contemporary / sound poetry
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{"id":7041717698725,"title":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","handle":"dvasle","description":"\u003cp\u003e※9\/21に再入荷します\u003c\/p\u003e\n\u003cp\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e","published_at":"2021-09-12T17:03:59+09:00","created_at":"2021-09-12T17:03:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","drone","field recording","monooto","new","room40"],"price":309000,"price_min":309000,"price_max":309000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40796730523813,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"David Toop, Akio Suzuki, Lawrence English \/\/ Breathing Spirit Forms CD+POSTER","public_title":null,"options":["Default Title"],"price":309000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433880","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433880"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433880","options":["Title"],"media":[{"alt":null,"id":23687561904293,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433874"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0762176011_16.jpg?v=1631433874","width":700},{"alt":null,"id":23687560888485,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433859"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366781_10.jpg?v=1631433859","width":1200},{"alt":null,"id":23687560724645,"position":3,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433855"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366782_10.jpg?v=1631433855","width":1200},{"alt":null,"id":23687560822949,"position":4,"preview_image":{"aspect_ratio":3.0,"height":400,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433856"},"aspect_ratio":3.0,"height":400,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025366784_10.jpg?v=1631433856","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e※9\/21に再入荷します\u003c\/p\u003e\n\u003cp\u003eイギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e鈴木昭男\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDavid Toop - Flutes, sticks\u003cbr\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003cbr\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3871965128\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/room40\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/room40\"\u003ehere\u003c\/a\u003e to see more Room40 releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eDavid Toop - Flutes, sticks\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eAkio Suzuki - Analapos, flutes, stones, sponge \u0026amp; hand mirror, pocket bottle \u0026amp; mallet\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eLawrence English - Shortwave radio, handheld electronics, percussion.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFrom Lawrence English\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e\"I am ceaselessly fascinated by how memory operates and, I’m regularly struck by how individually subjective a collective experience can be when recalled by its participants. Lynch’s Lost Highway comes to mind here, specifically Bill Pullman’s character Fred Madison who says “I like to remember things my own way. How I remembered them, not necessarily the way they happened.” Like Madison, I can’t help but sense that memory takes shape through an accumulative process that reflects how each of us have lived (and maybe even wanted to live) up to that point in time.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eGoing back to listen again to these recordings of which I was a part with David and Akio, I was surprised by what elements had stayed with me and what others had slipped into the eternal greying of my mind. I have vivid recollections of listening to a Lyre bird before recording the pieces together at Witches Falls. I remember both Akio and David finding musicality in decaying palm fronds. I remember Akio’s voice, amplified through his Analpos, bouncing off the stones and trees. I remember David’s flute, so quiet in the pitch black of the night forest as to appear like a hushed tone of wind or a distant animal calling. I also remember trying to match my\u003cspan class=\"bcTruncateMore\"\u003e modest hand held electronics with the pulsing and pitching of the insects around me.\u003cbr\u003e\u003cbr\u003eReading David’s text, which is included in the book published alongside this edition, he recounts several things I had forgotten. Conversations about memory, ironically enough, had vanished from my mind until reading his words. I also didn’t really remember my role as tick surgeon, removing a living insect from David’s ear. I do remember his cooking though, as does Akio (captured aptly in his drawings), no doubt a testament to David’s improvisational culinary expertise.\u003cbr\u003e\u003cbr\u003eBreathing Spirit Forms represents a distinctive exchange between friends and collaborators. Tamborine commands a special presence and encourages a deep patience from those who are willing to give time to its varied environments. For the three of us, we were fortunate to share these moments together, fleeting in our lives as they might be, to sense the mountain’s unique qualities, to respond to them through our exchanges and to form memories (as disparate as they might be) we carry forward with us in time.\u003c\/span\u003e\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : David Toop, Akio Suzuki, Lawrence English\u003c\/p\u003e\n\u003cp\u003eLabel : Room40\u003c\/p\u003e"}
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※9/21に再入荷します イギリスの大御所実験音楽家David Toop、日本の大御所実験音楽家Akio Suzuki、そしてオーストラリアの老舗実験レーベルRoom 40主宰Lawrence English3名が、2013年にオーストラリアのタンボリンマウンテンにて録音した共作CD。自然と呼応するような抑制をきかせた演奏です。 24ページのブックレットには、David Toopによるエッセイ、鈴木昭男によるドローイング、Lawrence Englishによる写真が掲載されています。ポスター付属。 「ローレンス・イングリッシュに招かれてブリスベンに飛んだのは、2013年のこと。ロンドンからは、デイビッド・トゥープが呼ばれていた。そして、ローレンスとの三人で深い森を散策し、音遊びをしたりくつろいだりのコテージ住まいが始まった。ディビッドは、ビーガンなので、クッキング上手な彼に台所を任せたところ、素晴らしいディナーになったのを覚えている。その時、ぼくが子供時代からずっと気にかかっていた話をした。 母に連れられて町の手相見を訪ねたことがあったけれど、そのおじさんが当時 11歳のぼくを見るなり「おまえさんは、72歳の夏に死ぬ !」と占ったのだ。「それが、とても気がかりでネ」と言うぼくに、「アキオ、ここは南半球で、今は冬なんだから、もう通り過ぎたじゃないか」と、デイビッド。 この音を聴いていると、清々しく過ごした日々が蘇ってくる。」-鈴木昭男 David Toop...
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{"id":7026896175269,"title":"Reverend Claire \/\/ Medjugorje TAPE","handle":"reverend-claire-medjugorje-tape","description":"\u003cp\u003eアメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189650809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003ehere\u003c\/a\u003e to see more Orb Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I have always felt that God has been leading me, in that I'm only an instrument. Who am I without Him, anyway? I rely on prayer and fasting to help me live according to His will, and to help me fulfill my role as a messenger.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Mirjana Dragicevic, Medjugorje\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reverend Claire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrb Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-09-07T09:35:06+09:00","created_at":"2021-09-06T18:27:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","new","noise","Orb Tapes","tape"],"price":142000,"price_min":142000,"price_max":142000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40739271901349,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Reverend Claire \/\/ Medjugorje TAPE","public_title":null,"options":["Default Title"],"price":142000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","options":["Title"],"media":[{"alt":null,"id":23622862307493,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me1_b80d8518-e5b4-4b0c-8752-d4166a488ccd.jpg?v=1630920464","width":700},{"alt":null,"id":23622862340261,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/me2_c5250671-b881-4b71-b78d-40999389db9a.jpg?v=1630920464","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3189650809\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/orb\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/orb\"\u003ehere\u003c\/a\u003e to see more Orb Tapes releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"I have always felt that God has been leading me, in that I'm only an instrument. Who am I without Him, anyway? I rely on prayer and fasting to help me live according to His will, and to help me fulfill my role as a messenger.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Mirjana Dragicevic, Medjugorje\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Reverend Claire\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eOrb Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの新人ノイズ作家Reverend Claireが、2021年7月にOrb Tapesより50本限定でリリースしたカセット。スポークンワード＋ノイズ5曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Orb Tapes releases available at Tobira. -----------------------------...
¥1,420
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{"id":7026335187109,"title":"John Cage \/\/ Number Pieces 4xCD BOX SET","handle":"john-cage-number-pieces-4xcd-box-set","description":"\u003cp\u003e実験音楽家John Cageが1987年から1992年に制作した晩年の楽曲群Number PiecesをApartment Houseが演奏・録音した4枚組CDボックスセットを入荷しました。アコースティックドローンが好きな方にもおすすめします。20曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263237719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4-CD box set of John Cage's Number Pieces played by Apartment House, with 44-page booklet \u0026amp; original artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eAnother Timbre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA 4-disc box-set with Apartment House playing all of John Cage's 'number pieces' for mid-size ensembles (from 'Five' to 'Fourteen', with 'Four5' as an added extra, along with alternative versions of three of the pieces). These extraordinarily beautiful works were all composed in the last 5 years of the composer's life, as Cage approached his 80th birthday. These recordings by Apartment House are the first recordings for 15 years of almost all of the pieces. An essential release of wonderful but somewhat neglected music.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e","published_at":"2021-09-06T11:36:07+09:00","created_at":"2021-09-06T10:59:51+09:00","vendor":"Tobira Records","type":"","tags":["another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":542000,"price_min":542000,"price_max":542000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40736433635493,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage \/\/ Number Pieces 4xCD BOX SET","public_title":null,"options":["Default Title"],"price":542000,"weight":280,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nu1_d83862f3-e034-486a-9d53-8cb1f9de9675.jpg?v=1630893593"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nu1_d83862f3-e034-486a-9d53-8cb1f9de9675.jpg?v=1630893593","options":["Title"],"media":[{"alt":null,"id":23619493658789,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nu1_d83862f3-e034-486a-9d53-8cb1f9de9675.jpg?v=1630893593"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nu1_d83862f3-e034-486a-9d53-8cb1f9de9675.jpg?v=1630893593","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e実験音楽家John Cageが1987年から1992年に制作した晩年の楽曲群Number PiecesをApartment Houseが演奏・録音した4枚組CDボックスセットを入荷しました。アコースティックドローンが好きな方にもおすすめします。20曲を収録。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1263237719\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/anti\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/anti\"\u003ehere\u003c\/a\u003e to see more Another Timbre releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e---------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e4-CD box set of John Cage's Number Pieces played by Apartment House, with 44-page booklet \u0026amp; original artwork.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eAnother Timbre:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eA 4-disc box-set with Apartment House playing all of John Cage's 'number pieces' for mid-size ensembles (from 'Five' to 'Fourteen', with 'Four5' as an added extra, along with alternative versions of three of the pieces). These extraordinarily beautiful works were all composed in the last 5 years of the composer's life, as Cage approached his 80th birthday. These recordings by Apartment House are the first recordings for 15 years of almost all of the pieces. An essential release of wonderful but somewhat neglected music.\u003c\/em\u003e\u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : John Cage\u003c\/p\u003e\n\u003cp\u003eLabel : Another Timbre\u003c\/p\u003e"}
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実験音楽家John Cageが1987年から1992年に制作した晩年の楽曲群Number PiecesをApartment Houseが演奏・録音した4枚組CDボックスセットを入荷しました。アコースティックドローンが好きな方にもおすすめします。20曲を収録。 レーベルその他作品はこちら /// Click here to see more Another Timbre releases available at Tobira....
¥5,420
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{"id":7019022712997,"title":"Renato Grieco + Bruno Duplant \/\/ La Disparition CD","handle":"renato-grieco-bruno-duplant-la-disparition-cd","description":"\u003cp\u003e KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、イタリアのFabio Parletta主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e901 Editionsから2021年8月にCDリリース。フランスの小説家Georges Perecの作品「\u003cmeta charset=\"utf-8\"\u003eLa Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。ミニマルなアコースティックドローン2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64433840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003ehere\u003c\/a\u003e to see more 901 Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eText by 901 Editions : \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eInspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScore and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Renato Grieco + Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : 901 Editions\u003c\/p\u003e","published_at":"2021-09-02T11:31:18+09:00","created_at":"2021-09-02T10:47:01+09:00","vendor":"Tobira Records","type":"","tags":["901 Editions","cd","contemporary \/ sound poetry","drone","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40710185156773,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Renato Grieco + Bruno Duplant \/\/ La Disparition CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547223"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","options":["Title"],"media":[{"alt":null,"id":23576533237925,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la1_7c9d6436-fbe3-46e0-b097-80326517d9aa.jpg?v=1630547223","width":700},{"alt":null,"id":23576533270693,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la_1076a659-6bbf-4b44-a811-89c13a1b9763.jpg?v=1630547223","width":1200},{"alt":null,"id":23576533303461,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547222"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/la3_9bf19e55-e476-49e8-91fb-33cf66a6ed64.jpg?v=1630547222","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、イタリアのFabio Parletta主宰レーベル\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e901 Editionsから2021年8月にCDリリース。フランスの小説家Georges Perecの作品「\u003cmeta charset=\"utf-8\"\u003eLa Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。ミニマルなアコースティックドローン2曲を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e6面デジパック、シュリンク仕様です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=64433840\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/901\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/901\"\u003ehere\u003c\/a\u003e to see more 901 Editions releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003eText by 901 Editions : \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003eInspired by Georges Perec's lipogrammatic novel “La Disparition”, written without the use of the letter e. The music score and its interpretation reflect constraint as a process. The score is dedicated to Reinier Van Houdt.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eScore and photography by Bruno Duplant. Renato Grieco plays double bass and baroque double bass. Recorded by Renato Grieco.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Renato Grieco + Bruno Duplant\u003c\/p\u003e\n\u003cp\u003eLabel : 901 Editions\u003c\/p\u003e"}
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KNN名義で活動するイタリアの音響作家Renato Griecoと、当店でもおなじみフランスのドローン作家Bruno Duplantによる共作CDが、イタリアのFabio Parletta主宰レーベル901 Editionsから2021年8月にCDリリース。フランスの小説家Georges Perecの作品「La Disparition」（「e」を一切使用しない実験的な作品）にインスパイアされた作品です。ミニマルなアコースティックドローン2曲を収録。6面デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more 901 Editions releases...
¥1,980
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{"id":7019009867941,"title":"Molly McCann \/\/ Das Jahr 2020 CD","handle":"molly-mccann-das-jahr-2020-cd","description":"\u003cp\u003eアメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197583524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200 glass-mastered CDs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 8-page insert with program notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Sean McCann (Recital):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDas Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. After encouraging my sister to record her piano playing for years, she embarked on her first recording project with Fanny Mendelssohn Hensel’s Das Jahr (“The Year”, 1841), a groundbreaking cycle of twelve thematically and harmonically interlocked character pieces depicting the twelve months of the year. Putting aside her usual toil for perfection, Molly embraced a larger conceptual experience, both personal and musical in nature: to learn and perform each piece of the cycle in the corresponding calendar month, knowing the accelerated timeline would push her outside of her comfort zone and require a renewed approach to and understanding of time. With a creaky, slightly out-of-tune upright piano and her cellphone’s built-in microphone, the monthly self-recordings began in January of 2020.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFanny Hensel on composing Das Jahr,\u003cbr data-mce-fragment=\"1\"\u003eLetter to August Elsasser, Nov. 11, 1841\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“And so we try to ornament and prettify our lives—that is the advantage of artists, that they can strew such beautifications about, for those nearby to take an interest in.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly McCann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e","published_at":"2021-09-03T15:38:08+09:00","created_at":"2021-09-02T10:36:01+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","neo classical","new","Recital"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40710137741477,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Molly McCann \/\/ Das Jahr 2020 CD","public_title":null,"options":["Default Title"],"price":218000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das1.jpg?v=1630546564","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das2.jpg?v=1630546564","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das3.jpg?v=1630546565","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das4.jpg?v=1630546565"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das1.jpg?v=1630546564","options":["Title"],"media":[{"alt":null,"id":23576432312485,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das1.jpg?v=1630546564"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das1.jpg?v=1630546564","width":700},{"alt":null,"id":23576432345253,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das2.jpg?v=1630546564"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das2.jpg?v=1630546564","width":1200},{"alt":null,"id":23576432378021,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das3.jpg?v=1630546565"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das3.jpg?v=1630546565","width":1200},{"alt":null,"id":23576432410789,"position":4,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das4.jpg?v=1630546565"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/das4.jpg?v=1630546565","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2197583524\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEdition of 200 glass-mastered CDs\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eIncludes 8-page insert with program notes.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eText by Sean McCann (Recital):\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eDas Jahr 2020 is the first published recording of Molly McCann, my older sister of two-and-a-half years. After encouraging my sister to record her piano playing for years, she embarked on her first recording project with Fanny Mendelssohn Hensel’s Das Jahr (“The Year”, 1841), a groundbreaking cycle of twelve thematically and harmonically interlocked character pieces depicting the twelve months of the year. Putting aside her usual toil for perfection, Molly embraced a larger conceptual experience, both personal and musical in nature: to learn and perform each piece of the cycle in the corresponding calendar month, knowing the accelerated timeline would push her outside of her comfort zone and require a renewed approach to and understanding of time. With a creaky, slightly out-of-tune upright piano and her cellphone’s built-in microphone, the monthly self-recordings began in January of 2020.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e~\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eFanny Hensel on composing Das Jahr,\u003cbr data-mce-fragment=\"1\"\u003eLetter to August Elsasser, Nov. 11, 1841\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“And so we try to ornament and prettify our lives—that is the advantage of artists, that they can strew such beautifications about, for those nearby to take an interest in.”\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Molly McCann\u003c\/p\u003e\n\u003cp\u003eLabel : Recital \u003c\/p\u003e"}
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アメリカ・LAのアンビエント作家Sean McCann主宰レーベルRecitalの2021年8月リリースを入荷しました。 本作は、Sean McCannの姉Molly McCannのデビューアルバムです。ピアノ独奏13曲を収録。8ページのブックレット付属。 レーベルその他作品はこちら /// Click here to see more Recital releases available at Tobira. ...
¥2,180
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{"id":7017395290277,"title":"Loren Rush \/\/ Dans le Sable LP \/ CD","handle":"loren-rush-dans-le-sable-lp","description":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面の全てを占めている大作オペラ\u003cspan data-mce-fragment=\"1\"\u003e「Dans le Sable」を含め、完璧に配置された構成やフレーズに息を呑むクラシカルミュージック〜催眠パーカッション曲など3曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3210825439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP Edition of 500, 175gram, \u003c\/span\u003e\u003cspan\u003e11\"x11\" insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCD Edition of 250, glass mastered, 8-page insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescription by Recital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe title piece \"Dans le Sable\" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kajsa Lindgren\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-09-01T19:06:59+09:00","created_at":"2021-09-01T19:06:59+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","neo classical","new","Recital","recommended"],"price":225000,"price_min":225000,"price_max":365000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40703566643365,"title":"LP","option1":"LP","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loren Rush \/\/ Dans le Sable LP \/ CD - LP","public_title":"LP","options":["LP"],"price":365000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40703566676133,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Loren Rush \/\/ Dans le Sable LP \/ CD - CD","public_title":"CD","options":["CD"],"price":225000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0552450176_16.jpg?v=1630491538","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911702_10.jpg?v=1630491538","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911743_10.jpg?v=1630491540"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0552450176_16.jpg?v=1630491538","options":["Format"],"media":[{"alt":null,"id":23568321675429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0552450176_16.jpg?v=1630491538"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0552450176_16.jpg?v=1630491538","width":700},{"alt":null,"id":23568321773733,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911702_10.jpg?v=1630491538"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911702_10.jpg?v=1630491538","width":1200},{"alt":null,"id":23568322232485,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911743_10.jpg?v=1630491540"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0025911743_10.jpg?v=1630491540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003c\/span\u003eアメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学の\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eA面の全てを占めている大作オペラ\u003cspan data-mce-fragment=\"1\"\u003e「Dans le Sable」を含め、完璧に配置された構成やフレーズに息を呑むクラシカルミュージック〜催眠パーカッション曲など3曲を収録。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3210825439\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/recital\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/recital\"\u003ehere\u003c\/a\u003e to see more Recital releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLP Edition of 500, 175gram, \u003c\/span\u003e\u003cspan\u003e11\"x11\" insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCD Edition of 250, glass mastered, 8-page insert\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDescription by Recital:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003eDans le Sable is the first new album in over 40 years by composer, pianist, and digital audio pioneer Loren Rush (b. 1935). Active in the Bay Area new music scene since the late 1950s alongside composers such as Robert Erickson and Pauline Oliveros, he also co-founded the Stanford University’s Center for Computer Research in Music and Acoustics in 1975. His music has been performed by the Boston Symphony, the New York Philharmonic, and the San Francisco Symphony Orchestra amongst others.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe title piece \"Dans le Sable\" (1967-68, 70) covers the first side of the record, of which Charles Shere in the Oakland Tribune (1972) writes: “A surreal opera scene. A narrator dwells on the significance of passing time. A soprano sings Barbarina's cabaletta from Figaro, which describes her distraught search in the sand for a lost pin. The chamber orchestra—mostly solo instruments—plays soft, half-forgotten tunes reminiscent of the Parisian music hall. If Marcel Duchamp wanted to put painting once more at the service of the mind, so did Rush seem to want to make a composition that speaks directly to that thing behind the mind—the point where it connects with the soul. And he succeeded. But only because the work is so brilliantly constructed, so careful in its structure and the\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e timing of its phrases, so well balanced in the disposition of its parts that it quite overcomes the audience.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe second piece on the album “Song and Dance” begins with the watery held tones of “Song.” Melancholy phrases are deconstructed and stretched in different retellings, invoking a harmonic fog. We are then thrust into “Dance,” one of the first orchestral pieces to employ computer-generated digital synthesis. A hypnotic and percussive march is propelled into a storm of early computer-processed cannonades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eRecital is proud to now illuminate the deeply overlooked composer Loren Rush, whose meticulous attention to detail has perhaps kept his toiled-upon works in the shadows these past decades. Dans le Sable is among the most gorgeous records I have heard.\u003c\/span\u003e\u003c\/em\u003e \u003cem\u003e\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Kajsa Lindgren\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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アメリカ・カリフォルニアのアンビエント作家Sean McCann主宰レーベルRecitalの2021年10月リリース最新作を一足早く入荷しました。 本作は、1950年代後半からRobert EricksonやPauline Oliverosなどの作曲家とともに活躍し、1970年にはスタンフォード大学のCenter for Computer Research in Music and Acousticsを設立した音楽家Loren Rushの40年ぶりとなる最新作です。 A面の全てを占めている大作オペラ「Dans...
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{"id":7001538855077,"title":"Seiji Nagai \/\/ Electronic Works CD \/ CD+POSTER","handle":"seiji-nagai-electronic-works-cd-cd-poster","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサイケバンドタージマハル旅行団オリジナルメンバー\u003cmeta charset=\"utf-8\"\u003e永井清治の発掘作品がこの度CDリリースされました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e1979年夏に開催された1週間に\u003cwbr data-mce-fragment=\"1\"\u003eわたるイベント「第五列週間！」\u003cmeta charset=\"utf-8\"\u003eのポスター復刻版（20%縮刷）が付属する限定版もございます。\u003c\/wbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e永井清治は1969年のタージマハル旅行団結成時のオリジナルメンバーの一人である。タージマハル以後の1970年代後期からはインド音楽に傾倒し、本場でシタールを習得したが、同時期にコンピューターでの音楽制作も始めていた。この作品は交流があった岩手・盛岡在住の即興演奏家ONNYKが保管していた、その当時の作品である。パソコン自体はあったとはいえ、現代の洗練された音楽制作環境とは程遠い状況で作られた30分もの長尺の2曲《ミディアム》と《海》は、彼自身のコンピューター音楽の原点といえるもの。永井氏ほか関係者からの聞き取りを反映したONNYKによるライナーに加え、永井氏も参加した彼の企画のイベントの写真や資料など、それ自体70-80年代実験音楽シーンの一部でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631547\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - A\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-a\" target=\"_blank\"\u003eOP0017 - A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631640\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - B\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-b\" target=\"_blank\"\u003eOP0017 - B\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eBorn in Tokyo in 1948, Nagai studied drums in a music class when he was in junior high school. He opened his eyes to free jazz and improvisation, started an improvisation concert with Tokio Hasegawa in 1967, and played the trumpet as a member of the \"Taj Mahal Travelers\" in 1969.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter that, Mr. Nagai studied sitar at an music school in India. After he returned to Japan, he performed sitar concerts all over Japan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHe started composing on a computer around 1979, so this time his works will be introducing works at that time. Two pieces were recorded on each side of cassette tape, which are written only as Medium and Sea, are a minimalist, floating sound composed mainly of synthesizer refrains, with ambiguous beginnings and endings. The sound of real waves is added to the Sea. From that time on, he was interested in environmental sounds.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe two works revealed this time are regarded by Mr. Nagai himself as \"these are the origin of my synthesizer and computer music.\" - from liner note by ONNYK\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Seiji Nagai\u003c\/p\u003e\n\u003cp\u003elabel : Edition Omega Point\u003c\/p\u003e","published_at":"2021-08-26T01:30:10+09:00","created_at":"2021-08-26T01:30:08+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","contemporary \/ sound poetry","monooto","new"],"price":180000,"price_min":180000,"price_max":270000,"available":true,"price_varies":true,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40658243387557,"title":"CD","option1":"CD","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":false,"name":"Seiji Nagai \/\/ Electronic Works CD \/ CD+POSTER - CD","public_title":"CD","options":["CD"],"price":180000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]},{"id":40658243420325,"title":"CD+POSTER","option1":"CD+POSTER","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Seiji Nagai \/\/ Electronic Works CD \/ CD+POSTER - CD+POSTER","public_title":"CD+POSTER","options":["CD+POSTER"],"price":270000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017.jpg?v=1629909011","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1-L.jpg?v=1629909011","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1.jpg?v=1629909011"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017.jpg?v=1629909011","options":["Format"],"media":[{"alt":null,"id":23494273171621,"position":1,"preview_image":{"aspect_ratio":1.009,"height":450,"width":454,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017.jpg?v=1629909011"},"aspect_ratio":1.009,"height":450,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017.jpg?v=1629909011","width":454},{"alt":null,"id":23494273204389,"position":2,"preview_image":{"aspect_ratio":1.0,"height":945,"width":945,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1-L.jpg?v=1629909011"},"aspect_ratio":1.0,"height":945,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1-L.jpg?v=1629909011","width":945},{"alt":null,"id":23494273237157,"position":3,"preview_image":{"aspect_ratio":0.775,"height":512,"width":397,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1.jpg?v=1629909011"},"aspect_ratio":0.775,"height":512,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/OP-0017SP1.jpg?v=1629909011","width":397}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e日本のサイケバンドタージマハル旅行団オリジナルメンバー\u003cmeta charset=\"utf-8\"\u003e永井清治の発掘作品がこの度CDリリースされました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e1979年夏に開催された1週間に\u003cwbr data-mce-fragment=\"1\"\u003eわたるイベント「第五列週間！」\u003cmeta charset=\"utf-8\"\u003eのポスター復刻版（20%縮刷）が付属する限定版もございます。\u003c\/wbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e以下、レーベル解説です。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e永井清治は1969年のタージマハル旅行団結成時のオリジナルメンバーの一人である。タージマハル以後の1970年代後期からはインド音楽に傾倒し、本場でシタールを習得したが、同時期にコンピューターでの音楽制作も始めていた。この作品は交流があった岩手・盛岡在住の即興演奏家ONNYKが保管していた、その当時の作品である。パソコン自体はあったとはいえ、現代の洗練された音楽制作環境とは程遠い状況で作られた30分もの長尺の2曲《ミディアム》と《海》は、彼自身のコンピューター音楽の原点といえるもの。永井氏ほか関係者からの聞き取りを反映したONNYKによるライナーに加え、永井氏も参加した彼の企画のイベントの写真や資料など、それ自体70-80年代実験音楽シーンの一部でもある。\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631547\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - A\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-a\" target=\"_blank\"\u003eOP0017 - A\u003c\/a\u003e\n\u003c\/div\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1112631640\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\n\u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"tobirec4\" href=\"https:\/\/soundcloud.com\/user-249530843\" target=\"_blank\"\u003etobirec4\u003c\/a\u003e · \u003ca style=\"color: #cccccc; text-decoration: none;\" title=\"OP0017 - B\" href=\"https:\/\/soundcloud.com\/user-249530843\/op0017-b\" target=\"_blank\"\u003eOP0017 - B\u003c\/a\u003e\n\u003c\/div\u003e\n\u003cp\u003e\u003cem\u003eBorn in Tokyo in 1948, Nagai studied drums in a music class when he was in junior high school. He opened his eyes to free jazz and improvisation, started an improvisation concert with Tokio Hasegawa in 1967, and played the trumpet as a member of the \"Taj Mahal Travelers\" in 1969.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eAfter that, Mr. Nagai studied sitar at an music school in India. After he returned to Japan, he performed sitar concerts all over Japan.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eHe started composing on a computer around 1979, so this time his works will be introducing works at that time. Two pieces were recorded on each side of cassette tape, which are written only as Medium and Sea, are a minimalist, floating sound composed mainly of synthesizer refrains, with ambiguous beginnings and endings. The sound of real waves is added to the Sea. From that time on, he was interested in environmental sounds.\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eThe two works revealed this time are regarded by Mr. Nagai himself as \"these are the origin of my synthesizer and computer music.\" - from liner note by ONNYK\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Seiji Nagai\u003c\/p\u003e\n\u003cp\u003elabel : Edition Omega Point\u003c\/p\u003e"}
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日本のサイケバンドタージマハル旅行団オリジナルメンバー永井清治の発掘作品がこの度CDリリースされました。 1979年夏に開催された1週間にわたるイベント「第五列週間！」のポスター復刻版（20%縮刷）が付属する限定版もございます。 以下、レーベル解説です。 永井清治は1969年のタージマハル旅行団結成時のオリジナルメンバーの一人である。タージマハル以後の1970年代後期からはインド音楽に傾倒し、本場でシタールを習得したが、同時期にコンピューターでの音楽制作も始めていた。この作品は交流があった岩手・盛岡在住の即興演奏家ONNYKが保管していた、その当時の作品である。パソコン自体はあったとはいえ、現代の洗練された音楽制作環境とは程遠い状況で作られた30分もの長尺の2曲《ミディアム》と《海》は、彼自身のコンピューター音楽の原点といえるもの。永井氏ほか関係者からの聞き取りを反映したONNYKによるライナーに加え、永井氏も参加した彼の企画のイベントの写真や資料など、それ自体70-80年代実験音楽シーンの一部でもある。 tobirec4 · OP0017 - A tobirec4 · OP0017 - B...
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{"id":6991913549989,"title":"Nick Storring \/\/ Newfoundout CD","handle":"nick-storring-newfoundout-cd","description":"\u003cp\u003eOrange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースした最新作。全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356424885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003ehere\u003c\/a\u003e to see more Mappa releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll selections are named after ghost towns around Ontario, Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDome is dedicated to the memory of Noah Creshevsky\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed, performed, recorded, produced, and mastered by Nick Storring using acoustic and electromechanical instruments\/ treatments, and only the minimum of effects processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Adam Badi Donoval:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical\/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. The music here doesn’t just evoke imagined landscapes or unique sonic worlds, but it seems to be toying with the idea of a protagonist or a narrative. The pieces move with intent, unravelling in their course moving tales, haunting ancient stories and whispered rumours. There is an underlying aura of mystery and ghostliness which is also reflected in the track titles: all are named after ghost towns around Ontario, Canada. ‘Newfoundout’ is a truly fascinating new entry in Storring’s discography; one which not only highlights his strengths and refines his approach, but also showcases the breadth of his vision. It’s an album where hyperrealism meets psychedelia, where strange dreams meet cinematic grandeur.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePoem by Eric Chenaux:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI hear Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly they are not there.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music seems convinced of the presence of Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat was my first coherent thought after listening to Newfoundout\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what must be a profound list of instruments or sound sources heard on this record,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI doubt we will find Milton Nascimento, Nana Caymmi, or Maria Bethânia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hallucinated them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBecause hallucinations are clear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd there is a lot of hallucinating going on here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music hallucinates itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd leaves space for us to hallucinate along with it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe instruments play, and they play wildly, in a state of hallucination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music slides in a slow and light state of relocation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e a balade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd as we sway we may notice things, they may come to us,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eoften only for mere seconds before evaporating in a clear decay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe hallucination is the space in between us and the music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe space, ever-modulating, of the encounter itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn encounter constantly and slowly composing and decomposing,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eforming and deforming and sensually blurring the lines in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA clear haze.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music guts and lushes without rising or falling.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not an orchestra\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not a paragraph.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA bordel of instruments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClumps of moss.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStretched out like rubber bands.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey sway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlat on the ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHanging under a tree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA band in a hammock.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the grass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey are squatting in the heat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music thinks birds sing just for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA radical obedience of joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a rub.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is some kind of rubbing music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything breaths here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhartum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTropical lungs. Steamy courtyard. A clear sweetnighter.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtist : Nick Storring\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e","published_at":"2021-08-21T15:05:54+09:00","created_at":"2021-08-21T10:38:58+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","contemporary \/ sound poetry","Mappa","monooto","new","strange beats"],"price":195000,"price_min":195000,"price_max":195000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40628143030437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nick Storring \/\/ Newfoundout CD","public_title":null,"options":["Default Title"],"price":195000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","options":["Title"],"media":[{"alt":null,"id":23443436306597,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne1_77eab33d-1fc5-478e-b0e2-d89ef727a3d3.jpg?v=1629509940","width":700},{"alt":null,"id":23443436339365,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ne2_fcb90583-7112-4cfe-905e-a635cbb46759.jpg?v=1629509940","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eOrange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースした最新作。全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=356424885\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mappa\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/mappa\"\u003ehere\u003c\/a\u003e to see more Mappa releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAll selections are named after ghost towns around Ontario, Canada.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDome is dedicated to the memory of Noah Creshevsky\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eComposed, performed, recorded, produced, and mastered by Nick Storring using acoustic and electromechanical instruments\/ treatments, and only the minimum of effects processing.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003eText by Adam Badi Donoval:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e\"Over the last decade, Toronto-based composer Nick Storring has become well known for his unique, painstaking compositional style of layering performances on a plethora of objects and musical\/electro-mechanical instruments to deeply moving effect. ‘Newfoundout’, his seventh album, follows last year’s lush and nocturnal ‘My Magic Dreams Have Lost Their Spell’ (Orange Milk Records) with more rhythmical material and an almost theatrical, phantasmal sensibility. The music here doesn’t just evoke imagined landscapes or unique sonic worlds, but it seems to be toying with the idea of a protagonist or a narrative. The pieces move with intent, unravelling in their course moving tales, haunting ancient stories and whispered rumours. There is an underlying aura of mystery and ghostliness which is also reflected in the track titles: all are named after ghost towns around Ontario, Canada. ‘Newfoundout’ is a truly fascinating new entry in Storring’s discography; one which not only highlights his strengths and refines his approach, but also showcases the breadth of his vision. It’s an album where hyperrealism meets psychedelia, where strange dreams meet cinematic grandeur.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e~\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003ePoem by Eric Chenaux:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI hear Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly they are not there.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music seems convinced of the presence of Brazilian singers.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThat was my first coherent thought after listening to Newfoundout\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNow.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd clearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn what must be a profound list of instruments or sound sources heard on this record,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI doubt we will find Milton Nascimento, Nana Caymmi, or Maria Bethânia.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eI hallucinated them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClearly.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBecause hallucinations are clear.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd there is a lot of hallucinating going on here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music hallucinates itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd leaves space for us to hallucinate along with it.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe instruments play, and they play wildly, in a state of hallucination.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music slides in a slow and light state of relocation.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cem\u003e a balade.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAnd as we sway we may notice things, they may come to us,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eoften only for mere seconds before evaporating in a clear decay.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe hallucination is the space in between us and the music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe space, ever-modulating, of the encounter itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAn encounter constantly and slowly composing and decomposing,\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eforming and deforming and sensually blurring the lines in between.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA clear haze.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music guts and lushes without rising or falling.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not an orchestra\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is not a paragraph.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA bordel of instruments.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eClumps of moss.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eStretched out like rubber bands.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey sway.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFlat on the ground.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHanging under a tree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA band in a hammock.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIn the grass.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThey are squatting in the heat.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis music thinks birds sing just for joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA radical obedience of joy.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThere is a rub.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is some kind of rubbing music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eEverything breaths here.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eKhartum\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eTropical lungs. Steamy courtyard. A clear sweetnighter.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr\u003eArtist : Nick Storring\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eLabel : Mappa\u003c\/p\u003e"}
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Orange Milkなどから発表しているカナダ・トロントの一人チャンバー音楽家Nick Storringが、2021年8月にスロバキア実験レーベルmappaからリリースした最新作。全ての楽器を演奏し、最小限のエフェクトで制作したポップ・エレクトロアコースティック〜コンテンポラリーアンビエント7曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Mappa releases available at Tobira. ---------------------------- All...
¥1,950
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{"id":6983055311013,"title":"Dale Gorfinkel \/\/ Switches and Hose LP","handle":"dale-gorfinkel-switches-and-hose-cd","description":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491238848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e to see more - releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSplitrec:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDale builds automated sonic contraptions and modifies other instruments, especially the vibraphone and trumpet. He often uses common materials to create unexpected \u0026amp; immersive sonic environments. Some installations seek to reframe technology through the intersection of electro\/acoustic and new\/old mediums, such as his use of data projectors \u0026amp; spinning styrofoam causing quasi-holograms. Some installations illuminate acoustic phenomena and are effected by solar \u0026amp; wind activity. Many works also welcome a tactile interactivity especially popular with children. Dale has recently been playing around with footpumps, garden irrigation and balloons.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Gorfinkel\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e","published_at":"2021-08-27T12:21:19+09:00","created_at":"2021-08-17T10:30:27+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","monooto","new"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598227320997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dale Gorfinkel \/\/ Switches and Hose LP","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828","options":["Title"],"media":[{"alt":null,"id":23384541102245,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sw1_850dcd1c-bbe8-44e9-b4dd-22b497f0deea.jpg?v=1629163828","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eオーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3491238848\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/splre\"\u003ehere\u003c\/a\u003e to see more - releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSplitrec:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eDale builds automated sonic contraptions and modifies other instruments, especially the vibraphone and trumpet. He often uses common materials to create unexpected \u0026amp; immersive sonic environments. Some installations seek to reframe technology through the intersection of electro\/acoustic and new\/old mediums, such as his use of data projectors \u0026amp; spinning styrofoam causing quasi-holograms. Some installations illuminate acoustic phenomena and are effected by solar \u0026amp; wind activity. Many works also welcome a tactile interactivity especially popular with children. Dale has recently been playing around with footpumps, garden irrigation and balloons.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Gorfinkel\u003c\/p\u003e\n\u003cp\u003eLabel : Splitrec\u003c\/p\u003e"}
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オーストラリア・メルボルンの実験音楽家Dale Gorfinkelのデビューレコード。ビブラフォンやトランペットを用いたドローン〜コラージュ4曲を収録。ド派手なアートワークとのアンマッチが良いです。 レーベルその他作品はこちら /// Click here to see more - releases available at Tobira. ----------------- Description by Splitrec:...
¥2,650
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{"id":6983046496421,"title":"Arthur Cantrill \/\/ Hootonics LP","handle":"arthur-cantrill-hootonics-lp","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e","published_at":"2021-08-27T11:44:53+09:00","created_at":"2021-08-17T10:16:36+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new","noise","shame file music"],"price":278000,"price_min":278000,"price_max":278000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598192914597,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Arthur Cantrill \/\/ Hootonics LP","public_title":null,"options":["Default Title"],"price":278000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","options":["Title"],"media":[{"alt":null,"id":23384482218149,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ho1_8333a5a4-4ddd-4915-8312-8626d3b3951d.jpg?v=1629162998","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eオーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家\u003c\/span\u003e\u003cspan\u003eHarry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=771685576\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/shfm\"\u003ehere\u003c\/a\u003e to see more Shame File Music releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-----------\u003c\/p\u003e\n\u003cp\u003eAccompanying essay by \u003cmeta charset=\"utf-8\"\u003eArthur Cantrill, 2013:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe titles of the tracks on this album refer to the sequences of the film they accompany.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMy partner, Corinne Cantrill and I both knew Harry Hooton in Sydney in the 1950s before we met to start our 50-year filmmaking collaboration. In Sydney and Brisbane Corinne helped Hooton with advertising and sales of his magazine, '21st Century', while I met him through a mutual friend. Henry Arthur Hooton, known as ‘Harry’, born in England in 1908, arrived in Sydney in 1924, and by the 1930s and ‘40s he was being published in journals such as Meanjin Papers. Hooton developed his philosophy of Anarcho-technocracy (summed up as: man is perfect, so leave him alone and direct your creative\/aggressive energies towards the materials of art and science). However by the 1950s he found it difficult to be published in Australia, although he had some recognition in the USA. This was an\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eimpetus for launching his own literary magazine, '21st Century', in 1955. Hooton greatly impressed us all with his philosophy as expressed in his poetry and essays, and in his compelling mode of everyday conversation and discussion. Holding forth in pubs and cafés, he was a well-known figure in what became known as the\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e‘Sydney\u003c\/em\u003e\u003cspan data-mce-fragment=\"1\" class=\"bcTruncateMore\"\u003e\u003cem\u003e Push’.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFifteen years later, in 1969, during a Creative Arts Fellowship at the ANU, we were able to make the feature length experimental film Harry Hooton, which we had long wanted to do. It was not to be a biography, but a filmic interpretation of ‘Hootonics’ (as he called it), especially his definition of art as ‘the communication of emotion to matter’. In our case the ‘matter’ was to be the material of film, sometimes\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003edirectly worked upon with coloured light and hand-printing.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMuch of the film imagery reflects a prescient quote from Walt Whitman which begins the film: ‘And I say to any man or woman, Let your soul stay cool and composed before a million universes.’ (from 'Song of Myself'). Whitman was one of Hooton’s heroes – he read Whitman’s 'Leaves of Grass' in his father’s library in England – and Hooton and Whitman both had a similar declamatory style as well as a disregard for the rules of poetry. (Hooton: ‘There are no rules for poetry \/ Necessity makes, and breaks all rules.’)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound for our Hooton film had to support the image in conveying the visionary philosophy. In the preceding four years in London I produced film sound tracks using reel-to-reel tape editing and mixing, and musique concrète methods, and felt confident that something interesting could be done for the Hooton film. We added a Revox semi-professional reel-to-reel tape recorder to our Ferrograph and Nagra tape machines, and I was pleased to find that it had a reverberation facility that fed the signal from the replay head back into the recording head (the reverb interval increased when the machine changed from 7½ to 3¾ inches per second). When taken to the extreme this resulted in a powerful pulsing white noise emerging from the reverb which could be controlled with precision. I set to work, feeding sea and other effects from the Nagra into the Revox and transforming the sound into something reminiscent of a ‘million universes’. I had no access to a synthesizer, but the results were akin to synthesizer sound.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe had access to tapes Hooton recorded just before his death in 1961 in which he extemporized on his ideas and read his writing; roughly half of the sound for the 83 minute-film is Hooton’s voice alternating with 40 minutes of sound compositions, which are never mixed with his voice. (His voice is not heard on this LP.)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eOne audio source for the compositions was the sound generated by computers at the CSIRO Division of Computing Research in Canberra, 1970. On our Nagra I recorded the extraordinary output from the early computing equipment: a high-pitched beeping and buzzing, which, when slowed down, became rather musical (the programmers told me this audio output provided information on the computer performance). When these were fed through the Revox reverb process a spacey dimension was added, the degree of which could be precisely controlled in real time, virtually an improvisation. These computer sounds are used throughout the film, sometimes emerging from the white noise pulsations, at other times carrying the sequence alone or as in 'Poem of Machines' used with shots of the CSIRO computer equipment, where the computer ‘music’ is heavily edited and intercut with mechanical sounds of the primitive computers in action: flipping punched cards, large hard drives etc...\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eIllustrating Hooton’s concept of ‘playtime on earth’, human voices are also sometimes used in the mix, especially the voices of joyful students, with reverb added, used with repeated hand-printed shots of students at an ANU drama festival. Human voices are also used in 'It’s All Bunk' as a tightly edited and mixed collage of 1970 radio news voices, ending in reverb white noise.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe ¼ inch tapes were transferred to 16mm full-coat magnetic film, edited, and tracks were laid to the workprint for mixing down in a dubbing theatre by a sound mixer, who referred to a dubbing cue sheet I prepared.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe sound on this LP is a transfer from the 16mm magnetic mixdown to digital audio tape, made in 1996.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBonus track 'Cicada Mix' - This is a recording of an improvisation I gave at Peter James’ request in December 2011. Our track for 'Island Fuse' was on his ‘Shape of Sound’ Vol. 2 CD (Iceage Productions), and Peter suggested I could give a performance\/demonstration of the analogue Revox feedback technique at the CD Launch, as there are elements of this in the ‘Island Fuse’ piece. I had recently made a mix of summer cicadas plus me responding to the cicadas on piano, violin and wooden xylophone (which was a 21st birthday present in 1959!) and fed this from the 50 year-old Nagra into the Revox running at 3¾ inches per second to maximize the reverb effect. In real time I manipulated the volume controls to introduce varying degrees of the reverb\/white noise, as I did 41 years earlier for the Harry Hooton tracks. It was automatically being recorded on the Revox during the impro, and that recording is used here.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Arthur Cantrill\u003c\/p\u003e\n\u003cp\u003eLabel : Shame File Music\u003c\/p\u003e"}
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オーストラリアの映画音楽作家Arthur Cantrillが、1970年公開のシドニーの詩人／哲学家Harry Hootonを題材にしたドキュメンタリー映画の楽曲をコンパイルしたレコード。シンセは用いず、ほぼテープレコーダーのみで制作したコラージュ〜ノイズ15曲を収録。 レーベルその他作品はこちら /// Click here to see more Shame File Music releases available at...
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{"id":6983038304421,"title":"Scott King \/\/ All Celebrities Are Dead And The Telly is Empty TAPE","handle":"scott-king-all-celebrities-are-dead-and-the-telly-is-empty-tape","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eid Magazineのアートディレクターを務めていたイギリス・ロンドンの実験音楽家Scott Kingが2021年7月に同国Industrial Coastからリリースした最新作。彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本レーベルではおなじみの英国風封筒とポストカードが付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=840934030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unexpected result of the pandemic. All celebrities have killed themselves \u0026amp; there is nothing on TV. What are we going to do with our time now?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eA 2nd spoken word track from Scott accompanies this - Nostalgia - as a weary eye is cast over his ancestry\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe pieces are then subjected to musical interpretation by Microcorps, DJ Damage (his last ever work?), TSM, Richard Vergez \u0026amp; The Statins\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eCover art \u0026amp; postcard by Scott King. Presentation envelope.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eArtist : Scott King\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-17T10:37:04+09:00","created_at":"2021-08-17T09:56:01+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","industrial coast","monooto","new","tape"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40598147465381,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Scott King \/\/ All Celebrities Are Dead And The Telly is Empty TAPE","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629163951"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629163951","options":["Title"],"media":[{"alt":null,"id":23384418779301,"position":1,"preview_image":{"aspect_ratio":1.501,"height":617,"width":926,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629161763"},"aspect_ratio":1.501,"height":617,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc1_0606df8d-9dad-42c3-9d0d-c21d2f7a2140.jpg?v=1629161763","width":926},{"alt":null,"id":23384418812069,"position":2,"preview_image":{"aspect_ratio":0.89,"height":1200,"width":1068,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629161764"},"aspect_ratio":0.89,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sc2_3f912cff-28fa-4080-bd19-debaa0c4676c.jpg?v=1629161764","width":1068}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eid Magazineのアートディレクターを務めていたイギリス・ロンドンの実験音楽家Scott Kingが2021年7月に同国Industrial Coastからリリースした最新作。彼のスポークンワード素材をJ Damage、TSM、Richard Vergez、The Statinsが再構築した作品です。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本レーベルではおなじみの英国風封筒とポストカードが付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=840934030\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003eこちら\u003c\/a\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\/\/\/ Click \u003ca data-mce-fragment=\"1\" href=\"https:\/\/tobirarecords.com\/collections\/ic\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/ic\"\u003ehere\u003c\/a\u003e to see more Industrial Coast releases available at Tobira. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e------------------------\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eIndustrial Coast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAn unexpected result of the pandemic. 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{"id":6969865175205,"title":"Gintas K \/\/ Variations In A-Moll For A Granular Synthesis CD","handle":"gintas-k-variations-in-a-moll-for-a-granular-synthesis-cd","description":"\u003cp\u003e1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが2019年12月にリリースしたCD。タイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3152021911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVariations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e, Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and working in Lithuania. He has been a part of the Lithuanian experimental music scene since 1994 and was a core member of the first Lithuanian industrial electronic music band 'Modus'. Later Kraptavičius became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNowadays Gintas K is exploring experimental, electroacoustic, electronic, computer music aesthetics: from overloaded massive structures, static and physically overwhelming frequencies to melodic ambiences, voice and field recordings. His compositions are based on granulated sounds, improv, new hard digital computer music and small melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K has released numerous records on other labels such as Cronica, Baskaru, Con-v, Copy for Your Records\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Bolt, Creative Sources and Sub Rosa. He took part in various international festivals and symposiums of new media art and sound art (Transmediale, ISEA, ISSTA, IRCAM, xCoAx, ICMC, ICMC-NYCEMF). Winner of the International Sound-Art Contest Broadcasting Art 2010 in Spain and the USF New-Music Consortium International Call for Scores \/ electronic composition category, 2019 USA.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eReview by SSK in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Two things before we dive into the musical subject matter at hand. First: the stellar cover art by Harco Rutgers featuring a deftly shimmering glissando of muted but brightly shining pink into greenish hues cut through with subtle white wave form-like lines. With the inner panels and the disc itself following this tone of visuals closely, Variations... is one heck of a CD with quite the luxurious feel to it, a must-have you want to hold and cherish and give prime place of pride on display in your collection, around the stereo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, come to speak of stereo: on the sleeve, it doesn't say so, but this album needs to be cranked up to be fully appreciated in all nuance. Just so you know. Often ambient-esque synthesizer experimentation tends to be all hush-hush Feldman volume, but no way with this one, please. The granular synthesis opens up the full level of intensity on myriads of layers of sound processing when the amp gets a thorough workout and the speakers are fed with all the right power to project the microscopic detail(s) across the room. Also: I tried, but cannot think this is supposed to work with headphones, for some reason I prefer the room filling up with sound matter, instead of the head alone and boy does Gintas K deliver here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEstonian composer Gintas Kraptavičius presents his variations on the classical form in a-moll not to showcase the possibilities of his machines in this most classical of forms and formats per se, but to take the concept and push beyond with the help of intense granular synthesis; beyond that is, into the realm of deeply immerse en impressive listening experiences. Gintas K doesn't let up, doesn't do a second of ease or peace: his granulated fragments and shifting patterns divide, merge, splinter, coalesce with an unrelenting forward and deep-diving motion, although he manages to keep overpowering blunt force trauma at bay, in fact: Variations... turns out to be – above all – surprisingly melodic and harmonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVariations... is massive – feels like a ton of steel or concrete in a way, but then again, it is light and airy... maybe best described as sweltering heat mixed with a punishing downpour of torrential rains with rather heavy winds too... While that doesn't sound too appealing, it's exactly the push-back from the music, the up-front an centre stage of the forceful projections of exquisite tones that makes for a wall-like focal point against which the listener can lean as we came to know from the best practices from My Bloody Valentine back in the shoegaze days of yonder. Far from unpleasant, that is, in fact: you're hit with blast after blast and still there is air to breathe, moving air that is sound-pressured.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGintas K doesn't do easy listening, but his Variations... is one of those CD's that keeps rewarding the listener spin after spin. It's not as 'wild' as Mark Fell and\/or Gabór Lazar, but you'd be hard-pressed to remember melodic lines or phrases. This CD doesn't do comfort zone – doesn't allow for the newspaper to be read alongside or a novel. This a full-on attention-grabbing beast, but when you let yourself be hauled into its filigree maelstrom the aural vistas Gintas presents left, right, centre, above as below are all sparkling gems of unfiltered but extremely detailed brilliance. One album not to forget, to be put on the Long List for the 2020 Year lists.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gintas K\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e","published_at":"2021-08-12T12:30:22+09:00","created_at":"2021-08-12T11:48:22+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","esc.rec.","monooto","new"],"price":198000,"price_min":198000,"price_max":198000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40561388421285,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Gintas K \/\/ Variations In A-Moll For A Granular Synthesis CD","public_title":null,"options":["Default Title"],"price":198000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va4.jpg?v=1628736504"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","options":["Title"],"media":[{"alt":null,"id":23317509275813,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va1_56e377c9-caf8-49b6-ae24-7d588a0d9a50.jpg?v=1628736503","width":700},{"alt":null,"id":23317509308581,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va3_c61be616-82d6-48bc-99b4-e198cb4c96c0.jpg?v=1628736503","width":1200},{"alt":null,"id":23317509341349,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va4.jpg?v=1628736504"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/va4.jpg?v=1628736504","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが2019年12月にリリースしたCD。タイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3152021911\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/esc-rec\"\u003ehere\u003c\/a\u003e to see more Esc.rec. releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Esc.rec.:\u003c\/p\u003e\n\u003cp\u003e\"\u003cspan data-mce-fragment=\"1\"\u003e\u003cem\u003eVariations in a-moll for a granular synthesis' was created by Gintas K in 2016, during an art residency in MoKS\u003c\/em\u003e\u003c\/span\u003e\u003cem\u003e, Estonia. The album uses a classical variation form in a-moll and is an extremely overpowering listening experience. Stunning and surprisingly melodic harmonies keep emerging from the granulated and continuously shifting computer generated sounds.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K (Gintas Kraptavičius) is a Lithuanian sound artist and composer living and working in Lithuania. He has been a part of the Lithuanian experimental music scene since 1994 and was a core member of the first Lithuanian industrial electronic music band 'Modus'. Later Kraptavičius became known for his sound actions, theatrical performances and conceptual art in the manner of Fluxus.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eNowadays Gintas K is exploring experimental, electroacoustic, electronic, computer music aesthetics: from overloaded massive structures, static and physically overwhelming frequencies to melodic ambiences, voice and field recordings. His compositions are based on granulated sounds, improv, new hard digital computer music and small melodies.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eGintas K has released numerous records on other labels such as Cronica, Baskaru, Con-v, Copy for Your Records\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, Bolt, Creative Sources and Sub Rosa. He took part in various international festivals and symposiums of new media art and sound art (Transmediale, ISEA, ISSTA, IRCAM, xCoAx, ICMC, ICMC-NYCEMF). Winner of the International Sound-Art Contest Broadcasting Art 2010 in Spain and the USF New-Music Consortium International Call for Scores \/ electronic composition category, 2019 USA.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e-----\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan\u003eReview by SSK in Vital Weekly:\u003cbr\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cem\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003cspan\u003e\"Two things before we dive into the musical subject matter at hand. First: the stellar cover art by Harco Rutgers featuring a deftly shimmering glissando of muted but brightly shining pink into greenish hues cut through with subtle white wave form-like lines. With the inner panels and the disc itself following this tone of visuals closely, Variations... is one heck of a CD with quite the luxurious feel to it, a must-have you want to hold and cherish and give prime place of pride on display in your collection, around the stereo.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAnd secondly, come to speak of stereo: on the sleeve, it doesn't say so, but this album needs to be cranked up to be fully appreciated in all nuance. Just so you know. Often ambient-esque synthesizer experimentation tends to be all hush-hush Feldman volume, but no way with this one, please. The granular synthesis opens up the full level of intensity on myriads of layers of sound processing when the amp gets a thorough workout and the speakers are fed with all the right power to project the microscopic detail(s) across the room. Also: I tried, but cannot think this is supposed to work with headphones, for some reason I prefer the room filling up with sound matter, instead of the head alone and boy does Gintas K deliver here.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eEstonian composer Gintas Kraptavičius presents his variations on the classical form in a-moll not to showcase the possibilities of his machines in this most classical of forms and formats per se, but to take the concept and push beyond with the help of intense granular synthesis; beyond that is, into the realm of deeply immerse en impressive listening experiences. Gintas K doesn't let up, doesn't do a second of ease or peace: his granulated fragments and shifting patterns divide, merge, splinter, coalesce with an unrelenting forward and deep-diving motion, although he manages to keep overpowering blunt force trauma at bay, in fact: Variations... turns out to be – above all – surprisingly melodic and harmonic.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eVariations... is massive – feels like a ton of steel or concrete in a way, but then again, it is light and airy... maybe best described as sweltering heat mixed with a punishing downpour of torrential rains with rather heavy winds too... While that doesn't sound too appealing, it's exactly the push-back from the music, the up-front an centre stage of the forceful projections of exquisite tones that makes for a wall-like focal point against which the listener can lean as we came to know from the best practices from My Bloody Valentine back in the shoegaze days of yonder. Far from unpleasant, that is, in fact: you're hit with blast after blast and still there is air to breathe, moving air that is sound-pressured.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eGintas K doesn't do easy listening, but his Variations... is one of those CD's that keeps rewarding the listener spin after spin. It's not as 'wild' as Mark Fell and\/or Gabór Lazar, but you'd be hard-pressed to remember melodic lines or phrases. This CD doesn't do comfort zone – doesn't allow for the newspaper to be read alongside or a novel. This a full-on attention-grabbing beast, but when you let yourself be hauled into its filigree maelstrom the aural vistas Gintas presents left, right, centre, above as below are all sparkling gems of unfiltered but extremely detailed brilliance. One album not to forget, to be put on the Long List for the 2020 Year lists.\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Gintas K\u003c\/p\u003e\n\u003cp\u003eLabel : Esc.rec. \u003c\/p\u003e"}
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1994年から活動しているリトアニアの大御所サウンドアーティストGintas Kが2019年12月にリリースしたCD。タイトルの通り、グラニュラーシンセシスでのイ短調6曲を収録。デジパック、シュリンク仕様です。 レーベルその他作品はこちら /// Click here to see more Esc.rec. releases available at Tobira. ------------------------- Edition of...
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{"id":6961050157221,"title":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","handle":"percussion-in-surround-memory-in-motion-mode-325-dvd","description":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e","published_at":"2021-08-08T17:20:12+09:00","created_at":"2021-08-08T12:09:33+09:00","vendor":"Tobira Records","type":"","tags":["books \/ clothing \/ others","contemporary \/ sound poetry","mode","monooto","new","strange beats"],"price":298000,"price_min":298000,"price_max":298000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528789438629,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Percussion in Surround \/\/ Memory in Motion (mode 325) DVD","public_title":null,"options":["Default Title"],"price":298000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","options":["Title"],"media":[{"alt":null,"id":23256482545829,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/pe1_e0701a1b-c04f-4422-b1f4-470f33a07243.jpg?v=1628392175","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e収録曲：\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIannis Xenakis \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePersephassa (1969) for six percussionits 28:10\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eZihua Tan\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSorites (2015) for six percussionists 8:30\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFrançois-Bernard Mâche \u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAera (1978) for six percussionists 21:11\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003ealcides lanza \u003cbr\u003esensor VI (1986) for percussion quartet 9:58\u003cbr\u003emnais mnemes (2013) for percussion quartet 7:21\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/se2F0RBAcYA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2014893081\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\"\u003cem\u003eAn extraordinary sonic experience.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“Memory in Motion: Percussion in Surround” was a research project developed to examine how percussionists memorize musical actions within ensembles. As part of this research, director Aiyun Huang commissioned new works to compliment selected existing repertoire. Zihua Tan wrote “Sorites” to compliment Iannis Xenakis’ “Persephassa” and alcides lanza wrote “mnais\u003cspan class=\"bcTruncateMore\"\u003e mnemes” to compliment his own earlier composition “sensor VI.” In both cases, the composers were asked to use the identical setup and notational system as that of the existing works. By sharing this common DNA, these unique compositions synergistically flow together to form an unusually powerful listening experience.\u003cbr\u003e\u003cbr\u003e“Persephassa” is a classic of the percussion repertoire, for 6 spatialized percussionists surrounding the audience. This, along with Tan’s “Sorites” make for extraordinary listening in surround, with the listener placed in the center of the circular ensemble as acoustic sounds often ricochet or spin around the listener. The recording on this Mode release accurately places each percussionist in the soundstage (in the stereo version as well as the surround).\u003cbr\u003e\u003cbr\u003eContrasting, Malaysian born Zihua Tan’s “Sorites” is full of mystery. It’s orchestration of grainy-sounding brush strokes not only soften the attacks, but also blur the boundaries between different sounds, between one performer and another.\u003cbr\u003e\u003cbr\u003eMâche’s “Aera” is also for 6 percussionists. Using tuned gongs, vibraphones, marimbas, tubular bells, and timpani as the main colors in this 20-minute work, Mâche directs our ears to hear the inner resonance of these instruments and how the timbres and harmonies mingle and evolve when combinations of instruments shift.\u003cbr\u003e\u003cbr\u003eLanza’s two works are scored for percussion quartet. “sensor VI” was inspired by the first moon-landing by the Apollo astronauts in 1969. Lanza chose to reference the devices that sensed and transmitted the astronauts’ life-signs through space to technicians on the ground, and the relation these instruments have to the body's sense organs.\u003cbr\u003eHis “mnais mnemes” draws formal and textural inspiration from freely-derived characteristics of the mnais mneme, a unique dragonfly found in China — its very elongated cylindrical body contrasts strongly with its large head and enormous glassy spherical eyes.\u003cbr\u003e\u003cbr\u003eDVD comes with a booklet of liner notes by director Aiyun Huang\u003cbr\u003e\u003cbr\u003e• Audio options of 5.1 Dolby Digital or 24-bit 5.1 DTS, plus a\u003cbr\u003ededicated Dolby stereo mix\u003cbr\u003e• All 5 works are filmed with multiple cameras\u003cbr\u003e• BONUS: High resolution 24-bit, 96 khz PCM stereo audio (no video with this option)\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : \u003c\/span\u003ePercussion in Surround\u003c\/p\u003e\n\u003cp\u003eLabel : Mode Records\u003c\/p\u003e"}
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アンサンブルの中で打楽器奏者がどのように音楽の動作を記憶しているかを調べるために開発された研究プロジェクトの記録音源／映像です。映像ではマルチカメラでの演奏が堪能できます。24bit、96khz PCMステレオ音声版も収録。Aiyun Huang監督によるライナーノートが掲載されたブックレットが付属。 収録曲： Iannis Xenakis Persephassa (1969) for six percussionits 28:10Zihua TanSorites (2015) for...
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{"id":6961049403557,"title":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","handle":"bernard-parmegiani-stries-mode-328-cd","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-10T13:07:59+09:00","created_at":"2021-08-08T12:07:14+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528781836453,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bernard Parmegiani \/\/ Stries (Mode 328) CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","options":["Title"],"media":[{"alt":null,"id":23256472879269,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/st1_71736b6b-d899-4051-9bc7-ccef7831d905.jpg?v=1628392036","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3047596344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode: \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e\n\u003cem\u003eBernard Parmegiani (1927–2013), the grand old man of French electroacoustic music, did not write much music for tape with live performers. Among them is “Stries” for the unusual combi- nation of three live synthesizer players and tape.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eUntil recently, “Stries” had not been played live for some 30 years. This is the first complete recording, only part of it had been previously released on LP on the INA\/GRM label.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e“Stries” was written for the three synthesizer players of the Paris- based electroacoustic trio TM+, Yann Geslin, Laurent Cuniot and Denis Dufour, founded at the INA\/GRM. Over the span of the ensem- ble’s lifetime, TM+ used a range of different instruments — analog synthesizers in the late 1970s and early digital synthesizers in the mid-1980s — and amassed a repertoire of about 40 compositions written especially for them.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFortunately, Yann Geslin, of the INA\/GRM, archived the original score by Parmegiani, as well as the parts for the instrumentalists. Also in GRM’s archives was the original analog reel-to-reel tape for the piece, as well as the analog 8-track recordings from the recording session.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eArmed with this material, the electronic music trio of Colette Broeckaert, Martin Lorenz and Sebastian Berweck\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e, together with Yann Geslin, recreated the piece with the aim of bringing it back to the stage as well as producing generic scores that could help get the piece into the repertoire of many instrumentalists. Their work is real- ized on this release.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Stries” (1980) is a work in three parts based on the tapes of Parmegiani’s “Violostries” for violin \u0026amp; tape from 1963. The tape part is derived completely from recordings of the violin which Parmegiani masterfully alters to create an at times extremely dense, at other times pointillist piece of music.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe first part, “Strilento,” is a piece for tape solo and can as such be played alone, while the second and third movements — “Strio” and the eponymous “Stries” — make direct usage of the old tapes and the analog synthesizers of the players.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSebastian Berweck’s liner notes detail the reconstruction of “Stries” for both performance and this recording.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : Bernard Parmegiani\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":6961048420517,"title":"John Cage \/\/ Complete Cage Edition 54: The Works for Piano 11: Cheap Imitation CD","handle":"jc54","description":"\u003cp\u003eJohn Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Pritchettによるライナーノートが付属。\u003c\/span\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”ケージは、マース・カニングハムの振付のために、エリック・サティの「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et diver- tissements』に収録されている別の曲『The swing』にも同じ手法を適用し、『Swinging』というタイトルをつけた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「All sides of the small stone...」は、サティの「Gymnopedies」から派生した、まったく歴史のわからない曲である。アメリカの作曲家ジェームス・テニーの作品の楽譜の裏に書かれた1ページの音楽原稿には、\"John \"というサインと \"7\/78 \"という日付が記されているだけである。この原稿は、テニーの死後、彼の書類を整理しているときに発見されたものである。ケージの作品とされているが、筆跡は彼のものとは思えない。ケージもテニーも、そして他の誰もがこの作品について一言も語っていないので、作曲者は謎のままである。高橋アキはこの未発表作品を初めて録音した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=694206444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCAGE – SATIE – FELDMAN – TAKAHASHI sums up the focus of this album. All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes\/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman made this arrangement in 1980. Knowing of Takahashi’s reputation as a pianist specializing in new music, Feldman had invit- ed her to be an artist in residence at the university where he taught.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen she was leaving, Feldman gave a musical score to Takahashi as a gift. It was a copy of John Cage’s solo piano piece Cheap Imitation with annotations by Feldman. He told her that this was an instrumen- tal version of this piece: flute, piano, and glockenspiel. He signed the title page, just under the original title:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eINSTRUMENTAL VERSION (Fl, Pf, Glock) Morton Feldman\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBuffalo, N.Y. Winter 1980\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDedicated to Aki\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Takahashi\u003cbr data-mce-fragment=\"1\"\u003eCage was to create a two-piano transcription of Erik Satie’s Socrate for a Merce Cunningham choreography, but he was unable to get permission from the publisher. Even worse, he could not even get performance rights to use the published piano-vocal score of Socrate. Cage’s creative solution was to make a piano piece that maintained the exact metrical and phrase structure of Socrate, but with different notes to avoid copyright issues. He called this piece Cheap Imitation. Cunningham responded by calling his dance Second Hand.\u003cbr data-mce-fragment=\"1\"\u003eThe recital is completed by three short works under Satie’s influence. Perpetual Tango is derived from the “Tango” movement of Satie’s Sports et divertissements. Cage’s method was to take the rhythm of the original tango and erase parts of it. He does not specify pitches, but instead gives the pitch ranges of the original piece. The pianist chooses which pitches to play in the rhythm given. In 1989 he applied the same procedure on another piece from Sports et diver- tissements, “The swing;” he titled the result Swinging.\u003cbr data-mce-fragment=\"1\"\u003eAll sides of the small stone... is a composition with a completely unknown history, derived from Satie’s Gymnopédies. All we have is a page of musical manuscript written in the back of a score of a work by American composer James Tenney with the signature “John” and the date “7\/78.” The manuscript was discovered when Tenney’s papers were being organized after his death. It has been attributed to Cage, but the handwriting doesn’t look like his. Neither Cage nor Tenney—nor anyone else, for that matter—said a word about this piece, so its definitive composer will remain a mystery. Aki Takahashi gives the first recording of this unpublished work.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by James Pritchett.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : John Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-08T17:52:49+09:00","created_at":"2021-08-08T12:05:17+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","mode","new","recommended"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40528778231973,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"John Cage \/\/ Complete Cage Edition 54: The Works for Piano 11: Cheap Imitation CD","public_title":null,"options":["Default Title"],"price":228000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918","options":["Title"],"media":[{"alt":null,"id":23256461672613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/com1_d2e17425-a987-418e-b9c9-13995f11d179.jpg?v=1628391918","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eJohn Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニスト\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJames Pritchettによるライナーノートが付属。\u003c\/span\u003e以下、レーベル解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e”ケージは、マース・カニングハムの振付のために、エリック・サティの「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「\u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eSocrate\u003c\/span\u003e」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eこのリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et diver- tissements』に収録されている別の曲『The swing』にも同じ手法を適用し、『Swinging』というタイトルをつけた。\u003c\/em\u003e\u003cbr\u003e\u003cem\u003e「All sides of the small stone...」は、サティの「Gymnopedies」から派生した、まったく歴史のわからない曲である。アメリカの作曲家ジェームス・テニーの作品の楽譜の裏に書かれた1ページの音楽原稿には、\"John \"というサインと \"7\/78 \"という日付が記されているだけである。この原稿は、テニーの死後、彼の書類を整理しているときに発見されたものである。ケージの作品とされているが、筆跡は彼のものとは思えない。ケージもテニーも、そして他の誰もがこの作品について一言も語っていないので、作曲者は謎のままである。高橋アキはこの未発表作品を初めて録音した。\"\u003c\/em\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=694206444\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/mode\"\u003ehere\u003c\/a\u003e to see more Mode releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e----------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eDescription by Mode:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003eCAGE – SATIE – FELDMAN – TAKAHASHI sums up the focus of this album. All of these works by Cage are influenced by Satie. Cage’s friend and colleague Morton Feldman made an arrangement of Cage’s solo piano “Cheap Imitation” for a trio of piano, flutes\/piccolo and glockenspiel. Feldman’s admiration for the pianist Aki Takahashi caused him to gift this arrangement to her. And, full circle, we have the repertoire of this album.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe major discovery is Feldman’s arrangement of Cheap Imitation for this very Feldmanesque instrumental ensemble. It is unknown why Feldman made this arrangement in 1980. Knowing of Takahashi’s reputation as a pianist specializing in new music, Feldman had invit- ed her to be an artist in residence at the university where he taught.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWhen she was leaving, Feldman gave a musical score to Takahashi as a gift. It was a copy of John Cage’s solo piano piece Cheap Imitation with annotations by Feldman. He told her that this was an instrumen- tal version of this piece: flute, piano, and glockenspiel. He signed the title page, just under the original title:\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eINSTRUMENTAL VERSION (Fl, Pf, Glock) Morton Feldman\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eBuffalo, N.Y. Winter 1980\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eDedicated to Aki\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e Takahashi\u003cbr data-mce-fragment=\"1\"\u003eCage was to create a two-piano transcription of Erik Satie’s Socrate for a Merce Cunningham choreography, but he was unable to get permission from the publisher. Even worse, he could not even get performance rights to use the published piano-vocal score of Socrate. Cage’s creative solution was to make a piano piece that maintained the exact metrical and phrase structure of Socrate, but with different notes to avoid copyright issues. He called this piece Cheap Imitation. Cunningham responded by calling his dance Second Hand.\u003cbr data-mce-fragment=\"1\"\u003eThe recital is completed by three short works under Satie’s influence. Perpetual Tango is derived from the “Tango” movement of Satie’s Sports et divertissements. Cage’s method was to take the rhythm of the original tango and erase parts of it. He does not specify pitches, but instead gives the pitch ranges of the original piece. The pianist chooses which pitches to play in the rhythm given. In 1989 he applied the same procedure on another piece from Sports et diver- tissements, “The swing;” he titled the result Swinging.\u003cbr data-mce-fragment=\"1\"\u003eAll sides of the small stone... is a composition with a completely unknown history, derived from Satie’s Gymnopédies. All we have is a page of musical manuscript written in the back of a score of a work by American composer James Tenney with the signature “John” and the date “7\/78.” The manuscript was discovered when Tenney’s papers were being organized after his death. It has been attributed to Cage, but the handwriting doesn’t look like his. Neither Cage nor Tenney—nor anyone else, for that matter—said a word about this piece, so its definitive composer will remain a mystery. Aki Takahashi gives the first recording of this unpublished work.\u003cbr data-mce-fragment=\"1\"\u003eLiner notes by James Pritchett.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eArtist : John Cage\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan mce-data-marked=\"1\"\u003eLabel : Mode Records\u003c\/span\u003e\u003c\/p\u003e"}
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John Cageが1969年にErik Satieの「Socrate」に影響を受け制作した作品「Cheap Imitation」をMorton Feldmanが1980年に編曲し、その楽譜を髙橋アキにプレゼントした結果リリースに至ったという縁が縁を呼んだ作品です。Cageの友人であるピアニストJames Pritchettによるライナーノートが付属。以下、レーベル解説です。 ”ケージは、マース・カニングハムの振付のために、エリック・サティの「 Socrate」を2台のピアノでトランスクリプションすることになっていたが、出版社の許可を得ることができず、演奏権すら得られなかった。そこでケージがとった解決策は、「 Socrate」の旋律やフレーズの構成をそのままに、著作権の問題を避けるために音符を変えたピアノ曲を作ることだった。この曲をケージは「Cheap Imitaion」と名付けた。これに対してカニンガムは、自分のダンスを「セカンド・ハンド」と呼んだ。このリサイタルは、サティの影響下にある3つの短編作品で完結する。「Perpetual Tango」は、サティの「Sports et Divertissements」の「タンゴ」の楽章から派生しており、元のタンゴのリズムを取り、その一部を消してしまうというもの。ケージは音程を指定せず、原曲の音域を与えている。ピアニストは与えられたリズムの中でどの音程を弾くかを選ぶ。1989年には、『Sports et...
¥2,280
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{"id":6960124493989,"title":"TD \u0026 SS \/\/ Viva! The Downtown Sound TAPE","handle":"td-ss-viva-the-downtown-sound","description":"\u003cp\u003e2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本作は、VitrineやMore Marsなどから発表しているデュオTD \u0026amp; SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1082199628\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Staighre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TD \u0026amp; SS \u003c\/p\u003e\n\u003cp\u003eLabel : Staighre\u003c\/p\u003e","published_at":"2021-08-08T09:53:05+09:00","created_at":"2021-08-07T11:26:55+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","staighre","tape"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40523767414949,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"TD \u0026 SS \/\/ Viva! The Downtown Sound TAPE","public_title":null,"options":["Default Title"],"price":158000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217","options":["Title"],"media":[{"alt":null,"id":23243992137893,"position":1,"preview_image":{"aspect_ratio":0.988,"height":342,"width":338,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217"},"aspect_ratio":0.988,"height":342,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ScreenShot2021-08-07at11.25.51am.png?v=1628303217","width":338}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e本作は、VitrineやMore Marsなどから発表しているデュオTD \u0026amp; SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。\u003c\/p\u003e\n\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1082199628\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/staighre\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Staighre releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : TD \u0026amp; SS \u003c\/p\u003e\n\u003cp\u003eLabel : Staighre\u003c\/p\u003e"}
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2000年代後期のアメリカ地下アンビエントシーンを牽引したレーベルの一つEkhein主宰Matthew Sullivanが新レーベルStaighreを始動しました。 本作は、VitrineやMore Marsなどから発表しているデュオTD & SSの最新作です。15分のコラージュ〜スポークンワード2曲、約40分を収録。 レーベルその他作品はこちら /// Click here to see more Staighre releases available at...
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{"id":6957543882917,"title":"Cody Brant \/ Thomas LaRoche \/\/ Pathological Demand Avoidance CDR","handle":"cody-brant-thomas-laroche-pathological-demand-avoidance-cdr","description":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody BrantとThomas LaRocheが2021年8月にリリースしたスプリットCDR。\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w5EibaZTPZM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\nレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T12:13:41+09:00","created_at":"2021-08-06T12:13:41+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","new","research laboratories"],"price":138000,"price_min":138000,"price_max":138000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516499243173,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cody Brant \/ Thomas LaRoche \/\/ Pathological Demand Avoidance CDR","public_title":null,"options":["Default Title"],"price":138000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3770.jpg?v=1628219763","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3771.jpg?v=1628219708"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3770.jpg?v=1628219763","options":["Title"],"media":[{"alt":null,"id":23225091358885,"position":1,"preview_image":{"aspect_ratio":0.968,"height":3032,"width":2934,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3770.jpg?v=1628219763"},"aspect_ratio":0.968,"height":3032,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3770.jpg?v=1628219763","width":2934},{"alt":null,"id":23225091326117,"position":2,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3771.jpg?v=1628219705"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3771.jpg?v=1628219705","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody BrantとThomas LaRocheが2021年8月にリリースしたスプリットCDR。\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/w5EibaZTPZM\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\nレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\" style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":6957521633445,"title":"Andy Heck Boyd \/\/ One Hour Report (incomplete) TAPE","handle":"andy-heck-boyd-one-hour-report-incomplete-tape","description":"\u003cp\u003eアメリカ・ケンタッキーの実験音楽家Andy Heck Boydが2021年25本限定でリリースしたカセット。コラージュ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Heck Boyd\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e","published_at":"2021-08-06T12:03:54+09:00","created_at":"2021-08-06T12:03:54+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","research laboratories","tape"],"price":145000,"price_min":145000,"price_max":145000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516383670437,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andy Heck Boyd \/\/ One Hour Report (incomplete) TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200","options":["Title"],"media":[{"alt":null,"id":23224964219045,"position":1,"preview_image":{"aspect_ratio":1.111,"height":1152,"width":1280,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200"},"aspect_ratio":1.111,"height":1152,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/tumblr_ce8cc1de12675194116158a4b3b6e7ed_21c73577_1280.jpg?v=1628219200","width":1280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・ケンタッキーの実験音楽家Andy Heck Boydが2021年25本限定でリリースしたカセット。コラージュ2曲を収録。廃盤です。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25.\u003c\/p\u003e\n\u003cp\u003eArtist : Andy Heck Boyd\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e"}
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{"id":6957513867429,"title":"Cody Brant \/\/ Found Cassettes Volume 2 TAPE","handle":"cody-brant-found-cassettes-volume-2-tape","description":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w2aSD7f3V9c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T12:00:14+09:00","created_at":"2021-08-06T12:00:14+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","research laboratories","tape"],"price":145000,"price_min":145000,"price_max":145000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40516361027749,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cody Brant \/\/ Found Cassettes Volume 2 TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3769.jpg?v=1628218904"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3769.jpg?v=1628218904","options":["Title"],"media":[{"alt":null,"id":23224898289829,"position":1,"preview_image":{"aspect_ratio":0.75,"height":4032,"width":3024,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3769.jpg?v=1628218904"},"aspect_ratio":0.75,"height":4032,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/IMG_3769.jpg?v=1628218904","width":3024}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/w2aSD7f3V9c\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e レーベルその他作品は\u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 1.4em;\" href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e"}
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¥1,450
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{"id":6957424181413,"title":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 2 LP","handle":"bruce-lacey-the-spacey-bruce-lacey-film-music-and-improvisations-vol-2-2xlp","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となった\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZMkxL_JivCk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : Trunk Records\u003c\/p\u003e","published_at":"2021-08-06T17:52:48+09:00","created_at":"2021-08-06T11:19:50+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new","trunk records"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515987046565,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 2 LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392","options":["Title"],"media":[{"alt":null,"id":23224280514725,"position":1,"preview_image":{"aspect_ratio":0.995,"height":396,"width":394,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392"},"aspect_ratio":0.995,"height":396,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ScreenShot2021-08-06at11.15.09am.png?v=1628216392","width":394}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となった\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZMkxL_JivCk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eBruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : Trunk Records\u003c\/p\u003e"}
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50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。 レーベルその他作品はこちら /// Click here to see more Trunk Records releases available at Tobira. ------------------------------ Description by Jonny...
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{"id":6957419069605,"title":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 1 LP","handle":"bruce-lacey-the-spacey-bruce-lacey-film-music-and-improvisations-vol-1-lp","description":"\u003cp\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kLW4OaqBZmY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : TRUNK\u003c\/p\u003e","published_at":"2021-08-06T17:52:03+09:00","created_at":"2021-08-06T11:15:17+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lp","monooto","new","trunk records"],"price":318000,"price_min":318000,"price_max":318000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515966009509,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bruce Lacey \/\/ The Spacey Bruce Lacey - Film Music And Improvisations Vol. 1 LP","public_title":null,"options":["Default Title"],"price":318000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448","options":["Title"],"media":[{"alt":null,"id":23224288936101,"position":1,"preview_image":{"aspect_ratio":1.0,"height":200,"width":200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448"},"aspect_ratio":1.0,"height":200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/sp1_b1ceef36-12cf-4bf4-b1ea-e25b0912f8e1.jpg?v=1628216448","width":200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/kLW4OaqBZmY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/trunkrecs\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eTrunk Records releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText by \u003cmeta charset=\"utf-8\"\u003eJonny Trunk, Trunk Records (2014):\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"Bruce Lacey is everywhere and nowhere. He’s there only if you’re prepared to dig about deep enough. You’ll find him through every decade since the 1950s, in all the important places doing all sorts of interesting things with all the interesting people. A true artist and eccentric, he only appeared in my life properly after a tip-off from a Trunk records collector and musician, Ben Reed. Ben had called me and said I should start listening to Bruce Lacey music. He told me it featured a lot on his films, it was raw, strange, honest, involved naked people and sex and that it was all very “Trunk”. So I watched and listened. And two years on we have all this (two Bruce Lacey LPs and one Bruce Lacey CD) which really needs to be heard and, dare I say, “experienced”. It’s music from his art films and music improvised for his self-released tapes.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs you will discover, Bruce is an extraordinary man, an inspiring, inventive genius. I went to see him and when we started digging about in his various barns and archives we came across bits of the monophonic synth he’d used in the 1970s. This is the synth you will hear throughout many of these recordings. Bruce bought it from an advert in the back of Exchange \u0026amp; Mart. The seller was a schoolboy who’d made the synth using instructions and kits from Practical Electronics magazine. A week later, Bruce bought a keyboard from another advert in Exchange \u0026amp; Mart from a different schoolboy who’d made it using other instructions from Practical Electronics. Over the next few years Lacey set about improving and expanding this monophonic monster, improvising switch matrix systems, new noise generators, oscillators and filters using items scrounged or bought from electronic retailers or government surplus stores such as Proops in Tottenham Court Road. In the mid 1970s Brian Eno (a friend of Lacey’s daughter’s boyfriend at the time) visited the Lacey studio, which was in an old shoe factory in Hackney. Lacey recalls Eno’s thoughts about his synth at the time: “Eno told me that when he switches on his VCS3, it is silent. But when he turns on my synth it is alive, it bubbles”.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eLacey also recalls selling tapes of his music at the Acme Gallery in 1979. He sold a tape of Earth Spirit to a punk (from a local boutique), who later came back to buy another. The music then turned up in the 1979 Arena documentary “Who Is Poly Styrene”, playing in the van as X-Ray Spex travel between gigs. Poly Styrene compared the music to Tangerine Dream. Lacey still has no idea who Tangerine Dream are or what they sound like.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAs well as the homemade synth and regular electronic improvisations, Lacey had also dabbled with alternative recording techniques and concrète principles. For his soundtrack to Everybody’s Nobody in 1960 he used a Ferrograph tape machine, beer bottles, children’s rattles, a typewriter and wetted corks as his sound palette. On other recordings he often played his monophonic synth at the same time as manipulating his voice through sound boxes and connecting new technology to old. The improvised music from Ancient Forces, Earth Spirit and Cycles Of The Serpent are all influenced by Lacey’s stone circle visits. The electronic squeaking soundtrack to Funky Dance is based on Lacey’s x-wife scratching balloons into positive film.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eWhat I found fascinating talking to Bruce about his improvised music was that he could never play live. That’s because the way he makes music is quite clearly defined: he goes to his studio. He sits. He waits for The Muse to descend. As and when she does he will turn on the TEAC tape machine and begin to play. When The Muse leaves him, he finishes playing and turns the tape off. There is no telling if and when The Muse will even appear, so playing live would always be impossible, especially when you consider the pressure an audience would put on such a personal interaction. On a visit to Virgin Records in the late 1970s, Lacey played one of his tapes to an A\u0026amp;R man. The music made a good impression, but when questioned whether the music could be re-created live in a studio Lacey confessed he could not, and any pending record deal promptly flew out of the window.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eI will leave a fuller and more fascinating story of Bruce now to William Fowler of the BFI (and The Flip Side), who is a true Lacey fan and expert.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThanks for listening as always\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bruce Lacey\u003c\/p\u003e\n\u003cp\u003eLabel : TRUNK\u003c\/p\u003e"}
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50年代より映画音楽やメディアアートなどの分野で特異な存在となったBruce Laceyの音源集。奇想天外な音が飛び出す、今聴いても新鮮な作品です。 レーベルその他作品はこちら /// Click here to see more Trunk Records releases available at Tobira. ------------------------------ Text...
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{"id":6957377093797,"title":"Cody Brant \/\/ Found Cassettes Volume 1 TAPE","handle":"cody-brant-found-cassettes-volume-1-tape","description":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2443951575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-06T11:54:53+09:00","created_at":"2021-08-06T10:34:34+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","research laboratories","tape"],"price":145000,"price_min":145000,"price_max":145000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515766091941,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cody Brant \/\/ Found Cassettes Volume 1 TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_c5abc099-ff62-49b6-a7a9-348de6d5af29.jpg?v=1628213676"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_c5abc099-ff62-49b6-a7a9-348de6d5af29.jpg?v=1628213676","options":["Title"],"media":[{"alt":null,"id":23223839916197,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_c5abc099-ff62-49b6-a7a9-348de6d5af29.jpg?v=1628213676"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_c5abc099-ff62-49b6-a7a9-348de6d5af29.jpg?v=1628213676","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。廃盤です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2443951575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"This is a collection of audio recordings from found cassettes, found all over the country. Collected from late 90's til 2015.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Cody Brant\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eResearch Laboratories\u003c\/span\u003e\u003c\/p\u003e"}
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過去にchocolate monkなどから発表しており、TNBとも共作を重ねるアメリカ・ラスベガスの実験音楽家Cody Brantが20本限定でリリースしたカセット。アメリカ全土から収集したプライベート録音カセットをコラージュした作品です。廃盤です。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at Tobira. -------------------------- "This...
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{"id":6957374931109,"title":"Josh Peterson \/\/ Katzen Memos (An Improvised Novella In 52 Voice Messages) TAPE","handle":"josh-peterson-katzen-memos-an-improvised-novella-in-52-voice-messages-tape","description":"\u003cp\u003eアメリカのアウトサイダー詩人家Josh Petersonが2021年に35本限定でリリースしたカセット。52通りのボイスメッセージが収録。廃盤です。 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 35.\u003c\/p\u003e\n\u003cp\u003eArtist : Josh Peterson\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e","published_at":"2021-08-06T11:38:16+09:00","created_at":"2021-08-06T10:32:17+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","research laboratories","tape"],"price":145000,"price_min":145000,"price_max":145000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40515755671717,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Josh Peterson \/\/ Katzen Memos (An Improvised Novella In 52 Voice Messages) TAPE","public_title":null,"options":["Default Title"],"price":145000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo1_ed5d08c5-cb6b-4604-90c2-278c365d25aa.jpg?v=1628213539","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo2_030c5cf1-641c-4609-a8b3-2c0fbabac0fc.jpg?v=1628213539"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo1_ed5d08c5-cb6b-4604-90c2-278c365d25aa.jpg?v=1628213539","options":["Title"],"media":[{"alt":null,"id":23223815635109,"position":1,"preview_image":{"aspect_ratio":0.777,"height":1647,"width":1280,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo1_ed5d08c5-cb6b-4604-90c2-278c365d25aa.jpg?v=1628213539"},"aspect_ratio":0.777,"height":1647,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo1_ed5d08c5-cb6b-4604-90c2-278c365d25aa.jpg?v=1628213539","width":1280},{"alt":null,"id":23223815667877,"position":2,"preview_image":{"aspect_ratio":1.276,"height":1003,"width":1280,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo2_030c5cf1-641c-4609-a8b3-2c0fbabac0fc.jpg?v=1628213539"},"aspect_ratio":1.276,"height":1003,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/jo2_030c5cf1-641c-4609-a8b3-2c0fbabac0fc.jpg?v=1628213539","width":1280}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカのアウトサイダー詩人家Josh Petersonが2021年に35本限定でリリースしたカセット。52通りのボイスメッセージが収録。廃盤です。 \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/relab\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eResearch Laboratories releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 35.\u003c\/p\u003e\n\u003cp\u003eArtist : Josh Peterson\u003c\/p\u003e\n\u003cp\u003eLabel : Research Laboratories\u003c\/p\u003e"}
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アメリカのアウトサイダー詩人家Josh Petersonが2021年に35本限定でリリースしたカセット。52通りのボイスメッセージが収録。廃盤です。 レーベルその他作品はこちら /// Click here to see more Research Laboratories releases available at Tobira. -------------------------- Edition...
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{"id":6949989154981,"title":"Andrew Weathers \/\/ Catalogs: Sound Pieces with Text and 10 Unrealized Scores TAPE","handle":"andrew-weathers-catalogs-sound-pieces-with-text-and-10-unrealized-scores-2xtape","description":"\u003cp\u003eアメリカ・テキサスの実験／アンビエントレーベルFull Spectrum主宰Andrew Weathersが2021年7月にリリースした最新アルバム。\u003c\/p\u003e\n\u003cp\u003e過去作とは打って変わって、本作ではフィールドレコーディングをメインソースとして使用し、素材を録音した場所についての解説などをミックスしている意欲作です。4曲、100分以上を収録。10枚のグラフィックスコアとテキスト（指示通り録音した音源は作家に直接お送りいただけます）とDLコードが付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となりますので、レコードなどとご購入いただけますとお得です\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102396490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Andrew Weathers \/ Full Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe release features\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea tape, 10 text \u0026amp; graphic scores, the product of Andrew’s experiments with Land Art music from the past few years, a significant break with Andrew’s previous methods of work, a rich indicator of future creative concepts \u0026amp; approaches\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music is made from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efield recordings, synths, spoken text components, heavy sonic processing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeatures sounds recorded on location in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe Big Bend Region, Dickens Spring [on the edge of the Llano Estacado], Mesa Verde National Park, the city of Cactus, Texas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe spoken texts include\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea dream journal, a modified trail guide, a list of markers seen on a particular trip, a list of notable historical figures \u0026amp; location coordinates relevant to a place\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e confronts\u003cbr data-mce-fragment=\"1\"\u003eRural Situationism, fantastical aural maps of places \u0026amp; space, the score as functional guide to exploring one’s own psychogeographic experience of place through sound-oriented approaches\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt sounds like\u003cbr data-mce-fragment=\"1\"\u003ethe river that runs through us all, the ever-present hum of the Earth Grid, the tuning of the desert at night\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Weathers\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e","published_at":"2021-08-02T15:13:09+09:00","created_at":"2021-08-02T11:55:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","field recording","Full Spectrum Records","monooto","new","tape"],"price":235000,"price_min":235000,"price_max":235000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40488507605157,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Andrew Weathers \/\/ Catalogs: Sound Pieces with Text and 10 Unrealized Scores TAPE","public_title":null,"options":["Default Title"],"price":235000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","options":["Title"],"media":[{"alt":null,"id":23172122771621,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca1_b1e36520-3b1e-4b09-880f-222cb0acfa95.jpg?v=1627872948","width":700},{"alt":null,"id":23172122804389,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ca2_b9765e5b-4db3-4795-817b-03ad111a3c37.jpg?v=1627872948","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・テキサスの実験／アンビエントレーベルFull Spectrum主宰Andrew Weathersが2021年7月にリリースした最新アルバム。\u003c\/p\u003e\n\u003cp\u003e過去作とは打って変わって、本作ではフィールドレコーディングをメインソースとして使用し、素材を録音した場所についての解説などをミックスしている意欲作です。4曲、100分以上を収録。10枚のグラフィックスコアとテキスト（指示通り録音した音源は作家に直接お送りいただけます）とDLコードが付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便（550円)での発送となりますので、レコードなどとご購入いただけますとお得です\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2102396490\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/fsr\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/fsr\"\u003ehere\u003c\/a\u003e to see more Full Spectrum Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Andrew Weathers \/ Full Spectrum Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe release features\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea tape, 10 text \u0026amp; graphic scores, the product of Andrew’s experiments with Land Art music from the past few years, a significant break with Andrew’s previous methods of work, a rich indicator of future creative concepts \u0026amp; approaches\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe music is made from\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003efield recordings, synths, spoken text components, heavy sonic processing\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFeatures sounds recorded on location in\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe Big Bend Region, Dickens Spring [on the edge of the Llano Estacado], Mesa Verde National Park, the city of Cactus, Texas\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe spoken texts include\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ea dream journal, a modified trail guide, a list of markers seen on a particular trip, a list of notable historical figures \u0026amp; location coordinates relevant to a place\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e confronts\u003cbr data-mce-fragment=\"1\"\u003eRural Situationism, fantastical aural maps of places \u0026amp; space, the score as functional guide to exploring one’s own psychogeographic experience of place through sound-oriented approaches\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt sounds like\u003cbr data-mce-fragment=\"1\"\u003ethe river that runs through us all, the ever-present hum of the Earth Grid, the tuning of the desert at night\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Andrew Weathers\u003c\/p\u003e\n\u003cp\u003eLabel : Full Spectrum Records\u003c\/p\u003e"}
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アメリカ・テキサスの実験／アンビエントレーベルFull Spectrum主宰Andrew Weathersが2021年7月にリリースした最新アルバム。 過去作とは打って変わって、本作ではフィールドレコーディングをメインソースとして使用し、素材を録音した場所についての解説などをミックスしている意欲作です。4曲、100分以上を収録。10枚のグラフィックスコアとテキスト（指示通り録音した音源は作家に直接お送りいただけます）とDLコードが付属。 ※ケースの形状上、佐川急便（550円)での発送となりますので、レコードなどとご購入いただけますとお得です レーベルその他作品はこちら /// Click here to see more Full Spectrum Records releases available...
¥2,350
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{"id":6941155950757,"title":"Christian Vasseur \/\/ Barreaux Dans Le Ciel CDR","handle":"christian-vasseur-barreaux-dans-le-ciel-cd","description":"\u003cp\u003eフランスの音楽家Christian Vasseurが2018年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで23曲を収録した日記のような作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343297665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChristian composed, improvised, recorded \u0026amp; mixed these tracks during a 4-month residency (February-May 2017) in the north of France, where he worked with many people, among which (disabled) pupils \u0026amp; prisoners. He asked them to read, write \u0026amp; record haiku poems. The sound of their voices became the basis of this music project.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Vasseur\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-09T09:47:07+09:00","created_at":"2021-07-28T11:52:08+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","jazz","monooto","neo classical","new","thirsty leaves"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40456503623845,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christian Vasseur \/\/ Barreaux Dans Le Ciel CDR","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ba1_5d91cac6-b020-4f57-bfc8-2f3920b56601.jpg?v=1627440729","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ba2_e519ec83-5291-45be-94a5-3f688f94588b.jpg?v=1627440730"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ba1_5d91cac6-b020-4f57-bfc8-2f3920b56601.jpg?v=1627440729","options":["Title"],"media":[{"alt":null,"id":23123006587045,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ba1_5d91cac6-b020-4f57-bfc8-2f3920b56601.jpg?v=1627440729"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ba1_5d91cac6-b020-4f57-bfc8-2f3920b56601.jpg?v=1627440729","width":700},{"alt":null,"id":23123006619813,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ba2_e519ec83-5291-45be-94a5-3f688f94588b.jpg?v=1627440730"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ba2_e519ec83-5291-45be-94a5-3f688f94588b.jpg?v=1627440730","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eフランスの音楽家Christian Vasseurが2018年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで23曲を収録した日記のような作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2343297665\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChristian composed, improvised, recorded \u0026amp; mixed these tracks during a 4-month residency (February-May 2017) in the north of France, where he worked with many people, among which (disabled) pupils \u0026amp; prisoners. He asked them to read, write \u0026amp; record haiku poems. The sound of their voices became the basis of this music project.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Vasseur\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの音楽家Christian Vasseurが2018年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで23曲を収録した日記のような作品です。 レーベルその他作品はこちら /// Click here to see more Thirsty Leaves releases available at Tobira. ---------------------------- Edition...
¥1,480
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{"id":6941140287653,"title":"Christian Vasseur \/\/ Un Amour Infini CDR","handle":"christian-vasseur-un-amour-infini-cd","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの音楽家Christian Vasseurが2019年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで12曲を収録した日記のような作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=478904344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Thirsty Leaves:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChristian composed, improvised, recorded \u0026amp; mixed these tracks during a 4-month residency (February-May 2017) in the north of France, where he worked with many people, among which (disabled) pupils \u0026amp; prisoners. He asked them to read, write \u0026amp; record haiku poems. The sound of their voices became the basis of this music project.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Vasseur\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-08-09T10:14:52+09:00","created_at":"2021-07-28T11:38:56+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","monooto","neo classical","new","strange beats","thirsty leaves"],"price":148000,"price_min":148000,"price_max":148000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40456382840997,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Christian Vasseur \/\/ Un Amour Infini CDR","public_title":null,"options":["Default Title"],"price":148000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un.jpg?v=1627439937","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_924bc17b-3b32-43f0-9f0a-cc7c38caa89f.jpg?v=1627439938"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un.jpg?v=1627439937","options":["Title"],"media":[{"alt":null,"id":23122850152613,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un.jpg?v=1627439937"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un.jpg?v=1627439937","width":700},{"alt":null,"id":23122850185381,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_924bc17b-3b32-43f0-9f0a-cc7c38caa89f.jpg?v=1627439938"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/un2_924bc17b-3b32-43f0-9f0a-cc7c38caa89f.jpg?v=1627439938","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eフランスの音楽家Christian Vasseurが2019年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで12曲を収録した日記のような作品です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=478904344\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/thirle\"\u003ehere\u003c\/a\u003e to see more Thirsty Leaves releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by Thirsty Leaves:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eChristian composed, improvised, recorded \u0026amp; mixed these tracks during a 4-month residency (February-May 2017) in the north of France, where he worked with many people, among which (disabled) pupils \u0026amp; prisoners. He asked them to read, write \u0026amp; record haiku poems. The sound of their voices became the basis of this music project.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Christian Vasseur\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThirsty Leaves\u003c\/span\u003e\u003c\/p\u003e"}
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フランスの音楽家Christian Vasseurが2019年にリリースしたCD。ギターやピアノの独奏からスポークンワード、フィールドレコーディングまで12曲を収録した日記のような作品です。 レーベルその他作品はこちら /// Click here to see more Thirsty Leaves releases available at Tobira. ----------------------------...
¥1,480
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{"id":6937794576549,"title":"Syko Friend \/\/ Fontanelle LP","handle":"syko-friend-fontanelle-lp","description":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=714107603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSyko Friend is the ongoing solo vision of Los Angeles based musician\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand writer, Sophie Weil. She started Syko Friend in 2012 while living in Minneapolis, recording simply on a Tascam 244 Porta-studio. The project has since developed into a roiling, unmistakable electric folk music— thunderstruck, light-swallowing guitar churning under whispered or howled poetry. Fontanelle is Syko Friend’s second LP, her first since relocating to Los Angeles in 2015, and her first for the newly resurrected Post Present Medium label. It was preceded by \"Problem Child\" (released by Minneapolis label Mind Rider in 2014) and myriad self- released EPs and tapes. Over six years of tireless commitment to DIY touring and mutual aid, Weil has become a lynchpin of her music community in Los Angeles, organizing shows and releases for a multivarious and far-reaching cohort of friends under the banner of her Dove Cove Records. She is known for\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe heaviness of her sensitizing live shows, and has appeared as Syko Friend in underground clubs, community centers, basements, parks, parking lots, forests and farms all over the USA, in cities both populous and oft-neglected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFontanelle refers to the soft and undeveloped spot on an infant’s head. This record earns its surprising title, vulnerable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and tectonic as that closing gap in the skull. Willing to be cared for, side-eyeing utopia skeptically while partaking in the commune. Longing for love, directness, communication and free food. The album finds Syko Friend irradiated, clarified, surfacing from out of shadow, hungry for fresh air and hell bent to bloom. Her rich and human voice turns patiently in the eye of a storm that rages just out of focus beyond the fragrant, rusted hull of her submarine sanctum. This is conspiratorial music, reminiscent at times of the squall of comrades Body\/Head, the avant garde approach of Les Rallizes, the lucidity and understated power of Sibylle Baier.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Liberty,” the first track on Fontanelle, was fleshed out on a west coast tour a couple autumns ago. It opens with an ill-boding siren of guitar swirl that establishes the space. “Remind me how to write your name.” When Weil’s voice arrives, it muses through a beautiful but menacing NorCal-to-Los Angeles pastoral of weed farms, little towns of small cabins and shacks, migrating elk; lush, incredibly green, black sands and rocky edges, sun hazy with smoke from devastating wildfires. “...And I can drink the juice out from your broken glass \/ it’s heavy when the lights get low to recognize \/ and all to see the elk they kneel around me in a circle \/ that’s mother earth she’s standing with her smoking gun.” Here at turns are confession, incantation, direct address, damning accusation as Syko Friend calls forth what’s required. “Kitten Coop,” the second to last track on the record, is a sweeter aspect, a simple arrangement of chiming fingerpicked guitar with murmuring acoustic following it. This one is a love song to a simpler life, oats soaked in milk and honey, a foil to the smoke that we’ve coughed through to get here on the record. Not a dream of a fantasyland, but a longing for a modest and achievable place of plenty. An earnest directive, splashed with flippancy and capped with a beautiful promise: “So find your kitten ranch \/ and buy your chicken coop \/ and I can see the fine light \/ that love is all around you.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFontanelle was tenderly recorded and mixed by Robert Cody and\u003cbr data-mce-fragment=\"1\"\u003eEvan Burrows in the spring of 2019. Electric guitars were tracked in Weil’s garage. Vocals and acoustic guitar were tracked in her closet and bathroom. Her house is situated between the I-5 and the L.A. river, in Elysian Valley. A contact mic affixed to the garage door during basic tracking captured these surrounds, which are mixed into the record as material, inviting the outside in.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Syko Friend\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T10:00:47+09:00","created_at":"2021-07-26T11:41:51+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","lp","new","post present medium"],"price":245000,"price_min":245000,"price_max":245000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443257454757,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Syko Friend \/\/ Fontanelle LP","public_title":null,"options":["Default Title"],"price":245000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","options":["Title"],"media":[{"alt":null,"id":23102324277413,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo1_dd927ac9-40b1-410d-ba84-c71f22b60a27.jpg?v=1627267313","width":700},{"alt":null,"id":23102324310181,"position":2,"preview_image":{"aspect_ratio":1.33,"height":902,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313"},"aspect_ratio":1.33,"height":902,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fo2_4682b00d-7148-4adf-953e-c776d3793f8b.jpg?v=1627267313","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e \u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=714107603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eSyko Friend is the ongoing solo vision of Los Angeles based musician\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eand writer, Sophie Weil. She started Syko Friend in 2012 while living in Minneapolis, recording simply on a Tascam 244 Porta-studio. The project has since developed into a roiling, unmistakable electric folk music— thunderstruck, light-swallowing guitar churning under whispered or howled poetry. Fontanelle is Syko Friend’s second LP, her first since relocating to Los Angeles in 2015, and her first for the newly resurrected Post Present Medium label. It was preceded by \"Problem Child\" (released by Minneapolis label Mind Rider in 2014) and myriad self- released EPs and tapes. Over six years of tireless commitment to DIY touring and mutual aid, Weil has become a lynchpin of her music community in Los Angeles, organizing shows and releases for a multivarious and far-reaching cohort of friends under the banner of her Dove Cove Records. She is known for\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003ethe heaviness of her sensitizing live shows, and has appeared as Syko Friend in underground clubs, community centers, basements, parks, parking lots, forests and farms all over the USA, in cities both populous and oft-neglected.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFontanelle refers to the soft and undeveloped spot on an infant’s head. This record earns its surprising title, vulnerable\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e and tectonic as that closing gap in the skull. Willing to be cared for, side-eyeing utopia skeptically while partaking in the commune. Longing for love, directness, communication and free food. The album finds Syko Friend irradiated, clarified, surfacing from out of shadow, hungry for fresh air and hell bent to bloom. Her rich and human voice turns patiently in the eye of a storm that rages just out of focus beyond the fragrant, rusted hull of her submarine sanctum. This is conspiratorial music, reminiscent at times of the squall of comrades Body\/Head, the avant garde approach of Les Rallizes, the lucidity and understated power of Sibylle Baier.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“Liberty,” the first track on Fontanelle, was fleshed out on a west coast tour a couple autumns ago. It opens with an ill-boding siren of guitar swirl that establishes the space. “Remind me how to write your name.” When Weil’s voice arrives, it muses through a beautiful but menacing NorCal-to-Los Angeles pastoral of weed farms, little towns of small cabins and shacks, migrating elk; lush, incredibly green, black sands and rocky edges, sun hazy with smoke from devastating wildfires. “...And I can drink the juice out from your broken glass \/ it’s heavy when the lights get low to recognize \/ and all to see the elk they kneel around me in a circle \/ that’s mother earth she’s standing with her smoking gun.” Here at turns are confession, incantation, direct address, damning accusation as Syko Friend calls forth what’s required. “Kitten Coop,” the second to last track on the record, is a sweeter aspect, a simple arrangement of chiming fingerpicked guitar with murmuring acoustic following it. This one is a love song to a simpler life, oats soaked in milk and honey, a foil to the smoke that we’ve coughed through to get here on the record. Not a dream of a fantasyland, but a longing for a modest and achievable place of plenty. An earnest directive, splashed with flippancy and capped with a beautiful promise: “So find your kitten ranch \/ and buy your chicken coop \/ and I can see the fine light \/ that love is all around you.”\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eFontanelle was tenderly recorded and mixed by Robert Cody and\u003cbr data-mce-fragment=\"1\"\u003eEvan Burrows in the spring of 2019. Electric guitars were tracked in Weil’s garage. Vocals and acoustic guitar were tracked in her closet and bathroom. Her house is situated between the I-5 and the L.A. river, in Elysian Valley. A contact mic affixed to the garage door during basic tracking captured these surrounds, which are mixed into the record as material, inviting the outside in.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Syko Friend\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}
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{"id":6937790775461,"title":"Otis Houston Jr \/\/ America LP","handle":"otis-houston-jr-america-lp","description":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-07-27T09:59:06+09:00","created_at":"2021-07-26T11:39:10+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","folk \/ left-field pop","hiphop \/ funk","lp","new","post present medium"],"price":265000,"price_min":265000,"price_max":265000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40443247296677,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Otis Houston Jr \/\/ America LP","public_title":null,"options":["Default Title"],"price":265000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","options":["Title"],"media":[{"alt":null,"id":23102314774693,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am1_8dae464b-b8b5-4c68-85e2-3858bc2b5081.jpg?v=1627267152","width":700},{"alt":null,"id":23102314807461,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/am2_973c41c3-4137-49e9-af23-1355d0211dce.jpg?v=1627267152","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R\u0026amp;Bのメロディーにのせたスポークンワード15曲を収録。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1215743951\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IqNIrMmnQK0\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ppm\"\u003ehere\u003c\/a\u003e to see more Post Present Medium releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eOtis Houston Jr. can frequently be found making art, performance, poetry and social commentary at his long-held spot in New York City at the entrance to the FDR drive at 122 Street. Over the years, he has come to occupy and claim this marginalized stretch of the FDR as gallery, studio, and public forum. Since 1997, following a period of incarceration and his mother’s death, Houston Jr. has set up shop weekly at this self-anointed soapbox under the Triborough Bridge, where he stages impromptu performances and displays an arrangement of signage, drawings, and found-object assemblages that critique racism, poverty and addiction, and also celebrate health, education, happiness, and freedom. As he says, “We not in the same boat, but we all in the water.” The works of Houston Jr., who calls himself “Black Cherokee,” are made primarily with discarded objects that he collects from the street and the dumpster at his job, and creates in his East Harlem apartment of 30 years, or in the basement of the office building where he works in Midtown Manhattan.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eHouston Jr. recorded the songs for \"America\" in 3 locations around Harlem and the Bronx in 2006, the year the album was originally self-released on CD. Makeshift studios that no longer exist provide a telling context for his autobiographical storytelling\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e. Prerecorded beats made by studio owners were picked based on which suited his cadence laden poetry best and often times on “America” the songs repeat, with different lyrics, transforming themselves. Houston Jr., a raconteur and quick witted wordsmith has so much to say, that when there is a groove, he doesn’t want to let it go, but rather float around and experiment. Influenced by Sam Cooke, Otis Redding, Marvin Gaye and the like, his strong voice and natural ability to use slogans give this album a cunning stance. Juxtaposed by the highly visible time stamp of mid-aughts DIY R\u0026amp;B production “America” sounds sometimes like worlds colliding, smooth improvisations, quick turnarounds and soul bearing truths.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e“America” opens with a song not written by Houston Jr., the only song on the record penned by someone else. In “Soul Brother 27”, he explains “…It was given to me 30 years ago, 1975 by my cellmate… but has been such a part of me I wanted everyone to hear it”. He goes on to read this poem that sets the tone for his story laid out in 14 tracks. Songs about Incarceration for drug charges, his short stint as a boxer, getting shot, being in the hospital, and his positive approach to life and desire for change in his community. In the song “The Children” he spells it out: \"We need to raise up a new generation. We need to use video, rap music, pop sounds and any and everything all around. We need to sing it, play it, sew it, picture it, draw it, wave it, and shout it everywhere.” This touching and unsuspecting underground classic finally gets the release it deserves.\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Otis Houston Jr\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePost Present Medium\u003c\/span\u003e\u003c\/p\u003e"}
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アメリカの美術家／パフォーマーOtis Houston Jrが2020年3月にリリースしたレコード。ファンク〜R&Bのメロディーにのせたスポークンワード15曲を収録。 レーベルその他作品はこちら /// Click here to see more Post Present Medium releases available at Tobira. ...
¥2,650
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{"id":6914045247653,"title":"Alessandro Bosetti \/\/ Didone LP","handle":"alessandro-bosetti-didone-lp","description":"\u003cp\u003eイタリア・トレントの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eKohlhaas\u003c\/a\u003eが2021年4月にリリースした最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、声をテーマにしたインスタレーションを手がけるイタリアのサウンドアーティストAlessandro Bosettiが、同国モデナのCentro Musicaが主催するレジデンスプログラムの一環で制作した最新作です。制作に参加したミュージシャンの成り立ちを取材し、それらの資料をカットアップ〜匿名化した後、空想上の性別を持たない「Didone」の自伝として再構成し、音楽に翻訳した作品です。全9曲、ブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1213546763\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3436760415\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2625170076\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1220982511\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bosetti posed to each musician was to tell him the history of their life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe materials collected in the interviews subsequently underwent a process of anonymization, selection and cut-up in order to create the imaginary autobiography of Didone, a genderless character on whom Bosetti composed a combinatory poem in 84 aphorisms, six of which have been translated into music.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe ensemble consists of extremely different musical profiles: the contemporary soprano Giulia Zaniboni, minimalist banjo and acoustic guitar player Glauco Salvo, and four musicians with a jazz background such as guitarist Luca Perciballi, drummers Andrea Grillini and Simone Sferruzza, and saxophonist Dan Kinzelman (also part of Hobby Horse trio and long-time collaborator of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEnrico Rava). Some of the stylistic features of Bosetti’s project Trophies (along with Kenta Nagai and Tony Buck) can be detected here and there. Persistent repetitions, mesmerizing sonic masses and extended, oblique melodic lines are here led by the clear and precise voice of soprano Giulia Zaniboni.\u003cbr data-mce-fragment=\"1\"\u003eThe voice is at the heart of this work: the textual fragments of the autobiographies are filtered through Zaniboni’s contemporary vocality, while informing the instrumental writing as well. Themes and textures unveil traces of words or sentences; fragments of biographies are embedded in the intricate instrumental dialogue between the two drummers.\u003cbr data-mce-fragment=\"1\"\u003eA final layer was added by Ettore Tripodi, a unique and out-of-time visual artist who imagined Didone in a series of illustrations accompanying the poem.\u003cbr data-mce-fragment=\"1\"\u003e\"Didone\" is a work about the reconfiguration and recombination of identities, where every specific sense of belonging melts into an indistinct swarming of possibilities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Didone\" is released by Kohlhaas as a black vinyl 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Bosetti is a Marseille-based composer and sound artist with a particular interest in the musicality of language and in the voice, conceived as an autonomous object and an instrument of expression. His works enact a dialogue between language, voice and sound within complex tonal and formal constructions, often crossed by oblique irony. He builds surprising devices, often linked to the radio medium and to a tireless reflection on the relationships between music and language, questioning aesthetic categories and listening postures.\u003cbr data-mce-fragment=\"1\"\u003eHis work has been shown in reference venues such as the GRM \/ Présences Electronique festival in Paris, Roulette and The Stone in New York, Café OTO in London, the Liquid Architecture Festival in Melbourne and Sydney, the Serralves Museum in Porto and the San Francisco Electronic Music Festival.\u003cbr data-mce-fragment=\"1\"\u003eHis music is released by labels such as Errant Bodies Press, Holidays Records, Rossbin, Sedimental, Unsounds, Monotype, Weird Ear Records.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist : Alessandro Bosetti\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e","published_at":"2021-07-16T11:21:38+09:00","created_at":"2021-07-16T11:21:38+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","kohlhaas","lp","monooto","new"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40372990574757,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Alessandro Bosetti \/\/ Didone LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3706347696_16.jpg?v=1626402336"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3706347696_16.jpg?v=1626402336","options":["Title"],"media":[{"alt":null,"id":22974996086949,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3706347696_16.jpg?v=1626402336"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a3706347696_16.jpg?v=1626402336","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイタリア・トレントの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eKohlhaas\u003c\/a\u003eが2021年4月にリリースした最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、声をテーマにしたインスタレーションを手がけるイタリアのサウンドアーティストAlessandro Bosettiが、同国モデナのCentro Musicaが主催するレジデンスプログラムの一環で制作した最新作です。制作に参加したミュージシャンの成り立ちを取材し、それらの資料をカットアップ〜匿名化した後、空想上の性別を持たない「Didone」の自伝として再構成し、音楽に翻訳した作品です。全9曲、ブックレットとDLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1213546763\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=3436760415\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2625170076\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2983131772\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1220982511\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/kohlhaas\"\u003ehere\u003c\/a\u003e to see more Kohlhaas releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\"\u003cmeta charset=\"utf-8\"\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan data-mce-fragment=\"1\"\u003eIn September 2019 Alessandro Bosetti was invited by fellow composer and curator Riccardo La Foresta to create a new work for a newly created ensemble as part of a residency program hosted by Centro Musica in Modena, Italy.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe very first encounter took place on Skype – kind of a prediction of the forthcoming physically distanced pandemic times. The first, straight-to-the-point question Bosetti posed to each musician was to tell him the history of their life.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe materials collected in the interviews subsequently underwent a process of anonymization, selection and cut-up in order to create the imaginary autobiography of Didone, a genderless character on whom Bosetti composed a combinatory poem in 84 aphorisms, six of which have been translated into music.\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe ensemble consists of extremely different musical profiles: the contemporary soprano Giulia Zaniboni, minimalist banjo and acoustic guitar player Glauco Salvo, and four musicians with a jazz background such as guitarist Luca Perciballi, drummers Andrea Grillini and Simone Sferruzza, and saxophonist Dan Kinzelman (also part of Hobby Horse trio and long-time collaborator of\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003eEnrico Rava). Some of the stylistic features of Bosetti’s project Trophies (along with Kenta Nagai and Tony Buck) can be detected here and there. Persistent repetitions, mesmerizing sonic masses and extended, oblique melodic lines are here led by the clear and precise voice of soprano Giulia Zaniboni.\u003cbr data-mce-fragment=\"1\"\u003eThe voice is at the heart of this work: the textual fragments of the autobiographies are filtered through Zaniboni’s contemporary vocality, while informing the instrumental writing as well. Themes and textures unveil traces of words or sentences; fragments of biographies are embedded in the intricate instrumental dialogue between the two drummers.\u003cbr data-mce-fragment=\"1\"\u003eA final layer was added by Ettore Tripodi, a unique and out-of-time visual artist who imagined Didone in a series of illustrations accompanying the poem.\u003cbr data-mce-fragment=\"1\"\u003e\"Didone\" is a work about the reconfiguration and recombination of identities, where every specific sense of belonging melts into an indistinct swarming of possibilities.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\"Didone\" is released by Kohlhaas as a black vinyl 12” LP edition of 300 copies with cover artwork and booklet featuring illustrations by Ettore Tripodi.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlessandro Bosetti is a Marseille-based composer and sound artist with a particular interest in the musicality of language and in the voice, conceived as an autonomous object and an instrument of expression. His works enact a dialogue between language, voice and sound within complex tonal and formal constructions, often crossed by oblique irony. He builds surprising devices, often linked to the radio medium and to a tireless reflection on the relationships between music and language, questioning aesthetic categories and listening postures.\u003cbr data-mce-fragment=\"1\"\u003eHis work has been shown in reference venues such as the GRM \/ Présences Electronique festival in Paris, Roulette and The Stone in New York, Café OTO in London, the Liquid Architecture Festival in Melbourne and Sydney, the Serralves Museum in Porto and the San Francisco Electronic Music Festival.\u003cbr data-mce-fragment=\"1\"\u003eHis music is released by labels such as Errant Bodies Press, Holidays Records, Rossbin, Sedimental, Unsounds, Monotype, Weird Ear Records.\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\"\u003cbr\u003e- \u003c\/em\u003eKohlhaas\u003c\/p\u003e\n\u003cp\u003eArtist : Alessandro Bosetti\u003c\/p\u003e\n\u003cp\u003eLabel : Kohlhaas\u003c\/p\u003e"}
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イタリア・トレントの実験レーベルKohlhaasが2021年4月にリリースした最新作を本邦初入荷しました。 本作は、声をテーマにしたインスタレーションを手がけるイタリアのサウンドアーティストAlessandro Bosettiが、同国モデナのCentro Musicaが主催するレジデンスプログラムの一環で制作した最新作です。制作に参加したミュージシャンの成り立ちを取材し、それらの資料をカットアップ〜匿名化した後、空想上の性別を持たない「Didone」の自伝として再構成し、音楽に翻訳した作品です。全9曲、ブックレットとDLコード付属。 レーベルその他作品はこちら /// Click here to see more Kohlhaas releases available at Tobira. ...
¥2,580
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{"id":6907943977125,"title":"Linus Hillborg \/\/ Magelungsverket LP","handle":"linus-hillborg-magelungsverket-lp","description":"\u003cp\u003eスウェーデン・ストックホルムの実験レーベルMolotonを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国エレクトロアコースティック作家Linus Hillborgが2021年1月に200部限定でリリースした初のレコードです。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBuchla 200を用いた\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレクトロアコースティック・オーケストラドローン10曲を収録。DLコード付属。廃盤間近です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4145045492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4218628069\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4145045492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moloton\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/moloton\"\u003ehere\u003c\/a\u003e to see more Moloton releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Moloton:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLinus Hillborg’s solo debut lures listeners through despaired soundscapes of justly tuned electroacoustic orchestral arrangements seeped in rich harmonic synthesis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMagelungsverket is a rendering of materials from one of Hillborg’s technology repurposing projects, Orphan Works, where an obsolete game engine was modified to create an interactive installation in which participants drive through a fractured manifestation of Stockholm. Displaced, uncanny narratives and depictions of both real and semi-fictional locations in Stockholm that could have existed — but do not — and the spaces that end up in between, procures distinct sequences of sound constructed with the Buchla 200 system, programmed synthesis, bowed cymbals, metal clarinet, and tape machines.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe rendered pieces on Magelungsverket have been adapted from Orphan Works’ interactive and generative material into separate, fixed compositions, bound by duration, each one named after a location in this fictional, virtual Stockholm. For instance, Vårbergsobservatoriet (The Vårberg Observatory), draws its name from an artificial mountain that exists in the outskirts of Stockholm, amidst the sprawl of residential areas far beyond the sparkling city center. It was\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e built from garbage scraps left behind after the underground metro system was constructed in the 1970s. In this fictional version, a public observatory was wishfully imagined to have been built on top of it. However fictitious Hillborg has imagined these locations, it is a bittersweet reflection and fragmented mental image of a Stockholm that never existed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linus Hillborg\u003c\/p\u003e\n\u003cp\u003eLabel : Moloton\u003c\/p\u003e","published_at":"2021-07-23T16:16:17+09:00","created_at":"2021-07-14T16:08:42+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","drone","lp","moloton","monooto","new"],"price":293000,"price_min":293000,"price_max":293000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40356688167077,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Linus Hillborg \/\/ Magelungsverket LP","public_title":null,"options":["Default Title"],"price":293000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_1d7817f4-d9b1-4802-a94d-8bf69bff46df.jpg?v=1626246523","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_072490e8-b00a-4a74-a4dc-9aa9fe327928.jpg?v=1626246524"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_1d7817f4-d9b1-4802-a94d-8bf69bff46df.jpg?v=1626246523","options":["Title"],"media":[{"alt":null,"id":22946923348133,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_1d7817f4-d9b1-4802-a94d-8bf69bff46df.jpg?v=1626246523"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma1_1d7817f4-d9b1-4802-a94d-8bf69bff46df.jpg?v=1626246523","width":700},{"alt":null,"id":22946923380901,"position":2,"preview_image":{"aspect_ratio":1.281,"height":937,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_072490e8-b00a-4a74-a4dc-9aa9fe327928.jpg?v=1626246524"},"aspect_ratio":1.281,"height":937,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ma2_072490e8-b00a-4a74-a4dc-9aa9fe327928.jpg?v=1626246524","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eスウェーデン・ストックホルムの実験レーベルMolotonを本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同国エレクトロアコースティック作家Linus Hillborgが2021年1月に200部限定でリリースした初のレコードです。\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eBuchla 200を用いた\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eエレクトロアコースティック・オーケストラドローン10曲を収録。DLコード付属。廃盤間近です。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4145045492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=4218628069\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4145045492\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moloton\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/moloton\"\u003ehere\u003c\/a\u003e to see more Moloton releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription by Moloton:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eLinus Hillborg’s solo debut lures listeners through despaired soundscapes of justly tuned electroacoustic orchestral arrangements seeped in rich harmonic synthesis.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eMagelungsverket is a rendering of materials from one of Hillborg’s technology repurposing projects, Orphan Works, where an obsolete game engine was modified to create an interactive installation in which participants drive through a fractured manifestation of Stockholm. Displaced, uncanny narratives and depictions of both real and semi-fictional locations in Stockholm that could have existed — but do not — and the spaces that end up in between, procures distinct sequences of sound constructed with the Buchla 200 system, programmed synthesis, bowed cymbals, metal clarinet, and tape machines.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe rendered pieces on Magelungsverket have been adapted from Orphan Works’ interactive and generative material into separate, fixed compositions, bound by duration, each one named after a location in this fictional, virtual Stockholm. For instance, Vårbergsobservatoriet (The Vårberg Observatory), draws its name from an artificial mountain that exists in the outskirts of Stockholm, amidst the sprawl of residential areas far beyond the sparkling city center. It was\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e built from garbage scraps left behind after the underground metro system was constructed in the 1970s. In this fictional version, a public observatory was wishfully imagined to have been built on top of it. However fictitious Hillborg has imagined these locations, it is a bittersweet reflection and fragmented mental image of a Stockholm that never existed.\u003c\/span\u003e \"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Linus Hillborg\u003c\/p\u003e\n\u003cp\u003eLabel : Moloton\u003c\/p\u003e"}
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スウェーデン・ストックホルムの実験レーベルMolotonを本邦初入荷しました。 本作は、同国エレクトロアコースティック作家Linus Hillborgが2021年1月に200部限定でリリースした初のレコードです。Buchla 200を用いたエレクトロアコースティック・オーケストラドローン10曲を収録。DLコード付属。廃盤間近です。 レーベルその他作品はこちら /// Click here to see more Moloton releases available at Tobira. ...
¥2,930
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{"id":6903111909541,"title":"V\/A \/\/ Electroacoustic Music at Oberlin Vol. 2.LP","handle":"v-a-electroacoustic-music-at-oberlin-vol-2-lp","description":"\u003cp\u003eアメリカ・オハイオの大御所ノイズ作家Aaron Dillowayが主宰するレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eHanson Records\u003c\/a\u003eリリース作品を大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同州オーバリン大学の実験音楽専攻の生徒（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9名ほぼ無名作家）\u003c\/span\u003eたちによるコンピレーションアルバムです。忘れ去られた記念集をレコードでぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5jQ312GwTMk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003ehere\u003c\/a\u003e to see more Hanson Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText from \u003ca href=\"https:\/\/www.timara.oberlin.edu\/\"\u003eT.I.M.A.R.A \/ Oberlin College\u003c\/a\u003e:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe TIMARA department has teamed with Hanson Records to release a vinyl compilation entitled Electroacoustic Music at Oberlin Vol. 2. The LP features the work of eleven composers (nine students and two faculty members) showcasing the department's musical output in celebration of its 50th anniversary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTIMARA department chair Tom Lopez oversaw the compilation's creation. He wrote, \u003cq\u003eBack in 2001, I produced a CD featuring Oberlin student composers. After four discs over the course of eight years, we switched to a DVD, which allowed us to include some of the really amazing video work TIMARA students were producing. We took a hiatus after that release in 2009, but within a few years we had run out of the discs (we give them to prospective students). By that point, it was clear that students were not engaging with CDs or DVDs. Most music was distributed online...except the resurgent interest in vinyl.\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis resurgent interest in vinyl led Lopez to partner with a local authority on the format: Aaron Dilloway, the proprietor of Hanson Records and an experimental musician best known as a founding member of industrial noise group Wolf Eyes. Working with Dilloway, the department released its first vinyl compilation Electroacoustic Music at Oberlin in 2015. Lopez expressed gratitude for Dilloway's expertise and assistance, noting that the endeavor was \"brand new territory for TIMARA and it helped tremendously that we had an invaluable collaborator right here in Oberlin. With Aaron's contacts and experience working with vinyl, the first disc was a huge success.\" After partnering again four years later, Electroacoustic Music at Oberlin Vol. 2 was released last fall in conjunction with a series of concerts celebrating the 50th anniversary of TIMARA's creation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe compilation features an eclectic collection of work with pieces that veer outside of the academic electroacoustic approach, including multiple pieces with vocal performances. Piper Hill, a sixth-year TIMARA student, explained his choice to submit the piece Tiny Public Revelations, a \u003cq\u003etechnically simpler\u003c\/q\u003e composition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cq\u003e[This piece]... focuses on having the voice sound intimate and small, to make it sound like thoughts someone is having while sitting outside. I focused on layering field recordings and small sounds of paper and pencil to help it sound like the situation and place I was in when I wrote it. Although I often work with heavier processing, I wanted to showcase something that could represent the side of TIMARA that doesn't rely on those more intense components of electroacoustic music.'\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : v\/a\u003c\/p\u003e\n\u003cp\u003eLabel : Hanson Records\u003c\/p\u003e","published_at":"2021-07-12T12:36:39+09:00","created_at":"2021-07-12T11:39:29+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","hanson","lp","monooto","new"],"price":228000,"price_min":228000,"price_max":228000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40340861485221,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"V\/A \/\/ Electroacoustic Music at Oberlin Vol. 2.LP","public_title":null,"options":["Default Title"],"price":228000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ti1_60dfd63c-60b1-4849-8f6c-1d41481ba651.jpg?v=1626057571"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ti1_60dfd63c-60b1-4849-8f6c-1d41481ba651.jpg?v=1626057571","options":["Title"],"media":[{"alt":null,"id":22925013188773,"position":1,"preview_image":{"aspect_ratio":1.0,"height":3706,"width":3707,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ti1_60dfd63c-60b1-4849-8f6c-1d41481ba651.jpg?v=1626057571"},"aspect_ratio":1.0,"height":3706,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ti1_60dfd63c-60b1-4849-8f6c-1d41481ba651.jpg?v=1626057571","width":3707}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eアメリカ・オハイオの大御所ノイズ作家Aaron Dillowayが主宰するレーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eHanson Records\u003c\/a\u003eリリース作品を大量入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、同州オーバリン大学の実験音楽専攻の生徒（\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e9名ほぼ無名作家）\u003c\/span\u003eたちによるコンピレーションアルバムです。忘れ去られた記念集をレコードでぜひ。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/5jQ312GwTMk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/hanson\"\u003ehere\u003c\/a\u003e to see more Hanson Records releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eText from \u003ca href=\"https:\/\/www.timara.oberlin.edu\/\"\u003eT.I.M.A.R.A \/ Oberlin College\u003c\/a\u003e:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThe TIMARA department has teamed with Hanson Records to release a vinyl compilation entitled Electroacoustic Music at Oberlin Vol. 2. The LP features the work of eleven composers (nine students and two faculty members) showcasing the department's musical output in celebration of its 50th anniversary.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTIMARA department chair Tom Lopez oversaw the compilation's creation. He wrote, \u003cq\u003eBack in 2001, I produced a CD featuring Oberlin student composers. After four discs over the course of eight years, we switched to a DVD, which allowed us to include some of the really amazing video work TIMARA students were producing. We took a hiatus after that release in 2009, but within a few years we had run out of the discs (we give them to prospective students). By that point, it was clear that students were not engaging with CDs or DVDs. Most music was distributed online...except the resurgent interest in vinyl.\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThis resurgent interest in vinyl led Lopez to partner with a local authority on the format: Aaron Dilloway, the proprietor of Hanson Records and an experimental musician best known as a founding member of industrial noise group Wolf Eyes. Working with Dilloway, the department released its first vinyl compilation Electroacoustic Music at Oberlin in 2015. Lopez expressed gratitude for Dilloway's expertise and assistance, noting that the endeavor was \"brand new territory for TIMARA and it helped tremendously that we had an invaluable collaborator right here in Oberlin. With Aaron's contacts and experience working with vinyl, the first disc was a huge success.\" After partnering again four years later, Electroacoustic Music at Oberlin Vol. 2 was released last fall in conjunction with a series of concerts celebrating the 50th anniversary of TIMARA's creation.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe compilation features an eclectic collection of work with pieces that veer outside of the academic electroacoustic approach, including multiple pieces with vocal performances. Piper Hill, a sixth-year TIMARA student, explained his choice to submit the piece Tiny Public Revelations, a \u003cq\u003etechnically simpler\u003c\/q\u003e composition.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cq\u003e[This piece]... focuses on having the voice sound intimate and small, to make it sound like thoughts someone is having while sitting outside. I focused on layering field recordings and small sounds of paper and pencil to help it sound like the situation and place I was in when I wrote it. Although I often work with heavier processing, I wanted to showcase something that could represent the side of TIMARA that doesn't rely on those more intense components of electroacoustic music.'\u003c\/q\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : v\/a\u003c\/p\u003e\n\u003cp\u003eLabel : Hanson Records\u003c\/p\u003e"}
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アメリカ・オハイオの大御所ノイズ作家Aaron Dillowayが主宰するレーベルHanson Recordsリリース作品を大量入荷しました。 本作は、同州オーバリン大学の実験音楽専攻の生徒（9名ほぼ無名作家）たちによるコンピレーションアルバムです。忘れ去られた記念集をレコードでぜひ。 レーベルその他作品はこちら /// Click here to see more Hanson Records releases available at...
¥2,280
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{"id":6897809850533,"title":"Øyvind Brandtsegg \/\/ Nancarrow Biotope TAPE","handle":"oyvind-brandtsegg-nancarrow-biotope-tape","description":"\u003cp\u003eノルウェー科学技術大学音楽学部教授でもあるコンピューターインプロバイザーØyvind Brandtseggが、2020年12月にポルトガル実験レーベルCronicaから100本限定でリリースしたカセット。自身が書いたコードによるパイプオルガンのための自動演奏17曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581185799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eMy essential concern, whether you can analyze it or not, is emotional; there’s an impact that I try to achieve by these means.” — Conlon Nancarrow\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConlon Nancarrow's Studies for Player Piano were orchestrated for Pipe Organ, Disklavier and electronics by Øyvind Brandtsegg. The work with these compositions instigated further exploration of improvisation with these mechanic instruments in combination with improvisation software written by Brandtsegg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs each Pipe Organ is unique, the orchestration is necessarily also unique for each instrument. Two concerts of this material – in Stavanger Concert Hall and the Nidaros Cathedral in Trondheim – show how differently the music is shaped to match the possibilities of these two instruments and venues. Nancarrow’s music requires a quite extraordinary degree of articulation due to the rhythmic passages and high tempi. Sometimes an individual adjustment of each single note would be required, due to slight differences in timing between organ pipes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlgorithms and automation are ubiquitous in our modern society, and Nancarrow’s compositions allow an interesting perspective on automation and mechanization within an expressive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aesthetic context. It also sheds light on the necessity of manual labour of implementation and adaption to make the algorithms matter for human communication.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe improvisation software is based on relatively simple algorithms and serial techniques. It comes to life in the interaction with the live performer, where data is continuously updated from the performer action.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn extensive description of issues encountered in the production can be found in the paper “An interface to an interface to an interface” at \u003ca href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ezenodo.org\/record\/3932842#.X01CLsgzZPY\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eØyvind Brandtsegg is a composer and performer working in the fields of computer improvisation and sound installations. He has a deep interest in developing new audio processing methods for artistic purposes, and he has contributed novel extensions to both granular synthesis and convolution techniques. Brandtsegg has participated on more than 25 music albums in a variety of genres. Since 2010 he is a professor of music technology at NTNU, Trondheim, Norway.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Øyvind Brandtsegg\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e","published_at":"2021-07-11T08:40:17+09:00","created_at":"2021-07-09T10:33:24+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","cronica","monooto","new","tape"],"price":133000,"price_min":133000,"price_max":133000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40324588863653,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Øyvind Brandtsegg \/\/ Nancarrow Biotope TAPE","public_title":null,"options":["Default Title"],"price":133000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan1.jpg?v=1625794406","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan2.jpg?v=1625794406"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan1.jpg?v=1625794406","options":["Title"],"media":[{"alt":null,"id":22900382924965,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan1.jpg?v=1625794406"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan1.jpg?v=1625794406","width":700},{"alt":null,"id":22900382957733,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan2.jpg?v=1625794406"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/nan2.jpg?v=1625794406","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェー科学技術大学音楽学部教授でもあるコンピューターインプロバイザーØyvind Brandtseggが、2020年12月にポルトガル実験レーベルCronicaから100本限定でリリースしたカセット。自身が書いたコードによるパイプオルガンのための自動演奏17曲を収録。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1581185799\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cronica\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cronica\"\u003ehere\u003c\/a\u003e to see more Cronica releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100.\u003c\/p\u003e\n\u003cp\u003eDescription and bio by Cronica:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e“\u003cem\u003eMy essential concern, whether you can analyze it or not, is emotional; there’s an impact that I try to achieve by these means.” — Conlon Nancarrow\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eConlon Nancarrow's Studies for Player Piano were orchestrated for Pipe Organ, Disklavier and electronics by Øyvind Brandtsegg. The work with these compositions instigated further exploration of improvisation with these mechanic instruments in combination with improvisation software written by Brandtsegg.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAs each Pipe Organ is unique, the orchestration is necessarily also unique for each instrument. Two concerts of this material – in Stavanger Concert Hall and the Nidaros Cathedral in Trondheim – show how differently the music is shaped to match the possibilities of these two instruments and venues. Nancarrow’s music requires a quite extraordinary degree of articulation due to the rhythmic passages and high tempi. Sometimes an individual adjustment of each single note would be required, due to slight differences in timing between organ pipes.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eAlgorithms and automation are ubiquitous in our modern society, and Nancarrow’s compositions allow an interesting perspective on automation and mechanization within an expressive\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e aesthetic context. It also sheds light on the necessity of manual labour of implementation and adaption to make the algorithms matter for human communication.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe improvisation software is based on relatively simple algorithms and serial techniques. It comes to life in the interaction with the live performer, where data is continuously updated from the performer action.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAn extensive description of issues encountered in the production can be found in the paper “An interface to an interface to an interface” at \u003ca href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" rel=\"nofollow ugc\" data-mce-fragment=\"1\" data-mce-href=\"https:\/\/zenodo.org\/record\/3932842#.X01CLsgzZPY\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003ezenodo.org\/record\/3932842#.X01CLsgzZPY\u003c\/a\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eØyvind Brandtsegg is a composer and performer working in the fields of computer improvisation and sound installations. He has a deep interest in developing new audio processing methods for artistic purposes, and he has contributed novel extensions to both granular synthesis and convolution techniques. Brandtsegg has participated on more than 25 music albums in a variety of genres. Since 2010 he is a professor of music technology at NTNU, Trondheim, Norway.\u003c\/span\u003e\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Øyvind Brandtsegg\u003c\/p\u003e\n\u003cp\u003eLabel : Cronica\u003c\/p\u003e"}
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ノルウェー科学技術大学音楽学部教授でもあるコンピューターインプロバイザーØyvind Brandtseggが、2020年12月にポルトガル実験レーベルCronicaから100本限定でリリースしたカセット。自身が書いたコードによるパイプオルガンのための自動演奏17曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Cronica releases available at Tobira. --------------------------------- Edition of...
¥1,330
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{"id":6876863430821,"title":"Ben Ellul-Knight \u0026 Tom White \/\/ I’ve Had It Up To Hear With Fish \u0026 Chips LP","handle":"ben-ellul-knight-tom-white-i-ve-had-it-up-to-hear-with-fish-chips-lp","description":"\u003cp\u003e本作は、あらゆる種類の「ケア・ワーク」をテーマにした叙情詩です。プレイワーカー、ソーシャルワーカー、そして難民支援サービスのボランティアとして働いたBen Ellul-Knightの経験やインタビューを基に、音響作家Tom Whiteがコラージュ加工した作品です。限定300部。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/716833948\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI've had it up to hear with fish \u0026amp; chips is a hörspiel about 'care work' of all kinds. In part it is auto-ethnographic, as it draws on Ben's experience working as a play worker, social worker and as a volunteer with refugee and asylum-seeker support services. More personal reflections are mixed with conversations Ben had with support workers, social workers, play workers and mental health nurses to form a script. Different speakers\/singers were then invited to record themselves reading the script in any way they wanted and this was used as Tom's raw material for the composition. I've had it up to hear with fish \u0026amp; chips was first performed live in the Radiophrenia studio, Glasgow 2016.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ben Ellul-Knight \u0026amp; Tom White\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e","published_at":"2021-06-28T09:43:31+09:00","created_at":"2021-06-28T09:16:20+09:00","vendor":"Tobira Records","type":"","tags":["calling cards publishing","contemporary \/ sound poetry","lp","monooto","new"],"price":289000,"price_min":289000,"price_max":289000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40252579315877,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Ben Ellul-Knight \u0026 Tom White \/\/ I’ve Had It Up To Hear With Fish \u0026 Chips LP","public_title":null,"options":["Default Title"],"price":289000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha1_c8024b61-2bba-4f80-922d-0fefe47ac9c0.jpg?v=1624839382","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha2_8bc39f21-a9a4-4e8f-9e07-32fd841488df.jpg?v=1624839382","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha3_7fc68cb7-5ec6-407c-a1f7-4587ca1d7f70.jpg?v=1624839382"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha1_c8024b61-2bba-4f80-922d-0fefe47ac9c0.jpg?v=1624839382","options":["Title"],"media":[{"alt":null,"id":22785455325349,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha1_c8024b61-2bba-4f80-922d-0fefe47ac9c0.jpg?v=1624839382"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha1_c8024b61-2bba-4f80-922d-0fefe47ac9c0.jpg?v=1624839382","width":700},{"alt":null,"id":22785455358117,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha2_8bc39f21-a9a4-4e8f-9e07-32fd841488df.jpg?v=1624839382"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha2_8bc39f21-a9a4-4e8f-9e07-32fd841488df.jpg?v=1624839382","width":1200},{"alt":null,"id":22785455423653,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha3_7fc68cb7-5ec6-407c-a1f7-4587ca1d7f70.jpg?v=1624839382"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ha3_7fc68cb7-5ec6-407c-a1f7-4587ca1d7f70.jpg?v=1624839382","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e本作は、あらゆる種類の「ケア・ワーク」をテーマにした叙情詩です。プレイワーカー、ソーシャルワーカー、そして難民支援サービスのボランティアとして働いたBen Ellul-Knightの経験やインタビューを基に、音響作家Tom Whiteがコラージュ加工した作品です。限定300部。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe width=\"100%\" height=\"300\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/716833948\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/ccp\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eCalling Cards Publishing releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e-------------------------\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 300.\u003c\/p\u003e\n\u003cp\u003eDescription by \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCalling Cards Publishing:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI've had it up to hear with fish \u0026amp; chips is a hörspiel about 'care work' of all kinds. In part it is auto-ethnographic, as it draws on Ben's experience working as a play worker, social worker and as a volunteer with refugee and asylum-seeker support services. More personal reflections are mixed with conversations Ben had with support workers, social workers, play workers and mental health nurses to form a script. Different speakers\/singers were then invited to record themselves reading the script in any way they wanted and this was used as Tom's raw material for the composition. I've had it up to hear with fish \u0026amp; chips was first performed live in the Radiophrenia studio, Glasgow 2016.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Ben Ellul-Knight \u0026amp; Tom White\u003c\/p\u003e\n\u003cp\u003eLabel : Calling Cards Publishing\u003c\/p\u003e"}
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本作は、あらゆる種類の「ケア・ワーク」をテーマにした叙情詩です。プレイワーカー、ソーシャルワーカー、そして難民支援サービスのボランティアとして働いたBen Ellul-Knightの経験やインタビューを基に、音響作家Tom Whiteがコラージュ加工した作品です。限定300部。 レーベルその他作品はこちら /// Click here to see more Calling Cards Publishing releases available at Tobira....
¥2,890
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{"id":6862755037349,"title":"Electro Acoustic Fairy Tales \"The Acorns \u0026 Wildcat\" - \"The Telegraph Poles on a Moonlit Night\" \/\/ Kazuya Ishigami \/ Tamako Katsufuji CD","handle":"electro-acoustic-fairy-tales-the-acorns-wildcat-the-telegraph-poles-on-a-moonlit-night-kazuya-ishigami-tamako-katsufuji-cd","description":"\u003cp\u003e大阪の実験音楽家かつふじたまこ作品の取り扱いを開始しました。以下、本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e宮沢賢治による名作「どんぐりと山猫」「月夜のでんしんばしら」を朗読と音で綴る電子音響童話集。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「音」は「朗読」の添え物ではなく、「音」と「言葉」が一体となり、聴く者を宮沢賢治のすきとおった童話の世界へと誘います。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2289995603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTamako Katsufujiその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tamako\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tamako\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tamako\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tamako\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTamako Katsufuji\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThese works are \" Electro Acoustic Fairy Tales\" with 'Sounds ' and 'Recitation' express the stories \"The Acorns \u0026amp; Wildcat\" and \"The Telegraph Poles on a Moonlit Night\" written by Japanese famous author Kenji Miyazawa.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Sounds' are not the back ground music of the story, they come together with 'Words' and take readers to his fantastic world.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Kazuya Ishigami \/ Tamako Katsufuji\u003c\/p\u003e\n\u003cp\u003elabel : self-released\u003c\/p\u003e","published_at":"2021-06-20T08:36:48+09:00","created_at":"2021-06-20T08:36:48+09:00","vendor":"Tobira Records","type":"","tags":["asia","cd","contemporary \/ sound poetry","monooto","new","self-released","tamako"],"price":150000,"price_min":150000,"price_max":150000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40197311987877,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Electro Acoustic Fairy Tales \"The Acorns \u0026 Wildcat\" - \"The Telegraph Poles on a Moonlit Night\" \/\/ Kazuya Ishigami \/ Tamako Katsufuji CD","public_title":null,"options":["Default Title"],"price":150000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0656169676_16.jpg?v=1624145898"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0656169676_16.jpg?v=1624145898","options":["Title"],"media":[{"alt":null,"id":22696350744741,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0656169676_16.jpg?v=1624145898"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0656169676_16.jpg?v=1624145898","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e大阪の実験音楽家かつふじたまこ作品の取り扱いを開始しました。以下、本人による解説です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e宮沢賢治による名作「どんぐりと山猫」「月夜のでんしんばしら」を朗読と音で綴る電子音響童話集。\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e「音」は「朗読」の添え物ではなく、「音」と「言葉」が一体となり、聴く者を宮沢賢治のすきとおった童話の世界へと誘います。\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2289995603\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eTamako Katsufujiその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tamako\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tamako\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tamako\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tamako\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTamako Katsufuji\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003ereleases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e---------------------\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"\u003cem\u003eThese works are \" Electro Acoustic Fairy Tales\" with 'Sounds ' and 'Recitation' express the stories \"The Acorns \u0026amp; Wildcat\" and \"The Telegraph Poles on a Moonlit Night\" written by Japanese famous author Kenji Miyazawa.\u003c\/em\u003e\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e'Sounds' are not the back ground music of the story, they come together with 'Words' and take readers to his fantastic world.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Kazuya Ishigami \/ Tamako Katsufuji\u003c\/p\u003e\n\u003cp\u003elabel : self-released\u003c\/p\u003e"}
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大阪の実験音楽家かつふじたまこ作品の取り扱いを開始しました。以下、本人による解説です。 宮沢賢治による名作「どんぐりと山猫」「月夜のでんしんばしら」を朗読と音で綴る電子音響童話集。「音」は「朗読」の添え物ではなく、「音」と「言葉」が一体となり、聴く者を宮沢賢治のすきとおった童話の世界へと誘います。 Tamako Katsufujiその他作品はこちら /// Click here to see more Tamako Katsufuji releases available at Tobira. --------------------- "These works...
¥1,500
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{"id":6839143039141,"title":"Duncan Harrison \/\/ fires.serif. TAPE","handle":"duncan-harrison-fires-serif-tape","description":"\u003cp\u003eイギリス・ストックポートの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eRegional Bears\u003c\/a\u003eの2021年6月最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、同国ブライトンの物音作家Duncan Harrisonの最新作です。物音コラージュスケープ2曲、32分を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2482303421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eartist : Duncan Harrison\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Regional Bears\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-06-15T11:35:20+09:00","created_at":"2021-06-15T11:35:20+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","regional bears","tape"],"price":142000,"price_min":142000,"price_max":142000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40148684767397,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Duncan Harrison \/\/ fires.serif. TAPE","public_title":null,"options":["Default Title"],"price":142000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0641445387_16.jpg?v=1623724628"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0641445387_16.jpg?v=1623724628","options":["Title"],"media":[{"alt":null,"id":22573083426981,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0641445387_16.jpg?v=1623724628"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0641445387_16.jpg?v=1623724628","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ストックポートの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eRegional Bears\u003c\/a\u003eの2021年6月最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、同国ブライトンの物音作家Duncan Harrisonの最新作です。物音コラージュスケープ2曲、32分を収録。\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eDLコード付属。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2482303421\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003eartist : Duncan Harrison\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Regional Bears\u003c\/span\u003e\u003c\/p\u003e"}
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イギリス・ストックポートの実験レーベルRegional Bearsの2021年6月最新作を本邦初入荷しました。 本作は、同国ブライトンの物音作家Duncan Harrisonの最新作です。物音コラージュスケープ2曲、32分を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Regional Bears releases available at...
¥1,420
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{"id":6839138713765,"title":"Josh Peterson \/\/ Area of Refuge TAPE","handle":"josh-peterson-area-of-refuge-tape","description":"\u003cp\u003eイギリス・ストックポートの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eRegional Bears\u003c\/a\u003eの2021年6月最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、アメリカのカルト詩人・サウンドアーティストJosh Petersonの最新作です。物音コラージュとサウンドポエトリーが絶妙にブレンドされた34分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアウトサイダーアートと米国実験音楽シーンの中で、ほぼ認識されることのなかった異才がこうして日の目を見るときがきました。DLコード付属。廃盤です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1838795216\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLast copies!\u003c\/p\u003e\n\u003cp\u003eartist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJosh Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Regional Bears\u003c\/span\u003e\u003c\/p\u003e","published_at":"2021-06-15T11:28:08+09:00","created_at":"2021-06-15T11:28:09+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","regional bears","tape"],"price":142000,"price_min":142000,"price_max":142000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40148659601573,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Josh Peterson \/\/ Area of Refuge TAPE","public_title":null,"options":["Default Title"],"price":142000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2103618777_16.jpg?v=1623724434"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2103618777_16.jpg?v=1623724434","options":["Title"],"media":[{"alt":null,"id":22573064781989,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2103618777_16.jpg?v=1623724434"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2103618777_16.jpg?v=1623724434","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ストックポートの実験レーベル\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eRegional Bears\u003c\/a\u003eの2021年6月最新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e本作は、アメリカのカルト詩人・サウンドアーティストJosh Petersonの最新作です。物音コラージュとサウンドポエトリーが絶妙にブレンドされた34分を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eアウトサイダーアートと米国実験音楽シーンの中で、ほぼ認識されることのなかった異才がこうして日の目を見るときがきました。DLコード付属。廃盤です。\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1838795216\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/rebe\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/rebe\"\u003ehere\u003c\/a\u003e to see more Regional Bears releases available at Tobira.\u003c\/p\u003e\n\u003cp\u003e----------------------------\u003c\/p\u003e\n\u003cp\u003eLast copies!\u003c\/p\u003e\n\u003cp\u003eartist : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJosh Peterson\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003elabel : Regional Bears\u003c\/span\u003e\u003c\/p\u003e"}
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¥1,420
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{"id":6839106928805,"title":"James Weeks \/\/ Summer CD","handle":"james-weeks-summer-cd","description":"\u003cp\u003eイギリスの作曲家James Weeksが2021年5月にリリースした最新作。サステインを効かせたピアノの旋律が美しいSummerをはじめ、フルートやハープ、バイオリンを用いた室内楽ドローン5曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3305898862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cem\u003e5 chamber works by James Weeks, beautifully performed by Explore Ensemble. An album of interlinked pieces that form a sequence. James Weeks says \"I was aware of tying the pieces together as a set, by continuing and extending certain poetic ideas, ways of using and combining instruments, and ways of thinking about material....Things like the use of mixed instrumental duos, which comes from Violet-Violute, the use of a slow-moving or static background harmonic layer, which comes from Summer, the overall very soft and intimate instrumental idiom based on long, breath-length sounds, which appears in all the pieces other than Durham. And finally of course the poetic idea of a piece as opening up an imaginary (or remembered) space: music which unfolds as an area or a field, for the listener to wander in without having to follow a complex series of narrative events.\"\u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : James Weeks\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e","published_at":"2021-06-15T10:36:02+09:00","created_at":"2021-06-15T10:36:02+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","drone","new"],"price":192500,"price_min":192500,"price_max":192500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40148518699173,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"James Weeks \/\/ Summer CD","public_title":null,"options":["Default Title"],"price":192500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865097_10.jpg?v=1623721197"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865097_10.jpg?v=1623721197","options":["Title"],"media":[{"alt":null,"id":22572778946725,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865097_10.jpg?v=1623721197"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865097_10.jpg?v=1623721197","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスの作曲家James Weeksが2021年5月にリリースした最新作。サステインを効かせたピアノの旋律が美しいSummerをはじめ、フルートやハープ、バイオリンを用いた室内楽ドローン5曲を収録。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3305898862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cem\u003e5 chamber works by James Weeks, beautifully performed by Explore Ensemble. An album of interlinked pieces that form a sequence. James Weeks says \"I was aware of tying the pieces together as a set, by continuing and extending certain poetic ideas, ways of using and combining instruments, and ways of thinking about material....Things like the use of mixed instrumental duos, which comes from Violet-Violute, the use of a slow-moving or static background harmonic layer, which comes from Summer, the overall very soft and intimate instrumental idiom based on long, breath-length sounds, which appears in all the pieces other than Durham. And finally of course the poetic idea of a piece as opening up an imaginary (or remembered) space: music which unfolds as an area or a field, for the listener to wander in without having to follow a complex series of narrative events.\"\u003c\/em\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : James Weeks\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e"}
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イギリスの作曲家James Weeksが2021年5月にリリースした最新作。サステインを効かせたピアノの旋律が美しいSummerをはじめ、フルートやハープ、バイオリンを用いた室内楽ドローン5曲を収録。 5 chamber works by James Weeks, beautifully performed by Explore Ensemble. An...
¥1,925
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{"id":6839102177445,"title":"Linda Catlin Smith \/\/ Ballad CD","handle":"linda-catlin-smith-ballad-cd","description":"\u003cp\u003eカナダの作曲家Linda Catlin Smithのピアノとチェロのための長尺作品BalladをApartment Houseの\u003cmeta charset=\"utf-8\"\u003eAnton LukoszeviezeとKerry Yongが演奏した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1721227975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=959173014\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003eTwo pieces for cello and piano by Canadian composer Linda Catlin Smith, both performed by Anton Lukoszevieze (cello) and Kerry Yong (piano)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"In Ballad (45 minutes in duration) I was extending myself into a longer work; I wanted to make a work that could be the entire concert, that could unfold over a longer time. With Through the Low Hills (10 minutes), I was working with a very restricted vocabulary in a process of constrained variation, working and re-working just a few elements. I felt like I had an object in my hands and was turning it over and over, looking at it from different angles. With Ballad, it felt more like a journey where I was discovering unfamiliar terrains.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Linda Catlin Smith\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e","published_at":"2021-06-15T10:28:28+09:00","created_at":"2021-06-15T10:28:28+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","new"],"price":192500,"price_min":192500,"price_max":192500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40148491665573,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Linda Catlin Smith \/\/ Ballad CD","public_title":null,"options":["Default Title"],"price":192500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865254_10.jpg?v=1623720666"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865254_10.jpg?v=1623720666","options":["Title"],"media":[{"alt":null,"id":22572715868325,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865254_10.jpg?v=1623720666"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865254_10.jpg?v=1623720666","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eカナダの作曲家Linda Catlin Smithのピアノとチェロのための長尺作品BalladをApartment Houseの\u003cmeta charset=\"utf-8\"\u003eAnton LukoszeviezeとKerry Yongが演奏した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1721227975\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=959173014\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cem\u003eTwo pieces for cello and piano by Canadian composer Linda Catlin Smith, both performed by Anton Lukoszevieze (cello) and Kerry Yong (piano)\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"In Ballad (45 minutes in duration) I was extending myself into a longer work; I wanted to make a work that could be the entire concert, that could unfold over a longer time. With Through the Low Hills (10 minutes), I was working with a very restricted vocabulary in a process of constrained variation, working and re-working just a few elements. I felt like I had an object in my hands and was turning it over and over, looking at it from different angles. With Ballad, it felt more like a journey where I was discovering unfamiliar terrains.\"\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Linda Catlin Smith\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e"}
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カナダの作曲家Linda Catlin Smithのピアノとチェロのための長尺作品BalladをApartment HouseのAnton LukoszeviezeとKerry Yongが演奏した作品です。 Two pieces for cello and piano by Canadian...
¥1,925
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{"id":6839098146981,"title":"Barbara Monk Feldman \/\/ 'Verses' CD","handle":"barbara-monk-feldman-verses-cd","description":"\u003cp\u003eMorton Feldmanの妻Barbara Monk Feldmanが1988-1997年に制作した楽曲を\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGBSR Duo (Siwan Rhys \u0026amp; George Barton)とMira Benjaminが演奏したアルバムです。ピアノを主とした静謐な作品です。デジパック、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=543775812\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFive chamber and solo works by the Canadian composer Barbara Monk Feldman.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I have been thinking about what is inside and what is outside. The everyday life and tragedy of what goes on around you, and the fact that to accomplish anything you need the isolation in the studio - I think about this moral issue. And then on another level, I think about an inside and an outside for art itself, and how ephemeral that is....What I am looking for is a way to notate the most intangible aspect of the music – for me that is the colour. Colour is not only the instrumentation. It also involves the ‘weight’ of the tones, and a kind of gravity in the relationship of the sound and silence, as well as the spacing of duration and registration.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Barbara Monk Feldman\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e","published_at":"2021-06-15T10:20:55+09:00","created_at":"2021-06-15T10:20:53+09:00","vendor":"Tobira Records","type":"","tags":["ambient","another timbre","cd","contemporary \/ sound poetry","neo classical","new"],"price":192500,"price_min":192500,"price_max":192500,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40148468367525,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Barbara Monk Feldman \/\/ 'Verses' CD","public_title":null,"options":["Default Title"],"price":192500,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865707_10.jpg?v=1623720055"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865707_10.jpg?v=1623720055","options":["Title"],"media":[{"alt":null,"id":22572632670373,"position":1,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865707_10.jpg?v=1623720055"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0024865707_10.jpg?v=1623720055","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eMorton Feldmanの妻Barbara Monk Feldmanが1988-1997年に制作した楽曲を\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGBSR Duo (Siwan Rhys \u0026amp; George Barton)とMira Benjaminが演奏したアルバムです。ピアノを主とした静謐な作品です。デジパック、シュリンク仕様。\u003c\/span\u003e\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=543775812\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eFive chamber and solo works by the Canadian composer Barbara Monk Feldman.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"I have been thinking about what is inside and what is outside. The everyday life and tragedy of what goes on around you, and the fact that to accomplish anything you need the isolation in the studio - I think about this moral issue. And then on another level, I think about an inside and an outside for art itself, and how ephemeral that is....What I am looking for is a way to notate the most intangible aspect of the music – for me that is the colour. Colour is not only the instrumentation. It also involves the ‘weight’ of the tones, and a kind of gravity in the relationship of the sound and silence, as well as the spacing of duration and registration.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Barbara Monk Feldman\u003c\/p\u003e\n\u003cp\u003elabel : another timbre\u003c\/p\u003e"}
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Morton Feldmanの妻Barbara Monk Feldmanが1988-1997年に制作した楽曲をGBSR Duo (Siwan Rhys & George Barton)とMira Benjaminが演奏したアルバムです。ピアノを主とした静謐な作品です。デジパック、シュリンク仕様。 Five chamber...
¥1,925
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{"id":6795579523237,"title":"Trouble Tracer \/\/ Autofahrt TAPE","handle":"trouble-tracer-autofahrt-tape","description":"\u003cp\u003eイギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にGlistering ExamplesやCanti Magneticiなどの物音レーベルから多数発表しているFritz WelchとMark VernonによるデュオTrouble Tracerの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定\u003c\/span\u003eデビューカセットです。1-2分のコラージュ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2325301573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=675893925\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2325301573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eDescription by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Facing ignition issues?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLooking to identify the symptoms to understand where the problem lies?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur handy Trouble Tracer guide offers clear audio examples that will help you diagnose the problem. Whether it be Corona Discharge Stains, Cold\/Carbon Fouling, Pad Contamination, Flash Over, Ash Deposits or Detonation we are here to help!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Trouble Tracer® we know one thing: quality is in the details. And what is true for technological developments is true for adequately identifying issues and matching them with the appropriate solution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Trouble Tracer® we also believe that accuracy is best attained by working together. That's why we openly share solutions and lay out in a to-the-point and concise manner a reliable way to diagnose contamination, wear, damage and other potential issues, and how to best return to the ideal standards of performance and efficiency we work with dedication to maintain. The Trouble Tracer® guide doesn't always give you enough information for you to know exactly what's wrong, but it does mean that you can eliminate everything from the input to the point where the signal changes. It's important to understand that when fault finding, any anomalous\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e voltage is a symptom of the fault, and is not the fault itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith its unique patented technology, Trouble Tracer® produces audio and visual signals that technicians easily catch when they tap the target. But nevertheless, it does not require bending, cutting, freezing or any other actions that can damage cables.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAutofahrt is ideal for individuals that have difficulty in differentiating between static and leak noise on an electronic listening stick!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“…there are other noises that can spell trouble, are just irritating, or that can be expensive. How can we tell the difference? It’s certainly not easy. It obviously helps if you can identify the sound and where it’s coming from.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSarah H. Sanders\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“All of these noises you heard were recorded in the Meagre Resource Workshop and have since been cured. Regular listeners will find out how all these jobs and repairs can be tackled in a way that’s easily understood. Everybody should know these sounds.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBig Jack Hay\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThanks for listening! And remember: Cause – Remedy – Solution!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd now a word from our sponsors:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAutofahrt is released as a limited edition of 50 hand-numbered, professionally dubbed cassettes and digital download via the Crow Versus Crow Bandcamp on Friday 13th November 2020.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e---------------------------------------------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eTrouble Tracer is a collaborative work of Mark Vernon and Fritz Welch\u003cbr\u003eMark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His work explores themes of magnetic memory, audio archaeology, voyeurism, and nostalgia. His solo music projects have been published\u003cbr\u003ethrough labels including Kye, Glistening Examples, Flaming Pines, Misanthropic Agenda, Entr’acte and Canti Magnetici. He co-runs and curates Glasgow art radio station, Radiophrenia and has produced programmes for stations internationally.\u003cbr\u003e\u003cbr\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/meagreresource.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003emeagreresource.com\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eFritz Welch is a drummer, percussionist and vocalist determined to stretch the escalator of possibilities into the bloodshot eye of results. He was a founding member of Asparagus Piss Raindrop, Peeesseye and Lambs Gamble. He currently plays in EGO DEPLETION (with Adam Campbell), Dome Riders (with Armin Sturm, Ailbhe Nic Oireachtaigh and Mike Parr Burman), Zoming Flakes (with Iain Findlay Walsh and Louise Ahl), and has ongoing duo collaborations with Olivier Di Placido, Mariam Rezaei and Aniela Piasecka. A long-time Brooklynite of Texas origins, Welch is now based in Glasgow Scotland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Trouble Tracer\u003c\/p\u003e\n\u003cp\u003eLabel : Crow Versus Crow\u003c\/p\u003e","published_at":"2021-06-02T19:20:32+09:00","created_at":"2021-06-01T10:44:01+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","crow versus crow","monooto","new","tape"],"price":138000,"price_min":138000,"price_max":138000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":40019648577701,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Trouble Tracer \/\/ Autofahrt TAPE","public_title":null,"options":["Default Title"],"price":138000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/au1_d6b9bc2d-b02d-4b1a-aee0-fbf0512d2116.jpg?v=1622511843","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/au2_6e021b40-a1c2-4f3d-b2f5-cbae4ffd272b.jpg?v=1622511843"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/au1_d6b9bc2d-b02d-4b1a-aee0-fbf0512d2116.jpg?v=1622511843","options":["Title"],"media":[{"alt":null,"id":22343607255205,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/au1_d6b9bc2d-b02d-4b1a-aee0-fbf0512d2116.jpg?v=1622511843"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/au1_d6b9bc2d-b02d-4b1a-aee0-fbf0512d2116.jpg?v=1622511843","width":700},{"alt":null,"id":22343607287973,"position":2,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/au2_6e021b40-a1c2-4f3d-b2f5-cbae4ffd272b.jpg?v=1622511843"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/au2_6e021b40-a1c2-4f3d-b2f5-cbae4ffd272b.jpg?v=1622511843","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、過去にGlistering ExamplesやCanti Magneticiなどの物音レーベルから多数発表しているFritz WelchとMark VernonによるデュオTrouble Tracerの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e50本限定\u003c\/span\u003eデビューカセットです。1-2分のコラージュ21曲を収録。DLコード付属。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2325301573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=675893925\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2325301573\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/cvc\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/cvc\"\u003ehere\u003c\/a\u003e to see more Crow Versus Crow releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50.\u003c\/p\u003e\n\u003cp\u003eDescription by Crow Versus Crow:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Facing ignition issues?\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eLooking to identify the symptoms to understand where the problem lies?\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eOur handy Trouble Tracer guide offers clear audio examples that will help you diagnose the problem. Whether it be Corona Discharge Stains, Cold\/Carbon Fouling, Pad Contamination, Flash Over, Ash Deposits or Detonation we are here to help!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Trouble Tracer® we know one thing: quality is in the details. And what is true for technological developments is true for adequately identifying issues and matching them with the appropriate solution.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAt Trouble Tracer® we also believe that accuracy is best attained by working together. That's why we openly share solutions and lay out in a to-the-point and concise manner a reliable way to diagnose contamination, wear, damage and other potential issues, and how to best return to the ideal standards of performance and efficiency we work with dedication to maintain. The Trouble Tracer® guide doesn't always give you enough information for you to know exactly what's wrong, but it does mean that you can eliminate everything from the input to the point where the signal changes. It's important to understand that when fault finding, any anomalous\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e voltage is a symptom of the fault, and is not the fault itself.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eWith its unique patented technology, Trouble Tracer® produces audio and visual signals that technicians easily catch when they tap the target. But nevertheless, it does not require bending, cutting, freezing or any other actions that can damage cables.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAutofahrt is ideal for individuals that have difficulty in differentiating between static and leak noise on an electronic listening stick!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“…there are other noises that can spell trouble, are just irritating, or that can be expensive. How can we tell the difference? It’s certainly not easy. It obviously helps if you can identify the sound and where it’s coming from.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eSarah H. Sanders\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003e“All of these noises you heard were recorded in the Meagre Resource Workshop and have since been cured. Regular listeners will find out how all these jobs and repairs can be tackled in a way that’s easily understood. Everybody should know these sounds.”\u003c\/em\u003e\u003cbr\u003e\u003cem\u003eBig Jack Hay\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eThanks for listening! And remember: Cause – Remedy – Solution!\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd now a word from our sponsors:\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAutofahrt is released as a limited edition of 50 hand-numbered, professionally dubbed cassettes and digital download via the Crow Versus Crow Bandcamp on Friday 13th November 2020.\"\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e---------------------------------------------------------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003eTrouble Tracer is a collaborative work of Mark Vernon and Fritz Welch\u003cbr\u003eMark Vernon is a Glasgow based sound artist who works with found tapes and acousmatic presence. His work explores themes of magnetic memory, audio archaeology, voyeurism, and nostalgia. His solo music projects have been published\u003cbr\u003ethrough labels including Kye, Glistening Examples, Flaming Pines, Misanthropic Agenda, Entr’acte and Canti Magnetici. He co-runs and curates Glasgow art radio station, Radiophrenia and has produced programmes for stations internationally.\u003cbr\u003e\u003cbr\u003e\u003ca rel=\"nofollow ugc\" href=\"http:\/\/meagreresource.com\/\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003emeagreresource.com\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003eFritz Welch is a drummer, percussionist and vocalist determined to stretch the escalator of possibilities into the bloodshot eye of results. He was a founding member of Asparagus Piss Raindrop, Peeesseye and Lambs Gamble. He currently plays in EGO DEPLETION (with Adam Campbell), Dome Riders (with Armin Sturm, Ailbhe Nic Oireachtaigh and Mike Parr Burman), Zoming Flakes (with Iain Findlay Walsh and Louise Ahl), and has ongoing duo collaborations with Olivier Di Placido, Mariam Rezaei and Aniela Piasecka. A long-time Brooklynite of Texas origins, Welch is now based in Glasgow Scotland.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Trouble Tracer\u003c\/p\u003e\n\u003cp\u003eLabel : Crow Versus Crow\u003c\/p\u003e"}
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イギリス・ハリファックスのコラージュレーベルCrow Versus Crowの新作を本邦初入荷しました。 本作は、過去にGlistering ExamplesやCanti Magneticiなどの物音レーベルから多数発表しているFritz WelchとMark VernonによるデュオTrouble Tracerの50本限定デビューカセットです。1-2分のコラージュ21曲を収録。DLコード付属。 レーベルその他作品はこちら /// Click here to see more Crow...
¥1,380
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{"id":6791486013605,"title":"Liv Landry, Sean McCann, \u0026 Eric Schmid \/\/ St. Francis LP","handle":"liv-landry-sean-mccann-eric-schmid-st-francis-lp","description":"\u003cp\u003e当店おなじみの作家Sean McCannとEric Schmid、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiv Landryが2016年にCDで発表した作品の再発レコードです。ネオクラシカル〜ポエトリーリーディング作品3曲、40分を収録。カラープリントポスターが付属します。180g重量盤。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=135556119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 200. Includes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e18″ x 24″ folded color poster (blueprint).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"LP edition of the sold out CD\/Pamphlet from 2016. The score by Schmid, reading by Landry, and edited\/produced by McCann. Includes a big poster of The St. Francis List\u003ci\u003e.\"\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—————————\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEmily Martin and Derek Baron on St. Francis (Feb. 2021):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"What does it mean to pray? To address someone, to plead for something, to welcome humiliation and failure: Please, let me forget about the China Chalet parties, please let there be no countries and no war, please let me love you. Is prayer iteration, or just repetition: My god, my god, my god, my god… To know spleen you just have to be down to be humiliated. But do we know for sure that we are miserable? How do we know?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is how it has to go. We listened to this for the first time together in May 2017, while driving from Chicago to New York along the I-80 in Pennsylvania, stopping at the rest area that I later mistook for the famous picture of American “culture.” We stayed at a hotel and may have ordered a pizza. Content first, then, content again. Went inside and drank wine in relative silence, burping. Recognizing the sacredness in the plot of Friends. A choral melisma representative\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Liv Landry, Sean McCann, \u0026amp; Eric Schmid\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e","published_at":"2021-05-31T10:30:52+09:00","created_at":"2021-05-31T09:52:42+09:00","vendor":"Tobira Records","type":"","tags":["ambient","contemporary \/ sound poetry","lp","monooto","neo classical","new","Recital"],"price":334700,"price_min":334700,"price_max":334700,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39998309630117,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Liv Landry, Sean McCann, \u0026 Eric Schmid \/\/ St. Francis LP","public_title":null,"options":["Default Title"],"price":334700,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr1_86a6238e-03a4-4fde-8ce7-e44bc3e61003.jpg?v=1622422364","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr2_8ef4250b-918d-4676-9a44-29778515e937.jpg?v=1622422364","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr3_890128f8-76ae-4ecd-a382-fa367deb1e48.jpg?v=1622422364"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr1_86a6238e-03a4-4fde-8ce7-e44bc3e61003.jpg?v=1622422364","options":["Title"],"media":[{"alt":null,"id":22327641833637,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr1_86a6238e-03a4-4fde-8ce7-e44bc3e61003.jpg?v=1622422364"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr1_86a6238e-03a4-4fde-8ce7-e44bc3e61003.jpg?v=1622422364","width":700},{"alt":null,"id":22327641866405,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr2_8ef4250b-918d-4676-9a44-29778515e937.jpg?v=1622422364"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr2_8ef4250b-918d-4676-9a44-29778515e937.jpg?v=1622422364","width":1200},{"alt":null,"id":22327641899173,"position":3,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr3_890128f8-76ae-4ecd-a382-fa367deb1e48.jpg?v=1622422364"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fr3_890128f8-76ae-4ecd-a382-fa367deb1e48.jpg?v=1622422364","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e当店おなじみの作家Sean McCannとEric Schmid、\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLiv Landryが2016年にCDで発表した作品の再発レコードです。ネオクラシカル〜ポエトリーリーディング作品3曲、40分を収録。カラープリントポスターが付属します。180g重量盤。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=135556119\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eEdition of 200. Includes \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e18″ x 24″ folded color poster (blueprint).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\"LP edition of the sold out CD\/Pamphlet from 2016. The score by Schmid, reading by Landry, and edited\/produced by McCann. Includes a big poster of The St. Francis List\u003ci\u003e.\"\u003c\/i\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e—————————\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEmily Martin and Derek Baron on St. Francis (Feb. 2021):\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003e\"What does it mean to pray? To address someone, to plead for something, to welcome humiliation and failure: Please, let me forget about the China Chalet parties, please let there be no countries and no war, please let me love you. Is prayer iteration, or just repetition: My god, my god, my god, my god… To know spleen you just have to be down to be humiliated. But do we know for sure that we are miserable? How do we know?\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThis is how it has to go. We listened to this for the first time together in May 2017, while driving from Chicago to New York along the I-80 in Pennsylvania, stopping at the rest area that I later mistook for the famous picture of American “culture.” We stayed at a hotel and may have ordered a pizza. Content first, then, content again. Went inside and drank wine in relative silence, burping. Recognizing the sacredness in the plot of Friends. A choral melisma representative\"\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Liv Landry, Sean McCann, \u0026amp; Eric Schmid\u003c\/p\u003e\n\u003cp\u003eLabel : Recital\u003c\/p\u003e"}
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当店おなじみの作家Sean McCannとEric Schmid、Liv Landryが2016年にCDで発表した作品の再発レコードです。ネオクラシカル〜ポエトリーリーディング作品3曲、40分を収録。カラープリントポスターが付属します。180g重量盤。 Edition of 200. Includes 18″ x 24″ folded color poster (blueprint)....
¥3,347
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{"id":6763615322277,"title":"miharu dam \/\/ calmness TAPE","handle":"miharu-dam-calmness-tape","description":"\u003cp\u003e福島県郡山市のレーベルtissue boxの取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、郡山のアンビエント作家miharu damが2021年5月にリリースした最新作です。ガットギターのみによるミニマルなセット2本を収録。シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1136060415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eThe new tape by the Fukushima based artist miharu dam. Ltd 100. \u003c\/p\u003e","published_at":"2021-05-18T11:44:06+09:00","created_at":"2021-05-18T11:44:05+09:00","vendor":"Tobira Records","type":"","tags":["asia","contemporary \/ sound poetry","monooto","new","tape"],"price":110000,"price_min":110000,"price_max":110000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39914249486501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"miharu dam \/\/ calmness TAPE","public_title":null,"options":["Default Title"],"price":110000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2240099454_16.jpg?v=1621305847"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2240099454_16.jpg?v=1621305847","options":["Title"],"media":[{"alt":null,"id":22177833058469,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2240099454_16.jpg?v=1621305847"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a2240099454_16.jpg?v=1621305847","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e福島県郡山市のレーベルtissue boxの取り扱いを始めました。\u003c\/p\u003e\n\u003cp\u003e本作は、郡山のアンビエント作家miharu damが2021年5月にリリースした最新作です。ガットギターのみによるミニマルなセット2本を収録。シュリンク仕様です。\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1136060415\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003cp\u003eThe new tape by the Fukushima based artist miharu dam. Ltd 100. \u003c\/p\u003e"}
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福島県郡山市のレーベルtissue boxの取り扱いを始めました。 本作は、郡山のアンビエント作家miharu damが2021年5月にリリースした最新作です。ガットギターのみによるミニマルなセット2本を収録。シュリンク仕様です。 The new tape by the Fukushima based artist miharu dam....
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{"id":6754127708325,"title":"Cop Tears \/\/ Theodor Adorno: Piano Works LP","handle":"coteta","description":"\u003cp\u003eRecitalやPentimentsなどから発表しているNYの音響作家Derek Baron主宰レーベルReading Groupの2021年新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、哲学者・社会学者でもあったドイツ人作家Theodor Adornoが書き残したピアノ作品をNYのバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Andrew Wilhite-Hannisdal (double bass)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek Baron (flute)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Kapoor (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Welsh (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5aG0FoQgIjw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eSide A\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eKlavierstück (1921)\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933) 3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003eDrei kurze Klavierstücke (1934, 1945), 1\u003cbr\u003eDrei Klavierstücke (1927, 1945), 2. Die böhmischen Terzen\u003cbr\u003eDrei Klavierstücke (1927, 1945), 1. Adagietto. Hommage à Bizet\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933):\u003cbr\u003e1. Klein-Gavlin kann nur “Ich auch” sagen\u003cbr\u003e2. Ich bin das hüpfende Kleinpferd, ich bin das Hottepferd mit Knopf im Ohr\u003cbr\u003e4. Klein-Gitty und Klein-Gavlin (Variationen aus ihrem Leben),\u003cbr\u003evar. 1 (…und auf dem Bauch)\u003cbr\u003evar. 2 (Ländler)\u003cbr\u003evar. 3 (Gitty und Gavlin als Tristan und Isolde)\u003cbr\u003evar. 4 (Auch Brahms besucht das P.K.B.)\u003cbr\u003evar. 5 Molto vivace e capricioso (quasi\u003cspan class=\"bcTruncateMore\"\u003e\u003cspan\u003e \u003c\/span\u003ePresto) (Bewegte Gruppenszene)\u003cbr\u003e3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003evar. 6 Kleines Feuerwerk zu Ehren Debussys\u003cbr\u003evar. 7 Herztöne\u003cbr\u003evar. 8 Etwas feuerlich (Kanon des Friedens im P.K.B.)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eCop Tears recorded selections from Theodor Adorno's piano works in Derek's apartment in New York during the winter of 2018.\u003cbr\u003eCop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar).\u003cbr\u003eMastered by Matt Bachmann.\u003cbr\u003eLiner notes on the vinyl LP by Kylie and Coop.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Cop Tears\u003c\/p\u003e\n\u003cp\u003elabel : Reading Group\u003c\/p\u003e","published_at":"2021-05-14T15:02:57+09:00","created_at":"2021-05-14T15:02:56+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","jazz","lp","new","reading group"],"price":258000,"price_min":258000,"price_max":258000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39891250446501,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Cop Tears \/\/ Theodor Adorno: Piano Works LP","public_title":null,"options":["Default Title"],"price":258000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1726007643_16.jpg?v=1620972178"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1726007643_16.jpg?v=1620972178","options":["Title"],"media":[{"alt":null,"id":22137351307429,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1726007643_16.jpg?v=1620972178"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1726007643_16.jpg?v=1620972178","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eRecitalやPentimentsなどから発表しているNYの音響作家Derek Baron主宰レーベルReading Groupの2021年新作を本邦初入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、哲学者・社会学者でもあったドイツ人作家Theodor Adornoが書き残したピアノ作品をNYのバンドCop Tearsがカバーしたレコードです。2018年冬にNYのDerekの自宅でレコーディングしたそうです。ライナーノート付属。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJohn Andrew Wilhite-Hannisdal (double bass)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDerek Baron (flute)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCameron Kapoor (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJohn Welsh (guitar)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/5aG0FoQgIjw\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003eSide A\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eKlavierstück (1921)\u003cbr\u003eDrei Klavierstücke (1927, 1945), 3. Valsette\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933) 3. Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003eDrei kurze Klavierstücke (1934, 1945), 1\u003cbr\u003eDrei Klavierstücke (1927, 1945), 2. Die böhmischen Terzen\u003cbr\u003eDrei Klavierstücke (1927, 1945), 1. Adagietto. Hommage à Bizet\u003cbr\u003e\u003cbr\u003eSide B\u003cbr\u003eP.K.B. Eine kleine Kindersuite (1933):\u003cbr\u003e1. Klein-Gavlin kann nur “Ich auch” sagen\u003cbr\u003e2. Ich bin das hüpfende Kleinpferd, ich bin das Hottepferd mit Knopf im Ohr\u003cbr\u003e4. 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Beiß dem Ted sein Öhrchen ab (Basso ostinato)\u003cbr\u003evar. 6 Kleines Feuerwerk zu Ehren Debussys\u003cbr\u003evar. 7 Herztöne\u003cbr\u003evar. 8 Etwas feuerlich (Kanon des Friedens im P.K.B.)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\n\u003cbr\u003eCop Tears recorded selections from Theodor Adorno's piano works in Derek's apartment in New York during the winter of 2018.\u003cbr\u003eCop Tears is John Andrew Wilhite-Hannisdal (double bass), Derek Baron (flute), Cameron Kapoor (guitar), and John Welsh (guitar).\u003cbr\u003eMastered by Matt Bachmann.\u003cbr\u003eLiner notes on the vinyl LP by Kylie and Coop.\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eartist : Cop Tears\u003c\/p\u003e\n\u003cp\u003elabel : Reading Group\u003c\/p\u003e"}
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{"id":6739045548197,"title":"Francisco Meirino \/\/ Three Realizations for Ensembles CD","handle":"francisco-meirino-three-realizations-for-ensembles-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eスイス・ローザンヌのサウンドアーティストFrancisco Meirinoが2019年にリリースしたCD。アンサンブルのために制作した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/631184880\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThree compositions written by Francisco Meirino for ensembles. Utilizing pitch and timbre of traditional acoustic instruments Meirino’s unique compositional voice speaks out. Guiding the listener through tension and decompression, unease and malaise. Performed with Ensemble Vortex and Ensemble Phoenix in Basel, recorded during 2016-2019. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBorn in Spain in 1975, Meirino is active since 1994 (as Phroq until 2009) in experimental music and live performance. His music explores the tension between programmable material and the potential for its failure, he is primarily interested in the idea of recording what is not supposed to be: gear failures, the death of PA systems, magnetic fields and electro-static noises and in how he can use them and hear them radically out of context. Meirino's music is fascinating by its physical intensity and detail precision. He mainly works with the computer, (eurorack) modular synthesizer, reel-to-reel tape recorders, magnetic fields detectors, piezo tranducers, field recorders and various home-made electronics.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Francisco Meirino\u003c\/p\u003e\n\u003cp\u003elabel : MISANTHROPIC AGENDA\u003c\/p\u003e","published_at":"2021-05-10T09:39:54+09:00","created_at":"2021-05-10T09:39:54+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","Misanthropic Agenda","monooto","new"],"price":189000,"price_min":189000,"price_max":189000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39858173673637,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Francisco Meirino \/\/ Three Realizations for Ensembles CD","public_title":null,"options":["Default Title"],"price":189000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1561932884-2070_jpeg.jpg?v=1620607412","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1568733674-7563_jpeg.jpg?v=1620607412","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1568733812-3588_jpeg.jpg?v=1620607412"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1561932884-2070_jpeg.jpg?v=1620607412","options":["Title"],"media":[{"alt":null,"id":22073918259365,"position":1,"preview_image":{"aspect_ratio":1.101,"height":544,"width":599,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1561932884-2070_jpeg.jpg?v=1620607412"},"aspect_ratio":1.101,"height":544,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1561932884-2070_jpeg.jpg?v=1620607412","width":599},{"alt":null,"id":22073918292133,"position":2,"preview_image":{"aspect_ratio":1.122,"height":534,"width":599,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1568733674-7563_jpeg.jpg?v=1620607411"},"aspect_ratio":1.122,"height":534,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1568733674-7563_jpeg.jpg?v=1620607411","width":599},{"alt":null,"id":22073918324901,"position":3,"preview_image":{"aspect_ratio":2.278,"height":263,"width":599,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1568733812-3588_jpeg.jpg?v=1620607411"},"aspect_ratio":2.278,"height":263,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/R-13824303-1568733812-3588_jpeg.jpg?v=1620607411","width":599}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003eスイス・ローザンヌのサウンドアーティストFrancisco Meirinoが2019年にリリースしたCD。アンサンブルのために制作した作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/631184880\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/miag\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/miag\"\u003ehere\u003c\/a\u003e to see more Misanthropic Agenda releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eThree compositions written by Francisco Meirino for ensembles. 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{"id":6734809432229,"title":"Albrecht\/d. \/\/ Far East And Out LP","handle":"albrecht-d-far-east-and-out-lp","description":"\u003cp\u003eSPKとも共演し、60年代のドイツで自作楽器での演奏を中心とした作品を発表していたカルトサウンドアーティストAlbrecht\/d.（2013年\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e逝去）による未発表音源を、オランダDead Mindが2016年にリリースしたレコード。金属音が\u003cmeta charset=\"utf-8\"\u003e妖しく響く4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/blGi5g9ucUI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dmr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dmr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Dead Mind Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003edition of 200 copies. All material recorded in 1990\/91 for a release on Slowscan Records but the project got shelved and these recordings were never used. Edited and mastered in 2016. Artwork by Albrecht\/D.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Albrecht\/d.\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Mind Records\u003c\/p\u003e","published_at":"2021-05-13T17:39:41+09:00","created_at":"2021-05-08T12:32:08+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","dead mind records","lp","monooto","new"],"price":255000,"price_min":255000,"price_max":255000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39849011544229,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Albrecht\/d. \/\/ Far East And Out LP","public_title":null,"options":["Default Title"],"price":255000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa1_74f781b3-5514-4ca3-82ac-2cad665d79a4.jpg?v=1620444730"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa1_74f781b3-5514-4ca3-82ac-2cad665d79a4.jpg?v=1620444730","options":["Title"],"media":[{"alt":null,"id":22056077033637,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa1_74f781b3-5514-4ca3-82ac-2cad665d79a4.jpg?v=1620444730"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/fa1_74f781b3-5514-4ca3-82ac-2cad665d79a4.jpg?v=1620444730","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eSPKとも共演し、60年代のドイツで自作楽器での演奏を中心とした作品を発表していたカルトサウンドアーティストAlbrecht\/d.（2013年\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e逝去）による未発表音源を、オランダDead Mindが2016年にリリースしたレコード。金属音が\u003cmeta charset=\"utf-8\"\u003e妖しく響く4曲を収録。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/blGi5g9ucUI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dmr\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/dmr\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Dead Mind Records releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003edition of 200 copies. All material recorded in 1990\/91 for a release on Slowscan Records but the project got shelved and these recordings were never used. Edited and mastered in 2016. Artwork by Albrecht\/D.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Albrecht\/d.\u003c\/p\u003e\n\u003cp\u003eLabel : Dead Mind Records\u003c\/p\u003e"}
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SPKとも共演し、60年代のドイツで自作楽器での演奏を中心とした作品を発表していたカルトサウンドアーティストAlbrecht/d.（2013年逝去）による未発表音源を、オランダDead Mindが2016年にリリースしたレコード。金属音が妖しく響く4曲を収録。 レーベルその他作品はこちら /// Click here to see more Dead Mind Records releases available at Tobira. ----------------------------------...
¥2,550
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{"id":6734675345573,"title":"Nigel Wrench \/\/ ZA87 TAPE","handle":"nigel-wrench-za87-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eイギリスの老舗音響レーベルTouch傘下tapewormのデッドストックをどかっと入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、南アフリカのジャーナリストNigel Wrenchが2021年3月に100本限定でリリースした新作です。1987年の真夏、\u003cspan data-mce-fragment=\"1\"\u003eアパルトヘイト時代の南アフリカのある一日を記録\u003c\/span\u003e30分のオーディオドキュメントを収録。既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Sold out at source.\u003c\/p\u003e\n\u003cp\u003eThe Tapeworm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe dusty streets of apartheid-era Soweto, 27 July 1987. The politically charged funeral of a young activist who fled South Africa to became a commander in the military wing of Nelson Mandela’s African National Congress. Police await in armoured cars. The funeral is restricted by specific government decree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe man being buried is Peter Motau, assassinated in neighbouring Swaziland on the orders of South Africa’s most notorious government-sanctioned killer, Eugene de Kock, orders carried out by his secret police unit in a bloody ambush.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor De Kock and the apartheid government, Peter Motau was a terrorist. For the singing, chanting mourners at his funeral, he was a freedom fighter, a hero from the streets of Soweto itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZA87 is a raw audio document of one extraordinary day under apartheid. A father mourns, himself breaking the regulations declaring any political statements at the funeral illegal. Young activists, the “Comrades”, sing in praise of the banned ANC’s military wing, sirens blare, helicopters hover overhead, a police officer orders all television and photojournalists to leave. Nigel Wrench’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e microphone remains. Also there is Winnie Mandela, on behalf of the ANC’s exiled leadership. Banned from speaking at the funeral, she speaks instead into Wrench’s microphone and stages a remarkable intervention as the police seek to detain activists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe authorities sought to keep the events of that day away from the eyes and ears of anyone who wasn’t there. ZA87 breaks that silence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNigel Wrench is an award-winning journalist whose career began in South Africa under apartheid. He is the winner of a Sony Award for “Out This Week”, BBC Radio’s first national lesbian and gay news programme, and a New York Radio Award for BBC Radio 4’s “Aids and Me”, chronicling his experience of living with HIV. “Few journalists have quite so intimately captured the essence of their era’s great moral panics as Nigel Wrench” (The Quietus).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eZA87 is the follow-up to Wrench’s acclaimed first cassette on The Tapeworm, ZA86, “a remarkable documentation of South Africa under apartheid in 1986” (Boomkat), “chilling and at times stunningly beautiful” (The Quietus), “stylistically not dissimilar to Adam Curtis’s 2015 documentary ‘Bitter Lake’, its hypnagogic float through the rushes feels curiously vivid, free of the dating or distancing effect further media packaging might bring” (The Wire).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nigel Wrench\u003c\/p\u003e\n\u003cp\u003eLabel : The Tapeworm\u003c\/p\u003e","published_at":"2021-05-08T13:37:08+09:00","created_at":"2021-05-08T12:07:21+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","field recording","new","tape","the tapeworm"],"price":167000,"price_min":167000,"price_max":167000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39848227405989,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Nigel Wrench \/\/ ZA87 TAPE","public_title":null,"options":["Default Title"],"price":167000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/za1_b27960d2-a32f-4041-ad6d-4e96ecd56a0e.jpg?v=1620443243"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/za1_b27960d2-a32f-4041-ad6d-4e96ecd56a0e.jpg?v=1620443243","options":["Title"],"media":[{"alt":null,"id":22055726743717,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/za1_b27960d2-a32f-4041-ad6d-4e96ecd56a0e.jpg?v=1620443243"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/za1_b27960d2-a32f-4041-ad6d-4e96ecd56a0e.jpg?v=1620443243","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eイギリスの老舗音響レーベルTouch傘下tapewormのデッドストックをどかっと入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、南アフリカのジャーナリストNigel Wrenchが2021年3月に100本限定でリリースした新作です。1987年の真夏、\u003cspan data-mce-fragment=\"1\"\u003eアパルトヘイト時代の南アフリカのある一日を記録\u003c\/span\u003e30分のオーディオドキュメントを収録。既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 100. Sold out at source.\u003c\/p\u003e\n\u003cp\u003eThe Tapeworm:\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eThe dusty streets of apartheid-era Soweto, 27 July 1987. The politically charged funeral of a young activist who fled South Africa to became a commander in the military wing of Nelson Mandela’s African National Congress. Police await in armoured cars. The funeral is restricted by specific government decree.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eThe man being buried is Peter Motau, assassinated in neighbouring Swaziland on the orders of South Africa’s most notorious government-sanctioned killer, Eugene de Kock, orders carried out by his secret police unit in a bloody ambush.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFor De Kock and the apartheid government, Peter Motau was a terrorist. For the singing, chanting mourners at his funeral, he was a freedom fighter, a hero from the streets of Soweto itself.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eZA87 is a raw audio document of one extraordinary day under apartheid. A father mourns, himself breaking the regulations declaring any political statements at the funeral illegal. Young activists, the “Comrades”, sing in praise of the banned ANC’s military wing, sirens blare, helicopters hover overhead, a police officer orders all television and photojournalists to leave. Nigel Wrench’s\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e microphone remains. Also there is Winnie Mandela, on behalf of the ANC’s exiled leadership. Banned from speaking at the funeral, she speaks instead into Wrench’s microphone and stages a remarkable intervention as the police seek to detain activists.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe authorities sought to keep the events of that day away from the eyes and ears of anyone who wasn’t there. ZA87 breaks that silence.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eNigel Wrench is an award-winning journalist whose career began in South Africa under apartheid. He is the winner of a Sony Award for “Out This Week”, BBC Radio’s first national lesbian and gay news programme, and a New York Radio Award for BBC Radio 4’s “Aids and Me”, chronicling his experience of living with HIV. “Few journalists have quite so intimately captured the essence of their era’s great moral panics as Nigel Wrench” (The Quietus).\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eZA87 is the follow-up to Wrench’s acclaimed first cassette on The Tapeworm, ZA86, “a remarkable documentation of South Africa under apartheid in 1986” (Boomkat), “chilling and at times stunningly beautiful” (The Quietus), “stylistically not dissimilar to Adam Curtis’s 2015 documentary ‘Bitter Lake’, its hypnagogic float through the rushes feels curiously vivid, free of the dating or distancing effect further media packaging might bring” (The Wire).\"\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Nigel Wrench\u003c\/p\u003e\n\u003cp\u003eLabel : The Tapeworm\u003c\/p\u003e"}
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イギリスの老舗音響レーベルTouch傘下tapewormのデッドストックをどかっと入荷しました。 本作は、南アフリカのジャーナリストNigel Wrenchが2021年3月に100本限定でリリースした新作です。1987年の真夏、アパルトヘイト時代の南アフリカのある一日を記録30分のオーディオドキュメントを収録。既に廃盤です。 レーベルその他作品はこちら /// Click here to see more The Tapeworm releases available at Tobira. ---------------------- Edition...
¥1,670
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{"id":6734369849509,"title":"Dale Cornish \/\/ Fleshpile Thematic TAPE","handle":"dale-cornish-fleshpile-thematic-tape","description":"\u003cp\u003eTouch傘下tapewormのデッドストックをどかっと入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、coherent statesやbeartownなどから発表しているイギリスの音響作家Dale Cornishによるカセットです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"470\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/59485849\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eAquarius Records review:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eShifting constantly, from shimmery static, distant voices, chiming tones that sound like struck glasses or tiny bells, soft focus clouds of hazy static drift over smoldering chordal swells, lots of deeeeeep drones, woozy, turntable manipulations unleash truncated samples slowly shifting into warbled melodies, the rumble and swirl of music speeding up and slowing down, the white noise of television static, sculpted into strange shadowy, granular shapes, eventually splintering into a weird collage that sounds like Jeck, if most of his turntables were spinning Merzbow records, or were simply TVs turned on to some dead channel at 3am, noisy, but the hiss and wow of the static is muted and blurred into something downright soothing, the whole end of the A side is like a blissed out soft noise record.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe flipside begins with looped metallic shimmer over field recordings of rainfall, and more reverberant tones, the spoken word, now a sort of croon, over haunting swirls of sound, dark and looped and hypnotically droney. The sound shifts eventually into a sort of clanging metal junkyard cabaret, the spoken word dramatic and croony, deep and sonorous and a little over the top, laid over what sounds like someone playing the inside of a piano with a hammer, before dissolving into deep rumbling tones, that blur into a washed out thrum in the background, finally disappearing into a field of electronic hum, droned out and crackling.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Cornish\u003c\/p\u003e\n\u003cp\u003eLabel : The Tapeworm\u003c\/p\u003e","published_at":"2021-05-08T13:30:38+09:00","created_at":"2021-05-08T11:16:58+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","monooto","new","tape","the tapeworm"],"price":167000,"price_min":167000,"price_max":167000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39846514852005,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Dale Cornish \/\/ Fleshpile Thematic TAPE","public_title":null,"options":["Default Title"],"price":167000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1.gif?v=1620440220"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1.gif?v=1620440220","options":["Title"],"media":[{"alt":null,"id":22054933495973,"position":1,"preview_image":{"aspect_ratio":0.641,"height":468,"width":300,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1.gif?v=1620440220"},"aspect_ratio":0.641,"height":468,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/da1.gif?v=1620440220","width":300}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eTouch傘下tapewormのデッドストックをどかっと入荷しました。\u003c\/p\u003e\n\u003cp\u003e本作は、coherent statesやbeartownなどから発表しているイギリスの音響作家Dale Cornishによるカセットです。廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe height=\"470\" width=\"640\" src=\"https:\/\/player.vimeo.com\/video\/59485849\" allowfullscreen=\"\" allow=\"autoplay; fullscreen; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/tapeworm\"\u003ehere\u003c\/a\u003e to see more \u003cmeta charset=\"utf-8\"\u003eThe Tapeworm releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e----------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 200.\u003c\/p\u003e\n\u003cp\u003eAquarius Records review:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eShifting constantly, from shimmery static, distant voices, chiming tones that sound like struck glasses or tiny bells, soft focus clouds of hazy static drift over smoldering chordal swells, lots of deeeeeep drones, woozy, turntable manipulations unleash truncated samples slowly shifting into warbled melodies, the rumble and swirl of music speeding up and slowing down, the white noise of television static, sculpted into strange shadowy, granular shapes, eventually splintering into a weird collage that sounds like Jeck, if most of his turntables were spinning Merzbow records, or were simply TVs turned on to some dead channel at 3am, noisy, but the hiss and wow of the static is muted and blurred into something downright soothing, the whole end of the A side is like a blissed out soft noise record.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe flipside begins with looped metallic shimmer over field recordings of rainfall, and more reverberant tones, the spoken word, now a sort of croon, over haunting swirls of sound, dark and looped and hypnotically droney. The sound shifts eventually into a sort of clanging metal junkyard cabaret, the spoken word dramatic and croony, deep and sonorous and a little over the top, laid over what sounds like someone playing the inside of a piano with a hammer, before dissolving into deep rumbling tones, that blur into a washed out thrum in the background, finally disappearing into a field of electronic hum, droned out and crackling.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Dale Cornish\u003c\/p\u003e\n\u003cp\u003eLabel : The Tapeworm\u003c\/p\u003e"}
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Touch傘下tapewormのデッドストックをどかっと入荷しました。 本作は、coherent statesやbeartownなどから発表しているイギリスの音響作家Dale Cornishによるカセットです。廃盤です。 レーベルその他作品はこちら /// Click here to see more The Tapeworm releases available at Tobira. ----------------------...
¥1,670
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{"id":6692115808421,"title":"Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto \/\/ TREATMENTS 2xLP","handle":"preorder-giovanni-di-domenico-eiko-ishibashi-jim-orourke-joe-talia-tatsuhisa-yamamoto-treatments-2xlp","description":"\u003cp\u003e過去に\u003ca href=\"https:\/\/tobirarecords.com\/products\/giovanni-di-domenico-isasolo-cd\"\u003eCanti Magnetici\u003c\/a\u003e や \u003ca href=\"https:\/\/tobirarecords.com\/products\/giovanni-di-domenico-linutile-tape\"\u003etsss tapes\u003c\/a\u003e などから作品を発表しているイタリア人ピアニストGiovanni Di Domenicoの最新作が2021年4月にベルギーMatiere Memoireより2枚組クリアヴァイナルでリリース。彼がEiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamotoそれぞれの作家とコラボレーションした音源20分以上を4曲収録。300部限定です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3008190862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2708652074\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3008190862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1554774366\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eall music by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eG. Di Domenico (SIAE\/SABAM)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE. Ishibashi (Jasrac\/Space Shower Network)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. O’Rourke (Field Code Music\/BMI)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. TaliA (APRA)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eT. Yamamoto\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded in studio W (Brussels)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAtelier Eiko, Steamroom\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompletamente TAZ (Tokyo)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood Mixture (Berlin)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emixed by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJim O’Rourke at Steamroom (side A \u0026amp; B)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoe Talia at Good Mixture (side C)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTatsuhisa Yamamoto at Completamente TAZ (side D)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emastering \u0026amp; cut by Frédéric Alstadt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAT Ångström MASTERING, Brussels\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover photo by François Moret\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e«Between Deauville and La Rochelle»\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCourtesy Of Spazio Nobile Gallery, Brussels\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGraphics \u0026amp; layout by Cedric D’hondt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto\u003c\/p\u003e\n\u003cp\u003elabel : Matiere Memoire\u003c\/p\u003e","published_at":"2021-04-25T12:53:15+09:00","created_at":"2021-04-25T12:53:14+09:00","vendor":"Tobira Records","type":"","tags":["ambient","asia","contemporary \/ sound poetry","drone","lp","Matiere Memoire","monooto","new"],"price":527300,"price_min":527300,"price_max":527300,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39715158818981,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto \/\/ TREATMENTS 2xLP","public_title":null,"options":["Default Title"],"price":527300,"weight":530,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1738787619_16.jpg?v=1619322796"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1738787619_16.jpg?v=1619322796","options":["Title"],"media":[{"alt":null,"id":21816092426405,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1738787619_16.jpg?v=1619322796"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a1738787619_16.jpg?v=1619322796","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去に\u003ca href=\"https:\/\/tobirarecords.com\/products\/giovanni-di-domenico-isasolo-cd\"\u003eCanti Magnetici\u003c\/a\u003e や \u003ca href=\"https:\/\/tobirarecords.com\/products\/giovanni-di-domenico-linutile-tape\"\u003etsss tapes\u003c\/a\u003e などから作品を発表しているイタリア人ピアニストGiovanni Di Domenicoの最新作が2021年4月にベルギーMatiere Memoireより2枚組クリアヴァイナルでリリース。彼がEiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamotoそれぞれの作家とコラボレーションした音源20分以上を4曲収録。300部限定です。\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3008190862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=2708652074\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3008190862\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1554774366\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eall music by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eG. Di Domenico (SIAE\/SABAM)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eE. Ishibashi (Jasrac\/Space Shower Network)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. O’Rourke (Field Code Music\/BMI)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJ. TaliA (APRA)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eT. Yamamoto\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003erecorded in studio W (Brussels)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAtelier Eiko, Steamroom\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCompletamente TAZ (Tokyo)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood Mixture (Berlin)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emixed by\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJim O’Rourke at Steamroom (side A \u0026amp; B)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eJoe Talia at Good Mixture (side C)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eTatsuhisa Yamamoto at Completamente TAZ (side D)\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003emastering \u0026amp; cut by Frédéric Alstadt\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAT Ångström MASTERING, Brussels\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCover photo by François Moret\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e«Between Deauville and La Rochelle»\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eCourtesy Of Spazio Nobile Gallery, Brussels\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGraphics \u0026amp; layout by Cedric D’hondt\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto\u003c\/p\u003e\n\u003cp\u003elabel : Matiere Memoire\u003c\/p\u003e"}
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Giovanni Di Domenico, Eiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamoto // TREATMENTS 2xLP
過去にCanti Magnetici や tsss tapes などから作品を発表しているイタリア人ピアニストGiovanni Di Domenicoの最新作が2021年4月にベルギーMatiere Memoireより2枚組クリアヴァイナルでリリース。彼がEiko Ishibashi, Jim O'Rourke, Joe Talia, Tatsuhisa Yamamotoそれぞれの作家とコラボレーションした音源20分以上を4曲収録。300部限定です。...
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{"id":6681328976037,"title":"Rene Kita \/ Synaplop \/\/ Ten Thousand Ways Of The Voice \/ Plop Plop TAPE","handle":"rene-kita-synaplop-ten-thousand-ways-of-the-voice-plop-plop-tape","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2000年代初期からサイケフォークやエセ密林系音楽を中心にリリースしてきたフィンランドの老舗レーベルLal Lal Lal諸作を大量に本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、コラージュ作家2名による50本限定スプリットカセットです。サウンドコラージュ29曲を収録。既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3452753575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lal\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lal\"\u003ehere\u003c\/a\u003e to see more Lal Lal Lal releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50. \u003c\/p\u003e\n\u003cp\u003eArtist : Rene Kita \/ Synaplop\u003c\/p\u003e\n\u003cp\u003eLabel : Lal Lal Lal\u003c\/p\u003e","published_at":"2021-04-23T09:31:58+09:00","created_at":"2021-04-22T14:49:33+09:00","vendor":"Tobira Records","type":"","tags":["contemporary \/ sound poetry","lal lal lal","monooto","new","strange beats","tape"],"price":135000,"price_min":135000,"price_max":135000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39691889311909,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Rene Kita \/ Synaplop \/\/ Ten Thousand Ways Of The Voice \/ Plop Plop TAPE","public_title":null,"options":["Default Title"],"price":135000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_9bef1e43-d162-40b0-86a2-ac296db35a45.jpg?v=1619070574"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_9bef1e43-d162-40b0-86a2-ac296db35a45.jpg?v=1619070574","options":["Title"],"media":[{"alt":null,"id":21684120780965,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_9bef1e43-d162-40b0-86a2-ac296db35a45.jpg?v=1619070574"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/te1_9bef1e43-d162-40b0-86a2-ac296db35a45.jpg?v=1619070574","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2000年代初期からサイケフォークやエセ密林系音楽を中心にリリースしてきたフィンランドの老舗レーベルLal Lal Lal諸作を大量に本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、コラージュ作家2名による50本限定スプリットカセットです。サウンドコラージュ29曲を収録。既に廃盤です。\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3452753575\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/lal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lal\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/lal\" data-mce-href=\"https:\/\/tobirarecords.com\/collections\/lal\"\u003ehere\u003c\/a\u003e to see more Lal Lal Lal releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e-------------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 50. \u003c\/p\u003e\n\u003cp\u003eArtist : Rene Kita \/ Synaplop\u003c\/p\u003e\n\u003cp\u003eLabel : Lal Lal Lal\u003c\/p\u003e"}
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2000年代初期からサイケフォークやエセ密林系音楽を中心にリリースしてきたフィンランドの老舗レーベルLal Lal Lal諸作を大量に本邦初入荷しました。 本作は、コラージュ作家2名による50本限定スプリットカセットです。サウンドコラージュ29曲を収録。既に廃盤です。 レーベルその他作品はこちら /// Click here to see more Lal Lal Lal releases available at...
¥1,350
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{"id":6660278190245,"title":"Jack Callahan \u0026 Jeff Witscher \/\/ The Past, Present and Future of Experimental Music (Uncut GRM) CD","handle":"jack-callahan-jeff-witscher-the-past-present-and-future-of-experimental-music-uncut-grm-cd","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2020年にポートランドで新たに誕生した実験レーベルFLEAを本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、Die Reihe名義でも活動すると、Rene Hell名義でも活動するJeff Witscherによる共作です。声とエレクトロニクスに焦点を当てた作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1030406689\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jack Callahan \u0026amp; Jeff Witscher\u003c\/p\u003e\n\u003cp\u003elabel : FLEA\u003c\/p\u003e","published_at":"2021-04-16T07:30:25+09:00","created_at":"2021-04-16T07:30:25+09:00","vendor":"Tobira Records","type":"","tags":["cd","contemporary \/ sound poetry","flea","monooto","new"],"price":158000,"price_min":158000,"price_max":158000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":39643347452069,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Jack Callahan \u0026 Jeff Witscher \/\/ The Past, Present and Future of Experimental Music (Uncut GRM) CD","public_title":null,"options":["Default Title"],"price":158000,"weight":90,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/PastPresent.jpg?v=1618526019"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/PastPresent.jpg?v=1618526019","options":["Title"],"media":[{"alt":null,"id":21402053738661,"position":1,"preview_image":{"aspect_ratio":1.0,"height":600,"width":600,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/PastPresent.jpg?v=1618526019"},"aspect_ratio":1.0,"height":600,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/PastPresent.jpg?v=1618526019","width":600}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2020年にポートランドで新たに誕生した実験レーベルFLEAを本邦初入荷しました。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本作は、Die Reihe名義でも活動すると、Rene Hell名義でも活動するJeff Witscherによる共作です。声とエレクトロニクスに焦点を当てた作品です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/1030406689\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\" height=\"166\" width=\"100%\" allow=\"autoplay\" frameborder=\"no\" scrolling=\"no\"\u003e\u003c\/iframe\u003e\n\u003cdiv style=\"font-size: 10px; color: #cccccc; line-break: anywhere; word-break: normal; overflow: hidden; white-space: nowrap; text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif; font-weight: 100;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003eこちら\u003c\/a\u003e \/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/flea\"\u003ehere\u003c\/a\u003e to see more FLEA releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eartist : Jack Callahan \u0026amp; Jeff Witscher\u003c\/p\u003e\n\u003cp\u003elabel : FLEA\u003c\/p\u003e"}
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2020年にポートランドで新たに誕生した実験レーベルFLEAを本邦初入荷しました。 本作は、Die Reihe名義でも活動すると、Rene Hell名義でも活動するJeff Witscherによる共作です。声とエレクトロニクスに焦点を当てた作品です。 レーベルその他作品はこちら /// Click here to see more FLEA releases available at...
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