{"title":"international anthem","description":"","products":[{"product_id":"dezron-douglas-brandee-younger-force-majeure-lp","title":"Dezron Douglas \u0026 Brandee Younger \/\/ Force Majeure LP","description":"\u003cp\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eダブルベース奏者Dezron Douglasとハープ奏者\u003c\/span\u003e\u003cspan\u003eBrandee Youngerが\u003c\/span\u003e\u003cspan\u003eロックダウン中のNYで行ったリビングルームセッションの記録音源。マイク一本で録音した生々しく美しいスピリチュアルジャズカバー15曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3140503179\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=716170619\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4234383405\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eForce Majeure is an uplifting suite of real, soulful comfort music – an album that cathartically encapsulates an all-too-familiar human experience of 2020. Featuring 11 pieces performed by bassist Dezron Douglas \u0026amp; harpist Brandee Younger across a series of live-streamed shows from their living room in Harlem, NY, the album was self-recorded by the duo using just a single microphone.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe same day Governor Andrew Cuomo shut down “non-essential” businesses throughout the state of New York, Douglas \u0026amp; Younger set up a window to the world that would prevail as a weekly musical reprieve over the devastating weeks and months to come. As the early effects of covid-19 plagued the citizens of New York City, Douglas \u0026amp; Younger did as we were all ordered to do — shelter-in-place. From their apartment in Harlem, their reflex as players and community-builders was immediate. Broadcasting via social media and spreading the word to friends and family, the duo hosted “Force Majeure: Brunch in the Crib with Brandee \u0026amp; Dezron,” a Friday morning live stream where they performed songs, said “hi” to friends tuning in, and passed a digital tip jar. The name “force majeure” — known to diligent contract-readers as a seldom-invoked bit of legalese that voids commitments in event of “extraordinary circumstances”\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e — was, for Douglas \u0026amp; Younger, a reference to the sudden loss of livelihood that they and their musician peers suffered in the wake of covid-19.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“We vowed to become a part of the resiliency of this city,” says Douglas. “You can take the work away, but you can’t stop musicians from being creative. Live streaming is just a part of it. The world as a whole saw that arts \u0026amp; entertainment is an integral and vital part of this ‘service’ city. We, musicians and creatives, are as essential to this city as the MTA is. The NYC community responded with love and honesty on a high level. Expression became vital for people to make it through the day and, at the same time, listening and watching expression became vital.”\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eJoe Darling \u0026amp; Scott McNiece, \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dezron Douglas \u0026amp; Brandee Younger\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":39389410164901,"sku":"","price":3327.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_c02a32ac-11a4-4ab6-93d8-023f08ff89ac.jpg?v=1615853513"},{"product_id":"aquiles-navarro-tcheser-holmes-heritage-of-the-invisible-ii-lp","title":"Aquiles Navarro \u0026 Tcheser Holmes \/\/ Heritage of the Invisible II LP","description":"\u003cp\u003eNYのフリージャズ界隈で活躍してきたトランペット奏者Aquiles NavarroとパーカッショニストTcheser Holmesの共作が\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。スリリングなインプロ10曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1138630142\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1089230426\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3362165413\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"...\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe tracks flash by in a rapturous onslaught, crystalizing in incantations by Spanish poet Marcos de la Fuente (an apocalyptic fever dream on “Initial Meditation”), vocalist Brigitte Zozula (the bliss of bustling nightlife on “A Night in NY”), Navarro’s mentor and collaborator Carlos Garnett (the banality of economics on “$$$ \/\/\/ billete”) and their own musings on friendship and community (the stoned soul picnic of “Plantains”). Of the album’s de facto anthem “Pueblo,” Navarro says “it’s a celebration of life, the coming together of the people, el pueblo, a celebration of who we are, where we come from, it’s our pueblo, our people, a feeling of openness, hope, and a future of unity from el pueblo, the people.” Identifying as active listeners and audience members as well, Navarro and Holmes step back on “M.O.N.K (Most Only Never Knew)” to shine a light on the solo improvisation of pianist\/composer Nick Sanders. On the 8-minute duet “NAVARROHOLMES,” the two players reach a summit as they face off in spirited alliance, conjuring visions of legendary free jazz telepathics – Braxton and Roach, Coltrane and Ali, Cherry and Blackwell.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eNavarro and Holmes never idle on \"Heritage of the Invisible II,\" choosing instead to ponder their origins in a devout charge of ecstatic cooperation. Meditating on the unseen constructive forces of culture and rhythm as a cadence encoded in one’s heritage, with \"Heritage of the Invisible II\" they share a volume of their story in rich color – a brilliantly imagined testament to generations of memory, creation and existential joy.\"\u003c\/em\u003e\u003cbr\u003e- Joe Darling, International Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Aquiles Navarro \u0026amp; Tcheser Holmes\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":39389420945573,"sku":"","price":3280.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/he1_2e091887-bb9f-4b43-819e-4f47fd0c3f13.jpg?v=1615853727"},{"product_id":"anteloper-tour-beats-vol-1-lp","title":"Anteloper \/\/ Tour Beats Vol. 1 LP","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eトランペット奏者Jaimie Branchとパーカッショニスト\u003cmeta charset=\"utf-8\"\u003eJason Nazaryによるコラボ名義Anteloperが、輸送コンテナをスタジオ化して制作したアルバム。ジャズというジャンルからはみ出た4曲を収録。インサート付属。45回転です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4199328212\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eIn May 2018, Jaimie Branch took up a month-long residency in the shipping container-turned-recording studio at Pioneer Works, an arts center down the street from her home in Red Hook, Brooklyn. She called up Jason Nazary, and he rolled by the studio loaded with acoustic drums, electronic triggers, modular FX unit, synths, sequencers, and a myriad of processors. Branch engineered the sessions, and brought her rig to the table: trumpet, synths, delay\/looper pedal, auxiliary percussion, and a Roland TR08 drum machine. They did what they always do — rolled tape and started from nothing.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the Fall of 2019, they set out for the “Ante-Myths Sonic Projections Tour” that took them across the US alongside DC duo Blacks’ Myths. For the journey, they self-produced a super limited-edition tour tape, Tour Beats Vol. 1, which features recordings from those Pioneer Works sessions.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor Summer 2020, International Anthem is proud to re-present Anteloper’s Tour Beats Vol. 1 on 45RPM 12” vinyl in a package featuring artwork by Branch, photos by Richard Ross, and liner notes as poem, again, by Rob Mazurek...\"\u003cbr\u003e- \u003c\/em\u003eInternational Anthem\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":39389431824549,"sku":"","price":3280.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/to1_dc1416fc-71ab-42a7-bc8a-a4b5f55e2215.jpg?v=1615853884"},{"product_id":"angel-bat-dawid-transition-east-7lp","title":"Angel Bat Dawid \/\/ Transition East 7\"","description":"\u003cp\u003eシカゴのクラリネット奏者Angel Bat Dawidが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemからリリースした\u003c\/span\u003e7\"。アートワークのSUN RAとチャネリングしたかのようなスピリチュアルジャズ2曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=136095045\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\"'\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eTransition East' features two new pieces of music created by Angel Bat Dawid in response to Emma Warren's 2019 book \"Make Some Space\" – i.e. the book that chronicles the history of London DIY music institution Total Refreshment Centre.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAngel Bat Dawid, who first met Emma Warren at Total Refreshment Centre in 2017, composed \u0026amp; recorded \"Transition East\" alone in her space on the Southside of Chicago, originally to be accompaniment for the audiobook version of \"Make Some Space.\" Angel conceptualized \u0026amp; named the song in commemoration of the storied Chicago community center that was a hub for the AACM and icons from the Black Arts Movement in the 1960s, and was recently revived by one of her mentors, Eliel Sherman Storey.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"No Space Fo Us\" was composed \u0026amp; recorded at a space in Salvador, Bahia, Brazil, where Angel travelled with a crew of Chicago artists (including IARC label mates Ben LaMar Gay \u0026amp; Damon Locks) on a collaborative mission organzied by Comfort Station, called Close to There (Perto de Lá). The track features Angel with Ben LaMar Gay and new Brazilian friends Edbrass Brasil, Romulo Alexis, Tadeu Mascarenhas, Nancy Viégas \u0026amp; Germano Estacio.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInternational Anthem is proud to present these two\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e beautiful pieces of music on deluxe 45rpm 7\" vinyl inside a picture sleeve designed by Jeremiah Chiu. Available as a standalone item or as part of the MAKE SOME SPACE FOR US bundle – alongside Emma Warren's \"Make Some Space\" paperback and a new \"foreward\" in the form of a screed written by Piotr Orlov (connecting the book \u0026amp; the music into the current context of our spaceless\/timeless struggle) printed on a 17\" x 22\" broadsheet (also designed by Jeremiah Chiu).\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003e International Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":39389441982629,"sku":"","price":1780.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tr1_b044ce35-9026-4ea2-bcb2-36e72796a4c6.jpg?v=1615854027"},{"product_id":"jeff-parker-max-brown-part-one-7lp","title":"Jeff Parker \/\/ Max Brown - Part One 7\"","description":"\u003cp\u003eポストロックバンドTortoiseのギタリストとしても有名なJeff Parkerの7\"。コンテンポラリージャズ2曲を収録。300枚限定です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=187719075\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003e'\u003cspan data-mce-fragment=\"1\"\u003eMax Brown' is the first single from Jeff Parker's full length album, 'Suite For Max Brown'.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":39389449486501,"sku":"","price":1780.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_6c4376c9-1197-4f62-9976-b199dec1164d.jpg?v=1615854186"},{"product_id":"dos-santos-logos-lp","title":"Dos Santos \/\/ Logos LP","description":"\u003cp\u003eシカゴのラテン〜ソウルバンドLogosによる5作目となるフルアルバムが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。インプロとコンポジションの境界線を行く11曲を収録。12ページのブックレットが付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=544986837\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"\u003cem\u003eDos Santos is a quintet just 5 years working in Chicago but already established as one of the city’s most potent, impactful performers. A band known to be at home in a broad spectrum of venues and contexts – as proficient at nailing epic progressive arrangements for summer street festivals in the Latinx culture hub of Pilsen as they are at extended improvisational, experimental cumbia sets on the jazz-centric cabaret stage of the California Clipper, or the Chinook Lounge of The Hideout – Dos Santos’s elasticity \u0026amp; consistency in live performance has earned them an enthusiastic \u0026amp; highly diverse audience in the too-often segregated Chicago music scene...\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eWhat’s heard on the ultimate product of this homegrown process (Logos) is Dos Santos laying their voices bare, at once aware of cultural context, informed by aesthetic precursors, and yet fully irreverent to expectations or how any of this might be “appropriately” employed... each composition offers a bridge into a sonic landscape that speaks to histories of migration and arts of living that have been central to everything from house music to blues, Latinx punk to salsa in the City of Chicago. Logos presents an idealized new progressive American music, as rooted in Chicago as it is communicable with the world\u003c\/em\u003e.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dos Santos\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":39389516300453,"sku":"","price":3327.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/do1_46a34b53-cb79-4ac2-864a-cfd27acf40e5.jpg?v=1615854921"},{"product_id":"irreversible-entanglements-who-sent-you-lp","title":"Irreversible Entanglements \/\/ Who Sent You? LP","description":"\u003cp\u003eシカゴのフリージャズバンドIrreversible Entanglementsの2020年新作アルバムが\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemよりリリース。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eスリリングな演奏と反比例するかのようなポエトリーリーディング調のボイスが渋いです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2277550019\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDig it: Who Sent You? is the punk-rocking of jazz and the mystification of the avant-garde, a sci-fi sound from that out-soul-fire jazz quintet Irreversible Entanglements. Who Sent You? they asked and tried to lock us in their distress chambers, and yet\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e here it is: an album that functions as a heat-sealed care package for the modern Afrofuturist’s pre-flight machinations. This record weaves kinetic soul fusion, dreamy yet harrowing spectral poetry, and intricate force-field-tight rhythms into wild, warmth-giving tapestries that comfort and conceal, confront and coerce all at once, with the dark matter of the deep, black all-consuming universe as its thread.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003eWhere the band’s self-titled debut was all explosive noisy anthems and glorious cosmic bluster, Who Sent You? is a focused and patient ritual. Irreversible Entanglements take their time in between these grooves, stalking the war-torn streets of the Deep South and post-Columbian apocalypses—taking their time to add our DNA to the centrifuge, to dream up an alchemical amalgamation that sounds truly euphoric, drenched in the epic star-flung fallout of a nova only they can conjure. More than the sum of its parts—Luke Stewart’s war-like basslines, Keir Neuringer’s haunting saxophone, Aquiles Navarro’s cyberpunk brass, the unwieldy storm of Tcheser Holmes’ drums, and the oracular phyletic incantations of Camae Ayewa—Who Sent You? is an entire holistic jam of “infinite possibilities coming back around,” a sprawling meditation for afro-cosmonauts, a reminder of the forms and traumas of the past, and the shape and vision of Afrotopian sounds to come.\"\u003c\/em\u003e\u003cbr\u003e- \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Irreversible Entanglements\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":39389570531493,"sku":"","price":3980.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/wh1_11c54f41-0327-4f49-a391-3bbad4a8fc21.jpg?v=1615855331"},{"product_id":"international-anthem-jps-myspace-beats-2xlp","title":"Jeff Parker \/\/ JP's Myspace Beats 2x12\"","description":"\u003cp\u003eTortoiseギタリストとしても活動していたジャズ奏者Jeff Parkerが、2000年初期に制作し本人のMyspaceで公開していたビート音源が2枚組レコードで2021年9月にリリース。ジャジーでファンキーなインストヒップホップ24曲を収録。Myspaceだけに（？）デジタル販売はしないそうです。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1105726168\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirarecs2\" href=\"https:\/\/soundcloud.com\/user-102607145\" target=\"_blank\"\u003etobirarecs2\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"myspace_preview\" href=\"https:\/\/soundcloud.com\/user-102607145\/my-movie-3\" target=\"_blank\"\u003emyspace_preview\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 777. \u003cbr\u003e2 x black 12\" vinyl\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eVinyl only! Limited edition!\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eNo digital, no represses.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : International Anthem\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":40581268734117,"sku":"","price":4280.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jp1.jpg?v=1628910067"},{"product_id":"angel-bat-dawid-tha-brothahood-live-lp","title":"Angel Bat Dawid \u0026 Tha Brothahood \/\/ Live 2xLP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawid\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eと彼女のバンドTha Brothahoodによる、\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e2019年11月1日ドイツ・ベルリンで行われたJazzFest Berlin”Haus der Berliner Festspieleでのライブ録音を収録した2枚組レコード。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eメンバーの不慮の事故に対しての対応や現地に蔓延る人種差別に対する怒りをパフォーマンスを通して表現した圧巻のライブ作品です。ゲートフォールド仕様、ライナーノート付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4255861154\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eLP comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eheavyweight reverse-board *gatefold jacket* with flooded black pockets, IARC obi strip and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccompanying text by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLIVE was mostly recorded on November 1st, 2019, at Haus der Berliner Festspiele in Berlin, Germany, during the 2019 edition of JazzFest Berlin. For Angel Bat Dawid and her band Tha Brothahood – which includes Deacon Otis Cooke, Viktor Le Givens, Xristian Espinoza, Norman W. Long, Dr. Adam Zanolini, and Asher Simiso Gamedze – it was the first stop of their first European tour.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eForty-eight hours before the show, Angel and members of the band were on their way to the airport in Chicago when they received news that Viktor Le Givens had passed out on the street and subsequently woke up in a hospital with all his personal belongings missing. When they arrived in Berlin, the band’s manager Najee-Zaid Searcy reached out to the production staff of JazzFest Berlin to inform them of the situation. Their initial reply: “if you cannot find a substitute, we will have to reduce your fee.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOf the cold, insensitive response to Viktor’s unfortunate situation, Angel recalls: “It really put a whole damper on my spirit to have to deal with this a few hours before performing. How the fuck is this response ever acceptable anywhere?!”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAngel continues: “I have issues in general about the way artists are treated because I see a difference in how tech folks treat\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e women and artist of color… I’m calling it out. A lot of the racism and things I’m talking about are steeped in microaggressions and are so subtle and can go unnoticed. But all those things happen a lot and it was very evident at the festival… Yes I am hyper sensitive to any infraction I ever see, feel or observe when it comes to racism, and I no longer pass it off as an over sensitivity but an opportunity to blow the whistle on intellectual and structural racism that is still a rampant and ugly beast, especially in the European music world.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel and her band had a handful of experiences over their two days in Berlin that contributed to her feelings, including an interaction at The Ellington Hotel (a place that’s named \u0026amp; themed in homage to the famous Black American composer), where the band was staying. The moment was recorded by Angel’s bandmate and she chose to include an excerpt at the beginning of the album’s first track, where she shouts repeatedly: “ever since I’ve been here y’all have treated me like shit!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe full story, from Angel: “The morning at the Duke Ellington Hotel was the result of a buildup of things… The insensitive way the festival dealt with Viktor… to mean stares walking down the street with my Brothers… A man came up to all of us and said he was frightened by our group. I went to another shop and they told me ‘don't go to East Berlin because they don’t like Blacks’... Berlin was leaving me feeling very isolated and angry. So the morning we were leaving this hotel, with its homage to Black musicians in every room… They had a piano in their bar area and I decided to play a tune, sing and praise, to leave on a good note. Deacon Otis was filming it as our way of just walking in love, no matter what. As I was singing someone on the staff runs up to me red face and angry saying ‘ma’am please don't do this in the lobby this is not allowed!’ And I just went the fux off. I had had enough of the reprimands... I just couldn't be my genuine Black self anywhere in Berlin without someone reprimanding me…”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother sound that Angel chose to include in the album is an excerpt from a JazzFest Berlin panel discussion she participated in, which was moderated by writer Emma Warren – a friend of Angel’s – and recorded by Searcy. Angel’s powerful declamations from the panel stage are heard on the album’s last track “HELL,” through a dense layering of effects. “The discussion was led by Emma… so I was feeling very much myself and was going to tell the honest truth about how these festivals and music scenes still operate and support intellectual and structural racism, because they are never challenged,” Angel recalls.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eDespite, or perhaps in light of the difficulties Angel and her band faced, they performed a set at Berliner Festspiele that Angel considers to be one of their best ever. “The show was very deep, and really helped me to process all the rage, and uncomfortable things I was feeling... It made me think of all the artists of the past who endured way more than I ever will with this music industry. It was a very freeing and beautiful show… we played our ass off!!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHarlem, NY-based journalist Shannon J. Effinger, who had interviewed Angel for Pitchfork earlier in 2019, was in Berlin to cover the festival and witnessed Angel’s performance. “I had no clue Shannon was there and I was so happy to see her... We had breakfast in the morning together and I was able to vent to her about my frustrations about being in Europe. She shared the same sentiments, because she too was experiencing all the subtle microaggressions that happen over there,” Angel says.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShortly after Angel decided to make the Berlin recording into an album, in Summer 2020 she invited Effinger to write liner notes. In her notes for LIVE, Effinger touches on Angel’s mistreatment; but for the most part her attention is paid to the music that Angel \u0026amp; Tha Brothahood made during their performance. An excerpt: \"On Sun Ra’s “Enlightenment,” Dawid’s arpeggiated chords on keys brought us all to our own hush harbor meeting, a once haven for enslaved Blacks to gather in secret and release their hardships through shout and prayer. As Dawid, Cape Town drummer Asher Gamedze and Adam Zanolini on reeds build into a tense crescendo, it is their attempt, through music, to exorcise the generational pain that has plagued Blacks for far too long.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“I feel Shannon really captured the moment I was feeling. The story of my unrest with the racist undertones of the music industry isn’t why I want this album out. I want this album out because the Brothahood kicked ass on the music. Because she was there at the actual show, her notes have the purest, most authentic and accurate take on the situation,” says Angel.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnother excerpt from Effinger's notes: \"From the unwavering strength of the “Black Family” as told through her clarinet, strong and resolute, to “We Are Starzz” which allowed the members of the Brothahood to dance and explore in their respective constellations over Zanolini’s walking bassline, Dawid strives to reconcile where Black life in America presently stands today—bestrided by a glorious yet troubled past, the disillusioned promise of our future, and a present that has never truly belonged to us.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAngel Bat Dawid: “I hope that this album will uplift and raise awareness to the world that we are still not in a good place when it comes to the relationship between whites other races. Universities, festivals, organizations etc that were built over 50 years ago, even though they have changed outwardly, have not changed internally, and still uphold the principles of their founders, who were racists. We still got a long way to go. And music is a great place to start in repairing this age old, distorted reality.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid \u0026amp; Tha Brothahood\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":40745528066213,"sku":"","price":3890.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/li1_29d5923b-012c-42e1-a06e-1a39e768a7d7.jpg?v=1630992539"},{"product_id":"rob-mazurek-exploding-star-orchestra-dimensional-stardust-lp","title":"Rob Mazurek – Exploding Star Orchestra \/\/ Dimensional Stardust LP","description":"\u003cp\u003eアメリカ・シカゴのジャズ作家Rob Mazurekが2020年12月にリリースしたレコード。Sun Raのスペースジャズマインドを継承するスピリチュアルジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eNicole Mitchell、Jeff Parker、Jaimie Branch、Joel Ross、Mikel Patrick Avery、Tomeeka Reid、Chad Taylor、Ingebrigt Håker Flaten、Macie Stewart、Angelica Sanchez、John Herndonが参加。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3684001125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP sleeve features original artwork by Rob Mazurek, plus IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eMarfa TX-based multidisciplinary abstractivist Rob Mazurek has made an indelible impact on creative music over the past 30 years. Emerging from the musical nexus of the 1990s Chicago scene, he’s written more than 400 compositions and is featured on more than 70 recordings (including International Anthem’s very first, IARC0001, \"Alternate Moon Cycles\"). He’s led or co-led many ensembles – including the Chicago Underground (Duo, Trio, Quartet \u0026amp; Orchestra), Isotope 217 (alongside members of Tortoise), Pharoah and the Underground (feat. Pharoah Sanders), Alien Flower Sutra (with Emmett Kelly), São Paulo Underground (his primary working group across his time in Brazil), and a duo with Jeff Parker – each of which possesses its own distinct musical personality.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhile Mazurek’s solo work as a musician expands from cornet, piano, and piccolo trumpet studies to embody musique concrete and electronic experimentation, his composition for large ensemble reveals an intuitive sense of scale. Commissioned by the Chicago Cultural Center and the Jazz Institute of Chicago in 2005 to assemble a group representing the diversity of the city’s contemporary avant-garde, Mazurek amassed a 14-piece ensemble and began composing music for what became his Exploding Star Orchestra (ESO)\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Including musicians from the often-segregated communities of Chicago’s North, South, and West sides – from his long-time collaborators in Tortoise’s expansive orbit, to Great Black Music luminaries from the hallowed AACM, to free jazz revivalists from the Umbrella Music group – ESO debuted in the urban epicenter of Chicago’s Millennium Park and, shortly after, went into John McEntire’s Soma Studios to record \"We Are All From Somewhere Else\" (Thrill Jockey, 2007). By the time of \"Galactic Parables Vol. 1,\" ESO’s 2015 triple LP release on Cuneiform Records, Mazurek reflected to Pop Matters that \"Exploding Star Orchestra is the conceptual, compositional and philosophical center of all my work... a life star of musical, visual and conceptual ideas.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIn 2018, JazzFest Berlin curator Nadin Deventer invited Mazurek to present a new iteration of ESO with musicians based in Berlin as well as Chicago. Meeting the commission with the boundless ambition characteristic of his artistic approach, he imagined a jubilee of fifteen musicians and improvisers, true to ESO’s ethos in their widely diverse backgrounds and voices, but more tightly arranged around his intricate compositions than ever before. Summoning an array of symphonic studies – from Béla Bartók to Morton Feldman to Gil Evans to Sun Ra to Pedro Santos to Bill Dixon to The Art Ensemble of Chicago – in an ecstatic and wholly original program, Mazurek’s November 2018 debut at Berliner Festspiele marked a new pinnacle in his distinction as a composer and conductor of Contemporary Music. “Mazurek’s arrangements burst in colors, making synesthetes of us all,” wrote Paul Acquaro in a review of the concert for Free Jazz Collective.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhen Mazurek returned to Chicago in Summer 2019, International Anthem took the opportunity to capture his new ESO compositions with a cast of collaborators from their collective constellation of artists. Over a handful of studio dates between August 2019 and March 2020, Mazurek channeled his arrangements through 11 musicians – Nicole Mitchell, Jeff Parker, Jaimie Branch, Joel Ross, Mikel Patrick Avery, Tomeka Reid, Chad Taylor, Ingebrigt Håker Flaten, Macie Stewart, Angelica Sanchez, and John Herndon – and commissioned his long-time lyrical collaborator Damon Locks to draft original texts for each of the titles and record vocal tracks. After three months of rigorous post-production, editing and assembly work, in June 2020 Mazurek completed his culminating new collection of ESO recordings: \"Dimensional Stardust.\"\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Dimensional Stardust\" showcases the intricacy and complexity of Mazurek’s compositions but in their most potent, most compacted forms. Opting to focus on tight ensemble orchestration over passages of open improvisation, Mazurek distills a maximal orchestra of explosive improvisers into a beautifully restrained, graceful group exercise in melodic minimalism. The album features almost no “soloist” moments, excepting Jeff Parker’s other-worldy guitar meltdown on “The Careening Prism Within,” and when Nicole Mitchell’s flute floats to the front of the barrage on “Sun Core Tet.” Mazurek himself is sparsely present as instrumentalist, only occasionally joining the ensemble with his piccolo trumpet (notably on “Parable 3000,” where he shares leads with Mitchell’s flute and Joel Ross’s vibraphone, and his trills and textures haunt ghostly around Jaimie Branch’s trumpet counterpoint). Even Damon Locks’s voice is employed more like an ensemble instrument than a lead vocalist. Locks’ distinctively dry, abstract narrative flow beams in intermittently – sounding almost like fragments of Deltron 3030 through an Orson Wells-style radio transmission – climaxing in the album-closing poetry of “Autumn Pleiades.” And all the way through, the electro-acoustic poly-rhythmic percussion section (Chad Taylor, Mikel Patrick Avery, and John Herndon) churns, thrusting the music forward as the harmonic instruments collectively bow between frenzied, futurist chromaticism and soaring, pan-humanist pentatonic anthems.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSomehow swirling the most adventurous elements of avant-garde jazz and contemporary classical into the most universal attractors of pop music, the cosmic opera of \"Dimensional Stardust\" is a pure spiritual extension of Exploding Star Orchestra’s unifying ethos, and a new peak in the prolific creative career of Rob Mazurek.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rob Mazurek – Exploding Star Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":40745534292133,"sku":"","price":3260.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/di1_fa199d8b-5fe0-4498-8467-053c1cbcd5a9.jpg?v=1630992653"},{"product_id":"damon-locks-black-monument-ensemble-now-lp","title":"Damon Locks - Black Monument Ensemble \/\/ NOW LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロックやポストハードコア、ジャズと刻一刻と変化するシカゴ地下音楽シーンで暗躍しているジャズ作家Damon Locksが、2021年4月にリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e総勢15名にも及ぶオーケストラ級のスピリチュアル・ジャズ6曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=457843155\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP inside a reverse-board jacket, with Eastside IARC obi strip, 17\"x22\" folded broadsheet insert (with liner notes, photos, and illustrations), and dome patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAccompanying text \u0026amp; artist bio by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"'\u003cem\u003eTime is just the difference between knowing now and knowing nothing. Because if you know now fully, it’s past, present, and future.'\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e— Mattie Humphries, 1968\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDamon Locks \u0026amp; Black Monument Ensemble’s new album \"NOW\" was created in the final throes of Summer 2020, following months of pandemic-induced fear \u0026amp; isolation, the explosion of social unrest, struggle \u0026amp; violence in the streets, and as the certain presence of a new reality had fully settled in. Set up safely in the garden behind Chicago’s Experimental Sound Studio, the music was recorded in only a few takes, capturing the first times members of BME had ever played or sang the tunes. For Locks, the impetus was more about getting together to commune and make art than it was about producing an album. In his words: “It was about offering a new thought. It was about resisting the darkness. It was about expressing possibility. It was about asking the question, ‘Since the future has unfolded and taken a new and dangerous shape... what happens NOW?’”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e...about Black Monument Ensemble...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOriginally conceived as a medium for Chicago-based multi-media artist\/activist Damon Locks’s sample-based sound\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e collage work, Black Monument Ensemble (BME) has evolved from a solo mission into a vibrant collective of artists, musicians, singers, and dancers making work with common goals of joy, compassion, and intention. Galvanized by Locks’s conceptualizing, poeticizing, and guiding vision, the contributors come from all facets of the diverse wellspring of Black artistic excellence in Chicago, bringing their unique perspectives and experiences to uplifting, anthemic, and highly animated musical performance.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBME is a genuinely multi-generational collective; ages of the members range from 9 to 52 years old. In addition to Locks, current and consistent BME members include: instrumentalists Angel Bat Dawid, Ben LaMar Gay, Dana Hall, and Arif Smith; singers Phillip Armstrong, Monique Golding, Rayna Golding, Tramaine Parker, Richie Parks, Erica Rene, and Eric Tre’von; and dancers Raven Lewis, Cheyenne Spencer, Mary Thomas, Bryonna Young, Tiarra Young, and Keisha Janae.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eLocks has a stated interest in work that explores “The Black Nod” which, as he explains, is “an unspoken acknowledgment that happens often out in the world – a sort of ‘I see you’ moment exchanged between Black people.” His work with BME attempts to do the same. Fronted by a jubilant choir, the ensemble embraces a kind of civically engaged, artistic approach to activism originally heard in the 1960s from bands like the Voices of East Harlem and on albums like Max Roach’s We Insist; or originally seen in the photography of Kwame Brathwaite and the art of Emory Douglas. Merging influence from the subsequent half-century of artistic \u0026amp; technological evolution, Locks employs a cyber-punk palette of disparate implements (including beatbox, boombox, telephone, and megaphone) to make narrative compositions of mined sound, beats \u0026amp; archival speech (a la Madlib or Supa K) which are brought to life by the ensemble in electric, improvisational performance. It’s a truly multi-dimensional sound that spans mediums, genres, and generations; past, present, \u0026amp; future.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e...about Damon Locks...\u003cbr data-mce-fragment=\"1\"\u003eDamon Locks is a Chicago-based visual artist, educator, vocalist, musician, and deejay. Known for decades of varied projects in Chicago’s underground music \u0026amp; art scenes, Locks’ CV starts in the late 1980s with the band Trenchmouth, and is highlighted by work with The Eternals (co-led by Trenchmouth bandmate Wayne Montana), Rob Mazurek’s Exploding Star Orchestra, collaborations with Nicole Mitchell, Ben LaMar Gay, and many others. In recent years Locks has traversed almost every media discipline… including sound\/animation work using unheard Sun Ra recordings from Experimental Sound Studio’s archive (with Terri Kapsalis, Wayne Montana, and Rob Shaw); various collaborations with contemporary dancers \u0026amp; choreographers including Onye Ozuzu, Ayesha Jaco (of Move Me Soul), and Anna Martine Whitehead (on presentations \u0026amp; workshops with the Detroit Justice Center); participating in artist residencies at The New Quorum in New Orleans (alongside Nicole Mitchell, Lisa E Harris, Wadada Leo Smith, and others); teaching work with incarcerated artists for the Prison and Neighborhood Arts\/Education Project at Stateville maximum security prison; and producing cover art for dozens of albums, including several International Anthem releases by Makaya McCraven, Hear In Now, Irreversible Entanglements, and more.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks - Black Monument Ensemble\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":40800498122917,"sku":"","price":4348.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/no1_5b5b9eda-45c2-4583-b877-c2e89e0c1c2f.jpg?v=1631498171"},{"product_id":"jaimie-branch-fly-or-die-live-2xlp","title":"jaimie branch \/\/ FLY or DIE LIVE 2xLP","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branchが、2021年10月に同国シカゴのジャズ巣窟International Anthemからリリースした2枚組ライブ盤です。\u003c\/p\u003e\n\u003cp\u003e2017年と2019年にリリースしたアルバムのほぼ全曲を収録。ライブに重きを置く彼女の真の演奏力が堪能できる特大ボリュームのライブアルバムです。インサートと帯が付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=526897601\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP comes in old-style tip-on jacket with IARC obi strip and dome pattern innersleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eFull flight capture of the full Fly or Die suite, parts 1 \u0026amp; 2 compounded \u0026amp; flawlessly communicated in a singular epic of raw cosmic brilliance.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003efull story in the words of Piotr Orlov here:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is a moment near the top of jaimie branch’s FLY or DIE LIVE, the new album recorded by the trumpeter’s quartet in Zurich, Switzerland on January 23rd, 2020, which feels like it bears the weight of both that specific pocket of time, and a prophecy for all that was soon to come. branch and her Fly or Die crew — cellist Lester St. Louis, double bassist Jason Ajemian, and drummer\/percussionist\/mbira player Chad Taylor — had just kicked off the concert at Moods, with the opening tracks off their then-new studio album FLY or DIE II: Bird Dogs of Paradise, the second of which, “Prayer for Amerikkka” is among the best political songs written during the Tr*mp Era, and when the moment in question pops off.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe multi-part “Prayer” begins as a goth-blues stomp, its moaning ghosts flying around the room. A week into a European tour and after three months of constant live performance, Fly or Die is at home in this new song’s contours, messing with its internal machinery while guiding its meaning. By now, “Prayer” had gained a tough\u003cspan class=\"bcTruncateMore\"\u003e spoken-word intro, bringing the context as it slowly gearshifts the intensity: “It’s a song about America,” off-the-cuffs branch while the band seethes behind her, “but it’s about a whole lotta places — ‘cause it’s not just America where shit’s fucked up...” Then arrives the climax, at once site-specific and far-reaching: “...and it’s not always time to be neutral, do you know what I mean?” The gathered Swiss crowd knows, understands, and responds vocally, as Taylor’s backbeats cue branch to bring the trumpet to her lips, and let out a high-pitched wail. Her horn doesn’t know what’s about to happen to our world, and yet, somehow, it does — with only the catastrophic details needing to be worked out. For the next 12 minutes, “Prayer” careens through its twists of wide-eyed racism and family separation, Ajemian and Taylor driving branch’s punk-jazz Morricone horn line. “This is a warning, honey…” cries the song, and over the ensuing 70 minutes, the band echoes its sentiment, filled with glee and terror.\u003cbr\u003e\u003cbr\u003eWhere were you in January of 2020, those last moments of the Before Times? Where was your mind, your body, your soul? Did you have plans, hopes and aspirations for the oncoming calendar trip around the sun just starting its initial turn? Were you embroiled in the turmoil continuing to roil the feeds and the headlines, or steeling yourself for the ones that we all knew were incoming during an especially contentious American election year? Maybe both. Or maybe you felt there was some hope blowing in the air.\u003cbr\u003e\u003cbr\u003e“There was so much promise for the year,” remembers branch. A world of possibilities was certainly pending for Fly or Die leading into 2020 and that Zurich gig. The group was in their favored environment, the stage, where their individual relationships had been molded. branch and Ajemian had been playing together since the mid-’00s in Chicago, and admiring Taylor’s work with the Chicago Underground and at the city’s legendary Velvet Lounge jam-session for just as long. When Fly or Die made its debut at Brooklyn’s Manhattan Inn in 2016, they made up three-quarters of the band. branch and St. Louis met in 2015 after jaimie first moved to New York, while St. Louis was working at the Spectrum club where branch played on occasion. (Soon St. Louis replaced original Fly or Die cellist Tomeka Reid, who departed the band to concentrate on her own myriad of commitments.) In the years since, this quartet had grown into a powerful unit, adept at conjuring musical environments that could be forceful and rhythmic one moment, and fragile the next.\u003cbr\u003e\u003cbr\u003e“So much of what the band is about is the trust between the players and the rapport on stage,” says branch. “The trust means no one's going to drop the ball. The band is all improvisers, that's a really key thing. (A lot of people improvise, but not everybody's an improviser.) And I feel like this band especially is made up of them. So much of the music is led with the ears first.”\u003cbr\u003e\u003cbr\u003eOn Fly or Die’s sophomore album Bird Dogs of Paradise, which dropped in October 2019, branch had composed and recorded a batch of songs that showcased a political perspective and cutting sense of humor, balancing experimentalism and accessibility, party and erudition, “jazz” and the next thing. They were now headed out on the road to show off these songs — “the most touring this band would have ever done,” according to branch — integrating them in suite-like fashion with music from branch’s critically acclaimed 2017 debut. High on the work they were presenting, ready to lock into, and have some fun with it.\u003cbr\u003e\u003cbr\u003eThe late fall saw a month-long tour of Europe; December featured record release shows in LA, Brooklyn and Chicago; then in January, it was back to the EU for a two-week (no days off) sprint, of which the Thursday night at Zurich fell almost directly in the middle. The night before, January 22nd, at Oslo’s Victoria Nasjonal Jazzscene was an upbeat one — St. Louis’ partner had surprised him by flying in from the States; and branch, who earlier thought she’d lost a bag with her passport, documents and cash, had it returned by their van driver after the gig. (No reason for anyone to notice that the Coronavirus had made its debut on the front-page of the New York Times that day.) The positive energy carried over to Switzerland. Soundcheck at Moods, “a big, nice theater in the middle of Zurich,” went well. branch had to talk the venue into the band doing one long set instead of two, but she also agreed to them making a multi-track recording of the set. “The vibe in the band was pretty high,” says branch.\u003cbr\u003e\u003cbr\u003eFrom the offset, it sounds like that’s the case on both sides of the stage. The calm before the “Prayer” storm finds Taylor’s mbira and branch’s muted horn in a gentle duet, interweaving textures and melodies. The storm’s aftermath, “Lesterlude,” is a St. Louis-bowed solo feature turn, moving the strings towards the noise. Each individual song connects to the next, performed in a continuous, no-stop style, a part of the group’s DNA on record as well as stage. By “Twenty-Three N Me,” they are beginning to stretch into free spaces, and the crowd’s timely enunciations betray the fact that the audience too is up on every note. “Whales,” an Ajemian-led interlude, brings the sound palette to the bottom of the ocean, before Taylor’s intricate, rim-heavy beat returns us to the surface and gets the debut album’s “Theme 001” rolling into a full-on dance number. Approving screams pile up. The quiet-loud\/fast-slow alteration continues: Taylor solos softly (“Meanwhile”), before exploding alongside Ajemian to push branch on a supple, double-time swing (“Theme 002,” with branch in Cootie Williams mode). Later Ajemian’s bass is joined by Taylor’s thumb-piano and St. Louis’ arco, before going on a solo stroll, upping the tempo and ending in the funky second-line swagger of “Simple Silver Surfer” (with great melodic counterpoint by St. Louis). It’s crisp and fun, the laughter in the audience answered on-stage. By the forever set-ending, self-indicting new-bar-standard, “Love Song (For Assholes and Clowns),” branch is conducting the sing-along. Then, soon, it is over.\u003cbr\u003e\u003cbr\u003eSo, how was it? At the time, Moods was just another stop on a never-ending tour. Italy next, we gotta go. The following month and a half was a blur too, amidst the increasingly dire headlines: the February Pacific Northwest dates found Fly or Die slaying PDX Jazz, but “we keep hearing whispers of this COVID stuff,” and less than 10 days after playing in Seattle, the city finds itself as the first American virus hotspot. In early March, before a gig at DC’s Kennedy Center, there’s a cancellation or two (“a little bit of gloom”). The following night at Brooklyn’s Roulette — the last gig many in attendance would see before quarantine — the bottom drops out (“six cancellations in an hour”). The tour ends, and everything stops. Forever — or what increasingly feels like it. Though a tape arrived from Zurich in early May, branch didn’t actually listen to it until the Fall. “I didn't want to be disappointed,” she says. Such was the headspace.\u003cbr\u003e\u003cbr\u003e“I didn't have a memory of the show being an amazing show,” branch says. “But sometimes when you have zero memory of it being good or bad, those are the best shows. Because when you're in the zone, in those moments of channeling creativity, there isn't time for judgment. So oftentimes a memory is not created around that judgment, and that's actually a good indication.” When branch did pop the tape in, she was unequivocal: “I think this is like the best that we've ever played.”\u003cbr\u003e\u003cbr\u003ebranch’s personal highlight of FLY or DIE LIVE also comes on “Prayer,” and it too speaks of something greater than what you’ll hear on the recordings, or that the audience at Moods is likely to have picked up on: “There’s a moment in Part Two of the song when Jason flips the bassline and there's this moment of weirdness, but nobody even stops—this is what I'm talking about with trust. So I just added half a bar more of a vocal, because I heard Jason got wonky. And then Chad added a [verbalizes a fill]. It's my favorite part of the whole record because I hear the mistake and I hear us bulldoze through it, turn the mistake into a dance — because that's really what it is at the core of all of this, music as dance.” No neutrality there either.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : jaimie branch\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":40975409512613,"sku":"","price":5780.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a0259433205_16.jpg?v=1712739376"},{"product_id":"ben-lamar-gay-open-arms-to-open-us-lp","title":"Ben LaMar Gay \/\/ Open Arms to Open Us LP","description":"\u003cp\u003eアメリカ・シカゴのコルネット奏者Ben LaMar Gayが、2021年11月に同国コンテンポラリージャズ巣窟International Anthemからリリースした2ndアルバムです。\u003c\/p\u003e\n\u003cp\u003e幼少期の記憶をテーマにしたトロピカルなモダンジャズ16曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1311848049\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP comes in heavyweight matte jacket with IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePrologue by Ben LaMar Gay:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"Growing up, spending summers in Alabama, one of my favorite chores was feeding the pigs that were on my great Aunt Lola’s land. Sometimes while on the path to the feeding grounds, Aunt Lola and I would stand still and listen together. We would immediately become aware of winds approaching through wavering pines, quail songs and the chatter of distant cousins just up the road.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOnce she told me that during a certain time of day she can hear her father hammering away in the field near the old house where she grew up. Even though her father was long deceased, she could clearly hear the rhythm and feel his presence.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis was my first conscious experience with thermodynamics and its first law that states energy can neither be created nor destroyed, just transferred. The moment, environment, memory, and open listening of my great Aunt allowed a sound from the past to resonate in the present for my 7 year old ears.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe awareness of a moment, environment, memory, and open listening are also the makings of a great improviser. With the idea of freedom being a “dangling carrot” for most, my now mature and “forever learning” ears have realized that improvisation\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e is the one freedom that we all have access to. I remember the clarity of my great grandfather’s hammer. The silence in between each strike was what drew Aunt Lola and me in, closer. From that moment on, I’ve carried my curiosity of the world inside my front pocket at all times.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis experience is at the root of this bundle of sound, Open Arms to Open Us.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI started visualizing this music during the Spring of 2020, in the global thickness of being faced with mortality in a different way. If not mortality, faced once again with the crumbling of societal facades. Things aren’t okay. Things have never been okay, at least in this brief period of the planet where man sells and kills for ownership of the earth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAlong with brief feelings of dismay and desires of survival, I began to think about future ears and the continuation of magic with or without me. I often found myself wondering: What can I leave behind for the young people in my life? These young messengers, these young creatives, these young listeners who know me or have heard about me from their parents via stories, pictures, or sounds from the house\/car stereo.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAll I could think about was my nieces and nephews… blood and beyond. If they ever look back and wonder what their uncle\/their messenger was thinking about during this interesting time or rotation of the earth, I want them to know that I was thinking about them, the future of this circle, the future of this curiosity, the future of this exploration. I spent my time believing in them.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us deals with rhythm as an inheritance of information – sort of like DNA or RNA. Coping with the present-day bombardment of data and recycled ideologies from sources essentially fed by the creed “Destroy Them. Own the Earth” often leaves me with only one thing to look forward to: Rhythm. More than anything, I’d like my babies to always trust in rhythm. It’s the one trueness that travels great distances and constantly survives the crumbling of facades.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhile living inside the interesting rotations of the earth, we are constantly dealing with man-made loops that often leave us with questions such as: Who constructed this loop? Who does this loop benefit? Who does this loop exploit? How can I survive in this loop? How can I destroy this loop? Maybe if we reach beyond the generic names and virtuosic execution of rhythms to better understand the dialogue between rhythms and our bodies we could release the message that has been carried for centuries inside of them. These messages sent from the ancient and future loved ones could possibly be the key to revamp, upgrade, tweak, quell, and pacify particular loops.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOpen Arms to Open Us is full of rhythm or information that will assist my young folk in dealing with the repetition of things that aim to harm them or stunt their holistic progression. The title is a suggestion of a body movement that is used in many spiritual practices and is also a gesture that represents a type of understanding that leads to touch or a hug. The music is for dancing, reflecting, celebrating, bellowing, bawling, stimulation, focus and deciphering messages from loved ones here and beyond. It was the space in between the sound of my great grandfather’s hammer that made me understand that, no matter what, We Gon Win.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e– BLG, August 2021\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Ben LaMar Gay\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":41955454681338,"sku":"","price":3680.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/op1_2ee1accd-d613-4399-814a-ad5e9bd71720.jpg?v=1636092430"},{"product_id":"dos-santos-city-of-mirrors-lp","title":"Dos Santos \/\/ City of Mirrors LP","description":"\u003cp\u003eアメリカ・シカゴのオルタナティブ・ラテンバンドDos Santosが、2021年10月にモダンジャズの代表格レーベルInternational Anthemからリリースした最新作です。\u003c\/p\u003e\n\u003cp\u003eDos Santos節といわんばかりのサイケデリックな現代風ラテン13曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2480765693\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eVinyl LP comes in heavyweight matte jacket with IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAccompanying text:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThis album is an assemblage…\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…glimpses of tradition\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…reflections on our collective present\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e…luminous echoes between love and solitude.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ehope and absurdity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eeuphoria and mourning.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album grapples with and transgresses these binaries because we have\/and continue to cross borders. Yet, for us, the border is no metaphor—too much real staring back at us.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe embody the border.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe (our families) have crossed it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe (our stories) are coated with its residues.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd so… we cross the border of self through our art—out of necessity.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis album was imagined while touring the country as families were corralled in cages.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe then fled the wildfire of a nascent pandemic poised to (especially) ravage our communities as we recorded in Los Angeles.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd our sonic journey concluded in Chicago while the country rebelled against the murderous consequences of policing in\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e the U.S.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThrough this cascade of tipping points and tragedy, we summoned melody and verse to sound out verdant technicolor dreams of freedom and desire, mirroring the vortex of our time.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd borders were at the center of these struggles.\u003cbr data-mce-fragment=\"1\"\u003eBorders—of nation, of belonging—are the struggle.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAnd so, this album is a set of dispatches from that wondrous journey…\u003cbr data-mce-fragment=\"1\"\u003e…our journey across and into a sunburst surreal.\u003cbr data-mce-fragment=\"1\"\u003e…our astral meditations on loss and triumph.\u003cbr data-mce-fragment=\"1\"\u003e…our sonic trek across a landscape of trauma and effervescence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e…The border divides and defines places—yes. But it is equally a place unto itself—a borderland.\u003cbr data-mce-fragment=\"1\"\u003eIt is the forbidden place where we dwell.\u003cbr data-mce-fragment=\"1\"\u003eThe enchanting space where we are at home.\u003cbr data-mce-fragment=\"1\"\u003eThe bustling city where we reflect.\u003cbr data-mce-fragment=\"1\"\u003eLook into our mirror. See us in you.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Dos Santos\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":41955459203322,"sku":"","price":3280.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/mi1_ac35fb2d-b963-455b-847c-f00c1e5bdd4e.jpg?v=1636092580"},{"product_id":"jeff-parker-blackman-7-flexi","title":"Jeff Parker \/\/ Blackman 7\" FLEXI","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eポストロックバンドT\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eortoiseのギタリストとしても有名な\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eJeff Parkerが、2018年にリリースしたソノシート。\u003c\/span\u003eGeorgia anne MuldrowのBlackmanを彼なりの解釈で制作したキラートラックを収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=541219158\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEdition of 333.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":41955471524090,"sku":"","price":1580.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bl2_f80c422e-a592-4a83-a95d-6429ecf8d5f1.jpg?v=1636092729"},{"product_id":"jamire-williams-but-only-after-you-have-suffered-lp","title":"Jamire Williams \/\/ But Only After You Have Suffered LP","description":"\u003cp\u003e過去にleaving recordsなどから発表しており、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJesse Boykins IIIやJeff Parker、Carlos Niñoなどのサポートも務めているドラマーJamire Williamsが、2021年12月にInternational Anthemからリリースした最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=822409669\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e'But Only After You Have Suffered' is a densely layered and deeply personal new work from multidisciplinary artist, composer, percussionist \u0026amp; producer Jamire Williams.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConceived as a spiritual, autobiographical artistic statement, Jamire applies sound collage practice to modern jazz composition, beat production, MC\/vocalist features, and his uniquely impressionistic drumming style – making an album as akin to minimalist painting as an art-house film soundtrack or a classic hip-hop mixtape. A “self-reflective, almost testimonial work” that swiftly cycles across a vast spectrum of styles, it's the culmination of his five-year musical journey to the outer reaches of his own sound. It’s the album he has always wanted to make.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTo do so he engages his faith and the friends and family that shaped him, working with a host of close collaborators in a free and spontaneous manner. The shared musical, communal, and spiritual sensibility gives the album its sense of unity. “It’s a whole work,” Jamire explains. “It flows seamlessly, and it’s meant to keep playing until you really understand all the messages, prayers, and cries.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAcross twelve multi-faceted tracks, he brings together artists from his hometown of Houston (vocalists Corey King, Lisa E\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Harris, Fat Tony, Jawwaad Taylor), those he became close to over several years living in LA (Sam Gendel, Zeroh, Mic Holden, Josh Johnson, fellow International Anthem artist Carlos Niño), and other creative partners from his life-long journey in sound (Chassol, Svet, Kenneth Whalum).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs such, 'But Only After You Have Suffered' builds its own world from the pull between Jamire’s jazz heritage - eleven years as a drummer in NYC recording with world-renowned musicians like Jason Moran, Christian Scott, and Dr. Lonnie Smith - and the experimental, narrative art-pop of his more recent work with Solange, Moses Sumney, and Blood Orange.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIts origins can also be traced to his 2016 solo percussion album '\/\/\/\/\/\/\/ Effectual' (released by Leaving Records) - a turning point for Jamire, who has since embarked on a process of stripping back and breaking down his musical identity, creating a new sound from the fragments that most speak to his experience as a musician and a person.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRooted in his faith, Jamire opens the album with “Hands Up,” a devotional hymn cut against the stark reality of the modern world that sounds like an apocalyptic middle-grounding of Kendrick Lamar’s 'To Pimp A Butterfly' and Merry Clayton’s “Gimme Shelter.” Whether in the rousing, spiritual “Just Hold On” or the fluid verses of Fat Tony on “Safe Travels,” the music exists in the tension between higher realms and social realities - what Jamire calls the “duality of a personal thing and what I’m seeing in my community, in the Black community, as a Black man.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album reaches its climax on “Pause In His Presence,” which features a chilling operatic performance from Lisa E. Harris, recorded in one take off the back of a single conversation and a shared vision between the two artists. “Every time I hear that song, I cry,” Jamire says. “It’s so real.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHaving recently moved back to Houston, the release of 'But Only After You Have Suffered' marks a moment of Jamire coming full circle. A literal homecoming and his arrival as an undeniably multi-faceted artist in his own right.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jamire Williams\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":42359434346746,"sku":"","price":3640.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/bu1_0fa12933-4b8f-418a-94e5-c323a2d2702f.jpg?v=1642992943"},{"product_id":"anteloper-kudu-lp","title":"Anteloper \/\/ Kudu LP [COLOR]","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eトランペット奏者Jaimie BranchとドラマーのJason NazaryによるデュオAnteloperが、2018年にリリースしていたカセットの再発レコード盤です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eシンセを交えたレフトフィールド・ジャズ5曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=595674653\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e*Melted Highlighter* colour vinyl LP (pressed by Smashed Plastic in Chicago) inside a heavyweight jacket with insert sheet, IARC obi strip and dome-patterned inner-sleeve.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eANTELOPER is the electric brain child of JAIMIE BRANCH (fly or die, high life) and JASON NAZARY (little women, helado negro, bear in heaven). Branch and Nazary have been playing together as trumpeter and drummer for years, since meeting at the New England Conservatory of Music in 2002, but in this duo both musicians include synthesizers to push further into the spectral space ship ether. With deep rhythmic passages, telepathic improvisations and effortless melodic negotiations, Anteloper pushes forward, swinging its horns all the while.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e****************************\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr data-mce-fragment=\"1\"\u003eLiner Notes by Rob Mazurek:\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cem\u003e\"Making audible what is silent, Branch and Nazary punch clouds into audible spacetime. Perspectives shift in weight and wander, sometimes distilled into perfect shots of mystic rum and sometimes left alone in an overgrown petrified aluminum forest, dripping and seething into utopian oblivion. Shifting sequences, sky ships arriving...Turn on the slow cruise and mess with slo deep sound for a time... let the frequency of who YOU are mingle with the mindfulness fullness that Anteloper IS. Multiple dimensions collide and caress like a wooly tiger, kissing suns and embracing the nothingness, cracking this nothingness into sheets of corrugated dreams. The Sometimes\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e is the Always is the Now is the Forever. Backwards, Forwards and Everywhere. Psychotronics in Plus in Minus. The constant sounds hovering just above the peach tree, glistening silver against the dark blue sky evaporate into the orange trunk and feeds us all. Spring is here, and all the stars seem to know. Slow moves to fast... Faster... It feeds itself in a constant tumble and tightrope stagger and roll... and now a handstand... and now the perfect hypnotic pose and shift and wait and hear. Look straight into the eyes. Don’t look away. Listen with eyes closed and don’t move. Simple lines fear nothing. Sound fears nothing. Ecstatic... Electric past, present and future outposts, never in one place only. They build themselves after long years of finding... Always shifting, always still, always in motion whether it happened or not... a moving stillness writhing in its own glorious invisible frame\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Anteloper\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":42424802214138,"sku":"","price":4380.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ku1_cc3e1bbc-670a-4b7b-9162-c68bb0098600.jpg?v=1644807460"},{"product_id":"junius-paul-ism-2xlp","title":"Junius Paul \/\/ Ism 2xLP","description":"\u003cp\u003eアメリカ・シカゴのジャズベーシストJunius Paulが、2019年にリリースしたデビューCDの再発レコード盤です。17曲を収録。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1246905825\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003ePolychromatic low tone poems,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efree form funk flight\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u0026amp; Great Black Music\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eturn the page to a brand new chapter in the Chicago sound.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e********************\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiner Notes by Ayana Contreras:\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Ism opens audaciously with the spiritual mic-check “You Are Free To Choose,” a track that features Junius Paul alongside Vincent Davis (drums), Justin Dillard (piano), and Corey Wilkes (horns).\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is by no accident. In many ways, “You Are Free To Choose” captures the spirit of Junius Paul’s artistic roots. Corey, Justin, and Vincent were among the multigenerational cadre of Chicago musicians present when Junius chose to follow his own path of creative discovery at the storied Velvet Lounge on the South Side of the city back in October of 2002.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThough the origins of his craft go back to playing in church, his creative instrumental voice really developed during jam sessions at clubs like The Velvet alongside members of the AACM, or Association for the Advancement of Creative Musicians. It was iron sharpening iron, the most natural form of knowledge transfer. He explained Velvet’s vibe in 2018: “It’s like in Africa.... If you had\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e this society of diviners or medicine people, or you know, sages… The Velvet stuff is not secret; but there are certain aspects of it… if you weren’t there, you weren’t there.” The Velvet Lounge closed in 2010.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“It was very much like church. I had some unbelievable spiritual experiences there. You can feel this thing inside of you. There were moments at the Velvet Lounge that were so magical that I’d get scared. I remember a night with Vincent Davis. It was like, oh my God. He can play with that intensity for that long. The Velvet Lounge was the first time I experienced anything like that. I didn’t think that people could do that. And it scared me. You think you’ve heard [some things]… and then you hear something that completely destroys anything that you thought you knew.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBack in the sixties and seventies, Chess Records’s Ter-Mar Studios was just a few blocks away from where The Velvet sat beginning in 1983. Chess was where some of Junius’s idols (like guitarist Pete Cosey and producer Charles Stepney) recorded some of his favorite albums. He sees himself as a part of that lineage. “I come from that... It’s special to be a part of that magic.” Junius still drives back to the club’s former location. “Every time I pass there” he notes, “the memories flood back.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Fred Anderson and a Half” and “Ma and Dad” were both were recorded at the first of two June 2016 sessions Junius led at Comfort Station (a historic trolley stop turned art gallery on Chicago's Northwest side). They both were also named in tribute to people who helped form him. “Fred Anderson and a Half” for the musician and proprietor of The Velvet, and “Ma and Dad” for his parents, who helped guide his musical journey from an early age. Both of his parents are musical, his father was at one time a DJ. Meanwhile, his stepfather was instrumental in introducing Junius to deep cuts by artists like Miles Davis and Jackie McLean, helping to shape his musical worldview. All of these influences are clear in the Comfort Station recordings. “For a while, I wanted [these sessions] to be the album,” Junius adds. “They are very unique,” and come “from the Velvet Lounge family,” featuring Junius alongside Tomeka Reid and Isaiah Spencer.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Spocky Chainsey Has Re-Emerged” was recorded live one summer evening in 2016 at the Polish Triangle (the busy Chicago intersection of Division, Ashland and Milwaukee Avenue). The cut takes up a whole side of the LP, but stays lean, slinking and swinging for its duration. Junius notes that “the familiarity [of the players] showed itself… from playing together all of those years,” relationships that trace back to the Velvet.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOn “Georgia,” a sexy, smoky bop featuring Junius’ casual slap bass technique and Justin Dillard’s lounge-bred organ is flipped digitally by drummer and friend Makaya McCraven.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Baker’s Dozen,” featuring Isaiah Spencer on drums, Rajiv Halim on sax and Jim Baker on his outrageous ARP synthesizer, was recorded live at the second of the two Comfort Station sessions and flipped by Makaya McCraven, who highlighted the crunchy Funkadelic meets Water Babies funk of that session to great effect. Jim was a last-minute addition to the set, providing the backbone of what Junius calls an “unassuming headbanger.” Jim is also part of the Velvet Lounge Family.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut, of course, the spirit of the Velvet Lounge is not dead. “Tune No. 6,” recorded live at the Co-Prosperity Sphere in Chicago, is a sweet interlude here to remind us that jazz is alive and bristling with what’s yet to come.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Paris” is another stand out track. It was born at The Hideout in Chicago, but developed (or “chopped”) by Makaya in Paris. The pair were working on a different project during the day, would head to a bistro for a meal (Junius favors duck confit and wine), then would work on edits at night. Junius notes that “Paris” is one for the clubs: “I want a 12” [extended DJ] cut!”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs Junius pushes forward as a creative musician, he is careful to carry with him the spirit and the knowledge he’s gathered from those who have come before him. He is very literally a bridge between generations of the Chicago vanguard, currently playing in Makaya McCraven’s combo and in the Art Ensemble of Chicago, in addition to fronting his own band.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eOne morning on tour with the Art Ensemble in Australia, Roscoe Mitchell called Junius’s hotel room and asked if he was coming to breakfast. He was. “That will never get old,” he shared with me on the other line. To play in the Art Ensemble of Chicago is the culmination of “a dream.” One that started at The Velvet Lounge nearly twenty years ago while watching his heroes. “What they taught me is that you can be yourself, as long as you’re badass at it.” Ism is a testament to Junius Paul’s journey towards himself. And he’s graciously invited us along for the ride.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Junius Paul\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":42424809816314,"sku":"","price":3890.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/is1_af522e53-749c-463a-aa4c-5ae1842d605b.jpg?v=1644807712"},{"product_id":"alabaster-deplume-gold-2xlp","title":"Alabaster DePlume \/\/ GOLD 2xLP","description":"\u003cp\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが、2022年4月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e21名ものゲストミュージシャンが参加したアンビエントジャズ19曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/rXE2WceZCsQ?start=30\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=926402842\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo classic black vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board gatefold jacket stamped with metallic gold foil (!!!) and flooded black inner pockets, two-sided insert sheet, IARC obi strip and dome-patterned inner-sleeves.\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003eAlbum review by \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eEmma Warren\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e :\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\"\u003cem\u003eThe lightning rod for Alabaster DePlume’s luminous follow up to the widely-acclaimed 2020 release To Cy \u0026amp; Lee: Instrumentals Vol. 1 was personal. “Someone was going through a thing,” says the Mancunian poet-performer. “I said, ‘go forward in the courage of your love’. And then I thought 'yeah, that's what I need to hear as well’.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold is a sonorous double album that celebrates the communal act of making music and the relationships that can be explored when you purposefully avoid the standard way of doing things.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt contains filmic pieces that oscillate between the otherworldly and the trenchantly grounded, rendered maximally human through the recording process. There is laughter mid-track and studio chatter. There is the music of shouting and applause generated by a handful of people who were listening from the doorframe and the corridor. Complex vocal harmonies circle the songs like small birds and there’s an undercurrent of steely toughness, necessitated by the musician’s engagement with personal vulnerability and collective politics.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIn late summer 2020 Alabaster DePlume (real name Gus Fairbairn) booked two weeks of sessions at the influential Total Refreshment Centre in London, recording to tape with Kristian Craig Robinson (aka Capitol K). He invited a different set of musicians\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e each day, who would record the same tunes at the same speed so that DePlume – who produced the record – could cut them together later, like ingredients. “They didn’t have enough preparation to be able to hide behind this piece of material or skill,” he says. “They had to look up and respond to each other, and that’s what we've recorded.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere were two rules that were essential to the process: that musicians wouldn’t be given enough time to rehearse and that they wouldn’t listen back to the music they recorded. “The method is part of the mission. It wasn’t like school. We had mayhem. We were having fun. That’s the story and the process – and I want to live that way,” he says.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe singer and percussionist Falle Nioke’s solo on “Again” is an example of the album’s unusual and liberating recording process. The tune was planned as an instrumental but Falle sang out spontaneously, and stilled the room with his arresting contribution. “He was just one voice in the choir but he suddenly sang lead because he felt it,” says DePlume. “It’s one example of what we were able to record,” he says, “because people felt genuinely personally welcome. Their own voices were made welcome. That is what this album is made of and it’s what the best things in our society are made of. We can either make people welcome or we can make them unwelcome; unseen.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAfter the recording, the artist made a map, because frankly he needed a map after recording more than 17 hours of music. The map dictated which bits of each session to pull into the orbit of the record and it was drawn on a long scroll of paper with lines drawn across it, each line representing one analog tape. The triangles, dots and colors – red for fire, pink for beauty and blue for breath – shaped what emerged. The map has since been requisitioned for a gallery exhibition, and a photograph appears on the Gold artwork.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe music that emerged ranges from sparse understated bangers “Fucking Let Them” and the hypnotic pulse of “Visitors XT8B – Oak” to skilfully soothing instrumentals which will feel familiar to the many people who found To Cy \u0026amp; Lee a pandemic panacea (including Bon Iver, who sampled that album’s top track, “Visit Croatia”).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGold opens with the Portuguese-titled “A Gente Acaba” which itself opens with the hum of voices, rich and human. There are gentle strings, gently strummed. The saxophone leaves vibrating trails in the air. “The Sound of My Feet On This Earth Is A Song To Your Spirit” is beauty and breath, generating the kind of deep warmth and connection that requires no lyrical explanation.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThere is circularity. One piece of music arrives and leaves repeatedly, and a phrase is repeated:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI have all I need for the glory of being. I recognise you and celebrate. I am brazen, like a baby, like the stupid sun and I go forward in the courage of my love.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I’m Good At Not Crying” is a self-accusatory lullaby that lists out the things he excels at (not eating much, not being the bad guy) whilst plaintive and harmonically-rich singers spill and spiral around the low tones of his voice.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn “People What’s The Difference” he unpicks the selective deafness that surrounds the refugee crisis within a gentle punk-funk frame and towards the end, there’s a lament for the broken earth marked out with plucked strings and harmonies that dip in and out like sharp bells. Softness, in the hands of this Mancunian poet-performer, can be a weapon.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“The reason for To Cy \u0026amp; Lee was to help people have peace,” he says. “The reason to make Gold is to give people courage and love by putting myself in a situation where I had to bring courage and love. It’s how I made it, it’s what it’s about. It’s what we need next.”\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the sound of an artist attempting full transparency and maximum relationship. It is also the sound of an artist who has achieved the sound he hoped for. This is the sound of soft power. It’s golden.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":42545095344378,"sku":"","price":5480.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/go1_d34868c7-4cc1-44ff-9b15-d3aa7829f937.jpg?v=1647745041"},{"product_id":"makaya-mccraven-highly-rare-lp","title":"Makaya McCraven \/\/ Highly Rare LP","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発レコードです。\u003c\/p\u003e\n\u003cp\u003eジャズ・ヒップホップ8曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1468674594\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e160g Classic Black Vinyl LP in heavyweight matte jacket w\/ obi strip. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eHighly Rare is a new mixtape produced \u0026amp; arranged by Makaya McCraven.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIt’s titled Highly Rare not only for the format of its initial release (a limited-edition run of cassettes packaged in screen-printed, string-sealed, firecracker red envelopes), but foremost for the context of the source material’s capture.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sounds were recorded to four track cassette tape at a DIY show packed into the confines of Chicago dive Danny's Tavern, a place definitely not known for having live bands, let alone live recordings. It's a place known to vinyl heads both locally and globally as a legendary hub in the crate digger diaspora. It's the place where Jeff Parker learned how to DJ. It's the place where Dante Carfagna held down a rare soul party for over a decade, where he first dropped public needles on 45s that would eventually make compilations he curated for Numero Group and Chocolate Industries. It's the place where DJ Shadow still does sets on the low when he rolls through town.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd on one highly rare night in November 2016 Danny's was the place where we invited an \"International Anthem All Stars\" type of improvising ensemble (Makaya McCraven, Junius\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Paul, Nick Mazzarella and Ben Lamar Gay) to play in support of DJ sets by LeFtO, who was in transit from Belgium, hitting local spots under the direction of Chicago scene sage King Hippo. Damn-near 0 degrees and just days after the death sentence of the American presidential election, the sounds the musicians conjured were thick with the bitter cold darkness that hung heavy in the air, punctuated with moments of joyful determination – the kind that can only be accessed when such impending doom triggers passionate adrenalized bursts by creators in survival mode.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eCogent as the cultural context of that November night at Danny's is the compositional prowess that Makaya exercised in post to make Highly Rare the impressive final piece it is. Demonstrating a deeply attuned development of the production approach he forayed in the creation of his 2015 breakout In The Moment, Makaya again took stereo mixes of the full band improvisations into his lab to edit, loop, layer and arrange the tracks, tediously constructing a vivid new slate of sounds that tell an infinitely more colorful tale than the straight takes ever could. The rough and raw edges of low fidelity cassette recording combine with the elegance and wit of Makaya McCraven's production touch to make Highly Rare a highly relevant artifact in the ever-unfolding history of Chicago style creative music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":43811636773114,"sku":"","price":4570.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/hi1_155b709d-9540-4fef-b1db-6a0169b55d0e.jpg?v=1671931208"},{"product_id":"photay-with-carlos-nino-more-offerings-tape","title":"Photay with Carlos Niño \/\/ More Offerings TAPE","description":"\u003cp\u003eアメリカのシンセ奏者／ビートメイカーPhotayとパーカッショニストCarlos Niñoが、2022年12月に同国シカゴのジャズレーベルInternational Anthemから111本限定でリリースした共作カセットです。\u003c\/p\u003e\n\u003cp\u003e様々な作家とコラボレートしたリズミカルなジャズ〜ポストニューエイジ・ジャズ9曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3524683238\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3658590335\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNotes by Carlos Niño:\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\"As the title makes clear, the 'More Offerings'\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ecassette and digital release is a direct extension of\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay with Carlos Niño - 'An Offering' (IARC0062).\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWhen Scottie McNiece of International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003elet me know that he wanted to release a vinyl edition,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ean updated tape, and the full digital distribution for\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e'An Offering' on the Fall Equinox of 2022, I immediately\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethought about putting together a second set of music\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand energy to share soon after that. Photay and I had\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ealready been discussing the making of Remixes, or having\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eothers Remix, releasing source material, full versions\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eof pieces that were sampled for songs on 'An Offering',\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eand pieces that were in the same flow as the first release,\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ewhile we were finishing the original project. International Anthem\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eagreed to release 'More Offerings' as well and so we\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eproceeded to finish it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e'An Offering' was originally released exclusively on the\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ePhotay Bandcamp page, Friday, October 1, 2021.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe self-made tape run of 111 sold out in a\u003cspan class=\"bcTruncateMore\"\u003e couple weeks\u003cbr\u003eand we were stoked that people were feeling the sound.\u003cbr\u003eThat rippled on greatly with the next phases by\u003cbr\u003eInternational Anthem in September 2022.\u003cbr\u003e\u003cbr\u003eIf you listen to both records, in either order, you will\u003cbr\u003ehear the connections. These are kindred spirits that\u003cbr\u003etwin flame, dance, twirl, entwine, form concentric, eccentric,\u003cbr\u003ehelixing around each other . . . The same guest collaborators\u003cbr\u003eare present, and this time there are a few more pulses,\u003cbr\u003erhythms, two special doses of the inspirational Iasos talk,\u003cbr\u003ethe sound of Laraaji's Voice, additions by Diego Gaeta\u003cbr\u003eaka Club Diego, a live excerpt of Photay with Carlos Niño\u003cbr\u003eand Randal Fisher playing in front of the Marina in Los Angeles\u003cbr\u003eas part of the floating series ( \u003ca rel=\"nofollow ugc\" href=\"https:\/\/www.feelslikefloating.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ewww.feelslikefloating.com\u003c\/a\u003e )\u003cbr\u003eand the premier of the new Carlos Niño \u0026amp; Photay\u003cbr\u003eProduction Project: Sagegreenfloors - that samples\u003cbr\u003ethe Carlos Niño \u0026amp; Friends Improvisation from 053021\u003cbr\u003efeaturing Nate Mercereau, Aaron Shaw, and Diego -\u003cbr\u003ethat was previously sampled for \"H O N O R\" on 'An Offering'.\u003cbr\u003eIt's like rippling waves, wind in the trees,\u003cbr\u003ebreathing . . .\u003cbr\u003e\u003cbr\u003eThe Single, \"Feeling, Now\" (with accompanying Video by Photay)\u003cbr\u003eis the first taste of the new Beat Project by Sagegreenfloors,\u003cbr\u003ereleased here in this Loving Moreness . . .\u003cbr\u003eHope You enjoy it!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Photay with Carlos Niño\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44004633411834,"sku":"","price":2380.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2494758490_16.jpg?v=1676768067"},{"product_id":"rob-mazurek-exploding-star-orchestra-lightning-dreamers-lp","title":"Rob Mazurek - Exploding Star Orchestra \/\/ Lightning Dreamers LP","description":"\u003cp\u003eアメリカ・シカゴのジャズ作家Rob Mazurekが、2023年3月にシカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eエキゾチックなスピリチュアル・ジャズ5曲を収録。\u003c\/p\u003e\n\u003cp\u003eRob Mazurek - director, composer, trumpets, voice, launeddas, electronic treatments\u003cbr\u003eJeff Parker - guitar\u003cbr\u003eCraig Taborn - wurlitzer, moog matriarch\u003cbr\u003eAngelica Sanchez - wurlitzer, piano, moog sub 37\u003cbr\u003eDamon Locks - voice, electronics, samplers, text\u003cbr\u003eGerald Cleaver - drums\u003cbr\u003eMauricio Takara - electronic percussion, percussion\u003cbr\u003eNicole Mitchell - flute, voice\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"Future Shaman\" co-produced by Jeff Parker, with additional synth bass played by Cathlene Pineda.\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3753553015\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLightning Dreamers is new work by composer, trumpeter, interdisciplinary abstractivist and modern music mogul Rob Mazurek, who wrote the music for a compacted version of his long-running Exploding Star Orchestra. A follow-up to the acclaimed 2020 Mazurek\/ESO release Dimensional Stardust, the album features guitarist Jeff Parker, vocalist Damon Locks, drummer Gerald Cleaver, and pianists Angelica Sanchez and Craig Taborn, among others. It was recorded mostly at the remote Sonic Ranch studios in West Texas, not far from Mazurek’s current home in Marfa, in the days leading up to a debut of the music at Trans Pecos festival in September 2021. Mixing and post-production was headed by Dave Vettraino from IARC studios in Chicago across 2022.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe album’s opener “Future Shaman” was co-produced by Parker and features added percussion by Mazurek’s longtime São Paulo Underground collaborator Mauricio Takara, as well as synth bass from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCathlene Pineda. The track finds Mazurek and ESO where they left off with Dimensional Stardust – deep in a chromatic funk fantasy of outer-space grooves and Bartok-ian riffs. Vocalist\/MC Locks brings the Orson Welles via Deltron 3030 energy while Taborn and Sanchez face-off from behind Wurlitzer pianos and Moog\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e synthesizers. On “Dream Sleeper” Locks’s poetry is swirled in drifting storm clouds of fractured atmospherics, both improvised and composed. “Shape Shifter” finds Mazurek recalling a past life of Isotope 217 – not just for the swinging grooves anchored by Moog basslines, but also in that he returns to the trumpet after years of playing cornet. Once the soaring melodic theme is established the ensemble shifts into On The Corner mode, creating a mangled rhythmic base for Taborn’s Wurlitzer runs and clean guitar soloing from Parker, before shapeshifting yet again under Mazurek’s rising polytonal electronics as Locks’s scattered vocal embellishments take us to the promised land.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album’s whole B-side is an immersive trip that spans two tracks – “Black River” and “White River” – for which Mazurek interwove takes from the Sonic Ranch sessions with live material from an expanded ESO performance recorded in February 2022 at Sons d’Hiver in Paris, France. In the liner notes for Lightning Dreamers, Mazurek writes that the music is “an evocation of a theme from the “Black River Suite,” which I have been revisiting and reimagining over time.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHe elaborates: “I spent 3 years of my life on the great Rio Negro in Manaus, Brazil, where the Black and White Rivers meet. It is custom and a kind of rebirthing to take a boat to the dividing\/divining line of these 2 great rivers and dive into and through, as an affirmation of the simple premise (although We All Come from Somewhere Else) that we all come from the same place... the stars. The feeling of moving between and through these great bodies of water is etched in my soul forever. The visual and sonic material (both thematic and imagined) evokes the spirits past, present and future along this mighty river. The undercurrents of time, the movement of storm systems in the sky, the gentle sway of a boat moving upriver, the power and intensity when the wind decides to blow and the torrential rains fall. The sound of the electric eels below, the melodies of the inhabitants along the way, the\u003cbr data-mce-fragment=\"1\"\u003eshattering blasts from lightning in the sky. The river flows on and on and on.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAmong the artists featured in the recording from Sons d’Hiver is the late jaimie branch, playing synthesizers \u0026amp; electronics behind the guiding trumpet improvisations of Mazurek (whom she long considered a mentor in multiple mediums). She passed away in August 2022, and her earthly absence has since imbued an otherworldly presence into the chaotic riptide of sound on “Black River.” As production wrapped on the album that Fall, Mazurek was moved to present Lightning Dreamers as a dedication to branch’s memory.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Rob Mazurek - Exploding Star Orchestra\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44007328874746,"sku":"","price":4390.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ro1_df80c56a-f26c-4667-804e-2773b3b84972.jpg?v=1676869795"},{"product_id":"angel-bat-dawid-requiem-for-jazz-2xlp","title":"Angel Bat Dawid \/\/ Requiem for Jazz 2xLP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthemではおなじみアメリカ・シカゴのジャズ作家Angel Bat Dawidが、2023年3月にリリースした2枚組レコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e映画監督Edward O. Blandが1959年に発表した作品「The Cry of Jazz」にインスパイアされた実験ジャズ24曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1868330999\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black vinyl 2xLP, in Gatefold Heavyweight Reverse-Board Jacket, with A2 Poster Insert, IARC OBI strip and dome pattern innersleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Composer, clarinetist, singer and educator Angel Bat Dawid announces the release of a new work, Requiem For Jazz. A 12-movement suite composed, arranged, and inspired in part by dialogue from Edward O. Bland’s 1959 film The Cry of Jazz, the album is a wide-ranging treatise on the African American story from one of its most astute narrators.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eItself an incisive critique of racial politics in the USA, The Cry of Jazz draws formal comparisons between the structure of jazz music and the African American experience - as one of freedom and restraint, of joy and suffering - that manifests in the triumph of spirit over the crushing prejudice of daily life.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eCutting together archive reels from Black neighborhoods in Chicago with live performance footage from Sun Ra and his Arkestra among others, the film remains a radical and prescient evocation of Black pride and its roots in the history of jazz, from spirituals to blues and beyond.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAs South African writer Nombuso Mathibela captures in the album’s liner notes:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e[Music is our weapon of struggle]\u003c\/em\u003e\u003cbr\u003e\u003cem\u003ethat radiantly holds our positive aspiration\u003cspan class=\"bcTruncateMore\"\u003e, group pride and determination as Black people. Sonics! our beautiful fire that gave light to the world.\u003cbr\u003eAnd a world that gave us blues. The blues that gave us Black in jazz\u003cbr\u003e\u003cbr\u003eDrawing a through line to today’s vibrant avant-garde, Angel Bat Dawid’s Requiem For Jazz picks up the liberation work laid out by Bland’s film, taking the message of joy and suffering within the Black classical tradition into a contemporary setting.\u003cbr\u003e\u003cbr\u003eMusic from the project was originally premiered at the Hyde Park Jazz Festival in Chicago in 2019, where Angel conducted a multigenerational fifteen-piece instrumental ensemble of Black musicians from across Chicago’s creative community, alongside a four-person choir (featuring singers from Black Monument Ensemble) as well as dancers and visual artists.\u003cbr\u003e\u003cbr\u003eRecordings from the performance were then mixed and post-produced by Angel, who added interludes, vocals and additional sounds. As well as transcribing a piece from the film, Requiem For Jazz also alludes to The Cry of Jazz through contributions from the Sun Ra Arkestra’s Marshall Allen and Knoel Scott on the album’s final movement, which were recorded remotely at the historic Arkestral Institute of Sun Ra in Philadelphia in late 2020.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e++\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement by Angel Bat Dawid, Feb 2023 :\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“I want us to have this very wonderful conversation that Ed Bland started over 50 years ago and I want to continue the conversation; because this is a loving conversation that we need to have with each other” \u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Angel Bat Dawid\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44137387557114,"sku":"","price":4980.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ja1_b65aa08d-1b02-4ec3-b098-fae78205233b.jpg?v=1680238369"},{"product_id":"carlos-nino-friends-im-just-chillin-on-fire-tape","title":"Carlos Niño \u0026 Friends \/\/ (I'm just) Chillin', on Fire TAPE","description":"\u003cp data-mce-fragment=\"1\"\u003e過去にLeaving Recordsなどから大量に発表しているアメリカ・LAのマルチ奏者Carlos Niñoが、2023年8月に同国International Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e12人以上のゲストが参加したアンビエント・ジャズ〜スピリチュアル・ジャ\u003cspan data-mce-fragment=\"1\"\u003eズ\u003c\/span\u003e全17曲を収録。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e以下、ジャーナリスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eMarcus J. Mooreによる解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e\"ここ数年、コンサートの常連客はライブの後、Carlos Niñoを呼び止め、2つの簡単な質問をした： 「あなたはシャーマンですか？\"あなたの音楽から薬が聞こえるのですが、次のセレモニーに参加してもいいですか？\" その質問はもっともだ： ワイルドなあごひげを生やし、優しい目をした長身のニーニョを見れば、どこか遠い時代の人で、呪文を唱えられるのではないかと思うだろう。ひとたび彼を知れば、のんびりとした態度の信じられないほど優しい男であり、異界へのオールアクセスパスを持っていると主張する教祖ではないことがわかる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cem\u003eでは、彼はスピリチュアルの指導者なのだろうか？\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私はただ冷静で、燃えているだけだ。「宗教的、伝統的なもの、ルールや教義にこだわったり、それを否定したりはしていない。私はただ、エネルギーに満ち溢れたものを提示しているだけで、旅をしている人たち、音楽的に創作している人たち、そして私たちと一緒に集う人たちのためのオープニングになることを意図しているんだ」。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e実際、Carlos Niñoの自称エネルギッシュ・スペース・ミュージックには、共同体的なエッセンスがある。Carlos Niño \u0026amp; Friendsのリーダーとして、彼はコラボレーターたちに、サウンドがどうあるべきかという先入観なしに即興演奏することを勧めている。彼の新しいアルバム『(I'm just) Chillin', on Fire』には、12人以上のミュージシャンが参加し、ギタリストのネイト・マーセローやサックス奏者のカマシ・ワシントン、ニューエイジの礎石ララアジ、今やトレードマークとなったフルートを演奏するヒップホップ界の伝説アンドレ3000など、サウンドの実験に欠かせない面々が名を連ねている。Carlos Niñoは意図的に音楽を漂わせ、一体感を生み出すことで、（I'm just）Chillin', on Fireを近年の素晴らしい作品のもうひとつのハイライトにしている。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eしかし、2020年の『Chicago Waves』（マルチ・インストゥルメンタリスト、ミゲル・アトウッド＝ファーガソンとの共作）や昨年の『Extra Presence』のようなアルバムがスピーカーの中で宙に浮いていたのに対し、『(I'm just) Chillin'』はジャズやエレクトロニック・ファンクに等しく依存したエネルギッシュなドラムによって、ある部分では先へと突き進んでいる。ジャンルにとらわれず、70年代のアンダーグラウンド・ジャズの信条が息づいている。50年前、ブラザー・アー、アンサンブル・アル・サラーム、ムトゥメ・ウモジャ・アンサンブルといったアーティストたちは、スピリチュアル・ジャズと謳いながら、さまざまな方向へと燃え上がる音楽を作り上げた。彼らは、それを売り込むための人工的な用語ではなく、音楽全体の超越性に傾倒していた。(I'm just）Chillin'」も同じ感情を発している： Mighty Stillness」では、実験的ヴァイオリニストのV.C.Rが休息する「先祖代々の権利」を宣言する場面で、彼女はジャンヌ・リー、ジェイン・コルテス、ベアトリス・パーカーのような黒人女性、同じ自由を体現したインディ・シーンの革新的ヴォーカリストたちを想起させる。そして \"Love Dedication (for Annelise) \"では、Carlos Niñoは繊細なベース（マイケル・アルビドレス）と静謐なピアノループ（スルヤ・ボトファシーナ）を使い、幅広い言葉で愛情を語る。「愛とは無条件のもので、どこにでも、すべてに、常に流れているものだ。「完全に生きていて、上限はない。ストラータ、ストラータ・イースト、トライブのような70年代のインディ・レーベルで聴かれたゆったりとしたアレンジメントとの比較を受け入れることをためらうが（それは彼が彼らの遺産をどれほど尊重しているかということであり、彼らのフィールドで場所を主張したくないからにほかならない）、過去30年近くにわたるロサンゼルスのジャズ、ヒップホップ、ビートシーンのアンカーとしての彼の地位、そして彼の作るものに彼の影響がいかに生きているかを否定することはできない。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e「私にとって、これらのレーベルはすべて大きな影響力を持っています」とCarlos Niñoは言う。Strata-Eastについて考えるとき、私はすぐにPharaoh Sandersを思い浮かべるし、私のお気に入りのアルバムのひとつである『Live at the East』（Impulse! 私はそのコミュニティの出身ではない。イーストとの直接的なつながりは主張しないけど、イーストに対する意識と感謝はすごく大きいんだ。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e(I'm just）Chillin'のヴォーカルは、型破りな方法で編集された。「マイクのスイッチを入れるから、アルバムを通して聴いて、その時感じたことを何でも録音してくれ、という感じだった」とCarlos Niñoは創作過程について語る。「彼らの解釈は完全に自由だった。彼は、ボーカリストのカバナ・リー、マイア、ミア・ドイ・トッド、V.C.Rが同じような方法で音楽を解釈していることに気づいた： \"同じ部屋にいるわけでもなく、他の人がやったことを聞いているわけでもない人たちが、みんな本当にクールな織物を創り上げた。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこのアルバムは、過去3年間にヴェニス、ライマート・パーク、ウッドストックといった場所で録音されたライヴとスタジオ・アレンジをコンパイルしたものだが、まるですべてのミュージシャンが揃ったひとつの空間に収められたかのように調和がとれている。これはCarlos Niñoの指揮者、プロデューサーとしての能力を浮き彫りにしている。彼がこのような膨大な実験をシームレスなセットにまとめ上げたことは、それだけで価値ある偉業である。Carlos Niñoの他のLPと同様、この『(I'm just) Chillin'』は没入型リスニングであり、完全に吸収するには耳を澄ませる必要がある。ソーシャルメディアと24時間のニュースに支配された世界では、私たちは特に理由もなく急いでいるように見える。優しいメッセージとゆったりとしたテンポの音楽を作ることで、Carlos Niñoはリスナーに対して、人生の自然の驚異をゆっくりと鑑賞し、旅を味わい、急がないように促している。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003e「私にとってクリエイティビティとは、ある存在の状態、そしてその存在の状態の表現なんだ。「彼らがどのように感じているかを反映したり、報告したりすることなんだ。より深い \"理由 \"こそが、私がこの活動で得ようとしているものであり、その感情の内側にあるものであり、それは未知の領域ではない。私は、オーガナイズやキュレーション、提供にとても熱心な人間の一人で、深く分かち合うようなものなんだ。それは生きているもので、成長する。それは生き物であり、成長する。時には、自分の操縦の外にある力によって揺さぶられることもある。時には一方通行に見えることもある。しかし、それは生きている。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kHwWFucJndo\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2395829700\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eVenice 100720, Hands In Soil (feat. Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eMighty Stillness (feat. V.C.R, Josh Johnson, Nate Mercereau, Jamire Williams)\u003c\/li\u003e\n\u003cli\u003eLove Dedication (for Annelise) [feat. Surya Botofasina]\u003c\/li\u003e\n\u003cli\u003eFlutestargate (feat. Deantoni Parks, Nate Mercereau) 04:25\u003c\/li\u003e\n\u003cli\u003eMaha Rose North 102021, Breathwork (feat. Laraaji, Photay)\u003c\/li\u003e\n\u003cli\u003eTranscendental Bounce, Run to it (feat. Maia, Deantoni Parks, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eTaaaud (feat. Sibusile Xaba, Jamael Dean, Nate Mercereau) 05:50 video\u003c\/li\u003e\n\u003cli\u003eSpacial (feat. Sibusile Xaba, Jamael Dean)\u003c\/li\u003e\n\u003cli\u003eAm I Dreaming? (feat. Surya Botofasina, Luis Pérez Ixoneztli)\u003c\/li\u003e\n\u003cli\u003eEtheric Windsurfing, flips and twirls (feat. Adam Rudolph, Jesse Peterson)\u003c\/li\u003e\n\u003cli\u003eBoom Bap Spiritual (feat. Surya Botofasina)\u003c\/li\u003e\n\u003cli\u003eWoo, Acknowledgement (feat. Surya Botofasina, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eSandra's Willows (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eOne For Derf (feat. Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003cli\u003eConversations (feat. André 3000, Nate Mercereau, Cavana Lee, Mia Doi Todd)\u003c\/li\u003e\n\u003cli\u003eEssence, The Mermaids Call (feat. Woo, Nate Mercereau)\u003c\/li\u003e\n\u003cli\u003eEightspace 082222 (feat. Kamasi Washington, Surya Botofasina, Aaron Shaw)\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003eLiner Notes by Marcus J. Moore:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the past few years, concert patrons have stopped the musician Carlos Niño after gigs to ask two simple questions: “Are you a shaman?” “I hear the medicine in your music, can I come to your next ceremony?” The queries are fair enough: Looking at Niño, a tall man with a wild beard and kind eyes, one would think he’s from some faraway time and could maybe cast spells. Once you get to know him, you find that he’s just an incredibly sweet guy with a laid-back demeanor, and that he isn’t some guru claiming to have an all-access pass to the otherworld.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eSo what does he say to those wondering if he’s a spiritual teacher?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“I’m just chillin’, on fire,” he declares. “I'm not rolling with or out any kind of religious or traditional focus, rules or doctrine. I'm just presenting something that has a lot of energy, and is intended to be an opening for those of us who are journeying, creating musically, and for those who gather with us.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIndeed, there’s a communal essence to Niño’s self-described Energetic Space Music. As leader of Carlos Niño \u0026amp; Friends, he encourages his collaborators to improvise without preconceived ideas of what the sound is supposed to entail. His new album\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, (I’m just) Chillin’, on Fire, features more than a dozen musicians and includes a who’s who of sonic experimentation — everyone from guitarist Nate Mercereau and saxophonist Kamasi Washington, to New Age cornerstone Laraaji and hip-hop legend André 3000 playing his now trademark flute. On purpose, Niño lets the music drift and the unity ensue, making (I’m just) Chillin’, on Fire another highlight in a recent run of sublime work.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBut where albums like 2020’s Chicago Waves (with multi-instrumentalist Miguel Atwood-Ferguson) and last year’s Extra Presence hovered in the speakers, (I’m just) Chillin’ forges ahead in certain spots through energetic drums equally indebted to jazz and electronic funk. It eschews genre, but the tenets of ‘70s underground jazz are present. Fifty years ago, acts like Brother Ah, the Ensemble Al-Salaam and Mtume Umoja Ensemble crafted music that scanned as Spiritual Jazz yet flared in many different directions. They leaned into the transcendence of the music overall, not artificial terms used to market it. (I’m just) Chillin’ emits the same emotion: On “Mighty Stillness,” when the experimental violinist V.C.R proclaims her “ancestral right” to rest, she evokes Black women like Jeanne Lee, Jayne Cortez and Beatrice Parker, innovative vocalists from indie scenes who embodied the same freedom. Then on “Love Dedication (for Annelise),” Niño uses subtle bass (from Michael Alvidrez) and a serene piano loop (from Surya Botofasina) to speak of endearment in broad terms. “Love is unconditional — everywhere, everything, flowing always,” he observes. “Totally alive, no upper limit.” Though he hesitates to embrace comparisons to the spacious arrangements heard on indie labels of the ‘70s like Strata, Strata-East and Tribe (only because of how much he respects their legacies, not wanting to claim any space in their fields), there’s no denying his stature as an anchor in the jazz, hip-hop and beat scenes in Los Angeles over the last nearly 30 years, and how his influences are alive in what he makes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“All of those labels to me are hugely influential,” Niño says. “When I think about Strata-East, I immediately think of Pharaoh Sanders, and I think of one of my favorite albums of all-time, Live at the East (on Impulse!), and how The East and that movement is a huge influence. I'm not from that community. I don't claim any direct connection to it, but my awareness of it and my appreciation of it is gigantic.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe vocals for (I’m just) Chillin’ were compiled unconventionally. “I was like, ‘I'm going to turn on the mic, and you're going to listen all the way through the album and record anything you're feeling at any moment,’” Niño says of the creative process. “It was completely open to their interpretation.” He found that the vocalists Cavana Lee, Maia, Mia Doi Todd, and V.C.R interpreted the music in similar ways: “People who are not even in the same room, who did not hear what the other person did, they all created these really cool weavings — and it was so fun.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhile the album compiles live and studio arrangements recorded in places like Venice, Leimert Park and Woodstock over the past three years, it feels harmonious, as if captured in one space with all musicians present. This highlights Niño’s ability as a conductor and producer. That he could winnow such vast experimentation into a seamless set is a worthy feat on its own. Much like Niño’s other LPs, (I’m just) Chillin’ is an immersive listen that requires attentive ears to fully absorb. In a world dominated by social media and the 24-hour news cycle, it seems we’re all in a hurry for no reason in particular. By creating music with tender messages and leisurely pacing, Niño nudges listeners to slow down and appreciate life’s natural wonders, to savor the journey and not rush so quickly to the destination. In turn, his art conjures pastoral images — endless fields, boundless oceans, ripples crashing along the shoreline. It urges you to simply look up: notice the wind rustling through the trees, listen to the birds sing a glorious song. This is real life, the stuff you can’t quite capture with a smartphone camera. As a conduit, Niño embodies the water he cherishes so deeply. He’s not just the bandleader, but a vessel for everyone’s ideas to shine through.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Creativity, to me, is an expression of a being's state, and their states of being,” he says. “It's really reflecting or reporting how they feel. The deeper ‘why’ is what I'm getting to with all this, what is inside that feeling, and it's not uncharted territory. I'm one of these people who's very into organizing, curating and offering; it's a deeply sharing kind of thing. It's a living thing; it grows. Sometimes it gets sculpted. Sometimes it gets rocked by forces outside of its maneuvering. Sometimes it looks one way. Sometimes it looks another way, but it's alive.”\u003c\/span\u003e \u003c\/em\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cem\u003e\u003c\/em\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\" data-mce-fragment=\"1\"\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem \u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44596162429178,"sku":"","price":2790.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a0903648781_16.jpg?v=1691966082"},{"product_id":"damon-locks-rob-mazurek-new-future-city-radio-lp","title":"Damon Locks \u0026 Rob Mazurek \/\/ New Future City Radio LP","description":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon LocksとRob Mazurekが、2023年7月にシカゴのジャズ巣窟International Anthemからリリースした共作レコードです。\u003c\/p\u003e\n\u003cp\u003e海賊ラジオ局をコンセプトにしており、シームレスに展開していくコラージュ・ジャズヒップホップ18曲を収録。\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003cem\u003e\"New Future City Radioは、長年のクリエイティブパートナーであるDamon LocksとRob Mazurekの初のデュオ・コラボレーションである。ラジカセのミックステープのような40分、18曲のハイパーアクティブな組曲で、2人の多作なマルチメディア・アーティストは、民衆のための海賊ラジオ局というプログラム形式を通して、コミュニティ、変革、未来について考察している。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eこの2人のアーティストは、90年代後半／00年代前半のシカゴ音楽シーンの絶頂期から現在に至るまで共に活動しており、Loscksは、Mazurekが作曲／プロデュースし、IARCから2020年（Dimensional Stardust）と2023年（Lightning Dreamers）にリリースされ、高い評価を得たエクスプロディング・スター・オーケストラ（ESO）の複数のアルバムでリードヴォーカルを務めている。近年、Locksは革命的で広大な後期ゴスペル／ジャズ・プロジェクト、ブラック・モニュメント・アンサンブル（BME）でも大きな名声を獲得しており、IARCから2枚のアルバムをリリースしている（2019年『Where Future Unfolds』と2021年『NOW』）。New Future City Radioでは、この2つのプロジェクトのサウンドが自然でありながら革新的にブレンドされ、LocksのBMEスタイルのサンプルベースのサウンドコラージュが、ESOでの活動で培ったオーソン・ウェルズのような特徴的なヴォーカルの下に作曲のベッドを作り、MazurekのRoland SPの華やかさと印象的なブラスの即興演奏が並んでいる。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e音とテキストに基づくテーマはあらかじめ決まっているが、即興が旅をリードする。この2人が考案した音楽は、ある瞬間には激しく、次の瞬間には優しくトランスペアレントで、しばしばその中間のように聴こえるかもしれない。New Future City Radioについて尋ねられると、デュオは声を揃えてこう叫ぶ。レジリエンスと空中浮揚。私は人々のために、美しさと構造的完全性について話しているんだ。物語を語り、教育する光線の話だ。新しい未来を語りたいなら、その話をしよう！\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3841715634\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1239691172\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAsk us for digital files.\u003cspan\u003e Edition of 555.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003e5-4-3-2-1 00:22\u003c\/li\u003e\n\u003cli\u003eYes! 02:15\u003c\/li\u003e\n\u003cli\u003eThe Sun Returns 02:27\u003c\/li\u003e\n\u003cli\u003eBreeze Of Time 02:39\u003c\/li\u003e\n\u003cli\u003eYour Name Gonna Ring The Bell 01:07\u003c\/li\u003e\n\u003cli\u003eNew Future 01:07\u003c\/li\u003e\n\u003cli\u003eDroids! 02:18\u003c\/li\u003e\n\u003cli\u003eThe Concord Hour 05:08\u003c\/li\u003e\n\u003cli\u003eFuture City 00:23\u003c\/li\u003e\n\u003cli\u003e10mins Past The Hour 00:17\u003c\/li\u003e\n\u003cli\u003eSupport The Youth (With Sound) 01:19\u003c\/li\u003e\n\u003cli\u003eThe Beat 00:55\u003c\/li\u003e\n\u003cli\u003eLas Niñas Estan Escuchando (The Children Are Listening) 00:19\u003c\/li\u003e\n\u003cli\u003eFlitting Splits Reverb Adage 03:56\u003c\/li\u003e\n\u003cli\u003eTwilight Shimmer 09:53\u003c\/li\u003e\n\u003cli\u003eSuspense In The Grip Of Suspense 03:58\u003c\/li\u003e\n\u003cli\u003ePolaris Radio 01:10\u003c\/li\u003e\n\u003cli\u003eDrop 00:09\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"New Future City Radio is the first duo collaboration of longtime creative partners Damon Locks \u0026amp; Rob Mazurek. In a hyperactive 40-minute, 18-track suite that runs like a boombox mixtape, the two prolific multi-media artists contemplate community, transformation, and the future through the programmatic format of a pirate radio station for the people.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThese two artists have worked together from the peak days of the late 90s \/ early 00s Chicago music scene up through the present day, which has seen Locks featured as lead vocalist of multiple critically-acclaimed Exploding Star Orchestra (ESO) albums composed\/produced by Mazurek and released by International Anthem (IARC) in 2020 (Dimensional Stardust) and 2023 (Lightning Dreamers). In recent years, Locks has also earned great renown from his revolutionary, expansive latter-day gospel\/jazz project Black Monument Ensemble (BME), with which he’s released two albums on IARC (2019’s Where Future Unfolds and 2021’s NOW). New Future City Radio finds the artists creating a natural but innovatively-assembled blend of the sounds of those two projects, with Locks’s BME-style sample-based sound collage creating compositional beds underneath the signature Orson Welles-like vocal\u003cspan class=\"bcTruncateMore\"\u003e delivery he’s developed through his work with ESO, alongside Roland SP flourishes and arresting brass improvisations by Mazurek.\u003cbr\u003e\u003cbr\u003eThemes both sonic and text based were predetermined but improvisation leads the journey. The music these two have devised may sound hyper-charged one moment and gently transportive the next, and often somewhere in between. When asked about New Future City Radio the duo exclaim in one voice: \"I'm talking post, post, post, future. I'm talking resilience and levitation. I'm talking beauty and structural integrity for my people. I'm talking light beams that tell stories and educate. Let's talk about that if you wanna talk new future!\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eArtist : Damon Locks \u0026amp; Rob Mazurek\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eLabel : \u003cmeta charset=\"utf-8\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44460667699450,"sku":"","price":4490.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/new1_124b8c99-d09b-4360-8a2f-fdf103a82a14.jpg?v=1691981805"},{"product_id":"international-anthem-catalog-tote","title":"International Anthem Catalog TOTE","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズレーベルInternational AnthemのBIG TOTEです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eフルカタログがプリントされています。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn everyday tote bag for your essential items. Cream ink screenprinted seafoam green cotton bag with our full catalog of releases (to date) on one side, neo-IARC art on the other side.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e- Extra long 26\" cotton handles with reinforced stress point stitching\u003cbr\u003e- 5\" square bottom gusset\u003cbr\u003e- 14.75\" h 19.5\"w x 5\" (expanded width)\u003cbr\u003e- 14.75\" h x 14.75\" w x 5\" d (not expanded width)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44556404162810,"sku":"","price":5680.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ca_17a0b948-14dd-4b63-b2d3-5c3f3630b72e.jpg?v=1694490089"},{"product_id":"jeremiah-chiu-in-electric-time-tape","title":"Jeremiah Chiu \/\/ In Electric Time TAPE","description":"\u003cp\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2023年9月に同国シカゴのジャズレーベルInternational Anthemからリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. Cassette in norelco case. Edition of 333. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ​​contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44597301707002,"sku":"","price":2640.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in1_f3c68cb7-41a5-4d50-9e5f-bba82a3db5ef.jpg?v=1696219134"},{"product_id":"asher-gamedze-turbulence-and-pulse-lp","title":"Asher Gamedze \/\/ Turbulence and Pulse 2xLP","description":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ13曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3972533475\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e 12\" black vinyl. Physical version includes 3 bonus tracks not included in the digital album. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eTurbulence's Pulse 04:08\u003c\/li\u003e\n\u003cli\u003eWynter Time 09:27 video\u003c\/li\u003e\n\u003cli\u003eLocomotion 04:07\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth 08:13\u003c\/li\u003e\n\u003cli\u003eMelancholia 04:37\u003c\/li\u003e\n\u003cli\u003eAlibama 02:59\u003c\/li\u003e\n\u003cli\u003eCan't See The Sun 05:04\u003c\/li\u003e\n\u003cli\u003eSometimes I Think To Myself 05:20\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim 06:34\u003c\/li\u003e\n\u003cli\u003eUnderground Formation 06:49\u003c\/li\u003e\n\u003cli\u003eMelancholia (Live in Cairo) 04:38\u003c\/li\u003e\n\u003cli\u003eIf It Rains. To Pursue Truth (Live in Cairo) 09:52\u003c\/li\u003e\n\u003cli\u003eOut Stepped Zim (Live in Cairo) 07:41\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003eText by \u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eAtiyyah Khan, via the label:\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"Cape Town, South Africa-based drummer Asher Gamedze explores relationships of time between music and history on his new album Turbulence and Pulse, out May 5th 2023.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze’s critically-acclaimed debut album Dialectic Soul was released at the height of the Covid-19 pandemic in July 2020. Around the release of that record, with friend and writer Teju Adeleye he organized and participated in a joint online discussion “Poesis,” with historian Robin D.G. Kelley and others. One of the notable comments made in this session was by the poet and scholar Fred Moten, who described Gamedze’s drumming as an “amazing interplay between turbulence and pulse. Pulse is supposed to regulate and also be regular, but the turbulence underneath it and on top of it, it’s just extraordinary.” Moten added that this concept is a fundamental element of the percussive approach in Black music more broadly.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTurbulence and Pulse takes its title from this moment of synchronicities. Inspired by this description, Gamedze developed the metaphor further, expanding the concept of turbulence and pulse through the lens of history. “Time in music is a metaphor for thinking about time in history and how time moves,” he says. “The way we’re taught history is generally in a way that robs people of\u003cspan class=\"bcTruncateMore\"\u003e agency in imagining themselves as part of history and how it unfolds. It is something that happens to us. I think there's a productive metaphor in that because the sense of time in music is created by musicians playing together. If we can use that to think about history and time in history, you can see that, actually, history is created by people in a whole range of ways. At the heart of it, historical motion is created by people organized and acting together, whether for progressive or reactionary ends.”\u003cbr\u003e\u003cbr\u003eFor Gamedze, the underlying message of Turbulence and Pulse is “to claim a form of historical agency and realize that the future is not a foregone conclusion. As people we can organize, to transform our world in small and big ways.” This concept comes out of Gamedze’s involvement in radical cultural work and political organizing. He adds: “One of the ideas that I've had for a long time is to unsettle the way that people think about culture as something static or as something fixed. There’s this tension in Africa, because of the way that the colonists have constructed visions of African culture, where people speak about this need to conserve culture and document it. I think that's important, but you also have to understand that these things are moving. And we are the people who have to participate in that movement.”\u003cbr\u003e\u003cbr\u003eFor the album artwork, Gamedze extends the visual aesthetic of his previous release with a hand-drawn illustration. “I feel like my drawings represent the inside of my mind. It’s very free and improvisational,” he says. Friend and designer Naadira Patel worked with Gamedze to design the final cover layout, which includes liner notes penned by his sister, writer and artist Thuli Gamedze.\u003cbr\u003e\u003cbr\u003eTurbulence and Pulse comes via the partnership of Chicago-based International Anthem and Johannesburg-based Mushroom Hour Half Hour, as the first collaborative release by the two labels.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Asher Gamedze\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44597311078650,"sku":"","price":5790.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/pu1_46745a47-3455-4316-a16e-4f24b0949f80.jpg?v=1696219364"},{"product_id":"bex-burch-there-is-only-love-and-fear-cd","title":"Bex Burch \/\/ There is only love and fear CD","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eイギリス・ロンドンのポストロック〜ジャズバンド\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vula-viel\"\u003e Vula Viel\u003c\/a\u003eメンバーとしても活動している木琴奏者Bex Burchが、2023年10月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースしたソロアルバムです。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e西アフリカ・ガーナの木琴Gyilの音色が心地良いスピリチュアル・アンビエントジャズ12曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2956286718\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cspan\u003e CD in digipak.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eDawn blessings 04:50 video\u003c\/li\u003e\n\u003cli\u003eIf I was you, I'd be doing exactly the same\u003c\/li\u003e\n\u003cli\u003eDon't go back to sleep 02:42\u003c\/li\u003e\n\u003cli\u003eFruit smoothie with peanut butter\u003c\/li\u003e\n\u003cli\u003ePardieu\u003c\/li\u003e\n\u003cli\u003eStart before you're ready\u003c\/li\u003e\n\u003cli\u003eYou thought you were free?\u003c\/li\u003e\n\u003cli\u003e\"Joy is not meant to be a crumb\"\u003c\/li\u003e\n\u003cli\u003eOn falling 02:46\u003c\/li\u003e\n\u003cli\u003eFollow me, I make you happy\u003c\/li\u003e\n\u003cli\u003eThis is the sound of one voice\u003c\/li\u003e\n\u003cli\u003eWhen love begins\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLiner notes by Emma Warren, via International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cem\u003eOn rare occasions, all the stars align. This is how it was when composer-musician and instrument-maker Bex Burch jumped into her car and drove eight hours across Europe to Utrecht in November 2021. “Mostly life isn’t like that,” she says. “We’re here to figure things out and struggle. But occasionally things just fall into place. Sometimes the world is magical.”\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe car trip began in Berlin, where she was living after a long stint in London, where she’d made her name in the layers that exist between jazz and improvised experimentalism. The journey ended at Le Guess Who? Festival and an invitation from International Anthem’s Alejandro Ayala. Or perhaps it ended in a ground floor studio in Chicago’s South Side with light streaming through a skylight onto her newly-finished wooden xylophone and a stream of musicians selected by International Anthem’s Scottie McNiece and Dave Vettraino. Or maybe, like a wave travelling across the ocean, the travels continued until Bex Burch finally finished editing thirty-two days of exceptionally tender improvised recording sessions into the forty gossamer minutes of this stunning debut solo record, which oscillates between modes of quiet open-heartedness and powerful\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e expression.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThere is only love and fear is the sound of Bex Burch in communion with some of the finest sonic communicators in International Anthem’s extended family. These include woodwind player Rob Frye, who gave Burch a tour of the Illinois Audubon Society’s Gremel Wildlife Sanctuary the day after she arrived in Chicago. Also Tortoise drummer Dan Bitney and Ben LaMar Gay, who both took Burch through her first few days in the studio, tuning into her communicative harmonics and responding with their own. And double bassist Anna Butterss and violinist Macie Stewart, who participated separately but both became key collaborators in the album’s post-production, accenting their respective string improvisations with additional sounds remotely recorded per Burch’s direction. Everyone on this record is highly skillful, a rare talent, but drawn together by Burch they were invited to inhabit something even more extraordinary: their most open selves, requested only to bring the sounds they liked – or even needed – in the moment of recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“What has come through in this album,” she says, “is a more domestic style of music: the simplicity of life and sound-making. The word I’m shy to use is ‘feminine’ but it’s true, and I reclaim it in all its power.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe describes her sound as “messy minimalism.” The twelve tracks evoke variously the sweet kind of zoning-in that allows the listener access to their own feelings; the generative meditations of First Thought, Best Thought-era Arthur Russell; Vivaldi or Laurie Anderson – if they’d been ultra-gentle satellite reflections of Chicago’s minimalist and avant-garde music histories.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eBurch has previously released as part of Boing! with Leafcutter John, and with the critically acclaimed Strut-released Flock with Londoners including Sarathy Korwar and The Comet Is Coming’s Danalogue. She also runs the band and label Vula Viel and has collaborated with artists from Peter Zummo to Dame Evelyn Glennie.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis album also welcomes in the sound of the natural world; ‘hip as fuck’ wood pigeons and resonant nightingales recorded in Berlin parks and forests, dreamy waves lilting onto the sand on the Baltic coast of Rügen Island for the unforgettable closing track ‘When Love Begins’ – and some extreme Chi-Town weather.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“There was this ignition moment,” she says of ‘You thought you were free’, the carnival-coloured mid-point of the album. “There was a tornado warning, our phones were all going off: ‘go into the basement’.” The players collectively shrugged their shoulders – until siren sound waves began ghosting through the studio walls. “I turned one of the microphones up to catch the thunder and the rain under the skylight,” she says. “I was properly scared, not just because of the storm, but because I was nervous. I was trying to stay open and be conscious of the fact that I didn’t know what to expect – and that doing so means surrender. That knife edge of presence was really intense. We all just played through.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePlaying through was possible, at least in part because of a 90-day practice Burch calls Dawn blessings, which also provided some of the ‘heard sounds’ that dance around the music generated during these collaborative recordings. The practice refers to a friend called Dawn, not daybreak, although at least one of the Dawn blessings that ended up on There is only love and fear was recorded when the sun came up. The Dawn blessings required Burch to make one piece of music daily, in answer to the question: ‘what sounds do I like today?’\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“My intention was to cultivate this feeling of expansion and magic that I felt when I was invited to the US. The music is already there, and I have to let go and allow myself to be in it. The 90-day practice was to strengthen that muscle. You know if you do sit ups, you get a six-pack? Perhaps this was exercising my openness six-pack.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eShe was also exercising her hand-made xylophone. Burch lived in Ghana for three years, including an 18-month apprenticeship in instrument-making, in the Upper West of Ghana with master gyil player Thomas Sekgura. The new instrument isn’t of a particular tradition, indeed the harmonics are tuned to maximise the resonance and was made in collaboration with Jamie Linwood in Stroud, in the south west of England. “The question ‘what sounds do I like today?’ brought up harmonics, and this is the first instrument I’ve made because of what I want to hear. This record happens to be the first that features it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt's quite a christening: a resonant, respectful, super-warm expression of asymmetry, repetitiveness and space. “It’s how the universe works, it’s how we’re all vibrating. We all resonate, literally, with these fundamentals. Tension and release, space, chaos and asymmetry in heard sounds in nature – I love it.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe energy sent into the world when Bex Burch turned the ignition key of her car and drove to Utrecht has finally landed on the beach, in the shape of There is only love and fear. “It’s about choosing to act in love and choosing not to put more force or fear into the world,” she says. “Imagine it like I’m swimming: instead of just leaving a wake of love behind me, I’m pushing it ahead of me, and all around me as well, void of hierarchy, it’s beyond the linear and binary. We can lift people up when we do that.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSoak this music up – it will rejuvenate you.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Daniel Villarreal\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44776678981882,"sku":"","price":4480.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/th1_494aeace-c272-42e4-8669-b068b0dcb8c2.jpg?v=1696219857"},{"product_id":"ben-lumsdaine-murmuration-without-end-tape","title":"Ben Lumsdaine \/\/ Murmuration Without End TAPE","description":"\u003cp\u003eAnna ButtressやBex Burchのアルバムにも参加しているアメリカ・LAのパーカッショニストBen Lumsdaineが、2023年12月に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースするカセットです。\u003c\/p\u003e\n\u003cp\u003eパーカッシブなスピリチュアル・ジャズ5曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Murmuration Without End \"は、プロデューサー、コンポーザー、パーカッショニスト、マルチインストゥルメンタリストのBen Lumsdaineによるリズムスタディ集である。\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e友人宅の地下スタジオにこもって録音した瞑想的なシンセのドローンから始まったトラックは、楽器レイヤーを重ねるごとに、シンセ固有の変調が意味するメーターやパルスを乱し、やがてマルチテクスチャーのポリリズムの音世界へと変化していった。また、サックス奏者の\u003cmeta charset=\"utf-8\"\u003eDustin Laurenzi (Bon Iver, Bill Callahan)、トランペット奏者の\u003cmeta charset=\"utf-8\"\u003eJohn Raymond (S. Carey, Sara Bareilles)、ギタリストの\u003cmeta charset=\"utf-8\"\u003eDrake Ritter (Durand Jones, Diane Coffee)など、ゲストミュージシャンも参加している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eキューバのベータ波の躍動感に触発されたBen Lumsdaineは、明確なパルスを持ちながらダウンビートがかなり不明瞭な音楽を構築することを自らに課し、最終的には未知の中に平和を見出すことを芸術的に明確に表現した。特に、現役ミュージシャンであるBen Lumsdaineの主な楽器が伝統的なドラムキット（\u003cmeta charset=\"utf-8\"\u003eDurand Jones、Chris Schlarb、\u003cmeta charset=\"utf-8\"\u003eAnna Butterss、Bex Burchのアルバムで彼のドラミングを聴くことができる）であることを考えると、この『Murmuration Without End』では、類まれなパレットでこれを達成している点が印象的だ。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1917028189\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003ePro-dubbed C64 Cassette in Cactus Flower orange shell, housed in a transparent Norelco box with CMYK J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e1. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDallas\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eMyopic\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e3. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eRenormalizer\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e4. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eTough One\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e5. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eHere's Your Next Clue\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eMurmuration Without End is a collection of rhythmic studies by producer, composer, percussionist \u0026amp; multi-instrumentalist Ben Lumsdaine.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eWhereas the tracks began as meditative synth drones recorded by Lumsdaine when quarantined in the basement studio of his friend’s home, over time they became multi-textural, poly-rhythmic sound worlds as he disrupted the meters and pulses implied by the synths’ inherent modulations with each instrumental layer added. He also enlisted guest musicians to help him achieve this, including saxophonist Dustin Laurenzi (Bon Iver, Bill Callahan), trumpeter John Raymond (S. Carey, Sara Bareilles), and guitarist Drake Ritter (Durand Jones, Diane Coffee).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eInspired by the vibrance of Cuban bata rhythms, Lumsdaine set himself to construct music that has a clear pulse but a fairly indiscernible downbeat, and ultimately makes an articulate artistic expression about finding peace within the unknown. The way he achieves this with an uncommon palette is particularly impressive on Murmuration Without End, especially considering that, as a working musician, Lumsdaine’s primary instrument is a traditional drumkit (hear his drumming on albums by Durand Jones, Chris Schlarb, Anna Butterss, and Bex Burch); but in the context of this album, he challenged himself to completely refrain from playing his drums.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ben Lumsdaine\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44821200929018,"sku":null,"price":2657.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a3963084246_16.jpg?v=1701159583"},{"product_id":"carlos-nino-friends-extra-presence-2xlp-color-tape","title":"Carlos Niño \u0026 Friends \/\/ EXTRA PRESENCE 2xLP [COLOR] \/ TAPE","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのパーカッショニストCarlos Niñoが、2022年7月に同国シカゴのジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e桃源郷スピリチュアル・アンビエントジャズ17曲、90分を収録。レコードは紫と緑盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=258248190\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eTwo limited edition color vinyl LPs (pressed by Pallas in Germany) inside a heavyweight reverse-board single pocket jacket, two-sided insert sheet, and dome-patterned inner-sleeves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eC90 Clear Shell Cassette, Real-Time Dubbed on RTM911 Premium Ferro Music Grade Tape from 24bit Masters, with 3-flap 2-sided J-Card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"EXTRA PRESENCE is a 90 minute, 17-track collection showcasing Los Angeles modern music scene pioneer Carlos Niño’s unique, highly developed, self-described “Spiritual, Improvisational, Space Collage” sound, and featuring an incredible cast of collaborators (including Jamael Dean, Nate Mercereau, Shabazz Palaces, Deantoni Parks, Sam Gendel, Laraaji, Jamire Williams, Iasos, and more). It's an expanded edition of a 10-track suite called 'Actual Presence' that Niño self-released exclusively via his Bandcamp page in 2020.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e***\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEXTRA PRESENCE liner notes by Marty Sartini Garner (via International Anthem):\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\"\u003cem\u003eWhen Carlos Niño is performing with his friends, he is embedded in the present. And from there, it seems like he can see anything: every possible place a song might go, how a sound might evolve, whether or not it will make his listeners and collaborators feel seen and appreciated. He is a maestro of arranging time and space into supportive containers, somehow completely in sync with the moment and beyond all chronology. And over the past couple of years, when the concepts of space and time have dilated and gone sideways for so many of us, Carlos’ attempts to crystallize the moments he and his friends produce and present us with songs ripe with possibility, chance, and the care that radiates naturally among\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003e musicians who love and trust one another has felt like an act of profound kindness.\u003cbr\u003e\u003cbr\u003eIn 2020, when the world entered into lockdown, Carlos engaged in his studio in Woodland Hills, CA, where he pored over tapes from past improv sessions. One in particular stuck out, a February 2019 Just Jazz gig with Devin Daniels, Jamael Dean, Miguel Atwood-Ferguson, and Randy Gloss. On stage that night, he’d been confused and uncomfortable, he didn’t understand his relationship with an audience. “I had a revelation that night,” he says. “What I present in concert is sonic journeying—not a set of songs, or a program, or a performative energy.”\u003cbr\u003e\u003cbr\u003eUsing the Just Jazz tapes as a guide, he mixed and remixed, overdubbed synthesizer and pulled from his extensive battery of percussion instruments. He invited his collaborators—his friends, though we should all be so lucky to have friends as talented as these—to add their own overdubs, then, working the controls, he turned out a collection of songs that seem to have entire worlds encased within them. He worked with a sense of necessity. “The urgency was to share a message,” he says, “that we would get through this.”\u003cbr\u003e\u003cbr\u003eIt’s a feeling that was made manifest across Actual Presence, and is extended in this new version, entitled EXTRA PRESENCE. When I first heard these songs in 2020, I was astounded by how expertly Carlos was able to guide his listeners through a three-dimensional soundscape. It felt miraculous, as if we were getting a new view of free jazz and new age and hip-hop, being brought into the cells of the music to see how all its constituent parts fit together. The implication seemed to be that every moment of every song—not just these songs, but any song—was ripe with possibility, that decisions were being made at every moment, and that because of that, other decisions might be made. Free jazz and free improv are both predicated on this very idea, of course, but where that sense of freedom often yields dissonance and confusion, Actual Presence seemed to suggest that something like spiritual harmony could be reached on the fly, that it was hidden in everything if you were willing to try and find it.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear then, but hear now, is that this sense of harmony wasn’t just coming from Carlos’ remarkable studio skills. It was inherent in the playing itself, and in the way the players relate to one another. There is an emotional coherence to this music, a collective ache at its core that starts with the majesty of Jamael Dean’s piano and runs through even the smallest of instruments. No matter who’s playing on any given track—or when they were playing it—everyone is watching one another, patiently waiting, not moving forward until everyone is ready. That could feel ponderous, but here it feels generous. You expect “Youwillgetthroughthis” to move out its foyer, but the kalimba finds an interesting groove there, so they all gather around to explore it, which gives a deeply tender organ space to open the song in a completely new direction. It’s music as a series of cleansing exhales, as re-grounding, slowing down to move at a speed that allows it to examine itself.\u003cbr\u003e\u003cbr\u003eAs its title suggests, EXTRA PRESENCE gives us another hour of these explorations. The new tracks were all recorded around the time Carlos was working on Actual Presence and its followup, More Energy Fields, Current, and they show that the sense of possibility that first suggested itself in these songs wasn’t a mirage. Rather than simply remixing old tunes, Carlos opens new doors that reveal new rooms. “Youwillgetthroughthis with Koto” isn’t just augmented by a koto; it’s wound up in a new tension that was barely suggested in the original track. “Luis’ Special Shells,” an Actual Presence highlight, dips us into an subaquatic world painted in inky blues and forest greens, the shells themselves the only clear element that remains from the original.\u003cbr\u003e\u003cbr\u003eMost strikingly, it’s capped by the 23-minute ambient piece “Recurrent Reiki Dreams,” a dramatic extension of the album’s “Mushroomeclipse.” The track’s length, and the lightly undulating silkiness of its textures, makes it feel as though the entire album has been sliding into this primordial space, as if the whole of EXTRA PRESENCE is something like a symphony. Or maybe like all of those views Carlos and his friends have offered have all been different ways of saying this, variations on a way of articulating a feeling that exists here in its purest form. It’s like staring into the object with which this music has been abiding.\u003cbr\u003e\u003cbr\u003eWhat I didn’t hear in 2020 but hear now, as the world has changed and continues to, is that the sound of EXTRA PRESENCE is the sound of being ready to face yourself. Or, more precisely, it’s the sound of what happens when everyone pauses what they’re doing and rallies to support a wounded friend. Yes, these songs are technically dazzling, constantly surprising, and expertly constructed. But at its core, EXTRA PRESENCE is about sitting down, being with, trying to draw from a sensation or a mass that’s much bigger than we can understand. Yes, this is mystical language, but this is mystical music. “It is a way of describing the awareness of Eternal Now,” Carlos says.” “It is a way of expressing the consciousness of Being.”\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Carlos Niño \u0026amp; Friends\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"2xLP","offer_id":44821345829114,"sku":null,"price":5964.0,"currency_code":"JPY","in_stock":false},{"title":"TAPE","offer_id":44821345861882,"sku":null,"price":2489.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a4286540031_16.jpg?v=1701165226"},{"product_id":"makaya-mccraven-in-the-moment-2xlp-1","title":"Makaya McCraven \/\/ In the Moment 2xLP","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2022年11月にシカゴの老舗ジャズレーベルInternational Anthemからリリースした再発2枚組レコードです。（オリジナルは2015年リリース）\u003c\/p\u003e\n\u003cp\u003eジャズ・ヒップホップ19曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1579662125\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e2nd edition \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e2xLP 140g Black Vinyl (pressed at Pallas in Germany) in a Heavyweight Gatefold Jacket, with IARC dome-pattern inner sleeve and OBI strip.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIncludes extensive liner notes by Joe Darling \u0026amp; Scott McNiece, including personnel and recording dates for all tracks, with photos by Nathan Michael and Marcus Mader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e+++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eNearly 48 hours of live improvised performance recorded at 1 venue over 12 months and 28 shows - culled, cut, rendered, and remixed into 19 potent pieces of organic beat music.\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44821382529274,"sku":null,"price":5712.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in1_73b590bf-0df1-4132-aea3-de10db257540.jpg?v=1701165743"},{"product_id":"jeff-parker-suite-for-max-brown-lp-cd","title":"Jeff Parker \/\/ Suite for Max Brown CD","description":"\u003cp\u003e\u003cspan\u003eポストロックバンド\u003cmeta charset=\"utf-8\"\u003eTortoiseメンバーとしても活動していたアメリカのジャズギタリストJeff Parkerが、\u003c\/span\u003e\u003cspan\u003e2020年に同国シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eソウルフルなスピリチュアル・ジャズ11曲を収録。デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1020863419\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=218774934\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1020863419\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e International Anthem bio written by Michael Hill:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"...\u003cem\u003eParker is very much a solo artist on Suite for Max Brown. He constructs a digital bed of beats and samples; lays down tracks of his own on guitar, keyboards, bass, percussion, and occasionally voice; then invites his musician friends to play and improvise over his melodies. But unlike a traditional jazz session, Parker doesn’t assemble a full combo in the studio for a day or two of live takes. His accompanists are often working alone with Parker, reacting to what Parker has provided them, and then Parker uses those individual parts to layer and assemble into his final tracks. The process may be relatively solitary and cerebral, but the results feel like in-the-moment jams—warm-hearted, human, alive. Suite for Max Brown brims with personality, boasting the rhythmic flow of hip hop and the soulful swing of jazz.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003e“In my own music I’ve always sought to deal with the intersection of improvisation and the digital era of making music, trying to merge these disparate elements into something cohesive,” Parker explains...\"\u003cbr\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeff Parker\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44821489549562,"sku":null,"price":2462.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/su1_34c60cb8-3633-4c63-899e-20a7cf022e89.jpg?v=1701166663"},{"product_id":"tom-skinner-voices-of-bishara-live-at-mu-tape","title":"Tom Skinner \/\/ Voices of Bishara Live At \"mu\" TAPE","description":"\u003cp\u003eイギリス・ロンドンのパーカッショニストTom Skinnerが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemから500本限定でリリースしたライブ録音カセットです。\u003c\/p\u003e\n\u003cp\u003eコンテンポラリー・ジャズ5曲、1時間のライブ録音を収録。DLコード付属。 \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAcoustic Bass – Tom Herbert\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eCello – Kareem Dayes\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eDrums – Tom Skinner\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTenor Saxophone – Robert Stillman\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eTenor Saxophone, Flute – Chelsea Carmichael\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1678979955\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code. \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eReleased for 2023 tour. Limited to 500 copies.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Tom Skinner\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":44827461189882,"sku":"","price":2657.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ScreenShot2023-11-30at10.29.06am.png?v=1701307898"},{"product_id":"thandi-ntuli-with-carlos-nino-rainbow-revisited-lp-cd","title":"Thandi Ntuli with Carlos Niño \/\/ Rainbow Revisited LP \/ CD","description":"\u003cp\u003e南アフリカのジャズ・ピアニストThandi Ntuliと、アメリカ・LAのパーカッショニストCarlos Niñoが、2023年11月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003e声とピアノを主体としたソウルフルなジャズ10曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2929146464\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or CD in 4-panel digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSunrise (in California) 05:29\u003c\/li\u003e\n\u003cli\u003eRainbow Revisited 07:13\u003c\/li\u003e\n\u003cli\u003eBreath and Synth Experiment 03:38\u003c\/li\u003e\n\u003cli\u003eNomayoyo (Ingoma ka Mkhulu) 05:34\u003c\/li\u003e\n\u003cli\u003ePiano EDIT (Original Mix) 04:22\u003c\/li\u003e\n\u003cli\u003eSunset (in California) 05:51\u003c\/li\u003e\n\u003cli\u003eVoice and Tongo Experiment 02:18\u003c\/li\u003e\n\u003cli\u003eThe One (first part) 04:01\u003c\/li\u003e\n\u003cli\u003eThe One (second part) 04:17\u003c\/li\u003e\n\u003cli\u003eLihlanzekile 05:34\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist statement by Thandi Ntuli :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI travelled to Los Angeles and the USA for the first time in 2019. Although I had not met Carlos in person, we connected via Instagram where he saw a video of me playing a piano motif (titled ‘The One’ in this sequence) that he really liked and expressed a wish to record. This was around 2017. We tried a few times to get me over to Los Angeles, but the timing was always off. Through a performance organised by a creative collective called The Nonsemble at The Ford Theatre we finally got the opportunity to meet, play together and subsequently go into studio to record some improvisations as he guided the recording process.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHaving been aware of some of his work – in particular his collaborative projects as Carlos Niño \u0026amp; Friends, as well as with his friend and long-time collaborator, Miguel Atwood-Ferguson – I knew that, with Carlos as producer, the artistic direction of the album would likely take me to a place I’d never considered going. A fact that had me both curious and terrified (as one tends to be when stepping into the unknown) Lol!\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eInitially keen to record the song that he had seen\/heard me play on Instagram, our performance a few days before the\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e session drew him to the song Rainbow off my sophomore album, Exiled (2018). On that zen-like California afternoon in Andy Kravitz’s cozy studio in Venice Beach, he encouraged me to play around with various iterations of Rainbow. “Try it this way”, “How about adding that?”, “Can you breathe into the mic?”, “What if you focus on the last section?”, and many other explorations that eventually went through a few cuts, edits, yays and nays to become this body of work. Rainbow Revisited was birthed through that session, another session a couple of days later, and a series of many small synchronicities that led up to that moment.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eA particularly special moment for me was when he invited me to play something from home, which lent itself to me recording a song originally written by my grandfather that we often sing when at family gatherings. The song is called Nomayoyo.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo much has happened since that session in late 2019. Many changes in our personal and collective universes. Losses and gains, births and transitions into the next life, Mother Nature’s ever-constant cycles reminding me that through all the chaos there remains, just beneath, this perfect order in Her ebb and flow. And most importantly, reminding me to feel for Her and to listen.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Thandi Ntuli with Carlos Niño\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"LP","offer_id":44827471249658,"sku":"","price":4980.0,"currency_code":"JPY","in_stock":false},{"title":"CD","offer_id":44827471282426,"sku":"","price":2680.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/rain1_3c126b6a-4448-4848-a0c5-87b788e29365.jpg?v=1701308150"},{"product_id":"alabaster-deplume-come-with-fierce-grace-lp-cd","title":"Alabaster DePlume \/\/ Come With Fierce Grace LP \/ CD","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eイギリス・ロンドンのサックス奏者Alabaster DePlumeが\u003c\/span\u003e、2023年9月にアメリカ・シカゴの老舗ジャズレーベルInternational Anthemからリリースしたアルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・ジャズ〜スピリチュアル・ジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の方はお気軽にご連絡をお願いいたします \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=2272563853\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=354665491\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or CD in 4-panel digipack. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eSibomandi (feat. Falle Nioke) 02:28\u003c\/li\u003e\n\u003cli\u003eWhat Can It Take 02:16\u003c\/li\u003e\n\u003cli\u003eTo That Voice And Say 02:44\u003c\/li\u003e\n\u003cli\u003eGreek Honey Slick (feat. Tom Skinner) 04:33\u003c\/li\u003e\n\u003cli\u003eGive Me Away 03:13\u003c\/li\u003e\n\u003cli\u003eFall On Flowers 04:53\u003c\/li\u003e\n\u003cli\u003eDid You Know (feat. Momoko Gill, MettaShiba) 03:54\u003c\/li\u003e\n\u003cli\u003eLevels of Human 01:52\u003c\/li\u003e\n\u003cli\u003eNot Even Sobbing 02:46\u003c\/li\u003e\n\u003cli\u003eThe Best Thing In The World 04:40\u003c\/li\u003e\n\u003cli\u003eNaked Like Water (feat. Donna Thompson) 02:54\u003c\/li\u003e\n\u003cli\u003eBroken Again 05:55\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn order to record the compositions in his critically-acclaimed 2022 release GOLD, Alabaster DePlume instilled a culture of creativity by leading his ensembles in spontaneous composition and development. To allow them to be present, he kept the musicians constantly creating across several weeks of sessions at London creative hub Total Refreshment Centre. This process resulted in an abundance of material, much more than he could fit onto the initial double LP.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAfter spending most of 2022 touring in support of GOLD, Alabaster spent much of early 2023 revisiting the additional material from those Total Refreshment Centre sessions – adding, subtracting, producing and arranging – resulting in an entirely new album, Come With Fierce Grace.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCome With Fierce Grace is an album made of authentic and unstipulated – yet welcomed – human interaction. It is for the most part an album of instrumentals, with exception of a few vocal features by Momoko Gill (aka MettaShiba), Falle Nioke, and Donna Thompson. However the instrumentals on this album are much more embryonic and unfiltered than the lush orchestrations heard on Alabaster’s breakout 2020 album To Cy \u0026amp; Lee: Instrumentals Vol. 1. Come With Fierce Grace is perhaps the most raw and candid\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e portrait of Alabaster’s creative compositional process we’ve yet to hear, as he’s captured vividly in the room with his collaborators – stretching, exploring, working to deepen and expand the emotions underlying his melodic and poetic frameworks.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the process, Alabaster cites a similarity to how elements in nature contribute to shared work and beauty without a collective motive – a bee’s own motives result in the delivery of pollen. As he says: “The great thing wants to happen, let us allow it to happen.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRegarding the origin of the album’s name: On his first trip to perform in the US in March 2022, Alabaster collected messages from individuals, as he asked them if there is anything they would like him to share with his audiences. One message (from a person who preferred to remain anonymous) asked Alabaster to encourage people to “come with fierce grace.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Alabaster DePlume\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"LP","offer_id":44868824662266,"sku":"","price":4980.0,"currency_code":"JPY","in_stock":true},{"title":"CD","offer_id":44868824695034,"sku":"","price":2680.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/com1_118e503a-a622-4cc2-ba3b-d973efe0c24e.jpg?v=1702172122"},{"product_id":"jeremiah-chiu-in-electric-time-lp-black-color","title":"Jeremiah Chiu \/\/ In Electric Time LP [BLACK \/ COLOR]","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・LAのモジュラー奏者Jeremiah Chiuが、2024年1月に同国シカゴのジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e2023年6月にLAのヴィンテージシンセサイザーミュージアム(VSM)で2日間で録音したポストニューエイジ・アンビエント〜エレクトロニック・アンビエントジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"2023年6月29日、Jeremiah Chiuはロサンゼルスのハイランドパークにあるヴィンテージ・シンセサイザー・ミュージアム（VSM）に入った。VSMの膨大なクラシックシンセサイザー、レアシンセサイザー、定番シンセサイザーのコレクションを探索し、VSMの創設者兼キュレーターであるランス・ヒルの助けを借りながら、マシンのシーケンス、トリガー、レイヤーを重ねていった。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eヒルはこう振り返る： 「Jeremiahはエンジニアが来る前に到着した。彼がグリーマン・ペンタフォニックにサウンドとシーケンスをプログラムし始める前に、私たちは5分ほど話をしました。エンジニアが来るまでに、Jeremiahはグリーマンの周りに他のパーツをいくつか作っていて、それらはどんなコントロール方法でも同期していなかったが、ただ互いに呼び合って反応しているように聴こえた。彼らはタスカム388をパッチベイに接続し、録音を開始した。Jeremiahはそれで演奏し、それで終わった。1時間足らずで書き上げ、録音した最初の作品。それは自然で、楽しく、自由な感じだった。そして、セッションの残りはほとんどそうだった。常に恍惚とした動き。私が携わったノンヒップホップのセッションで一番楽しかった」。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eJeremiahはこう振り返る：「出来上がったアルバム『In Electric Time』は、わずか2日間でレコーディングされ、その後2日間で編集が完了した。エンジニアのベン・ラムスデインによって完全アナログ録音され、彼自身も数曲で演奏に参加している。ビッチン・バハスのクーパー・クレインも出演しているが、結局のところ、この作品集は、Chiuが一人でコンセプトを練り、文脈の中で創り上げたオーガニックなエレクトロニックミュージックの直感的な表現である。ある意味では、『In Electric Time』は、レイモンド・スコットのエレクトロニック・スタジオ・レコーディングの直截さ（シャープなカットや部屋の雑踏など）を反映しており、またある意味では、『ハルモニア』の瞬間的なマジックを想起させる。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e即興演奏のアプローチは、VSMのミキサーセットアップ（シンセサイザーのセクションがすべて1つのミキサー／パッチベイにルーティングされている）を採用し、スタジオの端から始めて、6つの異なるセクションを回るというものだった。私は、自分が最も慣れ親しんでいる、あるいは何年もかけて研究してきたシンセサイザーから始め、すぐに使いこなすことができると確信していた。ヴィンテージの機材で作業する場合、楽器がユニークに歌うスイートスポットが必ずある。フィルターや共鳴の仕方、鍵盤のアクション、トリガーやシーケンスに使用するコントロール・ボルテージ、搭載されているユニークな機能などだ。メロディやリズムが思いがけない形で現れる瞬間を見つけるのが好きで、彫刻というより考古学のように感じることもある。編集もかなり即興的で、生々しく自然な感じを維持するために、しばしば異なるセクションの断片を互いに対話させながら引っ張ってきた。ベンがテープを始めたり止めたりする瞬間を録音で聞くのが好きだったので、長くてその瞬間を超えたテイクは、新鮮なアイデアに直接ぶつかったりした。」\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5nzPIe9zDAc?si=en4snVPe3Amiihgq\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1183930485\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eElectroComp 101 01:44\u003c\/li\u003e\n\u003cli\u003eSeawater Swell 04:31\u003c\/li\u003e\n\u003cli\u003eFor Voices 01:09\u003c\/li\u003e\n\u003cli\u003eRococco Rondo 07:32\u003c\/li\u003e\n\u003cli\u003eA Cloud Song 02:18\u003c\/li\u003e\n\u003cli\u003eRhythm Bell 01:44\u003c\/li\u003e\n\u003cli\u003eBrush with Thin Air 03:55\u003c\/li\u003e\n\u003cli\u003eRhythm Serge 01:24\u003c\/li\u003e\n\u003cli\u003eStatic Stone Railway 02:27\u003c\/li\u003e\n\u003cli\u003eTransparent Spheres 05:17\u003c\/li\u003e\n\u003cli\u003eEcho Arp Hold 01:07\u003c\/li\u003e\n\u003cli\u003eIn Electric Time 04:23 video\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOn June 29th, 2023, Jeremiah Chiu walked into the Vintage Synthesizer Museum (VSM) in Highland Park, Los Angeles, with no plan more specific than “let’s fire this stuff up and see what happens.” Exploring the VSM’s vast collection of classic, rare and staple synthesizers, he would sequence, trigger, and layer the machines together with help from VSM founder\/curator Lance Hill.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHill recalls: \"Jeremiah arrived before the engineer showed up. We talked for maybe 5 minutes before he started programming a sound and sequence into the Gleeman Pentaphonic. By the time the engineer showed up, Jeremiah had built several other parts around the Gleeman that weren't synced by any control method but sounded like they were just calling and responding to each other. They plugged the Tascam 388 into the patch bay, and hit record. Jeremiah played with it, and that was it. First piece written and recorded in under an hour. It felt natural, fun and free. And that's pretty much how the rest of the session went. Constant ecstatic motion. It was the funnest non-HipHop session I've ever worked on.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe resulting album – In Electric Time - was recorded in just two days, and edited to completion in the two days following. It was captured fully analog by engineer Ben Lumsdaine, who\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e ​​contributes performances on a few tracks himself. Cooper Crain (of Bitchin Bajas) makes an appearance as well; but ultimately the collection is an intuitive expression of organic electronic music conceptualized and created in-context by Chiu alone, as he calls on a lifetime of work in sound synthesis to paint a fulgent, refreshingly undercut sequence of cinematic sketches and in-process themes. In some ways, In Electric Time reflects the directness of Raymond Scott’s electronic studio recordings — with sharp cuts and room chatter — and, in others, it conjures the in-the-moment magic of Harmonia.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAbout the work, Chiu says: “The approach to the improvisations was to embrace the mixer setups at VSM — where a section of synthesizers are all routed to a single mixer\/patchbay — and to start at one end of the studio and work our way around the six different sections. I began with the synths I was most familiar with — or had spent years researching — and was fairly certain I could reign in quickly. When working with vintage gear, there's always a sweet spot where the instrument sings in a unique way. This may be the idiosyncrasies of its filter and how it resonates, the action of the keys, the ability to trigger and use control voltage to sequence, or the unique onboard features. I love finding the moments where a melody or rhythm appears in an unexpected way — at times feeling more like archaeology than sculpture. I was quite improvisatory with the editing as well, often pulling bits from distinctly different sections in dialogue with each other, in order to maintain the raw, spontaneous feeling. I loved hearing moments in the recordings when Ben started or stopped tape, so a take that was running long and beyond its moment would hit directly against a fresh idea.”\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Jeremiah Chiu\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"BLACK","offer_id":45196583338234,"sku":"","price":4380.0,"currency_code":"JPY","in_stock":false},{"title":"CLEAR MINT","offer_id":45196583371002,"sku":"","price":4980.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/in1_2eab54d8-7b8d-4322-b6d0-556d19921bc4.jpg?v=1708141402"},{"product_id":"ibelisse-guardia-ferragutti-frank-rosaly-mestizx-lp-color","title":"Ibelisse Guardia Ferragutti \u0026 Frank Rosaly \/\/ MESTIZX LP [COLOR]","description":"\u003cp\u003eボリビアのマルチ奏者Ibelisse Guardia FerraguttiとプエルトリコのドラマーFrank Rosalyが、2024年5月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースする共作レコードです。\u003c\/p\u003e\n\u003cp\u003eラテンのリズムを盛り込んだ独創的なスピリチュアル・ジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"この音楽は、アヴァン・ジャズ、アート・パンク、シカゴ・ポストロック、ボンバ、プレナ、クンビア、アンデス、ミニマル、エレクトロニカ、フォークの衝突に、植民地時代前後のラテンリズムパターンとラテンスイングを創造的に注入している。完全に独創的でありながら、紛れもなく普遍的なサウンドは、その時々のものであり、魅力的で未来的でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e広大で、活気に満ちた、包括的なサウンドのスペクトラムだが、その核となる『MESTIZX』は、植民地主義が地理、歴史、アイデンティティに与える深い個人的影響について、フェラッグッティとロザリーが自伝的なステートメントを明晰に意識したコレクションである。しかし、その重いテーマにもかかわらず、MESTIZXは、共同体的で、祝祭的で、魂を揺さぶり、動きを誘発する音楽に生命線を見出している。\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/S9hDU3_LkyQ?si=l87mg4wY15gO_3bl\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'red moon' color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eINVOCAÇÃO\u003c\/li\u003e\n\u003cli\u003eDESTEJER 04:08\u003c\/li\u003e\n\u003cli\u003eBALADA PARA LA CORPORATOCRACIA\u003c\/li\u003e\n\u003cli\u003eTURBULÊNCIA\u003c\/li\u003e\n\u003cli\u003eMESTIZX\u003c\/li\u003e\n\u003cli\u003eBARRO\u003c\/li\u003e\n\u003cli\u003eSABER DO MAR\u003c\/li\u003e\n\u003cli\u003eBLESS THEE MUNDANE\u003c\/li\u003e\n\u003cli\u003eDESCEND\u003c\/li\u003e\n\u003cli\u003eWRITING WITH KNOTS\u003c\/li\u003e\n\u003cli\u003eSIRINUS\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eInternational Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eMESTIZX is Bolivian-born singer and multi-medium performer Ibelisse Guardia Ferragutti and renowned Chicago expat jazz drummer Frank Rosaly's debut album as co-composers, arrangers and musicians.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e[...]\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe album was produced and recorded primarily at International Anthem Studios in Chicago, where Ferragutti and Rosaly were joined by a community of musicians and beloved friends including Matt Lux, Avreeayl Ra, Ben LaMar Gay, Daniel Villarreal, Bill MacKay, Rob Frye, and Mikel Patrick Avery, with addditional contributions from Chris Doyle, Guilherme Granado, Viktor Le Givens and Fredy Velásquez.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe music creatively infuses Latin rhythmic patterns and oblong swing from pre-and post-colonial Latin America into a collision of avant jazz, art punk, Chicago post-rock, bomba, plena, cumbia, Andean, minimal, electronica, and folk. A wholly original but undeniably universal sound – both of-the-moment and alluringly futuristic - MESTIZX contains points of reference and resonance for fans of Juana Molina, Café Tacvba, Max Roach \u0026amp; Abbey Lincoln, Liquid Liquid, Arto Lindsay, As Mercenarias, The Ex, Tortoise, Tom Zé, Elza Soares, La Mecanica Popular...\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt’s a vast, vibrant and encompassing spectrum of sounds, but at its core MESTIZX is a lucidly conscious collection of auto-biographical statements from Ferragutti \u0026amp; Rosaly on the deeply personalized effects of colonialism on geography, history, and identity. Despite its heavy subject matter, however, MESTIZX finds a lifeline in communal, celebratory, soul-bearing and movement-inducing music.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Ibelisse Guardia Ferragutti \u0026amp; Frank Rosaly\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eIARC0079LP\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":45498764263674,"sku":"","price":5892.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ib1.jpg?v=1712034906"},{"product_id":"cassie-kinoshis-seed-gratitude-lp-black-color","title":"Cassie Kinoshi's seed. \/\/ gratitude LP [BLACK\/COLOR]","description":"\u003cp\u003eイギリスのジャズバンドCassie Kinoshi's seed.が、2024年3月にアメリカ・シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ7曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2843796319\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more International Anthem releases available at Tobira. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e-------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'Smoke In The Sun' marble red vinyl (editionof 333). \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003ei 04:58\u003c\/li\u003e\n\u003cli\u003eii 04:03\u003c\/li\u003e\n\u003cli\u003einterlude i 01:40\u003c\/li\u003e\n\u003cli\u003eiii sun through my window 03:41\u003c\/li\u003e\n\u003cli\u003einterlude ii 02:23\u003c\/li\u003e\n\u003cli\u003eiv 04:45\u003c\/li\u003e\n\u003cli\u003eSmoke in the Sun 05:36\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText excerpt by International Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"In March of 2023 composer, arranger \u0026amp; alto saxophonist Cassie Kinoshi premiered a commissioned suite of music in front of a sold out crowd at London’s Southbank Centre. She wrote the piece – gratitude – for her flagship large ensemble seed., in a special augmented formation that also featured turntablist NikNak and the London Contemporary Orchestra (LCO).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFollowers of UK Jazz know Kinoshi from her previous work with seed. (including the Mercury Prize-nominated album Driftglass, released by jazz re:freshed in 2019), or as a former member of Kokoroko. But her compositional résumé also extends deeply into orchestral work for concert hall, contemporary dance, film, visual art, and theatre, with high profile collaborators including London Sinfonietta, Philharmonia Orchestra, and the London Symphony Orchestra. That depth of experience is on full display on gratitude, with the textural and dynamic flexibility of her large ensemble covering musical ground from groove-focused modal melancholia to anthemic brass and string themes. Striking upon first listen and even richer on repeat visits, gratitude scores the soul of contemporary Black London with philharmonic craftwork in the tradition of legendary jazz arrangers like Mary Lou Williams, Oliver Nelson, and\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Carla Bley.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSimilar to those keystone writer-arrangers, here Kinoshi wields the power of a large ensemble to convey nuanced human emotion. “gratitude was written as a means of guiding my own healing,” says Kinoshi. “My mother told me that she keeps a gratitude book where she writes one thing, no matter how big or small, every day that helps to re-focus her mind on practicing gratitude. The examples that she gave were seeing the flowers that she'd recently planted in her garden bloom and a kaleidoscope of butterflies that she saw flitting about a tree in her garden.”\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Cassie Kinoshi's seed.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : International Anthem\u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCAT No.: IARC0081LP\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Black vinyl","offer_id":45504389742842,"sku":"","price":4392.0,"currency_code":"JPY","in_stock":true},{"title":"Color vinyl","offer_id":45504389775610,"sku":"","price":4577.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/cass1_4fb28b03-6b60-4df8-8098-ef61aba53272.jpg?v=1712100954"},{"product_id":"international-anthem-catalog-pocket-t-shirt","title":"International Anthem Catalog Pocket T-SHIRT - CREAM - M, L, XL","description":"\u003cp\u003eアメリカ・シカゴのジャズレーベルInternational Anthemのヘビーウェイト100%綿Tシャツです。\u003c\/p\u003e\n\u003cp\u003eバッグプリントには過去のカタログ名が記載されています。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003eComfort Colors deluxe short sleeve ivory tee shirt with minimal IARC dome printed on the front-side breast pocket, and our full catalog of releases (to date) on the back side. Printed in Chicago. Comes in sizes M, L, XL. Other specs:\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e- 6.1 oz., 100% ring spun USA cotton\u003cbr\u003e- Preshrunk, soft-washed, garment-dyed fabric\u003cbr\u003e- Made with sustainably and fairly grown USA cotton and sewn with USA cotton thread\u003cbr\u003e- Twill taped shoulder-to-shoulder\u003cbr\u003e- Set-in sleeves\u003cbr\u003e- Double-needle stitched sleeves and bottom hem\u003cbr\u003e- Left-chest pocket\u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e \u003c\/p\u003e\n\u003cp class=\"preFade fadeIn\"\u003e++\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e \u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"M","offer_id":46237613752570,"sku":null,"price":5990.0,"currency_code":"JPY","in_stock":false},{"title":"L","offer_id":46237613785338,"sku":null,"price":5990.0,"currency_code":"JPY","in_stock":false},{"title":"XL","offer_id":46237613818106,"sku":null,"price":5990.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/tee1.png?v=1691982177"},{"product_id":"jaimie-branch-fly-or-die-lp","title":"jaimie branch \/\/ FLY or DIE LP","description":"\u003cp\u003eアメリカ・ロングアイランドのトランペット奏者jaimie branchが、2017年に同国シカゴのジャズ巣窟International Anthemからリリースしたデビューアルバムです。\u003c\/p\u003e\n\u003cp\u003eデビューアルバムにして名盤と名高い10曲を収録。帯とインサートが付属しています。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/lSC4jQR-3Ko\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=21123771\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=125081012\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=21123771\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP comes in old-style tip-on jacket with IARC obi strip and dome pattern innersleeve. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003e\u003cspan class=\"bcTruncateMore\"\u003eIn January of 2016, Jaimie Branch launched a monthly free jazz series with a new ensemble at Brooklyn’s now debunked Manhattan Inn. Sharing the first night of her series with a trio on tour from Chicago (Nick Mazzarella, Anton Hatwich and Frank Rosaly), the trumpeter Branch assembled a quartet to match: cellist Tomeka Reid, bassist Jason Ajemian, and drummer Chad Taylor. Between visitors and expats, it was a night of performers exclusively from The Windy City. “I wanted New York to hear what Chicago sounds like,” says Branch.\u003cbr\u003e\u003cbr\u003eThough the format that first night was free, by the time International Anthem family returned to New York to record her in June, Branch had refined her improvised melodies into a suite of themes for to be played by that same quartet. Engineers David Allen \u0026amp; Dave Vettraino recorded the band over an afternoon at Branch’s sister Kate’s apartment in Red Hook, Brooklyn. Branch post-produced those recordings, added overdubs, blended in live takes, cut and stitched the music into its final structure at Vettraino’s home studio in Chicago in July. The finishing touch was her totally bizarre, totally brilliant commissioning of acoustic guitar overdubs by Chicago friend Matt Schneider (Moon Bros). His brief classical plucking of strings, the epilogue in “…back at the ranch,” perfectly caps the dynamic manic-depressive journey in true Jaimie Branch fashion. She's making light of a heavy situation.\u003cbr\u003e\u003cbr\u003eRegardless of a relatively prolific and consistent decade-plus career performing, composing and collaborating with a lengthy list of jazz world notables, this album is Jaimie Branch's first final work as a leader. Over a dozen friends from Chicago to New York came together under her direction to bring it into being, and the genuine depth of character present in every element makes it well worth the wait. A categorical movement of courageous ascent, Fly or Die conveys a lifetime of experience in a singular suite.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003e\u003c\/em\u003eArtist : jaimie branch\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem \u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":46517591474426,"sku":null,"price":4620.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0009852998_10.jpg?v=1634021561"},{"product_id":"tomin-flores-para-verene-cantos-para-caramina-lp-black-color","title":"Tomin \/\/ Flores para Verene \/ Cantos para Caramina LP [BLACK\/COLOR]","description":"\u003cp\u003e\u003c!----\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・NYの金管楽器奏者／マルチ奏者Tominが、2024年7月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003e前編『Flores para Verene』はホルンによる往年の楽曲のカバーを、後編『Cantos para Caramina』ではシンセやエレクトリックピアノによるオリジナル計24曲を収録。帯とライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"27歳の Tomin Perea-Chamblee は、金管楽器とリードを中心としたマルチ・インストゥルメンタリストで、棘のあるハーモニーを持つ作品の作曲・編曲を手がけている。ニューヨークにいる人なら、若い（ジャズに近い）バンドや有名ミュージシャンとの演奏を聴いたことがあるかもしれない。『Flores para Verene \/ Cantos para Caramina』は、Tominという個人アーティストを広く一般に紹介するものであり、多くの意味で家族と伝統への賛辞でもある。それは、明確な目的と彼の若さを超えているかのような重厚さに裏打ちされた音楽でありながら、予期せぬ色合いで彩られ、伝統の厳粛さを超えたところにある新しさと希望に惹きつけられる。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTominは、2020年から『Flores para Verene \/ Cantos para Caramina』にまとめられた音楽を自主リリースしている。もともとこれらの作品は、個人的な表現の控えめな練習であり、意図的な美のミニ・マーカーであり一種の集大成でもあった。Tominがこれらの曲を録音するまでに、彼はすでにジャズ・アット・リンカーン・センター・ユース・オーケストラの高校生トロンボーン奏者であり、コロンビア大学で学びながら、スタンディング・オン・ザ・コーナーの多くの帽子をかぶったホーン奏者であった。これらのサウンドをテープに書き留めるのは、時間の問題とフォロースルーの問題だった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e『Flores para Verene』（『Flowers for Verene』）は、ミンガス、コルトレーン、ラーサン・ローランド・カーク、アルバート・アイラー、エディ・ゲイルなど、Tominの音楽の寵児たちの作曲をクラリネットとトランペットのソロ・バージョンにまとめたものだ。これらは彼の人生の偉大なヒーローであり、2019年末に母国コロンビアで他界した母方の祖母、ヴィルレニス・ディアス・バレンシアに敬意を表して録音された。（Tominのライナーノーツには、2人が互いに抱いていた愛情が格別に明瞭に表現されている）これらのヴァージョンはミニチュアであり、曲のテーマ以上のものはほとんどなく、クラリネットの鍵盤のクリック感を生かしたローファイな録音で、親密さに満ちている。最高のサウンドと同様、ここでは笑いと涙が対等な関係にある。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eアルバム『Cantos para Caramina』（「彼の姉Caraminaのための歌」）では、Tomin自身のオリジナル曲が前面に押し出されている。ホーンは使われず、シンセとエレクトリック・キーボードの音波が響く。追憶の憧れは、まだ見ぬ未来の魅力に取って代わられる。テクスチャーのある空気は、エリック・サティやエマホイ・ツェゲ＝マリアム・ゲーブルー、あるいはソロのラーの悲哀を思わせるメロディックな抽象表現で満たされている。2021年、希望が見えてきたとき、Tominは新しいものを創ることでカラミーナに敬意を表したいと考えた。そして、この（同じように）小さなスケールの四重奏曲は、ピンの頭に天使が集まったように踊る。派手さはないが、非常に呼吸しやすい。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1807843257\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Available on 12\" black vinyl or 12\" 'golden hummingbird' translucent vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Father and Son (for Cal Massey) 01:12\u003cbr\u003e2. Come Sunday, Bass (for Ellington and Dolphy) 01:51\u003cbr\u003e3. The Inflated Tear, v1 (for Rahsaan Roland Kirk) 00:47\u003cbr\u003e4. Fire Waltz (for Waldron, Dolphy and Little) 00:46\u003cbr\u003e5. Desert Fairy Princess (for Sharps, Sebastian and P.A.P.A.) 01:46\u003cbr\u003e6. Fables of Faubus (for Mingus and Richmond) 01:16\u003cbr\u003e7. Aquarius (for J.J. Johnson) 01:33\u003cbr\u003e8. Warm Canto (for Waldron and Dolphy) 00:36\u003cbr\u003e9. The Inflated Tear, v2 (for Rahsaan Roland Kirk) 00:46\u003cbr\u003e10. Come Sunday, Soprano (for Ellington and Dolphy) 02:13\u003cbr\u003e11. Assunta (for Cal Massey) 01:02\u003cbr\u003e12. Father and Son (for Cal Massey) [Alt. Take] 01:42\u003cbr\u003e13. Spirits Rejoice (for Albert Ayler) 01:30\u003cbr\u003e14. Ogún Bára 01:11\u003cbr\u003e15. Angela's Angel 01:01\u003cbr\u003e16. Naima 01:34\u003cbr\u003e17. The Prayer 01:49\u003cbr\u003e18. Rahsaan Is Beautiful 01:07\u003cbr\u003e19. A Walk With Thee 01:01\u003cbr\u003e20. Humility In The Light Of The Creator 02:38\u003cbr\u003e21. Love 02:19\u003cbr\u003e22. Life 02:04\u003cbr\u003e23. Love (Alternate Take) 03:05\u003cbr\u003e24. Life Revisited 01:43\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp class=\"tralbumData tralbum-about\"\u003e\u003cspan class=\"bcTruncateMore\"\u003eText excerpt by Piotr Orlov\u003c\/span\u003e via the label:\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003e\"...\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003eFlores para Verene (“Flowers for Verene”) brings together solo clarinet-and-trumpet versions of compositions by Tomin’s musical paragons — Mingus, Coltrane, Rahsaan Roland Kirk, Albert Ayler, Eddie Gale, among others. They were recorded to honour his life’s great hero, his maternal grandmother, Virlenice Diaz Valencia, who’d passed away in late 2019 in her native Colombia. (Tomin’s liner notes express the love the two had for one another with an exceptional clarity.) These versions are miniatures—short-length, layered constructions offering little more than the song’s theme, in lo-fi recordings that embrace the click of the clarinet keys—yet full-hearted in their intimacy. As with all the best sounds, laughter and tears are on equal footing here.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOn the album's Cantos para Caramina (“Songs for Caramina”) side, it’s Tomin’s own originals—dedicated to his older, very much living sister, Caramina—which rise to the fore. Horns are abandoned for the sine-waves of synths and electric keyboards. The longing of remembrance is replaced with the allure of a future yet to happen. The textured air is filled with melodic abstraction reminiscent of Erik Satie or Emahoy Tsegué-Maryam Guèbrou, or maybe even Ra at his solo and sanguine. In 2021, as hope came into view, Tomin wanted to honour Caramina by creating something new. And this quartet of (equally) small-scaled compositions dance like a gathering of angels on the head of a pin. None too fancy, but eminently breathable. The kind of thing that insists, “There is more to this world.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cspan\u003e\u003c\/span\u003e\u003cbr\u003e\n\u003c\/div\u003e\n\u003cp\u003eArtist : Tomin\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0083\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Black Vinyl","offer_id":46518064972026,"sku":"","price":4390.0,"currency_code":"JPY","in_stock":false},{"title":"Translucent Gold Vinyl","offer_id":46518065004794,"sku":"","price":4940.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/pa1_446e3554-f008-45a9-ac92-b05752dd183c.jpg?v=1722846369"},{"product_id":"asher-gamedze-the-black-lungs-constitution-2xlp-cd","title":"Asher Gamedze \u0026 The Black Lungs \/\/ Constitution 2xLP \/ CD","description":"\u003cp\u003e南アフリカ・ケープタウンのジャズドラマーAsher gamedzeが、2023年5月にアメリカ・シカゴのジャズレーベルInternational Anthemからリリースした2枚組レコードです。\u003c\/p\u003e\n\u003cp\u003e10人編成のアンサンブルThe Black Lungsとコラボレートしたスピリチュアル・ジャズ10曲を収録。ゲートフォルド仕様です。\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/tobirarecords.com\/products\/asher-gamedze-turbulence-and-pulse-lp\"\u003e前作\u003c\/a\u003eもオススメです。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/CzGYx3hphvE?si=hrUJUrsE1oE9MIfM\" height=\"315\" width=\"560\" allowfullscreen=\"\" referrerpolicy=\"strict-origin-when-cross-origin\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. vailable on 2 x 12\" black vinyl in reverse-board sleeve w\/ OBI or CD in digipack.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Find Each Other 03:46\u003cbr\u003e2. Determining Facts 16:33\u003cbr\u003e3. Antagonism 01:31\u003cbr\u003e4. Elaboration 03:13\u003cbr\u003e5. Constitution (Pt. 1) 17:40\u003cbr\u003e6. Constitution (Pt. 2) 21:41\u003cbr\u003e7. Destitution 02:00\u003cbr\u003e8. High Land. New Home 04:22\u003cbr\u003e9. Melancholia 07:15\u003cbr\u003e10. Deposition: A Song for the Dialectician 03:34\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e“\u003cem\u003eMembers of the dispossessed, won’t you lend me your ears!”\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThis is the repeated call and the rallying chorus of the nearly 40-minute centerpiece to composer and percussionist Asher Gamedze’s new album Constitution. The expansive double album, a minoritarian fellowship in breath, is Gamedze’s follow-up to 2023’s Turbulence and Pulse (IARC0057\/M3H013), and his first with The Black Lungs, a ten-piece ensemble. The album – recorded in one day at Cape Town’s Sound and Motion Studios – is an elaboration of the possibilities of autonomous constitution in and through polyrhythmic, modal, large ensemble music.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGamedze holds down duties on the drum kit, joining with Ru Slayen (percussion), Sean Sanby (bass), and Nobuhle Ashanti (piano) breathing together to cohere in what would otherwise be called a rhythm section. The ensemble is expanded by more breath - horns and voices. Tumi Pheko (cornet), Garth Erasmus (alto saxophone), Jed Petersen (tenor saxophone), Tina Mene (vocals), Athi Ngcaba (trombone) and Fred Moten (words) collectively explore and deconstruct the conceptual, tonal and atonal possibilities of themes which are at once of old and new dreams - curious and instantiative, melancholic and\u003cspan class=\"bcTruncateMore\"\u003e emergent.\u003cbr\u003e\u003cbr\u003eAs Moten puts it, “this polyrhythmic but also always polyphonic critical joining – this re-assemblage of ensemble, this loving violation – lets the nightmares of individuation all unravel.” The Black Lungs join a tradition of sound, struggle and thought that is constituted by this very process of unraveling the isolating questions of isolated philosophers: “Is Socrates happy?”; “Does the dialectician have a sound?” On Constitution, the power of the question, the possibility of an improvised answer and the celebration of being together exists not in the solo but in the group, the ensemble.\u003cbr\u003e\u003cbr\u003eThis is a theme present not just throughout Constitution, but in all of Gamedze’s work. “The ensemble experience of study and struggle is the basis of my thought and everything I try to do in this mad world,” he says in the album’s liner notes. Further situating the sound and the impulse of the ensemble within the multitudinous terrains of the historical and ongoing struggles of the dispossessed, he explains that “The Black Lungs is inspired by the revolutionary thought and practice of the Black Consciousness Movement. In particular, the relationship between antagonism – constituting a united front of all the oppressed against white supremacy and racial capitalism – and the possibilities for resistance and elaboration - the creative militant capacities of those assembled – enabled and unleashed by that process of constitution.”\u003c\/span\u003e \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Asher Gamedze \u0026amp; The Black Lungs\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : IARC0084\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"2xLP","offer_id":46747087274234,"sku":"","price":4973.0,"currency_code":"JPY","in_stock":true},{"title":"CD","offer_id":46747087307002,"sku":"","price":2555.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/con1_3294a1a1-cff8-49b6-924a-84315b2ddc84.jpg?v=1728870002"},{"product_id":"tomin-a-willed-and-conscious-balance-lp-black-color","title":"Tomin \/\/ A Willed and Conscious Balance LP [COLOR]","description":"\u003cp\u003eアメリカ・NYの金管楽器奏者／マルチ奏者Tominが、2024年11月に同国シカゴのコンテンポラリージャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスピリチュアル・ジャズ10曲を収録。帯とライナーノーツ付属。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2707348856\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. 12\" clear vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Untitled Dirge (intro) 00:58\u003cbr\u003e2. Untitled Dirge 05:00\u003cbr\u003e3. Love 05:37\u003cbr\u003e4. 4alto Revisited (interlude) 00:42\u003cbr\u003e5. movement 05:17\u003cbr\u003e6. Life Revisited 03:45\u003cbr\u003e7. Life 03:27\u003cbr\u003e8. 4alto (interlude) 00:48\u003cbr\u003e9. Man of Words 06:26\u003cbr\u003e10. Humility in the Light of the Creator 02:54\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eArtist : Tomin\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT No : LP-IARC0088\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":46841771032826,"sku":"","price":4440.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/con1_87c59470-f802-4d65-80dd-e02744a0df8a.jpg?v=1731129835"},{"product_id":"makaya-mccraven-where-we-come-from-chicagoxlondon-mixtape-lp","title":"Makaya McCraven \/\/ Where We Come From (CHICAGOxLONDON Mixtape) LP","description":"\u003cp\u003eアメリカ・シカゴのパーカッショニストMakaya McCravenが、2023年3月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eライブ録音とリミックスあわせて14曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=770961976\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e140g Classic Black Vinyl LP in a heavyweight matte LP Jacket with Black Flood inner pocket, includes insert sheet, IARC dome-pattern inner sleeve and OBI Strip.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e++\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRecorded live at Total Refreshment Centre 18 \u0026amp; 19 October 2017 (CHICAGOxLONDON).\u003cbr\u003e\u003cbr\u003eLive recordings mixed at Total Refreshment Studios 20 \u0026amp; 21 October 2017.\u003cbr\u003e\u003cbr\u003eRemixed live at Total Refreshment Centre 22 October 2017 (FRESH ROASTED: Live Beat-Making \u0026amp; Battle).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":47064540184826,"sku":null,"price":4464.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/we1_ad5e64a1-15a3-4b5e-97ca-cf13cc257493.jpg?v=1680238657"},{"product_id":"makaya-mccraven-universal-beings-e-f-sides-lp","title":"Makaya McCraven \/\/ Universal Beings E\u0026F Sides LP","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアメリカ・シカゴのジャズドラマーMakaya McCravenが、2020年7月にシカゴの老舗ジャズレーベルInternational Anthemからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e90年代ヒップホップをを彷彿とさせるジャズ meets ビートミュージック14曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKamaal WilliamsやNubya Garcia、Miguel Atwood-Ferguson、Jeff Parker、Shabaka Hutchingsが参加しています。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2857185688\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn addendum to Makaya McCraven's critically-acclaimed 2018 release Universal Beings, which The New York Times said \"affirms the drummer and beatsmith's position as a major figure in creative music,\" Universal Beings E\u0026amp;F Sides presents fourteen new pieces of organic beat music cut from the original sessions, prepared and produced by Makaya as a soundtrack to the Universal Beings documentary film.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDirected by Mark Pallman, the Universal Beings documentary follows Makaya to Los Angeles, Chicago, London and New York City for a behind the scenes look into the making of the artists breakthrough album, taking the viewer through the story of Makaya's life, his process and the community of musicians that helped bring this project to life. The Universal Beings documentary and Universal Beings E\u0026amp;F Sides album release July 31st 2020.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNamed one of the best albums of 2018 by The New York Times, Rolling Stone, NPR, Stereogum, Billboard, SPIN, The Wall Street Journal, The Chicago Tribune, and more, Universal Beings was recorded at four sessions in New York, Chicago, London and Los Angeles, and features some of the best \"new\" jazz players from those hot bed cities: Brandee Younger, Tomeka Reid, Dezron\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson - all of whom feature on Universal Beings E\u0026amp;F Sides.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Makaya McCraven\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInternational Anthem\u003c\/span\u003e\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":47064559255802,"sku":null,"price":4464.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/un1_d02b1f36-6ef9-4a46-a44c-be91f1ac2a20.jpg?v=1701165851"},{"product_id":"damon-locks-list-of-demands-lp","title":"Damon Locks \/\/ List of Demands LP","description":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家／美術家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスポークンワードを中心としたジャズ12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシカゴ現代写真美術館で開催された『Beautiful Diaspora \/ You Are Not the Lesser Part』展で、Locksがエクスペリメンタル・サウンド・スタジオ（ESS）の新作を発表するよう依頼されたことがきっかけで、『List of Demands』は動き出した。彼はまた、List of Demandsのアルバムアートで見ることができるビジュアルワークも提供した。これらの作品は、同展のキュレーターであるアーシャ・イマン・ヴィールからの指示によって制作されたもので、「グローバルな有色人種アーティストと多様な黒人アーティストとの間の並行する経験や関係について深く考えることを促す 」ことを目的としている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eショーの後、ESSのチーフ・エンジニアであるアレックス・イングリツィアンは、Locksに素材をさらに発展させてレコーディングすることを勧め、そのためのコントロール操作を自ら志願した。コルネット奏者のベン・ラマー・ゲイ、ヴァイオリニストのマシー・スチュワート、詩人のクリスタ・フランクリン、ターンテーブリスト／ドラマーのラルフ・ダーデン（別名DJメジャー・テイラー）などだ。しかし、その結果はLocks独特のものだ。その上、Locksにとっては明らかに新しい作品となった。ブラック・モニュメント・アンサンブルの濃密なリズム、ニュー・フューチャー・シティ・レディオのカオティックな404カット・アンド・ミックス、ロブ・マズレックのエクスプロッディング・スター・オーケストラのリゼルギーなSFディージェイ・トースティング、ザ・エターナルズのダブを取り入れたポストパンクなど、彼のカタログには『List of Demands』のヒントが散りばめられているが、本作はその全体像を集中的に切り取ったものだ。間違いなく、これまでで最も Locksらしいレコードである...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3386797177\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reversed\u003cbr\u003e2. Distance\u003cbr\u003e3. Holding the Dawn in Place (Beyond pt. 2)  \u003cbr\u003e4. Everything’s Under Control\u003cbr\u003e5. Isn’t It Beautiful\u003cbr\u003e6. High Priestess\u003cbr\u003e7. Meteors of Fear\u003cbr\u003e8. List of Demands\u003cbr\u003e9. The Signal is Hot\u003cbr\u003e10. Control Power\u003cbr\u003e11. Click  \u003cbr\u003e12. Reversed pt. 2 (Something to Love)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eList of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eList of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition\u003cspan class=\"bcTruncateMore\"\u003e called Beautiful Diaspora \/ You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”\u003cbr\u003e\u003cbr\u003eAfter the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist \/ drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most \"Damon Locks\" Damon Locks record to date...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT no : IARC0092\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":47073254244602,"sku":"","price":4553.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/dem1.jpg?v=1737617904"},{"product_id":"damon-locks-list-of-demands-lp-color","title":"Damon Locks \/\/ List of Demands LP [COLOR]","description":"\u003cp\u003eアメリカ・シカゴのベテランジャズ作家Damon Locksが、2025年1月にシカゴのジャズ大巣窟International Anthemからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eスポークンワードを中心としたジャズ12曲を収録。レッドマーブル盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"List of Demandsは、Damon Locksがスポークンワードやテキストベースの作品からアルバム全体を作り上げることに初めて挑戦した作品であり、シカゴを拠点に活動するミュージシャンであり教育者でもある彼は、文化的な抽象概念を収集し、それらを確固たる真実へと再編成している。このアルバムは、黒人解放のビジョンを示し、それを一口サイズのニッキー・ジョヴァンニ・ミーツMFドゥーム・スタイルのリズム実験のソング・サイクルとして外部に発信している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eサンプルベースの構成は、鋭い文化観察だけでなく、文化への直接的な共同参加という生涯の経験に裏打ちされている。Locksの数十年にわたる経歴は、実験的即興、サンプルベースのヒップホップ、パンク、ポエトリー（詩）を点と点で結んでいる。そして、それが狙いなのだろう。全人格的なスペクトルをジャンプ・スタートさせること。恍惚としたポジティブさは、彼のニュアンスに富んだ現実の把握を通して検証され、すべては「あり得るかもしれない」という常に広まり続けるコンセプトに向かって働いている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eシカゴ現代写真美術館で開催された『Beautiful Diaspora \/ You Are Not the Lesser Part』展で、Locksがエクスペリメンタル・サウンド・スタジオ（ESS）の新作を発表するよう依頼されたことがきっかけで、『List of Demands』は動き出した。彼はまた、List of Demandsのアルバムアートで見ることができるビジュアルワークも提供した。これらの作品は、同展のキュレーターであるアーシャ・イマン・ヴィールからの指示によって制作されたもので、「グローバルな有色人種アーティストと多様な黒人アーティストとの間の並行する経験や関係について深く考えることを促す 」ことを目的としている。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eショーの後、ESSのチーフ・エンジニアであるアレックス・イングリツィアンは、Locksに素材をさらに発展させてレコーディングすることを勧め、そのためのコントロール操作を自ら志願した。コルネット奏者のベン・ラマー・ゲイ、ヴァイオリニストのマシー・スチュワート、詩人のクリスタ・フランクリン、ターンテーブリスト／ドラマーのラルフ・ダーデン（別名DJメジャー・テイラー）などだ。しかし、その結果はLocks独特のものだ。その上、Locksにとっては明らかに新しい作品となった。ブラック・モニュメント・アンサンブルの濃密なリズム、ニュー・フューチャー・シティ・レディオのカオティックな404カット・アンド・ミックス、ロブ・マズレックのエクスプロッディング・スター・オーケストラのリゼルギーなSFディージェイ・トースティング、ザ・エターナルズのダブを取り入れたポストパンクなど、彼のカタログには『List of Demands』のヒントが散りばめられているが、本作はその全体像を集中的に切り取ったものだ。間違いなく、これまでで最も Locksらしいレコードである...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3386797177\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'hot signal red' marble color vinyl. Ask us for digital files.\u003cbr\u003e\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Reversed\u003cbr\u003e2. Distance\u003cbr\u003e3. Holding the Dawn in Place (Beyond pt. 2)  \u003cbr\u003e4. Everything’s Under Control\u003cbr\u003e5. Isn’t It Beautiful\u003cbr\u003e6. High Priestess\u003cbr\u003e7. Meteors of Fear\u003cbr\u003e8. List of Demands\u003cbr\u003e9. The Signal is Hot\u003cbr\u003e10. Control Power\u003cbr\u003e11. Click  \u003cbr\u003e12. Reversed pt. 2 (Something to Love)\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eList of Demands, Damon Locks’s first foray into creating an entire album from spoken and text-based work, finds the Chicago-based musician and educator collecting cultural abstractions and reorganizing them into a firm truth. The album lays out a vision of Black liberation and transmits it outward as a song cycle of bite-sized Nikki Giovanni-meets-MF DOOM-style rhythm experiments.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe sample-based constructions are steeped in a lifetime of not only keen cultural observation, but direct communal participation in the culture. Locks’s decades-long resume connects the dots between experimental improvisation, sample based hip hop, punk, and poetry – each done at the highest level and with a list of collaborators that could spin the head of even the most jaded listener. And that seems to be the point. To jump-start the entire personality spectrum into action. Ecstatic positivity examined via his nuanced grasp of reality, all working toward that ever-evasive concept of what could be.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eList of Demands was set in motion when Locks was asked to present new sound work by Experimental Sound Studio (ESS) at Chicago's Museum of Contemporary Photography inside an exhibition\u003cspan class=\"bcTruncateMore\"\u003e called Beautiful Diaspora \/ You Are Not the Lesser Part. He also contributed visual work, portions of which can be seen in List of Demands' album art. The pieces were guided by prompts from the exhibition’s curator, Asha Iman Veal, who aimed to “encourage deep thinking about parallel experiences and relationships between global artists of color and diverse Black artists.”\u003cbr\u003e\u003cbr\u003eAfter the show, ESS chief engineer Alex Inglizian encouraged Locks to expand upon and record the material, and volunteered to operate the controls for the occasion. This new phase brought in a number of Locks’s go-to collaborators to bring depth and balance to the project: cornetist Ben LaMar Gay, violinist Macie Stewart, poet Krista Franklin, and turntablist \/ drummer Ralph Darden (aka DJ Major Taylor). The results, though, are distinctly Damon Locks. On top of that, the results are distinctly new for Damon Locks. Sure, there have been hints of List of Demands strewn throughout his catalog – the dense rhythms of his Black Monument Ensemble, the chaotic 404 cut-and-mix of New Future City Radio, the lysergic sci-fi deejay toasting of Rob Mazurek’s Exploding Star Orchestra, the dub-inflected post-punk of The Eternals – but this is a focused cross-section of its entirety. Arguably the most \"Damon Locks\" Damon Locks record to date...\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Damon Locks\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT no : IARC0092\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":47073254506746,"sku":null,"price":5619.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/dem1.jpg?v=1737617904"},{"product_id":"gregory-uhlmann-josh-johnson-sam-wilkes-uhlmann-johnson-wilkes-lp-color","title":"Gregory Uhlmann, Josh Johnson, Sam Wilkes \/\/ Uhlmann Johnson Wilkes LP [COLOR]","description":"\u003cp\u003eSMLやAnna Butterssにも参加しているアメリカのギタリストGregory Uhlmannとサックス奏者Josh Johnson、日本国内でも大人気のベーシストSam Wilkesが、2025年3月に同国シカゴのジャズ大巣窟International Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・スピリチュアルジャズ11曲を収録。グレープ盤です。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"即興演奏家／作編曲家／プロデューサーであるこの3人の素晴らしい個々の経歴は、幅広いスタイルの振り子を網羅しており、このトリオのグループ曲集は、いくつもの音楽的領域を見事に掘り起こすことができるだろう。この11曲のインストゥルメンタル曲では、ジャズの影響を受けたプログレッシブなエレクトロアコースティック・チェンバーミュージックとでも言うべき、広々とした叙情的好奇心を探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eETAでの2回のライヴと、ロサンゼルスのウールマンの自宅でのセッションで構想されたこのアルバムは、美、メロディー、動きに焦点を当てながら、トリオの楽器と高度なダイヤルエフェクトを駆使し、リズム・セクションの集団的な感性で別世界のサウンドを作り上げている。これらのインスタントな楽曲のエトスは、ウールマンの指弾きエレクトリックギターの哀愁を帯びた美しさ、ウィルクスのベース・コーディングのハイブリッドなリズム・リード、ジョンソンのエフェクトを多用したアルト・サックスのテクスチャー豊かなハーモニーの世界観を披露する、アレンジを意識した即興演奏である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、このトリオの探求の根底にあるのは音楽性だけではない。グループの物語の弧は、友情と相互賞賛のひとつである。ウールマンとジョンソンは、10代でジャズを学んでいた頃からの知り合いだ。教育の場で初めて出会った直後、彼らはシカゴの故郷に戻り、低姿勢で集まって音楽的な探求を始めた。伝説的なギタリスト／作曲家であるジェフ・パーカーという共通の導き手からレッスンを受けていたことは、当時はまだ知らなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e高校卒業後、ジョンソンはインディアナ州ブルーミントンのジェイコブス・スクール・オブ・ミュージックへ、ウールマンはカリフォルニア州サンタクラリタのカル・アーツへと、それぞれ別々の道を歩んだが、LAに移り住んですぐに再会し、スタジオ・ワークや各地の小さなクラブでのフリー・インプロヴィゼーションの機会を共有することで、2人の緩やかなパートナーシップは自然と固まった。ウールマンは演奏とプログラミングの両方を手がけ、ブートレッグ・シアターでコラボレーションのプラットフォームを作り、ジョンソンはハイランドパークのETAで毎週ギグを行い、ジェフ・パーカーとの学生からコラボレーターへの移行が順調に進んでいた。これらすべてのすぐ近くにいたのが、LAのクリエイティブ・ミュージック・シーンの異種交配で知られる連続的コラボレーター、ベーシストのサム・ウィルクスだった...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=142298966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cspan style=\"color: rgb(255, 42, 0);\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e12\" 'concord grape' color vinyl in reverse board jacket w. OBI.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Marvis\u003cbr\u003e2. Fumarole\u003cbr\u003e3. Arpy\u003cbr\u003e4. Frica 02:22\u003cbr\u003e5. Hoe Down\u003cbr\u003e6. Jicama\u003cbr\u003e7. Unsure\u003cbr\u003e8. Fields\u003cbr\u003e9. Shwa\u003cbr\u003e10. Rewinded\u003cbr\u003e11. The Fool on the Hill\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'\u003cem\u003eUhlmann Johnson Wilkes' is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet \u0026amp; New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser\/arranger\/producers’ impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterful results. In these 11 instrumental songs, the trio explores a spacious lyrical curiosity that could be described as a jazz-informed take on progressive electro-acoustic chamber music.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConceived during two live shows at ETA and a session at Uhlmann’s house in Los Angeles, the album maintains a focus on beauty, melody, and movement as the pieces unfold, with the trio pushing their instruments and highly-dialed effects to sculpt otherworldly sounds with the collective sensibility of a rhythm section. The ethos of these instant compositions is arrangement-minded improvisation that showcases the mournful beauty of Uhlmann’s fingerpicked electric guitar, the hybrid rhythm-lead of Wilkes’ bass chording, and the textural harmonic worldbuilding of Johnson’s effect\u003cspan class=\"bcTruncateMore\"\u003e-laden alto saxophone.\u003cbr\u003e\u003cbr\u003eThe trio’s explorations are rooted in more than just musicality, though. The arc of the group’s story is one of friendship and mutual admiration. Uhlmann and Johnson have known each other since their formative days as teenagers studying jazz. Shortly after first meeting in an educational setting, they would connect for nascent musical probing via low-stakes get-togethers back home in Chicago. They didn’t even know at the time that they had both taken lessons from a mutual guiding light – legendary guitarist\/composer Jeff Parker.\u003cbr\u003e\u003cbr\u003eAfter high school, they headed in separate directions – Johnson to Jacobs School of Music in Bloomington, Indiana; Uhlmann to Cal Arts in Santa Clarita, California – but reconnected quickly upon migrating to LA, where shared opportunities for studio work as well as revolving-cast free improvisation at small clubs around the city naturally cemented their loose partnership. Uhlmann was both playing and programming, creating platforms for collaboration at the Bootleg Theater, while Johnson’s transition from student-of to collaborator-with Jeff Parker was well underway via their weekly gig at Highland Park’s ETA. In the immediate periphery of all of this was bassist Sam Wilkes, a serial collaborator well known in the LA creative music scene’s cross-pollination trenches....\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann, Josh Johnson, Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003eIARC0095\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":47100894150906,"sku":"","price":4970.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/greg1_8b8025c0-ee7e-405d-8bad-3123fd3c4efa.jpg?v=1738642244"},{"product_id":"gregory-uhlmann-josh-johnson-sam-wilkes-uhlmann-johnson-wilkes-lp","title":"Gregory Uhlmann, Josh Johnson, Sam Wilkes \/\/ Uhlmann Johnson Wilkes LP","description":"\u003cp\u003eSMLやAnna Butterssにも参加しているアメリカのギタリストGregory Uhlmannとサックス奏者Josh Johnson、日本国内でも大人気のベーシストSam Wilkesが、2025年3月に同国シカゴのジャズ大巣窟International Anthemからリリースした共作アルバムです。\u003c\/p\u003e\n\u003cp\u003eアンビエント・スピリチュアルジャズ11曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源を無料でお送りいたしますのでお気軽にご連絡くださいませ\u003c\/p\u003e\n\u003cp\u003e以下、レーベルによる解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"即興演奏家／作編曲家／プロデューサーであるこの3人の素晴らしい個々の経歴は、幅広いスタイルの振り子を網羅しており、このトリオのグループ曲集は、いくつもの音楽的領域を見事に掘り起こすことができるだろう。この11曲のインストゥルメンタル曲では、ジャズの影響を受けたプログレッシブなエレクトロアコースティック・チェンバーミュージックとでも言うべき、広々とした叙情的好奇心を探求している。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eETAでの2回のライヴと、ロサンゼルスのウールマンの自宅でのセッションで構想されたこのアルバムは、美、メロディー、動きに焦点を当てながら、トリオの楽器と高度なダイヤルエフェクトを駆使し、リズム・セクションの集団的な感性で別世界のサウンドを作り上げている。これらのインスタントな楽曲のエトスは、ウールマンの指弾きエレクトリックギターの哀愁を帯びた美しさ、ウィルクスのベース・コーディングのハイブリッドなリズム・リード、ジョンソンのエフェクトを多用したアルト・サックスのテクスチャー豊かなハーモニーの世界観を披露する、アレンジを意識した即興演奏である。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eしかし、このトリオの探求の根底にあるのは音楽性だけではない。グループの物語の弧は、友情と相互賞賛のひとつである。ウールマンとジョンソンは、10代でジャズを学んでいた頃からの知り合いだ。教育の場で初めて出会った直後、彼らはシカゴの故郷に戻り、低姿勢で集まって音楽的な探求を始めた。伝説的なギタリスト／作曲家であるジェフ・パーカーという共通の導き手からレッスンを受けていたことは、当時はまだ知らなかった。\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e高校卒業後、ジョンソンはインディアナ州ブルーミントンのジェイコブス・スクール・オブ・ミュージックへ、ウールマンはカリフォルニア州サンタクラリタのカル・アーツへと、それぞれ別々の道を歩んだが、LAに移り住んですぐに再会し、スタジオ・ワークや各地の小さなクラブでのフリー・インプロヴィゼーションの機会を共有することで、2人の緩やかなパートナーシップは自然と固まった。ウールマンは演奏とプログラミングの両方を手がけ、ブートレッグ・シアターでコラボレーションのプラットフォームを作り、ジョンソンはハイランドパークのETAで毎週ギグを行い、ジェフ・パーカーとの学生からコラボレーターへの移行が順調に進んでいた。これらすべてのすぐ近くにいたのが、LAのクリエイティブ・ミュージック・シーンの異種交配で知られる連続的コラボレーター、ベーシストのサム・ウィルクスだった...\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=142298966\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inan\"\u003ehere\u003c\/a\u003e to see more International Anthem releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003e12\" black vinyl in reverse board jacket w. OBI.\u003c\/p\u003e\n\u003cblockquote\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp class=\"MsoNormal\"\u003e1. Marvis\u003cbr\u003e2. Fumarole\u003cbr\u003e3. Arpy\u003cbr\u003e4. Frica 02:22\u003cbr\u003e5. Hoe Down\u003cbr\u003e6. Jicama\u003cbr\u003e7. Unsure\u003cbr\u003e8. Fields\u003cbr\u003e9. Shwa\u003cbr\u003e10. Rewinded\u003cbr\u003e11. The Fool on the Hill\u003c\/p\u003e\n\u003c\/blockquote\u003e\n\u003cp\u003eText excerpt by International Anthem:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e'\u003cem\u003eUhlmann Johnson Wilkes' is the debut album from Gregory Uhlmann (SML, Anna Butterss, Duffy x Uhlmann, Perfume Genius), Josh Johnson (SML, Jeff Parker ETA IVtet \u0026amp; New Breed, Meshell Ndegeocello, Anna Butterss, Leon Bridges), and Sam Wilkes (Sam Gendel, Louis Cole, Chaka Khan). The three improviser\/arranger\/producers’ impressive individual credits encompass such a wide stylistic pendulum swing that a collection of group music from the trio could mine any number of musical territories with masterful results. In these 11 instrumental songs, the trio explores a spacious lyrical curiosity that could be described as a jazz-informed take on progressive electro-acoustic chamber music.\u003c\/em\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eConceived during two live shows at ETA and a session at Uhlmann’s house in Los Angeles, the album maintains a focus on beauty, melody, and movement as the pieces unfold, with the trio pushing their instruments and highly-dialed effects to sculpt otherworldly sounds with the collective sensibility of a rhythm section. The ethos of these instant compositions is arrangement-minded improvisation that showcases the mournful beauty of Uhlmann’s fingerpicked electric guitar, the hybrid rhythm-lead of Wilkes’ bass chording, and the textural harmonic worldbuilding of Johnson’s effect\u003cspan class=\"bcTruncateMore\"\u003e-laden alto saxophone.\u003cbr\u003e\u003cbr\u003eThe trio’s explorations are rooted in more than just musicality, though. The arc of the group’s story is one of friendship and mutual admiration. Uhlmann and Johnson have known each other since their formative days as teenagers studying jazz. Shortly after first meeting in an educational setting, they would connect for nascent musical probing via low-stakes get-togethers back home in Chicago. They didn’t even know at the time that they had both taken lessons from a mutual guiding light – legendary guitarist\/composer Jeff Parker.\u003cbr\u003e\u003cbr\u003eAfter high school, they headed in separate directions – Johnson to Jacobs School of Music in Bloomington, Indiana; Uhlmann to Cal Arts in Santa Clarita, California – but reconnected quickly upon migrating to LA, where shared opportunities for studio work as well as revolving-cast free improvisation at small clubs around the city naturally cemented their loose partnership. Uhlmann was both playing and programming, creating platforms for collaboration at the Bootleg Theater, while Johnson’s transition from student-of to collaborator-with Jeff Parker was well underway via their weekly gig at Highland Park’s ETA. In the immediate periphery of all of this was bassist Sam Wilkes, a serial collaborator well known in the LA creative music scene’s cross-pollination trenches....\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gregory Uhlmann, Josh Johnson, Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : International Anthem\u003c\/p\u003e\n\u003cp\u003eCAT NO : \u003cmeta charset=\"utf-8\"\u003eIARC0095\u003c\/p\u003e","brand":"Tobira Records","offers":[{"title":"Default Title","offer_id":47100894281978,"sku":null,"price":4844.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/greg1_0d781f9d-3612-4b4a-969a-6998458d1249.jpg?v=1738642440"}],"url":"https:\/\/tobirarecords.com\/id\/collections\/inan.oembed?page=4","provider":"Tobira Records","version":"1.0","type":"link"}