Philip Lewin // Am I Really Here All Alone ? LP
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Philip Lewin // Am I Really Here All Alone ? LP
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アメリカン・プリミティブ〜ブルース作家Philip Lewinが、1975年にリリースしたデビューアルバムの再発レコードです。
Tompkins Square その他作品はこちら /// Click here to see more Tompkins Square releases available at Tobira.
----------------------
"Phil Lewin's homespun debut is a loner folk masterpiece; accidentally psychedelic, lit by heartbreak and timeless in its sadness and hope."
- Jeff Conklin, WFMU
Artist : Philip Lewin
Label : Tompkins Square
アメリカン・プリミティブ〜ブルース作家Philip Lewinが、1975年にリリースしたデビューアルバムの再発レコードです。
Tompkins Square その他作品はこちら /// Click here to see more Tompkins Square releases available at Tobira.
----------------------
"Phil Lewin's homespun debut is a loner folk masterpiece; accidentally psychedelic, lit by heartbreak and timeless in its sadness and hope."
- Jeff Conklin, WFMU
Artist : Philip Lewin
Label : Tompkins Square
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{"id":8025509495034,"title":"Sam Wilkes \/\/ DRIVING LP \/ TAPE","handle":"sam-wilkes-driving-lp-tape","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e※10月上旬入荷予定です\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eアメリカ・LAのベーシストSam Wilkesが、2023年10月に自主リリースするアルバムです。\u003c\/p\u003e\n\u003cp\u003eインディーフォーク〜アンビエント・ジャズ9曲を収録。DLコード付属。 \u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=772514260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or cassette in norelco case. \u003cbr\u003eLP edition of 500 \/ Cassette edition of 150. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFolk Home\u003c\/li\u003e\n\u003cli\u003eAg\u003c\/li\u003e\n\u003cli\u003eHannah Song\u003c\/li\u003e\n\u003cli\u003eOwn\u003c\/li\u003e\n\u003cli\u003eKnows\u003c\/li\u003e\n\u003cli\u003eConga\u003c\/li\u003e\n\u003cli\u003eAgain, Again\u003c\/li\u003e\n\u003cli\u003eAnd Again\u003c\/li\u003e\n\u003cli\u003eDriving\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e via the artist\/label : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Driving is Sam Wilkes’ Indie Rock record. Out October 6th, 2023, it is the first release on Wilkes Records, an imprint borne of the artist’s emergent need to self-release. The songs presented here exist comfortably within the ever-expanding Wilkesian cosmos, characterized as they are by virtuosity, torqued experimentalism, and collaboration with a range of talented musicians. But Driving’s influences, its sincerity, and its allegiance to a certain pop sensibility reflects a departure for an artist who has primarily staked his claim within the experimental jazz idiom.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTake the first track, “Folk Home,” which inaugurates the album’s fecundity—a bright, green, humid, summer feel. A swirling, freakout coda of reversed vocals gives way, in no short order, to a caterwaul of flute work that conjures Van Morrison’s (in)famous Astral Weeks sessions. Standing beside Morrison, the usual suspects are all present, if somewhat abstractedly. Dylan, The Dead, Joni, the Fab Four. Wilkes has developed a reputation as an experimental jazz luminary, but his deep affinity for the pop\/rock\/folk idiom of the latter twentieth century rings clear throughout Driving. More so than any Wilkes release to date, Driving is a collection guided by and dedicated to the man’s attention to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e songcraft.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWritten and recorded during a period of rain-damage induced renter’s itinerance (and the attendant desire to produce a kind of therapeutic, self-soothing, home-feeling music), Driving loosely charts the trajectory\/experience of “a protagonist,” both Wilkes and not, “who has figured out how to live an enlightened and fulfilled life, but is unable to do so because he thinks about it too much.” This friction is surely relatable — a symptom of our compulsively self-aware present. But Wilkes avoids the obvious pitfalls of public hand-wringing. Rather, Driving’s nine tracks evince a genuine, and mature searching-ness, both sonically and lyrically. The ending refrain of “Own” serves like something close to a thesis— “Letting go \/\/ isn’t a concept \/\/ it’s an action.” In an attempt to beat back ego, hyper-cogitation, language itself, Wilkes arrives at an axiom that feels so true and familiar, you’d swear you’d heard it one hundred times before.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDriving’s final third is, fittingly, its most emotive and cathartic. Tracks seven and eight, “Again, Again” and “And Again,” form a diptych, joined most obviously by the jangling, recursive grooves of guitarist Daryl Johns. Wilkes is said to have encouraged Johns to go “full Lindsey [Buckingham]” (clearly a welcome and resonant prompt), but one also catches stray Knopfler vibes, some intermittent Fripp, and (perhaps more-so in tone than technique) the spirit of DIY prophet and jangling man himself, Martin Newell (the Cleaners from Venus). Wilkes has stated that he finds joy in creating musical environments suitable to the contribution and flourishing of his favorite musicians. Throughout Driving, and in these two tracks especially, he has more than succeeded.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record closes with the titular track: a story-song that, according to Wilkes, poured out of him (melody, composition, and lyrics) in a single sitting. 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width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=772514260\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 12\" black vinyl or cassette in norelco case. \u003cbr\u003eLP edition of 500 \/ Cassette edition of 150. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eFolk Home\u003c\/li\u003e\n\u003cli\u003eAg\u003c\/li\u003e\n\u003cli\u003eHannah Song\u003c\/li\u003e\n\u003cli\u003eOwn\u003c\/li\u003e\n\u003cli\u003eKnows\u003c\/li\u003e\n\u003cli\u003eConga\u003c\/li\u003e\n\u003cli\u003eAgain, Again\u003c\/li\u003e\n\u003cli\u003eAnd Again\u003c\/li\u003e\n\u003cli\u003eDriving\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003e++\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003eEmmett Shoemaker\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e via the artist\/label : \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Driving is Sam Wilkes’ Indie Rock record. Out October 6th, 2023, it is the first release on Wilkes Records, an imprint borne of the artist’s emergent need to self-release. The songs presented here exist comfortably within the ever-expanding Wilkesian cosmos, characterized as they are by virtuosity, torqued experimentalism, and collaboration with a range of talented musicians. But Driving’s influences, its sincerity, and its allegiance to a certain pop sensibility reflects a departure for an artist who has primarily staked his claim within the experimental jazz idiom.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTake the first track, “Folk Home,” which inaugurates the album’s fecundity—a bright, green, humid, summer feel. A swirling, freakout coda of reversed vocals gives way, in no short order, to a caterwaul of flute work that conjures Van Morrison’s (in)famous Astral Weeks sessions. Standing beside Morrison, the usual suspects are all present, if somewhat abstractedly. Dylan, The Dead, Joni, the Fab Four. Wilkes has developed a reputation as an experimental jazz luminary, but his deep affinity for the pop\/rock\/folk idiom of the latter twentieth century rings clear throughout Driving. More so than any Wilkes release to date, Driving is a collection guided by and dedicated to the man’s attention to\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e songcraft.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWritten and recorded during a period of rain-damage induced renter’s itinerance (and the attendant desire to produce a kind of therapeutic, self-soothing, home-feeling music), Driving loosely charts the trajectory\/experience of “a protagonist,” both Wilkes and not, “who has figured out how to live an enlightened and fulfilled life, but is unable to do so because he thinks about it too much.” This friction is surely relatable — a symptom of our compulsively self-aware present. But Wilkes avoids the obvious pitfalls of public hand-wringing. Rather, Driving’s nine tracks evince a genuine, and mature searching-ness, both sonically and lyrically. The ending refrain of “Own” serves like something close to a thesis— “Letting go \/\/ isn’t a concept \/\/ it’s an action.” In an attempt to beat back ego, hyper-cogitation, language itself, Wilkes arrives at an axiom that feels so true and familiar, you’d swear you’d heard it one hundred times before.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDriving’s final third is, fittingly, its most emotive and cathartic. Tracks seven and eight, “Again, Again” and “And Again,” form a diptych, joined most obviously by the jangling, recursive grooves of guitarist Daryl Johns. Wilkes is said to have encouraged Johns to go “full Lindsey [Buckingham]” (clearly a welcome and resonant prompt), but one also catches stray Knopfler vibes, some intermittent Fripp, and (perhaps more-so in tone than technique) the spirit of DIY prophet and jangling man himself, Martin Newell (the Cleaners from Venus). Wilkes has stated that he finds joy in creating musical environments suitable to the contribution and flourishing of his favorite musicians. Throughout Driving, and in these two tracks especially, he has more than succeeded.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThe record closes with the titular track: a story-song that, according to Wilkes, poured out of him (melody, composition, and lyrics) in a single sitting. The tale is told plainly, bravely, starkly; a mistake was made, regrets have been had, and all is wrapped up in the recollection of a deeply felt adolescent heartsickness—a time when the narrator was first afire with music and automotive freedom. The song captures the moment when meaning inexplicably falls into place, when a long-nagging memory suddenly assumes narrative form, and the subsequent sense of lightness and unburdening. It is fitting that Driving, a record conceived as a form of self-therapy, should culminate with a sense of humble revelation. That Wilkes is plainly eager to share the vulnerable fruits of this labor constitutes Driving’s joyful offering.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sam Wilkes\u003c\/p\u003e\n\u003cp\u003eLabel : Wilkes Records\u003c\/p\u003e"}
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※10月上旬入荷予定です アメリカ・LAのベーシストSam Wilkesが、2023年10月に自主リリースするアルバムです。 インディーフォーク〜アンビエント・ジャズ9曲を収録。DLコード付属。 ------------------------------------ Available on 12" black vinyl or cassette in norelco...
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{"id":8024600215802,"title":"Braun Jaschkewitz \/\/ neid dabei zu sein 2 TAPE","handle":"braun-jaschkewitz-neid-dabei-zu-sein-2-tape","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ハンブルクのコレクターBraun Jaschkewitzが、2023年8月に\u003c\/span\u003eハンブルクの実験／ダンスレーベルVISから150本限定でリリースしたミックステープ第2弾です。\u003c\/p\u003e\n\u003cp\u003e80'sジャーマン・シンセポップ〜ニューウェイブ〜NDWの7\"からワンテイクで録音した1時間30分のミックステープです。廃盤です。\u003c\/p\u003e\n\u003cp\u003eほぼ入手不可能な音源のオンパレードです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2314307424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3807280042\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/vis\"\u003ehere\u003c\/a\u003e to see more V I S releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eMysterious mixtape from Braun Jaschkewitz.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Braun Jaschkewitz\u003c\/p\u003e\n\u003cp\u003eLabel : V I S\u003c\/p\u003e","published_at":"2023-09-26T15:43:15+09:00","created_at":"2023-09-26T15:43:15+09:00","vendor":"Tobira Records","type":"","tags":["Braun Jaschkewitz","folk \/ left-field pop","new","strange beats","tape","vis"],"price":1600,"price_min":1600,"price_max":1600,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44587279515898,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Braun Jaschkewitz \/\/ neid dabei zu sein 2 TAPE","public_title":null,"options":["Default Title"],"price":1600,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/0033353984_10.jpg?v=1695710639","\/\/tobirarecords.com\/cdn\/shop\/files\/0033353981_10.jpg?v=1695710639","\/\/tobirarecords.com\/cdn\/shop\/files\/0033353982_10.jpg?v=1695710638"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033353984_10.jpg?v=1695710639","options":["Title"],"media":[{"alt":null,"id":32497777803514,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033353984_10.jpg?v=1695710639"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033353984_10.jpg?v=1695710639","width":1200},{"alt":null,"id":32497777672442,"position":2,"preview_image":{"aspect_ratio":1.339,"height":896,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033353981_10.jpg?v=1695710639"},"aspect_ratio":1.339,"height":896,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033353981_10.jpg?v=1695710639","width":1200},{"alt":null,"id":32497777836282,"position":3,"preview_image":{"aspect_ratio":1.008,"height":1190,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033353982_10.jpg?v=1695710638"},"aspect_ratio":1.008,"height":1190,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0033353982_10.jpg?v=1695710638","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドイツ・ハンブルクのコレクターBraun Jaschkewitzが、2023年8月に\u003c\/span\u003eハンブルクの実験／ダンスレーベルVISから150本限定でリリースしたミックステープ第2弾です。\u003c\/p\u003e\n\u003cp\u003e80'sジャーマン・シンセポップ〜ニューウェイブ〜NDWの7\"からワンテイクで録音した1時間30分のミックステープです。廃盤です。\u003c\/p\u003e\n\u003cp\u003eほぼ入手不可能な音源のオンパレードです。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2314307424\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3807280042\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/vis\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/vis\"\u003ehere\u003c\/a\u003e to see more V I S releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eMysterious mixtape from Braun Jaschkewitz.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Braun Jaschkewitz\u003c\/p\u003e\n\u003cp\u003eLabel : V I S\u003c\/p\u003e"}
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ドイツ・ハンブルクのコレクターBraun Jaschkewitzが、2023年8月にハンブルクの実験／ダンスレーベルVISから150本限定でリリースしたミックステープ第2弾です。 80'sジャーマン・シンセポップ〜ニューウェイブ〜NDWの7"からワンテイクで録音した1時間30分のミックステープです。廃盤です。 ほぼ入手不可能な音源のオンパレードです。 レーベルその他作品はこちら /// Click here to see more V I S releases available at...
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{"id":8024597070074,"title":"YlangYlang \/\/ Am I Being Overdramatic? CDr","handle":"ylangylang-am-i-being-overdramatic-cd","description":"\u003cp\u003eカナダ・モントリオールのアンビエント・ポップ作家YlangYlangが、2014年に同国トロントの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInyrdiskからリリースしたCDrです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLo-Fiアンビエント・ポップ11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3005617040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inrdsk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inrdsk\"\u003ehere\u003c\/a\u003e to see more Inyrdisk releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCDr in clear plastic sleeve with full color artwork. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMillion Eyes 06:26\u003c\/li\u003e\n\u003cli\u003eAir recording 03:09\u003c\/li\u003e\n\u003cli\u003eBokeh 03:34\u003c\/li\u003e\n\u003cli\u003ePassenger seat 01:57\u003c\/li\u003e\n\u003cli\u003eOutside 01:03\u003c\/li\u003e\n\u003cli\u003eOh moon 03:40\u003c\/li\u003e\n\u003cli\u003eTiny balconies 03:44\u003c\/li\u003e\n\u003cli\u003eBataille galactique 01:20\u003c\/li\u003e\n\u003cli\u003eFakers 02:53\u003c\/li\u003e\n\u003cli\u003eInside the pyramid 01:44\u003c\/li\u003e\n\u003cli\u003eLe ventre du coquillage 06:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : YlangYlang\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAILANTHUS RECORDINGS \/ Inyrdisk\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-09-29T14:12:41+09:00","created_at":"2023-09-26T15:25:22+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","folk \/ left-field pop","inyrdisk","new"],"price":1000,"price_min":1000,"price_max":1000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44587263754490,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"YlangYlang \/\/ Am I Being Overdramatic? CDr","public_title":null,"options":["Default Title"],"price":1000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/am1_f53078eb-1769-4443-9a15-4c32c18614f9.jpg?v=1695709524","\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2145.jpg?v=1695709525"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_f53078eb-1769-4443-9a15-4c32c18614f9.jpg?v=1695709524","options":["Title"],"media":[{"alt":null,"id":32497746542842,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_f53078eb-1769-4443-9a15-4c32c18614f9.jpg?v=1695709524"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/am1_f53078eb-1769-4443-9a15-4c32c18614f9.jpg?v=1695709524","width":700},{"alt":null,"id":32497746575610,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2145.jpg?v=1695709525"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/IMG_2145.jpg?v=1695709525","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・モントリオールのアンビエント・ポップ作家YlangYlangが、2014年に同国トロントの実験レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eInyrdiskからリリースしたCDrです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eLo-Fiアンビエント・ポップ11曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3005617040\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/inrdsk\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/inrdsk\"\u003ehere\u003c\/a\u003e to see more Inyrdisk releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eCDr in clear plastic sleeve with full color artwork. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eMillion Eyes 06:26\u003c\/li\u003e\n\u003cli\u003eAir recording 03:09\u003c\/li\u003e\n\u003cli\u003eBokeh 03:34\u003c\/li\u003e\n\u003cli\u003ePassenger seat 01:57\u003c\/li\u003e\n\u003cli\u003eOutside 01:03\u003c\/li\u003e\n\u003cli\u003eOh moon 03:40\u003c\/li\u003e\n\u003cli\u003eTiny balconies 03:44\u003c\/li\u003e\n\u003cli\u003eBataille galactique 01:20\u003c\/li\u003e\n\u003cli\u003eFakers 02:53\u003c\/li\u003e\n\u003cli\u003eInside the pyramid 01:44\u003c\/li\u003e\n\u003cli\u003eLe ventre du coquillage 06:00\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eArtist : YlangYlang\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAILANTHUS RECORDINGS \/ Inyrdisk\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":8023592370426,"title":"Lusine \/\/ Long Light LP [COLOR]","handle":"lusine-long-light-lp-color","description":"\u003cp\u003eアメリカ・シアトルのIDM作家Lusineが、2023年9月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドリーミーなエレクトロニック・ポップ〜IDM9曲を収録。マーブル盤です。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3859931222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4083105907\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3859931222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black and tan marble vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCome and Go (feat. Vilja Larjosto) 04:24\u003c\/li\u003e\n\u003cli\u003eZero to Sixty (feat. Sarah Jaffe) 04:48 video\u003c\/li\u003e\n\u003cli\u003eFaceless 03:16\u003c\/li\u003e\n\u003cli\u003eDreaming (feat. Asy Saavedra) 04:56\u003c\/li\u003e\n\u003cli\u003eTransonic 04:16\u003c\/li\u003e\n\u003cli\u003ePlateau 03:39\u003c\/li\u003e\n\u003cli\u003eLong Light (feat. 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Structurally straightforward, tight, and bright, the material radiates as the most direct in his catalog, featuring vocal contributions from Asy Saavedra, Sarah Jaffe, and Sensorimotor collaborators Vilja Larjosto and Benoît Pioulard. Lusine found his sound early on, but he’s never stopped pushing and pulling at its potential, patiently deconstructing the distractions and solving the puzzles. With Long Light, a laser-focused, process-driven artist reaches an exceptionally satisfying level of clarity and immediacy. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMcIlwain sees the title, taken from the lyrical phrase \"long light signaling the fall again,” written by Benoît Pioulard for what became the title track, as a guiding device that reflects\u003cspan class=\"bcTruncateMore\"\u003e several meanings. “There’s this sort of paranoia where you don't know what is real, it's an age of high anxiety and there are all these distractions,” McIlwain explains. “It's like a fun house mirror situation.” Following the long light is the only true way through, and he holds that metaphor to the album’s recording, which also carried a cyclical nature akin to seasons. Like the start of fall, the album completes a period of cultivation; “Music making is a struggle and you have to have a ton of patience.” Long Light is proof that what lies beyond the noise, at the end of the figurative tunnel, is worth all the work it’s taken to get there. \u003cbr\u003e\u003cbr\u003eAcross the collection, McIlwain identifies the core sonic element, a vocal cut or a simple beat sequence, from which to build everything else off. On the opener “Come And Go,” he multiplies a vocal take from longtime collaborator Vilja Larjosto into a celestial choir, evoking their Sensorimotor standout “Just A Cloud.” It’s the bass hook on the single “Zero to Sixty,” curving around the voice of Sarah Jaffe, whose pliable range and cool delivery provide the source for Lusine’s unmistakable mapping. The chorus is Jaffe’s (“cold-blooded”) line repeated in step with melodic synth pulses and the buzzing deep bass. For the verse, McIlwain unlocks the loop and she completes the thought, giving the track a sense of tension and relief.\u003cbr\u003e\u003cbr\u003e“I feel like I am dreaming \/ You make me feel like I am walking on a cloud \/ I don’t ever want to feel the ground,” sings Asy Saavedra (of Chaos Chaos) on “Dreaming.” This time McIlwain keeps the phrase intact, making subtle tweaks to the timbre and texture as chimes, clinks, and snaps oscillate.\u003cbr\u003e\u003cbr\u003eThe album balances vocal pop motifs with some of Lusine’s strongest instrumental expressions, from ambient-minded foreshadowing (“Faceless,” “Plateau,” “Rafters”) to hypnotic head-nodders like “Cut and Cover” and “Transonic.” The latter jumps out as the rhythmic centerpiece; first McIlwain outlines the track’s silhouette before filling in its details one layer at a time. Stuttering synth hums join the kick, then proliferate a step higher, harmonizing at the peak with sparkled bell sounds and a burst of feedback. \u003cbr\u003e\u003cbr\u003e“Long Light” has it all: Lusine’s percussive mood-building, rendered with samples from drummer Trent Moorman, and a contortion of tender poetry, courtesy of friend Thomas Meluch, aka Benoît Pioulard (Morr Music, Kranky). “This track has a sort of melody that I haven’t really messed with before,” says McIlwain. “It’s this very droney, mysterious thing, that I really liked, and focused on, and kind of counter balanced with a nasty wavetable patch. Tom just absolutely nailed the feel of the song.”\u003cbr\u003e\u003cbr\u003eIt is rare to arrive at a landmark work two decades into one’s craft, but through repetition, refinement, and patience, Lusine extends a defining moment, an essential piece to his discography.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lusine\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e","published_at":"2023-09-24T09:47:50+09:00","created_at":"2023-09-23T13:43:58+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","ghostly international","house","lp","new"],"price":2300,"price_min":2300,"price_max":2300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44583432585466,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lusine \/\/ Long Light LP [COLOR]","public_title":null,"options":["Default Title"],"price":2300,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/lon1_d6497d0b-f23b-4427-8776-aa4b64139035.jpg?v=1695444239","\/\/tobirarecords.com\/cdn\/shop\/files\/lon2.jpg?v=1695444240"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon1_d6497d0b-f23b-4427-8776-aa4b64139035.jpg?v=1695444239","options":["Title"],"media":[{"alt":null,"id":32486546931962,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon1_d6497d0b-f23b-4427-8776-aa4b64139035.jpg?v=1695444239"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon1_d6497d0b-f23b-4427-8776-aa4b64139035.jpg?v=1695444239","width":700},{"alt":null,"id":32486546964730,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon2.jpg?v=1695444240"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/lon2.jpg?v=1695444240","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・シアトルのIDM作家Lusineが、2023年9月に同国\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalからリリースしたレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eドリーミーなエレクトロニック・ポップ〜IDM9曲を収録。マーブル盤です。DLコード付属。 \u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3859931222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=4083105907\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3859931222\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e to see more Ghostly International releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003e12\" black and tan marble vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eCome and Go (feat. Vilja Larjosto) 04:24\u003c\/li\u003e\n\u003cli\u003eZero to Sixty (feat. Sarah Jaffe) 04:48 video\u003c\/li\u003e\n\u003cli\u003eFaceless 03:16\u003c\/li\u003e\n\u003cli\u003eDreaming (feat. Asy Saavedra) 04:56\u003c\/li\u003e\n\u003cli\u003eTransonic 04:16\u003c\/li\u003e\n\u003cli\u003ePlateau 03:39\u003c\/li\u003e\n\u003cli\u003eLong Light (feat. Benoît Pioulard) 05:16\u003c\/li\u003e\n\u003cli\u003eCut and Cover 04:58\u003c\/li\u003e\n\u003cli\u003eHome 04:18\u003c\/li\u003e\n\u003cli\u003eRafters 02:58\u003c\/li\u003e\n\u003cli\u003eDouble Take 05:20\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eSeattle-based producer Jeff McIlwain, aka Lusine, returns with his 9th full-length record, Long Light, marking twenty years since he first joined the Ghostly International roster. A cited influence for myriad electronic artists including London’s Loraine James and others, Lusine is known for visceral, kinetically-curious music that fuses techno, pop, and experimental composition. In recent years, McIlwain has pushed his craft skyward with more collaborative, song-forward work. Long Light shines the throughline; his signature looping patterns and textures are dynamic yet minimalist as ever. Structurally straightforward, tight, and bright, the material radiates as the most direct in his catalog, featuring vocal contributions from Asy Saavedra, Sarah Jaffe, and Sensorimotor collaborators Vilja Larjosto and Benoît Pioulard. Lusine found his sound early on, but he’s never stopped pushing and pulling at its potential, patiently deconstructing the distractions and solving the puzzles. With Long Light, a laser-focused, process-driven artist reaches an exceptionally satisfying level of clarity and immediacy. \u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eMcIlwain sees the title, taken from the lyrical phrase \"long light signaling the fall again,” written by Benoît Pioulard for what became the title track, as a guiding device that reflects\u003cspan class=\"bcTruncateMore\"\u003e several meanings. “There’s this sort of paranoia where you don't know what is real, it's an age of high anxiety and there are all these distractions,” McIlwain explains. “It's like a fun house mirror situation.” Following the long light is the only true way through, and he holds that metaphor to the album’s recording, which also carried a cyclical nature akin to seasons. Like the start of fall, the album completes a period of cultivation; “Music making is a struggle and you have to have a ton of patience.” Long Light is proof that what lies beyond the noise, at the end of the figurative tunnel, is worth all the work it’s taken to get there. \u003cbr\u003e\u003cbr\u003eAcross the collection, McIlwain identifies the core sonic element, a vocal cut or a simple beat sequence, from which to build everything else off. On the opener “Come And Go,” he multiplies a vocal take from longtime collaborator Vilja Larjosto into a celestial choir, evoking their Sensorimotor standout “Just A Cloud.” It’s the bass hook on the single “Zero to Sixty,” curving around the voice of Sarah Jaffe, whose pliable range and cool delivery provide the source for Lusine’s unmistakable mapping. The chorus is Jaffe’s (“cold-blooded”) line repeated in step with melodic synth pulses and the buzzing deep bass. For the verse, McIlwain unlocks the loop and she completes the thought, giving the track a sense of tension and relief.\u003cbr\u003e\u003cbr\u003e“I feel like I am dreaming \/ You make me feel like I am walking on a cloud \/ I don’t ever want to feel the ground,” sings Asy Saavedra (of Chaos Chaos) on “Dreaming.” This time McIlwain keeps the phrase intact, making subtle tweaks to the timbre and texture as chimes, clinks, and snaps oscillate.\u003cbr\u003e\u003cbr\u003eThe album balances vocal pop motifs with some of Lusine’s strongest instrumental expressions, from ambient-minded foreshadowing (“Faceless,” “Plateau,” “Rafters”) to hypnotic head-nodders like “Cut and Cover” and “Transonic.” The latter jumps out as the rhythmic centerpiece; first McIlwain outlines the track’s silhouette before filling in its details one layer at a time. Stuttering synth hums join the kick, then proliferate a step higher, harmonizing at the peak with sparkled bell sounds and a burst of feedback. \u003cbr\u003e\u003cbr\u003e“Long Light” has it all: Lusine’s percussive mood-building, rendered with samples from drummer Trent Moorman, and a contortion of tender poetry, courtesy of friend Thomas Meluch, aka Benoît Pioulard (Morr Music, Kranky). “This track has a sort of melody that I haven’t really messed with before,” says McIlwain. “It’s this very droney, mysterious thing, that I really liked, and focused on, and kind of counter balanced with a nasty wavetable patch. Tom just absolutely nailed the feel of the song.”\u003cbr\u003e\u003cbr\u003eIt is rare to arrive at a landmark work two decades into one’s craft, but through repetition, refinement, and patience, Lusine extends a defining moment, an essential piece to his discography.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lusine\u003c\/p\u003e\n\u003cp\u003eLabel : Ghostly International\u003c\/p\u003e"}
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アメリカ・シアトルのIDM作家Lusineが、2023年9月に同国Ghostly Internationalからリリースしたレコードです。 ドリーミーなエレクトロニック・ポップ〜IDM9曲を収録。マーブル盤です。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira. ----------------------...
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