Richard Ramirez // Keep Your Eyes on Him TAPE
Richard Ramirez // Keep Your Eyes on Him TAPE
¥1,490
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ドイツ・シュタインフルトのフェティッシュ系レーベルGrisailleが、2021年12月にリリースした最新バッチを入荷しました。
本作は、ノイズ作家Richard Ramirezの最新作です。ハーシュノイズウォール2曲を収録。DLコード付属。廃盤です。
レーベルその他作品はこちら /// Click here to see more Grisaille releases available at Tobira.
--------------------------
Sounds recorded at Chestnut Ridge Foothills, PA (Jan 2021).
Artist : Richard Ramirez
Label : Grisaille
ドイツ・シュタインフルトのフェティッシュ系レーベルGrisailleが、2021年12月にリリースした最新バッチを入荷しました。
本作は、ノイズ作家Richard Ramirezの最新作です。ハーシュノイズウォール2曲を収録。DLコード付属。廃盤です。
レーベルその他作品はこちら /// Click here to see more Grisaille releases available at Tobira.
--------------------------
Sounds recorded at Chestnut Ridge Foothills, PA (Jan 2021).
Artist : Richard Ramirez
Label : Grisaille
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{"id":7613598073082,"title":"Hisato Higuchi \/\/ Ki, Que, Kien? CD","handle":"hisato-higuchi-樋口寿人-キ-que-消えん-ki-que-kien-cd","description":"\u003cp\u003e東京のアンビエントフォーク作家Hisato Higuchiが、2022年3月にフランスの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWV Sorcererからリリースした最新アルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e歌にフォーカスした7曲を収録。デジパック、シュリンク仕様です。歌詞カード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2268983313\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e-\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e 6 panel digisleeve CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- reverse board \u0026amp; printed inner spines\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- w* full Japanese lyrics \u0026amp; Chinese translation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWV Sorcerer Productions 巫唱片:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter over two decades of releases on P.S.F. Records, Family Vineyard, Apollolaan and his own label Ghost Disc, WV Sorcerer is honored to present the latest physical release of Tokyo-based musician Hisato Higuchi (樋口寿人). An album of melancholy guitar melody and whispers, like a longshot of the overflowing light on the Tokyo street, a monologue from far away.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eReviews:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"Hisato is responsible for some of the most breathtaking, delicate, and smoke-filled guitar playing side of Loren Connors or the quieter sides of Keiji Haino. Those comparisons perhaps help to give an idea of where Hisato’s work floats, but it’s clear listening to him that his work is a very personal musical expression. His music is a Tokyo labourer’s blues. It evokes a ghost-like and ephemeral, auroral and sleep-deprived trance, his super slow and dreamlike guitar, sometimes lurking in feedback, sometimes barely touched, sketches out briefly heard whispers, exhausted emotional trembles. His vocals, when he drags himself exhausted to the mic, seem both distant and close, and just plain shattered; emotionally, spiritually\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, physically. In its weightlessness, it often feels as if each song has been carried to you on the slightest of breezes, and that a change in the wind would carry it elsewhere.\"\u003c\/em\u003e\u003cbr\u003e-\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/arika.org.uk\/\" rel=\"nofollow ugc\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003earika.org.uk\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"I’ve been a huge admirer of Higuchi’s work for years, but this album hit differently. There’s a fragility to these minimal guitar and vocal compositions that feels just like 2020 felt – hanging on by the thinnest threads, riding wave after endless wave until you think you will break, only to stave off the breakdown by the slimmest of margins… and then you do it all again. It’s a beautiful, impactful album.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Brad Rose\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hisato Higuchi 樋口寿人\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWV Sorcerer Productions 巫唱片\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-05-18T14:34:57+09:00","created_at":"2022-05-18T11:45:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","cd","folk \/ left-field pop","new"],"price":218000,"price_min":218000,"price_max":218000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42769779720442,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Hisato Higuchi \/\/ Ki, Que, Kien? CD","public_title":null,"options":["Default Title"],"price":218000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki1_e4748fff-a3e8-4314-ba4b-f8e3a13e7758.jpg?v=1652841927","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki2_a4a4e4ad-f93d-45cd-a1cf-621f5bd53d15.jpg?v=1652841927","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki3_4414cd28-2f77-446c-8a57-66f573bbae3f.jpg?v=1652841929"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki1_e4748fff-a3e8-4314-ba4b-f8e3a13e7758.jpg?v=1652841927","options":["Title"],"media":[{"alt":null,"id":29730088091898,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki1_e4748fff-a3e8-4314-ba4b-f8e3a13e7758.jpg?v=1652841927"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki1_e4748fff-a3e8-4314-ba4b-f8e3a13e7758.jpg?v=1652841927","width":700},{"alt":null,"id":29730088124666,"position":2,"preview_image":{"aspect_ratio":1.0,"height":1200,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki2_a4a4e4ad-f93d-45cd-a1cf-621f5bd53d15.jpg?v=1652841927"},"aspect_ratio":1.0,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki2_a4a4e4ad-f93d-45cd-a1cf-621f5bd53d15.jpg?v=1652841927","width":1200},{"alt":null,"id":29730088157434,"position":3,"preview_image":{"aspect_ratio":1.11,"height":1081,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki3_4414cd28-2f77-446c-8a57-66f573bbae3f.jpg?v=1652841929"},"aspect_ratio":1.11,"height":1081,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/ki3_4414cd28-2f77-446c-8a57-66f573bbae3f.jpg?v=1652841929","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e東京のアンビエントフォーク作家Hisato Higuchiが、2022年3月にフランスの\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWV Sorcererからリリースした最新アルバムです。\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e歌にフォーカスした7曲を収録。デジパック、シュリンク仕様です。歌詞カード付属。\u003c\/span\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2268983313\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e---------------------------------\u003c\/p\u003e\n\u003cp\u003e-\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e 6 panel digisleeve CD\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- reverse board \u0026amp; printed inner spines\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e- w* full Japanese lyrics \u0026amp; Chinese translation\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e***\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWV Sorcerer Productions 巫唱片:\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eAfter over two decades of releases on P.S.F. Records, Family Vineyard, Apollolaan and his own label Ghost Disc, WV Sorcerer is honored to present the latest physical release of Tokyo-based musician Hisato Higuchi (樋口寿人). An album of melancholy guitar melody and whispers, like a longshot of the overflowing light on the Tokyo street, a monologue from far away.\"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003eReviews:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cem\u003e\"Hisato is responsible for some of the most breathtaking, delicate, and smoke-filled guitar playing side of Loren Connors or the quieter sides of Keiji Haino. Those comparisons perhaps help to give an idea of where Hisato’s work floats, but it’s clear listening to him that his work is a very personal musical expression. His music is a Tokyo labourer’s blues. It evokes a ghost-like and ephemeral, auroral and sleep-deprived trance, his super slow and dreamlike guitar, sometimes lurking in feedback, sometimes barely touched, sketches out briefly heard whispers, exhausted emotional trembles. His vocals, when he drags himself exhausted to the mic, seem both distant and close, and just plain shattered; emotionally, spiritually\u003c\/em\u003e\u003c\/span\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, physically. In its weightlessness, it often feels as if each song has been carried to you on the slightest of breezes, and that a change in the wind would carry it elsewhere.\"\u003c\/em\u003e\u003cbr\u003e-\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"http:\/\/arika.org.uk\/\" rel=\"nofollow ugc\" referrerpolicy=\"strict-origin-when-cross-origin\"\u003earika.org.uk\u003c\/a\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cem\u003e\"I’ve been a huge admirer of Higuchi’s work for years, but this album hit differently. There’s a fragility to these minimal guitar and vocal compositions that feels just like 2020 felt – hanging on by the thinnest threads, riding wave after endless wave until you think you will break, only to stave off the breakdown by the slimmest of margins… and then you do it all again. It’s a beautiful, impactful album.\"\u003c\/em\u003e\u003cbr\u003e\u003cspan\u003e- Brad Rose\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Hisato Higuchi 樋口寿人\u003c\/p\u003e\n\u003cp\u003eLabel : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eWV Sorcerer Productions 巫唱片\u003c\/span\u003e\u003c\/p\u003e"}
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東京のアンビエントフォーク作家Hisato Higuchiが、2022年3月にフランスのWV Sorcererからリリースした最新アルバムです。 歌にフォーカスした7曲を収録。デジパック、シュリンク仕様です。歌詞カード付属。 --------------------------------- - 6 panel digisleeve CD- reverse board & printed inner...
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{"id":7613435969786,"title":"Bethnal Greener \/\/ Febbre Del Lago TAPE","handle":"begr","description":"\u003cp\u003eギリシャの実験音楽家Kostis Kilymisが、2022年4月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e新名義\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBethnal Greenerで同国実験レーベルOrilaから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系ドローンテクノ〜アンビエントドローン4曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1798380418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=330523554\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1798380418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eComes with DL code. Sold out at source.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A thirty minute immersion into the untold, its truths and change it proposes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFebbre del Lago is a fever dream of sorts… Haunting melodies unravel throughout four pieces, tearing apart, piecing themselves back together, a discombobulating pulse changing course, re-arranging uncanny loops of strange environments dipping into the recesses of memory. Only the final track hints at potential respite that may offer a clean slate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike a fever dream, it sometimes feels bizarre to experience, and a challenge when following the threads of thought after the moment itself has passed. Yet these threads will linger, disjointed, difficult to face up to, but often staying with us for a long time. They speak of truths and veiled intensities, we can choose to cast them aside or bask at their depth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBethnal Greener is the musical alias of Kostis Kilymis, sound artist, occasional researcher, field recording and feedback aficionado. He tells stories of memory, presence and reflection, their narratives found among improvised synth lines, and the constant fluctuations between expectation and interruption of an unquiet rhythm.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bethnal Greener\u003c\/p\u003e\n\u003cp\u003eLabel : Orila\u003c\/p\u003e","published_at":"2022-05-18T09:50:25+09:00","created_at":"2022-05-18T09:50:25+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","monooto","new","recommended","tape","techno \/ house"],"price":159000,"price_min":159000,"price_max":159000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42769412129018,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Bethnal Greener \/\/ Febbre Del Lago TAPE","public_title":null,"options":["Default Title"],"price":159000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0954745518_16.jpg?v=1652835273"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0954745518_16.jpg?v=1652835273","options":["Title"],"media":[{"alt":null,"id":29729669546234,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0954745518_16.jpg?v=1652835273"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/a0954745518_16.jpg?v=1652835273","width":700}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eギリシャの実験音楽家Kostis Kilymisが、2022年4月に\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e新名義\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eBethnal Greenerで同国実験レーベルOrilaから\u003c\/span\u003eリリースしたカセットです。\u003c\/p\u003e\n\u003cp\u003eフロア棒立ち系ドローンテクノ〜アンビエントドローン4曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1798380418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=330523554\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1798380418\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------------\u003c\/p\u003e\n\u003cp\u003eComes with DL code. Sold out at source.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e***\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"A thirty minute immersion into the untold, its truths and change it proposes.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eFebbre del Lago is a fever dream of sorts… Haunting melodies unravel throughout four pieces, tearing apart, piecing themselves back together, a discombobulating pulse changing course, re-arranging uncanny loops of strange environments dipping into the recesses of memory. Only the final track hints at potential respite that may offer a clean slate.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eLike a fever dream, it sometimes feels bizarre to experience, and a challenge when following the threads of thought after the moment itself has passed. Yet these threads will linger, disjointed, difficult to face up to, but often staying with us for a long time. They speak of truths and veiled intensities, we can choose to cast them aside or bask at their depth.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eBethnal Greener is the musical alias of Kostis Kilymis, sound artist, occasional researcher, field recording and feedback aficionado. He tells stories of memory, presence and reflection, their narratives found among improvised synth lines, and the constant fluctuations between expectation and interruption of an unquiet rhythm.\"\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Bethnal Greener\u003c\/p\u003e\n\u003cp\u003eLabel : Orila\u003c\/p\u003e"}
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ギリシャの実験音楽家Kostis Kilymisが、2022年4月に新名義Bethnal Greenerで同国実験レーベルOrilaからリリースしたカセットです。 フロア棒立ち系ドローンテクノ〜アンビエントドローン4曲を収録。DLコード付属。廃盤です。 -------------------------------- Comes with DL code. Sold out at source. ***...
¥1,590
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{"id":7612607332602,"title":"Brandstifter \u0026 Diurnal Burdens \/\/ An Alpine Drama TAPE","handle":"brandstifter-diurnal-burdens-an-alpine-drama-tape","description":"\u003cp\u003eイギリスのコラージュ作家BrandstifterとDiurnal Burdensが、2021年9月に同国実験レーベルmoonside tapesから25本限定でリリースした共作です。\u003c\/p\u003e\n\u003cp\u003eコラージュ・アンビエント〜ディープリスニング系コラージュ・ドローン2曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4101794647\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moonside-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moonside-tapes\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Moonside Tapes releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 25.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAll sounds and collage by Brandstifter \u0026amp; Ross Scott-Buccleuch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Brandstifter \u0026amp; Diurnal Burdens\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Moonside Tapes\u003c\/span\u003e\u003c\/p\u003e","published_at":"2022-05-18T09:49:04+09:00","created_at":"2022-05-17T11:08:48+09:00","vendor":"Tobira Records","type":"","tags":["ambient","drone","monooto","moonside tapes","new","tape"],"price":156000,"price_min":156000,"price_max":156000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42766347829498,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Brandstifter \u0026 Diurnal Burdens \/\/ An Alpine Drama TAPE","public_title":null,"options":["Default Title"],"price":156000,"weight":60,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an_18693256-7bdd-4bcc-a5c1-bacb9040c230.jpg?v=1652753329","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_4b5d6f72-cf1b-47ab-b0e8-57f3bfab9db9.jpg?v=1652753329"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an_18693256-7bdd-4bcc-a5c1-bacb9040c230.jpg?v=1652753329","options":["Title"],"media":[{"alt":null,"id":29724600369402,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an_18693256-7bdd-4bcc-a5c1-bacb9040c230.jpg?v=1652753329"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an_18693256-7bdd-4bcc-a5c1-bacb9040c230.jpg?v=1652753329","width":700},{"alt":null,"id":29724600402170,"position":2,"preview_image":{"aspect_ratio":0.75,"height":1200,"width":900,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_4b5d6f72-cf1b-47ab-b0e8-57f3bfab9db9.jpg?v=1652753329"},"aspect_ratio":0.75,"height":1200,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/an2_4b5d6f72-cf1b-47ab-b0e8-57f3bfab9db9.jpg?v=1652753329","width":900}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eイギリスのコラージュ作家BrandstifterとDiurnal Burdensが、2021年9月に同国実験レーベルmoonside tapesから25本限定でリリースした共作です。\u003c\/p\u003e\n\u003cp\u003eコラージュ・アンビエント〜ディープリスニング系コラージュ・ドローン2曲を収録。DLコード付属。廃盤です。\u003c\/p\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4101794647\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eレーベルその他作品は\u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moonside-tapes\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003cspan\u003e\/\/\/ Click \u003c\/span\u003e\u003ca href=\"https:\/\/tobirarecords.com\/collections\/moonside-tapes\"\u003ehere\u003c\/a\u003e\u003cspan\u003e to see more Moonside Tapes releases available at Tobira.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e----------------------\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eEdition of 25.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAll sounds and collage by Brandstifter \u0026amp; Ross Scott-Buccleuch\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eArtist : Brandstifter \u0026amp; Diurnal Burdens\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eLabel : Moonside Tapes\u003c\/span\u003e\u003c\/p\u003e"}
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イギリスのコラージュ作家BrandstifterとDiurnal Burdensが、2021年9月に同国実験レーベルmoonside tapesから25本限定でリリースした共作です。 コラージュ・アンビエント〜ディープリスニング系コラージュ・ドローン2曲を収録。DLコード付属。廃盤です。 レーベルその他作品はこちら /// Click here to see more Moonside Tapes releases available at Tobira....
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{"id":7601985356026,"title":"Aria Rostami \/\/ Astoria I, II \u0026 III TAPE","handle":"aria-rostami-astoria-i-ii-iii-tape","description":"\u003cp\u003e過去にDirk EntriesやGeographic Northなどから発表しているアメリカ・NYのアンビエント〜テクノ〜IDM作家Aria Rostamiが、2022年4月に25部限定で自主リリースした最新3本組カセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを多用したアンビエントドローン9曲、2時間の超大作です。知らない土地を旅しているかのような感覚を味わえるサウンドスケープです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便(550円)での発送となりますので、レコードとお求めいただけますとお得です\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3677459248\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1967624261\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3677459248\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25. Comes with DL code\u003c\/p\u003e\n\u003cp\u003eArtist statement \/ essay by the artist :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI moved to Brooklyn from San Francisco in the Summer of 2017. The move was something I had been planning for a long time. There was no way I could have predicted what the cultural and political landscape of the US was going to be when I finally landed in New York City. I saved money for the move and came without a job. I was starting over in many ways - in the first few months here I was trying to get back on my career path while also working a part time job, I met the person that would eventually become my wife, I got sober, I was becoming a new person. I wanted my music to be reborn too, I didn't want to make the same things I was making in San Francisco. The first record I made in New York was called \"Numb Years\". It captured the stress of the country, the uncertainty of my move, the stories from my parent's finally coming to light about their experiences with racism as new immigrants from Iran - the things they never told my brother and me about until they became relevant again in the Trump era. The album captured the noise of New York City, the incredible, unavoidable noise through synths, high tempos and sounds resampled and manipulated many times over. I had never experienced a city this loud before. There was a cross street with an overhead train station I would go to on my way to work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that was so loud that I sometimes would not be able to hear the music or podcast in my headphones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the years have gone by, I've made a lot of records while in New York. I've made electronic music, acoustic music, techno, ambient, experimental, folk - I've recorded guitar, flutes, piano, glockenspiel, harmonium, synths, melodica, sampled break beats, utilized new hardware, new software and new techniques to capture different times and thoughts in my life living here. Listening back to these recordings as I was putting albums together, I always had to contend with New York City - songs sometimes get lost in the noise of the subway or streets. Recording is much more difficult too. I've waited for far off sirens and airplanes to pass before pressing \"record\" plenty of times. I always have to remove the clock from the room so that constant ticking doesn't show up on the recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSome years ago a friend of mine who is not a musician bought a field recorder - he was just interested in capturing sounds. I told him in passing I could clean up the recordings for him, maybe even add some ambient soundscapes on top of them. It was a nice idea for both of us but ultimately, it never came to be. But it planted the seed in my mind to eventually get a nice field recorder for myself instead of using my phone or finding recordings online of places I've never been to.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEarly in 2021, I finally bought a field recorder and started recording my life - just the simple things I was doing anyway. Walks to work, walks home, the office, the roof, the park by my house, a bus ride, getting tested for COVID, doing chores in the kitchen, hanging out with my wife, going to do the laundry, the ambience of my recording space and so on. New York City was no longer a contender to the music, it became the center of the work, everything else added to the recordings were just embellishments. When I listened back to the recordings on my commute, the intrusions from the outside world worked with the recordings. When I was recording environments, I paid attention to sound like I had never done before. It felt cinematic and I felt present in the world in a way I didn't typically. I'm so used to shutting it out with headphones, I rarely spend time just listening to the city as it is. It was a practice of acceptance rather than dismissal. I found that the less I did to manipulate the recordings the better - the natural world of sound didn't need an arranger. I chose to, for the most part, keep the ambient and instrumental additions to the field recordings at the same level or quieter than the field recordings, I didn't want them to be the star of the show.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI also started to realize that there was a significant perceptual difference between a field recording and what I would probably call a \"studio\" recording. In a studio setting, I'd typically like to capture a sound in an audio vacuum - as pure as possible. Of course with my set up that isn't entirely possible and blemishes seep in from time to time which is ok, it gives the recording some character, but this is only true to a certain extent. Errors in recording or in performance are glaring in a studio setting. This wasn't true at all for a field recording - capturing the sirens and the airplanes was the point. I started to think more critically about this difference - where was the line between the two? When does one type of recording become the other? If I recorded a band playing in a studio and they messed up, that take would be scrapped - but if I captured that same performance on a field recorder while sitting in the studio and included all of the conversation before and after that take, the footsteps and doors opening and closing between the recording area and mixing booth, then I wouldn't hear the recording as a scrapped take, I would hear it as a document of that time and it could work as an interesting recording. But where was that line? Was it in the intent of the recording or is it more gray than that?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo, instead of taking the clock out of the room when I recorded, I just left it in the room - I used it as a metronome. Field recordings will start in my home studio like on \"The Last Day\" and you'll hear me walking around the room with a recording of a piano I made playing from my computer speakers, then slowly that field recording gets overtaken by the studio recording, imperceptibly slow, and the ambience of the room is slowly replaced by the park by my house recorded months prior which transitions to recordings in my neighborhood and a new ambient synth is introduced as you slowly return to my home studio by the end of the song. The screeching of construction vehicles harmonize with violin on \"Indescwibable Peace and Joy\". Music plays from cars and shops on my walk home through Crown Heights as people talk about ketchup and yell to the city about CoronaVirus on \"The Nuclear Bomb\" until you settle in my home with my wife and I listening to music, washing dishes and then transporting to a tiny shore in Queens, where the waves give way to a jazz band playing on the street and church bells recorded weeks later seep through on top of shoppers pushing their carts along with bowed instruments and bells I recorded years ago. And my favorite, \"Astoria\" captures the sounds of Astoria, Queens from the rooftop of my workplace in January 2022 - synths come in on a minor key and transition to a major key, sweeping away like the wind on a rooftop, the years that went by to finally come to this place, the decisions, accidents and miracles, struggling and overthinking only to realize things don't always need to be controlled.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Aria Rostami\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e","published_at":"2022-05-02T14:33:06+09:00","created_at":"2022-05-01T09:08:46+09:00","vendor":"Tobira Records","type":"","tags":["ambient","aria","field recording","new","recommended","self-released","tape"],"price":438000,"price_min":438000,"price_max":438000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":42712697897210,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":"","requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Aria Rostami \/\/ Astoria I, II \u0026 III TAPE","public_title":null,"options":["Default Title"],"price":438000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":"","requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as1_c5148bfc-ffea-4624-9d8c-3b409469e046.jpg?v=1651363728","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986224_10.jpg?v=1651470540","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as2_68a30e89-7b31-4682-ac26-44137a46a63c.jpg?v=1651470540","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986218_10.jpg?v=1651470540","\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986221_10.jpg?v=1651470540"],"featured_image":"\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as1_c5148bfc-ffea-4624-9d8c-3b409469e046.jpg?v=1651363728","options":["Title"],"media":[{"alt":null,"id":29647165260026,"position":1,"preview_image":{"aspect_ratio":1.0,"height":700,"width":700,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as1_c5148bfc-ffea-4624-9d8c-3b409469e046.jpg?v=1651363728"},"aspect_ratio":1.0,"height":700,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as1_c5148bfc-ffea-4624-9d8c-3b409469e046.jpg?v=1651363728","width":700},{"alt":null,"id":29652898021626,"position":2,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986224_10.jpg?v=1651470540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986224_10.jpg?v=1651470540","width":1200},{"alt":null,"id":29647165292794,"position":3,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as2_68a30e89-7b31-4682-ac26-44137a46a63c.jpg?v=1651470540"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/as2_68a30e89-7b31-4682-ac26-44137a46a63c.jpg?v=1651470540","width":1200},{"alt":null,"id":29652897923322,"position":4,"preview_image":{"aspect_ratio":1.525,"height":787,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986218_10.jpg?v=1651470540"},"aspect_ratio":1.525,"height":787,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986218_10.jpg?v=1651470540","width":1200},{"alt":null,"id":29652898152698,"position":5,"preview_image":{"aspect_ratio":1.5,"height":800,"width":1200,"src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986221_10.jpg?v=1651470540"},"aspect_ratio":1.5,"height":800,"media_type":"image","src":"https:\/\/cdn.shopify.com\/s\/files\/1\/0305\/1637\/9780\/products\/0027986221_10.jpg?v=1651470540","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003e過去にDirk EntriesやGeographic Northなどから発表しているアメリカ・NYのアンビエント〜テクノ〜IDM作家Aria Rostamiが、2022年4月に25部限定で自主リリースした最新3本組カセットです。\u003c\/p\u003e\n\u003cp\u003eフィールドレコーディングを多用したアンビエントドローン9曲、2時間の超大作です。知らない土地を旅しているかのような感覚を味わえるサウンドスケープです。DLコード付属。\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便(550円)での発送となりますので、レコードとお求めいただけますとお得です\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3677459248\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/track=1967624261\/transparent=true\/\" seamless\u003e\u003c\/iframe\u003e\n\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3677459248\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=small\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eEdition of 25. Comes with DL code\u003c\/p\u003e\n\u003cp\u003eArtist statement \/ essay by the artist :\u003c\/p\u003e\n\u003cp\u003e\"\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eI moved to Brooklyn from San Francisco in the Summer of 2017. The move was something I had been planning for a long time. There was no way I could have predicted what the cultural and political landscape of the US was going to be when I finally landed in New York City. I saved money for the move and came without a job. I was starting over in many ways - in the first few months here I was trying to get back on my career path while also working a part time job, I met the person that would eventually become my wife, I got sober, I was becoming a new person. I wanted my music to be reborn too, I didn't want to make the same things I was making in San Francisco. The first record I made in New York was called \"Numb Years\". It captured the stress of the country, the uncertainty of my move, the stories from my parent's finally coming to light about their experiences with racism as new immigrants from Iran - the things they never told my brother and me about until they became relevant again in the Trump era. The album captured the noise of New York City, the incredible, unavoidable noise through synths, high tempos and sounds resampled and manipulated many times over. I had never experienced a city this loud before. There was a cross street with an overhead train station I would go to on my way to work\u003cspan class=\"bcTruncateMore\" data-mce-fragment=\"1\"\u003e that was so loud that I sometimes would not be able to hear the music or podcast in my headphones.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAs the years have gone by, I've made a lot of records while in New York. I've made electronic music, acoustic music, techno, ambient, experimental, folk - I've recorded guitar, flutes, piano, glockenspiel, harmonium, synths, melodica, sampled break beats, utilized new hardware, new software and new techniques to capture different times and thoughts in my life living here. Listening back to these recordings as I was putting albums together, I always had to contend with New York City - songs sometimes get lost in the noise of the subway or streets. Recording is much more difficult too. I've waited for far off sirens and airplanes to pass before pressing \"record\" plenty of times. I always have to remove the clock from the room so that constant ticking doesn't show up on the recording.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSome years ago a friend of mine who is not a musician bought a field recorder - he was just interested in capturing sounds. I told him in passing I could clean up the recordings for him, maybe even add some ambient soundscapes on top of them. It was a nice idea for both of us but ultimately, it never came to be. But it planted the seed in my mind to eventually get a nice field recorder for myself instead of using my phone or finding recordings online of places I've never been to.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eEarly in 2021, I finally bought a field recorder and started recording my life - just the simple things I was doing anyway. Walks to work, walks home, the office, the roof, the park by my house, a bus ride, getting tested for COVID, doing chores in the kitchen, hanging out with my wife, going to do the laundry, the ambience of my recording space and so on. New York City was no longer a contender to the music, it became the center of the work, everything else added to the recordings were just embellishments. When I listened back to the recordings on my commute, the intrusions from the outside world worked with the recordings. When I was recording environments, I paid attention to sound like I had never done before. It felt cinematic and I felt present in the world in a way I didn't typically. I'm so used to shutting it out with headphones, I rarely spend time just listening to the city as it is. It was a practice of acceptance rather than dismissal. I found that the less I did to manipulate the recordings the better - the natural world of sound didn't need an arranger. I chose to, for the most part, keep the ambient and instrumental additions to the field recordings at the same level or quieter than the field recordings, I didn't want them to be the star of the show.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eI also started to realize that there was a significant perceptual difference between a field recording and what I would probably call a \"studio\" recording. In a studio setting, I'd typically like to capture a sound in an audio vacuum - as pure as possible. Of course with my set up that isn't entirely possible and blemishes seep in from time to time which is ok, it gives the recording some character, but this is only true to a certain extent. Errors in recording or in performance are glaring in a studio setting. This wasn't true at all for a field recording - capturing the sirens and the airplanes was the point. I started to think more critically about this difference - where was the line between the two? When does one type of recording become the other? If I recorded a band playing in a studio and they messed up, that take would be scrapped - but if I captured that same performance on a field recorder while sitting in the studio and included all of the conversation before and after that take, the footsteps and doors opening and closing between the recording area and mixing booth, then I wouldn't hear the recording as a scrapped take, I would hear it as a document of that time and it could work as an interesting recording. But where was that line? Was it in the intent of the recording or is it more gray than that?\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eSo, instead of taking the clock out of the room when I recorded, I just left it in the room - I used it as a metronome. Field recordings will start in my home studio like on \"The Last Day\" and you'll hear me walking around the room with a recording of a piano I made playing from my computer speakers, then slowly that field recording gets overtaken by the studio recording, imperceptibly slow, and the ambience of the room is slowly replaced by the park by my house recorded months prior which transitions to recordings in my neighborhood and a new ambient synth is introduced as you slowly return to my home studio by the end of the song. The screeching of construction vehicles harmonize with violin on \"Indescwibable Peace and Joy\". Music plays from cars and shops on my walk home through Crown Heights as people talk about ketchup and yell to the city about CoronaVirus on \"The Nuclear Bomb\" until you settle in my home with my wife and I listening to music, washing dishes and then transporting to a tiny shore in Queens, where the waves give way to a jazz band playing on the street and church bells recorded weeks later seep through on top of shoppers pushing their carts along with bowed instruments and bells I recorded years ago. And my favorite, \"Astoria\" captures the sounds of Astoria, Queens from the rooftop of my workplace in January 2022 - synths come in on a minor key and transition to a major key, sweeping away like the wind on a rooftop, the years that went by to finally come to this place, the decisions, accidents and miracles, struggling and overthinking only to realize things don't always need to be controlled.\u003c\/span\u003e \"\u003c\/em\u003e \u003c\/p\u003e\n\u003cp\u003eArtist : Aria Rostami\u003c\/p\u003e\n\u003cp\u003eLabel : Self released\u003c\/p\u003e"}
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過去にDirk EntriesやGeographic Northなどから発表しているアメリカ・NYのアンビエント〜テクノ〜IDM作家Aria Rostamiが、2022年4月に25部限定で自主リリースした最新3本組カセットです。 フィールドレコーディングを多用したアンビエントドローン9曲、2時間の超大作です。知らない土地を旅しているかのような感覚を味わえるサウンドスケープです。DLコード付属。 ※ケースの形状上、佐川急便(550円)での発送となりますので、レコードとお求めいただけますとお得です -------------------------- Edition of 25. Comes with DL code...
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