{"product_id":"christian-marclay-conduite-forcee-etched-lp","title":"Christian Marclay \/\/ Conduite Forcée ETCHED LP","description":"\u003cp\u003eアメリカの美術家Christian Marclayが、2025年10月にイタリアの実験レーベルDie Schachtel傘下Biennale Sonからリリースした片面レコードです。\u003c\/p\u003e\n\u003cp\u003eB面にはエッチングが施されています。\u003c\/p\u003e\n\u003cp\u003eレコードのみでの発表となります。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/soundcloud%253Atracks%253A2231137373\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003eこちら\u003c\/a\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/die-schachtel%20\"\u003e\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/disc\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more \u003c\/span\u003e\u003cspan\u003eDie Schachtel \/ Blume \/ Oblio \/ Dischi Fantom releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e------------------------------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black single-sided vinyl with etching on the reverse side. \u003cbr\u003eVINYL ONLY - no digital, no repress. \u003cbr\u003eEdition of 300. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003eA1. Conduite Forcée\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e++\u003c\/p\u003e\n\u003cp\u003eBiennale Son: \u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 1934, Swiss engineers completed the Chandoline Hydroelectric Plant, \u003c\/em\u003e\u003cem\u003echanneling Alpine water through 16 kilometers of concrete pipe. By 2023, \u003c\/em\u003e\u003cem\u003ethe turbines had stopped. The plant was empty, silent - a cathedral to \u003c\/em\u003e\u003cem\u003eobsolete energy with perfect acoustics and nothing left to say. \u003c\/em\u003e\u003cem\u003eChristian Marclay saw an instrument. For the inaugural Biennale Son in \u003c\/em\u003e\u003cem\u003e2023, the artist who made his name destroying vinyl in 1980s New York \u003c\/em\u003e\u003cem\u003eturned the entire hydroelectric system into a playable object. The \u003c\/em\u003e\u003cem\u003econcept: open a manhole 4.5 kilometers uphill, drop something in, wait \u003c\/em\u003e\u003cem\u003efor sound to travel through the mountain. Steel bearings didn't work—too \u003c\/em\u003e\u003cem\u003eheavy, wrong frequency. So Marclay used golf and tennis balls donated by \u003c\/em\u003e\u003cem\u003elocal clubs. The Valais School of Art rigged the turbine hall with \u003c\/em\u003e\u003cem\u003emicrophones. Then the balls dropped.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSeconds of silence. Then: tumbling, bouncing, accelerating through \u003c\/em\u003e\u003cem\u003ekilometers of concrete. Not one ball but many, building into something \u003c\/em\u003e\u003cem\u003ebetween avalanche and applause as they hit the hall below. Marclay \u003c\/em\u003e\u003cem\u003edirected remotely, releasing volleys like a percussionist striking a \u003c\/em\u003e\u003cem\u003edrum the size of a small town. The pipe amplified everything - pure \u003c\/em\u003e\u003cem\u003emountain reverb, no processing, just 1934 engineering singing its swan \u003c\/em\u003e\u003cem\u003esong. The recording, mixed with Alain Renaud, is the Biennale Son's \u003c\/em\u003e\u003cem\u003efirst vinyl release. Side A: fifteen minutes of cascading spheres, \u003c\/em\u003e\u003cem\u003eindustrial archaeology as living sound. Side B: an engraved portrait of \u003c\/em\u003e\u003cem\u003eMarclay. Unplayable. The performance happened once. The pipe spoke. \u003c\/em\u003e\u003cem\u003eThat's enough.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is quintessential Marclay - the artist who built the Phonoguitar \u003c\/em\u003e\u003cem\u003e(1983), scattered records to be crushed underfoot (Footsteps, 1989), won \u003c\/em\u003e\u003cem\u003eVenice's Golden Lion with The Clock (2011), collaborated with Sonic \u003c\/em\u003e\u003cem\u003eYouth and John Zorn, and has spent his career proving that everything is \u003c\/em\u003e\u003cem\u003ealready an instrument. Mountains. Vinyl. Film. Time itself. You just \u003c\/em\u003e\u003cem\u003eneed to know where to listen - or where to drop the ball. Always the \u003c\/em\u003e\u003cem\u003esame question: what music do objects make when you know how to listen? \u003c\/em\u003e\u003cem\u003eHere, the answer is gravity plus concrete plus expired sporting goods \u003c\/em\u003e\u003cem\u003eequals something you've never heard before. Conduite forcée means \u003c\/em\u003e\u003cem\u003e\"penstock\" but translates as \"forced conduct\" - water compelled through \u003c\/em\u003e\u003cem\u003epipe, sound through space, music from infrastructure. Limited edition. \u003c\/em\u003e\u003cem\u003eOne pressing. No digital. Just the grooves and the ghost of \u003c\/em\u003e\u003cem\u003eSwitzerland's hydroelectric past, pressed into vinyl like water in a \u003c\/em\u003e\u003cem\u003esealed pipe. Mountains as instruments. Golf balls as notes. A \u003c\/em\u003e\u003cem\u003edecommissioned power plant's final performance, conducted by one of \u003c\/em\u003e\u003cem\u003econtemporary art's most inventive listeners.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Marclay\u003c\/p\u003e\n\u003cp\u003eLabel : Biennale Son\u003c\/p\u003e\n\u003cp\u003ecat no : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eBS-LP-001\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRelease date : 2025\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":48080911302906,"sku":null,"price":4985.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/Screen_Shot_2025-12-09_at_10.44.09_am.png?v=1765244664","url":"https:\/\/tobirarecords.com\/zh-hans\/products\/christian-marclay-conduite-forcee-etched-lp","provider":"Tobira Records","version":"1.0","type":"link"}