クイックビュー
{"id":7095899029669,"title":"Arnau Sala Saez \/\/ Atenció Attention CD","handle":"arnau-sala-saez-atencio-attention-cd","description":"\u003cp\u003eスペイン・バルセロナの実験ダンス〜コラージュレーベルanomia主宰Arnau Sala Saezが、2021年7月にAnathema Archiveから100部限定でリリースした最新CD。物音コラージュ〜フロア棒立ち系テクノ4曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3660180846\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArnau Sala Saez:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe sound pieces presented here mark the beginning of a study around the creative potentials of distraction as a tool for self-knowledge and active listening. In these exercises | use some of the characteristics of attention defined by psychology (amplitude, intensity, oscillation, control) as well as the factors that influence it as reference points to help me maneuver, organise and manipulate sound samples. In this case I used external distractive determinants and the theories of Social Facilitation and the Conflict of Distraction of Gordon Allport and Sanders, Baron and Moore. These carry values that I can apply a priori as parameters to music composition tools. To process the sound source l assign values, compare, or search for those with the highest absolute value. The results in these cases are samples assembled together as long tracks which I have worked on under a wide freedom of decision-making regarding dynamics, probabilities or aesthetic decisions. In this first phase of the project, I have preferred not to put any effort into seeking analytical rigor and instead I have left room for more open and less rigid possibilities at a creative level.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis research also allows me to outline some first questions in a more political dimension which wonder about how different\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e conditions such as ADHD are defined as dysfunctional within a capitalist framework or how the management of attention in a period defined by information overload and new forms of communication which are based on constant and immediate stimuli affect us, thus questioning the idea of success or failure in a social context focused on production. It also aims to explore the opposite poles of some recurring practices from the last decades in \"experimental music\" or \"sound art\" such as Oliveros' deep listening or sonic awareness, together with techniques or philosophies such as meditation or Buddhism with the intention of starting a dialogue between these and the idea of distraction in order to explore the limits of attention and investigate new paths close to intuition or unconscious decision-making as a possible phenomenon capable of generating new consciences.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAtenció Attention premiered at Pan-Pan Kolektiva's \"Escucha postraumática Breve retiro espiritual crítico\" at Museo Nacional Centro de Arte Reina Sofía, January 2021.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arnau Sala Saez\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnathema Archive\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-10-11T18:04:20+09:00","created_at":"2021-10-11T15:17:35+09:00","vendor":"Tobira Records","type":"","tags":["anathema archive","anomia","cd","monooto"],"price":185000,"price_min":185000,"price_max":185000,"available":false,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40967800848549,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Arnau Sala Saez \/\/ Atenció Attention CD","public_title":null,"options":["Default Title"],"price":185000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/products\/at1_f0149b6b-27e4-4c25-9c1a-8c45cb762a37.jpg?v=1633933057","\/\/tobirarecords.com\/cdn\/shop\/products\/0025417042_10.jpg?v=1633943018","\/\/tobirarecords.com\/cdn\/shop\/products\/at3_9080180a-a225-4b0b-8290-b3d8cab89fe6.jpg?v=1633933057"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_f0149b6b-27e4-4c25-9c1a-8c45cb762a37.jpg?v=1633933057","options":["Title"],"media":[{"alt":null,"id":24012807504037,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_f0149b6b-27e4-4c25-9c1a-8c45cb762a37.jpg?v=1633933057"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at1_f0149b6b-27e4-4c25-9c1a-8c45cb762a37.jpg?v=1633933057","width":700},{"alt":null,"id":24014929592485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025417042_10.jpg?v=1633943018"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/0025417042_10.jpg?v=1633943018","width":1200},{"alt":null,"id":24012807536805,"position":3,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at3_9080180a-a225-4b0b-8290-b3d8cab89fe6.jpg?v=1633933057"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/products\/at3_9080180a-a225-4b0b-8290-b3d8cab89fe6.jpg?v=1633933057","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスペイン・バルセロナの実験ダンス〜コラージュレーベルanomia主宰Arnau Sala Saezが、2021年7月にAnathema Archiveから100部限定でリリースした最新CD。物音コラージュ〜フロア棒立ち系テクノ4曲を収録。6面デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3660180846\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anomia\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anomia\"\u003ehere\u003c\/a\u003e to see more Anomia releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eArnau Sala Saez:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe sound pieces presented here mark the beginning of a study around the creative potentials of distraction as a tool for self-knowledge and active listening. In these exercises | use some of the characteristics of attention defined by psychology (amplitude, intensity, oscillation, control) as well as the factors that influence it as reference points to help me maneuver, organise and manipulate sound samples. In this case I used external distractive determinants and the theories of Social Facilitation and the Conflict of Distraction of Gordon Allport and Sanders, Baron and Moore. These carry values that I can apply a priori as parameters to music composition tools. To process the sound source l assign values, compare, or search for those with the highest absolute value. The results in these cases are samples assembled together as long tracks which I have worked on under a wide freedom of decision-making regarding dynamics, probabilities or aesthetic decisions. In this first phase of the project, I have preferred not to put any effort into seeking analytical rigor and instead I have left room for more open and less rigid possibilities at a creative level.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis research also allows me to outline some first questions in a more political dimension which wonder about how different\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e conditions such as ADHD are defined as dysfunctional within a capitalist framework or how the management of attention in a period defined by information overload and new forms of communication which are based on constant and immediate stimuli affect us, thus questioning the idea of success or failure in a social context focused on production. It also aims to explore the opposite poles of some recurring practices from the last decades in \"experimental music\" or \"sound art\" such as Oliveros' deep listening or sonic awareness, together with techniques or philosophies such as meditation or Buddhism with the intention of starting a dialogue between these and the idea of distraction in order to explore the limits of attention and investigate new paths close to intuition or unconscious decision-making as a possible phenomenon capable of generating new consciences.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAtenció Attention premiered at Pan-Pan Kolektiva's \"Escucha postraumática Breve retiro espiritual crítico\" at Museo Nacional Centro de Arte Reina Sofía, January 2021.\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arnau Sala Saez\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAnathema Archive\u003c\/span\u003e\u003c\/p\u003e"}
