Midwife / Planning for Burial // Split 7"

Midwife / Planning for Burial // Split 7"

¥2,190

Write a review

Item no:
Availability:

アメリカのスローコア作家Planning for BurialとMidwifeが、2022年8月に同国アンビエント〜ポップレーベルWhited Sepulchreからリリースしたスプリット7"です。

切ないLo-Fiスローコア2曲を収録。DLコード付属。

Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available at Tobira.

-------------------------------------

Edition of 500.

Whited Sepulchre:

"This split 7" is a reissue of the long sold out companion cassette originally released under the name Sister Grotto & Tucker Theodore as a part of Midwife's debut LP "Like Author, Like Daughter" on Whited Sepulchre Records."

Artist : Midwife

Label : Whited Sepulchre Records

Quantity

+ -

アメリカのスローコア作家Planning for BurialとMidwifeが、2022年8月に同国アンビエント〜ポップレーベルWhited Sepulchreからリリースしたスプリット7"です。

切ないLo-Fiスローコア2曲を収録。DLコード付属。

Whited Sepulchre Recordsその他作品はこちら /// Click here to see more Whited Sepulchre Records releases available at Tobira.

-------------------------------------

Edition of 500.

Whited Sepulchre:

Artist : Midwife

Label : Whited Sepulchre Records

Related Products

Quickview {"id":7982963687674,"title":"Lightning Dust \/\/ Nostalgia Killer LP [COLOR]","handle":"lightning-dust-nostalgia-killer-lp-color","description":"\u003cp\u003eカナダ・バンクーバーのフォーク・ロックデュオLightning Dustが、2023年6月にアメリカの老舗インディーレーベルWestern Vinylからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケ・フォーク〜フォーク・ロック10曲を収録。DLコード付属。黒マーブル盤です。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625704389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'COSMIC AMBER' color vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2019, Lightning Dust broke up. Not the band, but Amber Webber and Joshua Wells–the couple at the core of it–ended their longtime relationship. In the wake of the split, the two musicians realized that Lightning Dust was still important to them and decided to stay together as an artistic partnership. The experience made them think about nostalgia as a concept and how this sort of longing for the past can be destructive, cancerous, useless. Webber and Wells reconvened virtually in mid-2020 to work together again as creative comrades, sharing some new ideas by correspondence, stitching together their song fragments into the dramatic arrangements now heard across Lightning Dust’s forthcoming new album, Nostalgia Killer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNostalgia Killer. The title couldn’t set a more perfect expectation for what the album holds. Hearing those words together, one might anticipate something harder, more chilly and severe. But what happens is quite the opposite: listeners find themselves wandering into someplace warm, guided by familiar sounds and voices. Little do they know they’ll soon be flung into a climate unknown. Throw away the old coat–these songs signal a new season.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLightning Dust have created a world unto itself with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Nostalgia Killer, one with depth and space, with its own light and air, a humidity you can move through–thick with emotion, sticky with unresolved, living feelings. There’s a sense of refusing to let the past engulf us, and yet there is still so much love for those layers of experience. This is a winding and moving album. Sensual, confessional, and free of fences. Each song builds with inexorable force, often pulling back to a whisper before washing over the listener completely. With their wealth of new imagery and the most incandescent flights, Lightning Dust sweeps you away from wherever you happen to be.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded over three sessions in tiny, self-made home studios in Vancouver (Webber) and Chicago (Wells), Nostalgia Killer churns with thick walls of synths and memorable bass lines that rise to chill-inducing heights. But the production also purposefully maintains space around Webber’s singular voice as she sings of loss, time, and romantic warfare like some kind of cosmic Stevie Nicks. The epic scope becomes instantly apparent on opener “Wrecked,” a song Webber says is about “self-destructing with a hope of landing on my feet,” and which kicks off with nearly a dozen bass tracks that overlap and stumble over each other before locking into a tight homage to “Driver’s Seat.” The first words you hear are her promise “I’m gonna wreck my mind but I’ll get it back in line,” her remarkable vocal performance laden with expertly-crafted harmonies and instant sing-along appeal. The band shifts gears on the lead single “Run,” a propulsive anthem that’s somehow arena-ready and devastatingly intimate all at once. “Hold me under, I’m on my own and numb,” Webber sings, as the track explodes into a dramatic bridge dripping with bombastic synth pads and electric guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Rapids and Rivers” and the stunning “Different War” take an even more confessional tone, and are both so personal that Webber couldn’t bear to revisit them until a year after the demos were recorded. “They were both written as a form of therapy,” she explains, though her songwriting process is generally more conduit-like and less intentionally therapeutic. “But I began to think that they were a crucial part of the album’s story.” Wells’ masterful production and arrangement skills take center stage on songs like the multi-part “Feel That,” which–as one of the few tracks on Nostalgia Killer that isn’t entirely performed by him and Webber–boasts a thrilling orchestral section performed by Meredith Bates and electric guitar from Rob Butterfield (a Lightning Dust touring member). The closing track “Shadows of Verona” guides the listener into an entirely different realm, a sacred space born from a meditative piano piece of Wells and transformed into something dark but uplifting by Webber’s chant-like vocals and a droning organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross Nostalgia Killer, Lighting Dust introduces a sound that feels vaguely familiar while forming a mythology all of their own. Although this exact work may not have been created if it wasn’t for the duo’s separation, it would be wrong to simply call it a break-up album. The songs here don’t merely travel that well-trod landscape, they reinvent the scene altogether; after all, sometimes love needs reinventing. Nostalgia Killer is about something that affects us all, which is how we make sense of the world and each other over time and across borders. And far out as always, Lightning Dust is reinvented here magnificently.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lightning Dust\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e","published_at":"2023-06-09T09:42:24+09:00","created_at":"2023-06-08T21:50:16+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","lp","new","western vinyl"],"price":339000,"price_min":339000,"price_max":339000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271933325562,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Lightning Dust \/\/ Nostalgia Killer LP [COLOR]","public_title":null,"options":["Default Title"],"price":339000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388.jpg?v=1686228619","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki2_8a080a3a-b727-4403-b54c-980212f75b70.jpg?v=1686228618","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki3_c5ee0ec4-adae-42c8-bec4-310aeea51767.jpg?v=1686228618"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388.jpg?v=1686228619","options":["Title"],"media":[{"alt":null,"id":32092903473402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388.jpg?v=1686228619"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki1_f4de61bd-8b82-47fe-b9f1-4e9220449388.jpg?v=1686228619","width":700},{"alt":null,"id":32092903506170,"position":2,"preview_image":{"aspect_ratio":2.41,"height":498,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki2_8a080a3a-b727-4403-b54c-980212f75b70.jpg?v=1686228618"},"aspect_ratio":2.41,"height":498,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki2_8a080a3a-b727-4403-b54c-980212f75b70.jpg?v=1686228618","width":1200},{"alt":null,"id":32092903538938,"position":3,"preview_image":{"aspect_ratio":2.484,"height":483,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki3_c5ee0ec4-adae-42c8-bec4-310aeea51767.jpg?v=1686228618"},"aspect_ratio":2.484,"height":483,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/ki3_c5ee0ec4-adae-42c8-bec4-310aeea51767.jpg?v=1686228618","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダ・バンクーバーのフォーク・ロックデュオLightning Dustが、2023年6月にアメリカの老舗インディーレーベルWestern Vinylからリリースしたレコードです。\u003c\/p\u003e\n\u003cp\u003eサイケ・フォーク〜フォーク・ロック10曲を収録。DLコード付属。黒マーブル盤です。 \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1625704389\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/wevi\"\u003ehere\u003c\/a\u003e to see more Western Vinyl releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e12\" 'COSMIC AMBER' color vinyl. Includes DL code.\u003c\/p\u003e\n\u003cp\u003eWestern Vinyl:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eIn 2019, Lightning Dust broke up. Not the band, but Amber Webber and Joshua Wells–the couple at the core of it–ended their longtime relationship. In the wake of the split, the two musicians realized that Lightning Dust was still important to them and decided to stay together as an artistic partnership. The experience made them think about nostalgia as a concept and how this sort of longing for the past can be destructive, cancerous, useless. Webber and Wells reconvened virtually in mid-2020 to work together again as creative comrades, sharing some new ideas by correspondence, stitching together their song fragments into the dramatic arrangements now heard across Lightning Dust’s forthcoming new album, Nostalgia Killer.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNostalgia Killer. The title couldn’t set a more perfect expectation for what the album holds. Hearing those words together, one might anticipate something harder, more chilly and severe. But what happens is quite the opposite: listeners find themselves wandering into someplace warm, guided by familiar sounds and voices. Little do they know they’ll soon be flung into a climate unknown. Throw away the old coat–these songs signal a new season.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eLightning Dust have created a world unto itself with\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Nostalgia Killer, one with depth and space, with its own light and air, a humidity you can move through–thick with emotion, sticky with unresolved, living feelings. There’s a sense of refusing to let the past engulf us, and yet there is still so much love for those layers of experience. This is a winding and moving album. Sensual, confessional, and free of fences. Each song builds with inexorable force, often pulling back to a whisper before washing over the listener completely. With their wealth of new imagery and the most incandescent flights, Lightning Dust sweeps you away from wherever you happen to be.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecorded over three sessions in tiny, self-made home studios in Vancouver (Webber) and Chicago (Wells), Nostalgia Killer churns with thick walls of synths and memorable bass lines that rise to chill-inducing heights. But the production also purposefully maintains space around Webber’s singular voice as she sings of loss, time, and romantic warfare like some kind of cosmic Stevie Nicks. The epic scope becomes instantly apparent on opener “Wrecked,” a song Webber says is about “self-destructing with a hope of landing on my feet,” and which kicks off with nearly a dozen bass tracks that overlap and stumble over each other before locking into a tight homage to “Driver’s Seat.” The first words you hear are her promise “I’m gonna wreck my mind but I’ll get it back in line,” her remarkable vocal performance laden with expertly-crafted harmonies and instant sing-along appeal. The band shifts gears on the lead single “Run,” a propulsive anthem that’s somehow arena-ready and devastatingly intimate all at once. “Hold me under, I’m on my own and numb,” Webber sings, as the track explodes into a dramatic bridge dripping with bombastic synth pads and electric guitar.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Rapids and Rivers” and the stunning “Different War” take an even more confessional tone, and are both so personal that Webber couldn’t bear to revisit them until a year after the demos were recorded. “They were both written as a form of therapy,” she explains, though her songwriting process is generally more conduit-like and less intentionally therapeutic. “But I began to think that they were a crucial part of the album’s story.” Wells’ masterful production and arrangement skills take center stage on songs like the multi-part “Feel That,” which–as one of the few tracks on Nostalgia Killer that isn’t entirely performed by him and Webber–boasts a thrilling orchestral section performed by Meredith Bates and electric guitar from Rob Butterfield (a Lightning Dust touring member). The closing track “Shadows of Verona” guides the listener into an entirely different realm, a sacred space born from a meditative piano piece of Wells and transformed into something dark but uplifting by Webber’s chant-like vocals and a droning organ.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAcross Nostalgia Killer, Lighting Dust introduces a sound that feels vaguely familiar while forming a mythology all of their own. Although this exact work may not have been created if it wasn’t for the duo’s separation, it would be wrong to simply call it a break-up album. The songs here don’t merely travel that well-trod landscape, they reinvent the scene altogether; after all, sometimes love needs reinventing. Nostalgia Killer is about something that affects us all, which is how we make sense of the world and each other over time and across borders. And far out as always, Lightning Dust is reinvented here magnificently.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Lightning Dust\u003c\/p\u003e\n\u003cp\u003eLabel : Western Vinyl\u003c\/p\u003e"}

アメリカ・ケンタッキーのギタリストNathan Salsburgが、2020年に同国フィラデルフィアのインディーレーベルNo Quarterからリリースしたレコードです。 1920年代のSPレコードと即興ギターによる時代を超えたコラボレーション4曲を収録。レーベルその他作品はこちら /// Click here to see more No Quarter releases available at Tobira....

¥3,180

Quickview {"id":7982935376122,"title":"quickly, quickly \/\/ Easy Listening TAPE","handle":"quickly-quickly-easy-listening-tape","description":"\u003cp\u003eアメリカ・ポートランドのインディーポップ作家quickly, quicklyが、2023年6月に同国\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e浮遊感のあるドリームポップ〜コンテンポラリーR\u0026amp;B6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4258466586\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ghostly International releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eThe new quickly, quickly EP finds Portland, Oregon’s Graham Jonson back in his home studio, engrossed in ‘60s psychedelic soul music, imagining some bygone era where it was all about the drum sounds and tape decay. He calls it Easy Listening; the songs are short and inviting, modest yet loaded with ideas. Each started with the drum part, a loose grid for Jonson to paint his idiosyncratic psych-pop across, again playing nearly every instrument. The set follows his 2021 LP, The Long And The Short of It, the 22-year-old musician’s debut on Ghostly International, a coming-of-age jump from the chill beats-oriented corners of the internet to a full-fledged songwriting project with hi-fi sophistication. The moment culminated with Pitchfork’s Rising profile, “quickly, quickly’s Technicolor Pop Bursts Beyond the Algorithm,” and kickstarted the formation of his 6-piece live band for a run of exploratory shows along the west coast. But as the tangible demands for his music pulled him outward and some growing pains in his personal life ensued, Jonson focused his energy back inside; to the comforts of home recording, filling his space with more gear and sessions with friends. Maybe a bit of a droll title for a hard time, Easy Listening briefly pauses for air, offering five of his breeziest basement jams for public\u003cspan class=\"bcTruncateMore\"\u003e enjoyment.\u003cbr\u003e\u003cbr\u003eThat basement is home to racks of synthesizers and an array of drum machines, guitars, bongos, xylophones, and the like. One notable addition to the Easy Listening setup was the Teac reel-to-reel tape machine he found on eBay and hooked up to Ableton. “I used it frequently to add color\/texture to the project by running individual instruments through and warping the tape with my finger. After I had finished all the songs, I ran the full mix of every song in a row through the tape to add one more layer of low-fidelity weirdness.”\u003cbr\u003e\u003cbr\u003e“Colors” opens the portal to Jonson’s retro-tinged dream world; a symphonic section pulls the curtain back to reveal a drum kit spattering rapid fills as the bassline grooves deeply between organ shimmers and hazy hums. The din of what sounds like a ‘60s church service appears here and throughout the collection; the words are blurred by decades of tape mold, adding to an overall hypnotic, disorienting feel.\u003cbr\u003e\u003cbr\u003e“Satellite,” one of Jonson’s funkiest and catchiest tracks to date, is either a love letter to technology or a tongue-in-cheek song about surveillance. The jazzy percussion taps from the get-go as he peppers clever lines to his subject in the sky, at one point losing his wallet (evoking the comedic tone of Thundercat’s “Captain Stupido”), before riding out on a squealing synth solo.\u003cbr\u003e\u003cbr\u003eThe campy, softly psychedelic “Falling Apart Without You” is in the vein of Stereolab. It started out as a fictional breakup song but ultimately became a self-fulfilling prophecy. The only cut from the EP that Jonson and his band have played live so far, it’s easy to picture it translating on stage; the lovesick singer flanked by a tight ensemble on keys, bass, and drums. Next, he slows it down for “Photobook,” the first half is an organ-led ballad for self-improvement — “I think I can, think I can…” Jonson trails off into a rhythmic reverie. We end on the wistful, soulful “Natural Form,” featuring The Long And The Short of It collaborator Elliot Cleverdon on strings. “I can’t say goodbye,” are Jonson’s parting words; it’s a sweet outro, some healing for him, and for us as fans, it’s a lovely place to leave quickly, quickly for now. \u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : quickly, quickly\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Ghostly International\u003c\/span\u003e\u003c\/p\u003e","published_at":"2023-06-08T18:43:00+09:00","created_at":"2023-06-08T18:38:19+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","ghostly international","new","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271758147834,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"quickly, quickly \/\/ Easy Listening TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a0723609734_16.jpg?v=1686217369","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0031983419_10.jpg?v=1686217370"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a0723609734_16.jpg?v=1686217369","options":["Title"],"media":[{"alt":null,"id":32092406612218,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a0723609734_16.jpg?v=1686217369"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/a0723609734_16.jpg?v=1686217369","width":700},{"alt":null,"id":32092406644986,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0031983419_10.jpg?v=1686217370"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/0031983419_10.jpg?v=1686217370","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ポートランドのインディーポップ作家quickly, quicklyが、2023年6月に同国\u003cspan data-mce-fragment=\"1\"\u003eGhostly Internationalから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003e浮遊感のあるドリームポップ〜コンテンポラリーR\u0026amp;B6曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4258466586\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ghostly\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ghostly\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Ghostly International releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e---------------------------------------\u003c\/p\u003e\n\u003cp\u003eGhostly International:\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cem\u003eThe new quickly, quickly EP finds Portland, Oregon’s Graham Jonson back in his home studio, engrossed in ‘60s psychedelic soul music, imagining some bygone era where it was all about the drum sounds and tape decay. He calls it Easy Listening; the songs are short and inviting, modest yet loaded with ideas. Each started with the drum part, a loose grid for Jonson to paint his idiosyncratic psych-pop across, again playing nearly every instrument. The set follows his 2021 LP, The Long And The Short of It, the 22-year-old musician’s debut on Ghostly International, a coming-of-age jump from the chill beats-oriented corners of the internet to a full-fledged songwriting project with hi-fi sophistication. The moment culminated with Pitchfork’s Rising profile, “quickly, quickly’s Technicolor Pop Bursts Beyond the Algorithm,” and kickstarted the formation of his 6-piece live band for a run of exploratory shows along the west coast. But as the tangible demands for his music pulled him outward and some growing pains in his personal life ensued, Jonson focused his energy back inside; to the comforts of home recording, filling his space with more gear and sessions with friends. Maybe a bit of a droll title for a hard time, Easy Listening briefly pauses for air, offering five of his breeziest basement jams for public\u003cspan class=\"bcTruncateMore\"\u003e enjoyment.\u003cbr\u003e\u003cbr\u003eThat basement is home to racks of synthesizers and an array of drum machines, guitars, bongos, xylophones, and the like. One notable addition to the Easy Listening setup was the Teac reel-to-reel tape machine he found on eBay and hooked up to Ableton. “I used it frequently to add color\/texture to the project by running individual instruments through and warping the tape with my finger. After I had finished all the songs, I ran the full mix of every song in a row through the tape to add one more layer of low-fidelity weirdness.”\u003cbr\u003e\u003cbr\u003e“Colors” opens the portal to Jonson’s retro-tinged dream world; a symphonic section pulls the curtain back to reveal a drum kit spattering rapid fills as the bassline grooves deeply between organ shimmers and hazy hums. The din of what sounds like a ‘60s church service appears here and throughout the collection; the words are blurred by decades of tape mold, adding to an overall hypnotic, disorienting feel.\u003cbr\u003e\u003cbr\u003e“Satellite,” one of Jonson’s funkiest and catchiest tracks to date, is either a love letter to technology or a tongue-in-cheek song about surveillance. The jazzy percussion taps from the get-go as he peppers clever lines to his subject in the sky, at one point losing his wallet (evoking the comedic tone of Thundercat’s “Captain Stupido”), before riding out on a squealing synth solo.\u003cbr\u003e\u003cbr\u003eThe campy, softly psychedelic “Falling Apart Without You” is in the vein of Stereolab. It started out as a fictional breakup song but ultimately became a self-fulfilling prophecy. The only cut from the EP that Jonson and his band have played live so far, it’s easy to picture it translating on stage; the lovesick singer flanked by a tight ensemble on keys, bass, and drums. Next, he slows it down for “Photobook,” the first half is an organ-led ballad for self-improvement — “I think I can, think I can…” Jonson trails off into a rhythmic reverie. We end on the wistful, soulful “Natural Form,” featuring The Long And The Short of It collaborator Elliot Cleverdon on strings. “I can’t say goodbye,” are Jonson’s parting words; it’s a sweet outro, some healing for him, and for us as fans, it’s a lovely place to leave quickly, quickly for now. \u003c\/span\u003e \" \u003c\/em\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/div\u003e\n\u003cp\u003eArtist : quickly, quickly\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eLabel : Ghostly International\u003c\/span\u003e\u003c\/p\u003e"}

アメリカ・ポートランドのインディーポップ作家quickly, quicklyが、2023年6月に同国Ghostly Internationalからリリースしたカセットです。浮遊感のあるドリームポップ〜コンテンポラリーR&B6曲を収録。レーベルその他作品はこちら /// Click here to see more Ghostly International releases available at Tobira....

¥1,580

Quickview {"id":7982916567290,"title":"evan j cartwright \/\/ bit by bit LP","handle":"evan-j-cartwright-bit-by-bit-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eカナダのパーカッショニストevan j cartwrightが、2022年6月に同国\u003cspan data-mce-fragment=\"1\"\u003eIdée Fixeからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e打楽器の出番はほぼ無しで、歌とギターをメインソースとしており、素朴でありながらそっと寄り添ってくれる味わい深いベッドルームフォーク11曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4051276383\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1997799348\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4051276383\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e Idée Fixe Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"bit by bit\" is the first full-length release from Toronto-based singer-songwriter Evan J Cartwright. This self produced album from the go-to drummer\/collaborator (The Weather Station, U.S. Girls, Brodie West) presents a highly singular songwriting vision that combines existential lyrics with masterful musicianship. Steeped in jazz melodicism, Cartwright’s trumpet-like phrasing mixed with contemporary composition presents an eclectic art song performed by an artist that could perhaps be best described as a post-modern Chet Baker. Deep poetic observations on love and time paint an affecting picture of an artist reflecting on life’s universal truths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVisual in nature, \"bit by bit\" places its audience within a world of musical leitmotifs extracted from field recordings of bells and birdsong. Collected during years of touring, these sounds evoke extant spaces beyond that which the music inhabits. The use of this source material in its unaltered form evokes the feeling of a technicolour European film at one moment and then, as the extrapolated melodies are meticulously translated into electronic tone bank sequences, a modernist setting the next. One carillon melody is used as the basis for a wealth of the album’s musical material before its origin is finally revealed by the chiming of bells in\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e the last seconds of the album . The result is a fragment of space between the constructed world of the musical compositions and the candid world of documentation, inviting the listener to ponder whether those two worlds are distinct or whether the songs and music are not simply “field recordings” themselves.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout \"bit by bit\" Cartwright drops staggering revelations hiding in plain prose that often involve the contemplation of time. In \"I Don’t Know\" he states “if I only trusted time \/ then I would wish it all away” and nearing the album’s end he opens \"impossibly blue\" with the phrase “the impossible truth of time”, playfully inserting a pregnant pause before the word time. A drummer’s fixation, to be certain, the album’s recurring theme of time is eclipsed only by Cartwright’s contemplation of human relationships. Here he elaborates on some of the album’s subjects:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Many of the lyrics circle, and try to give a name to the illegible space between human beings. “i DON’t know” celebrates the fact that we will never truly understand what love is. It’s message is one of assurance. It says that we can never really touch love, and that is ok. “and you’ve got nobuddy” refers to life’s great tragedy: that we are unable to read each others’ experiences, and in reaction to this, we separate ourselves.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe entirety of \"bit by bit\" is a continuous work. There is seldom a clear demarcation of where one piece ends and another begins and when this does occur, it is done crudely, as if someone is flipping through a series of broadcasted channels. At times words are sliced right out of their lines and replaced by pure tones. This is both a comical interpretation of censorship and a reminder that there are things in life that will forever remain unseen and illegible. In fact, this statement lies at the centre of the LP and although hidden beauty does reveal itself through repeated listenings, \"bit by bit’s\" eccentric world remains just out of reach — an imaginary second story room viewed from a crowded city street.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : evan j cartwright\u003c\/p\u003e\n\u003cp\u003eLabel : Idée Fixe Records\u003c\/p\u003e","published_at":"2023-06-08T16:05:54+09:00","created_at":"2023-06-08T16:05:20+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","Ideé Fixe Records","lp","new","recommended"],"price":389000,"price_min":389000,"price_max":389000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":44271656698106,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"evan j cartwright \/\/ bit by bit LP","public_title":null,"options":["Default Title"],"price":389000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/bi1_0b2a5704-d642-4a1d-bd35-855996f72809.jpg?v=1686207922","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/bi2_11f46228-0ce9-49fe-896a-59c944c56097.jpg?v=1686207923"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/bi1_0b2a5704-d642-4a1d-bd35-855996f72809.jpg?v=1686207922","options":["Title"],"media":[{"alt":null,"id":32091913781498,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/bi1_0b2a5704-d642-4a1d-bd35-855996f72809.jpg?v=1686207922"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/bi1_0b2a5704-d642-4a1d-bd35-855996f72809.jpg?v=1686207922","width":700},{"alt":null,"id":32091913814266,"position":2,"preview_image":{"aspect_ratio":1.556,"height":771,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/bi2_11f46228-0ce9-49fe-896a-59c944c56097.jpg?v=1686207923"},"aspect_ratio":1.556,"height":771,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/files\/bi2_11f46228-0ce9-49fe-896a-59c944c56097.jpg?v=1686207923","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eカナダのパーカッショニストevan j cartwrightが、2022年6月に同国\u003cspan data-mce-fragment=\"1\"\u003eIdée Fixeからリリースしたデビューレコードです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e打楽器の出番はほぼ無しで、歌とギターをメインソースとしており、素朴でありながらそっと寄り添ってくれる味わい深いベッドルームフォーク11曲を収録。DLコード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4051276383\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1997799348\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4051276383\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eIncludes DL code.\u003c\/p\u003e\n\u003cp\u003e Idée Fixe Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"bit by bit\" is the first full-length release from Toronto-based singer-songwriter Evan J Cartwright. This self produced album from the go-to drummer\/collaborator (The Weather Station, U.S. Girls, Brodie West) presents a highly singular songwriting vision that combines existential lyrics with masterful musicianship. Steeped in jazz melodicism, Cartwright’s trumpet-like phrasing mixed with contemporary composition presents an eclectic art song performed by an artist that could perhaps be best described as a post-modern Chet Baker. Deep poetic observations on love and time paint an affecting picture of an artist reflecting on life’s universal truths.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eVisual in nature, \"bit by bit\" places its audience within a world of musical leitmotifs extracted from field recordings of bells and birdsong. Collected during years of touring, these sounds evoke extant spaces beyond that which the music inhabits. The use of this source material in its unaltered form evokes the feeling of a technicolour European film at one moment and then, as the extrapolated melodies are meticulously translated into electronic tone bank sequences, a modernist setting the next. One carillon melody is used as the basis for a wealth of the album’s musical material before its origin is finally revealed by the chiming of bells in\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e the last seconds of the album . The result is a fragment of space between the constructed world of the musical compositions and the candid world of documentation, inviting the listener to ponder whether those two worlds are distinct or whether the songs and music are not simply “field recordings” themselves.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThroughout \"bit by bit\" Cartwright drops staggering revelations hiding in plain prose that often involve the contemplation of time. In \"I Don’t Know\" he states “if I only trusted time \/ then I would wish it all away” and nearing the album’s end he opens \"impossibly blue\" with the phrase “the impossible truth of time”, playfully inserting a pregnant pause before the word time. A drummer’s fixation, to be certain, the album’s recurring theme of time is eclipsed only by Cartwright’s contemplation of human relationships. Here he elaborates on some of the album’s subjects:\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Many of the lyrics circle, and try to give a name to the illegible space between human beings. “i DON’t know” celebrates the fact that we will never truly understand what love is. It’s message is one of assurance. It says that we can never really touch love, and that is ok. “and you’ve got nobuddy” refers to life’s great tragedy: that we are unable to read each others’ experiences, and in reaction to this, we separate ourselves.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe entirety of \"bit by bit\" is a continuous work. There is seldom a clear demarcation of where one piece ends and another begins and when this does occur, it is done crudely, as if someone is flipping through a series of broadcasted channels. At times words are sliced right out of their lines and replaced by pure tones. This is both a comical interpretation of censorship and a reminder that there are things in life that will forever remain unseen and illegible. In fact, this statement lies at the centre of the LP and although hidden beauty does reveal itself through repeated listenings, \"bit by bit’s\" eccentric world remains just out of reach — an imaginary second story room viewed from a crowded city street.\u003c\/span\u003e '\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : evan j cartwright\u003c\/p\u003e\n\u003cp\u003eLabel : Idée Fixe Records\u003c\/p\u003e"}