psychedelic elements that pop in at times add a nice quirkiness to the piece, which gives the composition a very personal touch of both artists.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc 2: Bleskam (Action Sphere\/Maya)\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eBleskam (Action Sphere\/Maya) begins with a darker, more foreboding ambiance with bass and warbled sounds creating a certain sense of mysterious dread. Screeching noise soon enters but is temporarily overtaken by jumbled drum recordings, segwaying into a sparseness of the density of the layers, with recording hiss accentuating some lovely pumping low end. Contrasting the first, this second disc from Akashaplexia finds Merzbow and Wiese in a relatively more laid-back mode, though not without some excellently executed fiery textures consisting of electric shocks and demented tape\/electronic manipulations. Rhythmic repetition can be heard in this piece as well as some great use of reverb, which transforms it into a very futuristic kind of cinematic sound. This piece features some great new sonic manipulations, such as a glassy, widely panned cloud floating over the violence, as well as some warbling of what seems like musical recordings, causing a quite drunken feel at some point, which is only made more bizarre by it being combined with electronics suddenly blasting through. It’s noticeable how in this piece there’s more space to let the repeating tape loops slowly develop into new shapes, letting some more quiet moments seep in compared to Garden Path Sentence. Another noticeable progression in approach on disc 2 is the usage of an irregular but still recognizable kind of beat consisting of a kick drum but sounding like a rhythm backing the sounds. It keeps the piece new and sets the scene for yet another exciting phase. Crumbling electronics late into the piece also gives it a unique contemporary sound, one that doesn’t sound cold and calculated but fragile and unpredictable, a moment of calmness and introspection in a different way. Disc 2 lays bare both Merzbow and Wiese’s layers in some moments, creating some nice solos that add a nice sense of variation to the composition. A remarkable quality of Akashaplexia is the way Merzbow and Wiese found a way to mix earsplitting layers with calculated, introspective, and abstract sound design, and how they composed the pieces in such unpredictable ways that they always stay engaging. The inclusion of manipulated drum recordings into a tumbling and creaky cloud barrage of sound near the end of the piece is some very inspired work. In fact, it only seems like the piece is evolving further into an even more futuristic cinematic soundtrack afterwards, with more squelchy effects and very open sound manipulations that create an eerie atmosphere.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc 3: Glass Has Vanished\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eGlass Has Vanished starts off in a dark heavy sound with a bass drone adding a lot of atmosphere to the piece as it begins. Soon, lovely rhythmic and very catchy percussive loops enter. In fact, the rhythm of this piece, while not constant all the time, creates some very engaging work within the set. As I mentioned, a personal touch. This piece has got some particularly great violent and extreme noise action. The hollow booms and metallic clattering fading into reverb add some really great industrial touches to this piece. The distorted layers in the foreground eventually grow more organic, squelchy like tiny birds and full of syrupy movements. Metallic sounds backed with organic effects remains a theme of this third disc of Akashaplexia as the piece moves forward. Warbling sounds feature in the piece but are strongly mixed with the metallic screeches. Gradual developments of the piece move it forward rather than faster change-ups, a piece you can swim into in terms of its textural flow. Late into the piece, you can even hear what sounds like a recording of an organ becoming totally electrocuted by diffuse manipulations; this section also features, for a short time, one of the few uses of continuous feedback on the album. The droning tones that follow in the last few minutes are a great touch, creative an atmosphere that is almost meditative.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eDisc 4: Higashiikebukuro Bouquet Divisions\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cem\u003eWith a frantically wild start, filled with shock-infused squeals, hiss, mechanical sounds, and other sonic mayhem, the piece is bound for an explosive finale to this album. You can’t help but crank this up and immerse yourself, the richness of the piece is just too good. Many layers of thick frequencies are blended together to create the sense of blasting forwards. Examining the mix of the piece, you can also notice how the center of the stereo image houses the most extreme sounds, while the sides change into lovely stereo-panned crunching tape loop shrapnel. Some of the sounds are like heavily distorted drum loops, but this only highlights the absolute skill and inventiveness of these artists in sculpting sounds to their own imagination. Changing up the piece with a section of old-school noise works really well and is followed by some exciting choppy electronics that feel like a reference back to the cinematic nature of Bleskam (Action Sphere\/Maya). Mangled sounds and voice soon turn the piece into a nightmarish drunken dream. The imagery conjured up by this album is at times very surreal. It sounds more violent in its intensity, but also varies more from low to high frequency usage, creating intensely varying sonic streams that blast, buzz, and are as earsplitting as noiseheads love, while mixing in an avant-garde sensibility with tape manipulations, the piece finds itself jumping out from multiple dimensions. In fact, the duo is so well playing into each other’s sounds that the album is very cohesive, a sum of parts much greater than combining their two approaches. Merzbow and John Wiese become a solid unit that keeps moving forward both in performance and in approach.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Merzbow\/John Wiese\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helicopter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : HEL 81011\u003c\/span\u003e\u003c\/p\u003e"}
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MerzbowとJohn Wieseが、2025年11月にリリースした共作4枚組CD BOXです。 レーベルその他作品はこちら /// Click here to see more Helicopter releases available at Tobira. ------------------------------------- 4...
¥7,985
クイックビュー
{"id":9244042723578,"title":"Mitchell Brown\/Paul McCarthy\/Joe Potts\/Alex Stevens\/John Wiese \/\/ Porch Music 2xCD","handle":"mitchell-brown-paul-mccarthy-joe-potts-alex-stevens-john-wiese-porch-music-2xcd","description":"\u003cp\u003eアメリカの実験音楽家Mitchell Brown\/Paul McCarthy\/Joe Potts\/Alex Stevens\/John Wieseが、2025年11月にLAのノイズレーベルHelicopterからリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eノイズ・コンクレート3曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in digipack. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1.1. Porch Music Pt. 1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:09:14\u003cbr\u003e2.1. Porch Music Pt. 2\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e12:14\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2.2. Live At The Box \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e34:14\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHelicopter:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 2023, The Box gallery in Los Angeles, California, held an event of Los Angeles Free Music Society performances as “Porch Music”, which included the group of Mitchell Brown (Gasp), Paul McCarthy, Joe Potts (Airway), Alex Stevens, and John Wiese (Sissy Spacek). This double album documents a studio session recorded at Paul McCarthy’s studio, and the initial live recording of the group from The Box. Melting cinematic sounds. Cover art by Ace Farren Ford.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mitchell Brown\/Paul McCarthy\/Joe Potts\/Alex Stevens\/John Wiese\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helicopter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHEL 99097\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-01T07:13:16+09:00","created_at":"2026-06-01T07:12:40+09:00","vendor":"Tobira Records","type":"","tags":["cd","Helicopter","monooto","new","noise"],"price":325000,"price_min":325000,"price_max":325000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48948517798138,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Mitchell Brown\/Paul McCarthy\/Joe Potts\/Alex Stevens\/John Wiese \/\/ Porch Music 2xCD","public_title":null,"options":["Default Title"],"price":325000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-03at7.26.42am.png?v=1762122453","\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-03at7.26.48am.png?v=1762122453"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-03at7.26.42am.png?v=1762122453","options":["Title"],"media":[{"alt":null,"id":37376657588474,"position":1,"preview_image":{"aspect_ratio":1.01,"height":710,"width":717,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-03at7.26.42am.png?v=1762122453"},"aspect_ratio":1.01,"height":710,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-03at7.26.42am.png?v=1762122453","width":717},{"alt":null,"id":37376657621242,"position":2,"preview_image":{"aspect_ratio":1.01,"height":710,"width":717,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-03at7.26.48am.png?v=1762122453"},"aspect_ratio":1.01,"height":710,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2025-11-03at7.26.48am.png?v=1762122453","width":717}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの実験音楽家Mitchell Brown\/Paul McCarthy\/Joe Potts\/Alex Stevens\/John Wieseが、2025年11月にLAのノイズレーベルHelicopterからリリースした2枚組CDです。\u003c\/p\u003e\n\u003cp\u003eノイズ・コンクレート3曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003eCDのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in digipack. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1.1. Porch Music Pt. 1 \u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e1:09:14\u003cbr\u003e2.1. Porch Music Pt. 2\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e12:14\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2.2. Live At The Box \u003c\/span\u003e\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e34:14\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eHelicopter:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eIn 2023, The Box gallery in Los Angeles, California, held an event of Los Angeles Free Music Society performances as “Porch Music”, which included the group of Mitchell Brown (Gasp), Paul McCarthy, Joe Potts (Airway), Alex Stevens, and John Wiese (Sissy Spacek). This double album documents a studio session recorded at Paul McCarthy’s studio, and the initial live recording of the group from The Box. Melting cinematic sounds. Cover art by Ace Farren Ford.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Mitchell Brown\/Paul McCarthy\/Joe Potts\/Alex Stevens\/John Wiese\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helicopter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHEL 99097\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの実験音楽家Mitchell Brown/Paul McCarthy/Joe Potts/Alex Stevens/John Wieseが、2025年11月にLAのノイズレーベルHelicopterからリリースした2枚組CDです。 ノイズ・コンクレート3曲を収録。デジパック、シュリンク仕様です。 CDのみでの発表となります。 レーベルその他作品はこちら /// Click here to see more Helicopter releases...
¥3,250
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{"id":9242857341178,"title":"Concealed Class \/\/ No Obituary CD","handle":"concealed-class-no-obituary-cd","description":"\u003cp\u003eアメリカのグラインドバンドSissy Spacekのドラマーとしても活動しているCharlie MummaとLAのノイズ作家Matt PurseによるデュオConcealed Classが、2026年6月にJohn Wiese主宰レーベルHelicopterからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eハーシュノイズ作品です。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Concealed Class』は、前置きも導入部もなく突如として現れる。Helicopter\/Troniksよりリリースされた『No Obituary』は、チャーリー・マムマとマット・パースによるデビュー作である。両者は、エクストリーム・ミュージックやノイズの分野におけるそれぞれの経歴を通じて、構造的かつ知覚的な過負荷の状態へと一貫して突き進んできたアーティストたちだ。Sissy Spacek、Sewer System、Unexamineでの活動で知られるマムマは、内破したグラインドコアから高密度なエレクトロニクスに至るまで、様々な形式言語を通じて各アプローチの崩壊を投影する。一方、パースはUnsustainable Social Conditionを通じて、生々しい電子音の飽和と圧力に根ざした、同様に妥協のない実践を展開してきた。『Concealed Class』は、こうした傾向を最も敵対的で凝縮された形へと剥ぎ取っている。エレクトロニクスは極限の音量閾値で破裂し内側へ折り畳まれ、焦げた周波数と不安定なフィードバック・システムが、あらゆる固定された方向性を絶えず不安定化させる。この録音は進行を拒絶し、持続的な圧力を優先する。このプロジェクトを際立たせているのは、その密度の中に埋め込まれた精密さである。表層の暴力の下で、歪みの層が繰り返し崩壊し、存在と不在の新たな構成へと再形成される。ここには完結も、破壊を儀式的に枠組み化するような仕掛けも、出来事と余波の間の距離も存在しない。『Concealed Class』は外部から記録するのではなく、その炎の中だけに完全に存在している。その結果として生まれるのは、装飾を剥ぎ取られ、完全に露わにされた「絶対的なエレクトロニクス」である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in digisleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eConcealed Class emerges without introduction or transition. No Obituary, released by Helicopter\/Troniks, marks the debut recording by Charlie Mumma and Matt Purse, two artists whose respective histories in extreme music and noise have consistently pushed toward states of structural and perceptual overload. Mumma, known through his work in Sissy Spacek, Sewer System, and Unexamine, projects that each approach collapse through different formal languages ranging from imploded grindcore to dense electronics. Purse, through Unsustainable Social Condition, has developed an equally uncompromising practice grounded in raw electronic saturation and pressure. Concealed Class strips these tendencies down to their most hostile and concentrated form. Electronics rupture and fold inward at extreme volume thresholds while scorched frequencies and unstable feedback systems continuously destabilize any fixed orientation. The recording rejects progression in favor of sustained pressure. What distinguishes the project is the precision embedded within its density. Beneath the violence of the surface, layers of distortion repeatedly collapse and reform into new configurations of presence and absence. There is no closure offered here, no ceremonial framing of destruction, no distance between event and aftermath. Concealed Class does not document from the outside, it exists entirely inside the burn. The result is absolute electronics, stripped of ornament and left fully exposed.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Concealed Class\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helicopter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHEL 99112\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : June 2026\u003c\/span\u003e\u003c\/p\u003e","published_at":"2026-06-01T07:29:51+09:00","created_at":"2026-05-30T10:12:34+09:00","vendor":"Tobira Records","type":"","tags":["cd","Helicopter","new","noise"],"price":249000,"price_min":249000,"price_max":249000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":48944172368122,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Concealed Class \/\/ No Obituary CD","public_title":null,"options":["Default Title"],"price":249000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[],"quantity_rule":{"min":1,"max":null,"increment":1}}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-30at10.11.20am.png?v=1780103522"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-30at10.11.20am.png?v=1780103522","options":["Title"],"media":[{"alt":null,"id":39522737357050,"position":1,"preview_image":{"aspect_ratio":0.998,"height":641,"width":640,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-30at10.11.20am.png?v=1780103522"},"aspect_ratio":0.998,"height":641,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/ScreenShot2026-05-30at10.11.20am.png?v=1780103522","width":640}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのグラインドバンドSissy Spacekのドラマーとしても活動しているCharlie MummaとLAのノイズ作家Matt PurseによるデュオConcealed Classが、2026年6月にJohn Wiese主宰レーベルHelicopterからリリースしたCDです。\u003c\/p\u003e\n\u003cp\u003eハーシュノイズ作品です。デジスリーブ、シュリンク仕様です。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"『Concealed Class』は、前置きも導入部もなく突如として現れる。Helicopter\/Troniksよりリリースされた『No Obituary』は、チャーリー・マムマとマット・パースによるデビュー作である。両者は、エクストリーム・ミュージックやノイズの分野におけるそれぞれの経歴を通じて、構造的かつ知覚的な過負荷の状態へと一貫して突き進んできたアーティストたちだ。Sissy Spacek、Sewer System、Unexamineでの活動で知られるマムマは、内破したグラインドコアから高密度なエレクトロニクスに至るまで、様々な形式言語を通じて各アプローチの崩壊を投影する。一方、パースはUnsustainable Social Conditionを通じて、生々しい電子音の飽和と圧力に根ざした、同様に妥協のない実践を展開してきた。『Concealed Class』は、こうした傾向を最も敵対的で凝縮された形へと剥ぎ取っている。エレクトロニクスは極限の音量閾値で破裂し内側へ折り畳まれ、焦げた周波数と不安定なフィードバック・システムが、あらゆる固定された方向性を絶えず不安定化させる。この録音は進行を拒絶し、持続的な圧力を優先する。このプロジェクトを際立たせているのは、その密度の中に埋め込まれた精密さである。表層の暴力の下で、歪みの層が繰り返し崩壊し、存在と不在の新たな構成へと再形成される。ここには完結も、破壊を儀式的に枠組み化するような仕掛けも、出来事と余波の間の距離も存在しない。『Concealed Class』は外部から記録するのではなく、その炎の中だけに完全に存在している。その結果として生まれるのは、装飾を剥ぎ取られ、完全に露わにされた「絶対的なエレクトロニクス」である。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/helicopter\"\u003ehere\u003c\/a\u003e to see more Helicopter releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCD in digisleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the label:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eConcealed Class emerges without introduction or transition. No Obituary, released by Helicopter\/Troniks, marks the debut recording by Charlie Mumma and Matt Purse, two artists whose respective histories in extreme music and noise have consistently pushed toward states of structural and perceptual overload. Mumma, known through his work in Sissy Spacek, Sewer System, and Unexamine, projects that each approach collapse through different formal languages ranging from imploded grindcore to dense electronics. Purse, through Unsustainable Social Condition, has developed an equally uncompromising practice grounded in raw electronic saturation and pressure. Concealed Class strips these tendencies down to their most hostile and concentrated form. Electronics rupture and fold inward at extreme volume thresholds while scorched frequencies and unstable feedback systems continuously destabilize any fixed orientation. The recording rejects progression in favor of sustained pressure. What distinguishes the project is the precision embedded within its density. Beneath the violence of the surface, layers of distortion repeatedly collapse and reform into new configurations of presence and absence. There is no closure offered here, no ceremonial framing of destruction, no distance between event and aftermath. Concealed Class does not document from the outside, it exists entirely inside the burn. The result is absolute electronics, stripped of ornament and left fully exposed.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Concealed Class\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Helicopter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003ecat no : \u003cmeta charset=\"utf-8\"\u003eHEL 99112\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : June 2026\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカのグラインドバンドSissy Spacekのドラマーとしても活動しているCharlie MummaとLAのノイズ作家Matt PurseによるデュオConcealed Classが、2026年6月にJohn Wiese主宰レーベルHelicopterからリリースしたCDです。 ハーシュノイズ作品です。デジスリーブ、シュリンク仕様です。 以下、レーベルによる解説です。 "『Concealed Class』は、前置きも導入部もなく突如として現れる。Helicopter/Troniksよりリリースされた『No Obituary』は、チャーリー・マムマとマット・パースによるデビュー作である。両者は、エクストリーム・ミュージックやノイズの分野におけるそれぞれの経歴を通じて、構造的かつ知覚的な過負荷の状態へと一貫して突き進んできたアーティストたちだ。Sissy Spacek、Sewer System、Unexamineでの活動で知られるマムマは、内破したグラインドコアから高密度なエレクトロニクスに至るまで、様々な形式言語を通じて各アプローチの崩壊を投影する。一方、パースはUnsustainable Social...
¥2,490