Advance Base // Live at Home LP / CD

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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。

本作は、レーベルオーナーAdvance Baseが、2020年にリリースしたアルバムです。

自宅で行ったライブの録音盤です。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira.

----------------------------

LP edition of 500. Package includes Risograph-printed 11x11 lyric sheet insert.
CD edition of 300.
12 tracks, 43 minutes.

Artist statement by Owen Ashworth:

"The last Advance Base show in front of a live audience was in Portland, Oregon on March 11, 2020, four days into a west coast tour with Claire Cronin & Ruth Garbus. The following day, the COVID-19 pandemic overwhelmed the public consciousness, my professional life as a touring musician ended, & I began the long drive back home to Oak Park, Illinois, where I’ve sheltered in place with my wife & kids ever since. Occasionally, I’ve broadcast live sets over the internet from my basement rehearsal space as a means to keep myself in practice & to maintain a connection to the outside world. The songs on this album were collected from those livestream broadcasts. I've included three songs from each of the three Advance Base “studio” albums, plus three songs from my former music project, Casiotone for the Painfully Alone. I don’t know if or when I’ll be able to tour again, but I’m grateful to have these live versions recorded as a document of what an Advance Base show sounded like in 2020. Thanks for listening."

Owen Ashworth- pianos, synthesizers, samplers, sequencers, drum loops & singing
All songs performed & mixed live at home for various livestream concert broadcasts between April & July 2020

Artist : Advance Base

Label : Orindal Records

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アメリカ・シカゴのインディーポップ〜インディーフォークレーベルOrindal Recordから大量入荷しました。

本作は、レーベルオーナーAdvance Baseが、2020年にリリースしたアルバムです。

自宅で行ったライブの録音盤です。DLコード付属。

レーベルその他作品はこちら /// Click here to see more Orindal Records releases available at Tobira.

----------------------------

LP edition of 500. Package includes Risograph-printed 11x11 lyric sheet insert.
CD edition of 300.
12 tracks, 43 minutes.

Artist statement by Owen Ashworth:

Owen Ashworth- pianos, synthesizers, samplers, sequencers, drum loops & singing
All songs performed & mixed live at home for various livestream concert broadcasts between April & July 2020

Artist : Advance Base

Label : Orindal Records

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width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e----------------------------------------\u003c\/p\u003e\n\u003cp\u003eAvailable on 2 x 12\" black vinyl or 2 x 12\" color vinyl. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eBrave Men Run (In My Family) 05:12\u003c\/li\u003e\n\u003cli\u003eDeath Valley ’69 05:51\u003c\/li\u003e\n\u003cli\u003eKotton Krown 05:07\u003c\/li\u003e\n\u003cli\u003eKill Yr Idols 02:56\u003c\/li\u003e\n\u003cli\u003eEric’s Trip 03:45\u003c\/li\u003e\n\u003cli\u003eSacred Trickster 02:11\u003c\/li\u003e\n\u003cli\u003eCalming The Snake 03:51\u003c\/li\u003e\n\u003cli\u003eStarfield Road 03:27\u003c\/li\u003e\n\u003cli\u003eI Love Her All The Time 07:15\u003c\/li\u003e\n\u003cli\u003eGhost Bitch 04:18\u003c\/li\u003e\n\u003cli\u003eTom Violence 03:11\u003c\/li\u003e\n\u003cli\u003eWhat We Know 04:54\u003c\/li\u003e\n\u003cli\u003eDrunken Butterfly 04:23\u003c\/li\u003e\n\u003cli\u003eFlower 04:27\u003c\/li\u003e\n\u003cli\u003eSugar Kane 07:42\u003c\/li\u003e\n\u003cli\u003ePsychic Hearts 04:31\u003c\/li\u003e\n\u003cli\u003eInhuman 11:59\u003c\/li\u003e\n\u003c\/ol\u003e\n\u003cp\u003eText excerpt by Silver Current Records:\u003c\/p\u003e\n\u003cp\u003e\"\u003cem\u003eOn August 12, 2011 Sonic Youth played their final US show on an outdoor stage overlooking the East River at the Williamsburg Waterfront in Brooklyn. Fitting that their storied career would bookend with a panoramic view of New York City where it all began 30 years before, having left in their wake one of one of the most powerfully influential careers in rock music.\u003c\/em\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eFollowing incredible sets from Kurt Vile and Wild Flag, the band took the stage. As the sun went down over the city, Sonic Youth ripped through a 17 song set that spanned from deep cuts off their first studio album and highlighting many other albums all the way through to their last, like a band with everything to prove. Or as Brooklyn Vegan’s Andrew Sacher said at the time: “While most bands who are thirty years into their career are either fading away or living off of the nostalgia of their older material, Sonic Youth continue to sound and perform as fresh as ever.”\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Sonic Youth\u003c\/p\u003e\n\u003cp\u003eLabel : Silver Current Records\u003c\/p\u003e\n\u003cp\u003eCAT No.: \u003cspan data-mce-fragment=\"1\"\u003eSC 055LP\u003c\/span\u003e\u003c\/p\u003e"}

Quickview {"id":8274377769210,"title":"Flight Mode \/\/ The Three Times 3xTAPE","handle":"flight-mode-the-three-times-3xtape","description":"\u003cp\u003eノルウェーのエモ〜マスロックバンドFlight Modeが、2024年2月にアメリカ・ノースカロライナの地下レーベルSound As Languageから50部限定でリリースした3本組カセットです。\u003c\/p\u003e\n\u003cp\u003e90'sエモリスナーにおすすめのオールドスクールエモ〜マスロック12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便での発送となります\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2981602560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2981602560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=714087588\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2981602560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=726946486\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2981602560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1239961320\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=349688784\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=349688784\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=532423177\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=349688784\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3680450145\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=349688784\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1677571946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2990104929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2990104929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1850596001\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2990104929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3420711710\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2990104929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=70467155\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003ehere\u003c\/a\u003e to see more Sound As Language releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Edition of 250.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Twentyfour 02:42\u003cbr\u003e2. Blinks 02:47\u003cbr\u003e3. Togetherness 03:19\u003cbr\u003e4. Dö Yoü Rëmëmbër 03:26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement \/ text by Sjur Lyseid:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Five years later. I still have my quarrels with nostalgia. But I'm en route to somewhere, and I'm moving backwards as I'm moving forward. Torshov is a borough in Oslo, Norway where I shared an apartment with some friends throughout most of my twenties. In 2005 I turned 24.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo why 2005, and why Torshov? It could have been any year. It could have been anywhere. I could have been anyone. I'm not being nostalgic, I'm just trying to remember it. And remember me.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt's the year full of realizations, but no epiphanies. The year when the wide-eyed arrogance of your early twenties is beginning to fade. When you cross the excuse for a river in this peripheral city every Tuesday, to go stand behind the counter at a chain record store. When you've just released your first EP with your indie rock band, meticulously scissoring each and every jewel case inlay. When you thought it was a good idea to go down to said river with your Jazzmaster for a band photo. When that photo, along with the CDs that will no longer play, is the only real document you were able to find from that year, and everything else is a haze of auditoriums, alcohol and neverlasting love. Because it's a year of limbo\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, a leap year in every sense but the literal, everything digitized but not yet stored in the virtual cloud. So all your memories are now virtually floating somewhere in the literal clouds with no strings tying them down.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd you're trying to reconstruct, just to realize you weren't really there, that you were someone else, and that someone else is forever lost in the fragility of the time that passed. Then, you think if you can just catch it fast enough, with enough immediacy, it might just ring true, you might be there. But again, you see it's all pure construction rather than reconstruction. But at least this is how I remember it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI also remember, if I somewhat embarrassedly admit it, that Death Cab for Cutie was probably my favorite band back in '05 – although the burgeoning indie elitist in me was skeptical of (but secretly loving) Transatlanticism and outright dismissive of the newly released Plans. However, when Death Cab expat Chris Walla stumbled into my sphere right on the tail end of recording this EP, I knew he had to be involved in some capacity. He has mixed two of the songs in Hall of Justice. It just seems too fitting. Just like the fact that 24 is exactly 2.42 long (or should I say short). Otherwise, the EP was recorded, and mostly written, over four days in June, just like the last one. June 24th - 27th to be specific.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Flight Mode\u003c\/p\u003e\n\u003cp\u003eLabel : Sound As Language\u003c\/p\u003e","published_at":"2024-04-09T07:09:11+09:00","created_at":"2024-04-09T07:06:46+09:00","vendor":"Tobira Records","type":"","tags":["folk \/ left-field pop","new","sound as language","tape"],"price":498000,"price_min":498000,"price_max":498000,"available":true,"price_varies":false,"compare_at_price":null,"compare_at_price_min":0,"compare_at_price_max":0,"compare_at_price_varies":false,"variants":[{"id":45553043144954,"title":"Default Title","option1":"Default Title","option2":null,"option3":null,"sku":null,"requires_shipping":true,"taxable":true,"featured_image":null,"available":true,"name":"Flight Mode \/\/ The Three Times 3xTAPE","public_title":null,"options":["Default Title"],"price":498000,"weight":430,"compare_at_price":null,"inventory_management":"shopify","barcode":null,"requires_selling_plan":false,"selling_plan_allocations":[]}],"images":["\/\/tobirarecords.com\/cdn\/shop\/files\/0034231143_10.jpg?v=1712614092"],"featured_image":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034231143_10.jpg?v=1712614092","options":["Title"],"media":[{"alt":null,"id":33590192308474,"position":1,"preview_image":{"aspect_ratio":1.333,"height":900,"width":1200,"src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034231143_10.jpg?v=1712614092"},"aspect_ratio":1.333,"height":900,"media_type":"image","src":"\/\/tobirarecords.com\/cdn\/shop\/files\/0034231143_10.jpg?v=1712614092","width":1200}],"requires_selling_plan":false,"selling_plan_groups":[],"content":"\u003cp\u003eノルウェーのエモ〜マスロックバンドFlight Modeが、2024年2月にアメリカ・ノースカロライナの地下レーベルSound As Languageから50部限定でリリースした3本組カセットです。\u003c\/p\u003e\n\u003cp\u003e90'sエモリスナーにおすすめのオールドスクールエモ〜マスロック12曲を収録。\u003c\/p\u003e\n\u003cp\u003e※デジタル音源をご希望の場合はお気軽にご連絡をお願いいたします\u003c\/p\u003e\n\u003cp\u003e※ケースの形状上、佐川急便での発送となります\u003c\/p\u003e\n\u003cp\u003e\u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2981602560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2981602560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=714087588\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2981602560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=726946486\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2981602560\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1239961320\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=349688784\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=349688784\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=532423177\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=349688784\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3680450145\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=349688784\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1677571946\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2990104929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2990104929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=1850596001\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 120px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2990104929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=3420711710\/transparent=true\/\" seamless=\"\"\u003e\u003c\/iframe\u003e \u003ciframe src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2990104929\/size=large\/bgcol=ffffff\/linkcol=0687f5\/tracklist=false\/artwork=none\/track=70467155\/transparent=true\/\" style=\"border: 0; width: 100%; height: 120px;\" seamless=\"\"\u003e\u003c\/iframe\u003e\n\u003cp\u003eレーベルその他作品は\u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003eこちら\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\/\/\/ Click \u003ca href=\"https:\/\/tobirarecords.com\/collections\/soaslan\"\u003ehere\u003c\/a\u003e to see more Sound As Language releases available at Tobira. \u003c\/p\u003e\n\u003cp\u003e--------------------------\u003c\/p\u003e\n\u003cp\u003eAsk us for digital files. Edition of 250.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist\u003c\/strong\u003e:\u003c\/p\u003e\n\u003cp\u003e1. Twentyfour 02:42\u003cbr\u003e2. Blinks 02:47\u003cbr\u003e3. Togetherness 03:19\u003cbr\u003e4. Dö Yoü Rëmëmbër 03:26\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eArtist statement \/ text by Sjur Lyseid:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003e\"Five years later. I still have my quarrels with nostalgia. But I'm en route to somewhere, and I'm moving backwards as I'm moving forward. Torshov is a borough in Oslo, Norway where I shared an apartment with some friends throughout most of my twenties. In 2005 I turned 24.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eSo why 2005, and why Torshov? It could have been any year. It could have been anywhere. I could have been anyone. I'm not being nostalgic, I'm just trying to remember it. And remember me.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eIt's the year full of realizations, but no epiphanies. The year when the wide-eyed arrogance of your early twenties is beginning to fade. When you cross the excuse for a river in this peripheral city every Tuesday, to go stand behind the counter at a chain record store. When you've just released your first EP with your indie rock band, meticulously scissoring each and every jewel case inlay. When you thought it was a good idea to go down to said river with your Jazzmaster for a band photo. When that photo, along with the CDs that will no longer play, is the only real document you were able to find from that year, and everything else is a haze of auditoriums, alcohol and neverlasting love. Because it's a year of limbo\u003c\/em\u003e\u003cspan class=\"bcTruncateMore\"\u003e\u003cem\u003e, a leap year in every sense but the literal, everything digitized but not yet stored in the virtual cloud. So all your memories are now virtually floating somewhere in the literal clouds with no strings tying them down.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eAnd you're trying to reconstruct, just to realize you weren't really there, that you were someone else, and that someone else is forever lost in the fragility of the time that passed. Then, you think if you can just catch it fast enough, with enough immediacy, it might just ring true, you might be there. But again, you see it's all pure construction rather than reconstruction. But at least this is how I remember it.\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eI also remember, if I somewhat embarrassedly admit it, that Death Cab for Cutie was probably my favorite band back in '05 – although the burgeoning indie elitist in me was skeptical of (but secretly loving) Transatlanticism and outright dismissive of the newly released Plans. However, when Death Cab expat Chris Walla stumbled into my sphere right on the tail end of recording this EP, I knew he had to be involved in some capacity. He has mixed two of the songs in Hall of Justice. It just seems too fitting. Just like the fact that 24 is exactly 2.42 long (or should I say short). Otherwise, the EP was recorded, and mostly written, over four days in June, just like the last one. June 24th - 27th to be specific.\"\u003c\/em\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eArtist : Flight Mode\u003c\/p\u003e\n\u003cp\u003eLabel : Sound As Language\u003c\/p\u003e"}